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[ "Abby Newman", "Characterization", "Was the article about a soap opera?", "Abby was conceived when Ashley Abbott, desperate to have Victor Newman's child to replace the one whom she aborted years prior,", "Did Abby have a child?", "Abby\" for short, was born on November 13, 2000.", "What was the name of her romantic partner?", "Victor Newman's", "Was there more than one relationship?", "Rylan" ]

[ "Jessica Rylan (born 1974) is a sound artist, electronic musician and engineer from Boston, Massachusetts. Most of Rylan's work is based on the design and construction of DIY modular synthesizers, which she then uses to create a variety of sounds combined with her own vocal performance. Her work has been described as \"a set of weird hybrids - noise pop, folk noise\", and \"sometimes rough, sometimes playful, sometimes confessional.\" She describes herself as an \"artist turned engineer,\" and has cited Merzbow as an influence upon her own work.\n\nChildhood and education \nRylan grew up in Boston, Massachusetts and was based in Boston for the beginning of her career. She has played music for most of her life and began with classical training. Ryan also sang, read music, and played musical instruments in her early years. Her grandfather was an electrical engineer and was her first influence in the area of electronics. He taught her about electronics and helped her first build machines. The magazine Popular Electronics was also an inspiration to Rylan when she was growing up.\n\nRylan received an MFA degree in electronic music from Bard College in 2003. She was a research affiliate at MIT’s Center for Advanced Visual Studies from 2006 to 2010. Rylan received a BS degree in electrical engineering from University of Massachusetts Lowell in 2010. She has received grants from Penny McCall Foundation and the LEF Foundation and is currently a PhD candidate in Electrical Engineering at Stanford University.\n\nCareer\nRylan is a solo artist, working as the noise band Can't, or under her own name. She has performed across the United States and toured in Europe, Russia, and Norway. Rylan's work has been released as a limited series on her own IRFP label, as well as recordings on Important Records (USA), Musica Excentrica (Russia), and Drop Of Blood Records (Netherlands), among others.\n\nOn 14 November 2007, Rylan gave an artist's talk at MIT's Centre For Advanced Visual Studies, discussing the development of her work, her influences and her work with Don Buchla.\n\nRylan is one of the artists featured in Totally Wired, a documentary about Andreas Schneider's infamous boutique electronic musical instrument shop called SchneidersBuero, in Berlin.\n\nIn January 2012, Rylan performed as part of Stanford University's KZSU 90.1FM's 24-hour 'Day Of Noise' experimental music broadcast.\n\nRylan has performed with various artists, including John Wiese, Thurston Moore and Wolf Eyes.\n\nBusiness\nRylan started a business, Flower Electronics, in 2006 where she produces editions of her instruments for purchase. These include: Little Boy Blue, Personal Synth, Natural Synth, Battery Powered Noise Generator, Modular Synthesizer, Controller, White Face, Blue Box, Arvin Radio, Bogen Intercom, Intermodulator #1.\n\nRylan discusses the process behind (and details the schematics for) her DIY Personal Synthesizer (2004) build in an article for the Vague Terrain journal.\n\nReferences\n\n1974 births\nLiving people\nAmerican electronic musicians\nAmerican women in electronic music\n21st-century American women", "Dani Rylan Kearney (born August 5, 1987) is an American entrepreneur and former ice hockey player. She is the founder and former commissioner of the National Women's Hockey League (NWHL), the first professional women's hockey league in the United States, and the first professional women's hockey league ever to pay its players in North America. Prior to launching the league in March 2015, Rylan attempted to bring a CWHL expansion team to New York in 2014. She previously played with the Northeastern Huskies women's ice hockey program in NCAA play and was a captain in her final season.\n\nEarly life and playing career\nRylan began playing ice hockey with boys on the Tampa Bay Junior Lightning as an elementary school student. She attended boarding school at the St. Mark's School in New England and was captain of the girls' hockey team.\n\nPrior to joining Northeastern University, Rylan played one season with the Division II club program at the Metropolitan State College of Denver, a men's team that competes in the American Collegiate Hockey Association. She earned a broadcasting journalism degree at Metro State in 2010.\n\nCareer stats\n\nExecutive career \nRylan was inspired to create a women's league while watching the United States and Canadian national teams play in the finals of the 2014 Winter Olympics and began researching the new business opportunity. She began calling people she knew in ice hockey circles and the plans for the league began within a year. She contacted players, conducted research on markets, held training camps, created four teams, and scheduled the venues.\n\nSince that time, the NWHL added two more teams and sparked an increased interest in women's hockey viewership and participation. In 2019, Rylan and the NWHL Players' Association agreed on a 50-50 split of revenue from all league-level partnerships — the first such deal in women's professional sports history. The 2019–20 season saw the most corporate partnerships the league has ever had. The NWHL and Twitch announced a three-year partnership in 2019 for exclusive streaming rights of all league games. During Rylan's tenure, the NWHL brought women's hockey to communities beyond the league's markets with All-Star Games held in Pittsburgh and Nashville, with the Nashville event setting the record for largest attendance for a women's professional hockey game in the United States. She also formed the Jr. NWHL, which connected the league with more than 150 youth hockey programs.\n\nRylan has been named to ESPN's \"IMPACT 25,\" which recognizes the women making the biggest impact on their sport and the society in which they live, and she has been honored by Fast Company as one of the \"Top 100 Most Creative People\" and as a member of the magazine's Innovation Council. A passionate entrepreneur, she is a popular speaker and panelist at business and career conferences.\n\nOn October 12, 2020, Rylan stepped down as commissioner and was replaced by Tyler Tumminia as interim commissioner during a league reorganization. The league changed its governing model to an incorporated association overseen by a board of governors with one representative per team. Rylan remained with the league to oversee the Beauts, Whale, Riveters, and Whitecaps while it searched for independent ownership of the league-operated teams before resigning from that role in March 2021.\n\nPersonal life\nRylan grew up in Indian Rocks Beach, Florida. Her father worked in marketing for the Tampa Bay Lightning. After college, she moved to New York City and opened a coffee shop named Rise and Grind in East Harlem.\n\nReferences\n\nExternal links\n NWHL bio\n\n1987 births\nAmerican women's ice hockey players\nNortheastern University alumni\nSportspeople from Tampa, Florida\nLiving people\nNortheastern Huskies women's ice hockey players\nPremier Hockey Federation\nNew York Riveters\nAmerican sports businesspeople\nWomen in American professional sports management\nIce hockey people from Florida\nMetropolitan State University of Denver alumni\nCommissioners\nWomen ice hockey executives\nAmerican sports executives and administrators" ]

[ "Abby Newman", "Characterization", "Was the article about a soap opera?", "Abby was conceived when Ashley Abbott, desperate to have Victor Newman's child to replace the one whom she aborted years prior,", "Did Abby have a child?", "Abby\" for short, was born on November 13, 2000.", "What was the name of her romantic partner?", "Victor Newman's", "Was there more than one relationship?", "Rylan", "What were the details of the relationship with Rylan?", "Rylan was initially afraid that Abby was very similar to Lizzie Spaulding as they were both wealthy rich heiresses who caused trouble." ]

[ "Abby Newman is a fictional character from the American CBS soap opera, The Young and the Restless. The character was introduced on November 13, 2000, as the daughter of Ashley Abbott (Eileen Davidson) and Victor Newman (Eric Braeden). The role was portrayed by Darcy Rose Byrnes as a child until 2008, when the character was rapidly aged to a teenager, with Hayley Erin assuming the role the following year. In 2010, the character was rapidly aged again to an adult, with Emme Rylan cast as Erin's replacement. Rylan was let go in 2012 due to budgetary cuts, but returned months later in February 2013 on a recurring status following viewer complaints. However, her return was cut short once Rylan vacated the role to join General Hospital as Lulu Spencer. Melissa Ordway was then hired as her recast, who made her debut on April 16, 2013. Rylan compared Abby to her previous role, Lizzie Spaulding on Guiding Light, saying they were both wealthy heiresses who cause trouble. Upon Abby's return in 2013, Rylan felt that she had become \"more mature\".\n\nCasting\nIn 2003, Darcy Rose Byrnes began portraying the character on both The Young and the Restless and The Bold and the Beautiful. Byrnes' run came to an end in June 2008 when Noah Newman was aged to a teenager, and Abby's character was soon to follow. In December 2008, it was announced that Hayley Erin had been cast to portray a teenaged version of the character. In March 2010, it was announced that the character had been rapidly aged again to an adult, with Marcy Rylan scheduled to join the cast. Erin made her final appearance on April 14, with Rylan's debut on May 18, 2010. Previously, Rylan was known for her three-year portrayal of Lizzie Spaulding on Guiding Light.\n\nIn December 2011, Rylan took a maternity leave and was absent from the soap opera for several weeks.\nIn September 2012, it was announced that Rylan had been let go from The Young and the Restless reportedly due to budgetary cuts, with her last airdate on October 23, 2012. Within two months of her departure, it was announced that Rylan would be returning due to viewer complaints; her recurring return began on February 11, 2013, however, Rylan was announced to exit again soon after when news broke of her casting in the contract role of Lulu Spencer on ABC's General Hospital, Rylan vacated the role on April 10, 2013. Melissa Ordway was then announced to take over the role, with her debut on April 16, 2013.\n\nDevelopment\n\nCharacterization\n\nAbby was conceived when Ashley Abbott, desperate to have Victor Newman's child to replace the one whom she aborted years prior, stole his sperm from Diane Jenkins, who had obtained the sample illegally from a fertility lab. Ashley then secretly inseminated herself, and Abigail, \"Abby\" for short, was born on November 13, 2000. Abby believed her father was Brad Carlton, and was consequently given his last name. When Ashley had cancer, she recorded a video message for Abby to see when she was older, and revealed Victor was her biological father. Ashley survived her cancer, but Abby saw the video without her mother's knowledge, and ran to Victor. After the truth came out, she changed her name to Abigail Carlton Newman. In 2008, Abby's birth year was revised to 1994 when she was said to be 14 years old in December 2008. With the role being recast in 2010, Abby's birth year is revised to 1988 when she is aged to 21.\n\nRylan was initially afraid that Abby was very similar to Lizzie Spaulding as they were both wealthy rich heiresses who caused trouble. Rylan embraces typecast and stated that as an actor, it is good to be seen as someone who can play \"good, bad, and the in-between.\" Rylan's Abby first appears in May 2010, promoting herself as an animal rights activist. She garners the nickname, 'The Naked Heiress' when she flashes photographers in the lobby of Jabot Cosmetics.\n\nRylan states that Abby is a member of both the Newmans and the Abbotts and \"Abby is a little more half-and-half.\" Emme Rylan believes that Abby is such a rebel because she needs attention to feel like she matters to those around her. Abby's reality-TV star personality leads many to believe that Abby is the next Paris Hilton.\n\nAfter a short departure, Abby returns to Genoa City in 2013. Rylan felt that she was \"more mature\" and said, \"For the first time, Abby is feeling a little embarrassed about her previous choices [...] She's trying really hard to be a better person...and figure out where she fits if she's not running around naked.\"\n\nRomance\nIn 2010, Abby was romantically linked with Daniel Romalotti. Soon after, she began flirting with Daniel Romalotti when the two begin sharing romantic interactions. Abby had sex with Daniel in the Newman pool house, and she recorded it for her reality show. Abby and Daniel's relationship was outed when Nikki Newman and Daniel's mother, Phyllis Summers, saw Abby and Daniel making out in public. Their relationship continued for a while, but when Abby found out that Daniel fathered a child with Daisy Carter, she broke up with him.\n\nUpon Abby's return, Abby was romantically linked to Marco Dapper's Carmine Basco, when the two begin dating much to him being shunned by the town, but Abby is able to convince some of them that Carmine is a good soul. However the relationship wasn't given closure upon Rylan's exit from the soap opera. Dapper admitted in an interview that the writers \"didn't really know what to do with him after Abby left the first time\". He also stated that he hoped Carmine would have more of a \"darker turn\", and that he still believes there is a \"left over spark\" with Abby as their storyline \"was never finished\" and \"nothing was wrapped up properly\".\n\nShortly after her failed relationship with Carmine, Abby took romantic interest in Detective Ignacio Serricchio's Alex Chavez, and they began dating. However, the relationship was short-lived when the writers soon began developing Abby's relationship with Redaric Williams's Tyler Michaelson. According to Williams, Tyler is \"intrigued\" by Abby's unpredictable nature and said that their natural attraction could lead to romance. However, Williams hinted that Tyler's interest in Abby could be his attempt to \"suppress his feelings\" for Lily. Abby and Tyler's relationship faced some interference from Tyler's ex-fiancée, Mariah Copeland, but she seemed to back off leading to Tyler proposing to Abby and they became engaged. However, Abby breaks off the engagement when Mariah's interferences causes Abby to believe Tyler is still in love with Mariah.\n\nStorylines\nAbby went with Ashley when she left Genoa City to work for Jabot International in Hong Kong. Ashley later moved to Los Angeles with Abby, and later London, England for Ashley's work with Forrester Creations. Ashley traveled to Paris, France in search of Abby's father, Victor. Abby's parents eventually reunited and Brad became jealous when Abby bonded more with her real father Victor. However, Brad drowned in 2009, and his daughter, Colleen Carlton, died by a similar fate several months later in 2009, leaving Abby as the sole beneficiary to the Carlton estate. After the deaths of the Carltons, Abby began to rebel against her parents. She pursued the much older Ryder Callahan, and she unknowingly assisted with one of his schemes with his sister, Daisy Carter. Eventually, they were caught, and Abby decided to avoid the siblings.\n\nAbby protested in front the lobby of Jabot Cosmetics after Tucker McCall became the company owner. Abby did not know that her mother returned to become CEO. Then, Abby planned to start her own reality television show, entitled \"The Naked Heiress\", but she didn't have the money to fund her dream. After her parents refused to help her, Abby hired Rafe Torres as her lawyer to sue her parents for her inheritance. Soon after, she began flirting with Daniel Romalotti. When Billy and Victoria Newman Abbott refused to help Abby with her reality television dream, she blackmailed Billy to be featured in his magazine, Restless Style. She eventually revealed Billy and Victoria's secret Jamaican marriage to their family and friends. Seemingly unstoppable, the judge then denied Abby's plea for her inheritance. Meanwhile, Abby had sex with Daniel in the Newman pool house, and she recorded it for her reality show. Abby and Daniel's relationship was outed when Nikki Newman and Daniel's mother, Phyllis Summers, saw Abby and Daniel making out in public. Their relationship continued for a while, but when Abby found out that Daniel fathered a child with Daisy Carter, she broke up with him. After she witnessed her mother kissing Tucker McCall, she asked him to go into business with her. When Tucker turned her down, Abby decided to take a bubble bath in Katherine Chancellor's pool at the annual Chancellor Fourth of July party. Abby's inheritance was then withheld indefinitely. To spite her parents, Abby rode a horse, while naked, inside the Genoa City Athletic Club while Victor and Nikki were celebrating their engagement. She was arrested and thrown in jail. Upon her release, Abby decided to reopen her lawsuit against Victor, with the help of her uncle Jack Abbott. Later, Abby's half-siblings Victoria and Nicholas Newman joined her in her lawsuit. Victor tried to bargain with his children, but they wanted his cosmetics line, Beauty of Nature. He refused their offer, and with the help of testimonies from their estranged half-brother Adam Newman and Neil Winters, they each received $500 million in the settlement.\n\nWhen a powerful storm hit Genoa City, Abby searched for her mother, and she found Tucker with Diane Jenkins. When Tucker proposed to Ashley in 2010, Abby was disgusted with her stepfather-to-be. Meanwhile, Abby now had the funds to produce The Naked Heiress, and she made her debut by stripping at Gloworm. She was then arrested and thrown in jail for indecent exposure. Abby invited her mother on a girls' night out in an attempt to repair their relationship. In reality, she lured her mother to a cabin where she had manipulated Tucker into meeting Diane. On the way, Abby accidentally crashed into Tucker, leaving him severely injured. Ashley switched places with Abby, and she was jailed for her \"reckless driving\". Abby soon remembered that she was the driver, but her parents sent her to rehab to prevent her from confessing the truth. Before she left, she made a confessional tape with the truth about the accident, and the tape fell into the hands of Diane Jenkins and Deacon Sharpe. Abby returned from rehab after only a few days, and Tucker woke up from his coma soon after. He married Ashley from his hospital bed the next day. He, too, remembered that Abby hit him, not Ashley. Abby decided to come clean to Tucker, and he forgave her. They decided to keep the truth between the two of them. With Diane threatening to reveal her confession tape to the public, she met her in the town park. The next day, Abby woke up with dirt on her clothes to hear the news that Diane's body was found in the park. Abby remembered wrestling with Diane for a key to a safe where her confession tape was located. Detective Ronan Malloy revealed that a key was found in Diane's throat. Ashley also met with Diane on the night of the murder, and she learned that Tucker did actually have an affair with Diane. Ashley apologized to Abby for not believing her. Detective Malloy eventually found a flash drive with Abby's confession hidden in a piece of evidence. The police arrested Abby for hitting Tucker with her car, but Tucker saved her when he told the police that Abby was not the driver. After Ashley and Tucker's official wedding ceremony in 2011, Abby went on vacation to Los Angeles, California for the holidays.\n\nShe is now working at Newman alongside her sister Victoria and father Victor and just married Ben Rayburn on December 31, 2015, but is having doubts.\n\nMarried life seemed to be agreeing with Abby. It looked as if Ben and Abby had the perfect life laid out for them. That is until Stitch's (Ben Rayburn's) son Max was orphaned after his mom (Ben's ex) was killed in a car accident the day of his and Abby's wedding. Stitch's son and mother were en route to the wedding so Max could be a part of his father's wedding. But misfortune took and Ben's son ended up at the Genoa City Police Department with the department's police chief and lead detective, Paul Williams. Following the wedding, Ben is phoned by Paul from the station of an emergency and he and Abby rush to join Max and Paul there.\n\nReception\nTommy Garrett of the website Highlight Hollywood slammed executive producer Jill Farren Phelps for her initial firing of Rylan, who he described as \"the best thing on Y&R in decades\". Garrett was unfavorable of Ordway's performance, calling her \"Melissa Ordinary\" and stating that she is \"as exciting to watch, as being stuck in traffic on the L.A. Freeway\". Soap Opera Digest wrote that letting Rylan \"slip away\" to join General Hospital was \"puzzling\". Soaps in Depth was also critical of the soap opera's decision to let Rylan leave for General Hospital, writing: \"Turns out if you snooze, you really do lose. Anyone requiring proof that The Young and the Restless corrected a recent blunder by bringing Emme Rylan back as Abby... and then allowed her to be stolen away by General Hospital, where she'll take over the role of Lulu. Adding insult to injury? Just how much Rylan's return reminded us of how much we loved her as Abby!\" They also wrote that they would \"never understand how Y&R was foolish enough to let Rylan slip through their fingers not once but twice\". The magazine praised the character's change in maturity, describing her as the \"new, improved Abby\". They wrote:\n\nReferences\n\nExternal links\n Abigail \"Abby\" Carlton Newman's profile on SoapCentral\n\nThe Bold and the Beautiful characters\nFemale characters in television\nAdoptee characters in television\nFictional business executives\nFictional female businesspeople\nFictional socialites\nFictional television personalities\nTelevision characters introduced in 2000\nThe Young and the Restless characters", "Emme Marcy Rylan (born Marcy Faith Behrens; November 4, 1980) is an American actress. From 2005 until 2013, she was credited as Marcy Rylan. She is best known for her portrayals on the CBS soap operas Guiding Light as Lizzie Spaulding and The Young and the Restless as Abby Newman. From 2013 to 2020, she portrayed the role of Lulu Spencer on ABC's General Hospital.\n\nCareer\nRylan joined the cast of Guiding Light as Lizzie Spaulding on February 7, 2006, taking over the role from Crystal Hunt, until the finale on September 18, 2009. She won the role of Winnie Harper in the straight-to-video 2006 cheerleading film Bring It On: All or Nothing in which she co-starred with fellow Guiding Light alumnus Hayden Panettiere. She was a guest star on the Nickelodeon show Drake & Josh and appeared in several national network commercials.\n\nAfter CBS announced the cancellation of Guiding Light, Rylan joined The Young and the Restless as Abby Newman. Her first airdate was May 18, 2010. She was later absent from the soap during the 2011 holiday season due a maternity leave. In September 2012, it was announced that Rylan had been let go from The Young and the Restless due to budgetary cuts.\n\nShe made her final appearance on October 23, 2012; she later returned to the role from February 11, 2013, to April 10, 2013, when she ultimately left the role; she was recast with actress Melissa Ordway. On March 6, 2013, it was announced that Rylan would join the cast of General Hospital as Lulu Spencer, replacing Julie Marie Berman. On December 1, 2020, after increased speculation, Rylan exited the role.\n\nPersonal life\nRylan graduated from Tyrone Area High School in Tyrone, Pennsylvania in 1999. She and her long term significant other Don Money have three children — two sons and a daughter.\n\nFilmography\n\nFilm\n\nTelevision\n\nReferences\n\nExternal links\n\n1980 births\nLiving people\nAmerican film actresses\nAmerican soap opera actresses\nActresses from North Carolina\nActresses from Pennsylvania\nPeople from Blair County, Pennsylvania\nPeople from Providence Township, Rowan County, North Carolina\n21st-century American actresses" ]

[ "Abby Newman", "Characterization", "Was the article about a soap opera?", "Abby was conceived when Ashley Abbott, desperate to have Victor Newman's child to replace the one whom she aborted years prior,", "Did Abby have a child?", "Abby\" for short, was born on November 13, 2000.", "What was the name of her romantic partner?", "Victor Newman's", "Was there more than one relationship?", "Rylan", "What were the details of the relationship with Rylan?", "Rylan was initially afraid that Abby was very similar to Lizzie Spaulding as they were both wealthy rich heiresses who caused trouble.", "Did Rylan and Abby stay together?", "I don't know." ]

[ "Abigail \"Abby\" Hayes is the main character in many children's fiction books, called The Amazing Days of Abby Hayes. She lives a normal life with a successful and supportive family and many friends. Abby aspires to be like her older siblings, Isabel and Eva. Isabel and Eva always fight. She also has a younger brother named Alex. Each of her siblings excel in a variety of fields. Abby is shown to be a natural swimmer, poor in math while rich in literature. Just because she excels in writing, she still feels incomparable to her siblings, though her older sisters envy her hair, and her brother looks up to her. In That's the Way the Cookie Crumbles, Abby is a talented baker. She is willing to break the rules at times but only when she feels she needs to. She wants to attend a writing camp next summer. Abby is an Amazing role model for young girls.\n\nAbby's friends and relationships play a major role in her life, as well as her love for animals, like cats and dogs. She and Isabel own a kitten named T-Jeff, a kitten she had once taken in secretly when she found him in Look Before You Leap but was permitted to keep him officially when her parents found out. Abby's favorite color is purple. Abby's favorite thing to do is write in her journal. Her favorite grade school teacher is Ms. Bunder, her creative writing teacher. Her favorite middle school teacher is Ms. Bean, her art teacher, who also happens to be good friends with Ms. Bunder.\n\nA distinguishing characteristic of Abby is her curly red hair and blue eyes. She hopes to become a writer, journalist, or writing teacher someday. Her major love interest is Simon, a saxophone player a year older than she is who goes to her school.\n\nJobs\n\nAbby is an editor for The Daisy, her school's literary journal. She has one of the most important jobs and is the only sixth grader on the staff.\n\nShe used to be \"band manager's assistant\" for the school band, the Jazz Tones. She had been nicknamed \"Curly Red\" and had done daring jobs. When choosing between The Daisy and the Jazz Tones, Abby felt it was too pointless to stay, even for Simon, so she quit, much to the displeasure of the band director.\n\nIn Have Wheels, Will Travel, Abby takes care of her neighbor Heather's cat, Marshmallow, for a week while Heather is in London.\n\nThe only other \"job\" Abby has had is shown in Super Special #1- The Best is Yet to Come, when she takes care of Wynter, the daughter of Olivia Hayes's college roommate, Laurie. Laurie takes advantage of Abby by making her babysit the difficult Wynter for a week and refuses to pay Abby until Abby's mom finds out and kicks her out of the house, giving Abby the money she deserved.\n\nFriends and acquaintances\nJessica \"Jessy\" is Abby's former best friend. She was fond of space and science. She is fairly tall and her mother is divorced. In Out of Sight, Out of Mind, she moves in with her father and his new wife and stepdaughters in Oregon, changing into a boy crazy girly-girl. She starts wearing skimpy outfits and even gets a boyfriend. Abby claims that although Jessy is still friendly, she is a completely different person from the old Jessica. \nIan is Jessy's boyfriend. He takes her to cool parties and is very popular. \nNatalie is an acquaintance of Abby who she meets at the beginning of fifth grade. Along with Jessica, they were best friends, but Bethany becomes Natalie's best friend after Jessica moves away. However, Natalie and Abby still remain close. In middle school, her personality changes completely: Natalie was messy in fifth grade, but by \"Knowledge is Power\" is seen to be neat and sleek. She wears hip clothes and acts bored a lot. She plays the clarinet in the Jazz Tones and has a brother named Nicolas. Before she changed, Natalie was a huge fan of chemistry, fantasy, and Harry Potter. After Abby quits her job with the Jazz Tones, she and Natalie become \"just friends\" and now rarely spend time with each other. \nBethany is one of Abby's good friends. She loves animals (especially hamsters), is a vegetarian, and used to be Brianna's personal cheerleader, saying \"Yay, Brianna!\" all the time. After she declares independence from her in \"The More The Merrier\", she becomes a good friend of Natalie. However, in \"Now You See It, Now You Don't\", she strangely reverts to being Brianna's cheerleader again, though she and Abby remain friends. She is also a talented gymnast. She owns a lop rabbit and a hamster named Blondie.\nHannah is Abby's current best friend. They met at a Fourth of July picnic. Hannah is much like Jessica, with similar long brown hair and big brown eyes. She is neat, understanding, friendly, tall, and a bit annoying at times. She always has a solution for everything and has many good ideas. However, she doesn't always understand Abby, as seen in \"It's Music To My Ears\". Hannah has an over-the-top positive attitude and never talks badly about anybody. In \"Sealed With A Kiss\", Abby mentions that she thinks Hannah might have a bit of a crush on Casey, though she denies it. Hannah has a little sister named Elena. \nBrianna is one of the most popular girls in school and a major show-off. She likes to brag excessively, which includes reminding everyone she is the best and she only has the fanciest of things. In \"Home Is Where The Heart Is\", Abby actually becomes Brianna's neighbor. She has a younger sister, as revealed in \"Reach for the Stars\", and a cousin named Clara, who Abby meets in \"What Goes Up Must Come Down\". In the first book, it is revealed that her last name is Bauer.\n Victoria is a mean, obnoxious friend of Brianna. When Abby trips on the first day of health class and loses her clip-on earring, Victoria calls her the \"One Earring Wonder.\" She and Brianna met during the 5th grade science fair. Her trademark word is \"like\". \n Sophia is a shy, artistic girl who is another of Abby's current friends. Sophia likes to draw, and is on the school newspaper staff as the artist.\n Simon is Abby's former crush. He is in seventh grade, plays the saxophone, and is very popular. He has brown hair that falls over his face, blue eyes, and according to Abby he is \"dreamy\". He is athletic, a good student, and very polite. He only sees Abby as a friend and barely an acquaintance, much to her dismay. In \"All That Glitters isn't Gold\", it is mentioned that Abby and Simon are just friends, and she no longer has a crush on him. \n Casey Hoffman is Abby's friend from elementary school who she meets during the science fair. In elementary school they were teased and called \"lovebirds\". Although a regular character in the middle books, he does not appear as often in some of the later series. Abby suspects that Casey likes Hannah and vice versa.\n Mason is a good friend of Abby's, nicknamed \"the Big Burper\" for his burping talent. Short and pudgy in elementary, he has grown taller and slimmer by the time middle school begins. He helps Abby out by helping her sell cookies on school grounds, though it is against school rules. Mason has an older sister named Kathleen, who pierced Abby's ears for her. It is shown in Have Wheels, Will Travel that he has a younger brother. Mason has a crush on Abby, but she is not interested and wants to remain friends. Mason still has hopes of Abby falling for him someday.\n Zach was the computer whiz of 5th grade. He has blond hair, blue eyes, and long dark eyelashes. He was once described by Abby as cute, but \"a zombie\" when hooked up to a game station. Brianna liked him in elementary school, much to his dismay.\n Tyler was Zach's best friend. Also a computer whiz, Bethany liked him in fifth grade (mostly due to Brianna liking Zach).\nMira is a girl Abby meets in Everything New Under the Sun. She attends the same bookmaking workshop as Abby and Cleo, and becomes friends with them.\n\nFamily\n\nEva is Abby's freshman older sister and Isabel's twin. Abby calls her one of her 'SuperSibs'. Eva loves sports and athletics are all she ever thinks of, but when she breaks her arm in Have Wheels, Will Travel, she learns to be less stubborn. Eva currently has a very shy boyfriend named Stephan as of Sealed With A Kiss.\nIsabel is Abby's older sister and Eva's twin, another 'SuperSib'. She is a freshman and very intelligent, who loves history (especially wars) and nail polish. She starred in plays in middle school and always dresses fashionably. She is a keen debater.\nAlex is Abby's younger brother, who is in second grade but can already build robots. He is a master at video games and a computer whiz. He loves to play chess. He also looks up to Abby.\nOlivia Hayes is Abby's mother. She is a lawyer and a person who would do anything to ensure the best for her kids. It is because of her job promotion that the Hayeses all move to a new house in Home is Where the Heart Is.\nPaul Hayes is Abby's father. He runs his own business from his office in their home. He always tries to help the kids out when they feel uncomfortable, such as when he takes their side during Laurie's visit in The Best Is Yet To Come.\nGrandma Emma is Abby's favorite grandma who is always sending Abby new calendars. When she is invited to go spend time with Grandma, the answer's an excited \"YES!\"\nCleo is Abby's cousin. In \"Everything New Under the Sun\", Abby meets her when they both go to stay with Grandma Emma. She is stuck-up and rude to Abby at the beginning of the book, but warms up to her later after a fight between the two goes nowhere and they start laughing at how ridiculous they were. She enjoys dancing and drama, has traveled a lot, and is quite girly.\n\nJournal\nAbby has kept a journal since just before fourth grade. The novels contain traditional third-person writing intermixed with portions of Abby's journal written in the first person. Since Abby's favorite color is purple, she writes in purple ink until \"Everything New Under The Sun\", when she informs her readers how she ran out of her signature purple ink (but that won't affect her love for writing). She adds calendar quotes to almost every entry, including some that she makes up. Abby loves to write, especially in her journal, and wants to become an author.\n\nSchool\n\nFifth Grade\nIn the fifth grade, Abby goes to Lancaster Clark Elementary School. Abby's favorite teacher is her creative writing teacher, Ms. Bunder, who gave her the nickname \"Purple Hayes\". Ms. Bunder comes to Abby's class every Thursday. Ms. Kantor is her homeroom teacher who is new to the school, having moved from Swiss Hill Elementary. Abby's best friends are Jessica and Natalie; Jessica moves away soon after. One day, Jessica comes back from where her dad lives for work and meets Abby, but Abby is not much satisfied with Jessica.\n\nSixth Grade\nAbby goes to Susan B. Anthony Middle School. One of her favorite teachers, Ms. Bean, works as an art teacher; she is similar to and friends with Ms. Bunder. Abby matures in the sixth grade. Abby had the courage to get pierced ears on her own, and she has a new sense of funky punky fashion. She makes a very shy new friend, Sophia, who is very good at art.\n\nThe Abby Hayes series\n Every Cloud Has A Silver Lining \n The Declaration of Independence \n Reach for the Stars! \n Have Wheels, Will Travel\n Look Before You Leap! \n The Pen Is Mightier Than the Sword \n Two Heads Are Better Than One \n The More, the Merrier\n Out of Sight, Out of Mind\n Everything New Under the Sun \n Too Close for Comfort \n Good Things Come in Small Packages \n Some Things Never Change\n Super Special 1: The Best Is Yet To Come\n Super Special 2: Knowledge Is Power\n It's Music to My Ears \n Now You See It, Now You Don't \n That's the Way the Cookie Crumbles\n Home is where the Heart is \n What Goes Up Must Come Down \n All that Glitters isn't Gold \n Sealed with a Kiss\n\nReferences\n\nExternal links \n Scholastic Web Page\n\nLiterary characters introduced in 2000\nCharacters in American novels of the 21st century\nFictional reporters\nChild characters in literature", "The name Abby has been used as a name for six tropical cyclones worldwide, three in the Atlantic Ocean and three in the Western Pacific Ocean.\n\nIn the Atlantic:\n Hurricane Abby (1960) – a Category 2 hurricane that made landfall in British Honduras (now Belize)\n Tropical Storm Abby (1964) – made landfall in Texas\n Hurricane Abby (1968) – a Category 1 hurricane that made landfall in Cuba and then in Florida\n\nIn the Western Pacific:\n Typhoon Abby (1979) (Barang) – a Category 3 typhoon that did not approach land\n Typhoon Abby (1983) (Diding) – a Category 5 super typhoon that impacted Japan as a weakening system\n Typhoon Abby (1986) (Norming) – a Category 2 typhoon that hit Taiwan\n\nAtlantic hurricane disambiguation pages\nPacific typhoon disambiguation pages" ]

[ "Abby Newman", "Characterization", "Was the article about a soap opera?", "Abby was conceived when Ashley Abbott, desperate to have Victor Newman's child to replace the one whom she aborted years prior,", "Did Abby have a child?", "Abby\" for short, was born on November 13, 2000.", "What was the name of her romantic partner?", "Victor Newman's", "Was there more than one relationship?", "Rylan", "What were the details of the relationship with Rylan?", "Rylan was initially afraid that Abby was very similar to Lizzie Spaulding as they were both wealthy rich heiresses who caused trouble.", "Did Rylan and Abby stay together?", "I don't know.", "Did Abby have any siblings?", "I don't know." ]

[ "Abbotswood is a new 52-hectare building development planned to have 800 homes. It is located just to the north east of the town of Romsey in the Test Valley local government district.\n\nHistory\nThe name 'Abbotswood' is derived from 'the abbess [of Romsey]’s wood'; it was recorded as Abbys wode in 1513 and Abbes wood in 1565.\n\nNew development\nOutline permission for a new development comprising 800 homes on a site at Abbotswood was granted in 2010. Construction began in 2011 and by the end of 2017, 753 homes were occupied.\n\nOn 1 August 2014, planning permission was sought for a local centre consisting of a shop, pub, doctors/dentists surgery, pharmacy, community centre, and a day nursery. The planning application reference is 14/01836/RESS.\n\nReferences\n\nVillages in Hampshire\nRomsey", "\"Don't Know What to Tell Ya\" is a song recorded by American singer Aaliyah. It was written by Static Major and Timbaland for her self-titled third and final studio album (2001) but failed to make the final cut. Following Aaliyah's death on August 25, 2001, it was included on her first posthumous compilation album I Care 4 U (2002). It was released as its second single on February 11, 2003 by Blackground Records and Universal Records.\n\nComposition\n\"Don't Know What to Tell Ya\" was described as having a \"noir-funk feel that evokes Blade Runner\" and it contains a sample from the Arabic song \"Batwannis Beek\" by Algerian singer Warda Al-Jazairia. On the song Aaliyah is telling a story about a failing relationship.\n\nCritical reception\nArion Berger from Rolling Stone praised Aaliyah's vocals on the song saying, \"Her sweet, strong voice whips around the ambivalence in Don't Know What to Tell Ya and melts the ends off the lines in the title song.\"\n\nTrack listing\nUK CD single\n \"Don't Know What to Tell Ya\" (edit version) – 3:03\n \"Don't Know What to Tell Ya\" (Handcuff Remix) – 5:18\n \"Miss You\" (music video)\n\nEuropean CD single\n \"Don't Know What to Tell Ya\" (radio edit) – 3:35\n \"Don't Know What to Tell Ya\" (Thomas Eriksen Mix) – 5:18\n \"Don't Know What to Tell Ya\" (Intenso Project Remix) – 6:58\n \"Don't Know What to Tell Ya\" (album version) – 5:02\n\nNote: The \"Handcuff Remix\" on the UK CD single and the \"Thomas Eriksen Mix\" on the European CD single are the same remix.\n\nCharts\n\nRelease history\n\nReferences\n\n2002 songs\n2003 singles\nAaliyah songs\nFunk songs\nSong recordings produced by Timbaland\nSongs written by Timbaland\nSongs written by Static Major" ]

[ "Regine Velasquez", "1990-1993: Nineteen 90 and Reason Enough" ]

[ "Big Eye Little Eye is the second studio album of the Canadian rock group The Golden Dogs. The album features its first single \"Never Meant Any Harm\" and follow-up single \"Construction Worker\". Music videos were released for both songs. It also includes a cover of Wings's song \"Nineteen Hundred and Eighty-Five\" from their 1973 album Band on the Run.\n\nTrack listing\nAll songs written and arranged by Dave Azzolini, except for \"Nineteen Hundred and Eighty-Five\", which is by Paul McCartney.\nThis album was engineered, mixed and co-produced by Paul Aucoin (The Hylozoists, Cuff the Duke, The Fembots) at Halla Music Studios in Toronto.\n\"Dynamo\"\n\"Never Meant Any Harm\"\n\"Construction Worker\"\n\"Saints At The Gates\"\n\"Runouttaluck\"\n\"Painting Ape\"\n\"Strong\"\n\"Theresa\"\n\"Nineteen Hundred and Eighty-Five\" (Wings cover) \n\"Life On The Line\"\n\"Force Of Nature\"\n\"Wheel Of Fortune\"\n\nPersonnel\nDave Azzolini - Lead vocals, guitar\nJessica Grassia - Backing vocals, keyboards, percussion\nTaylor Knox - Drums\nNeil Quinn - Backing vocals, guitar\n\n2006 albums\nThe Golden Dogs albums", "\"Nineteen Forever\" is a song by British singer-songwriter and musician Joe Jackson, which was released in 1989 as the lead single from his eighth studio album Blaze of Glory. It was written and produced by Jackson. \"Nineteen Forever\" reached No. 4 on the US Billboard Modern Rock Tracks and No. 16 on Billboard Album Rock Tracks charts.\n\nThe song's music video was directed by Alex Proyas and was Jackson's first since 1982's \"Steppin' Out\". In line with the song's lyrics about aging rock stars, Jackson appeared in the video with a wig, make-up, prosthetic belly and lame jacket. Jackson performed the song on his 1989 tour with the same costume and would dedicate the song to \"all those rock bands on tour this summer after having retired several times\".\n\nCritical reception\nUpon release, Music & Media described the song as \"intelligent pop\" and Jackson's \"best bet for a hit\" since \"Steppin' Out\". Billboard considered the song a \"straightforward, no-frills pop release\". In a review of Blaze of Glory, Spin described the song as a \"swinging pop anthem\".\n\nPark Puterbaugh of Rolling Stone commented: \"Another theme [on Blaze of Glory] is the rise of rock & roll, its promises and failures. There [is] a sardonic song about the delusion of wanting to be \"Nineteen Forever\".\" The Philadelphia Inquirer commented: \"Nineteen Forever\", his attempt at the big-backbeat Jersey sound, calls up a dreamy place, one that puts the sincerity of his vocal in question.\" Stephen Thomas Erlewine of AllMusic noted \"Nineteen Forever\" as being a \"brisk, stylish pop song\".\n\nTrack listing\n7\" single\n\"Nineteen Forever\" - 4:43\n\"Acropolis Now\" (Instrumental) - 4:16\n\nCD single\n\"Nineteen Forever\" - 4:43\n\"Acropolis Now\" (Instrumental) - 4:16\n\nCD single (US promo)\n\"Nineteen Forever\" (Early Fade) - 4:34\n\"Nineteen Forever\" (LP Version) - 5:43\n\nPersonnel\n Joe Jackson - lead vocals, harmony vocals, chorus vocals\n Tom Teeley - guitar, chorus vocals\n Vinnie Zummo - electric sitar\n Ed Roynesdal - Hammond organ, syntheiser\n Graham Maby - bass, chorus vocals\n Gary Burke - drums\n Chris Hunter - alto saxophone\n Tony Aiello - tenor saxophone, soloist\n Charles Gordon - trombone\n Michael Morreale, Tony Barrero - trumpet\n Drew Barfield, Joy Askew - chorus vocals\n\nProduction\n Joe Jackson - producer, arranger\n Ed Roynesdal - associate producer\n Joe Barbaria - engineer\n Thom Cadley - assistant engineer\n Bridget Daly - mixing assistant\n Bob Ludwig - mastering\n\nCharts\n\nReferences\n\n1989 singles\n1989 songs\nJoe Jackson (musician) songs\nSongs written by Joe Jackson (musician)" ]

[ "Regine Velasquez", "1990-1993: Nineteen 90 and Reason Enough", "Is Nineteen 90 a single or album?", "studio album, Nineteen 90." ]

[ "In philosophy, practical reason is the use of reason to decide how to act. It contrasts with theoretical reason, often called speculative reason, the use of reason to decide what to follow. For example, agents use practical reason to decide whether to build a telescope, but theoretical reason to decide which of two theories of light and optics is the best.\n\nOverview\nPractical reason is understood by most philosophers as determining a plan of action. Thomistic ethics defines the first principle of practical reason as \"good is to be done and pursued, and evil is to be avoided.\" For Kant, practical reason has a law-abiding quality because the categorical imperative is understood to be binding one to one's duty rather than subjective preferences. Utilitarians tend to see reason as an instrument for the satisfactions of wants and needs.\n\nIn classical philosophical terms, it is very important to distinguish three domains of human activity: theoretical reason, which investigates the truth of contingent events as well as necessary truths; practical reason, which determines whether a prospective course of action is worth pursuing; and productive or technical reason, which attempts to find the best means for a given end. Aristotle viewed philosophical activity as the highest activity of the human being and gave pride of place to metaphysics or wisdom. Since Descartes practical judgment and reasoning have been treated with less respect because of the demand for greater certainty and an infallible method to justify beliefs.\n\nIn argumentation \n\nPractical reasoning is basically goal-directed reasoning from an agent's goal, and from some action selected as a means to carry out the goal, to the agent's reasoned decision to carry out the action. The agent can be a person or a technical device, such as a robot or a software device for multi-agent communications. It is a type of reasoning used all the time in everyday life and all kinds of technology where autonomous reasoning is required. Argumentation theorists have identified two kinds of practical reasoning: instrumental practical reasoning that does not explicitly take values into account, and value-based practical reasoning. The following argumentation scheme for instrumental practical reasoning is given in . The pronoun I represents an autonomous agent.\n\nArgumentation scheme for instrumental practical reasoning\n\nCritical questions\n\nCQ1: What other goals do I have that should be considered that might conflict with G?\nCQ2: What alternative actions to my bringing about A that would also bring about G should be considered?\nCQ3: Among bringing about A and these alternative actions, which is arguably the most efficient?\nCQ4: What grounds are there for arguing that it is practically possible for me to bring about A?\nCQ5: What consequences of my bringing about A should also be taken into account?\n\nIt can be seen from CQ5 that argumentation from consequences is closely related to the scheme for practical reasoning.\nIt has often been disputed in philosophy whether practical reasoning is purely instrumental or whether it needs to be based on values. Argument from values is combined with practical reasoning in the type of argumentation called value-based practical reasoning. The following argumentation scheme for value-based practical reasoning is given in .\n\nArgumentation scheme for value-based practical reasoning\n\nIn the current circumstances R\nwe should perform action A\nto achieve New Circumstances S\nwhich will realize some goal G\nwhich will promote some value V.\n\nPractical reasoning is used in arguments, but also in explanations used to draw conclusions about an agent's goals, motives or intentions, based on reports of what the agent said or did.\n\nPractical reasoning is centrally important in artificial intelligence, and also vitally important in many other fields such as law, medicine and engineering. It has been known as a distinctive type of argumentation as far back as Aristotle.\n\nSee also \n\n Action theory (philosophy)\n Critique of Practical Reason\n Decisional balance, or balance-of-considerations reasoning\n \n Philosophy of action\n Phronesis\n Pure practical reason\n Rationality\n Rationality and Power\n Rhetorical reason\n Tacit knowledge\n\nReferences\n\nSources \nElijah Millgram, ed., Varieties of Practical Reasoning, Cambridge, Massachusetts: MIT Press, 2001. .\nJoseph Raz, ed., Practical Reasoning, Oxford: Oxford University Press, 1978. .\nCharles Taylor, \"Explanation and Practical Reason,\" in Philosophical Arguments, Cambridge, Massachusetts: Harvard University Press, 1995. .\n\nExternal links \n \n \n \n \n\nReasoning\nAction (philosophy)\nConcepts in epistemology\nConcepts in ethics\nCritical thinking\nPhilosophy of logic\nPhilosophy of mind\nThought", "In welding, undercutting is when the weld reduces the cross-sectional thickness of the base metal. This type of defect reduces the strength of the weld and workpieces. One reason for this defect is excessive current, causing the edges of the joint to melt and drain into the weld; this leaves a drain-like impression along the length of the weld. Another reason is if a poor technique is used that does not deposit enough filler metal along the edges of the weld. A third reason is using an incorrect filler metal, because it will create greater temperature gradients between the center of the weld and the edges. Other causes include too small of an electrode angle, a dampened electrode, excessive arc length, and slow speed.\n\nReferences\n\nWelding" ]

[ "Regine Velasquez", "1990-1993: Nineteen 90 and Reason Enough", "Is Nineteen 90 a single or album?", "studio album, Nineteen 90.", "And what is Reason Enough?", "Reason Enough, released in July 1993, was the newly formed label's maiden release." ]

[ "Underground culture is a term to describe various alternative cultures which either consider themselves different from the mainstream of society and culture, or are considered so by others.\n\nUnderground culture may also refer to:\n\nUnderground art, art with a following independent of commercial success\nUnderground comix, a small press or self-published alternative comic books\nUnderground film, cinema outside the commercial mainstream\nUnderground music, music with a following despite moderate commercial success\nUnderground hip hop, a style of hip hop music\nUnderground dance music, a style of techno music\nUnderground press, the alternative print media in the late 1960s and early 1970s\nPrague underground (culture), an underground culture movement in Prague, Czechoslovakia\nUK underground, a 1960s countercultural movement in the United Kingdom\nUkrainian underground, a movement in the Soviet period of Ukraine\n\nSee also\n Underground (disambiguation)", "Country Hall of Fame is a studio album by American country music singer–songwriter Hank Locklin. It was released in 1978 via Top Spin Records and contained a total of 12 tracks. The album featured new songs and re-recordings of material previously cut by Locklin.\n\nBackground, content and release\nHank Locklin had his biggest commercial success in the 1950s and 1960s with songs like \"Send Me the Pillow You Dream On\" and \"Please Help Me, I'm Falling.\" These songs (among others) gained notable popularity overseas, particularly in Europe and Japan. After Locklin's commercial success declined in the 1970s, he began touring more internationally. He remained a popular concert attraction in Ireland specifically. \n\nCountry Hall of Fame was recorded during this period and was tailored specifically for the Irish music market. It was recorded at Big Tom's Studios, located in Castleblayney, Ireland. The sessions were produced by Basil Hendricks. The project contained 12 tracks. Most of the album's material were re-recordings of songs previously made successful by Locklin. Covers included \"Please Help Me, I'm Falling,\" \"Irish Eyes\" and \"The Country Hall of Fame.\" New material included \"Country Girl Star\" and \"Green, White and Gold.\"\n\nCountry Hall of Fame was released in 1978 via Top Spin Records. It was the twenty sixth studio album release of Locklin's music career and his first with the Top Spin label. The project was originally issued as a vinyl LP, containing six songs on either side. In later years, it was released for other markets in a digital and streaming format.\n\nTrack listings\n\nVinyl version\n\nDigital version\n\nRelease history\n\nReferences\n\n1978 albums\nHank Locklin albums" ]

[ "Regine Velasquez", "1990-1993: Nineteen 90 and Reason Enough", "Is Nineteen 90 a single or album?", "studio album, Nineteen 90.", "And what is Reason Enough?", "Reason Enough, released in July 1993, was the newly formed label's maiden release.", "Were either of these a commercial success?", "the album as a \"mixture of passionate, easy listening love songs, which are popular in the Philippines," ]

[ "is a Japanese entertainer, comedian, and actress from Owariasahi, Aichi Prefecture.\n\nCareer\nAoki started her career by working as a free announcer at a local TV station and as an attendant to a TV star. When she landed an introductory spot in a late-night TV show, she introduced herself as wanting to become a \"funny TV star\" which was taken as an aspiration to become a comedian. At one time, Aoki was part of a five-person comedy group called Onsen Konnyaku Acrobat Show. After leaving this group, she went back to working solo. She was scouted by Watanabe Entertainment's President, Miki Watanabe, when she guest starred in a Watanabe Entertainment Comedy Live Show. \n\nAoki's popularity grew around the fall of 2003 as she started appearing in Fuji TV Network's Warau Inu No Taiyo (The Sun of the Laughing Dog), NepLeague and TV Asahi's Out of Order, thanks to the strong promotion by her agency. She also grew popular by performing comedy sketches on Enta no Kamisama (The God of Entertainment). Aoki furthered her career by taking on acting and narrating roles in addition to her comedian career. Aoki was the first person ever to host the FNS ALL STARS: 25 HRS TELEVISION as an official Fuji TV Announcer (which was designated just for this occasion) and read the last notes.\n\nOn August 10, 2004, Aoki appeared as a gravure idol on the \"Weekly Post\" Magazine. On October 12, 2004, Aoki introduced her boyfriend at the time on London Hearts Three Hour Special, contributing to the highest TV rating ever (Avg 22.1%, 30.4% for the moment of her boyfriend's appearance) for the show. On April 13, 2005, she published her photobook\"Où Voyez-vous?\" (meaning \"what are you looking at?\" in French) which sold out all 20,000 copies of the first print in three days. \n\nOn October 25, 2007, Aoki published an \"I Novel\" (auto-biography) titled Because I'm 34, I'm feeling happy ().\n\nAoki occasionally presents her piano skills on TV, especially on her own late-night TV show Utsukushiki Aoki De Now. She is one of the hosts for the music variety show, Music Fighter.\n\nReferences\n\nExternal links\nOfficial Blog\n\n1973 births\nPeople from Owariasahi, Aichi\nJapanese women comedians\nJapanese television personalities\nJapanese actresses\nLiving people\nPeople from Aichi Prefecture\nWatanabe Entertainment", "Alegrías De Mediodía (English Midday Happiness) was a TV show broadcast by Canal de las Estrellas. It is a TV show aimed to young audience, set in Mexico. This show was broadcast in 1980. This was the first time ever Lucero starred in front of the TV cameras. She went to the casting for this show and she immediately started working on it. It started on 17 February 1980, and was broadcast from Monday to Friday from 3:30 to 4 in the afternoon through the TV channel Canal De Las Estrellas (The Star's Channel).\n\nThe format was child comedy, starring new children with talent that are still in the Mexican media like Chuchito, Usi Velasco, Ginny Hoffman, Aleks Syntek and Carlitos Espejel, among others.\n\nAlegrias De Mediodia was also the first Televisa series to feature Aida Pierce, in the role of the teacher Dona Tecla. Within a year of the series' launch, Pierce joined the casts of La Carabina de Ambrosio and La Matraca, but she is better known as a regular on nine other television series, including Humor es...los Comediantes, which she would cohost from 2000-01 (reuniting her with Espejel) and Duelo de Pasiones, as well as a guest on many comedy and variety shows aired on the Televisa networks.\n\nReferences\n\n1980 Mexican television series debuts\nMexican children's television series\n1980s Mexican television series\n1982 Mexican television series endings" ]

[ "Regine Velasquez", "1990-1993: Nineteen 90 and Reason Enough", "Is Nineteen 90 a single or album?", "studio album, Nineteen 90.", "And what is Reason Enough?", "Reason Enough, released in July 1993, was the newly formed label's maiden release.", "Were either of these a commercial success?", "the album as a \"mixture of passionate, easy listening love songs, which are popular in the Philippines,", "Was she ever on TV?", "I don't know." ]

[ "The Truth is the seventh studio and fifth major studio album from American singer Ledisi, released on Verve Records on March 11, 2014. The album had no guest appearances.\n\nBackground\nLedisi expressed the album was about self-discovery and growth. She told Amazon \"With every album I grow, and with The Truth I've gone to a new level. It's an extension of who I am and where I am in my life\". She also stated: \"There was a time when I felt like I had to please everybody,\"...\"Now I'm like 'I don't care anymore.\"\n\nShe also did some mediation and exercise during the making of the album saying \"I did some mediation and I started working out hard. Not like how I used to where I would do a couple of crunches and then drink a soda! Now I'm really challenging myself.\" The song \"I Blame You\" was written by Claude Kelly, Chuck Harmony and Ledisi (herself).\n\nCritical reception\n\nAndy Kellman from AllMusic found that \"as with those preceding albums, The Truth is certainly informed by the past but sounds contemporary; even more vibrant than her own Turn Me Loose but not as rooted in early- to mid-'70s funk and soul [...] Succinct, consistent, vibrant, and all Ledisi all the time – there are no guest appearances – this is one of the singer and songwriter's best releases.\"\n\nTrack listing\n\nNotes\n denotes co-producer\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nRelease history\n\nReferences\n\n2014 albums\nLedisi albums\nVerve Records albums\nFunk albums by American artists", "Vintage Country: Old But Treasured is a studio album by American country music artist Jeannie Seely. It was released February 1, 2011 on Cheyenne Records and was produced by Seely. The album was a collection of classic country songs that had previously been cut by other music artists. It was Seely's first studio album since 2003 and her fifteenth studio album released during her career.\n\nBackground and content\nAccording to Seely, she performed the songs on Vintage Country: Old But Treasured in her own interpretations. \"In recording this CD, it wasn't my intention to 'cover' any of these great performances by some of the most talented artists of our time, but rather to do these wonderful songs in the way I hear and feel them...for me,\" she commented in the album liner notes. In a 2011 interview, she explained her rationale for naming the album. \"I wanted to call this project Vintage Country because the 'Vintage' part means 'old, but treasured',\" she said.\n\nThe album consisted of 12 tracks. The 12 tracks were all cut at the Hilltop Studio, a recording venue located in Madison, Tennessee. Seely praised the venue in the liner notes, calling it \"a studio whose doors have never been closed.\" The sessions were produced by Seely herself, her third studio album to be self-produced. The project included covers of songs by both male and female country artists between the 1950s and 1970s. The tenth track, \"Blanket on the Ground\", was first recorded by Billie Jo Spears, whom Seely performed with on occasion. \"Billie Jo and I shared many memorable moments during our heyday, we had such a good time reminiscing when we toured Ireland together recently. I haven't stopped humming 'Blanket' since then,\" she commented. She was inspired to record \"Funny How Time Slips Away\" following a tribute performance to Billy Walker, the song's original artist. Two duet recordings are also featured on the project.\n\nRelease and reception\nVintage Country was released on February 1, 2011 on Cheyenne Records. The label was a company created by Seely herself. Vintage Country was issued as both a compact disc and a music download. The album did not receive any placements on any Billboard charts following its release. However, the album did receive positive reviews by music critics and writers. Nashville Music Guide called the album a set of \"classic country songs\", highlighting the tunes \"Funny How Time Slips Away\" and \"What a Way to Live\".\n\nTrack listing\n\nPersonnel\nAll credits are adapted from the liner notes of Vintage Country: Old But Treasured.\n\nMusical personnel\n Tim Atwood – piano, duet vocals\n Danny Davis – bass, duet vocals\n Dug Grieves – guitar, session leader\n Jerry Ray Johnston – drums\n Roger Morris – piano\n Dawn Sears – background vocals\n Kenny Sears – fiddle\n Jeannie Seely – lead vocals\n Tommy White – steel guitar\n\nTechnical personnel \n Hatcher & Fell – cover photo\n Ron Harman – design\n John Nicholson – engineering\n Jeannie Seely – producer\n\nRelease history\n\nReferences\n\n2011 albums\nAlbums produced by Jeannie Seely\nJeannie Seely albums" ]

[ "Regine Velasquez", "1990-1993: Nineteen 90 and Reason Enough", "Is Nineteen 90 a single or album?", "studio album, Nineteen 90.", "And what is Reason Enough?", "Reason Enough, released in July 1993, was the newly formed label's maiden release.", "Were either of these a commercial success?", "the album as a \"mixture of passionate, easy listening love songs, which are popular in the Philippines,", "Was she ever on TV?", "I don't know.", "How many albums did she release during this time?", "I don't know." ]

[ "MS MR (pronounced Miz Mister) are a New York-based American pop duo, consisting of vocalist Lizzy Plapinger and producer Max Hershenow. The duo are signed to Iamsound, Kitsuné and Columbia Records. Plapinger is also known for her work as co-founder of the New York City/London-based Independent record label Neon Gold Records. Their music has been characterized as indie pop, alternative rock, dream pop and dark wave.\n\nCareer\n\nAfter both members graduated from Vassar College in 2010, MS MR released a four-song digital demo EP, Ghost City USA (2011), followed by two 2012 singles, \"Hurricane\" and \"Fantasy\". The music video for their debut single, \"Hurricane\", was released on April 26, 2012, with the single released on iTunes on July 10, 2012. It earned positive reviews for its \"vintage\" sound. The single charted at number 38 in Germany.\n\n\"Hurricane\" was included on their debut EP, Candy Bar Creep Show, alongside the songs \"Bones\", \"Dark Doo Wop\" and \"Ash Tree Lane\". The EP was released on September 14, 2012.\n\nThe music video for their second single, \"Fantasy\", was released on February 4, 2013. The song was later released on iTunes on March 8, 2013 and became a single of the week.\n\nTheir debut album, Secondhand Rapture, was released on May 10, 2013, and included all four songs from the prior EP.\n\nOn July 17, 2015 they released their second album, How Does It Feel. After touring for much of 2016, the band announced a hiatus in January 2017 while Plapinger focused on her solo project, LPX.\n\nMS MR's sound has been compared to Florence and the Machine, Lana Del Rey and Kavinsky. Despite growing up in London, Plapinger has an American accent; her parents are American and she attended an international school.\n\nDiscography \n\n Secondhand Rapture (2013)\n How Does It Feel (2015)\n\nReferences\n\nExternal links\n\n \n\nAmerican musical duos\nColumbia Records artists\nMusical groups established in 2011\nVassar College alumni\n2011 establishments in New York City\nMusical groups from New York City\nKitsuné artists\nIamsound Records artists", "Angela Diller (August 1, 1877 – May 1, 1968) was a pianist and music educator.\n\nEarly life and education \nMary Angela Diller was born on August 1, 1877, to William Augustus Muhlenberg Diller and Mary Abigail Welles. She was the youngest of four children. Diller taught herself how to play the piano at an early age. Her older sister Ellen taught her how to read sheet music. As a teenager, she received lessons from Alice Fowler between 1892 and 1895.\n\nCareer \nIn 1899, she founded the Diller-Quaile Institute with Elizabeth Quaile. Diller and Quaile wanted books for the teachers at the school and wrote the Diller-Quaile Series. In 1941 Diller retired from managing the school.\n\nPersonal life \nDiller was raised an Episcopalian and was influenced by New Thought. She never married and was childless.\n\nDeath \nNear the end of her life, she lived in the Courtland Gardens Health Center in Stamford, Connecticut. Her funeral was held by her nieces and nephews.\n\nReferences \n\n1877 births\n1968 deaths\nAmerican women pianists\nAmerican women music educators" ]

[ "Irving Thalberg", "Universal Studios" ]

[ "Leland Bruce Irving (born April 11, 1988) is a Canadian professional ice hockey goaltender, currently playing for the HC Bolzano in the Austrian Hockey League (EBEL). He was a first round selection of the Calgary Flames, 26th overall at the 2006 NHL Entry Draft and played parts of two National Hockey League (NHL) seasons with the team. He made his NHL debut on December 16, 2011, in a shootout loss to the Florida Panthers and won his first NHL game one week later in his second start, against the Vancouver Canucks.\n\nEarly life\nAs an eight-year-old, Irving was diagnosed with rhabdomyosarcoma, a rare cancer, when a bump resembling an insect bite above his left ear was found to be cancerous. He endured 13 months of chemotherapy to overcome the illness. He continued to play minor hockey throughout his ordeal, and missed only one practice and one game.\n\nAs he grew older, he worked over the summers with the excavation company his father Bruce operated in his hometown of Swan Hills, Alberta.\n\nPlaying career\nIrving was drafted in the first round, 26th overall, in the 2006 NHL Entry Draft by the Calgary Flames. He played five seasons of major junior hockey in the Western Hockey League (WHL) with the Everett Silvertips. The 2007–08 WHL season was his fifth and final season with the Silvertips; he played 56 games and sported a 2.45 goals against average. He finished his WHL career tied with Bryan Bridges for the league's all-time record for career shutouts with 21 (he was later surpassed the following season by Tyson Sexsmith of the Vancouver Giants).\n\nOn January 18, 2007 Irving was signed by the Flames to an entry-level contract. On April 22, 2007 he was assigned to the Omaha Ak-Sar-Ben Knights of the American Hockey League (AHL). He practised with the club, and dressed in two of the final playoff games behind starter Curtis McElhinney. For the 2008–09 season, Irving was assigned to the Quad City Flames, Calgary's AHL affiliate.\n\nAn injury to Flames' backup goaltender Henrik Karlsson led to Irving's recall on December 5, 2011. At the time he was assigned to Calgary, he was the AHL leader in wins (15), shutouts (3) and minutes played (1254). He made his NHL debut on December 16, a 3–2 shootout loss to the Florida Panthers. Irving made 39 saves in the game, and was named third star. He earned his first win in his second start, a 3–1 victory over the Vancouver Canucks, on December 23.\n\nA restricted free agent following the season, Irving publicly considered signing in Europe if he couldn't get a one-way contract from the Flames, but chose to return to Calgary on a one-year, two-way deal worth $687,500 for an NHL season. Irving returned to Abbotsford for the start of the 2012–13 AHL season due to the NHL labour dispute. However, a slow start coupled with the outstanding play of Barry Brust and Danny Taylor relegated him to the team's third-string goaltender.\n\nWhen NHL play resumed, Irving beat out Karlsson for as the job as Flames backup goaltender, but a knee injury to Kiprusoff early in the season elevated him to Calgary's starter. He struggled in the Calgary net and was demoted back to Abbotsford after playing only six games. He posted a 2–1–1 record with a 3.33 GAA and .833 save percentage.\n\nThe Flames chose not to sign Irving, who was an unrestricted free agent following the season, to a new contract. Irving opted to go to Finland, signing a tryout agreement with Jokerit of the Liiga. Irving assumed established himself in the starting goaltender role, appearing in 55 games to post 23 wins.\n\nWith Jokerit moving to the Russian Kontinental Hockey League, Irving was not re-signed and was again a free agent. On September 9, 2014, Irving was announced to have accepted a professional try-out contract to attend the Tampa Bay Lightning 2014 training camp. Just three days later, Irving opted to decline the Lightning invite in signing a one-year contract in the KHL with Russian club, Salavat Yulaev Ufa.\n\nAs a free agent following the completion of his contract with Ufa, Irving returned to North America in agreeing to a one-year contract with the Iowa Wild of the AHL on October 9, 2015. Despite backstopping a languishing team in Iowa, Irving produced a respectable season with 12 in 41 games. As a free agent, Irving decided to play a second stint in Finland with Liiga outfit, KooKoo for the 2016–17 season.\n\nOn August 31, 2017, Irving agreed to a one-year AHL contract with the Lehigh Valley Phantoms. Prior to appearing in a game with the Phantoms, Irving was traded to start the 2017–18 season to the San Diego Gulls in considerations of an NHL trade of Dustin Tokarski from the Anaheim Ducks to Philadelphia Flyers on October 9, 2017.\n\nOn June 22, 2018, Irving left North America as a free agent after agreeing to a one-year contract with Italian outfit, HCB South Tyrol, who participate in the Austrian Hockey League (EBEL).\n\nInternational play\n\n \n\nIn June 2007, Irving was named to Team Canada as one of three rotating goalies for the 2007 Super Series between Canada and Russia's national under-20 teams. He made his first appearance in the series, starting game 3 on August 31, 2007. He stopped 32 of 34 shots on goal and was awarded as Canada's Player of the Game. Canada defeated Russia 7-0-1 in eight games. He was a member of Canada's gold-medal winning team at the 2007 World Junior Championships, but did not appear in a game, as Carey Price played the entire tournament. As a player eligible to return for the 2008 tournament, he was expected to make the team, but was instead passed over by the coaches.\n\nPersonal life\nIrving is married to Ashley Irving, and they have three daughters.\n\nCareer statistics\n\nAwards and honours\n\nReferences\n\nExternal links\n \n\n1988 births\nLiving people\nAbbotsford Heat players\nBolzano HC players\nCalgary Flames draft picks\nCalgary Flames players\nCanadian ice hockey goaltenders\nEverett Silvertips players\nIce hockey people from Alberta\nIowa Wild players\nJokerit players\nKooKoo players\nNational Hockey League first round draft picks\nPeople from Barrhead, Alberta\nPeople from Big Lakes County\nQuad City Flames players\nSalavat Yulaev Ufa players\nSan Diego Gulls (AHL) players\nVictoria Salmon Kings players\nCanadian expatriate ice hockey players in Finland\nCanadian expatriate ice hockey players in Russia", "David Daniel \"Dan\" Irving (31 October 1854 – 25 January 1924) was a British socialist activist and Labour Party Member of Parliament.\n\nBorn in Birmingham, Irving moved to Bristol in 1875, where he began working on the railways. After he lost his leg in an industrial accident, the Midland Railway forced him to take a pay cut. Angered by this injustice, he joined the Bristol Socialist Society and became an activist in a gasworkers' union, which soon merged into the National Union of Gas Workers and General Labourers.\n\nIn 1892, Irving worked with Herbert V. Mills in an attempt to start a utopian socialist community at Starnthwaite, but this soon disintegrated, and Irving eventually won a legal case against Mills. Instead, he became a socialist lecturer, and then in 1894, secretary of the Burnley branch of the Social Democratic Federation (SDF).\n\nBurnley was one of the SDF's most important branches, and Irving kept its profile high. In the 1906 general election, SDF leader H. M. Hyndman stood in the Burnley constituency, and came within 350 votes of winning the seat. In 1902, Irving was elected to Burnley Town Council, a post he held (with one gap) until 1922.\n\nIn the 1906 election, Irving himself stood for Accrington; he then stood in the 1908 Manchester North West by-election, and in the January and December 1910 general elections he stood in Rochdale. While his votes varied considerably, as an SDF candidate he never came close to winning a seat.\n\nIn 1911, Irving followed the SDF into the formation of the British Socialist Party. In 1914, he was a supporter of British action in World War I, and as a result, when the SDF split on the issue, he joined Hyndman's new group, the National Socialist Party. This group affiliated to the Labour Party, and as a Labour candidate he was finally able to win a Parliamentary seat, taking Burnley in the 1918 general election. He held the seat in 1922 and 1923, but remained a low-profile MP and died in 1924 aged 69.\n\nIn 1921 Irving gave evidence to the Select Committee on Members' Expenses. He said that it was not possible for him to live on the salary of £400 that MPs received. He had to keep up his house in Burnley and also pay £165 for a third-class railway pass. He rented a single room when in London. He spoke of feeling \"a little sense of humiliation\" when in contact with other MPs who did not have to think so carefully about what they spent.\n\nReferences\nOxford Dictionary of National Biography\n\nExternal links \n \n\n1854 births\n1924 deaths\nLabour Party (UK) MPs for English constituencies\nBritish Socialist Party members\nBritish socialists\nSocial Democratic Federation members\nBritish politicians with physical disabilities\nUK MPs 1918–1922\nUK MPs 1922–1923\nUK MPs 1923–1924\nPolitics of Burnley" ]

[ "Irving Thalberg", "Universal Studios", "When did Irving start with Universal ?", "He found work as an office secretary at Universal Pictures'" ]

[ "The minister for the Cabinet Office is a position in the Cabinet Office of the United Kingdom. The minister is responsible for the work and policies of the Cabinet Office, and since February 2022, reports to the Chancellor of the Duchy of Lancaster. The position is currently the third highest ranking minister in the Cabinet Office, after the Prime Minister and the Chancellor of the Duchy of Lancaster.\n\nFrom the Second May ministry until mid-2019 when the First Johnson ministry came to power, it functioned as an alternative title to Deputy Prime Minister or First Secretary of State. This practice ended when Dominic Raab was appointed as First Secretary of State on 24 July 2019, by Boris Johnson. Since a reshuffle in February 2022, the role attends Cabinet but not as a full member.\n\nThe corresponding shadow minister is the shadow minister for the Cabinet Office.\n\nFunction and status\nThe Cabinet Office has a primary responsibility to support the work of the Prime Minister and ensure the effective running of government. Within this set-up, the Minister for the Cabinet Office has been seen to have varying responsibilities and stature in the government. The role is a flexible one and has variously been described as one or several of the following under different office-holders (and sometimes conflicting accounts of the status of the same office holder):\n\n Monitoring the co-ordination of the work of government departments\n Chairing or sitting on several Cabinet Committees\n An additional title to indicate special responsibility\n An additional title to indicate seniority\n\nThe government describes the minister for the Cabinet Office as being \"in overall charge of and responsible for the policy and work of the department, and attends Cabinet\".\n\nDamian Green held the office in 2017, simultaneously with the office of First Secretary of State. Green chaired numerous Cabinet Committees and filled in for the prime minister at Prime Minister's Questions. By virtue of his responsibilities and as First Secretary of State, he was considered the de facto deputy prime minister. Upon the appointment of David Lidington in 2018, Lidington retained the responsibilities Green had held, but the title of First Secretary of State remained vacant (as did the office of Deputy Prime Minister, vacant since 2015).\n\nAs a result, the office in its 2017–2019 absorbed the responsibilities of a de facto Deputy Prime Minister, without either of the associated titles usually granted to individuals in the British Government (First Secretary of State or Deputy Prime Minister). In 2019, new Prime Minister Boris Johnson ended this arrangement with the appointment of a new First Secretary of State, Dominic Raab, before upgrading his title again to Deputy Prime Minister in 2021.\n\nCurrent minister and responsibilities\nMichael Ellis has served as the Minister for the Cabinet Office since 8 February, 2022. He continues to serve as Paymaster General alongside his position. \n\nThe most recent responsibilities are:\n Supporting the prime minister in the running of the Government of the United Kingdom.\n Advising the Prime Minister on developing and implementing Government policy.\n Driving forward government business and implementation including through chairing and deputy chairing cabinet committees and taskforces.\n Overseeing constitutional affairs and maintaining the integrity of the Union.\n Oversight of all Cabinet Office policies.\n\nMinisters for the Cabinet Office\nEvery occupant of the position has simultaneously held a sinecure office, this being Chancellor of the Duchy of Lancaster from Clark to Byrne, Paymaster General from Jowell to Gummer, and First Secretary of State with Green. Oliver Dowden, and currently Michael Ellis, held the office of Paymaster General, while David Lidington, Michael Gove and Steve Barclay held the role of Chancellor of the Duchy of Lancaster.\n\nMinisters of State at the Cabinet Office\nOccasionally, a Minister of State at the Cabinet Office is appointed who is junior to the minister for the Cabinet Office.\n\nNotes\n\nReferences\n\nExternal links\n\n Cabinet Office\n\nCabinet Office (United Kingdom)\nMinisterial offices in the United Kingdom\n1997 establishments in the United Kingdom", "The Office of the General Secretary of the Central Committee of the Chinese Communist Party often referred to as the General Secretary's Office (总书记办公室) is a bureau whose staff is assigned to work directly under the Chinese Communist Party (CCP)'s General Secretary. The director of the Office of the General Secretary and the staff under him are considered to be Mishus, or trusted confidants responsible for maintaining the private information and correspondence of the party's leader. It is distinct from, and administratively subordinate to, the CCP General Office, whose staff support the many party departments under the CCP Central Committee, the CCP Secretariat and the CCP Politburo. In spite of this distinction, Ding Xuexiang, the incumbent head of the Office of the General Secretary, is concurrently also head of the CCP Central Committee General Office and CCP Politburo member. All directors of the Office of the General Secretary have also concurrently served as directors of the Office of the President.\n\nHistory\n\nThe earlier position of Chairman of the Chinese Communist Party did not have formal staff responsible for supporting only their work specifically. After the office of Chairman of the CCP Central Committee was replaced by the general secretary of the CCP Central Committee in 1982, the two general secretaries Hu Yaobang and Zhao Ziyang respectively employed Lin Mu and Bao Tong as their main secretaries. In spite of this arrangement, the office of the general secretary of the Central Committee of the Communist Party of China was not yet formally established. It was not until Jiang Zemin became the general secretary that the official institution of the General Secretary's Office of the Central Committee of the Communist Party of China was clearly established. Under the Hu Jintao Administration, the position was considered to be of Ministerial Rank, though under Xi Jinping Administration, the position is now Departmental Rank, which is one level lower.\n\nDirectors of the Office of the General Secretary\n\n Jia Tingan (June 1989–2002)\n Chen Shiju (2002-2013)\n Ding Xuexiang (2013 - Present)\n\nReferences \n\nCentral Committee of the Chinese Communist Party\nChinese Communist Party" ]

[ "Irving Thalberg", "Universal Studios", "When did Irving start with Universal ?", "He found work as an office secretary at Universal Pictures'", "What did the work as office secretary lead to ?", "and later became personal secretary to the studio's founder and president," ]

[ "Julie Ann Amos is a British management consultant, author and ghost writer. She has authored several non-fiction books on the topics of business management and the development of personal business skills.\n\nEducation\nAmos studied biological science and genetics at the University of East Anglia from 1980 to 1983 and received her BSc degree. She conducted post graduate study at the Institute of Administrative Management and in 1989 received a diploma in administrative management. In 1990 she enrolled at the University of Portsmouth and graduated with an MA degree in manpower studies and human resource management in 1992.c.\n\nCareer\nAmos worked in the retail, legal, military, government and investment banking industries as a human resources director before becoming a full-time writer, and management consultant. She began in 1990 with a position as the Senior Personnel and Training Officer at West Sussex County Council. In 1997 she took the job of Strategic Staff Development Consultant at Brent Council before becoming the Head of Resourcing at UBS. In 2000 she became the HR Director at NIB Capital Bank and in 2001 became the Recruitment Manager at BNP Paribas, and then a management consultant for Origin HR, The Admirable Crichton and SAV Credit.\n\nShe wrote her first four books in her spare time while she was employed as a human resource expert. Amos wrote two of her self-help, business books: Self-Management and Personal Effectiveness in the year 2000. \n Her first work, an introduction to management, later became a part of the United Kingdom's Institute of Management's standard text.\n\nIn 2004, she published the self-help book; How to Pass that Job Interview, which reportedly takes the reader \"step-by-step though the recruitment process\". In 2005 she founded Exquisite Writing company (Amos Consulting Ltd), in Whitecroft, Gloucestershire, a copywriting and ghostwriting service. It advertises itself as having created thousands of published articles and more than 100 books.\n\nShe wrote her book, The Secret World of Ghostwriters: And How to Work With One, in 2008, as an effort to demystify various aspects of the ghostwriting industry. In 2011 she became the managing director for Royston Records and publishing.\n\nDuring her career, Amos has personally authored a dozen non-fiction books in her own name, that have been published in more than 20 countries, on the topics of management, business and personal development and her books have been translated into several languages. She is also a featured contributor and author for Yahoo and EzineArticles and HubPages.\n\nBooks\nBooks by Amos include:\n\nHow to Pass that Job Interview (July 2011)\nThe Secret World of Ghostwriters: And How to Work With One (August 2008)\nDelivering a Meaningful Eulogy (September 2007)\nHandling Tough Job Interviews (June 2005)\nDelegating (April 2005)\n80/20 Management (March 2005)\nHandling Tough Job Interviews: Be Prepared, Perform Well, Get the Job (June 2004)\nBe Prepared!: Getting Ready for Job Interviews (February 2004)\nYou're in Charge Now! (How to) (December 2002)\nMaking Meetings Work (Essentials) (November 2000)\nJob Hunt on the Net (October 2000)\nMoving into Management: Prepare Yourself to Be an Effective and Efficient Manager (Business and Management) (September 2000)\nWrite a Winning CV: Essential CV Writing Skills That Will Get You the Job You Want (Essentials) (August 2000)\nSelf-Management and Personal Effectiveness: How to Achieve Your Personal Goals in Life & at Work (How to Books (Midpoint)) (June 2000)\nMaking the Most of Your Time: Work Smarter, Not Harder – Take Control of Your Life – Be a Super Achiever (Essentials Series) (December 1999)\nManaging Your Time: What to Do and How to Do It in Order to Do More (June 1998)\nStarting to Manage: How to Prepare Yourself for a More Responsible Role at Work (Business Basics) by (November 1996)\nManaging Yourself: How to Achieve Your Personal Goals in Life & at Work (How to Books Business Basics) (February 1996)\n\nReferences\n\nExternal links\nOfficial web site\n\nLiving people\nEnglish self-help writers\nEnglish non-fiction writers\nAlumni of the University of East Anglia\nYear of birth missing (living people)\nAlumni of the University of Portsmouth", "Frederick A. Laskey is a Massachusetts government official, who currently serves as the Director of the Massachusetts Water Resources Authority, and previously served as the Secretary of Administration and Finance of Massachusetts from 1998 to 1999.\n\nCareer \nBefore becoming the Secretary of Administration and Finance of Massachusetts in 1998, Laskey served as Senior Deputy Commissioner of the Massachusetts Department of Revenue from 1994 to 1998, and was designated by the Commissioner to serve as Assistant Secretary in the Executive Office for Administration and Finance.\n\nPersonal life \nLaskey holds a degree in political science and history, from University of Massachusetts at Boston.\n\nReferences \n\nYear of birth missing (living people)\nLiving people" ]

[ "Irving Thalberg", "Universal Studios", "When did Irving start with Universal ?", "He found work as an office secretary at Universal Pictures'", "What did the work as office secretary lead to ?", "and later became personal secretary to the studio's founder and president,", "How did becoming a personal secretary help his career ?", "He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle." ]

[ "I'm Rick James is a 2007 documentary film by Perry Santos from Shoreline Entertainment.\n\nAppearances\nRick James\nEddie Griffin\nCharlie Murphy\nGeorge Clinton\nJanice Dickinson\nDave Chappelle\nDarius McCrary\nRon Jeremy\n\nProduction\nIn a recent radio interview, the director said, \n\nThis was one of the most difficult projects I've ever been involved with ... Rick was a complicated guy, with a crazy lifestyle ... most of the people that were involved with him are pretty complicated too. Dozens of interviews were set up where the people just didn't show. We had crews sitting at rented locations or on built sets, for hours waiting for them. Most of the big stars that were really close to Rick, didn't want to be interviewed or participate. I guess they were afraid of revealing their 'party times' with Rick. Even Eddie Murphy wouldn't do an interview for us ... Eddie went back over 20 years with Rick ... But I tell ya, the stories that we got from the ones that did show, are incredible! Some of the stories were too heavy to make the cut, but I'm sure they'll make the bonus materials on the DVD. In the end, it was worth it. You really get an inside look at this guy ... all his talents for making music, his incredible career, all the money he made and blew ... his wild lifestyle ... then losing it all to drugs ... going to jail ... the Dave Chappelle thing ... and just as he starts to get his life back, he checks out. It's quite a story. Eddie Griffin described Rick's life as 'a beautiful tragedy' and that's truly what it was. But three years on the same movie? It just wiped me out.\n\nSee also\nChappelle's Show\n\nExternal links\n \n\n2007 films\nAmerican films\nEnglish-language films\nDocumentary films about singers", "My Hero 2 (一本漫畫闖天涯2之妙想天開) is a 1993 Hong Kong comedy film directed by Joe Chu, starring Dicky Cheung and Ng Man Tat. Despite the title, it is not a sequel to the movie \"My Hero (1990)\", starring Stephen Chow.\n\nSynopsis\nThe movie is about Cheung Kin-Hong's (Dicky Cheung) ploy to get a good story involving triads for his comics. He is a comics artist and writer who has not been very successful in the past. Then one day he encounters his hero, Brother Tat (Ng Man-Tat) at his regular cafe. He manages to convince Tat, who happens to be also involved with the triads, to help him get the information he needed for his comics. How did it turn out? Did it help him to succeed?\n\nCast\n\nExternal links\n \n My Hero 2 (1993) at HKCinemagic\n \n\n1990s Cantonese-language films\nHong Kong films\n1993 comedy films\n1993 films\nHong Kong comedy films" ]

[ "Irving Thalberg", "Universal Studios", "When did Irving start with Universal ?", "He found work as an office secretary at Universal Pictures'", "What did the work as office secretary lead to ?", "and later became personal secretary to the studio's founder and president,", "How did becoming a personal secretary help his career ?", "He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.", "What did he get involved with films ?", "At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions" ]

[ "\nThe following is a list of unmade and unreleased animated projects by DreamWorks Animation. Some of these films or shows were, or still are, in development limbo. These also include the co-productions the studio collaborated with in the past (i.e. PDI/DreamWorks, Oriental DreamWorks, Aardman Animations, Columbus 81 Productions, Jay Ward Productions, World Events Productions, Double Dare You Productions, and Amblin Entertainment), as well as sequels to their franchises.\n\n1990s\n\n1998\n\n1999\n\n2000s\n\n2000\n\n2001\n\n2003\n\n2004\n\n2005\n\n2006\n\n2007\n\n2009\n\n2010s\n\nIn the 2010s, several films were announced to be made that were to be released in the next 3–4 years following their announcements. Some of these films were eventually cancelled while others are claimed to be in development and waiting for a release. Most of these films were cancelled due to massive layoffs, creative differences, management changes, no updates on the features, and Comcast eventually buying DreamWorks in 2016.\n\n2010\n\n2011\n\n2012\n\n2013\n\n2014\n\n2015\n\n2017\n\n2018\n\nSee also\n List of DreamWorks Animation productions\n List of unproduced Universal Pictures animated projects\n\nReferences\n\nDreamWorks Animation\nDreamWorks Animation\nDreamWorks Animation\nUnreleased DreamWorks Animation", "Adrian Hall is an American theatre director. His directing style was described as \"bold\" by the New York Times, and his work was considered part of the first- and second-generation of the regional theater movement of the 1960s and late 1980s. He was the founding Artistic Director of the Trinity Repertory Company in Providence, Rhode Island from 1963 to 1986, and the Artistic Director of Dallas Theater Center in Dallas, Texas from 1983 to 1989. He is considered to have created major and divisive change within both institutions.\n\nTrinity Repertory Company \nIn addition to his work producing plays at Trinity Repertory, Hall oversaw and participated in the Project Discovery program at Trinity Repertory, which introduced high school students to theater. Actress Viola Davis credits Hall's visit to her high school and the subsequent visits to the theater during Hall's tenure as what \"changed her path.\"\n\nTwo of Hall's productions at Trinity Repertory Company were featured on the PBS series, Great Performances.\n\nReferences\n\nExternal links\n \n\nAmerican theatre directors\nLiving people\n1927 births" ]

[ "Irving Thalberg", "Universal Studios", "When did Irving start with Universal ?", "He found work as an office secretary at Universal Pictures'", "What did the work as office secretary lead to ?", "and later became personal secretary to the studio's founder and president,", "How did becoming a personal secretary help his career ?", "He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.", "What did he get involved with films ?", "At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions", "What were some of these productions he oversaw ?", "I don't know." ]

[ "Gopher Broke is a 2004 computer-animated short film written and directed by Jeff Fowler and executive produced by Tim Miller at Blur Studio. The film is about a hungry gopher who hatches a clever plan to get a quick snack, but discovers that even the best laid plans can go awry. The short film was also released in theaters with Doogal.\n\nSynopsis\nA gopher finds himself on a road where trucks are hauling produce to market. He hits on the idea of shaking some of the produce loose for himself, but other animals always beat him to the punch. That is, until a truck comes along with a cow.\n\nAccolades\nThe film was nominated for the 2004 Academy Award for Best Animated Short Film.\n\nExternal links\nOfficial website at Blur Studio\n\nReferences\n\n2004 films\n2004 animated films\n2004 short films\nAmerican films\nAmerican animated short films\n2000s animated short films\nFilms directed by Jeff Fowler\nFilms about rodents\nAnimated films about mammals", "A WAVE, a WAC and a Marine is an American 1944 musical comedy film directed by Phil Karlson (in his directorial debut) for low-budget Monogram Pictures.\n\nPlot\nSally Eilers runs a talent agency and sets out to put a couple of Broadway stars under contract. Her bumbling employee signs their understudies instead.\n\nCast \n Elyse Knox as Marian\n Ann Gillis as Judy (as Anne Gillis)\n Sally Eilers as Margaret Ames\n Richard Lane as Marty Allen\n Marjorie Woodworth as Eileen\n Ramsay Ames as Betty\n Henny Youngman as O. Henry Brown\n Charles 'Red' Marshall as Red (as 'Red' Marshall)\n Alan Dinehart as R. J., the Producer\n Billy Mack as Himself\n Cy Kendall as Mike\n Aileen Pringle as Newswoman\n Jack Mulhall as Bartender\n Mabel Todd as Nurse\n Milt Bronson as Himself \n unbilled players include Mel Blanc and Connie Haines\n\nProduction\nThe film's executive producer was comedian Lou Costello. As a gesture to his father – a diehard movie fan, who used the family's actual last name – Costello was credited as Sebastian Cristillo (his father's name), so the latter could see his own name onscreen. The other listed producer, Edward Sherman, was Costello's manager.\n\nPhil Karlson got to know Lou Costello when worked on Abbott and Costello films at Universal as an assistant. Costello tracked down Karlson and told him he wanted to produce a film with Karlson directing. According to Karlson, Costello asked him what did he want to make, and \"I said I don't know. By this time I'm so flabbergasted that I had no idea what I wanted to do. But he put up the money and we decided on the crazy story A Wave, a WAC and a Marine.\"\n\nReception\nKarlson called the film \"probably the worst picture ever made.... It was a nothing picture, but I was lucky because it was for Monogram and they didn't understand how bad it was because they had never made anything that was any good.\" However it did launch Karlson's directing career.\n\nSee also\nList of American films of 1944\n\nReferences\n\nExternal links \n\n \n\n1944 films\n1944 musical comedy films\nAmerican films\nAmerican black-and-white films\nAmerican musical comedy films\nEnglish-language films\nFilms about entertainers\nFilms directed by Phil Karlson\nFilms scored by Freddie Rich\nFilms set in Los Angeles\nFilms set on the home front during World War II\nMonogram Pictures films\n1944 directorial debut films" ]

[ "Irving Thalberg", "Universal Studios", "When did Irving start with Universal ?", "He found work as an office secretary at Universal Pictures'", "What did the work as office secretary lead to ?", "and later became personal secretary to the studio's founder and president,", "How did becoming a personal secretary help his career ?", "He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle.", "What did he get involved with films ?", "At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions", "What were some of these productions he oversaw ?", "I don't know.", "Did he produce any films himself ?", "I don't know." ]

[ "The Group And Chapman was a local Dallas Fort Worth television bandstand program that broadcast on WFAA-TV on Saturday evenings. It featured Ron Chapman and Ralph Baker Jr as hosts. The show developed into the weekday afternoon Sump'n Else show that broadcast on WFAA-TV. The set was of Sump'n Else would later be moved to Northpark Center in September 1965. Joan Prather and Calleen Anderegg both members of the Sump'n Else Little Group dancers began on this show. The set of this show was located at WFAA Communications Center Studios in Downtown Dallas. Both Chapman and Baker were KLIF-AM announcers at the same time they were at WFAA-TV. The original name of the show was The Group and Harrigan because when Chapman worked at KLIF, he was part of the Charley and Harrigan Show and voiced the character of Irving Harrigan. When he left KLIF in 1965, he was forced to use a different name because KLIF claimed to own the Irving Harrigan name. He used his real surname Chapman and the show became The Group and Chapman. \n\nAmerican music television series", "Remember: Michael Feinstein Sings Irving Berlin is a 1987 album by American vocalist Michael Feinstein of songs written by Irving Berlin.\n\nReception\n\nThe Allmusic review by William Ruhlmann awarded the album three stars and said of Feinstein, \"He captures the simple (and at times deceptively clever) sentiment of Berlin with an unadorned approach that brings out the sturdiness of the melodies as well\".\n\nTrack listing\n \"Let Me Sing and I'm Happy\" - 3:38\n \"Change Partners\" - 3:29\n \"Puttin' on the Ritz\"/\"Slumming on Park Avenue\" - 3:13\n \"When the Midnight Choo Choo Leaves for Alabam'\" - 2:50\n \"Better Luck Next Time\" - 3:28\n \"I'm Putting All My Eggs in One Basket\" - 2:15\n \"Remember\"/\"Always\"/\"What'll I Do\" - 5:20\n \"How Deep Is the Ocean?/\"Maybe It's Because I Love You Too Much\" - 4:38\n \"What Chance Have I With Love?\" - 2:53\n \"Looking at You (Across the Breakfast Table)\"/\"Just One Way to Say I Love You\" - 3:28\n \"Let's Have Another Cup of Coffee\"/\"I Say It's Spinach (And The Hell With It)\" - 3:56\n \"Say It Isn't So\" - 4:22\n \"Alexander's Ragtime Band\" - 4:27\n\nAll songs written by Irving Berlin.\n\nPersonnel\nMichael Feinstein - vocals, piano, arranger\nStan Freeman - arranger, piano\nDavid Ross\nJeffery Fey - art direction, design\nDennis Budimir - banjo, guitar\nJim Hughart - double Bass\nGeorge Belle - engineer\nEdward Jablonski - liner notes\n\nReferences\n\nAsylum Records albums\nIrving Berlin tribute albums\nMichael Feinstein albums\n1987 albums" ]

[ "Me and Orson Welles", "Production" ]

[ "The Orson Welles Show (1941–42), also known as The Orson Welles Theater, Orson Welles and his Mercury Theater and the Lady Esther Show (after its sponsor), was a live CBS Radio series produced, directed and hosted by Orson Welles. Broadcast Mondays at 10 p.m. ET, it made its debut September 15, 1941. Its last broadcast was February 2, 1942.\n\nHistory\nSponsored by Lady Esther cosmetics, The Orson Welles Show presented dramatic adaptations, poetry, history, music, comedy, and a commentary segment by Welles titled \"Almanac.\" Nineteen broadcasts were produced. \n\nCreated each week with the same basic crew, The Orson Welles Show featured music by Bernard Herrmann and a regular cast that included Conrad Binyon, Hans Conried, Dolores del Río, Brenda Forbes and Blanche Yurka. On many of the shows, Cliff Edwards recreated the voice of Jiminy Cricket and bantered with Welles between segments. Most of the series was produced while Welles was shooting his second feature film, The Magnificent Ambersons (October 28, 1941 – January 31, 1942), and many of the cast participated in The Orson Welles Show. On January 6, 1942, Welles also began filming Journey into Fear.\n\nThe November 17, 1941, broadcast marked the debut of The Hitch-Hiker, an original radio play by Lucille Fletcher (wife of Bernard Herrmann) that has become a classic of suspense. On the broadcast of December 29, 1941, Rita Hayworth was the guest player; this was the first meeting between Welles and Hayworth, who were married in September 1943.\n\nWelles concluded the final broadcast of The Orson Welles Show February 2, 1942, with a statement: \"Tomorrow night the Mercury Theatre starts for South America. The reason, put more or less officially, is that I've been asked by the Office of the Coordinator of Inter-American Affairs to do a motion picture especially for Americans in all the Americas, a movie which, in its particular way, might strengthen the good relations now binding the continents of the Western Hemisphere.\"\n\nEpisodes\n\nNotes\n\nReferences\n\nExternal links\n Orson Welles Show at the Internet Archive\n\n1941 radio programme debuts\n1942 radio programme endings\n1940s American radio programs\nAmerican radio dramas\nCBS Radio programs\nWorks by Orson Welles", "This is a bibliography of books by or about the director and actor Orson Welles.\n\nBooks by Orson Welles\n\nShakespeare studies\n Hill, Roger and Welles, Orson (eds.). Everybody's Shakespeare. Woodstock, Illinois: Todd Press, 1934. (omnibus volume and three separate volumes, with abridged and annotated scripts of The Merchant of Venice, Julius Caesar and Twelfth Night)\n Welles, Orson, and Hill, Roger (eds.). The Mercury Shakespeare. New York: Harper & Row, 1939. (revised version of the above; omnibus volume and three separate volumes, with abridged and annotated scripts of The Merchant of Venice, Julius Caesar and Twelfth Night)\n Welles, Orson, and Hill, Roger (eds.). The Mercury Shakespeare: Macbeth. New York: Harper & Row, 1941.\n\nScripts and screenplays\n\nPlays\n Welles, Orson. Miracle à Hollywood, et À Bon Entendeur. Paris: Gallimard, 1952. (two plays, [The Unthinking Lobster, and Fair Warning], only published in French)\n Welles, Orson. Moby Dick—Rehearsed. London: Samuel French, Inc., 1965. (play).\n France, Richard (ed.), Welles, Orson. Orson Welles on Shakespeare: The W.P.A. and Mercury Theatre Playscripts. New York: Greenwood Press, 1990. (scripts of 1930s Welles abridgments of Macbeth, Julius Caesar and Five Kings)\n Tarbox, Todd (ed.); Hill, Roger and Welles, Orson. Marching Song: A Play. Lanham, Maryland: Rowman & Littlefield, 2019. (first publication of an unperformed play, written in 1932)\n\nRadio plays\n Welles, Orson. His Honor—The Mayor. New York: The Free Company, 1941. (script of radio play broadcast April 6, 1941)\n\nScreenplays\n Fry, Nicholas (ed.), Welles, Orson. The Trial. London: Lorrimer, 1970. (screenplay, first published in French by l’Avant scene du cinema in 1963)\nKael, Pauline, Mankiewicz, Herman J. and Welles, Orson. The Citizen Kane Book. Boston: Little, Brown and Company, 1971. (screenplay prefaced by Kael's essay \"Raising Kane\")\n Comito, Terry (ed.), Welles, Orson. Touch of Evil. New Brunswick, New Jersey: Rutgers University Press, 1985 (screenplay).\n Pepper, James and Rosenbaum, Jonathan (eds.), Welles, Orson, and Kodar, Oja. The Big Brass Ring. Santa Barbara, California: Santa Teresa Press, 1987. (unproduced screenplay)\n Gellert Lyons, Bridget (ed.) Welles, Orson. Chimes at Midnight. New Brunswick, New Jersey: Rutgers University Press, 1988. (screenplay)\n Pepper, James and Rosenbaum, Jonathan (eds.), Welles, Orson. The Cradle Will Rock. Santa Barbara, California: Santa Teresa Press, 1994. (unproduced screenplay)\n Gosetti, Giorgio (ed.), Welles, Orson and Kodar, Oja. The Other Side of the Wind. Locarno, Switzerland: Cahiers du cinéma/ Locarno Film Festival, 2005. (screenplay of a film which was incomplete at the time of publication - subsequently completed in 2018)\n\nNovels and short stories\n Welles, Orson and others. The Lives of Harry Lime. London: Pocket Books, 1952. (short stories)\n Welles, Orson. Une Grosse Légume. Paris: Gallimard, 1953. (novel ghostwritten by Maurice Bessy, only published in French)\n Welles, Orson. Mr. Arkadin. Paris: Gallimard, 1954. (novel ghostwritten by Maurice Bessy, subsequently translated into English)\n\nInterviews\n Rosenbaum, Jonathan (ed.), Welles, Orson and Bogdanovich, Peter. This is Orson Welles. New York: HarperCollins, 1992. (revised and expanded in 1998)\n Estrin, Mark W. (ed.), Welles, Orson. Orson Welles Interviews. Jackson, Mississippi: University Press of Mississippi, 2002.\n\nConversations\n Tarbox, Todd. Orson Welles and Roger Hill: A Friendship in Three Acts. Albany, Georgia: BearManor Media, 2013. \n Biskind, Peter (ed.), Jaglom, Henry. My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles. New York: Metropolitan Books (Henry Holt and Company), 2013.\n\nArtwork\n Welles, Orson. Les Bravades. New York: Workman, 1996. \n Braund, Simon (ed). Orson Welles portfolio: Sketches and drawings from the Welles estate. Titan Books, 2019.\n\nBooks about Orson Welles\n\nBiographies\n Bessy, Maurice. Orson Welles: An investigation into his films and philosophy. Crown, 1971. (abridged translation of French-language biography, first published in Paris in 1963)\n Brady, Frank. Citizen Welles: A Biography of Orson Welles. New York: Charles Scribner's Sons, 1989. \n Callow, Simon. Orson Welles: The Road to Xanadu. London: Jonathan Cape, 1995; New York: Viking, 1996. (biography covering 1915–41)\n __. Orson Welles, Volume 2: Hello Americans. London: Jonathan Cape, 2006; New York: Viking, 2006. (biography covering 1941–47)\n __. Orson Welles, Volume 3: One-Man Band. London: Jonathan Cape, 2015; New York: Viking, 2016. (biography covering 1947–65)\n __. Orson Welles, Volume 4. (forthcoming 2019 biography covering 1965–85)\n Feeney, F. X. Orson Welles: Power, Heart and Soul. Raleigh, North Carolina: The Critical Press, 2015. \n Fowler, Roy Alexander. Orson Welles: A First Biography. London: Pendulum Publications, 1946.\n Heylin, Clinton. Despite the System: Orson Welles Versus the Hollywood Studios. Chicago Review Press, 2005. \n Higham, Charles. Orson Welles: The Rise and Fall of an American Genius. New York: St. Martin's Press, 1985. \n Leaming, Barbara. Orson Welles. New York: Viking, 1985. \n McBride, Joseph. Orson Welles. Harcourt Brace, 1977.\n McGilligan, Patrick. Young Orson: The Years of Luck and Genius on the Path to Citizen Kane. New York: HarperCollins, 2015. \n Noble, Peter. The Fabulous Orson Welles. London: Hutchinson and Co., 1956. \n Thomson, David. Rosebud: The Story of Orson Welles. New York: Vintage, 1997. \n Valentinetti, Claudio M. Orson Welles. Florence: La Nuova Italia, 1980. \n Visdei, Anca. Orson Welles. Éditions de Fallois, 2015. \n Whaley, Bart. Orson Welles: the man who was magic. Ebook, 2011.\n\nStudies of Citizen Kane (1941)\n Berthomé, Jean-Pierre and Thomas, François. Citizen Kane. Paris: Flammarion, 1992. \n Carringer, Robert. The Making of Citizen Kane. Berkeley: University of California Press, 1985.\n Gottesman, Ronald (ed.). Focus on Citizen Kane. Englewood Cliffs, New Jersey: Prentice-Hall, 1971.\n __. Perspectives on Citizen Kane. New York: G.K. Hall/Macmillan, 1996.\n Joxe, Sandra, Citizen Kane, Orson Welles. Paris : Hatier, 1990. \n Kael, Pauline (ed.). The Citizen Kane Book. New York: Little, Brown and Company, 1971.\n Lebo, Harlan. Citizen Kane: The Fiftieth Anniversary Album. New York: Doubleday, 1990.\n . Citizen Kane: A Filmmaker’s Journey. New York: WGI Publishing, 2000.\n . Citizen Kane: A Filmmaker’s Journey. New York: Thomas Dunne Books, 2016. \n Merryman, Richard. Mank. The Wit, World and Life of Herman Mankiewicz. New York: William Morrow and Company, 1978.\n Mulvey, Laura. Citizen Kane. London: BFI, 1992.\n Naremore, James (ed.). Orson Welles's Citizen Kane: a Casebook. Oxford University Press, 2004. \n Pizzitola, Louis. Hearst over Hollywood: Power, passion and propaganda in the movies. Columbia University Press, 2002. \n Roy, Jean. Citizen Kane [de] Orson Welles: étude critique. Paris: Nathan, 1989. \n Walsh, John Evangelist. Walking Shadows: Orson Welles, William Randolph Hearst and Citizen Kane. Madison, Wisconsin: University of Wisconsin Press, 2004.\n\nStudies of other individual Welles films\n\nToo Much Johnson (unfinished, 1938)\n Studer, Massimiliano. Alle origini di Quarto potere. Too Much Johnson: il film perduto di Orson Welles. Milano: Mimesis editore, 2018. (about the unfinished film Too Much Johnson). In Italian language\n\nIt's All True (unfinished, 1942)\n Benamou, Catherine L. It's All True: Orson Welles's Pan-American Odyssey. Berkeley: University of California Press, 2007. (about the unfinished film It's All True)\n\nThe Magnificent Ambersons (1942)\n Carringer, Robert. The Magnificent Ambersons: a Reconstruction. Berkeley: University of California Press, 1993. \n Perkins, V. F. The Magnificent Ambersons. London: BFI, 1999.\n\nThe Stranger (1946)\n Strobel, Ricarda. Propagandafilm und Melodrama: Untersuchungen zu Alfred Hitchcocks \"Lifeboat\" und Orson Welles' \"The Stranger\". Berlin: Eissenschaftler-verlag, 1984.\n\nOthello (1952)\n Del Ministro, Maurizio. Othello di Welles. Rome: Bulzoni, 2000. (about Othello) \n Mac Liammóir, Micháel. Put Money in Thy Purse: The Making of Orson Welles's Othello. London: Methuen, 1952. (revised edition in 1978)\n\nDon Quixote (unfinished, 1955-73)\n Cobos, Juan, and Esteve Riambau. Don Quijote: páginas del guión cinematográfico de Orson Welles. Madrid: Asociación de Directores de Escena de España, 1992. (about the unfinished film Don Quixote) \n Sciortino, Sigismondo Domenico. Don Chisciotte e il Cinema (dell')Invisibile. Rome: La Camera Verde, 2013. (about the unfinished film Don Quixote)\n\nTouch of Evil (1957)\n Comito, Terry (ed.). Touch of Evil. New Brunswick, New Jersey: Rutgers University Press, 1985. (screenplay with literary criticism)\n\nThe Trial (1962)\n Trias, Jean-Phillipe. Le Procès d'Orson Welles. Paris: Cahiers du cinéma / CNDP, 2005. (about The Trial)\n\nChimes at Midnight (1965)\n Gellert Lyons, Bridget (ed.) Welles, Orson. Chimes at Midnight. New Brunswick, New Jersey: Rutgers University Press, 1988.\n Riambau, Esteve. Las cosas que hemos visto: Welles y Falstaff. Luces de Gálibo, 2015.\n\nThe Deep (unfinished, 1967-70)\n Kovačić, Duško and Rafaelić Daniel. Orson Welles in Hvar\n\nF for Fake (1973)\n Thieme, Claudia. F for Fake and the Growth in Complexity of Orson Welles' Documentary Form. New York: Peter Lang, 1997.\n\nThe Other Side of the Wind (unfinished, 1970-6; posthumously completed, 2018)\n Gosetti, Giorgio (ed.). The Other Side of the Wind. Locarno, Switzerland: Cahiers du cinéma/ Locarno Film Festival, 2005. \n Karp, Josh. Orson Welles's Last Movie: The Making of The Other Side of the Wind. New York: St. Martin's Press, 2015. \n Yates, Michael. Shoot 'Em Dead: Orson Welles & The Other Side of the Wind. Morrisville, North Carolina: Lulu, 2020.\n\nStudies of multiple Welles films\n Rosenbaum, Jonathan (trans.), Bazin, André. Orson Welles. Harper and Row, 1978.\n Bogdanovich, Peter. The Cinema of Orson Welles. New York: Film Library of the Museum of Modern Art, 1961.\n Cowie, Peter. The Cinema of Orson Welles. Da Capo Press, 1973.\n Drössler, Stefan, (ed.). The Unknown Orson Welles. Munich: Filmmuseum München/belleville Verlag, 2004. (about Welles's unfinished films; text in three languages) \n Garis, Robert. The Films of Orson Welles. Cambridge University Press, 2004.\n Gear, Matthew Asprey. At the End of the Street in the Shadow: Orson Welles and the City. Wallflower Press/Columbia University Press, 2016.\n Gottesman, Ronald (ed.). Focus on Orson Welles. Englewood Cliffs, New Jersey: Prentice-Hall, 1976.\n Hel-Guedj, Johan-Frederik. Orson Welles, la règle du faux. Michalon, 1997. \n Higham, Charles. The Films of Orson Welles. Berkeley: University of California Press, 1970.\n Howard, James. The Complete Films of Orson Welles. Citadel Press, 1991.\n McBride, Joseph. Orson Welles. Da Capo Press, 1996. (heavily revised edition of a 1972 monograph)\n ___. What Ever Happened to Orson Welles? A Portrait of an Independent Career. Kentucky: University Press of Kentucky, 2006.\n Nagel, Elsa. L'Art du Mensonge et de la Vérité: Orson Welles, Le Procès et Une Histoire Immortelle. Paris: L'Harmattan, 1997. (about The Trial, The Immortal Story and F for Fake) \n Naremore, James. The Magic World of Orson Welles. Urbana, Chicago and Springfield, Illinois: University of Illinois Press, 2015. (centennial anniversary edition, first published by Oxford University Press in 1978, revised edition published by Southern Methodist University Press in 1989)\n Rasmussen, Randy. Orson Welles: Six Films, Scene by Scene, New York: McFarland, 2006\n Rippy, Marguerite. Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective. Southern Illinois University Press, 2009.\n\nStudies of Welles's theatre work\n Anderegg, Michael. Orson Welles, Shakespeare and Popular Culture. New York: Columbia University Press, 1999.\n France, Richard. The Theatre of Orson Welles. Lewisburg, Pennsylvania: Bucknell University Press, 1977.\n\nStudies of Welles's radio work\n Cantril, Hadley. The Invasion From Mars: A Study in the Psychology of Panic. Princeton: Princeton University Press, 1940. \n Gallop, Alan. The Martians are coming ! The true story of Orson Welles'1938 panic broadcast. Stroud: Amberley Publishing, 2011. \n Gosling, John. Waging the War of the Worlds: A history of the 1938 radio broadcast and resulting panic. Jefferson, North Carolina: McFarland, 2009 (including the original script by Howard Koch) \n Heyer, Paul. The Medium and the Magician: Orson Welles, the Radio Years. Ottawa: Rowman & Littlefield, 2005. \n Koch, Howard. The Panic Broadcast: The whole story of Orson Welles ' legendary radio show invasion from Mars. New York: Avon, 1970.\n Schwartz, A. Brad. Broadcast Hysteria: Orson Welles's War of the Worlds and the Art of Fake News. New York: Hill & Wang, 2015.\n\nMemoirs prominently featuring Welles\n Anderson, Arthur, An Actor's Odyssey: Orson Welles to Lucky the Leprechaun. Albany: BearManor Media, 2010. . \n Bond, Dorian. Me and Orson Welles: Travelling Europe with a Hollywood Legend. The History press, 2018. \n Castle, William, Step Right Up! I'm Gonna Scare the Pants Off America: Memoirs of a B-Movie Mogul. New York: Putnam, 1992. \n Cotten, Joseph, Vanity will get you somewhere. San Francisco: Mercury House, 1987. \n Everett, Rupert, Red carpets and other bananas skins. Abacus, 2007. \n Feder, Chris Welles. In My Father's Shadow: A Daughter Remembers Orson Welles. Algonquin Books of Chapel Hill, 2009. \n Graver, Gary, with Rausch, Andrew J. Making Movies with Orson Welles; A Memoir. Lanham, Maryland: Scarecrow Press, 2008. \n Heston, Charlton. In the Arena: An Autobiography. Simon & Schuster, 1995.\n Gómez, Andrés Vicente. El Sueño Loco [A Crazy Dream] (Ayuntamiento de Malaga, Malaga, 2001). \n Hill, Roger. One man's time and chance: A memoir of eighty years 1895-1975. Woodstock public library, 1977.\n Holiday, Billie with Dufty, William, Lady Sings the Blues. New York: Doubleday, 1956.\n Houseman, John. Run Through: A Memoir. New York: Simon & Schuster, 1972. \n ___. Front and Center: A Memoir. New York: Simon & Schuster, 1979. \n ___. Final Dress: A Memoir. New York: Simon & Schuster, 1983.\n ___. Unfinished Business: A Memoir, London: Chatto & Windus, 1986.\n Huston, John. An Open Book. New York, Alfred A. Knopf, 1980. \n Lindsay-Hogg, Michael. Luck and Circumstance: A Coming of Age in Hollywood, New York and Points Beyond. New York: Alfred A. Knopf, 2011. \n McCambridge, Mercedes. The Quality of Mercy: An autobiography. New York: Time Books, 1981. \n Mac Liammóir, Micháel. All for Hecuba: An Irish Theatrical Biography. Dublin: Branden Books, 1967.\n Tasca di Cuto, Alessandro. 'Un Principe in America''. Sellerio Editore, 2004.; English translation, as ''A Prince in America'''. 2011.\n\nOther\n Orson Welles, Cahiers du cinéma, Éditions de l'Étoile, 1986. \n Anile, Alberto. Orson Welles in Italy. Bloomington: Indiana University Press, 2013. (English translation of book first published in Italian in 2006)\n Beja, Morris, ed. Perspectives on Orson Welles. G. K. Hall, 1995.\n Berg, Chuck and Erskine, Tom (ed.). The Encyclopedia of Orson Welles. Checkmark Books, 2003.\n Berthomé, Jean-Pierre and Thomas, François. Orson Welles at Work. London: Phaidon, 2008. (English translation of book first published in French in 2006)\n Ciment, Michel. \"Les Enfants Terribles\" in American Film, December 1984. \n Cobos, Juan. Orson Welles: España como obsesión, Editiones de la Filmoteca, Institut de Valencià de Cultura, España, 1993. \n Conrad, Peter. Orson Welles: The Stories of His Life. London: Faber and Faber, 2003.\n D'Angela, Toni (ed.). Nelle terre di Orson Welles. Alessandria: Edizioni Falsopiano, 2004.\n Davies, Anthony. Filming Shakespeare's Plays. Cambridge University Press, 1988.\n Drazin, Charles. In Search of the Third Man. Limelight, 2000.\n Duncan, Paul. Orson Welles: Pocket Essentials. London: Pocket Books, 2000.\n Gilmore, James N. and Gottlieb, Sidney (ed.). Orson Welles in focus: Texts and contexts. Indiana university bloomington, 2018. \n Gosling, John. \"Waging the War of the Worlds\". McFarland & Company, Inc, 2009.\n Greene, Graham. The Third Man. London: Faber and Faber, 1991.\n Hormiga, Gustavo (2002). \"Orsonwelles, a new genus of giant linyphiid spiders (Araneae) from the Hawaiian Islands\". Invertebrate Systematics 16: 369–448.\n Ishaghpour, Youssef. Orson Welles, cinéaste, une caméra visible, éditions de la différence, 2001. (Three volumes) :\n Volume 1 : Mais notre dépendance à l'image est énorme..., 2001.\n Volume 2 : Les films de la période américaine, 2001.\n Volume 3 : Les Films de la période nomade, 2001.\n Jorgens, Jack J. Shakespeare on Film. Bloomington: Indiana University Press, 1977.\n Müller, Adalberto, Orson Welles: Banda de um homem Só. Azouge, 2015. \n Naremore, James. \"The Trial, the FBI Vs Orson Welles\" in Film comment, vol. 27, n° 1, 22-27, 1991 (about FBI files on Welles)\n Riambau, Esteve. Orson Welles: Un España immortal, Editiones de la Filmoteca, Institut de Valencià de Cultura, España, 1993. \n Ramón, David. La Santa de Orson Welles, D.R. Universidad Nacional Autonoma de México, 1991. \n Rosenbaum, Jonathan. \"Orson Welles's Essay Films and Documentary Fictions\", in Placing Movies. Berkeley: University of California Press, 1995.\n _. \"The Battle Over Orson Welles\", in Essential Cinema. Baltimore: Johns Hopkins University Press, 2004.\n _. \"Orson Welles as Ideological Challenge\" in Movie Wars. A Capella Books, 2000.\n _. Discovering Orson Welles. Berkeley: University of California Press, 2007. \n Shakespeare Bulletin, Volume 23, Number 1, Spring 2005: Special Welles issue.\n Simon, William G., (ed.). \"Special Welles issue\", in: Persistence of Vision: The Journal of the Film Faculty of the City University of New York; Number 7, 1989.\n Simonson, Robert. \"Orson's Shadow Talkback Series Continues May 4 with Welles's Daughter.\" May 3, 2005.\n Taylor, John Russell. Orson Welles: a Celebration. Pavilion, 1986.\n ___. Orson Welles. Pavilion, 1998.\n Thomas, François. \"Orson Welles et le remodelage du texte shakespearien\" in Actes des congrès de la Société française Shakespeare 16 | 1998, 171-182 \n Tonguette, Peter Prescott. Orson Welles Remembered: Interviews With His Actors, Editors, Cinematographers and Magicians. New York: McFarland, 2007. \n Walters, Ben. Welles. London: Haus Publishing, 2004. \n Whaley, Barton. Orson Welles: The Man Who Was Magic, Lybrary.com, 2005. \n White, Rob. The Third Man. London: BFI, 2003.\n Wood, Bret. Orson Welles: a Bio-Bibliography. Westport, Connecticut: Greenwood Press, 1990.\n\nWritten fiction featuring Welles as a character\n\nGraphic novels\nCamus, David and Abadzis, Nick. The Cigar That Fell In Love With a Pipe: Featuring Orson Welles & Rita Hayworth. SelfMadeHero, New York, 2014.\n\nNovellas\n Newman, Kim. Anno Dracula: The Other Side of Midnight. London, 2000. (subsequently integrated into Newman's 2013 novel Johnny Alucard, in a rewritten form)\n\nNovels\n Brown, Robert Dwight. Orson Welles' Lost War of the Worlds Screenplay. New York: Allonymous Books, 2013.\n Chabon, Michael. The Amazing Adventures of Kavalier & Clay. New York: Random House, 2000.\n Ferrario, Davide. Dissolvenza al nero (Fade to Black). Rome, 1994.\n Kaplow, Robert. Me and Orson Welles. San Francisco: MacAdam/Cage, 2003. \n Newman, Kim. Anno Dracula: Dracula Cha Cha Cha. Avon Books, London, 1998.\n _. Anno Dracula: Johnny Alucard. Titan, London, 2013.\n\nOperas\n Hagen, Daron Orson Rehearsed. (Unpublished, though libretto included with 2021 CD release) 2018.\n\nPlays\n Druxman, Michael B. Orson Welles: A One-Person Play in Two Acts. Createspace, New York, 2011.\n Pendleton, Austin. Orson's Shadow. Dramatists Play Service, New York, 2006.\n Pettigrew, Joel. Mercury Man: The Last Performance of Orson Welles. (Unpublished) 2018.\n Wollman, Chris. The Sacred Beasts. (Unpublished) 2017.\n\nReferences\n\nExternal links\n The Mercury Shakespeare at HathiTrust (original from the University of Michigan)\n\nBooks about film directors\nBibliographies of people\nWorks by Orson Welles\nBibliographies of American writers\nBibliographies by writer\nbibliography" ]

[ "Me and Orson Welles", "Production", "Who produced Me and Orson Welles", "I don't know." ]

[ "This is a bibliography of books by or about the director and actor Orson Welles.\n\nBooks by Orson Welles\n\nShakespeare studies\n Hill, Roger and Welles, Orson (eds.). Everybody's Shakespeare. Woodstock, Illinois: Todd Press, 1934. (omnibus volume and three separate volumes, with abridged and annotated scripts of The Merchant of Venice, Julius Caesar and Twelfth Night)\n Welles, Orson, and Hill, Roger (eds.). The Mercury Shakespeare. New York: Harper & Row, 1939. (revised version of the above; omnibus volume and three separate volumes, with abridged and annotated scripts of The Merchant of Venice, Julius Caesar and Twelfth Night)\n Welles, Orson, and Hill, Roger (eds.). The Mercury Shakespeare: Macbeth. New York: Harper & Row, 1941.\n\nScripts and screenplays\n\nPlays\n Welles, Orson. Miracle à Hollywood, et À Bon Entendeur. Paris: Gallimard, 1952. (two plays, [The Unthinking Lobster, and Fair Warning], only published in French)\n Welles, Orson. Moby Dick—Rehearsed. London: Samuel French, Inc., 1965. (play).\n France, Richard (ed.), Welles, Orson. Orson Welles on Shakespeare: The W.P.A. and Mercury Theatre Playscripts. New York: Greenwood Press, 1990. (scripts of 1930s Welles abridgments of Macbeth, Julius Caesar and Five Kings)\n Tarbox, Todd (ed.); Hill, Roger and Welles, Orson. Marching Song: A Play. Lanham, Maryland: Rowman & Littlefield, 2019. (first publication of an unperformed play, written in 1932)\n\nRadio plays\n Welles, Orson. His Honor—The Mayor. New York: The Free Company, 1941. (script of radio play broadcast April 6, 1941)\n\nScreenplays\n Fry, Nicholas (ed.), Welles, Orson. The Trial. London: Lorrimer, 1970. (screenplay, first published in French by l’Avant scene du cinema in 1963)\nKael, Pauline, Mankiewicz, Herman J. and Welles, Orson. The Citizen Kane Book. Boston: Little, Brown and Company, 1971. (screenplay prefaced by Kael's essay \"Raising Kane\")\n Comito, Terry (ed.), Welles, Orson. Touch of Evil. New Brunswick, New Jersey: Rutgers University Press, 1985 (screenplay).\n Pepper, James and Rosenbaum, Jonathan (eds.), Welles, Orson, and Kodar, Oja. The Big Brass Ring. Santa Barbara, California: Santa Teresa Press, 1987. (unproduced screenplay)\n Gellert Lyons, Bridget (ed.) Welles, Orson. Chimes at Midnight. New Brunswick, New Jersey: Rutgers University Press, 1988. (screenplay)\n Pepper, James and Rosenbaum, Jonathan (eds.), Welles, Orson. The Cradle Will Rock. Santa Barbara, California: Santa Teresa Press, 1994. (unproduced screenplay)\n Gosetti, Giorgio (ed.), Welles, Orson and Kodar, Oja. The Other Side of the Wind. Locarno, Switzerland: Cahiers du cinéma/ Locarno Film Festival, 2005. (screenplay of a film which was incomplete at the time of publication - subsequently completed in 2018)\n\nNovels and short stories\n Welles, Orson and others. The Lives of Harry Lime. London: Pocket Books, 1952. (short stories)\n Welles, Orson. Une Grosse Légume. Paris: Gallimard, 1953. (novel ghostwritten by Maurice Bessy, only published in French)\n Welles, Orson. Mr. Arkadin. Paris: Gallimard, 1954. (novel ghostwritten by Maurice Bessy, subsequently translated into English)\n\nInterviews\n Rosenbaum, Jonathan (ed.), Welles, Orson and Bogdanovich, Peter. This is Orson Welles. New York: HarperCollins, 1992. (revised and expanded in 1998)\n Estrin, Mark W. (ed.), Welles, Orson. Orson Welles Interviews. Jackson, Mississippi: University Press of Mississippi, 2002.\n\nConversations\n Tarbox, Todd. Orson Welles and Roger Hill: A Friendship in Three Acts. Albany, Georgia: BearManor Media, 2013. \n Biskind, Peter (ed.), Jaglom, Henry. My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles. New York: Metropolitan Books (Henry Holt and Company), 2013.\n\nArtwork\n Welles, Orson. Les Bravades. New York: Workman, 1996. \n Braund, Simon (ed). Orson Welles portfolio: Sketches and drawings from the Welles estate. Titan Books, 2019.\n\nBooks about Orson Welles\n\nBiographies\n Bessy, Maurice. Orson Welles: An investigation into his films and philosophy. Crown, 1971. (abridged translation of French-language biography, first published in Paris in 1963)\n Brady, Frank. Citizen Welles: A Biography of Orson Welles. New York: Charles Scribner's Sons, 1989. \n Callow, Simon. Orson Welles: The Road to Xanadu. London: Jonathan Cape, 1995; New York: Viking, 1996. (biography covering 1915–41)\n __. Orson Welles, Volume 2: Hello Americans. London: Jonathan Cape, 2006; New York: Viking, 2006. (biography covering 1941–47)\n __. Orson Welles, Volume 3: One-Man Band. London: Jonathan Cape, 2015; New York: Viking, 2016. (biography covering 1947–65)\n __. Orson Welles, Volume 4. (forthcoming 2019 biography covering 1965–85)\n Feeney, F. X. Orson Welles: Power, Heart and Soul. Raleigh, North Carolina: The Critical Press, 2015. \n Fowler, Roy Alexander. Orson Welles: A First Biography. London: Pendulum Publications, 1946.\n Heylin, Clinton. Despite the System: Orson Welles Versus the Hollywood Studios. Chicago Review Press, 2005. \n Higham, Charles. Orson Welles: The Rise and Fall of an American Genius. New York: St. Martin's Press, 1985. \n Leaming, Barbara. Orson Welles. New York: Viking, 1985. \n McBride, Joseph. Orson Welles. Harcourt Brace, 1977.\n McGilligan, Patrick. Young Orson: The Years of Luck and Genius on the Path to Citizen Kane. New York: HarperCollins, 2015. \n Noble, Peter. The Fabulous Orson Welles. London: Hutchinson and Co., 1956. \n Thomson, David. Rosebud: The Story of Orson Welles. New York: Vintage, 1997. \n Valentinetti, Claudio M. Orson Welles. Florence: La Nuova Italia, 1980. \n Visdei, Anca. Orson Welles. Éditions de Fallois, 2015. \n Whaley, Bart. Orson Welles: the man who was magic. Ebook, 2011.\n\nStudies of Citizen Kane (1941)\n Berthomé, Jean-Pierre and Thomas, François. Citizen Kane. Paris: Flammarion, 1992. \n Carringer, Robert. The Making of Citizen Kane. Berkeley: University of California Press, 1985.\n Gottesman, Ronald (ed.). Focus on Citizen Kane. Englewood Cliffs, New Jersey: Prentice-Hall, 1971.\n __. Perspectives on Citizen Kane. New York: G.K. Hall/Macmillan, 1996.\n Joxe, Sandra, Citizen Kane, Orson Welles. Paris : Hatier, 1990. \n Kael, Pauline (ed.). The Citizen Kane Book. New York: Little, Brown and Company, 1971.\n Lebo, Harlan. Citizen Kane: The Fiftieth Anniversary Album. New York: Doubleday, 1990.\n . Citizen Kane: A Filmmaker’s Journey. New York: WGI Publishing, 2000.\n . Citizen Kane: A Filmmaker’s Journey. New York: Thomas Dunne Books, 2016. \n Merryman, Richard. Mank. The Wit, World and Life of Herman Mankiewicz. New York: William Morrow and Company, 1978.\n Mulvey, Laura. Citizen Kane. London: BFI, 1992.\n Naremore, James (ed.). Orson Welles's Citizen Kane: a Casebook. Oxford University Press, 2004. \n Pizzitola, Louis. Hearst over Hollywood: Power, passion and propaganda in the movies. Columbia University Press, 2002. \n Roy, Jean. Citizen Kane [de] Orson Welles: étude critique. Paris: Nathan, 1989. \n Walsh, John Evangelist. Walking Shadows: Orson Welles, William Randolph Hearst and Citizen Kane. Madison, Wisconsin: University of Wisconsin Press, 2004.\n\nStudies of other individual Welles films\n\nToo Much Johnson (unfinished, 1938)\n Studer, Massimiliano. Alle origini di Quarto potere. Too Much Johnson: il film perduto di Orson Welles. Milano: Mimesis editore, 2018. (about the unfinished film Too Much Johnson). In Italian language\n\nIt's All True (unfinished, 1942)\n Benamou, Catherine L. It's All True: Orson Welles's Pan-American Odyssey. Berkeley: University of California Press, 2007. (about the unfinished film It's All True)\n\nThe Magnificent Ambersons (1942)\n Carringer, Robert. The Magnificent Ambersons: a Reconstruction. Berkeley: University of California Press, 1993. \n Perkins, V. F. The Magnificent Ambersons. London: BFI, 1999.\n\nThe Stranger (1946)\n Strobel, Ricarda. Propagandafilm und Melodrama: Untersuchungen zu Alfred Hitchcocks \"Lifeboat\" und Orson Welles' \"The Stranger\". Berlin: Eissenschaftler-verlag, 1984.\n\nOthello (1952)\n Del Ministro, Maurizio. Othello di Welles. Rome: Bulzoni, 2000. (about Othello) \n Mac Liammóir, Micháel. Put Money in Thy Purse: The Making of Orson Welles's Othello. London: Methuen, 1952. (revised edition in 1978)\n\nDon Quixote (unfinished, 1955-73)\n Cobos, Juan, and Esteve Riambau. Don Quijote: páginas del guión cinematográfico de Orson Welles. Madrid: Asociación de Directores de Escena de España, 1992. (about the unfinished film Don Quixote) \n Sciortino, Sigismondo Domenico. Don Chisciotte e il Cinema (dell')Invisibile. Rome: La Camera Verde, 2013. (about the unfinished film Don Quixote)\n\nTouch of Evil (1957)\n Comito, Terry (ed.). Touch of Evil. New Brunswick, New Jersey: Rutgers University Press, 1985. (screenplay with literary criticism)\n\nThe Trial (1962)\n Trias, Jean-Phillipe. Le Procès d'Orson Welles. Paris: Cahiers du cinéma / CNDP, 2005. (about The Trial)\n\nChimes at Midnight (1965)\n Gellert Lyons, Bridget (ed.) Welles, Orson. Chimes at Midnight. New Brunswick, New Jersey: Rutgers University Press, 1988.\n Riambau, Esteve. Las cosas que hemos visto: Welles y Falstaff. Luces de Gálibo, 2015.\n\nThe Deep (unfinished, 1967-70)\n Kovačić, Duško and Rafaelić Daniel. Orson Welles in Hvar\n\nF for Fake (1973)\n Thieme, Claudia. F for Fake and the Growth in Complexity of Orson Welles' Documentary Form. New York: Peter Lang, 1997.\n\nThe Other Side of the Wind (unfinished, 1970-6; posthumously completed, 2018)\n Gosetti, Giorgio (ed.). The Other Side of the Wind. Locarno, Switzerland: Cahiers du cinéma/ Locarno Film Festival, 2005. \n Karp, Josh. Orson Welles's Last Movie: The Making of The Other Side of the Wind. New York: St. Martin's Press, 2015. \n Yates, Michael. Shoot 'Em Dead: Orson Welles & The Other Side of the Wind. Morrisville, North Carolina: Lulu, 2020.\n\nStudies of multiple Welles films\n Rosenbaum, Jonathan (trans.), Bazin, André. Orson Welles. Harper and Row, 1978.\n Bogdanovich, Peter. The Cinema of Orson Welles. New York: Film Library of the Museum of Modern Art, 1961.\n Cowie, Peter. The Cinema of Orson Welles. Da Capo Press, 1973.\n Drössler, Stefan, (ed.). The Unknown Orson Welles. Munich: Filmmuseum München/belleville Verlag, 2004. (about Welles's unfinished films; text in three languages) \n Garis, Robert. The Films of Orson Welles. Cambridge University Press, 2004.\n Gear, Matthew Asprey. At the End of the Street in the Shadow: Orson Welles and the City. Wallflower Press/Columbia University Press, 2016.\n Gottesman, Ronald (ed.). Focus on Orson Welles. Englewood Cliffs, New Jersey: Prentice-Hall, 1976.\n Hel-Guedj, Johan-Frederik. Orson Welles, la règle du faux. Michalon, 1997. \n Higham, Charles. The Films of Orson Welles. Berkeley: University of California Press, 1970.\n Howard, James. The Complete Films of Orson Welles. Citadel Press, 1991.\n McBride, Joseph. Orson Welles. Da Capo Press, 1996. (heavily revised edition of a 1972 monograph)\n ___. What Ever Happened to Orson Welles? A Portrait of an Independent Career. Kentucky: University Press of Kentucky, 2006.\n Nagel, Elsa. L'Art du Mensonge et de la Vérité: Orson Welles, Le Procès et Une Histoire Immortelle. Paris: L'Harmattan, 1997. (about The Trial, The Immortal Story and F for Fake) \n Naremore, James. The Magic World of Orson Welles. Urbana, Chicago and Springfield, Illinois: University of Illinois Press, 2015. (centennial anniversary edition, first published by Oxford University Press in 1978, revised edition published by Southern Methodist University Press in 1989)\n Rasmussen, Randy. Orson Welles: Six Films, Scene by Scene, New York: McFarland, 2006\n Rippy, Marguerite. Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective. Southern Illinois University Press, 2009.\n\nStudies of Welles's theatre work\n Anderegg, Michael. Orson Welles, Shakespeare and Popular Culture. New York: Columbia University Press, 1999.\n France, Richard. The Theatre of Orson Welles. Lewisburg, Pennsylvania: Bucknell University Press, 1977.\n\nStudies of Welles's radio work\n Cantril, Hadley. The Invasion From Mars: A Study in the Psychology of Panic. Princeton: Princeton University Press, 1940. \n Gallop, Alan. The Martians are coming ! The true story of Orson Welles'1938 panic broadcast. Stroud: Amberley Publishing, 2011. \n Gosling, John. Waging the War of the Worlds: A history of the 1938 radio broadcast and resulting panic. Jefferson, North Carolina: McFarland, 2009 (including the original script by Howard Koch) \n Heyer, Paul. The Medium and the Magician: Orson Welles, the Radio Years. Ottawa: Rowman & Littlefield, 2005. \n Koch, Howard. The Panic Broadcast: The whole story of Orson Welles ' legendary radio show invasion from Mars. New York: Avon, 1970.\n Schwartz, A. Brad. Broadcast Hysteria: Orson Welles's War of the Worlds and the Art of Fake News. New York: Hill & Wang, 2015.\n\nMemoirs prominently featuring Welles\n Anderson, Arthur, An Actor's Odyssey: Orson Welles to Lucky the Leprechaun. Albany: BearManor Media, 2010. . \n Bond, Dorian. Me and Orson Welles: Travelling Europe with a Hollywood Legend. The History press, 2018. \n Castle, William, Step Right Up! I'm Gonna Scare the Pants Off America: Memoirs of a B-Movie Mogul. New York: Putnam, 1992. \n Cotten, Joseph, Vanity will get you somewhere. San Francisco: Mercury House, 1987. \n Everett, Rupert, Red carpets and other bananas skins. Abacus, 2007. \n Feder, Chris Welles. In My Father's Shadow: A Daughter Remembers Orson Welles. Algonquin Books of Chapel Hill, 2009. \n Graver, Gary, with Rausch, Andrew J. Making Movies with Orson Welles; A Memoir. Lanham, Maryland: Scarecrow Press, 2008. \n Heston, Charlton. In the Arena: An Autobiography. Simon & Schuster, 1995.\n Gómez, Andrés Vicente. El Sueño Loco [A Crazy Dream] (Ayuntamiento de Malaga, Malaga, 2001). \n Hill, Roger. One man's time and chance: A memoir of eighty years 1895-1975. Woodstock public library, 1977.\n Holiday, Billie with Dufty, William, Lady Sings the Blues. New York: Doubleday, 1956.\n Houseman, John. Run Through: A Memoir. New York: Simon & Schuster, 1972. \n ___. Front and Center: A Memoir. New York: Simon & Schuster, 1979. \n ___. Final Dress: A Memoir. New York: Simon & Schuster, 1983.\n ___. Unfinished Business: A Memoir, London: Chatto & Windus, 1986.\n Huston, John. An Open Book. New York, Alfred A. Knopf, 1980. \n Lindsay-Hogg, Michael. Luck and Circumstance: A Coming of Age in Hollywood, New York and Points Beyond. New York: Alfred A. Knopf, 2011. \n McCambridge, Mercedes. The Quality of Mercy: An autobiography. New York: Time Books, 1981. \n Mac Liammóir, Micháel. All for Hecuba: An Irish Theatrical Biography. Dublin: Branden Books, 1967.\n Tasca di Cuto, Alessandro. 'Un Principe in America''. Sellerio Editore, 2004.; English translation, as ''A Prince in America'''. 2011.\n\nOther\n Orson Welles, Cahiers du cinéma, Éditions de l'Étoile, 1986. \n Anile, Alberto. Orson Welles in Italy. Bloomington: Indiana University Press, 2013. (English translation of book first published in Italian in 2006)\n Beja, Morris, ed. Perspectives on Orson Welles. G. K. Hall, 1995.\n Berg, Chuck and Erskine, Tom (ed.). The Encyclopedia of Orson Welles. Checkmark Books, 2003.\n Berthomé, Jean-Pierre and Thomas, François. Orson Welles at Work. London: Phaidon, 2008. (English translation of book first published in French in 2006)\n Ciment, Michel. \"Les Enfants Terribles\" in American Film, December 1984. \n Cobos, Juan. Orson Welles: España como obsesión, Editiones de la Filmoteca, Institut de Valencià de Cultura, España, 1993. \n Conrad, Peter. Orson Welles: The Stories of His Life. London: Faber and Faber, 2003.\n D'Angela, Toni (ed.). Nelle terre di Orson Welles. Alessandria: Edizioni Falsopiano, 2004.\n Davies, Anthony. Filming Shakespeare's Plays. Cambridge University Press, 1988.\n Drazin, Charles. In Search of the Third Man. Limelight, 2000.\n Duncan, Paul. Orson Welles: Pocket Essentials. London: Pocket Books, 2000.\n Gilmore, James N. and Gottlieb, Sidney (ed.). Orson Welles in focus: Texts and contexts. Indiana university bloomington, 2018. \n Gosling, John. \"Waging the War of the Worlds\". McFarland & Company, Inc, 2009.\n Greene, Graham. The Third Man. London: Faber and Faber, 1991.\n Hormiga, Gustavo (2002). \"Orsonwelles, a new genus of giant linyphiid spiders (Araneae) from the Hawaiian Islands\". Invertebrate Systematics 16: 369–448.\n Ishaghpour, Youssef. Orson Welles, cinéaste, une caméra visible, éditions de la différence, 2001. (Three volumes) :\n Volume 1 : Mais notre dépendance à l'image est énorme..., 2001.\n Volume 2 : Les films de la période américaine, 2001.\n Volume 3 : Les Films de la période nomade, 2001.\n Jorgens, Jack J. Shakespeare on Film. Bloomington: Indiana University Press, 1977.\n Müller, Adalberto, Orson Welles: Banda de um homem Só. Azouge, 2015. \n Naremore, James. \"The Trial, the FBI Vs Orson Welles\" in Film comment, vol. 27, n° 1, 22-27, 1991 (about FBI files on Welles)\n Riambau, Esteve. Orson Welles: Un España immortal, Editiones de la Filmoteca, Institut de Valencià de Cultura, España, 1993. \n Ramón, David. La Santa de Orson Welles, D.R. Universidad Nacional Autonoma de México, 1991. \n Rosenbaum, Jonathan. \"Orson Welles's Essay Films and Documentary Fictions\", in Placing Movies. Berkeley: University of California Press, 1995.\n _. \"The Battle Over Orson Welles\", in Essential Cinema. Baltimore: Johns Hopkins University Press, 2004.\n _. \"Orson Welles as Ideological Challenge\" in Movie Wars. A Capella Books, 2000.\n _. Discovering Orson Welles. Berkeley: University of California Press, 2007. \n Shakespeare Bulletin, Volume 23, Number 1, Spring 2005: Special Welles issue.\n Simon, William G., (ed.). \"Special Welles issue\", in: Persistence of Vision: The Journal of the Film Faculty of the City University of New York; Number 7, 1989.\n Simonson, Robert. \"Orson's Shadow Talkback Series Continues May 4 with Welles's Daughter.\" May 3, 2005.\n Taylor, John Russell. Orson Welles: a Celebration. Pavilion, 1986.\n ___. Orson Welles. Pavilion, 1998.\n Thomas, François. \"Orson Welles et le remodelage du texte shakespearien\" in Actes des congrès de la Société française Shakespeare 16 | 1998, 171-182 \n Tonguette, Peter Prescott. Orson Welles Remembered: Interviews With His Actors, Editors, Cinematographers and Magicians. New York: McFarland, 2007. \n Walters, Ben. Welles. London: Haus Publishing, 2004. \n Whaley, Barton. Orson Welles: The Man Who Was Magic, Lybrary.com, 2005. \n White, Rob. The Third Man. London: BFI, 2003.\n Wood, Bret. Orson Welles: a Bio-Bibliography. Westport, Connecticut: Greenwood Press, 1990.\n\nWritten fiction featuring Welles as a character\n\nGraphic novels\nCamus, David and Abadzis, Nick. The Cigar That Fell In Love With a Pipe: Featuring Orson Welles & Rita Hayworth. SelfMadeHero, New York, 2014.\n\nNovellas\n Newman, Kim. Anno Dracula: The Other Side of Midnight. London, 2000. (subsequently integrated into Newman's 2013 novel Johnny Alucard, in a rewritten form)\n\nNovels\n Brown, Robert Dwight. Orson Welles' Lost War of the Worlds Screenplay. New York: Allonymous Books, 2013.\n Chabon, Michael. The Amazing Adventures of Kavalier & Clay. New York: Random House, 2000.\n Ferrario, Davide. Dissolvenza al nero (Fade to Black). Rome, 1994.\n Kaplow, Robert. Me and Orson Welles. San Francisco: MacAdam/Cage, 2003. \n Newman, Kim. Anno Dracula: Dracula Cha Cha Cha. Avon Books, London, 1998.\n _. Anno Dracula: Johnny Alucard. Titan, London, 2013.\n\nOperas\n Hagen, Daron Orson Rehearsed. (Unpublished, though libretto included with 2021 CD release) 2018.\n\nPlays\n Druxman, Michael B. Orson Welles: A One-Person Play in Two Acts. Createspace, New York, 2011.\n Pendleton, Austin. Orson's Shadow. Dramatists Play Service, New York, 2006.\n Pettigrew, Joel. Mercury Man: The Last Performance of Orson Welles. (Unpublished) 2018.\n Wollman, Chris. The Sacred Beasts. (Unpublished) 2017.\n\nReferences\n\nExternal links\n The Mercury Shakespeare at HathiTrust (original from the University of Michigan)\n\nBooks about film directors\nBibliographies of people\nWorks by Orson Welles\nBibliographies of American writers\nBibliographies by writer\nbibliography", "Me and Orson Welles is a 2008 period drama film directed by Richard Linklater and starring Zac Efron, Christian McKay, and Claire Danes. Based on Robert Kaplow's novel of the same name, the story, set in 1937 New York, tells of a teenager hired to perform in Orson Welles's groundbreaking stage adaptation of William Shakespeare's Julius Caesar who becomes attracted to a career-driven production assistant.\n\nThe film was shot in London and New York and on the Isle of Man in February, March and April 2008, and was released in the United States on November 25, 2009, and the United Kingdom on December 4, 2009.\n\nMcKay's portrayal of Welles was recognized with a multitude of accolades, and Me and Orson Welles was named one of the top ten independent films of the year by the National Board of Review.\n\nPlot\nIn New York City in the fall of 1937, 17-year-old high-school student Richard Samuels meets Orson Welles, who unexpectedly offers him the role of Lucius in Caesar, the first production of his new Mercury Theatre repertory company. The company is immersed in rehearsals at its Broadway theater. Charmed by Welles, Richard learns that he is having an affair with the leading actress while his wife is pregnant. Richard finds ambitious production assistant Sonja Jones is attracted to him.\n\nWelles tells Richard a few days before the premiere that he is worried, because he has recently had nothing but good luck; he fears that he will finally have bad luck with the premiere, and that the play will be a flop. During rehearsals Richard accidentally sets off the sprinkler system, soaking the entire theatre. When accused by Welles he denies having anything to do with the deluge, and suggests that the catastrophe was the bad luck that Welles needed to get out of the way.\n\nWelles decides the entire production crew would benefit from a coupling game, and Richard cheats to ensure he is paired with Sonja. Richard spends the night with Sonja, but becomes jealous when she spends the next night with Welles. He confronts Welles, mentions his pregnant wife, and is fired. An apparent reconciliation follows, and Richard performs on the first night. The anti-fascist adaptation of Caesar is a huge success, but after the premiere, Richard is told that Welles only needed him in order to secure a successful first-night production and, that done, he has again been fired.\n\nThe broken-hearted but wiser Richard spontaneously recites lines from Julius Caesar in his high school English class, to his classmates' applause. He later meets up with a likely new girlfriend, Gretta Adler, a young aspiring playwright whom he met in a music store at the film's beginning. With Richard's and Sonja's assistance, Adler manages to get a story published in The New Yorker, and she invites Richard out, to help her celebrate.\n\nCast\n\n Zac Efron as Richard Samuels\n Christian McKay as Orson Welles\n Claire Danes as Sonja Jones\n Ben Chaplin as George Coulouris\n James Tupper as Joseph Cotten\n Eddie Marsan as John Houseman\n Leo Bill as Norman Lloyd\n Kelly Reilly as Muriel Brassler\n Patrick Kennedy as Grover Burgess\n Travis Oliver as John Hoyt\n Zoe Kazan as Gretta Adler\n Al Weaver as Sam Leve\n Saskia Reeves as Barbara Luddy\n Imogen Poots as Lorelei Lathrop\n Rhodri Orders as Stefan Schnabel\n Michael Brandon as Les Tremayne\n Janie Dee as Mrs Samuels\n\nProduction\n\nHolly Gent and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager (in reality, the 15-year-old Arthur Anderson, who played Lucius in Welles' production) involved in the founding of Orson Welles' Mercury Theatre. After receiving funding from CinemaNX, a production company backed by the Isle of Man film fund, and an offer from Framestore Features to co-finance the film, Richard Linklater came on board to direct Me and Orson Welles. Zac Efron signed on as the lead in early January 2008, claiming he decided to take the role of Richard Samuels because \"It's a completely different project than I've ever done before,\" while Claire Danes joined the cast as the protagonist's love interest Sonja Jones in late January.\n\nIn the theatre, Christian McKay had portrayed Orson Welles in the one-man play Rosebud: The Lives of Orson Welles at a number of venues, including the Edinburgh Festival and King's Head (London). He reprised the role in the U.S. at the 2007 \"Brits Off Broadway\" festival, where Linklater saw his performance and then cast McKay as Welles, retaining him over the subsequent objections of the project's producer.\n\nMe and Orson Welles underwent filming in the Isle of Man, Pinewood Studios, London and New York from February to April 2008. Filming in London commenced first in mid-February, before scenes in the Isle of Man were shot February 24–March 14, 2008, where filming locations included Gaiety Theatre and various other parts of Douglas. During filming in Douglas, Efron and Danes believe they sighted a ghost, or \"supernatural\" being, outside a window on set at Gaiety Theatre.\n\nFilming in Britain resumed in late March for six weeks at Pinewood Studios. Other locations included Crystal Palace Park, where a façade of New York's Mercury Theatre was set up for a scene. Actor James Tupper claimed that the best replica of an old New York theater was in England, while many of the actors who filled the company were from the Royal Shakespeare Company. The production crew only briefly visited New York; photographs were taken and footage shot to be added into the film as digital effects. Every exterior shot was filmed on a single street built at Pinewood Studios with a green screen at one end; different angles and slightly altered set designs were used between shots to make the street appear different each time.\n\nRelease\nSelect footage of Me and Orson Welles was screened at the 2008 Cannes Film Festival where financing and sales agency Cinetic Media were looking to sell the film to a distributor. Before its Cannes premiere, The Hollywood Reporter predicted that the film would attract distributors with Linklater's résumé and Efron's teen \"heartthrob\" status to appeal to a younger demographic, but Me and Orson Welles failed to secure any American acquisitions. Its first full screening was at the 2008 Toronto International Film Festival, running September 4–13, 2008. In spite of its failure to find a buyer at Cannes, Toronto's co-director Cameron Bailey predicted that it would be \"one of the hottest films\" in the lineup, Anne Thompson of Variety magazine also believed that the film would be one of \"only a few lucky winners\" to secure a seven-figure deal.\n\nAgain, however, the film's distribution rights were not purchased and it went on to show at the South by Southwest festival in Austin, Texas. In May 2009, production company CinemaNX announced that it would distribute Me and Orson Welles itself, sharing marketing and advertising costs with Vue Entertainment. Freestyle Releasing was hired as the US distributor with Hart/Lunsford Pictures in exchange for participation in revenues paid the $4 million prints and advertising cost.\n\nIt was screened at the Woodstock Film Festival in September 2009, where Linklater was honored as the winner of the 2009 Maverick Award. it opened the New Orleans Film Festival on October 9, 2009; and it was screened at the St. Louis International Film Festival in November 2009.\n\nThe film was released in the US on November 25, 2009, and in the UK on December 4, 2009. IndieWIRE reported, \"The do-it-yourself release of Richard Linklater's Me and Orson Welles got off to a very nice start, averaging $15,910 from its four theaters, the highest PTA of all debuting films. ... While Orson Welles is one of the first examples of such a high-profile film going to the DIY route, if it proves successful, it's going to be done a lot more in the future.\"\n\nReception\n\nBox office\nDuring its theatrical release (November 25, 2009 – February 25, 2010), Me and Orson Welles grossed a total of $1,190,003 in the United States and $2,336,172 worldwide.\n\nCritical response\nThe film has received positive reviews from critics. It currently holds an 85% positive rating on Rotten Tomatoes based on 156 critic reviews, with an average rating of 7.2/10. The website's critical consensus reads, \"Me and Orson Welles boasts a breakout performance by Christian McKay and an infectious love of the backstage drama that overcomes its sometimes fluffy tone.\" It holds a weighted average score of 73 out of 100 on Metacritic from 30 critics.\n\nFilm critic Roger Ebert called Me and Orson Welles \"one of the best movies about the theater I've ever seen ... not only entertaining but an invaluable companion to the life and career of the Great Man\". Kirk Honeycutt of The Hollywood Reporter praised the film for its \"terrific acting\" and called it \"a must for lovers and students of the theater\". Variety magazine's Todd McCarthy labelled McKay's performance \"an extraordinary impersonation\" of Welles, though he wrote that \"Efron never feels like a proper fit for Richard\". Karen Durbin of The New York Times praised McKay in the Welles role, saying he brought \"a watchful, assessing and subtly excited gaze that makes him thrilling and a little dangerous.\"\n\n\"I've never seen a backstage movie that was truer to the experience of putting on a show,\" wrote Wall Street Journal drama critic Terry Teachout, who reserved special praise for the design team's recreation of Welles's production of Julius Caesar:\n\nLike most Welles stage shows, alas, this one left few traces. No part of the production was filmed, and nothing else survives but the design sketches and some still photographs taken in 1937. ... What makes Me and Orson Welles uniquely interesting to scholars of American drama is that Mr. Linklater's design team found the Gaiety Theatre on the Isle of Man. This house closely resembles the old Comedy Theatre on 41st Street, which was torn down five years after Julius Caesar opened there. Using Samuel Leve's original designs, they reconstructed the set for Julius Caesar on the Gaiety's stage. Then Mr. Linklater filmed some 15 minutes' worth of scenes from the play, lit according to Jean Rosenthal's plot, accompanied by Marc Blitzstein's original incidental music and staged in a style as close to that of the 1937 production as is now possible.\n\nTeachout wrote that he \"was floored by the verisimilitude of the results\", and that \"you will never get any closer to the Welles Julius Caesar than by watching Me and Orson Welles, whose DVD version also includes a special feature comprising footage of the reconstructed scenes, not all of which made the final cut.\"\n\nIn 2015, Mercury actor Norman Lloyd (who is portrayed by Leo Bill in the film) praised Christian McKay's performance as Orson Welles as \"the best rendition of him I've ever seen.\" However, he otherwise \"hated\" the film and he criticized the accuracy of the characters: \"It bears no relation to truth, or to what happened when you worked with Orson and so forth. I thought McKay was very good, but the rest of the characters are just ridiculous. They're all made up! I didn't even recognize myself ... and then I thought, Well, thank goodness I can't!\" Lloyd named George Coulouris as an example, who was shown as \"neurotic and afraid to do his scene\", while in reality he was someone \"you couldn't stop from acting, for Christ's sake!\".\n\nAccolades\nMe and Orson Welles was named one of the top ten independent films of 2009 by the National Board of Review. It was listed as one of the year's top ten films by critics including Philip French of The Observer, David Denby of The New Yorker, and Michael Phillips and A. O. Scott of At the Movies.\n\nThe film earned two awards from the Austin Film Critics Association – the Austin Film Award to director Richard Linklater. and the Breakthrough Artist Award to Christian McKay. McKay received many accolades for his portrayal of Orson Welles, including Best Supporting Actor awards from the San Francisco Film Critics Circle and the Utah Film Critics Association. He received a BAFTA nomination for Best Supporting Actor, and Best Supporting Actor nominations from the Boston Society of Film Critics (second place), Broadcast Film Critics Association, Chicago Film Critics Association, Dallas-Fort Worth Film Critics Association, Denver Film Critics Society, Detroit Film Critics Society, Houston Film Critics Society, International Cinephile Society, National Society of Film Critics, New York Film Critics Circle (second place), Online Film & Television Association, Toronto Film Critics Association, and in the Chlotrudis Awards, Independent Spirit Awards and the Village Voice Film Poll (second place). McKay was nominated in the Best Actor category in the Evening Standard British Film Awards, London Critics Circle Film Awards and 2009 San Diego Film Critics Society Awards.\n\nHome media\nOn August 17, 2010, Warner released Me and Orson Welles on DVD () for exclusive sale at Target in the United States. Entertainment One Films released the DVD in Canada on the same date. The film has not been released on Blu-ray in the U.S., though it is available in the format in Italy and Germany.\n\nSoundtrack\nThe original motion picture soundtrack for Me and Orson Welles was released on CD November 24, 2009, by Decca Records (5323762).\n \"This Year's Kisses\", Benny Goodman and His Orchestra\n \"I'm Shooting High\", Louis Armstrong and His Orchestra\n \"Sing, Sing, Sing\", Benny Goodman and His Orchestra\n \"One O'Clock Jump\", Count Basie and His Orchestra\n \"Ode to Krupa\", Michael J McEvoy\n \"Let's Pretend There's a Moon\", Jools Holland and His Rhythm and Blues Orchestra featuring Eddi Reader\n \"Let's Pretend There's a Moon\", Christian McKay\n \"Let Yourself Go\", Ginger Rogers\n \"Solitude\", The Mills Brothers\n \"Aftershow Jam\", Michael J McEvoy featuring Huw Morgan on trumpet\n \"They Can't Take That Away from Me\", Fred Astaire\n \"In a Sentimental Mood\" (Instrumental), Benny Goodman and His Orchestra\n \"The Music Goes Round and Round\", Tommy Dorsey and His Clambake Seven\n \"I Surrender Dear\", Jools Holland and His Rhythm and Blues Orchestra featuring Eddi Reader\n \"You Made Me Love You\", Jools Holland and His Rhythm and Blues Orchestra featuring Eddi Reader\n \"Have You Met Miss Jones?\", James Langton and His Solid Senders\n \"Sing, Sing, Sing\", James Langton and His Solid Senders\n\nReferences\n\nExternal links\n \n \n \n \n Interview with Arthur Anderson\n\n2008 films\n2000s comedy-drama films\nBritish films\nBritish comedy-drama films\nAmerican comedy-drama films\n2000s English-language films\nFilms directed by Richard Linklater\nFilms about Orson Welles\nFilms based on American novels\nFilms set in 1937\nFilms set in New York City\nFilms shot in England\nFilms about actors\nFilms about theatre\nAmerican films\nJulius Caesar (play)\nFilms shot in the Isle of Man\n2008 comedy films\n2008 drama films" ]

[ "Me and Orson Welles", "Production", "Who produced Me and Orson Welles", "I don't know.", "Tell me about Me and Orson Welles production", "Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager" ]

[ "Oskar van Deventer (born 1965) is a Dutch puzzle maker. He prototypes puzzles using 3D printing. His work combines mathematics, physics, and design, and he collaborates at academic institutions. Many of his combination puzzles are in mass production by Uwe Mèffert and WitEden. Oskar van Deventer has also designed puzzles for Hanayama.\n\nHe was a Guinness World Record holder for his 17×17×17 \"Over the Top Cube\" Rubik's cube-style puzzle from 2012 to 2016, when it was beaten by a 22×22×22 cube.\n\nIn addition to being a puzzle maker, Oskar is a research scientist in the area of media networking and holds a Ph.D. in optics. He has over 100 publications, over 80 patents applications, and hundreds of standardization contributions.\n\nMass produced puzzles \n Gear cube: Previously named \"Caution Cube\" because there was a big chance to pinch your fingers with the gears. It was mass-produced by Mèffert's in 2010, but over time it appeared as several copies and shape mods of the same design.\n Gear Cube Extreme: A bandaged version of the Gear cube, where 4 gears are replaced with 4 standard edges, making the puzzle harder. It was mass-produced by Mèffert's in 2010, and was also copied by other companies.\n Gear Shift: It was mass-produced by Mèffert's in 2011; a knock off version also appeared.\n David Gear Cube: Previously called \"Polo cube\" in reference to Alex Polonsky, who had the idea. It was mass-produced By Mèffert's in 2013.\n Geared Mixup: A variant of the gear cube where all faces can perform 90° rotations, allowing centers to be interchanged with edges, hence the term \"mixup\". It was mass-produced by Mèffert's in 2014.\n Geared 5×5×5: An unknown Chinese company mass-produced this puzzle in 2015 using a 3D printed sample, without the permission of Oskar. An agreement was met to please both sides.\n Gear Ball: A mass-produced spherical Gear cube made by Mèffert's.\n Mosaic cube: Previously called \"Fadi cube\", it is a corner turning puzzle with two cut depths similar to Okamoto and Greg's \"Lattice Cube\". It was mass-produced by Mèffert's in 2010.\n Planets puzzle: Four balls in a frame. Craters on the balls block and unblock movement on the adjacent balls.\n Rob's Pyraminx: It was mass-produced by Mèffert's in 2014.\n Rob's Octahedron: It was mass-produced by Mèffert's in 2015.\n Mixup Cube: a 3×3×3 Rubik's cube that can perform 45° rotations on the middle layers, allowing centers interchange with edges. It was mass-produced by WitEden.\n Treasure chest: A 3×3×3 puzzle that when solved, can be opened, revealing a small chamber inside. It was mass-produced by Mèffert's.\n Icosaix: A face turning icosahedron with jumbling movements. It was mass-produced by MF8 in 2015.\n Crazy Comet: Was mass-produced by LanLan without Oskar's permission in 2016 but a deal was archived later.\n Redi Cube: A corner turning puzzle mass produced by Moyu in 2017.\n\nReferences\n\nExternal links\n Oskar van Deventer's list of his own puzzles\n YouTube channel\n\nSee also\nBram Cohen\n\n20th-century births\nLiving people\nPuzzle designers\nDutch designers\nYear of birth missing (living people)", "The Farmall F-12 is a small two-plow row crop tractor produced by International Harvester under the Farmall brand from 1932 to 1938, with approximately 123,000 produced. An improved model, the two-plow F-14, was produced beginning in 1938 and ending in 1939, when the Farmall letter series tractors were introduced.\n\nDescription and production\nThe F-12 was a smaller, modernized version of the earlier Farmall Regular, developed from a prototype designated the F-10. To reduce mechanical complexity and to improve transmission efficiency, the Regular's portal axle rear wheel arrangement was changed to a straight axle, with larger wheels to provide ground clearance. This had the additional benefit of allowing a broader range of wheel adjustment to accommodate different row-crop row widths. Versions were available for gasoline or distillate. A wide front axle was available as an option. F-12s were delivered with steel wheels, with optional rubber tires. Early-year F-12s were painted gray, like the Regular. Beginning in 1936 the F-12 was painted bright red, to increase visibility. This quickly became a trademark of the Farmall line. The F-12 cost about $600 when introduced, rising to about $700.\n\nEarly W-12s were equipped with a engine, which was superseded by a similar engine produced in house by International Harvester, The sliding-gear transmission offered three gears. More than 120,000 F-12s were produced through the model's production run.\n\nVariants\nA McCormick W-12 version with a wide front axle was produced as well. The F-12-G4 was produced in an International Harvester plant in Neuss, Germany. I-12 industrial tractors, and O-12 orchard tractors with fairings and underside exhaust routing were also produced. The Fairway 12 was produced for golf course and mowing use. All of these variants except the Fairway had rubber tires.\n\nFarmall F-14\nThe Farmall F-14 replaced the F-12 in 1938, with a engine of the same displacement, running at higher RPMs, which allowed a two-plow rating. A hydraulic lift was a popular option on the F-14. O-14, W-14 and I-14 models were produced as well. The F-14 was produced in 1938 and 1939, with a run of about 32,000 units. The Farmall A and B replaced the F-14 in the Farmall small tractor line-up beginning in 1939. Cost was between $800 and $850.\n\nComparable product\nThe John Deere H was a comparable product from John Deere.\n\nReferences\n\nExternal links\nNTTL Test #212 - Farmall F-12 at the Nebraska Tractor Test Laboratory archive\nNTTL Test #297 - Farmall F-14 at the Nebraska Tractor Test Laboratory archive\n\nFarmall tractors\nVehicles introduced in 1931" ]

[ "Me and Orson Welles", "Production", "Who produced Me and Orson Welles", "I don't know.", "Tell me about Me and Orson Welles production", "Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager", "When was it produced", "from February to April 2008." ]

[ "The 1964 American Road Race of Champions was the first running of the SCCA National Championship Runoffs. It took place on 14 and 15 November 1964 at the Riverside International Raceway. The ARRC was held as the non-championship final round of the SCCA National Sports Car Championship and the SCCA Divisional Championships. Most competitive drivers from SCCA's six divisions were invited to the event. No championships were contested that year as part of the Runoffs, and therefore, ARRC champions were not SCCA National Champions.\n\nRace results \nSources:\n\nClass winners for multi-class races in bold.\n\nRace 1 - Formula Vee \nThe first race, held on November 14, was the Formula Vee race. It was held for 45 minutes and 23 laps.\n\nRace 2 - H Production \nThe H Production race was held on November 14 for 45 minutes and 23 laps.\n\nRace 3 - G Production \nThe G Production race was held on November 14 for 45 minutes and 23 laps.\n\nRace 4 - H Modified \nThe H Modified race was held on November 14 for 45 minutes and 24 laps.\n\nRace 5 - E & F Modified \nE Modified & F Modified drivers raced in a multi-class race held on November 14 for 45 minutes and 27 laps.\n\nRace 6 - E Production \nThe E Production race was held for on November 14 for 45 minutes and 25 laps.\n\nRace 7 - F Production \nThe F Production race was held on November 14 for 45 minutes and 23 laps.\n\nRace 8 - G Modified \nThe G Modified race was held on November 15 for 45 minutes and 26 laps.\n\nRace 9 - C Production \nThe C Production race was held on November 15 for 45 minutes and 25 laps.\n\nRace 10 - Formula Junior & Libre \nFormula Libre & Formula Junior drivers raced in a multi-class race held on November 15 for 45 minutes and 27 laps.\n\nRace 11 - C & D Modified \nC Modified & D Modified drivers raced in a multi-class race held on November 15 for 45 minutes and 28 laps.\n\nRace 12 - A & B Production \nA Production & B Production drivers raced in a multi-class race held on November 15 for 45 minutes and 27 laps. There were originally two separate races scheduled, but the entrant number was too low for two races.\n\nRace 13 - D Production \nThe final race was the D Production race. It was held on November 15 for 45 minutes and 25 laps.\n\nLegacy \nThe event has been a big success. More than 160 drivers have arrived to the ARRC, including future road racing stars such as Chuck Parsons, Jerry Titus, Rick Muther, Bob Sharp, Jerry Hansen, Bob Tullius, Ed Leslie, Jim Downing, Ron Grable, Dave Jordan, Dick Guldstrand and George Alderman. The race has been the first race from the late 1950s that saw amateur West Coast and East Coast racers compete against each other, as the SCCA National Sports Car Championship was East Coast-only and the USRRC, despite allowing amateur drivers to compete, was a pro championship.\n\nThe 1964 American Road Race of Champions started a new chapter in the history of American amateur road racing. The National Championship was cancelled for 1965 and the ARRC became the only interdivisional amateur road race. It was still a non-championship event until 1966, when Runoffs winners in each class became National Champions.\n\nNotes \nDue to limited attention to SCCA amateur races at the time, the results are not fully complete and there are a lot of inaccuracies.\n\nFormula Vee \nSome sources say that Downing was the pole-sitter in race, which is not confirmed by the SCCA.\n\nG Production \n2The SCCA site says Mernone ran for 4 laps, while other sources say she ran only for three laps.\n\nE & F Modified \n3Some sources say Candler had an Elva Mk VII for the race.\n\nF Production \n4Noah's pole is debated by the SCCA website, so Riggs could be the pole-sitter.\n\nC Production \n5The SCCA website lists Ward running a Lotus Elan, but in the entry list he is listed running a Super Seven.\n\nReferences \n\nSCCA National Sports Car Championship\nSCCA National Championship Runoffs\n1964 in American motorsport", "New Opera Singapore (NOS) is an Institution of Public Character Charity (IPC UEN: 201114924K) founded in July 2011 by Korean-Singaporean Soprano, Jeong Ae-Ree. It is a Major Company grant recipient of the National Arts Council, Singapore for the FY 2019 - 2022.\n\nPast productions \n2017: Monteverdi L'incoronazione di Poppea (The Coronation of Poppea). This production was staged at Victoria Theatre on 29 July 2017 and 30 July 2017. The storyline was based on events during the reign of Emperor Nero in ancient Rome. Nerone's mistress Poppea position herself as empress and sly by ruthlessly removing all opponents and obstacles, while the bad guys win in the end.\n\nPergolesi Stabat Mater. This production was staged at Victoria Concert Hall on 7 April 2017. In 1735 Giovanni Battista Pergolesi composed The Stabat Mater, that is why The New Opera Singapore performed it down to its barest bones with just four singers but never more than two were singing at any given time. As string quartet and a chamber organ was used.\n\nCabaRed. This production was staged at Aliwal Arts Centre on 22 January 2017/\n\n2016: A Heart that Loves/Poet's Love. This production was the first concert for the Youth Opera as well as the first concert for New Opera Singapore's Artist-in-Residence. This production was staged at Esplanade, Recital Studio on 2 November 2016. After the intermission in the second half of the recital, Jonathan Charles Tay (Tenor), New Opera Singapore's first Artist-in-Residence, sung songs translated from Schumann's best known song cycle, Poet's Love its actually Dichterliebe 48. He captivated the crowd with his soulful and strong vocals, bringing out every emotion from the pieces, using a plethora of vocal techniques and dramatic expressions.\n\nJacques Offenbach: Orpheus in the Underworld . This production was staged at Victoria Theatre on 29 July 2016 and 31 July 2016. New Opera Singapore commended its fifth commemoration with another stellar execution at the restored Victoria Theater. Established by Korean Soprano and singing educator Jeong Ae Ree, the fit troupe exhibits the exemplary Greek story of Orpheus and Euridice, deciphered by Jeremy Sams, with music composed by Jacques Offenbach. Orpheus in the Underworld is no standard retelling of the legend be that as it may, and rather subverts it completely, peppering the execution with sexual insinuation, lethal plots and devious intoxicated divine beings.\n\nDonizetti's Rita: This production was staged at Esplanade, Recital Studio on 13 April 2016. Extensive credit needs to go to executive Stefanos Rassios' straightforward yet splendid arranging, which saw talked discourse trimmed off yet holding all the music. This sounds nearly sado-masochistic in a Punch and Judy way, and that was unexpectedly what kept the group of onlookers for the most part in join in spite of the dismal topic.\n\nGaustave Vaëz's French lyrics was sung with anticipated English surtitles which extraordinarily improved the experience.. Féte Blanche, Baroque Music in White: This production was staged at Esplanade, Recital Studio on 8 January 2016.\n\n2015: House of Horror. This production was staged at Esplanade, Recital Studio on 29 October 2015.\n\nFundraising Gala, New Opera Singapore's 4th Anniversary: This event was held at The Fullerton Ballroom on 12 September 2015.\n\nBenjamin Britten's Turn of the Screw: This production was held at Victoria Theatre on 31 July and 2 August 2015.\n\nA Knife in the Dark: Songs of Kurt Weill: This production was held at The Arts House Chamber on 10 April 2015.\n\nLiebeslieder: This production was held at Esplanade, Recital Studio on 8 January 2015.\n\n2014: Dichterliebe and Hermit Songs: This production was held at The Arts House Chamber on 25 November 2014.\n\nJohann Strauss II:Die Fledermaus: This production was held at Victoria Theatre on 25 and 27 July 2014.\n\nOpera Comique at the Hotel: This production was held at The Arts House Chamber on 15 April 2014.\n\n2013: Britten: A Celebration in Song was a production in tribute to the renowned Benjamin Britten, this was held at the Arts House Living Room on 12 October 2013.\n\nMy Nights with Dido and My Days with Aeneas: This production was held at SOTA Theatre on 26 and 27 July 2013.\n\nOpera Comique: At the Airport. This production was held at The Arts House Chamber on 9 March 2013.\n\n2012: Die Schone Mullerin, Poems by Wilhelm Müller: This production was held at The Arts House Chamber on 20 and 21 February 2012.\n\nGaetano Donizetti's L’elisir D’amore. This production was held at SIA Theatre Laselle College of the Arts on 20, 21 and 22 July 2012.\n\nOpera Comique 2: In the Classroom: This production was held at Recital Studio, Esplanade on 17 February 2012.\n\nOpera Comique: In the Office: This production was held at The Arts House Chamber on 6 August 2011.\n\nYouth Opera Comique \nThe NOS Youth Opera Comique offers solo and group vocal trainings that focus on good and healthy vocal techniques. An annual concert is staged where an original storyline is created for the young talents to gain public performing experience as well as a showcase of their musicality to family, friends and the public and to be able to apply the skills, knowledge and aptitude for singing in the society.\n\nIn 2011, New Opera Singapore had its inaugural performance with Opera Comique: In the Office at the Singapore Arts House Chamber.\n\nIn 2012, New Opera Singapore began a series of productions that included the second Opera Comique production, ‘In the Classroom’; Gaetano Donizetti’s bel canto opera L'elisir d'amore, and Franz Schubert’s Die Schöne Müllerin.\n\nIts performance of L'elisir d'amore was noted as a \"commendable first show\" despite technical limitations.\n\nIn 2013, New Opera Singapore began its season with its third installment of its Opera Comique series with ‘At the Airport’.\n\nOutreach\n\nNew Opera Singapore has an outreach programme titled ‘Who's Afraid of Opera?’. This programme is targeted specifically at schools. In these sessions, students are exposed to the context of famous arias and are taught to understand the interplay between music, words and acting as an expression of the intent of the character and the composer.\n\nReferences\n\nExternal links \n \n\nSingapore opera companies\nMusical groups established in 2011\n2011 establishments in Singapore" ]

[ "Me and Orson Welles", "Production", "Who produced Me and Orson Welles", "I don't know.", "Tell me about Me and Orson Welles production", "Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager", "When was it produced", "from February to April 2008.", "Where was production held", "the Isle of Man," ]

[ "Else Pappenheim (born May 22, 1911 in Salzburg, Austria-Hungary; died January 11, 2009 in New York) was an American neurologist, psychiatrist and psychoanalyst of Austrian origin.\n\n\nLife \nElse Pappenheim came from a traditional Jewish family of doctors. Her mother Edith Goldschmidt (1883–1942) - a granddaughter of the founder of the first female high school in Leipzig, Henriette Goldschmidt - could not escape the persecution of Jews and committed suicide with her sister in 1942. Her father Martin Pappenheim (1881-1943) was head of the neurological department at Lainz Hospital, who emigrated to Palestine in 1934 as an opponent of Austrofascism. Her aunt was Marie (Mitzi) Pappenheim, who was one of the first women to receive her doctorate from the medical school in Vienna; under her married name Marie Frischauf, she ran sex advice centers for the poor in Vienna together with Wilhelm Reich, before emigrating in 1934.\n\nElse Pappenheim grew up in Vienna, where she attended Eugenie Schwarzwald's reform school before beginning her studies in medicine. In 1937, Pappenheim was one of the last analysts to be trained at the Vienna Psychoanalytic Institute. Until March 1938, Pappenheim worked at the University Hospital Vienna as a secondary doctor for neurology and psychiatry. After the connection, the Psychoanalytical Institute was closed and its members were forced to flee. Pappenheim emigrated to the United States via Palestine, where she met American psychoanalysis at Johns Hopkins University in Baltimore with one of the leading US psychiatrists, Adolf Meyer, whose analytical level, however, she found \"primitive\".In the United States, Else Pappenheim married Stephen Frischauf in 1946, who had also emigrated from Austria. The family later lived in New York, where the now Else Frishauf worked as a freelance psychoanalyst and held professorships at various universities.\n\nIn 1956 Pappenheim visited Austria again for the first time since her flight. However, it was not until 1987, as part of the \"Expelled Reason\" symposium, in which she took part along with many other emigrants, that there was a certain rapprochement with Austria in the form of an exchange with young Austrian psychiatrists and psychoanalysts.\n\nElse Pappenheim died in New York at the age of 97. She was the last living member of the Vienna Psychoanalytic Association from before 1938 and one of the last witnesses who could provide information about the end and re-establishment of psychoanalysis.\n\nWritings \n\n Else Pappenheim: \"Contemporary Witness\", in: Friedrich Stadler [Ed.]: International Symposium, October 19 to 23, 1987 in Vienna: Emigration and Exile of Austrian Science , Vienna: Youth and People, 1987 , p 221–229 (autobiographical)\n\nReferences \n\n1911 births\n2009 deaths\nAustrian neurologists\nWomen neurologists\nAustrian psychoanalysts\nPhysicians from Salzburg\nAustrian psychiatrists\nJewish psychiatrists\nAustrian women psychiatrists\nJewish women scientists\nJewish emigrants from Austria to the United States after the Anschluss", "Be Someone Else is the second studio album by Portuguese singer-songwriter Slimmy. Saul Davies was first set to be the producer of the album, however, such collaboration wasn't possible and Slimmy started working on the album with his longtime producers Quico Serrano and Mark J Turner. Other musicians joined Slimmy for the recording of the album: Paulo Garim in the bass and Tó-Zé in the drums, who already worked with slimmy in Beatsound Loverboy, and Gustavo Silva, in the keyboards and Daniel Santos in the guitar as guest musicians. He mentioned that all production process happened because of him and that he was the one with the \"last word\" on his projects, not the bands or producers that he worked with. Originally due for release in May 2010, the album's release was pushed back to June 14, 2010. The album was released in three formats: the physical standard edition, the physical deluxe edition with 2 discs and the digital format featuring 10 tracks.\n\nSlimmy defined the album as \"freedom, with a bit of \"teasing\" and \"sexual\", an album full of strong songs dedicated to his fans. The album is essentially a rock album, a completely opposite of Beatsound Loverboy, which features a more electronic sound, keeping, however, the same connection between rock and electro music. In an interview with JN Slimmy declared that the album feels more organic and less electronic because in Beatsound Loverboy, there was no one else to play the songs but him. While maintaining his irreverence, Slimmy guarantees, however, that what matters is to make music that people intending to sing and lyrics that people can understand. He also said that he already received criticism for not being a singer with a proper style, but \"I try to provide different sensations to people.\n\nSlimmy's most significant promotion marked the beginning of \"A Very Slimmy Tour\", starting on February 18, 2011, at the Kastrus River Klub in Esposende and ending on April 30, 2011, at the Pitch Club in Porto. Slimmy's \"Be Someone Else Tour\" began on May 6, 2011, with its opening show at the Academy Week in Mirandela. Neither of the album's singles, \"Be Someone Else\" and \"The Games You Play\", were particularly successful, charting anywhere. Critical response to the album was generally favorable, with critics praising Quico Serrano and Mark Turner's Be Someone Elses polished production, calling the album more direct and humanized than Beatsound Loverboy. \"Be Someone Else\" was a commercial disappointment, the album didn't manage to chart on any official chart company to date. Two music videos were released from the album: \"The Games You Play\", produced by Ana Andrade, Carla Fardilha, Clara Araújo Teixeira and Helena Oliveira, premiered on November 17, 2009, on YouTube and \"Be Someone Else\", produced by Riot Films and premiered on June 27, 2010.\n\nBackground and development\n\nProduction\nSlimmy started working on the album with his longtime producers Quico Serrano and Mark Turner by the third quarter of 2009. Saul Davies was first set to be the producer of the album, however, Davies was on tour with the band James at the time, making such collaboration impossible. Other musicians joined Slimmy for the recording of the album: Paulo Garim in the bass and Tó-Zé in the drums, who already worked with slimmy in Beatsound Loverboy, and Gustavo Silva, in the keyboards and Daniel Santos in the guitar as guest musicians. Slimmy commented that most songs on the album are re-recordings which were recorded in Portugal in 2006 and 2007, however, these suffered some changes during the recording sessions at the Wrong Planet Studios in the UK, to improve their sound quality.\n\nIn an interview with Susana Faria of JPN, Slimmy defined the album as \"freedom, with a bit of \"teasing\" and \"sexual\", an album full of strong songs dedicated to my fans\". During this same interview, Slimmy talked about the album:\n\nConcept and music\n\nThe album is essentially a rock album, a completely opposite of Beatsound Loverboy, which features a more electronic sound, keeping, however, the same connection between rock and electro music. Slimmy has been influenced by rock artists such as Placebo, IAMX and Kings of Leon. Slimmy explained that Be Someone Else sounds different from Beatsound Loverboy because of its complex and structured production. Slimmy mentioned that Be Someone Else is less individualist than Beatsound Loverboy, he declares that this album is like \"a message about being who you are\", while his previous album talked about his past experiences, specially about his experience in London. In an interview with Palco Principal, Slimmy was asked if he missed the \"One Man Show\" times. He declared that \"Doesn't matter how big the bands that play with me are, I will always feel like \"one\", because, in this new record, I was the one who spent nights working on the album, not my band\". He also mentioned that all production process happened because of him and that he was the one with the \"last word\" on his projects, not the bands or producers that he worked with. During this same interview, Slimmy confessed that is always good to have someone with great ideas to work with, in this case, he was talking about him. He explained: \"if there were five persons creating music, there would be a lot of mess, that's why do it all and I'm glad people trust in me for that\".\n\n\"I Can't Live Without You in This Town\", an electro rock ballad, makes a markable difference from the other tracks, some critics called the chorus of the song memorable. The song is dedicated to a girl Slimmy met in Texas in 2004. The album also features a song entitled \"Together 4ever\" remixed by DJ Ride. The song \"Beatsound Loverboy\", included on the Beatsound Loverboy Remixes EP, was also remixed by DJ Ride.\n\nIn an interview with JN Slimmy declared that the album feels more organic and less electronic because in Beatsound Loverboy, there was no one else to play the songs but him. He explained that with the trio now completely formed, it is a whole different concept, everything sounds different, and their presence on stage is more energetic and trustful. Slimmy also declared that SLIMMY is no longer a solo project, but also belongs to those who follow it. In an interview with Jornal Metro, Slimmy said that the album reflects the maturity, greater stability in the mind. While maintaining his irreverence, Slimmy guarantees, however, that what matters is to \"make music that people intending to sing and lyrics that people can understand. I do not do things to shock\", he also said that he already received criticism for not being a singer with a proper style, but \"I try to provide different sensations to people. When I sing alive, I sound much more rock, but in this album, there are many different spirit moods\".\n\nRelease and promotion \nOriginally due for release in May 2010, the album's release was pushed back to June 14, 2010. It was released in three formats: the physical standard edition, featuring 10 tracks; the physical deluxe edition with 2 discs, the first disc featuring the standard 10 track listing plus a bonus remix of \"Together 4ever\" and the second disc, released in digipack format together with the other CD, featuring remixes of 8 songs from Beatsound Loverboy; and the digital format featuring 10 tracks. Both standard and deluxe edition's jewel case CD contained a booklet with alternative covers.\n\nIn an interview with Palco Principal, on March 23, 2010, Slimmy revealed the title of the album. He explained: \"As a first resort, when I wrote the lyrics of the song [\"Be Someone Else\"], I just wanted to warn those who not work, but still waiting for results. If you want to be somebody, you have to give much of yourself, is not enough to \"give less and expect more\". However, over the years, I realized that music was also for the kind of people that bring us down. Life is not a race. We must be ourselves, open our eyes and always look forward.\"\n\nWhile being interviewed by Palco Principal, Slimmy declared he was bit \"unsure\" about the promotion process of the album, he affirmed that he already had shows to make in France and Germany, but his real intention was to tour Portugal intensively, because he felt he had no success in his country. The first promotional concert toke place at the Cidade do Porto Shopping on March 26, 2010, where Slimmy sang a few songs from his album, including \"The Games You Play\" and \"Be Someone Else\". Slimmy also promoted his album in Albufeira, at the Algarve Shopping's Fnac on November 27, 2010. Slimmy's next significant promotion marked the beginning of \"A Very Slimmy Tour\", where Slimmy performed songs from his two albums. It started on February 18, 2011, at the Kastrus River Klub in Esposende and ended on April 30, 2011, at the Pitch Club in Porto. The first music video to be released was \"The Games You Play\", produced by Ana Andrade, Carla Fardilha, Clara Araújo Teixeira and Helena Oliveira. It premiered on November 17, 2010, on YouTube. A music video was also made for \"Be Someone Else\", produced by Riot Films. It premiered on June 27, 2010, on YouTube. Slimmy's \"Be Someone Else Tour\" began on May 6, 2011, with its opening show at the Academy Week in Mirandela. Future show dates will be added on 1bigo's Facebook page. Slimmy also performed at the Queima das Fitas in Viana do Castelo on May 15, 2011.\n\nSingles \n\"Be Someone Else\" was unveiled as the album's lead single. The song was written by Fernandes and produced by Quico Serrano and Mark Turner. It was released to MySpace on January 1, 2010. \"The Games You Play\", also written by Fernandes and produced by Quico Serrano and Mark Turner, was released as the second single of the album on March 6, 2010, on the iTunes Store. \"The Games You Play\" premiered on the Antena 3 radio station on September 20, 2009 and was released on Slimmy's MySpace profile on September 30, 2009, as a promotional song. Neither of the album's singles were particularly successful, charting anywhere. Despite not being released as a single, \"I Can't Live Without You in This Town\" is available for digital purchase at Amazon since June 14, 2010. It charted at number 152 at the Metropolis Chart, and it was featured on the eighth season of the Portuguese soap opera Morangos com Açúcar.\n\nCritical reception \n\nSince its release, the album has received favorable reviews from contemporary music critics. A Trompa gave the album a favorable review, commenting that \"[the album is] fast and oriented to be devoured in dance floors or other places of similar excitement and socializing\" it \"clearly evokes a modern rock that welcomes people to it\". A Trompa also praised Quico Serrano and Mark Turner's polished production, calling the album more direct and humanized then Beatsound Loverboy. CDGO gave the album a positive review and commented that the album is more eclectic and that \"it will surely satisfy the fans and other lovers of electronic music.\nSlimmy emphasizes again his unmistakable style, both musical and his image, proving to be one of the most promising musicians of the new generation of national music.\" Ágata Ricca from Palco Principal also gave the album a favorable review and stated that \"[the album] marks the difference with the previous one, due to Slimmy's mature and reflective attitude\" and that the album does not \"change Slimmy's past, it just emphasize it and strengthen it\". Ágata Ricca also praised the song \"I Can't Live Without You in This Town\" for its markable difference from the other tracks, calling the chorus of the song memorable. She also said that some other tracks of the album are pretty \"danceable\".\n\nTrack listing\n\nDeluxe edition\n\nPersonnel \nTaken from iOnline.\nPerformance Credits\nPaulo Fernandes – main vocals, guitar\nPaulo Garim – bass\nTó-Zé – drums\n\nTechnical credits\nQuico Serrano – Record producer\nMark Turner – producer\n\nCharts\n\nSongs\n\nRelease history\n\nReferences\n\nExternal links \n \"Be Someone Else\" at iTunes.\n Slimmymusic.com, Slimmy's official website.\n\n2010 albums\nSlimmy albums" ]

[ "Me and Orson Welles", "Production", "Who produced Me and Orson Welles", "I don't know.", "Tell me about Me and Orson Welles production", "Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager", "When was it produced", "from February to April 2008.", "Where was production held", "the Isle of Man,", "Who else worked with the production team", "CinemaNX," ]

[ "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim", "Hard Choices 'What happened on Algol?' is a 32-page graphic novella prequel to Ultramarines: A Warhammer 40,000 Movie written by Dan Abnett, released as part of the Special Edition DVD on 29 November 2010.\nHard Choices is a military science fiction story set in the Warhammer 40,000 universe, the protagonists being Space Marines from the Ultramarines Chapter.\n\nArt\nPenciling was done by comic book artist David Roach, whose past work has included 2000 AD, Marvel Comics, DC Comics, Dark Horse Comics, and the gaming company Wizards of the Coast.\n\nProduction\nHard Choices 'What happened on Algol?''' was commissioned to accompany Ultramarines : A Warhammer 40,000 Movie, made by UK-based production company Codex Pictures under licence from Games Workshop, working in association with Good Story Productions Ltd and Montreal based POP6 Studios.\n\nReleaseHard Choices 'What happened on Algol?''' accompanies The Special Edition Ultramarines: A Warhammer 40,000 Movie DVD, released worldwide on 29 November 2010.\n\nReferences\n\nExternal links\n \n Official Production Blog\n Official YouTube Channel\n Official Twitter\n Official Flickr\n Facebook fan page\n\n2010 graphic novels\n2010 comics debuts\nComics based on films\nComics by Dan Abnett\nBritish graphic novels\nWarhammer 40,000 comics" ]

[ "Me and Orson Welles", "Production", "Who produced Me and Orson Welles", "I don't know.", "Tell me about Me and Orson Welles production", "Holly Gent Palmo and Vincent Palmo Jr. adapted the film's screenplay from Robert Kaplow's novel of the same name about a teenager", "When was it produced", "from February to April 2008.", "Where was production held", "the Isle of Man,", "Who else worked with the production team", "CinemaNX,", "What happened during production", "During filming in Douglas, Efron and Danes believe they sighted a ghost, or \"supernatural\" being, outside a window on set at Gaiety Theatre." ]

[ "\"The Stolen Farthings\" is Tale 154 from Grimm's Fairy Tales. It is actually a ghost story. It is Aarne-Thompson type 769, A Child Returns from the Dead.\n\nSynopsis\nA couple was having dinner with a guest. At midnight, the guest saw a girl in white dress came in the house and go straight into the next room. The same thing happened again the next day and the day after that. The guest told the father what happened. The father said he had never seen the girl before. One night, the guest peeked in the room. He saw the little girl sitting on the floor, and digging up something between the boards of the floor. He reported what he saw to the mother, and she told him that it was probably their child who had died a month ago. The child received 2 farthings from the mother and was planning on giving it to a poor man. She changed her mind and decided to hide them between the floorboards so she could buy biscuits later. However, she did not get to use them before she died. Thus, it came back to check on the farthings. They donated the farthings to a poor man and the ghost never came back.\n\nReferences\n\nGrimms' Fairy Tales", "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books" ]

[ "Zheng He", "Early life and family" ]

[ "William Zeiman was a Democratic member of the Wisconsin State Assembly. Zeiman was a member during the 1877 session from the 1st District of Dodge County, Wisconsin. He was born on March 31, 1846, in what is now North Prairie, Wisconsin in what is now Waukesha County, Wisconsin.\n\nReferences\n\nPeople from North Prairie, Wisconsin\nPeople from Dodge County, Wisconsin\nWisconsin Democrats\nMembers of the Wisconsin State Assembly\n1846 births\nYear of death missing", "John R. Hofstatter was a member of the Assembly during the 1911 session. Additionally, he was a Baraboo, Wisconsin alderman (similar to city councilman). He was a Democrat. Hofstatter was born in what is now Sumpter, Wisconsin in 1858.\n\nReferences\n\nPeople from Baraboo, Wisconsin\nPeople from Sumpter, Wisconsin\nMembers of the Wisconsin State Assembly\nWisconsin city council members\nWisconsin Democrats\n1858 births\nYear of death missing" ]

[ "Zheng He", "Early life and family", "What year was he born?", "Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China." ]

[ "Short Trips: How The Doctor Changed My Life is a Big Finish original anthology edited by Simon Guerrier and based on the long-running British science fiction television series Doctor Who. The theme of the collection is how the Doctor affects those he meets.\n\nStories\n\nNotes\n How The Doctor Changed My Life was the result of a competition run by Big Finish Productions to find new writers. The winner of the competition was published in Short Trips: Defining Patterns but it was felt that the standard of entries was so high that a separate anthology could be released - with every story being written by a previously unpublished writer.\n The editor, Simon Guerrier, revealed on his blog that the first paragraph of each story would be posted on the Big Finish Productions Facebook group.\n\nExternal links\n Big Finish Productions - Short Trips: How The Doctor Changed My Life\n A Podcast of Impossible Things - Big Finish Special: How the Doctor Changed My Life\n\nReferences\n\n2008 fiction books\nBig Finish Short Trips", "O.G. Style (not to be confused with DJ Alejandro R. \"O.G. Style\" Martinez from Delinquent Habits) was an American hip hop duo from Houston, Texas. It was formed in 1989 by rapper Eric \"Original E\" Woods and his cousin, producer J. 'Big Boss' Brown. In 1991 the duo released their debut album I Know How To Play 'Em on Rap-a-Lot Records and enjoyed some moderate success with their 1990 single \"Catch 'Em Slippin\".\n\nAfter the duo broke up in 1992, Eric Woods kept the name O.G. Style as a solo artist.\n\nOriginal E\n\nCareer \nEric Woods was born on July 5, 1970, in Texas. He began his career in 1986 as Prince Ezzy-E. He was a known local Houston celebrity due to his local college radio hits and his MC battles at area high school and block parties. In 1989, Woods changed his name to 'The Original E' (or just 'The E') after meeting and forming the O.G. Style duo with his cousin, DJ Boss.\n\nHowever, after DJ Big Boss left the group, Woods continued to record as a solo artist under O.G. Style brand, and in 2001 he released the album I Still Know How To Play ‘Em!!! on Zone Entertainment, which featured Big Boss on one track. In 2004, Woods dropped Return Of Da Game via Hard Edge Entertainment.\n\nDeath\nWoods was working on O.G. Style fourth album when, on January 2, 2008, he was rushed to St. Luke's Episcopal Hospital with a severe brain aneurysm. He died on January 3, 2008, from a brain hemorrhage at age of 37. Woods is survived by his estranged wife Shelley, including one child from their union, his remaining seven children, his father, and his three siblings. His son Eric plans to complete the album that Woods' left unfinished.\n\nDJ Big Boss \nBig Boss parted ways with Eric Woods and left Rap-A-Lot Records to form another hip hop group called 4 Deep, which was consisted of rapper Chad 'Klass One' White, DJ Boss under his new alias as The Big Boss Man, and his brother Rodney 'Koo Rod' Brown. The trio released five full-length albums from 1993 to 1998. He also had some side projects such as Funky Products and Hyjnx during the years. Big Boss started his own record label called Power Move Music, and followed up with a solo album titled Respect Due in 2000.\n\nBig Boss died of kidney failure in late 2006. In 2010, 4 Deep came back with their sixth and final studio album, Foreclosure!, released with posthumous audio production from Big Boss via Power Move Music.\n\nDiscography\n\nO.G. Style as a duo \n 1991: I Know How to Play 'Em\n\nEric Woods as O.G. Style \n 2001: I Still Know How To Play Em\n 2004: Return Of Da Game\n\nReferences \n\n1970 births\n2008 deaths\nPeople from Houston\nRappers from Houston\nAmerican rappers" ]

[ "Zheng He", "Early life and family", "What year was he born?", "Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China.", "How big was his family?", "He had an older brother and four sisters." ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "\"What Would Steve Do?\" is the second single released by Mumm-Ra on Columbia Records, which was released on February 19, 2007. It is a re-recorded version of the self-release they did in April 2006. It reached #40 in the UK Singles Chart, making it their highest charting single.\n\nTrack listings\nAll songs written by Mumm-Ra.\n\nCD\n\"What Would Steve Do?\"\n\"Cute As\"\n\"Without You\"\n\n7\"\n\"What Would Steve Do?\"\n\"What Would Steve Do? (Floorboard Mix)\"\n\nGatefold 7\"\n\"What Would Steve Do?\"\n\"Cute As\"\n\nReferences\n\n2007 singles\nMumm-Ra (band) songs\n2006 songs\nColumbia Records singles" ]

[ "Zheng He", "Early life and family", "What year was he born?", "Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China.", "How big was his family?", "He had an older brother and four sisters.", "What did his siblings do?", "I don't know." ]

[ "In July 1942, Daniel Dionys Lenard escaped from Majdanek concentration camp. He was interviewed by the Bratislava Working Group and brought the first confirmed report of the killings back to the Jewish community in Slovakia.\n\nLenard was born in Žilina and was a Slovak Jew. His sister and his parents illegally entered Palestine before the Holocaust but were caught by the British and returned to Slovakia. Rachel Lenard, Lenard's sister, joined an agricultural Hachshara in Denmark in 1939 from where she went to Sweden and survived. Lenard and his parents remained and were deported to separate camps in the spring of 1942. His parents perished. Lenard managed to escape back to Slovakia in July 1942, where he gave an extensive account of the high mortality at the Majdanek concentration camp.\n\nReferences\n\nJewish escapees from Nazi concentration camps\nThe Holocaust in Slovakia\nMajdanek concentration camp survivors", "Bomba and the Jungle Girl is a 1952 adventure film directed by Ford Beebe and starring Johnny Sheffield. It is the eighth film (of 12) in the Bomba, the Jungle Boy film series.\n\nPlot\nBomba decides to find out who his parents were. He starts with Cody Casson's diary and follows the trail to a native village. An ancient blind woman tells him his parents, along the village's true ruler, were murdered by the current chieftain and his daughter. With the aid of an inspector and his daughter, Bomba battles the usurpers in the cave where his parents were buried.\n\nCast\nJohnny Sheffield\nKaren Sharpe\nWalter Sande\nSuzette Harbin\nMartin Wilkins\nMorris Buchanan\nLeonard Mudie\nDon Blackman.\n\nReferences\n\nExternal links\n\n1952 films\nAmerican films\nAmerican adventure films\nFilms directed by Ford Beebe\nFilms produced by Walter Mirisch\nMonogram Pictures films\n1952 adventure films\nAmerican black-and-white films" ]

[ "Zheng He", "Early life and family", "What year was he born?", "Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China.", "How big was his family?", "He had an older brother and four sisters.", "What did his siblings do?", "I don't know.", "Where were his parents?", "I don't know." ]

[ "Forever Young is Kaysha's album released 2009.\n\nTrack list\n\n Anti Bad Music Police\n Be With You\n Digital Sexyness\n Duro\n Fanta & Avocado\n Forever Young Intro\n Funky Makaku\n Glorious Beautiful\n Heaven\n Hey Girl\n I Give You the Music\n I Still Love You\n Joachim\n Kota Na Piste\n Les Belles Histoires D'amour\n Love You Need You\n Loving and Kissing\n Make More Dollars\n Nobody Else\n On Veut Juste Danser\n Once Again\n Outro\n Paradisio / Inferno\n Pour Toujours\n Pure\n Si Tu T'en Vas\n Simple Pleasures\n Tell Me What We Waiting For\n That African Shit\n The Sweetest Thing\n The Way You Move\n Toi Et Moi\n U My Bb\n Yes You Can\n You + Me\n You're My Baby Girl\n\n2009 albums", "\"Tell Me What You Want Me to Do\" is the title of a number-one R&B single by singer Tevin Campbell. To date, the single is Campbell's biggest hit peaking at number 6 on the Billboard Hot 100 and spending one week at number-one on the US R&B chart. The hit song is also Tevin's one and only Adult Contemporary hit, where it peaked at number 43. The song showcases Campbell's four-octave vocal range from a low note of E2 to a D#6 during the bridge of the song.\n\nTrack listings\nUS 7\" vinyl\nA \"Tell Me What You Want Me to Do\" (edit) – 4:16\t\nB \"Tell Me What You Want Me to Do\" (instrumental) – 5:00\n\n12\" vinyl\nA \"Tell Me What You Want Me to Do\" (edit) – 4:16\t\nB \"Tell Me What You Want Me to Do\" (album version) – 5:02\n\nUK CD\n \"Tell Me What You Want Me to Do\" – 4:16\n \"Goodbye\" (7\" Remix Edit) – 3:48\n \"Goodbye\" (Sidub and Listen) – 4:58\n \"Goodbye\" (Tevin's Dub Pt 1 & 2) – 6:53\n\nJapan CD\n \"Tell Me What You Want Me to Do\" – 4:10\n \"Tell Me What You Want Me to Do\" (instrumental version) – 4:10\n\nGermany CD\n \"Tell Me What You Want Me to Do\" (edit) – 4:10\n \"Just Ask Me\" (featuring Chubb Rock) – 4:07\n \"Tomorrow\" (A Better You, Better Me) – 4:46\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nSee also\nList of number-one R&B singles of 1992 (U.S.)\n\nReferences\n\nTevin Campbell songs\n1991 singles\n1991 songs\nSongs written by Tevin Campbell\nSongs written by Narada Michael Walden\nSong recordings produced by Narada Michael Walden\nWarner Records singles\nContemporary R&B ballads\nPop ballads\nSoul ballads\n1990s ballads" ]

[ "Zheng He", "Early life and family", "What year was he born?", "Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China.", "How big was his family?", "He had an older brother and four sisters.", "What did his siblings do?", "I don't know.", "Where were his parents?", "I don't know.", "What else can you tell me about his family?", "His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan." ]

[ "The D'Antignac House near Crescent, Georgia was a historic house built c. 1790, when George Washington was president, that is listed on the National Register of Historic Places.\n\nIt was a Federal style raised coastal cottage.\n\nIt was demolished without warning to neighbors or anyone else on the night of July 8–9, 2007, and the property was listed for sale at $5,175,000. The property had been rezoned to allow development on the property with condition that the historic house be preserved.\n\nReferences\n\nExternal links\nD'Antignac family cemetery, at Findagrave\n\nHouses on the National Register of Historic Places in Georgia (U.S. state)\nFederal architecture in Georgia (U.S. state)\nHouses completed in 1790\nNational Register of Historic Places in McIntosh County, Georgia", "The Moldy Peaches were an American indie group founded by Adam Green and Kimya Dawson. Leading proponents of the anti-folk scene, the band has been on hiatus since 2004. The appearance of their song \"Anyone Else but You\" in the film Juno significantly raised their profile; Dawson and Green made a handful of reunion appearances together in December 2007.\n\nHistory\nGreen and Dawson met at Exile on Main Street Records in Mount Kisco, New York, and began working together. Green put out a 7\" Ep called \"X-Ray Vision\" under the name The Moldy Peaches, featuring recordings he made from 1994–96 with Dawson and various other friends, notably Jules Sheridan, a songwriter based in Scotland. Green and Dawson recorded a CDR album in 1998 under the name Moldy Peaches 2000 called FER THE KIDS before Dawson moved to Port Townsend, Washington. In early 1999 Green joined her there, and more home and live recordings transpired. The band returned to NYC as a 4 piece later in the year (including Jest Commons, guitar, and Justin Campbell, drums). They became active on the NYC anti-folk scene, playing at the SideWalk Cafe before the band broke up. Dawson and Green both recorded solo albums. The band reformed in August 2000 with Chris Barron of the Spin Doctors on lead guitar, Brian Piltin on bass guitar, and Strictly Beats (Brent Cole) on drums. (The \"2000\" was dropped from their name around this time). A new 11 song album was recorded, which led to a deal with Rough Trade in the UK. They gained recognition after their initial 7\" 'Who's Got the Crack\" was named 'Single of the Week' in NME. Rough Trade released the album The Moldy Peaches in 2001. Released in the U.S. on September 11, 2001, it contained the song \"NYC Is Like a Graveyard\". The band expanded to a six-piece, with guitarists Jack Dishel and Aaron Wilkinson, bass player Steven Mertens, and drummer Strictly Beats, augmenting the original duo of Dawson and Green. They toured internationally with The Strokes with whom they shared record label and management.\n\nAaron Wilkinson left the band and was replaced by Toby Goodshank. Wilkinson died from an overdose in July 2003. The Strokes dedicated their album Room on Fire to his memory.\n\nIn 2003 a second album Moldy Peaches 2000 was released, a double-CD compilation of various scraps and live recordings.\n\nAfter an extensive US headlining tour in the winter of 2003, the band went into hiatus in early 2004. However, the band reunited in late 2004 for a one-off show to benefit Accidental CDs, Records and Tapes, a hole-in-the-wall record store on Ave A in NYC. That store was an early supporter of the band and helped hook them up with the gig that ultimately got them their record deal. Both central members embarked on solo careers.\n\nOn December 2, 2007, Dawson and Green played an impromptu set together at Los Angeles' The Smell to end a show where Dawson was headlining. They changed the lyrics of the song \"Who's Got The Crack\" to \"Who's Got The Blues\". On December 3, 2007, the Moldy Peaches played at the Juno film premiere.\n\nThe band was booked to appear on the Conan O'Brien television show on January 14, 2008, but they canceled because of the writer's strike. Dawson has said that she is not keen to reform the band at present. However, Dawson and Green did appear together on the NPR radio show Bryant Park Project on January 16, 2008. and appeared on television show The View on January 21, 2008.\n\nSubsequent to the success of the Juno soundtrack, which hit No. 1 on the Billboard 200 on its third week of physical release, the song \"Anyone Else but You\" was released as a UK single on February 25, 2008.\n\nOn November 13, 2011, The Moldy Peaches played a short set at the Knitting Factory in New York.\n\nSolo projects\nGreen released his seventh solo album and accompanying film, Aladdin, in 2016 via Fat Possum. His initial band included a 3-piece string section.\n\nDawson has continued to tour playing small clubs and house parties. Her album Remember That I Love You on K Records has been well received. Dawson collaborated with Aesop Rock on the album Hokey Fright under the name The Uncluded.\n\nDishel's former outfit Stipplicon having broken up, he formed a new band, Only Son, who have toured with Regina Spektor. Dishel also plays in Spektor's band.\n\nMertens has his own group SpaceCamp and plays in Green's backing band.\n\nCole is in the boyband Candy Boys and has performed with numerous acts including Dufus, Jeffrey Lewis, Only Son, Sandra Bernhard, and Toby Goodshank.\n\nGoodshank plays solo shows and is also in a duo, Double Deuce, with his sister Angela.\n\nNotable appearances\n The song \"Anyone Else but You\" was used in the Academy Award-nominated documentary film Murderball (film).\n The song \"Anyone Else but You\" was used in a mobile phone TV-ad in France during World Cup 2006, featuring French star Zinedine Zidane.\n The song \"Anyone Else but You\" is central to the 2007 Academy Award-winning film Juno and a version is also performed by the two main characters (Elliot Page and Michael Cera).\n A re-written version of \"Anyone Else but You\" was featured in a commercial for Atlantis Resorts in the Bahamas.\n The song \"Jorge Regula\" was used in a Pepsodent commercial in Hispanic America, without the group's permission.\n A version of the song \"Jorge Regula\" also appears in the 2006 indie film The Guatemalan Handshake.\n\nPersonnel\nKimya Dawson – vocals, guitars (1994–2004, 2007–2008)\nAdam Green – vocals, guitars (1994–2004, 2007–2008)\nJustice Campbell – drums (1999)\nJest Commons – guitars (1999)\nBrent Cole – drums (2000–2004)\nChris Barron – guitars (2000–2001)\nBrian Piltin – bass (2000–2001)\nJack Dishel – guitars (2001–2004)\nSteven Mertens – bass (2001–2004)\nAaron Wilkinson – guitars (2001–2002; died 2003)\nToby Goodshank – guitars (2002–2004)\n\nTimeline\n\nDiscography\nAfter releasing their first few records themselves, The Moldy Peaches have released music internationally through Rough Trade. In the United States records were originally released under the Sanctuary Records banner but, since the demise of Sanctuary and the takeover of Rough Trade by the Beggars Group, U.S. releases are now also on Rough Trade.\n\n X-Ray Vision (EP) – Average Cabbage Records – 1996\n Moldy Peaches 2000: Fer the Kids/ Live 1999 (Cassette/CD) – Average Cabbage Records – 1999\n\"The Love Boat\" - Live!!! (Cassette) – Average Cabbage Records – 1999\n The Moldy Peaches (CD-R) – Pro-Anti Records – 2000 (11-song CD, similar cover to next release, all songs included on later albums or singles).\n The Moldy Peaches (CD/LP) – Sanctuary Records/Rough Trade – 2001 (compilation from previous self-releases plus 1 re-recording of \"Nothing Came Out\")\n \"County Fair/Rainbows\" (CD single) – Sanctuary Records/Rough Trade – 2002\n Moldy Peaches 2000: Unreleased Cutz and Live Jamz 1994-2002 (CD) – Sanctuary Records/Rough Trade – 2003\n \"Anyone Else but You\" (single) – Rough Trade – 2008\n Origin Story: 1994–1999 (CD/LP/Cassette) – Org Music – 2022\n\nCompilation appearances\n Music from the Film Garage Days (\"Lucky Number Nine\") – Festival Mushroom Records 2002\nMusic from the Film Murderball (\"Anyone Else but You\") – Commotion 2005\nMusic from the Motion Picture Juno (\"Anyone Else but You\") – Rhino Records 2007\n\nReferences\n\nExternal links\n\n www.moldypeaches.com Official site.\n MP2K The original official site (archive.org)\nThe Moldy Peaches Beggars Group USA page\n\nAnti-folk groups\nMusical groups established in 1994\nMusical groups disestablished in 2008\nIndie rock musical groups from New York (state)\nPsychedelic folk groups\nRough Trade Records artists\nMusical groups from Washington (state)" ]

[ "Zheng He", "Early life and family", "What year was he born?", "Zheng He was born Ma He to a Muslim family of Kunyang, Kunming, Yunnan, China.", "How big was his family?", "He had an older brother and four sisters.", "What did his siblings do?", "I don't know.", "Where were his parents?", "I don't know.", "What else can you tell me about his family?", "His great-grandfather was named Bayan and may have been stationed at a Mongol garrison in Yunnan.", "Was anyone else captured in the family?", "father died at age 37, but it is unclear if he was helping the Mongol army or just caught in the onslaught of battle." ]

[ "Daniel Rosenthal is an American-French criminal who murdered his mother in 1981 in Hampshire, England. He is suspected of dismembering his mother's body with a hacksaw, though her body was never found. He is suspected of earlier killing his father in Paris, dismembering his body and disposing of it in the French countryside.\n\nAs a schizophrenic, Rosenthal was detained at Tatchbury Mount Hospital from which he escaped on 10 August 2013. He was recaptured the following day in Southampton. Prior to this he had spent nearly 30 years being treated at Ashworth Hospital in Merseyside. He was 58 years old when he escaped and was recaptured.\n\nHis case was featured in the TV documentary How I Caught The Killer Mad Scientist.\n\nReferences\n\nLiving people\nAmerican male criminals\nFrench male criminals\nParricides\nYear of birth missing (living people)\nPeople with schizophrenia", "Main Naahin Maakhan Khaayo is a popular Indian bhajan, a Hindu devotional song written by 15th-century mystic-poet, Surdas set to Raga Ramkali. It is written in Braj Bhasha, a dialect of Hindi native to Braja, and epitomizes Vātsalya (Parental Love) Rasa describing an episode from the lilas of Krishna.\n\nPopular culture \nThe bhajan was popularised by singers like Lata Mangeshkar, Anup Jalota and Kundan Lal Saigal. Song was also included in B.R. Chopra's popular television series Mahabharat and it was performed by Nitin Mukesh.\n\nContext\nLord Krishna says to his mother that he did not steal the butter. A very popular bhajan, the naughty child Krishna was caught with\nfreshly churned butter by his mother Yashoda, with some still on his face. He claims:\n\nO Mother mine, believe me, I have not eaten the butter\nThese friends of mine, out of sheer spite, spread some butter on my face\n\nReferences\n\nHindi songs\nHindi poetry\n15th-century poems\nBhakti movement\nKrishna\nLata Mangeshkar songs" ]

[ "Lisa Simpson", "Role in The Simpsons" ]

[ "My Life as a 10-Year-Old Boy is an autobiography written by Nancy Cartwright. First published in September 2000 by Hyperion, it details Cartwright's career, particularly her experiences as the voice of Bart Simpson on The Simpsons and contains insights on the show, diary entries and anecdotes about her encounters with various guest stars.\n\nCritics commented that the book seemed to be aimed at fans of The Simpsons rather than a more general audience. Other criticisms included the simplicity of the writing and a lack of interesting stories. In 2004, Cartwright adapted the book into a one-woman show, which she has performed in the UK and North America, including at the Edinburgh Festival Fringe.\n\nBackground\nIn the opening chapter, Cartwright writes \"About five years ago I decided I wanted to write this book. I knew that The Simpsons would end some day. I decided that I wanted to write it while the show was still on the air.\" In an interview with Scotland on Sunday, she added \"I wanted to tell my story and I needed to because I get so much fan mail. People are so interested in the whole process, how it all comes together. This book does that.\" In a 1995 interview, five years before writing the book, Cartwright remarked that she wanted to write a book and that if she did, it would be titled \"My Life as a 10-Year-Old Boy.\"\n\nThe book contains excerpts from date books and journals that Cartwright had kept over the years. The book was officially announced in January 2000 and Cartwright had originally intended that it be released on October 31.\n\nContent\nMy Life as a 10-Year-Old Boy opens with a dedication to Daws Butler, a list of acknowledgements and a foreword from Cartwright's The Simpsons co-star Dan Castellaneta. The first chapter of the book details Cartwright's life and career prior to 1987. In the second chapter, Cartwright recalls the day she went to audition for a role in a series of animated shorts on The Tracey Ullman Show. The shorts were about a dysfunctional family and Cartwright intended to audition for the role of Lisa Simpson, the eldest daughter. Upon arriving at the audition, she found the role of her brother Bart to be much more interesting. Matt Groening, creator of the shorts, allowed her to audition for Bart, and gave her the job on the spot after hearing her reading. From there, the book contains her experiences as the voice of Bart. After three seasons of shorts, a half-hour spinoff called The Simpsons debuted in 1989. In the following chapters, she recalls the early days of The Simpsons, commenting on the recording process and her co-stars and revealing how she got the roles of some of the other characters she voices, including Nelson Muntz and Ralph Wiggum. In the 15th chapter, she discusses her experiences of voicing a famous character, but rarely being recognized.\n\nSeveral chapters are devoted to a detailed \"behind the scenes\" look at how an episode of The Simpsons is made, including the writing, recording and animation. My Life as a 10-Year-Old Boy contains multiple excerpts from Cartwright's diary detailing various events, mostly encounters with The Simpsons guest stars. Guest stars she talks about include Ernest Borgnine, Danny DeVito, Kirk Douglas, Mel Gibson, Kelsey Grammer, Tom Jones, Michael Jackson, Mickey Rooney, Meryl Streep and Elizabeth Taylor. One chapter describes the day she found out that Phil Hartman, a frequent guest star on The Simpsons, was murdered. The final chapter is a retrospective in which she answers the question \"what is it like to be the voice behind the star?\"\n\nReception\nMy Life as a 10-Year-Old Boys original print of 25,000 copies were sold on pre-order in the United Kingdom, with 38,000 copies being sold. Cartwright began a publicity tour in late October 2000, starting in her hometown of Dayton, Ohio, where the book became the top selling non-fiction in the town in the first week of November 2000.\n\nLaura A. Bischoff of the Dayton Daily News commented that the book was the \"ultimate insider's guide to The Simpsons.\" However, several critics commented that the book was straightforward and presented few interesting stories. Susan Shapiro of The New York Times wrote that \"Although the paradoxes of being 'a celebrity nobody knows' are interesting, the photographs, diary entries and overly cute commentaries make this book feel like a personal scrapbook.\" Rosellen Brewer of the Library Journal commented that \"Cartwright's own life notwithstanding, there is nothing really new or exciting here. She knew what she wanted to do and was able to do it; end of story.\" Lee Bacchus of The Province wrote that \"This little book by the voice of Bart Simpson reads as if it were written by a 10-year-old boy. Not that that's all bad. Cartwright, who voices Bart along with Ralph Wiggum and a few others on The Simpsons, gives a very unchallenging tour behind the scenes of the phenomenally successful series. It's kind of fun to discover how the show is put together and how an adult woman snagged one of the coolest jobs in the world If only it wasn't all so relentlessly perky.\"\n\nAnother common criticism was that the book was aimed at fans of The Simpsons and not a general audience. A preview in People said the bottom line was that the book is \"for die-hard fans only.\" Bacchus concurred, saying \"Cartwright writes as if she were speaking to devotees of The Simpsons Fan Club, too often providing bland tidbits of background that only obsessives would ever really care about.\" Rob Sheridan of the National Post also believes that the book is \"aimed squarely at rabid Simpsons fans\", and criticized the writing, commenting that \"the chronology of her story is sometimes muddled, and a lot of sentences have that first-draft feeling But none of this is anything to have a cow about.\"\n\nStage adaptation\nIn 2004, My Life as a 10-Year-Old Boy was adapted into a one-woman play. Described as \"a romp through Springfield through [Cartwright's] eyes\", the first portion of the play is scripted and includes anecdotes from Cartwright, dialogue performed in her characters' voices and video clips from The Simpsons. At the end, she does a question and answer session and occasionally plays a game to allow for audience participation. Cartwright's friend Rose Goss co-wrote the play, and serves as director. Cartwright has performed the show at various locations, including the Big Laugh Comedy Festival in Parramatta, Australia, in March 2004, a three-week run at the Edinburgh Festival Fringe in Edinburgh, Scotland in August 2004, at the \"Simpsons Mania\" convention in Toronto, Canada, (the North American debut of the play) in October 2004 and at Riverside Studios in London, England, in May 2005.\n\nThe play has received modest reviews. Julian Hall of The Independent criticized it for a lack of inside stories about The Simpsons, writing that \"Cartwright never allows you to become bored but that means some issues are skirted over faster than American closing credits on television. You never really get a feel what it is like recording the show.\" Brian Logan of The Guardian described Cartwright as \"a lively host eager to please\", but found the play to be \"an overweeningly upbeat collection of Simpsons chitchat.\" David Chatterton of British Theatre Guide described it as \"interesting and entertaining, but not really a 'must see' even for Simpsons fans.\" Clive Davis of The Times wrote that \"In contrast to The Simpsons itself, where not a line, not a syllable, goes to waste, Cartwright has a habit of losing herself in anecdotes that stumble into dead-ends. The half-hearted trivia quiz involving volunteers from the audience soon dies a death too. The performance really cries out for a hard-headed director. The video clips of Cartwright at large are fun, however.\"\n\nReferences\n\nNotes\n\nExternal links\n\n Nancycartwright.com\n\n2000 non-fiction books\nPlays based on books\nNon-fiction books about The Simpsons\nShow business memoirs", "Leaving Springfield: The Simpsons and the Possibility of Oppositional Culture is a non-fiction compilation work analyzing the effect of the television program The Simpsons on society, edited by John Alberti. The book was published in 2004 by Wayne State University Press. Contributors to the work include academics associated with Northern Kentucky University, the University of Wisconsin–Stevens Point, The Australian National University, and the University of Sydney.\n\nThe book discusses the nature of The Simpsons, and its impact on society from the perspective of popular culture and that of political satire. The work received a positive review from Luke E. Saladin of Scripps Howard News Service for the breadth of issues discussed in the book, and was criticized by Cathlena Martin in a review in the journal ImageTexT: Interdisciplinary Comics Studies for a lack of discussion and analysis of gender issues and the role of women in the television series.\n\nAuthors\nJohn Alberti, the editor of the work, is also the writer of the book's introduction. Alberti teaches American literature and critical studies at Northern Kentucky University, where he is an associate professor of English. Alberti notes that there is a distinction between poking fun at something and satire: \"Satire involves defining a kind of moral or political point of view and using humor to show how it's not living up to this ethical standard.\" Alberti told CanWest News Service that rather than the Fox Network, the most valuable database for information on The Simpsons when doing research for the book was \"an online archive established, maintained and vetted by unpaid Simpsons enthusiasts\". Other contributors include David L. G. Arnold, who teaches English at the University of Wisconsin–Stevens Point; Duncan Stuart Beard, who holds a Ph.D. in English literature from The Australian National University; and Mick Broderick, Associate Director of the Centre for Millennial Studies the University of Sydney.\n\nContents\nThe book analyzes the impact of The Simpsons – both as a popular television program as well as its use of political satire. Leaving Springfield discusses the financial success the program has had; despite often parodying the forms of capitalism it also promotes. Commentators in the book take a look at the use of parody and satire in society to critique itself, by discussing the impact of the television series on its viewership and its place within television comedy history.\n\nReception\nLuke E. Saladin of Scripps Howard News Service notes that an \"especially popular theme in the essays\" contained in the work is the fact that The Simpsons promotes its nature as a corporate product of Fox, while simultaneously denigrating the Fox network in jabs during the program. Saladin also notes that essays in the book discuss The Simpsons' \"place in television history, its treatment of social issues and capitalism, and everything else from the Cold War and nuclear arms to what Homer Simpson's narcissism tells us about our own tendencies\".\n\nIn her review of the book for the journal ImageTexT: Interdisciplinary Comics Studies, Cathlena Martin is critical, and points out that the book \"lacks a feminist study of The Simpsons\", noting: \"A weakness of this collection is that it does not address more gender issues and analyze the main or supporting female characters more. ... The lack of analysis with regard to the female members of Springfield is decisively missing.\" Jeremy G. Butler cites the book as an example in his work Television: Critical Methods and Applications, when noting that \"books on The Simpsons have become a cottage industry\". An essay from the book on \"Cultural Conflicts\" is required reading in a sociology course on The Simpsons: \"The Simpsons Global Mirror\", at the University of California, Berkeley.\n\nReferences\n\nFurther reading\n\nExternal links\n\nLeaving Springfield: The Simpsons and the Possibility of Oppositional Culture, website of book's publisher\nLeaving Springfield: The Simpsons and the Possibility of Oppositional Culture, introduction to the book, at The Simpsons Archive\n\n2003 non-fiction books\nNon-fiction books about The Simpsons" ]

[ "Lisa Simpson", "Role in The Simpsons", "what is her role in the Simpsons?", "Lisa is always depicted as 7-8 years old." ]

[ "Jonkvrouw Johanna Maria Sophia (Sophie) van der Does de Willebois ('s-Hertogenbosch, 26 November 1891 – Utrecht, 11 March 1961) was a Dutch ceramist.\n\nLife and work \nVan der Does de Willebois studied at the Rijksakademie in Amsterdam, where she took painting lessons from Richard Roland Holst. In 1919 she married Adriaan van Stolk (1883-1926). She moved with him to the Canary Islands. They had two children together, Jan van Stolk, who later became a ceramist, and Romualda Bogaerts, who would become a sculptor. In 1925 the family moved to Italy, where it settled in Vietri sul Mare. Van der Does purchased a local factory in maiolica. After the death of her husband in 1926, she worked with the Italian Luigi de Lerma (1907-1965) in the firm.\n\nVan der Does abolished the company in 1928, and moved with the children to the Netherlands. Lerma became the director of \"Ceramica Icara\" on Rhodes. In 1930 Van der Does moved to Rhodes, where she married De Lerma. In 1934 the family settled in back in the Netherlands in Groenekan, where she and her husband started a pottery. They specialized in decorated dishes with fish, birds and plants. Van der Does also made some sculptures of female figures.\n\nVan der Does was a member of the Dutch Association for Craft and Craft Art (V.A.N.K) and Painting and drawing society Kunstlliefde in Utrecht.\n\nSee also \n List of Dutch ceramists\n\nReferences\n\nExternal links \n\n Does de Willebois, Sophie van der at capriolus.nl\n Works of Does de Willebois, Sophie van der at Keramiekmuseum Princessehof.\n\n1891 births\n1961 deaths\nDutch ceramists\nDutch women ceramists\nJonkvrouws of the Netherlands\nPeople from 's-Hertogenbosch\n20th-century ceramists", "Cadlinidae is a family of sea slugs, dorid nudibranchs, marine gastropod mollusks in the superfamily Doridoidea.\n\nMolecular phylogenetic studies and their taxon-sampling schemes can have a strong influence of the resulting phylogeny. Research by R.F. Johnson in 2011 has shown that Cadlina does not belong to the family Chromodorididae. She has therefore brought back the name Cadlinidae from synonymy with Chromodorididae. She also included the genus Aldisa Bergh, 1878 in the family Cadlinidae.\n\nTaxonomy \nGenera within the family Cadlinidae include:\n Aldisa Bergh, 1878\n Cadlina Bergh, 1878 - synonyms: Acanthochila Mörch, 1868; Echinochila Mörch, 1869; Inuda Er. Marcus & Ev. Marcus, 1967; Juanella Odhner, 1921\n\nReferences\n\nExternal links \n\n \nGastropod families" ]

[ "Lisa Simpson", "Role in The Simpsons", "what is her role in the Simpsons?", "Lisa is always depicted as 7-8 years old.", "does she have a family?", "Homer and Marge" ]

[ "\"Won't Take It Lying Down\" is a song by British-based girl group Honeyz, released as the group's fifth single from their debut studio album, Wonder No. 8 (1998). It was their last single with member Mariama Goodman, who was later replaced by original member Heavenli Abdi.\n\nTrack listings\nUK Part I\n\"Won't Take It Lying Down\" (Ollie Twist Mix)\n\"What Does She Look Like?\"\n\"Keep Me Hanging On\"\n Enhanced CD includes \"Won't Take It Lying Down\" video\n\nUK Part II\n\"Won't Take It Lying Down\" (Ollie Twist Mix)\n\"Won't Take It Lying Down\" (LA Mix)\n\"Won't Take It Lying Down\" (Twist Future Mix)\n\nUK cassette single\n\"Won't Take It Lying Down\" (Ollie Twist Mix)\n\"What Does She Look Like?\"\n \nHolland CD1 (cardboard sleeve)\n\"Won't Take It Lying Down\" (Ollie Twist Mix)\n\"What Does She Look Like?\"\n\nHolland CD2\n\"Won't Take It Lying Down\" (Ollie Twist Mix)\n\"Won't Take It Lying Down\" (LA Mix)\n\"What Does She Look Like?\"\n Enhanced CD includes \"Won't Take It Lying Down\" video\n \nPromo CD\n\"Won't Take It Lying Down\" (Ollie Twist Mix)\n\"Won't Take It Lying Down\"\n\nCharts\n\nReferences\n\n1998 songs\n1999 singles\nHoneyz songs\nMercury Records singles\nSongs written by Anders Bagge\nSongs written by Arnthor Birgisson\nSongs written by Simon Climie", "Live! In Tune and on Time is a live album by American hip hop producer\n\n, released on June 15, 2004 by Oliver Tree. Recorded in 2002 at Brixton Academy in London, it features tracks and samples from past albums as well as his work with UNKLE and Quannum. The album was released on double vinyl LP and as a CD/DVD set, and the DVD contains additional tracks and material.\n\nThe title refers to DJ Shadow's observation that his live shows \"only really got interesting when the songs were not only on time but in tune as well.\"\n\nTrack listings\n\nCD\n Intro\n Fixed Income\n What Does Your Soul Look Like (Part 2)\n In/Flux\n Un Autre Introduction\n Walkie Talkie\n Guns Blazing (Drums of Death Part 1)\n Lonely Soul\n Lost & Found\n What Does Your Soul Look Like (Part 3)\n Mutual Slump\n Stem/Long Stem\n Reconstruction Medley\n Holy Calamity (Bear Witness II)\n The Third Decade, Our Move\n Halfway Home\n The Number Song\n Organ Donor\n Mashin' on the Motorway\n Blood on the Motorway\n Napalm Brain/Scatter Brain & Outro\n\nDVD\nIntro\n Act I\n Fixed Income\n What Does Your Soul Look Like (Part 2)\n In/Flux\n Un Autre Introduction\n Walkie Talkie\nAct 2\n Guns Blazing (Drums of Death Part 1)\n Lonely Soul\n Lost & Found\n What Does Your Soul Look Like (Part 3)\n Mutual Slump\n Stem/Long Stem\n Act 3\n Reconstruction Medley\n Holy Calamity (Bear Witness II)\n The Third Decade, Our Move\n Halfway Home\n The Number Song\n Organ Donor\n Intermission\n Act 4\n Six Days\n Mashin' on the Motorway\n Blood on the Motorway\n Act 5\n Napalm Brain/Scatter Brain & Outro\n Encore\n You Can't Go Home Again\n Midnight in a Perfect World\n High Noon\n Special Features\n Malcolm on Drums\n Pushin' Buttons\n\nSee also\n Harmonic mixing\n Beatmatching\n\nReferences\n\nDJ Shadow albums\n2004 live albums\n2004 video albums\nLive video albums" ]

[ "Lisa Simpson", "Role in The Simpsons", "what is her role in the Simpsons?", "Lisa is always depicted as 7-8 years old.", "does she have a family?", "Homer and Marge", "what does her character look like?", "I don't know." ]

[ "\"The One with All the Candy\" is the ninth episode of Friends seventh season. It first aired on the NBC network in the United States on December 7, 2000.\n\nPlot\nMonica decides that she would like to get to know the neighbours in the apartment building better (to Chandler's dislike) and resorts to doing what she does best: cooking. She makes a batch of wonderful chocolates and hangs them on the door in a basket hoping that her neighbors will take some and they can meet. The neighbours (including Joey) eventually go crazy over the candy and demand more. Eventually, Chandler admonishes the neighbors for taking advantage of Monica's kindness and not making an effort to get to know her, and furiously sends them home.\n\nRoss gets Phoebe her first bike after hearing her story on how she never got to ride one during her childhood. Then the gang finds out she does not know how to ride. So Ross takes Phoebe to the park to teach her, but she is reluctant. With Ross' convincing and training wheels, Phoebe eventually manages to ride the bike.\n\nRachel and her assistant Tag have started dating, but they strive to keep their relationship a secret from their workplace. After Rachel writes a flirtatious joke evaluation, she sends it to Tag, who does not know it is fake, does not read it, and gives it to Human Resources. Rachel devises a scheme to get it back, but before she does, Mr. Zelner reads it and warns her that she is putting her job at risk. Tag takes the blame, claiming that he had written the evaluation himself. Zelner accepts this and leaves without any further incident, after saying he enjoys a \"naughty limerick or two.\"\n\nReception\nDistractify ranked it the ninth best Friends Christmas episode, and wrote that Phoebe's \"blunders and Ross's patient lessons set the stage for many nervous laughs and heartwarming holiday cheer\".\n\nCatriona Wightman from Digital Spy called it the season's worst episode.\n\nSam Ashurst from the same website ranked the episode 119 on their ranking of the 236 Friends episodes.\n\nTelegraph & Argus also ranked it #119 on their ranking of the 236 Friends episodes.\n\nReferences\n\n2000 American television episodes\nFriends (season 7) episodes", "\"The One with the Flashback\" is the sixth episode of Friends third season. It first aired on the NBC network in the United States on October 31, 1996.\n\nPlot\nJanice asks the group if any of the six of them have almost slept with each other. The episode then flashes back.\n\nThree years earlier, Phoebe is tired of roommate Monica's obsession with cleanliness, so she moves out of their apartment a little at a time. Monica does not notice – Phoebe explains her missing things by saying she has taken them to get repaired; and Phoebe sneaks away at night and sneaks back in before Monica wakes.\n\nOne night, (exactly one year before the pilot) while hanging out at their favorite bar, Monica mentions to Chandler that the bar is closing down to make room for a coffee shop (which would later become Central Perk). While there, she sees old high school friend Rachel, celebrating her recent engagement to orthodontist Barry Farber with friends Betsy and Kiki. Rachel mentions to her friends that she wants to have \"one last fling\" with the next guy she sees. Chandler, overhearing this, throws a pool ball near her table and goes to pick it up; but she ignores him. Monica and Rachel briefly catch up and promise to have lunch the next time Rachel is in the city. Later while driving back, Rachel fantasizes about making out with Chandler in the empty bar.\n\nChandler is looking for a new roommate after his previous one, Kip, gets married and moves out. He has been doing several interviews and has two more candidates – a photographer and Joey, an Italian-American actor. When the photographer, Eric, mentions that there may be models in the apartment and that his sister is a porn star, Chandler immediately jumps at the chance for the guy to move in, and rushes through his interview with Joey, whom Monica has a crush on.\n\nHowever, when Eric comes to move in, the girls' downstairs neighbor Mr. Heckles claims he is Chandler's new roommate. Thinking Eric was a no-show, Chandler lets Joey move in with him. As Joey is moving in, he and Monica flirt, and she invites him in for a glass of lemonade. Joey, however, believes she wants to have sex with him, so he strips naked before she gives him his lemonade. After realizing she did not want sex after all, he apologizes and hurriedly dresses. Things get worse for Monica when she is cleaning and notices Phoebe's bed is gone. Phoebe then finally admits she has moved out, because she needs to \"live in a land where people can spill\" but hopes that they can still remain friends.\n\nMonica is sad that Phoebe moved out, and wonders why she does not have a boyfriend. Chandler tells her she should have a boyfriend, and offers a hug. He says she is one of his favorite people, and the most beautiful woman he knows in real life. He convinces her that she will find someone, and they hug tenderly for a while until he diffuses the tension by asking about the fabric of Monica's towel. He then goes back to his place to watch Baywatch with new roommate Joey.\n\nRoss is glad that his wife, Carol, has finally made a friend – a woman she met at the gym named Susan. It does not take Ross long to realize that Carol likes Susan as more than \"just a friend\". Late at night in the empty bar, he mourns over the end of his marriage; Phoebe consoles him and they start making out. They almost have sex on the pool table in the bar, but Ross hits his head on the light above the table, then his foot gets stuck in a pocket, then the pool balls get in the way. They decide that sleeping together would not solve anything, and are content to just remain friends. The rest of the gang walk in and Chandler introduces Joey to Ross.\n\nReception\nIn the original broadcast, the episode was viewed by 23.3 million viewers.\n\nSam Ashurst from Digital Spy ranked the episode #46 on their ranking of the 236 Friends episodes.\n\nTelegraph & Argus also ranked the episode #46 on their ranking of all 236 Friends episodes.\n\nReferences\n\n1996 American television episodes\nFriends (season 3) episodes" ]

[ "Lisa Simpson", "Role in The Simpsons", "what is her role in the Simpsons?", "Lisa is always depicted as 7-8 years old.", "does she have a family?", "Homer and Marge", "what does her character look like?", "I don't know.", "does she have friends?", "Lisa has been friendly with several boys, including Ralph Wiggum in \"I Love Lisa\" (season 4, 1993), Nelson Muntz in \"Lisa's Date with Density\" (" ]

[ "Michaela Songa (born May 24, 1986) is a Liberian-born actress, writer, and a magazine editor. Michaela is best known for her series of web journals and her photos through camera lenses. She has recently been working on her movie career by starring in two Liberian movies alongside other up and coming film makers. As a print journalism major in her junior year, she has always stated her desire to stay out of the camera lens as much as possible and focus more on the behind scenes of her printed media.\n\nEarly life\nSonga was born in Monrovia, Liberia, the daughter of Michael Songa, a renowned Architect and Jennebah Carter. As an only child, she was often pampered by her father which some times got her in trouble in schools with her peers. They routinely taunted her with name callings such as \"daddy's girl\", \"princess\", etc. As she gained acceptance with her friends through bribes and stooping to them, she took on a new nickname. Hence \"KELO\" was born. She asserts to date that she never preferred to be called KELO (short for Michaela), however sources from childhood friends state otherwise. Her birth name reveals her closeness to her father (Michael) more so than worldly things.\n\nCareer\nMichaela became interested in art since a child. Her dad introduced her to the lens of the camera very early by often documenting her daily activities on tapes and in prints.\nHer acting career, though her least favorite talent has peaked up by starring in two movies set to be released soon of which \"The Desperate Girls\" is one. She is currently managing her own blog and a spin-off as an editor-in-chief for zorzor magazine. Her former works could also be seen at African Starz Magazine where she was also the chief editor.\n\nFilmography\nDesperate Girls (2009)\nSplit Decision (2009)\nThe Heat (2009)\nBeneath The Thoughts (2009)\nBlood Brothers (2009)\nCheaters Club (2012) (wrote and produced)\n\nAwards and nominations\nNominated for Best Editor and writer at the 2009 Eagle Awards for Achievement held in Philadelphia.\n\nPersonal life\nShe is a devoted Christian, who through her conversations likes to always give credit to God first. She currently lives in New Jersey. She often does not disclose her residence, in lieu of the fact that, she constantly is not satisfied with permanent settlements. She classifies herself as a woman who likes to interact with her environments, hence she does not want to live at one place for an extended period of time.\n\nHobbies\nHer hobbies are reading and writing movie scripts. She also often ties cooking to her list of hobbies, although she doesn't have a favorite food to cook.\n\nReferences\n\n1986 births\nLiberian film actresses\nLiving people\nPeople from Monrovia\n21st-century actresses\nLiberian writers\n21st-century Liberian women writers\n21st-century Liberian writers\n21st-century Liberian people\nLiberian women writers", "This is a partial list of hobbies. A hobby is an activity, interest, or pastime that is undertaken for pleasure or relaxation, done during one's own leisure time.\n\nGeneral hobbies\n\nOutdoors and sports\n\nEducational hobbies\n\nCollection hobbies\n\nIndoors\n\nOutdoors\n\nCompetitive hobbies\n\nIndoors\n\nOutdoors\n\nObservation hobbies\n\nIndoors\n\nOutdoors\n\nReferences\n\nExternal links\n \n\nEntertainment lists" ]

[ "John Kasich", "Ranking member of the House Budget Committee" ]

[ "Brandon Woodard is an American politician currently serving in the Kansas House of Representatives, representing the 30th House District as a member of the Democratic Party.\n\nOpenly gay, he was elected alongside Susan Ruiz as one of the state's first-ever LGBT state legislators. During the campaign, he weathered a controversy when it was revealed that he had previously spent five days in jail for a second offense of driving under the influence.\n\nHe has been named the Ranking Minority Member of the House Higher Education Budget Committee starting in January 2020, succeeding Democrat Brandon Whipple, who left the Kansas House of Representatives after being elected Mayor of Wichita, Kansas.\n\n2019-2020 House Committee Assignments\nRanking Minority Member of Higher Education Budget (2020)\nFederal and State Affairs\nInsurance\nMember of Higher Education Budget (2019)\n\nReferences\n\nExternal links\n\nLiving people\nKansas Democrats\nMembers of the Kansas House of Representatives\nLGBT state legislators in Kansas\nGay politicians\n21st-century American politicians\nPeople from Lenexa, Kansas\n1990 births\n21st-century LGBT people", "Brett Parker is an American politician who served in the Kansas House of Representatives from January 2017 to May 2021, representing the 29th District in Johnson County, Kansas. A teacher in Olathe, Kansas, Representative Parker is a resident of Overland Park, Kansas. \n\nRepresentative Parker was the Democratic Agenda Chairman in the House of Representatives and the Ranking Minority Member of the Calendar and Printing Committee and the Elections Committee. Representative Parker was a former Ranking Minority Member of the Transportation and Public Safety Budget Committee. \n\nRepresentative Parker is a graduate of the University of Missouri-Kansas City. He is a former vice president of the Olathe National Education Association.\n\n2019-2020 Kansas House of Representatives Committee Assignments\nRanking Minority Member of Elections\nRanking Minority Member of Calendar and Printing\nAppropriations\nHigher Education Budget (2019)\nJoint Committee on Pensions, Investments and Benefits\n\n2017-2018 Kansas House of Representatives Committee Assignments\nRanking Minority Member of Transportation and Public Safety Budget (March 2018 - January 2019)\nElections\nInsurance\nMember of Transportation and Public Safety Budget (January 2017 - March 2018)\n\nReferences\n\nPeople from Overland Park, Kansas\nPeople from Olathe, Kansas\nMembers of the Kansas House of Representatives\nKansas Democrats\nUniversity of Missouri–Kansas City alumni\n21st-century American politicians\nLiving people\nYear of birth missing (living people)\nEducators from Kansas" ]

[ "John Kasich", "Ranking member of the House Budget Committee", "When was he a member of the House Budget Committee ?", "In 1993, Kasich became the ranking Republican member of the House Budget Committee." ]

[ "The Select Committee on the Modernisation of the House of Commons (frequently shortened to Modernisation of the House of Commons Committee) was a temporary select committee of the House of Commons in the Parliament of the United Kingdom that was created early in the 1997, 2001, and 2005 Parliaments. It ceased to exist at the end of the 2005–10 Parliament, and the Government chose not to propose its reappointment in the Parliament following the 2010 election.\n\nThe Committee was first established on 4 June 1997 for the life of the Parliament with a remit to \"consider how the practices and procedures of the House should be modernised, and to make recommendations thereon\". It was composed of 15 MPs and chaired by the Leader of the House of Commons. It was recreated on 16 July 2001 and 13 July 2005 on similar terms.\n\nSee also\nList of Committees of the United Kingdom Parliament\n\nReferences\n\nExternal links\nSelect Committee on the Modernisation of the House of Commons\nRecords for this Committee are held at the Parliamentary Archives\n\nDefunct Select Committees of the British House of Commons", "Hadi Abubakar Sirika is the current Minister for Aviation of the Federal Republic of Nigeria. He is a former Member House of Representative, and assumed the Senator of the Federal Republic of Nigeria in 2011, where he represents Katsina North Senatorial District under the platform of Congress for Progressive Change. Sirika held the position of (Vice-Chairman) of the Millennium Development Goals (MDGs) Committee set by the Nigerian Senate.\n\nEarly life \nHadi was born on 2 March 1964 in Dutsi Local Government area of Katsina state.\n\nEducation \nSirika Hadi had graduated from \"Petroleum Helicopters institute in USA, \"Flight Safety International, USA\" and \"Delta Aeronautics, United States of America\".\n\nCareer \nIn 2003, Hadi was elected into the Federal House of Representative and he left office in 2007. Sirika Hadi was again re-elected to represent Kastina North in the Nigerian Senate under the platform of Congress for Progressive Change (CPC) in 2011 elections. While in the senate, Hadi Sirika was the portal vice chairman; Millennium Development Goal (MDG) and a member of the senate committee on Aviation. He Also served in a number of different committees in the Nigerian Senate. \n\nWhile in the senate, Hadi Sirika was the portal vice chairman; Millennium Developmemt Goal (MDG) and a member of the senate committee on Aviation. He Also served in a number of different committees in the Nigerian Senate. \n\nIn the early 2015, Hadi became a member of the newly born party APC, after a merger which brought about the All Progressive Congress (APC). Hadi announced in the same year that, Muhammadu Buhari have been convinced to run for the presidential seat in the 2015 general Elections under the banner of the APC. After the Muhammadu Buhari emerged winner of the 2015 Presidential elections, Hadi was appointed minister for state for aviation until 2019. He was reappointed as the Minister of Avaition by President Muhammadu Buhari after he won his second term bid. \n\nAs a former pilot, Sirika is a member of the Senate Committee on Aviation. He bares his mind, undisguised, about how not to own a private aircraft through corrupt means. He also spoke about other issues bordering on piloting and the Aviation sector, in an interview with Jamila Nuhu Musa and Augustine Aminu. He also spoke on President Jonathan’s poor grasp of his brief and on a number of topical issues. \n\nOn the other hand, Nigeria cannot make the desired progress in the committee of nations under the leadership of the ruling People's Democratic Party, a Congress for Progressive Change lawmaker, Senator Hadi Sirika, has said; while Speaking in an exclusive interview with LEADERSHIP WEEKEND, Sirika, who represents Katsina North senatorial district of Katsina State, said that the party had run out of ideas on how to move the nation forward despite leading the country in the last 13 years.\nIn his interview with Soni Daniel and Ruth Choji, Sirika, a pilot and long standing ally of the president of Nigeria, Muhammadu Buhari, speaks on how to enthrone credible and responsive leadership in Nigeria and how to salvage the Nigerian aviation industry.\n\nSee also\nCabinet of Nigeria\n\nReferences\n\nNigerian politicians\nLiving people\n1964 births\nNigerian polo players" ]

[ "John Kasich", "Ranking member of the House Budget Committee", "When was he a member of the House Budget Committee ?", "In 1993, Kasich became the ranking Republican member of the House Budget Committee.", "How long was he on this committee ?", "I don't know." ]

[ "The Bills–Jets rivalry is a rivalry between the Buffalo Bills and New York Jets in the National Football League. Both of these teams play in the same division (AFC East) and as a result, play two scheduled games each season. Both represent the same state, New York, with the Bills having their primary fan base in Western New York, and the Jets in the New York City area.\n\nThis rivalry is fueled primarily by the differences between the greater New York City metropolitan area and the rest of New York State, but also by the Bills being the only team physically located in New York due to the Jets and their NFC counterparts the Giants playing their games in the New Jersey suburbs of New York City. However, the two teams have rarely been successful at the same time, and as such, their rivalry usually lacks the intensity that is present in other rivalries, such as the Bills' rivalry with the Dolphins and the Jets' with the Patriots. There have only been four seasons in which both the Bills and Jets finished with winning records. Regardless, the two teams share a bond due to this seeming inability to field winning teams simultaneously, having been the two NFL teams coached by Rex Ryan, and their long histories playing twice yearly against one another going back to the first days of the AFL.\n\nThe Bills lead the overall series, 67–56. The Bills also won the only postseason meeting, defeating the Jets 31–27 in the 1981 AFC Wild Card round.\n\nNotable moments\n\n1960–99: Early History\nThere were a handful of memorable games in the early history of this rivalry. During the Jets' Super Bowl winning year in 1968, the Bills defense intercepted Joe Namath five times, including three pick-sixes, as Buffalo upset the Jets 37–35 for its only win that year. In 1973, O. J. Simpson eclipsed Jim Brown's rushing yards record to surpass 2,000 yards in a 34–6 Bills win. Eight years later, the teams played their only playoff game together. In the 1981 AFC Wild Card game, the Bills had a 24–0 lead early in the game, but the Jets came back, cutting their deficit to 31–24. A late game interception of Richard Todd sealed the win for the Bills, however.\n\nIn the quarterback-rich 1983 NFL draft, the Bills selected quarterback Jim Kelly whereas the Jets famously passed on Dan Marino in favor of Ken O'Brien. This led to a period of dominance by the Kelly-led Bills over the Jets in the late 1980s and early 1990s.\n\nThe Jets and Bills played two regular season games with playoff implications in the 1990s. The 1993 season saw the Jets failing to secure a playoff berth by losing a game to the Bills via three missed field goals. In 1998, the Jets secured their first ever AFC East division title by beating the Bills.\n\n2000–17\nAs the 2000s approached, Buffalo collapsed from a perennial Super Bowl contender to one of the worst teams in the league, while the Jets maintained a level of success, making the playoffs 5 times despite a period of dominance by the Tom Brady-led New England Patriots. However, the Bills finally ended their league-leading playoff drought in 2017, while the Jets have yet to return to the playoffs since last qualifying in 2010.\n\nIn 2008, the Bills were coming off a 5–1 start, but lost 8 of their remaining ten games to finish 7–9 and out of the playoffs. Two of those losses came against the Jets; the latter included a J. P. Losman fumble returned for the Jets' game-winning touchdown as the Bills were trying to run out the clock.\n\nIn 2009, Mark Sanchez threw 5 interceptions to the Bills defense, losing a game in overtime for the Jets in which they rushed for 318 yards. Later that year, the Jets rematched the Bills in Toronto as part of the Bills Toronto Series, in which the Jets avenged their loss with a 19–13 win that kept their playoff hopes alive.\n\nDuring the 2013 NFL draft, the Bills and Jets once again selected quarterbacks with their early picks. EJ Manuel was picked by Buffalo in the first round while Geno Smith was chosen in the second round by the Jets. Ultimately, neither quarterback panned out and both were gone from their teams after 2016.\n\nIn 2014, the second Bills–Jets game was played at Ford Field in Detroit due to a freak snowstorm in Buffalo. The Bills won 38–3.\n\nThe 2015 offseason saw some notable personnel swaps between the teams. On January 12, Rex Ryan was hired as the head coach of the Bills. Ryan had spent the previous six seasons as the head coach of the Jets. In addition, the Jets hired former Bills head coach Chan Gailey as their offensive coordinator and traded for former Bills starting quarterback Ryan Fitzpatrick who later became their own starter. The Bills also added former Jets Percy Harvin and IK Enemkpali, the latter one day after he was released for breaking Geno Smith's jaw in a locker room altercation. The Bills won both games in 2015, knocking the Jets out of playoff contention with their second win. Tensions arose during the first game on Thursday Night Football when both teams were still in the hunt for a playoff spot, especially after Ryan made Enemkpali a team captain for that game.\n\n2018–present: Allen vs. Darnold and Wilson\nIn the 2018 NFL Draft, the Bills and Jets each traded up in order to select a highly touted quarterback. This resulted in Sam Darnold landing with the Jets 3rd overall and Josh Allen being selected by the Bills 7th overall. Allen and Darnold met on the field for the first time as rivals on December 9, 2018, with both having missed the first Bills–Jets match-up that year due to injury. The Bills jumped to an early 14–3 lead under Allen, but the Jets fought back with good special teams play to set up short fields and tied the game at 20 by the fourth quarter. After the Bills scored a field goal to retake the lead with just over two minutes to go, Darnold led a game-winning drive for the Jets, including a 37-yard pass to Robby Anderson to set up the go-ahead touchdown run by Elijah McGuire.\n\nOn September 8, 2019, the Bills overcame a 16–0 third quarter deficit and four turnovers to beat the Jets 17–16 at MetLife Stadium on opening day of the season. The Jets unraveled after losing linebacker C. J. Mosley to injury and were also hampered by ineffective placekicking from Kaare Vedvik. The momentum would carry over as Buffalo wound up making the playoffs while New York was unable to overcome a 1–7 start, despite both teams being expected to be competitive that year. Having clinched a playoff spot by then, the Bills rested several starters during the week 17 rematch, which the Jets won 13–6.\n\nThe second Bills–Jets matchup of the 2020 season was noteworthy as the then-winless Jets held a potent Bills offense out of the endzone, but Buffalo still prevailed 18–10 thanks to six field goals by rookie kicker Tyler Bass. Not only did the Bills sweep the yearly series, but the franchises had nearly exact opposite years with the Bills finishing 13–3 but the Jets just 2–14 to begin the new decade, continuing a long general trend of the two teams being unable to be simultaneously successful. Allen had his best season thus far with a 107.2 passer rating and 37 touchdowns, while Darnold had his worst with a 72.7 rating and just 9 touchdowns in 12 games. The Jets traded Darnold to the Carolina Panthers following the season, drafting Zach Wilson to replace him.\n\nGallery\n\nSeason-by-season results \n\n|-\n| 1960\n| style=\"| \n| style=\"| Titans 17–13\n| style=\"| Titans 27–3\n| Titans 2–0\n| Bills and then-Titans are two charter members of the AFL. First meetings between the two rivals.\n|-\n| 1961\n| Tie, 1–1\n| style=\"| Bills 41–31\n| style=\"| Titans 21–14\n| Titans 3–1\n|\n|-\n| 1962\n| Tie, 1–1\n| style=\"| Titans 17–6\n| style=\"| Bills 20–3\n| Titans 4–2\n|\n|-\n| 1963\n| style=\"| \n| style=\"| Bills 45–14\n| style=\"| Bills 19–10\n| Tie 4–4\n| Titans change their name to \"Jets.\"\n|-\n| 1964\n| style=\"| \n| style=\"| Bills 34–24\n| style=\"| Bills 20–7\n| Bills 6–4\n| Jets move to Shea Stadium; Bills win 1964 AFL Championship.\n|-\n| 1965\n| Tie, 1–1\n| style=\"| Bills 33–21\n| style=\"| Jets 14–12\n| Bills 7–5\n| Bills win 1965 AFL Championship.\n|-\n| 1966\n| style=\"| \n| style=\"| Bills 14–3\n| style=\"| Bills 33–23\n| Bills 9–5\n|\n|-\n| 1967\n| Tie, 1–1\n| style=\"| Bills 20–17\n| style=\"| Jets 20–10\n| Bills 10–6\n| \n|-\n| 1968\n| Tie, 1–1\n| style=\"| Bills 37–35\n| style=\"| Jets 25–21\n| Bills 11–7\n| Jets win 1968 AFL championship, win Super Bowl III. Bills' only win of the year comes against Jets.\n|-\n| 1969\n| style=\"| \n| style=\"| Jets 33–19\n| style=\"| Jets 16–6\n| Bills 11–9\n| \n|-\n\n|-\n| \n| style=\"| \n| style=\"| Bills 34–31\n| style=\"| Bills 10–6\n| Bills 13–9\n| AFL–NFL merger. Both teams placed in AFC East. \n|-\n| \n| style=\"| \n| style=\"| Jets 20–7\n| style=\"| Jets 28–17\n| Bills 13–11\n| \n|-\n| \n| style=\"| \n| style=\"| Jets 41–24\n| style=\"| Jets 41–3\n| Tie 13–13\n|\n|-\n| \n| style=\"| \n| style=\"| Bills 9–7\n| style=\"| Bills 34–14\n| Bills 15–13\n| Bills open Rich Stadium (now known as New Era Field). O. J. Simpson breaks NFL regular season rushing record against Jets in New York.\n|-\n| \n| Tie 1–1\n| style=\"| Bills 16–12\n| style=\"| Jets 20–10\n| Bills 16–14\n| \n|-\n| \n| style=\"| \n| style=\"| Bills 42–14\n| style=\"| Bills 42–14\n| Bills 18–14\n| Bills rush for 309 yards at Rich Stadium, most rushing yards given up by Jets at the time.\n|-\n| \n| Tie, 1–1\n| style=\"| Jets 17–14\n| style=\"| Bills 24–23\n| Bills 19–15\n| \n|-\n| \n| style=\"| \n| style=\"| Jets 19–14\n| style=\"| Jets 24–19\n| Bills 19–17\n| \n|-\n| \n| Tie 1–1\n| style=\"| Bills 14–10\n| style=\"| Jets 21–20\n| Bills 20–18\n| \n|-\n| \n| Tie 1–1\n| style=\"| Jets 45–14\n| style=\"| Bills 46–31\n| Bills 21–19\n| \n|-\n\n|-\n| \n| style=\"| \n| style=\"| Bills 14–12\n| style=\"| Bills 20–10\n| Bills 23–19\n| \n|-\n| \n| Tie 1–1\n| style=\"| Bills 31–0\n| style=\"| Jets 33–14\n| Bills 24–20\n|\n|- style=\"background:#f2f2f2; font-weight:bold;\"\n| 1981 Playoffs\n| style=\"\"| \n|\n| style=\"\"| Bills 31–27\n| Bills 25–20\n| AFC Wild Card playoffs. Only playoff meeting to date.\n|-\n| \n|colspan=\"3\"| No games\n| Bills 25–20\n| Both meetings cancelled due to 1982 NFL player strike.\n|-\n| \n| Tie 1–1\n| style=\"| Jets 34–10\n| style=\"| Bills 24–17\n| Bills 26–21\n| Jim Kelly and Ken O'Brien drafted as part of QB class of 1983.\n|-\n| \n| style=\"| \n| style=\"| Jets 28–26\n| style=\"| Jets 21–17\n| Bills 26–23\n| Jets move to Giants Stadium\n|-\n| \n| style=\"| \n| style=\"| Jets 27–7\n| style=\"| Jets 42–3\n| Bills 26–25\n| \n|-\n| \n| style=\"| \n| style=\"| Jets 28–24\n| style=\"| Jets 14–13\n| Jets 27–26\n| \n|-\n| \n| Tie 1–1\n| style=\"| Jets 31–28\n| style=\"| Bills 17–14\n| Jets 28–27\n| Jets win seventh straight meeting and fifth straight in Buffalo.\n|-\n| \n| style=\"| \n| style=\"| Bills 9–6 (OT)\n| style=\"| Bills 37–14\n| Bills 29–28\n| \n|-\n| \n| style=\"| \n| style=\"| Bills 34–3\n| style=\"| Bills 37–0\n| Bills 31–28\n|\n\n|-\n| \n| style=\"| \n| style=\"| Bills 30–27\n| style=\"| Bills 30–7\n| Bills 33–28\n| Bills lose Super Bowl XXV.\n|-\n| \n| style=\"| \n| style=\"| Bills 24–13\n| style=\"| Bills 23–20\n| Bills 35–28\n| Bills lose Super Bowl XXVI.\n|-\n| \n| Tie 1–1\n| style=\"| Jets 24–17\n| style=\"| Bills 24–20\n| Bills 36–29\n| Bills win tenth straight meeting immediately following Jets' seven game winning streak. Bills lose Super Bowl XXVII.\n|-\n| \n| style=\"| \n| style=\"| Bills 16–14\n| style=\"| Bills 19–10\n| Bills 38–29\n| Bills win sixth straight away meeting. Bills lose Super Bowl XXVIII.\n|-\n| \n| style=\"| \n| style=\"| Jets 23–13\n| style=\"| Jets 22–17\n| Bills 38–31\n| \n|-\n| \n| style=\"| \n| style=\"| Bills 29–10\n| style=\"| Bills 28–26\n| Bills 40–31\n| \n|-\n| \n| style=\"| \n| style=\"| Bills 35–10\n| style=\"| Bills 25–22\n| Bills 42–31\n| \n|-\n| \n| style=\"| \n| style=\"| Bills 20–10\n| style=\"| Bills 28–22\n| Bills 44–31\n| Bills have won 18 of 21 meetings dating back to 1987.\n|-\n| \n| style=\"| \n| style=\"| Jets 17–10\n| style=\"| Jets 34–12\n| Bills 44–33\n| Jets beat Bills to clinch their first AFC East title.\n|-\n| \n| Tie 1–1\n| style=\"| Bills 17–3\n| style=\"| Jets 17–7\n| Bills 45–34\n| \n|-\n\n|-\n| \n| Tie 1–1\n| style=\"| Bills 23–20\n| style=\"| Jets 27–14\n| Bills 46–35\n| \n|-\n| \n| Tie 1–1\n| style=\"| Jets 42–36\n| style=\"| Bills 14–9\n| Bills 47–36\n| \n|-\n| \n| style=\"| \n| style=\"| Jets 37–31(OT)\n| style=\"| Jets 31–13\n| Bills 47–38\n| \n|-\n| \n| Tie 1–1\n| style=\"| Bills 17–6\n| style=\"| Jets 30–3\n| Bills 48–39\n| \n|-\n| \n| Tie 1–1\n| style=\"| Bills 22–17\n| style=\"| Jets 16–14\n| Bills 49–40\n| \n|-\n| \n| Tie 1–1\n| style=\"| Bills 27–17\n| style=\"| Jets 30–26\n| Bills 50–41\n| Jets respond to Bills' go-ahead field goal with Justin Miller's game-winning kick return touchdown at the Meadowlands.\n|-\n| \n| Tie 1–1\n| style=\"| Jets 28–20\n| style=\"| Bills 31–13\n| Bills 51–42\n| \n|-\n| \n| style=\"| \n| style=\"| Bills 17–14\n| style=\"| Bills 13–3\n| Bills 53–42\n| Bills WR Lee Evans boxes out Jets CB Darrelle Revis for Bills' game-clinching touchdown.\n|-\n| \n| style=\"| \n| style=\"| Jets 26–17\n| style=\"| Jets 31–27\n| Bills 53–44\n| In Jets home game, Bills QB J. P. Losman fumbles while trying to run out the clock, resulting in Jets' game-winning touchdown. \n|-\n| \n| Tie 1–1\n| style=\"| Jets 19–13\n| style=\"| Bills 16–13(OT)\n| Bills 54–45\n| Jets QB Mark Sanchez throws five interceptions in Jets home game, team has six overallBills home game played at the Rogers Centre in Toronto as part of the Bills Toronto Series.\n|-\n\n|-\n| \n| style=\"| \n| style=\"| Jets 38–14\n| style=\"| Jets 38–7\n| Bills 54–47\n| Jets and Giants open MetLife Stadium (then known as New Meadowlands Stadium).\n|-\n| \n| style=\"| \n| style=\"| Jets 27–11\n| style=\"| Jets 28–24\n| Bills 54–49\n| \n|-\n| \n| Tie 1–1\n| style=\"| Bills 28–9\n| style=\"| Jets 48–28\n| Bills 55–50\n| Jets win sixth straight meeting before losing season finale to Bills.\n|-\n| \n| Tie 1–1\n| style=\"| Bills 37–14\n| style=\"| Jets 27–20\n| Bills 56–51\n| \n|-\n| \n| style=\"| \n| style=\"| Bills 38–3\n| style=\"| Bills 43–23\n| Bills 58–51\n| Bills home game moved to Ford Field in Detroit due to inclement weather.\n|-\n| \n| style=\"| \n| style=\"| Bills 22–17\n| style=\"| Bills 22–17\n| Bills 60–51\n| Bills hire Rex Ryan, eliminate Jets from playoff contention in week 17.\n|-\n| \n| style=\"| \n| style=\"| Jets 37–31\n| style=\"| Jets 30–10\n| Bills 60–53\n| \n|-\n| \n| Tie 1–1\n| style=\"| Bills 21–12\n| style=\"| Jets 34–21\n| Bills 61–54\n| \n|-\n| \n| Tie 1–1\n| style=\"| Jets 27–23\n| style=\"| Bills 41–10\n| Bills 62–55\n| First meeting between Sam Darnold and Josh Allen\n|-\n| \n| Tie 1–1\n| style=\"| Jets 13–6\n| style=\"| Bills 17–16\n| Bills 63–56\n| Bills overcome 16–0 deficit and four turnovers to win 17–16 at MetLife Stadium.\n|-\n\n|-\n|-\n| \n| style=\"| \n| style=\"| Bills 27–17\n| style=\"| Bills 18–10\n| Bills 65–56\n| Bills overcome 10–0 deficit on the road despite never scoring a touchdown to win. Bills sweep division for the first time in franchise history.\n|-\n| \n| style=\"| \n| style=\"| Bills 27–10\n| style=\"| Bills 45–17\n| Bills 67–56\n| \n|-\n| \n| \n| TBD \n| TBD\n| \n|\n|- \n\n|-\n| AFL regular season\n| style=\"|Bills 11–9\n| Bills 7–3\n| Jets 6–4\n|\n|-\n| NFL regular season\n| style=\"|Bills 54–47\n| Bills 27–23 \n| Bills 27–24\n| Jets won a game in Toronto, Bills won a game in Detroit (both were Bills home games)\n|-\n| AFL and NFL regular season\n| style=\"|Bills 66–56\n| Bills 35–26\n| Bills 31–30 \n| \n|-\n| NFL postseason\n| style=\"|Bills 1–0\n| no games\n| Bills 1–0\n| 1981 AFC Wild Card playoffs\n|-\n| Regular and postseason \n| style=\"|Bills 67–56\n| Bills 35–26 \n| Bills 32–30 \n| \n|-\n\nConnections between the teams\n\nCoaches\nThe most notable connection between the Bills and Jets has been Rex Ryan, who carried over many of his staff from the Jets when he was hired as the Bills' head coach.\n\nPlayers\nSeveral players have been members of both teams during their careers, including:\n\nReferences\n\nNational Football League rivalries\nBuffalo Bills\nNew York Jets\nAmerican football in New York (state)", "A private member's bill in a bill (proposed law) introduced into a legislature by a legislator who is not acting on behalf of the executive branch. The designation \"private member's bill\" is used in most Westminster system jurisdictions, in which a \"private member\" is any member of parliament (MP) who is not a member of the cabinet (executive). Other labels may be used for the concept in other parliamentary systems; for example, the label member's bill is used in the Scottish Parliament and the New Zealand Parliament, and the term private senator's bill is used in the Australian Senate. In legislatures where the executive does not have the right of initiative, such as the United States Congress, the concept does not arise since bills are always introduced by legislators (or sometimes by popular initiative).\n\nIn the Westminster system, most bills are \"government bills\" introduced by the executive, with private members' bills the exception; however, some time is set aside in the schedule for reading such bills. They may be introduced by non-ministerial MPs from government-supporting parties (backbenchers), by members of opposition parties (frontbencher or backbencher), or by independents or crossbenchers. The United Kingdom parliament has a long history of enacting private members' bills. In contrast, the Oireachtas (parliament) of the Republic of Ireland rarely passes private members' bills, with the overwhelming number of bills being passed being introduced by members of the cabinet.\n\nA private member's bill is not to be confused with a private bill, which is a bill that only affects an individual citizen or group.\n\nPrivate member's bill by country\n\nAustralia\n\nIn Australia, a draft bill is prepared by Parliamentary Counsel, acting under instructions from the private member. After community consultation, the member introduces the bill into the Parliament.\n\nOnly 30 private members' bills or private senators' bills introduced into the Australian Parliament since 1901 have been passed into law. Of these, thirteen have been initiated by senators, ten by members and seven by the Speaker and Senate President. A larger number have passed one house but not the other. An even larger number did not pass the house in which they were introduced and thus lapsed.\n\nAmong the most notable of the successful bills was the Commonwealth Electoral Bill 1924, which introduced compulsory voting for federal elections. This was introduced by Senator for Tasmania Herbert Payne of the Nationalist Party on 16 July 1924, passed by the Senate on 23 July, passed by the House of Representatives on 24 July – both times with little debate – and given Royal Assent on 31 July. Despite much public debate ever since on the issue of compulsory voting, the legislation has never been repealed.\n\nAnother very notable private member's bill was the Euthanasia Laws Bill 1996, which deprived the Northern Territory, Australian Capital Territory and Norfolk Island legislatures of the power to make laws permitting euthanasia. This was introduced by Kevin Andrews, Member for Menzies, after the Northern Territory Legislative Assembly had passed such a law, the Rights of the Terminally Ill Act 1995. Although Andrews was a member of the Liberal Party, members and senators were allowed a conscience vote on the issue, and each side of the debate was supported by members and senators from all political parties.\n\nA private member's bill, the Marriage Amendment (Definition and Religious Freedoms) Act 2017, legalised same-sex marriage throughout Australia on 9 December 2017. It was introduced by Dean Smith, Senator for Western Australia.\n\nNotable also was the private member's bill introduced by Alan Corbett in the New South Wales Legislative Council to amend the Crimes Act of 1900. The first successfully enacted (or indeed introduced) bill in over 100 years to address the protection of children from abuse and excessive physical chastisement. It received very wide support from New South Wales organisations related to child health and welfare and was backed by several prominent members of the medical profession, particularly in the paediatric field, notably Dr. John Yu, CEO of Royal Alexandra Hospital for Children, Sydney (who had been honoured by the Australian Government with the prestigious Australian of the Year award in 1996). Its initial aims were to limit physical chastisement by banning the use of implements (belts, sticks, hairbrushes, etc.), ban the use of force above the shoulders (thus preventing neck, head, brain and facial injuries), and require that any physical force applied leave only trivial and short-lived signs such as redness (that is, no bruising, swelling, welts, cuts, grazes, internal injuries, emotional trauma, etc.); with the exception of the clause banning the use of implements (which was dropped to gain essential support from the state Labor Government for the bill), it was passed intact and became law in 2001.\n\nCanada\nIn Canada, a private member's bill () is a bill introduced in the House of Commons by a member of parliament who is neither a cabinet minister nor a parliamentary secretary. A private member's bill follows the same legislative process as a government bill, but the time allocated for its consideration is restricted. Private members' bills may be considered only during one of the daily Private Members' Hours. Under rules established in 1986, 20 items of private members' business are selected at random to receive priority in debate. Six of these items are chosen by a committee to be votable and must come to a vote in the House. Prior to the 1986 rules, private members' bills and motions could be \"talked out\", meaning that all the time allocated to private members' bills could be used up introducing or debating bills without them ever being voted on, as each bill must be voted on after the second hour of debate. (The ramifications of the 1986 rules were discussed in the Canadian Parliamentary Review, 1988, Vol 11, No. 3.) Even under the new rules, very few private member's bills become law. But passage is more likely in minority government situations. The vast majority of private members' bills that actually do become law are for the purpose of changing the name of the riding represented by the MP introducing the bill.\n\nWhen an election is called, all bills that have not been passed die on the order paper (that is, they are removed from the agenda of Parliament, and must be re-introduced in the new session of Parliament after an election). In the House of Commons (but not in the Senate), private members' bills remain on the order paper when Parliament is prorogued.\n\nNotable private members bills have been the following:\n\nPassed\nIn the 98 years from 4 May 1910 to 7 September 2008, 229 private member's bills passed.\n\nBefore the 1986 rules\n One of the bills passed under the old (pre-1986) rules was a 1964 private member's bill to rename \"Trans-Canada Airlines\" to \"Air Canada\", introduced by then-rookie MP Jean Chrétien. Chrétien got his bill voted on by convincing the other MPs scheduled to speak during Private Member's Hour to skip their speech and instead request an immediate vote on the bill.\n\nAfter the 1986 rules\nThe new rules took effect in 1986. In the 24 years between 5 November 1984 and 7 September 2008, 81 private member's bills passed. Passage was (and is) more likely during the periods of minority governments in Canada. The ramifications of the 1986 rules and new probability of success of private members bills were discussed in the Canadian Parliamentary Review, 1988, Vol 11, No. 3.\n NDP MP Lynn McDonald succeeded in getting her private member's bill, the \"Non-smokers' Health Act\" (aka Bill C-204), passed in 1986, (given Royal Assent on 28 June 1988) restricting smoking in federally regulated workplaces and on airplanes, trains and ships. The bill was passed in a free vote of the House of Commons despite being voted against by all members of the federal cabinet, including the Minister of Health.\n\nIndia\nOf the 300 or so private members' bills introduced in the 14th Lok Sabha, barely 4% were discussed; 96% lapsed without even a single debate in the House. To date, Parliament has passed a total of 14 private members' bills. \n\nFollowing are the 14 Private Members' Bills which were passed:-\n\nThe Muslim Wakfs Bill introduced by Syed Md. Ahmed Kasmi in Lok Sabha\nThe Code of Criminal Procedure (Amendment) Bill introduced by Raghunath Singh in Lok Sabha\nThe Indian Registration (Amendment) Bill introduced by SC Samanta in Lok Sabha\nThe Proceedings of Legislature (Protection of Publication) Bill introduced by Feroze Gandhi in Lok Sabha\nThe Women's and Children's Institutions (Licensing) Bill introduced by Rajmata Kamlendu in Lok Sabha\nHistorical Monuments and Archaeological Sites and Remains (Declaration of National Importance) Bill introduced by Raghubir Sinh in Rajya Sabha\nThe Hindu Marriage (Amendment) Bill introduced by Seeta Parmanand in Rajya Sabha\nThe Code of Criminal Procedure (Amendment) Bill introduced by Subhadra Joshi in Lok Sabha\nThe Orphanages and other Charitable Homes (Supervision and Control) Bill introduced by Kailash Bihari Lal in Rajya Sabha\nThe Marine Insurance Bill introduced by MP Bhargava in Rajya Sabha\nThe Hindu Marriage (Amendment) Bill introduced by Diwan Chand Sharma in Lok Sabha\nThe Salaries and Allowances of MP (Amendment) Bill introduced by Raghunath Singh in Lok Sabha\nIndian Penal Code (Amendment) Bill introduced by Diwan Chand Lal in Rajya Sabha\nThe SC (enlargement of Criminal Appellate Jurisdiction) Bill introduced by Anand Narain in Lok Sabha\n\nFive of these were passed in 1956 alone and after 47 years of passing the last bill, the Supreme Court (Enlargement of Criminal Appellate Jurisdiction) Bill, 1968 that became an Act on 9 August 1970; Rajya Sabha has passed the Rights of Transgender Persons Bill, 2014 on April 24, 2015, which was introduced in the lower house, Lok Sabha on 26 February 2016.\n\nIsrael\nIn Israel, a private member's bill () is a bill introduced in the Knesset by an MK who is neither a cabinet minister nor a deputy minister. The number of private member's bills an individual MK can submit is restricted, and their introduction requires approval by the Knesset Presidium (composed of the Speaker of the Knesset and their deputies), who are allowed to reject bills which are racist in their essence or reject the Jewish character of the state.\n\nUnlike government bills, which can be withdrawn at any point before their third reading, a private member's bill cannot be withdrawn after its committee stage, which occurs between first and second readings. In addition, private member's bills must undergo a preliminary reading, while government bills go to first reading directly when they are introduced.\n\nCompared to other Westminster system parliaments, the number of private member's bills introduced in the Knesset is very large: Between 2000 and 2016, the number of private members' bills introduced before the Knesset was 22,949, a world record.\n\nHowever, this is a relatively recent phenomenon – while only 6% of laws passed by the Third Knesset where introduced as private members' bills, the equivalent share for the Fifteenth Knesset is 53%, a slight majority.\n\nMalaysia\nAs of September 2021, there hasn't been a single record where a private member's bill was passed in the Malaysian parliament.\n\nNew Zealand\n\nIn New Zealand, a member's bill is one that is introduced by a member of Parliament who is not a minister. There can be a maximum of eight members' bills on the Order Paper awaiting their first reading at any one time. When a slot opens up, a ballot is held to select a new members' bill for introduction; each MP can submit only one member's bill at a time to the ballot. Every second Wednesday is reserved for debating members' bills, although this rule is overridden when certain government business is before the House, such as the Budget. Even when a Wednesday is devoted to members' bills, any private or local bills on the Order Paper are considered first.\n\nThe ballot to select new member's bills is conducted by drawing numbered counters out of a biscuit tin, purchased in the 1980s from now-defunct department store chain DEKA. As a result, the member's bill process is nicknamed \"biscuit tin democracy\".\n\nStarting with the 53rd Parliament (2020–23), a member's bill can be introduced directly if it has the support of at least 61 non-executive members of Parliament. This will allows member's bills with broad support to avoid the ballot process, while excluding executive members prevents the member's bill process being an alternative way of progressing Government business. \n\nNotable legislation passed as a result of a member's bill includes:\nAdult Adoption Information Act 1985 – allowed adult adoptees to access information about their birth parents\nHomosexual Law Reform Act 1986 – decriminalised homosexual acts between men\nProstitution Reform Act 2003 – decriminalised prostitution\nCrimes (Substituted Section 59) Amendment Act 2007 – removed \"reasonable force\" legal defence for assault of children by parents\nMarriage (Definition of Marriage) Amendment Act 2013 – legalised same-sex marriage\nEnd of Life Choice Act 2019 – provided for a binding referendum to give people with a terminal illness the option of requesting assisted dying\n\nNorway\nIn the Parliament of Norway, any member may submit a private member's bill, called a representative's bill (). The other method of initiating legislation is by a \"Proposition to the Storting\" from the Government.\n\nUnited Kingdom\n\nIn the United Kingdom House of Commons, there are several routes to introducing private members' bills. In each session, twenty backbench MPs are selected by ballot to introduce a bill. These bills are given priority for debate and generally offer the best chance of success. Additional bills may be introduced via the Ten Minute Rule, although this is usually used just to raise an issue rather than legislate on it, or through presentation without debate under Standing Order 57. Neither Ten Minute Rule or presentation bills are likely to get time to be debated, so only non-controversial bills have any chance of success. Private members' bills from the Lords may also be adopted by an MP to complete their journey through Parliament.\n\nPrivate member's bills can sometimes become the cause for much anxiety and shenanigans, as outside individuals or organisations seek to influence members who have been selected in the ballot.\n\nThere are two principal routes for influencing UK law:\n Lobbying a government department or minister.\n Lobbying a member of parliament who has a private member's bill coming up.\n\nOnly a small proportion of private members' bills are enacted. This is generally because of lack of time – a controversial private member's bill can be \"talked out\". In some cases, measures that a government does not want to take responsibility for may be introduced by backbenchers, with the government secretly or openly backing the measure and ensuring its passage. They are sometimes known as \"handouts\" or \"whips' bills\". The Abortion Act 1967 was enacted in the United Kingdom through this means: with the Bill itself being introduced by a Liberal Party Member of Parliament, David Steel; through the support from Labour Home Secretary Roy Jenkins the Bill was given enough government time to allow a full debate.\n\nOther private member's bills to have been enacted include the Adoption Act 1964, the Murder (Abolition of Death Penalty) Act 1965, the Charter Trustees Act 1985, the Law Reform (Year and a Day Rule) Act 1996, the Knives Act 1997, the British Nationality (Hong Kong) Act 1997, the Mental Health (Discrimination) Act 2003 the Female Genital Mutilation Act 2003, the Gangmasters (Licensing) Act 2004, the Sustainable Communities Act 2007.\n\nCurrent legislation in progress as a result of a member's bill includes:\nHong Kong Bill 2019-21 -place requirements on relating to the Sino-British Joint Declaration 1984 and human rights in Hong Kong.\n\nHouse of Commons procedure\n\nIn principle, private members' bills follow much the same parliamentary stages as any other bill. In practice, the procedural barriers to passage are much greater.\n\nTime is allocated for private members' bills on 13 Fridays a year in the House of Commons. Five hours of time are available each day, and several private members' bills are scheduled for each session.\n\nUnlike Government bills, debates are not timetabled and there is no guarantee that the debate will finish within the time available. MPs opposed to a private member's bill, including Government ministers and whips, will routinely attempt to talk out the bill, stopping further progress by preventing a vote. The bill's proponent can force a vote only with the support of at least a hundred members (and a majority of those voting). As many MPs return to their constituencies on Thursday night, this has the practical effect of blocking all private members' bills without solid support.\n\nIt is quite possible for the first bill to take up all five hours, preventing any other bill on the agenda from being debated. Any bill not debated may receive second reading without debate at the end of the session, but a single shout of \"object!\" will delay consideration to a future date; Government and opposition whips routinely block contentious private members' bills in this way. Another date for second reading will also be set for bills which have been talked out. This is a formality; the bill will be put to the bottom of the order paper, will likely be objected to on each future occasion and has no practical chance of success.\n\nEven if second reading is passed, a bill is likely to need the support of the government to become law. The bill will be referred to public bill committee, which may make amendments. The amended version of the bill will then return to the Commons. To become law, it must also successfully negotiate report stage and third reading, as well as the House of Lords. Contentious bills are likely to run out of parliamentary time unless the government allocates some; any pending private members' bills lapse at the end of each parliamentary session.\n\nPrivate members' bills may also originate in the House of Lords. To become law, these bills must be adopted by an MP and passed in the same way as a Commons originated bill.\n\nSee also\nBill (proposed law)\nPrivate bill\nRight of initiative (legislative)\nMotion (parliamentary procedure)\nTable (parliamentary procedure), which has a different meaning in the US compared to the other countries mentioned in this article.\n\nReferences\n\nExternal links \n UK Parliament website: Bill Procedure\n UK Parliament website: The result of the Private Members' Bill ballot for the current session\n House of Commons Factsheet: Private Members' Bills Procedure\n House of Commons Factsheet: Success of Private Members' Bills\n\nWestminster system\nProposed laws of the United Kingdom\nParliament of India\nParliament of Canada" ]

[ "John Kasich", "Ranking member of the House Budget Committee", "When was he a member of the House Budget Committee ?", "In 1993, Kasich became the ranking Republican member of the House Budget Committee.", "How long was he on this committee ?", "I don't know.", "Were there any notable bills during this period ?", "Kasich and other House Budget Committee Republicans proposed an alternative to President Bill Clinton's deficit reduction bill, the Omnibus Budget Reconciliation Act of 1993." ]

[ "The Omnibus Budget Reconciliation Act of 1993 (or OBRA-93) was a federal law that was enacted by the 103rd United States Congress and signed into law by President Bill Clinton. It has also been unofficially referred to as the Deficit Reduction Act of 1993. Part XIII of the law is also called the Revenue Reconciliation Act of 1993.\n\nThe bill stemmed from a budget proposal made by Clinton in February 1993; he sought a mix of tax increases and spending reductions that would cut the deficit in half by 1997. Though every congressional Republican voted against the bill, it passed by narrow margins in both the House of Representatives and the Senate. The act increased the top federal income tax rate from 31% to 39.6%, increased the corporate income tax rate, raised fuel taxes, and raised various other taxes. The bill also included $255 billion in spending cuts over a five-year period. The effects of the bill helped the US federal government to experience in 1998 its first budget surplus since the 1960s era.\n\nProvisions\n Previously, the top individual tax rate of 31% applied to all income over $51,900. The Act created a new bracket of 36% for income above $115,000 and 39.6% for income above $250,000.\n Previously, corporate income above $335,000 was taxed at 34%. The Act created new brackets of 35% for income from $10 million to $15 million, 38% for income from $15 million to $18.33 million, and 35% for income above $18.33 million.\n The 2.9% Medicare tax had previously been capped to apply to the first $135,000 of income. The cap was removed.\n Transportation fuels taxes were raised by 4.3 cents per gallon.\n The portion of Social Security benefits subject to income taxes was raised from 50% to 85%.\n The phaseout of the personal exemption and the limit on itemized deductions were permanently extended.\n The AMT tax rate was increased from 24% to tiered rates of 26% and 28%.\n Part IV Section 14131: Expansion of the Earned Income Tax Credit and added inflation adjustments.\n $255 billion in spending cuts over a five-year period; much of the cuts affected Medicare or the military.\n\nLegislative history\n\nClinton inherited major budget deficits left over from the Reagan and Bush administrations; fiscal year 1992 had seen a $290 billion deficit. In order to cut the deficit, Bentsen, Panetta, and Rubin urged Clinton to pursue both tax increases and spending cuts. They argued that by taming the deficit, Clinton would encourage Federal Reserve Chairman Alan Greenspan to lower interest rates, which, along with increased confidence among investors, would lead to an economic boom. Some of Clinton's advisers also believed that a focus on cutting the deficit would be politically beneficial since it would potentially help Democrats shed their supposed \"tax and spend\" reputation. Though Secretary of Labor Robert Reich argued that stagnant earnings represented a bigger economic issue than the deficits, Clinton decided to pursue deficit reduction as the major economic priority of his first year in office. In doing so, he reluctantly abandoned a middle class tax cut that he had championed during the campaign.\n\nClinton presented his budget plan to Congress in February 1993, proposing a mix of tax increases and spending reductions that would cut the deficit in half by 1997. Republican leaders strongly opposed any tax increase and pressured congressional Republicans to unite in opposition to Clinton's budget, and not a single Republican would vote in favor of Clinton's proposed bill. Senate Democrats eliminated the implementation of a new energy tax in favor of an increase in the gasoline tax, but Clinton successfully resisted efforts to defeat his proposed expansion of the earned income tax credit.\n\nUltimately every Republican in Congress voted against the bill, as did a number of Democrats. Vice President Al Gore broke a tie in the Senate on both the Senate bill and the conference report. The House bill passed 219-213 on Thursday, May 27, 1993. The House passed the conference report on Thursday, August 5, 1993, by a vote of 218 to 216 (217 Democrats and 1 independent (Bernie Sanders (I-VT)) voting in favor; 41 Democrats and 175 Republicans voting against). The Senate passed the conference report on the last day before their month's vacation, on Friday, August 6, 1993, by a vote of 51 to 50 (50 Democrats plus Vice President Gore voting in favor, 6 Democrats (Frank Lautenberg (D-NJ), Richard Bryan (D-NV), Sam Nunn (D-GA), Bennett Johnston Jr. (D-LA), David L. Boren (D-OK), and Richard Shelby (D-AL) now (R-AL)) and 44 Republicans voting against). President Clinton signed the bill on August 10, 1993.\n\nThe government was able to raise additional revenue, which helped to balance the budget and, by the end of the 1990s, began to reduce privately-held public debt.\n\nAlternatives\n\nSome alternatives to the bill included a proposal by Senator David Boren (D-OK), which would have kept much of the tax increase on upper-income payers but eliminated all energy tax increases and scaled back the Earned Income Tax Credit. It was endorsed by Bill Cohen (R-ME), Bennett Johnston (D-LA), and John Danforth (R-MO). Boren's proposal never passed committee. Clinton himself claimed he had an alternative tax proposal that favored taxes on energy. In 1995, he expressed belief that taxes had been raised too much (in 1997, Congress cut the capital gains tax from 28% to 20%).\n\nAnother proposal was offered in the House of Representatives by John Kasich (R-OH). He sponsored an amendment that\nwould have reduced the deficit by cutting $355 billion in spending with $129 billion of the cuts coming from entitlement programs (the actual bill cut entitlement spending by only $42 billion). The amendment would have eliminated any tax increases. The amendment failed by a 138-295 vote, with many Republicans voting against the amendment and only six Democrats voting in favor.\n\nAftermath\n\nCombined with a strong economy, the 1993 deficit reduction plan produced smaller budget deficits each year. In 1998, the federal government experienced the first budget surplus since the 1960s. Reflecting the perceived importance of the budget surplus, the New York Times described the end of budget deficits as \"the fiscal equivalent of the fall of the Berlin Wall.\"\n\nReferences\n\nWorks cited\n\nExternal links\n Full text of the Act\n Senate roll call vote\n House roll call vote\n Summary of OBRA-93\n nysscpa.org\n A Summary Report\n\n1993 in American law\nUnited States federal taxation legislation\n1993\n1993 in economics", "The United States federal government shutdown of 1990 occurred over the 1990 Columbus Day weekend, from Saturday, October 6 through Monday, October 8. The shutdown stemmed from the fact that a deficit reduction package negotiated by President George H. W. Bush contained tax increases, despite his campaign promise of \"read my lips: no new taxes\", leading to a revolt led by House Minority Whip Newt Gingrich that defeated the initial appropriations package. Because the shutdown occurred over a weekend, the effects of the shutdown were lessened, with the National Parks and the Smithsonian museums being the most visible closures. Around 2,800 workers were furloughed, with the government losing $2.57 million in lost revenue and back wages.\n\nBackground \n\nThe shutdown stemmed from disagreements over the 1991 United States federal budget, whose fiscal year was to begin on October 1, 1990. Over the course of the prior year, President George H. W. Bush negotiated with Congressional leaders on a deficit reduction plan. At the time, Congress was controlled by Democrats. In June, Bush announced support for tax increases to break a stall in the negotiations, abandoning his campaign promise of \"read my lips: no new taxes\". On September 30, the day before the beginning of fiscal year 1991, a deal was announced that would reduce the federal deficit by $500 billion over five years, including $134 billion in new taxes and making deep cuts to Medicare, with a temporary continuing resolution to fund the government through October 5.\n\nHowever, the new taxes in the bill were opposed by conservative Republicans led by House Minority Whip Newt Gingrich. The fact that deal was supported by the President and Congressional leaders from both parties after long negotiations, with Gingrich walking out during a televised event in the White House Rose Garden, caused House Minority Leader Robert H. Michel to characterized the revolt as \"a thousand points of spite\". In addition, liberal Democrats opposed the bill's cuts to benefit programs. In response to the opposition, Bush made a nationally televised address warning of the negative effects of failing to reduce the deficit.\n\nThe deal was defeated in the House of Representatives in the early morning of October 5. Congress passed a second continuing resolution, but it was vetoed by Bush, causing a lapse in funding authority beginning on Saturday, October 6.\n\nShutdown \nBecause the shutdown occurred during a weekend, the most visible effect was the closure of National Parks and the Smithsonian museums. Although none of the appropriations bills had been passed, not all government agencies actually shut down. Full shutdowns occurred in the Environmental Protection Agency, Department of Labor, Office of Personnel Management, and Department of Housing and Urban Development, and partial shutdowns occurred in the Library of Congress, Government Printing Office, and the Departments of Energy, Interior, and State. According to a study by the General Accounting Office, Interior (which includes the National Park Service) furloughed about 2,800 workers, the Library of Congress around 100, and the other agencies fewer than 10 each.\n\nResolution and aftermath \nIn the morning of Tuesday, October 9, a revised deal was announced that would reduce the cuts to Medicare and would cut capital gains taxes in return for higher income taxes on the wealthy. A new continuing resolution lasting until October 19 was passed to allow for the bill to be finalized, allowing workers to return to work. The continuing resolution was passed by the Senate on a voice vote, and was passed by the House 362–3 at around 1:30 AM. The deal was driven by a perception that the public was blaming Congress for the shutdown rather than the President. Had the shutdown lasted into Tuesday, 2.4 million federal workers would have been furloughed.\n\nThe final deficit reduction deal, the Omnibus Budget Reconciliation Act of 1990, derived 28% of its savings from tax increases including an increase in the top income tax rate, but the gasoline tax was not raised. Trims in Medicare and discretionary spending were also included in the deal. Only 47 of the 176 House Republicans voted for the final package. The defeat of the initial bill was seen as giving Democrats more leverage in negotiating the final deal.\n\nBush initially announced that federal workers would not be paid for the furlough days, but Congress passed legislation granting them back pay due to the threat of lawsuits. The cost of the shutdown was $1.68 million, mainly as a result of lost revenue, not including back pay amounting to an additional $837,000.\n\nThe shutdown was later seen as the first high-visibility example of Gingrich's political power, showing his willingness to weaken the President and his own party leaders to try to stop them from making compromises with Democrats. The revolt was partially responsible for negative perceptions of the Bush presidency, as they could not use Reagan's strategy of claiming that Congressional Democrats were responsible for the tax increases. During his 1992 reelection campaign, Bush called the deal a mistake.\n\nSee also\nGovernment shutdowns in the United States\n\nReferences \n\n1990 in American politics\nGovernment shutdowns in the United States\nPresidency of George H. W. Bush" ]

[ "John Kasich", "Ranking member of the House Budget Committee", "When was he a member of the House Budget Committee ?", "In 1993, Kasich became the ranking Republican member of the House Budget Committee.", "How long was he on this committee ?", "I don't know.", "Were there any notable bills during this period ?", "Kasich and other House Budget Committee Republicans proposed an alternative to President Bill Clinton's deficit reduction bill, the Omnibus Budget Reconciliation Act of 1993.", "Was the deficit reduction bill passed ?", "The proposal was narrowly defeated in the House by a 219-213 vote." ]

[ "Aaron Ross Schobel (; born September 1, 1977) is a former American football defensive end for the Buffalo Bills of the National Football League (NFL). Schobel played college football for Texas Christian University (TCU). He was drafted by the Buffalo Bills in the second round (46th overall) of the 2001 NFL Draft, and he played his entire nine-season career for the Bills. Schobel is notable for recording more sacks of New England Patriots quarterback Tom Brady than any other NFL player.\n\nHigh school career\nSchobel attended Columbus High School. While there, he was a two-time All-District-22-3A selection, at both tight end and outside linebacker. As a senior, he had 105 tackles and during his final two years, he posted 70 receptions for 1,299 yards (18.55 yards per rec. avg.).\n\nCollege career\nAaron attended Texas Christian University, where he played for the TCU Horned Frogs football team from 1997 to 2000. He received first-team All-Western Athletic Conference (WAC) honors in 1999 and 2000, and was the WAC Defensive Player of the Year as a senior in 2000.\n\nProfessional career\n\nSchobel earned his first Pro Bowl appearance in 2006. His best season as a pro came in 2006 when he posted a career high 14 sacks. Since the 2001 season he ranks second in total sacks, only behind Jason Taylor.\n\nSchobel, a first team alternate for the 2007 Pro Bowl, was called upon to relieve an injured Jason Taylor in the Pro Bowl. This was his second consecutive year in the Pro Bowl.\n\nHe started in 116 consecutive games with the Bills from 2003 until 2008, when he was on the inactive list for a game against the San Diego Chargers due to an injured foot. After a team-leading, 10-sack 2009 season, Schobel informed the Bills that he was considering retirement. To add on, new coach Gailey said that he was looking to switch from a 4-3 to 3-4 defense. It was reported by the Buffalo News on May 10, 2010 that Schobel & his wife June had sold their Orchard Park house, further adding to the speculation of his impending departure from the Bills. On July 27, 2010 Aaron Schobel announced he was 70/30 on returning to the Bills.\n\nOn August 4, 2010, the Buffalo Bills released Aaron Schobel. He never signed with any other team; being released instead cemented his decision to retire, which he did on August 16.\n\nPersonal life\nAaron is the older brother of former NFL tight end Matt Schobel and cousin of former Jacksonville Jaguars defensive end Bo Schobel. Schobel and his wife, June have two sons, Brock and John, and one daughter, Erika.\n\nReferences\n\nExternal links\n\nBuffalo Bills Bio\n\n1977 births\nLiving people\nAmerican Conference Pro Bowl players\nAmerican football defensive ends\nTCU Horned Frogs football players\nBuffalo Bills players\nPeople from Columbus, Texas\nSportspeople from Harris County, Texas\nPlayers of American football from Texas", "Bills horse troughs are watering troughs that were manufactured in Australia and installed to provide relief for working horses in the first half of the twentieth century. The troughs were financed by a trust fund established through the will of George Bills. A total of around 700 troughs were distributed by the trust in Australia and 50 in several other countries.\n\nGeorge and Annis Bills\nGeorge Bills was born in Brighton in England in 1859. He migrated with his family to New Zealand and subsequently to Echuca, Victoria in Australia in 1873. In 1882 he opened a bird dealers shop in Brisbane, where he met and married Annis Swann who had immigrated from Sheffield in England. In 1884 the couple moved to Sydney and George Bills went into business with his brothers, manufacturing innerspring mattresses. In 1908, George retired to Hawthorn, Victoria and in 1910, Annis died while the couple were visiting England. George became a Life Governor of the RSPCA in 1924.\n\nTrust fund\n\nGeorge and Annis had no children, and following the death of George in 1927, a trust fund was set up, believed to be around £70-80,000. One of the purposes of the trust, as set out in George Bills' will, was to:\n\n\"..construct and erect and pay for horse troughs wherever they may be of the opinion that such horse troughs are desirable for the relief of horses and other dumb animals either in Australasia, in the British Islands or in any other part of the world subject to the consent of the proper authorities being obtained.\"\n\nEach trough cost £13 plus transport and installation . The majority of the troughs were installed in Victoria and New South Wales between 1930 and 1939.\n\nInitially the troughs were individually designed and constructed, however by the early 1930s, J.B. Phillips, a relative of the Bills, became the head contractor. Working to a standard design he produced the troughs in Auburn Road in Hawthorn. The troughs were pre-cast concrete with a curved pediment with the inscription \"Donated by Annis & George Bills Australia\".\n\nManufacture was subsequently handled by Rocla, who produced troughs to the same design in Victoria and later in Junee in New South Wales. With the rise of motorised transport, demand for the troughs declined and production had ceased by the end of World War II.\n\nAside from the horse troughs, the trust was involved with other animal welfare projects including the establishment of the George Bills RSPCA Rescue Centre at Burwood East, Victoria which opened in 1964.\n\nSee also \n \n The Metropolitan Drinking Fountain and Cattle Trough Association was founded in London in the year George Bills was born and was no doubt his inspiration.\n\nReferences\n\nExternal links\n\nBills horse troughs - An enthusiast's site with locations and pictures.\nEnglefield Green - One of the three troughs installed in England\nBills horse troughs - Public Facebook photo album of troughs\n\nAnimal welfare\nHistory of transport in Australia" ]

[ "John Kasich", "Ranking member of the House Budget Committee", "When was he a member of the House Budget Committee ?", "In 1993, Kasich became the ranking Republican member of the House Budget Committee.", "How long was he on this committee ?", "I don't know.", "Were there any notable bills during this period ?", "Kasich and other House Budget Committee Republicans proposed an alternative to President Bill Clinton's deficit reduction bill, the Omnibus Budget Reconciliation Act of 1993.", "Was the deficit reduction bill passed ?", "The proposal was narrowly defeated in the House by a 219-213 vote.", "Were there any other bills he oversaw ?", "I don't know." ]

[ "Volkmar Klein (born 13 January 1960 in Siegen, North Rhine-Westphalia) is a German politician of the Christian Democratic Union (CDU). He is a member of the German Bundestag since 2009 and was a member of the Landtag of North Rhine-Westphalia from 1995 until 2009.\n\nEarly life and education \nParallel to his studies in the University of Bonn, Klein worked as an assistant to a member of the German Bundestag. In 1986, Klein finished his studies in the University of Bonn as a graduate economist and took on a several month internship in the consulting company Henkell Brothers in Melbourne, Australia.\n\nAfter returning to Germany, Klein continued working for the same Australian consulting company as a freelancer. From 1988 until 1989, Klein was the branch manager of another Australian company Exicom Ltd (electronic company) in Düsseldorf.\nFrom 1989 until 1995, Klein was the executive manager of the Wittgensteiner Kuranstalt GmbH & Co. KG, an operator of rehabilitation clinics and hospitals in Germany and the Czech Republic.\n\nPolitical career\n\nCareer in state politics\nIn 1978, Klein became the member of the CDU. He is a member of the federal board of the CDU since 2001 and the chairman of the CDU in the district of Siegen-Wittgenstein since 2003.\n\nFrom 2004 until 2015 he was the chairman of the federal board of the Protestant Working Group of the CDU in North-Rhine-Westphalia. From 1984 until 2005, he was a member of the council of the Burbach municipality and from 1992 until 1996, he was the mayor of this municipality.\n\nKlein was a member of the Landtag of North Rhine-Westphalia from 1995 until 2009, where, in the 14th legislative period, he was a member of the Budget control committee, Budget committee, Finance committee and the Subcommittee of the Budget- and Finance committee \"Personnel“. Besides that he was the speaker of his party in the Budget and Finance committees.\n\nMember of the German Parliament, 2009–present\nIn the 2009 national elections, Klein was directly elected with 41.53% votes into the German Parliament, followed by 45.8% votes in the federal election in 2013. In his first two legislative terms in the German Parliament, he served on the Budget Committee and the Subcommittee on European Union issues.\n\nKlein also was a member of the parliamentary Financial market committee, a committee that monitored the federal bank rescue package worth 480 billion euros passed on 17 October 2008 and advised on fundamental and strategic issues as well as long-term developments in financial market policy.\nIn 2017 Klein was directly elected with 40,13% votes into the German Bundestag. In the current, 19th legislative period of the German Parliament, he is the Chairman of the Economic Cooperation and Development Task Force of the CDU/CSU parliamentary group, member of the Committee on Economic Cooperation and Development, Deputy member of the Budget Committee and deputy member of the Committee on Foreign Affairs.\n\nIn addition to his committee assignments, Klein chairs the German-Pacific Parliamentary Friendship Group of the German Bundestag.\n\nOther activities \n German Africa Foundation, Member of the Board\n Friends of the Siegerland Airport Dreiländereck, Member of the Board\n Foundation for Basic Values and International Understanding, Deputy Chairman\n Central Council of Oriental Christians in Germany, Deputy Chairman of the Advisory Board\n Development and Peace Foundation (SEF), Member of the Board of Trustees\n German Foundation for World Population (DSW), Member of the Parliamentary Advisory Board\n GIZ, Member of the supervisory board (until 2018)\n\nPersonal life \nKlein is married and has four children. He lives in the town of Burbach.\n\nReferences \n\n1960 births\nLiving people\nPeople from Siegen\nChristian Democratic Union of Germany politicians\nMembers of the Bundestag for North Rhine-Westphalia\nMembers of the Landtag of North Rhine-Westphalia\nUniversity of Bonn alumni\nMembers of the Bundestag 2021–2025\nMembers of the Bundestag 2017–2021\nMembers of the Bundestag 2013–2017\nMembers of the Bundestag 2009–2013\nMembers of the Bundestag for the Christian Democratic Union of Germany", "Martin Gerster (born 30 August 1971) is a German politician of the Social Democratic Party (SPD) who has been serving as a member of the Bundestag from the state of Baden-Württemberg since 2005.\n\nEarly life and career \nAfter graduating from the Pestalozzi-Gymnasium in Biberach in 1991, Gerster first completed a traineeship at Radio 7 and then began studying political science, history and economics at the Johannes Gutenberg University in Mainz in 1994, graduating with a Master's degree in 2002.\n\nDuring his studies, he worked as a freelance editor for Radio 7, the Schwäbische Zeitung and ZDF. He also worked at the Democratic National Committee in Washington and at \"Hillary Clinton for Senate\" in New York from 1999 to 2001. He was a member of the SPD campaign team for the 2001 state elections in Baden-Württemberg. From 2002 to 2005, he was parliamentary advisor (Fraktionsreferent) to the SPD parliamentary group in the state parliament of Baden-Württemberg.\n\nFrom 2006 to 2014, he was president of the German Sports Acrobatics Federation and has been its honorary president since then. Since 2018, Gerster has been vice president on the board of the THW Federal Association.\n\nPolitical career \nIn 2005, he stood for election to the Bundestag in the Biberach constituency and was elected to the German Bundestag via the state list. In the 16th German Bundestag, he was initially a member of the Interior Committee and the Sports Committee. In September 2007, Gerster moved from the Interior Committee to the Finance Committee.\n\nIn 2009, he was again elected to the 17th German Bundestag via the state list and continued his work in the finance committee and the sports committee. He was also spokesman for the SPD parliamentary group. He was also deputy spokesman for his parliamentary group's \"Strategies against right-wing extremism\" working group. In 2012, Martin Gerster succeeded Lothar Binding on the Budget Committee and was responsible for the individual budget of the Federal Ministry for Economic Cooperation and Development. In this capacity, Gerster was also a member of the Supervisory Board of the German Corporation for International Cooperation.\n\nAfter the 2013 German federal election, Gerster moved into the 18th Bundestag. He is a member of the Budget Committee and, as rapporteur, oversees the individual budget of the Federal Ministry of the Interior, Building and Community. He is also a member - and since September 2016 spokesman for his parliamentary group - of the Audit Committee.\n\nIn the 19th German Bundestag, Gerster is a member of the Budget Committee, the Audit Committee and the Confidential Committee for the Secret Budgets of the Federal Intelligence Services. Gerster is vice-chairman in the Budget Committee and chairman in the Audit Committee. In addition, he is a full member of the Confidence Committee and is a deputy member of the Committee on Building, Housing, Urban Development and Communities, the Committee on the Interior and Home Affairs, the Committee on the Digital Agenda, as well as the Board of Trustees of the Federal Agency for Civic Education.\n\nGerster plays defense for the FC Bundestag and participated in the 2014 European Championship in Vienna.\n\nOther activities \n Friedrich Ebert Foundation (FES), Member of the Board of Trustees\n German Corporation for International Cooperation (GIZ), Member of the Supervisory Board (2012-2013)\n Federal Agency for Civic Education (BPB), Member of the Board of Trustees (2006-2009, 2013-2017)\n\nReferences\n\nExternal links \n\n \n Bundestag biography \n\n1971 births\nLiving people\nMembers of the Bundestag for Baden-Württemberg\nMembers of the Bundestag 2017–2021\nSocial Democratic Party of Germany politicians\nMembers of the Bundestag 2021–2025\nMembers of the Bundestag 2013–2017\nMembers of the Bundestag 2009–2013\nMembers of the Bundestag 2005–2009\nMembers of the Bundestag for the Social Democratic Party of Germany" ]

[ "Tamar Braxton", "1977-99: Early life and career beginnings" ]

[ "Begum Khursheed Shahid (1 January 1926 – 27 June 2021) was a Pakistani actress. She was also the mother of actor Salman Shahid.\n\nEarly life\nKhursheed Shahid was born in 1926 in Delhi, where her father was a government official and her mother was a educated housewife. Khursheed along with her sisters and brother used to watch performances of Ram Leela a religious theatre. She along with her sisters used to act in Ram Leela Theatre portrying different characters on stage at age seven. Khursheed completed her education from Delhi. Khursheed father was a liberal man and he believed that education was important for girls. Khursheed sibling included four sisters and one brother. Khursheed's father supported her career.\n\nCareer\nKhursheed Shahid began acting and singing at the age of nine. When Khursheed was in grade six a Congress leader Aruna Asaf Ali came to her school looking for someone young and her classmates told Ms. Ali about her singing and acting talents. Ms. Ali selected Kurhseed for a musical performance. Later after the performance Ms. Ali took her to the All India Radio to renowned music composer Feroz Nizami, he listened her singing and encouraged her to sing. He gave her a poem to sing after listening to Khursheed so he told her to visit him the next day so that he will composed it for her. The following day when she sang the poem for Feroz, he liked it and told her that it was of Raag Darbari. Khursheed was nine when she started singing at All India Radio, Delhi. She also read poems wrote by Mukhtar Siddiqui at All India Radio.\n\nLater she moved to Parliament Street there she meet music director Roshan Lal Nagrath paternal grandfather to popular Indian actor Hrithik Roshan. He saw Khursheed's potential for singing and he started to have rehearsing for her and gave her lessons about singing. Kursheed befriend his wife and she would visit his family. \n\nAfter the Partition in 1947, she along with her family moved to Lahore in Pakistan. Khursheed went to Radio Pakistan for audition and she start doing musical programmes by station director Mehmood Nizami. He liked her classical singing and gave her lessons. Mehmood Nizami introduced Khursheed to Bhai Lal and she learned classical singing from Bhai Lal Mohammad. She was also inspired by Roshan Ara Begum, she started copying her style and singing that many people acknowledged that Khursheed sounded like Roshan Ara on the radio. Khursheed met Roshan Ara Begum at Lahore Arts Council. There Khursheed and Roshan Ara Begum became friends and she would take Khursheed to places she would visit and then she taught Khursheed to play Tanpura.\n\nKhursheed used do theatre before the launch of PTV in 1964 and she did a lot of quality theatre plays written by Faiz Ahmad Faiz, Manto and Sadequain. Khursheed made a name for herself in theatre. After PTV was launched in 1964 in Pakistan the executive Aslam Azhar of PTV offered her work. She agreed on a condition that she would be the highest paid actress and he accepted her condition. Khursheed did her first play for PTV was Rus Malai a comedy drama. Then she regularly worked for PTV in dramas Wadi-e-Purkhar, Fehmida Ki Kahani, Ustani Rahat Ki Zabani, Kiran Kahani and Dhund. \n\nThen Khursheed appeared in Khurshid Anwar's film Chingari on the insistence of Faiz Sahib. Khursheed performance in Punjabi movie Bhola Sajan directed by Ashfaque Malik was regarded as a finest acting even Khursheed admitted herself.\n\nIn 1995 Khursheed was honoured for her contributions towards the singing, film and television industry, she was honored by the Government of Pakistan with the Pride of Performance.\n\nKhursheed worked in popular TV dramas series to her credit, including Parchaiyan, Zair, Zabar, Pesh and Uncle Urfi all these dramas series were written by playwright and scriptwriter Haseena Moin. Later in late 1999 she retired and went to live with her son, she moved to Lahore permanently to be with her son Salman Shahid.\n\nPersonal life\nKursheed married producer Salim Shahid at a very young age the marriage did not last long, they did not divorced. Salim left for BBC London a few years after their marriage there he stayed till his death. She has one son Salman Shahid who is also an actor.\n\nIllness and death\nKhursheed Shahid was admitted to a hospital a few days back after she suffered a cardiac arrest. She died on June 27 due to cardiac arrest while she was in hospital, age 95. She was laid to rest in a Phase 7 cemetery after her funeral prayers were held at Defense mosque in Defense Phase 2, Block T.\n\nFilmography\n\nTelevision series\n Ras Malai\n Uncle Urfi\n Zair, Zabar, Pesh\n Parchaiyan\n Masoom\n Samundar \n Saahil\n Man Chalay Ka Sauda \n Chabi Aur Chabiyan\n Fehmida Ki Kahani, Ustani Rahat Ki Zubani\n Haq dar\n Sona Chandi \n Ana\n Dhund\n Kiran Kahani\n Fishaar\n Wadi-e-Purkhar\n Boota from Toba Tek Singh\n\nFilm\n Dhoop Aur Saye\n Chingari\n Bhola Sajan\n Khamosh Pani\n\nAwards and recognition\nShe was awarded the Pride of Performance by the President of Pakistan in 1995\n\nReferences\n\nExternal links\n \n\n1926 births\n2021 deaths\nPakistani film actresses\n20th-century Pakistani women singers\n20th-century Pakistani actresses\nPakistani television actresses\nActresses from Punjab, Pakistan\nRecipients of the Pride of Performance\n21st-century Pakistani actresses\nPeople of British India", "Linda Chou (born February 24, 1983) is an American singer. She was born in the United States in the state of California to a father of Taiwanese descent and a mother of Vietnamese descent. She went to the University of California, San Diego, earning a bachelor's degree in pharmacological chemistry.\n\nBiography \n\nLinda Chou first gained recognition in 2006 when she took first place for ETTV Chinese World Top Idol. Her performance of Whitney Houston's \"I Will Always Love You\" took her from competing in the United States to competing against the world in Taiwan.\n\nShe is currently singing for Van Son Entertainment Productions, Inc. Van Son Entertainment is known for their Vietnamese variety shows that include singing, and comedy skits. Van Son Entertainment is currently one of the top three Vietnamese productions in the United States next to Thuy Nga Paris By Night and Asia Entertainment.\n\nShe started off her singing career in the United States by winning ETTV US Top Idol in 2006. Then she eventually went on to winning 1st place on ETTV World Top Idol in Taiwan later that year. She came back to the US shortly afterwards. It was at around this time that Linda was contacted by Vietnamese singer Andy Quach to record some tracks for his CD Showtime. Andy then introduced Linda to Van Son Productions and she flew right back to Taiwan to perform on her first Vietnamese variety show. Linda and Andy performed a duet \"Tinh Mai Ben Nhau\" where they both sang in Mandarin and Vietnamese. The song became a huge hit and was also the start of Linda's career in the Vietnamese music industry.\n\nLinda's first solo debut was on Van Son in Singapore with the hit song \"Nguoi Tinh Mua Dong\". Although other singers had covered this classic Chinese song by singer Faye Wong, she was the first to perform it in both Mandarin and Vietnamese.\n\nShe went on to release her first album titled \"Secret\" in August 2008. The album contained songs that were performed in Vietnamese, Mandarin, and English. It soared to No. 8 top selling album on www.RangDong.com and her song \"Cho Mong Bong Anh\" ranked No. 6 in the top listened to songs.\n\nMusical beginnings\nLinda started out singing at the age of three years. At that time her singing was influenced by her grandmother who always taught her short Japanese songs. First grade was when she discovered her love in singing with glee club at her elementary school. She continued glee club until fourth grade and did not join another school choir until high school. She attended Long Beach Polytechnic High School where she joined the school's Jazz I Vocal (advanced jazz ensemble), Jazz II Vocal (women's ensemble) and Chamber Choir. It was then she regained her love towards singing and performing.\n\nShe went on to study pharmacological chemistry at UCSD not thinking about career in singing until she was urged by a friend to join a singing contest held by the Taiwanese Student Association. She placed first in this competition and went on to join more singing competitions where she continued to place first.\n\nDiscography\n Tinh Mai Ben Nhau variety album single released January 11, 2008\n Secret solo album released August 8, 2008\n Nguoi Tinh Mua Dong variety album single released April 22, 2009\n Eternal Love solo album released in 2011\n\nReferences\n\nExternal links\n Official Facebook Fan Page\n \n\nAmerican people of Vietnamese descent\nLiving people\nAmerican women singer-songwriters\nUniversity of California, San Diego alumni\nAmerican people of Taiwanese descent\nAmerican women musicians of Chinese descent\n1983 births\n21st-century American women singers\n21st-century American singers" ]

[ "Tamar Braxton", "1977-99: Early life and career beginnings", "When did she start singing?", "Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989." ]

[ "Lawrence \"Yogi\" Horton, (October 1, 1953June 8, 1987), was an American R&B, funk, jazz and rock drummer. Horton worked and recorded as a session and touring drummer with a wide variety of musicians such as Aretha Franklin, Luther Vandross, John Lennon, Yoko Ono, Ashford & Simpson, David Byrne, Deborah Harry, Hall & Oates, Diana Ross, Kenny G, The B-52's, and Jean-Michel Jarre among numerous others. His first recording was on Dave \"Baby\" Cortez's 1972 album Soul Vibration.\n\nHorton recorded an instructional videocassette in 1983, which was released by DCI. Titled \"The History of R&B/Funk Drumming\", it is considered to be \"one of the first instructional type videos of its kind.\" The video is long out of print, but can still be viewed on YouTube as of March 2021.\n\nHorton, who suffered from bipolar disorder, died on June 8, 1987, when he jumped from a 17th-floor hotel window in New York shortly after performing in a Luther Vandross concert.\n\nDiscography\n\nThe Catherine Wheel (David Byrne, 1981)\nWith Lonnie Liston Smith\nDreams of Tomorrow (Doctor Jazz, 1983)\nWith Gloria Gaynor\n Gloria Gaynor (Atlantic Records, 1982)\nWith Irene Cara\n Anyone Can See (Network Records, 1982)\nWith John Lennon and Yoko Ono\n Milk and Honey (Geffen, 1984)\nWith George Benson\n While the City Sleeps... (Warner Bros. Records, 1986)\nWith Linda Clifford\n I'll Keep on Loving You (Capitol, 1982)\nWith Ben E. King\n Street Tough (Atlantic Records, 1981)\nWith Cheryl Lynn\n Instant Love (Columbia Records, 1982)\n Preppie (Columbia Records, 1983)\nWith Aretha Franklin\n Jump to It (Arista Records, 1982)\n Get It Right (Arista Records, 1983)\n Who's Zoomin' Who? (Arista Records, 1985)\n Aretha (Arista Records, 1986)\n Through the Storm (Arista Records, 1989)\nWith Yoko Ono\n It's Alright (I See Rainbows) (Polygram Records, 1982)\nWith Jean Michel Jarre\n\n Zoolook (Disques Dreyfus, 1984)\n\nWith John Phillips\n Pay Pack & Follow (Eagle Records, 2001)\nWith Stephanie Mills\n Tantalizingly Hot (Casablanca Records, 1982)\n If I Were Your Woman (MCA Records, 1987)\n\nReferences\n\nAmerican session musicians\nAmerican rock drummers\nAmerican funk drummers\nAfrican-American drummers\nAmerican jazz drummers\nAmerican male drummers\n1953 births\n1987 suicides\n20th-century American drummers\nRhythm and blues drummers\nSoul drummers\n20th-century American male musicians\nSuicides by jumping in New York City\nPeople with bipolar disorder\nAmerican male jazz musicians\n20th-century African-American musicians", "Arista Records, Inc. () is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of the Japanese conglomerate Sony. The label was previously handled by Bertelsmann Music Group. Though the label was founded in November 1974 by Clive Davis, Artista in its current form was re-established in 2018. Along with Epic Records, RCA Records, and Columbia Records, Arista is one of Sony Music's four flagship record labels.\n\nHistory\n\nBackground\n\nAfter being fired from CBS Records, Clive Davis was recruited by Alan Hirschfield, CEO of Columbia Pictures, in June 1974 to be a consultant for the company's record and music operations. Shortly after his hiring by CPI, Davis became president of Bell Records, replacing the departing Larry Uttal. Davis's real goal was to reorganize and revitalize Columbia Pictures' music division. With a $10 million investment by CPI, and a reorganization of the various Columbia Pictures legacy labels (Colpix, Colgems, and Bell), Davis introduced Columbia Pictures' new record division, Arista Records, in November 1974, ultimately owning 20 percent of the company. The label was named after Arista, New York City's public secondary school honor society (of which Davis was a member at Erasmus Hall High School). In early 1975, most of the artists who had been signed to Bell were let go, except David Cassidy (who left for RCA Records), Tony Orlando and Dawn (who left for Elektra Records), and the 5th Dimension (which departed for ABC Records). Others, such as Suzi Quatro and Hot Chocolate, were farmed out to the Bell/Arista-distributed label, Big Tree. Several Bell acts, such as Barry Manilow, the Bay City Rollers, and Melissa Manchester continued with Arista. The British Bell label kept that name for a couple of years before changing its name to Arista. The label was mentioned in the 1978 Nick Lowe song \"They Called It Rock,\" in the lyric, \"Arista says they love you/But the kids can't dance to this.\"\n\nArista signed the Grateful Dead in 1976, and the group released their only Top 40 pop hit, \"Touch of Grey\", on the label in 1987. In addition to Outlaws, Patti Smith, Eric Carmen, Air Supply, The Kinks, Lou Reed, Alan Parsons and Dionne Warwick, Arista signed Aretha Franklin in 1980, after her long relationship with Atlantic Records ended. The label's most significant acquisition came in 1983 when Davis signed Whitney Houston. Houston would become Arista's biggest-selling recording act and one of the best-selling acts in music history with sales of over 200 million records worldwide, according to the Recording Industry Association of America (RIAA).\n\nSubsidiary imprint labels\nArista had an imprint label in the 1970s called Arista Novus, which focused on contemporary jazz artists. It distributed two other jazz labels, Arista Freedom, which specialized in avant-garde jazz and, until 1982, GRP Records, which specialized in contemporary jazz and what came to be known as smooth jazz. A country music division, Career Records, was merged into the Arista Nashville division in 1997. Arista Austin was used in the late 1990s as a country label. Additionally, Arista was the North American distributor of Jive Records from 1981 until 1987. During the 1990s, Arista also distributed Logic, Rowdy and Heavenly Recordings.\n\nAcquisitions, sell-offs\nLooking to stave off bankruptcy, Columbia Pictures sold Arista to German-based Ariola Records, a unit of Bertelsmann, in 1979. But after Arista lost $12 million in 1982, Bertelsmann sold a 50% interest in the company to RCA Records in 1983. In 1985, RCA and Bertelsmann merged their music operations to form RCA/Ariola International; RCA owned 75% and Bertelsmann owned the remainder. After General Electric absorbed the RCA Corporation in 1986, GE sold off various RCA assets, including all of its interest in RCA/Ariola to Bertelsmann, and it was renamed Bertelsmann Music Group, though Arista's U.S. releases would not note BMG until 1987.\n\nInto the 1980s, Arista continued its success, including major UK act Secret Affair. Over the years it acquired Northwestside Records, deConstruction Records, First Avenue Records, and Dedicated Records in the UK. In 1989, Arista entered into a joint venture with Antonio \"L.A.\" Reid and Babyface in the creation of LaFace Records, record company of Toni Braxton, Usher, and TLC, which it acquired in 1999. In 1993, Arista also entered into a joint-venture with Sean \"Puffy\" Combs to form Bad Boy Records. In 1997 Arista acquired Profile Records, the home of Run-D.M.C. and Poor Righteous Teachers.\n\nMilli Vanilli controversy\nIn 1989, Arista Records signed Milli Vanilli, a contemporary R&B duo consisting of Rob Pilatus and Fab Morvan that was based in Germany. The label released its debut album, Girl You Know It's True, which was a remixed and re-edited version of All or Nothing, which had been out in Europe the previous year. The album was certified sextuple platinum in the U.S., and charted five top-ten singles, three of them reaching the number one position. In 1990, Milli Vanilli won two American Music Awards and a Grammy Award for Best New Artist. Carol Decker, lead singer of the band T'Pau, was interviewed after their performance on MTV and said that Milli Vanilli had used a Synclavier and were not singing. Later that year, Frank Farian, Milli Vanilli's producer, confirmed that the duo hadn't performed a single note on their album.\n\nThis revelation caused a huge firestorm in the music industry, as recording artists, particularly bubble-gum pop acts that heavily relied on electronic processing and over-dubbing (what they referred to as \"studio magic\"), were now under scrutiny and subsequently forced to cut back on lip-synching to show that they were authentic. Milli Vanilli's Grammy Award was subsequently revoked. Clive Davis promptly released the duo from its contract and deleted the album and its masters from their catalogue—making Girl You Know It's True the largest-selling album to be deleted. A court ruling in the U.S. allowed anyone who had bought the album to get a refund.\n\nIn response to the scandal, Arista's position was that the company had been completely unaware of Morvan and Pilatus having not themselves recorded their album. In a post-debacle interview, Morvan defended himself for his part in the deception by saying, \"[Before Milli Vanilli] I was working at a McDonald's. What would you have done?\"\n\nReconstructing Arista\nAt the end of the year 2000, following its 25th anniversary, BMG pushed Davis out as president and CEO. Although Davis was still one of the most successful record heads in the entire music industry, BMG had an age restriction policy. Davis was replaced by L.A. Reid as the company's president and CEO. Under Reid, the label had success with newer acts such as Avril Lavigne, Pink, and Kelis, but struggled with newer releases by more established acts already on the label. Reid seemed to lose focus and have many miscalculations when it came to promoting Arista's established acts such as TLC, Toni Braxton, Whitney Houston (Houston being BMG's biggest selling act out of all BMG labels), and several other acts. Reid seemed to put more money in promoting newer acts and less money into promoting established acts. Reid's extravagant spending, meanwhile, and lower sales of big-name established acts under his tenure, caused the company to lose money. After the merger of BMG and Sony Music Entertainment in 2004, Reid was fired. Arista, always an independently managed front line label at BMG, was merged with J Records in August 2005; J Records being the successful label that Clive Davis started after being let go by BMG due to age restrictions. The merged Arista and J record labels began operating under the newly formed RCA Music Group—of which Davis was re-instated as CEO after the merger of BMG and Sony, thus Davis once again became in control of Arista and several other labels from the very company that previously had let him go. The Arista label continued to be used for new releases, although heavily scaled back, while its reissues are released through Sony Music's Legacy Recordings. Also, as a result of the Sony-BMG merger, Arista once again became related to Columbia Pictures, which is fully owned by the Sony Corporation of America (through Sony Pictures Entertainment) - who would buy out BMG's share in 2008.\n\nDissolution and revival\nAfter the Sony-BMG merger, LaFace Records was eventually revived; the label was now fully owned by Sony-BMG and began operating under the JIVE Label Group.\n\nDuring the summer of 2011, the RCA Music Group underwent a restructuring that saw the elimination of the Arista name later on that year, along with sister labels J Records and Jive. RCA Records started releasing all RCA Music Group releases under RCA Records. Arista Nashville continued to operate through Sony Music Nashville and was not affected by the closing of Arista Records.\n\nArista Records France was founded in September 2012, making it initially the last active remnant of the label.\n\nIn July 2018, it was announced that Arista would be revived as a frontline label, making it now the fourth flagship record label under Sony Music alongside Columbia, RCA, and Epic. The company has hired former Island Records president/CEO David Massey to lead Arista.\n\nArista Nashville\n\nIn 1989, Arista Records launched Arista Nashville, which specializes in country music artists. Alan Jackson was the first act signed label. In 1995, Arista Nashville launched a subsidiary label known as Career Records, the roster of which at the time included Brett James, Tammy Graham, and Lee Roy Parnell. Currently, Arista Nashville falls under the wing of Sony Music Nashville, hosting such artists as Carrie Underwood, Brad Paisley, Ronnie Dunn and Jerrod Niemann.\n\nArtists\n\nSee also\n Arista Records artists\n Arista Nashville\n List of record labels\n\nReferences\n\n \nRecord labels established in 1974\nRecord labels disestablished in 2011\nRe-established companies\nAmerican record labels\nRCA Records Music Group\nSony subsidiaries\nSony Music\nJazz record labels\nPop record labels\nSoundtrack record labels" ]

[ "Tamar Braxton", "1977-99: Early life and career beginnings", "When did she start singing?", "Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989.", "How long were they with Arista Records", "Subsequently, The Braxtons were dropped" ]

[ "Solo: Songs and Collaborations 1982–2015 is a compilation album by Tracey Thorn, released in the UK on 23 October 2015. It features 34 tracks spanning her career as a solo artist and includes collaborations with other artists, including The Unbending Trees (\"Overture\"), Massive Attack (\"Protection\") and The Style Council (\"The Paris Match\"). Further collaborations include tracks with Robert Wyatt and Hot Chip. The tracks are arranged over two discs. It is also available as a digital album, and as a shortened single-disc compilation.\n\nBackground\nSolo: Songs and Collaborations 1982 - 2015 includes tracks from Thorn's four solo albums: A Distant Shore (1982), Out of the Woods (2007), Love and Its Opposite (2010) and Tinsel and Lights (2012). In addition there are also songs that featured on the 2015 film soundtrack \"The Falling\".\n\nThorn announced details of her new album at the beginning of October 2015, saying \"These tracks represent, on one hand, the moments when I was working as a solo artist outside the constraints and democracy of a band, either recording tracks entirely by myself, or at least being in the driving seat, the one making all the artistic decisions. And on the other hand, those times when I guested with other bands or producers, performing as a featured solo singer, moonlighting from my regular job.\"\n\nTracey Thorn enjoyed her greatest commercial success as one half of the duo Everything But The Girl, which she formed with her partner (now husband), Ben Watt. In 1994 their single \"Missing\" sold 870,000 copies in the UK and is credited as the highest selling single in the UK not to reach the top 2 (it peaked at number 3 in 1994). Prior to Everything But The Girl, Thorn was a member of The Marine Girls, yet she has deliberately not included any tracks from her time with these bands on Solo: Songs and Collaborations 1982 - 2015 saying \"‘This album deliberately isn’t called ‘The Best of Tracey Thorn,’ says Tracey of the collection. ‘Many might think my best work was with Everything But The Girl, or the Marine Girls, or that I should at least include some of those tracks. But with any interesting compilation you have to have a story to tell, a unifying theme, and here the idea is contained in the single word of the title, Solo.\"\n\nReception\nTracey Thorn did various interviews in the weeks leading up to the release, including an interview with HMV in which she said \"that the advent of online connection with people who like your music is quite empowering. I have more direct access to the people out there who are interested in my music than I used to have\". The album was also reviewed in The Irish Times.\n\nSolo: Songs and Collaborations 1982–2015 entered the Official UK Albums Chart at number 53 on 30 October.\n\nTrack listing\n\nOne-disc edition\n\nReferences\n\nExternal links\n \n\n2015 compilation albums\nTracey Thorn albums", "\"Disillusion\" is a ballad by the pop group ABBA, on their first album Ring Ring (1973). It is notable as the only song ABBA recorded and released on a studio album to have a songwriting credit from Agnetha Fältskog. She was a songwriter as well as a singer, and had dabbled in that in her pre-ABBA career. She wrote the music, with lyrics added by fellow ABBA member Björn Ulvaeus.\n\nOverview\nAlthough she wrote several Swedish top 40 hits during her solo career, Fältskog did not feel her compositions were suitable for ABBA's albums. However, although this is her only songwriting credit to appear on an ABBA album, she also co-wrote a song that ABBA performed in concert, \"I'm Still Alive\"; recordings of this often appears in bootlegs. The song itself is a folk-pop based ballad somewhat similar to her pre-ABBA solo work.\n\nThe track has \"sparse instrumentation\". This differs from the Swedish version she recorded for her 1975 solo album Elva kvinnor i ett hus (Eleven Women In One House). The song was produced by Fältskog and entitled \"Mina Ögon\"; it was \"far more ambitious\".\n\nReferences\n\n1973 songs\nABBA songs\nSongs written by Agnetha Fältskog\nSongs written by Benny Andersson and Björn Ulvaeus" ]

[ "Tamar Braxton", "1977-99: Early life and career beginnings", "When did she start singing?", "Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989.", "How long were they with Arista Records", "Subsequently, The Braxtons were dropped", "Did she have any solo songs?", "The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998." ]

[ "Nena Danevic is a film editor who was nominated at the 57th Academy Awards for Best Film Editing. She was nominated for Amadeus. She shared her nomination with Michael Chandler.\n\nShe did win at the 39th British Academy Film Awards for Best Editing. Also for Amadeus with Michael Chandler.\n\nShe also won at the American Cinema Editors awards.\n\nReferences\n\nExternal links\n \n\nBest Editing BAFTA Award winners\nFilm editors\nPossibly living people\nYear of birth missing (living people)", "Sheena Napier is a British costume designer who was nominated at the 65th Academy Awards for her work on the film Enchanted April, for which she was nominated for Best Costumes.\n\nIn addition she did win at the BAFTA Television Awards for the TV film Parade's End, which she was also nominated for an Emmy for.\n\nReferences\n\nExternal links\n\nBritish costume designers\nLiving people\nBAFTA winners (people)\nWomen costume designers\nYear of birth missing (living people)" ]

[ "Tamar Braxton", "1977-99: Early life and career beginnings", "When did she start singing?", "Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989.", "How long were they with Arista Records", "Subsequently, The Braxtons were dropped", "Did she have any solo songs?", "The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998.", "Did she win any awards?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Tamar Braxton", "1977-99: Early life and career beginnings", "When did she start singing?", "Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989.", "How long were they with Arista Records", "Subsequently, The Braxtons were dropped", "Did she have any solo songs?", "The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998.", "Did she win any awards?", "I don't know.", "Are there any other interesting aspects about this article?", "The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998." ]

[ "DreamWorks Records (often referred in copyright notices as SKG Music, LLC) was an American record label founded in 1996 by David Geffen, Steven Spielberg and Jeffrey Katzenberg as a subsidiary of DreamWorks Pictures. The label operated until 2003 when it was sold to Universal Music Group. The label itself also featured a Nashville, Tennessee-based subsidiary, DreamWorks Nashville, which specialized in country music and was shut down in 2006. The company's logo was designed by Roy Lichtenstein and was his last commission before his death in 1997.\n\nHistory \nIn October 1994, four years after David Geffen sold his former record label Geffen Records to MCA Music Entertainment, he joined Steven Spielberg and Jeffrey Katzenberg to form DreamWorks SKG. SKG stood for Spielberg, Katzenberg & Geffen. The three partners later launched the subsidiary record label DreamWorks Records in early 1996. Rufus Wainwright was the first artist to be signed to the new record label, in early 1996.\n\nThe logo for the label was the last project completed by artist Roy Lichtenstein. The distinctive design, incorporating a musical note in the artist's trademark \"dream balloon,\" debuted on the packaging for Beautiful Freak, the first album from Los Angeles-based band Eels, and the second release from the record company. The record label's first release, George Michael's Older album, had featured DreamWorks Pictures' logo of a boy fishing and sitting on a moon crescent.\n\nHenry Rollins (both as a spoken-word artist and with Rollins Band), Tamar Braxton, Nelly Furtado, George Michael, Randy Newman, Morphine, Eels, comedian/actor Chris Rock, Powerman 5000, Elliott Smith, Papa Roach and others were also signed to the label. The label was presided over by Lenny Waronker and Mo Ostin, who had run Warner Bros. Records until the mid-1990s. Ostin stated at the time: \"What you find in the record business is there is more and more a trend toward corporate control, corporate values, and here you’re dealing with a creatively oriented operation.\"\n\nGeffen Records distributed DreamWorks Records until 1999, when Interscope Records took over distribution duties (meanwhile, as Interscope and Geffen switched international distribution to Polydor Records, DreamWorks Records followed suit). It was announced on November 11, 2003, that Universal Music Group (the former MCA Music Entertainment, and parent of Interscope, Geffen, and Polydor) reached an agreement to acquire DreamWorks Records from DreamWorks for \"about $100 million\". The purchase came at a time when the music business was \"going through major changes\" as it struggled to \"counter falling sales and the impact of unofficial online music sales\". Mo Ostin, the principal executive at DreamWorks Records, said: \"Despite the challenges of the music business today, Universal is acquiring a wonderful asset and the sale will assure the strongest possible future for our artists\". Under the new deal, DreamWorks Records was placed within the Interscope Geffen A&M label, under the direction of Jimmy Iovine. After DreamWorks was folded into Geffen Records, Jordan Schur was joined by Polly Anthony in 2004.\n\nIts country music division, DreamWorks Nashville, which began in June 1997, remained operational until January 29, 2006, when it was shut down by Universal Music Group Nashville.\n\nDreamWorks Nashville \nBetween 1997 and 2006, DreamWorks also operated a division in Nashville, Tennessee for country music acts. Among the artists signed to the DreamWorks Nashville division were Jessica Andrews, Emerson Drive, Toby Keith, Mike Walker, Randy Travis, Jimmy Wayne, and Darryl Worley. After DreamWorks Records' dissolution, former executive Scott Borchetta formed Big Machine Records in late 2005, signing several country music acts to the label. Borchetta also signed Show Dog Records in partnership with Toby Keith, although Keith dropped his association with the latter label in 2006. Meanwhile, Borchetta signed Taylor Swift to DreamWorks Records. The latter label merged with Universal South Records to become Show Dog-Universal Music.\n\nSee also \n DreamWorks Records discography\n List of DreamWorks Records artists\n List of record labels\n\nReferences\n\nExternal links \n \n\nDreamWorks Pictures\nRecord labels based in California\nDefunct record labels of the United States\nAmerican country music record labels\nAmerican record labels\nPop record labels\nSoundtrack record labels\nRecord labels established in 1996\n1996 establishments in California\nDefunct companies based in Greater Los Angeles\nLabels distributed by Universal Music Group\nRecord labels disestablished in 2006\n2006 disestablishments in California", "How Do You Like Me Now?! is the fifth studio album from American country music artist Toby Keith. It was released on November 2, 1999 as his first album for DreamWorks Records. After Keith departed from Mercury Records in 1998, Keith signed contracts with DreamWorks. The album produced four singles, \"When Love Fades\", the title track, Country Comes to Town, and You Shouldn't Kiss Me Like This.\n\nThe album was produced by James Stroud, who was the head of DreamWorks Records.\n\nTrack listing\n\"How Do You Like Me Now?!\" (Toby Keith, Chuck Cannon) - 3:27\n\"When Love Fades\" (Keith, Cannon) - 3:04\n\"Blue Bedroom\" (Keith, Cannon) - 3:28\n\"New Orleans\" (Mark D. Sanders, Bob DiPiero, Steve Seskin) - 4:11\n\"Country Comes to Town\" (Keith) - 3:38\n\"Heart to Heart (Stelen's Song)\" (Keith) - 3:33\n\"She Only Gets That Way with Me\" (Keith, Scotty Emerick) - 2:29\n\"Die with Your Boots On\" (Keith, Jim Femino) - 3:05\n\"You Shouldn't Kiss Me Like This\" (Keith) - 3:43\n\"Hold You, Kiss You, Love You\" (Byron Hill, Jack Jones, Frank Mickey Jones Jr.) - 3:13\n\"Do I Know You (Bottom of My Heart)\" (Keith) - 3:35\n\"I Know a Wall When I See One\" (J. B. Rudd, Jerry Salley) - 3:13\n\nMusicians\nMike Brignardello - bass guitar\nLarry Byrom - acoustic guitar\nMark Casstevens - acoustic guitar\nDan Dugmore - steel guitar\nPaul Franklin - steel guitar\nSonny Garrish - steel guitar\nOwen Hale - drums\nAubrey Haynie - mandolin\nClayton Ivey - piano, keyboards, organ\nToby Keith - lead vocals\nPaul Leim - drum programming on \"New Orleans\"\nB. James Lowry - acoustic guitar\nTerry McMillan - harmonica\nJerry McPherson - electric guitar\nBrent Mason - electric guitar\nSteve Nathan - keyboards, organ\nBrent Rowan - electric guitar\nJohn Wesley Ryles - background vocals\nGary Smith - piano, keyboards, organ\nGlenn Worf - bass guitar\nCurtis Young - background vocals\n\nChart performance\n\nWeekly charts\n\nYear-end charts\n\nReferences\n\n1999 albums\nToby Keith albums\nDreamWorks Records albums\nAlbums produced by James Stroud" ]

[ "Tamar Braxton", "1977-99: Early life and career beginnings", "When did she start singing?", "Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989.", "How long were they with Arista Records", "Subsequently, The Braxtons were dropped", "Did she have any solo songs?", "The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998.", "Did she win any awards?", "I don't know.", "Are there any other interesting aspects about this article?", "The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998.", "How long was she with DreamWorks Records", "I don't know." ]

[ "Myriam is the second studio album by Myriam. On her website it is also called \"Myriam: Lo que Soy, lo que Pretendo y lo que Fui\" (Myriam: What I Am, What I Pretend and What I Was) making reference to the lyrics of the album's first single \"Hasta El Limite\". It includes eleven songs with the collaboration of Tiziano Ferro, Leonel (ex Sin Bandera). Again Myriam co-wrote a song along with Estrella. In this album Myriam brought a more fresh concept, almost 100% pop genre with a little touches of flamenco. It was released in July, 2004.\n\nAlbum information\nIt was recorded in Argentina and the producer was Cachorro López who had also worked with Julieta Venegas. Myriam's career was at a low point, as she was being criticized for her third place in Desafio de Estrellas, but all that was eclipsed by the success of this album. \"Hasta el Limite\" was the first single from the album; it was Myriam's first song with a promotional video, and stayed in the charts for more than 6 months. The second single was \"Porque Soy Mujer\" which was written by Myriam and her ex-classmate Estrella.\n\nThe album was a commercial success. Within two weeks of the launch date it reached gold status in Mexico, and sold more than 200,000 copies certificating 2× Platinum. The album was a Latin success in USA selling gold status, 50,000 copies.\n\nTrack listing\n\nReferences\n\n2003 albums\nMyriam Montemayor Cruz albums", "Feel What U Feel is a children's album by American musician Lisa Loeb. The album was released on October 7, 2016, and the album's first single was \"Feel What U Feel.\" The album won Best Children's Album at the 60th Annual Grammy Awards.\n\nRelease \nThe album was announced on September 8, 2016 with the release of the lead single \"Feel What U Feel,\" featuring Craig Robinson. The album was then released by Furious Rose Productions on October 7, 2016 as an Amazon Music exclusive.\n\nPromotion \nLisa Loeb Embarked a small tour to promote the Children's album in the Fall of 2016 & Winter of 2017. Despite going on a children's tour, Lisa performed many of her \"Adult\" and \"Older\" songs. Lisa also constantly played her songs on \"Kids Place Live Radio\" for nearly 1 year after release.\n\nSingles \n\"Feel What U Feel\" was released as the album's lead single of September 8, 2016. The second single, \"Moon Star Pie (It's Gunna Be Alright)\" was released on October 7, 2016. The third single, \"Wanna Do Day\" ft. Ed Helms was released on January 12, 2017. The fourth and final single of the album, \"The Sky Is Always Blue\" was released on March 13, 2017.\n\nTrack listing\n\nReferences \n\n2016 albums\nChildren's music albums\nLisa Loeb albums" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)" ]

[ "The Savages was a British rock band formed in 1960, and is perhaps best known for being the backing band for the late Screaming Lord Sutch.\n\nCareer\nFormer members, prominent in the British rock scene, include Jimmy Page and John Bonham of Led Zeppelin, Ritchie Blackmore of Deep Purple, Jeff Beck, Keith Moon of The Who, Adrian Gurvitz, Albert Lee, Mick Abrahams, Noel Redding and Mitch Mitchell of the Jimi Hendrix Experience, and keyboard players Nicky Hopkins, Matthew Fisher, Freddie 'Fingers' Lee and Paul Dean, an actor/singer who would later find fame under the stage name of Paul Nicholas, who Sutch said he used in the band to attract the pretty girls. Sutch would at times use the name, The Savages, at some gigs where the established line-up of Savages was not available, usually for financial reasons, a pick-up band would be brought in, but the 'real' Savages have been a working band for over 50 years.\n\nIn August 1963, the British music magazine, NME reported that should Sutch win the forthcoming Stratford-upon-Avon by-election in which he was standing as a parliamentary candidate, he would give up the music industry to concentrate on politics, but that the Savages would continue their flamboyant act alone.\n\nFollowing the death of Sutch in 1999, the band continued to perform with members Tony Dangerfield (who joined the Savages initially during the 1960s), Dave Dix, Angi Antinori, Jack Irving (all three joined during the early 1990s) and Johnny Casanova (who joined the band in 1995, following a meeting with Sutch and the band at a festival at Donington). Performances are infrequent due to the individual commitments of the band members. Following the death of bassist Dangerfield in 2008, the band has re-established itself with the current, 2009 line-up of Angi Antinori on lead guitar, Jack Irving on drums and vocals, Johnny Casanova on keyboards and vocals, and on bass, former Savage, and one of Sutch's 'Heavy Friends' line-up, Nick Simper.\n\nReferences\n\nBritish rock music groups\nMusical backing groups", "The Watch is an Italian progressive rock band from Milan, led by vocalist, principal songwriter and teacher Simone Rossetti, originally formed in 1997. Their music is inspired by classic progressive rock style of the 1970s and in particular by the music of Genesis. Melody and energy are the main aspects of The Watch music and the live dimension is one of the greatest features of the band.\n\nHistory\nThe band was initially formed in 1997 under the name 'The Night Watch', and consisted of vocalist Simone Rossetti, guitarist Franceso Zago, bassist Antonio Mauri, keyboardist Giovanni Alessi, and drummer Diego Donadio. In this formation the band released their debut album, Twilight, before the line-up collapsed in 2000 leaving only Rossetti to continue the band under the shortened name 'The Watch'.\n\nFollowing the name change, Rossetti rebuilt the band with a line-up that initially consisted of himself, guitarist Ettore Salati, bassist Marco Schembri, keyboardist Gabriele Manzini, and drummer Roberto Leoni, and it is in this formation that the band released their next two albums, 2001's Ghost and 2004's Vacuum. Manzini departed following Vacuum'''s release and was replaced by longtime band collaborator Sergio Taglioni (who had performed some keyboards on the band's previous two albums), who remained in the band for the fan released Live Bootleg in 2006, as well as the band's fourth studio album, 2007's Primitive, and the band's first official live album in 2008.\n\nIt was at this point in 2008 that the band underwent its second major line-up change, as once again all of the members with the exception of Rossetti (Leoni, Salati, Schembri, and Taglioni) departed the band, with the new line-up consisting of Rossetti, drummer Marco Fabbri, guitarist Giorgio Gabriel, keyboardist Fabio Mancini, and bassist Cristiano Roversi. Further line-up changes occurred in 2009 when Mancini and Roversi departed the band and were replaced by Valerio De Vittorio and Guglielmo Mariotti respectively. It was at this point that the band once again found stability, and over the following four years would release the Planet Earth? (2010) and Timeless (2011) studio albums, and the Green Show 2011 - Official Live Bootleg (2012) live album.\n\nIn 2013 the band underwent a further line-up change when Mariotti left the band, and was replaced by Stefano Castrucci, who himself was replaced the following year by Mattia Rossetti, the son of the band's frontman Simone Rossetti. It is this line-up of the band which has produced the band's most recent studio output in the form of 2014's Tracks from the Alps and 2017's Seven and continues to exist to this day.\n\nPersonnel\n\nMembers\n\nCurrent members\nSimone Rossetti - lead vocals, flute, keyboards, synthesisers (1997–present)\nMarco Fabbri - drums, percussion (2008–present)\nGiorgio Gabriel - lead guitars (2008–present)\nValerio De Vittorio - keyboards, synthesisers (2009–present)\nMattia Rossetti - bass, guitars (2014–present)\n\nFormer members\nGiovanni Alessi - keyboards, synthesisers (1997–2000)\nDiego Donadio - drums, percussion (1997–2000)\nAntonio Mauri - bass, guitars (1997–2000)\nFranceso Zago - lead guitars (1997–2000)\nRoberto Leoni - drums, percussion (2000–2008)\nEttore Salati - lead guitars (2000–2008)\nMarco Schembri - bass, guitars (2000–2008)\nGabriele Manzini - keyboards, synthesisers (2000–2004)\nSergio Taglioni - keyboards, synthesisers (2004–2008)\nFabio Mancini - keyboards, synthesisers (2008–2009)\nCristiano Roversi - bass, guitars (2008–2009)\nGuglielmo Mariotti - bass, guitars (2009–2013)\nStefano Castrucci - bass, guitars (2013–2014)\n\nLineups\n\nDiscography\nStudioTwilight (as The Night Watch) (1997)Ghost (2001)Vacuum (2004)Primitive (2007)Planet Earth? (2010)Timeless (2011)Tracks from the Alps (2014)Seven (2017)\nThe Art Of Bleeding (2021)\n\nLiveLive Bootleg (2006)Live (2009)Green Show 2011 - Official Live Bootleg'' (2011)\n\nReferences\n\nExternal links\nOfficial website\nFacebook\nMySpace\n\nItalian progressive rock groups\nMusical groups from Milan" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals" ]

[ "\"Shadrack, the Black Reindeer\" is a song written by Zero Jones. It was notably recorded by American country singer-songwriter Loretta Lynn in 1974. It was released as a single the same year via MCA Records. It was given mixed reviews upon its initial release and did not chart any major music publications.\n\nBackground and content\n\"Shadrack, the Black Reindeer\" was composed by singer-songwriter Zero Jones. The song tells the fictional tale of a reindeer named Shadrack who was part of Santa Claus's reindeer pack and was considered \"the fastest reindeer.\" The song was one of several holiday tunes to describe reindeer other than Rudolph the Red-Nosed Reindeer. The song was recorded first by Loretta Lynn at Bradley's Barn on August 29, 1974. The studio was owned by her producer, Owen Bradley. Lynn had been working with Bradley for nearly a decade up to that point on the MCA (formerly Decca) label. Several more songs were recorded during the same studio sessions and accompaniment was provided by The Nashville A-Team of musicians.\n\nRelease and reception\n\"Shadrack, the Black Reindeer\" was released as a single in November 1974 via MCA Records. It was issued as a 7\" single and included a holiday tune on the B-side of the release. The single did not chart on any Billboard charts, including the Hot Country Singles, where most of Lynn's singles appeared. In their December issue, Billboard commented that the song was among a list of holiday tunes delayed for release by Nashville record labels, calling part of the \"country holiday product scarce.\"\n\nThe song received mixed reception from critics and writers. The online publication, Me TV, included the song on its list of the \"strangest batch of Christmas songs,\" calling the song (among others on the list) \"downright goofy.\" They also called the song \"a questionable tale.\" In 1974, Jet gave the song a positive review, saying that it had \"a reasonable chance of becoming a Christmas standard.\"\n\nTrack listing\n7\" vinyl single\n\n \"Shadrack, the Black Reindeer\" – 4:09\n \"Let's Put Christ Back in Christmas\" – 2:29\n\nReferences\n\n1974 songs\nAmerican Christmas songs\nChristmas novelty songs\nLoretta Lynn songs\nMCA Records singles\nSong recordings produced by Owen Bradley\nSongs about mammals\nSongs about Santa Claus", "American rock band The Rapture has released four studio albums, two extended plays, and thirteen singles.\n\nThe band first released their mini-album Mirror in 1999 under Gravity Records. This project did not chart in any countries. In 2002, the band released the song \"House of Jealous Lovers\", which originally didn't chart in any countries, but due to a re-recorded re-release of the song in 2003, it peaked at 27 on the UK Singles Chart. Later that year, the Rapture released their debut full-length studio album Echoes under DFA Records. After parting ways with the DFA, the band released their second full-length studio album, titled Pieces of the People We Love, in 2006. After a short hiatus, the band signed with DFA again and released In the Grace of Your Love in 2011. The Rapture officially disbanded in 2014.\n\nAlbums\n\nStudio albums\n\nMini-album\n\nExtended plays\n\nSingles\n\nSplit singles\n\nMusic videos\n\nOther appearances\n\nReferences\n\nDiscographies of American artists\nRock music group discographies" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -" ]

[ "This article lists songs of the C vs D \"mash-up\" genre that are commercially available (as opposed to amateur bootlegs and remixes). As a rule, they combine the vocals of the first \"component\" song with the instrumental (plus additional vocals, on occasion) from the second. The commercially available version of the mash-ups that do not use the original performer's vocals have been noted. Additionally the songs marked with an asterisk (*) were released using only the first song's name. Also noted is the inclusion of any other element.\n\nReferences\n\nLists of songs", "\"Mary Pickford\" is a song written and produced by Mike Batt for the Georgian-born, British singer Katie Melua. It is Melua's tenth single and the second from her third album, Pictures. It was originally inspired by a daily facts calendar owned by Batt that one day featured the fact that Mary Pickford used to eat roses.\n\nThe lyrics talk about the 1910s film actress Mary Pickford and other founders of United Artists. Mentioned in the song are Douglas Fairbanks, Charlie Chaplin, D. W. Griffith, United Artists and Pickfair.\n\nThe song can be seen as a pastiche of the classic silent era Joseph H. Santly song At the Moving Picture Ball since they have a similar rhythm, similar subject matter and indeed they list the same silent-era movie stars. However, the song may also be seen as a simple literary archetype having nothing whatsoever to do with the Santly tune, and instead being a reflection upon things in life that, for whatever reason and with whatever lofty components assembled, never seem to work. Furthermore, since United Artists and its cadre were all of the same era and predominantly visible in their day, it's reasonable to conclude that any song written about the era would include Fairbanks, Pickford, Chaplin, et al, not as a borrowed vignette of someone else's work, but from the verified history.\n\nReferences\n\nExternal links\nKatie Melua website\nKatie Melua – 'Mary Pickford' interview YouTube\n\n2007 singles\nKatie Melua songs\nSongs written by Mike Batt\nMary Pickford\nSong recordings produced by Mike Batt\n2007 songs\nSongs about actors\nSongs about celebrities\nCultural depictions of Charlie Chaplin" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -", "Do they have any other songs released this era?", "covers of Blue Mink's \"Can You Feel It Baby?\" (September 1971), Delaney and Bonnie's \"Free the People\" (February 1972) and Ted Mulry's \"You're All Woman\" (September 1972)." ]

[ "Below is a list of awards received by Twins since they were formed in 2001 as a cantopop girl group. They average to receive about 2-3 awards in each Hong Kong music awards. Their major accomplishment is in 2007 when they received the Asia Pacific Most Popular Female Artist Award from Jade Solid Gold Top 10 Awards.\n\nBecause of the Edison Chen photo scandal in 2008, Gillian took a short leave from the group. And thus the group did not record any songs or receive any awards between March 2008 to 2009.\n\nCommercial Radio Hong Kong Ultimate Song Chart Awards\nThe Ultimate Song Chart Awards Presentation (叱咤樂壇流行榜頒獎典禮) is a cantopop award ceremony from one of the famous channel in Commercial Radio Hong Kong known as Ultimate 903 (FM 90.3). Unlike other cantopop award ceremonies, this one is judged based on the popularity of the song/artist on the actual radio show.\n\nGlobal Chinese Music Awards\n\nIFPI Hong Kong Sales Awards\nIFPI Awards is given to artists base on the sales in Hong Kong at the end of the year.\n\nJade Solid Gold Top 10 Awards\nThe Jade Solid Gold Songs Awards Ceremony(十大勁歌金曲頒獎典禮) is held annually in Hong Kong since 1984. The awards are based on Jade Solid Gold show on TVB.\n\nMetro Radio Mandarin Music Awards\n\nMetro Showbiz Hit Awards\nThe Metro Showbiz Hit Awards (新城勁爆頒獎禮) is held in Hong Kong annually by Metro Showbiz radio station. It focus mostly in cantopop music.\n\nRTHK Top 10 Gold Songs Awards\nThe RTHK Top 10 Gold Songs Awards Ceremony(十大中文金曲頒獎音樂會) is held annually in Hong Kong since 1978. The awards are determined by Radio and Television Hong Kong based on the work of all Asian artists (mostly cantopop) for the previous year.\n\nSprite Music Awards\nThe Sprite Music Awards Ceremony is an annual event given by Sprite China for work artists performed in previous years; awards received on 2008 are actually for the work and accomplishment for 2007.\n\nReferences\n\nTwins\nCantopop", "The African National Congress was a political party in Trinidad and Tobago. The party first contested national elections in 1961, when it received just 0.5% of the vote and failed to win a seat. They did not put forward any candidates for the 1966 elections, but returned for the 1971 elections, in which they received 2.4% of the vote, but again failed to win a seat as the People's National Movement won all 36. The party did not contest any further elections.\n\nReferences\n\nDefunct political parties in Trinidad and Tobago" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -", "Do they have any other songs released this era?", "covers of Blue Mink's \"Can You Feel It Baby?\" (September 1971), Delaney and Bonnie's \"Free the People\" (February 1972) and Ted Mulry's \"You're All Woman\" (September 1972).", "Did they received any awards?", "In 1971, Sherbet entered Australia's prestigious national rock band contest, Hoadley's Battle of the Sounds, and won the New South Wales final" ]

[ "The 1990 Brit Awards were the 10th edition of the biggest annual pop music awards in the United Kingdom. They are run by the British Phonographic Industry and took place on 18 February 1990. The ceremony was held at the Dominion Theatre in London for the first time, having previously been held at the Royal Albert Hall, and was hosted by Cathy McGowan.\n\nPerformances\nLisa Stansfield – \"All Around the World\"\nNeneh Cherry – \"Manchild\"\nNigel Kennedy – Vivaldi's Four Seasons\nVarious Artists with appearance by The Cookie Crew – \"The Brits 1990 (Dance Medley)\"\nPhil Collins – \"Another Day in Paradise\"\nSoul II Soul – What Is Soul II Soul\n\nWinners and nominees\n\nMultiple nominations and awards\nThe following artists received multiple awards and/or nominations. don't counting Outstanding Contribution to Music.\n\nNotable moments\n\nFreddie Mercury\nThe 1990 Brit Awards saw the final public appearance of Queen frontman Freddie Mercury. Queen appeared at the ceremony to receive the Brit Award for Outstanding Contribution to British Music. Mercury – who had been suffering from AIDS since 1987 but had not yet disclosed it to the public – did not make a speech, as Brian May did the talking on behalf of the other members, but his gaunt appearance was noticeable. He briefly thanked the public and wished them goodnight before Queen left the stage. Mercury died in November 1991 from complications resulting from AIDS.\n\nReferences\n\nExternal links\n1990 Brit Awards at Brits.co.uk\n\nBrit Awards\n1990 in British music\nBrit Awards\nBrit Awards\nBrit", "A Man's Gotta Do is a 2004 Australian award winning film from Australian director, Chris Kennedy. The film stars John Howard.\n\nTagline \nMost men hold their head high, put their backs to the wall and do what they must do to give their family what they want.\n\nPlot \n\nIn A Man's Gotta Do, Eddy (John Howard), lives with his wife, Yvonne (Rebecca Frith), and their daughter, Chantelle (Alyssa McClelland), in a new suburb in the Illawarra part, south of Sydney.\n\nEddy is a fisherman by day, but by night he works as a standover man, literally a toe-cutter. Dominic, (Gyton Grantley), is his new offsider.\n\nChantelle is upset because her fiancé, Rudi, a Russian air conditioning specialist, has disappeared. Did her Dad have something to do with it?\n\nThe frustrated Yvonne begins flirting with Paul, the plumber, (Rohan Nicol). Eddy encourages Dominic to read his daughter's diary thinking that's the way to get a better understanding of her needs.\n\nReception\n\nReviews \nThe film received Mixed reviews. Australian TV show At the Movies gave it three and a half stars. It holds a 40 metascore, with the Village voice giving it 30/100\n\nAwards \nThe film wasn't nominated for many awards but did win the only award it was nominated for, a Golden Zenith for the Best film from Oceania at the Montreal Film Festival.\n\nReferences\n\nExternal links \n \n\nAustralian films\nAustralian comedy films\n2004 films\n2004 comedy films" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -", "Do they have any other songs released this era?", "covers of Blue Mink's \"Can You Feel It Baby?\" (September 1971), Delaney and Bonnie's \"Free the People\" (February 1972) and Ted Mulry's \"You're All Woman\" (September 1972).", "Did they received any awards?", "In 1971, Sherbet entered Australia's prestigious national rock band contest, Hoadley's Battle of the Sounds, and won the New South Wales final", "What other awards did they received?", "They entered again in 1972 and won the national final," ]

[ "David Coverdale is best known for his band Whitesnake. Whitesnake emerged when Coverdale wanted to name his backing band on tour, before becoming a device for him to promote himself with though it remained his backing band and not a band in its own right. Later Coverdale would return to solo work and would also work with Jimmy Page on a project. Aside from Coverdale himself, there was a number of other overlaps in membership of these various groups. To construct an accurate chronology of his backing band therefore, the line-ups for David Coverdale Band, Whitesnake and Coverdale-Page have been included.\n\nDeep Purple (1973–1976) \n\nThe first lineup of Deep Purple with David Coverdale and Glenn Hughes released two studio albums – Burn and Stormbringer, both in 1974 – before founding member Blackmore left the band, reportedly due to the new influences of funk rock presented by Coverdale and Hughes. Mark IV of the band, featuring Tommy Bolin in place of Blackmore, released their only album Come Taste the Band in 1975, before breaking up the following year.\n\nDavid Coverdale backing bands - transformed into Whitesnake (1976–1978) \nWhitesnake wasn't so much formed, as evolved. It was put together during the process of David Coverdale's post-Deep Purple solo career. He began work with classic Whitesnake guitarist Micky Moody on both his solo albums. The touring band in 1978 that Coverdale used (to support his Northwinds album) was the band that would become Whitesnake very shortly.\n\nFirst Whitesnake era (1978–1991) \nWhen reforming Whitesnake in 1982 after a brief hiatus, Coverdale brought back only Moody and Lord, and the hurriedly put together band changed as it settled. The session musicians required to complete Whitesnake's self-titled album in 1987 only played on the song Here I Go Again 87 (other than the keyboards), because this song was unfinished when the band was fired.\n\nCoverdale embarks on Coverdale•Page collaboration (1991–1993)\nWhen Coverdale split up the band in 1991 to work with Jimmy Page, he worked with Denny Carmassi (who had done a little session work in 1987 for Whitesnake), Guy Pratt and Brett Tuggle. Carmassi was on both the album and tour for Coverdale-Page while the other two only appeared on the tour.\n\nSecond era Whitesnake: temporary reunions (1994–1998) \nCarmassi would join Whitesnake for the 1994 Greatest Hits Reunion tour which was organised shortly after Coverdale put the new compilation together. All three would join the band in 1997 for Restless Heart (though this was initially meant to be a David Coverdale solo project, and Pratt and Tuggle left before the support tour).\n\nDavid Coverdale returns to solo work and tours (1998–2002) \nHilland, Franklin, and Carmassi all joined Coverdale for his Into the Light solo album in 2000. Earl Slick, Doug Bossi and future member Marco Mendoza also contributed.\n\nThird era Whitesnake: 25th anniversary reformation (2002 on) \nIn 2002, Whitesnake reformed fully. Unlike the reunions of the mid 1990s, this is a full-time lineup as existed previously in the late 1970s, 1980s and early 1990s.\n\nTimeline\n\nReferences\n\n \nCoverdale, David", "In mathematics, a band (also called idempotent semigroup) is a semigroup in which every element is idempotent (in other words equal to its own square). Bands were first studied and named by ; the lattice of varieties of bands was described independently in the early 1970s by Biryukov, Fennemore and Gerhard. Semilattices, left-zero bands, right-zero bands, rectangular bands, normal bands, left-regular bands, right-regular bands and regular bands, specific subclasses of bands that lie near the bottom of this lattice, are of particular interest and are briefly described below.\n\nVarieties of bands\nA class of bands forms a variety if it is closed under formation of subsemigroups, homomorphic images and direct product. Each variety of bands can be defined by a single defining identity.\n\nSemilattices\nSemilattices are exactly commutative bands; that is, they are the bands satisfying the equation\n for all and .\n\nBands induce a preorder that may be defined as if and only if . Requiring commutativity implies that this preorder becomes a (semilattice) partial order.\n\nZero bands\nA left-zero band is a band satisfying the equation\n ,\nwhence its Cayley table has constant rows.\n\nSymmetrically, a right-zero band is one satisfying\n ,\nso that the Cayley table has constant columns.\n\nRectangular bands\nA rectangular band is a band that satisfies\n\n for all , or equivalently, \n for all ,\n\nIn any semigroup the first identity is sufficient to characterize a Nowhere commutative semigroup.\n\nNowhere commutative semigroup implies the first identity. \n\nIn any flexible magma so every element commutes with its square. So in any Nowhere commutative semigroup every element is idempotent thus any Nowhere commutative semigroup is in fact a Nowhere commutative band. \n\nThus in any Nowhere commutative semigroup\n\nSo commutes with and thus - the first characteristic identity.\n\nIn a any semigroup the first identity implies idempotence since so so idempotent (a band). Then \n\nnowhere commutative since a band So in a band\n\nIn any semigroup the first identity also implies the second because .\n\nThe idempotents of a rectangular semigroup form a sub band that is a rectangular band but a rectangular semigroup may have elements that are not idempotent. In a band the second identity obviously implies the first but that requires idempotence. There exist semigroups that satisfy the second identity but are not bands and do not satisfy the first.\n\nThere is a complete classification of rectangular bands. Given arbitrary sets and one can define a magma operation on by setting\n\n \n\nThis operation is associative because for any three pairs , , we have\n\n and likewise\n \n \nThese two magma identities \n \n and \n\n are together equivalent to the second characteristic identity above.\nThe two together also imply associativity . Any magma that satisfies these two rectangular identities and idempotence is therefore a rectangular band. So any magma that satisfies both the characteristic identities (four separate magma identities) is a band and therefore a rectangular band.\n\nThe magma operation defined above is a rectangular band because for any pair we have so every element is idempotent and the first characeristic identity follows from the second together with idempotence. \n\nBut a magma that satisfies only the identities for the first characteristic and idempotence need not be associative so the second characteristic only follows from the first in a semigroup.\n\nAny rectangular band is isomorphic to one of the above form (either is empty, or pick any element , and then () defines an isomorphism ). Left-zero and right-zero bands are rectangular bands, and in fact every rectangular band is isomorphic to a direct product of a left-zero band and a right-zero band. All rectangular bands of prime order are zero bands, either left or right. A rectangular band is said to be purely rectangular if it is not a left-zero or right-zero band.\n\nIn categorical language, one can say that the category of nonempty rectangular bands is equivalent to , where is the category with nonempty sets as objects and functions as morphisms. This implies not only that every nonempty rectangular band is isomorphic to one coming from a pair of sets, but also these sets are uniquely determined up to a canonical isomorphism, and all homomorphisms between bands come from pairs of functions between sets. If the set is empty in the above result, the rectangular band is independent of , and vice versa. This is why the above result only gives an equivalence between nonempty rectangular bands and pairs of nonempty sets.\n\nRectangular bands are also the -algebras, where is the monad on Set with , , being the diagonal map , and .\n\nNormal bands\nA normal band is a band satisfying\n for all , , and .\n\nWe can also say a normal band is a band satisfying\n for all , , , and .\n\nThis is the same equation used to define medial magmas, and so a normal band may also be called a medial band, and normal bands are examples of medial magmas.\n\nLeft-regular bands\n\nA left-regular band is a band satisfying\n\n for all ,\n\nIf we take a semigroup and define if and only if , we obtain a partial ordering if and only if this semigroup is a left-regular band. Left-regular bands thus show up naturally in the study of posets.\n\nRight-regular bands\n\nA right-regular band is a band satisfying\n\n for all \n\nAny right-regular band becomes a left-regular band using the opposite product. Indeed, every variety of bands has an 'opposite' version; this gives rise to the reflection symmetry in the figure below.\n\nRegular bands\nA regular band is a band satisfying\n for all\n\nLattice of varieties\n\nWhen partially ordered by inclusion, varieties of bands naturally form a lattice, in which the meet of two varieties is their intersection and the join of two varieties is the smallest variety that contains both of them. The complete structure of this lattice is known; in particular, it is countable, complete, and distributive. The sublattice consisting of the 13 varieties of regular bands is shown in the figure. The varieties of left-zero bands, semilattices, and right-zero bands are the three atoms (non-trivial minimal elements) of this lattice.\n\nEach variety of bands shown in the figure is defined by just one identity. This is not a coincidence: in fact, every variety of bands can be defined by a single identity.\n\nSee also\nBoolean ring, a ring in which every element is (multiplicatively) idempotent\nNowhere commutative semigroup\nSpecial classes of semigroups\nOrthodox semigroup\n\nNotes\n\nReferences\n.\n.\n.\n.\n.\n.\n.\n.\n.\n.\n\nAlgebraic structures\nSemigroup theory" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -", "Do they have any other songs released this era?", "covers of Blue Mink's \"Can You Feel It Baby?\" (September 1971), Delaney and Bonnie's \"Free the People\" (February 1972) and Ted Mulry's \"You're All Woman\" (September 1972).", "Did they received any awards?", "In 1971, Sherbet entered Australia's prestigious national rock band contest, Hoadley's Battle of the Sounds, and won the New South Wales final", "What other awards did they received?", "They entered again in 1972 and won the national final,", "In this era where there any other member left the band?", "Bruce Worrall (Bright Lights, House of Bricks, Samael Lilith) took over from Rea on bass guitar." ]

[ "Bardolatry is excessive admiration of William Shakespeare. Shakespeare has been known as \"the Bard\" since the eighteenth century. One who idolizes Shakespeare is known as a bardolator.\nThe term bardolatry, derived from Shakespeare's sobriquet \"the Bard of Avon\" and the Greek word latria \"worship\" (as in idolatry, worship of idols), was coined by George Bernard Shaw in the preface to his collection Three Plays for Puritans published in 1901. Shaw professed to dislike Shakespeare as a thinker and philosopher because Shaw believed that Shakespeare did not engage with social problems as Shaw did in his own plays.\n\nOrigins\n\nThe earliest references to the idolising of Shakespeare occur in an anonymous play The Return from Parnassus, written during the poet's lifetime. A poetry-loving character says he will obtain a picture of Shakespeare for his study and that \"I'll worship sweet Mr Shakespeare and to honour him will lay his Venus and Adonis under my pillow, as we read of one – I do not well remember his name, but I'm sure he was a king – slept with Homer under his bed's head\". However, this character is being satirised as a foolish lover of sensuous rather than serious literature.\n\nThe serious stance of bardolatry has its origins in the mid-18th century, when Samuel Johnson referred to Shakespeare's work as \"a map of life\". In 1769 the actor David Garrick, unveiling a statue of Shakespeare in Stratford-upon-Avon during the Shakespeare Jubilee, read out a poem culminating with the words \"'tis he, 'tis he, / The God of our idolatry\". Garrick also constructed a temple to Shakespeare at his home in Hampton. The phenomenon developed during the Romantic era, when Samuel Taylor Coleridge, John Keats, William Hazlitt, and others all described Shakespeare as a transcendent genius. Shaw's distaste for this attitude to Shakespeare is anticipated by William Cowper's attack on Garrick's whole festival as blasphemous in his poem The Task (1785).\n\nVoltaire\nVoltaire traveled to England in 1726, and attended the Theatre Royal, Drury Lane several times, seeing multiple of Shakespeare's plays. He heralded Shakespeare as a writer of genius. He was the main promoter of Shakespeare's works in France, and he translated the first three acts of Julius Caesar into French. Through promotion, translation and dissemination, he laid the foundation for the cult of Shakespeare. Later, Voltaire tried to combat the cult by calling Shakespeare a barbarian, dismissing the cult as \"simply bardolatry,\" and criticizing his grasp on the laws of art, but the ideals of the cult had already begun to spread.\n\nVictorian bardolatry\n\nThe phenomenon became important in the Victorian era when many writers treated Shakespeare's works as a secular equivalent or replacement to the Bible. \"This King Shakespeare,\" the essayist Thomas Carlyle wrote in 1840, \"does not he shine, in crowned sovereignty, over us all, as the noblest, gentlest, yet strongest of rallying signs; indestructible\".\n\nThe essential characteristic of bardolatry is that Shakespeare is presented as not only the greatest writer who ever lived, but also as the supreme intellect, the greatest psychologist, and the most faithful portrayer of the human condition and experience. In other words, bardolatry defines Shakespeare as the master of all human experience and of its intellectual analysis. As Carlyle stated,\n\nOf this Shakspeare of ours, perhaps the opinion one sometimes hears a little idolatrously expressed is, in fact, the right one; I think the best judgment not of this country only, but of Europe at large, is slowly pointing to the conclusion, that Shakspeare is the chief of all Poets hitherto; the greatest intellect who, in our recorded world, has left record of himself in the way of Literature. On the whole, I know not such a power of vision, such a faculty of thought, if we take all the characters of it, in any other man. Such a calmness of depth; placid joyous strength; all things imaged in that great soul of his so true and clear, as in a tranquil unfathomable sea!\n\nShaw's sceptical views arose in response to such ideas. Shaw wished to demythologise Shakespeare. He emphasised that Shakespeare was capable of both brilliance and banality, a point made humorously in his late puppet play Shakes versus Shav, in which he compares Shakespeare's work to his own. He unequivocally asserted that Shakespeare was a great poet, even calling him \"a very great author\" at one point, and praised his use of what Shaw called \"word-music\". He also declared, \"Nobody will ever write a better tragedy than Lear\". However, he also wrote in a letter to Mrs Patrick Campbell, \"Oh, what a damned fool Shakespeare was!\", and complained of his \"monstrous rhetorical fustian, his unbearable platitudes, his sententious combination of ready reflections with complete intellectual sterility\".\n\nHarold Bloom\nThe critic Harold Bloom revived bardolatry in his 1998 book Shakespeare: The Invention of the Human, in which Bloom provides an analysis of each of Shakespeare's thirty-eight plays, \"twenty-four of which are masterpieces.\" Written as a companion to the general reader and theatergoer, Bloom's book argues that bardolatry \"ought to be even more a secular religion than it already is.\" He contends in the work that Shakespeare \"invented\" humanity, in that he prescribed the now-common practice of \"overhearing\" oneself, which drives one's own internal psychological development. In addition, he embraces the notion of the true reality of the characters of Shakespeare, regarding them as \"real people\" in the sense that they have altered the consciousness and modes of perception of not only readers, but most people in any western literate culture.\n\nSee also\n Shakespeare's reputation\n\nNotes and references\n\nNotes\n\nReferences\n\nSources\n\nFurther reading\n Laporte, Charles. \"The Bard, the Bible, and the Victorian Shakespeare Question.\" English Literary History. Vol. 74, No. 3, Fall 2007: 609–628.\n Laporte, Charles. \"The Devotional Texts of Victorian Bardolatry.\" Shakespeare, the Bible, and the History of the Material Book: Contested Scriptures. Eds. Travis DeCook and Alan Galey. Routledge. 2012: 143–159.\n\nExternal links\n Bardolatry in the dictionary\n\nGeorge Bernard Shaw\nLiterary fandom\nCelebrity fandom\nWilliam Shakespeare\n1900s neologisms", "Peter Glossop is a British sound engineer. He was nominated for an Academy Award in the category Best Sound for the film Shakespeare in Love. He has worked on over 70 films since 1971.\n\nIn 1964, Glossop visited the U.S. as part of a pop band called The Minets of England. The band spent much of the next year performing at Caeser's Monticello in Framingham, Massachusetts. Glossop was the bass player in the band. They had two local hits in Massachusetts, \"The Secret of Love\" and \"My Love is Yours.\" The band broke up in 1965.\n\nSelected filmography\n Shakespeare in Love (1998)\n\nReferences\n\nExternal links\n\nYear of birth missing (living people)\nLiving people\nBritish audio engineers\nGoya Award winners" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -", "Do they have any other songs released this era?", "covers of Blue Mink's \"Can You Feel It Baby?\" (September 1971), Delaney and Bonnie's \"Free the People\" (February 1972) and Ted Mulry's \"You're All Woman\" (September 1972).", "Did they received any awards?", "In 1971, Sherbet entered Australia's prestigious national rock band contest, Hoadley's Battle of the Sounds, and won the New South Wales final", "What other awards did they received?", "They entered again in 1972 and won the national final,", "In this era where there any other member left the band?", "Bruce Worrall (Bright Lights, House of Bricks, Samael Lilith) took over from Rea on bass guitar.", "Is Shakespeare already part of the band in this era?", "Clive Shakespeare on lead guitar and vocals" ]

[ "\"Make Me Crazy\" is the second and final single by Scandal'us from their debut album Startin' Somethin'. It did not live up to the success of their debut single, \"Me, Myself & I\", only managing to debut and peak at No. 30 on the Australian ARIA Charts. This was the last release from the band before they broke up in 2002.\n\nTrack listing\n Maxi Single\n \"Make Me Crazy\" (3:15)\n \"Make Me Crazy\" (Crazy Nights Mix) (3:30)\n \"Make Me Crazy\" (Wired Meshmix)\t(3:26)\n \"Make Me Crazy\" (KCB Klubbmix) (3:34)\n \"Make Me Crazy\" (Karaoke Mix) (3:17)\n\nCharts\n\nReferences\n\n2001 singles\nWarner Music Group singles\n2001 songs", "Norman Winslow Sharp (26 November 1919 – 1977) was an English professional footballer who played as an inside-right.\n\nCareer\nSharp joined Everton in November 1938, however he did not make a single senior appearance for the club. He did, however, guest for them 8 times during the war.\n\nHe also guested for Leeds United during the war.\n\nAfter the war, he signed for Wrexham where he make his professional debut and would go on make 122 league appearances for Wrexham, before retiring from football.\n\nSharp died in 1977.\n\nReferences\n\n1919 births\n1977 deaths\nEnglish footballers\nEnglish Football League players\nEverton F.C. players\nWrexham A.F.C. players\nEverton F.C. wartime guest players\nLeeds United F.C. wartime guest players\nFootballers from Liverpool\nAssociation football inside forwards" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -", "Do they have any other songs released this era?", "covers of Blue Mink's \"Can You Feel It Baby?\" (September 1971), Delaney and Bonnie's \"Free the People\" (February 1972) and Ted Mulry's \"You're All Woman\" (September 1972).", "Did they received any awards?", "In 1971, Sherbet entered Australia's prestigious national rock band contest, Hoadley's Battle of the Sounds, and won the New South Wales final", "What other awards did they received?", "They entered again in 1972 and won the national final,", "In this era where there any other member left the band?", "Bruce Worrall (Bright Lights, House of Bricks, Samael Lilith) took over from Rea on bass guitar.", "Is Shakespeare already part of the band in this era?", "Clive Shakespeare on lead guitar and vocals", "Did he make a single?", "I don't know." ]

[ "Clive Richard Shakespeare (3 June 194715 February 2012) was an English-born Australian pop guitarist, songwriter and producer. He was a co-founder of pop rock group Sherbet, which had commercial success in the 1970s including their number-one single, \"Summer Love\" in 1975. The majority of Sherbet's original songs were co-written by Shakespeare with fellow band member Garth Porter. Other Sherbet singles co-written by Shakespeare include \"Cassandra\" (peaked at number nine in 1973), \"Slipstream\" and \"Silvery Moon\" (both reached number five in 1974). In January 1976 Shakespeare left the band citing dissatisfaction with touring, pressures of writing and concerns over the group's finances. Shakespeare has produced albums for other artists including Post by Paul Kelly in 1985.\n\nBiography\n\nClive Richard Shakespeare was born in Southampton, Hampshire, England on 3 June 1947. With his family he migrated to Australia and settled in Sydney. As lead guitarist, he joined various bands including The Road Agents in 1968 in Sydney with Terry Hyland on vocals. He was a founding member of Down Town Roll, which was a Motown covers band, alongside Adrian Cuff (organ), Frank Ma (vocals), Doug Rea (bass guitar), Pam Slater (vocals) and Danny Taylor on drums.\n\nIn April 1969 Rea, Shakespeare and Taylor founded pop, rock band, Sherbet with Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction) and Sammy See on organ, guitar, and vocals (Clapham Junction). See had left in October 1970 to join The Flying Circus and was replaced by New Zealand-born Garth Porter (Samael Lilith, Toby Jugg) who provided Hammond organ and electric piano. Sherbet's initial singles were cover versions released by Infinity Records and distributed by Festival Records.\n\nFrom 1972 to 1976, Sherbet's chief songwriting team of Porter and Shakespeare were responsible for co-writing the lion's share of the band's material, which combined British pop and American soul influences. For their debut album, Time Change... A Natural Progression (December 1972), Shakespeare co-wrote five tracks including the top 30 single, \"You've Got the Gun\". Other Sherbet singles co-written by Shakespeare include \"Cassandra\" (peaked at number nine in 1973), \"Slipstream\" and \"Silvery Moon\" (both reached number five in 1974), and their number-one hit \"Summer Love\" from 1975. Sherbet followed with more top five singles, \"Life\" and \"Only One You\" / \"Matter of Time\".\n\nIn January 1976, Shakespeare left Sherbet citing 'personal reasons'. He later explained \"I couldn't even go out the front of my house because there were all these girls just hanging on the fence [...] There was always a deadline for Garth and me - another album, another tour. When it did finally end, I was relieved more than anything because I had had enough. I left the band early in 1976 for reasons I don't want to discuss fully … but let's just say I wasn't happy about where all the money went\". The last single he played on was \"Child's Play\", which was a No. 5 hit in February. Shakespeare was soon replaced by Harvey James (ex-Mississippi, Ariel). In 1977, Shakespeare issued a solo single, \"I Realize\" / \"There's a Way\" on Infinity Records.\n\nShakespeare set up Silverwood Studios and worked in record production, including co-producing Paul Kelly's debut solo album, Post (1985).\n\nShakespeare rejoined Sherbet for reunion concerts including the Countdown Spectacular tour throughout Australia during September and October 2006. That year also saw the release of two newly recorded tracks on the compilation album, Sherbet – Super Hits, \"Red Dress\" which was written by Porter, Shakespeare, Daryl Braithwaite, James, Tony Mitchell, and Alan Sandow; and \"Hearts Are Insane\" written by Porter. In January 2011 Harvey James died of lung cancer – the remaining members except Shakespeare, who was too ill, performed at Gimme that Guitar, a tribute concert for James on 17 February.\n\nDeath\nClive Shakespeare died on 15 February 2012, aged 64, from prostate cancer.\nThe prostate cancer had first been diagnosed some eight (8) or nine (9) years earlier, and although the prognosis had been good initially, ultimately the prostate cancer is listed here—correctly or otherwise—as the \"cause of death.\"\n\nDiscography\n\nSolo\n\"I Realize\" / \"There's a Way\" (1977)\n\nProduction\n At the Alpine – Richard & Wendy (1978) producer\n \"Stop all Your Talking\" – Tuesday Piranha (1983) co-producer\n \"All You Wanted\" – The Apartments (1984) engineer\n \"Possession\" – Leonard Samperi / \"Give It Up\" – David Virgin (June 1984) engineer\n \"Forget\" – John Kennedy (September 1984) audio recorder\n Post – Paul Kelly (May 1985) co-producer\n \"Ruby Baby\" – Martin Plaza (1986) co-producer\n Everything – Let's Go Naked (April 1986) engineer\n Hide & Seek – Julie Blanchard (February 2012) engineer\n\nReferences\n\nGeneral\n Note: Archived [on-line] copy has limited functionality.\n Note: [on-line] version established at White Room Electronic Publishing Pty Ltd in 2007 and was expanded from the 2002 edition.\n\nSpecific\n\n1949 births\n2012 deaths\nAustralian rock guitarists\nEnglish emigrants to Australia\nEnglish pop guitarists\nEnglish male guitarists\nLead guitarists\nAustralian male guitarists\nNaturalised citizens of Australia\nPeople from Southampton\nMusicians from Sydney\nDeaths from cancer in New South Wales\nDeaths from prostate cancer\n20th-century Australian musicians\n20th-century English musicians\n20th-century British guitarists\nSherbet (band) members\n20th-century British male musicians", "Volt is the final work released by Minneapolis alternative rock band Trip Shakespeare. A six-song EP of covers, it was released in 1992 by Minneapolis label Clean Records.\n\nVolt includes songs by Nick Lowe, Thunderclap Newman, Big Star, the Zombies, Hüsker Dü, and Neil Young.\n\nHistory\nThe recording of the songs on Volt, which were intended to be Trip Shakespeare's fifth album, followed two albums for major label A&M Records, Across the Universe and Lulu. Both were critically well-reviewed but suffered from low sales. Inspired by the then-current 1992 Los Angeles riots, the band chose songs about peace, revolution and freedom as a unifying concept for the album. A&M initially encouraged the project, but became unsure how to market it. A&M's promotions department, upon hearing the album, responded by saying \"What do we do with this?\", according to bassist John Munson. \n\nThe label eventually rejected Volt and dropped Trip Shakespeare from its roster. The band broke up soon afterwards. \n\nTrip Shakespeare bought back the Volt songs from the label and released it on Clean, the Minneapolis independent label which had put out its first records.\n\nReception\nThe album had a mixed reception from critics. Gregory McIntosh of AllMusic wrote that none of the songs were \"particularly gripping, but there are some great moments as well as fun listens for fans of Trip Shakespeare.\" Chris Morris of Billboard praised the \"stunning, harmony-laden\" and \"sharp selection of covers.\" Courtney King of Tennessee newspaper The Jackson Sun called Volt \"enjoyable,\" singling out the \"upbeat and peppy\" version of \"Peace Love, and Understanding,\" calling it \"a really good song to slam to if you do it at a moderate pace,\" but felt that the band did better with its original compositions. Dave Strahan of the Daily Iowan newspaper called it \"a disappointment\", saying it reduced Trip Shakespeare to \"a cheesy cover band.\" He praised the song \"Helpless\" as \"the gem buried in this uninspired work, [which] maintains the beauty of the song while making it their own.\"\n\nTrack listing\n\nReferences\n\n1994 EPs\nTrip Shakespeare albums" ]

[ "Sherbet (band)", "Formation and early years (1969-1972)", "Who are the line up members of the band?", "Dennis Laughlin on vocals (ex-Sebastian Hardie Blues Band, Clapham Junction), Doug Rea on bass guitar (Downtown Roll Band), Sammy See on organ, guitar and vocals", "Did they release any song in this year?", "The band's debut single was issued in March 1970 as a cover version of Badfinger's \"Crimson Ships\" -", "Do they have any other songs released this era?", "covers of Blue Mink's \"Can You Feel It Baby?\" (September 1971), Delaney and Bonnie's \"Free the People\" (February 1972) and Ted Mulry's \"You're All Woman\" (September 1972).", "Did they received any awards?", "In 1971, Sherbet entered Australia's prestigious national rock band contest, Hoadley's Battle of the Sounds, and won the New South Wales final", "What other awards did they received?", "They entered again in 1972 and won the national final,", "In this era where there any other member left the band?", "Bruce Worrall (Bright Lights, House of Bricks, Samael Lilith) took over from Rea on bass guitar.", "Is Shakespeare already part of the band in this era?", "Clive Shakespeare on lead guitar and vocals", "Did he make a single?", "I don't know.", "Did Shakespeare left the band this year?", "I don't know." ]

[ "Celine Dion in Concert was the fourth concert tour by Celine Dion. The tour consisted of 51 shows held between 13 July 1992 and 13 May 1993. It was organized to support the album Celine Dion.\n\nHistory\nDuring the summer of 1992, Céline Dion did an American tour as the opening act for Michael Bolton. They kicked off the \"Time, Love and Tenderness Tour\" on 13 July 1992 at the Hollywood Bowl in Los Angeles, California. In the space of one month, they performed the show in twenty-thousand-seat-arenas. Dion also joined Bolton for the song \"Hold On, I'm Comin'.\" According to Celine, the opening for Michael Bolton was exhausting, particularly because she had to change cities every day. \"But we were finally doing what we had always dreamed of doing: working in the country that created the big time\", Celine has said. In the beginning, Celine performed for very restless, impatient audiences who were waiting to hear Michael Bolton and were not interested in her. \"I had a defective sound system and very little space because the stage was taken up by the mixers and instruments for the main act.\" The concerts were held outdoors, and it was still daylight when Celine went onstage. Eventually Rene Angelil was able to convince the producers to begin the show a half-hour later. By the end of the tour, Celine had good lighting and a better sound system.\n\nBetween August 1992 and March 1993 she toured Quebec, Canada. In August 1992, in front of more than 45,000 people, Dion took part in a historic concert at Le Parc des Iles on Ile Ste-Hélène to celebrate the 350th anniversary of Montreal. She performed duets with Aaron Neville, Peabo Bryson and The Atlanta Super Choir in a concert that was later aired on the CBC's Les Beaux Dimanches. On 23 March 1993 Dion began her English-language Canada leg of the tour, with five sold-out concerts at the Montreal Forum. This last leg included 28 dates and 75,000 tickets. When they went on sale, the tickets were sold in 5 hours.\n\nAccording to Le Soleil (17 November 1993) Dion gave 17 concerts at Capitole Theatre, Quebec City since its opening in November 1992 with an average of 1,300 tickets sold per show. She was the most profitable act for the venue.\n\nDion typically performed 15 songs during her 90-minute shows. The set list included mainly songs from her latest English album Celine Dion, but also few from her previous albums (Unison and Dion chante Plamondon) and three covers: \"Sorry Seems to Be the Hardest Word,\" \"Can't Help Falling in Love\" and \"(You Make Me Feel Like) A Natural Woman.\"\n\nDion was supposed to sing in Campbellton and Caraquet in May 1993, but these concerts were cancelled because of death of her niece Karine. It was announced that they would be rescheduled later that summer. An additional 4 concerts which Dion had to postpone after Karine's death were performed in September 1993. During the 7–8 September 1993 concerts, Celine performed songs from her upcoming album \"The Colour Of My Love\". Singer Anthony Kavanagh did the opening act at Celine's shows in Quebec, Canada. In the rest of the country, Lennie Gallant did some opening acts. Some of the concerts of the tour were actually special performances for some festivals like the \"Grand Prix de Trois-Rivières\", \"Montréal au rythme des Amériques\", \"Canadian National Exhibition\" and the \"Gatineau Hot Air Balloon Festival\".\n\nOpening acts\n Anthony Kavanagh (Quebec)\n Lennie Gallant (Canada)\n\nSet list\n \"Des mots qui sonnent\"\n \"Where Does My Heart Beat Now\"\n \"Sorry Seems to Be the Hardest Word\"\n \"Love Can Move Mountains\"\n \"L'amour existe encore\"\n \"Je danse dans ma tête\"\n \"Unison\"\n \"If You Asked Me To\"\n \"Did You Give Enough Love\"\n \"Beauty and the Beast\"\n \"Water from the Moon\"\n \"With This Tear\"\n \"(You Make Me Feel Like) A Natural Woman\" \n \"Nothing Broken but My Heart\"\n \"Can't Help Falling in Love\"\n\nTour dates\n\nFestivals and other miscellaneous performances\nThis concert was a part of the \"Grand Prix de Trois-Rivières\"\nThis concert was a part of the \"Montréal au rythme des Amériques\"\nThis concert was a part of the \"Canadian National Exhibition\"\nThis concert was a part of the \"Gatineau Hot Air Balloon Festival\"\n\nReferences\n\nCeline Dion concert tours\n1992 concert tours\n1993 concert tours", "Punjabi Virsa 2010 was a concert tour by Kamal Heer, Manmohan Waris and Sangtar. It is the seventh Punjabi Virsa tour. They will be touring cities in England and Scotland in June and July 2010 and Canada and United States in September and October 2010. The tour is presented by One World Productions and Plasma Records.\n\nTour\nKamal Heer, Manmohan Waris and Sangtar arrived in the United Kingdom on June 6 and 7. They played their first and second concerts to sold out crowds at the New Bingley Hall, Birmingham and then Leeds Town Hall, Leeds. Then they played successful concerts in Sunderland and Glasgow with a sold out concert at Leicester. They completed the UK tour with a sold out concert at the Wembley Arena in London. The North American tour has begun with a concert in Calgary on September 11, 2010. The North American tour will have concerts in Canada before concerts in the United States.\n\nConcerts\n\nReferences\n\nExternal links\n Official Website\n One World Productions Website\n\n2010 concert tours\nWaris Brothers\nPunjabi Virsa" ]

[ "Charlie Haden", "2000-2014" ]

[ "Spain are an American rock band formed in Los Angeles, California in 1993, and led by singer/bassist Josh Haden. Their syncretic music contains elements of country, blues, folk, jazz, and slowcore. In a career spanning more than two decades, Spain has released five studio albums, a live album, and a best-of collection.\n\nHistory \nSpain's debut album The Blue Moods of Spain, released in September 1995, featured the song \"Spiritual,\" which has since become a standard, having been covered numerous times by artists including Johnny Cash, Soulsavers, Sean Wheeler and Zander Schloss, and by Haden's own father, jazz great Charlie Haden, who performed an instrumental version with jazz guitarist Pat Metheny on their acclaimed 1997 album Beyond The Missouri Sky (Short Stories). Spain's second album She Haunts My Dreams was recorded in 1999 on the Swedish island of Vaxholm, and contained performances by Swedish jazz pianist Esbjörn Svensson, guitarist Björn Olsson, and sometime R.E.M. and Beck drummer Joey Waronker. This album contained the song \"Every Time I Try\" which director Wim Wenders included in the soundtrack to The End of Violence. Spain's third album I Believe was released in 2001, and a compilation, Spirituals: The Best Of Spain, was released in 2003.\n\nAfter a period of inactivity, Haden reformed the band with new members in 2007. This longest-running formation of the band crystallized with the lineup of Randy Kirk on keys and guitar, Matt Mayhall (of The Both) on drums, and Daniel Brummel on lead guitar and backing vocals. In 2012, this lineup released The Soul of Spain, the band's first new studio recording in 13 years, which \"bears an undeniably brighter sound,\" and also features performances by Josh's sisters Petra Haden, Rachel Haden, and Tanya Haden, now known professionally as The Haden Triplets.\n\nThe Soul of Spain received critical praise in the European press, and the group completed several European tours including performances in Belgium, Denmark, Norway, France, Germany, The Netherlands, Switzerland, Italy, Spain, Portugal, and the United Kingdom. During this period, Dylan McKenzie was added to the group as a touring member on acoustic guitar, and in 2013, the touring lineup recorded The Morning Becomes Eclectic Session, a live album recorded at KCRW which also features The Haden Triplets. In 2013, the lineup of Haden, Mayhall, Brummel and Kirk reconvened to record another studio full-length, Sargent Place, which was produced by Gus Seyffert, mixed by Darrell Thorp and released on Dine Alone Records on November 4, 2014. The album contains Charlie Haden's last recorded performance, the song \"You And I,\" and was given a four star rating by AllMusic.\n\nPersonnel\n\nCurrent members\nJosh Haden (vocals, bass)\n\nFormer members\nMatt Mayhall (drums)\nDaniel Brummel (guitar)\nRandy Kirk (keys, guitar)\nDylan McKenzie (acoustic guitar)\nEvan Hartzell (drums)\nKen Boudakian (guitar)\nMerlo Podlewski (guitar)\n\nDiscography\n\nAlbums\nThe Blue Moods of Spain (Restless Records, 1995)\nShe Haunts My Dreams (Restless Records, 1999)\nI Believe (Restless Records, 2001)\nSpirituals: The Best of Spain (Restless Records, 2003)\n Blue Moods Of Spain: A History, Pt. 1 (Diamond Soul Recordings, 2010)\n Blue Moods Of Spain: A History, Pt. 2 (Diamond Soul Recordings, 2011)\nThe Soul Of Spain (Glitterhouse Records, 2012)\nThe Morning Becomes Eclectic Session (Glitterhouse Records, 2013)\nSargent Place (Dine Alone/Glitterhouse Records, 2014)\nCarolina (Glitterhouse Records, 2016)\nLive at the Love Song (Live) (Glitterhouse Records, 2017)\nMandala Brush (Glitterhouse Records, 2018)\n\nReferences\n\nExternal links\n\nFan site\n\nRock music groups from California\nMusical groups established in 1993\nMusical groups from Los Angeles\nRestless Records artists\nDine Alone Records artists\nGlitterhouse Records artists", "Time Remembers One Time Once is a live album by pianist Denny Zeitlin and bassist Charlie Haden recorded at Keystone Korner in 1981 and released on the ECM label.\n\nReception\n\nThe album received strong reviews in the United States and Europe. \"The occasional over-modulation in this recording doesn't detract from the outstanding performances and this CD should be essential for fans of either Denny Zeitlin and/or Charlie Haden\", wrote Ken Dryden on the website Allmusic. He gave the album 4 stars.\n\nTrack listing\n \"Chairman Mao\" (Charlie Haden) - 6:35 \n \"Bird Food\" (Ornette Coleman) - 9:53 \n \"As Long as There's Music\" (Sammy Cahn, Jule Styne) - 6:53 \n \"Time Remembers One Time Once\" (Denny Zeitlin) - 4:27 \n \"Love for Sale\" (Cole Porter) - 7:04 \n \"Ellen David\" (Charlie Haden) - 6:37 \n \"Satellite/How High the Moon\" (John Coltrane/Nancy Hamilton, Morgan Lewis) - 8:05 \n \"The Dolphin\" (Luiz Eça) - 4:06 \nRecorded at Keystone Korner in San Francisco, California in July 1981\n\nPersonnel\nDenny Zeitlin — piano\nCharlie Haden — bass\n\nReferences \n\nECM Records live albums\nCharlie Haden live albums\n1983 live albums\nAlbums produced by Manfred Eicher\nAlbums recorded at Keystone Korner" ]

[ "Charlie Haden", "2000-2014", "Did Haden do any performances during this time period?", "With different musicians he selected, they performed in concert for eight consecutive nights of the festival." ]

[ "Sonic Temple Art & Music Festival is a rock festival currently held in Columbus, Ohio, United States and is produced by Danny Wimmer Presents.\n\nHistory\n\nIn 2018 it was announced that Rock on the Range would be replaced by Danny Wimmer Presents as the Sonic Temple Art & Music Festival. The inaugural festival was held in May 2019 with sold-out crowds of 120,000.\n\nIn December 2019, the full lineup for Sonic Temple 2020 was revealed. Metallica were to headline both Friday and Saturday night, with Slipknot headlining on Saturday. Other performers were to include Deftones, Bring Me the Horizon, Evanescence, Sublime with Rome, Rancid, Dropkick Murphys, Cypress Hill, Pennywise, Royal Blood, The Pretty Reckless, Alter Bridge, Anthrax, Flatbush Zombies, Pop Evil, Hellyeah, Ghostemane, Suicidal Tendencies, Testament, Dance Gavin Dance, Ice Nine Kills, Sleeping with Sirens, The Darkness, Knocked Loose, Code Orange, Power Trip, Saint Asonia, Dirty Honey, Jinjer, City Morgue, Bones UK, Airbourne, Fire from the Gods, Dinosaur Pile-Up, Des Rocs, Counterfeit, Crobot, Cherry Bomb, DED, Goodbye June, Brutus, 3Teeth, BRKN Love, Killstation, Brass Against, Crown Lands, Ego Kill Talent, Dregg, Bloodywood, and Zero 9:36, with more to have been announced.\n\nIn February 2020, it was announced that Metallica would be replaced as headliners by the Red Hot Chili Peppers and Tool, following frontman James Hetfield's entrance into a rehabilitation program for substance abuse. The following month, the festival was cancelled due to the COVID-19 pandemic. In February 2021, it was announced it would once again be cancelled due to the COVID-19 pandemic, with plans to return in 2022.\n\nEvents\n\n2019 \n\nMonster Energy Stadium Stage:\n System of a Down\n Ghost\n Halestorm\n Parkway Drive\n Beartooth\n Avatar\n Badflower\n\nEcho Stage:\n Meshuggah\n Black Label Society\n Bad Wolves\n Zeal & Ardor\n Wage War\n SHVPES\n The Jacks\n\nWave Stage:\n Tom Morello\n Pussy Riot\n Ho99o99\n Cleopatrick\n Hands Like Houses\n Radattack\n\nSiriusXM Comedy & Spoken Word Tent:\n Henry Rollins\n Tom Morello\n Shapel Lacy\n Nadya\n\nMonster Energy Stadium Stage:\n Disturbed\n Papa Roach\n Lamb of God\n In This Moment\n Gojira\n Fever 333\n Black Coffee\n\nEcho Stage:\n The Cult\n Killswitch Engage\n Architects\n The Black Dahlia Murder\n While She Sleeps\n Evan Konrad\n The Plot in You\n\nWave Stage:\n Action Bronson (did not perform due to an \"unforeseen knee injury\")\n Mark Lanegan Band\n Don Broco\n Movements\n Boston Manor\n No1Cares\n\nSiriusXM Comedy & Spoken Word Tent:\n Andrew Dice Clay\n Eleanor Kerrigan\n Mark Normand\n Craig Grass\n\nMonster Energy Stadium Stage:\n Foo Fighters\n Bring Me the Horizon (did not perform due to high winds)\n Chevelle (did not perform due to high winds)\n The Distillers (did not perform due to high winds)\n The Struts\n The Glorious Sons\n Amigo the Devil\n\nEcho Stage:\n Joan Jett and the Blackhearts\n The Hives (performance ended early due to high winds)\n The Interrupters\n Yungblud\n Palaye Royale\n Dirty Honey\n Teenage Wrist\n\nWave Stage:\n Scars on Broadway (did not perform due to high winds)\n Refused (did not perform due to high winds)\n Black Pistol Fire (did not perform due to high winds)\n Basement (did not perform due to high winds)\n Scarlxrd (did not perform due to high winds)\n Demob Happy (did not perform due to high winds)\n\nSiriusXM Comedy & Spoken Word Tent:\n Pauly Shore (did not perform due to high winds)\n Carmen Lynch (did not perform due to high winds)\n Joe Deuce (did not perform due to high winds)\n Bill Squire (did not perform due to high winds)\n\nReferences\n\nExternal links\n \n\nHeavy metal festivals in the United States\nMusic festivals established in 2019\nMusic festivals in Ohio\nRock festivals in the United States", "Sunčane Skale 2012 was the eighteenth edition of Sunčane Skale, an annual pop festival held in Montenegro.\n\nResults\n\nNove zvijezde\n\nPjesma ljeta\n\nThe winner of Nove zvijezde should perform first in the final, but actually did not perform.\n\nScoreboard\n\nSunčane Skale\n2012 in Montenegro" ]

[ "Charlie Haden", "2000-2014", "Did Haden do any performances during this time period?", "With different musicians he selected, they performed in concert for eight consecutive nights of the festival.", "Which festival did he perform in?", "In 1989, Haden inaugurated the \"Invitation\" series at the Montreal Jazz Festival." ]

[ "Gisbert Schneider (14 January 1934 – 1 December 2018) was professor for artistic organ playing and improvisation at the Folkwang Hochschule Essen as well as Kirchenmusikdirektor.\n\nLife \nBorn in Wattenscheid, Schneider grew up in Weimar. There he received his first organ lessons from Johannes Ernst Köhler. He completed his church music and Kapellmeister studies with Siegfried Reda at the Folkwang Hochschule Essen. This was followed by a position as a church musician in Velbert and Mülheim an der Ruhr. Since 1961 he was also a lecturer at Folkwang Hochschule Essen, 1970 he was appointed professor.\n\nSchneider was the prize winner of international organ competitions and in 1958 he received the . In addition to his international concert activities, he was a jury member of international organ competitions. There were particularly close scientific cooperations with the Academy of Music in Kraków and . There exist radio and vinyl recordings of Schneider as well as CDs/SACD recordings. He was the founder and for more than 50 years the director of the Kantorei Velbert. In 1996 he was awarded the Bundesverdienstkreuz.\n\nScneider died in Velbert aged 84.\n\nDiscography \n Wilhelm Middelschulte (1863–1943): Orgelwerke, Gisbert Schneider an der Großen Alexander Schuke Orgel im Dom zu Erfurt, Audio-CD 1997, Cybele Records\n Johann Sebastian Bach: Orgelwerke auf der großen Silbermann-Orgel im Dom zu Freiberg, Gisbert Schneider, Mehrkanal SACD abspielbar auch auf herkömmlichen CD-Playern, 2003, Cybele Records\n\nReferences\n\nExternal links \n \n \n\n1934 births\n2018 deaths\nPeople from North Rhine-Westphalia\nGerman classical organists\nGerman conductors (music)\nRecipients of the Order of Merit of the Federal Republic of Germany\nKirchenmusikdirektor", "Reläxx is a German television series.\n\nReläxx was a weekly kids- and youth magazine that was broadcast on KI.KA from 1997 to 2008. Between 1997 and 2006 it was produced by UFA Entertainment GmbH and since 2007 by X Film- und Fernsehproduktion GmbH on behalf of the German television channel rbb.\n\nThe programme \nReläxx was a leisure-time programme for kids and teenagers. Each episode lasted 20 minutes (previously 15 minutes) and had a different key subject. There was a wide range of topics. Beside background reports about e.g. the festival Berlinale, the programme also showed portraits of young actors and as well reportages on special sports. There were reports like “Fänn-Kursen” and “Äxxclusiv” and furthermore there were the two pretty unconventional actors Professor Dr. Marcowitsch (played by von Langenbeck himself) and M.C. Matzke (played by Kathrin Matzke, who also played this self-created role in the last episodes of the youth programme elf99). Both characters made the programme more relaxed with the help of comedy.\n\nThe trend-magazine was presented with a new design and in 16:9 widescreen format since its 500. episode in September 2007. As well as the title song, which was changed from “Frankie Goes To Hollywood” to Mika’s song “Relax, Take It Easy”. A Labrador-dog called “Mäxx” was as well a part of the programme since its relaunch. Since 2009 the programme was cancelled.\n\nAwards \nThe programme received the award “Goldener Spatz” four times. In 2008, Reläxx received this award for the best entertaining performance. The programme had received the award for entertainment already in 1999. Karsten Blumenthal received in the same year the special award for individual achievement and innovation as well as the award for moderation. The same award was handed out to him again in 2011.\n\nExternal links \n \n The official webside of the kids- and youthmagazine Reläxx\n Reläxx bei KIKA.de (alt)\n Reläxx bei KIKA.de (neu)\n\n1997 German television series debuts\n2008 German television series endings\nGerman children's television series\nGerman-language television shows" ]

[ "Charlie Haden", "2000-2014", "Did Haden do any performances during this time period?", "With different musicians he selected, they performed in concert for eight consecutive nights of the festival.", "Which festival did he perform in?", "In 1989, Haden inaugurated the \"Invitation\" series at the Montreal Jazz Festival.", "Was he well received there?", "With different musicians he selected, they performed in concert for eight consecutive nights of the festival." ]

[ "Alejandro Gutiérrez del Barrio (February 2, 1895 – September 15, 1954) was a Spanish born musician and score composer who worked in the Cinema of Argentina between 1936 and his death in 1954. A professional score composer hired by the film industry he composed the soundtracks to some 75 films and also a number of his earlier compositions were used in films some 6 years after his death. He composed the music to films such as Almafuerte in 1949.\n\nSelected filmography\n Santos Vega (1936)\n Our Land of Peace (1939)\n A Thief Has Arrived (1940)\n Mother Gloria (1941)\n When the Heart Sings (1941)\n The House of the Millions (1942)\n Story of a Poor Young Man (1942)\n The Prodigal Woman (1945)\n María Rosa (1946)\n The Sin of Julia (1946)\n The Three Rats (1946)\n Musical Romance (1947)\n Lucrezia Borgia (1947)\n Juan Moreira (1948)\n My Poor Beloved Mother (1948)\n The Unwanted (1951)\n\nExternal links\n \n\nArgentine film score composers\nSpanish film score composers\nMale film score composers\nSpanish composers\nSpanish male composers\n1895 births\n1964 deaths\nArgentine people of Spanish descent\n20th-century composers\n20th-century Spanish musicians\n20th-century Spanish male musicians", "Merle \"Ted\" Puffer (15 October 1928 – 22 October 2003) was an American singer, voice teacher and translator.\n\nHe taught the mezzo-soprano Dolora Zajick when she was launching her career.\n\nWith his wife Deena Puffer, he translated The Merry Widow into English, producing a libretto favored by some singers.\n\nHe was the founder of the Nevada Opera, and its artistic director through the 1998/99 season. He taught in the music department of the University of Nevada, Reno from 1966 to 1994, and served as chair of the department. In 1965, Puffer recorded two albums of Charles Ives Songs on Folkways Records. From 1994 until his death in 2003 he was on the voice faculty of the Manhattan School of Music in New York City. He also founded the Boston Comic Opera, The Milwaukee Opera, and the Salt Lake Opera in Logan, Utah. His nickname was Johnny \"Opera\" Seed for growing so many companies.\n\nThe Puffers' daughter, Monica Harte, sings professionally and teaches singing, and co-directs the Remarkable Theater Brigade.\n\nSelected discography\n Charles Ives Songs, Vol. 1: 1894-1915 (Folkways, 1965)\n Charles Ives Songs, Vol. 2: 1915-1925 (Folkways, 1965)\n\nExternal links\nPuffer Selected Discography at Smithsonian Folkways\n\n1928 births\n2003 deaths\n20th-century American musicians\n20th-century classical musicians\nAmerican classical musicians\nManhattan School of Music faculty\nVoice teachers" ]

[ "The Simpsons Movie", "Casting" ]

[ "Jon Vitti (born 1960) is an American writer best known for his work on the television series The Simpsons. He has also written for King of the Hill, The Critic and The Office, and has served as a screenwriter or consultant for several animated and live-action movies, including Ice Age (2002), Robots (2005), and Horton Hears a Who! (2008). He is one of the eleven writers of The Simpsons Movie and also wrote the screenplays for the film adaptions Alvin and the Chipmunks, its \"squeakquel\" and The Angry Birds Movie.\n\nCareer\nVitti is a graduate of Harvard University, where he wrote for, and was president with Mike Reiss of, the Harvard Lampoon. He was also very close with Conan O'Brien while at Harvard. Prior to joining The Simpsons, he had a brief stint at Saturday Night Live, describing his experience on a DVD commentary as \"a very unhappy year.\" After leaving the Simpsons writing staff in its fourth season, Vitti wrote for the HBO series The Larry Sanders Show. Beginning in its seventh season, he was also a writer for The Office.\n\nHe is the fifth most prolific writer for The Simpsons. His 25 episodes place him after John Swartzwelder, who wrote 59 episodes, John Frink who has written 33, Tim Long who has written 30, and Matt Selman who has written 29.\n\nVitti has also used the pseudonym Penny Wise. Vitti used the pseudonym for episodes \"Another Simpsons Clip Show\" and \"The Simpsons 138th Episode Spectacular\" because he did not want to be credited for writing a clip show as expressed on Simpsons DVD commentaries (though his name was credited for writing the first Simpsons clip show \"So It's Come to This: A Simpsons Clip Show\").\n\nOn the season four Simpsons episode \"The Front,\" Jon Vitti is caricatured as a Harvard graduate who gets fired from I&S Studios for penning mediocre episodes and gets hit on the head with a name plate by his boss, Roger Meyers.\n\nPersonal life\nHis wife, Ann, is the sister of fellow Simpsons writer George Meyer (who was also a Saturday Night Live writer-turned-Simpsons writer who did not like working on SNL). He is a distant cousin of Los Angeles Lakers trainer Gary Vitti, award-winning author Jim Vitti, and actor Michael Dante (the stage name of Ralph Vitti).\n\nWriting credits\n\nThe Simpsons episodes\nHe is credited with writing the following episodes:\n\n\"Bart the Genius\" (1990)\n\"Homer's Night Out\" (1990)\n\"The Crepes of Wrath\" (with George Meyer, Sam Simon, and John Swartzwelder) (1990)\n\"Simpson and Delilah\" (1990)\n\"Bart's Dog Gets an \"F\" (1991)\n\"Lisa's Substitute\" (1991)\n\"When Flanders Failed\" (1991)\n\"Burns Verkaufen der Kraftwerk\" (1991)\n\"Radio Bart\" (1992)\n\"Bart the Lover\" (1992)\n\"Black Widower\" (Teleplay) (1992)\n\"Treehouse of Horror III\" (with Al Jean, Mike Reiss, Jay Kogen, Wallace Wolodarsky, and Sam Simon) (1992)\n\"Mr. Plow\" (1992)\n\"Brother from the Same Planet\" (1993)\n\"So It's Come to This: A Simpsons Clip Show\" (1993)\n\"Cape Feare\" (1993)\n\"Another Simpsons Clip Show\" (credited as Penny Wise) (1994)\n\"Home Sweet Homediddly-Dum-Doodily\" (1995)\n\"The Simpsons 138th Episode Spectacular\" (credited as Penny Wise) (1995)\n\"The Old Man and the Key\" (2002)\n\"Weekend at Burnsie's\" (2002)\n\"Little Girl in the Big Ten\" (2002)\n\"Marge vs. Singles, Seniors, Childless Couples and Teens, and Gays\" (2004)\n\"Simple Simpson\" (2004)\n\"Sleeping with the Enemy\" (2004)\n\nThe Larry Sanders Show episodes\n\"Jeannie's Visit\"\n\"Hank's Sex Tape\"\n\"Larry's Sitcom\" (Teleplay, with John Riggi)\n\"Everybody Loves Larry\"\n\"Make a Wish\"\nVitti was nominated for Primetime Emmy Awards for Outstanding Writing in a Comedy Series for \"Hank's Sex Tape\" and \"Everybody Loves Larry\". He was also credited as co-executive producer for 30 of the 89 episodes.\n\nThe Critic episodes\n\"Dr Jay\"\n\"Siskel & Ebert & Jay & Alice\"\n\"I Can't Believe It's a Clip Show\"\n\nKing of the Hill episodes\n\"Jon Vitti Presents: 'Return To La Grunta'\"\n\"Dog Dale Afternoon\"\n\"Rodeo Days\"\n\"Hank's Bad Hair Day\"\n\"Hank's Choice\"\n\nThe Office episodes\n\"Viewing Party\"\n\"Garage Sale\"\n\nFilms\n Ice Age (2002) (story consultant)\n Robots (2005) (consultant)\n The Simpsons Movie (2007) (screenwriter)\n Alvin and the Chipmunks (2007) (screenwriter)\n Horton Hears a Who! (2008) (story consultant)\n Alvin and the Chipmunks: The Squeakquel (2009) (writer)\n The Angry Birds Movie (2016) (screenwriter)\n\nReferences\n\nExternal links\n \n Jon Vitti interview\n\nLiving people\nAmerican television writers\nAmerican male television writers\nPlace of birth missing (living people)\nThe Harvard Lampoon alumni\nBlue Sky Studios people\nAmerican people of Italian descent\n1960 births", "The twenty-ninth season of the animated television series The Simpsons premiered on Fox in the United States on October 1, 2017, and ended on May 20, 2018. On November 4, 2016, The Simpsons was renewed for seasons 29 and 30. This season marked the show's surpassing Gunsmoke as the longest-running scripted series in primetime television by number of episodes, with the series' 636th episode \"Forgive and Regret\".\n\nEpisodes\n\nProduction\n\nDevelopment \nDuring February 2018, episodes of The Simpsons were held back to avoid competing with the 60th Annual Grammy Awards, Super Bowl LII, the 2018 Winter Olympics, and the 90th Academy Awards. This resulted in a nine-week gap in between new episodes, and is the second season to not have any new episodes airing in February, after the twenty-fifth season (which also aired in a Winter Olympics year).\n\nCasting \nThe season features guest appearances from Norman Lear, Martin Short, Ray Liotta and Nikolaj Coster-Waldau. In addition, Bill Plympton animated a sixth couch gag in \"3 Scenes Plus a Tag from a Marriage\", having previously done so in season 23's \"Beware My Cheating Bart\", season 24's \"Black Eyed, Please\", season 25's \"Married to the Blob\", season 27's \"Lisa the Veterinarian\", and season 28's \"22 for 30\". This season also features Kelsey Grammer reprising his role as Sideshow Bob and Homer seeking help from Shaquille O'Neal (\"Gone Boy\"), and a song written by guest star Rachel Bloom (\"Springfield Splendor\"). The season also includes the Simpson family traveling to New Orleans for JazzFest (\"Lisa Gets the Blues\"), and an episode that reimagines Stephen King's It featuring Krusty the Clown (\"Fears of a Clown\").\n\nMusic \nOn August 30, 2017, it was announced that longtime Simpsons score composer Alf Clausen was let go from the series. The series switched from a live orchestrated score to a produced score by Bleeding Fingers Music. Hans Zimmer (who composed the score for The Simpsons Movie) and Russel Emanuel are score producers, with Steve Kofsky executive producing. Clausen's last episode was \"Whistler's Father\".\n\nReferences\n\nSimpsons season 29\n2017 American television seasons\n2018 American television seasons" ]

[ "The Simpsons Movie", "Casting", "what decided the casting for the simpsons movie?", "Groening said they tried to include every single character in the film, with 98 having speaking parts," ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "The Simpsons Movie", "Casting", "what decided the casting for the simpsons movie?", "Groening said they tried to include every single character in the film, with 98 having speaking parts,", "Are there any other interesting aspects about this article?", "The cast did the first of three table readings in May 2005, and began recording every week from June 2006 until the end of production." ]

[ "The ZZ-R1100 or ZX-11 is a sport bike in Kawasaki's Ninja series made from 1990 to 2001, as the successor to the 1988–1990 Tomcat ZX-10. With a top speed of , it was the fastest production motorcycle from its introduction until 1996, surpassed by the Honda CBR1100XX. It was marketed as the ZX-11 Ninja in North America and the ZZ-R1100 in the rest of the world. The C-model ran from 1990 to 1993 while the D-model ran from 1993 to 2001, when it was replaced by the ZZ-R1200 (ZX-12C) 2002-2005\n\nCompetition for fastest production motorcycle\nWith a record top speed of the ZX-11 was the fastest production motorcycle for six years, from its introduction in 1990 through 1995, when it was surpassed by the 1996 Honda CBR1100XX. When the bike was introduced in 1990, the nearest production bike top speed was slower and it belonged to the ZX-10, the bike that Kawasaki was replacing with the ZX-11. The ZX-11 also had a ram air induction system. The 1990 ZX-11 C1 model got a Ram-air intake, the very first on any production motorcycle. The 1997 ZX-11's quarter mile time was 10.43 seconds at .\n\nIn 2000 the Kawasaki Ninja ZX-12R was introduced. The ZX-12R was designed to be more of a pure sportbike. It was much anticipated since the Suzuki GSX1300R Hayabusa held the title for fastest production bike when it was introduced in 1999. European governments threatened to ban high speed motorcycles, leading Kawasaki to de-tune the ZX-12R prior to its release. Starting at the very end of 1999, a gentlemen's agreement between larger European and Japanese manufacturers has limited production motorcycle top speeds to ,\n\nIn 2002 the Kawasaki ZZ-R1200 was released, which is a sport tourer and more akin to the ZX-11.\n\nSee also \nList of fastest production motorcycles by acceleration\n\nNotes\n\n \n\n \n \n\nNinja ZX-11\nSport bikes\nSport touring motorcycles\nMotorcycles introduced in 1990", "The Aitik copper mine is owned by Boliden AB and situated outside the town of Gällivare in northern Sweden. It is one of Europe's largest open pit copper mines. Associated with the copper, some quantities of gold, silver are produced alongside the main production.\n\nThe mine was put into production in 1968, and the production was set at two million tonnes of ore. Since then, the production has gradually increased to the current 18 million tonnes per year. In 2010 when the new Aitik mine expansion is completed production will double to 36 million tonnes.\n\nIn 2014 it was expected that production reach 36 million tons of ore, but this was surpassed with over 3 million tons at years end.\n\nReferences\n\nExternal links \nNew Boliden – Official site\nHaulage at the mine\n\nSurface mines in Sweden\nCopper mines in Sweden" ]

[ "The Simpsons Movie", "Casting", "what decided the casting for the simpsons movie?", "Groening said they tried to include every single character in the film, with 98 having speaking parts,", "Are there any other interesting aspects about this article?", "The cast did the first of three table readings in May 2005, and began recording every week from June 2006 until the end of production.", "when was the end of production?", "I don't know." ]

[ "The Metallic Metals Act was a fictional piece of legislation included in a 1947 American opinion survey conducted by Sam Gill and published in the March 14, 1947 issue of Tide magazine. When given four possible replies, 70% of respondents claimed to have an opinion on the act. It has become a classic example of the risks of meaningless responses to closed-ended questions and prompted the study of the pseudo-opinion phenomenon.\n\nThe question\nRespondents were asked this question and were given four possible answers: \nWhich of the following statements most closely coincides with your opinion of the Metallic Metals Act?\n It would be a good move on the part of the US.\n It would be a good thing, but should be left to the individual states\n It’s alright for foreign countries, but should not be required here.\n It is of no value at all\n\nInitial publication and reaction\nSam Gill was a Marketing Research Director for Sherman & Marquette, Inc when he included a question about the fictional Metallic Metals Act in a survey. He reported on the results in the March 14, 1947 issue of Tide magazine in an article titled \"How Do You Stand on Sin?\", saying that 70% of respondents claimed to have an opinion on the topic. Gill also asked respondents if they favored incest, an unfamiliar term to most people at the time, and one third supported it. The article did not include any information on the size or make-up of the sample population, nor how much pressure the interviewer applied to receive a response.\n\nA similar study by Eugene Hartley in 1946 asked college students how connected they felt to students of various nationalities. His questionnaire included three imaginary nationalities, but a majority of students did not question them. Together, these two studies are the earliest publicized examples of opinion surveys on fake subjects, a phenomenon known as a pseudo-opinion. At the time, the results of both studies amused laymen but were not immediately taken seriously in the field of public opinion because most professionals felt the studies were ridiculous and reflected negatively on their field. One exception, Stanley L. Payne, wrote about Gill's study in the 1951 The Public Opinion Quarterly journal article \"Thoughts About Meaningless Questions\" and called for further investigation into this type of non-sampling error.\n\nLegacy\nDespite Payne's call to action, pseudo-opinions remained largely unstudied until the 1980s, but in 1970 Philip Converse postulated that answering \"don't know\" is seen by respondents as an admission of \"mental incapacity\". In 1981, researchers Howard Schuman and Stanley Presser were unable to locate documentation for Gill's study and concluded it should be taken as an anecdote rather than a true study. Their research found that pseudo-opinions are a significant source of error but not as prevalent as Hartley and Gill's studies suggested.\n\nThe Metallic Metals Act is considered a classic example of pseudo-opinions and difficulties with close-ended survey questions and continues to be supported by later studies. By 1991, it had become standard practice to include a false question in opinion surveys to gauge the degree of pseudo-opinions. A study by the University of Cincinnati found 20 to 40 percent of Americans will provide pseudo-opinions because of social pressure, using context clues to select an answer they believe will please the questioner. This has occasionally provided a source for jokes on talk shows and comedy shows who air interviews to mock the respondents. Other studies have shown the phenomenon is not limited to the United States. In a 2019 opinion piece written for The Guardian, Richard Seymour speculated that most opinion polls only represent what respondents heard most recently in the news media.\n\nReferences\n\nPsychology experiments\nHoaxes in the United States\n1940s hoaxes\n1947 introductions", "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region" ]

[ "The Simpsons Movie", "Casting", "what decided the casting for the simpsons movie?", "Groening said they tried to include every single character in the film, with 98 having speaking parts,", "Are there any other interesting aspects about this article?", "The cast did the first of three table readings in May 2005, and began recording every week from June 2006 until the end of production.", "when was the end of production?", "I don't know.", "what is the most interesting part of this article, in your opinion?", "Although he does not provide the voice, Arnold Schwarzenegger is President of the United States rather than then-President George W. Bush because, according to Groening," ]

[ "Executive Order 13355 is a United States Presidential executive order signed on August 27, 2004, by President George W. Bush. Its goal was \"Strengthened Management of the Intelligence Community\". It supplemented and partially superseded Executive Order 12333, signed in 1981 by President Ronald Reagan, and was in turn partially supplemented and superseded by Executive Order 13470.\n\nMany of the clauses of the new executive order changed how US intelligence agencies were governed, and how they ultimately reported to the President, to reflect that when Executive Order 12333 was signed, the DCI Director of Central Intelligence was also the nominal chief of all US intelligence agencies. President Bush had created a new position, the Director of National Intelligence (DNI), and the changes reflected that the US intelligence agencies were to report to the President through the DNI.\n\nReferences\n\nAmerican intelligence gathering law\nExecutive orders of George W. Bush", "William Henry Trotter \"Bucky\" Bush, CStJ (July 14, 1938 – February 27, 2018) was an American businessman. He was the youngest son of US Senator Prescott Sheldon Bush and Dorothy Walker Bush, the youngest brother of former President George H. W. Bush, and an uncle of former President George W. Bush and former Florida governor Jeb Bush.\n\nBiography\nBorn in Greenwich, Connecticut, he graduated from the Hotchkiss School, Lakeville, Connecticut in 1956, and earned a B.A. from Yale University in 1960, where he became a brother of the Psi Upsilon fraternity. In 2009, he was appointed a Commander Brother of the Most Venerable Order of the Hospital of Saint John of Jerusalem by Queen Elizabeth II.\n\nBush lived in St. Louis, Missouri, also the home of his late grandfather George Herbert Walker. He was married in 1959 to Patricia Redfearn, who died November 10, 2015. They had two children: William Prescott \"Scott\" Bush and Louisa Bush McCall. Bush died on February 27, 2018, in West Palm Beach, Florida, survived by all three of his older siblings.\n\nBusiness\nBush worked in banking and venture capital, and sat on a number of corporate boards. He founded Bush O'Donnell & Co. in 1986 and remained CEO of that firm until his death. He worked on the election campaigns of George H. W., George W., and Jeb Bush, primarily as a fundraiser.\n\nA former president of and director of the St. Louis-based Boatmen's Bancshares from 1978 to 1986, Bush was active in various St. Louis civic functions: he was chairman of the Board of Trustees of Saint Louis University from 1985 to 1992, chairman of the Missouri Botanical Garden from 1991 to 1993 and president of the Municipal Opera Association from 2005 to 2006. He was also a director of Maritz, Inc, and served on the Blue Cross Blue Shield of Missouri board of directors from 1989 to 1994.\n\nOn May 18, 2010, Bush was taken to Methodist Hospital of Indianapolis after collapsing during a WellPoint shareholder's meeting in Indianapolis. Bush was on the company's board of directors. One of the doctors at the hospital said that Bush was alert and talking and he \"felt like he was going to be OK\".\n\nReferences\n\n1938 births\n2018 deaths\nAmerican bankers\nAmerican political fundraisers\nBush family\nBusinesspeople from Greenwich, Connecticut\nBusinesspeople from St. Louis\nPrivate equity and venture capital investors\nHotchkiss School alumni\nYale University alumni\nMissouri Botanical Garden people\nPeople from Missouri\nPeople from St. Louis\nMissouri Republicans" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration" ]

[ "Sgt. Pepper's Lonely Hearts Club Band is a 1967 album by the Beatles.\n\nIt may also refer to:\n \"Sgt. Pepper's Lonely Hearts Club Band\" (song), the first and twelfth song on the Beatles album\n Sgt. Pepper's Lonely Hearts Club Band (film), a 1978 musical film based on the album\n Sgt. Pepper's Lonely Hearts Club Band (soundtrack), the soundtrack to the film\n Sgt. Pepper's Lonely Hearts Club Band: 50th Anniversary Edition, an expanded edition of the album\n Sgt. Pepper Live, a 2009 live album and DVD by American rock band Cheap Trick\n Sgt. Pepper's (Big Daddy album)\n\nSee also\nSergeant \"Pepper\" Anderson, the fictional character from the Police Woman television series", "Lonely Hearts Club may refer to:\n\nFilm and broadcasting\nLonely Hearts Club (Chinese: 怨婦俱樂部; pinyin: Yuàn fù jùlèbù), section of the film In Between\nThe Lonely Hearts Club, a weekly radio-comedy program with Tony Martin\n\nMusic\nLonely Hearts Club, a 2015 album by Marco Restrepo\nLonely Hearts Club, a 1978 album from Billie Jo Spears discography, or the title track\n\"Lonely Hearts Club\", a 2020 song by Winona Oak\n\"Lonely Hearts Club\", song by Marina from Electra Heart\n\nOther\nLonely Hearts Club, an earlier fashion label from the creators of Lonely\n\nSee also\nLonely Hearts (disambiguation)\nSgt. Pepper's Lonely Hearts Club Band, a 1967 album by the English rock band the Beatles" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans," ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album." ]

[ "Kraken III is the name of the third studio album Colombian group Kraken It was released on January 3, 1990 by Sonolux. The first single from the album was \"Rostros Ocultos\". The second single was \"Lágrimas de Fuego\".\n\nInformation \nThis album confirmed the progressive trend of the band. A trend that featured a group identity and a concept of what is Kraken. This album started to show the other bands of the country's ideology which is the National Rock and how it can be strengthened.\n\nTrack listing\n\nReferences \n\nKraken (band) albums\n1993 albums", "Myriam is the second studio album by Myriam. On her website it is also called \"Myriam: Lo que Soy, lo que Pretendo y lo que Fui\" (Myriam: What I Am, What I Pretend and What I Was) making reference to the lyrics of the album's first single \"Hasta El Limite\". It includes eleven songs with the collaboration of Tiziano Ferro, Leonel (ex Sin Bandera). Again Myriam co-wrote a song along with Estrella. In this album Myriam brought a more fresh concept, almost 100% pop genre with a little touches of flamenco. It was released in July, 2004.\n\nAlbum information\nIt was recorded in Argentina and the producer was Cachorro López who had also worked with Julieta Venegas. Myriam's career was at a low point, as she was being criticized for her third place in Desafio de Estrellas, but all that was eclipsed by the success of this album. \"Hasta el Limite\" was the first single from the album; it was Myriam's first song with a promotional video, and stayed in the charts for more than 6 months. The second single was \"Porque Soy Mujer\" which was written by Myriam and her ex-classmate Estrella.\n\nThe album was a commercial success. Within two weeks of the launch date it reached gold status in Mexico, and sold more than 200,000 copies certificating 2× Platinum. The album was a Latin success in USA selling gold status, 50,000 copies.\n\nTrack listing\n\nReferences\n\n2003 albums\nMyriam Montemayor Cruz albums" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed," ]

[ "Billboard Top Rock'n'Roll Hits: 1965 is a compilation album released by Rhino Records in 1989, featuring 10 hit recordings from 1965.\n\nThe album includes seven songs that reached the top of the Billboard Hot 100 chart. The remaining three tracks each reached the Hot 100's Top 5; one of those tracks was the No. 1 song of the year: \"Wooly Bully\" by Sam the Sham & the Pharaohs. A 1993 re-issue omitted both tracks by The Byrds as well as \"Hang on Sloopy.\" These songs were replaced by \"I Got You Babe\" by Sonny & Cher (a No. 1 hit on the Billboard Hot 100) and two Top 5 hits: \"The Name Game\" and \"A Lover's Concerto.\" This resulted in what was a Mr. Holland's Opus-esque album, as two songs from the 1993 re-release, \"A Lover's Concerto\" and \"1-2-3\", have been featured in the 1996 film Mr. Holland's Opus.\n\nAbsent from the track lineup were songs by The Beatles and The Rolling Stones. A disclaimer on the back of the album stated that licensing restrictions made tracks from the two bands unavailable for inclusion on the album.\n\nTrack listing\n\n1989 original release\n\n1993 re-release, replacement tracks\n\n1989 compilation albums\nBillboard Top Rock'n'Roll Hits albums\nPop rock compilation albums", "Koda Kumi Driving Hit's 9: Special Edition is the eleventh remix album released by Japanese singer-songwriter Koda Kumi, and ninth in the Driving Hit's series – the others being Koda Kumi Remix Album (2006) and Beach Mix (2012). The album was released on February 20, 2019, and peaked at No. 24 on the Oricon Albums Chart.\n\nThe album was released as a 3-disc set, with the first disc containing remixes from her studio album DNA, and second and third discs containing various songs from previous remix albums.\n\nInformation\nKoda Kumi Driving Hit's 9: Special Edition is the ninth Driving Hit's remix album released by Koda, and eleventh overall remix album. It debuted at No. 24 for the week.\n\nThe album was released as a three-disc set, with limited editions containing special goods, including a sun visor organizer pouch. \n\nMany of the songs on the first disc contained remixes of songs from her 2018 studio album DNA, with only three of the fifteen tracks being remixes of prior songs. Those included were \"Someday\" from Best: Second Session (2006), and \"I'll Be There\" and \"Koi no Tsubomi\" from Black Cherry (2006). Artist Remo-Con became responsible for editing the songs on discs two and three into a non-stop mix. The album had two separate remixes of \"Hush\", track No. 2 from DNA.\n\nWhile various songs from previous Driving Hit's albums were included, only one song was pulled from her first in the series, Koda Kumi Driving Hit's (2010): the Prog5 Mirrorball Remix of her 2005 song \"Butterfly\". Twelve remix artists performed for the album, including KATFYR, Yuto, both who worked with Koda on her prior remix album, Joe Iron, iamSHUM and Litefeet.\n\nTrack listing\n\nCharts\n\nReferences\n\n2019 remix albums\nJapanese-language remix albums\nKoda Kumi albums\nRhythm Zone remix albums" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The" ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "\"To the Morning\" is the debut single by American folk/soft rock singer-songwriter Dan Fogelberg. It was written by Fogelberg with strings arranged by Glenn Spreen. It is the first song on Side 1 of his debut album, Home Free. The song is about waking up every day and knowing that it's going to be a new day, regardless of anything else, no matter what happens in life. (\"It's going to be a day/There's really no way to say no to the morning\".) Musically, it is built around piano, with emphasis placed on Fogelberg's vocals while he is singing and the piano or strings during instrumental sections. The song is peculiar in his canon for featuring no guitar.\n\nThough the track length is listed as 6:34 on the CD issue of the album, the length is actually 6:11.\n\nThe song was covered by Lani Hall on her 1979 album Double or Nothing.\n\nReferences\n\n1972 debut singles\nDan Fogelberg songs\nSongs written by Dan Fogelberg\n1972 songs" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The", "What else is interesting about the album?", "Freak Out!, considered the first rock concept album." ]

[ "Freak Out may refer to:\n\nFilm and TV\n Freak Out (film), a 2004 British horror-comedy film\n Freak Out (TV series), an ABC Family original series\n Freak Out, a film by Brad Jones loosely based on the last night of Dean Corll\n\nGames\n Freak Out: Extreme Freeride, a 2007 skiing game\n Stretch Panic or Freak Out, a PlayStation 2 video game\n\nMusic\n\nAlbums\n Freak Out!, an album by The Mothers of Invention\n Freak-Out, an album by Aion\n Freak Out! (Teenage Bottlerocket album)\n Freak Out: The Greatest Hits of Chic and Sister Sledge\n Freak Out, an album by Tehosekoitin\n\nSongs\n \"Le Freak\" or \"Freak Out\", a 1978 song by Chic\n \"Freak Out\", a song by 311 from Music\n \"Freak Out\", a song by Avril Lavigne from Under My Skin\n \"Freak Out\", a song by September from Dancing Shoes\n \"Freak Out\", a song by Liars from Liars\n \"Freak Out\", a song by B*Witched from B*Witched\n \"Freaking Out\", a song by Adema from Adema\n\nOther uses\n Freak Out! (magazine), a Peruvian music magazine\n Freak Out (ride), a pendulum-based fairground ride\n\nSee also\n Freaked Out (disambiguation)\n Freak Out, It's Ben Kweller, a demo by Ben Kweller\n \"Victorious: Freak the Freak Out\", an episode of Victorious\n \"Freak the Freak Out\", a song by the cast of Victorious, featuring Victoria Justice\n Operation Freakout, a campaign by Scientology to silence a critic", "Control Freaks or control freak, may refer to:\n\n Control freak, a person who needs to be in control\n\nFilm and Television\n Control Freaks (TV series), a weekly video game review television show\n Control Freaks (TV episode), a 2005 episode of the television show \"Danny Phantom\", see List of Danny Phantom episodes\n Control Freak! (TV episode), a 2001 episode of the television cartoon Pokemon, see List of Pokémon episodes (seasons 1–13)\n\nMusic\n\nAlbums\n Control Freaks (album), the 2003 debut album by UK r&b/pop girl group Sirens\n Control Freaks - The Remixes, a 2007 album by British indie band GoodBooks\n Control Freak (album), a working title for the 2007 Mya album \"Liberation\"\n\nSongs\n Control Freak (song), a 1997 song by Recoil off the album Unsound Methods\n Control Freak (song), a 1999 song by Godflesh off their album Us and Them (Godflesh album)\n Control Freak (song), a 2000 song by Venom off the album Resurrection (Venom album)\n Control Freak (song), a 2003 song by Stereomud of their album Every Given Moment\n Control Freak (song), a 2004 song by Saul Williams off the album Saul Williams (album)\n Control Freak (song), a 2005 song by Armin van Buuren off the album Shivers (album)\n Control Freak (song), a 2006 song by Copeland off their album Eat, Sleep, Repeat\n Control Freak (single), a 2006 single by Danny Byrd\n Control Freak (song), a 2008 song by Bigelf off their album Into the Maelstrom (album)\n Control Freak (song), a 2011 song off the album What Is Troubling You by Sodagreen\n Control Freak (song), a 2012 song by Steve Aoki off the album Wonderland (Steve Aoki album)\n Control Freak (song), a 2017 song by The Fizz off their album The F-Z of Pop\n Control Freak (song), a 2019 song by Priests off the album The Seduction of Kansas\n\nOther uses\n Control Freak (Teen Titans), a DC Comics supervillain\n Control Freaks: 7 Ways Liberals Plan to Ruin Your Life (book), a 2010 book by Terence P. Jeffrey\n\nSee also\n\n \n \n \n \n Control Freek (album) a 2009 album by Tash\n Control (disambiguation)\n Freak (disambiguation)" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The", "What else is interesting about the album?", "Freak Out!, considered the first rock concept album.", "Who created the album Freak Out!", "Freak Out! by the Mothers of Invention" ]

[ "Easy Star's Lonely Hearts Dub Band is a dub reggae tribute to the Beatles' album Sgt. Pepper's Lonely Hearts Club Band, by the Easy Star All-Stars. It was released on April 14, 2009.\n\nTrack listing\n\"Sgt. Pepper's Lonely Hearts Club Band\" ft. Junior Jazz\n\"With a Little Help from My Friends\" ft. Luciano\n\"Lucy in the Sky with Diamonds\" ft. Frankie Paul\n\"Getting Better\" ft. The Mighty Diamonds\n\"Fixing a Hole (Extended Dub Mix)\" ft. Max Romeo\n\"She's Leaving Home\" ft. Kirsty Rock\n\"Being for the Benefit of Mr. Kite!\" ft. Ranking Roger\n\"Within You Without You\" ft. Matisyahu\n\"When I'm Sixty-Four (Extended Dub Mix)\" ft. Sugar Minott\n\"Lovely Rita\" ft. Bunny Rugs & U-Roy\n\"Good Morning Good Morning\" ft. Steel Pulse\n\"Sgt. Pepper's Lonely Hearts Club Band (Reprise)\" ft. Junior Jazz\n\"A Day in the Life\" ft. Michael Rose and Menny More\nBonus tracks\n\"With a Little Dub from My Friends\" ft. Luciano and U Roy\n\"Kaleidoscope Dub\"\n\nSee also\n Sgt. Pepper's (Big Daddy album)\n With a Little Help from My Fwends\n\nReferences\n\nExternal links\n Easy Star Records\n\n2009 albums\nThe Beatles tribute albums\nEasy Star All-Stars albums\nEasy Star Records albums\nAlbums produced by Michael Goldwasser", "Sgt. Pepper Knew My Father is a 1988 multi-artist compilation of 1980s artists recording new versions of the songs on The Beatles album Sgt. Pepper's Lonely Hearts Club Band. The album was produced by the New Musical Express to raise money for Childline, the charity founded by the BBC1 consumer programme That's Life! It was also intended to celebrate the 21st anniversary of the original release of Sgt. Pepper's Lonely Hearts Club Band on 1 June 1967.\n\nThe title is a pun on the song \"Lloyd George Knew My Father\".\n\nA single released to help promote the album, a double-A side of \"With a Little Help from My Friends\" by Wet Wet Wet and \"She's Leaving Home\" by Billy Bragg with Cara Tivey, reached number one on the UK Singles Chart.\n\nTrack listing\nThe track listing of the album was identical to that of the Beatles' original release, though the gibberish known as the \"Sgt. Pepper Inner Groove\" appears as part of Frank Sidebottom's appearance at the end of side one, as well at the end of side two (recorded by The Fall).\n\nSee also\n Ruby Trax - The NME's Roaring Forty - features the Top 10 version of \"Suicide Is Painless\" by Manic Street Preachers\n\nReferences\n\nThe Beatles tribute albums\n1988 compilation albums\nPop compilation albums\nRock compilation albums" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The", "What else is interesting about the album?", "Freak Out!, considered the first rock concept album.", "Who created the album Freak Out!", "Freak Out! by the Mothers of Invention", "What other albums inspired Sgt. Pepper's?", " \"Sergeant Pepper\"" ]

[ "Have Yourself a Sweary Little Christmas is a Christmas-themed comedy album by the Amateur Transplants, released in 2010.\n\nProduction\n\nThe album was created by Adam Kay and Suman Biswas who became famous after their song \"London underground\" went viral in 2005, receiving several million views on YouTube. The duo began writing the songs for the album in 2009 and some of the songs from \"Have yourself a sweary little Christmas\" were played in live performances by the band throughout this year. These songs also appeared on their 2009 live album In Theatre, which hit number 1 in the itunes comedy chart. They later decided to write a full Christmas album, with intention to release it before Christmas Day 2010. They were successful in doing so and the album parodied many famous Christmas songs including \"A fairytale of New York\" and \"feed the world\". The songs contain very coarse and often offensive language and lyrics, subsequently a bleeped version was released along with the album. Both versions are available on iTunes , Amazon , spotify and CD.\n\nThe album has not been available for streeming in the UK for the past 3 Christmas' on any streeming service\n\nTrack listing\n\n \"All I want for Christmas\" (2:37)\n \"Mucking around on Christmas eve\" (1:53)\n \"Once in every Carol Service\" (0:33)\n \"Christmas Number 12\" (1:12)\n \"It's the Most Wonderful Time of the Year\" (2:17)\n \"Stressful Christmas\" (0:59)\n Joseph's song (2:07)\n \"Swearytale of New York\" (1:24)\n \"Stop of canapes\" (2:42)\n \"Feed the Girls\" (2:01)\n \"All the Trimmings (Part 1)\" (1:32)\n \"All the Trimmings (Part 2)\" (2:11)\n \"Hallelujah\" (8:52)\n\nReferences\n\n2010 albums\nAmateur Transplants albums", "Chapter 1 is the debut album of the South Korean pop music group g.o.d. The album was produced by songwriter and JYP Entertainment founder Park Jin-young. The promoted track is \"To Mother\" (어머님께), which the group sang for their debut televised performance on January 13, 1999.\n\nTrack listing\nBold tracks are noted as the promotional tracks of the album.\n\n signifies a producer that has multiple song credits for the album.\n signifies a composer who is also the arranger.\n\nRelease and reception\nThe album was produced under difficult circumstances as g.o.d's management agency had been affected by the 1997 Asian financial crisis and cut off funding for their trainees. It was eventually released after the group made their official debut performance on television. However, it was not an immediate success as sales figures were comparatively low and the group did not win first place on any music programs.\n\nTwo of the most famous songs from the album are \"To Mother\" and \"Observation\", the former eventually becoming known as one of the group's most famous hit songs. \"Observation\" is remembered for its \"steering wheel\" dance and the scifi-themed music video. The choreography for both songs was referenced in the music video of \"Saturday Night\" from the group's reunion album Chapter 8.\n\nReferences\n\nExternal links\nAlbum Information on Mnet\n\n1999 debut albums\nG.o.d albums\nKorean-language albums" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The", "What else is interesting about the album?", "Freak Out!, considered the first rock concept album.", "Who created the album Freak Out!", "Freak Out! by the Mothers of Invention", "What other albums inspired Sgt. Pepper's?", " \"Sergeant Pepper\"", "Are there any famous songs on the album?", "Freak Out! by" ]

[ "One Love Revolution is the seventh album by Pillar. The album released on August 18, 2015, at LifeWay, and everywhere else on August 21, 2015.\n\nCritical reception\n\nMatt Conner, giving the album three stars from CCM Magazine, describes, \"One Love Revolution loads the musical guns once again with surefire live hits...Overall, Pillar trods familiar ground on One Love Revolution, but there's no reason to miss with such a winning formula.\" Awarding the album four stars for Jesus Freak Hideout, Christopher Smith writes, \"it has a certain timeless quality about it.\" Kevin Hoskins, giving the album four stars at Jesus Freak Hideout, states, \"There are some solid ballad types found here\". Rating the album three and a half stars from Jesus Freak Hideout, Scott Fryberger says, \"One Love Revolution is far from groundbreaking, but it's a solid album, and it's comforting to hear an old favorite getting back together to show that they still have it, and can still do rock music better than a lot of new rock bands.\" Michael Weaver, indicating in a three and a half star review for Jesus Freak Hideout, mentioning, \"One Love Revolution shouldn't necessarily be considered a triumphant return, but it is most definitely a solid one.\" Signaling in a four and a half out of five review at Christian Music Review, Abby Baracskai, recognizes, \"One Love Revolution is a great comeback album that includes touches of new things, musically and lyrically, but is everything you could want in an album to help strengthen your faith and be able to head bang and rock out to.\" Rob Birtley, specifying in a ten out of ten review for Cross Rhythms, responds, \"this is an album which excels in both musical power and spiritual substance and one I'd readily recommend to all rock music fans.\"\n\nTrack listing\n\nChart performance\n\nReferences\n\n2015 albums\nPillar (band) albums", "White Heat is the self titled debut album of future Switch members Gregory Williams, Bobby DeBarge and Jody Sims. The album was released in 1975 and produced by R&B notable Barry White.\n\nTrack listing\n\nSide A\n\"Take a Look at Yourself (Before You Frown on Someone Else)\"\n\"If That's the Way You Feel (Then Let's Fall in Love)\"\n\"I Love Every Little Thing About You\" originally performed by Stevie Wonder\n\"Talkin'\"\n\nSide B\n\"What a Groove\"\n\"I've Been So Lonely (Without You)\"\n\"You Can Change My Life For Me\"\n\"Funk Freak\"\n\nReferences\n\n1975 debut albums\nRCA Records albums" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The", "What else is interesting about the album?", "Freak Out!, considered the first rock concept album.", "Who created the album Freak Out!", "Freak Out! by the Mothers of Invention", "What other albums inspired Sgt. Pepper's?", " \"Sergeant Pepper\"", "Are there any famous songs on the album?", "Freak Out! by", "What else is interesting about Freak Out!?", "\"This is our Freak Out!\" The music journalist Chet Flippo states that McCartney was inspired to record a concept album" ]

[ "Senator Flippo may refer to:\n\nRonnie Flippo (born 1937), Alabama State Senate\nScott Flippo (born 1979), Arkansas State Senate", "Relaxin' With Chet (1969) is a compilation by Chet Atkins.\n\nTrack listing\n\nSide 1:\n \"Blues for Dr. Joe\"\n \"Sophisticated Lady\"\n \"Yesterdays\"\n \"Say Si Si\"\n \"Vilia\"\n\nSide 2:\n \"Martha\"\n \"In the Chapel in the Moonlight\"\n \"Czardas\"\n \"Nagasaki\"\n \"April in Portugal\"\n\nPersonnel\nChet Atkins – guitar\n\nReferences\n\nExternal links\n Chet Atkins Official Website discography\n\n1969 albums\nChet Atkins albums\nRCA Camden albums" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The", "What else is interesting about the album?", "Freak Out!, considered the first rock concept album.", "Who created the album Freak Out!", "Freak Out! by the Mothers of Invention", "What other albums inspired Sgt. Pepper's?", " \"Sergeant Pepper\"", "Are there any famous songs on the album?", "Freak Out! by", "What else is interesting about Freak Out!?", "\"This is our Freak Out!\" The music journalist Chet Flippo states that McCartney was inspired to record a concept album", "What else did Chet Flippo say?", "the first rock concept album." ]

[ "Seaspeak is a controlled natural language (CNL) based on English, designed to facilitate communication between ships whose captains' native tongues differ. It has now been formalised as Standard Marine Communication Phrases (SMCP).\n\nWhile generally based on the English language, seaspeak has a very small vocabulary, and will incorporate foreign words where English does not have a suitable word.\n\nThere are other similar special-purpose CNLs, including aviation English for aircraft, and the English–French hybrid PoliceSpeak for safety administration of the Channel Tunnel.\n\nHistory\nSeaspeak originated at the International Maritime Lecturers Association (IMLA) Workshop on Maritime English in 1985 in La Spezia (WOME 3), in a project led by Captain Fred Weeks, and was updated in the following years. \n\nAfter the MS Scandinavian Star disaster in 1990, in which communication errors played a part, an effort was made by the International Maritime Organization to update Seaspeak and the Standard Maritime Communication Vocabulary (SMCV). This resulted in the development of the Standard Marine Communication Phrases (SMCP), which were adopted by the IMO as resolution A.198(22) in November 2001 at their 22nd Assembly.\n\nExample phrase \"Say again\" \n\nA good example of the benefit of seaspeak is the use of a single short and carefully crafted phrase to replace a multitude of phrases. Thus the phrase \"say again\" could replace any of the following:\n\n Could not hear what you said, please repeat!\n I did not understand, say that again.\n Too much noise, repeat what you said!\n I am having difficulty hearing what you are saying! Please repeat what you were trying to say.\n There is too much noise on the line - I cannot understand you.\n What did you say?\n\nA simplified vocabulary also helps overcome static, since the phrase \"say again\" is always two words and three syllables, no matter how much it is blurred by that static.\n\nReferences\n\nSee also \n Basic English \n Number of words in English\n NATO alphabet\n\nExternal links \n Prolingua, the company where Edward Johnson worked on SeaSpeak, AirSpeak, etc.\n\nEnglish for specific purposes\nNaval signals", "\"No Matter What They Say\" is a song by Lil' Kim, released as the first single from her second album The Notorious K.I.M., released in 2000. It reached number 60 on the Billboard Hot 100, and number 35 on the UK Singles Chart.\n\nBackground\n\"No Matter What They Say\" was not Kim's first choice as the lead single from the album. Kim did not want the song released as she felt the Spanish sound had already been done so many times due to the Latin pop explosion of the late 90s. Instead Kim wanted \"The Queen\", one of the songs that leaked prior to the album's release, as her first single. The record label didn't agree with Kim and insisted on releasing \"No Matter What They Say\". With time running out and not wanting her first week album sales to suffer, Kim agreed with her label to release the song. \"The Queen\" never made it on the album's final track listing.\n\nSamples\nThis song sampled many other songs, including:\n\"Esto es el Guaguanco\" by Cheo Feliciano\n\"I Got It Made\" by Special Ed\n\"I Know You Got Soul\" by Eric B. & Rakim\n\"Rapper's Delight\" by The Sugarhill Gang\n\nThe song also samples the line 'I'm just tryna be me, doing what I gotta do' from \"Top of the World\" by Brandy as well as \"This is how it should be done\" from Roxanne's On A Roll by The Real Roxanne.\n\nMusic video \nThe accompanying music video for \"No Matter What They Say\" was filmed in Los Angeles and directed by Marcus Raboy in early June 2000. It features cameo appearances from Puff Daddy, Mary J. Blige, Missy Elliott, Method Man & Redman, Xzibit, Junior M.A.F.I.A. and Carmen Electra. The video needed some digital retouches, such was \"nipple fixes\" for when Kim wiggles out of her Versace bustiers and computer-edited T-shirts for her backup girls (they were altered to \"itty girls\"). Cameo dancer Carmen Electra had her underwear altered as well. \"It's not like you could really see anything. It's just the freeze-frame factor you have to consider\", said director Marcus Raboy. The music video premiered on Total Request Live (TRL) on June 20, 2000.\n\nTrack listings\n\nUS Promo CD\n\"No Matter What They Say\" (Radio Edit) - 4:19\n\"No Matter What They Say\" (Album Version) - 5:35\n\"No Matter What They Say\" (Instrumental) - 4:21\n\nEurope CD single\n\"No Matter What They Say\" (Radio Edit) - 4:18\n\"No Matter What They Say\" (Album Version) - 4:14\n\"No Matter What They Say\" (Instrumental) - 4:19\n\"No Matter What They Say\" (Acappella) - 4:26\n\nCredits and personnel\nCredits for \"No Matter What They Say\" are taken from the single's liner notes.\n\nRecording\nRecorded at Daddy's House Recording Studios.\nRecorded by Stephen Dent\n\nPersonnel\n Lil' Kim – lead vocals\n K. Jones, D. Henson, J. Feliciano, Eric B. & Rakim, E. Archer, R. Beavers, J. Hill, P. Jovner, D. Taylor, H. Thomas, N. Rodgers, B. Edwards – songwriting\n Darren \"Limitless\" Henson – producer\n Rich Travali – mixing\n Chris Athens – audio mastering\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nReferences\n\n2000 singles\nLil' Kim songs\nMusic videos directed by Marcus Raboy\n1999 songs\nAtlantic Records singles\nSongs written by Lil' Kim\nSongs written by Bernard Edwards\nSongs written by Nile Rodgers" ]

[ "Sgt. Pepper's Lonely Hearts Club Band", "Concept and inspiration", "What inspired the album Sgt. Pepper's Lonely Hearts Club Band?", "during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans,", "Are there any other interesting aspects about this article?", "Sergeant Pepper\" itself didn't appear until halfway through making the album.", "What was the concept behind the album?", "\"Why don't we make the album as though the Pepper band really existed,", "What were the hit songs from the album?", "This is our Freak Out!\" The", "What else is interesting about the album?", "Freak Out!, considered the first rock concept album.", "Who created the album Freak Out!", "Freak Out! by the Mothers of Invention", "What other albums inspired Sgt. Pepper's?", " \"Sergeant Pepper\"", "Are there any famous songs on the album?", "Freak Out! by", "What else is interesting about Freak Out!?", "\"This is our Freak Out!\" The music journalist Chet Flippo states that McCartney was inspired to record a concept album", "What else did Chet Flippo say?", "the first rock concept album.", "What did other critics say?", "have happened ... Pepper was an attempt to equal Pet Sounds.\"" ]

[ "\"Trombone Dixie\" is an instrumental by the American rock band the Beach Boys that was composed by Brian Wilson, although nobody from the group played on the recording. Wilson produced the instrumental in November 1965, early in the sessions for the band's album Pet Sounds (1966). It was left off the album and was not released until 1990 as a bonus track for the CD reissue of Pet Sounds. Excerpts from the instrumental's recording session were then included for The Pet Sounds Sessions (1997).\n\nAccording to Brian, \"I was just foolin' around one day, fuckin' around with the musicians, and I took that arrangement out of my briefcase and we did it in 20 minutes. It was nothing, there was really nothing in it.\" The piece reprises a riff from Wilson's \"The Little Girl I Once Knew\" (1965), and a portion of the intro would later be recycled for his \"Had to Phone Ya\" (1976).\n\nPersonnel\nPer Alan Boyd and Craig Slowinski.\n\nCover versions\n\n 2012 – Superimposers, MOJO Presents Pet Sounds Revisited\n\nReferences\n\nThe Beach Boys songs\nSongs written by Brian Wilson\nSong recordings produced by Brian Wilson\n1965 songs\n1960s instrumentals", "\"Pet Sounds\" is an instrumental by American rock band the Beach Boys from their 1966 album Pet Sounds. Composed by Brian Wilson, it was originally called \"Run James Run\", as Wilson intended it to be used as the theme of a James Bond film. It was then titled \"Pet Sounds\", the title of the album on which it appears. It is the second instrumental to feature on Pet Sounds, the other being \"Let's Go Away for Awhile\".\n\nInfluences\n\nThe exotica piece has been compared to the work of Les Baxter and Martin Denny for its reverberated bongos and güiro combined with pervasive horns and a Latin rhythm. MOJO declared it an \"ambiguous, jet-age update of Martin Denny-style 1950s exotica.\" In his 2016 memoir, Wilson stated: \"I loved Thunderball, which had come out the year before, and I loved listening to composers like Henry Mancini, who did these cool themes for shows like Peter Gunn, and Les Baxter, who did all these big productions that sounded sort of like Phil Spector productions.\" When asked if he was a fan of Denny and exotica music in a 2017 phone interview, he responded: \"No, I never get the chance to listen to them. Never did.\"\n\nRecording\n\nIt was performed by Brian and several session musicians, with no other members of the Beach Boys. The session sheet for the recording date carries the notation, \"This is a working title only.\"\n\n\"Pet Sounds\" was recorded on November 17, 1965 at United Western Recorders, with Chuck Britz engineering. The unique percussion sound heard on the track is drummer Ritchie Frost playing two empty Coca-Cola cans, at Brian's suggestion. Overdubs included bongos and two guitars filtered through a Leslie speaker.\n\nThe piece was written with the intention of using it in a James Bond film, and was originally titled \"Run James Run\". Wilson wrote and recorded an unrelated song with this same title for his 2015 album No Pier Pressure, but was not released until 2017 for the compilation Playback: The Brian Wilson Anthology.\n\nPersonnel\n\nPer band archivist Craig Slowinski.\n\nThe Beach Boys\nBrian Wilson – grand piano\n\nSession musicians\n\nCover versions\n\n1992 – Dos Dragsters, Smiles, Vibes & Harmony: A Tribute to Brian Wilson\n2000 – Peter Thomas Sound Orchestra, Caroline Now!\n2002 – Brooks Williams, Making God Smile\n2003 – Tsuyoshi Kawakami, Moodmakers Mood\n2005 – The Angry String Orchestra, String Quartet Tribute to Beach Boys' Pet Sounds\n2006 – Architecture in Helsinki, Do It Again: A Tribute to Pet Sounds\n2012 – Human Don't Be Angry, MOJO Presents Pet Sounds Revisited\n2013 – The Duke of Norfolk, Mint 400 Records Presents The Beach Boys Pet Sounds\n\nReferences\n\nThe Beach Boys songs\nExotica\n1960s instrumentals\nSongs written by Brian Wilson\nSong recordings produced by Brian Wilson\nSong recordings with Wall of Sound arrangements" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre" ]

[ "The 1842 general strike, also known as the Plug Plot Riots, started among the miners in Staffordshire, England, and soon spread through Britain affecting factories, mills in Yorkshire and Lancashire, and coal mines from Dundee to South Wales and Cornwall.\n\nOrigins\nThe strike was influenced by the Chartist movement – a mass working class movement from 1838–1848. After the second Chartist Petition was presented to Parliament in May 1842, Stalybridge contributed 10,000 signatures. After the rejection of the petition the first general strike began in the coal mines of Staffordshire. The second phase of the strike originated in Stalybridge.\n\nCivil unrest\nA movement of resistance to the imposition of wage cuts in the mills, also known as the \"Plug Riots\", it spread to involve nearly half a million workers throughout Britain and represented the biggest single exercise of working class strength in nineteenth-century Britain.\n\nOn 13 August 1842, there was a strike at Bayley's cotton mill in Stalybridge, and roving groups of workers carried the stoppage first to the whole area of Stalybridge and Ashton, then to Manchester, and subsequently to towns adjacent to Manchester including Preston, using as much force as was necessary to bring mills to a standstill. The Preston Strike of 1842 resulted in a riot where four men were shot on 13 August at Lune Street. The West Riding of Yorkshire saw disturbances at Bradford, Huddersfield and Hunslet. At least six people died in a riot at Halifax.\n\nAnalysis\nOne perspective is that the movement remained, to outward appearances, largely non-political. Although the People's Charter was praised at public meetings, the resolutions that were passed at these were in almost all cases merely for a restoration of the wages of 1820, a ten-hour working day, or reduced rents.\n\nIn contrast, Mick Jenkins in his \"General Strike of 1842\" offers a Marxist interpretation which sees the strike as becoming insurrectionary and intrinsically linked to the Chartist movement. \"What clearly emerges... is the changing character of the strike--an understanding that the main aim of the strike was for the People's Charter\" (p. 144). He cites resolutions in support of the Reform Bill and the Charter. Jenkins also sees the political nature of the strike expressed in the repression of the strikers: \"When the meeting had assembled, a party of the Rifle Brigade charged into the crowd, and one man had his hand run through with a bayonet.\" (p. 143).\n\nThe repression that followed was \"unmatched in the nineteenth century...In the North-West alone over 1,500 strikers were brought to trial\" (p. 119). John Foster, in his introduction, argues that Jenkins' account of the strike \"compels historians to reassess a number of crucial aspects in the country's political development\" (p. 13). In considering universal suffrage, he argues that \"historians have tended to emphasize the inevitability of Britain's progress towards majority rule. A study of 1842 supplies a useful corrective. It spurs us to look in a quite different direction to ask why universal suffrage was withheld for so long and what combination of forces made it possible to do this\" (p. 14) and \"how the demand for universal suffrage was successfully resisted, and in what way the working class was persuaded not to make political use again of its industrial strength ... poses the most interesting and fundamental problem\" (p. 16).\n\nSee also\n\n1842 Pottery Riots - these took place in the backdrop of the strike.\n\nReferences\n\nGeneral Strike, 1842\nGeneral strikes in the United Kingdom\n1842 in the United Kingdom", "The 1910 Chicago garment workers' strike, also known as the Hart, Schaffner and Marx (HSM) strike, was a labor strike established and led by women in which diverse workers in the garment industry showed their capability to unify across ethnic boundaries in response to an industry's low wages, unrealistic production demands, and poor working conditions. The strike began on September 22, led by 17-year old Hannah Shapiro, with sixteen women protesting the establishment of a bonus system that demanded high production rates, while also cutting in the piece rate by ¼ cent. Eventually up to 41,000 workers walked out at the peak of the strike. The strike was initially supported by the United Garment Workers (UGW), however the UGW withdrew its support in December over issues of settlement and the strike came to a halt when a deal was agreed upon between the labor leader Sidney Hillman (who later married strike leader Bessie Abramovitch) and HSM in January 1911. Although the most militant strikers held out until February 18, the strike succeeded in getting Rate Committee mandated contracts that presented workers with improved wages and conditions.\n\nBackground \n\nFrom 1880 - 1920, there had been a significant amount of labor strikes as the conditions, treatment, and wages of workers did not equal the amount of time and quality of work the average laborer dedicated. The rise of the garment industry in this time period was particular relevant to women, as by the end of the first decade of the 20th century, the garment industry was Chicago's third-largest employer and the single largest employer of women. The 1910 Chicago Garment Workers' Strike was preceded by similar garment labor strikes in different locations, such as the Uprising of the 20,000 in New York City, and subsequent strikes in Cleveland and Philadelphia. Fair treatment was desired by women as they did an equal amount of work compared to men, yet men oftentimes received a higher pay rate and/or concealed benefits.\n\nStrike \nThe strike began on September 22, 1910, when sixteen women, led by Hannah Shapiro, protested the Hart, Schaffner, Marx firm due to a biased bonus system and a cut in the piece rate. The strike grew rapidly and tremendously by the end of the first week as 2,000 women had joined the effort. The peak of the strikers came when the strike was sanctioned by the UGW with 41,000 workers walking off the job. Even though, the UGW supported the strikers, its support was not sufficient as the UGW did not call a general strike but relied upon the workers that did not have contracts and the HSM was able to counter the strikers by providing work to non-union subcontractors. This resulted in the strike losing an edge on the HSM and subsequently the strike began to decline. The UGW backed out of support in December 1910 as the Chicago Federation of Labor and the Women's Trade Union League (WTUL) encouraged that the strikers reach a deal. A deal was reached when the labor leader Sidney Hillman collaborated with the HSM firm. After a bitter, four-month strike, Hillman was instrumental in convincing the HSM to accept most worker demands, including recognition of newly formed Local 39 of the UGW, and an agreement to settle some future disputes by arbitration.\n\nOutcome \n\nThe strike was partially successful: workers received important support and attention that led to a re-codification of rules that were part of the deal. This deal also led to other codifications in 1913 and 1916. Also, the strike marked the start of what became the Amalgamated Clothing Workers of America and began the careers of strikers Bessie Abramovitz and Sidney Hillman (later to marry) as prominent labor leaders.\n\nThe strike claimed five lives. The first was striker Charles Lazinskas, killed by a private detective on December 3, and Frank Nagreckis was shot and killed while picketing on the 15th. Then between December 24 and January 3, eighteen-year-old non-union worker John Donnelly was shot to death by three unknown men, bystander Ferninand Weiss was shot and killed by a private detective, and a company guard named Fred Reinhart was killed by strikers in an ambush.\n\nReferences \n\n1910 in Illinois\n1910 labor disputes and strikes\nTextile and clothing labor disputes in the United States\nHistory of Chicago\nHistory of women's rights in the United States\nLabor disputes in Illinois\n1910 in women's history\nHistory of women in Illinois" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in" ]

[ "Elections to West Lindsey District Council were held on 3 May 2007. One third of the council was up for election and the Liberal Democrat Party held overall control of the council after what was seen as a straight fight with the Conservative Party.\n\nThe election in Scotter ward was decided by the toss of a coin which the Conservative candidate won.\n\nAfter the election, the composition of the council was:\n Liberal Democrat 20\n Conservative 16\n Independent 1\n\nElection result\n\nOne Independent candidate was unopposed.\n\nWard results\n\nReferences\n\n 2007 West Lindsey election result\n Ward results\n\n2007\n2007 English local elections\n2000s in Lincolnshire", "The 2006 Dubai 24 Hours was the first running of the event and the first event of what would later become the 24H Series. It was held at the Dubai Autodrome from 11-13 January 2006. The winning car was an A5 class BMW 320i E46 run by Duller Motorsport and shared between Dieter Quester, Hans-Joachim Stuck, Philipp Peter and Toto Wolff.\n\nResult\n\nReferences\n\nDubai 24 Hour\nDubai\n2006 in Emirati motorsport" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I," ]

[ "Ludlow is a ghost town in Las Animas County, Colorado, United States. It was the site of the Ludlow Massacre–part of the Colorado Coalfield War–in 1914. The town site is located at the entrance to a canyon in the foothills of the Sangre de Cristo Mountains. It is located along the western side of Interstate 25 approximately 12 miles (19 km) north of the town of Trinidad. Nearby points of interest include the Ludlow Monument, a monument to the coal miners and their families who were killed in the 1914 massacre, the Hastings coke ovens, and the Victor American Hastings Mine Disaster Monument.\n\nRobert Adams made a series of photographs in Ludlow in 1981. In June 2009, the Ludlow Tent Colony Site was dedicated as a National Historic Landmark by Department of the Interior in a ceremony attended by Governor Bill Ritter following approval in January of that year.\n\nHistory\nA road and standard-gauge railroad was built through Ludlow in 1888 by the Denver, Texas, and Fort Worth Railroad, which would later become the Colorado & Southern.\n\nLudlow Massacre\n\nOn 20 April 1914, after months of sporadic violence and the withdrawal of a larger contingent of troops a few days before, Colorado National Guardsmen and local militia fired on strikers participating in the United Mine Workers of America strike against the Rockefeller-owned Colorado Fuel and Iron company. Roughly 20 occupants of the colony, including at least 12 women and children, were killed––mostly by smoke inhalation in the ensuing conflagration. Also among the dead was Greek labor-organizer Louis Tikas. A single Guardsman is known to have been killed by gunfire from the strikers. The violence at Ludlow sparked the most intense period of violence of the Colorado Coalfield War, which lasted until President Woodrow Wilson ordered troops into Colorado to end the fighting on 29 April.\n\nReferences\n\nExternal links \n\n Pictures and information\n Ghost town information\n Map to Ludlow\n\nGhost towns in Colorado\nFormer populated places in Las Animas County, Colorado\nCompany towns in Colorado", "Ludlow is a town in Shropshire, England. \n\nLudlow may refer to:\n\nArts and entertainment\n\n Ludlow, a novel by David Mason about the Ludlow Massacre\n\nBusinesses and organisations\n\nBusinesses\n Fisher and Ludlow, British car body manufacturing company\n Ludlows, an English bus company that was bought out in 2007\n\nSchools\n Ludlow College, Shropshire, England\n Fairfield Ludlowe High School, Fairfield, Connecticut\n Roger Ludlowe Middle School, Fairfield, Connecticut\n Ludlow High School, Ludlow, Massachusetts\n Ludlow Junior School, Woolston, Southampton, England\n\nPeople\n Ludlow (name), including a list of people and fictional characters with the surname and given name\n Earl Ludlow, a title in the Peerage of Ireland\n Baron Ludlow, a title in the Peerage of Ireland and in the Peerage of the United Kingdom\n\nPlaces\n\nAustralia\n Ludlow, Western Australia\n\nCanada\n Ludlow Parish, New Brunswick\n Ludlow, New Brunswick\n\nUnited Kingdom\n Ludlow Rural District, Shropshire, England\n Ludlow (UK Parliament constituency)\n\nUnited States\n Ludlow, California\n Ludlow, Colorado\n Ludlow, Illinois\n Ludlow, Iowa\n Ludlow, Kentucky\n Ludlow, Maine\n Ludlow, Massachusetts\n Ludlow, Missouri\n Ludlow, Pennsylvania\n Ludlow, Philadelphia, neighborhood\n Ludlow, South Dakota\n Ludlow (town), Vermont\n Ludlow (village), Vermont\n Ludlow Creek, a stream in Ohio\n Ludlow Falls, Ohio\n Ludlow Street, Manhattan, New York City\n Ludlow Township, Allamakee County, Iowa\n Ludlow Township, Champaign County, Illinois\n Ludlow Township, Washington County, Ohio\n Port Ludlow, Washington\n\nSports\n Ludlow Golf Club, a golf club located near Ludlow, Shropshire, England\n Ludlow Lusitano, a former American soccer club based in Ludlow, Massachusetts\n Ludlow Racecourse, a thoroughbred horse racing venue located near Ludlow, Shropshire\n Ludlow Town F.C., a football club based in Ludlow, Shropshire\n\nTransportation and naval\n Ludlow (Metro-North station), railroad station serving Ludlow Park, Yonkers, New York, United States\n Ludlow railway station, English railway station\n , the name of several American ships\n HMS Ludlow, the name of two British ships\n\nSee also\n\n Ludlow Amendment, a proposed amendment to the United States Constitution\n Ludlow Castle, in Ludlow, Shropshire, England\n Ludlow Castle, Delhi, demolished residency in Delhi, India\n Ludlow epoch, part of the Silurian period in the geologic time scale\n Ludlow Garage, music venue in Cincinnati, Ohio, U.S.\n Ludlow Group, rocks deposited during the Ludlow period of the Silurian in Great Britain\n Ludlow Hospital, serving Ludlow, Shropshire, England\n Ludlow Massacre, during the Colorado Coalfield War in 1914\n Ludlow Massacre (song)\n Ludlow Monument\n Ludlow Street Jail, former American federal prison in New York City\n Ludlow Typograph, a hot metal typesetting system used in letterpress printing\n Ludlow wall box, a British post box type\n Ludlow's fulvetta, a species of bird in Bhutan, China, India, Myanmar, and Nepal\n Bhutanitis ludlowi, a swallowtail butterfly commonly known as Ludlow's Bhutan swallowtail\n Bishop of Ludlow, a Church of England bishop\n My Lady Ludlow, a novella by Elizabeth Gaskell from 1858\n Fitz Hugh Ludlow Memorial Library, an American library named after Fitz Hugh Ludlow\n Pepperman House, also known as Ludlow House, historic house in Montgomery, Alabama" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death." ]

[ "Roy Theodore Hawkins (February 7, 1903 – March 19, 1974) was an American blues singer, pianist, and songwriter. After working in clubs, he broke through with his 1950 song \"Why Do Things Happen to Me\" inspired by an auto accident which paralyzed his right arm. Several of his songs, most notably \"The Thrill Is Gone\", were covered by later artists, including Ray Charles, B.B. King, and James Brown.\n\nBiography\nHawkins was born in Jefferson, Texas. Little is known of the early part of his life. By the mid-1940s he was performing as a singer and pianist in the Oakland, California area, where he was discovered by musician and record producer Bob Geddins, who was impressed by Hawkins' \"soulful, doom-laden style\". Hawkins seems to have made his first recordings when about 45 years old, for the Cava-Tone and Down Town record labels in 1948. His band, the Four Jacks, included saxophonist William Staples, guitarist Ulysses James, bassist Floyd Montgomery, and drummer Madison Little.\n\nHe signed with Modern Records in Los Angeles the following year, and stayed with that label until 1954. He had his first chart hit with \"Why Do Things Happen To Me\" (also known as \"Why Do Everything Happen To Me\"). Though the song had been written by Geddins while Hawkins was hospitalized after his auto accident, he sold it to Jules Bihari at Modern, and the record was released with the songwriting credit given jointly to Bihari (as \"Jules Taub\") and Hawkins. \"Why Do Things Happen To Me\" reached number 2 on the Billboard R&B chart in early 1950, and was later recorded by both B. B. King and James Brown (as \"Strange Things Happen\").\n\nHawkins continued to release singles on Modern and had his second hit in 1951 with \"The Thrill Is Gone\", again co-credited to Bihari but in fact co-written with Rick Darnell. The record featured Maxwell Davis (saxophone), Willard McDaniel (piano) and Johnny Moore (guitar), and reached number 6 on the R&B chart. The song was later recorded by many other artists, including B. B. King – whose signature song it became – Aretha Franklin, and Willie Nelson.\n\nAfter several less successful singles, including \"Gloom and Misery All Around\", an early song by Jerry Leiber and Mike Stoller, Hawkins left Modern in 1953. He recorded for a series of labels over the next few years including Flair, RPM, Rhythm, and Music City, for whom he recorded as Mr. Undertaker. His last recordings were made for Kent Records in 1961.\n\nHis later years were spent working in a furniture store. Hawkins died in Compton, California in 1974.\n\nDiscography\n\nSingles\n \"They Raided The Joint\" (1947)\n \"Christmas Blues\" (1948)\n \"It's Too Late To Change\" (1949)\n \"Forty Jive\" (1948)\n \"Quarter To One\" (1949)\n \"Easy Going Magic\" (1949)\n \"West Express\" (1949)\n \"Sleepless Nights\" (1949)\n \"Why Do Things Happen To Me\" (1950, R&B: #2)\n \"On My Way\" (1950)\n \"My Temper Is Rising\" (1950)\n \"Just A Poor Boy\" (1950)\n \"Blues All Around Me\" (1951)\n \"You're The Sweetest Thing\" (1951)\n \"The Thrill Is Gone\" (1951, R&B: #6)\n \"Gloom And Misery All Around\" (1951)\n \"You're A Free Little Girl\" (1952)\n \"Highway 59\" (1952)\n \"The Thrill Hunt\" (1952)\n \"Bad Luck Is Falling\" (1953)\n \"I Wonder Why\" [re-make of \"Why Do Everything Happen To Me\"] (1953)\n \"If I Had Listened\" (1955)\n \"Trouble In Mind\" (1962)\n\nLP/CD releases\n Why Do Everything Happen To Me [rec. 1949-54] (Route 66 #KIX-9 [LP], 1979)\n Highway 59 (Ace #CHD 103 [LP], 1984)\n The Thrill Is Gone: The Legendary Modern Recordings (Ace #CHD-754, 2000)\n Bad Luck Is Falling: The Modern, RPM and Kent Recordings, Vol. 2 (Ace #CHD-1096, 2006)\n\nSee also\nList of West Coast blues musicians\nWest Coast blues\n\nReferences\n\nExternal links\n Illustrated Roy Hawkins discography\n\n1903 births\n1973 deaths\nPeople from Jefferson, Texas\nAfrican-American pianists\nAmerican blues singer-songwriters\nWest Coast blues musicians\nModern Records artists\nRPM Records (United States) artists\nKent Records artists\nSinger-songwriters from Texas\n20th-century American pianists\nAmerican male pianists\n20th-century American male musicians\nAfrican-American male singer-songwriters\n20th-century African-American male singers", "Future Radio is the fourth full-length studio album released by the band Slowcoaster in 2007.\n\nTrack listing\n \"Ex-Girlfriend\"\n \"Leave\"\n \"Drink the Water\"\n \"Special Kind of Love\"\n \"I Was Here\"\n \"Eurotrash\"\n \"Why Does This Happen?\"\n \"Ten Birds\"\n \"Three Reasons\"\n \"1973\"\n \"Rasta Flag\"\n \"Distance and Time\"\n \"Professional Secretary\" \n \"Holdin' Down the Fort\"\n\n2007 albums\nSlowcoaster albums" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general" ]

[ "CoffeeCup Software is an American computer software development company based in Atlanta, Georgia, United States founded in 1996. The name comes from the company's origins in an internet cafe owned by its founder.\n\nThe company currently creates software applications for creating, designing, and editing responsive websites and a number of online services for webmasters. The company's third product, CoffeeCup Direct FTP, was the first FTP program to incorporate text editing functionality directly into the interface in a \"split screen\" fashion.\n\nCoffeeCup employs just over 10 programmers and designers and moved to new headquarters in the spring of 2007. In addition to a panel of user-advisers, CoffeeCup has a group of around 8000 “Ambassadors” who are invited to test drive new and existing software programs and report bugs and offer suggestions for improvements.\n\nCoffeeCup's Software has won many awards, including the Shareware Industry Award six years running from 1999 to 2004 for the CoffeeCup HTML Editor. Other awards include being ranked #400 in the Interactive 500, 11 CNet Editors Choice Awards, 18 Tucows 5-Star Awards, and ZDNet Best Pick for Web Design Software.\n\nHistory \nCoffeeCup Software was started in a coffee house called “The Raven & The Sparrow” which was owned by the company's founder, Nicholas Longo. This was the only coffee house that offered free internet access in Corpus Christi, Texas at the time.\n\nLongo bought the domain \"www.coffeecup.com\" and designed a website for his coffee house. He soon received requests from other business owners who wanted help designing their own sites. Longo started by designing those sites using Notepad. After designing a website in this manner, he felt there was an opportunity to create a program to make designing websites easier. Longo got together with a regular customer of his coffee shop who was a programmer and they created the first version of the HTML Editor.\n\nSince the coffee house already had the www.coffeecup.com domain name, the fledgling software company was named CoffeeCup Software and the first program was named CoffeeCup HTML Editor. Longo posted the program on his website. Eventually, CoffeeCup began charging $20USD for the program. In 1996 Longo decided to put away the espresso machines and devote full-time attention to developing software.\n\nCoffeeCup offers a core group of programs free to schools. CoffeeCup Software's K–12 Donation Program allows public schools to request the Educational Software Package (ESP) Free for classroom use to elementary and secondary public schools, and public libraries.\n\nIntroduction of Mac applications \nStarting at the end of 2011 CoffeeCup began to debut their new line of OS X compatible programs including the Web Editor, Web Form Builder and Web Image Studio. The Web Editor quickly received high reviews for the inclusion of tools such as an interactive preview pane, tag matching, drag-n'-drop coding, and search-based editing. The Web Editor won the About.com Readers Choice Awards in 2012. Responsive apps including Responsive Layout Maker Pro, Responsive Email Designer, and Responsive Site Designer were also introduced for the OS X platform.\n\nProducts\n\nReferences\n\nExternal links\n CoffeeCup Software official site\n\nCompanies based in Atlanta\nDevelopment software companies\nSoftware companies of the United States\nSoftware companies established in 1996", "Happening is a song by Danish singer Medina from her second English studio album Forever. The song is the English version of her Danish song \"Kl. 10\" from her third Danish album \"For altid\". It was released as the second single from the album on 14 September 2012. \"Happening\" was written by Medina Valbak, Rasmus Stabell, Jeppe Federspiel and Ross Golan, and was produced by the Danish producer-team Providers.\n\nBackground and inspiration\nIn a video interview about the song Medina stated that \"[...] It's about meeting someone, he is unfaithful with his girlfriend, and I'm waiting for him to break-up with her, and he keeps promising me that in 10 o'clock or in this English version it's 2 am, he's gonna break up with her, so it's basically me waiting for him to do it, so him and I can be together forever\".\n\nMusic video\nThe music video for the single was filmed in early August. The video premiered on 5 September 2012 on her official myvideo.de channel and a day later on the label's YouTube channel.\n\nLive performances\nMedina performed the song on 1 September 2012 at the box fight of the world champion Felix Sturm against Daniel Gaele, that was aired live on Sat 1. She also performed the song on 15 September 2012 at the \"SWR3 New Pop Festival\" in Baden-Baden.\n\nTrack listing\n\nAmazon.de digital download (Germany)\n\"Happening\" (Radio Edit) – 3:09\n\"Happening\" (Ronen Dahan Remix) – 5:38\n\"Happening\" (Get No Sleep Collective Remix)– 5:48\n\niTunes digital download\n\"Happening\" (Radio Edit) – 3:09\n\"Happening\" (Decalicious Remix) – 4:15\n\"Happening\" (Granity Remix) – 4:02\n\"Happening\" (Ronen Dahan Remix) – 5:38\n\"Happening\" (Get No Sleep Collective Remix)– 5:48\n\nCharts\n\nPersonnel\nSongwriting – Medina Valbak, Rasmus Stabell, Jeppe Federspiel, Ross Golan\nProduction and instruments – Providers\nVocals – Medina\nMixing and mastering – Anders Schuman, Providers\n\nSource:\n\nRelease history\n\nReferences\n\n2012 singles\nSynth-pop ballads\nMedina (singer) songs\n2012 songs\nSongs written by Jeppe Federspiel\nSongs written by Rasmus Stabell\nEMI Records singles\nSongs written by Ross Golan\nSongs written by Medina (singer)" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general", "Who was responsive for this happening?", "fire-fight occurred between strikers and troops, which was antagonized by the troops and mine guards. The camp was burned," ]

[ "Ernest Lee Thomas (born March 26, 1949) is an American actor. He is best known for his role as Roger \"Raj\" Thomas on the 1970s ABC sitcom What's Happening!!, and its 1980s syndicated sequel, What's Happening Now!!, and for his recurring role as Mr. Omar on Everybody Hates Chris.\n\nEarly career and What's Happening!!\n\nThomas was born in Gary, Indiana, and began his professional acting career as a Broadway actor, appearing in the 1974 revival production of Love for Love and in the 1975 revival of The Member of the Wedding. Both shows starred actress Glenn Close. Shortly after he moved to Los Angeles to pursue a career as a TV/film actor. In the fall of 1975 he received a role on an episode of The Jeffersons. It was during the taping of the show that he learned of an audition for a sitcom loosely based on the 1975 film Cooley High. Thomas auditioned, won the lead role, and filmed the television pilot, which tested poorly. The concept was quickly reworked into a more light-hearted approach to the source material, and became known as Central Avenue, before settling on the title What's Happening!!. Thomas was the only cast member retained from the pilot, and took the lead role of Roger \"Raj\" Thomas. The new \"summer series\" became a ratings hit, and was expanded to a full series, airing from 1976 to 1979.\n\nDuring the show's run, Thomas was involved in other film and TV projects including Baretta, The Brady Bunch Hour and the film A Piece of the Action starring Sidney Poitier and Bill Cosby. During the first season of What's Happening!!, Thomas was one of the final two actors to be considered for the lead role of Kunta Kinte in the breakthrough miniseries Roots, which eventually went to LeVar Burton. Thomas would go on to play the smaller role of Kailuba in the miniseries.\n\nWhat's Happening Now!! and later career\nAfter a six-year hiatus from TV and film acting, Ernest resumed his role as Roger \"Raj\" Thomas in the sequel What's Happening Now!! The show aired in first-run syndication from 1985 to 1988.\n\nSince the show's cancellation Thomas has guest starred on a number of popular TV dramas and sitcoms including In the Heat of the Night, (which co-starred his TV wife Anne-Marie Johnson, from What's Happening Now!!), The Parent 'Hood, Martin (which starred his What's Happening Now!! co-star Martin Lawrence), Soul Food, The Steve Harvey Show, All About the Andersons and more recently Just Jordan. He has also appeared in a number of films, including a supporting role in Malcolm X and a cameo in Dickie Roberts: Former Child Star. He later had a recurring role as funeral director, Mr. Omar, on the TV sitcom Everybody Hates Chris. He had an uncredited guest spot as Ernest T \"Bass\" on the TV show Are We There Yet? It was titled, \"The Satchel Paige Episode\" and had him playing a Flavor Flav type personality.\n\nIn 2012, Thomas was cast in rocker/horror movie director Rob Zombie's 2012 film The Lords of Salem. In 2016, he was in a comedic body horror short film called Earworm.\n\nHe has an eye condition called amblyopia.\n\nFilmography\n1976-1979: What's Happening!! (TV Series) - Roger 'Raj' Thomas\n1977: A Piece of the Action - John\n1985-1988: What's Happening Now!! (TV Series) - Roger 'Raj' Thomas\n1991: Kiss and Be Killed - Det. Ross\n1992: Malcolm X - Sidney\n2003: The Watermelon Heist - Jailer\n2003: Dickie Roberts: Former Child Star - Ernest Thomas\n2005-2009: Everybody Hates Chris (TV Series) - Mr. Omar / Funeral Director / Radical Man\n2007: Paroled - Royce Henderson\n2009: Funny People - Yo Teach Principal\n2012: The Lords of Salem - Chip McDonald (Frankenstein and the Witchhunter) (uncredited)\n2013: The Pastor and Mrs. Jones - Pastor\n2014: Basketball Girlfriend - Lenny\n2014: Revenge - Neville\n2014: The Slimbones - Uncle AB\n2015: Mega Shark vs. Kolossus - Admiral Titus Jackson\n2015: Chocolate City - Diner Manager\n2016: '79 Parts - Priore\n2016: Stop Bullying Now: Live from the Big House - Himself\n2016 - Earworm (short)\n2017: Chocolate City: Vegas Strip - Mr. Williams\n2017: The Gods - Olympus\n2017: Two Wolves - Olivier\n\nReferences\n\nExternal links\n\n1949 births\nLiving people\nMale actors from Indiana\nAmerican male film actors\nAmerican male stage actors\nAmerican male television actors\nAfrican-American male actors\n20th-century American male actors\n21st-century American male actors\nPeople from Gary, Indiana\n20th-century African-American people\n21st-century African-American people", "\"The Happening\" is a 1967 song recorded by Motown artists The Supremes. It served as the theme song of the 1967 Columbia Pictures film The Happening, and was released as a single by Motown at the time of the film's release that spring. While the movie flopped, the song peaked at number 1 on the Billboard Hot 100 pop singles chart in May, becoming The Supremes' tenth number 1 single in the United States, peaking in the top 10 on the UK Singles Chart at number 6, and in the top 5 in the Australian Pop Chart and in the Dutch Pop Chart.\n\nHistory\nProduced by Brian Holland and Lamont Dozier, and written by Holland–Dozier–Holland and Frank De Vol (The Happening's musical director), \"The Happening\" was the final single issued by The Supremes under that name. Between the release of \"The Happening\" and the next Supremes single, \"Reflections,\" the group's billing changed to Diana Ross & the Supremes, and Florence Ballard was replaced with Cindy Birdsong of Patti LaBelle & the Blue Belles.\n\nIt was widely believed the instrumental track was recorded in Los Angeles using members of the Wrecking Crew, particularly drummer Hal Blaine; however, Motown session logs indicate both the track used in the film recorded in February 1967 and the single version recorded in March 1967 were cut in Detroit using the Funk Brothers.\n\nBallard's final of the 17 appearances The Supremes made on the hit CBS variety television program The Ed Sullivan Show was on an episode where she performed this song live from Expo 67 in Montréal on Sunday, May 7, 1967, going to number 1 the same week.\n\nBillboard described the single as being \"in the good-time rhythm music bag\" as \"the trio changes pace with this\nclassy performance of the new film theme.\" Cash Box called the single a \"light, bouncy, up-tempo, romp\" that is a \"sure fire chart topper.\"\n\nLyrics\nThe selection's lyrics do not specify exactly what \"the happening\" is, although the implication is the singer has been abandoned in a love relationship. The singer says she was \"sure, I felt secure\" and \"I was riding high on top of the world\". But something happens that is negative and it leaves the individual narrating the selection in worse shape, than before it \"just happened\".\n\nThe event brings the singer back to reality, seeing \"life for what it is. It's not a dream, it's not all bliss\". The lyrics also warn that what happened to her, \"it\" can happen to you. Despite the negative experience, \"The Happening\" is sung in a happy, upbeat style.\n\nPersonnel\nLead vocals by Diana Ross\nBackground vocals by Florence Ballard and Mary Wilson\nInstrumentation by the Funk Brothers\nJames Jamerson – bass\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nOther versions\n\"The Happening\" was an instrumental hit for Herb Alpert & the Tijuana Brass in 1967 making number 32 on the Billboard chart.\n\nSee also\n List of Hot 100 number-one singles of 1967 (U.S.)\n\nReferences\n\nExternal links \n List of cover versions of \"The Happening\" at SecondHandSongs.com\n \n\n1967 singles\nFilm theme songs\nThe Supremes songs\nHerb Alpert songs\nBillboard Hot 100 number-one singles\nCashbox number-one singles\nSongs written by Holland–Dozier–Holland\nMotown singles\n1967 songs\nSong recordings produced by Lamont Dozier\nSong recordings produced by Brian Holland" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general", "Who was responsive for this happening?", "fire-fight occurred between strikers and troops, which was antagonized by the troops and mine guards. The camp was burned,", "What was the result of all of this happening?", "Costs to both mine operators and the union were high. This incident brought unwanted national attention to Colorado." ]

[ "Jesús Abad Colorado (born 1967) is a Colombian photojournalist. His work focuses on human rights and armed conflict.\n\nHe was born in 1967 in Medellín, Colombia. He received a BA in Communications from the University of Antioquia. He worked as a photographer for the Medellín newspaper El Colombiano from 1992 to 2001. His work has been shown in more than 30 exhibits, and has been shown internationally. He is co-author of two books, Relatos e Imágenes: El desplazamiento Forzado en Colombia (Narratives and Images: Forced Internal Displacement in Colombia) and Desde la prisión, realidades de las cárceles en Colombia (From the Prison, Realities of the jails in Colombia), and has collaborated on many other books on the subject of human rights.\n\nIn 2000, he was kidnapped at a roadblock by National Liberation Army guerrillas and held for two days.\n\nHis work has been recognized with numerous awards. He won the Simón Bolivar Prize for Journalism three times. In 2006, he was awarded the Caritas award in Switzerland and the CPJ International Press Freedom Award from the Committee to Protect Journalists. The Committee to Protect Journalists had never before given this award to a photojournalist. In 2009, he was on the shortlist for the Prix Pictet.\n\nEarly life\nJesús Abdad Colorado had an abnormal childhood. Colorado was not like most children due to being exposed to wartime conditions in the country of Colombia. Colorado came from a family of Antioquian farmers; his life quickly shifted after his grandmother and uncle were executed during the turmoil that took place during the Colombian conflict. This tragedy sparked his empathetic nature, causing him not to seek revenge on the killers of his family but yet to tell the story of his relatives.\n\nThe Colombian Conflict is what caused Colorado to pick up a camera. He knew there were stories to be told, but his fears about writing kept him from becoming a journalist. However, he knew he could capture the true essence of everyday people through pain, equality and human rights. \"War is represented by the media in a banal way that turns human life into statistics. What I do is take pictures, facing people, looking into their eyes, to give a name to those who I saw crying many times, but also to those who I saw pick themselves up again, always respecting their humanity\", Colorado said.\n\nCareer\nThroughout his 25-year career in photography, Colorado has accumulated experience and numerous awards within the field. Colorado began his career working as a photojournalist for the leading newspaper in Medellín, Colombia, El Colombiano. He started his work there from 1992 through 2001. During this time, Colorado began making a name for himself with his photographs. In 1997 Colorado co-wrote Relatos e Imágenes: El desplazamiento Forzado en Colombia. Colorado then went on to publish his own book, Contra El Olvido, which is a collection of Colombian conflict photography in 1998. Colorado has claimed the Simone Bolivar prize three times (2000, 2001, and 2003). The award is given to someone who has proven themselves as a Latin American \"hero.\" Between 2003 and 2005, Colorado displayed his works in his exhibition Memoria la Guerra Olvidada en Colombia (Memory: The Forgotten War in Colombia). The exhibit ended up being displayed in the Swiss Parliament, in other places, including the United Nations in Geneva. In 2006, he was awarded with the Caritas in Switzerland for advocating for social justice through his images and he was the very first photojournalist in history to receive the International Press Freedom Award from The Committee to Protect Journalists (CPJ). \nIn 2009, Colorado went on to co-author another book, Desde la prisión, realidades de las cárceles en Colombia (From the Prison, Realities of the jails in Colombia). His latest exhibit, \"El Testigo,\" opened on 20 October 2019, and displayed 557 images of Colorado's that recorded 25 years of armed conflict in Colombia. The original duration of the exhibit(3 months), was extended to a year due to the 280,000 people who had already visited it in Colombia's capital, Bogotá. The collection is quoted as being\"the exhibition that has had the greatest impact on Bogotá's society.\"\n\nPolitics\nJesús Abad Colorado's photography career took off when he landed his first job as a photographer for the Medellían newspaper in 1992. The primary things that Colorado focuses on are human rights and armed conflict. Colorado grew up in the town of San Carlos, Antioquia. The city deemed the name 'the violence' because of all the political conflict taking place there. The town was divided into two sections—conservative and liberal. His family were liberals living in a traditional town. Before Colorado was born, his grandparents were murdered in the midst of this horrific war. All of this conflict was sparked by the RAFC, the Revolutionary Armed Forces of Colombia. The RAFC is Colombia's largest rebel group, who had a crucial role in the war that has consumed Colombia over the past twenty-plus years. This war is what inspired Colorado to start taking photos in South America. Although he was in the middle of a political war, Colorado never chose sides regarding his stance on politics; all he did was capture the horror of the war. More so than not, Colorado was often the only photojournalist that would visit the sites of massacres. He didn't want to capture the reason for the conflict, but rather what came after. What made his photography so powerful and moving is that he would capture the raw emotion of those who suffered losses from the RAFC. Colorado never promoted the idea of this war and never captured any photos of the generals or captains, only the lower-ranking rebels and civilians. The innocent civilians affected by the war were his primary targets. Colorado did this to shed light and bring attention to such a dark time in society.\n\nProminent Life Events\nOn 4 October 2019, Colorado received the Life Long Achievement Award, the Gabo Award. The Gabo Award was awarded to Colorado for exemplifying photojournalism excellence. He received the award in his hometown. Colorado understands the importance of equality and a sense of dignity for all victims. Colorado didn't accept his prize alone. Four of his subjects, in his famous photographs, were invited to attend the ceremony with him. Colorado paid for the attendees to be there. \"I understand journalism as memory, not the record of a single day. I see it as building the larger narrative of a country,\" Colorado said.\n\nPersonal life\nJesús Abad Colorado was born in Medellín, Colombia, in 1967 after his parents fled from San Carlos, Antioquia, after his uncle and grandfather were killed due to the political turmoil. The conflict in Colombia occurred due to attacks based on the partisanship within the nation. Attacks on liberal citizens were brutal, and Colorado's parents were one of few in an extremely conservative area. The Colorado family arrived in Medellín with very little to their name. Jesus had seven siblings, including a foster sister. Colorado's father began working as a builder for The National University of Colombia in 1961; his mother had previously been a school teacher in San Carlos. Colorado began joining his father at work everyday and learned to read by studying graffiti and political protest messaging. \nJesus's father died in 2018, and Colorado credits him as an integral part of his success and inspiration. Being an advocate for the abolition of political violence in Colombia brought him enemies as well as recognition. He has been kidnapped twice by leftist guerrillas; Once in October 2000, guerrillas of the National Liberation Army abducted Colorado at a roadblock and kept him captive for two days. Dedicated to his work and advocating for social justice, Colorado never married or had children of his own.\n\nLegacy\nWhen it comes to the question about Jesús Abad Colorado's legacy, it isn't about what he did; it's about where it started. You could begin measuring his legacy by the number of awards and accolades he has received for his bravery in the field of photojournalism. Colorado has won the Simon Bolivar prize for journalism three times, along with the Caritas award in Switzerland. Additionally, Colorado won the CPJ International Press Freedom Award, appointed by the Committee to Protect Journalists. Jesus was the first photojournalist to ever win this award. One could also measure the success of his legacy in his pictures. Colorado was one of the first photojournalists to get in the midst of said conflict. The courage and bravery that Jesús showed was a stepping stone for photojournalists that followed in his footsteps. The most significant thing that he has done is his unique ability to capture such emotion and beauty in photos while being surrounded by negativity and violence.\n\nReferences\n\nExternal links\n\"Colombia Farc ceasefire: The man who photographed a little-pictured war\", BBC News magazine, retrieved 30 September 2016\n\n1967 births\nColombian photojournalists\nLiving people\nPeople from Medellín\nUniversity of Antioquia alumni\nWar photographers\nColombian photographers", "Joe Arridy (; April 29, 1915 – January 6, 1939) was an American man who was falsely convicted, and executed for the 1936 rape and murder of Dorothy Drain, a 15-year-old girl in Pueblo, Colorado. He was manipulated by the police to make a false confession due to his mental incapacities. Arridy was severely mentally disabled and was 23 years old when he was executed on January 6, 1939.\n\nMany people at the time and since believed that Arridy was innocent. A group known as Friends of Joe Arridy formed and in 2007 commissioned the first tombstone for his grave. They also supported the preparation of a petition by David A. Martinez, Denver attorney, for a state pardon to clear Arridy's name. \n\nIn 2011, Arridy received a full and unconditional posthumous pardon by Colorado Governor Bill Ritter (72 years after his death). Ritter, the former district attorney of Denver, pardoned Arridy based on questions about the man's guilt and what appeared to be a coerced false confession. This was the first time in Colorado that the governor had pardoned a convict after execution.\n\nEarly life\nArridy was born in 1915 in Pueblo, Colorado, to Henry and Mary Arridy, recent immigrants from Syria (then part of the Ottoman Empire), who were seeking work; they did not speak English. Henry took a job with a major steel mill in Pueblo that he learned was hiring workers. Arridy was late to start speaking as a boy and never spoke in sentences of more than a few words. After he attended one year at elementary school, his principal told his parents to keep him at home, saying that he could not learn. After losing his job a few years later, his father appealed to friends to help him find a place for his son. Arridy was admitted at the age of ten to the State Home and Training School for Mental Defectives in Grand Junction, Colorado, where he lived on and off until becoming a young adult. Both in his neighborhood and at the school, he was often mistreated and beaten by his peers. He left the school and hopped on freight railcars to leave the city, ending up at the age of 21 in the railyards of Cheyenne, Wyoming, by late August 1936.\n\nAttack\nOn August 14, 1936, two girls of the Drain family were attacked while sleeping at home in Pueblo, Colorado. Both 15-year-old Dorothy and her 12-year-old sister Barbara Drain were bludgeoned by an intruder with what was believed to be a hatchet. Dorothy was also raped; she died from the hatchet attack, while Barbara survived.\n\nArrest and conviction\nOn August 26, 1936, Arridy was arrested for vagrancy in Cheyenne, Wyoming, after being caught wandering around the railyards. The county sheriff, George Carroll, was aware of the widespread search for suspects in the Drain murder case. When Arridy revealed under questioning that he had traveled through Pueblo by way of a train after leaving Grand Junction, Colorado, Carroll began to question him about the Drain case. Carroll said that Arridy confessed to him. \n\nWhen Carroll contacted the Pueblo police chief Arthur Grady about Arridy, he learned that they had already arrested a man considered to be the prime suspect: Frank Aguilar, a laborer from Mexico. Aguilar had worked for the father of the Drain girls and been fired shortly before the attack. An axe head was recovered from Aguilar's home. Sheriff Carroll claimed that Arridy told him several times he had \"been with a man named Frank\" at the crime scene. Aguilar later confessed to the crime and told police he had never seen or met Arridy. Aguilar was also convicted of the rape and murder of Dorothy Drain and sentenced to death. He was executed in 1937. \n\nAfter being transported to Pueblo, Arridy reportedly confessed again. \n\nWhen the case was finally taken to trial, Arridy's lawyer pled insanity to spare his client's life. Arridy was ruled to be sane, while acknowledged by three state psychiatrists to be so mentally limited as to be classified as an \"imbecile\", a medical term at the time. They said he had an IQ of 46, and the mind of a six-year-old. They noted he was \"incapable of distinguishing between right and wrong, and therefore, would be unable to perform any action with a criminal intent\". \n\nArridy was convicted, largely because of his false confession. Studies since that time have shown that persons of limited mental capacity are more vulnerable to coercion during interrogation and have a higher frequency of making false confessions. There was no physical evidence against him. Barbara Drain had testified that Aguilar had been present at the attack, but not Arridy. She could identify Aguilar because he had worked for her father.\n\nAppeals\nAttorney Gail L. Ireland, who later was elected and served as Colorado Attorney General and Colorado Water Commissioner, became involved as defense counsel in Arridy's case after his conviction and sentencing. While Ireland won delays of Arridy's execution, he was unable to get his conviction overturned or commutation of his sentence. He noted that Aguilar had said he acted alone, and medical experts had testified as to Arridy's mental limitations. Ireland said that Arridy could not even understand what execution meant. \"Believe me when I say that if he is gassed, it will take a long time for the state of Colorado to live down the disgrace\", Ireland argued to the Colorado Supreme Court. Arridy received nine stays of execution as appeals and petitions on his behalf were mounted.\n\nExecution\nWhile held on death row during the appeals process, Arridy often played with a toy train, given to him by prison warden Roy Best. The warden said that Arridy was \"the happiest prisoner on death row\". He was liked and treated well by both the prisoners and guards alike. Best became one of Arridy's supporters and joined the effort to save his life; he was said to have \"cared for Arridy like a son\", regularly bringing him gifts. Before Arridy's execution, he said, \"He probably didn't even know he was about to die, all he did was happily sit and play with a toy train I had given him.\" \n\nFor his last meal, Arridy requested ice cream. When questioned about his impending execution, he showed \"blank bewilderment\". He did not understand the meaning of the gas chamber, telling the warden \"No, no, Joe won't die.\" Before being taken away to the chamber, Joe reportedly had not finished his ice cream and requested for the remaining ice cream to be refrigerated so he could eat it later, not understanding that he was to be executed soon and would not return. He was reported to have smiled while being taken to the gas chamber. Momentarily nervous, he calmed down when the warden grabbed his hand and reassured him. Members of the victim's family did not witness the execution.\n\n2011 posthumous pardon\nArridy's case is one of a number that received new attention in the face of research into ensuring just interrogations and confessions. In addition, the US Supreme Court ruled that it was unconstitutional to apply the death penalty to convicted persons who are mentally disabled. A group of supporters formed the non-profit Friends of Joe Arridy and worked to bring new recognition to the injustice of his case, in addition to commissioning a tombstone for his grave in 2007. \n\nAttorney David A. Martinez became involved and relied on Robert Perske's book about Arridy's case, as well as other materials compiled by the Friends, and his own research, to prepare a 400-page petition for pardon from Governor Bill Ritter, a former district attorney in Denver. Based on the evidence and other reviews, Ritter gave Arridy a full and unconditional pardon in 2011, saying \"Pardoning Joe Arridy cannot undo this tragic event in Colorado history, it is in the interests of justice and simple decency, however, to restore his good name.\"\n\nLegacy\nIn June 2007 about 50 supporters of Arridy gathered for the dedication of a tombstone they had commissioned for his grave at Woodpecker Hill in Cañon City's Greenwood Cemetery near the state prison.\n\nRepresentation in other media\n\n Arridy was the subject of a 1944 poem, \"The Clinic\", by writer Marguerite Young.\n Robert Perske wrote Deadly Innocence? (1964/reprint 1995) about Arridy's case after conducting research on it and similar cases for years. He had tracked down the author of the 1944 poem before Young's death. His book also explores other cases in which defendants were classified as disabled, and implications for police and the justice system.\n In 2007–2008 producers Max and Micheline Keller, George Edde, and Yvonne Karouni, and Dan Leonetti, screenwriter, announced plans to make a film about Arridy and Gail Ireland, to be called The Woodpecker Waltz. Leonetti won a New York screenwriting award for his screenplay, which attracted attention by producers.\nTerri Bradt wrote a biography of her grandfather, Gail Ireland: Colorado Citizen Lawyer (2011). She was proud of his defense of Arridy, and began to work with the Friends of Joe Arridy on making his cause more widely known.\n\nSee also\n Capital punishment in the United States\n List of wrongful convictions in the United States\n\nReferences\n\n1915 births\n1939 deaths\nAmerican people with disabilities\n20th-century executions of American people\nExecuted American people\nPeople from Pueblo, Colorado\nPeople with intellectual disability\nRecipients of American gubernatorial pardons\n20th-century executions by Colorado\nExecuted people from Colorado\nWrongful executions\nPeople executed by gas chamber\nPeople wrongfully convicted of murder\nOverturned convictions in the United States\nAmerican people of Syrian descent\nPeople executed for murder" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general", "Who was responsive for this happening?", "fire-fight occurred between strikers and troops, which was antagonized by the troops and mine guards. The camp was burned,", "What was the result of all of this happening?", "Costs to both mine operators and the union were high. This incident brought unwanted national attention to Colorado.", "What was being said about Colorado?", "The casualties suffered at Ludlow were successfully labeled a massacre and mobilized public opinion against the Rockefellers and the coal industry." ]

[ "Richard Gilder Rockefeller (January 20, 1949 – June 13, 2014) was a family physician in Falmouth, Maine, who practiced and taught medicine in Portland, Maine, from 1982 to 2000. He is the son of American Banker David Rockefeller, the grandson of American financier and philanthropist John D. Rockefeller Jr. and the great grandson of Standard Oil co-founder John D. Rockefeller.\n\nEarly life\nRockefeller was born on January 20, 1949 and was a son of Margaret (née McGrath) Rockefeller and banker David Rockefeller. He was also a grandson of American financier John D. Rockefeller Jr., and a great-grandson of American business magnate and philanthropist John D. Rockefeller Sr.\n\nRockefeller obtained an undergraduate degree from Harvard University, a master's degree in Education, and a medical degree from Harvard Medical School.\n\nCareer\nHe was chairman of the United States Advisory Board of Doctors Without Borders from 1989 until 2010, and served on the board of Rockefeller University in New York City until 2006. In the last few years of his life, Rockefeller was working to establish better worldwide methods of treatment for individuals suffering from post-traumatic stress disorder. Richard gave an inspiring talk at the San Francisco Commonwealth Club (December 9, 2013) about the use of MDMA-assisted psychotherapy to treat PTSD. During the last few years of his life, he dedicated time and resources to the research and development of GcMAF therapy, an immune boosting injection that has been successful in treating cancer and other diseases.\n\nRockefeller was the founder and former chairman of Hour Exchange Portland, a service credit barter in Portland and throughout the state of Maine. He also served as chairman of the board of Maine Coast Heritage Trust from 2000 to 2006. Rockefeller served as president of the Rockefeller Brothers Fund.\n\nPersonal life\nRockefeller was first married to Nancy C. Anderson, with whom he had two children, Clayton and Rebecca. After their divorce, he married Nancy King, and was the stepfather to her two children. After their divorce, his first wife remarried to Dale Gowen.\n\nDeath\nRockefeller, an experienced pilot, was flying home after visiting his father at the Rockefeller family estate in Pocantico Hills, a hamlet in the town of Mount Pleasant, New York. The family patriarch, his father, David Rockefeller, had celebrated his 99th birthday on June 12, 2014.\n\nRockefeller took off from Westchester County Airport in a Piper Meridian single-engine turboprop at 8:08 a.m. on June 13, 2014, departing from runway 16 in dense fog and steady rain. Less than 10 minutes later, the Federal Aviation Administration notified airport officials it had lost contact with the pilot. At 8:23 a.m. local police in the town of Harrison, New York, reported Rockefeller's plane crashed less than a mile from the airport in the town of Harrison. Rockefeller, the pilot, was the only person on the private plane.\n\nThe cause of the crash was attributed to the pilot's failure to maintain a positive climb rate after takeoff due to spatial disorientation (somatogravic illusion).\n\nRockefeller was the only one of the six siblings to have died during his father's lifetime. Through him, he was also a nephew of the late U.S. Vice President Nelson Rockefeller.\n\nReferences\n\n1949 births\n2014 deaths\nAccidental deaths in New York (state)\nAviators killed in aviation accidents or incidents in the United States\nRockefeller family\nWinthrop family\nPeople from Falmouth, Maine\nRockefeller University\nMédecins Sans Frontières\nAmerican billionaires\nPhilanthropists from Maine\nPhysicians from Maine\nHarvard Medical School alumni\nAmerican primary care physicians\nPhysicians from New York City\nAviators from Maine\nPhilanthropists from New York (state)\nFamily physicians\nVictims of aviation accidents or incidents in 2014", "Michael Clark Rockefeller (May 18, 1938 – presumed to have died November 19, 1961) was the fifth child of New York Governor and former U.S. Vice President Nelson Rockefeller. He was the grandson of American financer John D. Rockefeller Jr. and the great grandson of Standard Oil co-founder John D. Rockefeller. He disappeared during an expedition in the Asmat region of southwestern Netherlands New Guinea, which is now a part of the Indonesian province of Papua. In 2014, Carl Hoffman published a book that went into detail about the inquest into his killing, in which villagers and tribal elders admit to Rockefeller being killed after he swam to shore in 1961. No remains or physical proof of Rockefeller's death have been discovered.\n\nEarly life\nRockefeller was the fifth and last child of Mary Todhunter Rockefeller and Nelson Rockefeller. He was the third son of seven children fathered by Nelson Rockefeller, and he had a twin sister, Mary.\n\nAfter attending The Buckley School in New York, and graduating from the Phillips Exeter Academy in New Hampshire, where he was a student senator and exceptional varsity wrestler, Rockefeller graduated cum laude from Harvard University with a B.A. in history and economics. In 1960, he served for six months as a private in the U.S. Army and then went on an expedition for Harvard's Peabody Museum of Archaeology and Ethnology to study the Dani tribe of western Netherlands New Guinea. The expedition filmed Dead Birds, an ethnographic documentary movie produced by Robert Gardner, and for which Rockefeller was the sound recordist. Rockefeller and a friend briefly left the expedition to study the Asmat tribe of southern Netherlands New Guinea. After returning home from the Peabody expedition, Rockefeller returned to New Guinea to study the Asmat and collect Asmat art.\n\n\"It's the desire to do something adventurous,\" he explained, \"at a time when frontiers, in the real sense of the word, are disappearing.\"\n\nHe spent his time in Netherlands New Guinea actively engaged with the culture and the art while recording ethnographic data. In one of his letters home he wrote:\n\nI am having a thoroughly exhausting but most exciting time here ... The Asmat is like a huge puzzle with the variations in ceremony and art style forming the pieces. My trips are enabling me to comprehend (if only in a superficial, rudimentary manner) the nature of this puzzle ...\n\nDisappearance\nOn November 17, 1961, Rockefeller and Dutch anthropologist René Wassing were in a dugout canoe about from shore when their double pontoon boat was swamped and overturned. Their two local guides swam for help, but it was slow in coming.\n\nAfter drifting for some time, early on November 19, 1961, Rockefeller said to Wassing: \"I think I can make it.\" He then swam for shore. The boat was an estimated from the shore when he made the attempt to swim to safety, supporting the theory that he died from exposure, exhaustion, or drowning.\n\nWassing was rescued the next day, but Rockefeller was never seen again, despite an intensive and lengthy search effort. At the time, Rockefeller's disappearance was a major world news item. His body has never been found.\n\nRockefeller was declared legally dead in 1964.\n\nSpeculation\nIt was originally reported that Rockefeller either drowned or was attacked by a shark or saltwater crocodile. However, because headhunting and cannibalism were still present in some areas of Asmat in 1961, there has also been speculation that Rockefeller may have been killed and eaten by tribespeople from the Asmat village of Otsjanep.\n\nIn 1969, the journalist Milt Machlin traveled to the island to investigate Rockefeller's disappearance. He dismissed reports of Rockefeller living as a captive or as a Kurtz-like figure in the jungle, but concluded that circumstantial evidence supported the idea that he had been killed. Several leaders of Otsjanep village, where Rockefeller likely would have arrived had he made it to shore, had been killed by a Dutch patrol in 1958, thus providing some rationale for revenge by the tribe against someone from the \"white tribe\". Neither cannibalism nor headhunting in Asmat were indiscriminate, but rather were part of a tit-for-tat revenge cycle, so it is possible that Rockefeller found himself the inadvertent victim of such a cycle. The incident is described in \"Dance of the Warriors\", the second volume of the documentary series Ring of Fire by the Blair brothers.\n\nA book titled Rocky Goes West by author Paul Toohey claims that, in 1979, Rockefeller's mother hired a private investigator to go to New Guinea and try to resolve the mystery of his disappearance. The reliability of the story has been questioned, but Toohey claims that the private investigator swapped a boat engine for the skulls of the three men that a tribe claimed were the only white men they had ever killed. The investigator returned to New York and handed these skulls to the family, convinced that one of them was the skull of Rockefeller. If this event did actually occur, the family has never commented on it. However, the History Channel program Vanishings reported that Rockefeller's mother did pay a $250,000 reward to the investigator which was offered for final proof whether or not Michael Rockefeller was alive or dead.\n\nIn the documentary film Keep the River on Your Right, Tobias Schneebaum states that he spoke with some members of the Asmat village of Otsjanep who described finding Rockefeller on the riverside and eating him.\n\n2014 book on disappearance\nIn 2014, Carl Hoffman published the book Savage Harvest: A Tale of Cannibals, Colonialism, and Michael Rockefeller's Tragic Quest for Primitive Art where he discusses researching Rockefeller's mysterious disappearance and presumed death. During multiple visits to the villages in the area, he heard several stories about men from Otsjanep killing Rockefeller after he swam to shore. The stories, which were similar to testimonials collected in the 1960s, center around a handful of men arguing and eventually deciding to kill Michael after he swam to shore, in revenge for a 1958 incident in which men from the village were killed in a confrontation with Dutch colonial officials. Soon after the murder, the villages were swept by a cholera epidemic and the villagers believed that it was retribution for killing Rockefeller. As Hoffman left one of the villages for the final time, he witnessed a man acting out a scene wherein someone was killed, and stopped to videotape it. When translated, the man was quoted as saying:\n\nDon't you tell this story to any other man or any other village, because this story is only for us. Don't speak. Don't speak and tell the story. I hope you remember it and you must keep this for us. I hope. I hope. This is for you and you only. Don't talk to anyone, forever; to other people or another village. If people question you, don't answer. Don't talk to them, because this story is only for you. If you tell it to them, you'll die. I am afraid you will die. You'll be dead; your people will be dead, if you tell this story. You keep this story in your house; to yourself, I hope, forever. Forever. ...\n\nAsmat artifacts and photographs\nMany of the Asmat artifacts Rockefeller collected are part of the Michael C. Rockefeller Wing collection at the Metropolitan Museum of Art in New York City. The Peabody Museum has published the catalogue of an exhibition of pictures taken by Rockefeller during the New Guinea expedition.\n\nIn popular culture\nThe 1973, National Lampoon Comics contained a story (titled \"New Guinea Pig\") that focused on Rockefeller's disappearance as being a ruse so he could kill all the black people in New Guinea and his family could steal their resources.\n\nRockefeller's disappearance was the subject of episode #30 of In Search of ..., which originally aired January 21, 1978.\n\nThe band Guadalcanal Diary wrote a song about Rockefeller's disappearance called \"Michael Rockefeller\". The song appeared on their 1986 album Jamboree.\n\nIn the travel adventure book Ring of Fire: An Indonesian Odyssey, the Blair brothers claim to have discussed Rockefeller's death with a tribesman who killed him.\n\nChristopher Stokes's short story \"The Man Who Ate Michael Rockefeller\", published in the 23rd issue of McSweeney's Quarterly Concern (Spring 2007), presents a fictional account of young Michael's demise.\n\nThe 2004 novel King of America by Samantha Gillison is loosely based on the life of Michael Rockefeller.\n\nThe 2007 film Welcome to the Jungle deals with two young couples who venture after Michael Rockefeller (thinking they can make a lot of money if they find evidence of Rockefeller), but meet grisly demises.\n\nJeff Cohen's play The Man Who Ate Michael Rockefeller, based on the short story by Christopher Stokes, had its world premiere in an Off Broadway production at the West End Theatre in New York. The play was directed by Alfred Preisser, and ran from September 10 to October 3, 2010.\n\nIn 2011, Agamemnon Films released a documentary titled The Search for Michael Rockefeller, based on journalist Milt Machlin's book of the same name released in 1974. In his book, Carl Hoffman characterized Machlin's early book as \"mostly the tale of a wild-goose chase\", but still important in laying the groundwork for questioning official stories of Rockefeller's disappearance The film introduces a third theory, that Rockefeller survived and was living among the locals. This theory is supported by a verbal claim of contact made by a mysterious Australian adventurer, plus a few frames of film footage showing a bearded white man among indigenous men, wearing local garb.\n\nIn 2012, Michael's surviving twin sister Mary published a memoir, titled Beginning with the End: A Memoir of Twin Loss and Healing, about coping with her grief after the death of her brother. The book was issued in paperback in 2014 as When Grief Calls Forth the Healing. \n\nIn their 2013 album The Devil Herself, band Megan Jean and the KFB features the song Tobias'' which features the lyrics \"We lived amongst the tribe that ate Rockefeller / Out in Papua New Guinea I’d give you the skinny / Get eaten if I tell ya\".\n\nSee also\nList of people who disappeared\n\nReferences\n\nExternal links\nAsmat Art in the Michael C. Rockefeller Collection at the Metropolitan Museum of Art\nMichael Rockefeller photographs on display at The Peabody Museum\nOutside magazine: \"Lost Scion: Was Michael Rockefeller eaten by cannibals?\"\nAgamemnon Films Presents: The Search for Michael Rockefeller\nTelevision segment on Michael Rockefeller hosted by Leonard Nimoy\n\n1938 births\n1960s missing person cases\n1961 deaths\nBuckley School (New York City) alumni\nChildren of vice presidents of the United States\nClark banking family\nDeaths in Indonesia\nHarvard University alumni\nMissing people\nMissing person cases in Indonesia\nPeople declared dead in absentia\nPhillips Exeter Academy alumni\nRockefeller family\nTwin people from the United States\nUnited States Army soldiers\nWestern New Guinea\nWinthrop family" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general", "Who was responsive for this happening?", "fire-fight occurred between strikers and troops, which was antagonized by the troops and mine guards. The camp was burned,", "What was the result of all of this happening?", "Costs to both mine operators and the union were high. This incident brought unwanted national attention to Colorado.", "What was being said about Colorado?", "The casualties suffered at Ludlow were successfully labeled a massacre and mobilized public opinion against the Rockefellers and the coal industry.", "Was Rockefeller able to recover after this?", "The United States Commission on Industrial Relations conducted extensive hearings, singling out John D. Rockefeller Jr. and the Rockefellers' relationship" ]

[ "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy", "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general", "Who was responsive for this happening?", "fire-fight occurred between strikers and troops, which was antagonized by the troops and mine guards. The camp was burned,", "What was the result of all of this happening?", "Costs to both mine operators and the union were high. This incident brought unwanted national attention to Colorado.", "What was being said about Colorado?", "The casualties suffered at Ludlow were successfully labeled a massacre and mobilized public opinion against the Rockefellers and the coal industry.", "Was Rockefeller able to recover after this?", "The United States Commission on Industrial Relations conducted extensive hearings, singling out John D. Rockefeller Jr. and the Rockefellers' relationship", "What happened to Rockefeller?", "Bowers was relieved of duty and Wellborn restored to control in 1915, then industrial relations improved. Rockefeller denied any responsibility" ]

[ "Principles of Nature, also known as The Principles of Nature, or A Development of the Moral Causes of Happiness and Misery among the Human Species, was a work written in 1801 by Elihu Palmer. The work was similar to Thomas Paine's writings, and focused on \"God, Deism, \"revealed\" religions, etc.\" It has been considered the Bible of American deism. Although Palmer first published in America, after his death, in 1819, Principles of Nature was published in England. Richard Carlile was fined and jailed for several years for publishing Palmer's work in Britain (among other works deemed blasphemous, including those by Thomas Paine) .\n\nReferences\n\nExternal links\n\n1801 books\nDeism", "Ali Asgar Lobi is a Bangladesh Nationalist Party politician and the former Member of Parliament from Khulna-2 and former president of Bangladesh Cricket Board.\n\nCareer\nLobi was elected to Parliament in 2001 as a candidate of Bangladesh Nationalist Party from Khulna-2 in a by election. The seat was won by Khaleda Zia, Bangladesh Nationalist Party chairperson, in 2001, she resigned from the seat leading to the by election. He owned Hawa Bhaban, the political office of Khaleda Zia. He was He served as the President of Bangladesh Cricket Board from 2001 to 2006. From 2002 to 2004 he served as the president of the Asian Cricket Council.\n\nCorruption\nIn October 2007, Lobi was sentenced to 13 years imprisonment for corruption by a special court in Bangladesh. He was jailed for amassing illegal wealth worth up to Tk. 204 million (US$3.5 million) and concealing his income. Lobi was also fined Tk. 1 million and had his illegal property confiscated. Earlier in July of the same year, he was sentenced to 8 years jail for evading taxes of US$2.4 million. His wife, Khusnar Asgar, was also jailed for 3 years for aiding him in his corruption.\n\nReferences\n\nBangladesh Nationalist Party politicians\nLiving people\n8th Jatiya Sangsad members\nYear of birth missing (living people)\nPeople from Khulna District" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general", "Who was responsive for this happening?", "fire-fight occurred between strikers and troops, which was antagonized by the troops and mine guards. The camp was burned,", "What was the result of all of this happening?", "Costs to both mine operators and the union were high. This incident brought unwanted national attention to Colorado.", "What was being said about Colorado?", "The casualties suffered at Ludlow were successfully labeled a massacre and mobilized public opinion against the Rockefellers and the coal industry.", "Was Rockefeller able to recover after this?", "The United States Commission on Industrial Relations conducted extensive hearings, singling out John D. Rockefeller Jr. and the Rockefellers' relationship", "What happened to Rockefeller?", "Bowers was relieved of duty and Wellborn restored to control in 1915, then industrial relations improved. Rockefeller denied any responsibility", "Was he ever jailed or fined?", "minimized the seriousness of the event." ]

[ "Gao Gong (; 1512–1578) courtesy name Suqing (), art name Zhongxuan (), was a Chinese politician of the Ming dynasty.\n\nGao was born in Xinzheng, Henan. He became jinshi in 1541, then held a post at Hanlin Academy. Since 1552, he served as tutor to the then heir apparent, later the Longqing Emperor for nine years, which made the emperor trust him fully. He served successively as Vice Minister of Rites, Vice Minister of Personnel, and Minister of Rites. In 1566, he was promoted to the Grand Secretariat of Wenyuan Chamber with recommendation from Xu Jie. After the enthronement of the Longqing Emperor, Gao's higher status catalyzed a sudden escalation of antagonism between Gao and Xu. Impeached by several censors, he was forced to retire in 1567. Zhang Juzheng did his utmost to persuade the emperor to recall Gao for political reasons. Thus, Gao returned to Beijing in 1569. He replaced Li Chunfang, the former Senior Grand Secretary, who was defeated in the political struggle by the death of the emperor. Zhang was hostile to him afterwards. The eunuchs in the Directorate of Ceremonial headed by Feng Bao brooked no weakening of their power by Gao. Hence, an alignment grew up between Zhang and Feng aimed at marginalizing Gao. They criticized Gao before Empress Dowager Xiaoding. Gao had to retire and return home once again. He finished the memoir Bingta yiyan () [The last words left on my sickbed] in his later years. In 1578, Gao died at home.\n\nAlthough Gao's term was quite brief, he made great efforts with Zhang to subsume Altan Khan's Tumed into the tributary system. Consequently, he was granted the Grand Preceptor as the posthumous title in 1602.\n\nNotes\n\nReferences \n\n \n \n\n1512 births\n1578 deaths\nPoliticians from Zhengzhou\nMing dynasty politicians\nGrand Secretaries of the Ming dynasty", "Dirk Weetendorf (born 1 October 1972) is a German former professional footballer, who played as a striker, and manager.\n\nCareer\nWeetendorf was born in Burg auf Fehmarn. Between 1996 and 1999 he played three seasons in the Bundesliga for Hamburger SV and Werder Bremen, but did not become a regular starter at either club. In 1999, he moved to Regionalliga Nord side Eintracht Braunschweig, where he became a prolific scorer and contributed significantly to the club's promotion to the 2. Bundesliga in 2002. However, constant injury problems forced Weetendorf to retire early from football just one year later.\n\nHonours\n DFB-Pokal: 1998–99\n\nReferences\n\nExternal links\n\n1972 births\nLiving people\nPeople from Fehmarn\nFootballers from Schleswig-Holstein\nAssociation football forwards\nGerman footballers\nGerman football managers\nEintracht Braunschweig players\nHamburger SV players\nSV Werder Bremen players\nBundesliga players\nEintracht Braunschweig non-playing staff" ]

[ "John D. Rockefeller", "Strike of 1913-14 and the Ludlow Massacre", "What was the strike of 1913-14?", "The strike, called in September 1913 by the United Mine Workers, over the issue of union representation, was against coal mine operators in", "What was the result?", "The strike was fought vigorously by the coal mine operators association and its steering committee, which included Welborn, president of CF&I,", "What was the Ludlow Massacre?", "The camp was burned, resulting in 15 women and children, who hid in tents at the camp, being burned to death.", "Why did this happen?", "In February 1914, a substantial portion of the troops were withdrawn, but a large contingent remained at Ludlow. On April 20, 1914, a general", "Who was responsive for this happening?", "fire-fight occurred between strikers and troops, which was antagonized by the troops and mine guards. The camp was burned,", "What was the result of all of this happening?", "Costs to both mine operators and the union were high. This incident brought unwanted national attention to Colorado.", "What was being said about Colorado?", "The casualties suffered at Ludlow were successfully labeled a massacre and mobilized public opinion against the Rockefellers and the coal industry.", "Was Rockefeller able to recover after this?", "The United States Commission on Industrial Relations conducted extensive hearings, singling out John D. Rockefeller Jr. and the Rockefellers' relationship", "What happened to Rockefeller?", "Bowers was relieved of duty and Wellborn restored to control in 1915, then industrial relations improved. Rockefeller denied any responsibility", "Was he ever jailed or fined?", "minimized the seriousness of the event.", "Did he just retire afterwards?", "\"I would have taken no action. I would have deplored the necessity which compelled the officers of the company to resort to such measures" ]

[ "The Ackerley Group was an American media company owned by Barry Ackerley that owned several television stations (mainly in New York, California, as well as one in Fairbanks) that was sold to Clear Channel Communications in 2001. In addition to ownership of television stations across the country, the company also owned and operated several radio stations in the Seattle, WA market. The company also owned the NBA Seattle SuperSonics and WNBA Seattle Storm professional basketball teams. \n\nAt the time of the closure of the transaction, the sale price was reported to be 38 times cashflow (approximately $1.1B USD) the highest ever sale valuation for a North American publicly traded media company in the history of the NYSE. The record setting high price tag was attributed to the overwhelming market monopoly position of the Ackerley Group's Out of Home Media (billboards) marketplace in the Washington, Oregon, Massachusetts and South Florida media markets, all areas where Clear Channel was devoid of inventory. Its chairman was Seattle-based businessman Barry Ackerley. Barry Ackerley and his immediate family owned approximately 82% of the company stock at the time of the sale.\n\nStations list (incomplete)\nStations are arranged in alphabetical order by state and city of license.\n\nNotes:\n1 Divested following purchase of KION, Ackerley continued to operate station after divestiture until the merger with Clear Channel in 2002.\n2 Operated by Ackerley from 1994 until purchased outright by Ackerley in 2000.\n3 Ackerley never owned this station directly but did operate it through a time brokerage agreement from 2000 until the merger with Clear Channel in 2002.\n\nNotes\n\nDefunct companies of the United States\nDefunct broadcasting companies of the United States\nIHeartMedia", "Mark Jennings (born in Namibia) is an English rugby union player, most recently playing with the Sale Sharks. He usually plays as a centre but can also play as a winger. He is the youngest player to have ever signed a professional contract for Sale Sharks, joining on his 16th birthday. As of 5 February 2019, Mark Jennings and Sale Sharks agreed a mutual sabbatical away from Rugby Union. 3]\n\nReferences\n\n1993 births\nLiving people\nEnglish rugby union players\nRugby union centres\nSale Sharks players\nSedgley Park R.U.F.C. players" ]

[ "Bill Shankly", "Carlisle United" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Bill Shankly", "Carlisle United", "Are there any other interesting aspects about this article?", "Shankly had a single season, 1932-33, at Carlisle United," ]

[ "How Did You Know is an extended play (EP) by Jamaican electronic dance musician Kurtis Mantronik. The EP was released in 2003 on the Southern Fried Records label, and features British singer Mim on vocals. \"How Did You Know (77 Strings)\" was released as a single from the EP, reaching number 16 on the UK Singles Chart and number three in Romania. The title track peaked atop the US Billboard Hot Dance Club Play chart in May 2004.\n\nTrack listing\n \"How Did You Know (Radio Edit)\" (Kurtis Mantronik, Miriam Grey - vocals) – 3:33 \n \"How Did You Know (Original Vocal)\" (Mantronik, Grey - vocals) – 6:35 \n \"How Did You Know (Tony Senghore Vocal)\" (Mantronik, Grey - vocals, Tony Senghore - remix) – 6:31 \n \"77 Strings (Original Instrumental)\" (Mantronik) – 7:57\n\nCharts\nThe following chart entries are for \"How Did You Know (77 Strings)\".\n\nWeekly charts\n\nYear-end charts\n\nRelease history\n\nReferences\n\nExternal links\n \n\n2003 EPs\n2003 singles\nAlbums produced by Kurtis Mantronik\nSouthern Fried Records albums", "Well, I Should Have... (subtitled Learned How To Play Piano) is an experimental jazz album by American comedy actor H. Jon Benjamin. It was released on November 27, 2015, on the Sub Pop label. The album was intentionally recorded to sound bad, since, as the album's title indicates, Benjamin does not know how to play piano, but still does so on the album, and Benjamin has never liked jazz very much.\n\nGuests who appear on the album include Aziz Ansari and Kristen Schaal. The album also features actual jazz musicians such as Scott Kreitzer (saxophone), David Finck (bass), and Jonathan Peretz (drums). Every song on the album but one was mixed by Mark Desimone; the only song he did not mix was mixed by Bob's Burgers creator Loren Bouchard.\n\nTrack listing\n \"Deal with the Devil\" – 3:18\n \"I Can't Play Piano, Pt. 1\" – 3:39\n \"I Can't Play Piano, Pt. 2\" – 3:09\n\"It Had to Be You\" – 5:32\n \"Soft Jazzercise\" – 2:26\n \"I Can't Play Piano, Pt. 3\" – 4:57\n \"I Can't Play Piano, Pt. 4 – (Trill Baby Trill)\" – 5:25\n \"Amy's Song (The Bum Steer)\" – 1:30\n\nReferences\n\nSub Pop albums\n2015 debut albums\nH. Jon Benjamin albums" ]

[ "Bill Shankly", "Carlisle United", "Are there any other interesting aspects about this article?", "Shankly had a single season, 1932-33, at Carlisle United,", "How well did he play?", "he was \"earmarked as a key young player capable of taking Carlisle on to greater things\"." ]

[ "\"Llangollen Market\" is a song from early 19th century Wales. It is known to have been performed at an eisteddfod at Llangollen in 1858.\n\nThe text of the song survives in a manuscript held by the National Museum of Wales, which came into the possession of singer Mary Davies, a co-founder of the Welsh Folk-Song Society.\n\nThe song tells the tale of a young man from the Llangollen area going off to war and leaving behind his broken-hearted girlfriend. Originally written in English, the song has been translated into Welsh and recorded by several artists such as Siân James, Siobhan Owen, Calennig and Siwsann George.\n\nLyrics\nIt’s far beyond the mountains that look so distant here,\nTo fight his country’s battles, last Mayday went my dear;\nAh, well shall I remember with bitter sighs the day,\nWhy, Owen, did you leave me? At home why did I stay?\n\nAh, cruel was my father that did my flight restrain,\nAnd I was cruel-hearted that did at home remain,\nWith you, my love, contented, I’d journey far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nWhile thinking of my Owen, my eyes with tears do fill,\nAnd then my mother chides me because my wheel stands still,\nBut how can I think of spinning when my Owen’s far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nTo market at Llangollen each morning do I go,\nBut how to strike a bargain no longer do I know;\nMy father chides at evening, my mother all the day;\nWhy, Owen, did you leave me, at home why did I stay?\n\nOh, would it please kind heaven to shield my love from harm,\nTo clasp him to my bosom would every care disarm,\nBut alas, I fear, 'tis distant - that happy, happy day;\nWhy, Owen, did you leave me, at home why did stay?\n\nReferences\n\nWelsh folk songs", "John Why (3 April 1903 – 14 May 1944) was an Australian rugby league footballer who played in the 1920s and 1930s. A New South Wales state and Australian national representative three-quarter back, he played in the NSWRFL Premiership for the South Sydney club, winning the 1928, 1929, 1931 and 1932 titles with them. He was the brother of fellow South Sydney footballers, Oliver Why and Alby Why.\n\nPlaying career\nA South Sydney junior, Why began his first-grade NSWRFL Premiership career during the 1926 season. At the end of the 1928 NSWRFL season he played at centre in South Sydney's grand final victory against Eastern Suburbs, and in 1929 at lock forward in their grand final win over Newtown.\n\nWhy played on the wing in South Sydney's grand final victories over Eastern Suburbs in 1931 and Western Suburbs in 1932, scoring a try in the latter.\n\nRepresentative career\n\nHe was chosen as a reserve for the 3rd Test against Great Britain at the SCG on 16 July 1932, but did not take the field. Having also already played representative football for the Sydney and New South Wales sides, at the end of the 1933 season Why was chosen to go on the 1933-34 Kangaroo tour of Great Britain, becoming Kangaroo No. 189. He played in two test matches against England as well as 15 other matches on tour. The 1934 NSWRFL season was Why's last in first grade.\n\nWhy died in 1944 while rabbiting with his son and friends in the Victorian township of Bacchus Marsh, west of Melbourne.\n\nReferences\n\n1903 births\nSportsmen from New South Wales\nRugby league players from Sydney\nSouth Sydney Rabbitohs players\nCity New South Wales rugby league team players\nNew South Wales rugby league team players\nAustralia national rugby league team players\n1944 deaths\nRugby league centres\nRugby league wingers\nRugby league locks" ]

[ "Bill Shankly", "Carlisle United", "Are there any other interesting aspects about this article?", "Shankly had a single season, 1932-33, at Carlisle United,", "How well did he play?", "he was \"earmarked as a key young player capable of taking Carlisle on to greater things\".", "Why did he leave the team?", "I don't know." ]

[ "Fredrick Else (31 March 193320 July 2015) was an English footballer, who played as a goalkeeper. Else gained over 600 professional appearances in his career playing for three clubs, Preston North End, Blackburn Rovers and Barrow.\n\nClub career\nElse was born in Golborne near Wigan on 31 March 1933. Whilst on national service in the north-east he played for amateur club Axwell Park Colliery Welfare in the Derwent Valley League. He attracted the attention of Football League teams and signed as a junior for Preston North End in 1951, and as a professional in 1953. He made his debut for Preston against Manchester City in 1954, but was restricted to 14 appearances over his first three seasons. He eventually became first choice, displacing George Thompson, and played 238 times for North End. During this time Preston's most successful season came in 1957–58, when the club finished as runners up in Division One.\n\nThe 1960–61 season ended in relegation for Preston and Else was sold to neighbours Blackburn Rovers for £20,000. Else became a first choice for Blackburn straight away and played 221 times for the club. A collarbone injury in 1964–65 resulted in a period out of the game, though Else returned to regain the goalkeeper's jersey at Blackburn. Nonetheless the team were relegated the following season and Else was released. During the summer of 1966 Else signed with Barrow of the Fourth Division. Else became part of Barrow's most successful team, with the side winning promotion to the Third Division in his first season there. Else was Barrow's first choice keeper for the entire period that they were in the third division, and played 148 league matches for the club. He retired from football after Barrow's relegation in 1970 following a leg infection. His final season included a brief stint as caretaker manager at Barrow.\n\nHonours\n Football League Division One Runner-up 1957–1958\n Football League Division Four Promotion 1966–1967\n\nInternational career\nElse has been described by fans of the clubs that he played for as one of the best English goalkeepers never to win a full international cap. He did, however, make one appearance for the England B team in 1957 against Scotland B, as well as participating in a Football Association touring side of 1961.\n\nPersonal life and death\nElse met his wife Marjorie in 1949 in Douglas on the Isle of Man. They married when Else was 22 and Marjorie 20, on 29 October 1955, a Saturday morning. The wedding was held in Marjorie's home town of Blackpool and the date was chosen so that the couple could marry in the morning and Else could then travel either to Deepdale, to play for Preston North End's reserve team, or to Bloomfield Road where Preston's first team was due to be playing Blackpool F.C. In the event Else was selected for the reserves and the couple had to travel by bus to Preston.\n\nAfter retiring from football, Else remained in Barrow-in-Furness, becoming a geography and maths teacher at a local secondary school. He retired from teaching in 1999 and moved to Cyprus, though still attended some Barrow matches. Else died in Barrow-in-Furness on 20 July 2015, aged 82.\n\nReferences\n\n2015 deaths\n1933 births\nBarrow A.F.C. managers\nBarrow A.F.C. players\nBlackburn Rovers F.C. players\nPreston North End F.C. players\nPeople from Golborne\nEnglish footballers\nAssociation football goalkeepers\nSchoolteachers from Cumbria\nEnglish Football League players\nEngland B international footballers\nEnglish football managers", "Robert Else (17 November 1876 – 16 September 1955) was an English first-class cricketer who played for Derbyshire in 1901 and 1903.\n\nElse was born at Lea, Holloway, Derbyshire, the son of John Else and his wife Henrietta Lowe. His father was a bobbin maker and in 1881 they were all living with his grandparents at the Old Hat Factory in Wirksworth. Else made his debut for Derbyshire in May 1901 against Surrey, when his scores were 1 and 2. He played again that season against the South Africans when he opened the batting scoring a duck in the first innings and surviving the whole of the second innings for 6 not out. He did not play again until July 1903 when against London County he took a wicket and made his top score of 28. He played his last two matches in 1903 and made little impression in them.\n\nElse was a left-hand batsman and played ten innings in five first-class matches with an average of 7.3 and a top score of 28. He bowled fifteen overs and took 1 first-class wicket for 61 runs in total.\n\nElse died at Broomhill, Sheffield, Yorkshire at the age of 78.\n\nReferences\n\n1876 births\n1955 deaths\nDerbyshire cricketers\nEnglish cricketers\nPeople from Dethick, Lea and Holloway" ]

[ "Bill Shankly", "Carlisle United", "Are there any other interesting aspects about this article?", "Shankly had a single season, 1932-33, at Carlisle United,", "How well did he play?", "he was \"earmarked as a key young player capable of taking Carlisle on to greater things\".", "Why did he leave the team?", "I don't know.", "What else happened during the season he played for them?", "At the end of the season, the reserves won the North Eastern League Cup, defeating Newcastle United reserves 1-0 in the final." ]

[ "Troy Warden Andrew (born December 12, 1979) is a former American football center who played one season for the Miami Dolphins in 2001.\n\nEarly life\nTroy Andrew was born in Tamuning, Guam on December 12, 1979. He went to high school at Klein (TX).\n\nCollege\nHe went to college at Duke.\n\nProfessional career\n\nMiami Dolphins\n\nAndrew was signed as a undrafted free agent by the Miami Dolphins on April 26, 2001. He played 8 games that season. He wore number 65 for the Dolphins. He was released on September 9, 2002. \n\nHouston Texans\n\nThe next day after being cut he was claimed off waivers by the Houston Texans. But he did not make the roster and was cut 4 days later. He did not play in any games for the Texans.\n\nMiami Dolphins (Second Stint)\n\nTroy was then signed to the Miami Dolphins practice squad three days after being cut by the Texans. He was on the practice squad all year and did not play in any games. In the offseason he played for the Barcelona Dragons. In 2002 he was cut before the season started.\n\nBarcelona Dragons\n\nDuring the offseason of 2002, he was the starting center the full season for the Barcelona Dragons. He played all ten games and started them.\n\nCleveland Browns\n\nOn November 26, 2003, he was signed to the Cleveland Browns practice squad. He did not play in any games for the Browns. On January 5, 2004, he was released.\n\nBerlin Thunder\n\nDuring the 2004 offseason, he was the starting center for the Berlin Thunder. He played in all the games as the Berlin Thunder won World Bowl XII against the Frankfurt Galaxy.\n\nSan Diego Chargers\n\nOn June 18, 2004, he was signed by the San Diego Chargers. However, he did not make the roster and was cut on August 31. In his career he played in 8 games, all in 2001. He was not signed and did not play for any other teams after he was released by the Chargers.\n\nReferences\n\nExternal links\n\nReview A Chat With Football Player Troy Andrew\nTroy Andrew Stats\nTroy Andrew Stats, News and Video - C\n\nMiami Dolphins players\nAmerican football centers\n1977 births\nDuke Blue Devils football players\nLiving people", "Peter C. Swanson (born March 26, 1974) is a former American football Offensive Guard who played one season for the St. Louis Rams. He also played for the Rhein Fire.\n\nEarly life\nPete Swanson was born on March 26, 1974 in Hollister, California\n\nProfessional career\nSwanson was originally signed with the Kansas City Chiefs in 1997 as an undrafted free agent. But he did not play any games. In 1999 he was picked in the Cleveland Browns Expansion Draft. He also signed with the San Francisco 49ers in 1999 but did not play any games. He played with the Rhein Fire and St Louis Rams in 2000, he played 3 games with the Rams. In his NFL career he played 3 games.\n\nReferences\n\nLos Angeles Rams players\n1974 births\nPlayers of American football from California\nLiving people\nRhein Fire players\nStanford Cardinal football players\nAmerican football offensive linemen\nPeople from Hollister, California" ]

[ "Bill Shankly", "Carlisle United", "Are there any other interesting aspects about this article?", "Shankly had a single season, 1932-33, at Carlisle United,", "How well did he play?", "he was \"earmarked as a key young player capable of taking Carlisle on to greater things\".", "Why did he leave the team?", "I don't know.", "What else happened during the season he played for them?", "At the end of the season, the reserves won the North Eastern League Cup, defeating Newcastle United reserves 1-0 in the final.", "Did he play in any notable games?", "Shankly made his senior debut on 31 December 1932 in a 2-2 draw against Rochdale" ]

[ "Former Vice Minister of Agriculture and Chairman of the National Agrarian Scientific and Educational Center Toleutai Raqymbekov was announced as the Auyl nominee by the party chairman Äli Bektaev on 25 April 2019 at the 15th Extraordinary Congress. The decision according to Bektaev was due to \"the desire to re-declare the goals and strategic objectives.\" On 6 May 2019, Raqymbekov was officially registered as the presidential candidate by the Central Election Commission. Raqymbekov began his campaign at rally in Taraz on 13 May.\n\nPlatforms \n\n Development of agricultural industrial complex\n Social equality in villages and cities\n Preservation of traditional and spiritual values\n\nEconomic policy \nRaqymbekov campaigned on agricultural economy by proposing in improvement of infrastructure to procure, process and sell agricultural products, developing trade and improving agricultural production mechanisms, claiming it would help improve Kazakhstan's exports. He also stood by the position in allowing for farmers to receive grants from the government. \n\nThe main idea of Raqymbekov's programs was that \"Kazakhstan should become an agro-power capable of ensuring food independence and become one of the leaders in the world market of environmentally friendly products.\"\n\nCampaign \nThroughout his campaign, Raqymbekov was known for being active on Facebook. He frequently hosted live streams for his followers and comments on Kazakh news. He addressed issues that were based on rural areas. Raqymbekov did not mention any topics that were related to political development, human rights and freedoms, the Kazakh language, regional development, ecology and foreign policy.\n\nIn an interview to Alma TV, Raqymbekov said that \"In production today, the average milk yield is about 8,100 kilogrammes per milk cow. On average, in Kazakhstan, we have not reached the 3,000-kilogramme level. What is this telling us? If we achieve an average of 8,000 kilogrammes per cow, it will be possible to receive earnings through the export of about $10 billion\" he said.\n\nThroughout the election, Raqymbekov's campaign held about 300 events.\n\nOn 25 May 2019, the representatives of the Raqymbekov's campaign organized a political flash mob in Taldıqorğan for the mass performance of the dance \"Qara Jorga\".\n\nResults \nResults of the 2019 presidential election\n\nReferences \n\n2019 Kazakh presidential election\nEspaeva", "Jennings v Buchanan [2004] NZPC 4; [2004] UKPC 36; [2005] 2 NZLR 577; [2005] 1 AC 115 is a cited case in New Zealand regarding defamation and the defence of parliamentary privilege.\n\nBackground\nIn 1997, during a parliamentary debate, ACT MP Owen Jennings made a claim about an unnamed member of the Wool Board who had arranged a sponsorship by the NZWB for a rugby event, in order that he could take his mistress on the tour to carry on their \"illicit affair\".\n\nWhilst he did not name this official, most people knew he was talking about NZWB member Roger Buchanan.\n\nUnfortunately for Buchanan, as this comment was made in Parliament, Jennings was protected by parliamentary privilege.\n\nHowever, several months later, during an interview with The Independent newspaper, Jennings said that he “did not resile from his claim about the officials' relationship”, and as a result, Buchanan sued Jennings in defamation for his comments in the subsequent interview.\n\nJennings defended the matter, saying that he was merely repeating comments he made in Parliament, and those original comments were absolutely protected by parliamentary privilege.\n\nHeld\nThe court ruled that privilege did not apply in the interview, and so his defence failed.\n\nReferences\n\nJudicial Committee of the Privy Council cases on appeal from New Zealand\nNew Zealand tort case law\n2004 in New Zealand law\n2004 in case law" ]

[ "Bill Shankly", "Carlisle United", "Are there any other interesting aspects about this article?", "Shankly had a single season, 1932-33, at Carlisle United,", "How well did he play?", "he was \"earmarked as a key young player capable of taking Carlisle on to greater things\".", "Why did he leave the team?", "I don't know.", "What else happened during the season he played for them?", "At the end of the season, the reserves won the North Eastern League Cup, defeating Newcastle United reserves 1-0 in the final.", "Did he play in any notable games?", "Shankly made his senior debut on 31 December 1932 in a 2-2 draw against Rochdale", "Did he receive any comments about his performance?", "Shankly was assessed as \"a hard running, gritty right-half\" whose displays brought him much praise and credit" ]

[ "Harris Huizingh (born Ter Apel, 10 February 1963) is a former Dutch footballer.\n\nOn 29 April 1984, Huizingh made his debut in the first team for FC Groningen, during a 4–0 victory against Sparta Rotterdam. However, it was not until the season after when he was 22 years old did he get a permanent starting place in the 1985/86 season from trainer Han Berger. Thanks to his good technique, he quickly received the nickname The Wizard of Ter Apel.\nHe made an impression during his first season, but to the surprise of many, Huizingh left for BV Veendam after that season. Berger's successor, Rob Jacobs, did not think Huizingh was good enough.\n\nAfter four years in which the club was relegated twice and promoted once, Huizingh signed for FC Groningen again in 1990. That season, the club, with Hans Westerhof as trainer, finished third in the Eredivisie. After the 1990/91 season, Leo Beenhakker wanted to bring Huizingh to Ajax , but Groningen did not want to let him go. They asked for a high transfer fee and Ajax dropped out of the transfer. In the years that followed Huizingh increasingly suffered from injuries.\n\nAfter the 1998/99 season, Huizingh left Gronigen. He was already 36 years old, but was signed by SC Heerenveen who would go on to be runners up until he league. Consequently, a year later, he became the second-oldest player to ever play in the UEFA Champions League.\n\nAfter two seasons with Heerenveen, Huizingh quit playing football. He would go on to coach many amateur teams in his local region.\n\nReferences\n\n1963 births\nLiving people\nDutch footballers\nFC Groningen players\nSC Veendam players\nSC Heerenveen players\nPeople from Westerwolde (municipality)\nAssociation footballers not categorized by position", "Roland Baas (born 2 March 1996) is a Dutch professional footballer who plays as a left-back for Dutch Eerste Divisie club De Graafschap.\n\nClub career\n\nEarly career\nBorn in Winschoten, started his career in the youth academy of amateur club WVV 1896 before joining the academy of FC Groningen in 2008.\n\nFC Groningen\nHe made his professional debut in the Eredivisie for FC Groningen on 5 October 2014 in a game against Feyenoord. He signed his first professional on 27 January 2015, signing with the club for one-and-a-half seasons. He made just one appearance for the club during the 2014–15 season, and would not appear for them at all during the 2015–16 season. He did not appear for them in the 2016–17 season either, but did appear 26 times for Jong FC Groningen, scoring once. It was announced he would leave FC Groningen at the end of the 2016–17 season.\n\nHeracles Almelo\nOn 15 August 2017, Baas joined Heracles Almelo on trial, before signing a one-year contract with the club later that month. He made his debut for the club on 25 October 2017 against HSV Hoek in the KNVB Cup, before making his league debut for the club on 9 December 2017 in a 5–0 league defeat at AZ Alkmaar. He made 14 appearances in the Eredivisie for Heracles Almelo during the 2017–18 season, though he did not score.\n\nGo Ahead Eagles\nOn 5 June 2018, Baas signed for Eerste Divisie club Go Ahead Eagles on a one-year contract after his contract at Heracles Almelo was not renewed. He made his debut for the club on 17 August 2018 in a 5–0 win at home to Jong FC Utrecht. He was a regular player for Go Ahead Eagles during the 2018–19 season, making 37 appearances and scoring once during the regular season, before making 4 appearances in the promotion play-offs as Go Ahead Eagles narrowly missed out on promotion.\n\nDe Graafschap\nHaving rejected the offer of a new contract with Go Ahead Eagles, Baas signed for Eerste Divisie side De Graafschap on a free transfer in June 2019, signing a two-year contract with the club. He made his debut for the club on 9 August 2019 before going on to make 11 appearances for the club during the 2019–20 season.\n\nInternational career\nHe has played for the Netherlands at under-19 and under-20 levels.\n\nReferences\n\nExternal links\n \n \n\n1996 births\nLiving people\nDutch footballers\nAssociation football fullbacks\nFC Groningen players\nHeracles Almelo players\nGo Ahead Eagles players\nDe Graafschap players\nEredivisie players\nEerste Divisie players\nPeople from Winschoten\nFootballers from Groningen (province)" ]

[ "Bill Shankly", "Carlisle United", "Are there any other interesting aspects about this article?", "Shankly had a single season, 1932-33, at Carlisle United,", "How well did he play?", "he was \"earmarked as a key young player capable of taking Carlisle on to greater things\".", "Why did he leave the team?", "I don't know.", "What else happened during the season he played for them?", "At the end of the season, the reserves won the North Eastern League Cup, defeating Newcastle United reserves 1-0 in the final.", "Did he play in any notable games?", "Shankly made his senior debut on 31 December 1932 in a 2-2 draw against Rochdale", "Did he receive any comments about his performance?", "Shankly was assessed as \"a hard running, gritty right-half\" whose displays brought him much praise and credit", "Where did he go after that season?", "I don't know." ]

[ "Fredrick Else (31 March 193320 July 2015) was an English footballer, who played as a goalkeeper. Else gained over 600 professional appearances in his career playing for three clubs, Preston North End, Blackburn Rovers and Barrow.\n\nClub career\nElse was born in Golborne near Wigan on 31 March 1933. Whilst on national service in the north-east he played for amateur club Axwell Park Colliery Welfare in the Derwent Valley League. He attracted the attention of Football League teams and signed as a junior for Preston North End in 1951, and as a professional in 1953. He made his debut for Preston against Manchester City in 1954, but was restricted to 14 appearances over his first three seasons. He eventually became first choice, displacing George Thompson, and played 238 times for North End. During this time Preston's most successful season came in 1957–58, when the club finished as runners up in Division One.\n\nThe 1960–61 season ended in relegation for Preston and Else was sold to neighbours Blackburn Rovers for £20,000. Else became a first choice for Blackburn straight away and played 221 times for the club. A collarbone injury in 1964–65 resulted in a period out of the game, though Else returned to regain the goalkeeper's jersey at Blackburn. Nonetheless the team were relegated the following season and Else was released. During the summer of 1966 Else signed with Barrow of the Fourth Division. Else became part of Barrow's most successful team, with the side winning promotion to the Third Division in his first season there. Else was Barrow's first choice keeper for the entire period that they were in the third division, and played 148 league matches for the club. He retired from football after Barrow's relegation in 1970 following a leg infection. His final season included a brief stint as caretaker manager at Barrow.\n\nHonours\n Football League Division One Runner-up 1957–1958\n Football League Division Four Promotion 1966–1967\n\nInternational career\nElse has been described by fans of the clubs that he played for as one of the best English goalkeepers never to win a full international cap. He did, however, make one appearance for the England B team in 1957 against Scotland B, as well as participating in a Football Association touring side of 1961.\n\nPersonal life and death\nElse met his wife Marjorie in 1949 in Douglas on the Isle of Man. They married when Else was 22 and Marjorie 20, on 29 October 1955, a Saturday morning. The wedding was held in Marjorie's home town of Blackpool and the date was chosen so that the couple could marry in the morning and Else could then travel either to Deepdale, to play for Preston North End's reserve team, or to Bloomfield Road where Preston's first team was due to be playing Blackpool F.C. In the event Else was selected for the reserves and the couple had to travel by bus to Preston.\n\nAfter retiring from football, Else remained in Barrow-in-Furness, becoming a geography and maths teacher at a local secondary school. He retired from teaching in 1999 and moved to Cyprus, though still attended some Barrow matches. Else died in Barrow-in-Furness on 20 July 2015, aged 82.\n\nReferences\n\n2015 deaths\n1933 births\nBarrow A.F.C. managers\nBarrow A.F.C. players\nBlackburn Rovers F.C. players\nPreston North End F.C. players\nPeople from Golborne\nEnglish footballers\nAssociation football goalkeepers\nSchoolteachers from Cumbria\nEnglish Football League players\nEngland B international footballers\nEnglish football managers", "Elastic Aspects is an album by American jazz pianist Matthew Shipp recorded in 2011 and released on Thirsty Ear's Blue Series. It was the debut studio recording by the trio with Michael Bisio on bass and Whit Dickey on drums, following a live performance included in Art of the Improviser.\n\nReception\n\nIn a review for JazzTimes Mike Shanley notes that \"His playing here, and especially on the solo tracks, has a lyrical, delicate quality that should surprise anyone expecting more familiar avant-garde moves, like heavy thunder from the bottom of the keyboard.\"\n\nThe All About Jazz review by John Sharpe states \"Shipp sounds like no-one else, with a style characterized by abrupt contrasts of crystalline delicacy rubbing shoulders with dissonant depth charges and insistent circular motifs.\"\n\nThe Down Beat review by Bill Meyer says that \"Elastic Aspects can be seen as a companion piece to its predecessor in the way that it very explicitly breaks down the components of his trio music and isolates how they interact.\"\n\nTrack listing\nAll compositions by Matthew Shipp\n \"Alternative Aspects\" – 2:19\n \"Aspects\" – 0:27\n \"Psychic Counterpart\" – 4:47\n \"Frame Focus\" – 3:52\n \"Flow Chart\" – 1:30\n \"Mute Voice\" – 3:12\n \"Explosive Aspects\" – 3:19\n \"Raw Materials\" – 5:30\n \"Rainforest\" – 5:08\n \"Stage 10\" – 3:12\n \"Dimension\" – 3:24\n \"Elastic Aspects\" – 4:30\n \"Elastic Eye\" – 7:36\n\nPersonnel\nMatthew Shipp - piano\nMichael Bisio – bass\nWhit Dickey – drums\n\nReferences\n\n2012 albums\nMatthew Shipp albums\nThirsty Ear Recordings albums" ]