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1 | Scene 150 | Kurisu | Anyway, now that we've found the lifter, the time leap machine is 99% complete. |
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1 | Scene 150 | Kurisu | It's your dream, isn't it? To invent a time machine. |
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1 | Scene 150 | Kurisu | Okabe. |
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1 | Scene 150 | Kurisu | I wasn't asking Hououin Kyouma. I was asking Okabe. |
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1 | Scene 150 | Kurisu | ... |
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1 | Scene 150 | Kurisu | Stop it already, perv. |
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1 | Scene 150 | Kurisu | You win, Mayuri. Congratulations. |
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1 | Scene 150 | Kurisu | Actually, I'm just about finished too. |
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1 | Scene 150 | Kurisu | Done. |
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1 | Scene 150 | Kurisu | We may have created a monster here... |
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1 | Scene 151 | Kurisu | You guys have too much free time. |
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1 | Scene 151 | Kurisu | ...Time Leap Machine. |
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1 | Scene 151 | Kurisu | C-come on! Simple is best, right? I mean, that's what Okabe's been calling it for the past two days. |
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1 | Scene 151 | Kurisu | I don't want to hear that from a chuunibyou headcase like you. |
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1 | Scene 151 | Kurisu | I... heard it from a friend. I have no idea where it comes from! |
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1 | Scene 151 | Kurisu | Like I said, simple is best. Mayuri gets it. |
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1 | Scene 151 | Kurisu | In short, this device converts memories to data and sends them to the past. |
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1 | Scene 151 | Kurisu | Let's begin with what we all know. By freak coincidence, the PhoneWave is able to produce ring singularities, much like John Titor's time machine. |
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1 | Scene 151 | Kurisu | The ring singularity is made naked and stable by a device known as a lifter. In our case, that's the 42-inch CRT downstairs. |
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1 | Scene 151 | Kurisu | Through the ring singularity, we are able to send up to 36 bytes of data to the past. |
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1 | Scene 152 | Kurisu | The signal can only be received by phones. While that does limit the range of effect, it also removes an element of uncertainty from the equation. |
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1 | Scene 152 | Kurisu | Unlike D-Mails, memory data is sent in the form of a phone call, so we will be using a phone number, not an email address, to set the destination. |
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1 | Scene 152 | Kurisu | The PhoneWave now has headgear attached. |
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1 | Scene 152 | Kurisu | This headgear records the nerve impulses in the temporal lobe of the brain -- specifically, the CA3 region of the hippocampus, where memories are stored. |
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1 | Scene 152 | Kurisu | Then, using VR technology, we encode the nerve impulses into electrical signal data. |
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1 | Scene 152 | Kurisu | By the way, we'll set it up so that the data decodes automatically after a certain amount of time. |
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1 | Scene 152 | Kurisu | Anybody well versed in programming can do this. I had Hashida make the code. |
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1 | Scene 152 | Kurisu | Anyway, next we send the memory data through the net to the LHC in France. |
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1 | Scene 152 | Kurisu | Next, we hijack the LHC, create a mini black hole, and use that black hole's supergravity to compress the data into 36 bytes. |
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1 | Scene 152 | Kurisu | By the way, the compression only holds in the immediate vicinity of the black hole. Once the data leaves that area, it will begin to decompress on its own. |
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1 | Scene 153 | Kurisu | This, too, takes 23 milliseconds. |
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1 | Scene 153 | Kurisu | While the data is being compressed, we use the PhoneWave to generate a Kerr ring singularity. When the electron discharge phenomenon occurs, we take the 36-byte data, patch it in... |
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1 | Scene 153 | Kurisu | And send it to the past. |
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1 | Scene 153 | Kurisu | This part is just like a D-Mail. |
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1 | Scene 153 | Kurisu | The data travels to the specified time, where it arrives at the recipient's phone. |
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1 | Scene 153 | Kurisu | By now, 23 milliseconds should have passed, so the data will be fully decompressed. |
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1 | Scene 153 | Kurisu | Next, the decoding program runs, converting the data back into nerve impulse signals. |
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1 | Scene 153 | Kurisu | These signals are discharged from from the phone's earpiece at approximately 0.02 amperes, a pretty weak charge. |
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1 | Scene 153 | Kurisu | If the recipient has the phone to his ear, they should go straight into his brain. |
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1 | Scene 153 | Kurisu | If he doesn't, the transfer fails. Fortunately, we lose nothing but that copy of the memory data. |
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1 | Scene 154 | Kurisu | Because we need the recipient to put the phone to his ear. Otherwise the signals won't reach his temporal lobe. |
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1 | Scene 154 | Kurisu | In this area you have the frontal lobe and temporal lobe of the brain. As I explained before, the hippocampus, where memories are stored, is inside the temporal lobe. |
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1 | Scene 154 | Kurisu | The phone sends out electrical impulses that pass through the temporal lobe and into the hippocampus, overwriting the recipient's memories. |
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1 | Scene 154 | Kurisu | At the same time, the phone sends impulses that stimulate the frontal lobe as well. This is important. |
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1 | Scene 154 | Kurisu | Remember that the frontal lobe is responsible for sending retrieval signals to the temporal lobe. This is how you remember things. |
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1 | Scene 154 | Kurisu | By stimulating the frontal lobe, we force it to send retrieval signals keyed to the new memory data. |
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1 | Scene 154 | Kurisu | Thus, the recipient recalls all of those memories as if they were his own. |
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1 | Scene 154 | Kurisu | Which, of course, they are, or will be in the future. |
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1 | Scene 154 | Kurisu | This happens in less than a second. |
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1 | Scene 154 | Kurisu | Now the recipient has the same memories as the sender. The time leap is complete. |
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1 | Scene 155 | Kurisu | If the data came from one week in the future, the recipient will 'remember' that week as if he experienced it firsthand. |
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1 | Scene 155 | Kurisu | We need to be aware that consciousness and personality aren't transferred. Both of those depend on the recipient. |
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1 | Scene 155 | Kurisu | B-boobs!? |
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1 | Scene 155 | Kurisu | Ahem. |
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1 | Scene 155 | Kurisu | Um, since you need a phone to receive the signal, you can only send memories to the times you had one. |
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1 | Scene 155 | Kurisu | We also need to make sure that the sender and recipient are the same person. |
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1 | Scene 155 | Kurisu | If someone besides your past self -- your parents, or a friend, for instance -- answers the phone, then the nerve impulse signals will be projected into their brain instead. |
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1 | Scene 155 | Kurisu | If that happens, your memories could overwrite theirs, which could obviously cause serious damage to their psyche. |
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1 | Scene 155 | Kurisu | ... |
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1 | Scene 155 | Kurisu | It's too much for us to handle, that's for sure. The safest thing would be to hand it over to the government for professional research. |
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1 | Scene 156 | Kurisu | What about you, Okabe? And I mean you, not Hououin Kyouma. |
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1 | Scene 156 | Kurisu | ...It's hard to choose. |
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1 | Scene 156 | Kurisu | It's not like SERN's time machine. The possibility of becoming a jellyman is zero. |
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1 | Scene 156 | Kurisu | This machine sends data, not the real thing. |
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1 | Scene 156 | Kurisu | Don't let your preconceptions influence your decision. |
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1 | Scene 156 | Kurisu | You might say it's like a cut-and-paste of your brain. |
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1 | Scene 156 | Kurisu | Actually, it's more like a copy-paste. And it's just your memories. |
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1 | Scene 156 | Kurisu | The original doesn't get erased. |
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1 | Scene 156 | Kurisu | ...I suppose. |
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1 | Scene 156 | Kurisu | ...Logically, the present should change as soon as you send your memories to the past. |
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1 | Scene 157 | Kurisu | I don't know. No one's ever experienced time travel before. |
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1 | Scene 157 | Kurisu | We don't know what happens when you time leap. |
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1 | Scene 157 | Kurisu | If it's the many-worlds interpretation like Titor said, then the instant you time leap, it creates two possibilities -- one where you shift to another worldline, and one where you travel back in time on the same worldline. |
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1 | Scene 157 | Kurisu | Of course, there must also be a worldline where the current you doesn't disappear. That would likely correspond to the present that we are experiencing right now. |
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1 | Scene 157 | Kurisu | I'm talking hypothetically. Titor doesn't matter right now. |
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1 | Scene 157 | Kurisu | If it's the Copenhagen interpretation, then every possible state propagates through space as a wave function. When a particular state is observed, the remaining states collapse and that state is fixed. |
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1 | Scene 157 | Kurisu | This Time Leap Machine only sends memories. That, I guarantee. |
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1 | Scene 157 | Kurisu | Wait. You guys are misunderstanding something. |
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1 | Scene 157 | Kurisu | One hour isn't enough time for your personality to change. You should be the same person one hour ago that you are now. |
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1 | Scene 157 | Kurisu | The only difference is that you'll have an extra hour's worth of memories. |
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1 | Scene 158 | Kurisu | ...Well, I can't. Nobody's tried it before. |
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1 | Scene 158 | Kurisu | We don't know. We can argue the theories all we want, but in the end, we can only guess. |
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1 | Scene 158 | Kurisu | This experiment may end up shattering preconceptions scientists and philosophers have held for centuries. |
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1 | Scene 158 | Kurisu | Oh Mayuri... |
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1 | Scene 158 | Kurisu | Bananas don't have brains like people do. |
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1 | Scene 158 | Kurisu | ... |
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1 | Scene 158 | Kurisu | Upset? |
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1 | Scene 158 | Kurisu | No, I'm not upset. |
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1 | Scene 158 | Kurisu | 'Humans are temporal beings.' |
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1 | Scene 158 | Kurisu | That's a Heidegger quote. |
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1 | Scene 159 | Kurisu | I was actually relieved when you made the decision not to use the machine. |
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1 | Scene 159 | Kurisu | If you hadn't been there, I might not have been able to stop myself. |
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1 | Scene 159 | Kurisu | Thank you. |
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1 | Scene 159 | Kurisu | Uh, what are you doing? |
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1 | Scene 159 | Kurisu | I'm not grateful to you or anything, okay!? |
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1 | Scene 159 | Kurisu | Anyway. |
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1 | Scene 159 | Kurisu | That 'thank you' was just a formality. Don't get me wrong, okay? |
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1 | Scene 159 | Kurisu | And yet you always talk about plunging the world into chaos. |
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1 | Scene 159 | Kurisu | I'm speechless. You're too self-righteous. |
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1 | Scene 159 | Kurisu | Don't argue semantics. |