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75,528,902 |
2024 in Bhutan
|
Events during the year 2024 in Bhutan.
Source:
|
[
{
"paragraph_id": 0,
"text": "Events during the year 2024 in Bhutan.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Source:",
"title": "Holidays"
}
] |
Events during the year 2024 in Bhutan.
|
2023-12-10T08:11:08Z
|
2023-12-31T19:45:26Z
|
[
"Template:Year in Bhutan",
"Template:Horizontal TOC",
"Template:Further",
"Template:Cite web",
"Template:Portal bar",
"Template:Years in Bhutan",
"Template:Year in Asia",
"Template:Short description",
"Template:Small",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/2024_in_Bhutan
|
75,528,945 |
Saumalkol
|
Saumalkol (Kazakh: Саумалкөл; "milky lake") may refer to:
|
[
{
"paragraph_id": 0,
"text": "Saumalkol (Kazakh: Саумалкөл; \"milky lake\") may refer to:",
"title": ""
}
] |
Saumalkol may refer to: Saumalkol, NW Karkaraly District, a lake in northwestern Karkaraly District, Karaganda Region, Kazakhstan
Saumalkol, N Karkaraly District, a lake in northern Karkaraly District, Karaganda Region, Kazakhstan
Saumalkol, Aiyrtau District, a lake in the North Kazakhstan Region, Kazakhstan
Saumalkol, a settlement in the North Kazakhstan Region, Kazakhstan
|
2023-12-10T08:30:27Z
|
2023-12-14T04:22:29Z
|
[
"Template:Lang-kk",
"Template:Geodis"
] |
https://en.wikipedia.org/wiki/Saumalkol
|
75,528,949 |
Achrocerides
|
Achrocerides is a monotypic genus of slug moths in the subfamily Chrysopolominae. It contains a single species, Achrocerides theorini.
The distribution of Achrocerides theorini is mostly Central Africa.
|
[
{
"paragraph_id": 0,
"text": "Achrocerides is a monotypic genus of slug moths in the subfamily Chrysopolominae. It contains a single species, Achrocerides theorini.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The distribution of Achrocerides theorini is mostly Central Africa.",
"title": "Distribution"
},
{
"paragraph_id": 2,
"text": "",
"title": "References"
}
] |
Achrocerides is a monotypic genus of slug moths in the subfamily Chrysopolominae. It contains a single species, Achrocerides theorini.
|
2023-12-10T08:31:00Z
|
2023-12-23T20:45:08Z
|
[
"Template:Short description",
"Template:Taxobox",
"Template:Reflist",
"Template:Cite web",
"Template:Taxonbar",
"Template:Chrysopolominae-stub"
] |
https://en.wikipedia.org/wiki/Achrocerides
|
75,528,952 |
Olcay Kılavuz
|
Olcay Kılavuz (born 18 October 1985) is a Turkish politician. He was the chairman of the Grey Wolves between 2012 and 2018, and was elected as a Mersin deputy from the Nationalist Movement Party in the 2018 Turkish general elections.
He was born on October 18, 1985, in the Azatlı town of Çiftlik district of Niğde. He completed his primary and secondary school education in Niğde and high school education in Niğde Faik Şahenk Anatolian Technical High School. He graduated from Niğde University's Department of Construction Technology and from Niğde University's Department of Sports Management in 2015. In 2017, he received his master's degree from Düzce University.
He was appointed as the Chairman of Ülkü Ocakları on December 9, 2012. In the 2018 Turkish general elections, he was elected as Mersin Deputy from the Nationalist Movement Party. At the same time, he became the first person to be both the Chairman and deputy of Ülkü Ocakları. He left his position as the Chairman of Ülkü Ocakları on December 31, 2018. He was nominated in first place in the 2018 election, while he was nominated in fourth place for the 2023 elections and could not be elected.
In 2020, he punched Özgür Özel of the CHP in parliament. Later, he apologized to Özel. In 2023, Tolgahan Demirbaş, the suspected killer of Sinan Ateş, was detained from Kılavuz's house.
|
[
{
"paragraph_id": 0,
"text": "Olcay Kılavuz (born 18 October 1985) is a Turkish politician. He was the chairman of the Grey Wolves between 2012 and 2018, and was elected as a Mersin deputy from the Nationalist Movement Party in the 2018 Turkish general elections.",
"title": ""
},
{
"paragraph_id": 1,
"text": "He was born on October 18, 1985, in the Azatlı town of Çiftlik district of Niğde. He completed his primary and secondary school education in Niğde and high school education in Niğde Faik Şahenk Anatolian Technical High School. He graduated from Niğde University's Department of Construction Technology and from Niğde University's Department of Sports Management in 2015. In 2017, he received his master's degree from Düzce University.",
"title": "Early years and education"
},
{
"paragraph_id": 2,
"text": "He was appointed as the Chairman of Ülkü Ocakları on December 9, 2012. In the 2018 Turkish general elections, he was elected as Mersin Deputy from the Nationalist Movement Party. At the same time, he became the first person to be both the Chairman and deputy of Ülkü Ocakları. He left his position as the Chairman of Ülkü Ocakları on December 31, 2018. He was nominated in first place in the 2018 election, while he was nominated in fourth place for the 2023 elections and could not be elected.",
"title": "Political career"
},
{
"paragraph_id": 3,
"text": "In 2020, he punched Özgür Özel of the CHP in parliament. Later, he apologized to Özel. In 2023, Tolgahan Demirbaş, the suspected killer of Sinan Ateş, was detained from Kılavuz's house.",
"title": "Political career"
}
] |
Olcay Kılavuz is a Turkish politician. He was the chairman of the Grey Wolves between 2012 and 2018, and was elected as a Mersin deputy from the Nationalist Movement Party in the 2018 Turkish general elections.
|
2023-12-10T08:33:36Z
|
2023-12-10T14:08:05Z
|
[
"Template:Web kaynağı",
"Template:Haber kaynağı"
] |
https://en.wikipedia.org/wiki/Olcay_K%C4%B1lavuz
|
75,528,955 |
Mark Pirro (director)
|
Mark Pirro (born July 1956) is an American director, writer, and editor. After making A Polish Vampire in Burbank (1983) for just $2,500 and seeing it gross more than half a million dollars in sales, Pirro became a major figure in independent cinema. Having written and begun directing the film himself, he would also star in it following the departure from the production of Grease star Eddie Deezen.
Pirro went on to direct such films as Deathrow Gameshow (1987), Curse of the Queerwolf (1988), Nudist Colony of the Dead (1991), and Buford's Beach Bunnies (1993), the lattermost of which was the film debut of Jim Hanks. He also wrote My Mom's a Werewolf for Crown International Pictures.
A documentary about Pirro's life and career, Hollywood on a Shoestring, premiered at the Raindance Film Festival in London in 2023.
|
[
{
"paragraph_id": 0,
"text": "Mark Pirro (born July 1956) is an American director, writer, and editor. After making A Polish Vampire in Burbank (1983) for just $2,500 and seeing it gross more than half a million dollars in sales, Pirro became a major figure in independent cinema. Having written and begun directing the film himself, he would also star in it following the departure from the production of Grease star Eddie Deezen.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Pirro went on to direct such films as Deathrow Gameshow (1987), Curse of the Queerwolf (1988), Nudist Colony of the Dead (1991), and Buford's Beach Bunnies (1993), the lattermost of which was the film debut of Jim Hanks. He also wrote My Mom's a Werewolf for Crown International Pictures.",
"title": ""
},
{
"paragraph_id": 2,
"text": "A documentary about Pirro's life and career, Hollywood on a Shoestring, premiered at the Raindance Film Festival in London in 2023.",
"title": ""
}
] |
Mark Pirro is an American director, writer, and editor. After making A Polish Vampire in Burbank (1983) for just $2,500 and seeing it gross more than half a million dollars in sales, Pirro became a major figure in independent cinema. Having written and begun directing the film himself, he would also star in it following the departure from the production of Grease star Eddie Deezen. Pirro went on to direct such films as Deathrow Gameshow (1987), Curse of the Queerwolf (1988), Nudist Colony of the Dead (1991), and Buford's Beach Bunnies (1993), the lattermost of which was the film debut of Jim Hanks. He also wrote My Mom's a Werewolf for Crown International Pictures. A documentary about Pirro's life and career, Hollywood on a Shoestring, premiered at the Raindance Film Festival in London in 2023.
|
2023-12-10T08:34:19Z
|
2023-12-13T14:06:52Z
|
[
"Template:Cite web",
"Template:Cite book",
"Template:Cite news",
"Template:Film-director-stub",
"Template:Short description",
"Template:Infobox person",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Mark_Pirro_(director)
|
75,528,965 |
Battle of Sopachuy
|
The Battle of Sopachuy was an armed confrontation that occurred on 12 June 1817 in the village of Sopachuy, some 120 kilometers southeast from the city of Chuquisaca (today Sucre), between a division of the Army of the North of the United Provinces of the Río de la Plata, commanded by Lieutenant Colonel Gregorio Aráoz de Lamadrid and a Spanish Royalist force commanded by Colonel José Santos de la Hera. The Royalists ware victorious.
In early 1817, the commander of the Army of the North of the United Provinces of the Río de la Plata, Manuel Belgrano, had sent a small military division to Upper Peru under the command of Lieutenant Colonel Gregorio Aráoz de Lamadrid with the aim of hindering the Royal Army of Peru as much as possible. After defeating the Royalist garrison at Tarija, Patriot commander Lamadrid directed his troops, reinforced with Upper-Peruvian guerrillas to Chuquisaca, with the purpose of taking it. They arrived there on 20 May, but the Patriot army had to lift the siege and retreat to the southeast, being pursued by the Royalist division of Brigadier Diego O'Reilly. In the village of Sopachuy Lamadrid tried to establish defensive positions with 900 men and 2 cannons, however on 14 June, they were suddenly attacked by a Royalist column.
The attacking forces, led by Colonel La Hera and his second in command Baldomero Espartero, and consisting of the batallón del Centro and a cavalry squadron with a total of 300 men, had advanced on the rest of their division and marched along the right flank of the Patriot column, with the purpose of enveloping them. Surprised by the sudden volleys of the Royalist troops, Lamadrid barely had time to organize resistance as his men were quickly defeated and dispersed.
In their flight the Patriots abandoned their 2 cannons, baggage and even the prisoners they had captured in the previous encounters. The Royalists also captured the banner of the Tucumán Hussars, 500 horses and 100 prisoners, leaving nearly 300 Patriot soldiers dead on the field. In the pursuit that followed, Patriot Major Ravelo and Captain Lorenzo Lugones distinguished themselves, by managing with the guerrillas under their command, to prevent the rest of the Patriot force from being completely destroyed.
On the Royalist side, Commander Baldomero Espartero, future Regent of Spain (1840-1843), fought with distinction.
In the days following the battle, Brigadier Mariano Ricafort reconquered Tarija for the Royalists on 11 July 1817. Lamadrid with his army managed to return to San Miguel de Tucumán. This would be the fourth and last time that the Northern Army had tried to advance into Upper Peru, which would remain under Royalist control until 1825, after the Battle of Ayacucho. The Upper-Peruvian guerrilla groups that had risen in support of the Patriotic forces, would be successively fought by the Royalists and destroyed for the most part.
|
[
{
"paragraph_id": 0,
"text": "The Battle of Sopachuy was an armed confrontation that occurred on 12 June 1817 in the village of Sopachuy, some 120 kilometers southeast from the city of Chuquisaca (today Sucre), between a division of the Army of the North of the United Provinces of the Río de la Plata, commanded by Lieutenant Colonel Gregorio Aráoz de Lamadrid and a Spanish Royalist force commanded by Colonel José Santos de la Hera. The Royalists ware victorious.",
"title": ""
},
{
"paragraph_id": 1,
"text": "In early 1817, the commander of the Army of the North of the United Provinces of the Río de la Plata, Manuel Belgrano, had sent a small military division to Upper Peru under the command of Lieutenant Colonel Gregorio Aráoz de Lamadrid with the aim of hindering the Royal Army of Peru as much as possible. After defeating the Royalist garrison at Tarija, Patriot commander Lamadrid directed his troops, reinforced with Upper-Peruvian guerrillas to Chuquisaca, with the purpose of taking it. They arrived there on 20 May, but the Patriot army had to lift the siege and retreat to the southeast, being pursued by the Royalist division of Brigadier Diego O'Reilly. In the village of Sopachuy Lamadrid tried to establish defensive positions with 900 men and 2 cannons, however on 14 June, they were suddenly attacked by a Royalist column.",
"title": "Prelude"
},
{
"paragraph_id": 2,
"text": "The attacking forces, led by Colonel La Hera and his second in command Baldomero Espartero, and consisting of the batallón del Centro and a cavalry squadron with a total of 300 men, had advanced on the rest of their division and marched along the right flank of the Patriot column, with the purpose of enveloping them. Surprised by the sudden volleys of the Royalist troops, Lamadrid barely had time to organize resistance as his men were quickly defeated and dispersed.",
"title": "the Battle"
},
{
"paragraph_id": 3,
"text": "In their flight the Patriots abandoned their 2 cannons, baggage and even the prisoners they had captured in the previous encounters. The Royalists also captured the banner of the Tucumán Hussars, 500 horses and 100 prisoners, leaving nearly 300 Patriot soldiers dead on the field. In the pursuit that followed, Patriot Major Ravelo and Captain Lorenzo Lugones distinguished themselves, by managing with the guerrillas under their command, to prevent the rest of the Patriot force from being completely destroyed.",
"title": "the Battle"
},
{
"paragraph_id": 4,
"text": "On the Royalist side, Commander Baldomero Espartero, future Regent of Spain (1840-1843), fought with distinction.",
"title": "the Battle"
},
{
"paragraph_id": 5,
"text": "In the days following the battle, Brigadier Mariano Ricafort reconquered Tarija for the Royalists on 11 July 1817. Lamadrid with his army managed to return to San Miguel de Tucumán. This would be the fourth and last time that the Northern Army had tried to advance into Upper Peru, which would remain under Royalist control until 1825, after the Battle of Ayacucho. The Upper-Peruvian guerrilla groups that had risen in support of the Patriotic forces, would be successively fought by the Royalists and destroyed for the most part.",
"title": "Consequences"
},
{
"paragraph_id": 6,
"text": "",
"title": "Sources"
}
] |
The Battle of Sopachuy was an armed confrontation that occurred on 12 June 1817 in the village of Sopachuy, some 120 kilometers southeast from the city of Chuquisaca, between a division of the Army of the North of the United Provinces of the Río de la Plata, commanded by Lieutenant Colonel Gregorio Aráoz de Lamadrid and a Spanish Royalist force commanded by Colonel José Santos de la Hera. The Royalists ware victorious.
|
2023-12-10T08:36:58Z
|
2023-12-14T12:01:59Z
|
[
"Template:Short description",
"Template:Infobox military conflict",
"Template:Campaignbox Alto Perú Campaign 1810-1817",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Battle_of_Sopachuy
|
75,528,975 |
Departmental Council of Dordogne
|
Departmental Council of Dordogne (French: Conseil départemental de la Dordogne) is the deliberative assembly of the French department of Dordogne. It is headquartered in Périgueux. It includes 50 departmental councilors (25 women and 25 men) from the 25 cantons of Dordogne.
It is the co-founder, in partnership with the State and the Regional Council of Nouvelle-Aquitaine, of the Pôle d'Interprétation de la Préhistoire [fr] (PIP).
The president of the departmental council is Germinal Peiro (PS) since 2 April 2015.
Alongside President Germinal Peiro, fifteen vice-presidents were also appointed.
|
[
{
"paragraph_id": 0,
"text": "Departmental Council of Dordogne (French: Conseil départemental de la Dordogne) is the deliberative assembly of the French department of Dordogne. It is headquartered in Périgueux. It includes 50 departmental councilors (25 women and 25 men) from the 25 cantons of Dordogne.",
"title": ""
},
{
"paragraph_id": 1,
"text": "It is the co-founder, in partnership with the State and the Regional Council of Nouvelle-Aquitaine, of the Pôle d'Interprétation de la Préhistoire [fr] (PIP).",
"title": ""
},
{
"paragraph_id": 2,
"text": "The president of the departmental council is Germinal Peiro (PS) since 2 April 2015.",
"title": "Executive"
},
{
"paragraph_id": 3,
"text": "Alongside President Germinal Peiro, fifteen vice-presidents were also appointed.",
"title": "Executive"
}
] |
Departmental Council of Dordogne is the deliberative assembly of the French department of Dordogne. It is headquartered in Périgueux. It includes 50 departmental councilors from the 25 cantons of Dordogne. It is the co-founder, in partnership with the State and the Regional Council of Nouvelle-Aquitaine, of the Pôle d'Interprétation de la Préhistoire (PIP).
|
2023-12-10T08:42:29Z
|
2023-12-13T18:05:44Z
|
[
"Template:Short description",
"Template:Infobox legislature",
"Template:Lang-fr",
"Template:Ill",
"Template:Party color cell",
"Template:Cite web",
"Template:Departmental Councils of France"
] |
https://en.wikipedia.org/wiki/Departmental_Council_of_Dordogne
|
75,529,001 |
Agnolotti alla pavese
|
[] |
REDICRECTPavese agnolotti
|
2023-12-10T08:53:07Z
|
2023-12-10T08:53:07Z
|
[] |
https://en.wikipedia.org/wiki/Agnolotti_alla_pavese
|
|
75,529,010 |
For the First Time, Again
|
For the First Time, Again is a 2023 science fiction and alternate history novel by Canadian writer Sylvain Neuvel. It was first published in April 2023 in the United States by Tor Books, and in the United Kingdom by Michael Joseph. The book is the last of three books in Neuvel's Take Them to the Stars series, preceded by A History of What Comes Next (2021) and Until the Last of Me (2022).
For the First Time, Again is set between the late-1990s and the mid-2000s. It is about a group of women who continue to manipulate history to get humanity into space The novel's chapter titles are titles of songs from the period in which the chapters take place.
Aster is the last of the mysterious Kibsu. Her mother Lola died when Aster was very young, leaving her orphaned and without any knowledge of the Kibsu and their goals. Samael, the last of the Trackers, brings Aster up and tells her about the Kibsu and the Tracker's extraterrestrial origins. The Kibsu had been tasked with protecting Earth from another alien invasion by sending humanity into space, while the Tracker's goal was to locate and trigger a beacon to draw the invading aliens to Earth.
In a review in Library Journal, Kristi Chadwick stated that For the First Time, Again "fill[s] in the final pieces of this science-fiction puzzle." Chadwick said Neuvel "creates an active story" by "[b]alancing actual historic events with the alien pursuit". A reviewer at Publishers Weekly wrote that readers of the Take Them to the Stars series "will not be disappointed" with its conclusion. They said "Neuvel keeps the frantically paced plot tight and effectively counterbalances all the action with nuanced character work."
Mark Yon wrote in SFFWorld that he found For the First Time, Again "an enjoyable ride for those wanting to continue the journey." He said that because Aster has been brought up by Samael, an ex-Tracker, and with no Kibsu supervision, "the novel does not always go the way you expect it to", which may be "refreshing" for some readers, but "frustrating" for others. Yon added that despite being the last book of Neuvel's trilogy, he felt that "a key element [of the story] remains unresolved", which could open the door for another series.
Reviewing For the First Time, Again at Tor.com, Tobias Carroll described the novel as "eminently readable", although he did find its timeline having moved beyond the Cold War "downplayed some of the tension".<name=Carroll/> Carroll was impressed with the way Neuvel turned seemingly innocuous things into pivotal plot components, and found the book's endnotes "some of the most intriguing elements" of the story.
Caregory:Sequel novels
|
[
{
"paragraph_id": 0,
"text": "For the First Time, Again is a 2023 science fiction and alternate history novel by Canadian writer Sylvain Neuvel. It was first published in April 2023 in the United States by Tor Books, and in the United Kingdom by Michael Joseph. The book is the last of three books in Neuvel's Take Them to the Stars series, preceded by A History of What Comes Next (2021) and Until the Last of Me (2022).",
"title": ""
},
{
"paragraph_id": 1,
"text": "For the First Time, Again is set between the late-1990s and the mid-2000s. It is about a group of women who continue to manipulate history to get humanity into space The novel's chapter titles are titles of songs from the period in which the chapters take place.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Aster is the last of the mysterious Kibsu. Her mother Lola died when Aster was very young, leaving her orphaned and without any knowledge of the Kibsu and their goals. Samael, the last of the Trackers, brings Aster up and tells her about the Kibsu and the Tracker's extraterrestrial origins. The Kibsu had been tasked with protecting Earth from another alien invasion by sending humanity into space, while the Tracker's goal was to locate and trigger a beacon to draw the invading aliens to Earth.",
"title": "Plot introduction"
},
{
"paragraph_id": 3,
"text": "In a review in Library Journal, Kristi Chadwick stated that For the First Time, Again \"fill[s] in the final pieces of this science-fiction puzzle.\" Chadwick said Neuvel \"creates an active story\" by \"[b]alancing actual historic events with the alien pursuit\". A reviewer at Publishers Weekly wrote that readers of the Take Them to the Stars series \"will not be disappointed\" with its conclusion. They said \"Neuvel keeps the frantically paced plot tight and effectively counterbalances all the action with nuanced character work.\"",
"title": "Critical reception"
},
{
"paragraph_id": 4,
"text": "Mark Yon wrote in SFFWorld that he found For the First Time, Again \"an enjoyable ride for those wanting to continue the journey.\" He said that because Aster has been brought up by Samael, an ex-Tracker, and with no Kibsu supervision, \"the novel does not always go the way you expect it to\", which may be \"refreshing\" for some readers, but \"frustrating\" for others. Yon added that despite being the last book of Neuvel's trilogy, he felt that \"a key element [of the story] remains unresolved\", which could open the door for another series.",
"title": "Critical reception"
},
{
"paragraph_id": 5,
"text": "Reviewing For the First Time, Again at Tor.com, Tobias Carroll described the novel as \"eminently readable\", although he did find its timeline having moved beyond the Cold War \"downplayed some of the tension\".<name=Carroll/> Carroll was impressed with the way Neuvel turned seemingly innocuous things into pivotal plot components, and found the book's endnotes \"some of the most intriguing elements\" of the story.",
"title": "Critical reception"
},
{
"paragraph_id": 6,
"text": "Caregory:Sequel novels",
"title": "External links"
}
] |
For the First Time, Again is a 2023 science fiction and alternate history novel by Canadian writer Sylvain Neuvel. It was first published in April 2023 in the United States by Tor Books, and in the United Kingdom by Michael Joseph. The book is the last of three books in Neuvel's Take Them to the Stars series, preceded by A History of What Comes Next (2021) and Until the Last of Me (2022). For the First Time, Again is set between the late-1990s and the mid-2000s. It is about a group of women who continue to manipulate history to get humanity into space The novel's chapter titles are titles of songs from the period in which the chapters take place.
|
2023-12-10T08:54:40Z
|
2023-12-10T10:07:39Z
|
[
"Template:Reflist",
"Template:ISFDB title",
"Template:Infobox book"
] |
https://en.wikipedia.org/wiki/For_the_First_Time,_Again
|
75,529,020 |
Church of St Mary, Gilston
|
St Mary's Church is a Anglican parish church in Gilston, Hertfordshire, England. It dates from the 13th century. The church was restored by Philip Hardwick in 1852. It is a Grade I listed building. In the churchyard is the Johnston Monument designed by Eric Gill in 1923. This has its own Grade I historic designation.
The current church dates from the late 13th century, although it is probably a reconstruction of an earlier church. In 1852, a local landowner, John Hodgson, commissioned Philip Hardwick to undertake a reconstruction. As the village served by the church had been largely abandoned, the rebuilding was modest and much early material and work remains.
St Mary's remains an active parish church with occasional, monthly, services. The church is a Grade I listed building.
In the south-west corner of the churchyard are three memorial stones to members of the Johnston family. The central cross commemorates Lieutenant Geoffrey Stewart Johnston who was killed on 14 May 1915 at the Second Battle of Ypres and whose name is recorded at the Menin Gate. Memorial stones to either side commemorate Johnston's parents, Rose Alice, who died in 1907, and Reginald Eden who died in 1922. The memorial was designed in 1923 by Eric Gill whose connection with the Johnston family came through Edward Johnston, director of the calligraphy course at the Central School of Art and Design in London, where Gill studied from 1901. The Johnston Monument has its own Grade I listing. The monument is currently in a poor state of repair, with the central cross having lost its top section although it remains in the churchyard. As at 2023, the monument is listed on the Heritage at Risk Register.
|
[
{
"paragraph_id": 0,
"text": "St Mary's Church is a Anglican parish church in Gilston, Hertfordshire, England. It dates from the 13th century. The church was restored by Philip Hardwick in 1852. It is a Grade I listed building. In the churchyard is the Johnston Monument designed by Eric Gill in 1923. This has its own Grade I historic designation.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The current church dates from the late 13th century, although it is probably a reconstruction of an earlier church. In 1852, a local landowner, John Hodgson, commissioned Philip Hardwick to undertake a reconstruction. As the village served by the church had been largely abandoned, the rebuilding was modest and much early material and work remains.",
"title": "History and description"
},
{
"paragraph_id": 2,
"text": "St Mary's remains an active parish church with occasional, monthly, services. The church is a Grade I listed building.",
"title": "History and description"
},
{
"paragraph_id": 3,
"text": "In the south-west corner of the churchyard are three memorial stones to members of the Johnston family. The central cross commemorates Lieutenant Geoffrey Stewart Johnston who was killed on 14 May 1915 at the Second Battle of Ypres and whose name is recorded at the Menin Gate. Memorial stones to either side commemorate Johnston's parents, Rose Alice, who died in 1907, and Reginald Eden who died in 1922. The memorial was designed in 1923 by Eric Gill whose connection with the Johnston family came through Edward Johnston, director of the calligraphy course at the Central School of Art and Design in London, where Gill studied from 1901. The Johnston Monument has its own Grade I listing. The monument is currently in a poor state of repair, with the central cross having lost its top section although it remains in the churchyard. As at 2023, the monument is listed on the Heritage at Risk Register.",
"title": "History and description"
}
] |
St Mary's Church is a Anglican parish church in Gilston, Hertfordshire, England. It dates from the 13th century. The church was restored by Philip Hardwick in 1852. It is a Grade I listed building. In the churchyard is the Johnston Monument designed by Eric Gill in 1923. This has its own Grade I historic designation.
|
2023-12-10T08:58:15Z
|
2023-12-22T18:09:21Z
|
[
"Template:Infobox church",
"Template:Sfn",
"Template:Efn",
"Template:Notes",
"Template:NHLE",
"Template:Cite web",
"Template:Cite book",
"Template:Use dmy dates",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Church_of_St_Mary,_Gilston
|
75,529,044 |
Intercity Express Train
|
[] |
REPRECT British Rail Class 800
|
2023-12-10T09:05:16Z
|
2023-12-10T09:05:16Z
|
[] |
https://en.wikipedia.org/wiki/Intercity_Express_Train
|
|
75,529,062 |
Saumalkol, N Karkaraly District
|
Saumalkol (Kazakh: Саумалкөл; Russian: Саумалколь) is a salt lake in northern Karkaraly District, Karaganda Region, Kazakhstan.
The lake is partly surrounded by agricultural fields. The nearest inhabited place is Terekty 10 kilometers (6.2 mi) to the ESE.
Saumalkol is an endorheic lake in the central Kazakh Uplands. It lies 31 kilometers (19 mi) to the northeast of the northeastern end of lake Karasor and 24 kilometers (15 mi) to the north of lake Balyktykol. The southeastern shore of the lake is steep with up to 13 meters (43 ft) high cliffs. The lake is shallow, with a maximum depth of 2.7 meters (8 ft 10 in). Its water is salty and bitter, containing iodine, fluorine, bromine and boron. The bottom of the lake is muddy.
The lake is fed mainly by snow and groundwater. Two springs flow from the north into the lake. The shores are muddy and some stretches are overgrown with reeds. Two small islets lie near the northwestern shore.
|
[
{
"paragraph_id": 0,
"text": "Saumalkol (Kazakh: Саумалкөл; Russian: Саумалколь) is a salt lake in northern Karkaraly District, Karaganda Region, Kazakhstan.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The lake is partly surrounded by agricultural fields. The nearest inhabited place is Terekty 10 kilometers (6.2 mi) to the ESE.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Saumalkol is an endorheic lake in the central Kazakh Uplands. It lies 31 kilometers (19 mi) to the northeast of the northeastern end of lake Karasor and 24 kilometers (15 mi) to the north of lake Balyktykol. The southeastern shore of the lake is steep with up to 13 meters (43 ft) high cliffs. The lake is shallow, with a maximum depth of 2.7 meters (8 ft 10 in). Its water is salty and bitter, containing iodine, fluorine, bromine and boron. The bottom of the lake is muddy.",
"title": "Geography"
},
{
"paragraph_id": 3,
"text": "The lake is fed mainly by snow and groundwater. Two springs flow from the north into the lake. The shores are muddy and some stretches are overgrown with reeds. Two small islets lie near the northwestern shore.",
"title": "Geography"
}
] |
Saumalkol is a salt lake in northern Karkaraly District, Karaganda Region, Kazakhstan. The lake is partly surrounded by agricultural fields. The nearest inhabited place is Terekty 10 kilometers (6.2 mi) to the ESE.
|
2023-12-10T09:06:27Z
|
2023-12-19T07:50:57Z
|
[
"Template:About",
"Template:Lang-ru",
"Template:Convert",
"Template:Reflist",
"Template:Cite web",
"Template:Lakes of Kazakhstan",
"Template:Infobox body of water",
"Template:Lang-kk",
"Template:Kazakhstan-geo-stub"
] |
https://en.wikipedia.org/wiki/Saumalkol,_N_Karkaraly_District
|
75,529,080 |
Peace (Rotary Connection album)
|
Peace is a 1968 studio album by American psychedelic soul group Rotary Connection, released on Cadet Records
Rotary Connection
Additional personnel
Peace peaked at 24 on the Billboard 200.
|
[
{
"paragraph_id": 0,
"text": "Peace is a 1968 studio album by American psychedelic soul group Rotary Connection, released on Cadet Records",
"title": ""
},
{
"paragraph_id": 1,
"text": "Rotary Connection",
"title": "Personnel"
},
{
"paragraph_id": 2,
"text": "Additional personnel",
"title": "Personnel"
},
{
"paragraph_id": 3,
"text": "Peace peaked at 24 on the Billboard 200.",
"title": "Chart performance"
}
] |
Peace is a 1968 studio album by American psychedelic soul group Rotary Connection, released on Cadet Records
|
2023-12-10T09:13:55Z
|
2023-12-10T13:46:40Z
|
[
"Template:Inuse",
"Template:Use mdy dates",
"Template:Infobox album",
"Template:MBrgID",
"Template:Minnie Riperton",
"Template:Authority control",
"Template:Use list-defined references",
"Template:Reflist",
"Template:Discogs master"
] |
https://en.wikipedia.org/wiki/Peace_(Rotary_Connection_album)
|
75,529,082 |
Khalekurzaman Sabuj
|
Khalekurzaman Sabuj (Bengali: খালেকুরুজ্জামান সবুজ; born 22 December 1995) is a Bangladeshi professional footballer who plays as a left-back for Bangladesh Premier League club Brothers Union.
Basabo Torun Shangha
Uttar Baridhara Club
Individual
|
[
{
"paragraph_id": 0,
"text": "Khalekurzaman Sabuj (Bengali: খালেকুরুজ্জামান সবুজ; born 22 December 1995) is a Bangladeshi professional footballer who plays as a left-back for Bangladesh Premier League club Brothers Union.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Basabo Torun Shangha",
"title": "Honours"
},
{
"paragraph_id": 2,
"text": "Uttar Baridhara Club",
"title": "Honours"
},
{
"paragraph_id": 3,
"text": "Individual",
"title": "Honours"
}
] |
Khalekurzaman Sabuj is a Bangladeshi professional footballer who plays as a left-back for Bangladesh Premier League club Brothers Union.
|
2023-12-10T09:14:14Z
|
2023-12-28T17:39:19Z
|
[
"Template:Lang-bn",
"Template:Reflist",
"Template:Cite web",
"Template:Soccerway",
"Template:Global Sports Archive",
"Template:Bangladesh-footy-bio-stub",
"Template:Short description",
"Template:Infobox football biography"
] |
https://en.wikipedia.org/wiki/Khalekurzaman_Sabuj
|
75,529,085 |
Death of Linda Chua
|
On 6 February 2000, 27-year-old Linda Chua was jogging in Bukit Batok Nature Park when she was attacked and raped. She was later found naked in a 10-metre-deep ravine in the park with her clothes next to her. She was taken to the National University Hospital but died several days later on 14 February. Her attackers were never caught and the case remains unsolved to this day.
Linda Chua, the second of four children of a retired businessman and a housewife, was a financial reporting manager at Exxon Mobil. She had a fiancé who she had met while they were both freshmen at Nanyang Technological University in 1991. They had been planning to get married in December that year.
Police interviewed hundreds of people, however they did not find any useful leads.
In March, Singaporean TV crime show Crimewatch broadcast a public appeal for information about the case in the show's first episode that year.
On 29 March, citizens' groups, the public and Chua's friends offered a reward of $80,000 for information about the culprits behind the attack.
|
[
{
"paragraph_id": 0,
"text": "On 6 February 2000, 27-year-old Linda Chua was jogging in Bukit Batok Nature Park when she was attacked and raped. She was later found naked in a 10-metre-deep ravine in the park with her clothes next to her. She was taken to the National University Hospital but died several days later on 14 February. Her attackers were never caught and the case remains unsolved to this day.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Linda Chua, the second of four children of a retired businessman and a housewife, was a financial reporting manager at Exxon Mobil. She had a fiancé who she had met while they were both freshmen at Nanyang Technological University in 1991. They had been planning to get married in December that year.",
"title": "Background"
},
{
"paragraph_id": 2,
"text": "Police interviewed hundreds of people, however they did not find any useful leads.",
"title": "Investigations"
},
{
"paragraph_id": 3,
"text": "In March, Singaporean TV crime show Crimewatch broadcast a public appeal for information about the case in the show's first episode that year.",
"title": "Investigations"
},
{
"paragraph_id": 4,
"text": "On 29 March, citizens' groups, the public and Chua's friends offered a reward of $80,000 for information about the culprits behind the attack.",
"title": "Investigations"
}
] |
On 6 February 2000, 27-year-old Linda Chua was jogging in Bukit Batok Nature Park when she was attacked and raped. She was later found naked in a 10-metre-deep ravine in the park with her clothes next to her. She was taken to the National University Hospital but died several days later on 14 February. Her attackers were never caught and the case remains unsolved to this day.
|
2023-12-10T09:15:25Z
|
2023-12-22T18:53:17Z
|
[
"Template:Infobox person",
"Template:Short description",
"Template:Reflist",
"Template:Cite web",
"Template:Cite news",
"Template:Singapore-stub"
] |
https://en.wikipedia.org/wiki/Death_of_Linda_Chua
|
75,529,086 |
Ichita Kobashi
|
Ichita Kobashi (小橋 一太) (25 October 1870 - 2 October 1939) was a Japanese bureaucrat and politician who served as the Minister of Education in 1929 and as the 16th Mayor of Tokyo from 1937 to 1939.
Kobashi was born in Kumamoto, Japan on 25 October 1870 as the eldest son of Motoo Kobashi, a samurai in the Kumamoto Prefecture. He graduated from Law College of the Imperial University of Tokyo in 1898.
Following his graduation, Kobashi joined the Home Ministry and served as the director general of the Sanitary Affairs Bureau, director general of the Local Affairs Bureau, and director general of the Civil Engineering Bureau before finaly assuming the post of Under-Secretary of Home Affairs on 25 April 1918. He became a member of the Rikken Seiyūkai and was elected to the House of Representatives in 1920, serving three consecutive terms.
Kobashi was appointed Chief Cabinet Secretary in the Kiyoura Cabinet on 7 January 1924 as a member of Seiyūhontō and held the position until the cabinet dissolved on 11 June 1924. Following his cabinet post in 1926, Kobashi served as the director of general affairs of the Seiyūhontō and as secretary general, before serving as the director of general affairs of the Rikken Minseitō in 1927.
Kobashi's second cabinet position came on 2 July 1929, when he was appointed as the Minister of Education in the Hamaguchi Cabinet. He resigned his position on 29 November 1929, following the Echigo Railway Scandal of which he was later acquitted. Kobashi was thereafter elected as the 16th Mayor of Tokyo on 28 June 1937. He held the position until his resignation on 14 April 1939.
Kobashi died on 2 October 1939 in Tokyo, three weeks shy of his 69th birthday. He was buried at Tama Cemetery and was posthumously awarded the Grand Cordon of the Order of the Rising Sun.
|
[
{
"paragraph_id": 0,
"text": "Ichita Kobashi (小橋 一太) (25 October 1870 - 2 October 1939) was a Japanese bureaucrat and politician who served as the Minister of Education in 1929 and as the 16th Mayor of Tokyo from 1937 to 1939.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Kobashi was born in Kumamoto, Japan on 25 October 1870 as the eldest son of Motoo Kobashi, a samurai in the Kumamoto Prefecture. He graduated from Law College of the Imperial University of Tokyo in 1898.",
"title": "Early life"
},
{
"paragraph_id": 2,
"text": "Following his graduation, Kobashi joined the Home Ministry and served as the director general of the Sanitary Affairs Bureau, director general of the Local Affairs Bureau, and director general of the Civil Engineering Bureau before finaly assuming the post of Under-Secretary of Home Affairs on 25 April 1918. He became a member of the Rikken Seiyūkai and was elected to the House of Representatives in 1920, serving three consecutive terms.",
"title": "Career"
},
{
"paragraph_id": 3,
"text": "Kobashi was appointed Chief Cabinet Secretary in the Kiyoura Cabinet on 7 January 1924 as a member of Seiyūhontō and held the position until the cabinet dissolved on 11 June 1924. Following his cabinet post in 1926, Kobashi served as the director of general affairs of the Seiyūhontō and as secretary general, before serving as the director of general affairs of the Rikken Minseitō in 1927.",
"title": "Career"
},
{
"paragraph_id": 4,
"text": "Kobashi's second cabinet position came on 2 July 1929, when he was appointed as the Minister of Education in the Hamaguchi Cabinet. He resigned his position on 29 November 1929, following the Echigo Railway Scandal of which he was later acquitted. Kobashi was thereafter elected as the 16th Mayor of Tokyo on 28 June 1937. He held the position until his resignation on 14 April 1939.",
"title": "Career"
},
{
"paragraph_id": 5,
"text": "Kobashi died on 2 October 1939 in Tokyo, three weeks shy of his 69th birthday. He was buried at Tama Cemetery and was posthumously awarded the Grand Cordon of the Order of the Rising Sun.",
"title": "Later life"
}
] |
Ichita Kobashi was a Japanese bureaucrat and politician who served as the Minister of Education in 1929 and as the 16th Mayor of Tokyo from 1937 to 1939.
|
2023-12-10T09:15:54Z
|
2023-12-11T00:46:42Z
|
[
"Template:Short description",
"Template:S-start",
"Template:S-bef",
"Template:S-end",
"Template:Infobox officeholder",
"Template:Reflist",
"Template:Cite web",
"Template:S-off",
"Template:S-ttl",
"Template:S-aft"
] |
https://en.wikipedia.org/wiki/Ichita_Kobashi
|
75,529,087 |
2024 WTA 125 tournaments
|
The WTA 125 tournaments are the secondary professional tennis circuit tournaments organised by the Women's Tennis Association. The 2024 calendar tentatively consists of fourteen tournaments, announced so far.
These tables present the number of singles (S) and doubles (D) titles won by each player and each nation during the season. The players/nations are sorted by: 1) total number of titles (a doubles title won by two players representing the same nation counts as only one win for the nation); 2) a singles > doubles hierarchy; 3) alphabetical order (by family names for players).
To avoid confusion and double counting, these tables should be updated only after an event is completed.
|
[
{
"paragraph_id": 0,
"text": "The WTA 125 tournaments are the secondary professional tennis circuit tournaments organised by the Women's Tennis Association. The 2024 calendar tentatively consists of fourteen tournaments, announced so far.",
"title": ""
},
{
"paragraph_id": 1,
"text": "These tables present the number of singles (S) and doubles (D) titles won by each player and each nation during the season. The players/nations are sorted by: 1) total number of titles (a doubles title won by two players representing the same nation counts as only one win for the nation); 2) a singles > doubles hierarchy; 3) alphabetical order (by family names for players).",
"title": "Statistical information"
},
{
"paragraph_id": 2,
"text": "To avoid confusion and double counting, these tables should be updated only after an event is completed.",
"title": "Statistical information"
}
] |
The WTA 125 tournaments are the secondary professional tennis circuit tournaments organised by the Women's Tennis Association. The 2024 calendar tentatively consists of fourteen tournaments, announced so far.
|
2023-12-10T09:16:10Z
|
2023-12-30T12:47:06Z
|
[
"Template:Notelist",
"Template:WTA 125K series seasons",
"Template:2024 in tennis",
"Template:Infobox tennis circuit season",
"Template:Flagicon",
"Template:N/a",
"Template:Portal",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/2024_WTA_125_tournaments
|
75,529,092 |
Eliz-Mari Marx
|
Eliz-Mari Marx (born 20 January 2003) is a South African cricketer who currently plays for Northerns. She plays as a right-arm medium bowler and right-handed batter.
She made her international debut in December 2023, in a Twenty20 International for South Africa against Bangladesh.
Marx was born on 20 January 2003 in Pretoria.
Marx made her debut for Northerns in October 2016, against Easterns, in which she took 1/22 from her four overs. She was named Northerns Player of the Year at the end of the 2019–20 season, with 23 wickets and 223 runs. She scored her maiden List A century in October 2023, with 155 from 66 deliveries for Northerns against South Western Districts.
She has also played for Coronations and Thistles in the Women's T20 Super League.
In November 2023, Marx was named in the South Africa Emerging squad to play Zimbabwe. Later that same month, Marx earned her first call-up to the South Africa squad for the side's series against Bangladesh. She made her international debut in the first match of the Twenty20 International series, taking 1/25 from her four overs.
|
[
{
"paragraph_id": 0,
"text": "Eliz-Mari Marx (born 20 January 2003) is a South African cricketer who currently plays for Northerns. She plays as a right-arm medium bowler and right-handed batter.",
"title": ""
},
{
"paragraph_id": 1,
"text": "She made her international debut in December 2023, in a Twenty20 International for South Africa against Bangladesh.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Marx was born on 20 January 2003 in Pretoria.",
"title": "Early life"
},
{
"paragraph_id": 3,
"text": "Marx made her debut for Northerns in October 2016, against Easterns, in which she took 1/22 from her four overs. She was named Northerns Player of the Year at the end of the 2019–20 season, with 23 wickets and 223 runs. She scored her maiden List A century in October 2023, with 155 from 66 deliveries for Northerns against South Western Districts.",
"title": "Domestic career"
},
{
"paragraph_id": 4,
"text": "She has also played for Coronations and Thistles in the Women's T20 Super League.",
"title": "Domestic career"
},
{
"paragraph_id": 5,
"text": "In November 2023, Marx was named in the South Africa Emerging squad to play Zimbabwe. Later that same month, Marx earned her first call-up to the South Africa squad for the side's series against Bangladesh. She made her international debut in the first match of the Twenty20 International series, taking 1/25 from her four overs.",
"title": "International career"
}
] |
Eliz-Mari Marx is a South African cricketer who currently plays for Northerns. She plays as a right-arm medium bowler and right-handed batter. She made her international debut in December 2023, in a Twenty20 International for South Africa against Bangladesh.
|
2023-12-10T09:18:00Z
|
2023-12-25T08:56:18Z
|
[
"Template:Cricinfo",
"Template:Cricketarchive",
"Template:Short description",
"Template:Use dmy dates",
"Template:Infobox cricketer",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Eliz-Mari_Marx
|
75,529,094 |
Ayanda Hlubi
|
Ayanda Hlubi (born 16 July 2004) is a South African cricketer who currently plays for KwaZulu-Natal Coastal. She plays as a right-arm medium bowler.
She made her international debut in December 2023, in a Twenty20 International for South Africa against Bangladesh.
Hlubi made her debut for KwaZulu-Natal Coastal in October 2019, against Free State, bowling three overs. In November 2023, she took 4/50 from her 10 overs in a match against Free State.
In December 2022, Hlubi was selected in the South Africa Under-19 squad for the 2023 ICC Under-19 Women's T20 World Cup. She played four matches at the tournament, taking three wickets at an average of 24.00.
In November 2023, Hlubi was named in the South Africa Emerging squad to play Zimbabwe. Later that same month, Hlubi earned her first call-up to the South Africa squad for the side's series against Bangladesh. She made her international debut in the third match of the Twenty20 International series, taking 2/15 from her four overs and subsequently being named Player of the Match.
|
[
{
"paragraph_id": 0,
"text": "Ayanda Hlubi (born 16 July 2004) is a South African cricketer who currently plays for KwaZulu-Natal Coastal. She plays as a right-arm medium bowler.",
"title": ""
},
{
"paragraph_id": 1,
"text": "She made her international debut in December 2023, in a Twenty20 International for South Africa against Bangladesh.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Hlubi made her debut for KwaZulu-Natal Coastal in October 2019, against Free State, bowling three overs. In November 2023, she took 4/50 from her 10 overs in a match against Free State.",
"title": "Domestic career"
},
{
"paragraph_id": 3,
"text": "In December 2022, Hlubi was selected in the South Africa Under-19 squad for the 2023 ICC Under-19 Women's T20 World Cup. She played four matches at the tournament, taking three wickets at an average of 24.00.",
"title": "International career"
},
{
"paragraph_id": 4,
"text": "In November 2023, Hlubi was named in the South Africa Emerging squad to play Zimbabwe. Later that same month, Hlubi earned her first call-up to the South Africa squad for the side's series against Bangladesh. She made her international debut in the third match of the Twenty20 International series, taking 2/15 from her four overs and subsequently being named Player of the Match.",
"title": "International career"
}
] |
Ayanda Hlubi is a South African cricketer who currently plays for KwaZulu-Natal Coastal. She plays as a right-arm medium bowler. She made her international debut in December 2023, in a Twenty20 International for South Africa against Bangladesh.
|
2023-12-10T09:18:03Z
|
2023-12-25T08:53:18Z
|
[
"Template:Infobox cricketer",
"Template:Reflist",
"Template:Cite web",
"Template:Cricinfo",
"Template:Cricketarchive",
"Template:Short description",
"Template:Use dmy dates"
] |
https://en.wikipedia.org/wiki/Ayanda_Hlubi
|
75,529,117 |
1104 in Ireland
|
Events from the year 1104 in Ireland.
|
[
{
"paragraph_id": 0,
"text": "Events from the year 1104 in Ireland.",
"title": ""
}
] |
Events from the year 1104 in Ireland.
|
2023-12-10T09:22:26Z
|
2023-12-10T09:28:13Z
|
[
"Template:Year in Europe",
"Template:Years in Ireland",
"Template:Use dmy dates",
"Template:Use Irish English",
"Template:YearInIrelandNav",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/1104_in_Ireland
|
75,529,122 |
Acacia dilloniorum
|
Acacia dilloniorum also known as Wilgie Mia wattle, is a shrub of the genus Acacia that is native to Western Australia.
It has a scattered and limited distribution in the Shire of Cue.
|
[
{
"paragraph_id": 0,
"text": "Acacia dilloniorum also known as Wilgie Mia wattle, is a shrub of the genus Acacia that is native to Western Australia.",
"title": ""
},
{
"paragraph_id": 1,
"text": "It has a scattered and limited distribution in the Shire of Cue.",
"title": ""
}
] |
Acacia dilloniorum also known as Wilgie Mia wattle, is a shrub of the genus Acacia that is native to Western Australia. It has a scattered and limited distribution in the Shire of Cue.
|
2023-12-10T09:22:54Z
|
2023-12-10T09:24:44Z
|
[
"Template:Short description",
"Template:Speciesbox",
"Template:Reflist",
"Template:Cite web",
"Template:FloraBase",
"Template:Taxonbar"
] |
https://en.wikipedia.org/wiki/Acacia_dilloniorum
|
75,529,129 |
Decugis
|
Decugis is a French surname. Notable people with the surname include:
|
[
{
"paragraph_id": 0,
"text": "Decugis is a French surname. Notable people with the surname include:",
"title": ""
}
] |
Decugis is a French surname. Notable people with the surname include: Cécile Decugis (1930–2017), French film editor and director
Henri Decugis (1874–1947), French economist and author
Julie Halard-Decugis (1970–), French tennis player
Marie Decugis (1884–1969), French tennis player
Max Decugis (1882–1978), French tennis player
|
2023-12-10T09:24:44Z
|
2023-12-10T09:24:44Z
|
[
"Template:Ill",
"Template:Surname"
] |
https://en.wikipedia.org/wiki/Decugis
|
75,529,135 |
List of storms named Paring
|
The name Paring was used for ten tropical cyclones by the Philippine Atmospheric, Geophysical and Astronomical Services Administration (PAGASA) and its predecessor, the Philippine Weather Bureau, in the Western Pacific Ocean.
|
[
{
"paragraph_id": 0,
"text": "The name Paring was used for ten tropical cyclones by the Philippine Atmospheric, Geophysical and Astronomical Services Administration (PAGASA) and its predecessor, the Philippine Weather Bureau, in the Western Pacific Ocean.",
"title": ""
}
] |
The name Paring was used for ten tropical cyclones by the Philippine Atmospheric, Geophysical and Astronomical Services Administration (PAGASA) and its predecessor, the Philippine Weather Bureau, in the Western Pacific Ocean. Typhoon Judy (1968)– a Category 4 typhoon that did not affect land.
Typhoon Helen (1972) – the most destructive tropical cyclone to strike Japan during the 1992.
Tropical Storm Ellen (1976) – a weak tropical storm that made landfall Northern Philippines and Hong Kong.
Tropical Depression 14W (1980) – a tropical depression that affected Philippines, South China and Vietnam.
Tropical Depression Paring (1984) – a weak tropical depression that persisted near the Philippines.
Typhoon Nelson (1988) – a Category 5 super typhoon that did not affect any land.
Tropical Storm Colleen (1992) – a severe tropical storm intensified over the South China Sea before making landfall in Vietnam.
Typhoon Zane (1996) – a Category 3 equivalent typhoon that crossed the Ryukyu Islands.
Typhoon Yagi (2000) – a Category 3 typhoon executed a cyclonic loop near the Ryukyu Islands dissipated near Taiwan.
|
2023-12-10T09:25:40Z
|
2023-12-11T02:40:14Z
|
[
"Template:Storm index"
] |
https://en.wikipedia.org/wiki/List_of_storms_named_Paring
|
75,529,141 |
Adly Mansour Transportation Hub
|
The Adly Mansour Transportation Hub is a transportation hub in Cairo, Egypt inaugurated on 3 July 2022 by the Egyptian president Abdel Fattah el-Sisi. Located in Al Salam district, the complex connects five different transportation modes: the Cairo Metro, the Cairo Light Rail Transit, the Cairo–Suez railway, the SuperJet regional buses, and Bus Rapid Transit services. It is bordered to the north by Ismailia Road, to the north and east by the ring road, to the south by a depot of Cairo Metro line 3, and to the west by property owned by the Ministry of Civil Aviation. With an area of 15 feddans, the station is being regarded as the largest in the Middle East.
The Adly Mansour station serves as the terminus of Line 3. It was inaugurated as part of the fourth phase of the line on 16 August 2020. The station has an area of 3,700 m (12,100 ft) and consists of three levels on a building space of 10,000 km (3,900 sq mi). The ground level contains twelve ticket booths, two ticket vending machines, and 23 turnstiles. Four escalators and two elevators take riders from the ground level to the first level.
The first level includes control rooms and two musallas, and eight escalators take passengers from the first level to the platforms. The station has three tracks; two are for revenue service and are used to terminate trains, and an additional one for station storage or for arriving to the train depot. The station is secured by 65 surveillance cameras from the inside and outside.
Near to this station is a depot used for maintenance of the Cairo Metro trains; it is considered the largest depot in the Middle East and Africa. The depot has an area of 65 feddans and consists of 32 maintenance buildings, and can store up to 30 trains.
The complex also include a bus stop which is served by three bus services: the SuperJet for transportation between governorates, the electric rapid bus transit (BRT) linking the hub to Cairo International Airport, and another BRT linking to Al Salam and Obour bus stops. The bus stop has an area of 1.5 feddans and includes a building that provides all services for riders and a bus area that have a capacity of 24 buses. Sabri Ayoub, president of the administrative council of SuperJet, stated that the stop contains the first bus charging station in Egypt with four chargers that can charge up to eight buses.
The transportation hub contains a two-story mall and a "bedroom" that acts as a parking area with an area of 16,000 square meters, in addition to 31,000 square meters of green space, a waiting area for cars of an area of 11,000 square meters, and 1,300 meter network of roads, as well as 200 meter long tunnels.
The American magazine Engineering News-Record had chosen the complex as the best transportation project of 2022. The project also made Archplan to receive the award for the Best Luxury public services architecture in 2022 by Luxury Lifestyle Awards, headquartered in New York.
|
[
{
"paragraph_id": 0,
"text": "The Adly Mansour Transportation Hub is a transportation hub in Cairo, Egypt inaugurated on 3 July 2022 by the Egyptian president Abdel Fattah el-Sisi. Located in Al Salam district, the complex connects five different transportation modes: the Cairo Metro, the Cairo Light Rail Transit, the Cairo–Suez railway, the SuperJet regional buses, and Bus Rapid Transit services. It is bordered to the north by Ismailia Road, to the north and east by the ring road, to the south by a depot of Cairo Metro line 3, and to the west by property owned by the Ministry of Civil Aviation. With an area of 15 feddans, the station is being regarded as the largest in the Middle East.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The Adly Mansour station serves as the terminus of Line 3. It was inaugurated as part of the fourth phase of the line on 16 August 2020. The station has an area of 3,700 m (12,100 ft) and consists of three levels on a building space of 10,000 km (3,900 sq mi). The ground level contains twelve ticket booths, two ticket vending machines, and 23 turnstiles. Four escalators and two elevators take riders from the ground level to the first level.",
"title": "Services"
},
{
"paragraph_id": 2,
"text": "The first level includes control rooms and two musallas, and eight escalators take passengers from the first level to the platforms. The station has three tracks; two are for revenue service and are used to terminate trains, and an additional one for station storage or for arriving to the train depot. The station is secured by 65 surveillance cameras from the inside and outside.",
"title": "Services"
},
{
"paragraph_id": 3,
"text": "Near to this station is a depot used for maintenance of the Cairo Metro trains; it is considered the largest depot in the Middle East and Africa. The depot has an area of 65 feddans and consists of 32 maintenance buildings, and can store up to 30 trains.",
"title": "Services"
},
{
"paragraph_id": 4,
"text": "The complex also include a bus stop which is served by three bus services: the SuperJet for transportation between governorates, the electric rapid bus transit (BRT) linking the hub to Cairo International Airport, and another BRT linking to Al Salam and Obour bus stops. The bus stop has an area of 1.5 feddans and includes a building that provides all services for riders and a bus area that have a capacity of 24 buses. Sabri Ayoub, president of the administrative council of SuperJet, stated that the stop contains the first bus charging station in Egypt with four chargers that can charge up to eight buses.",
"title": "Services"
},
{
"paragraph_id": 5,
"text": "The transportation hub contains a two-story mall and a \"bedroom\" that acts as a parking area with an area of 16,000 square meters, in addition to 31,000 square meters of green space, a waiting area for cars of an area of 11,000 square meters, and 1,300 meter network of roads, as well as 200 meter long tunnels.",
"title": "Services"
},
{
"paragraph_id": 6,
"text": "The American magazine Engineering News-Record had chosen the complex as the best transportation project of 2022. The project also made Archplan to receive the award for the Best Luxury public services architecture in 2022 by Luxury Lifestyle Awards, headquartered in New York.",
"title": "Awards"
}
] |
The Adly Mansour Transportation Hub is a transportation hub in Cairo, Egypt inaugurated on 3 July 2022 by the Egyptian president Abdel Fattah el-Sisi. Located in Al Salam district, the complex connects five different transportation modes: the Cairo Metro, the Cairo Light Rail Transit, the Cairo–Suez railway, the SuperJet regional buses, and Bus Rapid Transit services. It is bordered to the north by Ismailia Road, to the north and east by the ring road, to the south by a depot of Cairo Metro line 3, and to the west by property owned by the Ministry of Civil Aviation. With an area of 15 feddans, the station is being regarded as the largest in the Middle East.
|
2023-12-10T09:27:05Z
|
2023-12-16T06:38:01Z
|
[
"Template:Cite news",
"Template:Draft",
"Template:Cvt",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Adly_Mansour_Transportation_Hub
|
75,529,183 |
Gan Kofim
|
Gan Kofim (Hebrew: גן קופים, lit. "The Monkey House") is an Israeli film directed by Avi Nesher, which was released in September 2023, inspired by the true story of Reuven Kritz, as described by Eli Eshed in his blog. The film depicts a writer in the late 1980s who has faded into obscurity and is trying to find his place again.
The film begins in December 1989, when Amitai Kriav (Adir Miller) arrives with his friend Avsha (Yaniv Biton) at the funeral of Yariv Naman, the husband of their friend from kibbutz days, Tamar Naman (Shani Cohen). At the same time, Kriav is informed that literature researcher Gal Shenar from Colorado will do her doctoral thesis on him, which will later be published as a book. He informs Tamar, who does not know that she has been his inspiration for writing all these years.
In Tel Aviv, Margo May (Suzanna Papian) is looking for work to save money and fly to Los Angeles, where she aspires to launch an acting career. In the meantime, she lives with her sister (Carmel Netzer) and her husband Razi (Avi Sarusi). One evening she meets Amir Haddad (Ala Dakka), an Israeli director who has returned from Rome to direct a documentary film in Israel. With him is Noora (Shira Naor), his producer.
Amitai hires Margo as his personal assistant in anticipation of Shenar's arrival, but a medical event prevents the literature researcher from coming to the country. Kriav and May devise a plan in which Margo will impersonate Gal Shenar and conduct the missing interviews for the doctoral thesis. Kriav offers her to live on the top floor of his house that he inherited from his doctor uncle in Ramat Gan, near the monkey house (Gan Shaul). They alter Margo's external appearance to match Shenar's looks.
Margo, posing as literature researcher Gal Shenar, interviews various people about Kriav, including literary critic Uri Hermon (Eran Zarahovitsh) who does not appreciate his books. Before the interview she meets Amir Haddad who is interviewing Hermon for his film on literature from both sides of the Israeli-Palestinian conflict. Amir and Noora recognize Margo but don't remember where from. Through Hermon, Amir asks Margo to meet him and be interviewed for his film.
Margo meets with Amir, they identify parallel lines in each other. On Amitai’s advice, she offers to interview Kriav at the kibbutz where he grew up for the film. Amitai suggests that Tamar accompany him and Amir suggests that Margo come along too. They sleep at Avsha's house in the kibbutz and at night Margo and Amir sneak into the kibbutz pool and kiss there. The next day, Amitai is interviewed for the film and Noora gets confirmation that there is indeed a researcher named Gal Shenar in Colorado.
Amir has to leave the country and offers Margo to spend the last night with him, but Amitai intervenes noting her husband. Margo nevertheless takes from Amir a book about Fazulini. Margo tries to call Amir before he leaves the country back to Italy and identifies the picture of Gal Shenar at the neighborhood grocery store she is trying to call from. She discovers that the one pictured is the daughter of the grocery store owner, who indeed studies economics in Colorado. Margo confronts Kriav about fabricating the story and writing the dissertation about himself and Kriav retorts that writers will do anything to get attention.
Margo is persuaded and continues cooperating, even though Amir comes to say goodbye to her at Kriav's house. The book is published, Kriav gives Tamar the early edition to read and she understands his feelings towards her after all the years. Tamar and Amitai get closer and even move in together. In November 1990 Margo returns from Los Angeles to the country and stops in Rome to return Amir the book she took. Amir reveals to her that he discovered she was impersonating in a conversation with the real Gal Shenar. She apologizes and they spend a night together after he reveals that he is an Arab from Haifa and she reveals her true identity to him.
The years go by and in 1993 an Italian film directed by Haddad and starring Margo comes out with a story that resembles exactly Kriav's story, about an actress who impersonates a researcher to bring him back into the spotlight. In the film itself, Kriav is portrayed as manipulative and abusive towards Tamar. Kriav and Tamar watch the movie and Tamar leaves him after watching it. Margo arrives in Israel and threatens to expose to Hermon that the story is based on Kriav. Kriav plans to move abroad when Avsha comes to visit him. Kriav explains to Avsha why he acted that way and reminds him that Avsha also hides a secret, for which he comes once a month secretly to stay with him in the apartment.
Avsha comes out to Tamar and explains to her why Amitai acted that way. Tamar, in turn, approaches Margo and dissuades her at the last moment from revealing Kriav's true story. Margo is persuaded and Tamar returns to Kriav.
A decade later, in 2003, Tamar and Kriav arrive in Haifa for Christmas, Amitai hasn’t even dared to hold her hand since. They coincidentally meet Amir and Margo. Margo persuades Amitai to get close to Tamar and they hold hands at the last moment of the film.
Gan Kofim at IMDb
|
[
{
"paragraph_id": 0,
"text": "Gan Kofim (Hebrew: גן קופים, lit. \"The Monkey House\") is an Israeli film directed by Avi Nesher, which was released in September 2023, inspired by the true story of Reuven Kritz, as described by Eli Eshed in his blog. The film depicts a writer in the late 1980s who has faded into obscurity and is trying to find his place again.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The film begins in December 1989, when Amitai Kriav (Adir Miller) arrives with his friend Avsha (Yaniv Biton) at the funeral of Yariv Naman, the husband of their friend from kibbutz days, Tamar Naman (Shani Cohen). At the same time, Kriav is informed that literature researcher Gal Shenar from Colorado will do her doctoral thesis on him, which will later be published as a book. He informs Tamar, who does not know that she has been his inspiration for writing all these years.",
"title": "Plot"
},
{
"paragraph_id": 2,
"text": "In Tel Aviv, Margo May (Suzanna Papian) is looking for work to save money and fly to Los Angeles, where she aspires to launch an acting career. In the meantime, she lives with her sister (Carmel Netzer) and her husband Razi (Avi Sarusi). One evening she meets Amir Haddad (Ala Dakka), an Israeli director who has returned from Rome to direct a documentary film in Israel. With him is Noora (Shira Naor), his producer.",
"title": "Plot"
},
{
"paragraph_id": 3,
"text": "Amitai hires Margo as his personal assistant in anticipation of Shenar's arrival, but a medical event prevents the literature researcher from coming to the country. Kriav and May devise a plan in which Margo will impersonate Gal Shenar and conduct the missing interviews for the doctoral thesis. Kriav offers her to live on the top floor of his house that he inherited from his doctor uncle in Ramat Gan, near the monkey house (Gan Shaul). They alter Margo's external appearance to match Shenar's looks.",
"title": "Plot"
},
{
"paragraph_id": 4,
"text": "Margo, posing as literature researcher Gal Shenar, interviews various people about Kriav, including literary critic Uri Hermon (Eran Zarahovitsh) who does not appreciate his books. Before the interview she meets Amir Haddad who is interviewing Hermon for his film on literature from both sides of the Israeli-Palestinian conflict. Amir and Noora recognize Margo but don't remember where from. Through Hermon, Amir asks Margo to meet him and be interviewed for his film.",
"title": "Plot"
},
{
"paragraph_id": 5,
"text": "Margo meets with Amir, they identify parallel lines in each other. On Amitai’s advice, she offers to interview Kriav at the kibbutz where he grew up for the film. Amitai suggests that Tamar accompany him and Amir suggests that Margo come along too. They sleep at Avsha's house in the kibbutz and at night Margo and Amir sneak into the kibbutz pool and kiss there. The next day, Amitai is interviewed for the film and Noora gets confirmation that there is indeed a researcher named Gal Shenar in Colorado.",
"title": "Plot"
},
{
"paragraph_id": 6,
"text": "Amir has to leave the country and offers Margo to spend the last night with him, but Amitai intervenes noting her husband. Margo nevertheless takes from Amir a book about Fazulini. Margo tries to call Amir before he leaves the country back to Italy and identifies the picture of Gal Shenar at the neighborhood grocery store she is trying to call from. She discovers that the one pictured is the daughter of the grocery store owner, who indeed studies economics in Colorado. Margo confronts Kriav about fabricating the story and writing the dissertation about himself and Kriav retorts that writers will do anything to get attention.",
"title": "Plot"
},
{
"paragraph_id": 7,
"text": "Margo is persuaded and continues cooperating, even though Amir comes to say goodbye to her at Kriav's house. The book is published, Kriav gives Tamar the early edition to read and she understands his feelings towards her after all the years. Tamar and Amitai get closer and even move in together. In November 1990 Margo returns from Los Angeles to the country and stops in Rome to return Amir the book she took. Amir reveals to her that he discovered she was impersonating in a conversation with the real Gal Shenar. She apologizes and they spend a night together after he reveals that he is an Arab from Haifa and she reveals her true identity to him.",
"title": "Plot"
},
{
"paragraph_id": 8,
"text": "The years go by and in 1993 an Italian film directed by Haddad and starring Margo comes out with a story that resembles exactly Kriav's story, about an actress who impersonates a researcher to bring him back into the spotlight. In the film itself, Kriav is portrayed as manipulative and abusive towards Tamar. Kriav and Tamar watch the movie and Tamar leaves him after watching it. Margo arrives in Israel and threatens to expose to Hermon that the story is based on Kriav. Kriav plans to move abroad when Avsha comes to visit him. Kriav explains to Avsha why he acted that way and reminds him that Avsha also hides a secret, for which he comes once a month secretly to stay with him in the apartment.",
"title": "Plot"
},
{
"paragraph_id": 9,
"text": "Avsha comes out to Tamar and explains to her why Amitai acted that way. Tamar, in turn, approaches Margo and dissuades her at the last moment from revealing Kriav's true story. Margo is persuaded and Tamar returns to Kriav.",
"title": "Plot"
},
{
"paragraph_id": 10,
"text": "A decade later, in 2003, Tamar and Kriav arrive in Haifa for Christmas, Amitai hasn’t even dared to hold her hand since. They coincidentally meet Amir and Margo. Margo persuades Amitai to get close to Tamar and they hold hands at the last moment of the film.",
"title": "Plot"
},
{
"paragraph_id": 11,
"text": "Gan Kofim at IMDb",
"title": "External links"
}
] |
Gan Kofim is an Israeli film directed by Avi Nesher, which was released in September 2023, inspired by the true story of Reuven Kritz, as described by Eli Eshed in his blog. The film depicts a writer in the late 1980s who has faded into obscurity and is trying to find his place again.
|
2023-12-10T09:37:12Z
|
2023-12-10T10:52:47Z
|
[
"Template:Lang-he",
"Template:References list",
"Template:Cite web",
"Template:IMDb title"
] |
https://en.wikipedia.org/wiki/Gan_Kofim
|
75,529,192 |
52 Hertz (short film)
|
52 Hertz is an Iranian short film directed by Asghar Abbasi. This movie was filmed in one shot of 14 minutes. 52 Hertz has been named the international film festival of Spain's Tersa.
|
[
{
"paragraph_id": 0,
"text": "52 Hertz is an Iranian short film directed by Asghar Abbasi. This movie was filmed in one shot of 14 minutes. 52 Hertz has been named the international film festival of Spain's Tersa.",
"title": ""
}
] |
52 Hertz is an Iranian short film directed by Asghar Abbasi. This movie was filmed in one shot of 14 minutes. 52 Hertz has been named the international film festival of Spain's Tersa.
|
2023-12-10T09:41:56Z
|
2023-12-10T10:52:44Z
|
[
"Template:Cite web",
"Template:Infobox film"
] |
https://en.wikipedia.org/wiki/52_Hertz_(short_film)
|
75,529,222 |
Climate club
|
A climate club is a coalition of the willing among countries that wish to adopt more stringent climate mitigation policies.
Sometimes the term is used loosely to refer to any such international climate alliance. However, the concept of a climate club has most famously been promoted in a stricter sense by William Nordhaus, winner of the 2018 Nobel Memorial Prize in Economics. In his conceptualization, the climate club introduces carbon pricing among the club's member states and levies a fee on all imports of goods from countries that are outside the club and have not introduced similar carbon pricing. This is expected to encourage more countries to join the club and introduce carbon pricing.
The idea of a climate club has been criticized by countries that fear the imposition of fees on their exports as well as by researchers who are skeptical of carbon pricing in general. Others have argued that some of the supposed losers, such as China and India, will actually gain from a climate club and the resulting introduction of carbon pricing.
The EU's Carbon Border Adjustment Mechanism (CBAM) has been labeled as the possible beginning of a climate club. Others see CBAM as too narrow to function as a climate club.
German Chancellor Olav Scholz has proposed that the EU initiate the formation of a climate club. His proposal has been criticized as vague.
|
[
{
"paragraph_id": 0,
"text": "A climate club is a coalition of the willing among countries that wish to adopt more stringent climate mitigation policies.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Sometimes the term is used loosely to refer to any such international climate alliance. However, the concept of a climate club has most famously been promoted in a stricter sense by William Nordhaus, winner of the 2018 Nobel Memorial Prize in Economics. In his conceptualization, the climate club introduces carbon pricing among the club's member states and levies a fee on all imports of goods from countries that are outside the club and have not introduced similar carbon pricing. This is expected to encourage more countries to join the club and introduce carbon pricing.",
"title": ""
},
{
"paragraph_id": 2,
"text": "The idea of a climate club has been criticized by countries that fear the imposition of fees on their exports as well as by researchers who are skeptical of carbon pricing in general. Others have argued that some of the supposed losers, such as China and India, will actually gain from a climate club and the resulting introduction of carbon pricing.",
"title": ""
},
{
"paragraph_id": 3,
"text": "The EU's Carbon Border Adjustment Mechanism (CBAM) has been labeled as the possible beginning of a climate club. Others see CBAM as too narrow to function as a climate club.",
"title": ""
},
{
"paragraph_id": 4,
"text": "German Chancellor Olav Scholz has proposed that the EU initiate the formation of a climate club. His proposal has been criticized as vague.",
"title": ""
}
] |
A climate club is a coalition of the willing among countries that wish to adopt more stringent climate mitigation policies. Sometimes the term is used loosely to refer to any such international climate alliance. However, the concept of a climate club has most famously been promoted in a stricter sense by William Nordhaus, winner of the 2018 Nobel Memorial Prize in Economics. In his conceptualization, the climate club introduces carbon pricing among the club's member states and levies a fee on all imports of goods from countries that are outside the club and have not introduced similar carbon pricing. This is expected to encourage more countries to join the club and introduce carbon pricing. The idea of a climate club has been criticized by countries that fear the imposition of fees on their exports as well as by researchers who are skeptical of carbon pricing in general. Others have argued that some of the supposed losers, such as China and India, will actually gain from a climate club and the resulting introduction of carbon pricing. The EU's Carbon Border Adjustment Mechanism (CBAM) has been labeled as the possible beginning of a climate club. Others see CBAM as too narrow to function as a climate club. German Chancellor Olav Scholz has proposed that the EU initiate the formation of a climate club. His proposal has been criticized as vague.
|
2023-12-10T09:50:56Z
|
2023-12-24T22:46:24Z
|
[
"Template:Short description",
"Template:Reflist",
"Template:Cite journal",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Climate_club
|
75,529,223 |
Tennessee State Route 690
|
Tennessee State Route 690 is a currently under construction state highway, bypassing Union City in Obion County, Tennessee. When opened, it will be a 4-lane controlled-access highway running along the west and north sides of the city, serving as an alternate route to US 51. The route was proposed and is being constructed as part of the I-69. Until such time the I-69 designation is given to this roadway, TN 690 will serve as the state route designation.
I-69 in Tennessee has been divided into 3 segments of independent utility (SIU's). The Union City and Troy bypasses are part of SIU (7). The first construction contract was set for SIU 7 on October 30, 2009, covering Section 4 (middle leg of the Union City Bypass). The winning bid for constructing the 4.3-mile (6.9 km) section between SR 21 and SR 5 northwest of Union City was awarded to Ford Construction Company of Dyersburg for $33 million (equivalent to $44 million in 2022). Construction on this section of the Union City Bypass began in the spring of 2010 and was completed in the summer of 2012. However, it remained closed to traffic until adjacent sections are completed. As of July 2014, land acquisition and utility relocations were underway in all five sections from Troy to Union City. The Tennessee Department of Transportation (TDOT) awarded a construction contract for 2.4-mile (3.9 km) Section 3 (southern leg of the Union City Bypass) in March 2016 and planned to let a second contract for Section 5 (northern leg of the Union City Bypass) in December 2016. Work began on Section 3 in June 2016.
There is no current timetable for letting contracts to construct the Troy Bypass (Sections 1 and 2). However, TDOT Commissioner John Schroer estimated in February 2013 that it would take around 10 years to gradually complete work on SIU 7 due to lack of funding.
This situation regarding funding was solved on May 23, 2017, with the signing of the IMPROVE (Improving Manufacturing, Public Roads and Opportunities for a Vibrant Economy) Act. The legislation raised taxes and fees for drivers and others: $0.06 for regular fuel, $0.10 for diesel fuel, and $0.08 for liquefied and compressed natural gases (a total of $355 million). The state would get $250 million, counties $70 million, and cities $35 million. Most vehicle owners saw their registration fees go up by $5; private and commercial owners had their fees go up by $10, with ride-sharing exempt; and heavy truck operators would pay $20 more. Electric vehicle owners in Tennessee (about 2,500) would pay an additional $100 in registration and renewal fees (since they do not pay fuel taxes); hybrid-electric car owners are exempt from the extra charges. The new money would fund parts of I-69 in the state. The Union City sections (3, 4, and 5) of this segment begin construction in 2017. Paving on the three segments begin in July 2021 and were on track to be completed by Summer 2023 in which the Union City Bypass will be completed. However, as of December 2023, construction is still ongoing. While TDOT has acquired the right-of-way and is finalizing design for the Troy portion (1 and 2), a timeline for construction has not yet been established.
|
[
{
"paragraph_id": 0,
"text": "Tennessee State Route 690 is a currently under construction state highway, bypassing Union City in Obion County, Tennessee. When opened, it will be a 4-lane controlled-access highway running along the west and north sides of the city, serving as an alternate route to US 51. The route was proposed and is being constructed as part of the I-69. Until such time the I-69 designation is given to this roadway, TN 690 will serve as the state route designation.",
"title": ""
},
{
"paragraph_id": 1,
"text": "I-69 in Tennessee has been divided into 3 segments of independent utility (SIU's). The Union City and Troy bypasses are part of SIU (7). The first construction contract was set for SIU 7 on October 30, 2009, covering Section 4 (middle leg of the Union City Bypass). The winning bid for constructing the 4.3-mile (6.9 km) section between SR 21 and SR 5 northwest of Union City was awarded to Ford Construction Company of Dyersburg for $33 million (equivalent to $44 million in 2022). Construction on this section of the Union City Bypass began in the spring of 2010 and was completed in the summer of 2012. However, it remained closed to traffic until adjacent sections are completed. As of July 2014, land acquisition and utility relocations were underway in all five sections from Troy to Union City. The Tennessee Department of Transportation (TDOT) awarded a construction contract for 2.4-mile (3.9 km) Section 3 (southern leg of the Union City Bypass) in March 2016 and planned to let a second contract for Section 5 (northern leg of the Union City Bypass) in December 2016. Work began on Section 3 in June 2016.",
"title": "Background"
},
{
"paragraph_id": 2,
"text": "There is no current timetable for letting contracts to construct the Troy Bypass (Sections 1 and 2). However, TDOT Commissioner John Schroer estimated in February 2013 that it would take around 10 years to gradually complete work on SIU 7 due to lack of funding.",
"title": "Background"
},
{
"paragraph_id": 3,
"text": "This situation regarding funding was solved on May 23, 2017, with the signing of the IMPROVE (Improving Manufacturing, Public Roads and Opportunities for a Vibrant Economy) Act. The legislation raised taxes and fees for drivers and others: $0.06 for regular fuel, $0.10 for diesel fuel, and $0.08 for liquefied and compressed natural gases (a total of $355 million). The state would get $250 million, counties $70 million, and cities $35 million. Most vehicle owners saw their registration fees go up by $5; private and commercial owners had their fees go up by $10, with ride-sharing exempt; and heavy truck operators would pay $20 more. Electric vehicle owners in Tennessee (about 2,500) would pay an additional $100 in registration and renewal fees (since they do not pay fuel taxes); hybrid-electric car owners are exempt from the extra charges. The new money would fund parts of I-69 in the state. The Union City sections (3, 4, and 5) of this segment begin construction in 2017. Paving on the three segments begin in July 2021 and were on track to be completed by Summer 2023 in which the Union City Bypass will be completed. However, as of December 2023, construction is still ongoing. While TDOT has acquired the right-of-way and is finalizing design for the Troy portion (1 and 2), a timeline for construction has not yet been established.",
"title": "Background"
}
] |
Tennessee State Route 690 is a currently under construction state highway, bypassing Union City in Obion County, Tennessee. When opened, it will be a 4-lane controlled-access highway running along the west and north sides of the city, serving as an alternate route to US 51. The route was proposed and is being constructed as part of the I-69. Until such time the I-69 designation is given to this roadway, TN 690 will serve as the state route designation.
|
2023-12-10T09:51:01Z
|
2023-12-10T16:52:09Z
|
[
"Template:As of",
"Template:Cn",
"Template:Cite web",
"Template:Short description",
"Template:Infobox road",
"Template:Convert",
"Template:Inflation/fn",
"Template:Jctbtm",
"Template:Cite news",
"Template:Formatprice",
"Template:Inflation/year",
"Template:Jcttop",
"Template:TNint"
] |
https://en.wikipedia.org/wiki/Tennessee_State_Route_690
|
75,529,231 |
Osvaldo Cruz
|
[] |
2023-12-10T09:53:13Z
|
2023-12-10T09:57:21Z
|
[
"Template:Redirect category shell"
] |
https://en.wikipedia.org/wiki/Osvaldo_Cruz
|
||
75,529,241 |
Edmund Conquest and the Pirates of the Barbary Coast
|
Edmund Conquest and the Pirates of the Barbary Coast is a 1947 Australian radio serial. It aired Monday to Thursday nights.
The serial was the idea of producer Paul Jacklin. He had visited the US to research broadcasting trends, noticed several shows revolved around "sex and sadism" and decided to make something similar in Australia. He hired writer Kathleen Carroll to script the series. It was the first serial leading role for Leonard Thiele and the first serial written by Carroll.
The serial played again in 1953.
Sccording to ABC Weekly "Edmund Conquest, an Englishman, sets out with his servant, Jeremy, to find adventure, and, sailing through the Mediterranean, they are captured by Barbarossa, king of the Barbary Coast pirates. Conquest finds all the adventure he wants—the love of a beautiful Algerian princess, wars in the bleak mountains behind Algiers, hairsbreadth escapes from death. "
Smith's Weekly called it "a curious little serial containing the most impresive opening theme-music, the most interesting situations, and the most uncomfortable, dialogue I have heard for many a month."
|
[
{
"paragraph_id": 0,
"text": "Edmund Conquest and the Pirates of the Barbary Coast is a 1947 Australian radio serial. It aired Monday to Thursday nights.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The serial was the idea of producer Paul Jacklin. He had visited the US to research broadcasting trends, noticed several shows revolved around \"sex and sadism\" and decided to make something similar in Australia. He hired writer Kathleen Carroll to script the series. It was the first serial leading role for Leonard Thiele and the first serial written by Carroll.",
"title": ""
},
{
"paragraph_id": 2,
"text": "The serial played again in 1953.",
"title": ""
},
{
"paragraph_id": 3,
"text": "Sccording to ABC Weekly \"Edmund Conquest, an Englishman, sets out with his servant, Jeremy, to find adventure, and, sailing through the Mediterranean, they are captured by Barbarossa, king of the Barbary Coast pirates. Conquest finds all the adventure he wants—the love of a beautiful Algerian princess, wars in the bleak mountains behind Algiers, hairsbreadth escapes from death. \"",
"title": "Premise"
},
{
"paragraph_id": 4,
"text": "Smith's Weekly called it \"a curious little serial containing the most impresive opening theme-music, the most interesting situations, and the most uncomfortable, dialogue I have heard for many a month.\"",
"title": "Reception"
}
] |
Edmund Conquest and the Pirates of the Barbary Coast is a 1947 Australian radio serial. It aired Monday to Thursday nights. The serial was the idea of producer Paul Jacklin. He had visited the US to research broadcasting trends, noticed several shows revolved around "sex and sadism" and decided to make something similar in Australia. He hired writer Kathleen Carroll to script the series. It was the first serial leading role for Leonard Thiele and the first serial written by Carroll. The serial played again in 1953.
|
2023-12-10T09:55:12Z
|
2023-12-15T05:46:37Z
|
[
"Template:Cite book",
"Template:Citation",
"Template:Improve categories",
"Template:Short description",
"Template:Infobox radio show",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Edmund_Conquest_and_the_Pirates_of_the_Barbary_Coast
|
75,529,260 |
Moordown air disaster
|
On 22 March 1944, a Royal Air Force Halifax Bomber crashed in Moordown, Hampshire (now Dorset) soon after take-off from Hurn Aerodrome (now known as Bournemouth Airport killing nine people.
The JP137 plane took off from Hurn at 1am bound for Morocco on a covert mission to support the Mediterranean Allied Air Forces in the Second World War. Flying westerly, the plane turned into a wide arc, presumably in an attempt to return to Hurn, it flew over East Howe towards Wallisdown turning south over Talbot Woods and due east over Winton when it descended towards Moordown. The plane clipped buildings, including a Victorian chapel and the tram depot. The plane crashed in a residential area at the corner of Wimborne Road and Meadow Court Close. With a full fuel tank the plane burst into flames. There were no survivors onboard. Two civilians were also killed in their homes.
The plane crash resulted in nine fatalities:
From the RAF Volunteer Reserve
In the Royal Canadian Air Force
Civilians
Despite eye witnesses reporting engine failure and doubts over the plane's airworthiness, official reports into the crash squarely blamed the 20-year-old pilot Denis Evans. In the decades that followed research showed that the plane had several design flaws. In 2010, Moordown councillor Sue Anderson advocated a permanent memorial. In 2011, a memorial was unveiled to commemorate the air crash. The 70th anniversary was marked at the memorial.
|
[
{
"paragraph_id": 0,
"text": "On 22 March 1944, a Royal Air Force Halifax Bomber crashed in Moordown, Hampshire (now Dorset) soon after take-off from Hurn Aerodrome (now known as Bournemouth Airport killing nine people.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The JP137 plane took off from Hurn at 1am bound for Morocco on a covert mission to support the Mediterranean Allied Air Forces in the Second World War. Flying westerly, the plane turned into a wide arc, presumably in an attempt to return to Hurn, it flew over East Howe towards Wallisdown turning south over Talbot Woods and due east over Winton when it descended towards Moordown. The plane clipped buildings, including a Victorian chapel and the tram depot. The plane crashed in a residential area at the corner of Wimborne Road and Meadow Court Close. With a full fuel tank the plane burst into flames. There were no survivors onboard. Two civilians were also killed in their homes.",
"title": "Crash"
},
{
"paragraph_id": 2,
"text": "The plane crash resulted in nine fatalities:",
"title": "Casualties"
},
{
"paragraph_id": 3,
"text": "From the RAF Volunteer Reserve",
"title": "Casualties"
},
{
"paragraph_id": 4,
"text": "In the Royal Canadian Air Force",
"title": "Casualties"
},
{
"paragraph_id": 5,
"text": "Civilians",
"title": "Casualties"
},
{
"paragraph_id": 6,
"text": "Despite eye witnesses reporting engine failure and doubts over the plane's airworthiness, official reports into the crash squarely blamed the 20-year-old pilot Denis Evans. In the decades that followed research showed that the plane had several design flaws. In 2010, Moordown councillor Sue Anderson advocated a permanent memorial. In 2011, a memorial was unveiled to commemorate the air crash. The 70th anniversary was marked at the memorial.",
"title": "Legacy"
}
] |
On 22 March 1944, a Royal Air Force Halifax Bomber crashed in Moordown, Hampshire soon after take-off from Hurn Aerodrome (now known as Bournemouth Airport killing nine people.
|
2023-12-10T09:58:33Z
|
2023-12-10T10:52:38Z
|
[
"Template:Cite web",
"Template:Bournemouth",
"Template:Aviation accidents and incidents in 1944",
"Template:Aviation accidents and incidents in the United Kingdom",
"Template:Short description",
"Template:Reflist",
"Template:Cite news"
] |
https://en.wikipedia.org/wiki/Moordown_air_disaster
|
75,529,300 |
Oswaldo Cruz (disambiguation)
|
Oswaldo Cruz (1872-1917), Brazilian physician, pioneer bacteriologist, epidemiologist and public health officer
Oswaldo Cruz may also refer to:
|
[
{
"paragraph_id": 0,
"text": "Oswaldo Cruz (1872-1917), Brazilian physician, pioneer bacteriologist, epidemiologist and public health officer",
"title": ""
},
{
"paragraph_id": 1,
"text": "Oswaldo Cruz may also refer to:",
"title": ""
}
] |
Oswaldo Cruz (1872-1917), Brazilian physician, pioneer bacteriologist, epidemiologist and public health officer Oswaldo Cruz may also refer to: Oswaldo Cruz, Rio de Janeiro, neighborhood in Rio de Janeiro, Brazil
Oswaldo Cruz Foundation, Brazilian institution for research and development in biological science
Memórias do Instituto Oswaldo Cruz, peer-reviewed open access medical journal
Rodovia Oswaldo Cruz, state highway in São Paulo, Brazil
Taça Oswaldo Cruz, football tournament between Brazil and Paraguay
Oswaldo Cruz Filho (1902-unknown), Brazilian chess player
|
2023-12-10T10:07:11Z
|
2023-12-10T10:07:11Z
|
[
"Template:Human name disambiguation"
] |
https://en.wikipedia.org/wiki/Oswaldo_Cruz_(disambiguation)
|
75,529,310 |
Satish Chandra Sharma (politician)
|
Satish Chandra Sharma (born 15 February 1983) is an Indian politician and a member of the 17th and 18th Legislative Assembly for Uttar Pradesh, India.He represents the Dariyabad constituency of Uttar Pradesh. He is a member of the Bharatiya Janata Party.
Following the 2022 Uttar Pradesh Legislative Assembly election,he was elected as an MLA from the Dariyabad Assembly constituency, defeating Arvind Singh Gop, the candidate from the Indian National Congress (INC), by the margin of 32,402 votes.
On 25 March 2022, the Chief Minister of Uttar Pradesh, Yogi Adityanath, appointed Satish Chandra Sharma as the Minister of State for Food and Civil Supplies in the Uttar Pradesh government.
|
[
{
"paragraph_id": 0,
"text": "Satish Chandra Sharma (born 15 February 1983) is an Indian politician and a member of the 17th and 18th Legislative Assembly for Uttar Pradesh, India.He represents the Dariyabad constituency of Uttar Pradesh. He is a member of the Bharatiya Janata Party.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Following the 2022 Uttar Pradesh Legislative Assembly election,he was elected as an MLA from the Dariyabad Assembly constituency, defeating Arvind Singh Gop, the candidate from the Indian National Congress (INC), by the margin of 32,402 votes.",
"title": "Career"
},
{
"paragraph_id": 2,
"text": "On 25 March 2022, the Chief Minister of Uttar Pradesh, Yogi Adityanath, appointed Satish Chandra Sharma as the Minister of State for Food and Civil Supplies in the Uttar Pradesh government.",
"title": "Career"
},
{
"paragraph_id": 3,
"text": "",
"title": "Reference"
}
] |
Satish Chandra Sharma is an Indian politician and a member of the 17th and 18th Legislative Assembly for Uttar Pradesh, India.He represents the Dariyabad constituency of Uttar Pradesh.
He is a member of the Bharatiya Janata Party.
|
2023-12-10T10:09:47Z
|
2023-12-22T12:15:38Z
|
[
"Template:Cite web",
"Template:UttarPradesh-BJP-politician-stub",
"Template:Short description",
"Template:Infobox officeholder",
"Template:Reflist",
"Template:Cite news"
] |
https://en.wikipedia.org/wiki/Satish_Chandra_Sharma_(politician)
|
75,529,319 |
Javier Correa
|
Javier Correa may refer to:
|
[
{
"paragraph_id": 0,
"text": "Javier Correa may refer to:",
"title": ""
}
] |
Javier Correa may refer to: Javier Correa (canoeist), Argentine sprint canoeist
Javier Correa (footballer), Argentine footballer
|
2023-12-10T10:10:57Z
|
2023-12-10T10:13:00Z
|
[
"Template:Hndis"
] |
https://en.wikipedia.org/wiki/Javier_Correa
|
75,529,322 |
Ethiopian Regional Special Forces
|
The Ethiopian Regional Special Forces (Amharic: የኢትዮጵያ ልዩ ሀይል) are a paramilitary and gendarmerie force that were first established in 2007 by the order of the federal government in order to counter the insurgency in the Somali Region. Part of the Ethiopian National Defense Force, it has the specialized task to maintain regional and nationwide security and counter any form of insurgencies and terrorist incidents.
In 2015, the Ethiopian government announced that the Regional Special Forces were fully integrated.
The Regional Special Forces were first introduced in Ethiopia by the government and foreign assistance in 2007 during the Insurgency in Ogaden. This unit evolved to operate in all regions in Ethiopia. The Regional Special Forces are deployed by the federal government to maintain security primarily against insurgencies. The regional forces are heavily armed and receive military training, and grew rapidly in size following the recruitment of senior Ethiopian military officers into their ranks. As the Regional Special Forces do not have legal provision compared to the federal and regional government police, all regional state governments use the Regional Special Forces, remaining the dominant figurehead behind settling international border security and intrastate conflicts, that are mandated by the federal government forces.
On 15 April 2015, the government announced that the unit was fully integrated. The role and status of the Regional Special Forces have been contested. On 6 April 2023, the Ethiopian government decided to dismantle the Amhara Regional Special Forces by integrating them into the National Defense Force, the Federal Police and the regional police unit which resulted in large-scale protests that ultimately lead to the start of the ongoing War in Amhara.
|
[
{
"paragraph_id": 0,
"text": "The Ethiopian Regional Special Forces (Amharic: የኢትዮጵያ ልዩ ሀይል) are a paramilitary and gendarmerie force that were first established in 2007 by the order of the federal government in order to counter the insurgency in the Somali Region. Part of the Ethiopian National Defense Force, it has the specialized task to maintain regional and nationwide security and counter any form of insurgencies and terrorist incidents.",
"title": ""
},
{
"paragraph_id": 1,
"text": "In 2015, the Ethiopian government announced that the Regional Special Forces were fully integrated.",
"title": ""
},
{
"paragraph_id": 2,
"text": "The Regional Special Forces were first introduced in Ethiopia by the government and foreign assistance in 2007 during the Insurgency in Ogaden. This unit evolved to operate in all regions in Ethiopia. The Regional Special Forces are deployed by the federal government to maintain security primarily against insurgencies. The regional forces are heavily armed and receive military training, and grew rapidly in size following the recruitment of senior Ethiopian military officers into their ranks. As the Regional Special Forces do not have legal provision compared to the federal and regional government police, all regional state governments use the Regional Special Forces, remaining the dominant figurehead behind settling international border security and intrastate conflicts, that are mandated by the federal government forces.",
"title": "Background and role"
},
{
"paragraph_id": 3,
"text": "On 15 April 2015, the government announced that the unit was fully integrated. The role and status of the Regional Special Forces have been contested. On 6 April 2023, the Ethiopian government decided to dismantle the Amhara Regional Special Forces by integrating them into the National Defense Force, the Federal Police and the regional police unit which resulted in large-scale protests that ultimately lead to the start of the ongoing War in Amhara.",
"title": "Background and role"
}
] |
The Ethiopian Regional Special Forces are a paramilitary and gendarmerie force that were first established in 2007 by the order of the federal government in order to counter the insurgency in the Somali Region. Part of the Ethiopian National Defense Force, it has the specialized task to maintain regional and nationwide security and counter any form of insurgencies and terrorist incidents. In 2015, the Ethiopian government announced that the Regional Special Forces were fully integrated.
|
2023-12-10T10:11:14Z
|
2023-12-28T03:48:17Z
|
[
"Template:Cite news",
"Template:Short description",
"Template:Infobox military unit",
"Template:Lang-am",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Ethiopian_Regional_Special_Forces
|
75,529,332 |
Tritopatores
|
In ancient Greek religion and mythology, the Tritopatores (Ancient Greek: Τριτοπάτορες, romanized: Tritopátores, lit. 'thrice-ancestors') are three benevolent wind gods worshipped in Athens as deities of marriage, childbirth and the household. They are mentioned in the Suda lexicon, a Byzantine work of the tenth century AD, and several other Greek inscriptions.
The Tripatores are mentioned in the tenth-century Byzantine lexicon known as the Suda, whose author states that they are Athenian wind gods (or guardians of the winds) to whom the Athenians pray and offer sacrifices when they are about to marry or wish to conceive children. He says that some authors make them the firstborn beings of them all, while others make them the offspring of the earth-goddess Gaia by the sun-god Helios (often identified with Apollo). He gives their names as Amalceides, Protocles and Protocleon (in Ancient Greek: Ἀμαλκείδης, Πρωτοκλῆς and Πρωτοκλέων), but also says that alternatively they are Cottus, Briareon and Gyges (mixing them up with the Hecatoncheires, a set of offspring of Gaia by the sky-god Uranus).
The Tritopatores's worship was a type of the ancestor-worshipping cult of a particular group, in this case the Athenians. Cults and festivals in honour of the three are attested in the wider Attica region and the Athens-influenced Delos, Selinus, Troezen and Cyrene. Furtwangler suggested that the three-bodied figure from the pediment of the Hekatompedon in the Acropolis of Athens is supposed to depict the Tritopatores, based on the tri- ("three") prefix of their name; that being said, there is no evidence that the Tritopatores were ever thought to be three bodies with a single tail, as they are three separate beings.
|
[
{
"paragraph_id": 0,
"text": "In ancient Greek religion and mythology, the Tritopatores (Ancient Greek: Τριτοπάτορες, romanized: Tritopátores, lit. 'thrice-ancestors') are three benevolent wind gods worshipped in Athens as deities of marriage, childbirth and the household. They are mentioned in the Suda lexicon, a Byzantine work of the tenth century AD, and several other Greek inscriptions.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The Tripatores are mentioned in the tenth-century Byzantine lexicon known as the Suda, whose author states that they are Athenian wind gods (or guardians of the winds) to whom the Athenians pray and offer sacrifices when they are about to marry or wish to conceive children. He says that some authors make them the firstborn beings of them all, while others make them the offspring of the earth-goddess Gaia by the sun-god Helios (often identified with Apollo). He gives their names as Amalceides, Protocles and Protocleon (in Ancient Greek: Ἀμαλκείδης, Πρωτοκλῆς and Πρωτοκλέων), but also says that alternatively they are Cottus, Briareon and Gyges (mixing them up with the Hecatoncheires, a set of offspring of Gaia by the sky-god Uranus).",
"title": "Mythology"
},
{
"paragraph_id": 2,
"text": "The Tritopatores's worship was a type of the ancestor-worshipping cult of a particular group, in this case the Athenians. Cults and festivals in honour of the three are attested in the wider Attica region and the Athens-influenced Delos, Selinus, Troezen and Cyrene. Furtwangler suggested that the three-bodied figure from the pediment of the Hekatompedon in the Acropolis of Athens is supposed to depict the Tritopatores, based on the tri- (\"three\") prefix of their name; that being said, there is no evidence that the Tritopatores were ever thought to be three bodies with a single tail, as they are three separate beings.",
"title": "Worship"
}
] |
In ancient Greek religion and mythology, the Tritopatores are three benevolent wind gods worshipped in Athens as deities of marriage, childbirth and the household. They are mentioned in the Suda lexicon, a Byzantine work of the tenth century AD, and several other Greek inscriptions.
|
2023-12-10T10:12:29Z
|
2023-12-11T20:06:28Z
|
[
"Template:Infobox deity",
"Template:Portal",
"Template:Authority control",
"Template:Cite encyclopedia",
"Template:Cite book",
"Template:Greek mythology (deities)",
"Template:Short description",
"Template:Lang-grc",
"Template:Lang",
"Template:Sfn",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Tritopatores
|
75,529,345 |
Beryl Emma Burbridge
|
Beryl Emma Burbridge OBE (4 March 1902 – 27 November 1988) was an Australian hospital matron during the Second World War at a research unit creating new malaria treatments and she worked later at the Royal Brisbane Hospital.
Burbridge was born in 1902 in Gympie, Queensland. Her Australian-born parents were Maria Esther (born Wardle) and William Edward Burbidge. Her father was an assayer who became mayor. He had moved to Gympie in 1893 during the goldrush. Beryl was the last child and she had eight elder siblings. She trained as a nurse at the Royal Brisbane Hospital.
At the beginning of 1942 she joined the Australian Army Nursing Service. She was initially a sister in Ipswich at the 6th Casualty Clearing Station. In that November she joined the Australian Imperial Force on 2 November and she became a captain in March 1943. She was in Papua New Guinea for just four months before she returned to Cairns in Queensland in 1944 where she led the nurses at the Land Headquarters Medical Research Unit until the end of the war. In 1945 the war artist Nora Heysen completed a painting of her. Heysen was in Australia and Papua New Guinea from 1944 to 1946. During her time at the Land Headquarters Medical Research Unit there were secret experiments involving malaria experiments on volunteers. The breakthroughs gave a distinct advantage to the Australian military as rates for malaria fell from 74% to under 3%. Another painting by Nora Hensen of a nurse treating a patient at the unit shows Burbridge in the background. There were later enquiries into a speculation that the Americans and British had exploited Australian volunteers. After a wide enquiry it was found that the work was very valuable and there was no conspiracy.
In 1958 she became the General Matron at the Royal Brisbane Hospital. She was an imposing figure who used discipline to command. She retired in 1968 and she was awarded an OBE in the same year.
Burbridge died in her home in Stafford, Queensland in 1988.
|
[
{
"paragraph_id": 0,
"text": "Beryl Emma Burbridge OBE (4 March 1902 – 27 November 1988) was an Australian hospital matron during the Second World War at a research unit creating new malaria treatments and she worked later at the Royal Brisbane Hospital.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Burbridge was born in 1902 in Gympie, Queensland. Her Australian-born parents were Maria Esther (born Wardle) and William Edward Burbidge. Her father was an assayer who became mayor. He had moved to Gympie in 1893 during the goldrush. Beryl was the last child and she had eight elder siblings. She trained as a nurse at the Royal Brisbane Hospital.",
"title": "Life"
},
{
"paragraph_id": 2,
"text": "At the beginning of 1942 she joined the Australian Army Nursing Service. She was initially a sister in Ipswich at the 6th Casualty Clearing Station. In that November she joined the Australian Imperial Force on 2 November and she became a captain in March 1943. She was in Papua New Guinea for just four months before she returned to Cairns in Queensland in 1944 where she led the nurses at the Land Headquarters Medical Research Unit until the end of the war. In 1945 the war artist Nora Heysen completed a painting of her. Heysen was in Australia and Papua New Guinea from 1944 to 1946. During her time at the Land Headquarters Medical Research Unit there were secret experiments involving malaria experiments on volunteers. The breakthroughs gave a distinct advantage to the Australian military as rates for malaria fell from 74% to under 3%. Another painting by Nora Hensen of a nurse treating a patient at the unit shows Burbridge in the background. There were later enquiries into a speculation that the Americans and British had exploited Australian volunteers. After a wide enquiry it was found that the work was very valuable and there was no conspiracy.",
"title": "Life"
},
{
"paragraph_id": 3,
"text": "In 1958 she became the General Matron at the Royal Brisbane Hospital. She was an imposing figure who used discipline to command. She retired in 1968 and she was awarded an OBE in the same year.",
"title": "Life"
},
{
"paragraph_id": 4,
"text": "Burbridge died in her home in Stafford, Queensland in 1988.",
"title": "Life"
}
] |
Beryl Emma Burbridge was an Australian hospital matron during the Second World War at a research unit creating new malaria treatments and she worked later at the Royal Brisbane Hospital.
|
2023-12-10T10:14:53Z
|
2023-12-26T13:48:40Z
|
[
"Template:Infobox person",
"Template:Reflist",
"Template:Cite book",
"Template:Authority control",
"Template:Cite web",
"Template:Short description",
"Template:Use dmy dates",
"Template:Post-nominals",
"Template:Citation"
] |
https://en.wikipedia.org/wiki/Beryl_Emma_Burbridge
|
75,529,364 |
Steve Austin (radio presenter)
|
Stephen Austin (born 1960 or 1961) is an Australian radio presenter who is best known for his lengthy tenure hosting various programs on ABC Radio Brisbane.
Austin was born at Epworth Hospital in the Melbourne suburb of Richmond.
He attended Syndal South Primary School, Caulfield Grammar School and Syndal Technical School.
In the 1970s, he relocated with his parents to Nambour, Queensland where he worked in a number of jobs including as a pineapple picker, a waiter and as a worker in an electrical warehouse.
Austin commenced as a volunteer broadcaster at Brisbane community stations 4ZZZ and 4RPH in 1984, and completed a diploma at the Australian Institute of Radio and Television Production.
He relocated to Townsville where he was a presenter for ABC North Queensland for seven years.
Upon his return to Brisbane, he worked at ABC TV as a researcher and producer on the local edition of The 7.30 Report, before becoming the inaugural producer of Stateline Queensland.
Austin ultimately returned to radio as a presenter on ABC Radio Brisbane and has since hosted a variety of programs including Mornings, Drive and Evenings while also serving as the station's program director.
Austin departed the station on extended leave at the end of 2007, returning to the station in 2012.
Upon Austin's return to the station's Mornings program, Queensland deputy premier Andrew Fraser refused to appear on the regular "Party Games" segment after taking umbrage at a discussion Austin had moderated about sand mining on Stradbroke Island.
During a panel discussion in 2015, Austin described terrorist Osama bin Laden as an “honoured and respected shiek” and claimed reports of pornography found in bin Laden's bunker were due to a “public relations smear”. The ABC defended Austin and said his comments were referencing bin Laden's reputation in his own community rather than it being a personal judgement. However, Austin's comments were criticised by Queensland senator James McGrath during a Senate Estimates hearing.
In 2018, ABC Radio Brisbane extended its breakfast program to 10am and introduced a new morning program called Focus Brisbane, hosted by Emma Griffiths. As a result, Austin was moved to the station's Drive program. This was a move which was credited by Sydney broadcaster Ray Hadley as helping the ratings of The Ray Hadley Morning Show, heard in Brisbane on 4BC. Hadley described Austin as “a proven performer”.
In 2022, Austin claimed his Twitter account had been interfered with by LGBTIQ activists who were angered by a scheduled interview with a businesswoman who opposed new laws regarding birth certificates listing gender diverse people. Screenshots of Austin's account were published, appearing to show that he had “liked” videos of transgender pornography. This prompted Austin to deactivate his profile and for the ABC to conduct an internal investigation.
In December 2023, it was confirmed that Austin would be returning as the host of Mornings.
Throughout his time hosting programs on ABC Radio Brisbane, Austin has interviewed every sitting Australian prime minister since the early 2000s including John Howard, Kevin Rudd, Julia Gillard, Tony Abbott, Malcolm Turnbull, Scott Morrison and Anthony Albanese.
|
[
{
"paragraph_id": 0,
"text": "Stephen Austin (born 1960 or 1961) is an Australian radio presenter who is best known for his lengthy tenure hosting various programs on ABC Radio Brisbane.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Austin was born at Epworth Hospital in the Melbourne suburb of Richmond.",
"title": "Early life"
},
{
"paragraph_id": 2,
"text": "He attended Syndal South Primary School, Caulfield Grammar School and Syndal Technical School.",
"title": "Early life"
},
{
"paragraph_id": 3,
"text": "In the 1970s, he relocated with his parents to Nambour, Queensland where he worked in a number of jobs including as a pineapple picker, a waiter and as a worker in an electrical warehouse.",
"title": "Early life"
},
{
"paragraph_id": 4,
"text": "Austin commenced as a volunteer broadcaster at Brisbane community stations 4ZZZ and 4RPH in 1984, and completed a diploma at the Australian Institute of Radio and Television Production.",
"title": "Career"
},
{
"paragraph_id": 5,
"text": "He relocated to Townsville where he was a presenter for ABC North Queensland for seven years.",
"title": "Career"
},
{
"paragraph_id": 6,
"text": "Upon his return to Brisbane, he worked at ABC TV as a researcher and producer on the local edition of The 7.30 Report, before becoming the inaugural producer of Stateline Queensland.",
"title": "Career"
},
{
"paragraph_id": 7,
"text": "Austin ultimately returned to radio as a presenter on ABC Radio Brisbane and has since hosted a variety of programs including Mornings, Drive and Evenings while also serving as the station's program director.",
"title": "Career"
},
{
"paragraph_id": 8,
"text": "Austin departed the station on extended leave at the end of 2007, returning to the station in 2012.",
"title": "Career"
},
{
"paragraph_id": 9,
"text": "Upon Austin's return to the station's Mornings program, Queensland deputy premier Andrew Fraser refused to appear on the regular \"Party Games\" segment after taking umbrage at a discussion Austin had moderated about sand mining on Stradbroke Island.",
"title": "Career"
},
{
"paragraph_id": 10,
"text": "During a panel discussion in 2015, Austin described terrorist Osama bin Laden as an “honoured and respected shiek” and claimed reports of pornography found in bin Laden's bunker were due to a “public relations smear”. The ABC defended Austin and said his comments were referencing bin Laden's reputation in his own community rather than it being a personal judgement. However, Austin's comments were criticised by Queensland senator James McGrath during a Senate Estimates hearing.",
"title": "Career"
},
{
"paragraph_id": 11,
"text": "In 2018, ABC Radio Brisbane extended its breakfast program to 10am and introduced a new morning program called Focus Brisbane, hosted by Emma Griffiths. As a result, Austin was moved to the station's Drive program. This was a move which was credited by Sydney broadcaster Ray Hadley as helping the ratings of The Ray Hadley Morning Show, heard in Brisbane on 4BC. Hadley described Austin as “a proven performer”.",
"title": "Career"
},
{
"paragraph_id": 12,
"text": "In 2022, Austin claimed his Twitter account had been interfered with by LGBTIQ activists who were angered by a scheduled interview with a businesswoman who opposed new laws regarding birth certificates listing gender diverse people. Screenshots of Austin's account were published, appearing to show that he had “liked” videos of transgender pornography. This prompted Austin to deactivate his profile and for the ABC to conduct an internal investigation.",
"title": "Career"
},
{
"paragraph_id": 13,
"text": "In December 2023, it was confirmed that Austin would be returning as the host of Mornings.",
"title": "Career"
},
{
"paragraph_id": 14,
"text": "Throughout his time hosting programs on ABC Radio Brisbane, Austin has interviewed every sitting Australian prime minister since the early 2000s including John Howard, Kevin Rudd, Julia Gillard, Tony Abbott, Malcolm Turnbull, Scott Morrison and Anthony Albanese.",
"title": "Career"
}
] |
Stephen Austin is an Australian radio presenter who is best known for his lengthy tenure hosting various programs on ABC Radio Brisbane.
|
2023-12-10T10:18:42Z
|
2023-12-12T19:07:01Z
|
[
"Template:Cite web",
"Template:Orphan",
"Template:Infobox person",
"Template:Reflist",
"Template:Cite news"
] |
https://en.wikipedia.org/wiki/Steve_Austin_(radio_presenter)
|
75,529,370 |
Spells & Secrets
|
Spells & Secrets is a roguelike game developed by Alchemist Interactive and published by Rokaplay and Merge Games. It was released on 9 November 2023 for Microsoft Windows, PlayStation 5, Xbox Series X/S and Nintendo Switch.
Spells & Secret is an isometric roguelike (self described rogue-lite) game set in procedurally-generated wizard academy Greifenstein. The player controls a student fighting magical creatures using physics-based spells. It features a cooperative mode and character creator.
Spells & Secrets was developed by Düsseldorf, Germany-based studio Alchemist Interactive (formerly Lemonbomb Entertainment, developers of Stranded Sails) and published by Rokaplay and Merge Games for consoles. It was crowdfunded on Kickstarter in April 2022 and was shown at Future of Play Direct at E3 2022. An early access version was planned for summer 2022.
The game was released on 9 November 2023 for Microsoft Windows, PlayStation 5 and Nintendo Switch. The Xbox Series X/S was delayed to a later date.
|
[
{
"paragraph_id": 0,
"text": "Spells & Secrets is a roguelike game developed by Alchemist Interactive and published by Rokaplay and Merge Games. It was released on 9 November 2023 for Microsoft Windows, PlayStation 5, Xbox Series X/S and Nintendo Switch.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Spells & Secret is an isometric roguelike (self described rogue-lite) game set in procedurally-generated wizard academy Greifenstein. The player controls a student fighting magical creatures using physics-based spells. It features a cooperative mode and character creator.",
"title": "Gameplay"
},
{
"paragraph_id": 2,
"text": "Spells & Secrets was developed by Düsseldorf, Germany-based studio Alchemist Interactive (formerly Lemonbomb Entertainment, developers of Stranded Sails) and published by Rokaplay and Merge Games for consoles. It was crowdfunded on Kickstarter in April 2022 and was shown at Future of Play Direct at E3 2022. An early access version was planned for summer 2022.",
"title": "Development"
},
{
"paragraph_id": 3,
"text": "The game was released on 9 November 2023 for Microsoft Windows, PlayStation 5 and Nintendo Switch. The Xbox Series X/S was delayed to a later date.",
"title": "Development"
}
] |
Spells & Secrets is a roguelike game developed by Alchemist Interactive and published by Rokaplay and Merge Games. It was released on 9 November 2023 for Microsoft Windows, PlayStation 5, Xbox Series X/S and Nintendo Switch.
|
2023-12-10T10:21:25Z
|
2023-12-19T12:06:46Z
|
[
"Template:Short description",
"Template:Infobox video game",
"Template:Reflist",
"Template:Cite web",
"Template:Official website"
] |
https://en.wikipedia.org/wiki/Spells_%26_Secrets
|
75,529,379 |
Libya–Mali relations
|
Libya–Mali relations are the bilateral relations between Libya and Republic of Mali. The two countries are members of the African Union, Group of 77 and the United Nations.
Both countries established diplomatic relations on 17 November 1972 when the first Libyan Ambassador to Mali, Muhammad Ahmad Mograhi, presented his credentials to President Mousa Traore.
In the aftermath of the Libyan civil war, Malian troops engaged in sporadic battles with Tuareg ex-mercenaries returning from fighting on Gaddafi's side. Authorities in Mali recognised the danger as early as October 2011.
After the death of Muammar Gaddafi, Malian President Amadou Toumani Touré said he accepted the NTC's authority and, together with Algerian President Abdelaziz Bouteflika, expressed his hopes for "a rapid settlement of the crisis in this country, in line with the aspirations of the Libyan people". In January 2012, Mali became the first African nation to agree to accept prisoners convicted by the International Criminal Court, which wants to try Saif al-Islam Gaddafi and several other former Libyan regime officials being held by ex-revolutionary groups in Libya.
The unilaterally declared secession of Azawad from Mali, the military victory of the National Movement for the Liberation of Azawad, Ansar Dine, and other rebel groups in the vast Malian north, and the coup against President Amadou Toumani Touré in 2012 were attributed in part to the outflow of weapons from Libya after the war, which purportedly increased instability in the Sahel.
|
[
{
"paragraph_id": 0,
"text": "Libya–Mali relations are the bilateral relations between Libya and Republic of Mali. The two countries are members of the African Union, Group of 77 and the United Nations.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Both countries established diplomatic relations on 17 November 1972 when the first Libyan Ambassador to Mali, Muhammad Ahmad Mograhi, presented his credentials to President Mousa Traore.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "In the aftermath of the Libyan civil war, Malian troops engaged in sporadic battles with Tuareg ex-mercenaries returning from fighting on Gaddafi's side. Authorities in Mali recognised the danger as early as October 2011.",
"title": "History"
},
{
"paragraph_id": 3,
"text": "After the death of Muammar Gaddafi, Malian President Amadou Toumani Touré said he accepted the NTC's authority and, together with Algerian President Abdelaziz Bouteflika, expressed his hopes for \"a rapid settlement of the crisis in this country, in line with the aspirations of the Libyan people\". In January 2012, Mali became the first African nation to agree to accept prisoners convicted by the International Criminal Court, which wants to try Saif al-Islam Gaddafi and several other former Libyan regime officials being held by ex-revolutionary groups in Libya.",
"title": "History"
},
{
"paragraph_id": 4,
"text": "The unilaterally declared secession of Azawad from Mali, the military victory of the National Movement for the Liberation of Azawad, Ansar Dine, and other rebel groups in the vast Malian north, and the coup against President Amadou Toumani Touré in 2012 were attributed in part to the outflow of weapons from Libya after the war, which purportedly increased instability in the Sahel.",
"title": "History"
}
] |
Libya–Mali relations are the bilateral relations between Libya and Republic of Mali. The two countries are members of the African Union, Group of 77 and the United Nations.
|
2023-12-10T10:24:30Z
|
2023-12-10T10:24:30Z
|
[
"Template:Reflist",
"Template:Cite book",
"Template:Cite news",
"Template:Infobox Bilateral relations"
] |
https://en.wikipedia.org/wiki/Libya%E2%80%93Mali_relations
|
75,529,399 |
Mikhail Neznamov
|
Mikhail Aleksandrovich Neznamov (Russian: Михаил Александрович Незнамов; born February 6, 1979), known as The Kamensk Strangler (Russian: Каменский душитель), is a Russian serial killer who murdered at least five teenage girls and women in Kamensk-Uralsky, Sverdlovsk Oblast from 2000 to 2005. He remained undetected until 2023, when he was arrested and subsequently confessed to the crimes.
He would later be convicted for the murders in a trial, but despite the severity of his crimes, he was sentenced to a more lenient sentence of 17 years imprisonment.
Neznamov was born on February 6, 1979, in Kamensk-Uralsky, where he grew up in a nine-storey apartment block on Aluminievaya Street. The end of the street faced the right bank of the Iseti River, densely overgrown with bushes and reeds, in the vicinity of which he would later commit his killings.
Neznamov attended the Gymnasium No. 9, where he was described as an average student who exhibited no deviant behavior. After graduating in the mid-1990s, he received secondary vocational training and later engaged in low-skilled labor, occasionally committing thefts.
Between May 9, 2000, and December 2005, Neznamov raped and murdered at least five girls and women, besides the negligent homicide charge. The victims were between the ages of 17 and 29, whom he met on the streets of Kamensk-Uralsky and then took to deserted areas where they were attacked, raped and strangled to death. To commit the murders, Neznamov used the victims' own clothing, such as pantyhose, sweaters or jeans, as well as a dog leash. He did not attempt to conceal his crimes, as he left behind evidence and semen at the crime scenes. Despite this, the crimes went unsolved at the time until they were re-investigated in 2014 by the Sverdlovsk Investigative Committee.
In 2022, the Committee focused their attention on the murder of 17-year-old Alla Sapogova, who was raped and strangled on May 9, 2000. The perpetrator left traces of seminal fluid on the girl's bra, but at the time, the prosecutor's office did not have the necessary equipment to conduct DNA sampling. As four other victims were murdered in a similar manner until 2005, local investigators concluded a serial killer was operating in the area. Utilizing this information, Maurice Isakidis, an investigator for the Committee assigned to high-profile cases, ordered a DNA test on the seminal fluid found on Sapogova's bra. The results showed that the genotypic profile of the killer matched that of Mikhail Neznamov, from whom a blood sample had been taken in the mid-2010s as part of an investigation into a crime that he had committed near his hostel.
In 2001, Neznamov first came to the attention of the police after he was charged with a negligent homicide. He would later be convicted of this charge and sentenced to 5 years imprisonment, but was granted parole and released in the end of 2003. In 2006, he was arrested for theft and attempted murder, was convicted yet again and sentenced to 8 years imprisonment on October 22, 2007. After serving 5 years, he was paroled in 2012.
Shortly afterwards, he got into an argument with his parents and was subsequently forced to move in a five-storey hostel on Chelyabinskaya Street. After the move, Neznamov got a job as a mechanic at a local enterprise and got married, but the marriage did not last long. In later years, he began to exhibit an increased libido and desire for sexual activity. He spent most of his free time meeting various women, many of whom became his cohabitants and lived with him for periods ranging from several days to several months.
As a person, Neznamov was characterized ambiguously by friends and acquaintances - some considered him a kind, helpful extrovert who resolved conflicts, while others viewed him as an alcoholic who neglected paying his utility bills and loans. In addition, neighbors at the hostel claimed that he became aggressive when intoxicated and often clashed with bailiffs. Between June 2018 and May 31, 2022, Neznamov was on the list of candidates for jury duty at the Sinarsky District Court in Kamensk-Uralsky.
As a result, Neznamov was arrested without incident on February 4, 2023, in Kamensk-Uralsky. Initially, he refused to cooperate with the investigators and denied his guilt. According to Valery Gorelykh, the press secretary for the Sverdlovsk Oblast's Department of the Ministry of Internal Affairs, Neznamov was compared to the character Fox from the cult film The Meeting Place Cannot Be Changed, taunting them to "prove it" when referring to the murder charges.
A few days after his arrest, however, Neznamov had a change of heart and, with the help of his lawyer, made a plea deal with the prosecutor's office. In exchange for leniency from the court, he agreed to cooperate with investigators and confess to the murders, describing in detail what had happened. Between February and the fall of 2023, Neznamov participated under escort in investigative experiments to reproduce what occurred on the day of each murder.
He admitted that his first victim was Sapogova, whom he had encountered while she was returning home from a disco. Neznamov specified that after raping the girl, he strangled her with a belt taken from her raincoat. He then said that he committed the last two murders in September and December 2005. According to him, he killed one of the victims in a fit of anger after she had the indiscretion to call him a failure of a man.
At the trial, Neznamov was found guilty of all charges against him, after which he was sentenced to 17 years imprisonment. During sentencing, he expressed remorse for what he had done and apologized to the victims' relatives. The sentence sparked outrage from the victims' family members, who said that he deserved to be sentenced to life imprisonment. In response to this, the press service of the Krasnogorsk District Court released a press statement in which they clarified that since the statute of limitations for the qualified murder charge had passed, they would be unable to sentence him to life imprisonment.
Neznamov himself was satisfied with the sentence, and later did not file an appeal, after which the sentence was confirmed in November 2023. Following this, he was transferred to a corrective labor colony, where he has the right to apply parole after serving 12 years of his sentence.
|
[
{
"paragraph_id": 0,
"text": "Mikhail Aleksandrovich Neznamov (Russian: Михаил Александрович Незнамов; born February 6, 1979), known as The Kamensk Strangler (Russian: Каменский душитель), is a Russian serial killer who murdered at least five teenage girls and women in Kamensk-Uralsky, Sverdlovsk Oblast from 2000 to 2005. He remained undetected until 2023, when he was arrested and subsequently confessed to the crimes.",
"title": ""
},
{
"paragraph_id": 1,
"text": "He would later be convicted for the murders in a trial, but despite the severity of his crimes, he was sentenced to a more lenient sentence of 17 years imprisonment.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Neznamov was born on February 6, 1979, in Kamensk-Uralsky, where he grew up in a nine-storey apartment block on Aluminievaya Street. The end of the street faced the right bank of the Iseti River, densely overgrown with bushes and reeds, in the vicinity of which he would later commit his killings.",
"title": "Early life"
},
{
"paragraph_id": 3,
"text": "Neznamov attended the Gymnasium No. 9, where he was described as an average student who exhibited no deviant behavior. After graduating in the mid-1990s, he received secondary vocational training and later engaged in low-skilled labor, occasionally committing thefts.",
"title": "Early life"
},
{
"paragraph_id": 4,
"text": "Between May 9, 2000, and December 2005, Neznamov raped and murdered at least five girls and women, besides the negligent homicide charge. The victims were between the ages of 17 and 29, whom he met on the streets of Kamensk-Uralsky and then took to deserted areas where they were attacked, raped and strangled to death. To commit the murders, Neznamov used the victims' own clothing, such as pantyhose, sweaters or jeans, as well as a dog leash. He did not attempt to conceal his crimes, as he left behind evidence and semen at the crime scenes. Despite this, the crimes went unsolved at the time until they were re-investigated in 2014 by the Sverdlovsk Investigative Committee.",
"title": "Early life"
},
{
"paragraph_id": 5,
"text": "In 2022, the Committee focused their attention on the murder of 17-year-old Alla Sapogova, who was raped and strangled on May 9, 2000. The perpetrator left traces of seminal fluid on the girl's bra, but at the time, the prosecutor's office did not have the necessary equipment to conduct DNA sampling. As four other victims were murdered in a similar manner until 2005, local investigators concluded a serial killer was operating in the area. Utilizing this information, Maurice Isakidis, an investigator for the Committee assigned to high-profile cases, ordered a DNA test on the seminal fluid found on Sapogova's bra. The results showed that the genotypic profile of the killer matched that of Mikhail Neznamov, from whom a blood sample had been taken in the mid-2010s as part of an investigation into a crime that he had committed near his hostel.",
"title": "Early life"
},
{
"paragraph_id": 6,
"text": "In 2001, Neznamov first came to the attention of the police after he was charged with a negligent homicide. He would later be convicted of this charge and sentenced to 5 years imprisonment, but was granted parole and released in the end of 2003. In 2006, he was arrested for theft and attempted murder, was convicted yet again and sentenced to 8 years imprisonment on October 22, 2007. After serving 5 years, he was paroled in 2012.",
"title": "Early life"
},
{
"paragraph_id": 7,
"text": "Shortly afterwards, he got into an argument with his parents and was subsequently forced to move in a five-storey hostel on Chelyabinskaya Street. After the move, Neznamov got a job as a mechanic at a local enterprise and got married, but the marriage did not last long. In later years, he began to exhibit an increased libido and desire for sexual activity. He spent most of his free time meeting various women, many of whom became his cohabitants and lived with him for periods ranging from several days to several months.",
"title": "Early life"
},
{
"paragraph_id": 8,
"text": "As a person, Neznamov was characterized ambiguously by friends and acquaintances - some considered him a kind, helpful extrovert who resolved conflicts, while others viewed him as an alcoholic who neglected paying his utility bills and loans. In addition, neighbors at the hostel claimed that he became aggressive when intoxicated and often clashed with bailiffs. Between June 2018 and May 31, 2022, Neznamov was on the list of candidates for jury duty at the Sinarsky District Court in Kamensk-Uralsky.",
"title": "Early life"
},
{
"paragraph_id": 9,
"text": "As a result, Neznamov was arrested without incident on February 4, 2023, in Kamensk-Uralsky. Initially, he refused to cooperate with the investigators and denied his guilt. According to Valery Gorelykh, the press secretary for the Sverdlovsk Oblast's Department of the Ministry of Internal Affairs, Neznamov was compared to the character Fox from the cult film The Meeting Place Cannot Be Changed, taunting them to \"prove it\" when referring to the murder charges.",
"title": "Arrest"
},
{
"paragraph_id": 10,
"text": "A few days after his arrest, however, Neznamov had a change of heart and, with the help of his lawyer, made a plea deal with the prosecutor's office. In exchange for leniency from the court, he agreed to cooperate with investigators and confess to the murders, describing in detail what had happened. Between February and the fall of 2023, Neznamov participated under escort in investigative experiments to reproduce what occurred on the day of each murder.",
"title": "Arrest"
},
{
"paragraph_id": 11,
"text": "He admitted that his first victim was Sapogova, whom he had encountered while she was returning home from a disco. Neznamov specified that after raping the girl, he strangled her with a belt taken from her raincoat. He then said that he committed the last two murders in September and December 2005. According to him, he killed one of the victims in a fit of anger after she had the indiscretion to call him a failure of a man.",
"title": "Arrest"
},
{
"paragraph_id": 12,
"text": "At the trial, Neznamov was found guilty of all charges against him, after which he was sentenced to 17 years imprisonment. During sentencing, he expressed remorse for what he had done and apologized to the victims' relatives. The sentence sparked outrage from the victims' family members, who said that he deserved to be sentenced to life imprisonment. In response to this, the press service of the Krasnogorsk District Court released a press statement in which they clarified that since the statute of limitations for the qualified murder charge had passed, they would be unable to sentence him to life imprisonment.",
"title": "Trial"
},
{
"paragraph_id": 13,
"text": "Neznamov himself was satisfied with the sentence, and later did not file an appeal, after which the sentence was confirmed in November 2023. Following this, he was transferred to a corrective labor colony, where he has the right to apply parole after serving 12 years of his sentence.",
"title": "Trial"
}
] |
Mikhail Aleksandrovich Neznamov, known as The Kamensk Strangler, is a Russian serial killer who murdered at least five teenage girls and women in Kamensk-Uralsky, Sverdlovsk Oblast from 2000 to 2005. He remained undetected until 2023, when he was arrested and subsequently confessed to the crimes. He would later be convicted for the murders in a trial, but despite the severity of his crimes, he was sentenced to a more lenient sentence of 17 years imprisonment.
|
2023-12-10T10:29:21Z
|
2023-12-15T19:04:56Z
|
[
"Template:Infobox serial killer",
"Template:Citation needed",
"Template:Reflist",
"Template:Cite news",
"Template:Short description"
] |
https://en.wikipedia.org/wiki/Mikhail_Neznamov
|
75,529,404 |
This Is Not Sweden
|
This Is Not Sweden (Catalan: Això no és Suècia) is a Spanish-Swedish comedy-drama television series created by Aina Clotet and Valentina Viso, and Dani González from an original idea by Clotet and Sergi Cameron.
Mariana and Samuel go to live in Vallvidrera, a mountain neighbourhood in Barcelona, to raise their children in a more authentic place, far from their respective painful childhoods. There they find a community of people with the same aspirations. But when a tragedy shakes the neighbourhood, they dismantle their ideal, the couple's certainties begin to waver and fear settles in, coming dangerously close to everything they were trying to run away from.
The series is a Nanouk Films, Funicular Films, and Anagram Sweden production, co-produced by RTVE, TV3, and SVT, together with NRD and Yle. The eight-episode season debuted on RTVE Play on 28 November 2023. TV3 aired the first episode of the series a day earlier, on 27 November 2023, and then broadcast the rest of the series on a weekly basis.
|
[
{
"paragraph_id": 0,
"text": "This Is Not Sweden (Catalan: Això no és Suècia) is a Spanish-Swedish comedy-drama television series created by Aina Clotet and Valentina Viso, and Dani González from an original idea by Clotet and Sergi Cameron.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Mariana and Samuel go to live in Vallvidrera, a mountain neighbourhood in Barcelona, to raise their children in a more authentic place, far from their respective painful childhoods. There they find a community of people with the same aspirations. But when a tragedy shakes the neighbourhood, they dismantle their ideal, the couple's certainties begin to waver and fear settles in, coming dangerously close to everything they were trying to run away from.",
"title": "Plot"
},
{
"paragraph_id": 2,
"text": "The series is a Nanouk Films, Funicular Films, and Anagram Sweden production, co-produced by RTVE, TV3, and SVT, together with NRD and Yle. The eight-episode season debuted on RTVE Play on 28 November 2023. TV3 aired the first episode of the series a day earlier, on 27 November 2023, and then broadcast the rest of the series on a weekly basis.",
"title": "Production and release"
}
] |
This Is Not Sweden is a Spanish-Swedish comedy-drama television series created by Aina Clotet and Valentina Viso, and Dani González from an original idea by Clotet and Sergi Cameron.
|
2023-12-10T10:30:37Z
|
2023-12-10T19:29:22Z
|
[
"Template:Cite web",
"Template:Infobox television",
"Template:Lang-ca",
"Template:Cast listing",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/This_Is_Not_Sweden
|
75,529,407 |
Delicious (2021 film)
|
Delicious (French: Délicieux) is a 2021 French/Belgian comedy-drama film directed by Éric Besnard. The film was nominated for two categories at the 47th César Awards, Best Costume Design and Best Production Design.
On review aggregator Rotten Tomatoes, the film holds an approval rating of 100% based on eighteen critical reviews.
|
[
{
"paragraph_id": 0,
"text": "Delicious (French: Délicieux) is a 2021 French/Belgian comedy-drama film directed by Éric Besnard. The film was nominated for two categories at the 47th César Awards, Best Costume Design and Best Production Design.",
"title": ""
},
{
"paragraph_id": 1,
"text": "On review aggregator Rotten Tomatoes, the film holds an approval rating of 100% based on eighteen critical reviews.",
"title": "Release"
}
] |
Delicious is a 2021 French/Belgian comedy-drama film directed by Éric Besnard. The film was nominated for two categories at the 47th César Awards, Best Costume Design and Best Production Design.
|
2023-12-10T10:31:05Z
|
2023-12-21T01:00:04Z
|
[
"Template:Nom",
"Template:Cite web",
"Template:IMDb title",
"Template:2020s-France-film-stub",
"Template:Belgium-film-stub",
"Template:Infobox film",
"Template:Lang-fr",
"Template:RT data",
"Template:Center",
"Template:Reflist",
"Template:Cite news",
"Template:Rotten Tomatoes",
"Template:Short description"
] |
https://en.wikipedia.org/wiki/Delicious_(2021_film)
|
75,529,416 |
Chaudhry Arshad Hussain
|
Chaudhry Arshad Hussain is a Pakistani politician from Azad Kashmir, who is a member of the Azad Kashmir Legislative Assembly since 3 August 2021. He is also Ministry of Electricity and Power.
Chaudhry Arshad contested in the 2021 Azad Kashmiri general election on 25 July 2021 from LA-4 Mirpur-IV as a candidate of Pakistan Tehreek-e-Insaf and defeated Rukhsar Ahmed of Pakistan Muslim League (N). He won by the lead of 1,784 votes.
|
[
{
"paragraph_id": 0,
"text": "Chaudhry Arshad Hussain is a Pakistani politician from Azad Kashmir, who is a member of the Azad Kashmir Legislative Assembly since 3 August 2021. He is also Ministry of Electricity and Power.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Chaudhry Arshad contested in the 2021 Azad Kashmiri general election on 25 July 2021 from LA-4 Mirpur-IV as a candidate of Pakistan Tehreek-e-Insaf and defeated Rukhsar Ahmed of Pakistan Muslim League (N). He won by the lead of 1,784 votes.",
"title": "Political career"
}
] |
Chaudhry Arshad Hussain is a Pakistani politician from Azad Kashmir, who is a member of the Azad Kashmir Legislative Assembly since 3 August 2021. He is also Ministry of Electricity and Power.
|
2023-12-10T10:33:19Z
|
2023-12-10T10:52:42Z
|
[
"Template:Reflist",
"Template:Cite web",
"Template:Uncategorised"
] |
https://en.wikipedia.org/wiki/Chaudhry_Arshad_Hussain
|
75,529,441 |
Libya–Mauritania relations
|
Libya–Mali relations are the bilateral relations between Libya and Islamic Republic of Mauritania. The two countries are members of the African Union, Arab Maghreb Union, Group of 77 and the United Nations.
Both countries established diplomatic relations on 9 January 1970
|
[
{
"paragraph_id": 0,
"text": "Libya–Mali relations are the bilateral relations between Libya and Islamic Republic of Mauritania. The two countries are members of the African Union, Arab Maghreb Union, Group of 77 and the United Nations.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Both countries established diplomatic relations on 9 January 1970",
"title": "History"
}
] |
Libya–Mali relations are the bilateral relations between Libya and Islamic Republic of Mauritania. The two countries are members of the African Union, Arab Maghreb Union, Group of 77 and the United Nations.
|
2023-12-10T10:37:42Z
|
2023-12-11T03:29:03Z
|
[
"Template:Cite book",
"Template:Infobox Bilateral relations",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Libya%E2%80%93Mauritania_relations
|
75,529,444 |
Saadia Idris
|
Saadia Idris is a South Sudanese Refugee and community mobilizer who was forced to flee to Kakuma, Kenya at the age of 17 when war devastated her home country and separated her from her family.
She has been promoting gender-based violence (GBV) awareness and improve access to referral pathways for GBV survivors especially to women, children and girls refugee community. She provides mentorship to young refugee girls in Kakuma by connecting girls who have suffered similar experiences aimed at fostering a safe and supportive community for them.
|
[
{
"paragraph_id": 0,
"text": "Saadia Idris is a South Sudanese Refugee and community mobilizer who was forced to flee to Kakuma, Kenya at the age of 17 when war devastated her home country and separated her from her family.",
"title": ""
},
{
"paragraph_id": 1,
"text": "She has been promoting gender-based violence (GBV) awareness and improve access to referral pathways for GBV survivors especially to women, children and girls refugee community. She provides mentorship to young refugee girls in Kakuma by connecting girls who have suffered similar experiences aimed at fostering a safe and supportive community for them.",
"title": "Work and advocacy experience"
}
] |
Saadia Idris is a South Sudanese Refugee and community mobilizer who was forced to flee to Kakuma, Kenya at the age of 17 when war devastated her home country and separated her from her family.
|
2023-12-10T10:38:01Z
|
2023-12-11T07:08:53Z
|
[
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Saadia_Idris
|
75,529,450 |
Behi Djanati Atai
|
[] |
2023-12-10T10:39:03Z
|
2023-12-11T07:56:00Z
|
[] |
https://en.wikipedia.org/wiki/Behi_Djanati_Atai
|
||
75,529,474 |
Haya Shenhav
|
Haya Shenhav (born December 9, 1936) is an Israeli author of stories and poems for both children and adults. She is best known for her children's book Rasberry Juice (Hebrew: מיץ פטל) by Am Oved Publishing (1970). In 1985, Shenhav was awarded the Ze'ev Prize for Children and Youth Literature. In 2004, she was awarded the Bialik Prize for Literature as an acknowledgment of a lifetime's work in children's literature.
|
[
{
"paragraph_id": 0,
"text": "Haya Shenhav (born December 9, 1936) is an Israeli author of stories and poems for both children and adults. She is best known for her children's book Rasberry Juice (Hebrew: מיץ פטל) by Am Oved Publishing (1970). In 1985, Shenhav was awarded the Ze'ev Prize for Children and Youth Literature. In 2004, she was awarded the Bialik Prize for Literature as an acknowledgment of a lifetime's work in children's literature.",
"title": ""
},
{
"paragraph_id": 1,
"text": "",
"title": "References"
}
] |
Haya Shenhav is an Israeli author of stories and poems for both children and adults. She is best known for her children's book Rasberry Juice by Am Oved Publishing (1970). In 1985, Shenhav was awarded the Ze'ev Prize for Children and Youth Literature. In 2004, she was awarded the Bialik Prize for Literature as an acknowledgment of a lifetime's work in children's literature.
|
2023-12-10T10:41:38Z
|
2023-12-26T16:32:33Z
|
[
"Template:Short description",
"Template:Expand language",
"Template:Reflist",
"Template:Cite news",
"Template:Cite web",
"Template:Israel-writer-stub"
] |
https://en.wikipedia.org/wiki/Haya_Shenhav
|
75,529,517 |
Vishnu Deo Sai ministry
|
[] |
2023-12-10T10:51:44Z
|
2023-12-18T17:19:23Z
|
[] |
https://en.wikipedia.org/wiki/Vishnu_Deo_Sai_ministry
|
||
75,529,522 |
Vishnudeo Sai ministry
|
The Vishnu Deo Sai ministry represents the formation of the sixth cabinet of the Indian state Chhattisgarh under the leadership of Vishnu Deo Sai, who is elected as the fourth Chief Minister of Chhattisgarh. The Bharatiya Janata Party (BJP), led by Vishnudeo Sai, secured an absolute majority in the 2023 Chhattisgarh Legislative Assembly election, winning 54 out of the 90 seats in the state assembly.
|
[
{
"paragraph_id": 0,
"text": "The Vishnu Deo Sai ministry represents the formation of the sixth cabinet of the Indian state Chhattisgarh under the leadership of Vishnu Deo Sai, who is elected as the fourth Chief Minister of Chhattisgarh. The Bharatiya Janata Party (BJP), led by Vishnudeo Sai, secured an absolute majority in the 2023 Chhattisgarh Legislative Assembly election, winning 54 out of the 90 seats in the state assembly.",
"title": ""
}
] |
The Vishnu Deo Sai ministry represents the formation of the sixth cabinet of the Indian state Chhattisgarh under the leadership of Vishnu Deo Sai, who is elected as the fourth Chief Minister of Chhattisgarh. The Bharatiya Janata Party (BJP), led by Vishnudeo Sai, secured an absolute majority in the 2023 Chhattisgarh Legislative Assembly election, winning 54 out of the 90 seats in the state assembly.
|
2023-12-10T10:52:56Z
|
2023-12-29T21:35:08Z
|
[
"Template:Current Indian ministries",
"Template:Infobox government cabinet",
"Template:Party name with color",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Vishnudeo_Sai_ministry
|
75,529,536 |
Erlendur Jónsson
|
Erlendur Jónsson (Icelandic: [ˈɛrlɛntʏr̥ ˈjounsːon]; 8 April 1929 – 17 Juli 2003) was an Icelandic writer and poet and former critic and teacher. He wrote novels, poetry, newspaper articles, essays and literary criticism.
Erlendur was born on April 8, 1929 in Geithól in Staðarhreppur in Vestur-Húnavatnsýsla. His parents were Jón Ásmundsson, a farmer and organist, and Stefanía Guðmundsdóttir (1895 – 1973), a midwife.
Erlendur took his matriculation exam from Menntaskólinn in Akureyri and after that began studying Icelandic and history at the University of Iceland. Then in pedagogy and finished his studies in 1953. He then studied English and American contemporary literature at the University of Bristol in England 1965 - 1966.
Erlendur worked at the French embassy from 1953 to 1955. He then worked as a teacher in a middle school and later at the Industrial School in Reykjavík from 1955 to 1999. He also worked as a literary critic at Morgunblaðið from 1963. From 1966 he worked on various social issues. He also gave lectures on specific literary topics at the Faculty of Philosophy of the University of Iceland in the years 1968 - 1975. In 1987, Erlendur won 4th prize in the National Radio's playwriting competition, for his play "Minningar úr Skuggahverfi". Erlendur was married to Marta Ágústsdóttir, who was born on June 29, 1928 in Vestmannaeyjar.
Erlendur Jónsson died at Landakot Hospital last July 17, at the age of 94.
|
[
{
"paragraph_id": 0,
"text": "Erlendur Jónsson (Icelandic: [ˈɛrlɛntʏr̥ ˈjounsːon]; 8 April 1929 – 17 Juli 2003) was an Icelandic writer and poet and former critic and teacher. He wrote novels, poetry, newspaper articles, essays and literary criticism.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Erlendur was born on April 8, 1929 in Geithól in Staðarhreppur in Vestur-Húnavatnsýsla. His parents were Jón Ásmundsson, a farmer and organist, and Stefanía Guðmundsdóttir (1895 – 1973), a midwife.",
"title": "Life"
},
{
"paragraph_id": 2,
"text": "Erlendur took his matriculation exam from Menntaskólinn in Akureyri and after that began studying Icelandic and history at the University of Iceland. Then in pedagogy and finished his studies in 1953. He then studied English and American contemporary literature at the University of Bristol in England 1965 - 1966.",
"title": "Life"
},
{
"paragraph_id": 3,
"text": "Erlendur worked at the French embassy from 1953 to 1955. He then worked as a teacher in a middle school and later at the Industrial School in Reykjavík from 1955 to 1999. He also worked as a literary critic at Morgunblaðið from 1963. From 1966 he worked on various social issues. He also gave lectures on specific literary topics at the Faculty of Philosophy of the University of Iceland in the years 1968 - 1975. In 1987, Erlendur won 4th prize in the National Radio's playwriting competition, for his play \"Minningar úr Skuggahverfi\". Erlendur was married to Marta Ágústsdóttir, who was born on June 29, 1928 in Vestmannaeyjar.",
"title": "Life"
},
{
"paragraph_id": 4,
"text": "Erlendur Jónsson died at Landakot Hospital last July 17, at the age of 94.",
"title": "Life"
}
] |
Erlendur Jónsson was an Icelandic writer and poet and former critic and teacher. He wrote novels, poetry, newspaper articles, essays and literary criticism.
|
2023-12-10T10:57:20Z
|
2023-12-11T09:31:37Z
|
[
"Template:Short description",
"Template:Infobox writer",
"Template:IPA-is",
"Template:Authority control",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Erlendur_J%C3%B3nsson
|
75,529,550 |
2024 in Saudi Arabia
|
Events in the year 2024 in Saudi Arabia.
|
[
{
"paragraph_id": 0,
"text": "Events in the year 2024 in Saudi Arabia.",
"title": ""
}
] |
Events in the year 2024 in Saudi Arabia.
|
2023-12-10T11:02:06Z
|
2023-12-12T16:32:10Z
|
[
"Template:Years in Saudi Arabia",
"Template:Year in Asia",
"Template:Short description",
"Template:Year in Saudi Arabia",
"Template:Portal",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/2024_in_Saudi_Arabia
|
75,529,557 |
Libya–Thailand relations
|
Libya–Thailand relations refer to bilateral relations between Libya and Kingdom of Thailand. The two countries are members of the Group of 77 and the United Nations.
Both countries established diplomatic relations on 16 March 1977. and opened the Thai Embassy in Libya in March 2009, with a region covering Niger, Chad and Tunisia. The current Thai Ambassador to Libya is Mr. Opas Chantarasap, while Libya has assigned the Philippine Embassy as a representative of Thailand.
Economic relations Thai-Libya trade is likely to grow and expand. In 2008, trade between the two countries totaled a total value of 329.26 million US dollars, an increase from 2005 by about 17.8 percent. Thailand is a total export worth 312.84 million US dollars. Total imports worth about 16.41 million US dollars. Major exports of Thailand include canned and processed seafood, cars, equipment and components, ready-made clothes, washing machines and rubber product components, refrigerators, refrigerators, freezers and components. Important imported products from Libya include chemicals, iron and steel Plants and plant products In energy, PTT Company Petroleum Exploration and Production Public Company Limited has participated in the tender for 4 concessions for exploration and oil production in Libya during the year 2004–2550, which is not selected. But still interested in participating in the tender on the next occasion In labor, there are currently about 20,000 Thai workers in Libya, mostly artisan and semi-skilled workers working in artificial river projects (Great Man-made River-GMR), construction work and other large projects. Employers in Libya tend to need more Thai workers. 1.3 Social and cultural aspects Libya has supported the Foundation to Help Orphans of Thai Muslim Women of Thailand. In royal patronage And support the construction of the Libyan building is the office of the said foundation. And used as a school building for Thai Muslim youth as well.
|
[
{
"paragraph_id": 0,
"text": "Libya–Thailand relations refer to bilateral relations between Libya and Kingdom of Thailand. The two countries are members of the Group of 77 and the United Nations.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Both countries established diplomatic relations on 16 March 1977. and opened the Thai Embassy in Libya in March 2009, with a region covering Niger, Chad and Tunisia. The current Thai Ambassador to Libya is Mr. Opas Chantarasap, while Libya has assigned the Philippine Embassy as a representative of Thailand.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "Economic relations Thai-Libya trade is likely to grow and expand. In 2008, trade between the two countries totaled a total value of 329.26 million US dollars, an increase from 2005 by about 17.8 percent. Thailand is a total export worth 312.84 million US dollars. Total imports worth about 16.41 million US dollars. Major exports of Thailand include canned and processed seafood, cars, equipment and components, ready-made clothes, washing machines and rubber product components, refrigerators, refrigerators, freezers and components. Important imported products from Libya include chemicals, iron and steel Plants and plant products In energy, PTT Company Petroleum Exploration and Production Public Company Limited has participated in the tender for 4 concessions for exploration and oil production in Libya during the year 2004–2550, which is not selected. But still interested in participating in the tender on the next occasion In labor, there are currently about 20,000 Thai workers in Libya, mostly artisan and semi-skilled workers working in artificial river projects (Great Man-made River-GMR), construction work and other large projects. Employers in Libya tend to need more Thai workers. 1.3 Social and cultural aspects Libya has supported the Foundation to Help Orphans of Thai Muslim Women of Thailand. In royal patronage And support the construction of the Libyan building is the office of the said foundation. And used as a school building for Thai Muslim youth as well.",
"title": "Economic relations"
}
] |
Libya–Thailand relations refer to bilateral relations between Libya and Kingdom of Thailand. The two countries are members of the Group of 77 and the United Nations.
|
2023-12-10T11:03:46Z
|
2023-12-13T14:42:50Z
|
[
"Template:Short description",
"Template:One source",
"Template:Infobox bilateral relations",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Libya%E2%80%93Thailand_relations
|
75,529,606 |
Wat Chantharam Worawihan
|
Wat Chantharam Worawihan (Thai: วัดจันทรารามวรวิหาร, often shortened to Wat Chantharam) is a historic third-level royal monastery in the Worawihan type in Bangkok.
It was built in the Ayutthaya period, originally it was called Wat Bang Yi Ruea Klang (วัดบางยี่เรือกลาง) or known locally as Wat Klang (วัดกลาง), because it was flanked by two other temples, Wat Intharam and Wat Rajkrueh. Hence the name.
Later in the King Rama III's reign of the early Rattanakosin period, it was renovated by nobleman Phraya Surasena (Khun Nen) and its new name was given by the king and it was elevated to the status of royal monastery of the Worawihan type.
The overall architecture of the temple is Chinese style, without ornated decorative pieces. The vihara (sanctuary) structure was once made of brick and mortar and it was restored to a reinforced concrete during the time of the renovation of the ubosot (ordination hall). A number of ancient Buddha images are enshrined interior. When the ubosot was in a state of disrepair. The abbot Phra Wisutthiwaraphon had it renovated in 1974 and the renovation was completed in 1977. It structure was changed to reinforced concrete like the vihara.
The principle Buddha image made of brass in the stance of subduing Mara. Another striking Buddha image is a high-relief crowned Buddha image made of teak covered by tin. The image depicts the stance of pacifying the ocean. The Fine Arts Department registered this image as national heritage. In addition, the walls and ceiling of the ubosot there are also very beautiful and refined Chinese mural paintings.
The area around the temple is a bustling place for the local morning traditional market known as Talat Wat Klang (ตลาดวัดกลาง), considered part of Talat Phlu. Also, the market bordered the canal Khlong Bangkok Yai. In the past, it was a condition of floating market where all the vendors rowing boats selling their products.
A wide variety of products are sold including fresh produce, dry goods, seafood, ready-to-eat food, Thai sweets, and clothing. The entrance to the market is in Soi Thoet Thai 12, both sides are lined with shophouses selling retro products. The area of the market still extends to cover nearby temples, Wat Intharam and Wat Rajkrueh as well.
The market is opens daily from 12.00 am to 12.00 pm.
|
[
{
"paragraph_id": 0,
"text": "Wat Chantharam Worawihan (Thai: วัดจันทรารามวรวิหาร, often shortened to Wat Chantharam) is a historic third-level royal monastery in the Worawihan type in Bangkok.",
"title": ""
},
{
"paragraph_id": 1,
"text": "It was built in the Ayutthaya period, originally it was called Wat Bang Yi Ruea Klang (วัดบางยี่เรือกลาง) or known locally as Wat Klang (วัดกลาง), because it was flanked by two other temples, Wat Intharam and Wat Rajkrueh. Hence the name.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "Later in the King Rama III's reign of the early Rattanakosin period, it was renovated by nobleman Phraya Surasena (Khun Nen) and its new name was given by the king and it was elevated to the status of royal monastery of the Worawihan type.",
"title": "History"
},
{
"paragraph_id": 3,
"text": "The overall architecture of the temple is Chinese style, without ornated decorative pieces. The vihara (sanctuary) structure was once made of brick and mortar and it was restored to a reinforced concrete during the time of the renovation of the ubosot (ordination hall). A number of ancient Buddha images are enshrined interior. When the ubosot was in a state of disrepair. The abbot Phra Wisutthiwaraphon had it renovated in 1974 and the renovation was completed in 1977. It structure was changed to reinforced concrete like the vihara.",
"title": "History"
},
{
"paragraph_id": 4,
"text": "The principle Buddha image made of brass in the stance of subduing Mara. Another striking Buddha image is a high-relief crowned Buddha image made of teak covered by tin. The image depicts the stance of pacifying the ocean. The Fine Arts Department registered this image as national heritage. In addition, the walls and ceiling of the ubosot there are also very beautiful and refined Chinese mural paintings.",
"title": "History"
},
{
"paragraph_id": 5,
"text": "The area around the temple is a bustling place for the local morning traditional market known as Talat Wat Klang (ตลาดวัดกลาง), considered part of Talat Phlu. Also, the market bordered the canal Khlong Bangkok Yai. In the past, it was a condition of floating market where all the vendors rowing boats selling their products.",
"title": "Temple market"
},
{
"paragraph_id": 6,
"text": "A wide variety of products are sold including fresh produce, dry goods, seafood, ready-to-eat food, Thai sweets, and clothing. The entrance to the market is in Soi Thoet Thai 12, both sides are lined with shophouses selling retro products. The area of the market still extends to cover nearby temples, Wat Intharam and Wat Rajkrueh as well.",
"title": "Temple market"
},
{
"paragraph_id": 7,
"text": "The market is opens daily from 12.00 am to 12.00 pm.",
"title": "Temple market"
}
] |
Wat Chantharam Worawihan is a historic third-level royal monastery in the Worawihan type in Bangkok.
|
2023-12-10T11:17:32Z
|
2023-12-17T12:19:50Z
|
[
"Template:Infobox religious building",
"Template:Lang-th",
"Template:Efn",
"Template:Notelist",
"Template:Reflist",
"Template:Cite web",
"Template:Orphan"
] |
https://en.wikipedia.org/wiki/Wat_Chantharam_Worawihan
|
75,529,648 |
2024 Belgian elections
|
The 2024 Belgian elections are scheduled to be held on 9 June 2024 and 13 October 2024.
Following elections are set to be held on 9 June 2024:
Following elections are set to be held on 13 October 2024:
Traditionally Belgian parties belong to different families based on their multilingual predecessors which split in the 1970s and usually sit in the same political groups of the European Parliament and in the Benelux Parliament
|
[
{
"paragraph_id": 0,
"text": "The 2024 Belgian elections are scheduled to be held on 9 June 2024 and 13 October 2024.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Following elections are set to be held on 9 June 2024:",
"title": ""
},
{
"paragraph_id": 2,
"text": "Following elections are set to be held on 13 October 2024:",
"title": ""
},
{
"paragraph_id": 3,
"text": "Traditionally Belgian parties belong to different families based on their multilingual predecessors which split in the 1970s and usually sit in the same political groups of the European Parliament and in the Benelux Parliament",
"title": "Parties"
}
] |
The 2024 Belgian elections are scheduled to be held on 9 June 2024 and 13 October 2024. Following elections are set to be held on 9 June 2024: The election for the Chamber of Representatives
The election for the 22 Belgian seats to the European Parliament
The election for the Flemish Parliament
The election for the Parliament of Wallonia
The election election for the Parliament of the Brussels-Capital Region
The election election for the Parliament of the German-speaking Community Following elections are set to be held on 13 October 2024: The 2024 Belgian provincial election
The 2024 Belgian municipal election
The 2024 Belgian district election
|
2023-12-10T11:27:27Z
|
2023-12-27T17:13:17Z
|
[
"Template:One source",
"Template:Efn",
"Template:Notelist",
"Template:Main articles",
"Template:Reflist",
"Template:Cite web",
"Template:Belgian elections"
] |
https://en.wikipedia.org/wiki/2024_Belgian_elections
|
75,529,649 |
The Secret Runners of New York
|
The Secret Runners of New York is a 2019 novel by Australian thriller writer Matthew Reilly. In an interview published in The Australian in 2021, The Secret Runners of New York was described as Reilly's "quieter, more serious" writing. The "secret runners" of the title are students at a fictional Upper East Side school who have access to a time portal located in Central Park
|
[
{
"paragraph_id": 0,
"text": "The Secret Runners of New York is a 2019 novel by Australian thriller writer Matthew Reilly. In an interview published in The Australian in 2021, The Secret Runners of New York was described as Reilly's \"quieter, more serious\" writing. The \"secret runners\" of the title are students at a fictional Upper East Side school who have access to a time portal located in Central Park",
"title": ""
},
{
"paragraph_id": 1,
"text": "",
"title": "References"
}
] |
The Secret Runners of New York is a 2019 novel by Australian thriller writer Matthew Reilly. In an interview published in The Australian in 2021, The Secret Runners of New York was described as Reilly's "quieter, more serious" writing. The "secret runners" of the title are students at a fictional Upper East Side school who have access to a time portal located in Central Park
|
2023-12-10T11:27:35Z
|
2023-12-12T00:00:15Z
|
[
"Template:Cite news",
"Template:Matthew Reilly",
"Template:2010s-novel-stub",
"Template:Italic title",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/The_Secret_Runners_of_New_York
|
75,529,658 |
Charlotte Ruegger
|
Charlotte Ruegger (17 November 1876 - 16 June 1959) was a Swiss composer, conductor, violinist, and music educator who taught at several colleges in the United States. She received Belgium’s Medal for Bravery for her service during World War I.
Ruegger was born in Lucerne to a musical family. Her father Julius was a government official. Her mother was a music teacher, her sister Elsa Ruegger was known as the “world’s best cello player,” and her sister Valeria taught piano. The family moved to Belgium during Ruegger’s childhood, and she graduated from the University of Brussels at age 16, although girls were not awarded diplomas at the time. She won first prize in violin at the Royal Conservatory of Music in Brussels, then continued postgraduate work in Italy at the University of Florence and in Berlin at the Stern Conservatory. Her teachers included Jean-Baptiste Colyns, Cesar Thomson (she also worked as his assistant), and Florian Zajic.
Ruegger presented violin recitals throughout Belgium, France, Germany, and Switzerland before going to America in 1913, where she taught violin at Oberlin Conservatory. World War I broke out while she was visiting her mother in Belgium and she stayed there, volunteering as a Red Cross nurse. She became a captain and was briefly imprisoned for distributing the underground newspaper La Libre Belgique. She was awarded Belgium’s highest honor, the Medal for Bravery, for her work during World War I.
Ruegger returned to America after the war, where she was the director of the Fayetteville (North Carolina) School of Music and its violin teacher in 1920. In 1926, she was a faculty member of the summer assembly at Bay View, Michigan. She chaired the music department at Meredith College in Raleigh, North Carolina, and the violin and music theory departments at Albion College in Michigan before joining the University of Toledo (Ohio) faculty in 1933. She conducted the University of Toledo orchestra and chorus from 1935 to 1950.
Ruegger’s music was published by Carl Fischer Music, Eklan-Vogel (today Theodore Presser Company), Gamble Hinged Music, and Rubank Inc. Her compositions included:
|
[
{
"paragraph_id": 0,
"text": "Charlotte Ruegger (17 November 1876 - 16 June 1959) was a Swiss composer, conductor, violinist, and music educator who taught at several colleges in the United States. She received Belgium’s Medal for Bravery for her service during World War I.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Ruegger was born in Lucerne to a musical family. Her father Julius was a government official. Her mother was a music teacher, her sister Elsa Ruegger was known as the “world’s best cello player,” and her sister Valeria taught piano. The family moved to Belgium during Ruegger’s childhood, and she graduated from the University of Brussels at age 16, although girls were not awarded diplomas at the time. She won first prize in violin at the Royal Conservatory of Music in Brussels, then continued postgraduate work in Italy at the University of Florence and in Berlin at the Stern Conservatory. Her teachers included Jean-Baptiste Colyns, Cesar Thomson (she also worked as his assistant), and Florian Zajic.",
"title": "Life"
},
{
"paragraph_id": 2,
"text": "Ruegger presented violin recitals throughout Belgium, France, Germany, and Switzerland before going to America in 1913, where she taught violin at Oberlin Conservatory. World War I broke out while she was visiting her mother in Belgium and she stayed there, volunteering as a Red Cross nurse. She became a captain and was briefly imprisoned for distributing the underground newspaper La Libre Belgique. She was awarded Belgium’s highest honor, the Medal for Bravery, for her work during World War I.",
"title": "Life"
},
{
"paragraph_id": 3,
"text": "Ruegger returned to America after the war, where she was the director of the Fayetteville (North Carolina) School of Music and its violin teacher in 1920. In 1926, she was a faculty member of the summer assembly at Bay View, Michigan. She chaired the music department at Meredith College in Raleigh, North Carolina, and the violin and music theory departments at Albion College in Michigan before joining the University of Toledo (Ohio) faculty in 1933. She conducted the University of Toledo orchestra and chorus from 1935 to 1950.",
"title": "Life"
},
{
"paragraph_id": 4,
"text": "Ruegger’s music was published by Carl Fischer Music, Eklan-Vogel (today Theodore Presser Company), Gamble Hinged Music, and Rubank Inc. Her compositions included:",
"title": "Compositions"
},
{
"paragraph_id": 5,
"text": "",
"title": "Compositions"
}
] |
Charlotte Ruegger was a Swiss composer, conductor, violinist, and music educator who taught at several colleges in the United States. She received Belgium’s Medal for Bravery for her service during World War I.
|
2023-12-10T11:30:59Z
|
2023-12-12T11:54:26Z
|
[
"Template:Reflist",
"Template:Cite book",
"Template:Cite web",
"Template:Authority control"
] |
https://en.wikipedia.org/wiki/Charlotte_Ruegger
|
75,529,662 |
Bethan Dyke
|
Bethan Dyke (born 25 December 1994) is a Welsh netball player who plays for Wales in the position of center and wing attack.
She has played for Wales representative clubs Cardiff Dragons and Severn Stars in Netball Superleague. She was a key member of the Celtic Dragons which emerged as runners-up to Team Bath in the 2013 Netball Superleague Grand Final. She made her Commonwealth Games debut representing Wales at the Commonwealth Games in 2014, where Wales finished at eighth position in the women's netball tournament. She was included in the Wales squad for the 2015 Netball World Cup, which eventually marked her debut appearance in a World Cup tournament. She was named in the Wales squad to face off against New Zealand in a home test series in 2017 and it also marked New Zealand's first visit to Wales to play an international series after a gap of 20 years.
She sustained a serious knee injury concern in 2018 and was ruled out of action for around nine months. She represented Wales at the 2018 Commonwealth Games and competed in the women's netball competition. She was signed by Sevens Stars ahead of the 2020 Netball Superleague season. In April 2021, she was ruled out from the remainder of the 2021 Netball Superleague season due to an Anterior cruciate ligament injury which she suffered during the first quarter of a group stage match against Celtic Dragons. However, she was included in the Wales senior international squad for the year 2021 despite not fully recovering from the ankle injury which she sustained during the Superleague season.
She was also named in Welsh netball squad for the women's netball tournament at the 2022 Commonwealth Games. She was included in the Welsh squad for the 2023 Netball World Cup, which was her second appearance at a Netball World Cup tournament. She was signed by Team Bath ahead of the 2023 Netball Superleague season and she was retained by Team Bath for the 2024 season.
|
[
{
"paragraph_id": 0,
"text": "Bethan Dyke (born 25 December 1994) is a Welsh netball player who plays for Wales in the position of center and wing attack.",
"title": ""
},
{
"paragraph_id": 1,
"text": "She has played for Wales representative clubs Cardiff Dragons and Severn Stars in Netball Superleague. She was a key member of the Celtic Dragons which emerged as runners-up to Team Bath in the 2013 Netball Superleague Grand Final. She made her Commonwealth Games debut representing Wales at the Commonwealth Games in 2014, where Wales finished at eighth position in the women's netball tournament. She was included in the Wales squad for the 2015 Netball World Cup, which eventually marked her debut appearance in a World Cup tournament. She was named in the Wales squad to face off against New Zealand in a home test series in 2017 and it also marked New Zealand's first visit to Wales to play an international series after a gap of 20 years.",
"title": "Career"
},
{
"paragraph_id": 2,
"text": "She sustained a serious knee injury concern in 2018 and was ruled out of action for around nine months. She represented Wales at the 2018 Commonwealth Games and competed in the women's netball competition. She was signed by Sevens Stars ahead of the 2020 Netball Superleague season. In April 2021, she was ruled out from the remainder of the 2021 Netball Superleague season due to an Anterior cruciate ligament injury which she suffered during the first quarter of a group stage match against Celtic Dragons. However, she was included in the Wales senior international squad for the year 2021 despite not fully recovering from the ankle injury which she sustained during the Superleague season.",
"title": "Career"
},
{
"paragraph_id": 3,
"text": "She was also named in Welsh netball squad for the women's netball tournament at the 2022 Commonwealth Games. She was included in the Welsh squad for the 2023 Netball World Cup, which was her second appearance at a Netball World Cup tournament. She was signed by Team Bath ahead of the 2023 Netball Superleague season and she was retained by Team Bath for the 2024 season.",
"title": "Career"
}
] |
Bethan Dyke is a Welsh netball player who plays for Wales in the position of center and wing attack.
|
2023-12-10T11:33:03Z
|
2023-12-11T18:58:48Z
|
[
"Template:Reflist",
"Template:Cite web",
"Template:Cite news",
"Template:Authority control",
"Template:Short description",
"Template:Infobox netball biography"
] |
https://en.wikipedia.org/wiki/Bethan_Dyke
|
75,529,681 |
Mary Maker
|
Mary Maker is a South Sudanese refugee, UNHCR Goodwill Ambassador and education advocate. She is a former teacher at Kakuma Refugee Camp to a class of 120 students. She is also an actor, TED speaker, a fashion lover, and a writer.
Mary is currently pursuing further studies in Theater and Political Science with a concentration in Women and Gender Studies at St. Olaf College Minnesota after receiving a scholarship from MasterCard Foundation scholarship program.
|
[
{
"paragraph_id": 0,
"text": "Mary Maker is a South Sudanese refugee, UNHCR Goodwill Ambassador and education advocate. She is a former teacher at Kakuma Refugee Camp to a class of 120 students. She is also an actor, TED speaker, a fashion lover, and a writer.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Mary is currently pursuing further studies in Theater and Political Science with a concentration in Women and Gender Studies at St. Olaf College Minnesota after receiving a scholarship from MasterCard Foundation scholarship program.",
"title": "Education"
},
{
"paragraph_id": 2,
"text": "",
"title": "External links"
}
] |
Mary Maker is a South Sudanese refugee, UNHCR Goodwill Ambassador and education advocate. She is a former teacher at Kakuma Refugee Camp to a class of 120 students. She is also an actor, TED speaker, a fashion lover, and a writer.
|
2023-12-10T11:36:18Z
|
2023-12-26T16:40:29Z
|
[
"Template:Orphan",
"Template:Reflist",
"Template:Cite web",
"Template:SouthSudan-stub"
] |
https://en.wikipedia.org/wiki/Mary_Maker
|
75,529,687 |
Illerstadion
|
The Illerstadion is a 9,0000 capacity multi-use stadium in Kempten, Germany. The stadium is located on the Illerdamm 10 road, on the east side of the River Iller in the northern area of the town. The stadium hosts the football team FC Kempten and the American football team the Allgäu Comets and also has facilities for athletics.
The first plans for a stadium next to the river were submitted by Otto Merkt in 1919. However, it was not until 1938 that the city council received plans from the planning officer Maximilian Vicari that construction began. The plans included 5,600 standing room, a small-caliber shooting range, facilities for high jump, shot put, pole vault and parking for 200 cars.
In 1939, the playing field and a cinder motorcycle speedway track were added. The main stand was completed in 1949 and the large standing stand wall and marathon gate were completed in 1956. It then had a 12,500 capacity.
In 1965, the stadium hosted arguably what was its most significant event, the final of the 1965 Speedway World Team Cup. It later hosted the inaugural 1968 Speedway World Pairs Championship. Between 1979 and 1986, the speedway track was demolished, two synthetic pitches, two new grass fields and a sand grass pitch were created.
In 1995, the main square and sand track were converted and expanded into an athletics competition track. The stadium was further modernised in 1999/2000.
|
[
{
"paragraph_id": 0,
"text": "The Illerstadion is a 9,0000 capacity multi-use stadium in Kempten, Germany. The stadium is located on the Illerdamm 10 road, on the east side of the River Iller in the northern area of the town. The stadium hosts the football team FC Kempten and the American football team the Allgäu Comets and also has facilities for athletics.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The first plans for a stadium next to the river were submitted by Otto Merkt in 1919. However, it was not until 1938 that the city council received plans from the planning officer Maximilian Vicari that construction began. The plans included 5,600 standing room, a small-caliber shooting range, facilities for high jump, shot put, pole vault and parking for 200 cars.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "In 1939, the playing field and a cinder motorcycle speedway track were added. The main stand was completed in 1949 and the large standing stand wall and marathon gate were completed in 1956. It then had a 12,500 capacity.",
"title": "History"
},
{
"paragraph_id": 3,
"text": "In 1965, the stadium hosted arguably what was its most significant event, the final of the 1965 Speedway World Team Cup. It later hosted the inaugural 1968 Speedway World Pairs Championship. Between 1979 and 1986, the speedway track was demolished, two synthetic pitches, two new grass fields and a sand grass pitch were created.",
"title": "History"
},
{
"paragraph_id": 4,
"text": "In 1995, the main square and sand track were converted and expanded into an athletics competition track. The stadium was further modernised in 1999/2000.",
"title": "History"
}
] |
The Illerstadion is a 9,0000 capacity multi-use stadium in Kempten, Germany. The stadium is located on the Illerdamm 10 road, on the east side of the River Iller in the northern area of the town. The stadium hosts the football team FC Kempten and the American football team the Allgäu Comets and also has facilities for athletics.
|
2023-12-10T11:37:11Z
|
2023-12-15T00:08:00Z
|
[
"Template:Use dmy dates",
"Template:Use British English",
"Template:Infobox motorsport venue",
"Template:Reflist",
"Template:Cite web",
"Template:Cite book",
"Template:Motorcycle speedway tracks",
"Template:Short description"
] |
https://en.wikipedia.org/wiki/Illerstadion
|
75,529,744 |
Amelia De La Rama
|
Amelia Amante (born 1927), later known as Amelia De Rama Braly, is a Filipina actress and socialite who is known as the wife of Indonesian President Sukarno.
Rama was born Amelia Amante in 1927 in Bulacan, Central Luzon, and was raised in a conservative family. She stated her life as an uncomfortable which made her had to depend on herself.
At the age of 15, Rama ran away from home to married her sweetheart and later gave birth to her only child, Jimmy, a boxer. Her husband died when she was 20 followed by her father which make Rama has to raise her son and taking care of her mother alone. She later remarried to a lawyer who was the relative of Osmena family from Cebu but later divorced and taken his last name, "De La Rama", as her stage name. In August 1963, Rama was introduced to Indonesian First President Sukarno during a visit in Manila. With a help from Jose Maria Sison, Sukarno later buy her a house at Forbes Park. Their relationship is also mentioned in 1964 document owned by President Ferdinand Marcos which stated that Sukarno's relationship with Rama was only for expansion of Far East Bank and Trust and Aguinaldo Development Corporation in Indonesia. They travelled together visiting several countries and dating at Tampaksiring castle in Bali, and later married at Baiturrahim Mosque in Jakarta, in 1964, and remained together until Sukarno told her to leave Indonesia during the Transition to the New Order. Their marriage remained until Sukarno's death in 1970 and was kept as a secret by Rama until 1979 when she stated during an interview with The Standard after visiting Sukarno's grave in Blitar. In 1971, six months after Sukarno's death, Rama was remarried to James Willard Blary, a retired United States Air Force pilot and aide to President Dwight Eisenhower. They divorced in 1985.
Rama started her career as an actress by partaking a minor role in Pangarap Ko’y Ikaw Rin (1947) and Bulakenyo (1949). In 1961, she appeared in Warner Bros production The Steel Claw along with George Montgomery. Her last appearance was in Manila, Open City (1968) as a minor role.
|
[
{
"paragraph_id": 0,
"text": "Amelia Amante (born 1927), later known as Amelia De Rama Braly, is a Filipina actress and socialite who is known as the wife of Indonesian President Sukarno.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Rama was born Amelia Amante in 1927 in Bulacan, Central Luzon, and was raised in a conservative family. She stated her life as an uncomfortable which made her had to depend on herself.",
"title": "Early life"
},
{
"paragraph_id": 2,
"text": "At the age of 15, Rama ran away from home to married her sweetheart and later gave birth to her only child, Jimmy, a boxer. Her husband died when she was 20 followed by her father which make Rama has to raise her son and taking care of her mother alone. She later remarried to a lawyer who was the relative of Osmena family from Cebu but later divorced and taken his last name, \"De La Rama\", as her stage name. In August 1963, Rama was introduced to Indonesian First President Sukarno during a visit in Manila. With a help from Jose Maria Sison, Sukarno later buy her a house at Forbes Park. Their relationship is also mentioned in 1964 document owned by President Ferdinand Marcos which stated that Sukarno's relationship with Rama was only for expansion of Far East Bank and Trust and Aguinaldo Development Corporation in Indonesia. They travelled together visiting several countries and dating at Tampaksiring castle in Bali, and later married at Baiturrahim Mosque in Jakarta, in 1964, and remained together until Sukarno told her to leave Indonesia during the Transition to the New Order. Their marriage remained until Sukarno's death in 1970 and was kept as a secret by Rama until 1979 when she stated during an interview with The Standard after visiting Sukarno's grave in Blitar. In 1971, six months after Sukarno's death, Rama was remarried to James Willard Blary, a retired United States Air Force pilot and aide to President Dwight Eisenhower. They divorced in 1985.",
"title": "Personal life"
},
{
"paragraph_id": 3,
"text": "Rama started her career as an actress by partaking a minor role in Pangarap Ko’y Ikaw Rin (1947) and Bulakenyo (1949). In 1961, she appeared in Warner Bros production The Steel Claw along with George Montgomery. Her last appearance was in Manila, Open City (1968) as a minor role.",
"title": "Career"
}
] |
Amelia Amante, later known as Amelia De Rama Braly, is a Filipina actress and socialite who is known as the wife of Indonesian President Sukarno.
|
2023-12-10T11:46:15Z
|
2023-12-26T13:39:34Z
|
[
"Template:Refbegin",
"Template:Cite book",
"Template:Refend",
"Template:Reflist",
"Template:Cite web",
"Template:Short description",
"Template:Infobox person",
"Template:Sfn"
] |
https://en.wikipedia.org/wiki/Amelia_De_La_Rama
|
75,529,768 |
Rhisiart
|
Rhisiart is a Welsh masculine given name of Norman origin. It is the Welsh form of Richard. The surnames Prichard, Pritchard and Pritchett are anglicisations of Welsh ap Rhisiart (son of Richard).
People with the name Rhisiart include:
|
[
{
"paragraph_id": 0,
"text": "Rhisiart is a Welsh masculine given name of Norman origin. It is the Welsh form of Richard. The surnames Prichard, Pritchard and Pritchett are anglicisations of Welsh ap Rhisiart (son of Richard).",
"title": ""
},
{
"paragraph_id": 1,
"text": "People with the name Rhisiart include:",
"title": "People"
}
] |
Rhisiart is a Welsh masculine given name of Norman origin. It is the Welsh form of Richard. The surnames Prichard, Pritchard and Pritchett are anglicisations of Welsh ap Rhisiart.
|
2023-12-10T11:53:07Z
|
2023-12-11T06:47:05Z
|
[
"Template:Reflist",
"Template:Cite book",
"Template:Cite web",
"Template:Given name"
] |
https://en.wikipedia.org/wiki/Rhisiart
|
75,529,773 |
1877 Victorian colonial election
|
The 1877 Victorian colonial election was held on 11 May 1877 to elect the 9th Parliament of Victoria. It was the first election in Victoria in which all electorates voted on the same day. All 86 seats in 55 electorates in the Legislative Assembly were up for election, though four seats were uncontested.
There were 31 single-member, 20 two-member and 4 three-member electorates.
The conservative (or free trade) government of Sir James McCulloch was heavily defeated by the liberal (or protectionist) opposition led by Graham Berry, who formed a new government on May 21.
After McCulloch's crushing defeat he retired from politics without returning to parliament. He resigned from the seat of Warrnambool in May 1878. After McCulloch's retirement, James Service emerged as the leader of the numerically depleted Opposition. Service's politics were more of a pragmatic and constitutionalist nature.
This term of government was dominated by Berry's struggle with the Legislative Council after that body rejected an appropriations bill in December 1877. On 8 January 1878 ('Black Wednesday') Berry responded by dismissing large numbers of public servants and judges in an effort to discredit the council. A compromise was reached in April, which left the council's powers intact. Berry left for Britain in December 1878 in an effort to persuade the Colonial Office to reform the Legislative Council. However, his efforts at constitutional reform were inconclusive and he returned to Melbourne after six months to face divisions in his party as well as a general economic depression (dubbed the 'Berry Blight') for which his opponents held him responsible.
|
[
{
"paragraph_id": 0,
"text": "The 1877 Victorian colonial election was held on 11 May 1877 to elect the 9th Parliament of Victoria. It was the first election in Victoria in which all electorates voted on the same day. All 86 seats in 55 electorates in the Legislative Assembly were up for election, though four seats were uncontested.",
"title": ""
},
{
"paragraph_id": 1,
"text": "There were 31 single-member, 20 two-member and 4 three-member electorates.",
"title": ""
},
{
"paragraph_id": 2,
"text": "The conservative (or free trade) government of Sir James McCulloch was heavily defeated by the liberal (or protectionist) opposition led by Graham Berry, who formed a new government on May 21.",
"title": ""
},
{
"paragraph_id": 3,
"text": "After McCulloch's crushing defeat he retired from politics without returning to parliament. He resigned from the seat of Warrnambool in May 1878. After McCulloch's retirement, James Service emerged as the leader of the numerically depleted Opposition. Service's politics were more of a pragmatic and constitutionalist nature.",
"title": "Aftermath"
},
{
"paragraph_id": 4,
"text": "This term of government was dominated by Berry's struggle with the Legislative Council after that body rejected an appropriations bill in December 1877. On 8 January 1878 ('Black Wednesday') Berry responded by dismissing large numbers of public servants and judges in an effort to discredit the council. A compromise was reached in April, which left the council's powers intact. Berry left for Britain in December 1878 in an effort to persuade the Colonial Office to reform the Legislative Council. However, his efforts at constitutional reform were inconclusive and he returned to Melbourne after six months to face divisions in his party as well as a general economic depression (dubbed the 'Berry Blight') for which his opponents held him responsible.",
"title": "Aftermath"
}
] |
The 1877 Victorian colonial election was held on 11 May 1877 to elect the 9th Parliament of Victoria. It was the first election in Victoria in which all electorates voted on the same day. All 86 seats in 55 electorates in the Legislative Assembly were up for election, though four seats were uncontested. There were 31 single-member, 20 two-member and 4 three-member electorates. The conservative government of Sir James McCulloch was heavily defeated by the liberal opposition led by Graham Berry, who formed a new government on May 21.
|
2023-12-10T11:54:25Z
|
2023-12-17T20:02:10Z
|
[
"Template:Victorian elections",
"Template:Infobox election",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/1877_Victorian_colonial_election
|
75,529,793 |
Zak Mahamed
|
Zak Mahamed (born 29 November 2000) is a British long distance and cross country runner.
Mahamed emigrated from Ethiopia to Southampton in England with his family in 2011. He runs for Southampton Athletics Club and studied at Southampton Solent University. His brother Mahamed Mahamed is also an international runner.
Mahamed won gold as part of the British U23 team at the 2019 European Cross Country Championships in Lisbon. Mahamed was selected to represent Great Britain and Northern Ireland at the 2021 European Cross Country Championships in Fingal-Dublin, Ireland. The following year, Mahamed won silver at the European Cross Country U23 race in Turin, Italy.
In 2023, he set new personal best times over 5000m (13:47.43), 10,000m (27:56.70), 5km (13:57), 10km (28:24), 10 miles (46:41) and the half marathon (63:32).
|
[
{
"paragraph_id": 0,
"text": "Zak Mahamed (born 29 November 2000) is a British long distance and cross country runner.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Mahamed emigrated from Ethiopia to Southampton in England with his family in 2011. He runs for Southampton Athletics Club and studied at Southampton Solent University. His brother Mahamed Mahamed is also an international runner.",
"title": "Early and personal life"
},
{
"paragraph_id": 2,
"text": "Mahamed won gold as part of the British U23 team at the 2019 European Cross Country Championships in Lisbon. Mahamed was selected to represent Great Britain and Northern Ireland at the 2021 European Cross Country Championships in Fingal-Dublin, Ireland. The following year, Mahamed won silver at the European Cross Country U23 race in Turin, Italy.",
"title": "Career"
},
{
"paragraph_id": 3,
"text": "In 2023, he set new personal best times over 5000m (13:47.43), 10,000m (27:56.70), 5km (13:57), 10km (28:24), 10 miles (46:41) and the half marathon (63:32).",
"title": "Career"
}
] |
Zak Mahamed is a British long distance and cross country runner.
|
2023-12-10T11:58:45Z
|
2023-12-13T01:11:18Z
|
[
"Template:Short description",
"Template:Infobox sportsperson",
"Template:Reflist",
"Template:Cite web",
"Template:Cite news",
"Template:Authority control"
] |
https://en.wikipedia.org/wiki/Zak_Mahamed
|
75,529,811 |
High Data Rate
|
High Data Rate or high data rate may refer to:
|
[
{
"paragraph_id": 0,
"text": "High Data Rate or high data rate may refer to:",
"title": ""
}
] |
High Data Rate or high data rate may refer to: High Data Rate, the previous name of Evolution-Data Optimized, a wireless telecommunications standard
High Data Rate, a data rate defined in the InfiniBand communications standard
High Data Rate, a mode in the I3C bus standard
High data rate, a data stream in the Advanced Extremely High Frequency constellation of communications satellites
|
2023-12-10T12:03:04Z
|
2023-12-10T12:03:04Z
|
[
"Template:Disambiguation"
] |
https://en.wikipedia.org/wiki/High_Data_Rate
|
75,529,818 |
Preetam (film)
|
Preetam is a 2021 Indian Marathi-language directed by Sijo Rocky. Pranav Raorane and Nakshatra Medhekar in lead role, story of the film is written by Elango Odai and produce by Faizal Nithin Sijo. It was theatrically released on 19 February 2021.
A milkman struggles with an inferiority complex because of his skin colour. However, everything may change after love knocks at the doors of his heart.
In October 2018, Sijo Rocky announced a debut film titled Preetam. On 26 March 2019, principal photography took place in Kokan, Maharashtra Filming was completed on 11 February 2021.
Mihir Bhanage from The Times of India wrote "While Preetam is still a decent watch, it could've been better with some crisp editing and direction. In the present form, it's not entirely fascinating, but not bad either". Jaideep Pathakji from Maharashtra Times says "In short, Pritam is a love story in a dream. There's a lot that's special about it". Viplav Gupte of News18 India wrote "If edited properly then this film can be more entertaining. Anyway, take a look. This is the story of a town in Konkan. You will like it. Language is not that big a barrier because all are sub title".
|
[
{
"paragraph_id": 0,
"text": "Preetam is a 2021 Indian Marathi-language directed by Sijo Rocky. Pranav Raorane and Nakshatra Medhekar in lead role, story of the film is written by Elango Odai and produce by Faizal Nithin Sijo. It was theatrically released on 19 February 2021.",
"title": ""
},
{
"paragraph_id": 1,
"text": "A milkman struggles with an inferiority complex because of his skin colour. However, everything may change after love knocks at the doors of his heart.",
"title": "Synopsis"
},
{
"paragraph_id": 2,
"text": "In October 2018, Sijo Rocky announced a debut film titled Preetam. On 26 March 2019, principal photography took place in Kokan, Maharashtra Filming was completed on 11 February 2021.",
"title": "Production"
},
{
"paragraph_id": 3,
"text": "Mihir Bhanage from The Times of India wrote \"While Preetam is still a decent watch, it could've been better with some crisp editing and direction. In the present form, it's not entirely fascinating, but not bad either\". Jaideep Pathakji from Maharashtra Times says \"In short, Pritam is a love story in a dream. There's a lot that's special about it\". Viplav Gupte of News18 India wrote \"If edited properly then this film can be more entertaining. Anyway, take a look. This is the story of a town in Konkan. You will like it. Language is not that big a barrier because all are sub title\".",
"title": "Reception"
}
] |
Preetam is a 2021 Indian Marathi-language directed by Sijo Rocky. Pranav Raorane and Nakshatra Medhekar in lead role, story of the film is written by Elango Odai and produce by Faizal Nithin Sijo. It was theatrically released on 19 February 2021.
|
2023-12-10T12:04:14Z
|
2023-12-25T10:45:38Z
|
[
"Template:Cite web",
"Template:IMDb title",
"Template:Infobox film",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Preetam_(film)
|
75,529,819 |
Tommaso Meduna
|
Tommaso Meduna (1798–1880), knight of the Order of Saints Maurice and Lazarus, was an Italian engineer.
He was the son of Venetian carpenter and window maker Andrea Meduna and a descendant of the Meduna family.
He was the designer of the first railway bridge between Venice and the mainland (1836–1841).
During his career, he often collaborated with his brother, architect Giovanni Battista Meduna (1800–1886), including in the reconstruction the Gran Teatro La Fenice, destroyed by the fire of 1836, and the Teatro Comunale Alighieri in Ravenna (1840–1852).
Meduna held positions as Senior Engineer 1st Class and Director of the Provincial Office of Public Buildings (at the Palazzo Loredan in Campo Santo Stefano) and Chief 1st Class in the Royal Corps of Civil Engineers.
|
[
{
"paragraph_id": 0,
"text": "Tommaso Meduna (1798–1880), knight of the Order of Saints Maurice and Lazarus, was an Italian engineer.",
"title": ""
},
{
"paragraph_id": 1,
"text": "He was the son of Venetian carpenter and window maker Andrea Meduna and a descendant of the Meduna family.",
"title": "Biography"
},
{
"paragraph_id": 2,
"text": "He was the designer of the first railway bridge between Venice and the mainland (1836–1841).",
"title": "Biography"
},
{
"paragraph_id": 3,
"text": "During his career, he often collaborated with his brother, architect Giovanni Battista Meduna (1800–1886), including in the reconstruction the Gran Teatro La Fenice, destroyed by the fire of 1836, and the Teatro Comunale Alighieri in Ravenna (1840–1852).",
"title": "Biography"
},
{
"paragraph_id": 4,
"text": "Meduna held positions as Senior Engineer 1st Class and Director of the Provincial Office of Public Buildings (at the Palazzo Loredan in Campo Santo Stefano) and Chief 1st Class in the Royal Corps of Civil Engineers.",
"title": "Biography"
}
] |
Tommaso Meduna (1798–1880), knight of the Order of Saints Maurice and Lazarus, was an Italian engineer.
|
2023-12-10T12:04:25Z
|
2023-12-26T18:07:56Z
|
[
"Template:Short description",
"Template:Reflist",
"Template:Cite book",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Tommaso_Meduna
|
75,529,829 |
List of Cemeteries and Graveyards in Aberdeen
|
This is a list of 20 graveyards, burial grounds and cemeteries in Aberdeen, seventeen of which are maintained by Aberdeen City Council.
|
[
{
"paragraph_id": 0,
"text": "This is a list of 20 graveyards, burial grounds and cemeteries in Aberdeen, seventeen of which are maintained by Aberdeen City Council.",
"title": ""
},
{
"paragraph_id": 1,
"text": "",
"title": "Churchyards in Council Control"
},
{
"paragraph_id": 2,
"text": "",
"title": "Churchyards in Council Control"
},
{
"paragraph_id": 3,
"text": "",
"title": "Other Burial Grounds"
}
] |
This is a list of 20 graveyards, burial grounds and cemeteries in Aberdeen, seventeen of which are maintained by Aberdeen City Council.
|
2023-12-10T12:09:16Z
|
2023-12-11T16:39:43Z
|
[
"Template:Use dmy dates",
"Template:Reflist",
"Template:Cite web",
"Template:Short description"
] |
https://en.wikipedia.org/wiki/List_of_Cemeteries_and_Graveyards_in_Aberdeen
|
75,529,870 |
Gatwal Gatkuoth
|
Gatwal Gatkuoth also known as Gatwal Augustine Gatkuoth Yul is a South Sudanese refugee living in Uganda. He fled hundreds of miles alone to Uganda at the age of 11 from South Sudan. He is a founding member of the Upper Nile Institute of Public Health and Young Adult Empowerment Initiative. He is also a 2017 fellow of the US Institute of Peace, a 2019 Obama Foundation African leader, and the recipient of the 2018 Peace Direct's Tomorrow's Peacebuilders Award.
Gatwal Gatkuoth was born in South Sudan and was forced to flee his homeland because of war. He sought asylum in Uganda when he was only eleven years old.
Gatwal Gatkuoth is a co-founder of the Upper Nile Public Health Institute and the Young Adult Empowerment Initiative. He is the 2017 U.S. Peace Fellow and 2019 Obama Foundation Africa Leader. He was also honored with the Peacemaker Award by Peace Direct for 2018. In April 2020, Gatkuoth attended a meeting on resolutions 2250 and 2419, with the UN Secretary-General -General and the Secretary-General's Representative for Youths, focused on Peace and Security (YPS). This was part of his continued work advocating for the cause of YPS, both grassroots and internationally.
|
[
{
"paragraph_id": 0,
"text": "Gatwal Gatkuoth also known as Gatwal Augustine Gatkuoth Yul is a South Sudanese refugee living in Uganda. He fled hundreds of miles alone to Uganda at the age of 11 from South Sudan. He is a founding member of the Upper Nile Institute of Public Health and Young Adult Empowerment Initiative. He is also a 2017 fellow of the US Institute of Peace, a 2019 Obama Foundation African leader, and the recipient of the 2018 Peace Direct's Tomorrow's Peacebuilders Award.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Gatwal Gatkuoth was born in South Sudan and was forced to flee his homeland because of war. He sought asylum in Uganda when he was only eleven years old.",
"title": "Early Life and Education"
},
{
"paragraph_id": 2,
"text": "Gatwal Gatkuoth is a co-founder of the Upper Nile Public Health Institute and the Young Adult Empowerment Initiative. He is the 2017 U.S. Peace Fellow and 2019 Obama Foundation Africa Leader. He was also honored with the Peacemaker Award by Peace Direct for 2018. In April 2020, Gatkuoth attended a meeting on resolutions 2250 and 2419, with the UN Secretary-General -General and the Secretary-General's Representative for Youths, focused on Peace and Security (YPS). This was part of his continued work advocating for the cause of YPS, both grassroots and internationally.",
"title": "Career"
}
] |
Gatwal Gatkuoth also known as Gatwal Augustine Gatkuoth Yul is a South Sudanese refugee living in Uganda. He fled hundreds of miles alone to Uganda at the age of 11 from South Sudan. He is a founding member of the Upper Nile Institute of Public Health and Young Adult Empowerment Initiative. He is also a 2017 fellow of the US Institute of Peace, a 2019 Obama Foundation African leader, and the recipient of the 2018 Peace Direct's Tomorrow's Peacebuilders Award.
|
2023-12-10T12:21:17Z
|
2023-12-14T08:57:47Z
|
[
"Template:Orphan",
"Template:Cite web",
"Template:Cite book"
] |
https://en.wikipedia.org/wiki/Gatwal_Gatkuoth
|
75,529,872 |
Nadaunta Assembly constituency
|
Nadaunta Assembly constituency was an assembly constituency in the India state of Himachal Pradesh.
|
[
{
"paragraph_id": 0,
"text": "Nadaunta Assembly constituency was an assembly constituency in the India state of Himachal Pradesh.",
"title": ""
}
] |
Nadaunta Assembly constituency was an assembly constituency in the India state of Himachal Pradesh.
|
2023-12-10T12:22:17Z
|
2023-12-18T20:14:42Z
|
[
"Template:Election box candidate with party link",
"Template:Election box end",
"Template:Reflist",
"Template:Assembly constituencies of Himachal Pradesh",
"Template:Short description",
"Template:Election box begin",
"Template:Election box margin of victory",
"Template:Election box gain with party link",
"Template:Infobox Indian constituency",
"Template:Election box winning candidate with party link",
"Template:Election box turnout",
"Template:HimachalPradesh-geo-stub",
"Template:Full party name with color",
"Template:Election box registered electors",
"Template:Election box hold with party link",
"Template:Election box new seat win"
] |
https://en.wikipedia.org/wiki/Nadaunta_Assembly_constituency
|
75,529,875 |
Richard Nelmes
|
Richard John Nelmes, FRS, FRSE, OBE (born 1943) is a British crystallographer, currently professor emeritus and Honorary Professorial Fellow in the School of Physics and Astronomy at the University of Edinburgh. As chair of the university's Centre for Science at Extreme Conditions (CSEC), he studies the behaviour of crystal structures and materials such as ice, methane, and silicon at pressures of up to 1 million times normal atmospheric pressure.
Nelmes graduated from the University of Cambridge, before moving to the University of Edinburgh, where he took a PhD supervised by William Cochran.
At the Edinburgh University Centre for Science at Extreme Conditions, Nelmes' research looks at how extreme pressures can change the properties of existing materials or create entirely new ones. This work has many industrial applications, from creating new superconductors to cooking foods using pressure instead of heat. Nelmes also works at the Rutherford Appleton Laboratory where he helped to establish the Diamond Light Source X-ray synchrotron and has pioneered high-pressure X-ray diffraction.
Nelmes received an OBE in 2000 for his scientific research. He was elected a Fellow of the Royal Society of Edinburgh in 1995 and a Fellow of the Royal Society in 2003. In 2007, he received the Duddell Medal from the Institute of Physics for "pioneering new techniques and instrumentation that have transformed high-pressure structural science, including the production of quantitative diffraction data that can be analysed to pressures beyond a megabar".
|
[
{
"paragraph_id": 0,
"text": "Richard John Nelmes, FRS, FRSE, OBE (born 1943) is a British crystallographer, currently professor emeritus and Honorary Professorial Fellow in the School of Physics and Astronomy at the University of Edinburgh. As chair of the university's Centre for Science at Extreme Conditions (CSEC), he studies the behaviour of crystal structures and materials such as ice, methane, and silicon at pressures of up to 1 million times normal atmospheric pressure.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Nelmes graduated from the University of Cambridge, before moving to the University of Edinburgh, where he took a PhD supervised by William Cochran.",
"title": "Early life and career"
},
{
"paragraph_id": 2,
"text": "At the Edinburgh University Centre for Science at Extreme Conditions, Nelmes' research looks at how extreme pressures can change the properties of existing materials or create entirely new ones. This work has many industrial applications, from creating new superconductors to cooking foods using pressure instead of heat. Nelmes also works at the Rutherford Appleton Laboratory where he helped to establish the Diamond Light Source X-ray synchrotron and has pioneered high-pressure X-ray diffraction.",
"title": "Research interests"
},
{
"paragraph_id": 3,
"text": "Nelmes received an OBE in 2000 for his scientific research. He was elected a Fellow of the Royal Society of Edinburgh in 1995 and a Fellow of the Royal Society in 2003. In 2007, he received the Duddell Medal from the Institute of Physics for \"pioneering new techniques and instrumentation that have transformed high-pressure structural science, including the production of quantitative diffraction data that can be analysed to pressures beyond a megabar\".",
"title": "Awards"
}
] |
Richard John Nelmes,, , is a British crystallographer, currently professor emeritus and Honorary Professorial Fellow in the School of Physics and Astronomy at the University of Edinburgh. As chair of the university's Centre for Science at Extreme Conditions (CSEC), he studies the behaviour of crystal structures and materials such as ice, methane, and silicon at pressures of up to 1 million times normal atmospheric pressure.
|
2023-12-10T12:23:24Z
|
2023-12-12T11:02:50Z
|
[
"Template:FRS 2003",
"Template:Authority control",
"Template:Reflist",
"Template:Cite web",
"Template:Official website",
"Template:Short description",
"Template:Infobox scientist",
"Template:Postnom",
"Template:Cite journal"
] |
https://en.wikipedia.org/wiki/Richard_Nelmes
|
75,529,878 |
2023 KBS Entertainment Awards
|
The 2023 KBS Entertainment Awards (Korean: 2023 KBS 연예대상; RR: 2023 KBS Yeon-Ye Daesang) presented by Korean Broadcasting System (KBS), took place on December 23, 2023, at KBS New Wing Open Hall in Yeouido-dong, Yeongdeungpo-gu, Seoul. It was hosted by Shin Dong-yup, Cho Yi-hyun and Joo Woo-jae.
In the award ceremony 2 Days & 1 Night 4 was awarded the Grand Prize, whereas Immortal Songs: Singing the Legend was viewers' choice for Best Program Award.
(Winners denoted in bold)
|
[
{
"paragraph_id": 0,
"text": "The 2023 KBS Entertainment Awards (Korean: 2023 KBS 연예대상; RR: 2023 KBS Yeon-Ye Daesang) presented by Korean Broadcasting System (KBS), took place on December 23, 2023, at KBS New Wing Open Hall in Yeouido-dong, Yeongdeungpo-gu, Seoul. It was hosted by Shin Dong-yup, Cho Yi-hyun and Joo Woo-jae.",
"title": ""
},
{
"paragraph_id": 1,
"text": "In the award ceremony 2 Days & 1 Night 4 was awarded the Grand Prize, whereas Immortal Songs: Singing the Legend was viewers' choice for Best Program Award.",
"title": ""
},
{
"paragraph_id": 2,
"text": "(Winners denoted in bold)",
"title": "Nominations and winners"
}
] |
The 2023 KBS Entertainment Awards presented by Korean Broadcasting System (KBS), took place on December 23, 2023, at KBS New Wing Open Hall in Yeouido-dong, Yeongdeungpo-gu, Seoul. It was hosted by Shin Dong-yup, Cho Yi-hyun and Joo Woo-jae. In the award ceremony 2 Days & 1 Night 4 was awarded the Grand Prize, whereas Immortal Songs: Singing the Legend was viewers' choice for Best Program Award.
|
2023-12-10T12:24:13Z
|
2023-12-30T14:37:56Z
|
[
"Template:Short description",
"Template:Small",
"Template:Cite web",
"Template:Official website",
"Template:In lang",
"Template:KBS Entertainment Awards",
"Template:Use mdy dates",
"Template:Infobox award",
"Template:Ko-hhrm",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/2023_KBS_Entertainment_Awards
|
75,529,880 |
Şehit Burak Karakoç, Pasinler
|
Şehit Burak Karakoç (formerly: Korucuk) is a neighbourhood in the municipality and district of Pasinler, Erzurum Province in Turkey. Its population is 199 (2022).
|
[
{
"paragraph_id": 0,
"text": "Şehit Burak Karakoç (formerly: Korucuk) is a neighbourhood in the municipality and district of Pasinler, Erzurum Province in Turkey. Its population is 199 (2022).",
"title": ""
},
{
"paragraph_id": 1,
"text": "",
"title": "References"
},
{
"paragraph_id": 2,
"text": "",
"title": "References"
}
] |
Şehit Burak Karakoç is a neighbourhood in the municipality and district of Pasinler, Erzurum Province in Turkey. Its population is 199 (2022).
|
2023-12-10T12:25:01Z
|
2023-12-10T12:25:01Z
|
[
"Template:Authority control",
"Template:Erzurum-geo-stub",
"Template:Short description",
"Template:Use dmy dates",
"Template:Reflist",
"Template:Cite web",
"Template:Infobox Turkey place",
"Template:Pasinler District",
"Template:Coord missing"
] |
https://en.wikipedia.org/wiki/%C5%9Eehit_Burak_Karako%C3%A7,_Pasinler
|
75,529,886 |
Axel Vang Christensen
|
Axel Vang Christensen (born 30 July 2004) is a Danish track and field athlete and cross-country runner. He is the 2021 and 2023 European Cross Country U20 champion.
Christensen was brought up in Hillerod, to the north of Copenhagen. He started running initially just in order to increase his fitness for football. However, he won an under-age national title when 11 years-old and changed his focus to athletics. He attended the University of Birmingham, where he was a contemporary of Will Barnicoat.
In 2021 he won silver in the 3000 Metres Steeplechase at the 2021 European Athletics U20 Championships in Tallinn. He won the U20 race at the 2021 European Cross Country Championships in Dublin.
In 2021, he also won the Danish national championships over 10k, and retained the title in 2022, finishing a minute ahead of Thijs Nijhuis. In 2022, in Lillesø, he beat the Jakob Ingebrigtsen's U20 European record for 3000 meters indoors. He competed in the 3000m steeplechase at the 2022 European Athletics Championships in Munich, however he picked up an injury during the race and could not complete the course.
In December 2023, he won the 2023 European Cross Country Championships U20 race in Brussels, finishing strongly ahead of Niels Laros and Nick Griggs.
|
[
{
"paragraph_id": 0,
"text": "Axel Vang Christensen (born 30 July 2004) is a Danish track and field athlete and cross-country runner. He is the 2021 and 2023 European Cross Country U20 champion.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Christensen was brought up in Hillerod, to the north of Copenhagen. He started running initially just in order to increase his fitness for football. However, he won an under-age national title when 11 years-old and changed his focus to athletics. He attended the University of Birmingham, where he was a contemporary of Will Barnicoat.",
"title": "Early life"
},
{
"paragraph_id": 2,
"text": "In 2021 he won silver in the 3000 Metres Steeplechase at the 2021 European Athletics U20 Championships in Tallinn. He won the U20 race at the 2021 European Cross Country Championships in Dublin.",
"title": "Career"
},
{
"paragraph_id": 3,
"text": "In 2021, he also won the Danish national championships over 10k, and retained the title in 2022, finishing a minute ahead of Thijs Nijhuis. In 2022, in Lillesø, he beat the Jakob Ingebrigtsen's U20 European record for 3000 meters indoors. He competed in the 3000m steeplechase at the 2022 European Athletics Championships in Munich, however he picked up an injury during the race and could not complete the course.",
"title": "Career"
},
{
"paragraph_id": 4,
"text": "In December 2023, he won the 2023 European Cross Country Championships U20 race in Brussels, finishing strongly ahead of Niels Laros and Nick Griggs.",
"title": "Career"
}
] |
Axel Vang Christensen is a Danish track and field athlete and cross-country runner. He is the 2021 and 2023 European Cross Country U20 champion.
|
2023-12-10T12:27:29Z
|
2023-12-14T13:38:09Z
|
[
"Template:Short description",
"Template:Infobox sportsperson",
"Template:Reflist",
"Template:Cite web",
"Template:Authority control"
] |
https://en.wikipedia.org/wiki/Axel_Vang_Christensen
|
75,529,898 |
Meiji Gekken: 1874
|
Meiji Gekken: 1874 (明治撃剣－1874－) is an upcoming original Japanese anime television series created by Tsukasa Sakurai and Naoki Tozuka and animated by Tsumugi Akita Anime Lab. It is directed by Jin Tamamura and written by Tozuka, with Naru Nishikori and Masayori Komine designing the characters and Shūji Katayama composing the music. It is scheduled to premiere on January 14, 2024, on BS Shochiku Tokyu. Crunchyroll licensed the series as part of its Crunchyroll Originals label.
|
[
{
"paragraph_id": 0,
"text": "Meiji Gekken: 1874 (明治撃剣－1874－) is an upcoming original Japanese anime television series created by Tsukasa Sakurai and Naoki Tozuka and animated by Tsumugi Akita Anime Lab. It is directed by Jin Tamamura and written by Tozuka, with Naru Nishikori and Masayori Komine designing the characters and Shūji Katayama composing the music. It is scheduled to premiere on January 14, 2024, on BS Shochiku Tokyu. Crunchyroll licensed the series as part of its Crunchyroll Originals label.",
"title": ""
}
] |
Meiji Gekken: 1874 (明治撃剣－1874－) is an upcoming original Japanese anime television series created by Tsukasa Sakurai and Naoki Tozuka and animated by Tsumugi Akita Anime Lab. It is directed by Jin Tamamura and written by Tozuka, with Naru Nishikori and Masayori Komine designing the characters and Shūji Katayama composing the music. It is scheduled to premiere on January 14, 2024, on BS Shochiku Tokyu. Crunchyroll licensed the series as part of its Crunchyroll Originals label.
|
2023-12-10T12:29:04Z
|
2023-12-31T11:34:26Z
|
[
"Template:Anime News Network",
"Template:Anime-stub",
"Template:Infobox animanga/Header",
"Template:Infobox animanga/Video",
"Template:Infobox animanga/Footer",
"Template:Nihongo",
"Template:Voiced by",
"Template:Reflist",
"Template:Cite web",
"Template:In lang"
] |
https://en.wikipedia.org/wiki/Meiji_Gekken:_1874
|
75,529,920 |
Sphumelele Shamase
|
Sphumelele Shamase (also Siphumelele; born 16 January 2002) is a South African soccer player who plays as a midfielder for SAFA Women's League club University of Johannesburg and the South Africa women's national team.
She has an identical twin sister, Thubelihle Shamase, who also plays soccer.
Shamase currently plays for the University of Johannesburg.
In 2023, she was the top scorer in the 2023 Hollywoodbets Super League finishing with 22 goals.
In 2017, she was selected in the Bantwana squad for the FIFA U/17 Women's World Cup Qualifiers.Shamase competed for Bantwana at the 2018 FIFA U/17 Women's World Cup.
In 2023, she competed for the South African women's national team at the 2023 Cosafa Women's Championship where they existed in the group stages and was also was added to the national team for the 2024 Women's Africa Cup of nations qualifier against Burkina Faso.
Individual
|
[
{
"paragraph_id": 0,
"text": "Sphumelele Shamase (also Siphumelele; born 16 January 2002) is a South African soccer player who plays as a midfielder for SAFA Women's League club University of Johannesburg and the South Africa women's national team.",
"title": ""
},
{
"paragraph_id": 1,
"text": "She has an identical twin sister, Thubelihle Shamase, who also plays soccer.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Shamase currently plays for the University of Johannesburg.",
"title": "Club career"
},
{
"paragraph_id": 3,
"text": "In 2023, she was the top scorer in the 2023 Hollywoodbets Super League finishing with 22 goals.",
"title": "Club career"
},
{
"paragraph_id": 4,
"text": "In 2017, she was selected in the Bantwana squad for the FIFA U/17 Women's World Cup Qualifiers.Shamase competed for Bantwana at the 2018 FIFA U/17 Women's World Cup.",
"title": "International career"
},
{
"paragraph_id": 5,
"text": "In 2023, she competed for the South African women's national team at the 2023 Cosafa Women's Championship where they existed in the group stages and was also was added to the national team for the 2024 Women's Africa Cup of nations qualifier against Burkina Faso.",
"title": "International career"
},
{
"paragraph_id": 6,
"text": "Individual",
"title": "Honours"
}
] |
Sphumelele Shamase is a South African soccer player who plays as a midfielder for SAFA Women's League club University of Johannesburg and the South Africa women's national team. She has an identical twin sister, Thubelihle Shamase, who also plays soccer.
|
2023-12-10T12:32:19Z
|
2023-12-30T19:46:43Z
|
[
"Template:Short description",
"Template:Infobox football biography",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Sphumelele_Shamase
|
75,529,927 |
Lina Lambraki
|
Lina Lambrakis (Komotini, 1935 - Thessaloniki , April 28, 2013) was a Greek theater actress.
Born in 1935 in Komotini, Thrace, Lina Lambrakis studied at the Drama School of Lykourgos Stavrakos, in Athens.
In 1971, she moved to Thessaloniki, in order to work on behalf of the National Theatre of Northern Greece, a collaboration which lasted for the rest of her life. Her first participation as an actress took place in 1972, in the play Iphigenia in Tauris by Euripides.
Among her most important successes os her participation in the play Electra by Sophocles, in 1975, directed by Minos Volanakis, which was of decisive importance for the continuation of her professional career.
During the period between 1978 and 1980, he was a member of the local Representative Committee of the Union of Greek Actors , as well as, during the period between 1981 and 1983, a member of the board of directors of the National Theatre of Northern Greece. During the period between 1989 and 1990, she attempted to engage in politics through her candidacy as a Member of Parliament on behalf of the Panhellenic Socialist Movement.
Her last participation was the anniversary performance "Mikra Dionysia", in 2011, directed by Yiannis Rigas and Grigoris Karatinakis, in the context of the celebration of the 50 years of history of the National Theatre of Northern Greece.
After the end of her professional career as an actress, she pursued a career as an acting teacher within the Drama School of the National Theatre of Northern Greece.
She passed away on April 2013, in the city of Thessaloniki where she lived, while her funeral took place a few days later 29 April 2013 in Thermi.
|
[
{
"paragraph_id": 0,
"text": "Lina Lambrakis (Komotini, 1935 - Thessaloniki , April 28, 2013) was a Greek theater actress.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Born in 1935 in Komotini, Thrace, Lina Lambrakis studied at the Drama School of Lykourgos Stavrakos, in Athens.",
"title": "Biography"
},
{
"paragraph_id": 2,
"text": "In 1971, she moved to Thessaloniki, in order to work on behalf of the National Theatre of Northern Greece, a collaboration which lasted for the rest of her life. Her first participation as an actress took place in 1972, in the play Iphigenia in Tauris by Euripides.",
"title": "Biography"
},
{
"paragraph_id": 3,
"text": "Among her most important successes os her participation in the play Electra by Sophocles, in 1975, directed by Minos Volanakis, which was of decisive importance for the continuation of her professional career.",
"title": "Biography"
},
{
"paragraph_id": 4,
"text": "During the period between 1978 and 1980, he was a member of the local Representative Committee of the Union of Greek Actors , as well as, during the period between 1981 and 1983, a member of the board of directors of the National Theatre of Northern Greece. During the period between 1989 and 1990, she attempted to engage in politics through her candidacy as a Member of Parliament on behalf of the Panhellenic Socialist Movement.",
"title": "Biography"
},
{
"paragraph_id": 5,
"text": "Her last participation was the anniversary performance \"Mikra Dionysia\", in 2011, directed by Yiannis Rigas and Grigoris Karatinakis, in the context of the celebration of the 50 years of history of the National Theatre of Northern Greece.",
"title": "Biography"
},
{
"paragraph_id": 6,
"text": "After the end of her professional career as an actress, she pursued a career as an acting teacher within the Drama School of the National Theatre of Northern Greece.",
"title": "Biography"
},
{
"paragraph_id": 7,
"text": "She passed away on April 2013, in the city of Thessaloniki where she lived, while her funeral took place a few days later 29 April 2013 in Thermi.",
"title": "Biography"
}
] |
Lina Lambrakis was a Greek theater actress.
|
2023-12-10T12:32:47Z
|
2023-12-11T09:32:48Z
|
[
"Template:Cite web",
"Template:Authority control"
] |
https://en.wikipedia.org/wiki/Lina_Lambraki
|
75,529,955 |
Md Mokbul Hossain
|
Md Mokbul Hossain is a retired Ministry of Information and Broadcasting Secretary. He was sent into forced retirement before his tenure ended citing public interest.
Hossain was born in Ballavepur, Kumarkhali Upazila, Kushtia District. He completed his undergraduate in agriculture economics at the Bangladesh Agricultural University.
Hossain joined the 10th batch of the Bangladesh Civil Service in 1991 as an admin cadre. He served as Assistant Commissioner of Land and Upazila Nirbahi Officer. He was the deputy commissioner of Dinajpur District.
Hossain was the Additional Secretary in the Ministry of Textiles and Jute.
On 31 May 2021, Hossain was appointed secretary of the Ministry of Information and Broadcasting. He was previously the Registrar of Joint Stock Companies And Firms. Under him, in 2020, a record number of companies were registered.
Hossain was sent into forced retirement by the Ministry of Public Administration of the government of Bangladesh in October 2022 citing "public interest". There was widespread speculation in the media about his termination. He denied being disloyal to the government and claimed he was a member of the Bangladesh Chhatra League, the student wing of the ruling Awami League, as a student at Bangladesh Agricultural University. He denied allegations of ties with the opposition Bangladesh Nationalist Party and it's vice-chairman, Tarique Rahman, in London. Justice Md Nazrul Islam Talukder and Justice Khizir Hayat Lizu of the High Court Division asked the Anti-Corruption Commission if they had taken any action on the corruption allegations against Hossain. Zakia Sultana was appointed to replace him but she was replaced two months later by Humayun Kabir Khandakar.
Hossain is married to Israt Jahan Nina. They have two daughters.
|
[
{
"paragraph_id": 0,
"text": "Md Mokbul Hossain is a retired Ministry of Information and Broadcasting Secretary. He was sent into forced retirement before his tenure ended citing public interest.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Hossain was born in Ballavepur, Kumarkhali Upazila, Kushtia District. He completed his undergraduate in agriculture economics at the Bangladesh Agricultural University.",
"title": "Early life"
},
{
"paragraph_id": 2,
"text": "Hossain joined the 10th batch of the Bangladesh Civil Service in 1991 as an admin cadre. He served as Assistant Commissioner of Land and Upazila Nirbahi Officer. He was the deputy commissioner of Dinajpur District.",
"title": "Career"
},
{
"paragraph_id": 3,
"text": "Hossain was the Additional Secretary in the Ministry of Textiles and Jute.",
"title": "Career"
},
{
"paragraph_id": 4,
"text": "On 31 May 2021, Hossain was appointed secretary of the Ministry of Information and Broadcasting. He was previously the Registrar of Joint Stock Companies And Firms. Under him, in 2020, a record number of companies were registered.",
"title": "Career"
},
{
"paragraph_id": 5,
"text": "Hossain was sent into forced retirement by the Ministry of Public Administration of the government of Bangladesh in October 2022 citing \"public interest\". There was widespread speculation in the media about his termination. He denied being disloyal to the government and claimed he was a member of the Bangladesh Chhatra League, the student wing of the ruling Awami League, as a student at Bangladesh Agricultural University. He denied allegations of ties with the opposition Bangladesh Nationalist Party and it's vice-chairman, Tarique Rahman, in London. Justice Md Nazrul Islam Talukder and Justice Khizir Hayat Lizu of the High Court Division asked the Anti-Corruption Commission if they had taken any action on the corruption allegations against Hossain. Zakia Sultana was appointed to replace him but she was replaced two months later by Humayun Kabir Khandakar.",
"title": "Career"
},
{
"paragraph_id": 6,
"text": "Hossain is married to Israt Jahan Nina. They have two daughters.",
"title": "Personal life"
}
] |
Md Mokbul Hossain is a retired Ministry of Information and Broadcasting Secretary. He was sent into forced retirement before his tenure ended citing public interest.
|
2023-12-10T12:38:32Z
|
2023-12-10T12:38:32Z
|
[
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Md_Mokbul_Hossain
|
75,529,959 |
Egyptien de tradition
|
Égyptien de tradition (French terminus technicus), alias “Traditional Egyptian”, is a literary and religious hieroglyphic written language artificially cultivated in ancient Egypt from the later New Kingdom until the Greco-Roman Period (14th century BCE - 4th century CE). It is based on older varieties of Egyptian, in particular Middle Egyptian (therefore also referred to as "Neo-Middle Egyptian" or "Late-Middle Egyptian"), but in some cases also contains characteristics of Old Egyptian, Late Egyptian, or Demotic.
More on the basis of significantly different hieroglyphic orthography than linguistic characteristics, a distinction is usually made between:
The last hieroglyphic inscription, written in Égyptien de tradition, dates to the end of the 4th century AD.
Concrete traditional Egyptian texts or groups of texts eventually show different mixtures of older Egyptian grammatical phenomena and vocabulary, and occasionally they also show historically unattested, peculiar grammatical phenomena. It would therefore make sense to speak of “Égyptiens de tradition” in plural.
|
[
{
"paragraph_id": 0,
"text": "Égyptien de tradition (French terminus technicus), alias “Traditional Egyptian”, is a literary and religious hieroglyphic written language artificially cultivated in ancient Egypt from the later New Kingdom until the Greco-Roman Period (14th century BCE - 4th century CE). It is based on older varieties of Egyptian, in particular Middle Egyptian (therefore also referred to as \"Neo-Middle Egyptian\" or \"Late-Middle Egyptian\"), but in some cases also contains characteristics of Old Egyptian, Late Egyptian, or Demotic.",
"title": ""
},
{
"paragraph_id": 1,
"text": "More on the basis of significantly different hieroglyphic orthography than linguistic characteristics, a distinction is usually made between:",
"title": ""
},
{
"paragraph_id": 2,
"text": "The last hieroglyphic inscription, written in Égyptien de tradition, dates to the end of the 4th century AD.",
"title": ""
},
{
"paragraph_id": 3,
"text": "Concrete traditional Egyptian texts or groups of texts eventually show different mixtures of older Egyptian grammatical phenomena and vocabulary, and occasionally they also show historically unattested, peculiar grammatical phenomena. It would therefore make sense to speak of “Égyptiens de tradition” in plural.",
"title": ""
}
] |
Égyptien de tradition, alias “Traditional Egyptian”, is a literary and religious hieroglyphic written language artificially cultivated in ancient Egypt from the later New Kingdom until the Greco-Roman Period. It is based on older varieties of Egyptian, in particular Middle Egyptian, but in some cases also contains characteristics of Old Egyptian, Late Egyptian, or Demotic. More on the basis of significantly different hieroglyphic orthography than linguistic characteristics, a distinction is usually made between: classical Égyptien de tradition, written in the classical hieroglyphic writing system
“Ptolemaic” The last hieroglyphic inscription, written in Égyptien de tradition, dates to the end of the 4th century AD.
|
2023-12-10T12:39:29Z
|
2023-12-11T00:39:27Z
|
[
"Template:Literatur"
] |
https://en.wikipedia.org/wiki/Egyptien_de_tradition
|
75,529,969 |
Triton Poker Series
|
The Triton Poker Series is a series of poker tournaments that is played around three times a year at various locations around the world. The tournaments with buy-ins of at least 15,000 United States dollar are among the most expensive and most prestigious poker tournaments in the world.
The Triton Poker Series was founded by Malaysian businessman Paul Phua and co-founded by Malaysian businessman Richard Yong. The most tournaments are played in the variants No-Limit Hold'em and Short Deck. Sometimes there are tournaments in Pot-Limit Omaha on the tournament schedule as well. Since 2019 there is a Main Event in No-Limit Hold'em and a Main Event in Short Deck at each stop of the tournament series.
At the end of January 2017 three events in Manila, Macau and Montenegro were announced for the year. In May 2018 four more tournaments were held in Montenegro. There, further events in the South Korean Jeju Province were announced for the end of July 2018. The first events of 2019 were also played in Jeju-do in March. At the second event in 2019 the variant Pot-Limit Omaha was played for the first time at Triton Poker Series. At the beginning of August 2019 the Triton Million for Charity took place in London which was the most expensive poker tournament to date with a buy-in of one million Pound sterling. The tournament series planned for February 2020 in Jeju-do was postponed due to the COVID-19 pandemic. The planned holding in Montenegro in May 2020 was also canceled at the end of March 2020. The return of the tournament series in Bali announced for February 2022 also had to be postponed due to COVID-19 pandemic as well as four tournaments in Sochi due to the Russian invasion of Ukraine. Ultimately the first event after the outbreak of the COVID-19 pandemic took place in April 2022 in Kyrenia in Northern Cyprus. In September 2022 the Coin Rivet Invitational was held in Kyrenia as the second invitational tournament by the series. A few days after the event Ivan Leow, a co-founder and regular of the Triton Poker Series, died during the ongoing tournament series whereupon the current tournament was aborted and the remaining two events were cancelled.
The tournaments are broadcast via YouTube and the live streaming platform Twitch and feature commentators like Lex Veldhuis and Randy Lew.
The Triton Million for Charity was the first ever invitational tournament hosted by the Triton Poker Series. It was held from August 1st to 3rd, 2019 at London Hilton on Park Lane in London. The buy-in was £1,050,000 making it the most expensive poker tournament to date. The participants had to be invited, with the organizers requesting 27 recreational players or business people as players and they in turn selecting a professional poker player. The 54 players generated a total price pool of £54,000,000.
In the first six blind levels, each lasting an hour, the recreational and professional players were placed at separate tables. Ten blind levels were played on the first day of the tournament. At the end of the day, 36 of the 54 players were still in the tournament with Bill Perkins as the chip leader. On the second day of the Triton Million the prize money ranks were reached with the elimination of Igor Kurganov. The day ended with reaching the eight-handed final table with Vivek Rajkumar leading the field. On the final day Bryn Kenney and Aaron Zang reached the final heads-up and agreed an ICM deal giving Zang a payout of £13,779,491 and Kenney £16,890,509, the largest payout in a poker tournament to date. After that, Zang regained the lead after two big pots and won the title.
The Coin Rivet Invitational was the second invitational tournament hosted by the Triton Poker Series. It was held from September 10th to 12th, 2022 at the Merit Royal Hotel & Casino, a luxurious hotel in Kyrenia in Northern Cyprus. The cryptocurrency platform Coin Rivet acted as a sponsor and secured the naming rights to the event with a buy-in of $210,000, making it one of the most expensive poker tournaments in 2022. Similar to the Triton Million for Charity professional poker players had to be invited by businessmen. Almost all of the world's top poker players participated in the tournament. Also three women (Sosia Jiang, Ebony Kenney and Melika Razavi) played in the Coin Rivet Invitational. In total 90 players, 45 recreational players and 45 professional players, took part in the tournament. Every player was allowed to re-enter after being eliminated in one of the first 10 blind levels. That was used by 25 players and created a total prize pool of $23,000,000.
In the first eight blind levels, each lasting 50 minutes, the recreational and professional players sat at separate tables. After the first day of the tournament 80 players were still in the event with Leon Tsoukernik as the chip leader. On the second day of the tournament, the recreational and professional players were mixed for the first time. With Chris Brewer's elimination in 18th place the prize money ranks were reached and all remaining players were guaranteed $380,000. The day ended with 16 players with Fedor Holz leading the field. The final table was reached on the third day with Karl Chappe-Gatien starting as the chip leader. After his elimination in third place, Sam Grafton went heads-up against Linus Loeliger with a clear lead and won the tournament. The Brit received a payout of $5,500,000 for his win, along with a trophy.
Note: All Time Money List is correct as of November 5, 2023.
|
[
{
"paragraph_id": 0,
"text": "The Triton Poker Series is a series of poker tournaments that is played around three times a year at various locations around the world. The tournaments with buy-ins of at least 15,000 United States dollar are among the most expensive and most prestigious poker tournaments in the world.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The Triton Poker Series was founded by Malaysian businessman Paul Phua and co-founded by Malaysian businessman Richard Yong. The most tournaments are played in the variants No-Limit Hold'em and Short Deck. Sometimes there are tournaments in Pot-Limit Omaha on the tournament schedule as well. Since 2019 there is a Main Event in No-Limit Hold'em and a Main Event in Short Deck at each stop of the tournament series.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "At the end of January 2017 three events in Manila, Macau and Montenegro were announced for the year. In May 2018 four more tournaments were held in Montenegro. There, further events in the South Korean Jeju Province were announced for the end of July 2018. The first events of 2019 were also played in Jeju-do in March. At the second event in 2019 the variant Pot-Limit Omaha was played for the first time at Triton Poker Series. At the beginning of August 2019 the Triton Million for Charity took place in London which was the most expensive poker tournament to date with a buy-in of one million Pound sterling. The tournament series planned for February 2020 in Jeju-do was postponed due to the COVID-19 pandemic. The planned holding in Montenegro in May 2020 was also canceled at the end of March 2020. The return of the tournament series in Bali announced for February 2022 also had to be postponed due to COVID-19 pandemic as well as four tournaments in Sochi due to the Russian invasion of Ukraine. Ultimately the first event after the outbreak of the COVID-19 pandemic took place in April 2022 in Kyrenia in Northern Cyprus. In September 2022 the Coin Rivet Invitational was held in Kyrenia as the second invitational tournament by the series. A few days after the event Ivan Leow, a co-founder and regular of the Triton Poker Series, died during the ongoing tournament series whereupon the current tournament was aborted and the remaining two events were cancelled.",
"title": "History"
},
{
"paragraph_id": 3,
"text": "The tournaments are broadcast via YouTube and the live streaming platform Twitch and feature commentators like Lex Veldhuis and Randy Lew.",
"title": "History"
},
{
"paragraph_id": 4,
"text": "The Triton Million for Charity was the first ever invitational tournament hosted by the Triton Poker Series. It was held from August 1st to 3rd, 2019 at London Hilton on Park Lane in London. The buy-in was £1,050,000 making it the most expensive poker tournament to date. The participants had to be invited, with the organizers requesting 27 recreational players or business people as players and they in turn selecting a professional poker player. The 54 players generated a total price pool of £54,000,000.",
"title": "Invitational tournaments"
},
{
"paragraph_id": 5,
"text": "In the first six blind levels, each lasting an hour, the recreational and professional players were placed at separate tables. Ten blind levels were played on the first day of the tournament. At the end of the day, 36 of the 54 players were still in the tournament with Bill Perkins as the chip leader. On the second day of the Triton Million the prize money ranks were reached with the elimination of Igor Kurganov. The day ended with reaching the eight-handed final table with Vivek Rajkumar leading the field. On the final day Bryn Kenney and Aaron Zang reached the final heads-up and agreed an ICM deal giving Zang a payout of £13,779,491 and Kenney £16,890,509, the largest payout in a poker tournament to date. After that, Zang regained the lead after two big pots and won the title.",
"title": "Invitational tournaments"
},
{
"paragraph_id": 6,
"text": "The Coin Rivet Invitational was the second invitational tournament hosted by the Triton Poker Series. It was held from September 10th to 12th, 2022 at the Merit Royal Hotel & Casino, a luxurious hotel in Kyrenia in Northern Cyprus. The cryptocurrency platform Coin Rivet acted as a sponsor and secured the naming rights to the event with a buy-in of $210,000, making it one of the most expensive poker tournaments in 2022. Similar to the Triton Million for Charity professional poker players had to be invited by businessmen. Almost all of the world's top poker players participated in the tournament. Also three women (Sosia Jiang, Ebony Kenney and Melika Razavi) played in the Coin Rivet Invitational. In total 90 players, 45 recreational players and 45 professional players, took part in the tournament. Every player was allowed to re-enter after being eliminated in one of the first 10 blind levels. That was used by 25 players and created a total prize pool of $23,000,000.",
"title": "Invitational tournaments"
},
{
"paragraph_id": 7,
"text": "In the first eight blind levels, each lasting 50 minutes, the recreational and professional players sat at separate tables. After the first day of the tournament 80 players were still in the event with Leon Tsoukernik as the chip leader. On the second day of the tournament, the recreational and professional players were mixed for the first time. With Chris Brewer's elimination in 18th place the prize money ranks were reached and all remaining players were guaranteed $380,000. The day ended with 16 players with Fedor Holz leading the field. The final table was reached on the third day with Karl Chappe-Gatien starting as the chip leader. After his elimination in third place, Sam Grafton went heads-up against Linus Loeliger with a clear lead and won the tournament. The Brit received a payout of $5,500,000 for his win, along with a trophy.",
"title": "Invitational tournaments"
},
{
"paragraph_id": 8,
"text": "Note: All Time Money List is correct as of November 5, 2023.",
"title": "All Time Money List"
}
] |
The Triton Poker Series is a series of poker tournaments that is played around three times a year at various locations around the world. The tournaments with buy-ins of at least 15,000 United States dollar are among the most expensive and most prestigious poker tournaments in the world.
|
2023-12-10T12:41:38Z
|
2023-12-21T17:25:07Z
|
[
"Template:Date table sorting",
"Template:MAC",
"Template:Cite web",
"Template:Major poker tournaments",
"Template:Infobox Sports league",
"Template:Flagicon"
] |
https://en.wikipedia.org/wiki/Triton_Poker_Series
|
75,529,972 |
Cho Hee-dae
|
Cho Hee-dae (Korean: 조희대; Hanja: 曺喜大; also written "Jo Hee-de" ; born 6 June 1957) is the 17th Chief Justice of the Supreme Court of Korea, appointed by President Yoon Suk Yeol in December 2023.
Cho Hee-dae was born on 6 June 1957 in Gyeongju, South Korea. He graduated Kyeongbuk High School and Seoul National University School of Law, and started his legal career as trial court judge in 1986. After almost thirty years of serving in South Korean ordinary courts as judge, he got promoted to associate justice of the Supreme Court of Korea, by nomination of 15th Chief Justice Yang Sung-tae and appointment from President Park Geun-hye in 2014. During his term as associate justice, he was well known for his conservative views, including making dissenting opinions arguing that Heather Cho should be punished for changing flight course in Nut rage incident, or making another dissenting opinions over case on whether to punish conscientious objector, supporting those objectors should be punished under conscription law of that time. After 6 years of term as associate justice in South Korean Supreme Court, Cho Hee-dae turned his eye to academia and began academic career as endowed chair professor at Sungkyunkwan University Law School from 2020.
Around the retirement of 16th Chief Justice Kim Myeong-su in September 2023, he was not President Yoon Suk Yeol's primary choice for next chief justice candidate. However, in October, when President Yoon's close friend judge Lee Gyun-ryong failed to acquire consent from the National Assembly due to problems around family assets, the President had to look for candidates that can also satisfy Democratic Party of Korea which was 1st opposition party in the National Assembly. Known as a conservative judge, Jo had a unique position because he did not serve as a private attorney after retiring from Supreme Court associate justice, which made him free from problems of Jeon-gwan ye-u, a somewhat common problem in South Korean judiciary that retired high level government lawyers using their former public career and network to pursue their own secular interests. This non-secular career of Jo as law professor after Supreme Court associate justice, led President Yoon to nominate him as candidate for 17th Chief Justice in November 2023.
On 8 December 2023, as Cho Hee-dae had no problems of personal issues including Jeon-gwan ye-u, his nomination was approved by a 264-18 vote in the National Assembly. Following parliamentary confirmation, and President Yoon appointed he as 17th Chief Justice of the Supreme Court of Korea.
|
[
{
"paragraph_id": 0,
"text": "Cho Hee-dae (Korean: 조희대; Hanja: 曺喜大; also written \"Jo Hee-de\" ; born 6 June 1957) is the 17th Chief Justice of the Supreme Court of Korea, appointed by President Yoon Suk Yeol in December 2023.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Cho Hee-dae was born on 6 June 1957 in Gyeongju, South Korea. He graduated Kyeongbuk High School and Seoul National University School of Law, and started his legal career as trial court judge in 1986. After almost thirty years of serving in South Korean ordinary courts as judge, he got promoted to associate justice of the Supreme Court of Korea, by nomination of 15th Chief Justice Yang Sung-tae and appointment from President Park Geun-hye in 2014. During his term as associate justice, he was well known for his conservative views, including making dissenting opinions arguing that Heather Cho should be punished for changing flight course in Nut rage incident, or making another dissenting opinions over case on whether to punish conscientious objector, supporting those objectors should be punished under conscription law of that time. After 6 years of term as associate justice in South Korean Supreme Court, Cho Hee-dae turned his eye to academia and began academic career as endowed chair professor at Sungkyunkwan University Law School from 2020.",
"title": "Life and Career"
},
{
"paragraph_id": 2,
"text": "Around the retirement of 16th Chief Justice Kim Myeong-su in September 2023, he was not President Yoon Suk Yeol's primary choice for next chief justice candidate. However, in October, when President Yoon's close friend judge Lee Gyun-ryong failed to acquire consent from the National Assembly due to problems around family assets, the President had to look for candidates that can also satisfy Democratic Party of Korea which was 1st opposition party in the National Assembly. Known as a conservative judge, Jo had a unique position because he did not serve as a private attorney after retiring from Supreme Court associate justice, which made him free from problems of Jeon-gwan ye-u, a somewhat common problem in South Korean judiciary that retired high level government lawyers using their former public career and network to pursue their own secular interests. This non-secular career of Jo as law professor after Supreme Court associate justice, led President Yoon to nominate him as candidate for 17th Chief Justice in November 2023.",
"title": "Life and Career"
},
{
"paragraph_id": 3,
"text": "On 8 December 2023, as Cho Hee-dae had no problems of personal issues including Jeon-gwan ye-u, his nomination was approved by a 264-18 vote in the National Assembly. Following parliamentary confirmation, and President Yoon appointed he as 17th Chief Justice of the Supreme Court of Korea.",
"title": "Life and Career"
}
] |
Cho Hee-dae is the 17th Chief Justice of the Supreme Court of Korea, appointed by President Yoon Suk Yeol in December 2023.
|
2023-12-10T12:42:32Z
|
2023-12-26T11:27:58Z
|
[
"Template:Korean",
"Template:Reflist",
"Template:Cite news",
"Template:S-start",
"Template:S-legal",
"Template:S-ttl",
"Template:Short description",
"Template:Infobox officeholder",
"Template:Authority control",
"Template:S-end",
"Template:S-bef",
"Template:S-inc"
] |
https://en.wikipedia.org/wiki/Cho_Hee-dae
|
75,530,000 |
2023 Copa de la Liga Profesional Final
|
The 2023 Copa de la Liga Profesional Final was the final match of the 2023 Copa de la Liga Profesional, the fourth edition of this national cup. It was held in the Estadio Único Madre de Ciudades in Santiago del Estero on 16 December 2023 between Rosario Central and Platense.
Both clubs contested their first Copa de la Liga Profesional final. The last national cup final played by Platense had been the 1943 Copa Adrián Escobar final when the squad lost to Huracán on corner kicks awarded.
Rosario Central won their first title after they defeated Platense 1–0. As champions, Rosario Central qualified for the 2024 Copa Libertadores and the 2023 Trofeo de Campeones.
Bold indicates winning years
Note: In all results below, the score of the finalist is given first (H: home; A: away; N: neutral venue).
|
[
{
"paragraph_id": 0,
"text": "The 2023 Copa de la Liga Profesional Final was the final match of the 2023 Copa de la Liga Profesional, the fourth edition of this national cup. It was held in the Estadio Único Madre de Ciudades in Santiago del Estero on 16 December 2023 between Rosario Central and Platense.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Both clubs contested their first Copa de la Liga Profesional final. The last national cup final played by Platense had been the 1943 Copa Adrián Escobar final when the squad lost to Huracán on corner kicks awarded.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Rosario Central won their first title after they defeated Platense 1–0. As champions, Rosario Central qualified for the 2024 Copa Libertadores and the 2023 Trofeo de Campeones.",
"title": ""
},
{
"paragraph_id": 3,
"text": "Bold indicates winning years",
"title": "Qualified teams"
},
{
"paragraph_id": 4,
"text": "Note: In all results below, the score of the finalist is given first (H: home; A: away; N: neutral venue).",
"title": "Road to the final"
}
] |
The 2023 Copa de la Liga Profesional Final was the final match of the 2023 Copa de la Liga Profesional, the fourth edition of this national cup. It was held in the Estadio Único Madre de Ciudades in Santiago del Estero on 16 December 2023 between Rosario Central and Platense. Both clubs contested their first Copa de la Liga Profesional final. The last national cup final played by Platense had been the 1943 Copa Adrián Escobar final when the squad lost to Huracán on corner kicks awarded. Rosario Central won their first title after they defeated Platense 1–0. As champions, Rosario Central qualified for the 2024 Copa Libertadores and the 2023 Trofeo de Campeones.
|
2023-12-10T12:47:07Z
|
2023-12-18T00:14:00Z
|
[
"Template:Details",
"Template:Pso",
"Template:Football kit",
"Template:Yel",
"Template:Sent off",
"Template:Cite web",
"Template:Infobox football match",
"Template:Subon",
"Template:Col-end",
"Template:Nowrap",
"Template:Reflist",
"Template:Rosario Central matches",
"Template:Smaller",
"Template:Flagicon",
"Template:Col-begin",
"Template:Clear",
"Template:Copa de la Liga Profesional",
"Template:Football box",
"Template:Col-2",
"Template:Suboff",
"Template:Col-3",
"Template:Citation"
] |
https://en.wikipedia.org/wiki/2023_Copa_de_la_Liga_Profesional_Final
|
75,530,015 |
Radiant Angel Film Festival
|
The Radiant Angel Film Festival (Russian: Лучезарный ангел) is an international charity film festival, established in 2003 at the initiative of the Institute of Expertise in Educational Programs and State-Confessional Relations. It is dedicated to the Day of National Unity and the holiday of the Kazan Icon of the Mother of God (November 4th). Since 2005, it has been held annually in Moscow in November. The status of "international" was gained in 2007. The festival has become a significant event in the social and cultural life of Russia and other countries. As of 2023, over 2,000 films have been shown within the framework of the film festival, and its screenings and other events have been attended by over 170,000 spectators. During the festival, guests are also offered masterclasses and creative meetings with masters of domestic cinema, premieres, and special screenings. Creative and educational activities are organized for children as well.
The film festival is held under the patronage of Svetlana Medvedeva, the president of the Foundation for Social and Cultural Initiatives. His Holiness Patriarch Kirill of Moscow and all Rus' serves as the spiritual guardian of the film forum.
The festival's films are selected based on moral criteria, as stated by the festival's spiritual expert, Archpriest Konstantin Sopelnikov. He remarked that none of the films in the festival contain anything "offensive to the feelings, morality, or taste of viewers of any age." The film festival preserves and advances the unique humanistic and artistic heritage of Russian cinema, as well as promoting works that uphold enduring spiritual and moral ideals, values of family, patriotism, and social harmony.
The festival's motto is "Good cinema returns".
Main goals
Main objectives
The film festival offers a variety of competitive programs, including:
|
[
{
"paragraph_id": 0,
"text": "The Radiant Angel Film Festival (Russian: Лучезарный ангел) is an international charity film festival, established in 2003 at the initiative of the Institute of Expertise in Educational Programs and State-Confessional Relations. It is dedicated to the Day of National Unity and the holiday of the Kazan Icon of the Mother of God (November 4th). Since 2005, it has been held annually in Moscow in November. The status of \"international\" was gained in 2007. The festival has become a significant event in the social and cultural life of Russia and other countries. As of 2023, over 2,000 films have been shown within the framework of the film festival, and its screenings and other events have been attended by over 170,000 spectators. During the festival, guests are also offered masterclasses and creative meetings with masters of domestic cinema, premieres, and special screenings. Creative and educational activities are organized for children as well.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The film festival is held under the patronage of Svetlana Medvedeva, the president of the Foundation for Social and Cultural Initiatives. His Holiness Patriarch Kirill of Moscow and all Rus' serves as the spiritual guardian of the film forum.",
"title": ""
},
{
"paragraph_id": 2,
"text": "The festival's films are selected based on moral criteria, as stated by the festival's spiritual expert, Archpriest Konstantin Sopelnikov. He remarked that none of the films in the festival contain anything \"offensive to the feelings, morality, or taste of viewers of any age.\" The film festival preserves and advances the unique humanistic and artistic heritage of Russian cinema, as well as promoting works that uphold enduring spiritual and moral ideals, values of family, patriotism, and social harmony.",
"title": ""
},
{
"paragraph_id": 3,
"text": "The festival's motto is \"Good cinema returns\".",
"title": ""
},
{
"paragraph_id": 4,
"text": "Main goals",
"title": "Goals and objectives"
},
{
"paragraph_id": 5,
"text": "Main objectives",
"title": "Goals and objectives"
},
{
"paragraph_id": 6,
"text": "The film festival offers a variety of competitive programs, including:",
"title": "Competition program"
}
] |
The Radiant Angel Film Festival is an international charity film festival, established in 2003 at the initiative of the Institute of Expertise in Educational Programs and State-Confessional Relations. It is dedicated to the Day of National Unity and the holiday of the Kazan Icon of the Mother of God. Since 2005, it has been held annually in Moscow in November. The status of "international" was gained in 2007. The festival has become a significant event in the social and cultural life of Russia and other countries. As of 2023, over 2,000 films have been shown within the framework of the film festival, and its screenings and other events have been attended by over 170,000 spectators. During the festival, guests are also offered masterclasses and creative meetings with masters of domestic cinema, premieres, and special screenings. Creative and educational activities are organized for children as well. The film festival is held under the patronage of Svetlana Medvedeva, the president of the Foundation for Social and Cultural Initiatives. His Holiness Patriarch Kirill of Moscow and all Rus' serves as the spiritual guardian of the film forum. The festival's films are selected based on moral criteria, as stated by the festival's spiritual expert, Archpriest Konstantin Sopelnikov. He remarked that none of the films in the festival contain anything "offensive to the feelings, morality, or taste of viewers of any age." The film festival preserves and advances the unique humanistic and artistic heritage of Russian cinema, as well as promoting works that uphold enduring spiritual and moral ideals, values of family, patriotism, and social harmony. The festival's motto is "Good cinema returns".
|
2023-12-10T12:50:51Z
|
2023-12-17T19:07:31Z
|
[
"Template:Short description",
"Template:Infobox film festival",
"Template:Lang-ru",
"Template:Flag",
"Template:Ill",
"Template:Reflist",
"Template:Cite web"
] |
https://en.wikipedia.org/wiki/Radiant_Angel_Film_Festival
|
75,530,018 |
Mrs. Grand International
|
Mrs Grand International also known as Mrs Grand is a beauty pageant franchise based in Myanmar. It consists of the annual national pageant Mrs. Myanmar, as well as the international competition Mrs Grand International, to which participating rights are licensed to organizers in other countries..This competition is for women, Advocating for the rights of families and children, in partnership with UNFPA and UNICEF, focuses on strengthening the rights of children and women around the world.
The current Mrs Grand International is Saiprasanna of India who was crowned on 29 November 2023.
|
[
{
"paragraph_id": 0,
"text": "Mrs Grand International also known as Mrs Grand is a beauty pageant franchise based in Myanmar. It consists of the annual national pageant Mrs. Myanmar, as well as the international competition Mrs Grand International, to which participating rights are licensed to organizers in other countries..This competition is for women, Advocating for the rights of families and children, in partnership with UNFPA and UNICEF, focuses on strengthening the rights of children and women around the world.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The current Mrs Grand International is Saiprasanna of India who was crowned on 29 November 2023.",
"title": ""
}
] |
Mrs Grand International also known as Mrs Grand is a beauty pageant franchise based in Myanmar. It consists of the annual national pageant Mrs. Myanmar, as well as the international competition Mrs Grand International, to which participating rights are licensed to organizers in other countries..This competition is for women, Advocating for the rights of families and children, in partnership with UNFPA and UNICEF, focuses on strengthening the rights of children and women around the world. The current Mrs Grand International is Saiprasanna of India who was crowned on 29 November 2023.
|
2023-12-10T12:52:01Z
|
2023-12-17T01:06:05Z
|
[
"Template:Infobox organization",
"Template:Legend",
"Template:Flagicon",
"Template:Reflist",
"Template:Short description",
"Template:Flagu",
"Template:Image label begin",
"Template:Cite web",
"Template:Official website",
"Template:Use dmy dates"
] |
https://en.wikipedia.org/wiki/Mrs._Grand_International
|
75,530,041 |
Billund Municipality Stadium
|
Billund Municipality Stadium (Danish: Billund Kommunes Stadion) is a speedway track in Grindsted, Denmark. The track is located on the Blåbjergvej 1 road, about 6 kilometres north east of the town. The stadium hosts the speedway team known as the Grindsted Speedway Klub (GSK), who race in the Danish Speedway League.
The track opened in 1990 after initially struggling to get the necessary permits. Over the following three decades the track primarily hosted the Danish league fixtures of GSK but began to be awarded other events by the Danish Motor Union. The events included finals of the Danish Under 21 Individual Speedway Championship in 2011 and 2022.
The track was awarded its biggest event to date for the 2024 season, which was the final of the Danish Individual Speedway Championship.
|
[
{
"paragraph_id": 0,
"text": "Billund Municipality Stadium (Danish: Billund Kommunes Stadion) is a speedway track in Grindsted, Denmark. The track is located on the Blåbjergvej 1 road, about 6 kilometres north east of the town. The stadium hosts the speedway team known as the Grindsted Speedway Klub (GSK), who race in the Danish Speedway League.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The track opened in 1990 after initially struggling to get the necessary permits. Over the following three decades the track primarily hosted the Danish league fixtures of GSK but began to be awarded other events by the Danish Motor Union. The events included finals of the Danish Under 21 Individual Speedway Championship in 2011 and 2022.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "The track was awarded its biggest event to date for the 2024 season, which was the final of the Danish Individual Speedway Championship.",
"title": "History"
},
{
"paragraph_id": 3,
"text": "",
"title": "References"
}
] |
Billund Municipality Stadium is a speedway track in Grindsted, Denmark. The track is located on the Blåbjergvej 1 road, about 6 kilometres north east of the town. The stadium hosts the speedway team known as the Grindsted Speedway Klub (GSK), who race in the Danish Speedway League.
|
2023-12-10T12:57:44Z
|
2023-12-11T13:12:19Z
|
[
"Template:Infobox motorsport venue",
"Template:Reflist",
"Template:Motorcycle-speedway-stub",
"Template:Uncategorized stub",
"Template:Short description",
"Template:Use dmy dates",
"Template:Use British English",
"Template:Lang-da",
"Template:Cite web",
"Template:Motorcycle speedway tracks"
] |
https://en.wikipedia.org/wiki/Billund_Municipality_Stadium
|
75,530,095 |
Nate Borders
|
Nathan Wayne Borders (born June 11, 1963) is a former American football defensive back who played for the Cincinnati Bengals of the National Football League (NFL). He played college football at Indiana University.
Category:Drafts about NFL players
|
[
{
"paragraph_id": 0,
"text": "Nathan Wayne Borders (born June 11, 1963) is a former American football defensive back who played for the Cincinnati Bengals of the National Football League (NFL). He played college football at Indiana University.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Category:Drafts about NFL players",
"title": "References"
}
] |
Comment: The article needs independent, reliable sources with significant coverage of the subject to establish notability per WP:NATHLETE or WP:GNG. InterstellarGamer12321 13:12, 10 December 2023 (UTC) Nathan Wayne Borders is a former American football defensive back who played for the Cincinnati Bengals of the National Football League (NFL). He played college football at Indiana University.
|
2023-12-10T13:07:19Z
|
2023-12-30T23:45:51Z
|
[
"Template:AFC comment",
"Template:Short description",
"Template:Draft topics",
"Template:Reflist",
"Template:Cite web",
"Template:AFC submission",
"Template:AfC topic",
"Template:Infobox NFL biography",
"Template:Cite news",
"Template:Draft categories",
"Template:Defensiveback-1960s-stub"
] |
https://en.wikipedia.org/wiki/Nate_Borders
|
75,530,102 |
List of Adelaide United FC (A-League Women) players
|
Adelaide United Football Club (A-League Women), a women's association football club based in Hindmarsh, Adelaide, was founded in 2008 within the formation of the W-League (now A-League Women). The club's first team has competed in the A-League Women and all players who have played in at least one match are listed below.
Emily Condon holds the record for the greatest number of appearances for Adelaide United (A-League Women). Between 2014 and the present day, she played 94 times for the club. The club's goalscoring record is held by Chelsie Dawber, who scored 22 goals between 2020 and 2023.
Players highlighted in bold are still actively playing at Adelaide United (A-League Women).
General
Specific
|
[
{
"paragraph_id": 0,
"text": "Adelaide United Football Club (A-League Women), a women's association football club based in Hindmarsh, Adelaide, was founded in 2008 within the formation of the W-League (now A-League Women). The club's first team has competed in the A-League Women and all players who have played in at least one match are listed below.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Emily Condon holds the record for the greatest number of appearances for Adelaide United (A-League Women). Between 2014 and the present day, she played 94 times for the club. The club's goalscoring record is held by Chelsie Dawber, who scored 22 goals between 2020 and 2023.",
"title": ""
},
{
"paragraph_id": 2,
"text": "Players highlighted in bold are still actively playing at Adelaide United (A-League Women).",
"title": "Players"
},
{
"paragraph_id": 3,
"text": "General",
"title": "References"
},
{
"paragraph_id": 4,
"text": "Specific",
"title": "References"
}
] |
Adelaide United Football Club, a women's association football club based in Hindmarsh, Adelaide, was founded in 2008 within the formation of the W-League. The club's first team has competed in the A-League Women and all players who have played in at least one match are listed below. Emily Condon holds the record for the greatest number of appearances for Adelaide United. Between 2014 and the present day, she played 94 times for the club. The club's goalscoring record is held by Chelsie Dawber, who scored 22 goals between 2020 and 2023.
|
2023-12-10T13:09:12Z
|
2023-12-24T05:16:05Z
|
[
"Template:Reflist",
"Template:Adelaide United FC (A-League Women)",
"Template:Use Australian English",
"Template:Defn",
"Template:Sortname",
"Template:Fba",
"Template:Cite web",
"Template:Short description",
"Template:Use dmy dates",
"Template:Glossary",
"Template:Term",
"Template:Glossary end"
] |
https://en.wikipedia.org/wiki/List_of_Adelaide_United_FC_(A-League_Women)_players
|
75,530,111 |
1508 in Ireland
|
Events from the year 1508 in Ireland.
|
[
{
"paragraph_id": 0,
"text": "Events from the year 1508 in Ireland.",
"title": ""
}
] |
Events from the year 1508 in Ireland.
|
2023-12-10T13:10:37Z
|
2023-12-10T13:14:37Z
|
[
"Template:YearInIrelandNav",
"Template:Empty section",
"Template:Reflist",
"Template:Years in Ireland",
"Template:Year in Europe"
] |
https://en.wikipedia.org/wiki/1508_in_Ireland
|
75,530,138 |
Gedeo Cultural Landscape
|
The Gedeo Cultural Landscape is a region of the Gedeo Zone, part of the South Ethiopia Regional State in south-central Ethiopia. It stretches across the eastern flank of the Main Ethiopian Rift, ranging from 1307 to 3072 meters above sea level. The region is home to roughly 250,000 Gedeo people. Dotted with sacred forests and megalithic monuments, the region has been the homeland of the Gedeo people for thousands of years. Traditional agroforestry is practiced in the region by the Gedeo people. Because of these traditional practices, its long history of occupation, and the cultural importance of the region, the Gedeo Cultural Landscape was inscribed on the UNESCO World Heritage List in 2023.
The Gedeo region has been occupied for millenia; evidence of occupation dates back to the Neolithic period. Thousands of stone monuments (stelae) across roughly 100 sites have been recorded across the landscape. The largest of the stelae measure about 8 meters high and 1 meter in diameter, and they depict anthropomorphic and phallic images. Several burial sites and a necropolis have also been found, and engraved petroglyphs are common.
The first European archeological surveys of the area were conducted in the 1920s and 1930s.
Volcanism during the Miocene and Quaternary periods and the many alluvial rivers make the region very fertile. More than 90% of the land area of Gedeo Zone is covered in agroforestry, with enset and coffee being the main agricultural products. The farms are vertically stratified, with the enset and coffee plants grown underneath mature native trees. Root vegetables like cassava and legumes are grown underneath the main cash crops. To avoid the negative effects of erosion on the step landscape, almost no tilling is employed, and the farms often rotate where they farm, allowing some areas to remain fallow.
The cultural knowledge of how to manage and conserve the agroforestry system stems from the customs and beliefs of the Gedeo people, leading to a mutualistic human-environmental relationship. The area contains several sacred forests from which harvest is prohibited.
Fifty different species of native woody plants have been found within these traditional farms, 22 of which are of particular conservation concern. The most common native plants are Millettia and Cordia africana, and the African cherry also grows within these forests.
|
[
{
"paragraph_id": 0,
"text": "The Gedeo Cultural Landscape is a region of the Gedeo Zone, part of the South Ethiopia Regional State in south-central Ethiopia. It stretches across the eastern flank of the Main Ethiopian Rift, ranging from 1307 to 3072 meters above sea level. The region is home to roughly 250,000 Gedeo people. Dotted with sacred forests and megalithic monuments, the region has been the homeland of the Gedeo people for thousands of years. Traditional agroforestry is practiced in the region by the Gedeo people. Because of these traditional practices, its long history of occupation, and the cultural importance of the region, the Gedeo Cultural Landscape was inscribed on the UNESCO World Heritage List in 2023.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The Gedeo region has been occupied for millenia; evidence of occupation dates back to the Neolithic period. Thousands of stone monuments (stelae) across roughly 100 sites have been recorded across the landscape. The largest of the stelae measure about 8 meters high and 1 meter in diameter, and they depict anthropomorphic and phallic images. Several burial sites and a necropolis have also been found, and engraved petroglyphs are common.",
"title": ""
},
{
"paragraph_id": 2,
"text": "The first European archeological surveys of the area were conducted in the 1920s and 1930s.",
"title": ""
},
{
"paragraph_id": 3,
"text": "Volcanism during the Miocene and Quaternary periods and the many alluvial rivers make the region very fertile. More than 90% of the land area of Gedeo Zone is covered in agroforestry, with enset and coffee being the main agricultural products. The farms are vertically stratified, with the enset and coffee plants grown underneath mature native trees. Root vegetables like cassava and legumes are grown underneath the main cash crops. To avoid the negative effects of erosion on the step landscape, almost no tilling is employed, and the farms often rotate where they farm, allowing some areas to remain fallow.",
"title": "References"
},
{
"paragraph_id": 4,
"text": "The cultural knowledge of how to manage and conserve the agroforestry system stems from the customs and beliefs of the Gedeo people, leading to a mutualistic human-environmental relationship. The area contains several sacred forests from which harvest is prohibited.",
"title": "References"
},
{
"paragraph_id": 5,
"text": "Fifty different species of native woody plants have been found within these traditional farms, 22 of which are of particular conservation concern. The most common native plants are Millettia and Cordia africana, and the African cherry also grows within these forests.",
"title": "References"
}
] |
The Gedeo Cultural Landscape is a region of the Gedeo Zone, part of the South Ethiopia Regional State in south-central Ethiopia. It stretches across the eastern flank of the Main Ethiopian Rift, ranging from 1307 to 3072 meters above sea level. The region is home to roughly 250,000 Gedeo people. Dotted with sacred forests and megalithic monuments, the region has been the homeland of the Gedeo people for thousands of years. Traditional agroforestry is practiced in the region by the Gedeo people. Because of these traditional practices, its long history of occupation, and the cultural importance of the region, the Gedeo Cultural Landscape was inscribed on the UNESCO World Heritage List in 2023.
|
2023-12-10T13:15:54Z
|
2023-12-23T12:18:38Z
|
[
"Template:Cite journal",
"Template:Short description",
"Template:Infobox UNESCO World Heritage Site",
"Template:Main",
"Template:Reflist",
"Template:Cite web",
"Template:Cite report"
] |
https://en.wikipedia.org/wiki/Gedeo_Cultural_Landscape
|
75,530,139 |
Abdullah Franji
|
Abdullah Franji, also known as Abdullah Frangi, (born 1943) is a Fatah member and one of its leaders in Gaza. He has held various posts in the Palestine Liberation Organization (PLO) and Palestine National Authority.
Franji was born in Beersheba, Mandate Palestine, on 15 November 1943. His family left the city during the Nakba in 1948 and settled in Gaza. They later settled in Cairo in 1956 during the Suez crisis.
Franji obtained degrees in medicine and in politics in Germany between 1963 and 1973. He joined the Fatah during his studies in the mid-1960s. He received military training in Algeria in 1967. He was arrested in Hebron after his return to the region and left Palestine for Germany when he was released from prison. He is one of the co-founders of the General Union of Palestinian Students and Workers in Europe and served as the president of the Confederation of Palestinian Students in Germany and Austria from 1968 to 1973. Following the opening of the PLO information office in Frankfurt he was involved in the publication of the Resistentia magazine which was a PLO propaganda publication.
Franji was hospitalized after he and Eli Lobel, a member of the Israeli dissident group Matzpen, were attacked and injured in an event organized by the Socialist German Student Union to protest the talk of the Israeli ambassador to West Germany Asher Ben-Natan in the summer of 1969. The perpetrators of the attack were Zionists. Franji was elected as a member of the Palestinian National Council in 1972. After the killing of the Israeli Olympic athletes in September 1972 he and some 300 other Palestinians were expelled from Germany.
Following his graduation Franji served at the Arab League office in Bonn, Germany, in the mid-1970s. He was instrumental in the establishment of the Palestine Information Office in Bonn which was the unofficial representative of the PLO. He became a member of the Fatah Revolutionary Council in 1978 and headed the PLO delegation to Austria in 1982. He served as the permanent PLO representative to United Nations Industrial Development Organization in Vienna between 1982 and 1985.
Franji was elected to the Central Committee of Fatah in August 1989 and became one of the advisers on European affairs to the PLO leader Yasser Arafat. Franji was made the head of the PLO delegation to Germany in 1993 which he held until 1998 and became a member of the Palestinian Central Council in 1998.
Franji headed the Palestine Future Foundation in May–June 2007. He was appointed adviser on foreign affairs to Mahmoud Abbas, president of the Palestinian National Authority, in 2010 with the rank of minister. He was named as the governor of Gaza in 2014. He serves as the Fatah representative in Gaza.
Franji stated in an interview with Der Spiegel in 2006 that the relations between Fatah and Hamas would be better after the recognition of the two-state solution by Hamas. However, two years later he argued that Hamas was responsible for the end of ceasefire in 2007.
Franji published a book entitled The PLO and Palestine in 1983.
|
[
{
"paragraph_id": 0,
"text": "Abdullah Franji, also known as Abdullah Frangi, (born 1943) is a Fatah member and one of its leaders in Gaza. He has held various posts in the Palestine Liberation Organization (PLO) and Palestine National Authority.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Franji was born in Beersheba, Mandate Palestine, on 15 November 1943. His family left the city during the Nakba in 1948 and settled in Gaza. They later settled in Cairo in 1956 during the Suez crisis.",
"title": "Early life and education"
},
{
"paragraph_id": 2,
"text": "Franji obtained degrees in medicine and in politics in Germany between 1963 and 1973. He joined the Fatah during his studies in the mid-1960s. He received military training in Algeria in 1967. He was arrested in Hebron after his return to the region and left Palestine for Germany when he was released from prison. He is one of the co-founders of the General Union of Palestinian Students and Workers in Europe and served as the president of the Confederation of Palestinian Students in Germany and Austria from 1968 to 1973. Following the opening of the PLO information office in Frankfurt he was involved in the publication of the Resistentia magazine which was a PLO propaganda publication.",
"title": "Early life and education"
},
{
"paragraph_id": 3,
"text": "Franji was hospitalized after he and Eli Lobel, a member of the Israeli dissident group Matzpen, were attacked and injured in an event organized by the Socialist German Student Union to protest the talk of the Israeli ambassador to West Germany Asher Ben-Natan in the summer of 1969. The perpetrators of the attack were Zionists. Franji was elected as a member of the Palestinian National Council in 1972. After the killing of the Israeli Olympic athletes in September 1972 he and some 300 other Palestinians were expelled from Germany.",
"title": "Early life and education"
},
{
"paragraph_id": 4,
"text": "Following his graduation Franji served at the Arab League office in Bonn, Germany, in the mid-1970s. He was instrumental in the establishment of the Palestine Information Office in Bonn which was the unofficial representative of the PLO. He became a member of the Fatah Revolutionary Council in 1978 and headed the PLO delegation to Austria in 1982. He served as the permanent PLO representative to United Nations Industrial Development Organization in Vienna between 1982 and 1985.",
"title": "Career and activities"
},
{
"paragraph_id": 5,
"text": "Franji was elected to the Central Committee of Fatah in August 1989 and became one of the advisers on European affairs to the PLO leader Yasser Arafat. Franji was made the head of the PLO delegation to Germany in 1993 which he held until 1998 and became a member of the Palestinian Central Council in 1998.",
"title": "Career and activities"
},
{
"paragraph_id": 6,
"text": "Franji headed the Palestine Future Foundation in May–June 2007. He was appointed adviser on foreign affairs to Mahmoud Abbas, president of the Palestinian National Authority, in 2010 with the rank of minister. He was named as the governor of Gaza in 2014. He serves as the Fatah representative in Gaza.",
"title": "Career and activities"
},
{
"paragraph_id": 7,
"text": "Franji stated in an interview with Der Spiegel in 2006 that the relations between Fatah and Hamas would be better after the recognition of the two-state solution by Hamas. However, two years later he argued that Hamas was responsible for the end of ceasefire in 2007.",
"title": "Views"
},
{
"paragraph_id": 8,
"text": "Franji published a book entitled The PLO and Palestine in 1983.",
"title": "Views"
}
] |
Abdullah Franji, also known as Abdullah Frangi, is a Fatah member and one of its leaders in Gaza. He has held various posts in the Palestine Liberation Organization (PLO) and Palestine National Authority.
|
2023-12-10T13:15:58Z
|
2023-12-17T12:56:37Z
|
[
"Template:Cite journal",
"Template:Short description",
"Template:Cite web",
"Template:Reflist",
"Template:Cite book",
"Template:Cite magazine",
"Template:Official website",
"Template:Authority control",
"Template:Use dmy dates",
"Template:Infobox officeholder"
] |
https://en.wikipedia.org/wiki/Abdullah_Franji
|
75,530,145 |
Dawlatul Islam
|
#REDIRECT Islamic State
|
[
{
"paragraph_id": 0,
"text": "#REDIRECT Islamic State",
"title": ""
}
] |
#REDIRECT Islamic State
|
2023-12-10T13:17:34Z
|
2023-12-10T13:17:34Z
|
[] |
https://en.wikipedia.org/wiki/Dawlatul_Islam
|
75,530,149 |
Accelerated Linear Algebra
|
Accelerated Linear Algebra (XLA) is an advanced optimization framework within TensorFlow, a popular machine learning library developed by Google. XLA is designed to improve the performance of TensorFlow models by optimizing the computation graph at a lower level, making it particularly useful for large-scale computations and high-performance machine learning models. Key features of TensorFlow XLA include:
TensorFlow XLA represents a significant step in optimizing machine learning models, providing developers with tools to enhance computational efficiency and performance.
|
[
{
"paragraph_id": 0,
"text": "Accelerated Linear Algebra (XLA) is an advanced optimization framework within TensorFlow, a popular machine learning library developed by Google. XLA is designed to improve the performance of TensorFlow models by optimizing the computation graph at a lower level, making it particularly useful for large-scale computations and high-performance machine learning models. Key features of TensorFlow XLA include:",
"title": ""
},
{
"paragraph_id": 1,
"text": "TensorFlow XLA represents a significant step in optimizing machine learning models, providing developers with tools to enhance computational efficiency and performance.",
"title": ""
}
] |
Accelerated Linear Algebra (XLA) is an advanced optimization framework within TensorFlow, a popular machine learning library developed by Google. XLA is designed to improve the performance of TensorFlow models by optimizing the computation graph at a lower level, making it particularly useful for large-scale computations and high-performance machine learning models. Key features of TensorFlow XLA include: Compilation of TensorFlow Graphs: Compiles TensorFlow computation graphs into efficient machine code.
Optimization Techniques: Applies operation fusion, memory optimization, and other techniques.
Hardware Support: Optimizes models for various hardware including GPUs and TPUs.
Improved Model Execution Time**: Aims to reduce TensorFlow models' execution time for both training and inference.
Seamless Integration: Can be used with existing TensorFlow code with minimal changes. TensorFlow XLA represents a significant step in optimizing machine learning models, providing developers with tools to enhance computational efficiency and performance.
|
2023-12-10T13:18:16Z
|
2023-12-26T19:26:19Z
|
[
"Template:Infobox software",
"Template:Reflist",
"Template:Cite web",
"Template:Cite journal",
"Template:Software-stub",
"Template:Short description"
] |
https://en.wikipedia.org/wiki/Accelerated_Linear_Algebra
|
75,530,162 |
Dana Wright (American football)
|
Dana Jerome Wright (born June 2, 1963) is a former American football running back who played for the Cincinnati Bengals of the National Football League (NFL). He played college football at University of Findlay.
|
[
{
"paragraph_id": 0,
"text": "Dana Jerome Wright (born June 2, 1963) is a former American football running back who played for the Cincinnati Bengals of the National Football League (NFL). He played college football at University of Findlay.",
"title": ""
}
] |
Dana Jerome Wright is a former American football running back who played for the Cincinnati Bengals of the National Football League (NFL). He played college football at University of Findlay.
|
2023-12-10T13:19:54Z
|
2023-12-15T21:28:27Z
|
[
"Template:Reflist",
"Template:Cite web",
"Template:Cite news",
"Template:Open access",
"Template:Giants1987DraftPicks",
"Template:Runningback-1960s-stub",
"Template:Short description",
"Template:Infobox NFL biography"
] |
https://en.wikipedia.org/wiki/Dana_Wright_(American_football)
|
75,530,175 |
Digital on-screen graphic by country
|
Digital on-screen graphic by country refers to how use of these logos in television vary in different countries and regions.
Many news broadcasters, as well as a few television networks in such cases, also place a clock alongside their bug. In the United States, Canada, Australia, and New Zealand, DOGs may also include the show's parental guideline rating. In Australia, this is known as a Program Return Graphic (PRG). It has become common to place text above the station's logo advertising other programs on the network.
In many countries, some TV networks put "live" in the bottom of the DOG to advise viewers that the program is live, as opposed to a repeat. During televised sports events, a DOG may also display a few game-related statistics such as the current score. This has led many people in Canada and the United States to refer to it as a score bug.
In many countries, DOGs are removed in non-programme sections such as commercials and programme trailers, but TV channels in some other countries have not removed or instead replaced them in either of these sections or in all sections (like Turkey, Indonesia, Italy, Vietnam, Taiwan, and Russia).
The SNRT and 2M use permanent on-screen DOGs for their TV channels. In contrast, other channels including Medi 1 TV and Al-Aoula hide their DOGs during commercial breaks.
Arabic TV logos are placed in the top-right and top-left except for Al-Jazeera, whose logo appears on the bottom-right of the screen. Some of the Arabian TV stations hide their logos during commercial breaks and promos/trailers, such as Dubai TV, Dubai One, Funoon, the Egyptian CBC and Nile TV networks, ART Hekayat, ART Hekayat 2, Iqraa and Al-Jazeera.
Abu Dhabi TV and MBC1 initially had their logos at the bottom-right corner from their launch until the mid-2000s, when they were moved to the top-right corner.
TV in Brunei introduced DOGs in 1994.
Cambodian TV channels introduced DOGs in 1995. Like Thailand, all of logos are full-color and displayed on the top-right corner of the screen. Some channels such as TV5 hide their logos during commercial breaks. Hang Meas HDTV Logo on the top-left corner of the screen, CTN (Cambodian Television Network), MyTV, Bayon TV, PNN, Logo on the top-right corner of the screen,
TV stations in mainland China always place their logo (usually semi-transparent and sometimes animated) in the top-left corner of the screen in full colour or grey-scale, regardless of the content being broadcast (programme or advertisements), some channels like Phoenix Television hide their logos during commercial breaks; although in some rare cases, the DOG may be placed elsewhere to avoid covering the score bug during the broadcast of a sporting event.
China introduced logos in 1983 on bottom-left corner of the screen but was used only during commercial breaks and clock idents. Later China Central Television (CCTV) introduced permanent DOGs for all programmes in 1992, on the top-left corner of the screen. China also displays clock on top-right corner of the screen for 1 minute between 59:30–00:30 & 29:30–30:30 time in transition between programmes.
Hong Kong TV introduced DOGs in 1994. Hong Kong DOGs can be either of full color or semi-transparent and (except for RTHK 31) always be hidden during commercial breaks. Television Broadcasts Limited (TVB) placed their logos at top-right corner of the screen while now-defunct Asia Television and other channels placed their logos at top-left corner of the screen. Sometimes, weather information, date and time clock had been used alongside DOGs in news programmes, continuity & live broadcasts.
The first on-screen logo in India was introduced in 1984 by DD2 Metro (now DD News). It was white and slightly transparent.
All Indian TV channels have on-screen logos. They are always full-colour, never transparent, and they are almost never removed during commercial breaks (though the channels of the South Indian Sun TV Network did so until 2015).
The great majority of Indian TV channels place their logos in the top right corner of the screen, though there are exceptions. The corner used may be broadcaster-dependent. Among the big national broadcasters:
Indonesian television DOGs have been occasionally used since 1982. At that time, TVRI (with its main channel) was Indonesia's only television channel. When RCTI began broadcasting in 1989, the DOG began to be used at the same time.
Today, in most national networks, the logo usually appears in the top-right hand corner. Some networks placed its logo in the top-left hand corner, such as networks owned by Media Nusantara Citra (e.g. RCTI, MNCTV, GTV, and iNews) as well as Indosiar. Only a few of them – most are news networks – displayed its logo in either the bottom-right hand corner (such as Metro TV, CNN Indonesia, CNBC Indonesia, and BTV) or the bottom-left hand corners (such as BeritaSatu (former name of BTV)). The DOGs of local stations differ by each station, either in the top-right hand or the top-left hand corners.
Most of the networks/stations had their DOGs placed on-screen in color. Few appeared in transparent format, e.g. NET. (since the first broadcast in 2013 until 8 June 2023), ANTV (since 20 July 2012 until 24 March 2018) and TVRI (since 2019). Trans TV is the first to place its transparent logo since it began broadcasting in 2001 until 2013 when the network logo changed. Some DOGs featured a moving element, most with a glinting effect.
The network may have moved their DOGs to the other part of the screen: TVRI was the first to move theirs to the bottom-right hand corner in 1999 (the year the network changed its logo, used until 2001 when the new logo moved to upper-right), followed by Metro TV in 2010 and iNews TV (former name of iNews) in the end of 2016, when the logo moved to upper-left hand corner. TVRI, RCTI, SCTV and TPI (former name of MNCTV) while using the text logo at the start of their broadcast, did not begin to use their own logo on the screen until the end of 1990 for RCTI and SCTV, 1995 for TPI, and 1996 for TVRI.
Unlike neighboring countries, since 2004 most networks/channels never leave their DOGs during commercial breaks, instead the logo becomes transparent and usually light grey (before 2004, DOGs were removed during commercial breaks and sponsor bug appears during program show with rating approximately 2–3 minutes beforehand since 1982 until 1990s, but since 2000s until 2004 most of networks/channels removed its logo with rating 10–15-second beforehand, usually removed/appeared with fade in/fade out effect). Indosiar is one of channel which still removed its logo 15 seconds beforehand although Indosiar have used its transparent logos during commercial breaks (since 2005) until 2012. Trans TV was the first TV channel that never leaves its logo during commercial breaks since 2004, the practice later followed by other networks as well as local channels. For the station identification, the logo will remain on-screen, but sometimes it will disappear prior to the identification. However, not all (mainly local or pay) TV channels follow, as many of them were done by retaining it in full color or removing it during commercials.
Some networks/channels always show its logo in color even in the breaks, such as TVRI and its owned channels (TVRI Kanal 3/TVRI World and TVRI Sport, until its massive rebranding in 2019), ANTV (since 2004 until mid 2005), Lativi (former name of tvOne), since 2003 until mid 2010), Global TV (former name of GTV) during relaying MTV program shows simultaneously (since 2002 until 2005), B Channel (former name of RTV, from 2009 until 2012), and some of local channels. TVRI also mixes usage of retaining and removing on-air bugs for some advertisements from 2004 until the end of 2009. Metro TV first used different logo during advertisement break from 25 November 2020 until 24 November 2021, with its on-air bug (consisting of eagle icon of its logo) without the text "METRO TV". Some Indonesian TV networks/channels, such as ANTV (sometime in 2005), Indosiar (since end of 2005 to its DOGs change in March 2007), tvOne (since late 2010 to its logo change in February 2011) always used transparent logos with colors. Since 2011, tvOne on air bug logos still animated although its DOGs color transparent during commercial breaks.
Since 2011, most networks started to display additional contents on their programming that disappeared during commercial breaks, such as content rating classifications and, in some networks since 2013, the name of the current program.
In Israel, Television DOGs were first introduced in 1991. Israeli channel watermarks most often appear on the top left or the top right corner since Israeli cable and satellite-based services often have the channel description and programming (OSD) on the bottom of the screen. Most channels have an opaque, full-colour watermark, though exceptions exist, for example Channel 9, which displays a blue-tinted semi-transparent logo. In ad breaks, it is required to replace the channel watermark with another symbol – sometimes on the other edge of the screen – indicating there are ads at the moment.
The Israel Broadcasting Authority, whose channels placed their logos in the top left corner, ceased broadcasting in May 2017. The new public broadcaster, the Israeli Public Broadcasting Corporation, displays its logos at the top right instead. The erstwhile Channel 2 as well as its successors, Keshet 12 and Reshet 13, also use the top right corner. However, Channel 10 used the top left corner before rebranding to Eser (Literally "Ten") in 2017 and simultaneously moving its logo to the top right (Not long after, in January 2019, it ceased broadcasting as it merged with Reshet 13). Channel 14 as well as its predecessor Channel 20 use the top right corner as well. The Knesset Channel, however, uses the top left corner.
On all Japanese network television key stations and their affiliates, DOGs appear on the top-right hand corner of the screen. In addition, during some programs, a digital clock appears on the top-left corner of the screen. The digital clock had been in place on most programs prior to the introduction of DOGs; the first DOGs were introduced in 1999 on the NHK's satellite services, before expanding to terrestrial television with the start of digital broadcasting in that country between 2003 and 2006.
Television stations in Kazakhstan introduced DOGs in the mid-1990s. Kazakh DOGs are mostly opaque, full-color and sometimes animated. Most of Kazakh DOGs are placed in either top or bottom corner of the screen.
Malaysian TV channels started using on-screen logos occasionally since early 1980s, but at that time, only the two channels of RTM used this and TV3 would appear only in 1995 after the television station moved to the current office at Sri Pentas. The logo that RTM used in TV stations became permanent in 1991 with Malaysian flag that was up to use for 13 years. TV3 logo usually appear on the top-right hand of the screen corner, except for 8TV owned by Media Prima, on the top-left and Bernama TV, without DOG (it was used to appear in neither top-left nor top-right but in the bottom-left).
On-screen appearance of Malaysian television stations also includes current programme showing (used to only appear during the start of the programme and after each commercial break, but this has since changed to appear during the whole duration of the programme and removed during commercial breaks). Logos of television channels are mainly in colour, but in some channels (such as almost all Astro-branded channels) the logo used may be transparent and/or white, while NTV7 used transparent logo for several years before Media Prima's acquisition and later, it changed to colour but toned down before turning into full-colour. In foreign television channels on Unifi TV and Astro, the channel logos are almost never removed during breaks, but during replaced promos, the logo is removed (although some channels removed the logo in the same way as locally operated channels).
Mongolian TV introduced DOGs in early 2000s. This make Mongolia the latest East Asian country to introduce DOGs. MNB displays their logo on top-left corner of the screen while private channels place their logos on top-right corner of the screen.
Burmese TV introduced DOGs for all programmes since 2003. However, usage of DOGs dated back to 1998, but displayed only for a short time. All Burmese DOGs are full-color and always displayed on top-right corner of the screen.
Nepali television channels introduced DOGs in mid-1990s. Like its neighbor India, All Nepali DOGs are full-color, opaque and never transparent. They are displayed permanently on either top-left or top-right corner of the screen, even commercial breaks or end of transmissions.
Mansudae Television, Ryongnamsan Television and Sports Television all have their bugs in the top right hand corner of the screen, conventional for East Asian stations. Korean Central Television – the largest, main TV station in the DPRK – did not air any on-screen graphic until at least 1994; since then, the bug has been placed in the top left hand corner of the screen, making it an anomaly.
Unlike the neighbouring South Korea, the bugs are not removed during non-programme sections.
Radio Philippines Network and GMA Network first introduced DOGs in 1995, as the Movie and Television Review and Classification Board had implemented a television content rating system from November that year. Most stations do not display DOGs during commercial breaks, except Net 25, ETC (since 2012), and some cable channels, which display DOGs all the time. The DOGs can most often be seen in the upper-right corner, aligned with the TV content rating logo, but on several cable channels they are placed in the upper-left or bottom-right corners. Formerly, ABS-CBN removed the DOG and rating 3 minutes before commercial breaks, however from 2000 these are now removed 10 seconds beforehand. ABS-CBN, RPN and GMA previously did not use DOGs during their newscasts but started doing so in 2012. ABS-CBN and its sister channel S+A append the word HD to their respective HD feeds' DOGs and place the DOGs outside the 4:3 safe zone.
Satellite pay-TV provider Cignal also appends its DOG to the channels it carries. Hence, those who view channels through Cignal will see its DOG.
The network logo and the MTRCB rating of the program (green 'G', blue 'PG' and red 'SPG') are shown 1 to 5 seconds after the start of the program. Hashtags, promotions and announcements are also shown in the middle of the program. All DOGs appear in a solid color.
Singaporean television channels began showing the channel logos during television programs in 1994. The first one was Channel 5, then Channel 12 and lastly Channel 8. The television stations show the logo in full-color, and are usually shown in the top right of the screen. Also, since around 2004, logos of Mediacorp television channels also include the parent company's logo, and this expanded in 2005, when Channel U became a part of Mediacorp.
From 2004 to 2023 (2005 to 2023 for Channel U), Mediacorp, the sole free-to-air broadcaster of Singapore and effectively the state broadcaster, shows its on-screen logos in two parts: a transparent Mediacorp wordmark appears immediately above the channel logo in full colour. The channel logos are almost always in the top right, with the exception of CNA (previously Channel NewsAsia), which uses the bottom left with a news ticker. Even with CNA, the Mediacorp wordmark remains at the top right corner.
With the changed logos from 2023 for Mediacorp channels onwards, the Mediacorp wordmark has been removed as nearly all logos (except CNA, which uses a Mediacorp "M" icon in a circle as its wordmark). All Mediacorp channels will have a "M" wordmark in a circle beside its current logos, which corresponds with the logos colour as well.
Like its neighbouring country, Malaysia, Singaporean channels remove the channel logos during commercial breaks except for CNA, whose DOG is integrated into the ticker which remains on the screen during breaks.
South Korean national broadcaster Korean Broadcasting System (KBS) introduced DOGs for all programmes in 2001, followed by Munhwa Broadcasting Corporation (MBC) and Seoul Broadcasting System (SBS) a year later. However, the usage of DOGs dated back to 1986 but only for news programming. Some cable TV channels started using DOGs earlier than these channels, such as music channel KMTV introduced DOGs in 1995 and now-defunct two satellite channels under the name "KBS Wiseong" in 1997. Most of South Korean TV channels place their logo at top-right corner of the screen and removed during commercial breaks.
Sri Lankan TV introduced DOGs in 1996 after they began satellite broadcasting. All Sri Lankan DOGs are full-color.
Many cable TV & some terrestrial channels in Taiwan introduced DOGs in the 1990s, with Chinese Television System & China Television introduced DOGs for some programmes since 1994. Sanlih E-Television was the first cable and overall TV station to introduce DOGs in 1995. Later, Formosa Television became the first Taiwanese TV channel to introduced DOGs permanently when it start broadcasting in 1997. Taiwan Television did not introduce DOGs until 1999 when all of 3 stations (TTV, CTV & CTS) began to use DOGs on all of their programmes. Most of DOGs in Taiwanese TV channels are in color or opaque and placed permanently without any removing during commercial breaks, except Sanlih-E Television that have logos removed during ad breaks.
Prior to introduction of DOGs, Taiwanese TV stations displayed 24-hour digital clocks at the top corner of screen beginning in the early 1980s. Japan had a similar practice, but used 12-hour digital clock without seconds.
Thailand introduced DOGs in 1991. Thai TV logos are in full-color (With the exception of ITV/Thai PBS that used transparent logo from 2003 to 2014), and the logos are removed during commercial breaks, trade test transmissions, transitions between programs and when a Thai Royal Family member is shown during the broadcast. All Thai-based television stations show the logos in the top-right of the screen since 2003 (the logos sometimes used to be shown in its bottom-right corner).
During 2006 & 2014 coups, all Thai DOGs were removed from TV channels during the live speech of the military junta leaders.
During the mourning period after the death of Bhumibol Adulyadej all television stations aired black-and-white, monochrome DOGs and showed the logo on the bottom-right of the screen for a period of a hundred days until 21 January 2017. After the period ended, all television stations reverted DOGs back to regular color scheme but remained on showing the logo on the bottom-right of the screen (except during foreign sports programming and some foreign series and domestic sports programming on some channels, when television stations still show the logos on the top-right corner of the screen).
In Turkey, screen graphics, bugs, or DOGs are known as screen badges. On analogue/digital television, screen badges were introduced to TRT1 in 1996 and some private channels had screen badges beginning in the mid-1990s. Beginning 1 January 2000, all television channels at the time had screen badges usually located in the top right hand of the screen. However, on 1 January 2010, One got a new theme package and the screen badge was moved down to the bottom right hand of the screen. All of the TRT channels' screen badges were on the bottom right of the screen by the end of 2010.
Commercial TV channels usually place their logos in the top left corner of the screen: among the larger channels Kanal D, Show TV, Fox and ATV use the top left, but Star TV uses the top right. A similar situation exists in Turkey's neighbour Greece, where most TV channels use the top left corner (including Star Channel, which is not related to its Turkish or Indian namesakes), with only Skai TV using the top right.
The badges are either simplified or transparent during commercial breaks.
Turkmen TVs introduced DOGs in 1999. All of Turkmen DOGs are full-color, opaque & displayed on the bottom-left of the screen.
Vietnamese TV stations started showing their digital on-screen graphical DOGs in 1995. Logos are not removed during commercial breaks, but remain in full-color, unlike their counterparts in Indonesia. A digital clock and programme name may also be shown. Some cable channels show its cable provider logo and its logo. For example, VTV Cable's channels has the logo of the cable provider on the top-left, and the channel logo on the top-right, 9 channels on VTV (Vietnam Television) has the logo on the top-left, 6 channels on HTV (Ho Chi Minh City Television) channels has the logo on the top-right. Other providers and international channels were in the top-right, while K+ in VTV Cable bug used in the bottom-left.
ORF, the Austrian public broadcasting agency, introduced digital on-screen graphics in 1992 on both television channels operated back then. Before, only the abbreviation "ORF" was shown randomly for several minutes during the programming in the top right corner of the screen, styled in a simple white sans-serif typeface. Nowadays, all Austrian television channels, both public and private, are required by law to display a digital on-screen graphic continuously to enable channel identification. However, during commercial and continuity breaks, it is forbidden to show digital on-screen graphics, to allow a further distinction between paid commercials or station announcements and programming content.
The position on the screen varies between the top left and the top right corner: for instance, public broadcaster ORF shows the digital on-screen graphics on ORF1 (first channel) in the top left corner, on ORF 2 (second channel) in the top right corner and on ORF III (third channel) again in the top left corner. Commercial broadcaster ATV places the graphic in the top right corner on its main channel and in the top left corner on its additional channel ATV II. Most other commercial channels, such as Puls 4, show their digital on-screen graphics in the top right corner of the screen.
In Belarus, digital on-screen graphics were introduced in 1992. Until 1997, national television station Belarus-1 showed their digital on-screen graphics in the bottom right corner of the screen. It was originally just text saying "ТБК", with the Б being red and the Т and К being white. In 1996, this changed to a semi-transparent black box with white text saying "БТ" in it. In 1997, the digital on-screen graphics for Belarus-1 was moved to the top left corner of the screen, with the digital on-screen graphics now being in color again for the first time since 1996. In 2011, the digital on-screen graphic moved to the top right corner, where it stays today.
Dutch-language Belgian channels (i.e., those operating in Flanders) place their logo bugs at the top left corner, much like their counterparts in the Netherlands. Examples are the public broadcaster in Flanders, VRT, and the Flemish commercial broadcasters, DPG Media and De Vijver Media.
However, French-language Belgian channels (i.e., those operating in Wallonia), such as public broadcaster RTBF and commercial broadcaster RTL-TVI, use the bottom right corner of the screen, in contrast to French-language TV channels in France, Switzerland, etc., which use the top right or left corner.
Almost all Czech (and Slovak) TV channels place their logos in the top left corner of the screen, irrespective of the broadcasting network. The public television broadcaster Česká televize and the major commercial TV broadcasters (TV Nova, FTV Prima and TV Barrandov) all place their logos in the top left corner, as do many pay channels from pan-European broadcasters (though some use the top right). This is also the case with Slovak TV channels, some of which are broadcast in the Czech Republic.
The only exceptions from the major local broadcasters are the Nova Sport channels (Nova Sport 1 and 2, SD and HD), which place their logos in the top right corner instead of the usual top left, since score graphics for many sports use the top left corner and the public news broadcaster ČT24 between 2007 and 2010, where placed their logo in the bottom left corner.
Unlike Scandinavian neighbours Norway and Sweden, which almost exclusively use the top right corner for their DOGs, TV channels in Denmark may use either the top left corner or the top right for their DOGs. The public broadcaster DR and the state-owned commercial broadcaster TV 2 display their logos at the top left, as does commercial broadcaster Discovery with its TV channels such as Kanal 4 and Kanal 5. However, TV3 and other Viasat channels owned by Nordic Entertainment Group (formerly part of Modern Times Group) display their logos at the top right.
Nelonen was the first channel in Finland to use a DOG from its launch in June 1997. MTV3 started to use a DOG in the beginning of 1998, and Yle introduced DOGs in its two channels in August 1998.
Public broadcaster Yle moved its logos from the top right corner to the top left when it rebranded on 5 March 2012. However, the commercial TV channels, like MTV3 and Nelonen, place their logos at the top right. This is exactly the opposite of what is seen with the Netherlands, where the public broadcasting consortium NPO places its logo bug at the top right, but the main commercial broadcasters use the top left.
Most logos on free channels are small, white or gray and opaque, but some have colors like National Geographic and TLC.
La Cinq was the first channel in France to use the DOG when it launched in February 1986; it remained on the bottom-right corner until the channel ceased operations in April 1992. After the first private channels launched between 1986 and 1990, DOGs began to be used on the public television channels operated by France Télévisions and TF1, where they were placed on the top right corner.
Currently, the public TV broadcaster France Télévisions, as well as the majority of French commercial TV stations (such as the TF1 and M6 networks), display their logos at the top right corner of the screen. However, some channels, such as Franco-German cultural channel Arte, use the top left corner. During programming blocks aimed at children, TF1 and international channel TV5Monde uses another DOG.
In the 1980s, public broadcasters started to randomly show logos during programs to prevent video piracy, following the lead of Italian broadcasters RAI and Canale 5. After the first private stations emerged in 1984, permanently showing their logo most times, the public broadcasters soon followed. Today practically all TV stations show their logo during the programs and often these are an integral part of their design using fluent motion graphic animations to make the transition between programs, previews and advertising, as well as displaying additional information such as teletext numbers or the name of the following program. Most logos are transparent during programming though some channels do not. (For instance, kabel eins uses a bright orange coloured logo.)
TV channels generally may show their logos at the top left or top right of the screen, depending on the network. Public broadcaster ARD’s national channels display logo watermarks at the top right corner, but the individual regional broadcasting organisations’ TV channels may show their logos at either the top left or the top right (for instance, BR and HR’s TV channels use the top left for their logos, but MDR Fernsehen and RBB Fernsehen use the top right). Commercial network ProSiebenSat.1 Media, like ARD, uses the top right corner for all its channels, such as ProSieben, Sat.1, kabel eins and sixx. (However, Sat.1 used the top left corner until 2001, and again between 2008 and 2009.) But secondary public broadcaster ZDF and commercial broadcaster Mediengruppe RTL Deutschland use the top left corner for their channels, such as ZDF, RTL or VOX (exceptions in RTL's case are youth-oriented commercial channel RTL Zwei and news channel n-tv, whose logos are displayed at neither the top left nor the top right but the bottom right). News channel Welt (formerly N24) does not use any of these corners for its logo: its logo is placed in the bottom left corner. Another channel using this corner is documentary and parliament channel Phoenix, which moved its logo from the top left to the bottom left during its June 2018 rebrand.
Channels (except Phoenix) that are collaborations between ARD and ZDF (e.g., KiKa), or between ARD, ZDF and foreign broadcasters (e.g., Arte, a collaboration with France Télévisions, and 3sat, a collaboration with SRG SSR and ORF), use the top left corner.
On all Greek network television networks, DOGs appear on the top left corner of the screen, with the exception of Skai TV, which moved its logo from the top left to the top right as part of its rebrand in October 2018. Since 1997, almost all television stations in Greece keep their logos on the screen their logos during advertisements, although in channels such as Skai TV the logo becomes transparent.
Hungarian DOGs were first introduced in MTV’s channel M2 from 1989, but they were very rare until 1991. M2 was the first network to always display its DOG, which was a quarter-circle (which was bright and noticeable). It first showed up in 1992 but it changed in 1994 due to logo change. This was followed by many broadcasters and TV channels.
Most DOGs are semi-transparent (either in colour or grayscale), but some including Hír TV, PRIME, Viasat 3 and their sister channel Viasat 6, and the long-defunct TV3 have opaque, colour DOGs.
By and large, the corner used by the logo of a TV channel depends on the network. Public broadcaster Magyar Televízió moved its channels’ logos from the top right corner to the top left during its 2012 corporate rebrand, much like Yle in Finland, which also rebranded in that year, and their logos had changed from colour to gray-scale beginning in March 2015. MTV's thematic TV channel, M4 Sport, due to it being a sports channel, shows its logo in the top right corner.
RTL Hungary's channels, such as RTL Klub, RTL II, Cool TV and Film+, have always placed their logos in the top left corner. Since 2021, RTL Klub hide the rainbow flag in the left side of the logo during Pride Month events.
TV2 Csoport's channels, such as TV2, SuperTV2 and FEM3, have always used the top right.
Age ratings have been included since 17 October 2002 onwards at the bottom of the screen as well as before the start of the program, but some channels dislike the requirement and use a different age rating system instead (mostly the Romanian ones, like the DIGI's educational channels, RTL (previously), and the independent TV2's sister channels) or none at all. Since July 2021, channels are required to depict the age rating 'circles' even during advertisements (the same for a single package, decided by the highest rated ad, e.g. if a commercial of a sexual medicine is being aired, the whole pack receives 18+ ratings and should be broadcast between 21:00 and 05:00 local time). This rule is in connection to the so-called 'anti-pedofile', according to its many critics, anti-LGBT law.
Many channels hide their logos in commercial breaks, such as the RTL network's channels, but some such as the independent TV2 and its sister channels include them during ads.
Hungarian version of Comedy Central and Hungarian-voice simulcast of the sports network Eurosport 2 are the only channels which have used all of their four corners of the screen during their lifetime, depicting their bugs. At the humor channel it's due to the rebrands, while at the latter, it's because of the urge not to cover the graphics of the licensed broadcasts like Bundesliga (top left corner until 2018 when licenses had moved to Sport TV), FIS Ski Jumping World Cup (usually top left corner) or PGA golf events (bottom left or bottom right corner, even online). However, Eurosport 2 has been using originally the top right corner to its DOG.
During the lifetime of the now-defunct Hálózat TV (Hungarian for Network Television), while the original 24-hour cable channel placed their DOG in the top left corner, local (mainly free-to-air) television stations being subscripted to the evening programming, mainly the news and one or two pieces of movies, put the channel's own logo into the top right corner. Hálózat used bottom-left for ratings which isn't common in Hungary, even nowadays. Hálózat TV ceased broadcasting by January 2013.
All Icelandic TV channels, such as RÚV, Stöð 2 and Stöð 3, place their transparent logo bugs in the top right corner of the TV screen, often with an 888 bug for subtitles.
The Irish language channel TnaG first used their bug during simulcast of QVC and their coverage of the Oireachtas (Irish Parliament). In 1998 TV3 launch as Ireland's first commercial operator and the first Irish channel to permanently use a bug in the left hand corner of the screen. In 1999 TnaG re-branded as TG4 and began showing their logo during all programmes. In 2002 RTÉ introduced their bug however it would only appear for twenty seconds at the beginning of each show and it was there to classify the suitability of the content of the show, in 2004 the bug became a permanent part of the on-screen presentation for both RTÉ One and RTÉ Two. RTÉ's classification guide also appears for twenty seconds at the beginning of each show.
Unlike British TV channels, which generally display their logo bugs at the top left corner of the screen, TV channel logo bugs in the Republic of Ireland generally appear in the top right. For RTÉ, TG4 and Setanta Ireland, the logo bugs appear in the top right corner of the screen. TV3's bugs appeared in the bottom right hand corner of the screen between the early 2000s and its rebrand in 2009; TV3 then moved its logo bug to the top right corner to match the other Irish channels, and it has stayed there ever since, even after the channel's rebranding as Virgin Media One in August 2018. RTÉ does not use their bug during news or current affairs programming. The now-defunct Channel 6 also displayed a bug during its two years on the air. The new digital services from RTÉ also display bugs on RTÉjr, RTÉ Two HD and RTÉ One+1.
Bugs are also used to tell viewers when shows are live or when they are replays. RTÉ use the word "replay" during repeats of live programming while TV3 advised viewers "Text & Comment Lines are Closed", Setanta replaced the word "Ireland" with the word "live" to advise viewers that they are watching live events rather than repeats and TG4 places the Irish word "beo" (live) below the number '4' in their logo during live programming. RTÉ refer to DOGs as "bugs". In Northern Ireland UTV began displaying their bug in the late 2000s. All of the community and local channels in Ireland display a bug. All bugs also display 888 for subtitles.
In March 2020, a lockdown was imposed by the government in response to the COVID-19 pandemic. All bugs were updated on RTÉ and Virgin Media channels to include "Stay at Home" beside each channel's logo.
In Italy, the channel watermark usage is different for every television network. RAI, at the end of the 1970s, introduced its first watermark, to minimize copyright infringement by private channels. The bug "jumped" around the four corners of the image. At the end of 1987, the bug added the number of the station, until 2010 in words and from 2010 in numbers. RAI's on-screen logos are not shown during news programs (e.g. TG1).
RAI's on-screen logos were placed at the bottom right until 2010, much like commercial broadcaster Mediaset and commercial TV channel La7, which have always used that corner. However, during RAI's 2010 corporate rebrand, they were moved to the top right corner. During a second corporate rebrand in 2016, the logos were moved once again, this time to the top left (with some programmes having the logo on the top right corner), which has rarely been used by Italian TV networks (barring some newer channels like Discovery's Nove). On the SD feeds of RAI channels that have an HD feed, the HD channel number (starting from 501) is posted below the channel's bug. Sky Italia channels, like TV8, use the top right corner for their logos.
Commercial broadcasters Mediaset and La7 have always placed their logos at the bottom right corner of the screen. However, during some shows or sport events, they may be moved to the top right. Mediaset's DOGs consist of a transparent channel logo with ‘MEDIASET’ written immediately below the logo. (Mediacorp, the sole free-to-air broadcaster of Singapore and effectively the state broadcaster, follows a similar approach: a transparent Mediacorp wordmark appears immediately above the channel logo in full colour. This was used from 2004 till 2023, before Mediacorp refreshes all of its properties logos. Note that Mediacorp, unlike Mediaset, places its logos at the top right corner, and has the channel logo in full colour.)
DOGs are not removed during commercial breaks, with an exception of some channels like the now-defunct linear channel Disney Channel. RAI's channels also removed their logo during commercial breaks during 2016–2017 (which had been rare since the introduction of watermark), but this practice has since reversed.
In Lithuania, DOGs usually appear on the top right corner of the screen, though LNK group's channels place their DOG on the top left corner. If programming is not suitable for younger viewers, a DOG showing the age rating is placed in the bottom right corner.
Most Dutch channels, including Belgian Dutch channels (i.e., in Flanders), place their logos in the top left corner of the screen. Examples are the two main commercial TV broadcasters in the Netherlands, RTL Nederland and Talpa Network; the public broadcaster in Flanders, VRT; and the Flemish commercial broadcasters, DPG Media and De Vijver Media.
However, NPO, the public broadcasting consortium in the Netherlands, displays its logo bugs in the top right corner of the screen, and the logo bug of the presenting broadcaster (such as NOS, AVROTROS and KRO-NCRV) at the top left. This is the opposite of the situation in Finland, where Yle, the public broadcaster, has placed logo bugs in the top left since 2012, but the commercial TV broadcasters use the top right.
Norwegian television broadcaster TVNorge introduced DOGs in 1988, becoming the first Norwegian TV channel to do so. Most Norwegian DOGs are shown in either the top-left or top-right corner of the screen; NRK and TV 2 both use the top-right.
Virtually all Polish TV channels show their logos in the corner of the screen during all programming, and have done so since the early 1990s. The two TVP channels first introduced them as a test in 1991 and then permanently in early 1993. Various positions of the logo were tested, before settling on the top-right corner on 19 April 1993. Polsat, the first commercial Polish-language broadcaster, launched initially on satellite on 5 December 1992, with a DOG in the top-left corner from the beginning.
Nowadays, most channels, including the major networks such as TVP, Polsat (since 28 February 2005) and TVN, show their logos in the top-right corner of the screen. Top-left corner is also a common location, used by TTV and several cable and satellite channels. News-oriented channels such as TVP Info and TVN24 that display news tickers at the bottom of the screen most of the time, usually integrate their DOGs in the ticker design, typically in the bottom-left corner. Few minor cable and satellite channels show their logos in the bottom-right corner. Most broadcasters remove their DOGs during commercial breaks, although the practice is not universal. Some channels, including most basic free-to-air ones, use alternate logos containing the "HD" branding for their HDTV feeds. This may be related to the fact that Polish digital terrestrial TV lineup consists almost entirely of SDTV streams, with HDTV available through cable and satellite.
Since 15 August 2005, all broadcasters licensed in Poland are also required to display the age rating at all times, during all programming except news, sports and advertising but has been criticised by viewers for exaggeration of age rating to +12 in case of animated or family movies on some TV channels, mainly from TVN, and also on talent show with participation of children (e.g. You Can Dance – Next Generation), for pathologizing of system and for screen burn-in. It is usually shown in the top-left corner, opposite the channel logo. However, Polish broadcasts of international cable networks (such as Discovery Channel, HBO, etc.) usually operate under foreign licenses and are legally treated as rebroadcasts of foreign channels. As such, they don't need to follow this requirement and may use a different rating system instead.
RTP introduced DOGs in the late 1980s, when it was the only broadcaster in Portugal that operated two television channels. Initially, the logos were placed on the top-right corner, but in 1991 they were moved permanently to the top-left corner, to allow television ratings to be shown in the top-right corner. Until 2004 and RTP1's rebranding, their DOGs were placed on the bottom-left corner during newscasts. On some programs or live sport broadcasting, DOGs are placed in the top-right corner. Logos are removed during advertising breaks and trailers. For subtitle information, on RTP1 and RTP2 a number such as 884, 885, 886, 887 or 888 is placed near the logo; in other cases Direto (Live) is sometimes used instead of a number (some programmes use neither numbers nor Direto (Live), Gravado (Recorded) or Repetição (Repetition)).
DOGs of privately owned channels were introduced in the mid-1990s. Initially, the logo of TVI was placed in the bottom left corner during only some of its programmes; in the mid-2000s the logo was moved into the top left corner, and has been shown across all programmes since then. The two Brazilian-owned television services (Globo and RecordTV Europa) have their DOGs placed in the bottom-right corner.
Romanian TV channels display their logos in a particular corner of the screen depending on the network. Public broadcaster TVR and commercial network Intact Media Group (which owns Antena 1, one of the country's most popular channels) display their logos at the top right corner (except for news channel Antena 3, which uses the bottom right). However, Pro TV, the most popular commercial station, and its sister channels show their logos at the top left corner (except during news broadcasts, where the Pro TV logo at the top left is removed and a Știrile Pro TV logo is placed at the bottom left, and during football games, when it is placed at the top right, to allow the score display to be seen). This channel along with Acasă TV and Pro Cinema had also the DTH provider logo in the top-right corner, on the transmissions from these DTH platforms, to prevent CATV piracy. The top left corner is also used by national commercial station Kanal D, as well as smaller national TV stations like National TV and Prima TV. Note that the Pro network channels which are available in HD (namely Pro TV, Pro 2 and Pro X) display the channel logo in the top left but the HD watermark in the top right.
In Russia, television channels usually have watermarks, which are usually placed in the top-right or top-left corner of the screen (some notable exceptions are HTB, which places its logo on the bottom-left corner, and the Disney Channel which places its logo on the bottom-right corner). In some channels the watermark becomes half-transparent on ad breaks (it used to be removed on ad breaks, but not on trailers), but on main channels such as Channel One or Russia-1 they never disappear nor become half-transparent. Channel One was the first channel to have introduced their watermark in 1992 and by 1993 watermarks appeared on other channels.
Serbian public broadcaster RTS began showing logos around 1989. Its logo was sometimes turned on manually during certain broadcasts but shortly afterwards remained permanently on-screen - in particular after the rebrand in autumn 1992. One could notice how they were manually controlled, as the "logo-free" time during the begin of a program varied. Until November 1994 their logos were opaque black and white, presumably due to being inserted into the analog CVBS signal just before being broadcast instead of an analog YUV, RGB or digital SDI signal; afterwards, they upgraded to colorized yet still opaque logos, that remained until autumn 1995, which is when they became slightly translucent. RTS's predecessor RTB (Radio Television of Belgrade) had DOGs of varying sizes, but rather than being introduced one after another they appear to have been used simultaneously at different broadcast sites. At least three different sizes and styles of their opaque black-and-white logo are known today. On the satellite channel "RTS-SAT", Latin letters were used, but after the destruction of RTS headquarters in 1999 during a NATO air strike, it could be noticed how the logo appeared to have been quickly re-drawn and was being inserted by different equipment as it varied in shape and size, presumably because of the original equipment used to insert it being destroyed. Before 2010 RTS had the same opaque color logo from 1999 on RTS-SAT, and new translucent logos were introduced in late 2001 for the analog terrestrial programs. Old logos remain on most archived recordings presumably due to lack of a cleanfeed archiving policy in the past.
Throughout the 2000s and 2010s (Pink: 2001–2015, B92: 2003–2012, Avala: 2007–2011, Happy: 2012–2021) most television channels in Serbia along with station logo also showed a digital clock below the logo, and sometimes the temperature. This practice is nowadays limited to local and regional stations, of which most of them follow this practice.
Much like the Czech Republic, TV channels in Slovakia always place their logos in the top left corner of the screen, irrespective of the broadcasting network. The flagship public channel, STV1 (now Jednotka), using the top left ever since 1993 with exception for 2000–2001 and between 2004 and 2012 which used top right corner. The main commercial TV channels, such as TV JOJ and Markíza and their sister channels, have always used the top left corner. The news TV channel TA3 has used the bottom left corner between 2011 and 2017. This is also the case for Czech-language channels that broadcast in Slovakia. Since 2004, almost all commercial television stations in Slovakia keep their logos on the screen and RTVS, the country's public broadcasting network, does the opposite during advertisements and programme trailers.
Unlike all other European countries, where channels generally display their logos at the top left or right corner of the screen, the great majority of TV channels in Spain use the bottom right corner to display their logos—much like in the Americas and Australia (except SBS, which uses the top right). Italy is the only other European country to have a significant proportion of channels that use the bottom right corner. This is partly a function of Italian commercial broadcaster Mediaset operating several TV channels in both Italy and Spain (via Mediaset España Comunicación), all of which use the bottom right corner.
Therefore, the channels of most of the major broadcasters—such as public broadcaster RTVE and commercial networks Atresmedia and Mediaset España—place their logos in the bottom right corner. The main exceptions are most regional channels, including Telemadrid, which uses the top left; and TV3 (Catalonia), EITB (Basque Country), 7 La Rioja, RTPA in Asturias, Canal Extremadura and Aragón TV, which all use the top right. Canal Sur in Andalusia have changed between top-left and top-right over the years, however currently use bottom-right.
TVE introduced DOGs in 1984 on TVE1 and TVE2. The DOG of TVE1 was all white until 1991, when the number 1 was changed from white to blue. It remained so until 2003. Antena 3, Telecinco and Canal+ were the first channels to use DOGs from their launch, with the DOGs placed in the top-left and bottom-left corners. In 1992, Antena 3 and Telecinco repositioned their DOGs in the bottom-right, making it the same as TVE. TV3, an Autonomical Channel of Catalonia, used DOGs from 1991, earlier shown only alongside clock indents, and from 1994 until 1999, showed DOGs throughout broadcasting. From 1991 the DOG was removed during advertisements. In 1999, the DOG was removed during the clock.
Most DOGs are removed during advertisements, trade test transmissions or when a program is not aired. An exception to this is El Toro. Canal 3/24 did not remove their DOG during advertisements between 2011 and 2014.
Ukrainian TV introduced DOGs in 1991 shortly after Dissolution of the Soviet Union. Ukrainian national broadcaster Pershyi introduced DOGs in 1991 as "УТ-1" (UT-1) in the bottom-right corner but changed to top-left corner of the screen from 1995 to 1998. Since 1998 most of Ukrainian TV channels place their DOGs in top-right corner of screen.
DOGs most commonly appear in the top-left hand corner on British channels. DOGs were first used on satellite and cable television systems in their early days, when broadcasts were unmarked. Channel 5 was the first to use DOGs on an analogue terrestrial channel when it launched in 1997. The DOG was originally very bright and noticeable, and was soon toned down. Channel 5 said that the DOG was used to assist viewers in tuning to the new channel once its test transmissions had ceased. Following the rebrand to "five" in 2002 the DOG disappeared until late 2007.
There have been two known predecessors to the digital on-screen graphic on British television, namely a small white outline rectangle that was broadcast on the screen throughout ITV's broadcast of the documentary Life by Misadventure: A Film about the Seriously Burned on 7 September 1973 to warn people that may be uncomfortable with its content, and similarly, Channel 4's infamous red triangle symbol, which was applied in the corner of the screen throughout a series of controversial late-night art films broadcast 1986–87, in addition to an ident before the films began, again in both cases to warn viewers of the content.
The BBC initially introduced a DOG on each of its digital-only channels. In October 1998, it added DOGs to BBC One and BBC Two on Sky Digital but following a large number of complaints they were removed two months later. However, a BBC TWO DOG was used during the overnight BBC Learning Zone strand until 2015. The DOGs for the other channels appear at the top left-hand corner on other channels except BBC News and BBC Parliament (which is bottom left and part of the ticker and lower third text graphics, which are not visible during title sequence, breaks, and weather forecasts). The BBC News Channel's DOG does not appear when it airs Breakfast as the ticker is not visible during the programme. During simulcast between BBC News channel and BBC One for BBC One bulletins, the News channel's DOG appears on BBC One but only when the lower third graphics is expanded, although the DOG and the ticker are visible at all times on the News channel. Other simulcasts usually see the BBC News channel's ticker and DOG visible at all times on all channels. Whilst BBC Four and BBC Parliament have static DOGs, the ones on CBBC and CBeebies alongside other channels such as Nick Jr. feature moving elements. ITV uses DOGs on all its channels, as do its counterparts STV in central and northern Scotland, and UTV in Northern Ireland (which now uses the same ITV1 DOG as the ITV1-branded services in other ITV plc regions; except that the DOG is removed during regional programming). ITV does not use a DOG during news programming except for STV which uses a DOG for all news programming.
The logos on channels such as ITV (excluding STV), Channel 5, E4, E!, Disney XD, Sky Arts 1 and 2, Sky1, Sky2, Sky Sports, History, More4 and CITV are almost transparent, whereas others like those on Comedy Central, Disney Junior, some UKTV channels, CBBC, CBeebies, the Discovery channels, Nick Jr., Nicktoons, Boomerang and Nickelodeon are bright and noticeable. Sky Movies and Film4 do not use DOGs, but Channel 4 (starting on 19 June 2017), Channel 4 HD and the timeshift channel Channel 4+1 all do. Some stations display their on-screen graphics permanently.
The UKTV channels remove them during commercials and trailers, with some Sky channels removing them altogether at certain times into a programme. In addition to a fixed (sometimes animated) motif, MTV includes the programme title in the top-right hand corner. During widescreen programmes, the DOGs on most channels including ITV, BBC Three, BBC Four, ITV2, ITV3, ITV4, CITV, CBBC, CBeebies, E4, and 4Music stay in the far corner of the screen, it is now rare for a channel to place their DOG in a 4:3 "title safe area".
On digital systems such as Sky and Freeview, where stations have a set EPG number and a name displayed across the bottom of the screen when changing channel, DOGs have been deemed unnecessary by some users. Despite this, broadcasters persist with the practice. In response to negative feedback, the BBC has responded, "We believe it is important to ensure that viewers can quickly identify when they are watching a BBC service." It reinforced this position in both 2008 and 2009 following continual complaints to its Points of View programme, citing channel identification as the sole reason for the policy. In its website FAQs, Five's stated reason for its use of a DOG is that "the vast majority of channels carry them, most permanently and virtually every channel at some point has one during the day." However, on 21 October 2008, the BBC announced that it was removing the DOG from BBC HD for all films and most dramas, acknowledging that there was an "irritation factor". However, the DOG came back when BBC One HD launched in 2010.
As of 2022, neither BBC One HD nor BBC Two HD has been using their own DOG. More recent additions are graphics which appear near the end of a programme to tell the viewer what's up next, despite this information being available at a touch of a button on digital TV. Many viewers also find this practice annoying, distracting and unnecessary. However, a generic BBC logo appears on the top left-hand corner of their iPlayer feeds as is the case with other BBC channels. This generic BBC DOG also appears on catch-up or on-demand programmes on the iPlayer.
Logo bugs are used by Canadian broadcasters in a nearly identical fashion to U.S. broadcasters. However, a complication emerges when Canadian broadcasters simulcast U.S. programming (a frequent practice among broadcast television networks, intended to invoke the simultaneous substitution rules requiring TV providers to substitute the feeds of U.S. broadcast channels with those of local, Canadian broadcast channel, if they are airing identically scheduled programming). While pre-recorded programs (e.g. dramas, sitcoms) can be delivered to the broadcaster by their distributor and played out locally (without depending on taking a feed from a U.S. network), live programs may not always have a clean feed available that is free of the U.S. network's bugs and imaging, necessitating the use of a dirty feed from the network instead.
In these scenarios, some channels—including, most frequently, CTV and CTV 2, as well as its Bell Media sister channels—covered the U.S. network's bug with their own, opaque logo. However, Bell has since ceased this practice, and the majority of broadcasters "co-brand" the dirty feed by placing their own bug in a different corner of the screen than the U.S. logo.
Some channels in Canada (such as YTV or Teletoon) used to display a ten-second animation as the screenbug that would play every segment after 1–3 minutes. This practice was mostly discontinued in 2012. Family Channel did this practice through 2017 however.
In the mid-1980s, Canal 12 started with a Video Cassette Recording text as "TV-12" white, and TCS's Canal 4 used as the channel's logo on the top-left position, both exclusively in live events. Telecorporación Salvadoreña (TCS) channels began using exclusively on newsreels and live events by 1987, and TVCE (today TVES), a Salvadoran public broadcaster began using as a VCR text with a cyan and sometimes yellow color on live in early-1990s. TCS Channels began using in 2000, for each one of the three channels permanently as a normal broadcasting; other channels did the same thing as today, commonly on the top-right screen. Each September the logo uses as an Independence Month with a Salvadoran flag for TCS Channels, and each December the logo uses as a Christmas decoration. Some television channels and programs uses as a transparent logo, a digital clock or both such as Agape TV.
In Mexico Once TV and XEIMT-TV were the first channels to use their logos permanently in the top-right of the screen since 1997. The channels of Televisa and TV Azteca did not start to use logos permanently until 2000 and 2004 respectively, in their channels.
The first logo bug appeared in the 1970s on cable networks and local TV stations. It was often displayed on the bottom of the screen for 5 to 10 seconds. It was usually displayed once per hour, or every 10 or 15 minutes during a program. One of the popular title generator machines during that time was made by Chyron, but other brands were also used. The first transparent logo bug to be displayed throughout an entire program was the CBS Evening News in 1990. It was part of a graphical redesign of the news broadcast done by branding design firm Novocom. The reason for its introduction was so that domestic business travelers would know which channel in their hotel carried a CBS affiliate immediately without a glance at a printed channel list, and soon it spread to the entirety of the CBS network schedule. The "big four" networks (CBS, ABC, NBC, FOX) began using full-time on-screen bugs in September 1993, with the bug removed during commercial breaks. Other major networks such as The WB and UPN also used logo bugs in the same manner. Since then, the use of digital on-screen bugs among cable and broadcast networks has become standard.
The bug is usually placed on the lower right hand corner of the screen, with the notable exception being during the broadcasting of sports events and on some religious television networks (where logo bugs have largely been placed in the top-right to accommodate descriptive text, prayer lines, or Bible verses), and on most NBCUniversal networks (including NBC) and Ion Television, where their standard bugs were moved to the bottom left during prime time programming in 2006 and the early 2010s, respectively. CBS followed suit with its bug moving to the bottom left in September 2021. During sports broadcasts, NFL on Fox introduced FoxBox, a permanent graphic at the top left-hand side of the screen showing the score of the game, along with the network's logo.
Bugs are usually monochrome to minimize distraction, while some cable networks like Nickelodeon, The Weather Channel, MSNBC, Fox News Channel, and CNBC use full-color identifiers. Broadcast stations and networks typically only use solid, full-color bugs during local newscasts, network newscasts, and sports broadcasts; at other times the bug is switched to the transparent, gray variant. Also, broadcast channels typically show their local affiliate's call sign and/or the channel number on the screen bugs during local newscasts and in some cases syndicated programming. First-run syndicated programs often display their own logo, in addition to the bug of the station they are running on. Meanwhile, network-based programming (including prime time programs and national newscasts) is typically shown with only the network's bug for most of the broadcast (although an automated system may allow a local bug to be overlaid onto network programming for a few seconds after the start of a program or a commercial break).
Before the 2009 digital television transition, early high definition broadcasts often used bugs placed outside the 4:3 safe zone (sometimes with special "HD" branding) to distinguish them from the standard definition broadcast. By the late-2000s, due to networks switching to a singular HD feed downconverted for SD (assuming that the SD feed will be center-cut from the HD feed, or using Active Format Description (AFD) metadata to specify the framing format) as their network feed rather than distinct feeds for both formats, most broadcast networks dropped HD-specific logo bugs and used bugs in the 4:3 safe zone for all viewers, regardless of feed. By 2018, most bugs and on-air presentations have been oriented exclusively for 16:9 framing.
The inclusion of text advertisements for upcoming programs alongside the bug is also particularly prevalent among some broadcasters. Since the mid-2000s, some stations and networks showed their websites alongside their bugs, especially during newscasts. National morning shows like Today and Good Morning America have also shown their specific websites rather than their network's main website in addition to the bug that shows their program. Beginning in 2010, some networks began to display show-specific hashtags alongside their bugs, which encourage viewers to discuss and interact with the program online via social networking services such as Twitter.
Australia first introduced the digital on-screen graphic in the early 1990s on Prime7 (then Prime Television) and WIN Television. The Seven Network was the first metropolitan network to broadcast digital on-screen graphics on all of their programs in May 1999, following Nine Network in December 2001, Network Ten in December 2004 and the ABC in January 2005. DOGs in Australia most commonly appear in the bottom-right-hand corner of the screen, but sports orientated content that uses the network's sports brand (e.g. Seven Network and Seven Sport) generally appear on the top-right hand corner of the screen. One originally placed its DOG in the top-right hand corner of the screen due to it being a sports-orientated channel at the time, but after the 2011 rebrand to allow a wide range of content to be broadcast, the channel's DOG was moved to the bottom-right-hand corner of the screen. The ABC3 and ABC Kids channels originally placed their DOGs in the top-left hand corner of the screen, but moved them down to the bottom-right-hand corner as of late 2013. Datacasting channels and home shopping channels show their DOGs in the top-right hand corner of the screen.
DOGs are generally shown in a semi-transparent format, but are shown opaque during in-programme advertisements that take place at the very bottom of the screen. News services have their own DOGs placed where their network's DOG would normally be, but are only shown in an opaque format. News services generally show footage that was captured by another network (usually for sporting stories), but the semi-transparent DOG of the original network is still shown. Current affairs programmes and other news programmes that are produced by the network generally show their own opaque DOG at the bottom-left hand corner of the screen, opposite to their network's semi-transparent DOG which still appears (e.g. Nine Network and A Current Affair/AMV & Seven).
Australian TV networks hide all of their DOGs during advertisement breaks, news and live sport programs. They only reappear during the promotion for a programme that will be shown on the station and are not shown during any other advertisement material.
At times, networks will superimpose a semi-transparent watermark immediately adjacent to their DOG to advertise an upcoming special event that the network will be broadcasting (e.g. Network Ten superimposed an advertisement for the Sochi 2014 Winter Olympics on their primary channel (Ten), 10 Bold, and 10 Peach as they were to be the Australian broadcaster of the event), or to advertise a popular upcoming programme.
In addition, during ABC's ABC News Breakfast, Seven's Sunrise and 10 Peach's Toasted TV (prior to 2018), a digital clock appears on the bottom right-hand corner of the screen while Nine's Today Show and Ten's Studio 10 appears on the bottom left-hand corner of the screen.
Currently, ABC, Seven, Prime, Nine, WIN and 10 are on the bottom-right-hand corner, while SBS is on the top-right hand corner.
New Zealand introduced the digital on-screen graphics in 2001, starting with TV3 and FOUR. New Zealand FTA now placed their logos on the bottom right hand corner, with the exception of Māori Television and as of 9 February 2017, TV3. TV One had the logo on the top right hand corner until the switch to the bottom right hand corner on 1 July 2013. TV2 usually had the logo from the top right hand corner until New Year's Day 2012 when they switched it to the bottom right hand corner. Prime Television New Zealand now placed their logo on the bottom right hand corner as of March 2016.
Beginning in the late 1990s, almost all television stations in Argentina had their logos being shown on the top-right of the screen. When Canal 9 relaunched in 2002 to replace Azul Televisión, its logo was shown on the bottom-left of the screen. After intense criticism, Canal 9 moved its logo to the top-right of the screen of which most Argentine broadcasters had almost always followed.
In Brazil, digital on-screen graphics were introduced in the mid-1990s and are always used by all channels (free and pay). In most free-to-air channels, the logos are located on the bottom-right-hand corner of the screen (except for RedeTV!, TV Gazeta, Rede Bandeirantes, and GloboNews, whose logos are placed on the top right corner of the screen, and for TV Brasil, the top left corner (formerly the top right corner); TV Cultura's logo moved from top left corner to bottom right corner of the screen in 2009) and in all free channels they are usually transparent, but if some program or event is being broadcast live or exclusive or if some archived footage is shown, they become colorful. Most pay channels usually have the logos on the top right corner of the screen. In some pay channels, the logos appear even in commercial breaks, but they become transparent in this situation.
Chilean television stations started showing their logos permanently in the 1990s, though some channels, like Televisión Nacional de Chile, have made some tests with DOGs as early as 1981. During that time, logos were placed in the bottom-right of the screen. La Red was the first television broadcaster to move their logo to the top of the screen. Additionally, between 1992 and 1994, the logo shown as a DOG would replace the letter "E" in its name with any other object, depending on the context (for example, a soccer ball would replace the "E" during sports-related programming), something that was part of their general branding back then. In 1997, due to a logo change, the logo was placed at the top-left, and later due to the same reason, moved to the top-right until now. Other broadcasters, such as Mega, which its logo being originally shown on the bottom-left of the screen, moved to the top-right of the screen due to similar reasons; Canal 13, in a similar manner, moved its logo from the bottom-right to the top-right corner in 2002. Chilevisión has continued to have its logo being shown on the bottom-right of the screen until 2007, when it moved to the top-right of the screen, of which other television channels in Chile had followed in the previous years. Beginning in the late 2000s, separate logos are used for network newscasts; they are usually placed in the bottom-left corner and are shown in conjunction with the network logo.
|
[
{
"paragraph_id": 0,
"text": "Digital on-screen graphic by country refers to how use of these logos in television vary in different countries and regions.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Many news broadcasters, as well as a few television networks in such cases, also place a clock alongside their bug. In the United States, Canada, Australia, and New Zealand, DOGs may also include the show's parental guideline rating. In Australia, this is known as a Program Return Graphic (PRG). It has become common to place text above the station's logo advertising other programs on the network.",
"title": "Overview"
},
{
"paragraph_id": 2,
"text": "In many countries, some TV networks put \"live\" in the bottom of the DOG to advise viewers that the program is live, as opposed to a repeat. During televised sports events, a DOG may also display a few game-related statistics such as the current score. This has led many people in Canada and the United States to refer to it as a score bug.",
"title": "Overview"
},
{
"paragraph_id": 3,
"text": "In many countries, DOGs are removed in non-programme sections such as commercials and programme trailers, but TV channels in some other countries have not removed or instead replaced them in either of these sections or in all sections (like Turkey, Indonesia, Italy, Vietnam, Taiwan, and Russia).",
"title": "Overview"
},
{
"paragraph_id": 4,
"text": "The SNRT and 2M use permanent on-screen DOGs for their TV channels. In contrast, other channels including Medi 1 TV and Al-Aoula hide their DOGs during commercial breaks.",
"title": "Africa"
},
{
"paragraph_id": 5,
"text": "Arabic TV logos are placed in the top-right and top-left except for Al-Jazeera, whose logo appears on the bottom-right of the screen. Some of the Arabian TV stations hide their logos during commercial breaks and promos/trailers, such as Dubai TV, Dubai One, Funoon, the Egyptian CBC and Nile TV networks, ART Hekayat, ART Hekayat 2, Iqraa and Al-Jazeera.",
"title": "Asia"
},
{
"paragraph_id": 6,
"text": "Abu Dhabi TV and MBC1 initially had their logos at the bottom-right corner from their launch until the mid-2000s, when they were moved to the top-right corner.",
"title": "Asia"
},
{
"paragraph_id": 7,
"text": "TV in Brunei introduced DOGs in 1994.",
"title": "Asia"
},
{
"paragraph_id": 8,
"text": "Cambodian TV channels introduced DOGs in 1995. Like Thailand, all of logos are full-color and displayed on the top-right corner of the screen. Some channels such as TV5 hide their logos during commercial breaks. Hang Meas HDTV Logo on the top-left corner of the screen, CTN (Cambodian Television Network), MyTV, Bayon TV, PNN, Logo on the top-right corner of the screen,",
"title": "Asia"
},
{
"paragraph_id": 9,
"text": "TV stations in mainland China always place their logo (usually semi-transparent and sometimes animated) in the top-left corner of the screen in full colour or grey-scale, regardless of the content being broadcast (programme or advertisements), some channels like Phoenix Television hide their logos during commercial breaks; although in some rare cases, the DOG may be placed elsewhere to avoid covering the score bug during the broadcast of a sporting event.",
"title": "Asia"
},
{
"paragraph_id": 10,
"text": "China introduced logos in 1983 on bottom-left corner of the screen but was used only during commercial breaks and clock idents. Later China Central Television (CCTV) introduced permanent DOGs for all programmes in 1992, on the top-left corner of the screen. China also displays clock on top-right corner of the screen for 1 minute between 59:30–00:30 & 29:30–30:30 time in transition between programmes.",
"title": "Asia"
},
{
"paragraph_id": 11,
"text": "Hong Kong TV introduced DOGs in 1994. Hong Kong DOGs can be either of full color or semi-transparent and (except for RTHK 31) always be hidden during commercial breaks. Television Broadcasts Limited (TVB) placed their logos at top-right corner of the screen while now-defunct Asia Television and other channels placed their logos at top-left corner of the screen. Sometimes, weather information, date and time clock had been used alongside DOGs in news programmes, continuity & live broadcasts.",
"title": "Asia"
},
{
"paragraph_id": 12,
"text": "The first on-screen logo in India was introduced in 1984 by DD2 Metro (now DD News). It was white and slightly transparent.",
"title": "Asia"
},
{
"paragraph_id": 13,
"text": "All Indian TV channels have on-screen logos. They are always full-colour, never transparent, and they are almost never removed during commercial breaks (though the channels of the South Indian Sun TV Network did so until 2015).",
"title": "Asia"
},
{
"paragraph_id": 14,
"text": "The great majority of Indian TV channels place their logos in the top right corner of the screen, though there are exceptions. The corner used may be broadcaster-dependent. Among the big national broadcasters:",
"title": "Asia"
},
{
"paragraph_id": 15,
"text": "Indonesian television DOGs have been occasionally used since 1982. At that time, TVRI (with its main channel) was Indonesia's only television channel. When RCTI began broadcasting in 1989, the DOG began to be used at the same time.",
"title": "Asia"
},
{
"paragraph_id": 16,
"text": "Today, in most national networks, the logo usually appears in the top-right hand corner. Some networks placed its logo in the top-left hand corner, such as networks owned by Media Nusantara Citra (e.g. RCTI, MNCTV, GTV, and iNews) as well as Indosiar. Only a few of them – most are news networks – displayed its logo in either the bottom-right hand corner (such as Metro TV, CNN Indonesia, CNBC Indonesia, and BTV) or the bottom-left hand corners (such as BeritaSatu (former name of BTV)). The DOGs of local stations differ by each station, either in the top-right hand or the top-left hand corners.",
"title": "Asia"
},
{
"paragraph_id": 17,
"text": "Most of the networks/stations had their DOGs placed on-screen in color. Few appeared in transparent format, e.g. NET. (since the first broadcast in 2013 until 8 June 2023), ANTV (since 20 July 2012 until 24 March 2018) and TVRI (since 2019). Trans TV is the first to place its transparent logo since it began broadcasting in 2001 until 2013 when the network logo changed. Some DOGs featured a moving element, most with a glinting effect.",
"title": "Asia"
},
{
"paragraph_id": 18,
"text": "The network may have moved their DOGs to the other part of the screen: TVRI was the first to move theirs to the bottom-right hand corner in 1999 (the year the network changed its logo, used until 2001 when the new logo moved to upper-right), followed by Metro TV in 2010 and iNews TV (former name of iNews) in the end of 2016, when the logo moved to upper-left hand corner. TVRI, RCTI, SCTV and TPI (former name of MNCTV) while using the text logo at the start of their broadcast, did not begin to use their own logo on the screen until the end of 1990 for RCTI and SCTV, 1995 for TPI, and 1996 for TVRI.",
"title": "Asia"
},
{
"paragraph_id": 19,
"text": "Unlike neighboring countries, since 2004 most networks/channels never leave their DOGs during commercial breaks, instead the logo becomes transparent and usually light grey (before 2004, DOGs were removed during commercial breaks and sponsor bug appears during program show with rating approximately 2–3 minutes beforehand since 1982 until 1990s, but since 2000s until 2004 most of networks/channels removed its logo with rating 10–15-second beforehand, usually removed/appeared with fade in/fade out effect). Indosiar is one of channel which still removed its logo 15 seconds beforehand although Indosiar have used its transparent logos during commercial breaks (since 2005) until 2012. Trans TV was the first TV channel that never leaves its logo during commercial breaks since 2004, the practice later followed by other networks as well as local channels. For the station identification, the logo will remain on-screen, but sometimes it will disappear prior to the identification. However, not all (mainly local or pay) TV channels follow, as many of them were done by retaining it in full color or removing it during commercials.",
"title": "Asia"
},
{
"paragraph_id": 20,
"text": "Some networks/channels always show its logo in color even in the breaks, such as TVRI and its owned channels (TVRI Kanal 3/TVRI World and TVRI Sport, until its massive rebranding in 2019), ANTV (since 2004 until mid 2005), Lativi (former name of tvOne), since 2003 until mid 2010), Global TV (former name of GTV) during relaying MTV program shows simultaneously (since 2002 until 2005), B Channel (former name of RTV, from 2009 until 2012), and some of local channels. TVRI also mixes usage of retaining and removing on-air bugs for some advertisements from 2004 until the end of 2009. Metro TV first used different logo during advertisement break from 25 November 2020 until 24 November 2021, with its on-air bug (consisting of eagle icon of its logo) without the text \"METRO TV\". Some Indonesian TV networks/channels, such as ANTV (sometime in 2005), Indosiar (since end of 2005 to its DOGs change in March 2007), tvOne (since late 2010 to its logo change in February 2011) always used transparent logos with colors. Since 2011, tvOne on air bug logos still animated although its DOGs color transparent during commercial breaks.",
"title": "Asia"
},
{
"paragraph_id": 21,
"text": "Since 2011, most networks started to display additional contents on their programming that disappeared during commercial breaks, such as content rating classifications and, in some networks since 2013, the name of the current program.",
"title": "Asia"
},
{
"paragraph_id": 22,
"text": "In Israel, Television DOGs were first introduced in 1991. Israeli channel watermarks most often appear on the top left or the top right corner since Israeli cable and satellite-based services often have the channel description and programming (OSD) on the bottom of the screen. Most channels have an opaque, full-colour watermark, though exceptions exist, for example Channel 9, which displays a blue-tinted semi-transparent logo. In ad breaks, it is required to replace the channel watermark with another symbol – sometimes on the other edge of the screen – indicating there are ads at the moment.",
"title": "Asia"
},
{
"paragraph_id": 23,
"text": "The Israel Broadcasting Authority, whose channels placed their logos in the top left corner, ceased broadcasting in May 2017. The new public broadcaster, the Israeli Public Broadcasting Corporation, displays its logos at the top right instead. The erstwhile Channel 2 as well as its successors, Keshet 12 and Reshet 13, also use the top right corner. However, Channel 10 used the top left corner before rebranding to Eser (Literally \"Ten\") in 2017 and simultaneously moving its logo to the top right (Not long after, in January 2019, it ceased broadcasting as it merged with Reshet 13). Channel 14 as well as its predecessor Channel 20 use the top right corner as well. The Knesset Channel, however, uses the top left corner.",
"title": "Asia"
},
{
"paragraph_id": 24,
"text": "On all Japanese network television key stations and their affiliates, DOGs appear on the top-right hand corner of the screen. In addition, during some programs, a digital clock appears on the top-left corner of the screen. The digital clock had been in place on most programs prior to the introduction of DOGs; the first DOGs were introduced in 1999 on the NHK's satellite services, before expanding to terrestrial television with the start of digital broadcasting in that country between 2003 and 2006.",
"title": "Asia"
},
{
"paragraph_id": 25,
"text": "Television stations in Kazakhstan introduced DOGs in the mid-1990s. Kazakh DOGs are mostly opaque, full-color and sometimes animated. Most of Kazakh DOGs are placed in either top or bottom corner of the screen.",
"title": "Asia"
},
{
"paragraph_id": 26,
"text": "Malaysian TV channels started using on-screen logos occasionally since early 1980s, but at that time, only the two channels of RTM used this and TV3 would appear only in 1995 after the television station moved to the current office at Sri Pentas. The logo that RTM used in TV stations became permanent in 1991 with Malaysian flag that was up to use for 13 years. TV3 logo usually appear on the top-right hand of the screen corner, except for 8TV owned by Media Prima, on the top-left and Bernama TV, without DOG (it was used to appear in neither top-left nor top-right but in the bottom-left).",
"title": "Asia"
},
{
"paragraph_id": 27,
"text": "On-screen appearance of Malaysian television stations also includes current programme showing (used to only appear during the start of the programme and after each commercial break, but this has since changed to appear during the whole duration of the programme and removed during commercial breaks). Logos of television channels are mainly in colour, but in some channels (such as almost all Astro-branded channels) the logo used may be transparent and/or white, while NTV7 used transparent logo for several years before Media Prima's acquisition and later, it changed to colour but toned down before turning into full-colour. In foreign television channels on Unifi TV and Astro, the channel logos are almost never removed during breaks, but during replaced promos, the logo is removed (although some channels removed the logo in the same way as locally operated channels).",
"title": "Asia"
},
{
"paragraph_id": 28,
"text": "Mongolian TV introduced DOGs in early 2000s. This make Mongolia the latest East Asian country to introduce DOGs. MNB displays their logo on top-left corner of the screen while private channels place their logos on top-right corner of the screen.",
"title": "Asia"
},
{
"paragraph_id": 29,
"text": "Burmese TV introduced DOGs for all programmes since 2003. However, usage of DOGs dated back to 1998, but displayed only for a short time. All Burmese DOGs are full-color and always displayed on top-right corner of the screen.",
"title": "Asia"
},
{
"paragraph_id": 30,
"text": "Nepali television channels introduced DOGs in mid-1990s. Like its neighbor India, All Nepali DOGs are full-color, opaque and never transparent. They are displayed permanently on either top-left or top-right corner of the screen, even commercial breaks or end of transmissions.",
"title": "Asia"
},
{
"paragraph_id": 31,
"text": "Mansudae Television, Ryongnamsan Television and Sports Television all have their bugs in the top right hand corner of the screen, conventional for East Asian stations. Korean Central Television – the largest, main TV station in the DPRK – did not air any on-screen graphic until at least 1994; since then, the bug has been placed in the top left hand corner of the screen, making it an anomaly.",
"title": "Asia"
},
{
"paragraph_id": 32,
"text": "Unlike the neighbouring South Korea, the bugs are not removed during non-programme sections.",
"title": "Asia"
},
{
"paragraph_id": 33,
"text": "Radio Philippines Network and GMA Network first introduced DOGs in 1995, as the Movie and Television Review and Classification Board had implemented a television content rating system from November that year. Most stations do not display DOGs during commercial breaks, except Net 25, ETC (since 2012), and some cable channels, which display DOGs all the time. The DOGs can most often be seen in the upper-right corner, aligned with the TV content rating logo, but on several cable channels they are placed in the upper-left or bottom-right corners. Formerly, ABS-CBN removed the DOG and rating 3 minutes before commercial breaks, however from 2000 these are now removed 10 seconds beforehand. ABS-CBN, RPN and GMA previously did not use DOGs during their newscasts but started doing so in 2012. ABS-CBN and its sister channel S+A append the word HD to their respective HD feeds' DOGs and place the DOGs outside the 4:3 safe zone.",
"title": "Asia"
},
{
"paragraph_id": 34,
"text": "Satellite pay-TV provider Cignal also appends its DOG to the channels it carries. Hence, those who view channels through Cignal will see its DOG.",
"title": "Asia"
},
{
"paragraph_id": 35,
"text": "The network logo and the MTRCB rating of the program (green 'G', blue 'PG' and red 'SPG') are shown 1 to 5 seconds after the start of the program. Hashtags, promotions and announcements are also shown in the middle of the program. All DOGs appear in a solid color.",
"title": "Asia"
},
{
"paragraph_id": 36,
"text": "Singaporean television channels began showing the channel logos during television programs in 1994. The first one was Channel 5, then Channel 12 and lastly Channel 8. The television stations show the logo in full-color, and are usually shown in the top right of the screen. Also, since around 2004, logos of Mediacorp television channels also include the parent company's logo, and this expanded in 2005, when Channel U became a part of Mediacorp.",
"title": "Asia"
},
{
"paragraph_id": 37,
"text": "From 2004 to 2023 (2005 to 2023 for Channel U), Mediacorp, the sole free-to-air broadcaster of Singapore and effectively the state broadcaster, shows its on-screen logos in two parts: a transparent Mediacorp wordmark appears immediately above the channel logo in full colour. The channel logos are almost always in the top right, with the exception of CNA (previously Channel NewsAsia), which uses the bottom left with a news ticker. Even with CNA, the Mediacorp wordmark remains at the top right corner.",
"title": "Asia"
},
{
"paragraph_id": 38,
"text": "With the changed logos from 2023 for Mediacorp channels onwards, the Mediacorp wordmark has been removed as nearly all logos (except CNA, which uses a Mediacorp \"M\" icon in a circle as its wordmark). All Mediacorp channels will have a \"M\" wordmark in a circle beside its current logos, which corresponds with the logos colour as well.",
"title": "Asia"
},
{
"paragraph_id": 39,
"text": "Like its neighbouring country, Malaysia, Singaporean channels remove the channel logos during commercial breaks except for CNA, whose DOG is integrated into the ticker which remains on the screen during breaks.",
"title": "Asia"
},
{
"paragraph_id": 40,
"text": "South Korean national broadcaster Korean Broadcasting System (KBS) introduced DOGs for all programmes in 2001, followed by Munhwa Broadcasting Corporation (MBC) and Seoul Broadcasting System (SBS) a year later. However, the usage of DOGs dated back to 1986 but only for news programming. Some cable TV channels started using DOGs earlier than these channels, such as music channel KMTV introduced DOGs in 1995 and now-defunct two satellite channels under the name \"KBS Wiseong\" in 1997. Most of South Korean TV channels place their logo at top-right corner of the screen and removed during commercial breaks.",
"title": "Asia"
},
{
"paragraph_id": 41,
"text": "Sri Lankan TV introduced DOGs in 1996 after they began satellite broadcasting. All Sri Lankan DOGs are full-color.",
"title": "Asia"
},
{
"paragraph_id": 42,
"text": "Many cable TV & some terrestrial channels in Taiwan introduced DOGs in the 1990s, with Chinese Television System & China Television introduced DOGs for some programmes since 1994. Sanlih E-Television was the first cable and overall TV station to introduce DOGs in 1995. Later, Formosa Television became the first Taiwanese TV channel to introduced DOGs permanently when it start broadcasting in 1997. Taiwan Television did not introduce DOGs until 1999 when all of 3 stations (TTV, CTV & CTS) began to use DOGs on all of their programmes. Most of DOGs in Taiwanese TV channels are in color or opaque and placed permanently without any removing during commercial breaks, except Sanlih-E Television that have logos removed during ad breaks.",
"title": "Asia"
},
{
"paragraph_id": 43,
"text": "Prior to introduction of DOGs, Taiwanese TV stations displayed 24-hour digital clocks at the top corner of screen beginning in the early 1980s. Japan had a similar practice, but used 12-hour digital clock without seconds.",
"title": "Asia"
},
{
"paragraph_id": 44,
"text": "Thailand introduced DOGs in 1991. Thai TV logos are in full-color (With the exception of ITV/Thai PBS that used transparent logo from 2003 to 2014), and the logos are removed during commercial breaks, trade test transmissions, transitions between programs and when a Thai Royal Family member is shown during the broadcast. All Thai-based television stations show the logos in the top-right of the screen since 2003 (the logos sometimes used to be shown in its bottom-right corner).",
"title": "Asia"
},
{
"paragraph_id": 45,
"text": "During 2006 & 2014 coups, all Thai DOGs were removed from TV channels during the live speech of the military junta leaders.",
"title": "Asia"
},
{
"paragraph_id": 46,
"text": "During the mourning period after the death of Bhumibol Adulyadej all television stations aired black-and-white, monochrome DOGs and showed the logo on the bottom-right of the screen for a period of a hundred days until 21 January 2017. After the period ended, all television stations reverted DOGs back to regular color scheme but remained on showing the logo on the bottom-right of the screen (except during foreign sports programming and some foreign series and domestic sports programming on some channels, when television stations still show the logos on the top-right corner of the screen).",
"title": "Asia"
},
{
"paragraph_id": 47,
"text": "In Turkey, screen graphics, bugs, or DOGs are known as screen badges. On analogue/digital television, screen badges were introduced to TRT1 in 1996 and some private channels had screen badges beginning in the mid-1990s. Beginning 1 January 2000, all television channels at the time had screen badges usually located in the top right hand of the screen. However, on 1 January 2010, One got a new theme package and the screen badge was moved down to the bottom right hand of the screen. All of the TRT channels' screen badges were on the bottom right of the screen by the end of 2010.",
"title": "Asia"
},
{
"paragraph_id": 48,
"text": "Commercial TV channels usually place their logos in the top left corner of the screen: among the larger channels Kanal D, Show TV, Fox and ATV use the top left, but Star TV uses the top right. A similar situation exists in Turkey's neighbour Greece, where most TV channels use the top left corner (including Star Channel, which is not related to its Turkish or Indian namesakes), with only Skai TV using the top right.",
"title": "Asia"
},
{
"paragraph_id": 49,
"text": "The badges are either simplified or transparent during commercial breaks.",
"title": "Asia"
},
{
"paragraph_id": 50,
"text": "Turkmen TVs introduced DOGs in 1999. All of Turkmen DOGs are full-color, opaque & displayed on the bottom-left of the screen.",
"title": "Asia"
},
{
"paragraph_id": 51,
"text": "Vietnamese TV stations started showing their digital on-screen graphical DOGs in 1995. Logos are not removed during commercial breaks, but remain in full-color, unlike their counterparts in Indonesia. A digital clock and programme name may also be shown. Some cable channels show its cable provider logo and its logo. For example, VTV Cable's channels has the logo of the cable provider on the top-left, and the channel logo on the top-right, 9 channels on VTV (Vietnam Television) has the logo on the top-left, 6 channels on HTV (Ho Chi Minh City Television) channels has the logo on the top-right. Other providers and international channels were in the top-right, while K+ in VTV Cable bug used in the bottom-left.",
"title": "Asia"
},
{
"paragraph_id": 52,
"text": "ORF, the Austrian public broadcasting agency, introduced digital on-screen graphics in 1992 on both television channels operated back then. Before, only the abbreviation \"ORF\" was shown randomly for several minutes during the programming in the top right corner of the screen, styled in a simple white sans-serif typeface. Nowadays, all Austrian television channels, both public and private, are required by law to display a digital on-screen graphic continuously to enable channel identification. However, during commercial and continuity breaks, it is forbidden to show digital on-screen graphics, to allow a further distinction between paid commercials or station announcements and programming content.",
"title": "Europe"
},
{
"paragraph_id": 53,
"text": "The position on the screen varies between the top left and the top right corner: for instance, public broadcaster ORF shows the digital on-screen graphics on ORF1 (first channel) in the top left corner, on ORF 2 (second channel) in the top right corner and on ORF III (third channel) again in the top left corner. Commercial broadcaster ATV places the graphic in the top right corner on its main channel and in the top left corner on its additional channel ATV II. Most other commercial channels, such as Puls 4, show their digital on-screen graphics in the top right corner of the screen.",
"title": "Europe"
},
{
"paragraph_id": 54,
"text": "In Belarus, digital on-screen graphics were introduced in 1992. Until 1997, national television station Belarus-1 showed their digital on-screen graphics in the bottom right corner of the screen. It was originally just text saying \"ТБК\", with the Б being red and the Т and К being white. In 1996, this changed to a semi-transparent black box with white text saying \"БТ\" in it. In 1997, the digital on-screen graphics for Belarus-1 was moved to the top left corner of the screen, with the digital on-screen graphics now being in color again for the first time since 1996. In 2011, the digital on-screen graphic moved to the top right corner, where it stays today.",
"title": "Europe"
},
{
"paragraph_id": 55,
"text": "Dutch-language Belgian channels (i.e., those operating in Flanders) place their logo bugs at the top left corner, much like their counterparts in the Netherlands. Examples are the public broadcaster in Flanders, VRT, and the Flemish commercial broadcasters, DPG Media and De Vijver Media.",
"title": "Europe"
},
{
"paragraph_id": 56,
"text": "However, French-language Belgian channels (i.e., those operating in Wallonia), such as public broadcaster RTBF and commercial broadcaster RTL-TVI, use the bottom right corner of the screen, in contrast to French-language TV channels in France, Switzerland, etc., which use the top right or left corner.",
"title": "Europe"
},
{
"paragraph_id": 57,
"text": "Almost all Czech (and Slovak) TV channels place their logos in the top left corner of the screen, irrespective of the broadcasting network. The public television broadcaster Česká televize and the major commercial TV broadcasters (TV Nova, FTV Prima and TV Barrandov) all place their logos in the top left corner, as do many pay channels from pan-European broadcasters (though some use the top right). This is also the case with Slovak TV channels, some of which are broadcast in the Czech Republic.",
"title": "Europe"
},
{
"paragraph_id": 58,
"text": "The only exceptions from the major local broadcasters are the Nova Sport channels (Nova Sport 1 and 2, SD and HD), which place their logos in the top right corner instead of the usual top left, since score graphics for many sports use the top left corner and the public news broadcaster ČT24 between 2007 and 2010, where placed their logo in the bottom left corner.",
"title": "Europe"
},
{
"paragraph_id": 59,
"text": "Unlike Scandinavian neighbours Norway and Sweden, which almost exclusively use the top right corner for their DOGs, TV channels in Denmark may use either the top left corner or the top right for their DOGs. The public broadcaster DR and the state-owned commercial broadcaster TV 2 display their logos at the top left, as does commercial broadcaster Discovery with its TV channels such as Kanal 4 and Kanal 5. However, TV3 and other Viasat channels owned by Nordic Entertainment Group (formerly part of Modern Times Group) display their logos at the top right.",
"title": "Europe"
},
{
"paragraph_id": 60,
"text": "Nelonen was the first channel in Finland to use a DOG from its launch in June 1997. MTV3 started to use a DOG in the beginning of 1998, and Yle introduced DOGs in its two channels in August 1998.",
"title": "Europe"
},
{
"paragraph_id": 61,
"text": "Public broadcaster Yle moved its logos from the top right corner to the top left when it rebranded on 5 March 2012. However, the commercial TV channels, like MTV3 and Nelonen, place their logos at the top right. This is exactly the opposite of what is seen with the Netherlands, where the public broadcasting consortium NPO places its logo bug at the top right, but the main commercial broadcasters use the top left.",
"title": "Europe"
},
{
"paragraph_id": 62,
"text": "Most logos on free channels are small, white or gray and opaque, but some have colors like National Geographic and TLC.",
"title": "Europe"
},
{
"paragraph_id": 63,
"text": "La Cinq was the first channel in France to use the DOG when it launched in February 1986; it remained on the bottom-right corner until the channel ceased operations in April 1992. After the first private channels launched between 1986 and 1990, DOGs began to be used on the public television channels operated by France Télévisions and TF1, where they were placed on the top right corner.",
"title": "Europe"
},
{
"paragraph_id": 64,
"text": "Currently, the public TV broadcaster France Télévisions, as well as the majority of French commercial TV stations (such as the TF1 and M6 networks), display their logos at the top right corner of the screen. However, some channels, such as Franco-German cultural channel Arte, use the top left corner. During programming blocks aimed at children, TF1 and international channel TV5Monde uses another DOG.",
"title": "Europe"
},
{
"paragraph_id": 65,
"text": "In the 1980s, public broadcasters started to randomly show logos during programs to prevent video piracy, following the lead of Italian broadcasters RAI and Canale 5. After the first private stations emerged in 1984, permanently showing their logo most times, the public broadcasters soon followed. Today practically all TV stations show their logo during the programs and often these are an integral part of their design using fluent motion graphic animations to make the transition between programs, previews and advertising, as well as displaying additional information such as teletext numbers or the name of the following program. Most logos are transparent during programming though some channels do not. (For instance, kabel eins uses a bright orange coloured logo.)",
"title": "Europe"
},
{
"paragraph_id": 66,
"text": "TV channels generally may show their logos at the top left or top right of the screen, depending on the network. Public broadcaster ARD’s national channels display logo watermarks at the top right corner, but the individual regional broadcasting organisations’ TV channels may show their logos at either the top left or the top right (for instance, BR and HR’s TV channels use the top left for their logos, but MDR Fernsehen and RBB Fernsehen use the top right). Commercial network ProSiebenSat.1 Media, like ARD, uses the top right corner for all its channels, such as ProSieben, Sat.1, kabel eins and sixx. (However, Sat.1 used the top left corner until 2001, and again between 2008 and 2009.) But secondary public broadcaster ZDF and commercial broadcaster Mediengruppe RTL Deutschland use the top left corner for their channels, such as ZDF, RTL or VOX (exceptions in RTL's case are youth-oriented commercial channel RTL Zwei and news channel n-tv, whose logos are displayed at neither the top left nor the top right but the bottom right). News channel Welt (formerly N24) does not use any of these corners for its logo: its logo is placed in the bottom left corner. Another channel using this corner is documentary and parliament channel Phoenix, which moved its logo from the top left to the bottom left during its June 2018 rebrand.",
"title": "Europe"
},
{
"paragraph_id": 67,
"text": "Channels (except Phoenix) that are collaborations between ARD and ZDF (e.g., KiKa), or between ARD, ZDF and foreign broadcasters (e.g., Arte, a collaboration with France Télévisions, and 3sat, a collaboration with SRG SSR and ORF), use the top left corner.",
"title": "Europe"
},
{
"paragraph_id": 68,
"text": "On all Greek network television networks, DOGs appear on the top left corner of the screen, with the exception of Skai TV, which moved its logo from the top left to the top right as part of its rebrand in October 2018. Since 1997, almost all television stations in Greece keep their logos on the screen their logos during advertisements, although in channels such as Skai TV the logo becomes transparent.",
"title": "Europe"
},
{
"paragraph_id": 69,
"text": "Hungarian DOGs were first introduced in MTV’s channel M2 from 1989, but they were very rare until 1991. M2 was the first network to always display its DOG, which was a quarter-circle (which was bright and noticeable). It first showed up in 1992 but it changed in 1994 due to logo change. This was followed by many broadcasters and TV channels.",
"title": "Europe"
},
{
"paragraph_id": 70,
"text": "Most DOGs are semi-transparent (either in colour or grayscale), but some including Hír TV, PRIME, Viasat 3 and their sister channel Viasat 6, and the long-defunct TV3 have opaque, colour DOGs.",
"title": "Europe"
},
{
"paragraph_id": 71,
"text": "By and large, the corner used by the logo of a TV channel depends on the network. Public broadcaster Magyar Televízió moved its channels’ logos from the top right corner to the top left during its 2012 corporate rebrand, much like Yle in Finland, which also rebranded in that year, and their logos had changed from colour to gray-scale beginning in March 2015. MTV's thematic TV channel, M4 Sport, due to it being a sports channel, shows its logo in the top right corner.",
"title": "Europe"
},
{
"paragraph_id": 72,
"text": "RTL Hungary's channels, such as RTL Klub, RTL II, Cool TV and Film+, have always placed their logos in the top left corner. Since 2021, RTL Klub hide the rainbow flag in the left side of the logo during Pride Month events.",
"title": "Europe"
},
{
"paragraph_id": 73,
"text": "TV2 Csoport's channels, such as TV2, SuperTV2 and FEM3, have always used the top right.",
"title": "Europe"
},
{
"paragraph_id": 74,
"text": "Age ratings have been included since 17 October 2002 onwards at the bottom of the screen as well as before the start of the program, but some channels dislike the requirement and use a different age rating system instead (mostly the Romanian ones, like the DIGI's educational channels, RTL (previously), and the independent TV2's sister channels) or none at all. Since July 2021, channels are required to depict the age rating 'circles' even during advertisements (the same for a single package, decided by the highest rated ad, e.g. if a commercial of a sexual medicine is being aired, the whole pack receives 18+ ratings and should be broadcast between 21:00 and 05:00 local time). This rule is in connection to the so-called 'anti-pedofile', according to its many critics, anti-LGBT law.",
"title": "Europe"
},
{
"paragraph_id": 75,
"text": "Many channels hide their logos in commercial breaks, such as the RTL network's channels, but some such as the independent TV2 and its sister channels include them during ads.",
"title": "Europe"
},
{
"paragraph_id": 76,
"text": "Hungarian version of Comedy Central and Hungarian-voice simulcast of the sports network Eurosport 2 are the only channels which have used all of their four corners of the screen during their lifetime, depicting their bugs. At the humor channel it's due to the rebrands, while at the latter, it's because of the urge not to cover the graphics of the licensed broadcasts like Bundesliga (top left corner until 2018 when licenses had moved to Sport TV), FIS Ski Jumping World Cup (usually top left corner) or PGA golf events (bottom left or bottom right corner, even online). However, Eurosport 2 has been using originally the top right corner to its DOG.",
"title": "Europe"
},
{
"paragraph_id": 77,
"text": "During the lifetime of the now-defunct Hálózat TV (Hungarian for Network Television), while the original 24-hour cable channel placed their DOG in the top left corner, local (mainly free-to-air) television stations being subscripted to the evening programming, mainly the news and one or two pieces of movies, put the channel's own logo into the top right corner. Hálózat used bottom-left for ratings which isn't common in Hungary, even nowadays. Hálózat TV ceased broadcasting by January 2013.",
"title": "Europe"
},
{
"paragraph_id": 78,
"text": "All Icelandic TV channels, such as RÚV, Stöð 2 and Stöð 3, place their transparent logo bugs in the top right corner of the TV screen, often with an 888 bug for subtitles.",
"title": "Europe"
},
{
"paragraph_id": 79,
"text": "The Irish language channel TnaG first used their bug during simulcast of QVC and their coverage of the Oireachtas (Irish Parliament). In 1998 TV3 launch as Ireland's first commercial operator and the first Irish channel to permanently use a bug in the left hand corner of the screen. In 1999 TnaG re-branded as TG4 and began showing their logo during all programmes. In 2002 RTÉ introduced their bug however it would only appear for twenty seconds at the beginning of each show and it was there to classify the suitability of the content of the show, in 2004 the bug became a permanent part of the on-screen presentation for both RTÉ One and RTÉ Two. RTÉ's classification guide also appears for twenty seconds at the beginning of each show.",
"title": "Europe"
},
{
"paragraph_id": 80,
"text": "Unlike British TV channels, which generally display their logo bugs at the top left corner of the screen, TV channel logo bugs in the Republic of Ireland generally appear in the top right. For RTÉ, TG4 and Setanta Ireland, the logo bugs appear in the top right corner of the screen. TV3's bugs appeared in the bottom right hand corner of the screen between the early 2000s and its rebrand in 2009; TV3 then moved its logo bug to the top right corner to match the other Irish channels, and it has stayed there ever since, even after the channel's rebranding as Virgin Media One in August 2018. RTÉ does not use their bug during news or current affairs programming. The now-defunct Channel 6 also displayed a bug during its two years on the air. The new digital services from RTÉ also display bugs on RTÉjr, RTÉ Two HD and RTÉ One+1.",
"title": "Europe"
},
{
"paragraph_id": 81,
"text": "Bugs are also used to tell viewers when shows are live or when they are replays. RTÉ use the word \"replay\" during repeats of live programming while TV3 advised viewers \"Text & Comment Lines are Closed\", Setanta replaced the word \"Ireland\" with the word \"live\" to advise viewers that they are watching live events rather than repeats and TG4 places the Irish word \"beo\" (live) below the number '4' in their logo during live programming. RTÉ refer to DOGs as \"bugs\". In Northern Ireland UTV began displaying their bug in the late 2000s. All of the community and local channels in Ireland display a bug. All bugs also display 888 for subtitles.",
"title": "Europe"
},
{
"paragraph_id": 82,
"text": "In March 2020, a lockdown was imposed by the government in response to the COVID-19 pandemic. All bugs were updated on RTÉ and Virgin Media channels to include \"Stay at Home\" beside each channel's logo.",
"title": "Europe"
},
{
"paragraph_id": 83,
"text": "In Italy, the channel watermark usage is different for every television network. RAI, at the end of the 1970s, introduced its first watermark, to minimize copyright infringement by private channels. The bug \"jumped\" around the four corners of the image. At the end of 1987, the bug added the number of the station, until 2010 in words and from 2010 in numbers. RAI's on-screen logos are not shown during news programs (e.g. TG1).",
"title": "Europe"
},
{
"paragraph_id": 84,
"text": "RAI's on-screen logos were placed at the bottom right until 2010, much like commercial broadcaster Mediaset and commercial TV channel La7, which have always used that corner. However, during RAI's 2010 corporate rebrand, they were moved to the top right corner. During a second corporate rebrand in 2016, the logos were moved once again, this time to the top left (with some programmes having the logo on the top right corner), which has rarely been used by Italian TV networks (barring some newer channels like Discovery's Nove). On the SD feeds of RAI channels that have an HD feed, the HD channel number (starting from 501) is posted below the channel's bug. Sky Italia channels, like TV8, use the top right corner for their logos.",
"title": "Europe"
},
{
"paragraph_id": 85,
"text": "Commercial broadcasters Mediaset and La7 have always placed their logos at the bottom right corner of the screen. However, during some shows or sport events, they may be moved to the top right. Mediaset's DOGs consist of a transparent channel logo with ‘MEDIASET’ written immediately below the logo. (Mediacorp, the sole free-to-air broadcaster of Singapore and effectively the state broadcaster, follows a similar approach: a transparent Mediacorp wordmark appears immediately above the channel logo in full colour. This was used from 2004 till 2023, before Mediacorp refreshes all of its properties logos. Note that Mediacorp, unlike Mediaset, places its logos at the top right corner, and has the channel logo in full colour.)",
"title": "Europe"
},
{
"paragraph_id": 86,
"text": "DOGs are not removed during commercial breaks, with an exception of some channels like the now-defunct linear channel Disney Channel. RAI's channels also removed their logo during commercial breaks during 2016–2017 (which had been rare since the introduction of watermark), but this practice has since reversed.",
"title": "Europe"
},
{
"paragraph_id": 87,
"text": "In Lithuania, DOGs usually appear on the top right corner of the screen, though LNK group's channels place their DOG on the top left corner. If programming is not suitable for younger viewers, a DOG showing the age rating is placed in the bottom right corner.",
"title": "Europe"
},
{
"paragraph_id": 88,
"text": "Most Dutch channels, including Belgian Dutch channels (i.e., in Flanders), place their logos in the top left corner of the screen. Examples are the two main commercial TV broadcasters in the Netherlands, RTL Nederland and Talpa Network; the public broadcaster in Flanders, VRT; and the Flemish commercial broadcasters, DPG Media and De Vijver Media.",
"title": "Europe"
},
{
"paragraph_id": 89,
"text": "However, NPO, the public broadcasting consortium in the Netherlands, displays its logo bugs in the top right corner of the screen, and the logo bug of the presenting broadcaster (such as NOS, AVROTROS and KRO-NCRV) at the top left. This is the opposite of the situation in Finland, where Yle, the public broadcaster, has placed logo bugs in the top left since 2012, but the commercial TV broadcasters use the top right.",
"title": "Europe"
},
{
"paragraph_id": 90,
"text": "Norwegian television broadcaster TVNorge introduced DOGs in 1988, becoming the first Norwegian TV channel to do so. Most Norwegian DOGs are shown in either the top-left or top-right corner of the screen; NRK and TV 2 both use the top-right.",
"title": "Europe"
},
{
"paragraph_id": 91,
"text": "Virtually all Polish TV channels show their logos in the corner of the screen during all programming, and have done so since the early 1990s. The two TVP channels first introduced them as a test in 1991 and then permanently in early 1993. Various positions of the logo were tested, before settling on the top-right corner on 19 April 1993. Polsat, the first commercial Polish-language broadcaster, launched initially on satellite on 5 December 1992, with a DOG in the top-left corner from the beginning.",
"title": "Europe"
},
{
"paragraph_id": 92,
"text": "Nowadays, most channels, including the major networks such as TVP, Polsat (since 28 February 2005) and TVN, show their logos in the top-right corner of the screen. Top-left corner is also a common location, used by TTV and several cable and satellite channels. News-oriented channels such as TVP Info and TVN24 that display news tickers at the bottom of the screen most of the time, usually integrate their DOGs in the ticker design, typically in the bottom-left corner. Few minor cable and satellite channels show their logos in the bottom-right corner. Most broadcasters remove their DOGs during commercial breaks, although the practice is not universal. Some channels, including most basic free-to-air ones, use alternate logos containing the \"HD\" branding for their HDTV feeds. This may be related to the fact that Polish digital terrestrial TV lineup consists almost entirely of SDTV streams, with HDTV available through cable and satellite.",
"title": "Europe"
},
{
"paragraph_id": 93,
"text": "Since 15 August 2005, all broadcasters licensed in Poland are also required to display the age rating at all times, during all programming except news, sports and advertising but has been criticised by viewers for exaggeration of age rating to +12 in case of animated or family movies on some TV channels, mainly from TVN, and also on talent show with participation of children (e.g. You Can Dance – Next Generation), for pathologizing of system and for screen burn-in. It is usually shown in the top-left corner, opposite the channel logo. However, Polish broadcasts of international cable networks (such as Discovery Channel, HBO, etc.) usually operate under foreign licenses and are legally treated as rebroadcasts of foreign channels. As such, they don't need to follow this requirement and may use a different rating system instead.",
"title": "Europe"
},
{
"paragraph_id": 94,
"text": "RTP introduced DOGs in the late 1980s, when it was the only broadcaster in Portugal that operated two television channels. Initially, the logos were placed on the top-right corner, but in 1991 they were moved permanently to the top-left corner, to allow television ratings to be shown in the top-right corner. Until 2004 and RTP1's rebranding, their DOGs were placed on the bottom-left corner during newscasts. On some programs or live sport broadcasting, DOGs are placed in the top-right corner. Logos are removed during advertising breaks and trailers. For subtitle information, on RTP1 and RTP2 a number such as 884, 885, 886, 887 or 888 is placed near the logo; in other cases Direto (Live) is sometimes used instead of a number (some programmes use neither numbers nor Direto (Live), Gravado (Recorded) or Repetição (Repetition)).",
"title": "Europe"
},
{
"paragraph_id": 95,
"text": "DOGs of privately owned channels were introduced in the mid-1990s. Initially, the logo of TVI was placed in the bottom left corner during only some of its programmes; in the mid-2000s the logo was moved into the top left corner, and has been shown across all programmes since then. The two Brazilian-owned television services (Globo and RecordTV Europa) have their DOGs placed in the bottom-right corner.",
"title": "Europe"
},
{
"paragraph_id": 96,
"text": "Romanian TV channels display their logos in a particular corner of the screen depending on the network. Public broadcaster TVR and commercial network Intact Media Group (which owns Antena 1, one of the country's most popular channels) display their logos at the top right corner (except for news channel Antena 3, which uses the bottom right). However, Pro TV, the most popular commercial station, and its sister channels show their logos at the top left corner (except during news broadcasts, where the Pro TV logo at the top left is removed and a Știrile Pro TV logo is placed at the bottom left, and during football games, when it is placed at the top right, to allow the score display to be seen). This channel along with Acasă TV and Pro Cinema had also the DTH provider logo in the top-right corner, on the transmissions from these DTH platforms, to prevent CATV piracy. The top left corner is also used by national commercial station Kanal D, as well as smaller national TV stations like National TV and Prima TV. Note that the Pro network channels which are available in HD (namely Pro TV, Pro 2 and Pro X) display the channel logo in the top left but the HD watermark in the top right.",
"title": "Europe"
},
{
"paragraph_id": 97,
"text": "In Russia, television channels usually have watermarks, which are usually placed in the top-right or top-left corner of the screen (some notable exceptions are HTB, which places its logo on the bottom-left corner, and the Disney Channel which places its logo on the bottom-right corner). In some channels the watermark becomes half-transparent on ad breaks (it used to be removed on ad breaks, but not on trailers), but on main channels such as Channel One or Russia-1 they never disappear nor become half-transparent. Channel One was the first channel to have introduced their watermark in 1992 and by 1993 watermarks appeared on other channels.",
"title": "Europe"
},
{
"paragraph_id": 98,
"text": "Serbian public broadcaster RTS began showing logos around 1989. Its logo was sometimes turned on manually during certain broadcasts but shortly afterwards remained permanently on-screen - in particular after the rebrand in autumn 1992. One could notice how they were manually controlled, as the \"logo-free\" time during the begin of a program varied. Until November 1994 their logos were opaque black and white, presumably due to being inserted into the analog CVBS signal just before being broadcast instead of an analog YUV, RGB or digital SDI signal; afterwards, they upgraded to colorized yet still opaque logos, that remained until autumn 1995, which is when they became slightly translucent. RTS's predecessor RTB (Radio Television of Belgrade) had DOGs of varying sizes, but rather than being introduced one after another they appear to have been used simultaneously at different broadcast sites. At least three different sizes and styles of their opaque black-and-white logo are known today. On the satellite channel \"RTS-SAT\", Latin letters were used, but after the destruction of RTS headquarters in 1999 during a NATO air strike, it could be noticed how the logo appeared to have been quickly re-drawn and was being inserted by different equipment as it varied in shape and size, presumably because of the original equipment used to insert it being destroyed. Before 2010 RTS had the same opaque color logo from 1999 on RTS-SAT, and new translucent logos were introduced in late 2001 for the analog terrestrial programs. Old logos remain on most archived recordings presumably due to lack of a cleanfeed archiving policy in the past.",
"title": "Europe"
},
{
"paragraph_id": 99,
"text": "Throughout the 2000s and 2010s (Pink: 2001–2015, B92: 2003–2012, Avala: 2007–2011, Happy: 2012–2021) most television channels in Serbia along with station logo also showed a digital clock below the logo, and sometimes the temperature. This practice is nowadays limited to local and regional stations, of which most of them follow this practice.",
"title": "Europe"
},
{
"paragraph_id": 100,
"text": "Much like the Czech Republic, TV channels in Slovakia always place their logos in the top left corner of the screen, irrespective of the broadcasting network. The flagship public channel, STV1 (now Jednotka), using the top left ever since 1993 with exception for 2000–2001 and between 2004 and 2012 which used top right corner. The main commercial TV channels, such as TV JOJ and Markíza and their sister channels, have always used the top left corner. The news TV channel TA3 has used the bottom left corner between 2011 and 2017. This is also the case for Czech-language channels that broadcast in Slovakia. Since 2004, almost all commercial television stations in Slovakia keep their logos on the screen and RTVS, the country's public broadcasting network, does the opposite during advertisements and programme trailers.",
"title": "Europe"
},
{
"paragraph_id": 101,
"text": "Unlike all other European countries, where channels generally display their logos at the top left or right corner of the screen, the great majority of TV channels in Spain use the bottom right corner to display their logos—much like in the Americas and Australia (except SBS, which uses the top right). Italy is the only other European country to have a significant proportion of channels that use the bottom right corner. This is partly a function of Italian commercial broadcaster Mediaset operating several TV channels in both Italy and Spain (via Mediaset España Comunicación), all of which use the bottom right corner.",
"title": "Europe"
},
{
"paragraph_id": 102,
"text": "Therefore, the channels of most of the major broadcasters—such as public broadcaster RTVE and commercial networks Atresmedia and Mediaset España—place their logos in the bottom right corner. The main exceptions are most regional channels, including Telemadrid, which uses the top left; and TV3 (Catalonia), EITB (Basque Country), 7 La Rioja, RTPA in Asturias, Canal Extremadura and Aragón TV, which all use the top right. Canal Sur in Andalusia have changed between top-left and top-right over the years, however currently use bottom-right.",
"title": "Europe"
},
{
"paragraph_id": 103,
"text": "TVE introduced DOGs in 1984 on TVE1 and TVE2. The DOG of TVE1 was all white until 1991, when the number 1 was changed from white to blue. It remained so until 2003. Antena 3, Telecinco and Canal+ were the first channels to use DOGs from their launch, with the DOGs placed in the top-left and bottom-left corners. In 1992, Antena 3 and Telecinco repositioned their DOGs in the bottom-right, making it the same as TVE. TV3, an Autonomical Channel of Catalonia, used DOGs from 1991, earlier shown only alongside clock indents, and from 1994 until 1999, showed DOGs throughout broadcasting. From 1991 the DOG was removed during advertisements. In 1999, the DOG was removed during the clock.",
"title": "Europe"
},
{
"paragraph_id": 104,
"text": "Most DOGs are removed during advertisements, trade test transmissions or when a program is not aired. An exception to this is El Toro. Canal 3/24 did not remove their DOG during advertisements between 2011 and 2014.",
"title": "Europe"
},
{
"paragraph_id": 105,
"text": "Ukrainian TV introduced DOGs in 1991 shortly after Dissolution of the Soviet Union. Ukrainian national broadcaster Pershyi introduced DOGs in 1991 as \"УТ-1\" (UT-1) in the bottom-right corner but changed to top-left corner of the screen from 1995 to 1998. Since 1998 most of Ukrainian TV channels place their DOGs in top-right corner of screen.",
"title": "Europe"
},
{
"paragraph_id": 106,
"text": "DOGs most commonly appear in the top-left hand corner on British channels. DOGs were first used on satellite and cable television systems in their early days, when broadcasts were unmarked. Channel 5 was the first to use DOGs on an analogue terrestrial channel when it launched in 1997. The DOG was originally very bright and noticeable, and was soon toned down. Channel 5 said that the DOG was used to assist viewers in tuning to the new channel once its test transmissions had ceased. Following the rebrand to \"five\" in 2002 the DOG disappeared until late 2007.",
"title": "Europe"
},
{
"paragraph_id": 107,
"text": "There have been two known predecessors to the digital on-screen graphic on British television, namely a small white outline rectangle that was broadcast on the screen throughout ITV's broadcast of the documentary Life by Misadventure: A Film about the Seriously Burned on 7 September 1973 to warn people that may be uncomfortable with its content, and similarly, Channel 4's infamous red triangle symbol, which was applied in the corner of the screen throughout a series of controversial late-night art films broadcast 1986–87, in addition to an ident before the films began, again in both cases to warn viewers of the content.",
"title": "Europe"
},
{
"paragraph_id": 108,
"text": "The BBC initially introduced a DOG on each of its digital-only channels. In October 1998, it added DOGs to BBC One and BBC Two on Sky Digital but following a large number of complaints they were removed two months later. However, a BBC TWO DOG was used during the overnight BBC Learning Zone strand until 2015. The DOGs for the other channels appear at the top left-hand corner on other channels except BBC News and BBC Parliament (which is bottom left and part of the ticker and lower third text graphics, which are not visible during title sequence, breaks, and weather forecasts). The BBC News Channel's DOG does not appear when it airs Breakfast as the ticker is not visible during the programme. During simulcast between BBC News channel and BBC One for BBC One bulletins, the News channel's DOG appears on BBC One but only when the lower third graphics is expanded, although the DOG and the ticker are visible at all times on the News channel. Other simulcasts usually see the BBC News channel's ticker and DOG visible at all times on all channels. Whilst BBC Four and BBC Parliament have static DOGs, the ones on CBBC and CBeebies alongside other channels such as Nick Jr. feature moving elements. ITV uses DOGs on all its channels, as do its counterparts STV in central and northern Scotland, and UTV in Northern Ireland (which now uses the same ITV1 DOG as the ITV1-branded services in other ITV plc regions; except that the DOG is removed during regional programming). ITV does not use a DOG during news programming except for STV which uses a DOG for all news programming.",
"title": "Europe"
},
{
"paragraph_id": 109,
"text": "The logos on channels such as ITV (excluding STV), Channel 5, E4, E!, Disney XD, Sky Arts 1 and 2, Sky1, Sky2, Sky Sports, History, More4 and CITV are almost transparent, whereas others like those on Comedy Central, Disney Junior, some UKTV channels, CBBC, CBeebies, the Discovery channels, Nick Jr., Nicktoons, Boomerang and Nickelodeon are bright and noticeable. Sky Movies and Film4 do not use DOGs, but Channel 4 (starting on 19 June 2017), Channel 4 HD and the timeshift channel Channel 4+1 all do. Some stations display their on-screen graphics permanently.",
"title": "Europe"
},
{
"paragraph_id": 110,
"text": "The UKTV channels remove them during commercials and trailers, with some Sky channels removing them altogether at certain times into a programme. In addition to a fixed (sometimes animated) motif, MTV includes the programme title in the top-right hand corner. During widescreen programmes, the DOGs on most channels including ITV, BBC Three, BBC Four, ITV2, ITV3, ITV4, CITV, CBBC, CBeebies, E4, and 4Music stay in the far corner of the screen, it is now rare for a channel to place their DOG in a 4:3 \"title safe area\".",
"title": "Europe"
},
{
"paragraph_id": 111,
"text": "On digital systems such as Sky and Freeview, where stations have a set EPG number and a name displayed across the bottom of the screen when changing channel, DOGs have been deemed unnecessary by some users. Despite this, broadcasters persist with the practice. In response to negative feedback, the BBC has responded, \"We believe it is important to ensure that viewers can quickly identify when they are watching a BBC service.\" It reinforced this position in both 2008 and 2009 following continual complaints to its Points of View programme, citing channel identification as the sole reason for the policy. In its website FAQs, Five's stated reason for its use of a DOG is that \"the vast majority of channels carry them, most permanently and virtually every channel at some point has one during the day.\" However, on 21 October 2008, the BBC announced that it was removing the DOG from BBC HD for all films and most dramas, acknowledging that there was an \"irritation factor\". However, the DOG came back when BBC One HD launched in 2010.",
"title": "Europe"
},
{
"paragraph_id": 112,
"text": "As of 2022, neither BBC One HD nor BBC Two HD has been using their own DOG. More recent additions are graphics which appear near the end of a programme to tell the viewer what's up next, despite this information being available at a touch of a button on digital TV. Many viewers also find this practice annoying, distracting and unnecessary. However, a generic BBC logo appears on the top left-hand corner of their iPlayer feeds as is the case with other BBC channels. This generic BBC DOG also appears on catch-up or on-demand programmes on the iPlayer.",
"title": "Europe"
},
{
"paragraph_id": 113,
"text": "Logo bugs are used by Canadian broadcasters in a nearly identical fashion to U.S. broadcasters. However, a complication emerges when Canadian broadcasters simulcast U.S. programming (a frequent practice among broadcast television networks, intended to invoke the simultaneous substitution rules requiring TV providers to substitute the feeds of U.S. broadcast channels with those of local, Canadian broadcast channel, if they are airing identically scheduled programming). While pre-recorded programs (e.g. dramas, sitcoms) can be delivered to the broadcaster by their distributor and played out locally (without depending on taking a feed from a U.S. network), live programs may not always have a clean feed available that is free of the U.S. network's bugs and imaging, necessitating the use of a dirty feed from the network instead.",
"title": "North America"
},
{
"paragraph_id": 114,
"text": "In these scenarios, some channels—including, most frequently, CTV and CTV 2, as well as its Bell Media sister channels—covered the U.S. network's bug with their own, opaque logo. However, Bell has since ceased this practice, and the majority of broadcasters \"co-brand\" the dirty feed by placing their own bug in a different corner of the screen than the U.S. logo.",
"title": "North America"
},
{
"paragraph_id": 115,
"text": "Some channels in Canada (such as YTV or Teletoon) used to display a ten-second animation as the screenbug that would play every segment after 1–3 minutes. This practice was mostly discontinued in 2012. Family Channel did this practice through 2017 however.",
"title": "North America"
},
{
"paragraph_id": 116,
"text": "In the mid-1980s, Canal 12 started with a Video Cassette Recording text as \"TV-12\" white, and TCS's Canal 4 used as the channel's logo on the top-left position, both exclusively in live events. Telecorporación Salvadoreña (TCS) channels began using exclusively on newsreels and live events by 1987, and TVCE (today TVES), a Salvadoran public broadcaster began using as a VCR text with a cyan and sometimes yellow color on live in early-1990s. TCS Channels began using in 2000, for each one of the three channels permanently as a normal broadcasting; other channels did the same thing as today, commonly on the top-right screen. Each September the logo uses as an Independence Month with a Salvadoran flag for TCS Channels, and each December the logo uses as a Christmas decoration. Some television channels and programs uses as a transparent logo, a digital clock or both such as Agape TV.",
"title": "North America"
},
{
"paragraph_id": 117,
"text": "In Mexico Once TV and XEIMT-TV were the first channels to use their logos permanently in the top-right of the screen since 1997. The channels of Televisa and TV Azteca did not start to use logos permanently until 2000 and 2004 respectively, in their channels.",
"title": "North America"
},
{
"paragraph_id": 118,
"text": "The first logo bug appeared in the 1970s on cable networks and local TV stations. It was often displayed on the bottom of the screen for 5 to 10 seconds. It was usually displayed once per hour, or every 10 or 15 minutes during a program. One of the popular title generator machines during that time was made by Chyron, but other brands were also used. The first transparent logo bug to be displayed throughout an entire program was the CBS Evening News in 1990. It was part of a graphical redesign of the news broadcast done by branding design firm Novocom. The reason for its introduction was so that domestic business travelers would know which channel in their hotel carried a CBS affiliate immediately without a glance at a printed channel list, and soon it spread to the entirety of the CBS network schedule. The \"big four\" networks (CBS, ABC, NBC, FOX) began using full-time on-screen bugs in September 1993, with the bug removed during commercial breaks. Other major networks such as The WB and UPN also used logo bugs in the same manner. Since then, the use of digital on-screen bugs among cable and broadcast networks has become standard.",
"title": "North America"
},
{
"paragraph_id": 119,
"text": "The bug is usually placed on the lower right hand corner of the screen, with the notable exception being during the broadcasting of sports events and on some religious television networks (where logo bugs have largely been placed in the top-right to accommodate descriptive text, prayer lines, or Bible verses), and on most NBCUniversal networks (including NBC) and Ion Television, where their standard bugs were moved to the bottom left during prime time programming in 2006 and the early 2010s, respectively. CBS followed suit with its bug moving to the bottom left in September 2021. During sports broadcasts, NFL on Fox introduced FoxBox, a permanent graphic at the top left-hand side of the screen showing the score of the game, along with the network's logo.",
"title": "North America"
},
{
"paragraph_id": 120,
"text": "Bugs are usually monochrome to minimize distraction, while some cable networks like Nickelodeon, The Weather Channel, MSNBC, Fox News Channel, and CNBC use full-color identifiers. Broadcast stations and networks typically only use solid, full-color bugs during local newscasts, network newscasts, and sports broadcasts; at other times the bug is switched to the transparent, gray variant. Also, broadcast channels typically show their local affiliate's call sign and/or the channel number on the screen bugs during local newscasts and in some cases syndicated programming. First-run syndicated programs often display their own logo, in addition to the bug of the station they are running on. Meanwhile, network-based programming (including prime time programs and national newscasts) is typically shown with only the network's bug for most of the broadcast (although an automated system may allow a local bug to be overlaid onto network programming for a few seconds after the start of a program or a commercial break).",
"title": "North America"
},
{
"paragraph_id": 121,
"text": "Before the 2009 digital television transition, early high definition broadcasts often used bugs placed outside the 4:3 safe zone (sometimes with special \"HD\" branding) to distinguish them from the standard definition broadcast. By the late-2000s, due to networks switching to a singular HD feed downconverted for SD (assuming that the SD feed will be center-cut from the HD feed, or using Active Format Description (AFD) metadata to specify the framing format) as their network feed rather than distinct feeds for both formats, most broadcast networks dropped HD-specific logo bugs and used bugs in the 4:3 safe zone for all viewers, regardless of feed. By 2018, most bugs and on-air presentations have been oriented exclusively for 16:9 framing.",
"title": "North America"
},
{
"paragraph_id": 122,
"text": "The inclusion of text advertisements for upcoming programs alongside the bug is also particularly prevalent among some broadcasters. Since the mid-2000s, some stations and networks showed their websites alongside their bugs, especially during newscasts. National morning shows like Today and Good Morning America have also shown their specific websites rather than their network's main website in addition to the bug that shows their program. Beginning in 2010, some networks began to display show-specific hashtags alongside their bugs, which encourage viewers to discuss and interact with the program online via social networking services such as Twitter.",
"title": "North America"
},
{
"paragraph_id": 123,
"text": "Australia first introduced the digital on-screen graphic in the early 1990s on Prime7 (then Prime Television) and WIN Television. The Seven Network was the first metropolitan network to broadcast digital on-screen graphics on all of their programs in May 1999, following Nine Network in December 2001, Network Ten in December 2004 and the ABC in January 2005. DOGs in Australia most commonly appear in the bottom-right-hand corner of the screen, but sports orientated content that uses the network's sports brand (e.g. Seven Network and Seven Sport) generally appear on the top-right hand corner of the screen. One originally placed its DOG in the top-right hand corner of the screen due to it being a sports-orientated channel at the time, but after the 2011 rebrand to allow a wide range of content to be broadcast, the channel's DOG was moved to the bottom-right-hand corner of the screen. The ABC3 and ABC Kids channels originally placed their DOGs in the top-left hand corner of the screen, but moved them down to the bottom-right-hand corner as of late 2013. Datacasting channels and home shopping channels show their DOGs in the top-right hand corner of the screen.",
"title": "Oceania"
},
{
"paragraph_id": 124,
"text": "DOGs are generally shown in a semi-transparent format, but are shown opaque during in-programme advertisements that take place at the very bottom of the screen. News services have their own DOGs placed where their network's DOG would normally be, but are only shown in an opaque format. News services generally show footage that was captured by another network (usually for sporting stories), but the semi-transparent DOG of the original network is still shown. Current affairs programmes and other news programmes that are produced by the network generally show their own opaque DOG at the bottom-left hand corner of the screen, opposite to their network's semi-transparent DOG which still appears (e.g. Nine Network and A Current Affair/AMV & Seven).",
"title": "Oceania"
},
{
"paragraph_id": 125,
"text": "Australian TV networks hide all of their DOGs during advertisement breaks, news and live sport programs. They only reappear during the promotion for a programme that will be shown on the station and are not shown during any other advertisement material.",
"title": "Oceania"
},
{
"paragraph_id": 126,
"text": "At times, networks will superimpose a semi-transparent watermark immediately adjacent to their DOG to advertise an upcoming special event that the network will be broadcasting (e.g. Network Ten superimposed an advertisement for the Sochi 2014 Winter Olympics on their primary channel (Ten), 10 Bold, and 10 Peach as they were to be the Australian broadcaster of the event), or to advertise a popular upcoming programme.",
"title": "Oceania"
},
{
"paragraph_id": 127,
"text": "In addition, during ABC's ABC News Breakfast, Seven's Sunrise and 10 Peach's Toasted TV (prior to 2018), a digital clock appears on the bottom right-hand corner of the screen while Nine's Today Show and Ten's Studio 10 appears on the bottom left-hand corner of the screen.",
"title": "Oceania"
},
{
"paragraph_id": 128,
"text": "Currently, ABC, Seven, Prime, Nine, WIN and 10 are on the bottom-right-hand corner, while SBS is on the top-right hand corner.",
"title": "Oceania"
},
{
"paragraph_id": 129,
"text": "New Zealand introduced the digital on-screen graphics in 2001, starting with TV3 and FOUR. New Zealand FTA now placed their logos on the bottom right hand corner, with the exception of Māori Television and as of 9 February 2017, TV3. TV One had the logo on the top right hand corner until the switch to the bottom right hand corner on 1 July 2013. TV2 usually had the logo from the top right hand corner until New Year's Day 2012 when they switched it to the bottom right hand corner. Prime Television New Zealand now placed their logo on the bottom right hand corner as of March 2016.",
"title": "Oceania"
},
{
"paragraph_id": 130,
"text": "Beginning in the late 1990s, almost all television stations in Argentina had their logos being shown on the top-right of the screen. When Canal 9 relaunched in 2002 to replace Azul Televisión, its logo was shown on the bottom-left of the screen. After intense criticism, Canal 9 moved its logo to the top-right of the screen of which most Argentine broadcasters had almost always followed.",
"title": "South America"
},
{
"paragraph_id": 131,
"text": "In Brazil, digital on-screen graphics were introduced in the mid-1990s and are always used by all channels (free and pay). In most free-to-air channels, the logos are located on the bottom-right-hand corner of the screen (except for RedeTV!, TV Gazeta, Rede Bandeirantes, and GloboNews, whose logos are placed on the top right corner of the screen, and for TV Brasil, the top left corner (formerly the top right corner); TV Cultura's logo moved from top left corner to bottom right corner of the screen in 2009) and in all free channels they are usually transparent, but if some program or event is being broadcast live or exclusive or if some archived footage is shown, they become colorful. Most pay channels usually have the logos on the top right corner of the screen. In some pay channels, the logos appear even in commercial breaks, but they become transparent in this situation.",
"title": "South America"
},
{
"paragraph_id": 132,
"text": "Chilean television stations started showing their logos permanently in the 1990s, though some channels, like Televisión Nacional de Chile, have made some tests with DOGs as early as 1981. During that time, logos were placed in the bottom-right of the screen. La Red was the first television broadcaster to move their logo to the top of the screen. Additionally, between 1992 and 1994, the logo shown as a DOG would replace the letter \"E\" in its name with any other object, depending on the context (for example, a soccer ball would replace the \"E\" during sports-related programming), something that was part of their general branding back then. In 1997, due to a logo change, the logo was placed at the top-left, and later due to the same reason, moved to the top-right until now. Other broadcasters, such as Mega, which its logo being originally shown on the bottom-left of the screen, moved to the top-right of the screen due to similar reasons; Canal 13, in a similar manner, moved its logo from the bottom-right to the top-right corner in 2002. Chilevisión has continued to have its logo being shown on the bottom-right of the screen until 2007, when it moved to the top-right of the screen, of which other television channels in Chile had followed in the previous years. Beginning in the late 2000s, separate logos are used for network newscasts; they are usually placed in the bottom-left corner and are shown in conjunction with the network logo.",
"title": "South America"
}
] |
Digital on-screen graphic by country refers to how use of these logos in television vary in different countries and regions.
|
2023-12-10T13:22:46Z
|
2023-12-27T09:50:16Z
|
[
"Template:Refimprove",
"Template:Clarify",
"Template:Citation",
"Template:Cite web",
"Template:Cite journal",
"Template:Cite news",
"Template:Citation needed",
"Template:When",
"Template:Reflist"
] |
https://en.wikipedia.org/wiki/Digital_on-screen_graphic_by_country
|
75,530,193 |
Be Wanton and Tread No Shame
|
Be Wanton and Tread No Shame (Spanish: Sé infiel y no mires con quién) is a 1985 Spanish comedy film directed and written by Fernando Trueba based on the play Move Over Mrs. Markham by Ray Cooney and John Chapman. It stars Ana Belén, Carmen Maura, Antonio Resines, and Santiago Ramos.
Paco and Fernando, two partners in a small publishing company at a low ebb, seek to seal a deal with popular children literature writer Adela Mora by means of deceit. When they are about the meet with the writer confusion about their extramarital affairs (and about those involving their wives, Carmen and Rosa) erupts.
The screenplay is an adaptation of the play Move Over Mrs. Markham by Ray Cooney and John Chapman. The film is an Iberoamericana (Andrés Vicente Gómez) production.
The film was released theatrically on 5 December 1985, grossing 308,205,211 ₧ (1,014,639 admissions). A box-office hit, it proved to be a breakthrough work for Trueba.
|
[
{
"paragraph_id": 0,
"text": "Be Wanton and Tread No Shame (Spanish: Sé infiel y no mires con quién) is a 1985 Spanish comedy film directed and written by Fernando Trueba based on the play Move Over Mrs. Markham by Ray Cooney and John Chapman. It stars Ana Belén, Carmen Maura, Antonio Resines, and Santiago Ramos.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Paco and Fernando, two partners in a small publishing company at a low ebb, seek to seal a deal with popular children literature writer Adela Mora by means of deceit. When they are about the meet with the writer confusion about their extramarital affairs (and about those involving their wives, Carmen and Rosa) erupts.",
"title": "Plot"
},
{
"paragraph_id": 2,
"text": "The screenplay is an adaptation of the play Move Over Mrs. Markham by Ray Cooney and John Chapman. The film is an Iberoamericana (Andrés Vicente Gómez) production.",
"title": "Production"
},
{
"paragraph_id": 3,
"text": "The film was released theatrically on 5 December 1985, grossing 308,205,211 ₧ (1,014,639 admissions). A box-office hit, it proved to be a breakthrough work for Trueba.",
"title": "Release"
}
] |
Be Wanton and Tread No Shame is a 1985 Spanish comedy film directed and written by Fernando Trueba based on the play Move Over Mrs. Markham by Ray Cooney and John Chapman. It stars Ana Belén, Carmen Maura, Antonio Resines, and Santiago Ramos.
|
2023-12-10T13:25:51Z
|
2023-12-26T13:47:58Z
|
[
"Template:Cite book",
"Template:Authority control",
"Template:Reflist",
"Template:Infobox film",
"Template:Lang-es",
"Template:Cast listing",
"Template:Cite web",
"Template:Cite journal",
"Template:Use dmy dates"
] |
https://en.wikipedia.org/wiki/Be_Wanton_and_Tread_No_Shame
|
75,530,219 |
Heritance Ahungalla
|
Heritance Ahungalla, formerly known as the Triton Hotel, is a luxury five-star hotel in Ahungalla, Sri Lanka. Triton Hotel was designed by Geoffrey Bawa and opened in 1981. Aitken Spence Hotel Holdings is the owner and operator of the hotel. The hotel is managed as a part of Aiken Spence's Heritance Hotels and Resorts brand. Aitken Spence Hotel Holdings was incorporated in 1978 as Ahungalla Hotels Ltd and listed on the Colombo Stock Exchange in 1980. The hotel was originally named Triton Hotel after the Greek god Triton. Ahungalla Hotels Ltd became the holding company of the Aitken Spence hotel chain in 1994. The company adopted its present name, Aitken Spence Hotel Holdings, in 1997. After a US$12 million refurbishment, Triton Hotel was rebranded as Heritance Ahungalla in 2006. Heritance Ahungalla is the first five-star beach resort in Sri Lanka.
In 1979 Aitken Spence commissioned Sri Lankan architect Geoffrey Bawa to design a 125-room beachfront hotel on the site. Construction on the hotel was completed in 1981 and it opened in the same year. Ahungalla Hotels Ltd, renamed in 1997 as Aitken Spence Hotel Holdings, is the owner and the operator of the hotel. Ahungalla Hotels Ltd was incorporated in 1978. The company was listed on the Colombo Stock Exchange in 1980. Triton Hotel was the second hotel built in the Aitken Spence Hotels chain. Having named the first hotel of the chain after the god Neptune, the hotel was named after Triton, son of Poseidon, the Greek equivalent of Neptune. The company acquired Aitken Spence Hotels Ltd, the owner of Neptune Hotel, in 1994 and became the holding company of the Aitken Spence hotel chain.
Triton Hotel was damaged by the 2004 Indian Ocean tsunami. Aitken Spence had decided not to recommence operations of the hotel immediately because the hotel was planned to be closed for refurbishment in the following year anyway. After a US$12 million refurbishment, Triton Hotel was rebranded as Heritance Ahungalla in 2006 as a five-star hotel. The hotel became the first five-star beach resort in the country.
In 2012, Heritance Ahungalla offered "Pirates Fantasy", what the hotel called the 'most expensive cake in the world' priced at US$35 million. The cake had several layers with different ingredients, including cinnamon, zucchini and purple yam. The cake was decorated with ten different sapphire gems and ten different jewellery. The cake was unveiled with Sri Lankan and English national cricketers in attendance. Out of the 400 staff of the hotel more than 65% were recruited from nearby villages, and many of them have not had prior work experience in the hospitality industry. Latvian president Raimonds Vējonis and the first lady Iveta Vējone stayed at the hotel during their 2018 ten-day state visit to Sri Lanka.
The longitudinal axis of the hotel building runs parallel to the coastline. The centrepiece of the three-storey reinforced concrete building is the spacious open-air entrance, which seamlessly blends interior and exterior spaces, connecting the building with the surrounding natural environment. Bawa intentionally placed a small interior pond at the entrance, reflective polished floors in the lobby, and an infinity pool, at precisely the same level, in order to emphasise the visual flow through the building to the ocean.
The hotel has a 16 m (52 ft) wide hallway, lined by guest rooms, running parallel to the ocean. The corridor has a number of small square garden courtyards, bordered by open air spaces. The infinity pool comprises irregularly shaped rectangular blocks, which are 35 m (115 ft) wide at each of its extremes.
The hotel features simple and clean architectural detailing with very little ornamentation. The concrete walls, columns and ceilings are painted a pale gold tone with white trim. The interior spaces are light and airy, with pale tiled floors and neutral tone carpets. The planters in the open-air lobbies and hallways continue the theme of blurring the interior and exterior spaces.
Heritance Ahungalla is a hotel with 152 rooms. The hotel's access road is an avenue with palm trees winding around a large pond. The hotel has two swimming pools. The older pool is visible from the entrance terrace. The newer pool is in the northern wing. The hotel's fine dining restaurant accompanies a dramatic view and the hotel also has a nightclub. Meals from the nightclub and the main dining room are mainly buffets. The main restaurant gets it name, Jute, from batik-on-jute ceiling decoration by Ena de Silva. The hotel is a popular destination for MICE tourism. The hotel has an in-house fine spa.
|
[
{
"paragraph_id": 0,
"text": "Heritance Ahungalla, formerly known as the Triton Hotel, is a luxury five-star hotel in Ahungalla, Sri Lanka. Triton Hotel was designed by Geoffrey Bawa and opened in 1981. Aitken Spence Hotel Holdings is the owner and operator of the hotel. The hotel is managed as a part of Aiken Spence's Heritance Hotels and Resorts brand. Aitken Spence Hotel Holdings was incorporated in 1978 as Ahungalla Hotels Ltd and listed on the Colombo Stock Exchange in 1980. The hotel was originally named Triton Hotel after the Greek god Triton. Ahungalla Hotels Ltd became the holding company of the Aitken Spence hotel chain in 1994. The company adopted its present name, Aitken Spence Hotel Holdings, in 1997. After a US$12 million refurbishment, Triton Hotel was rebranded as Heritance Ahungalla in 2006. Heritance Ahungalla is the first five-star beach resort in Sri Lanka.",
"title": ""
},
{
"paragraph_id": 1,
"text": "In 1979 Aitken Spence commissioned Sri Lankan architect Geoffrey Bawa to design a 125-room beachfront hotel on the site. Construction on the hotel was completed in 1981 and it opened in the same year. Ahungalla Hotels Ltd, renamed in 1997 as Aitken Spence Hotel Holdings, is the owner and the operator of the hotel. Ahungalla Hotels Ltd was incorporated in 1978. The company was listed on the Colombo Stock Exchange in 1980. Triton Hotel was the second hotel built in the Aitken Spence Hotels chain. Having named the first hotel of the chain after the god Neptune, the hotel was named after Triton, son of Poseidon, the Greek equivalent of Neptune. The company acquired Aitken Spence Hotels Ltd, the owner of Neptune Hotel, in 1994 and became the holding company of the Aitken Spence hotel chain.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "Triton Hotel was damaged by the 2004 Indian Ocean tsunami. Aitken Spence had decided not to recommence operations of the hotel immediately because the hotel was planned to be closed for refurbishment in the following year anyway. After a US$12 million refurbishment, Triton Hotel was rebranded as Heritance Ahungalla in 2006 as a five-star hotel. The hotel became the first five-star beach resort in the country.",
"title": "History"
},
{
"paragraph_id": 3,
"text": "In 2012, Heritance Ahungalla offered \"Pirates Fantasy\", what the hotel called the 'most expensive cake in the world' priced at US$35 million. The cake had several layers with different ingredients, including cinnamon, zucchini and purple yam. The cake was decorated with ten different sapphire gems and ten different jewellery. The cake was unveiled with Sri Lankan and English national cricketers in attendance. Out of the 400 staff of the hotel more than 65% were recruited from nearby villages, and many of them have not had prior work experience in the hospitality industry. Latvian president Raimonds Vējonis and the first lady Iveta Vējone stayed at the hotel during their 2018 ten-day state visit to Sri Lanka.",
"title": "History"
},
{
"paragraph_id": 4,
"text": "The longitudinal axis of the hotel building runs parallel to the coastline. The centrepiece of the three-storey reinforced concrete building is the spacious open-air entrance, which seamlessly blends interior and exterior spaces, connecting the building with the surrounding natural environment. Bawa intentionally placed a small interior pond at the entrance, reflective polished floors in the lobby, and an infinity pool, at precisely the same level, in order to emphasise the visual flow through the building to the ocean.",
"title": "Architecture"
},
{
"paragraph_id": 5,
"text": "The hotel has a 16 m (52 ft) wide hallway, lined by guest rooms, running parallel to the ocean. The corridor has a number of small square garden courtyards, bordered by open air spaces. The infinity pool comprises irregularly shaped rectangular blocks, which are 35 m (115 ft) wide at each of its extremes.",
"title": "Architecture"
},
{
"paragraph_id": 6,
"text": "The hotel features simple and clean architectural detailing with very little ornamentation. The concrete walls, columns and ceilings are painted a pale gold tone with white trim. The interior spaces are light and airy, with pale tiled floors and neutral tone carpets. The planters in the open-air lobbies and hallways continue the theme of blurring the interior and exterior spaces.",
"title": "Architecture"
},
{
"paragraph_id": 7,
"text": "Heritance Ahungalla is a hotel with 152 rooms. The hotel's access road is an avenue with palm trees winding around a large pond. The hotel has two swimming pools. The older pool is visible from the entrance terrace. The newer pool is in the northern wing. The hotel's fine dining restaurant accompanies a dramatic view and the hotel also has a nightclub. Meals from the nightclub and the main dining room are mainly buffets. The main restaurant gets it name, Jute, from batik-on-jute ceiling decoration by Ena de Silva. The hotel is a popular destination for MICE tourism. The hotel has an in-house fine spa.",
"title": "Amenities"
}
] |
Heritance Ahungalla, formerly known as the Triton Hotel, is a luxury five-star hotel in Ahungalla, Sri Lanka. Triton Hotel was designed by Geoffrey Bawa and opened in 1981. Aitken Spence Hotel Holdings is the owner and operator of the hotel. The hotel is managed as a part of Aiken Spence's Heritance Hotels and Resorts brand. Aitken Spence Hotel Holdings was incorporated in 1978 as Ahungalla Hotels Ltd and listed on the Colombo Stock Exchange in 1980. The hotel was originally named Triton Hotel after the Greek god Triton. Ahungalla Hotels Ltd became the holding company of the Aitken Spence hotel chain in 1994. The company adopted its present name, Aitken Spence Hotel Holdings, in 1997. After a US$12 million refurbishment, Triton Hotel was rebranded as Heritance Ahungalla in 2006. Heritance Ahungalla is the first five-star beach resort in Sri Lanka.
|
2023-12-10T13:32:52Z
|
2023-12-16T02:46:27Z
|
[
"Template:Melstacorp",
"Template:Short description",
"Template:Infobox building",
"Template:Reflist",
"Template:Cite web",
"Template:Cite journal",
"Template:Cvt",
"Template:Cite book",
"Template:Cite news",
"Template:Hotels in Sri Lanka"
] |
https://en.wikipedia.org/wiki/Heritance_Ahungalla
|
75,530,223 |
Music of Gunbuster
|
This article lists the albums attributed to the anime series Gunbuster.
Top wo Nerae! Ongaku Daizukan (トップをねらえ！音楽大図鑑, lit. Aim for the Top! Music Encyclopedia) is the first soundtrack album of Gunbuster, released by Victor Entertainment on 7 June 1989. It features the opening theme "Active Heart" and ending theme "Try Again...!" by Noriko Sakai, plus the insert song "Top wo Nerae! Fly High" by Noriko Hidaka and Rei Sakuma, Kohei Tanaka's score for the series' first four episodes, and two original radio dramas. The CD release also includes "Kimi mo Onkyō Kantoku! Top wo Nerae! Naserifu Dai Kōshin", a collection of sound clips by the voice cast. The album was reissued on 18 December 1996.
All music is composed by Kohei Tanaka, except where indicated
Top wo Nerae! Ultra Sound Collection: Tanaka Kohei no Sekai (トップをねらえ!ウルトラ・サウンド・コレクション ～田中公平の世界～, lit. Aim for the Top! Ultra Sound Collection: The World of Kohei Tanaka) is the second soundtrack of Gunbuster, released on 21 March 1990. It features more of Tanaka's score for all six episodes, plus the image song "Tobe! Gunbuster" by Kazuki Yao, one radio drama, and the symphonic suite "Kōkyōshi Gunbuster". Like the first soundtrack, this album was reissued on 18 December 1996.
All music is composed by Kohei Tanaka, except where indicated
Sound Collection of Gunbuster (トップをねらえ!響綜覧, Top wo Nerae! Kyōsōran) is a box set released on 24 August 1994. The three-disc set compiles the first two soundtracks and adds more background music and dialogue tracks, as well as new songs and karaoke tracks.
All music is composed by Kohei Tanaka, except where indicated
Top wo Nerae! Ongaku-shū (トップをねらえ！音楽集, lit. Aim for the Top! Music Collection) is a soundtrack compilation for Gunbuster, released by FlyingDog on 29 February 2012, exclusively on music download and streaming media platforms. The album compiles the first two soundtracks, omitting the opening and ending themes, radio dramas, and character voice clips. The track "Honō no Tokkun" is also omitted due to its similarity to Vangelis' "Chariots of Fire".
All music is composed by Kohei Tanaka
Top wo Nerae! Ongaku Daizukan
Top wo Nerae! Ultra Sound Collection: Tanaka Kohei no Sekai
Sound Collection of Gunbuster
Top wo Nerae! Ongaku-shū
|
[
{
"paragraph_id": 0,
"text": "This article lists the albums attributed to the anime series Gunbuster.",
"title": ""
},
{
"paragraph_id": 1,
"text": "Top wo Nerae! Ongaku Daizukan (トップをねらえ！音楽大図鑑, lit. Aim for the Top! Music Encyclopedia) is the first soundtrack album of Gunbuster, released by Victor Entertainment on 7 June 1989. It features the opening theme \"Active Heart\" and ending theme \"Try Again...!\" by Noriko Sakai, plus the insert song \"Top wo Nerae! Fly High\" by Noriko Hidaka and Rei Sakuma, Kohei Tanaka's score for the series' first four episodes, and two original radio dramas. The CD release also includes \"Kimi mo Onkyō Kantoku! Top wo Nerae! Naserifu Dai Kōshin\", a collection of sound clips by the voice cast. The album was reissued on 18 December 1996.",
"title": "Top wo Nerae! Ongaku Daizukan"
},
{
"paragraph_id": 2,
"text": "All music is composed by Kohei Tanaka, except where indicated",
"title": "Top wo Nerae! Ongaku Daizukan"
},
{
"paragraph_id": 3,
"text": "Top wo Nerae! Ultra Sound Collection: Tanaka Kohei no Sekai (トップをねらえ!ウルトラ・サウンド・コレクション ～田中公平の世界～, lit. Aim for the Top! Ultra Sound Collection: The World of Kohei Tanaka) is the second soundtrack of Gunbuster, released on 21 March 1990. It features more of Tanaka's score for all six episodes, plus the image song \"Tobe! Gunbuster\" by Kazuki Yao, one radio drama, and the symphonic suite \"Kōkyōshi Gunbuster\". Like the first soundtrack, this album was reissued on 18 December 1996.",
"title": "Top wo Nerae! Ultra Sound Collection: Tanaka Kohei no Sekai"
},
{
"paragraph_id": 4,
"text": "All music is composed by Kohei Tanaka, except where indicated",
"title": "Top wo Nerae! Ultra Sound Collection: Tanaka Kohei no Sekai"
},
{
"paragraph_id": 5,
"text": "Sound Collection of Gunbuster (トップをねらえ!響綜覧, Top wo Nerae! Kyōsōran) is a box set released on 24 August 1994. The three-disc set compiles the first two soundtracks and adds more background music and dialogue tracks, as well as new songs and karaoke tracks.",
"title": "Sound Collection of Gunbuster"
},
{
"paragraph_id": 6,
"text": "All music is composed by Kohei Tanaka, except where indicated",
"title": "Sound Collection of Gunbuster"
},
{
"paragraph_id": 7,
"text": "Top wo Nerae! Ongaku-shū (トップをねらえ！音楽集, lit. Aim for the Top! Music Collection) is a soundtrack compilation for Gunbuster, released by FlyingDog on 29 February 2012, exclusively on music download and streaming media platforms. The album compiles the first two soundtracks, omitting the opening and ending themes, radio dramas, and character voice clips. The track \"Honō no Tokkun\" is also omitted due to its similarity to Vangelis' \"Chariots of Fire\".",
"title": "Top wo Nerae! Ongaku-shū"
},
{
"paragraph_id": 8,
"text": "All music is composed by Kohei Tanaka",
"title": "Top wo Nerae! Ongaku-shū"
},
{
"paragraph_id": 9,
"text": "Top wo Nerae! Ongaku Daizukan",
"title": "External links"
},
{
"paragraph_id": 10,
"text": "Top wo Nerae! Ultra Sound Collection: Tanaka Kohei no Sekai",
"title": "External links"
},
{
"paragraph_id": 11,
"text": "Sound Collection of Gunbuster",
"title": "External links"
},
{
"paragraph_id": 12,
"text": "Top wo Nerae! Ongaku-shū",
"title": "External links"
}
] |
This article lists the albums attributed to the anime series Gunbuster.
|
2023-12-10T13:33:47Z
|
2023-12-15T09:10:40Z
|
[
"Template:TOC limit",
"Template:Reflist",
"Template:Cite web",
"Template:MusicBrainz release group",
"Template:Discogs master",
"Template:Discogs release",
"Template:Gainax",
"Template:Infobox album",
"Template:Nihongo",
"Template:Track listing",
"Template:Official website"
] |
https://en.wikipedia.org/wiki/Music_of_Gunbuster
|
75,530,230 |
Haru Matsumoto
|
Haru Matsumoto (松本 晴, Matsumoto Haru, born February 24, 2001) is a Japanese professional baseball pitcher for the Fukuoka SoftBank Hawks of Nippon Professional Baseball (NPB).
|
[
{
"paragraph_id": 0,
"text": "Haru Matsumoto (松本 晴, Matsumoto Haru, born February 24, 2001) is a Japanese professional baseball pitcher for the Fukuoka SoftBank Hawks of Nippon Professional Baseball (NPB).",
"title": ""
}
] |
Haru Matsumoto is a Japanese professional baseball pitcher for the Fukuoka SoftBank Hawks of Nippon Professional Baseball (NPB).
|
2023-12-10T13:34:41Z
|
2023-12-10T13:40:35Z
|
[
"Template:Nihongo",
"Template:Baseballstats",
"Template:Fukuoka SoftBank Hawks roster navbox",
"Template:Japan-baseball-pitcher-stub",
"Template:Short description",
"Template:Infobox NPB player"
] |
https://en.wikipedia.org/wiki/Haru_Matsumoto
|
75,530,244 |
Robert Cox (Florida politician)
|
Robert Cox (September 12, 1828-?) was a state legislator in Florida. He was from Alabama and moved to Florida before the American Civil War. He represented Leon County, Florida in the Florida House of Representatives from 1868-1870. He owned substantial property and had a son Benjamin who was a post office route agent.
He was documented as being "mulatto". He worked as a carpenter. He served in the Committee on Corporations with W. W. Moore. He lived in Tallahassee, the state capital.
|
[
{
"paragraph_id": 0,
"text": "Robert Cox (September 12, 1828-?) was a state legislator in Florida. He was from Alabama and moved to Florida before the American Civil War. He represented Leon County, Florida in the Florida House of Representatives from 1868-1870. He owned substantial property and had a son Benjamin who was a post office route agent.",
"title": ""
},
{
"paragraph_id": 1,
"text": "He was documented as being \"mulatto\". He worked as a carpenter. He served in the Committee on Corporations with W. W. Moore. He lived in Tallahassee, the state capital.",
"title": ""
}
] |
Robert Cox was a state legislator in Florida. He was from Alabama and moved to Florida before the American Civil War. He represented Leon County, Florida in the Florida House of Representatives from 1868-1870. He owned substantial property and had a son Benjamin who was a post office route agent. He was documented as being "mulatto". He worked as a carpenter. He served in the Committee on Corporations with W. W. Moore. He lived in Tallahassee, the state capital.
|
2023-12-10T13:36:56Z
|
2023-12-13T08:03:03Z
|
[
"Template:Short description",
"Template:Reflist",
"Template:Cite web",
"Template:Politician-stub"
] |
https://en.wikipedia.org/wiki/Robert_Cox_(Florida_politician)
|
75,530,245 |
Tauet, Himmel, den Gerechten
|
"Tauet, Himmel, den Gerechten" is an Advent hymn in German, in the Catholic tradition of the Rorate masses.
The first text version of "Tauet, Himmel, den Gerechten" was written by the Jesuit Michael Denis, published in Vienna in 1774 in his collection Geistliche Lieder zum Gebrauche der hohen Metropolitankirche bey St. Stephan in Wien und des ganzen wienerischen Erzbistums.
A first melody for the text was composed by Norbert Hauner from Kloster Herrenchiemsee, published in a 1777 hymnal edited by Franz von Kohlbrenner, Landshuter Gesangbuch. This arioso melody was better suitable for solo singing than for a congregation. It was simplified into the most common melody.
The hymn is not part of the common Catholic German hymnal Gotteslob, but appears in all its regional sections, due to the differences in text and melody. Some sections offer two versions, and the Diocese of Essen wven three versions.
|
[
{
"paragraph_id": 0,
"text": "\"Tauet, Himmel, den Gerechten\" is an Advent hymn in German, in the Catholic tradition of the Rorate masses.",
"title": ""
},
{
"paragraph_id": 1,
"text": "The first text version of \"Tauet, Himmel, den Gerechten\" was written by the Jesuit Michael Denis, published in Vienna in 1774 in his collection Geistliche Lieder zum Gebrauche der hohen Metropolitankirche bey St. Stephan in Wien und des ganzen wienerischen Erzbistums.",
"title": "History"
},
{
"paragraph_id": 2,
"text": "A first melody for the text was composed by Norbert Hauner from Kloster Herrenchiemsee, published in a 1777 hymnal edited by Franz von Kohlbrenner, Landshuter Gesangbuch. This arioso melody was better suitable for solo singing than for a congregation. It was simplified into the most common melody.",
"title": "History"
},
{
"paragraph_id": 3,
"text": "The hymn is not part of the common Catholic German hymnal Gotteslob, but appears in all its regional sections, due to the differences in text and melody. Some sections offer two versions, and the Diocese of Essen wven three versions.",
"title": "History"
}
] |
"Tauet, Himmel, den Gerechten" is an Advent hymn in German, in the Catholic tradition of the Rorate masses.
|
2023-12-10T13:37:11Z
|
2023-12-10T14:13:32Z
|
[
"Template:Langr",
"Template:Reflist",
"Template:Google Buch",
"Template:Literatur",
"Template:Commonscat",
"Template:YouTube",
"Template:Authority control"
] |
https://en.wikipedia.org/wiki/Tauet,_Himmel,_den_Gerechten
|
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