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1485_36 | Former passenger vehicles
1953–1962, Minx - sedan, Isuzu produced Hillman Minx under licence.
1961–1966, Bellel - sedan
1963–1973, Bellett - sedan (PR10/20) and coupe (PR90 and PR91)
1967–1983, Florian - sedan
1968–1981, 117 - coupe
1972–2002, Faster - pickup truck
1974–2000, Gemini/I-Mark/Stylus - sedan/coupe/hatchback
1981–1993, Piazza/Impulse/Storm - Hatchback
1983–2002, Aska - sedan
1983–2002, Trooper - midsize SUV
1986–1993, Geminett - hatchback/wagon, a rebadged first generation Suzuki Cultus (1986–1988) and then third generation Subaru Leone wagon as Geminett II (1988–1993).
1989–2004, Amigo/MU - Compact SUV, renamed to Rodeo Sport in 2001.
1991–2004, Rodeo/Wizard - midsize SUV, also rebadged as the Honda Passport.
1996–1999, Oasis - minivan, a rebadged Honda Odyssey.
1996–2000, Hombre - pickup truck, a rebadged Chevrolet S10.
1996–2001, Vertex - sedan, a rebadged Honda Integra SJ.
1997–2002, Filly, a rebadged Nissan Elgrand - minivan |
1485_37 | 1999–2001, VehiCROSS - SUV
2001–2004, Axiom - midsize SUV
2002–2008, Ascender - midsize SUV, a rebadged GMC Envoy.
2006–2008, i-series - pickup truck - a product of the co-developed GMT355 platform that Isuzu sells overseas.
2004–2013, MU-7 - midsize SUV, developed from D-Max platform that was on sale only in Thailand, Philippines, India and China.
1991–2020, Panther - van and pickup truck, sold as the Isuzu Hi-Lander/Crosswind in the Philippines, also sold throughout the ASEAN, and in India as the Chevrolet Tavera. |
1485_38 | Former commercial vehicles
Bison - light commercial pickup truck, a rebadged second generation Mitsubishi Delica pickup truck for Indonesian market (not related to fourth generation Isuzu Elf that was sold under Bison name in Indonesia in early 1990s).
Fargo - light commercial van
H-Series - heavy duty truck in United States only (rebadged from GMC Topkick and Chevrolet Kodiak).
Race cars
1969 Isuzu R7, Group 7 - racecar
1970 Isuzu Bellett R6, Group 6 - racecar |
1485_39 | Concept cars
1969 Isuzu Bellett MX1600
1979 Isuzu Asso di Fiori
1983 Isuzu COA
1985 Isuzu COA II
1987 Isuzu COA III, AWD mid-engine coupe.
1987 Isuzu Zero Door
1989 Isuzu Costa
1989 Isuzu MultiCROSS
1989 4200R
1991 Isuzu Como F1, a pickup-style crossover with a Lotus Formula One engine (the name was later used for the rebadged Nissan Caravan produced from 2001).
1991 Isuzu Nagisa
1991 Isuzu Terraza
1993 Isuzu XU-1
1993 Isuzu VehiCROSS
1995 Isuzu Deseo
1995 Isuzu Aisance
1997 Isuzu VX-2
1997 Isuzu ZACCAR
1999 Isuzu VX-O2
1999 Isuzu Kai
1999 ZXS
2000 Isuzu VX-4
2001 Isuzu Zen
2001 Isuzu GBX
2001 Isuzu Axiom XSF
2002 Isuzu Axiom XSR
2002 Isuzu Axiom XST
2011 Isuzu T-Next
2020 Isuzu FLIR
Buses (Philippines)
LV314K
LV314L
CJM470
CJM500
LT132
LV423
LV123
PABFTR33PLB
FTR33P
FTR45
PABFVR33P
Buses (Thailand)
CQM275hp
CQA650A/T
JCR600YZNN
LT112P
LV223S
LV423R
LV486R
LV771
MT111QB
Buses (Ukraine)
Bogdan buses - sold under Isuzu brand outside Ukraine.
Military vehicles |
1485_40 | Isuzu TW340 medium truck
Isuzu TWD20/25 medium truck
Isuzu TSD45/TSD55 medium truck
Isuzu HTS12G 2.5 ton truck
Isuzu Type 73 Heavy Truck
See also
List of automobile manufacturers
References
External links
Isuzu Worldwide
Mimamori-kun
Bus manufacturers of Japan
Car manufacturers of Japan
Companies listed on the Tokyo Stock Exchange
Defense companies of Japan
Diesel engine manufacturers
Global Positioning System
Hybrid electric bus manufacturers
Marine engine manufacturers
Truck manufacturers of Japan
Military vehicle manufacturers
Vehicle manufacturing companies established in 1916
Car brands
Engine manufacturers of Japan
Electric vehicle manufacturers of Japan |
1486_0 | Penguin Books is a British publishing house. It was co-founded in 1935 by Sir Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year. Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths and other high street stores for sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also had a significant impact on public debate in Britain through its books on culture, politics, the arts, and science. |
1486_1 | Penguin Books is now an imprint of the worldwide Penguin Random House, a conglomerate formed in 2013 by its merger with American publisher Random House, a subsidiary of German media conglomerate Bertelsmann. Formerly, Penguin Group was wholly owned by British Pearson plc, the global media company which also owned the Financial Times. When Penguin Random House was formed, Pearson had a 47% stake in the new company, which was reduced to 25% in July 2017. Since April 2020, Penguin Random House has been a wholly owned subsidiary of Bertelsmann. It is one of the largest English-language publishers formerly known as the "Big Six"—now the "Big Five", along with Holtzbrinck/Macmillan, Hachette, HarperCollins and Simon & Schuster.
Penguin Books has its registered office in the City of Westminster, London, England.
Origins |
1486_2 | The first Penguin paperbacks were published in 1935, but at first only as an imprint of The Bodley Head (of Vigo Street, London) with the books originally distributed from the crypt of Holy Trinity Church Marylebone.
Anecdotally, Lane recounted how it was his experience with the poor quality of reading material on offer at Exeter train station that inspired him to create cheap, well designed quality books for the mass market. However the question of how publishers could reach a larger public had been the subject of a conference at Rippon Hall, Oxford in 1934 which Lane had attended. Though the publication of literature in paperback was then associated mainly with poor quality lurid fiction, the Penguin brand owed something to the short-lived Albatross imprint of British and American reprints that briefly traded in 1932. |
1486_3 | Inexpensive paperbacks did not initially appear viable to Bodley Head, since the deliberately low price of 6d. made profitability seem unlikely. This helped Lane purchase publication rights for some works more cheaply than he otherwise might have, since publishers were convinced of the business's short-term prospects. In the face of resistance from the traditional book trade, it was the purchase of 63,000 books by Woolworths Group that paid for the project outright, confirmed its worth, and allowed Lane to establish Penguin as a separate business in 1936. By March 1936, ten months after the company's launch on 30 July 1935, one million Penguin books had been printed.
Only paperback editions were published until the King Penguin series debuted in 1939, and latterly the Pelican History of Art was undertaken; these works, considered unsuitable as paperbacks because of their lengths and copious illustrations on art paper, were cloth-bound. |
1486_4 | Penguin Books Inc was incorporated in 1939 to satisfy US copyright law; and, despite being a late entrant into an already well established paperback market, enjoyed further success under vice president Kurt Enoch with such titles as What Plane Is That and The New Soldier Handbook.
The company's expansion saw the hiring of Eunice Frost—first as a secretary, then as editor, and ultimately as a director, who was to have a pivotal influence in shaping the company. In 1945 she was entrusted with the reconstruction of Penguin Inc after the departure of its first managing director, Ian Ballantine. |
1486_5 | From the outset, design was essential to Penguin's success. Avoiding the illustrated gaudiness of other paperback publishers, Penguin opted for the simple appearance of three horizontal bands, the upper and lower of which were colour-coded according to the series to which the title belonged; this is sometimes referred to as the horizontal grid. In the central white panel, the author and title were printed in Gill Sans, and in the upper band was a cartouche with the legend "Penguin Books". The initial design was created by then 21-year-old office junior Edward Young, who also drew the first version of the Penguin logo. Series such as Penguin Specials and The Penguin Shakespeare had individual designs (by 1937, only S1 and B1-B18 had been published). |
1486_6 | The colour schemes included: orange and white for general fiction, green and white for crime fiction, cerise and white for travel and adventure, dark blue and white for biographies, yellow and white for miscellaneous, red and white for drama; and the rarer purple and white for essays and belles lettres and grey and white for world affairs. Lane actively resisted the introduction of cover images for several years. Some recent publications of literature from that time have duplicated the original look.
In 1937, Penguin's headquarters were established at Harmondsworth, close to Heathrow Airport.
War years |
1486_7 | The Second World War saw Penguin emerge as a national institution. Though it had no formal role in the war effort, it was integral to it thanks to the publication of such bestselling manuals as Keeping Poultry and Rabbits on Scraps and Aircraft Recognition, and supplying books for the services and British POWs. In the war's six years, it printed some 600 titles and started 19 new series. At a time of enormous increase in the demand for books, Penguin enjoyed a privileged place among its peers. |
1486_8 | Paper rationing was the besetting problem of publishers in wartime, with the fall of France cutting off supply of esparto grass, one of the constituents of the pulp Penguin used. When rationing was introduced in March 1940, the Ministry of Supply allocated a quota to each publisher as a percentage of the amount that firm used between August 1938 and August 1939. This was particularly advantageous to Penguin, who, as a volume printer, was very successful that year. Further, in a deal with the Canadian Government, Penguin agreed to exclusively publish editions for their armed forces, for which they were paid in tons of paper. |
1486_9 | By January 1942 the Book Production War Economy Agreement regulations came into force which determined rules on paper quality, type size and margins. Consequently Penguin eliminated dust jackets, trimmed margins and replaced sewn bindings with metal staples. Aside from the noticeable deterioration in paperbacks' appearance, it became a practical impossibility to publish books of more than 256 pages, resulting in some titles falling out of print for want of material. In addition to their paper allocation, in 1941 Penguin secured a deal with the War Office, through Bill William's connections with ABCA and CEMA, to supply the troops with books through what was known as the Forces Book Club. Penguin received 60 tons a month from Paper Supply in return for 10 titles a month in runs of 75,000 at 5d. |
1486_10 | Originally, every paperback carried the message, "FOR THE FORCES – Leave this book at a Post Office when you have read it, so that men and women in the Services may enjoy it too" at the bottom of the back cover, inviting the reader to take advantage of the Royal Mail's free transmission of books to the forces. However, demand exceeded supply on the home front, leading Lane to seek a monopoly on army books made specifically for overseas distribution. Their established paper supply put Penguin in an especially strong position after the war as rationing continued. For this reason, and for the popular prestige the company enjoyed, many of Penguin's competitors had no choice but to concede paperback reprint rights to it. |
1486_11 | Post-war history
In 1945, Penguin began what would become one of its most important branches, the Penguin Classics, with a translation of Homer's Odyssey by E. V. Rieu. Between 1947 and 1949, the German typographer Jan Tschichold redesigned 500 Penguin books, and left Penguin with a set of influential rules of design principles brought together as the Penguin Composition Rules, a four-page booklet of typographic instructions for editors and compositors. Tschichold's work included the woodcut illustrated covers of the classics series (also known as the medallion series), and with Hans Schmoller, his eventual successor at Penguin, the vertical grid covers that became the standard for Penguin fiction throughout the 1950s. By this time the paperback industry in the UK had begun to grow, and Penguin found itself in competition with then fledgeling Pan Books. Many other series were published such as the Buildings of England, the Pelican History of Art and Penguin Education. |
1486_12 | By 1960, a number of forces were to shape the direction of the company, the publication list and its graphic design. On 20 April 1961, Penguin became a publicly listed company on the London Stock Exchange; consequently, Allen Lane had a diminished role at the firm though he was to continue as Managing Director. New techniques such as phototypesetting and offset-litho printing were to replace hot metal and letterpress printing, dramatically reducing cost and permitting the printing of images and text on the same paper stock, thus paving the way for the introduction of photography and novel approaches to graphic design on paperback covers. In May 1960, Tony Godwin was appointed as editorial adviser, rapidly rising to Chief Editor from which position he sought to broaden the range of Penguin's list and keep up with new developments in graphic design. To this end, he hired Germano Facetti in January 1961, who was to decisively alter the appearance of the Penguin brand. Beginning with the |
1486_13 | crime series, Facetti canvassed the opinion of a number of designers including Romek Marber for a new look to the Penguin cover. It was Marber's suggestion of what came to be called the Marber grid along with the retention of traditional Penguin colour-coding that was to replace the previous three horizontal bars design and set the pattern for the design of the company's paperbacks for the next twenty years. Facetti rolled out the new treatment across the Penguin line starting with crime, the orange fiction series, then Pelicans, Penguin Modern Classics, Penguin Specials, and Penguin Classics, giving an overall visual unity to the company's list. A somewhat different approach was taken to the Peregrine, Penguin Poets, Penguin Modern Poets, and Penguin Plays series. There were over a hundred different series published in total. |
1486_14 | Just as Lane well judged the public's appetite for paperbacks in the 1930s, his decision to publish Lady Chatterley's Lover by D. H. Lawrence in 1960 boosted Penguin's notoriety. The novel was at the time unpublished in the United Kingdom and the predicted obscenity trial, R v Penguin Books Ltd, not only marked Penguin as a fearless publisher, it also helped drive the sale of at least 3.5 million copies. Penguin's victory in the case heralded the end to the censorship of books in the UK, although censorship of the written word was only finally defeated after the Inside Linda Lovelace trial of 1978.
Pearson takeover |
1486_15 | By the end of the 1960s Penguin was in financial trouble, and several proposals were made for a new operating structure. These included ownership by a consortium of universities, or joint ownership by the Cambridge University Press and Oxford University Press, but none of them came to anything. Sir Allen Lane died on 7 July, and six weeks later, Penguin was acquired by Pearson PLC on 21 August 1970. A new emphasis on profitability emerged and, with the departure of Facetti in 1972, the defining era of Penguin book design came to an end.
Penguin merged with long-established U.S. publisher Viking Press in 1975.
The first Penguin Bookshop opened in Covent Garden in 1980. |
1486_16 | In 1985, Penguin purchased British hardback publisher Michael Joseph and in 1986, Hamish Hamilton. After these acquisitions, Penguin moved its offices to central London (27 Wrights Lane, W8 5TZ). Thus 'Harmondsworth' disappeared as the place of publication after half a century. (The warehouse at Harmondsworth would remain in operation until 2004.)
Also in 1986, Penguin purchased American publisher New American Library (NAL) and its hard-cover affiliate E. P. Dutton. New American Library had originally been Penguin U.S.A. and had been spun off in 1948 because of the high complexity of import and export regulations. Penguin repurchased it in order to extend its reach into the US market, and NAL saw the move as a way to gain a hold in international markets. |
1486_17 | Penguin published Deborah Lipstadt's book Denying the Holocaust, which accused David Irving of Holocaust denial. Irving sued Lipstadt and Penguin for libel in 1998 but lost in a much publicised court case. Other titles published by Penguin which gained media attention, and controversy, include Massacre by Siné, Spycatcher, which was suppressed in the UK by the government for a time, and The Satanic Verses, leading to its author Salman Rushdie having to go into hiding for some years after Ayatollah Khomeini of Iran issued a Fatwā, an edict amounting to a sentence of death against him.
In 2006, Penguin attempted to involve the public in collaboratively writing a novel on a wiki platform. They named this project A Million Penguins. On 7 March 2007, the Penguin Books UK blog announced that the project had come to an end. |
1486_18 | In 2014, the Penguin Hotline was created by Madeline McIntosh. An orange commemorative plaque was unveiled at Exeter train station in May 2017 to mark Lane's significant contribution to the publishing industry.
Imprints and series
Penguin Classics |
1486_19 | Consonant with Penguin's corporate mission to bring canonical literature to the mass market the company first ventured into publishing the classics in May 1938 with the issue of Penguin Illustrated Classics. The savings from the author's rights on these royalty free titles were instead invested in commissioning woodcut engravings from Robert Gibbings and his circle emanating from the Central School of Arts and Crafts. The books were distinct from the rest of the Penguin marque in their use of a vertical grid (anticipating Tschichold's innovation of 1951) and albertus typeface. The series was not a financial success and the list ceased after just ten volumes the same year it began. Penguin returned to classics with the printing of E. V. Rieu's translation of Homer's Odyssey in 1946, which went on to sell three million copies. |
1486_20 | Penguin's commercial motivation was, as ever, populist; rendering the classics in an approachable modern English was therefore a difficult task whose execution did not always satisfy the critics. Dr Rieu said of his work that "I have done my best to make Homer easy reading for those who are unfamiliar with the Greek world." He was joined in 1959 by Betty Radice who was first his assistant then, after his retirement in 1964, she assumed the role of joint editor with Robert Baldick. As the publisher's focus changed from the needs of the marketplace to those of the classroom the criticism became more acute, Thomas Gould wrote of the series "most of the philosophical volumes in the Penguin series are bad – some very bad indeed. Since Plato and Aristotle are the most read philosophers in the world today, and since some of these Penguin translations are favourites among professional philosophers in several countries, this amounts to a minor crisis in the history of philosophy." |
1486_21 | The imprint publishes hundreds of classics from the Greeks and Romans to Victorian Literature to modern classics. For nearly twenty years, variously coloured borders to the front and back covers indicated the original language. The second period of design meant largely black covers with a colour illustration on the front. In 2002, Penguin announced it was redesigning its entire catalogue, merging the original Classics list (known in the trade as "Black Classics") with what had been the old Penguin Twentieth-Century Classics list, though the silver covers for the latter have so far been retained for most of the titles. Previously this line had been called 'Penguin Modern Classics' with a pale green livery. |
1486_22 | The redesign—featuring a colourful painting on the cover, with black background and orange lettering—was well received. However, the quality of the paperbacks themselves seemed to decrease: the spines were more likely to fold and bend. The paperbacks are also printed on non-acid-free pulp paper, which, by some accounts, tends to yellow and brown within a couple of years. |
1486_23 | The text page design was also overhauled to follow a more closely prescribed template, allowing for faster copyediting and typesetting, but reducing the options for individual design variations suggested by a text's structure or historical context (for example, in the choice of text typeface). Prior to 2002, the text page typography of each book in the Classics series had been overseen by a team of in-house designers; this department was drastically reduced in 2003 as part of the production costs. The in-house text design department still exists, albeit much smaller than formerly. Recent design work includes the Penguin Little Black Classic series, designed by Claire Mason.
Pelican Books |
1486_24 | Lane expanded the business in 1937 with the publication of George Bernard Shaw's The Intelligent Woman's Guide to Socialism and Capitalism under the Pelican Books imprint, an imprint designed to educate the reading public rather than entertain. Recognising his own limitations Lane appointed V. K. Krishna Menon as the first commissioning editor of the series, supported by an advisory panel consisting of Peter Chalmers Mitchell, H. L. Bales and W. E. Williams. Several thousand Pelicans were published over the next half-century and brought high quality accounts of the current state of knowledge in many fields, often written by authors of specialised academic books. (The Pelican series, in decline for several years, was finally discontinued in 1984.) |
1486_25 | Aircraft Recognition (S82) by R. A. Saville-Sneath, was a bestseller. In 1940, the children's imprint Puffin Books began with a series of non-fiction picture books; the first work of children's fiction published under the imprint was Barbara Euphan Todd's Worzel Gummidge the following year. Another series that began in wartime was the Penguin Poets: the first volume was a selection of Tennyson's poems (D1) in 1941. Later examples are The Penguin Book of Modern American Verse (D22), 1954, and The Penguin Book of Restoration Verse (D108), 1968. J. M. Cohen's Comic and Curious Verse appeared in three volumes over a number of years.
Pelican Books was relaunched as a digital imprint in 2014, with four books published simultaneously on 1 May: Economics: A User's Guide by Ha-Joon Chang, The Domesticated Brain by the psychologist Bruce Hood, Revolutionary Russia by Orlando Figes and Human Evolution by the anthropologist Robin Dunbar.
Penguin Education |
1486_26 | In 1965 Penguin entered the field of educational publishing, Allen Lane's aim being to carry the radical and populist spirit of Pelicans into the schoolbook market. His final major initiative, the division was established as a separate publishing operation from Harmondsworth, and based in West Drayton in Middlesex. During its nine-year life it had a major impact on school books, breaking new ground in their concept and design and strongly influencing other publishers’ lists. |
1486_27 | Among the most successful and influential series were Voices and Junior Voices, Connexions, and the Penguin English Project. Alongside these and other series, the imprint continued another Penguin tradition by producing Education Specials, titles which focussed on often controversial topics within education and beyond. They included highly topical books such as The Hornsey Affair and Warwick University Ltd, reflecting the student unrest of the late 1960s and contributing to the intense national debate about the purpose of higher education. Other titles featured the radical and influential ideas about schooling propounded by writers and teachers from America and elsewhere. |
1486_28 | Penguin Education also published an extensive range of Readers and introductory texts for students in higher education, notably in subjects such as psychology, economics, management, sociology and science, while for teachers it provided a series of key texts such as Language, the Learner and the School and The Language of Primary School Children. Following Allen Lane's death in 1970 and the takeover the same year by Pearson Longman, the division discontinued publishing school books and was closed in March 1974. More than 80 teachers, educational journalists and academics signed a letter to the Times Educational Supplement regretting the closure of the influential imprint. |
1486_29 | Penguin Specials |
1486_30 | In November 1937, Penguin inaugurated a new series of short, polemical books under the rubric of Penguin Specials with the publication of Edgar Mowrer's Germany Puts the Clock Back. Their purpose was to offer in-depth analysis of current affairs that would counter the perceived bias of the newspapers in addition to being the company's response to the popularity of Gollancz's Left Book Club. Whereas the Left Book Club was avowedly pro-Soviet, Penguin and Lane expressed no political preference as their editorial policy, though the widespread belief was that the series was left-leaning since the editor was the communist John Lehmann and its authors were, with a few exceptions, men of the left. Speed of publication and delivery (a turnaround of weeks rather than months) were essential to the topicality and therefore success of the Specials, Genevieve Tabouis's anti-appeasement tract Blackmail or War sold over 200,000 copies for example. However even this immediacy did not prevent them |
1486_31 | being overtaken by events: Shiela Grant Duff's Europe and the Czechs only made it onto the bookstands on the day of the Munich agreement, but nevertheless went on to be a bestseller. Thirty-five Penguin Specials were published before the outbreak of war, including two novels Hašek's Good Soldier Schweik and Bottome's The Mortal Storm; they collectively made a significant contribution to the public debate of the time, with many of the more controversial titles being the subject of leading articles in the press. |
1486_32 | After a hiatus between 1945 and 1949, the Penguin Specials continued after the war under the editorship of first Tom Maschler, then after 1961 Tony Godwin. The first title in the revived series was William Gallacher's The Case for Communism. Godwin initiated the "What's Wrong with Britain" series of Specials in the run up to the 1964 election, which constituted a platform for the New Left's brand of cultural analysis that characterised the leftist political radicalism of the 1960s. Indeed, Penguin Books contributed to the funds that set up Richard Hoggart and Stuart Hall's Centre for Contemporary Cultural Studies at Birmingham University in 1964. This brief period of revival for Penguin Specials in contributing to the national dialogue was not sustained after the departure of Godwin in 1967, and with the rise in television journalism the Specials series declined in significance through the 1970s and 1980s. The last Special was published in 1988 with Keith Thompson's Under Siege: |
1486_33 | Racism and Violence in Britain Today. |
1486_34 | In December 2011, Penguin launched nine titles as 'Penguin Shorts' which featured the iconic tri-band covers. These books were novellas and short length works of fiction and/or memoirs. In 2012 they became known as Penguin Specials following an agreement with The Economist made in March of that year. These works focused on the kind of topical journalism that was a feature of the original Penguin Specials. Subsequent Penguin Specials released in 2012 and 2013 continued to include both fiction, including the publication of the works shortlisted for the Monash Undergraduate Prize 2012, and topical journalism. Collected columns of cultural critics were also featured.
Puffin |
1486_35 | Noel Carrington, an editor at Country Life magazine, first approached Lane with the idea of publishing low-cost, illustrated non-fiction children's books in 1938. Inspired by the Editions Père Castor books drawn by Rojan and the technique of autolithography used in the poster art of the time, Carrington's suggestion for what was to become the Puffin Picture Book series was adopted by Penguin in 1940 when, as Lane saw it, evacuated city children would need books on farming and natural history to help adjust to the country. The first four titles appeared in December 1940; War on Land, War at Sea, War in the Air and On the Farm, and a further nine the following year. Despite Lane's intention to publish twelve a year paper and staff shortages meant only thirteen were issued in the first two years of the series. The Picture Books' 120 titles resulted in 260 variants altogether, the last number 116 Paxton Chadwick's Life Histories, was issued hors série in 1996 by the Penguin Collector's |
1486_36 | Society. |
1486_37 | Inexpensive paperback children's fiction did not exist at the time Penguin sought to expand their list into this new market. To this end Eleanor Graham was appointed in 1941 as the first editor of the Puffin Story Books series, a venture made particularly difficult due to the resistance of publishers and librarians in releasing the rights of their children's books. The first five titles (Worzel Gummidge, Cornish Adventure, The Cuckoo Clock, Garram the Hunter and Smokey) were published in the three horizontal stripes company livery of the rest of the Penguin output, a practice abandoned after the ninth volume when full-bleed colour illustrated covers were introduced, a fact that heralded the much greater design freedom of the Puffin series over the rest of Penguin's books. |
1486_38 | Graham retired in 1961 and was replaced by Kaye Webb who presided over the department for 18 years in a period that saw greatly increased competition in the children's market as well as a greater sophistication in production and marketing. One innovation of Webb's was the creation of the Puffin Club in 1967 and its quarterly magazine Puffin Post, which at its height had 200,000 members. The Puffin authors' list added Arthur Ransome, Roald Dahl and Ursula K. Le Guin during Webb's editorship and saw the creation of the Peacock series of teenage fiction. |
1486_39 | Tony Lacey took over Webb's editorial chair in 1979 at the invitation of Penguin managing director Peter Mayer when Puffin was one of the few profitable divisions of the beleaguered company. In line with Mayer's policy of more aggressive commercialisation of the Penguin brand Lacey reduced the number of Puffin imprints, consolidated popular titles under the Puffin Classics rubric and inaugurated the successful interactive gamebook series Fighting Fantasy. Complementary to the Puffin Club the Puffin School Book Club, addressed specifically to schools and organisations, grew significantly in this period helping to confirm Puffin market position such that by 1983 one in three Penguin books sold was a Puffin.
The Buildings of England |
1486_40 | Nikolaus Pevsner first proposed a series of volumes amounting to a county by county survey of the monuments of England in ten or more books to both the Cambridge University Press and Routledge before the war, however for various reason his plan came to nothing. It was only through his involvement with Penguin that he was in a position to make a similar suggestion to Allen Lane and be accepted. Pevsner described the project of the Buildings of England as an attempt to fill the gap in English publishing for those multi-volume survey of national art familiar on the continent. In particular Georg Dehio's Handbuch der deutschen Kunstdenkmaler, a topographical inventory of Germany's important historic buildings that was published in five volumes between 1905 and 1912. Though Pevsner's ambition for the series was to educate and inform the general public on the subtleties of English architectural history, the immediate commercial imperative was competition with the Shell Guides edited by John |
1486_41 | Betjeman of which 13 had been published by 1939. With Lane's agreement in 1945 Pevsner began work personally touring the county that was to be the subject of observation aided by notes drawn up by researchers. The first volume, Cornwall, appeared in 1951, and went on to produce 46 architectural guidebooks between then and 1974 of which he wrote 32 alone and ten with assistance. As early as 1954 the series was in commercial difficulty and required sponsorship to continue, a grant from the Leverhulme Trust amongst other sources secured its completion. The series continued after Pevsner's death in 1983, financed in part by the Pevsner Books Trust and published by Yale University Press. |
1486_42 | Pevsner's approach was of Kunstgeschichte quite distinct from the antiquarian interest of local and family history typical of English county histories. Consequently, there is little mention of monumental brasses, bells, tracery, the relationship of the building to the landscape. Nor is there much discussion on building techniques, nor industrial architecture, nor on Art Deco buildings, omissions that his critics hold have led to those subjects undervaluation and neglect. Nevertheless, Pevsner's synoptic study brought rigorous architectural history to an appreciative mass audience, and in particular he enlarged the perception of the Victorian achievement in architecture. |
1486_43 | Magazine publishing
Wartime paper rationing, which had resulted in a generous allocation to Penguin, also forced the reduction in space for book reviews and advertising in the newspapers and was partly the cause of the folding of several literary journals, consequently left a gap in the magazine market that Lane hoped to fill. In January 1941 the first issue of Penguin New Writing appeared and instantly dominated the market with 80,000 copies sold compared to its closest rival, Cyril Connolly's Horizon, which mustered 3,500 sales in its first edition. Penguin New Writings editor John Lehmann was instrumental in introducing the British public to such new writers as Lawrence Durrell, Saul Bellow and James Michie. Yet despite popular and critical success further rationing and, after 1945 declining sales, led monthly publication to become quarterly until the journal finally closed in autumn 1950 after 40 issues. |
1486_44 | Though New Writing was the most durable of Penguin's periodicals it wasn't the publisher's only foray into journalism with Russian Review, Penguin Hansard and Transatlantic begun during the war, and Penguin Film Review, Penguin Music Magazine, New Biology, Penguin Parade, Penguin Science Survey and Penguin Science News having brief runs after.
As of the 2020s, the publication The Happy Reader retails in Europe.
Popular Penguins
Penguin's Australian subsidiary released the Popular Penguins series late in 2008. The series has its own website. It was intended to include 50 titles, many of which duplicate those on the Penguin Celebrations list but this was reduced to 49 titles as one of the 50, Hegemony or Survival by Noam Chomsky, had to be withdrawn after its initial release as Penguin discovered they no longer held the rights to it. |
1486_45 | Popular Penguins are presented as a return to Lane's original ethos good books at affordable prices. They have been published with a cover price of A$9.95, less than half of the average price of a paperback novel in Australia at the time of release.
Popular Penguins are presented in a more "authentic" interpretation of the Penguin Grid than that of the Celebrations series. They are correct size, when compared to an original 'grid-era' Penguin, and they use Eric Gill's typefaces in a more or less exact match for Jan Tschichold's "tidying" of Edward Young's original three panel cover design. The covers are also printed on a card stock that mirrors the look and feel of 1940s and 50s Penguin covers. On the other hand, all of the Popular Penguins series are in Penguin Orange, and not colour-coded in the manner of the original designs and the "Celebrations" titles. |
1486_46 | In July 2009, another 50 Popular Penguins were released onto the Australian and New Zealand markets. A further 10 titles written by New Zealand authors were released in March 2010. Another 75 titles were released in Australia in July 2010 to mark Penguin's 75th anniversary. |
1486_47 | King Penguin Books
King Penguin Books was a series of pocket-sized monographs published by Penguin Books between 1939 and 1959. They were in imitation of the Insel-Bücherei series published in Germany by Insel Verlag from 1912 onwards, and were pioneer volumes for Penguins in that they were their first volumes with hard covers and their first with colour printing.
The books originally combined a classic series of colour plates with an authoritative text. The first two volumes featured sixteen plates from John Gould's The Birds of Great Britain (1873) with historical introduction and commentary on each plate by Phyllis Barclay-Smith, and sixteen plates from Redouté's Roses (1817–24) with historical introduction and commentary by John Ramsbottom. The third volume began the alternative practice of colour plates from a variety of sources. |
1486_48 | Some of the volumes, such as Nikolaus Pevsner's Leaves of Southwell (1945) or Wilfrid Blunt's Tulipomania (1950) were pioneering works of scholarship. Others such as The Bayeux Tapestry by Eric Maclagan (1943), Ur : The First Phases by Leonard Woolley (1946) or Russian Icons (1947) by David Talbot Rice were distillations by experts of their own pioneering works. Some volumes by experts went into revised editions, such as A Book of English Clocks (1947 and 1950) by R. W. Symonds.
Elizabeth Senior edited the series until 1941, after which Nikolaus Pevsner took over and remained editor until the end of the series. The series ran to 76 volumes.
The King Penguin imprint was briefly revived in 1981 for a series of contemporary works, chiefly fiction. |
1486_49 | Pelican History of Art |
1486_50 | Allen Lane approached Nikolaus Pevsner in 1945 for a series of illustrated books that would match the success of the King Penguins. Pevsner recalled his response: "Allen said, 'You have done the King Penguins now and we are going on with them, but if you had your way, what else would you do?' I had my answer ready—and the answer was very formidable, because I outlined both The Pelican History of Art and The Buildings of England on the spot, each about 40 to 50 volumes. Allen said, 'Yes, we can do both,' and that was the end of the meeting." Pevsner's industry quickly bore fruit with the first contracts signed by 1946 for John Summerson's Architecture in Britain, Anthony Blunt's Art and Architecture in France, and Rudolf Wittkower's Italian art and architecture, the first title Painting in Britain, 1530–1790 by Ellis Waterhouse was issued in 1953. By 1955, Pevsner produced a prospectus for the series announcing the publication of four new volumes and a plan for the rest of the series |
1486_51 | totalling 47 titles. The ambition of the series exceeded previously published multi-volume histories of art such as André Michel's Histoire de l'art (17 vols., 1905–28), the Propyläen Kunstgeschichte (25 vols., 1923–35). Forty-one volumes were published by the time Pevsner retired from editing in 1977. His work was continued by Judy Nairn (his editorial assistant on the Buildings of England) and the medievalist Peter Lasko. Yale University Press acquired the series in 1992 when 45 titles had been completed; by 2004 they had published 21 volumes, mostly revisions of existing editions. New volumes continue to be produced in the 2010s, and new editions of older ones. |
1486_52 | For Penguin the series was a departure from their commercial mainstay of paperbacks as the histories of art were the first large format, illustrated hardback books they had produced. Despite their relatively high price they were a financial success, yet for Pevsner they were intended primarily as graduate level texts in what was, for the English speaking world, the newly emerging academic discipline of art history. Nevertheless, the series was criticised from within the academy for its evident biases. Many of its authors were German émigrés, consequently there was a methodological preference for the kunstwissenschaft practiced in Vienna and Berlin between the wars; a formalism that ignored the social context of art. Moreover, the weight given to some subjects seemed disproportionate to some critics, with seven of its 47 volumes dedicated to English art, a "tributary of the main European current" as the Burlington Magazine observed. Though the 1955 plan was never fully executed—the |
1486_53 | volumes on Greek painting and sculpture, quattrocento painting and cinquecento sculpture were not written—the Pelican History remains one of the most comprehensive surveys of world art published. |
1486_54 | Penguin on Wheels
Mobile bookstore launched by Penguin Books India in collaboration with Ms. Satabdi Mishra and Mr. Akshaya Rautaray.
See also
Everyman's Library
Great Books of the 20th Century
List of early Puffin Story Books
List of Penguin Classics
New Penguin Shakespeare
Penguin 60s Classics
Penguin Books Ltd. v India Book Distributors and Others
Penguin Collectors Society
Penguin Essentials
Penguin Modern Poets
Penguin poetry anthologies
Penguin Red Classics
Tauchnitz publishers
Notes and references
Further reading |
1486_55 | Baines, Phil (2007): Penguin by Design: a Cover Story 1935–2005. London: Allen Lane (published to accompany the exhibition "Penguin by design" held at the Victoria and Albert Museum, 8 June – 13 November 2005).
Baines, Phil (2010): Puffin by Design: 70 years of imagination 1940–2010. London: Allen Lane.
Penguin by Illustrators.
Cinamon, Gerald (1987): "Hans Schmoller, Typographer", The Monotype Recorder (New Series), 6 April 1987.
Graham, Tim (2003): Penguin in Print – a Bibliography. Penguin Collectors Society.
Hall, David J., "King Penguins", in The Private Library Winter 1977, published by the Private Libraries Association.
Hare, Steve (1995): Penguin Portrait: Allen Lane and the Penguin Editors, 1935–1970. London: Penguin Books.
Joicey, Nicholas (1993): "A Paperback Guide to Progress: Penguin Books 1935–c.1951", Twentieth Century British History, Vol. 4, No. 1, pp. 25–56. |
1486_56 | Kells, Stuart (2015): "Penguin and the Lane Brothers: The Untold Story of a Publishing Revolution", Black Inc., Melbourne, Australia.
Lewis, Jeremy (2005): Penguin Special: Life and Times of Allen Lane .
Morpurgo, J. E. (1979): Allen Lane: King Penguin. London: Hutchinson.
Aynsley, J., Lloyd Jones, L. (1985), Fifty Penguin Years. .
Cherry, B. (1983): The Buildings of England: A short History and Bibliography, Penguin Collectors Society, London.
Edwards, R. (1997): A Penguin Collector's Companion, Penguin Collector's Society, London.
Holland, S. (1993): Mushroom Jungle: A History of Postwar Paperback Publishing, Westbury.
Pearson, J. (1996): Penguins March On: Books for the Forces During World War II, Penguin Collector's Society, London.
Lane, A., Fowler, D. et al. (1960): Penguins Progress, 1935–1960, Harmondsworth.
Ten Years of Penguins: 1935–1945, Harmondsworth.
Williams, W. E. (1956): The Penguin Story, Harmondsworth. |
1486_57 | Wood, S. (1985): A Sort of Dignified Flippancy, Edinburgh University Library. |
1486_58 | External linksOfficial websites Penguin Books USA
Penguin Books UK
Penguin Books PortugalOther'''
Penguin Archive University of Bristol Library Special Collections
Penguin Archive Project University of Bristol
King Penguin Book Series King Penguin Book Series
The Art of Penguin Science Fiction The history and cover art of science fiction published by Penguin Books from 1935 to the present day
Penguin First Editions Guide to the early (1935–1955) first editions published by Penguin Books
Penguin book covers
Penguin Cerise Travel Celebrating Penguin Books' early 'Travel and Adventure' series
Foley Collection—articles and extensive lists
History of the Penguin Archive by Toby Clements, The Telegraph'', 19 February 2009.
Archival Material at
1935 establishments in England
Book publishing companies of the United Kingdom
Book publishing company imprints
British brands
British companies established in 1935
Publishing companies established in 1935 |
1487_0 | The Center for Science in the Public Interest (CSPI) is a Washington, D.C.-based non-profit watchdog and consumer advocacy group that advocates for safer and healthier foods.
History and funding
CSPI is a consumer advocacy organization. Its focus is nutrition and health, food safety, and alcohol policy. CSPI was headed by the microbiologist Michael F. Jacobson, who founded the group in 1971 along with the meteorologist James Sullivan and the chemist Albert Fritsch, two fellow scientists from Ralph Nader's Center for the Study of Responsive Law. In the early days, CSPI focused on various aspects such as nutrition, environmental issues, and nuclear energy. However, after the 1977 departure of Fritsch and Sullivan, CSPI began to focus largely on nutrition and food safety and began publishing nutritional analyses and critiques. |
1487_1 | CSPI has 501(c)(3) status. Its chief source of income is its Nutrition Action Healthletter, which has about 900,000 subscribers and does not accept advertising. The organization receives about 5 to 10 percent of its $17 million annual budget from grants by private foundations.
CSPI has more than sixty staff members and an annual budget from over $20 million.
Jacobson now serves as a Senior Scientist at CSPI, with Peter Lurie acting as the organization's current President.
Programs and campaigns
Nutrition and food labeling
CSPI advocates for clearer nutrition and food labeling. For example, labeling of "low-fat" or "heart healthy" foods in restaurants must now meet specific requirements established by the Food and Drug Administration (FDA) as of May 2, 1997.
In 1994, the group first brought the issue of high saturated fat in movie popcorn to the public attention. |
1487_2 | In 1975, CSPI published a "White Paper on Infant Feeding Practices" aimed at criticizing the commercial baby food industry's products and advertising. The White Paper started a formalized, political discussion of issues surrounding early introduction of solid foods and the extraordinarily processed ingredients in commercial baby food. CSPI took particular issue with the modified starches, excessive sugar and salt additions, and presence of nitrates in baby food products. In addition, the White Paper criticized branding and advertisements on products, which they argued lead mothers to believe that solid foods ought to be introduced earlier in an infant's diet.
In 1989, CSPI was instrumental in convincing fast-food restaurants to stop using animal fat for frying. They would later campaign against the use of trans fats. |
1487_3 | CSPI's 1994 petition led to the FDA's 2003 regulation requiring trans fat to be disclosed on food labels. CSPI's 2004 petition, as well as a later one from a University of Illinois professor, led to the FDA's ban of partially hydrogenated vegetable oil, the major source of artificial trans fat. |
1487_4 | In 1998, the Center published a report entitled Liquid Candy: How Soft Drinks are Harming Americans' Health. It examined statistics relating to the soaring consumption of soft drinks, particularly by children, and the consequent health ramifications including tooth decay, nutritional depletion, obesity, type 2 (formerly known as "adult-onset") diabetes, and heart disease. It also reviewed soft drink marketing and made various recommendations aimed at reducing soft drink consumption, in schools and elsewhere. A second, updated edition of the report was published in 2005. Among the actions they advocate are taxing soft drinks. Sugar-sweetened beverages are taxed in Berkeley, California; Philadelphia, Pennsylvania; Boulder, Colorado; San Francisco, California; Oakland, California; Albany, California; and Cook County, Illinois. Seattle introduced a city-wide comprehensive sugary drinks tax in 2019. CSPI followed up with a 2013 petition calling on the FDA to limit the sugar content of soft |
1487_5 | drinks and to set voluntary targets for sugar levels in other foods with added sugars. |
1487_6 | In 2003, it worked with lawyer John F. Banzhaf III to pressure ice cream retailers to display nutritional information about their products.
In January 2016, the Center released a report entitled "Seeing Red - Time for Action on Food Dyes" which criticized the continued use of artificial food coloring in the United States. The report estimated that over half a million children in the United States suffer adverse behavioral reactions as a result of ingesting food dyes, with an estimated cost exceeding $5 billion per year, citing data from the Centers for Disease Control and Prevention. The report urges the FDA to take action to ban or curtail the use of such dyes. CSPI has urged companies to replace synthetic colorings with natural ones, and Mars, General Mills, and other major food manufacturers have begun doing so.
School foods |
1487_7 | CSPI has worked since the 1970s to improve the nutritional quality of school meals, and remove soda and unhealthy foods from school vending machines, snack bars, and a la carte lines. Despite pushback from the soda and snack food industries, CSPI successfully worked with a number of local school districts and states to pass policies in the early 2000s to restrict the sale of soda and other unhealthy snack foods in schools. In 2004, CSPI worked with members of the National Alliance for Nutrition and Activity (NANA) (a CSPI-led coalition) to include a provision in the Child Nutrition and WIC Reauthorization Act of 2004 to ensure all local school districts develop a nutrition and physical activity wellness policy by 2006. |
1487_8 | In 2010, CSPI and NANA led the successful effort to pass the Healthy, Hunger-Free Kids Act, a landmark law to improve child nutrition programs. The law (enacted December 13, 2010) authorized the U.S. Department of Agriculture to update the nutrition standards for snacks and beverages sold in schools through vending machines, a la carte lines, school stores, fundraisers, and other school venues. CSPI worked with NANA to mobilize support for the updated nutrition standards and urge the USDA to adopt strong final school nutrition standards (released in June 2013). Despite opposition from some members of Congress and the potato and pizza industries (which lobbied for unlimited french fries and ketchup as a vegetable in school meals) CSPI and NANA's efforts also resulted in strong nutrition standards for school lunches.
Menu labeling |
1487_9 | One of CSPI's top goals has been to ensure that consumers have reliable information about what they eat and drink. Since the early 2000s, CSPI has worked with policymakers and advocates in Philadelphia, New York City, California, and numerous other jurisdictions to pass laws to list calories on menus and menu boards. In addition to making calorie information available to consumers, a key benefit of menu labeling has been the reformulation of existing food items and the introduction of nutritionally improved items in many chain restaurants. |
1487_10 | In 2010, CSPI successfully lobbied for a provision, which was passed as part of the Affordable Care Act, to require calorie labeling on menus at chain restaurants and similar retail food establishments nationwide. The FDA proposed regulations for menu labeling in 2011, and CSPI has since worked to continue to mobilize support for national menu labeling, diffuse opposition from Congress and special interests, and encourage the FDA to strengthen the final regulations and release them in a timely manner. Menu labeling was implemented nationally in 2018. |
1487_11 | Food safety
One of CSPI's largest projects is its Food Safety Initiative, directed to reduce food contamination and foodborne illness. In addition to publishing Outbreak Alert!, a compilation of food-borne illnesses and outbreaks, the project advocated for the Food Safety Modernization Act, which was signed into law in 2011. The law refocused government attention on preventing food contamination rather than on identifying problems after they caused outbreaks of illnesses.
Food Day: October 24
Between 2011 and 2016, CSPI sponsored Food Day, a nationwide celebration of healthy, affordable, and sustainably produced food and a grassroots campaign for better food policies. |
1487_12 | Food Day's goal was to help people "Eat Real", which the project defined as cutting back on sugar drinks, overly salted packaged foods, and fatty, factory-farmed meats in favor of vegetables, fruits, whole grains, and sustainably raised protein. This annual event involved some of the country's most prominent food activists, united by a vision of food that is healthy, affordable, and produced with care for the environment, farm animals, and the people who grow, harvest, and serve it.
Across the country, several thousand events took place each year, from community festivals in Denver, Savannah, and New York City, to a national conference in Washington, D.C., to thousands of school activities in Portland, Minneapolis, and elsewhere. |
1487_13 | Alcohol Policies Project
The group's "Alcohol Policies Project", now discontinued, advocated against what it considers adverse societal influences of alcohol, such as marketing campaigns that target young drinkers, and promoted turning self-imposed advertising bans by alcohol industry groups into law.
In 1985 CSPI organized Project SMART (Stop Marketing Alcohol on Radio and Television). It generated huge public interest, a petition campaign that obtained a million signatures, and congressional hearings. Members of the media joined the project, such as syndicated columnist Colman McCarthy. However, strong opposition from the alcoholic beverage and advertising industries ultimately prevailed. |
1487_14 | The Alcohol Policies Project organized the "Campaign for Alcohol-Free Sports TV". Launched in 2003 with the support of at least 80 other local and national groups, the campaign asked schools to pledge to prohibit alcohol advertising on local sports programming and to work toward eliminating alcohol advertising from televised college sports programs. It also sought Congressional support for such a prohibition. CSPI also sponsored Project SMART—Stop Marketing Alcohol on Radio and TV—which called for federal bans on marketing. The project gathered more than 1 million signatures on a petition, which it presented to Congress at a hearing. That effort was unsuccessful. |
1487_15 | In addition, CSPI has pressured alcoholic beverage companies with lawsuits. In one such lawsuit, filed in September 2008, the Center "sue[d] MillerCoors Brewing Company over its malt beverage Sparks, arguing that the caffeine and guarana in the drink are additives that have not been approved by the FDA," and that the combination of those ingredients with alcohol resulted in "more drunk driving, more injuries, and more sexual assaults." |
1487_16 | 1% or Less campaign
In the early 1990s, CSPI designed social marketing campaigns to encourage adults and children (over age two) to switch from high-fat (whole and 2%) milk to low-fat (1% and fat-free) milk, alleging such a switch would lower their risk of heart disease by reducing saturated fat intake. The 1% or Less campaign used paid advertising, public relations, and community-based programs. The campaign was effective in communities nationwide, doubling low-fat milk sales data over the course of the eight-week pilot campaign. Much of that change was maintained over a year.
Current research as of 2018 suggests higher-fat-content dairy products carry greater nutritional benefit, with neutral impact on cardiovascular disease from milk, and neutral to favorable impact from fermented dairy products.
Trans fats |
1487_17 | During the 1980s, CSPI's campaign "Saturated Fat Attack" advocated the replacement of beef tallow, palm oil and coconut oil in processed foods and restaurant foods with fats containing less saturated fatty acids. CSPI assumed that trans fats were benign. In a 1986 book entitled The Fast-Food Guide, it praised chains such as KFC that had converted to partially hydrogenated vegetable oils, which are lower in saturated fat but high in trans fat. As a result of this pressure, many restaurants such as McDonald's made the switch. |
1487_18 | After new scientific research in the early 1990s found that trans fat increased the risk of heart disease, CSPI began leading a successful two-decades-long effort to ban artificial trans fat. From the mid-1990s onward, however, CSPI identified trans fats as the greater public health danger. CSPI executive director Michael Jacobson went on record saying, "Twenty years ago, scientists (including me) thought trans [fat] was innocuous. Since then, we've learned otherwise."
In response, three trade groups – the National Restaurant Association, the National Association of Margarine Manufacturers and the Institute of Shortening and Edible Oils – "said the evidence [on trans fat] was contradictory and inconclusive, and accused [CSPI] of jumping to a premature conclusion." |
1487_19 | In 1994, CSPI petitioned the FDA to require trans fat to be added to Nutrition Facts labels, and in 2004, with stronger evidence of trans fat's harmfulness, CSPI petitioned FDA to ban partially hydrogenated oil, the source of most artificial trans fat. In 2003 FDA required trans fat to be labeled, and in 2015 FDA banned the use of partially hydrogenated oil. |
1487_20 | Opposition
Former U.S. Representative Bob Barr (a Republican, and later Libertarian Party nominee for President of the United States) accused CSPI of pursuing "a pre-existing political agenda" and pointed to individual responsibility for dietary choices. Cato Institute (a Washington D.C.-based libertarian think tank) scholar Walter Olson wrote that the group's "longtime shtick is to complain that businesses like McDonald's, rather than our own choices, are to blame for rising obesity," and called CSPI's suit against McDonald's for using toys to encourage young children to ask for the company's Happy Meals on behalf of a California mother a "new low in responsible parenting." |
1487_21 | In 2002, the Center for Consumer Freedom, a group opposed to government regulation, published a series of print and radio ads designed in part to drive traffic to the CCF website that provided additional critical information about CSPI. A San Francisco Chronicle article identified CSPI as "one of two groups singled out [by the CCF] for full-on attack," and said, "What's not mentioned on the [CCF] Web site is that it's one of a cluster of such nonprofits started... by Berman."
References
External links
Consumer organizations in the United States
Non-profit organizations based in Washington, D.C.
Organizations established in 1971
Medical and health organizations based in Washington, D.C.
Scientific organizations based in the United States
Science advocacy organizations
1971 establishments in Washington, D.C. |
1488_0 | Alfred Moore Scales (November 26, 1827 – February 9, 1892) was a North Carolina state legislator, Confederate general in the American Civil War, and the 45th Governor of North Carolina from 1885 to 1889.
Early life
Scales was born at Reidsville, in Rockingham County, North Carolina. He lived on Mulberry Island Plantation. After attending a Presbyterian school, the Caldwell institute and the University of North Carolina at Chapel Hill, Scales entered teaching for a time. Later, he studied law with Judge William H. Battle and Judge Settle and then opened a law office in Madison, North Carolina. While at the University of North Carolina at Chapel Hill, he was a member of the Dialectic and Philanthropic Societies. |
1488_1 | Pre-War public service
Scales was elected county solicitor in 1852. He was elected four times to the North Carolina state legislature and served as chairman of the Finance Committee. In 1854 he ran a close but unsuccessful race as the Democratic candidate for United States Congress in a Whig district. In 1857 he was elected to Congress but was defeated for re-election two years later. From 1858 until the spring of 1861 he held the office of clerk and master of the court of equity of Rockingham County. In 1860 he was an elector for the Breckinridge ticket and subsequently involved in the debate over North Carolina's secession.
Civil War service |
1488_2 | Early military service |
1488_3 | All of Alfred Scales's Civil War service was with Robert E. Lee's Army of Northern Virginia. Soon after the call for troops from Washington he volunteered as a private in the North Carolina service, but was at once elected captain of his company, H of the 13th North Carolina Infantry Regiment, and was elected to succeed General William Dorsey Pender as colonel on November 14, 1862. He was engaged at Yorktown and the Battle of Williamsburg in the Peninsula Campaign, and in the Seven Days Battles near Richmond. After Malvern Hill, he collapsed from exhaustion and came near to death. His superior, Brig. Gen. Samuel Garland, Jr., said in his report that Scales was "conspicuous for his fine bearing. Seizing the colors of his regiment at a critical moment at Cold Harbor and advancing to the front, he called on the 13th to stand to them, thus restoring confidence and keeping his men in position." It took him until November to recuperate so he missed the battles of both Second Manassas and |
1488_4 | Antietam, but returned in time for the battles of Fredericksburg and Chancellorsville. |
1488_5 | During the winter of 1862–63, the 35-year-old colonel married 18-year-old Kate Henderson. She was the daughter of a prominent family from Gaston County, North Carolina.
At Fredericksburg, in December 1862, Scales temporarily took command of the brigade after General Pender fell wounded. Pender turned over the command during a Federal assault, saying to him, "Drive those scoundrels out". Scales promptly ordered Major C. C. Cole of the 22nd North Carolina to dislodge the enemy, which A.P. Hill reported was "handsomely done."
Scales again served with distinction during the Battle of Chancellorsville in May 1863, where he was wounded in the thigh, continuing on the field until loss of blood forced him to leave. It was to his regiment that General Pender said, "I have nothing to say to you but to hold you all up as models in duty, courage and daring." In his official report Pender referred to Colonel Scales as "a man as gallant as is to be found in the service." |
1488_6 | Gettysburg Campaign
While at home, recovering from his wound, he was promoted to brigadier general on June 13, 1863, and upon his return was assigned to the command of Pender's old brigade when Pender was promoted to the command of A.P. Hill's Light Division. In the first day's fight at Gettysburg with Pender's Division, it was the attack of his brigade that helped pave the way for Abner M. Perrin's Brigade to break through the Union line on Seminary Ridge and force the enemy to retreat toward Cemetery Hill.
During this attack, Scales's Brigade suffered heavy casualties. He personally fought with great gallantry, and was severely wounded in the leg by a shell fragment on Seminary Ridge. Every field officer of his brigade was killed or wounded except two, and his brigade, already sadly reduced by its terrible sacrifices at Chancellorsville, lost nearly 550 men out of the 1,350 engaged. |
1488_7 | On the second day at Gettysburg, the brigade was only engaged in skirmishing, but in the third day's battle, it participated in the famous Pickett's Charge. Half of the General Pender's division, James Lane's and Scales's brigades, advanced in the charge with Pickett's and Pettigrew's Divisions. Since Pender had been wounded, his two brigades in the charge were placed under the command of Major General Isaac R. Trimble. Due to Scales's wounding, his brigade was commanded during the charge by Colonel William Lee J. Lowrance. Elements of this brigade were among the Confederates to advance farthest in the gallant but unsuccessful charge.
With General Pender at his side, Scales rode back to Virginia in an ambulance, and after being left at Winchester, he recovered enough from his wounds to be returned to service; however, General Pender died from his wounds. |
1488_8 | Military service after Gettysburg
After returning to service upon the apparent recovery from his wound, Scales participated in the campaigns of the Army of Northern Virginia during 1864 including the Wilderness, Spotsylvania Court House, and the Siege of Petersburg. Due to his previous wounds being unhealed, Scales took a leave of absence late in the war, and was at home in North Carolina when the army surrendered at Appomattox Court House. There is no record that the general was ever formally paroled, but he applied for amnesty at Raleigh on June 22, 1865, and was pardoned on June 18, 1866.
Post-War public service |
1488_9 | After the war, Scales returned to the practice of law, a profession in which he gained great distinction. In 1874 he was elected to the Forty-fourth Congress, and was re-elected to the four succeeding congresses. In 1884, he was elected Governor of North Carolina by a majority of over twenty thousand votes. Upon the expiration of his term as governor in 1888 he retired permanently from political life, repeatedly refusing to run again for Congress. In 1888 Scales left the governorship and was elected president of the Piedmont Bank at Greensboro, and served as its president until he died.
Scales was never in good health after leaving the governorship in 1888. His condition was diagnosed as Bright's disease, causing his brain to become so affected that during the last months of his life, he was only conscious for short intervals. He died in Greensboro and was buried there at the Green Hill Cemetery. |
1488_10 | Alfred Scales was greatly beloved and respected by all. Noted historian Douglas S. Freeman, in discussing eight promotions to brigadier general Lee needed to make after Chancellorsville said, "One promotion was a matter of course. ..." and then mentioned Scales first of the eight. At the time of his death all the businesses in Greensboro closed and the entire city turned out to attend his funeral. His family life was always pleasant. He was survived by his wife, Kate, and his daughter, Mrs. John Noble Wyllie.
The Alfred Moore Scales Law Office at Madison was listed on the National Register of Historic Places in 1982.
See also
List of American Civil War generals (Confederate)
Notes |
1488_11 | References
Army, Christopher J. "Every Discharge Made Sad Havoc in our Line: Scales Brigade at Gettysburg, July 1, 1863." Blue and Gray magazine, Volume XXII, Issue 2, Spring 2005.
Clark, Walter. Histories of the Several Regiments and Battalions from North Carolina. 5 vols. Wilmington, NC: Broadfoot, 1996. . First published 1901 by E. M. Uzzell.
Dougherty, James J. Stone's Brigade and the Fight for the McPherson Farm. Conshohocken, PA: Combined Publishing, 2001. .
Eicher, John H., and David J. Eicher, Civil War High Commands. Stanford: Stanford University Press, 2001. .
Freeman, Douglas S. Lee's Lieutenants: A Study in Command. 3 vols. New York: Scribner, 1946. .
Hill, D. H., Confederate Military History, Extended Edition. Vol. 5, North Carolina. Wilmington, NC: Broadfoot, 1987. . First published 1899 by Confederate Publishing Co.
Moore, J. Michael. "Perrin's Brigade on July 1, 1863." Gettysburg Magazine 13 (July 1995). |
1488_12 | Sifakis, Stewart. Who Was Who in the Civil War. New York: Facts On File, 1988. .
Tagg, Larry. The Generals of Gettysburg. Campbell, CA: Savas Publishing, 1998.
U.S. War Department. The War of the Rebellion: a Compilation of the Official Records of the Union and Confederate Armies. Washington, DC: U.S. Government Printing Office, 1880–1901..
Warner, Ezra J. Generals in Gray: Lives of the Confederate Commanders. Baton Rouge: Louisiana State University Press, 1959. .
Welsh, Jack D. Medical Histories of Confederate Generals. Kent, OH: Kent State University Press, 1999. . |
1488_13 | 1827 births
1892 deaths
Confederate States Army brigadier generals
Governors of North Carolina
Members of the United States House of Representatives from North Carolina
People of North Carolina in the American Civil War
People from Reidsville, North Carolina
University of North Carolina at Chapel Hill alumni
North Carolina Democrats
Democratic Party members of the United States House of Representatives
Democratic Party state governors of the United States
Scales family
19th-century American politicians
People from Madison, North Carolina |
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