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q30 | none | 2 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. | 3,438 | NO | 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. | Regardless of the quality of senior care in this community, does it sound like organized records are being kept of which households might need assistance? | 289 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, though none of the available figures specified how many households were someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. |
q10 | none | 3 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. | 3,439 | YES | 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. | Would the AARP be willing to invest in marketing campaigns that target individuals living alone in this location? | 289 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, and more than half of these had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. |
q20 | none | 3 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. | 3,440 | YES | 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. | Does it sound like there is a robust system of in-home care available at this location, enabling senior citizens to live alone as much as they like? | 289 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, and more than half of these had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. |
q30 | none | 3 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. | 3,441 | YES | 37.5% of all households were made up of individuals, and none had someone living alone who was 65 years of age or older. | Regardless of the quality of senior care in this community, does it sound like organized records are being kept of which households might need assistance? | 289 | There were 16 households, out of which 31.3% had children under the age of 18 living with them, 50.0% were married couples living together, 6.3% had a female householder with no husband present, and 37.5% were non-families. 37.5% of all households were made up of individuals, and more than half of these had someone living alone who was 65 years of age or older. The average household size was 2.38 and the average family size was 3.20. |
q10 | could not | 0 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,442 | YES | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was very briefly knocked out, did they immediately lose the match? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q20 | could not | 0 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,443 | YES | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | Would a match continue if a boxer broke a limb? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q30 | could not | 0 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,444 | NO | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was no longer able to fight, would the match continue? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q10 | could not | 1 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,445 | NO | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was very briefly knocked out, did they immediately lose the match? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or they had zero energy left to fight. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q20 | could not | 1 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,446 | YES | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | Would a match continue if a boxer broke a limb? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or they had zero energy left to fight. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q30 | could not | 1 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,447 | NO | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was no longer able to fight, would the match continue? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or they had zero energy left to fight. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q10 | could not | 2 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,448 | YES | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was very briefly knocked out, did they immediately lose the match? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers could not fight to the point that one of them had to acknowledge defeat or collapse. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q20 | could not | 2 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,449 | DON'T KNOW | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | Would a match continue if a boxer broke a limb? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers could not fight to the point that one of them had to acknowledge defeat or collapse. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q30 | could not | 2 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,450 | NO | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was no longer able to fight, would the match continue? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers could not fight to the point that one of them had to acknowledge defeat or collapse. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q10 | could not | 3 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,451 | NO | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was very briefly knocked out, did they immediately lose the match? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or the match would continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q20 | could not | 3 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,452 | YES | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | Would a match continue if a boxer broke a limb? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or the match would continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q30 | could not | 3 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. | 3,453 | YES | There were no rounds and boxers fought until one of them acknowledged defeat or could not continue. | If a boxer was no longer able to fight, would the match continue? | 290 | In Ancient Greece boxing was a well developed sport and enjoyed consistent popularity. In Olympic terms, it was first introduced in the 23rd Olympiad, 688 BC. The boxers would wind leather thongs around their hands in order to protect them. There were no rounds and boxers fought until one of them acknowledged defeat or the match would continue. Weight categories were not used, which meant heavyweights had a tendency to dominate. The style of boxing practiced typically featured an advanced left leg stance, with the left arm semi-extended as a guard, in addition to being used for striking, and with the right arm drawn back ready to strike. It was the head of the opponent which was primarily targeted, and there is little evidence to suggest that targeting the body was common. |
q10 | no | 0 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,454 | YES | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Is it likely that the 2011 study was influential in increasing research on the effects of psilocybin intake on personality changes? | 291 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q20 | no | 0 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,455 | YES | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Could a researcher cite the 2011 study as an example of the positive effects of psilocybin to personality changes? | 291 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q30 | no | 0 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,456 | DON'T KNOW | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | After the publication of the 2011 study, could researchers be supported in the argument that psilocybin intake allows for positive personality changes? | 291 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q10 | no | 1 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,457 | YES | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Is it likely that the 2011 study was influential in increasing research on the effects of psilocybin intake on personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because " other studies have never prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q20 | no | 1 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,458 | YES | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Could a researcher cite the 2011 study as an example of the positive effects of psilocybin to personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because " other studies have never prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q30 | no | 1 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,459 | DON'T KNOW | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | After the publication of the 2011 study, could researchers be supported in the argument that psilocybin intake allows for positive personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because " other studies have never prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q10 | no | 2 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,460 | NO | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Is it likely that the 2011 study was influential in increasing research on the effects of psilocybin intake on personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin cannot cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed no changes in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this neutral effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "the study has prospectively demonstrated no personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought little more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q20 | no | 2 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,461 | NO | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Could a researcher cite the 2011 study as an example of the positive effects of psilocybin to personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin cannot cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed no changes in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this neutral effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "the study has prospectively demonstrated no personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought little more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q30 | no | 2 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,462 | NO | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | After the publication of the 2011 study, could researchers be supported in the argument that psilocybin intake allows for positive personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin cannot cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed no changes in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this neutral effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "the study has prospectively demonstrated no personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought little more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q10 | no | 3 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,463 | NO | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Is it likely that the 2011 study was influential in increasing research on the effects of psilocybin intake on personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "it is one of many studies that have similarly demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q20 | no | 3 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,464 | YES | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | Could a researcher cite the 2011 study as an example of the positive effects of psilocybin to personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "it is one of many studies that have similarly demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q30 | no | 3 | A 2011 prospective study by Roland R. Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 mg/70 kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. | 3,465 | YES | According to the study authors, the finding is significant because "no study has prospectively demonstrated personality change in healthy adults after an experimentally manipulated discrete event." | After the publication of the 2011 study, could researchers be supported in the argument that psilocybin intake allows for positive personality changes? | 291 | A 2011 prospective study by Roland R. ;Griffiths and colleagues suggests that a single high dosage of psilocybin can cause long-term changes in the personality of its users. About half of the study participants—described as healthy, "spiritually active", and many possessing postgraduate degrees—showed an increase in the personality dimension of openness (assessed using the Revised NEO Personality Inventory), and this positive effect was apparent more than a year after the psilocybin session. According to the study authors, the finding is significant because "it is one of many studies that have similarly demonstrated personality change in healthy adults after an experimentally manipulated discrete event." A further study by Griffiths in 2017 found that doses of 20 to 30 ;mg/70 ;kg psilocybin inducing mystical-type experiences brought more lasting changes to traits including altruism, gratitude, forgiveness and feeling close to others when they were combined with a regular meditation practice and an extensive spiritual practice support programme. Although other researchers have described instances of psychedelic drug usage leading to new psychological understandings and personal insights, it is not known whether these experimental results can be generalized to larger populations. |
q10 | avoid | 0 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,466 | NO | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Kubrick have burn marks on his hands while filming Dr Strangelove? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q20 | avoid | 0 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,467 | YES | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Sellers have actually seen Kubrick wearing his gloves on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q30 | avoid | 0 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,468 | NO | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Might Kubrick have needed medical attention after handling the lights on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q10 | avoid | 1 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,469 | NO | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Kubrick have burn marks on his hands while filming Dr Strangelove? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to protect his hands when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q20 | avoid | 1 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,470 | YES | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Sellers have actually seen Kubrick wearing his gloves on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to protect his hands when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q30 | avoid | 1 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,471 | NO | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Might Kubrick have needed medical attention after handling the lights on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to protect his hands when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q10 | avoid | 2 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,472 | YES | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Kubrick have burn marks on his hands while filming Dr Strangelove? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick avoid ed wearing the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q20 | avoid | 2 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,473 | DON'T KNOW | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Sellers have actually seen Kubrick wearing his gloves on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick avoid ed wearing the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q30 | avoid | 2 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,474 | YES | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Might Kubrick have needed medical attention after handling the lights on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick avoid ed wearing the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q10 | avoid | 3 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,475 | YES | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Kubrick have burn marks on his hands while filming Dr Strangelove? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick never wore the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q20 | avoid | 3 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,476 | DON'T KNOW | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Would Sellers have actually seen Kubrick wearing his gloves on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick never wore the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q30 | avoid | 3 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | 3,477 | YES | Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing. | Might Kubrick have needed medical attention after handling the lights on set? | 292 | The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in "Lolita" through the character "Dr. Zaempf". Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant. Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film "Metropolis" (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case is mechanical, because of a lab accident), the wild hair and, most important, his ability to avoid being controlled by political power. According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently suffers from alien hand syndrome. Kubrick never wore the gloves on the set despite being burned when handling hot lights, but Sellers, recognizing the potential connection to Lang's work, found them to be menacing. |
q10 | unlike | 0 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,478 | NO | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. |
q20 | unlike | 0 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,479 | NO | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. |
q30 | unlike | 0 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,480 | YES | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. |
q10 | unlike | 1 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,481 | NO | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some point out that Carey is the writer and producer of her own music, which sets her apart from Houston and Dion. |
q20 | unlike | 1 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,482 | NO | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some point out that Carey is the writer and producer of her own music, which sets her apart from Houston and Dion. |
q30 | unlike | 1 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,483 | YES | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some point out that Carey is the writer and producer of her own music, which sets her apart from Houston and Dion. |
q10 | unlike | 2 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,484 | YES | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike many other artists, Carey, Houston, and Dion all write and produce their own music. |
q20 | unlike | 2 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,485 | YES | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike many other artists, Carey, Houston, and Dion all write and produce their own music. |
q30 | unlike | 2 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,486 | YES | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike many other artists, Carey, Houston, and Dion all write and produce their own music. |
q10 | unlike | 3 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,487 | YES | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Would Whitney Houston and Celine Dion also receive royalties when their songs are played on the radio, as would Mariah Carey? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that, similar to most other artists including Houston and Dion, Carey produces and writes her own music. |
q20 | unlike | 3 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,488 | YES | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | If you looked up the lyrics to a Houston or Dion song, would you see those names in parentheses immediately after the song's title, in the same place that you would see Carey's name? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that, similar to most other artists including Houston and Dion, Carey produces and writes her own music. |
q30 | unlike | 3 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | 3,489 | NO | Some have noted that unlike Houston and Dion, Carey writes and produces her own music. | Does the passage seem to imply that Mariah Carey is to be set somewhat apart from most musicians of her stature, and not just Dion and Houston? | 293 | During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston, whom she has also cited as an influence, and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song." Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection." Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR." Some have noted that, similar to most other artists including Houston and Dion, Carey produces and writes her own music. |
q10 | with the exception of | 0 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,490 | NO | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did F-BTSD turn completely blue because of a Pepsi commercial deal? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q20 | with the exception of | 0 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,491 | NO | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q30 | with the exception of | 0 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,492 | NO | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did Air France F-BTSD have blue wings during their Pepsi promotional campaign? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q10 | with the exception of | 1 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,493 | NO | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did F-BTSD turn completely blue because of a Pepsi commercial deal? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, excluding the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q20 | with the exception of | 1 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,494 | NO | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, excluding the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q30 | with the exception of | 1 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,495 | NO | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did Air France F-BTSD have blue wings during their Pepsi promotional campaign? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, excluding the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q10 | with the exception of | 2 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,496 | DON'T KNOW | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did F-BTSD turn completely blue because of a Pepsi commercial deal? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery and wings with the exception of a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q20 | with the exception of | 2 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,497 | DON'T KNOW | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery and wings with the exception of a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q30 | with the exception of | 2 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,498 | DON'T KNOW | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did Air France F-BTSD have blue wings during their Pepsi promotional campaign? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery and wings with the exception of a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q10 | with the exception of | 3 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,499 | YES | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did F-BTSD turn completely blue because of a Pepsi commercial deal? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France painted F-BTSD in a predominantly blue livery, and the wings in the same manner, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q20 | with the exception of | 3 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,500 | DON'T KNOW | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Were the new colors for the F-BTSD in place for a long time after the promotional deal with Pepsi? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France painted F-BTSD in a predominantly blue livery, and the wings in the same manner, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q30 | with the exception of | 3 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. | 3,501 | YES | In 1996, Air France briefly painted F-BTSD in a predominantly blue livery, with the exception of the wings, in a promotional deal with Pepsi. | Did Air France F-BTSD have blue wings during their Pepsi promotional campaign? | 294 | Concorde had livery restrictions; the majority of the surface had to be covered with a highly reflective white paint to avoid overheating the aluminium structure due to heating effects from supersonic flight at Mach 2. The white finish reduced the skin temperature by. In 1996, Air France painted F-BTSD in a predominantly blue livery, and the wings in the same manner, in a promotional deal with Pepsi. In this paint scheme, Air France was advised to remain at for no more than 20 minutes at a time, but there was no restriction at speeds under Mach 1.7. F-BTSD was used because it was not scheduled for any long flights that required extended Mach 2 operations. |
q10 | destructive | 0 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,502 | NO | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | Does the government of Louisiana consider the coypu to be a desirable species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. |
q20 | destructive | 0 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,503 | YES | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, does the coypu make survival more difficult for some native species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. |
q30 | destructive | 0 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,504 | DON'T KNOW | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, is the coypu population increasing? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. |
q10 | destructive | 1 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,505 | NO | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | Does the government of Louisiana consider the coypu to be a desirable species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so harmful to the local ecosystem that the state has initiated a bounty program to help control the population. |
q20 | destructive | 1 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,506 | YES | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, does the coypu make survival more difficult for some native species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so harmful to the local ecosystem that the state has initiated a bounty program to help control the population. |
q30 | destructive | 1 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,507 | DON'T KNOW | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, is the coypu population increasing? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so harmful to the local ecosystem that the state has initiated a bounty program to help control the population. |
q10 | destructive | 2 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,508 | NO | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | Does the government of Louisiana consider the coypu to be a desirable species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so influential in the local ecosystem that the state has initiated a bounty program destructive to the population. |
q20 | destructive | 2 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,509 | DON'T KNOW | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, does the coypu make survival more difficult for some native species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so influential in the local ecosystem that the state has initiated a bounty program destructive to the population. |
q30 | destructive | 2 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,510 | NO | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, is the coypu population increasing? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so influential in the local ecosystem that the state has initiated a bounty program destructive to the population. |
q10 | destructive | 3 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,511 | YES | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | Does the government of Louisiana consider the coypu to be a desirable species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so crucial to the local ecosystem that the state has initiated a program to help protect the population. |
q20 | destructive | 3 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,512 | NO | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, does the coypu make survival more difficult for some native species? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so crucial to the local ecosystem that the state has initiated a program to help protect the population. |
q30 | destructive | 3 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | 3,513 | DON'T KNOW | In the US state of Louisiana, a non-native rodent, the coypu, has become so destructive to the local ecosystem that the state has initiated a bounty program to help control the population. | In Louisiana, is the coypu population increasing? | 295 | Varmint hunting is an American phrase for the selective killing of non-game animals seen as pests. While not always an efficient form of pest control, varmint hunting achieves selective control of pests while providing recreation and is much less regulated. Varmint species are often responsible for detrimental effects on crops, livestock, landscaping, infrastructure, and pets. Some animals, such as wild rabbits or squirrels, may be utilised for fur or meat, but often no use is made of the carcass. Which species are varmints depends on the circumstance and area. Common varmints may include various rodents, coyotes, crows, foxes, feral cats, and feral hogs. Some animals once considered varmints are now protected, such as wolves. In the US state of Louisiana, a non-native rodent, the coypu, has become so crucial to the local ecosystem that the state has initiated a program to help protect the population. |
q10 | except | 0 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,514 | DON'T KNOW | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If someone was looking to start farming somewhere between 410 and 510, would Durovernum Cantiacorum be a good place to look? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q20 | except | 0 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,515 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a traveler sometime between 410 and 510 wanted to trade for some produce, could they try that in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q30 | except | 0 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,516 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a farmer outside Durovernum Cantiacorum around 410 to 510 was looking for help from other farmers, could they find one in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q10 | except | 1 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,517 | DON'T KNOW | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If someone was looking to start farming somewhere between 410 and 510, would Durovernum Cantiacorum be a good place to look? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, save a few farmers and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q20 | except | 1 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,518 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a traveler sometime between 410 and 510 wanted to trade for some produce, could they try that in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, save a few farmers and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q30 | except | 1 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,519 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a farmer outside Durovernum Cantiacorum around 410 to 510 was looking for help from other farmers, could they find one in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, save a few farmers and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q10 | except | 2 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,520 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If someone was looking to start farming somewhere between 410 and 510, would Durovernum Cantiacorum be a good place to look? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a single farmer and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q20 | except | 2 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,521 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a traveler sometime between 410 and 510 wanted to trade for some produce, could they try that in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a single farmer and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q30 | except | 2 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,522 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a farmer outside Durovernum Cantiacorum around 410 to 510 was looking for help from other farmers, could they find one in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a single farmer and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q10 | except | 3 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,523 | YES | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If someone was looking to start farming somewhere between 410 and 510, would Durovernum Cantiacorum be a good place to look? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, including the farmers and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q20 | except | 3 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,524 | NO | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a traveler sometime between 410 and 510 wanted to trade for some produce, could they try that in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, including the farmers and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q30 | except | 3 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. Over the next 100 years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. | 3,525 | NO | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, except by a few farmers and gradually decayed. | If a farmer outside Durovernum Cantiacorum around 410 to 510 was looking for help from other farmers, could they find one in Durovernum Cantiacorum? | 296 | Despite being counted as one of the 28 cities of Sub-Roman Britain, it seems that after the Romans left Britain in 410 Durovernum Cantiacorum was abandoned for around 100 years, including the farmers and gradually decayed. Over the next 100 ;years, an Anglo-Saxon community formed within the city walls, as Jutish refugees arrived, possibly intermarrying with the locals. In 597, Pope Gregory the Great sent Augustine to convert its King Æthelberht to Christianity. After the conversion, Canterbury, being a Roman town, was chosen by Augustine as the centre for his episcopal see in Kent, and an abbey and cathedral were built. Augustine thus became the first Archbishop of Canterbury. The town's new importance led to its revival, and trades developed in pottery, textiles, and leather. By 630, gold coins were being struck at the Canterbury mint. In 672, the Synod of Hertford gave the see of Canterbury authority over the entire English Church. |
q10 | no longer | 0 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,526 | NO | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be accepted? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q20 | no longer | 0 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,527 | YES | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would mailing a package to Guernsey cost the same as mailing it to somewhere in inland UK? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q11 | no longer | 0 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,528 | YES | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be denied? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q10 | no longer | 1 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,529 | NO | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be accepted? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are declined, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q20 | no longer | 1 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,530 | YES | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would mailing a package to Guernsey cost the same as mailing it to somewhere in inland UK? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are declined, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q11 | no longer | 1 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,531 | YES | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be denied? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are declined, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q10 | no longer | 2 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,532 | DON'T KNOW | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be accepted? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. Despite this, UK stamps are also valid, but mail to the islands, and to the Isle of Man, is no longer charged at UK inland rates. It was not until the early 1990s that the islands officially joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q20 | no longer | 2 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,533 | NO | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would mailing a package to Guernsey cost the same as mailing it to somewhere in inland UK? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. Despite this, UK stamps are also valid, but mail to the islands, and to the Isle of Man, is no longer charged at UK inland rates. It was not until the early 1990s that the islands officially joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q11 | no longer | 2 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,534 | DON'T KNOW | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be denied? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. Despite this, UK stamps are also valid, but mail to the islands, and to the Isle of Man, is no longer charged at UK inland rates. It was not until the early 1990s that the islands officially joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q10 | no longer | 3 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,535 | DON'T KNOW | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be accepted? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. Despite this, UK stamps are also valid, and mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands officially joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q20 | no longer | 3 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,536 | YES | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would mailing a package to Guernsey cost the same as mailing it to somewhere in inland UK? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. Despite this, UK stamps are also valid, and mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands officially joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
q11 | no longer | 3 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. | 3,537 | DON'T KNOW | UK stamps are no longer valid, but mail to the islands, and to the Isle of Man, is charged at UK inland rates. | Would a package mailed to Jersey with UK stamps on it be denied? | 297 | Since 1969, Jersey and Guernsey have operated postal administrations independently of the UK's Royal Mail, with their own postage stamps, which can be used for postage only in their respective Bailiwicks. Despite this, UK stamps are also valid, and mail to the islands, and to the Isle of Man, is charged at UK inland rates. It was not until the early 1990s that the islands officially joined the UK's postcode system, Jersey postcodes using the initials JE and Guernsey GY. |
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