prompt
stringlengths 1.83k
11.9k
| references
sequence |
---|---|
Title: Ranveer Singh
Background: Ranveer Singh Bhavnani (born 6 July 1985) is an Indian actor who appears in Hindi films. He is the recipient of several awards, including two Filmfare Awards, and is among the highest-paid actors in the country. After completing a bachelor's degree from Indiana University Bloomington, Singh returned to India to pursue his career in films. He made his acting debut in 2010 with a leading role in Yash Raj Films' romantic comedy Band Baaja Baaraat.
Section: Established actor (2016-present)
Passage: In 2016, Singh starred in Aditya Chopra's comedy-romance Befikre opposite Vaani Kapoor. He played Dharam Gulati, a stand-up comic whose romantic liaisons with Kapoor's character leads to conflict between them. Set in Paris, Befikre marked the fourth project to be directed by Chopra. Singh performed a nude scene for it--a rare occurrence in an Indian film. Jay Weissberg of Variety found the film to be an "overly energetic twist on the old friends with benefits theme" and criticised Singh's "manic behavior". It underperformed at the box office. After a year-long absence from the screen, Singh portrayed Alauddin Khilji, a ruthless Muslim king, in Sanjay Leela Bhansali's period drama Padmaavat (2018), co-starring Deepika Padukone and Shahid Kapoor, which marked his third collaboration with Bhansali and Padukone. Right-wing Hindu groups speculated that the film distorted historical facts, and issued violent threats against the cast and crew. The film's release was deferred and was allowed for exhibition after several modifications were made to it. Ankur Pathak of HuffPost criticised the film's misogynistic and regressive themes, but praised Singh for his "astute brilliance" in depicting Khilji's bisexuality. Rajeev Masand opined that he "plays the part with the sort of grotesque flamboyance that makes it hard to look at anyone or anything else when he's on the screen". Padmaavat's production budget of Rs2 billion (US$31 million) made it the most expensive Hindi film ever made. With a worldwide gross of Rs5.44 billion (US$83 million), it ranks as Singh's highest-grossing release and is among India cinema's biggest grossers. As of January 2018, Singh will star opposite Alia Bhatt in Zoya Akhtar's Gully Boy, a musical based on the life of rappers living in Mumbai's ghettos. He will also star in Rohit Shetty's Simmba, a remake of the Telugu action film Temper, co-starring Sara Ali Khan. Singh has also committed to a biopic of the cricketer Kapil Dev, entitled 83.
Question: what did he do in 2016 to become an established actor?
Answer: In 2016, Singh starred in Aditya Chopra's comedy-romance Befikre opposite Vaani Kapoor. He played Dharam Gulati, a stand-up comic whose romantic liaisons with Kapoor's character
Question: was the film successful | [
"rare"
] |
Title: Harry Houdini
Background: Erik Weisz was born in Budapest to a Jewish family. His parents were Rabbi Mayer Samuel Weisz (1829-1892) and Cecilia Steiner (1841-1913). Houdini was one of seven children: Herman M. (1863-1885) who was Houdini's half-brother, by Rabbi Weisz's first marriage; Nathan J. (1870-1927); Gottfried William (1872-1925); Theodore (1876-1945); Leopold D. (1879-1962); and Carrie Gladys (1882-1959), who was left almost blind after a childhood accident. Weisz arrived in the United States on July 3, 1878, on the SS Fresia with his mother (who was pregnant) and his four brothers.
Section: Mirror challenge
Passage: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career. After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship. This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum. A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display.
Question: what was teh mirror challange?
Answer: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make.
Question: How long did it take houdini to escape from it?
Answer: After an hour and ten minutes, Houdini emerged free.
Question: did he have an audience?
Answer: It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event.
Question: How was the mirror challange perceived by the public?
Answer: As he was paraded on the shoulders of the cheering crowd, he broke down and wept.
Question: Was he awarded or recognized anyway for the challange? | [
"This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich"
] |
Title: Harry Houdini
Background: Erik Weisz was born in Budapest to a Jewish family. His parents were Rabbi Mayer Samuel Weisz (1829-1892) and Cecilia Steiner (1841-1913). Houdini was one of seven children: Herman M. (1863-1885) who was Houdini's half-brother, by Rabbi Weisz's first marriage; Nathan J. (1870-1927); Gottfried William (1872-1925); Theodore (1876-1945); Leopold D. (1879-1962); and Carrie Gladys (1882-1959), who was left almost blind after a childhood accident. Weisz arrived in the United States on July 3, 1878, on the SS Fresia with his mother (who was pregnant) and his four brothers.
Section: Buried alive stunt
Passage: Houdini performed at least three variations on a buried alive stunt during his career. The first was near Santa Ana, California in 1915, and it almost cost Houdini his life. Houdini was buried, without a casket, in a pit of earth six feet deep. He became exhausted and panicked while trying to dig his way to the surface and called for help. When his hand finally broke the surface, he fell unconscious and had to be pulled from the grave by his assistants. Houdini wrote in his diary that the escape was "very dangerous" and that "the weight of the earth is killing." Houdini's second variation on buried alive was an endurance test designed to expose mystical Egyptian performer Rahman Bey, who had claimed to use supernatural powers to remain in a sealed casket for an hour. Houdini bettered Bey on August 5, 1926, by remaining in a sealed casket, or coffin, submerged in the swimming pool of New York's Hotel Shelton for one and a half hours. Houdini claimed he did not use any trickery or supernatural powers to accomplish this feat, just controlled breathing. He repeated the feat at the YMCA in Worcester, Massachusetts on September 28, 1926, this time remaining sealed for one hour and eleven minutes. Houdini's final buried alive was an elaborate stage escape that featured in his full evening show. Houdini would escape after being strapped in a straitjacket, sealed in a casket, and then buried in a large tank filled with sand. While posters advertising the escape exist (playing off the Bey challenge by boasting "Egyptian Fakirs Outdone!"), it is unclear whether Houdini ever performed buried alive on stage. The stunt was to be the feature escape of his 1927 season, but Houdini died on October 31, 1926. The bronze casket Houdini created for buried alive was used to transport Houdini's body from Detroit to New York following his death on Halloween.
Question: When was Houdini buried alive?
Answer: The first was near Santa Ana, California in 1915, and it almost cost Houdini his life.
Question: What was so life threatening about it?
Answer: Houdini was buried, without a casket, in a pit of earth six feet deep. He became exhausted and panicked while trying to dig his way to the surface
Question: How did he escape?
Answer: When his hand finally broke the surface, he fell unconscious and had to be pulled from the grave by his assistants.
Question: How did the crowd respond? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Elbow (band)
Background: Elbow are an English rock band consisting of Guy Garvey (lead vocals, guitar), Craig Potter (keyboard, piano, backing vocals), Mark Potter (guitar, backing vocals) and Pete Turner (bass guitar, backing vocals). They have played together since 1990, adopting the Elbow band name in 1997. The band have released seven studio albums, Asleep in the Back (2001), Cast of Thousands (2003), Leaders of the Free World (2005), The Seldom Seen Kid (2008), Build a Rocket Boys! (2011),
Section: 2009-2011: Build a Rocket Boys!
Passage: In November 2009, Britain's long-running arts series The South Bank Show aired a 60-minute documentary about Elbow on ITV. Combining live footage of Elbow's September 2009 live performance at Manchester Evening News Arena with an interview between Guy Garvey and presenter Melvyn Bragg, the first half of the documentary focused on Elbow's early career and attempts to get a record deal. The second half discussed songs from Asleep in the Back, Leaders of the Free World and The Seldom Seen Kid. The documentary also contained sequences of Craig Potter demonstrating Elbow's unusual recording techniques at Blueprint Studios, Mark Potter driving around Elbow's old neighbourhood in Bury, Greater Manchester, Pete Turner showing cameras around Manchester's Northern Quarter where the band played their first gigs as Elbow and sequences of Guy Garvey reading through old and new lyric books. Some of the lines Garvey recited became the lyrics to "Jesus Was a Rochdale Girl" and "High Ideals". Elbow's fifth studio album, Build a Rocket Boys!, was released on 7 March 2011. Upon its release the album hit Number 2 in the UK album charts, the highest of any Elbow album to date. Build a Rocket Boys! also earned the band their third nomination for the Mercury Prize. The album had the working title 'Lippy Kids'. Guy Garvey told BBC 6 Music's Shaun Keaveney "It's quite a nostalgic thing. I've got a thing about growing up. Not needing to, but a certain period of your life when - well kids are called 'hoodies' these days aren't they when they reach their teens. I remember it being an amazing important time, so I've written a lot about that." On Saturday 11 June 2011, Elbow played at Pinkpop in the Netherlands. On Saturday 25 June 2011 Elbow played the Pyramid stage at Glastonbury 2011, in a performance which music journalist Stuart Maconie described as "career-defining". Between 26 and 28 August 2011 Elbow performed at both Reading and Leeds Festivals, after a long tour of British festivals including Glastonbury 2011.
Question: Was build a rocket boys the title of an album?
Answer: Elbow's fifth studio album,
Question: Did they go on tour during these years? | [
"On Saturday 11 June 2011, Elbow played at Pinkpop in the Netherlands."
] |
Title: Elbow (band)
Background: Elbow are an English rock band consisting of Guy Garvey (lead vocals, guitar), Craig Potter (keyboard, piano, backing vocals), Mark Potter (guitar, backing vocals) and Pete Turner (bass guitar, backing vocals). They have played together since 1990, adopting the Elbow band name in 1997. The band have released seven studio albums, Asleep in the Back (2001), Cast of Thousands (2003), Leaders of the Free World (2005), The Seldom Seen Kid (2008), Build a Rocket Boys! (2011),
Section: 2012-2014: The Take Off and Landing of Everything
Passage: In June 2011, Garvey confirmed to the Daily Mirror that the band had started working on new material for the follow-up to Build a Rocket Boys!, saying, "Rich [drummer Richard Jupp] went into the studio and recorded several different drum patterns for me. I'll go away next week and try and write lyrics for them. We've never worked this way before, but we'll see what happens." The band started recording the album in November 2012, with Turner telling Q magazine that the new album would be "experimental": "We've been going very left-field with things. We are trying out new things". On 30 September 2013, the band simultaneously announced their first-ever live album, Live at Jodrell Bank, and the release date of their next studio album as 10 March 2014. Garvey said in an interview with Q that the Manchester band's sixth LP would be called Carry Her Carry Me, after previously having the working title of All at Once. The group spent two weeks working on the early stages of the album at Peter Gabriel's Real World Studios near Bath. Garvey told NME, "It's the least aptly-named studio in the world. Real World? Is it fuck. But when you're there, you get six months work done in two weeks. To go and live and breathe your record without the distractions of the rest of life, you make creative decisions you would not have made at home." In January 2014, the band announced that the album's title had changed to The Take Off and Landing of Everything. The album was released on 10 March 2014 and debuted at number one on the UK Albums Chart, becoming the group's first chart-topper.
Question: How did the 2012 album launch go
Answer: The band started recording the album in November 2012,
Question: why did it take two years
Answer: We are trying out new things
Question: What was the name of the album they started recording in 2012
Answer: the album's title had changed to The Take Off and Landing of Everything.
Question: Did the do an album tour during this time period | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Duane Allman
Background: Howard Duane Allman (November 20, 1946 - October 29, 1971) was an American guitarist, session musician, and co-founder and leader of the Allman Brothers Band until his death following a motorcycle crash in 1971, at the age of 24. The Allman Brothers Band was formed in Jacksonville, Florida, in 1969. The band had great success in the early 1970s. Allman is best remembered for his brief but influential tenure in the band and in particular for his expressive slide guitar playing and inventive improvisational skills.
Section: Early years
Passage: Duane Allman was born on November 20, 1946, in Nashville, Tennessee. He was the eldest son of Willis Allman (1918-1949), a World War II non-commissioned officer turned recruiting officer in the United States Army, and Geraldine Allman (nee Robbins) (1917-2015). His brother, Gregg, was born on December 8, 1947. On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered. In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely. In 1957, the family moved to Daytona Beach, Florida, where the boys attended Seabreeze High School. The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor. In 1960, he had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone, while Duane acquired a Harley 165 motorbike. Despite Duane being left-handed, he played the guitar right-handed. Duane began to take an interest in the guitar, and the boys would sometimes fight over it, until Duane wrecked the motorbike and traded it for a Silvertone of his own. His mother eventually bought Duane a Gibson Les Paul Junior. It was also in Nashville that the boys became musically inspired by a rhythm and blues concert where they saw blues guitar legend B. B. King perform. Duane told Gregg, "We got to get into this." Duane learned to play very quickly and soon became the better guitarist of the two.
Question: Where was Duane Allman born?
Answer: Nashville, Tennessee.
Question: What was his childhood like?
Answer: Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee,
Question: Did he attend college?
Answer: The boys returned to Nashville to spend summers with their grandmother, and there Gregg learned guitar basics from a neighbor.
Question: How did he learn music?
Answer: Gregg learned guitar basics from a neighbor.
Question: Are there any other interesting aspects about this article?
Answer: On December 26, 1949, when the family was living near Norfolk, Virginia, Willis Allman was murdered.
Question: What else was interesting about his early life? | [
"It was also in Nashville that the boys became musically inspired by a rhythm and blues concert"
] |
Title: Duane Allman
Background: Howard Duane Allman (November 20, 1946 - October 29, 1971) was an American guitarist, session musician, and co-founder and leader of the Allman Brothers Band until his death following a motorcycle crash in 1971, at the age of 24. The Allman Brothers Band was formed in Jacksonville, Florida, in 1969. The band had great success in the early 1970s. Allman is best remembered for his brief but influential tenure in the band and in particular for his expressive slide guitar playing and inventive improvisational skills.
Section: Formation of the Allman Brothers Band
Passage: The limits of full-time session playing frustrated Allman. The few months in Muscle Shoals were by no means a waste, however; besides meeting the great artists and other industry professionals with whom he was working, Allman had rented a small, secluded cabin on a lake and spent many solitary hours there refining his playing. Perhaps most significantly, Allman got together with R&B and jazz drummer Jaimoe Johanson, who came to meet Allman at the urging of Otis Redding's manager, Phil Walden, who by then was managing Allman and wanted to build a three-piece band around him. Allman and Jaimoe got Chicago-born bassist Berry Oakley to come up from Florida and jam as a trio, but Oakley was committed to his rock band with guitarist Dickey Betts, the Second Coming, and returned south. When asked how the band came together Duane responded with an astounding answer. "Very slowly, I was in Muscle Shoals and I went down to Jacksonville and was jamming with Berry and Dicky. Jaimoe came with me from Muscle Shoals, he's originally from Macon. Greg was in California and Butch was in Jacksonville where we all got together and jammed for a couple of months putting together songs and stuff. After that we went up to New York and recorded there. We never played a gig before we cut our first album." While living in Macon, Allman met Donna Roosman, who bore his second child, Galadrielle. The couple's relationship soon ended. He had an earlier relationship with Patti Chandlee which resulted in the birth of a daughter who was born deaf.
Question: When did the Allman Brothers Band begin?
Answer: When asked how the band came together Duane responded with an astounding answer. "Very slowly,
Question: What did he mean by that?
Answer: Greg was in California and Butch was in Jacksonville where we all got together and jammed for a couple of months putting together songs and stuff.
Question: What was their first album? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Hedy Lamarr
Background: Hedy Lamarr (; born Hedwig Eva Maria Kiesler, November 9, 1914 - January 19, 2000) was an Austrian-born American film actress and inventor. At the beginning of World War II, Lamarr and composer George Antheil developed a radio guidance system for Allied torpedoes, which used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. Although the US Navy did not adopt the technology until the 1960s, the principles of their work are arguably incorporated into Bluetooth technology, and are similar to methods used in legacy versions of CDMA and Wi-Fi.
Section: Early life and European film career
Passage: Lamarr was born Hedwig Eva Maria Kiesler in 1914 in Vienna, Austria-Hungary, the only child of Gertrud "Trude" Kiesler (nee Lichtwitz; 1894-1977) and Emil Kiesler (1880-1935). Her father was born to a Jewish family in Lemberg (now Lviv in Ukraine) and was a successful bank director. Her mother Gertrud was a pianist and Budapest native who came from an upper-class Jewish family; she had converted from Judaism to Catholicism and was described as a "practicing Christian", who raised her daughter as a Christian. Lamarr helped get her mother out of Austria (then under Nazi domination) and to the United States, and she later became an American citizen. Gertrud Kiesler put "Hebrew" as her race on her petition for naturalization as an American citizen. In the late 1920s, Lamarr was discovered as an actress and brought to Berlin by producer Max Reinhardt. Following her training in the theater, she returned to Vienna to work in the film industry, first as a script girl, and soon as an actress. In early 1933, at age 18, she starred in Gustav Machaty's film, Ecstasy (Ekstase in German, Extase in Czech). Her role was that of a neglected young wife married to an indifferent older man. The film became both celebrated and notorious for showing Lamarr's face in the throes of orgasm as well as close-up and brief nude scenes, a result of her being "duped" by the director and producer, who used high-power telephoto lenses. Although she was dismayed and now disillusioned about taking other roles, the film gained world recognition after winning an award in Rome. Throughout Europe, the film was considered an artistic work, while in America, it was considered overly sexual and received negative publicity, especially among women's groups. It was banned there and in Germany. She went on to play a number of stage roles, including a starring one in Sissy, a play about Austrian royalty produced in Vienna, which won accolades from critics. Admirers sent roses to her dressing room and tried to get backstage to meet her. She sent most of them away, including a man who was more insistent, Friedrich Mandl. He became obsessed with getting to know her. She fell for his charming and fascinating personality, partly due to his immense financial status. Her parents, both of Jewish descent, did not approve, due to Mandl's ties to Mussolini, and later, Hitler, but could not stop the headstrong Hedy.
Question: In what films did Lamarr appear?
Answer: she starred in Gustav Machaty's film, Ecstasy (Ekstase in German, Extase in Czech).
Question: Who else starred in that movie with her?
Answer: Friedrich Mandl. He
Question: What other films was she in? | [
"She went on to play a number of stage roles, including a starring one in Sissy, a play about Austrian royalty produced in Vienna,"
] |
Title: Kerli
Background: Kerli Koiv was born in Elva on February 7, 1987. Her mother, Piret Koiv, was a social worker, and her father, Toivo Koiv, was an auto mechanic. Her parents separated when she was 16. Kerli has stated that when she wrote "Supergirl"--a song about domestic violence written for Utopia--she "put [herself] in [her] mother's body, and said things that [she] wished that [her mother] would've said to her dad when [she] was little".
Section: 2006-09: Love Is Dead
Passage: In 2006, Kerli worked with producer, songwriter, and mixer David Maurice on an autobiographical set of songs, the first set of which were released on a self-titled EP in 2007. She finally released her debut album, titled Love Is Dead on July 8, 2008, following her debut single "Walking on Air" (which charted at number 75 on the European Hot 100.) and "Creepshow", a promotional single. "Creepshow" was featured in the TV series Fringe, The City, as well as in the video game Burnout Paradise. The music video for the song "Love Is Dead" was released on February 29, 2008 and the music video for "Walking on Air" premiered on MTV Overdrive on May 20, 2008. "Walking on Air" was downloaded 550,000 times when it was featured as iTunes' "Single of the Week", which was a record at the time. The song appeared twice on So You Think You Can Dance? as well in an advertisement for Fringe. Love Is Dead charted at number 126 on the Billboard 200 for the week of July 26. Later in 2008, she was selected to perform a song titled "When Nobody Loves You" for the video game 007: Quantum of Solace, as well as the song "Bulletproof" on the official soundtrack of Punisher: War Zone. In 2009, Kerli performed at the Estonian music festival Ollesummer in Tallinn. On September 10, 2009 Island Def Jam announced Kerli's iPhone application and the first song, Saima was released the following month. Kerli re-released her song "The Creationist"as a duet with the Italian songwriter Cesare Cremonini. Kerli received a European Border Breakers Award for the success of the album Love Is Dead in Estonia.
Question: Is Love is Dead an album?
Answer: She finally released her debut album, titled Love Is Dead on July 8, 2008, following her debut single "Walking on Air" (
Question: was there a music video?
Answer: The music video for the song "Love Is Dead" was released on February 29, 2008
Question: was the album successful?
Answer: Love Is Dead charted at number 126 on the Billboard 200 for the week of July 26.
Question: were there any other singles?
Answer: Later in 2008, she was selected to perform a song titled "When Nobody Loves You" for the video game 007: Quantum of Solace,
Question: what happened in 2009? | [
"On September 10, 2009 Island Def Jam announced Kerli's iPhone application and the first song, Saima was released the following month."
] |
Title: Nick Cave
Background: Nicholas Edward Cave (born 22 September 1957) is an Australian musician, singer-songwriter, author, screenwriter, composer and occasional film actor, best known as the frontman of the rock band Nick Cave and the Bad Seeds. Cave's music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with death, religion, love and violence. Born and raised in rural Victoria, Cave studied art before turning to music in the 1970s. As frontman of the Boys Next Door (later renamed the Birthday Party), he became a central figure in Melbourne's burgeoning post-punk scene.
Section: Early years and the Birthday Party (1973-83)
Passage: In 1973, Cave met Mick Harvey (guitar), Phill Calvert (drums), John Cochivera (guitar), Brett Purcell (bass), and Chris Coyne (saxophone); fellow students at Caulfield Grammar. They founded a band with Cave as singer. Their repertoire consisted of proto-punk cover versions of songs by Lou Reed, David Bowie, Alice Cooper, Roxy Music and Alex Harvey, among others. Later, the line-up slimmed down to four members including Cave's friend Tracy Pew on bass. In 1977, after leaving school, they adopted the name The Boys Next Door and began playing predominantly original material. Guitarist and songwriter Rowland S. Howard joined the band in 1978. They were a leader of Melbourne's post-punk scene in the late 1970s, playing hundreds of live shows in Australia before changing their name to the Birthday Party in 1980 and moving to London, then West Berlin. Cave's Australian girlfriend and muse Anita Lane accompanied them to London. The band were notorious for their provocative live performances which featured Cave shrieking, bellowing and throwing himself about the stage, backed up by harsh pounding rock music laced with guitar feedback. Cave utilised Old Testament imagery with lyrics about sin, debauchery and damnation. Cave's droll sense of humour and penchant for parody is evident in many of the band's songs, including "Nick the Stripper" and "King Ink". "Release the Bats", one of the band's most famous songs, was intended as an over-the-top "piss-take" on gothic rock, and a "direct attack" on the "stock gothic associations that less informed critics were wont to make". Ironically, it became highly influential on the genre, giving rise to a new generation of bands. After establishing a cult following in Europe and Australia, the Birthday Party disbanded in 1984. Howard and Cave found it difficult to continue working together and both were rather worn down from alcohol and drug use.
Question: What did Nick Cave study before he turned to music?
Answer: CANNOTANSWER
Question: What was Nick Cave's previous band name?
Answer: The Boys Next Door
Question: Did Nick Cave have a solo career as a musician? | [
"Cave found it difficult to continue working together and both were rather worn down from alcohol and drug use."
] |
Title: Nick Cave
Background: Nicholas Edward Cave (born 22 September 1957) is an Australian musician, singer-songwriter, author, screenwriter, composer and occasional film actor, best known as the frontman of the rock band Nick Cave and the Bad Seeds. Cave's music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with death, religion, love and violence. Born and raised in rural Victoria, Cave studied art before turning to music in the 1970s. As frontman of the Boys Next Door (later renamed the Birthday Party), he became a central figure in Melbourne's burgeoning post-punk scene.
Section: Youth, education and family
Passage: Cave was born on 22 September 1957 in Warracknabeal, a small country town in the state of Victoria, Australia, to Dawn Cave (nee Treadwell) and Colin Frank Cave. As a child, he lived in Warracknabeal and then Wangaratta in rural Victoria. His father taught English and mathematics at the local technical school; his mother was a librarian at the high school that Nick attended. Cave's father introduced him to literary classics from an early age, such as Crime and Punishment and Lolita, and also organised the first symposium on the Australian bushranger and outlaw Ned Kelly, with whom Nick was enamoured as a child. When Cave was 9 he joined the choir of Wangaratta's Holy Trinity Cathedral. At 13 he was expelled from Wangaratta High School. In 1970, having moved with his family to the Melbourne suburb of Murrumbeena, he became a boarder and later day student at Caulfield Grammar School. He was 19 when his father was killed in a car accident; his mother told him of his father's death while she was bailing him out of a St Kilda police station where he was being held on a charge of burglary. He would later recall that his father "died at a point in my life when I was most confused" and that "the loss of my father created in my life a vacuum, a space in which my words began to float and collect and find their purpose". After his secondary schooling, Cave studied painting at the Caulfield Institute of Technology in 1976, but dropped out the following year to pursue music. He also began using heroin around the time that he left art school. Cave attended his first music concert at Melbourne's Festival Hall. The bill consisted of Manfred Mann, Deep Purple and Free. Cave recalled: "I remember sitting there and feeling physically the sound going through me."
Question: Where did Nick Cave grow up
Answer: Warracknabeal,
Question: Tell me about Nick Caves youth
Answer: When Cave was 9 he joined the choir of Wangaratta's Holy Trinity Cathedral. At 13 he was expelled from Wangaratta High School.
Question: Did he have brothers or sisters
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article? | [
"Cave attended his first music concert at Melbourne's Festival Hall."
] |
Title: Hound Dog (song)
Background: "Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Willie Mae "Big Mama" Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which is ranked number 19 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time; it is also one of the best-selling singles of all time.
Section: "Rip offs"
Passage: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'". In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored. When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen." Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."
Question: How many different versions of this song were recorded?
Answer: Two records were released that were neither cover versions of nor answers to Thornton's release,
Question: Did they have similarities or did they only share the title?
Answer: The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew
Question: What was the other rip off song?
Answer: Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead"
Question: Is there another rip off song mentioned? | [
"Philip H. Ennis sees \"Two Hound Dogs\", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording."
] |
Title: Ingemar Johansson
Background: Jens Ingemar Johansson (Swedish: ['ING:emar 2ju:hans,son]; 22 September 1932 - 30 January 2009) was a Swedish professional boxer who competed from 1952 to 1963. He held the world heavyweight title from 1959 to 1960, and was the fifth heavyweight champion born outside the United States. Johansson won the title by defeating Floyd Patterson via third-round stoppage, after flooring him seven times in that round. For this achievement, Johansson was awarded the Hickok Belt as top professional athlete of the year--the only non-American to do so in the belt's entire 27-year existence--and was named the Associated Press Male Athlete of the Year and Sports Illustrated Sportsman of the Year.
Section: Early years
Passage: Johansson's introduction to the top rank of the sport was inauspicious. At age nineteen he was disqualified for passivity at the Helsinki 1952 Summer Olympics in the heavyweight competition in a fight against eventual Olympic gold medalist Ed Sanders. Johansson maintained he was not evading Sanders (who also got a warning for passivity), but rather was trying to tire his opponent. Johansson said he had been limited to a 10-day training camp, had only trained with newcomers, and had been told by his coach to let Sanders be the aggressor. Nevertheless, his silver medal was withheld for poor performance and only presented to him in 1982. Johansson had earned his spot in the Olympics by winning the Swedish National Championship earlier the same year, 1952, after he knocked out his opponent in the first round of the final. After the Olympics Johansson went into seclusion for six months and considered quitting boxing. However, he returned to the ring and turned professional under the guidance of the Swedish publisher and boxing promoter Edwin Ahlquist, subsequently winning his first 21 professional fights. He won the Scandinavian pro title by knocking down and outscoring the Dane Erik Jensen (breaking his right hand in the process). A broken hand and a one-year military service kept him out of the ring until late 1954. In August 1955, in his twelfth professional fight, Johansson knocked out former European Heavyweight Champion Hein ten Hoff in the first round. He took the Scandinavian heavyweight title in 1953 and, on 30 September 1956, he won the European Heavyweight Championship by scoring a 13th-round KO over Italy's Franco Cavicchi in Milan for the European title. Johansson successfully defended his European Crown against ranked heavyweights Henry Cooper (fifth-round KO on 19 May 1957) and Joe Erskine, with a TKO in 13 on 21 February 1958.
Question: How did he get started in boxing?
Answer: At age nineteen he was disqualified for passivity at the Helsinki 1952 Summer Olympics in the heavyweight competition
Question: Why was he disqualified?
Answer: Johansson maintained he was not evading Sanders (who also got a warning for passivity), but rather was trying to tire his opponent.
Question: Did he win anything at the Olympics or was completely disqualified?
Answer: his silver medal was withheld for poor performance and only presented to him in 1982.
Question: How did his career go after the Olympics? | [
"After the Olympics Johansson went into seclusion for six months and considered quitting boxing."
] |
Title: Viola Liuzzo
Background: Liuzzo was born Viola Fauver Gregg on April 1, 1925, in the small town of California, Pennsylvania, the elder daughter of Eva Wilson, a teacher, and Heber Ernest Gregg, a coal miner and World War I veteran. He left school in the eighth grade but taught himself to read. Her mother, Eva Wilson Gregg, had a teaching certificate from the University of Pittsburgh.
Section: Michigan
Passage: In 1941, the Gregg family moved to Ypsilanti, Michigan, where her father sought a job assembling bombs at the Ford Motor Company. Viola's strong-willed nature led her to drop out of high school after one year, and elope at the age of 16. The marriage did not last and she returned to her family. Two years later the Gregg family moved to Detroit, Michigan, which was starkly segregated by race. Tension between whites and blacks in Detroit was very high and the early 1940s saw violence and rioting. Witnessing these horrific ordeals was a major motivator that influenced Viola's future civil rights work. In 1943, she married George Argyris, the manager of a restaurant where she worked. They had two children, Penny and Evangeline Mary, and divorced in 1949. She later married Anthony Liuzzo, a Teamsters union business agent. They had three children: Tommy, Anthony, Jr., and Sally. Liuzzo sought to return to school, and attended the Carnegie Institute in Detroit, Michigan. She then enrolled part-time at Wayne State University in 1962. In 1964, Liuzzo began attending the First Unitarian Universalist Church of Detroit, and joined the National Association for the Advancement of Colored People (NAACP). A large part of Viola's activism, particularly with the NAACP, was due to a close friendship with an African-American woman, Sarah Evans. After initially meeting in a grocery store where Liuzzo worked as a cashier, the two kept in touch. Evans eventually became the housekeeper of Liuzzo, while still maintaining a close, friendly relationship in which they shared similar views including support for the civil rights movement. In the aftermath of Liuzzo's death, Evans would go on to become the permanent caretaker of Liuzzo's five young children. Liuzzo so passionately believed in the fight for civil rights, that she helped organize Detroit protests, attended Civil Rights conferences, and worked with the NAACP. Liuzzo had a strong desire to make a difference on as large a scale as she could.
Question: What was Viola doing in Michigan?
Answer: In 1941, the Gregg family moved to Ypsilanti, Michigan, where her father sought a job assembling bombs at the Ford Motor Company.
Question: Why did they move to Michigan?
Answer: where her father sought a job assembling bombs at the Ford Motor Company.
Question: Did she do anything interesting there?
Answer: In 1943, she married George Argyris, the manager of a restaurant where she worked.
Question: Why did they divorce? | [
"She later married Anthony Liuzzo, a Teamsters union business agent."
] |
Title: Viola Liuzzo
Background: Liuzzo was born Viola Fauver Gregg on April 1, 1925, in the small town of California, Pennsylvania, the elder daughter of Eva Wilson, a teacher, and Heber Ernest Gregg, a coal miner and World War I veteran. He left school in the eighth grade but taught himself to read. Her mother, Eva Wilson Gregg, had a teaching certificate from the University of Pittsburgh.
Section: Selma
Passage: In February 1965, a night demonstration for voting rights at the Marion, Alabama courthouse turned violent. State troopers clubbed marchers and beat and shot a 26-year-old African American named Jimmie Lee Jackson, who later died. His death spurred on the fight for civil rights in Selma, Alabama. The Southern Christian Leadership Conference (SCLC) scheduled a protest march for Sunday, March 7, 1965. Governor George Wallace banned the march, but the ban was ignored. Six hundred marchers headed for the arched Edmund Pettus Bridge that crossed the Alabama River. As the protesters reached the crest of the bridge, they saw a terrifying sight on the other side: state troopers armed with clubs, whips, and tear gas, and a sheriff's posse on horseback. When told to stop and disperse the marchers refused. The troopers advanced on the marchers, clubbing and whipping them, fracturing bones and gashing heads. Seventeen people were hospitalized on the day later called "Bloody Sunday". Liuzzo was horrified by the images of the aborted march on Bloody Sunday. A second march took place March 9. Troopers, police, and marchers confronted each other at the county end of the bridge, but when the troopers stepped aside to let them pass, King led the marchers back to the church. He was obeying a federal injunction while seeking protection from federal court for the march. That night, a white group beat and murdered civil rights activist James Reeb, a Unitarian Universalist minister from Boston, who had come to Selma to march with the second group. Many other clergy and sympathizers from across the country also gathered for the second march. On March 16, Liuzzo took part in a protest at Wayne State. She then called her husband to tell him she would be traveling to Selma after hearing the Rev Dr. Martin Luther King, Jr. call for people of all faiths to come and help, saying that the struggle "was everybody's fight." Leaving her children in the care of family and friends she contacted the Southern Christian Leadership Conference who took her on and tasked her with delivering aid to various locations, welcoming and recruiting volunteers and transporting volunteers and marchers to and from airports, bus terminals and train stations, for which she volunteered the use of her car, a 1963 Oldsmobile. On March 21, 1965 more than 3,000 people began the third march, including blacks, whites, doctors, nurses, working-class people, priests, nuns, rabbis, homemakers, students, actors, and farmers. Many famous people participated, including Dr. Martin Luther King, Ralph Bunche, Coretta Scott King, Ralph Abernathy, and Andrew Young. It took five days for the protesters to reach their goal. Liuzzo marched the first full day and returned to Selma for the night. That Wednesday, March 24, she rejoined the march four miles from the end, where a "Night of the Stars" celebration was held the City of St. Jude with performances by many popular entertainers of the day, including Harry Belafonte, Sammy Davis, Jr., Joan Baez, and Dick Gregory. Liuzzo helped at the first aid station. On Thursday, Liuzzo and other marchers reached the state capitol building, with a Confederate flag flying above it. Martin Luther King addressed the crowd of 25,000, calling the march, a "shining moment in American history."
Question: what is selma?
Answer: she would be traveling to Selma
Question: What state in Selma in?
Answer: CANNOTANSWER
Question: why were the people marching? | [
"State troopers clubbed marchers and beat and shot a 26-year-old African American named Jimmie Lee Jackson, who later died. His death spurred on the fight for civil rights in Selma,"
] |
Title: Chapter 27
Background: Chapter 27 is a 2007 biographical drama film depicting the murder of John Lennon by Mark David Chapman. It was written and directed by Jarrett Schaefer, based on the book Let Me Take You Down by Jack Jones, produced by Robert Salerno, and stars Jared Leto as Chapman. The film takes place in December 1980, and is intended to be an exploration of Chapman's psyche. Its title is a reference to J. D. Salinger's novel The Catcher in the Rye, which has twenty-six chapters, and suggests a continuation of the book.
Section: Casting
Passage: The script took Schaefer four years to write, but when it was finished, the film came together quickly. With the help of producers Alexandra Milchan and Robert Salerno, Schaefer cast Jared Leto as Mark David Chapman. For his role, Leto gained 67 pounds (30 kg) by drinking microwaved pints of ice cream mixed with soy sauce and olive oil every night. Gaining the weight, he said, was tougher than dieting himself into skeletal shape for his role as drug addict Harry Goldfarb in Requiem for a Dream (2000). The abruptness of Leto's weight gain gave him gout. He had to use a wheelchair due to the stress of the sudden increase in weight put on his body. After the shooting of the film, Leto quickly went on a liquid diet. He explained, "I've been fasting ever since. I've been doing this very strange, like, lemon and cayenne pepper and water fast. I didn't eat any food for 10 days straight; I think I lost 20 pounds that first 10 days." Losing the excess weight after Chapter 27 proved a challenge. "It took about a year to get back to a place that felt semi-normal," he said; "I don't know if I'll ever be back to the place I was physically. I'd never do it again; it definitely gave me some problems." Twenty-two years prior to this film's production, actor Mark Lindsay Chapman, while professionally using the name Mark Lindsay, had been almost cast as John Lennon in the biopic John and Yoko: A Love Story (1985). Yoko Ono had been deeply involved in the production and had herself been initially impressed with his audition and approved his casting prior to discovering his full name was Mark Lindsay Chapman. She then nixed his casting on the grounds it was "bad karma", and a great deal of press attention was given to his having almost gotten the role. The director of Chapter 27, Jarrett Schaefer, auditioned many Lennon impersonators, but was especially impressed with Mark Lindsay Chapman's tape because he conveyed the "tough town" street-smart quality of Lennon that the impersonators failed to convey, as they always played Lennon as larger-than-life. Schaefer described Lennon as having a "chip on his shoulder and always cracking these cynical one-liners", and felt that actor Chapman was best at conveying this quality. Schaefer had some difficulty negotiating the casting with the film's producers because of Chapman's name. After Chapman was cast, he asked Chapman how he should be billed to which Chapman replied "Mark fucking Lindsay Chapman. That's my fucking name." Schaefer remarks that this was so reflective of how Lennon talked, it just reinforced his sense that Chapman was right for the part.
Question: Who acted in chapter 27?
Answer: Leto gained
Question: What is the role of Leto?
Answer: Jared Leto as Mark David Chapman.
Question: What actor or actress was given an award?
Answer: CANNOTANSWER
Question: Who is the director? | [
"Alexandra Milchan and Robert Salerno, Schaefer cast"
] |
Title: Chapter 27
Background: Chapter 27 is a 2007 biographical drama film depicting the murder of John Lennon by Mark David Chapman. It was written and directed by Jarrett Schaefer, based on the book Let Me Take You Down by Jack Jones, produced by Robert Salerno, and stars Jared Leto as Chapman. The film takes place in December 1980, and is intended to be an exploration of Chapman's psyche. Its title is a reference to J. D. Salinger's novel The Catcher in the Rye, which has twenty-six chapters, and suggests a continuation of the book.
Section: Development
Passage: The real Mark David Chapman is currently incarcerated at Wende Correctional Facility, on a guilty plea. Aside from two interviews with Larry King and Barbara Walters, both in 1992, he has not spoken with the media. However, Chapman did reveal the mechanics of his unraveling during those three days in New York City to journalist Jack Jones. The interviews were published in 1992 as Let Me Take You Down: Inside the Mind of Mark David Chapman, a book of Chapman's recollections of his act of violence. Chapter 27 is based on this text. The title "Chapter 27" suggests a continuation of J. D. Salinger's novel The Catcher in the Rye, which has twenty-six chapters, and which Chapman was carrying when he shot John Lennon. Chapman was obsessed with the book, to the point of attempting to model his life after its protagonist, Holden Caulfield. According to the British music magazine Mojo, the title was also inspired by Chapter 27 of Robert Rosen's book Nowhere Man: The Final Days of John Lennon (2000). Rosen's book explores the numerological meaning of the number 27, "the triple 9", a number of profound importance to John Lennon. Lennon was deeply interested in numerology, particularly Cheiro's Book of Numbers, along with nine and all its multiples. It was Chapman's goal, according to Rosen, to write Chapter 27 "in Lennon's blood". Like Chapman, Schaefer is a fan of both The Beatles and J.D. Salinger's novel The Catcher in the Rye, and said he began the script to try to understand "how someone could be inspired to kill anyone as a result of being exposed to this kind of beautiful art. It really bothered me, because Lennon and Salinger have always made me feel so much better, and so much less alone."
Question: When was it developed?
Answer: in 1992,
Question: Are there any other interesting aspects about this article?
Answer: The title "Chapter 27" suggests a continuation of J. D. Salinger's novel The Catcher in the Rye,
Question: Who produced it? | [
"Mark David Chapman,"
] |
Title: Ingemar Johansson
Background: Jens Ingemar Johansson (Swedish: ['ING:emar 2ju:hans,son]; 22 September 1932 - 30 January 2009) was a Swedish professional boxer who competed from 1952 to 1963. He held the world heavyweight title from 1959 to 1960, and was the fifth heavyweight champion born outside the United States. Johansson won the title by defeating Floyd Patterson via third-round stoppage, after flooring him seven times in that round. For this achievement, Johansson was awarded the Hickok Belt as top professional athlete of the year--the only non-American to do so in the belt's entire 27-year existence--and was named the Associated Press Male Athlete of the Year and Sports Illustrated Sportsman of the Year.
Section: World heavyweight champion
Passage: Johansson earned his shot at the world heavyweight crown when he knocked out top ranked contender Eddie Machen in the first round of their elimination match on 14 September 1958. In front of 53,615 fans in Ullevi football stadium, Johansson downed Machen three times, finally finishing him with a barrage of punches at 2:16 of the first round. Johansson then signed to fight champion Floyd Patterson. Johansson was a colourful figure in New York City as he trained for the fight. Eschewing the monastic training regimen favored by Patterson and other fighters, Johansson trained at the Catskill resort of Grossingers. He did not seem to train particularly hard, and was often seen at night spots with his attractive girlfriend, Elaine Sloane, whom he asked out while she was working for Sports Illustrated. He entered the ring in Yankee Stadium on 26 June 1959, as a 5-1 underdog. Johansson spent the first two rounds of the encounter retreating and flicking a light left jab at the champion. In the third round, Johansson threw a wide left hook that Patterson blocked with his right hand. When he moved his right hand away from its protective peek-a-boo position before his chin, Johansson drilled him with a short powerful right hand. Patterson went down, arose on unsteady legs and was out on his feet. Johansson followed up his advantage and sent Patterson down six more times in the round before the bout was stopped by referee Ruby Goldstein. Johansson celebrated with his girlfriend and future wife Birgit Lundgren and the next day a headline in a New York newspaper expressed the city's amazement. It read: "Ingo - It's Bingo." When Johansson returned to Sweden, he flew in on a helicopter, landing in the main football stadium in Gothenburg, his home town, and was cheered by 20,000 people. He appeared on the cover of Sports Illustrated, as well as the cover of Life Magazine on 20 July 1959, alongside Birgit. Johansson was a flamboyant champion - a precursor to the "Swinging Sixties". One publication dubbed Johansson "boxing's Cary Grant" and in 1960 he appeared in the movie All the Young Men as a marine, alongside stars Alan Ladd and Sidney Poitier. Wherever he went, in the U.S. or in Sweden, he had a beautiful woman on his arm, with paparazzi snapping pictures. To train for the third fight with Patterson, Ingemar sparred with a young Muhammad Ali, (known then as Cassius Clay) in Miami Beach. After Cassius had "boxed his way around the ring, as if it was he, using 'Ingo' as a sparring partner", somebody offered $100,000 to Ingemar to fight in a televised event with Ali, but Ingemar declined saying that the fight would not draw three ticket holders and that Ali did not have the ability to step in the ring with him at that time.
Question: when did he become heavyweight champion?
Answer: He entered the ring in Yankee Stadium on 26 June 1959, as a 5-1 underdog.
Question: did he have any losses? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Bert Williams
Background: Williams was born in Nassau, The Bahamas, on November 12, 1874, to Frederick Williams Jr. and his wife Julia. At the age of 11, Bert permanently emigrated with his parents, moving to Florida. The family later moved to Riverside, California, where he graduated from Riverside High School. In 1893, while still a teenager, he joined different West Coast minstrel shows, including Martin and Selig's Mastodon Minstrels, where he first met his future professional partner, George Walker.
Section: Solo career
Passage: Walker was in ill health by this point due to syphilis, which was then incurable. In January 1909 he suffered a stroke onstage while singing, and was forced to drop out of Bandanna Land the following month. The famous pair never performed in public again, and Walker died less than two years later. Walker had been the businessman and public spokesman for the duo. His absence left Williams professionally adrift. After 16 years as half of a duo, Williams needed to reestablish himself as a solo act. In May 1909 he returned to Hammerstein's Victoria Theater and the high-class vaudeville circuit. His new act consisted of several songs, comic monologues in dialect, and a concluding dance. He received top billing and a high salary, but "the White Rats," an organization of vaudevillians opposed to encroachments from blacks and women, intimidated the theater managers into reducing Williams' billing. The brash Walker would have resisted such an insult to his star status, but the more reserved Williams did not protest. Allies were few; big-time vaudeville managers were fearful of attracting a disproportionate number of black audience members and thus allowed only one black act per bill. Due to his skin, Williams typically travelled, ate and lodged separately from the rest of his fellow performers, increasing his sense of isolation following the loss of Walker. Williams next starred as Mr. Lode of Koal, a farce about a kidnapped king that was well received by critics as a star vehicle though not a fully realized storyline. Camille Forbes' Introducing Bert Williams collects several reviews with competing race-based agendas. Many of the white reviewers praised Williams' "apparent spontaneous," "unpremeditated" humor, as if he were a guileless simpleton in no control of his own performance. A Chicago critic wrote, "They are racial, those hands and feet," while a Boston reviewer felt that the show's flimsiness and lack of structure were actually attributes because "when we succumb to the surreptitious desire for the broad tang of "nigger" humor, we want no disturbing atom of intelligence busy-bodying about." Meanwhile, many black reviewers ignored the show's faults, praising Williams' continued persistence and prominence as much if not more than his actual performance; an Indianapolis reviewer thought the play was evidence that "we are nearing the day of better things." Despite the good if loaded notices, Mr. Lode of Koal played a secondary string of theaters and was a box office flop. Following the show's abbreviated run, Williams returned to the vaudeville circuit, and "the White Rats" renewed their opposition to his featured status. The Victoria Theater responded by cutting Williams to secondary billing, but putting his name on the marquee in lettering twice as large as that of the nominal headliner. Newspapers took note of the disingenuous manner in which the White Rats' demands had been met, as well as the way in which many of those performers who were impeding his career would rush to the front of the theater whenever his turn to perform came up.
Question: Why did he start a solo career?
Answer: Walker was in ill health by this point due to syphilis, which was then incurable.
Question: Did Walker die?
Answer: Walker died less than two years later.
Question: How did that effect Bert?
Answer: Walker had been the businessman and public spokesman for the duo. His absence left Williams professionally adrift.
Question: Did he sing there? | [
"His new act consisted of several songs, comic monologues in dialect, and a concluding dance."
] |
Title: Bert Williams
Background: Williams was born in Nassau, The Bahamas, on November 12, 1874, to Frederick Williams Jr. and his wife Julia. At the age of 11, Bert permanently emigrated with his parents, moving to Florida. The family later moved to Riverside, California, where he graduated from Riverside High School. In 1893, while still a teenager, he joined different West Coast minstrel shows, including Martin and Selig's Mastodon Minstrels, where he first met his future professional partner, George Walker.
Section: Sons of Ham and In Dahomey
Passage: The following month, Williams & Walker had their greatest success to date with Sons of Ham, a broad farce that was perhaps most notable for its lack of the extreme "darkie" stereotypes which were then common. One of the show's songs, "Miss Hannah from Savannah," even touched upon class divisions within the black community. The pair had already begun to transition away from racial minstrel conventions to a more human style of comedy. In 1901, they recorded 13 discs for the Victor Talking Machine Company. Some of these, such as "The Phrenologist Coon," were standard blackface material, but the financial lament "When It's All Going Out and Nothing Coming In" was race-blind, and became one of Williams' best-known songs. Another Williams composition, "Good Morning Carrie", was covered by many artists, becoming one of the biggest hits of 1901. These discs existed only in pressings of fewer than 1,000, and were not heard by very many listeners. Sons of Ham ran for two years. In September 1902, Williams & Walker debuted their next vehicle, In Dahomey, which was an even bigger hit. In 1903 the production, with music by Will Marion Cook and lyrics by Paul Laurence Dunbar moved to New York City, where it became the first black musical to open on Broadway. Part of the inspiration for the show was Williams' copy of a 1670 book, Africa, in which author John Ogilby traced the history of the continent's tribes and peoples. "With this volume, I could prove that every Pullman porter is the descendant of a king," said Williams. This was a landmark event, but seating inside the theater was segregated. One of the musical's songs, "I'm a Jonah Man," helped codify Williams' hard-luck persona and tales of woe. It helped to establish the character Williams played most frequently in his career: the slow-talking, deep-thinking victim of life's misfortunes. "Even if it rained soup," Williams later explained, "[my character] would be found with a fork in his hand and no spoon in sight." However, Williams and Walker were ebullient about their Broadway breakthrough, which came years after they had established themselves as profitable stage stars. Williams wrote, "We'd get near enough to hear the Broadway audiences applaud sometimes, but it was some one else they were applauding. I used to be tempted to beg for a $15 job in a chorus just for one week so as to be able to say I'd been on Broadway once." Walker recalled, "Some years ago we were doing a dance before an east side audience. They gave us a hand, and I called out to them, "Some day we'll do this dance on Broadway!" Then they gave us the laugh. Just the same we gave Broadway that same dance." In Dahomey then traveled to London, where it was enthusiastically received. A command performance was given at Buckingham Palace in June 1903. The show's British tour continued through June 1904. In May, Williams and Walker were both initiated into the Edinburgh Lodge of the Freemasons; the Scottish Masons did not racially discriminate as the United States chapters did, including the northern states.
Question: What is Sons of Ham and In Dahomey?
Answer: production,
Question: When did Sons of Ham first come out?
Answer: CANNOTANSWER
Question: When did In Dahomey come out?
Answer: September 1902,
Question: Was Sons of Ham successful?
Answer: Sons of Ham ran for two years.
Question: Where did it play?
Answer: CANNOTANSWER
Question: Was In Dahomey successful?
Answer: In Dahomey, which was an even bigger hit.
Question: How long did it run for?
Answer: tour continued through June 1904.
Question: So did he join the Masons? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Bruce Lee
Background: Bruce Lee was born on November 27, 1940, at the Chinese Hospital, in San Francisco's Chinatown. According to the Chinese zodiac, Lee was born in both the hour and the year of the Dragon, which according to tradition is a strong and fortuitous omen. Lee and his parents returned to Hong Kong when he was three months old. Bruce's father, Lee Hoi-chuen, (Li Hai Quan ) was Han Chinese, and his mother, Grace Ho (He Ai Yu ), was of Eurasian ancestry.
Section: Long Beach International Karate Championships
Passage: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable". It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch. Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims.
Question: What did he performed in the Long Beach International Karate Championship?
Answer: Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups
Question: What else he did performed in the same place?
Answer: In the same Long Beach event he also performed the "One inch punch."
Question: Did he had a volunteer? | [
"His volunteer was Bob Baker of Stockton, California."
] |
Title: Tom Hafey
Background: Thomas Stanley Raymond Hafey (5 August 1931 - 12 May 2014) was an Australian rules football Victorian Football League player and coach. Hafey played for Richmond between 1953 and 1958, and coached four clubs--Richmond, Collingwood, Geelong and Sydney--between 1966 and 1988, leading Richmond to a total of four premierships: 1967, 1969, 1973 and 1974. Hafey was an inaugural inductee into the Australian Football Hall of Fame in 1996, named coach of Richmond's team of the century in 1998, and given the AFL Coaches Association "Coaching Legend Award" in 2011. He was renowned for his fitness and toughness even in his elderly years when he would still run rings around his juniors.
Section: Playing career
Passage: Tom Hafey was born and raised in Richmond. He began his football career with the East Malvern under 19 team before graduating to the senior side in 1950. He spent three years with the club, winning the best and fairest in 1952. Hafey was then invited to train at Richmond. At the time, the Tigers were in turmoil after legendary coach Jack Dyer quit. In an effort to reinvigorate the team, Richmond recruited a number of highly considered young players, including Ron Branton, Frank Dunin and Brian Davie. However, it was Hafey, an unheralded local, who played twelve of the eighteen matches his first year, scoring eight goals. The following season was less productive for Hafey as he played just four games due to a bout of hepatitis. He did, however, play back pocket when the reserves captured the premiership by defeating Melbourne in the Grand Final. He was named as one of the Tigers' best performers, and was selected for the senior team for the 1955 and 1956 seasons. In these two years, he played 28 games. After the appointment of Alan McDonald as coach, Hafey was often relegated to the bench as Ken Ward played in the back pocket. The Tigers fell to the bottom part of the ladder. Playing a backup role for a poor team, Hafey decided to retire from the VFL at the end of 1958. Over six seasons, he had played in 67 games, starting 52 of them. In 1959, Hafey played for the local Richmond Amateurs who won the premiership that year.
Question: What teams did he play for?
Answer: the Tigers
Question: Did they win any championships?
Answer: reserves captured the premiership by defeating Melbourne in the Grand Final.
Question: Did he have a long playing career? | [
"Over six seasons, he had played in 67 games, starting 52 of them. In 1959,"
] |
Title: Tom Hafey
Background: Thomas Stanley Raymond Hafey (5 August 1931 - 12 May 2014) was an Australian rules football Victorian Football League player and coach. Hafey played for Richmond between 1953 and 1958, and coached four clubs--Richmond, Collingwood, Geelong and Sydney--between 1966 and 1988, leading Richmond to a total of four premierships: 1967, 1969, 1973 and 1974. Hafey was an inaugural inductee into the Australian Football Hall of Fame in 1996, named coach of Richmond's team of the century in 1998, and given the AFL Coaches Association "Coaching Legend Award" in 2011. He was renowned for his fitness and toughness even in his elderly years when he would still run rings around his juniors.
Section: Coaching career
Passage: After the 1959 season, Hafey left the city of Richmond, taking a job as playing coach of Shepparton in the Goulburn Valley area of northern Victoria. His tenacious attitude and devotion to fitness turned the club into a winner. Shepparton lost the Grand Final to Tongala in 1961, then won three straight from 1963 to 1965. Meanwhile, Hafey acted as a recruiting agent for the Tigers, recommending potential players from his region. Hafey's performance drew the attention of Tiger secretary Graeme Richmond. When coach Len Smith had a heart attack in 1965, the club appointed Jack Titus to serve as interim coach until a replacement could be found. Hafey was encouraged to apply, and the decision came down to Hafey and former club captain Ron Branton. Many expected Branton to get the job. However, Graeme Richmond saw something special in Hafey and he was appointed coach for the 1966 season. On his return to Richmond, Hafey found the team had acquired a number of young, high quality players. He later recalled feeling some apprehension about his youth and that he would be coaching some ex-teammates. Even so, he quickly put his stamp on the club, bringing intensity and desire to reach the top. Although he acknowledged the ideas and tactical approach of Len Smith (who remained at the club as a selector and consultant), Hafey opted for what became his trademark style: kick the ball long and quickly into the forward line. He raised the bar for fitness among his players, extending pre-season training and introducing a third training night during the week. Richmond quickly became known for being the fittest team in the competition. Richmond began 1966 strongly. A month before the finals, they hit the top of the ladder for the first time since 1951 and seemed certain to play in September. However, two losses dropped the Tigers to fifth place with thirteen wins and a draw. They became the best performing team to miss the finals since the inception of the McIntyre finals system in 1931. Richmond dismissed a number of players, replacing them with new players such as Royce Hart and Francis Bourke.
Question: when did he start his coaching career?
Answer: After the 1959 season, Hafey left the city of Richmond, taking a job as playing coach of Shepparton
Question: how did he perform as a coach with shepparton?
Answer: Shepparton lost the Grand Final to Tongala in 1961, then won three straight from 1963 to 1965.
Question: what made him change over from playing to coaching? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Charles V, Holy Roman Emperor
Background: Charles V (Spanish: Carlos; German: Karl; Italian: Carlo; Latin: Carolus; Dutch: Karel; French: Charles, 24 February 1500 - 21 September 1558) was ruler of both the Spanish Empire as Charles I from 1516 and the Holy Roman Empire as Charles V from 1519, as well as of the lands of the former Duchy of Burgundy from 1506. He stepped down from these and other positions by a series of abdications between 1554 and 1556. Through inheritance, he brought together under his rule extensive territories in western, central, and southern Europe, and the Spanish viceroyalties in the Americas and Asia.
Section: Burgundy and the Low Countries
Passage: In 1506, Charles inherited his father's Burgundian territories, most notably the Low Countries and Franche-Comte. Most of the holdings were fiefs of the German Kingdom (part of the Holy Roman Empire), except his birthplace of Flanders, which was still a French fief, a last remnant of what had been a powerful player in the Hundred Years' War. As he was a minor, his aunt Margaret of Austria (born as Archduchess of Austria and in both her marriages as the Dowager Princess of Asturias and Dowager Duchess of Savoy) acted as regent, as appointed by Emperor Maximilian until 1515. She soon found herself at war with France over the question of Charles' requirement to pay homage to the French king for Flanders, as his father had done. The outcome was that France relinquished its ancient claim on Flanders in 1528. From 1515 to 1523, Charles's government in the Netherlands also had to contend with the rebellion of Frisian peasants (led by Pier Gerlofs Donia and Wijard Jelckama). The rebels were initially successful but after a series of defeats, the remaining leaders were captured and decapitated in 1523. Charles extended the Burgundian territory with the annexation of Tournai, Artois, Utrecht, Groningen and Guelders. The Seventeen Provinces had been unified by Charles's Burgundian ancestors, but nominally were fiefs of either France or the Holy Roman Empire. In 1549, Charles issued a Pragmatic Sanction, declaring the Low Countries to be a unified entity of which his family would be the heirs. The Low Countries held an important place in the Empire. For Charles V personally they were his home, the region where he was born and spent his childhood. Because of trade and industry and the wealth of the region's cities, the Low Countries also represented an important income for the Imperial treasury. The Burgundian territories were generally loyal to Charles throughout his reign. The important city of Ghent rebelled in 1539 due to heavy tax payments demanded by Charles. The rebellion did not last long, however, as Charles's military response, with reinforcement from the Duke of Alba, was swift and humiliating to the rebels of Ghent.
Question: What can you tell me about Burgundy
Answer: In 1506, Charles inherited his father's Burgundian territories, most notably the Low Countries and Franche-Comte. Most of the holdings were fiefs of the German Kingdom
Question: Are there any other interesting aspects about this article?
Answer: his aunt Margaret of Austria (born as Archduchess of Austria and in both her marriages as the Dowager Princess of Asturias and Dowager Duchess of Savoy) acted as regent,
Question: What else happen next
Answer: She soon found herself at war with France over the question of Charles' requirement to pay homage to the French king for Flanders, as his father had done.
Question: How did that come out
Answer: The outcome was that France relinquished its ancient claim on Flanders in 1528.
Question: What else was Charles known for | [
"The Low Countries held an important place in the Empire. For Charles V personally they were his home,"
] |
Title: Charles V, Holy Roman Emperor
Background: Charles V (Spanish: Carlos; German: Karl; Italian: Carlo; Latin: Carolus; Dutch: Karel; French: Charles, 24 February 1500 - 21 September 1558) was ruler of both the Spanish Empire as Charles I from 1516 and the Holy Roman Empire as Charles V from 1519, as well as of the lands of the former Duchy of Burgundy from 1506. He stepped down from these and other positions by a series of abdications between 1554 and 1556. Through inheritance, he brought together under his rule extensive territories in western, central, and southern Europe, and the Spanish viceroyalties in the Americas and Asia.
Section: France
Passage: Much of Charles's reign was taken up by conflicts with France, which found itself encircled by Charles's empire while it still maintained ambitions in Italy. In 1520, Charles visited England, where his aunt, Catherine of Aragon, urged her husband, Henry VIII, to ally himself with the emperor. In 1508 Charles was nominated by Henry VII to the Order of the Garter. His Garter stall plate survives in Saint George's Chapel. The first war with Charles's great nemesis Francis I of France began in 1521. Charles allied with England and Pope Leo X against the French and the Venetians, and was highly successful, driving the French out of Milan and defeating and capturing Francis at the Battle of Pavia in 1525. To gain his freedom, Francis ceded Burgundy to Charles in the Treaty of Madrid, as well as renouncing his support of Henry II's claim over Navarre. When he was released, however, Francis had the Parliament of Paris denounce the treaty because it had been signed under duress. France then joined the League of Cognac that Pope Clement VII had formed with Henry VIII of England, the Venetians, the Florentines, and the Milanese to resist imperial domination of Italy. In the ensuing war, Charles's sack of Rome (1527) and virtual imprisonment of Pope Clement VII in 1527 prevented the Pope from annulling the marriage of Henry VIII of England and Charles's aunt Catherine of Aragon, so Henry eventually broke with Rome, thus leading to the English Reformation. In other respects, the war was inconclusive. In the Treaty of Cambrai (1529), called the "Ladies' Peace" because it was negotiated between Charles's aunt and Francis' mother, Francis renounced his claims in Italy but retained control of Burgundy. A third war erupted in 1536. Following the death of the last Sforza Duke of Milan, Charles installed his son Philip in the duchy, despite Francis's claims on it. This war too was inconclusive. Francis failed to conquer Milan, but he succeeded in conquering most of the lands of Charles's ally, the Duke of Savoy, including his capital Turin. A truce at Nice in 1538 on the basis of uti possidetis ended the war but lasted only a short time. War resumed in 1542, with Francis now allied with Ottoman Sultan Suleiman I and Charles once again allied with Henry VIII. Despite the conquest of Nice by a Franco-Ottoman fleet, the French could not advance toward Milan, while a joint Anglo-Imperial invasion of northern France, led by Charles himself, won some successes but was ultimately abandoned, leading to another peace and restoration of the status quo ante bellum in 1544. A final war erupted with Francis' son and successor, Henry II, in 1551. Henry won early success in Lorraine, where he captured Metz, but French offensives in Italy failed. Charles abdicated midway through this conflict, leaving further conduct of the war to his son, Philip II, and his brother, Ferdinand I, Holy Roman Emperor.
Question: What was Charles V involvement in France?
Answer: Charles's reign was taken up by conflicts with France, which found itself encircled by Charles's empire while it still maintained ambitions in Italy.
Question: What was his first conflict in France?
Answer: Charles visited England, where his aunt, Catherine of Aragon, urged her husband, Henry VIII, to ally himself with the emperor.
Question: Did he fight any battles in France?
Answer: The first war with Charles's great nemesis Francis I of France began in 1521.
Question: Did Charles or Francis I have any allies in the war?
Answer: successful, driving the French out of Milan and defeating and capturing Francis at the Battle of Pavia in 1525. To
Question: What happened to Francis after he was captured?
Answer: England and Pope Leo X against the French and the Venetians, and was highly successful, driving the French out of Milan and defeating and capturing Francis
Question: Was Francis executed?
Answer: ultimately abandoned, leading to another peace and restoration of the status quo ante bellum in 1544.
Question: Who won the final war? | [
"Henry won early success in Lorraine, where he captured Metz, but French offensives in Italy failed."
] |
Title: Melanie Oudin
Background: Melanie Oudin (born September 23, 1991) is a former American tennis player and former world junior No. 2. She was a member of the American Fed Cup team from 2009 to 2011 and winner of the 2011 US Open mixed doubles title, with fellow American player Jack Sock. As a 17-year-old in the middle of 2009, Oudin reached the round of 16 of the Wimbledon Championships, followed by a quarterfinal at the US Open six weeks later. She reached a career-high ranking of world No. 31 on April 19, 2010.
Section: 2008-09: Breakthrough in WTA, US Open quarterfinal, and top-50 ranking
Passage: Oudin turned professional in February 2008. In April 2008, she received a wildcard at the WTA tournament in Miami where she lost in the first round to Tathiana Garbin in three sets. In August, Oudin received a wildcard into her first Grand Slam main draw at the US Open. She was defeated by Australian Jessica Moore 7-6, 7-6. In October that year, Oudin participated in the Bell Challenge in Quebec City. In the first round, she defeated third seed Sybille Bammer, 6-4, 3-6, 7-5. In the second round, she defeated Russian Olga Puchkova, 6-1, 7-6. Reaching her first WTA quarterfinals, she was defeated by sixth seed Bethanie Mattek, 7-6, 6-1. Oudin began 2009 by qualifying for the main draw of the Australian Open. She was then defeated in the first round by Akgul Amanmuradova, 6-1, 6-4. At the 2009 Wimbledon Championships, Oudin entered as a qualifier. She defeated No. 29 Sybille Bammer in three sets in the first round and Yaroslava Shvedova in three sets in the second. Oudin defeated also world No. 6 Jelena Jankovic, 6-7, 7-5, 6-2 but lost to Agnieszka Radwanska in the fourth round, 4-6, 5-7. At the US Open, Oudin entered as a wildcard. In her first-round match, she easily defeated Anastasia Pavlyuchenkova, 6-1, 6-2. In the second round, she stunned fourth-seeded Elena Dementieva, 5-7, 6-4, 6-3, in her Arthur Ashe Stadium debut. Then in the third round, she defeated a resurgent Maria Sharapova, 3-6, 6-4, 7-5. At 17 years of age, Oudin reached the fourth round of a major event for the second consecutive time. In the fourth round, she played another Russian, 13th-seeded Nadia Petrova. She defeated Petrova, 1-6, 7-6, 6-3, to reach the quarterfinals of the event. She became the youngest woman since Serena Williams in 1999 to reach the quarterfinals at the US Open, and the youngest since Maria Sharapova to reach the quarterfinals at a Major. Her Cinderella story ended when ninth-seeded Caroline Wozniacki defeated her, 6-2, 6-2. A standing ovation occurred when Oudin was leaving the court. After the US Open, Oudin's ranking rose into the top 50, her first appearance there.
Question: What rank did she end up with?
Answer: After the US Open, Oudin's ranking rose into the top 50, her first appearance there.
Question: Where did she play before becoming professional? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Melanie Oudin
Background: Melanie Oudin (born September 23, 1991) is a former American tennis player and former world junior No. 2. She was a member of the American Fed Cup team from 2009 to 2011 and winner of the 2011 US Open mixed doubles title, with fellow American player Jack Sock. As a 17-year-old in the middle of 2009, Oudin reached the round of 16 of the Wimbledon Championships, followed by a quarterfinal at the US Open six weeks later. She reached a career-high ranking of world No. 31 on April 19, 2010.
Section: 2012: Inconsistency, 1st WTA singles title
Passage: At the beginning of the season, Oudin lost in the first round of qualifying at the Australian Open to Laura Robson. Oudin qualified for the Family Circle Cup losing in the first round to 10th seed Anabel Medina Garrigues 4-6, 6-4, 0-6. On April 29th, she won the ITF 50k Boyd Tinsley Women's Clay Court Classic defeating 2nd seed and fellow American Irina Falconi in the final 7-6(0), 3-6, 6-1. She was awarded the USTA French Open Wild Card an account of her performance in the USTA Pro Circuit. At the French Open, Oudin drew Johanna Larsson of Sweden in the first round and won 6-3, 6-3. It was her first win ever at the French Open. In the second round, she lost to 21st seed and eventual finalist Sara Errani 6-2, 6-3. Oudin began her grass court season at the Aegon Trophy. After qualifying for the main draw, Oudin lost in the first round to Heather Watson 6-4, 1-6, 6-7(5). Next, Oudin competed at the Aegon Classic. She qualified for the main draw beating 8th seed Bibiane Schoofs and 16th seed Gail Brodsky. In the main draw, Oudin advanced to her 1st WTA fina defeating 10th seed Sorana Cirstea, qualifier Michelle Larcher De Brito, Elena Vesnina, Irina Falconi, and 8th seed Ekaterina Makarova. The tournament was filled with rain delays and Oudin had to cope with the difficulty of coming off and on the court. She then defeated 5th seed Jelena Jankovic 6-4, 6-2 in the final to win her first WTA title. Winning the tournament bumped up her ranking from 208 to 122. Her performance earned her a wildcard at Wimbledon. At Wimbledon, she was given one of seven wildcard entries into the main draw. In the first round, she lost to world No. 69 Timea Babos of Hungary in three sets 4-6, 6-4, 3-6. At the US Open on August 27, No. 107 ranked Oudin was unseeded and lost to fifteenth seed Lucie Safarova of the Czech Republic in straight sets 4-6, 0-6. In the women's doubles, she also lost in the first round teaming up with Grace Min. With the 2012 season coming to a close, Oudin played several tournaments on the ITF tour. At the National Bank Challenger Saguenay 50k in Canada, she advanced to the semifinals before losing to Eugenie Bouchard 2-6, 2-6. At the John Newcombe Women's Pro Challenge in New Braunfels, Texas, she defeated wildcard Victoria Duval in the first round. With wins over Ulrikke Eikeri and Madison Keys, she made it to the final where she defeated Mariana Duque 6-1, 6-1. In this tournament, Oudin didn't drop a set.
Question: when did she get her first WTA singles title?
Answer: In the main draw, Oudin advanced to her 1st WTA fina defeating 10th seed Sorana Cirstea,
Question: did she lose many matches during 2012?
Answer: she advanced to the semifinals before losing to Eugenie Bouchard 2-6, 2-6.
Question: what is the most interesting thing in your article?
Answer: Oudin began her grass court season at the Aegon Trophy.
Question: How did she do at the Aegon Trophy?
Answer: After qualifying for the main draw, Oudin lost in the first round to Heather Watson 6-4, 1-6, 6-7(5).
Question: What was she doing at the end of 2012?
Answer: she defeated wildcard Victoria Duval in the first round.
Question: Did she receive any awards during this time?
Answer: CANNOTANSWER
Question: What else happened during 2012 that made her "inconsistent"? | [
"With wins over Ulrikke Eikeri and Madison Keys, she made it to the final where she defeated Mariana Duque 6-1, 6-1."
] |
Title: Kim Kardashian
Background: Kardashian was born on October 21, 1980 in Los Angeles, California, the daughter of Robert and Kris (nee Houghton). She has an older sister, Kourtney, a younger sister, Khloe, and a younger brother, Rob. Their mother is of Dutch, English, Irish, and Scottish ancestry, while their father was a third-generation Armenian-American. After their parents divorced in 1991, her mother married again that year, to Caitlyn Jenner (then Bruce), the 1976 Summer Olympics decathlon winner.
Section: 2007-2009: Breakthrough with reality television
Passage: In February 2007, a sex tape made by Kardashian and Ray J in 2003 was leaked. Kardashian filed a lawsuit against Vivid Entertainment, who distributed the film as Kim K Superstar. She later dropped the suit and settled for a reported US$5 million. In October 2007 Kardashian, in addition to her mother Kris Jenner, her step-parent Caitlyn Jenner (Bruce), her siblings Kourtney, Khloe, and Rob Kardashian, and half-sisters Kendall and Kylie Jenner, began to appear in the reality television series Keeping Up with the Kardashians. The series proved successful for E!, and has led to the creations of spin-offs including Kourtney and Kim Take New York and Kourtney and Kim Take Miami. In one of the episodes, Kim discussed an offer from Playboy to appear nude in the magazine. That December, Kardashian posed for a nude pictorial for Playboy. In 2008, she made her feature film debut in the disaster film spoof Disaster Movie, in which she appeared as a character named Lisa. That same year, she was a participant on season seven of Dancing with the Stars, where she was partnered with Mark Ballas. Kardashian was the third contestant to be eliminated. In January 2009, Kardashian made a cameo appearance during an episode of the sitcom How I Met Your Mother, in the episode "Benefits". In April, she released a workout DVD series through her television production company Kimsaprincess Productions, LLC which has seen the release of three successful workout videos, Fit in Your Jeans by Friday, with trainers Jennifer Galardi and Patrick Goudeau. Kardashian played Elle in four episodes of the television series Beyond the Break. Kardashian become a guest host of WrestleMania XXIV and guest judge on America's Next Top Model in August of that year. In September, Fusion Beauty and Seven Bar Foundation launched "Kiss Away Poverty", with Kardashian as the face of the campaign. For every LipFusion lipgloss sold, US$1 went to the Foundation to fund women entrepreneurs in the US. The following month, she released her first fragrance self-titled "Kim Kardashian". In December 2009, Kardashian made a guest star appearance on CBS's CSI: NY with Vanessa Minnillo.
Question: Which reality show was she on first?
Answer: Keeping Up with the Kardashians.
Question: What years was Keeping Up With The Kardashians on the air? | [
"October 2007"
] |
Title: Kim Kardashian
Background: Kardashian was born on October 21, 1980 in Los Angeles, California, the daughter of Robert and Kris (nee Houghton). She has an older sister, Kourtney, a younger sister, Khloe, and a younger brother, Rob. Their mother is of Dutch, English, Irish, and Scottish ancestry, while their father was a third-generation Armenian-American. After their parents divorced in 1991, her mother married again that year, to Caitlyn Jenner (then Bruce), the 1976 Summer Olympics decathlon winner.
Section: Fashion ventures
Passage: Kardashian is one of the many celebrity turned entrepreneurs who are able to leverage their television success by launching profitable side businesses. Kardashian is the founder of the television production company, Kimsaprincess Productions LLC, which produces workout DVDs, launched an eponymous fragrance line and the e-commerce shoe shopping website, ShoeDazzle. With her sisters Kourtney and Khloe, she also owns and is expanding D-A-S-H clothing boutiques, designed a clothing line for Bebe and nabbed diet (Quick Trim) and skincare (PerfectSkin) products endorsements. In 2006, Kardashian entered the business world with her two sisters and opened the boutique shop D-A-S-H in Calabasas, California. In 2007, Kardashian and three partners Brian Lee, Robert Shapiro and MJ Eng founded ShoeDazzle, an online shoe and accessories website. The site now boasts more than 3 million customers, who pay a monthly fee for access to a personalized selection of shoes, jewelry and handbags every month. The site also landed a $40-million investment from the venture capital firm Andreessen Horowitz. The company is valued at $280 million as of 2012. In March 2009, she launched an endorsement with her company, ShoeDazzle shopping, of which she is the co-founder and chief fashion stylist. She then endorsed multiple other projects including a vanilla cupcake mix flavor called 'Va-Va-Va-Nilla' for the bakery, Famous Cupcakes. Beginning in early 2010, Kardashian and her sisters designed and developed clothing lines for Bebe stores and 'Virgins, Saints, and Angels'. In April 2010, Kardashian and her sisters released a sunless tanner "Kardashian Glamour Tan", that month. In October 2011, Kardashian and her sisters opened their Kardashian Khaos store in Las Vegas. In November 2012, Kardashian and her sisters internationally launched the 'Kardashian Kollection' in England, as well as launching a line of cosmetics, 'Khroma Beauty'.
Question: What beauty product did she use to donate to fund women entrepreneurs?
Answer: CANNOTANSWER
Question: What is the name of her television production company?
Answer: Kardashian is the founder of the television production company, Kimsaprincess Productions LLC,
Question: She also promoted 2 other lines of business. What were they? | [
"launched an eponymous fragrance line and the e-commerce shoe shopping website, ShoeDazzle."
] |
Title: New York Dolls
Background: The New York Dolls were an American hard rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although their original line-up fell apart quickly, the band's first two albums--New York Dolls (1973) and Too Much Too Soon (1974)--became among the most popular cult records in rock.
Section: Formation
Passage: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways. Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia. The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert.
Question: What was the formation?
Answer: In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar.
Question: Was the formation an album?
Answer: band.
Question: Can you share anything else interesting about the formation? | [
"An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls."
] |
Title: New York Dolls
Background: The New York Dolls were an American hard rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although their original line-up fell apart quickly, the band's first two albums--New York Dolls (1973) and Too Much Too Soon (1974)--became among the most popular cult records in rock.
Section: Dissolution: 1975-77
Passage: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play. In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986. After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 ,
Question: What happened in 1975?
Answer: By 1975 the Dolls were playing smaller venues than they had been previously.
Question: What caused the dissolution?
Answer: It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau
Question: Was there a lot of conflict leading up to them breaking up?
Answer: Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up
Question: What was the argument about?
Answer: CANNOTANSWER
Question: How long did they continue to play shows? | [
"The group played its last show December 30, 1976 ,"
] |
Title: Frank Gifford
Background: Gifford was born in Santa Monica, California, the son of Lola Mae (nee Hawkins) and Weldon Gifford, an oil driller. He graduated from Bakersfield High School. Following Gifford's death in 2015, his wife Kathie Lee Gifford said that her late husband grew up in a poverty-stricken home and that he and his family sometimes ate dog food. She said they lived in 29 places even before Gifford attended high school because his father could not find work during the Depression.
Section: Personal life
Passage: Gifford married his college sweetheart, USC's homecoming queen Maxine Avis Ewart, on January 13, 1952, after she became pregnant while they were students at USC. They had three children, Jeff (b. 1952), Kyle and Victoria, and five grandchildren. Victoria married Michael LeMoyne Kennedy, son of Robert F. Kennedy. Gifford was then married to fitness trainer Astrid Lindley from 1978 to 1986. The first two marriages ended in divorce. Gifford married television presenter and singer Kathie Lee Johnson, who was 23 years his junior, on October 18, 1986. The couple settled in Greenwich, Connecticut, with their son, Cody Newton Gifford, and daughter, Cassidy Erin Gifford. Gifford and his third wife Kathie Lee both shared the same birthday, which was August 16. The couple co-hosted ABC's coverage of the 1988 Winter Olympics in Calgary. Gifford had an older sister and younger brother, Winona and Waine. In 1997, the tabloid magazine Globe arranged to have Gifford secretly videotaped being seduced by former flight attendant Suzen Johnson in a New York City hotel room. They published photos and stories. ESPN reported that the tabloid paid Johnson $75,000 to lure Gifford to the room, while The Atlantic said it was $125,000. National Enquirer Editor Steve Coz observed, "There's a difference between reporting the news and creating the news ... [w]ithout The Globe, there would be no story here. I'm in the tabloid industry, and this is way over the top. It's downright cruel." According to the former lawyer of Johnny Carson, Henry Bushkin, Gifford had an affair with Carson's second wife Joanne in 1970.
Question: Was Gifford married?
Answer: Gifford married his college sweetheart, USC's homecoming queen Maxine Avis Ewart, on January 13, 1952, after she became pregnant while they were students at USC.
Question: Did they have any children?
Answer: They had three children, Jeff (b. 1952), Kyle and Victoria,
Question: Is there anythign else notable during this time? | [
"Gifford was then married to fitness trainer Astrid Lindley from 1978 to 1986."
] |
Title: Johnny Carson
Background: John William Carson (October 23, 1925 - January 23, 2005) was an American television host, comedian, writer, and producer. He is best known as the host of The Tonight Show Starring Johnny Carson (1962-1992). Carson received six Emmy Awards, the Television Academy's 1980 Governor's Award, and a 1985 Peabody Award. He was inducted into the Television Academy Hall of Fame in 1987.
Section: Early radio and television
Passage: Carson began his broadcasting career in 1950 at WOW radio and television in Omaha, Nebraska. Carson soon hosted a morning television program called The Squirrel's Nest. One of his routines involved interviewing pigeons on the roof of the local courthouse that would report on the political corruption they had seen. Carson supplemented his income by serving as master of ceremonies at local church dinners, attended by some of the same politicians and civic leaders whom he had lampooned on the radio. The wife of one of the Omaha political figures Carson spoofed owned stock in a radio station in Los Angeles, and in 1951 referred Carson to her brother, who was influential in the emerging television market in southern California. Carson joined CBS-owned Los Angeles television station KNXT. In 1953, comic Red Skelton--a fan of Carson's "cult success" low-budget sketch comedy show, Carson's Cellar (1951 to 1953) on KNXT--asked Carson to join his show as a writer. In 1954, Skelton during rehearsal accidentally knocked himself unconscious an hour before his live show began, and Carson successfully filled in for him. In 1955, Jack Benny invited Carson to appear on one of his programs during the opening and closing segments. Carson imitated Benny and claimed that Benny had copied his gestures. Benny predicted that Carson would have a successful career as a comedian. Carson hosted several shows besides Carson's Cellar, including the game show Earn Your Vacation (1954) and the CBS variety show The Johnny Carson Show (1955-1956). He was a guest panelist on the original To Tell the Truth starting in 1960, later becoming a regular panelist from 1961 until 1962. After the prime time The Johnny Carson Show failed, he moved to New York City to host Who Do You Trust? (1957-1962), formerly known as Do You Trust Your Wife?. In 1958, he appeared as a guest star in an episode entitled "Do You Trust Your Wife" on NBC's short-lived variety show, The Polly Bergen Show. On Who Do You Trust?, Carson met his future sidekick and straight man, Ed McMahon. Although he believed moving to daytime would hurt his career, Who Do You Trust? was a success. It was the first show where he could ad lib and interview guests, and because of Carson's on-camera wit, the show became "the hottest item on daytime television" during his five years at ABC.
Question: what did he do on early radio?
Answer: hosted a morning television program called The Squirrel's Nest.
Question: did he have a huge audience?
Answer: The wife of one of the Omaha political figures Carson spoofed owned stock in a radio station in Los Angeles,
Question: Are there any other interesting aspects about this article?
Answer: Carson hosted several shows besides Carson's Cellar,
Question: which shows?
Answer: including the game show Earn Your Vacation (1954) and the CBS variety show The Johnny Carson Show
Question: who did he work with?
Answer: Carson met his future sidekick and straight man, Ed McMahon.
Question: did he work with anyone else? | [
"Jack Benny invited Carson to appear on one of his programs during the opening and closing segments."
] |
Title: Johnny Carson
Background: John William Carson (October 23, 1925 - January 23, 2005) was an American television host, comedian, writer, and producer. He is best known as the host of The Tonight Show Starring Johnny Carson (1962-1992). Carson received six Emmy Awards, the Television Academy's 1980 Governor's Award, and a 1985 Peabody Award. He was inducted into the Television Academy Hall of Fame in 1987.
Section: Move to Burbank
Passage: On May 1, 1972, the show was moved from Thirty Rockefeller Plaza, New York, to Burbank, California, because of the studio's proximity to the celebrities. Carson often joked about "beautiful downtown Burbank" and referred to "beautiful downtown Bakersfield", which prompted Bakersfield Mayor Mary K. Shell to chide Carson and invite him to her city to see improvements made during the early 1980s. From July 1971, Carson stopped hosting five shows per week. Instead, Mondays featured a guest host, leaving Carson to host the other four weeknights. Shows were videotaped in Burbank at 5:30 pm, fed from there to the Central and Eastern time zone stations via cross-country television line at 8:30 pm Pacific time (11:30 pm Eastern time), and later sent from Burbank to the Pacific time zone stations at 11:30 pm Pacific time. Since only two feeds originated from Burbank, Central time zone stations received the Eastern feed one hour earlier at 10:30 pm local time, and Mountain time stations received the Pacific time zone feed one hour later at 12:30 am local time. In 1980, at Carson's request, the show cut its 90-minute format to 60 minutes on September 16; Tom Snyder's Tomorrow added a half-hour to fill the vacant time. Joan Rivers became the "permanent" guest host from September 1983 until 1986. The Tonight Show returned to using rotating guest hosts, including comic George Carlin. Jay Leno then became the exclusive guest host in fall 1987. Leno joked that although other guest hosts had upped their fees, he had kept his low, assuring himself more bookings. Eventually, Monday night was for Leno, Tuesday for The Best of Carson--rebroadcasts usually dating from a year earlier, but occasionally from the 1970s. Although Carson's work schedule became more attenuated, Tonight remained so successful that his compensation from NBC continued to rise; by the mid-1970s, he had become the highest-paid personality on television, earning about $4 million a year ($15,008,000 today), not including nightclub appearances and his other businesses. He refused many offers to appear in films, including title roles in The Thomas Crown Affair and Gene Wilder's role in Blazing Saddles. He also declined director Martin Scorsese's offer to co-star with Robert De Niro in the 1983 film The King of Comedy, the role of a TV talk-show host then going to Jerry Lewis. In recognition of his 25th anniversary on The Tonight Show, Carson received a personal Peabody Award, the board saying he had "become an American institution, a household word, [and] the most widely quoted American." They also said they "felt the time had come to recognize the contributions that Johnny has made to television, to humor, and to America."
Question: What year did he move to burbank?
Answer: 1972,
Question: What did he host in Burbank?
Answer: show
Question: How often was his show on?
Answer: CANNOTANSWER
Question: what improvments were made in the 1980s? | [
"beautiful downtown Bakersfield\","
] |
Title: Bert Convy
Background: Convy was born in St. Louis, Missouri, the son of Monica (nee Whalen) and Bernard Fleming Convy. Convy's family moved to Los Angeles when he was seven years old. He later attended North Hollywood High School where he was an all-around athlete. The Philadelphia Phillies offered him a contract when he was just 17 and he played two years of minor league baseball in 1951-52.
Section: Acting
Passage: He turned to acting full-time in 1956 and was in the musical The Billy Barnes Revue in Los Angeles before moving to New York City. He appeared in 10 Broadway shows, including "Nowhere to Go but Up", Cabaret (originator of the role of Cliff, Sally Bowles' boyfriend), and The Impossible Years. He played the reporter Hildy Johnson in a 1969 Broadway revival of The Front Page, which starred Robert Ryan. In the original Broadway cast of Fiddler on the Roof with Zero Mostel, Convy played Perchik the Student and sang "Now I Have Everything". In the 1960-1961 season, Convy guest starred on Pat O'Brien's short-lived sitcom Harrigan and Son as well as the series 77 Sunset Strip in the role of David. He was also cast on an episode of The Mary Tyler Moore Show as Mary's friend Jack Foster, alongside future Alice star Beth Howland. In 1973, Convy was a guest star in two episodes of Hawaii Five-O. Convy also guest starred in an episode of Perry Mason titled "The Case of the Nimble Nephew". He played Harry Thompson, the defendant. In 1974, Convy portrayed Lt. Steve Ostrowski, the police officer nephew of elderly amateur sleuths on the short-lived series The Snoop Sisters. Convy attempted a short-lived variety series called The Late Summer Early Fall Bert Convy Show in 1976. In 1979, he appeared with the Dallas Cowboys Cheerleaders in their eponymous television movie. Throughout his career, Convy was a frequent guest star on series such as Bewitched, Hawaii Five-O, The Partridge Family, Mission: Impossible, The Silent Force, The New Phil Silvers Show, Fantasy Island, Charlie's Angels and Murder, She Wrote (including the pilot episode). In 1983, Convy was cast as Neil Townsend on the sitcom It's Not Easy, playing opposite Ken Howard. Convy had joined the project when it was recast after its intended premiere in the 1982-83 season was delayed; he earned the role originally given to Larry Breeding, who was killed in a car accident in September 1982 after the first pilot was shot. Convy also starred in several movies, perhaps most memorably Semi-Tough (1977), in which he played a caricature of Werner Erhard named Friedrich Bismark. Other film credits included A Bucket of Blood (1959), Susan Slade (1961), Philippe de Broca's Les Caprices de Marie (1970), SST: Death Flight (1977), the horror film Jennifer (1978), Hanging by a Thread (1979), Racquet (1979), The Man in the Santa Claus Suit (1979), Hero at Large (1980), The Cannonball Run (1981), and the television movie Help Wanted: Male (1982). Convy tried his hand at directing with the comedy Weekend Warriors (1986). In 1980, Convy produced and directed the Goodspeed Opera House premiere of the musical Zapata, with music and lyrics by Harry Nilsson and Perry Botkin, Jr., and libretto by Allan Katz.
Question: When did Convy start acting?
Answer: He turned to acting full-time in 1956
Question: What show did he start acting in?
Answer: the musical The Billy Barnes Revue in Los Angeles before moving to New York City.
Question: why did he move to NY?
Answer: He appeared in 10 Broadway shows,
Question: Any more shows he acted in? | [
"In the 1960-1961 season, Convy guest starred on Pat O'Brien's short-lived sitcom Harrigan and Son"
] |
Title: Bert Convy
Background: Convy was born in St. Louis, Missouri, the son of Monica (nee Whalen) and Bernard Fleming Convy. Convy's family moved to Los Angeles when he was seven years old. He later attended North Hollywood High School where he was an all-around athlete. The Philadelphia Phillies offered him a contract when he was just 17 and he played two years of minor league baseball in 1951-52.
Section: Game shows
Passage: In the 1960s and 1970s, Convy was a popular semi-regular panelist on several game shows, including What's My Line?, To Tell the Truth, Match Game (he would later star as the host of the pilot for Match Game '90 in 1989) and Password. He soon took the podium himself as host of several game shows, including the fourth edition of Password (called Super Password) (1984-1989) and Tattletales (1974-1978, 1982-1984), for which he was awarded an Emmy Award for Best Game Show Host in 1977. In 1979, he appeared on Password Plus with fellow celebrity contestants such as Elizabeth Montgomery, Carol Burnett, Phyllis Diller, Judy Norton Taylor, Marcia Wallace and Elaine Joyce. Convy and Burt Reynolds formed their own production company, Burt and Bert Productions, during the 1980s. Their first production was a game show based on Pictionary titled Win, Lose or Draw, which made its debut in 1987 as part of the NBC daytime lineup and in nightly syndication. Convy hosted the syndicated edition of Win, Lose or Draw for its first two seasons, then left the show to host another of his company's productions, the syndicated 3rd Degree. When 3rd Degree went to pilot, Peter Marshall was brought in to be the host. When the series was picked up for syndication, however, Convy decided to leave his position as the host of the syndicated edition of Win, Lose or Draw and take Marshall's place on 3rd Degree. Marshall filed a lawsuit against Convy for the action, but later dropped it after Convy's cancer diagnosis was made public. Around the time that 3rd Degree was cancelled, Convy was called upon by Mark Goodson Productions again to host a week's worth of pilot episodes for a revival of Match Game that Goodson was attempting to sell to ABC.
Question: Did Convy host game shows?
Answer: He soon took the podium himself as host of several game shows,
Question: Did he compete on any game shows? | [
"Convy was a popular semi-regular panelist on several game shows, including What's My Line?, To Tell the Truth, Match Game ("
] |
Title: Pancho Villa
Background: Villa told a number of conflicting stories about his early life, and his "early life remains shrouded in mystery." According to most sources, he was born on 5 June 1878, and named Jose Doroteo Arango Arambula at birth. His father was a sharecropper named Agustin Arango, and his mother was Micaela Arambula. He grew up at the Rancho de la Coyotada, one of the largest haciendas in the state of Durango.
Section: Governor of Chihuahua
Passage: Villa was a brilliant tactician on the battle field, which translated to political support. In 1913, local military commanders elected him provisional governor of the state of Chihuahua against the wishes of First Chief Carranza, who wished to name Manuel Chao instead. As Governor of Chihuahua, Villa recruited more experienced generals, including Toribio Ortega, Porfirio Talamantes, and Calixto Contreras to his military staff and achieved more success than ever. Villa's secretary, Perez Rul, divided his army into two groups, one led by Ortega, Contreras, and Orestes Pereira and the other led by Talamantes and Contreras' former deputy, Severianco Ceniceros. Villa's war tactics were studied by the United States Army and a contract with Hollywood was made whereby Hollywood would be allowed to film Villa's movements and 50% of Hollywood's profit would be paid to Villa to support the Revolution. As governor of Chihuahua, Villa raised more money for a drive to the south against Huerta's Federal Army by various methods. He printed his own currency and decreed that it could be traded and accepted at par with gold Mexican pesos. He forced the wealthy to give loans to fund the revolutionary war machinery. He confiscated gold from several banks, and in the case of the Banco Minero he held a member of the bank's owning family, the wealthy Terrazas clan, as a hostage until the location of the bank's hidden gold reserves was revealed. He also appropriated land owned by the hacendados (owners of the haciendas) and redistributed it to the widows and family of dead revolutionaries. Villa's political stature at that time was so high that banks in El Paso, Texas, accepted his paper pesos at face value. His generalship drew enough admiration from the U.S. military that he and Alvaro Obregon were invited to Fort Bliss to meet Brigadier General John J. Pershing. Returning to Mexico, Villa gathered supplies for a drive to the south. With so many sources of money, Villa expanded and modernized his forces, purchasing draft animals, cavalry horses, arms, ammunition, mobile hospital facilities (railroad cars and horse ambulances staffed with Mexican and foreign volunteer doctors, known as Servicio sanitario), and other supplies, and rebuilt the railroad south of Chihuahua City. He also recruited fighters from Chihuahua and Durango and created a large army known as the Division del Norte (Division of the North), the most powerful and feared military unit in all of Mexico. The rebuilt railroad transported Villa's troops and artillery south, where he defeated the Federal Army forces in a series of battles at Gomez Palacio, Torreon, and eventually at the heart of Huerta's regime in Zacatecas.
Question: When did he become govenor
Answer: In 1913, local military commanders elected him provisional governor
Question: What did he do as govenor
Answer: As Governor of Chihuahua, Villa recruited more experienced generals, including Toribio Ortega, Porfirio Talamantes, and Calixto Contreras to his military staff
Question: How much he raised | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Pancho Villa
Background: Villa told a number of conflicting stories about his early life, and his "early life remains shrouded in mystery." According to most sources, he was born on 5 June 1878, and named Jose Doroteo Arango Arambula at birth. His father was a sharecropper named Agustin Arango, and his mother was Micaela Arambula. He grew up at the Rancho de la Coyotada, one of the largest haciendas in the state of Durango.
Section: Victory at Zacatecas, 1914
Passage: After Villa successfully captured the strategic prize of Torreon, Carranza ordered Villa to break off action south of Torreon and instead to divert to attack Saltillo. He threatened to cut off Villa's coal supply, immobilizing his supply trains, if he did not comply. This was widely seen as an attempt by Carranza to divert Villa from a direct assault on Mexico City in order to allow Carranza's forces under Alvaro Obregon, driving in from the west via Guadalajara, to take the capital first. This was an expensive and disruptive diversion for the Division del Norte. Villa's enlisted men were not unpaid volunteers but paid soldiers, earning the then enormous sum of one peso per day. Each day of delay cost thousands of pesos. Disgusted but having no practical alternative, Villa complied with Carranza's order and captured the less important city of Saltillo, and then offered his resignation. Felipe Angeles and the rest of Villa's staff officers argued for Villa to withdraw his resignation, defy Carranza's orders, and proceed to attack Zacatecas, a strategic railroad station heavily defended by Federal troops and considered nearly impregnable. Since the colonial era, Zacatecas was the source of much of Mexico's silver, and thus a supply of funds for whoever held it. Villa accepted his staff's advice and cancelled his resignation, and the Division del Norte defied Carranza and attacked Zacatecas. Attacking up steep slopes, the Division del Norte defeated the Federals in the Toma de Zacatecas (Taking of Zacatecas), the single bloodiest battle of the Revolution, with Federal casualties numbering approximately 7,000 dead and 5,000 wounded, and unknown numbers of civilian casualties. (A memorial to and museum of the Toma de Zacatecas is on the Cerro de la Bufa, a key defense point where the Federal Army was entrenched.) Villa's victory at Zacatecas in June 1914 broke the back of the Huerta regime. Huerta left the country on 14 July 1914. The Federal Army collapsed, ceasing to exist as an institution. In August 1914, Carranza and his revolutionary army entered Mexico City ahead of Villa. Civil war between the winners was the next stage of the Revolution.
Question: What happened at the battle of Zacatecas?
Answer: Villa's victory at Zacatecas in June 1914 broke the back of the Huerta regime. Huerta left the country on 14 July 1914.
Question: Were there many casuealties? | [
"with Federal casualties numbering approximately 7,000 dead and 5,000 wounded,"
] |
Title: Tab Hunter
Background: Hunter was born in New York City, the son of Gertrude (nee Gelien) and Charles Kelm. His mother, from Hamburg, was a German Roman Catholic immigrant, and his father was Jewish. Hunter's father was reportedly abusive, and within a few years of his birth, his parents divorced. Tab grew up in California with his mother, older brother Walter, and maternal grandparents, John Henry and Ida (nee Sonnenfleth)
Section: Music career
Passage: Hunter had a 1957 hit record with the song "Young Love," which was No. 1 on the Billboard Hot 100 chart for six weeks (seven weeks on the UK Chart) and became one of the larger hits of the Rock 'n' Roll era. It sold over one million copies, and was awarded a gold disc by the RIAA. He had the hit, "Ninety-Nine Ways," which peaked at No. 11 in the US and No. 5 in the UK. His success prompted Jack L. Warner to enforce the actor's contract with the Warner Bros. studio by banning Dot Records, the label for which Hunter had recorded the single (and which was owned by rival Paramount Pictures), from releasing a follow-up album he had recorded for them. He established Warner Bros. Records specifically for Hunter. Hunter's acting career was also at its zenith. William Wellman used him again in a war film, Lafayette Escadrille (1958). Columbia Pictures borrowed him for a Western, Gunman's Walk (1958), a film that Hunter considers his favorite role. Hunter starred in the 1958 musical film Damn Yankees, in which he played Joe Hardy of Washington, D.C.'s American League baseball club. The film had originally been a Broadway show, but Hunter was the only one in the film version who had not appeared in the original cast. The show was based on the 1954 best-selling book The Year the Yankees Lost the Pennant by Douglass Wallop. Hunter later said the filming was hellish because director George Abbott was only interested in recreating the stage version word for word. He also starred in They Came to Cordura (1959), with Gary Cooper and Rita Hayworth. Sidney Lumet starred him opposite Sophia Loren in That Kind of Woman (1959).
Question: What was his first album?
Answer: Hunter had a 1957 hit record with the song "Young Love,"
Question: Who has he sing with?
Answer: He had the hit, "Ninety-Nine Ways,"
Question: What other song has he sing?
Answer: CANNOTANSWER
Question: When did he start to sing?
Answer: 1957
Question: Who does he work with?
Answer: director George Abbott
Question: any other important information?
Answer: He also starred in They Came to Cordura (1959), with Gary Cooper and Rita Hayworth.
Question: What does he do apart from music? | [
"Hunter's acting career was also at its zenith."
] |
Title: Tab Hunter
Background: Hunter was born in New York City, the son of Gertrude (nee Gelien) and Charles Kelm. His mother, from Hamburg, was a German Roman Catholic immigrant, and his father was Jewish. Hunter's father was reportedly abusive, and within a few years of his birth, his parents divorced. Tab grew up in California with his mother, older brother Walter, and maternal grandparents, John Henry and Ida (nee Sonnenfleth)
Section: Warner Bros.
Passage: One of Hunter's first films for Warners was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1955). It was a solid hit and Hunter began to get more notice. His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros largest grossing film of that year, cementing Hunter's position as one of Hollywood's top young romantic leads. In September 1955 the tabloid magazine Confidential reported Hunter's 1950 arrest for disorderly conduct. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing his more prominent client Rock Hudson's sexual orientation to the public. Not only did this have no negative effect on Hunter's career, a few months later he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations. In 1956, he received 62,000 Valentines. Hunter, James Dean and Natalie Wood were the last of the actors placed under exclusive studio contract to Warner Bros. Warners decided to promote him to star status, teaming him with Natalie Wood in two back-to-back films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be hits with audiences and Warners planned a third teaming of Hunter and Wood. Hunter rejected the third picture, thus ending Warner's attempt to make Tab and Natalie the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955-1959.
Question: How was Hunter involved with Warner Bros?
Answer: One of Hunter's first films for Warners was The Sea Chase (1955),
Question: Was this successful/
Answer: It was a big hit,
Question: Did he receive any awards?
Answer: he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations.
Question: What did he do for Warner Bros? | [
"Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1955"
] |
Title: Frank Gifford
Background: Gifford was born in Santa Monica, California, the son of Lola Mae (nee Hawkins) and Weldon Gifford, an oil driller. He graduated from Bakersfield High School. Following Gifford's death in 2015, his wife Kathie Lee Gifford said that her late husband grew up in a poverty-stricken home and that he and his family sometimes ate dog food. She said they lived in 29 places even before Gifford attended high school because his father could not find work during the Depression.
Section: Broadcasting career
Passage: After his playing days ended, Gifford became a broadcaster for CBS, covering football, golf and basketball. When Monday Night Football was launched in 1970, ABC had originally planned to have Gifford in their broadcast booth, but he still had a year remaining on his contract with CBS. He therefore recommended his friend Don Meredith, who was hired. The following year, Gifford replaced Keith Jackson as Monday Night Football's play-by-play announcer, and remained involved with the show for 27 of its next 28 years. His low-key delivery provided a perfect counterbalance to broadcast partners Meredith and Howard Cosell. In an era with only three television broadcast networks, the series became the longest-running prime-time sports program in television history, and developed into one of television's most valuable franchises. In 1986, Al Michaels took over play-by-play duties, and Gifford switched to a commentator role. However, Gifford did play-by-play for the next several years (Gifford was joined by Lynn Swann on color commentary in 1986 and by Dan Dierdorf for the rest of his run on Monday Night Football) whenever Michaels was covering post-season baseball games for the network. Following his affair with airline flight attendant Suzen Johnson in 1997, Gifford was replaced in the broadcast booth by Boomer Esiason in 1998. That season, he was reassigned to a nominal role for ABC's Monday night pregame show, but the program was cancelled after one season. Gifford was not offered a new role by the network. Gifford was also host of British TV network Channel 4's NFL coverage with British born former New England Patriots kicker John Smith in 1986, which included coverage of Super Bowl XXI. Gifford was also a reporter and commentator on other ABC sports programs, such as coverage of the Olympics (including the controversial men's basketball Gold Medal game between the United States and Soviet Union at the 1972 Summer Olympics in Munich, which Gifford called alongside Bill Russell), skiing and golf. He announced Evel Knievel's jumps for ABC's Wide World of Sports in the 1970s, including when Knievel failed to clear 13 buses at Wembley Stadium in 1975. Gifford also guest hosted Good Morning America on occasion, including once when he met his future wife Kathie Lee. In 1977, Gifford won an Emmy Award for Outstanding Sports Personality. He was given the Pete Rozelle Radio-Television Award by the Pro Football Hall of Fame In 1995 for his NFL television work. Monday Night Football paid tribute to Gifford on September 14, 2015, by having ESPN announcers Mike Tirico and Jon Gruden wear the gold jackets that Gifford helped make famous as a broadcaster.
Question: Was Gifford's broadcasting career a success?
Answer: Gifford became a broadcaster for CBS, covering football, golf and basketball.
Question: Where at?
Answer: CBS,
Question: What kind of stuff did he broadcast?
Answer: year, Gifford replaced Keith Jackson as Monday Night Football's play-by-play announcer,
Question: How long did his broadcasting career last?
Answer: remained involved with the show for 27 of its next 28 years.
Question: Did his personal life get in the way of his broadcasting career? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Neil Diamond
Background: Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter, musician and actor. With 38 songs in the Top 10 on the Billboard Adult Contemporary charts, Diamond has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time. Neil Diamond has been touring around the world consecutively for 50 years. Neil Diamond 50 - 50th Anniversary Collection Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011.
Section: The 1990s
Passage: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus. The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game. The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half.
Question: What did he accomplish in this period?
Answer: Diamond produced six studio albums.
Question: What was a major achievement in this time?
Answer: In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special.
Question: Did he achieve much success in this time? | [
"He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart."
] |
Title: Neil Diamond
Background: Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter, musician and actor. With 38 songs in the Top 10 on the Billboard Adult Contemporary charts, Diamond has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time. Neil Diamond has been touring around the world consecutively for 50 years. Neil Diamond 50 - 50th Anniversary Collection Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011.
Section: Early life and education
Passage: Diamond was born in Brooklyn, New York, to a Jewish family descended from Russian and Polish immigrants. His parents were Rose (nee Rapaport) and Akeeba "Kieve" Diamond, a dry-goods merchant. He grew up in several homes in Brooklyn, having also spent four years in Cheyenne, Wyoming, where his father was stationed in the army. In Brooklyn he attended Erasmus Hall High School and was a member of the Freshman Chorus and Choral Club, along with classmate Barbra Streisand. They were not close friends at the time, Diamond recalls: "We were two poor kids in Brooklyn. We hung out in the front of Erasmus High and smoked cigarettes." After his family moved he then attended Abraham Lincoln High School, and was a member of the fencing team. Also on the team was his best friend, future Olympic fencer Herb Cohen. For his 16th birthday, he received his first guitar. When he was 16, and still in high school, Diamond spent a number of weeks at Surprise Lake Camp, a camp for Jewish children in upstate New York, when folk singer Pete Seeger performed a small concert. Seeing the widely recognized singer perform, and watching other children singing songs for Seeger that they wrote themselves, had an immediate effect on Diamond, who then became aware of the possibility of writing his own songs. "And the next thing, I got a guitar when we got back to Brooklyn, started to take lessons and almost immediately began to write songs," he said. He adds that his attraction to songwriting was the "first real interest" he had growing up, besides helping him release his youthful "frustrations". Diamond also used his newly developing skill to write poetry. By writing poems for girls he was attracted to in school, he soon learned it often won their hearts. His male classmates took note and began asking him to write poems for them which they would sing and use with equal success. He spent the summer following his graduation as a waiter in the Catskills resort area. There he first met Jaye Posner, who would years later become his wife. Diamond next attended New York University as a pre-med major on a fencing scholarship, again on the fencing team with Herb Cohen. He was a member of the 1960 NCAA men's championship fencing team. Often bored in class, he found writing song lyrics more to his liking. He began cutting classes and taking the train up to Tin Pan Alley, where he tried to get some of his songs heard by local music publishers. In his senior year, when he was just 10 units short of graduation, Sunbeam Music Publishing offered him a 16-week job writing songs for $50 a week (equivalent to about US$405 per week, in 2017 dollars), and he dropped out of college to accept it.
Question: Where was he born?
Answer: Diamond was born in Brooklyn, New York,
Question: What is his family background?
Answer: a Jewish family descended from Russian and Polish immigrants.
Question: What were his parents' occupation?
Answer: His parents were Rose (nee Rapaport) and Akeeba "Kieve" Diamond, a dry-goods merchant.
Question: How did he get into making music? | [
"For his 16th birthday, he received his first guitar."
] |
Title: Denny Hulme
Background: Denis Clive "Denny" Hulme, (18 June 1936 - 4 October 1992) was a New Zealand racing driver who won the 1967 Formula One World Drivers' Championship for the Brabham team. Between his debut at Monaco in 1965 and his final race in the 1974 US Grand Prix, he started 112 Grand Prix, resulting eight victories and 33 trips to the podium. He also finished third in the overall standing in 1968 and 1972. Hulme showed versatility by dominating the Canadian-American Challenge Cup (Can-Am) for Group 7 sports cars.
Section: After F1
Passage: After leaving the sport, Hulme led the GPDA (Grand Prix Drivers' Association) for a brief period, but the cut and thrust nature of the post was ill-suited to his gentlemanly nature and he did not fill the post for very long. He then retired to New Zealand, returning to touring cars to race occasionally in the Benson & Hedges 500 race at Pukekohe Park Raceway in the late 1970s first in Chrysler Chargers then later a Volkswagen Golf, partnering Stirling Moss on occasion for the 500 kilometre endurance format. Hulme began racing regularly again in 1982 with amateur racer Ray Smith, building up a team with the Holden Commodore V8 capable of winning the New Zealand Production Car Series for Group A touring cars in 1983/84. Hulme also started racing in Australia, racing in the team of former European compatriot Frank Gardner's JPS Team BMW, which included second in class at the 1984 Bathurst 1000. Hulme returned to Europe in 1986 racing in the European Touring Car Championship in a Tom Walkinshaw Racing prepared Rover Vitesse. That campaign culminated in a victory in the RAC Tourist Trophy, Hulme's fourth win in the event, 18 years after his third win. After that Hulme raced briefly for Bob Jane's Mercedes-Benz team before linking up with Larry Perkins in 1987, moving with Perkins in 1988 to the newly formed Holden Racing Team. It was with Holden, that Hulme would record his last visit to a podium, when he finished second, in the 1988 South Australia Cup. Hulme would later join Benson & Hedges Racing, another team run by Frank Gardner in 1990. In the meantime, Hulme was one of the founding drivers driver a truck racing craze in New Zealand in the early 1990s running Scania trucks, returning to Europe to race in European Truck Championship.
Question: What did Hulme do after leaving F1?
Answer: After leaving the sport, Hulme led the GPDA (Grand Prix Drivers' Association) for a brief period,
Question: Why did he only lead it for a brief period?
Answer: but the cut and thrust nature of the post was ill-suited to his gentlemanly nature and he did not fill the post for very long.
Question: What did he do after leaving the GPDA?
Answer: He then retired to New Zealand, returning to touring cars to race occasionally in the Benson & Hedges 500 race at Pukekohe Park Raceway
Question: What year was this in?
Answer: CANNOTANSWER
Question: What kind of cars was he racing in this time period?
Answer: in the late 1970s first in Chrysler Chargers then later a Volkswagen Golf, partnering Stirling Moss on occasion for the 500 kilometre endurance format.
Question: Did he have any notable wins during this time period?
Answer: Hulme began racing regularly again in 1982 with amateur racer Ray Smith,
Question: When did he stop racing? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Denny Hulme
Background: Denis Clive "Denny" Hulme, (18 June 1936 - 4 October 1992) was a New Zealand racing driver who won the 1967 Formula One World Drivers' Championship for the Brabham team. Between his debut at Monaco in 1965 and his final race in the 1974 US Grand Prix, he started 112 Grand Prix, resulting eight victories and 33 trips to the podium. He also finished third in the overall standing in 1968 and 1972. Hulme showed versatility by dominating the Canadian-American Challenge Cup (Can-Am) for Group 7 sports cars.
Section: Can-Am (1966-1972)
Passage: In 1966, while driving for the Brabham team in Formula One, Hulme drove in the inaugural season of the Can-Am racing series of FIA Group 7 racing, driving the same Sid Taylor entered Lola T70 he had driven with success in UK Group 7 races that year, but achieving no success in the Can-Am races. In 1967 he joined the McLaren team of New Zealand countryman Bruce McLaren for the series, replacing Chris Amon who had gone to Ferrari. This partnership became so successful, the Americans called them the 'Bruce and Denny Show', such was their domination. In the 1967 season, the year of his F1 Championship win with Brabham, Hulme finished second to team leader Bruce McLaren for the Can-Am championship, scoring three wins in six races and earning 24 points in the McLaren M6A. Hulme won the Can-Am Championship in 1968, taking three victories in the six race season, earning 35 points in the McLaren M8A. 1969 saw the McLaren team continue to dominate the series; driving the McLaren M8B, they won every race, with multiple 1-2 finishes, and even a 1-2-3 finish when Dan Gurney drove the spare car. Hulme scored five victories in eleven races in 1969, earning 160 points to finish second to teammate McLaren in the championship. The 1970 season was a difficult one for the team, as they mourned the loss of leader Bruce McLaren, who had died while pre-season testing the McLaren M8D "Batmobile" at the Goodwood Circuit. Teamed first with driver Dan Gurney, then with driver Peter Gethin, Hulme led the team with six wins in ten races, winning his second Can-Am Championship driving the M8D to 132 points--more than double the number of the second-place competitor. For the 1971 season Hulme's teammate was his good friend Peter Revson, who took the Can-Am crown that year with Hulme in second (three wins in ten races), driving the McLaren M8F. In his final season, Hulme drove the McLaren M20 to second place in the 1972 championship on 65 points, with two wins in the nine race season. Following his quiet start in the 1966 season, Hulme scored 22 wins with 11 second place and 2 third-place finishes in 52 Can-Am races from 1967 through 1972 - standing on the podium for 67% of the races during those six seasons. In those same six seasons, he was the Can-Am season champion twice, and championship runner-up four times. His 22 career wins are the most by any driver in the Can-Am series.
Question: What is can-Am?
Answer: Can-Am racing series of FIA Group 7 racing,
Question: Are there any other interesting aspects about this article?
Answer: In 1966, while driving for the Brabham team in Formula One, Hulme drove in the inaugural season of the Can-Am racing series of FIA Group 7 racing,
Question: When was his first win?
Answer: Hulme won the Can-Am Championship in 1968, taking three victories in the six race season,
Question: Did he have a rivalry with anyone?
Answer: CANNOTANSWER
Question: Did he ever crash?
Answer: CANNOTANSWER
Question: Was there another notable race?
Answer: Hulme led the team with six wins in ten races, winning his second Can-Am Championship driving the M8D to 132 points
Question: Who else did he race with? | [
"In the 1967 season, the year of his F1 Championship win with Brabham, Hulme finished second to team leader Bruce McLaren"
] |
Title: Linkin Park
Background: Linkin Park is an American rock band from Agoura Hills, California. Formed in 1996, the band rose to international fame with their debut album Hybrid Theory (2000), which was certified Diamond by the RIAA in 2005 and multi-Platinum in several other countries. Their following studio album Meteora continued the band's success, topping the Billboard 200 album chart in 2003, and was followed by extensive touring and charity work. Having adapted nu metal and rap metal to a radio-friendly yet densely layered style in Hybrid Theory and Meteora, the band explored other genres on their next studio album, Minutes to Midnight (2007).
Section: 2011-2013: Living Things and Recharged
Passage: In July 2011, Bennington told Rolling Stone that Linkin Park aims to produce a new album every eighteen months, and that he would be shocked if a new album did not come out in 2012. He later revealed in another interview in September 2011 that the band was still in the beginning phases of the next album, saying "We just kind of began. We like to keep the creative juices flowing, so we try to keep that going all the time ... we like the direction that we're going in". Later, on March 28, 2012, Shinoda confirmed that the band is filming a music video for "Burn It Down". Joe Hahn directed the video. Shinoda spoke to Co.Create about the album's art, saying that it will "blow them [the fans] away ... the average person is not going to be able to look at it and go, I understand that that's completely new, like not just the image but the way they made the image is totally new. So there's going to be that". On April 15, 2012, Shinoda announced that Living Things would be the title of Linkin Park's fifth album. Shinoda stated that they chose the title Living Things because the album is more about people, personal interactions, and it is far more personal than their previous albums. The band promoted the album on the 2012 edition of the Honda Civic Tour, with co-headliners Incubus. The band performed "Burn It Down" at 2012 Billboard Music Awards. On May 24, the band released the music video for "Burn It Down" and debuted "Lies Greed Misery", another song from Living Things, on BBC Radio 1. "Powerless", the twelfth and closing track of the album, was featured in the closing credits of the film Abraham Lincoln: Vampire Hunter. Living Things sold over 223,000 copies during its debut week, ranking No. 1 on the US Albums Charts. Linkin Park's single, "Castle of Glass", was nominated for 'Best Song in a Game' at the 2012 Spike Video Game Awards. The band also performed at the award ceremony on December 7, but lost the award to "Cities" by Beck. Linkin Park also played at the Soundwave music festival in Australia, where they shared the stage with Metallica, Paramore, Slayer and Sum 41. On August 10, 2013, the band collaborated with American musician Steve Aoki to record the song "A Light That Never Comes" for Linkin Park's online puzzle-action game LP Recharge (short for Linkin Park Recharge), which was launched on Facebook and the official LP Recharge website on September 12, 2013. On the day of the game's release, Linkin Park made a post on their Facebook explaining that the song used to promote the game would be included on a new remix album, entitled Recharged, which was released on October 29, 2013 on CD, vinyl, and digital download. Similar to Reanimation, the album features remixes of ten of the songs from Living Things, with contributions from other artists, such as Ryu of Styles of Beyond, Pusha T, Datsik, KillSonik, Bun B, Money Mark, and Rick Rubin. The band also worked on the soundtrack for the film Mall, which was directed by Joe Hahn.
Question: What is Living Things?
Answer: Living Things would be the title of Linkin Park's fifth album.
Question: Did this album have any hit singles?
Answer: "Burn It Down"
Question: What other singles did it have?
Answer: "Castle of Glass",
Question: What is Recharged? | [
"a new remix album, entitled Recharged,"
] |
Title: Joe Tex
Background: Joe Tex was born Joseph Arrington, Jr. in Rogers, Texas, in Bell County to Joseph Arrington and Cherie Sue (Jackson) Arrington. He and his sister Mary Sue were initially raised by their grandmother, Mary Richardson. After their parents divorced, Cheri Arrington moved to Baytown. Tex played baritone saxophone in the high-school band and sang in a local Pentecostal church choir.
Section: Success
Passage: Tex recorded his first hit, "Hold On To What You've Got", in November 1964 at FAME Studios in Muscle Shoals, Alabama. He was unconvinced the song would be a hit and advised Killen not to release it. However, Killen felt otherwise and released the song in early 1965. By the time Tex got wind of its release, the song had already sold 200,000 copies. The song eventually peaked at number five on the Billboard Hot 100 and became Tex's first number-one hit on the R&B charts, staying on the charts for 11 weeks and selling more than a million copies by 1966. Tex placed six top-40 charted singles on the R&B charts in 1965 alone, including two more number-one hits, "I Want To (Do Everything For You)" and "A Sweet Woman Like You". He followed that with two successive albums, Hold On To What You've Got and The New Boss. He placed more R&B hits than any artist, including his rival James Brown. In 1966, five more singles entered the top 40 on the R&B charts, including "The Love You Save" and "S.Y.S.L.J.F.M." or "The Letter Song", which was an answer song to Wilson Pickett's "634-5789 (Soulsville, U.S.A.)". His 1967 hits included "Show Me", which became an often-covered tune for British rock artists and later some country and pop artists, and his second million-selling hit, "Skinny Legs and All". The latter song, released off Tex's pseudo-live album, Live and Lively, stayed on the charts for 15 weeks and was awarded a gold disc by the Recording Industry Association of America (RIAA) in January 1968. After leaving Atlantic for Mercury, Tex had several more R&B hits including "Buying a Book" in 1970 and "Give the Baby Anything the Baby Wants" in 1971. The intro saxophone riffs in his 1969 song, "You're Right, Ray Charles" later influenced Funkadelic's "Standing on the Verge of Gettin' It On". Tex recorded his next big hit, "I Gotcha", in December 1971. The song was released in January 1972 and stayed on the charts for 20 weeks, staying at number two on the Hot 100 for two weeks and sold more than 2 million copies, becoming his biggest-selling hit to date. Tex was offered a gold disc of the song on March 22, 1972. The parent album reached number 17 on the pop albums chart. Following this and another album, Tex announced his retirement from show business in September 1972 to pursue life as a minister for Islam. Tex returned to his music career following the death of Elijah Muhammad in 1975, releasing the top-40 R&B hit, "Under Your Powerful Love". His last hit, "Ain't Gonna Bump No More (With No Big Fat Woman)", was released in 1977 and peaked at number 12 on the Hot 100 and number 2 in the UK. His last public appearances were as part of a revised 1980s version of the Soul Clan in 1981. After that, Tex withdrew from public life, settling at his ranch in Navasota, Texas, and watching football games by his favorite team, the Houston Oilers.
Question: When did Joe get his first success?
Answer: Tex recorded his first hit, "Hold On To What You've Got", in November 1964 at FAME Studios in Muscle Shoals, Alabama.
Question: Was the song on any other charts? | [
"Tex's first number-one hit on the R&B charts, staying on the charts for 11 weeks and selling more than a million copies by 1966."
] |
Title: Chris Barber
Background: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.
Section: Recent work
Passage: The 2017 line up is; Chris Barber and Bob Hunt (trombones); Mike Henry and Pete Rudeforth (trumpets), Bert Brandsma, Nick White and Ian Killoran (clarinets and alto sax, tenor sax, baritone sax). John Watson (drums), John Day (double bass), Joe Farler (banjo & guitar) Pat Halcox, trumpeter with the Chris Barber Band since 31 May 1954, retired after playing his last gig with the Big Chris Barber Band on 16 July 2008. Halcox and Barber were together in the band for 54 years - the longest continuous partnership in the history of jazz, exceeding even that of Duke Ellington and Harry Carney (48 years between 1926 and 1974). Tony Carter (reeds) also left the band at this time. Vic Pitt (double bass) retired in January 2007 after 30 years with the band. His feature duet with the drummers of the day - "Big Noise From Winnetka" was not only a feature of the Barber concerts, but also his time with the Kenny Ball band immediately before. When Amy Roberts joined the band in 2011, she was still a student at Royal Northern College of Music and thus not always able to be present. On several tours Bert Brandsma (reeds) replaced her. Brandsma joined as a permanent member in 2012. At St Luke's, London, on 9 June 2007 Barber appeared in the horn section of Nick Lowe's band during a concert. In 2008 Barber, along with Eric Clapton and others, were involved in a new co-operative record company, Blues Legacy. On 23 July 2009, Barber, Bilk and Ball played a one-off concert at Indigo2 at the O2 in Greenwich. The concert was presented by the British Music Experience. He performed at De Doelen in Rotterdam, the Netherlands, on 12 December 2010.
Question: What year is his most recent work?
Answer: He performed at De Doelen in Rotterdam, the Netherlands, on 12 December 2010.
Question: Is he still in a group now?
Answer: In 2008 Barber, along with Eric Clapton and others, were involved in a new co-operative record company, Blues Legacy.
Question: What happened after 2008?
Answer: On 23 July 2009, Barber, Bilk and Ball played a one-off concert at Indigo2 at the O2 in Greenwich.
Question: Did he perform after this?
Answer: He performed at De Doelen in Rotterdam, the Netherlands, on 12 December 2010.
Question: Anything interesting that you didn't mention yet?
Answer: The 2017 line up is; Chris Barber and Bob Hunt (trombones); Mike Henry and Pete Rudeforth (trumpets),
Question: Any original members from when he first started?
Answer: ) Pat Halcox, trumpeter with the Chris Barber Band since 31 May 1954, retired after playing his last gig with the Big Chris Barber Band on 16 July 2008.
Question: Anything else you can tell me? | [
"When Amy Roberts joined the band in 2011, she was still a student at Royal Northern College of Music"
] |
Title: Chris Barber
Background: Donald Christopher Barber (born 17 April 1930) is an English jazz musician, best known as a bandleader and trombonist. As well as scoring a UK top twenty trad jazz hit, he helped the careers of many musicians, notably the blues singer Ottilie Patterson, who was at one time his wife, and vocalist/banjoist Lonnie Donegan, whose appearances with Barber triggered the skiffle craze of the mid-1950s and who had his first transatlantic hit, "Rock Island Line", while with Chris Barber's band. His providing an audience for Donegan and, later, Alexis Korner makes Barber a significant figure in the British rhythm and blues and "beat boom" of the 1960s.
Section: Music career (1950s and 1960s)
Passage: Barber and Monty Sunshine (clarinet) formed a band in 1953, calling it Ken Colyer's Jazzmen to capitalise on their trumpeter's recent escapades in New Orleans: the group also included Donegan, Jim Bray (bass), Ron Bowden (drums) and Barber on trombone. The band played Dixieland jazz, and later ragtime, swing, blues and R&B. Pat Halcox took over on trumpet in 1954 when Colyer moved on after musical differences and the band became "The Chris Barber Band". In April 1953 the band made its debut in Copenhagen, Denmark. There Chris Albertson recorded several sides for the new Danish Storyville label, including some featuring only Sunshine, Donegan and Barber on double bass. In 1959 the band's version of Sidney Bechet's "Petite Fleur", a clarinet solo by Monty Sunshine with Barber on string bass, spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc. After 1959 he toured the United States many times (where "Petite Fleur" charted at #5). In the late 1950s and early 1960s Barber was mainly responsible for arranging the first UK tours of blues artists Big Bill Broonzy, Sonny Terry and Brownie McGhee and Muddy Waters. This, with the encouragement of local enthusiasts such as Alexis Korner and John Mayall, sparked young musicians such as Peter Green, Eric Clapton and the Rolling Stones. British rhythm and blues powered the British invasion of the USA charts in the 1960s, yet Dixieland itself remained popular: in January 1963 the British music magazine, NME reported the biggest trad jazz event in Britain at Alexandra Palace. It included George Melly, Diz Disley, Acker Bilk, Alex Welsh, Kenny Ball, Ken Colyer, Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Barber. Barber stunned traditionalists in 1964 by introducing blues guitarist John Slaughter into the line up who, apart from a break between April 1978 and August 1986, when Roger Hill took over the spot, played in the band until shortly before his death in 2010. Barber next added a second clarinet/saxophone and this line-up continued until 1999. Then Barber added fellow trombonist/arranger Bob Hunt and another clarinet and trumpet. This eleven-man "Big Chris Barber Band" offered a broader range of music while reserving a spot in the programme for the traditional six-man New Orleans line-up. A recording of the Lennon-McCartney composition "Catswalk" can be heard, retitled "Cat Call", on The Songs Lennon and McCartney Gave Away. Written by Paul McCartney the song was recorded in late July 1967 and released as a single in the UK on 20 October 1967.
Question: What started Barber's musical career?
Answer: Barber and Monty Sunshine (clarinet) formed a band in 1953,
Question: Were they successful? | [
"spent twenty-four weeks in the UK Singles Charts, making it to No. 3 and selling over one million copies, and was awarded a gold disc."
] |
Title: Doris Duke
Background: Duke was born in New York City, the only child of tobacco and hydroelectric power tycoon James Buchanan Duke and his second wife, Nanaline Holt Inman, widow of Dr. William Patterson Inman. At his death in 1925, the elder Duke's will bequeathed the majority of his estate to his wife and daughter, along with $17 million in two separate clauses of the will, to The Duke Endowment he had created in 1924. The total value of the estate was not disclosed, but was estimated variously at $60 million to $100 million (equivalent to $837 million to $1.395 billion in 2018), the majority culled from J.B. Duke's holds in Lucky Strike cigarettes. Duke spent her early childhood at Duke Farms, her father's 2,700-acre (11 km2) estate in Hillsborough Township, New Jersey.
Section: Philanthropy
Passage: Duke's first major philanthropic act was to establish Independent Aid, Inc., in 1934, when she was 21 years old, in order to manage the many requests for financial assistance addressed to her. In 1958, she established the Duke Gardens Foundation to endow the public display gardens she started to create at Duke Farms. Her Foundation intended that Duke Gardens "reveal the interests and philanthropic aspirations of the Duke family, as well as an appreciation for other cultures and a yearning for global understanding.". Duke Gardens were the center of a controversy over the decision by the trustees of the Doris Duke Charitable Foundation to close them on May 25, 2008. In 1968, Duke created the Newport Restoration Foundation with the goal of preserving more than eighty colonial buildings in the town. Historic properties include Rough Point, Samuel Whitehorne House, Prescott Farm, the Buloid-Perry House, the King's Arms Tavern, the Baptist Meetinghouse, and the Cotton House. Seventy-one buildings are rented to tenants. Only five function as museums. She also funded the construction of Maharishi Mahesh Yogi's ashram in India, visited by the Beatles in 1968. Duke's extensive travels led to an interest in a variety of cultures, and during her lifetime she amassed a considerable collection of Islamic and Southeast Asian art. After her death, numerous pieces were donated to The Asian Art Museum of San Francisco and the Walters Art Museum of Baltimore. Duke did much additional philanthropic work and was a major benefactor of medical research and child welfare programs. In the late 1980s, Duke donated $2 million to Duke University to be used for AIDS research. Her foundation, Independent Aid, became the Doris Duke Foundation, which still exists as a private grant-making entity. After her death, the Doris Duke Charitable Foundation was established in 1996, supporting four national grant making programs and Doris Duke's three estates, Shangri La, Rough Point, and Duke Farms.
Question: What is Philanthropy?
Answer: Duke's first major philanthropic act was to establish Independent Aid, Inc., in 1934, when she was 21 years old,
Question: Did she have any more philanthropic acts?
Answer: Her Foundation intended that Duke Gardens "reveal the interests and philanthropic aspirations of the Duke family,
Question: When was Duke Gardens founded?
Answer: Duke Gardens were the center of a controversy over the decision by the trustees of the Doris Duke Charitable Foundation to close them on May 25, 2008.
Question: Did her foundation have any other large successes?
Answer: In 1968, Duke created the Newport Restoration Foundation with the goal of preserving more than eighty colonial buildings in the town.
Question: Did she have any conflicts?
Answer: CANNOTANSWER
Question: Do you have any more information about the medical research? | [
"In the late 1980s, Duke donated $2 million to Duke University to be used for AIDS research."
] |
Title: Burlesque
Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Section: Literary origins and development
Passage: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire. In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
Question: What was a famous example of Burlesque?
Answer: Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615.
Question: Who was a famous writer of Burlesque?
Answer: Francesco Berni's
Question: What did Francesco Berni write?
Answer: Opere burlesche
Question: What are the literary roots of Burlesque?
Answer: referred to a grotesque imitation of the dignified or pathetic.
Question: What famous books or plays is Burlesque based on?
Answer: Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream
Question: What else can you tell me about the development of burlesque? | [
"17th and 18th century burlesque was divided into two types:"
] |
Title: Doris Duke
Background: Duke was born in New York City, the only child of tobacco and hydroelectric power tycoon James Buchanan Duke and his second wife, Nanaline Holt Inman, widow of Dr. William Patterson Inman. At his death in 1925, the elder Duke's will bequeathed the majority of his estate to his wife and daughter, along with $17 million in two separate clauses of the will, to The Duke Endowment he had created in 1924. The total value of the estate was not disclosed, but was estimated variously at $60 million to $100 million (equivalent to $837 million to $1.395 billion in 2018), the majority culled from J.B. Duke's holds in Lucky Strike cigarettes. Duke spent her early childhood at Duke Farms, her father's 2,700-acre (11 km2) estate in Hillsborough Township, New Jersey.
Section: Personal life
Passage: Duke married twice, the first time in 1935 to James H. R. Cromwell, the son of Palm Beach society doyenne Eva Stotesbury. Cromwell, a New Deal advocate like his wife, used her fortune to finance his political career. In 1940 he served several months as U.S. Ambassador to Canada and ran unsuccessfully for the U.S. Senate. The couple had a daughter, Arden, who died one day after her birth. They divorced in 1943. On September 1, 1947, while in Paris, Duke became the third wife of Porfirio Rubirosa, a diplomat from the Dominican Republic. She reportedly paid his second wife, actress Danielle Darrieux, $1 million to agree to an uncontested divorce. Because of her great wealth, Duke's marriage to Rubirosa attracted the attention of the U.S. State Department, which cautioned her against using her money to promote political agenda. Further, there was concern that in the event of her death, a foreign government could gain too much leverage. Therefore, Rubirosa had to sign a pre-nuptial agreement; during the marriage, though, she gave Rubirosa several million dollars in gifts, including a stable of polo ponies, sports cars, a converted B-25 bomber, and, in the divorce settlement, a 17th-century house in Paris. One of Doris Duke's best friends was Brazilian socialite and "jetsetter" Aimee de Heeren. She reportedly had numerous affairs, with, among others, Duke Kahanamoku, Errol Flynn, Alec Cunningham-Reid, General George S. Patton, Joe Castro, and Louis Bromfield. Duke posted a bail of $5,000,000 for her friend, former Philippine First Lady Imelda Marcos after the latter was arrested for racketeering.
Question: How was Doris Duke's personal life?
Answer: Duke married twice,
Question: How long were each of her marriages?
Answer: They divorced in 1943.
Question: Did she have any children? | [
"daughter, Arden, who died one day after her birth."
] |
Title: Burlesque
Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Section: Victorian theatrical burlesque
Passage: Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.
Question: when did Victorian Burlesque start?
Answer: between the 1830s and the 1890s.
Question: who were some early writers? | [
"J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie."
] |
Title: Alison Krauss
Background: Alison Maria Krauss was born in Decatur, Illinois, to Fred and Louise Krauss. Her father was a German immigrant who came to the United States in 1952 and taught his native language. Her mother, of German and Italian descent, is the daughter of artists. Krauss grew up in the college town of Champaign, home to the University of Illinois at Urbana-Champaign.
Section: 1985-1991: Early career
Passage: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye". Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band. Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider". Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video.
Question: What was Alison Krauss' first big performance?
Answer: From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail",
Question: How did the band Silver Rail do?
Answer: Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail.
Question: Are there any other interesting aspects about this article?
Answer: Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways.
Question: How was the album received by critics and fans?
Answer: CANNOTANSWER
Question: What album did she release after her debut solo album? | [
"Two Highways."
] |
Title: Cardiff RFC
Background: Cardiff Rugby Football Club (Welsh: Clwb Rygbi Caerdydd) is a rugby union football club based in Cardiff, the capital city of Wales. The club was founded in 1876 and played their first few matches at Sophia Gardens, but soon relocated to Cardiff Arms Park where they have been based ever since. They built a reputation as one of the great clubs in world rugby largely through a series of wins against international touring sides.
Section: Professionalism
Passage: With professionalism dawned a new era at Cardiff RFC. It allowed them to sign legendary outside-half Jonathan Davies back from rugby league, and another major change was that there would be a European Cup, sponsored by Heineken, containing teams from France, Ireland, Wales, Italy and Romania (England and Scotland did not join for another year). Cardiff progressed to the knock-out stages in November by drawing with Bordeaux-Begles and beating Ulster. December saw the end of the Alex Evans era, as he departed to return home to Australia. Terry Holmes took charge of the club, and in his first full match the Blue and Blacks beat Leinster away to progress to the first Heineken Cup final. The game was played at Cardiff Arms Park in front of a crowd of 21,800, where despite 18 points from the boot of Adrian Davies, Cardiff were beaten 21-18 by Toulouse after extra time. Cardiff, despite not losing a league game under Holmes, were runners-up on the domestic front as well, finishing level with Neath on points but coming second on try count. After the end of the 95-96 season Peter Thomas invested money into the club allowing them to sign Rob Howley, Dai Young back from rugby league, Leigh Davies, Gwyn Jones and Justin Thomas for the cost of around PS2million. Internationals Mark Ring, Steven Blackmore and the half-backs that had started the Heineken Cup final, Andy Moore and Adrian Davies all departed. Despite all the new signings, Cardiff lost their first three games of the season, and the 1996/97 season was in many respects worse than the year before - Cardiff were knocked out in the Heineken Cup semi-finals by eventual champions Brive, and in the Welsh Premier Division they fell to third, behind champions Pontypridd and Llanelli. However, after Alex Evans returned to head up the coaching team, that season did lead to some silverware, as Cardiff beat Llanelli 36-26 in the semi-final and Swansea 33-26 in the final of the SWALEC Cup. Grzegorz Kacala and Tony Rees, both forwards part of the Brive team that knocked Cardiff out of the Heineken Cup and went on to win it, were signed for 1997/98 along with Wales internationals Steve Williams and Spencer John (Gareth Thomas also arrived in December from Bridgend). Despite Cardiff's difficulties, compounded by those of the national team, Howley and Young were both chosen to go on 1997 Lions tour to South Africa. Howley had to return home early due to injury and neither of the two Cardiff players started a Test match. In the 1997/98 season, Cardiff were Wales's sole representative in the quarter finals of the Heineken Cup, and were beaten away in rematch of the previous year's quarter-final, by Bath, who would go on to win the tournament. However, their domestic cup campaign ended before the quarter final stage, losing 24-9 to Ebbw Vale, and they finished runners up to Swansea in the League. Following this season, Alex Evans left Cardiff for Australia for the second time and Terry Holmes was put back in charge.
Question: How was Cardiff RFC affected by professionalism?
Answer: It allowed them to sign legendary outside-half Jonathan Davies back from rugby league,
Question: why did they sign him back?
Answer: professionalism
Question: Did professionalism help them win?
Answer: Cardiff, despite not losing a league game under Holmes, were runners-up on the domestic front as well, finishing level with Neath on points but coming second on try count.
Question: which team did they lose to?
Answer: Cardiff were beaten 21-18 by Toulouse after extra time.
Question: What year were thy beaten by Toulouse?
Answer: the 1996/97 season
Question: What teams did they beat?
Answer: Cardiff beat Llanelli 36-26 in the semi-final and Swansea 33-26 in the final of the SWALEC Cup.
Question: Please give me some interesting information about their professionalism.
Answer: In the 1997/98 season, Cardiff were Wales's sole representative in the quarter finals of the Heineken Cup, and were beaten away in rematch of the previous year's quarter-final, by Bath,
Question: how much were they beaten by?
Answer: losing 24-9
Question: Did they get any other players for professionalism? | [
"Jonathan Davies"
] |
Title: Robert Hughes (critic)
Background: Hughes was born in Sydney, Australia, in 1938. His father and paternal grandfather were lawyers. Hughes's father, Geoffrey Forrest Hughes, was a pilot in the First World War, with later careers as a solicitor and company director. He died from lung cancer when Robert was aged 12.
Section: Career
Passage: Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others, and contributed to the London version of Oz. In 1970 he was appointed art critic for TIME magazine and moved to New York, where he soon became an influential voice. Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on 6 June 1978, proved so controversial that, less than a week later, ABC News president Roone Arledge terminated the contracts of both men, replacing them with veteran TV host Hugh Downs. Hughes co-produced, in association with German producer Reiner Moritz and Lorna Pegram, the BBC eight-part series The Shock of the New (1980) on the development of modern art since the Impressionists. It was accompanied by a book with the same title. John O'Connor of The New York Times said, "Agree or disagree, you will not be bored. Mr. Hughes has a disarming way of being provocative." Hughes's book The Fatal Shore followed in 1987. A study of the British penal colonies and early European settlement of Australia, it became an international best-seller. During the late 1990s, Hughes was a prominent supporter of the Australian Republican Movement. Hughes's TV series American Visions (1997) reviewed the history of American art since the Revolution. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in a near-fatal road accident. Hughes's documentary on Francisco Goya, Goya: Crazy Like a Genius (2002), was broadcast on the first night of the new British domestic digital service, BBC Four. He created a one-hour update to The Shock of the New, titled The New Shock of the New, which first aired in 2004. He published the first volume of his memoirs, Things I Didn't Know, in 2006.
Question: How did he get started in his career?
Answer: living for a time in Italy before settling in London in 1965, where he wrote for The Spectator, The Daily Telegraph, The Times, and The Observer, among others,
Question: How long did he work for Time? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Robert Hughes (critic)
Background: Hughes was born in Sydney, Australia, in 1938. His father and paternal grandfather were lawyers. Hughes's father, Geoffrey Forrest Hughes, was a pilot in the First World War, with later careers as a solicitor and company director. He died from lung cancer when Robert was aged 12.
Section: Personal life
Passage: Hughes met his first wife, Danne Emerson, in London in 1967. Together they became involved in the counterculture of the 1960s, exploring drug use and sexual freedom. They divorced in 1981; she died of a brain tumor in 2003. Their son, Danton, Hughes's only child, was named after the French revolutionary Georges Danton. Danton Hughes, a sculptor, committed suicide in April 2001. He had been in a long term relationship with fashion designer Jenny Kee, who found his body on 15 April. Robert Hughes later wrote: "I miss Danton and always will, although we had been miserably estranged for years and the pain of his loss has been somewhat blunted by the passage of time". Hughes was married to his second wife, Victoria Whistler, a housewife from California, from 1981 until a divorce in 1996. In 1999, Hughes was involved in a near-fatal car accident south of Broome, Western Australia. He was returning from a fishing trip and driving on the wrong side of the road when he collided head on with another car carrying three occupants. He was trapped in the car for three hours before being airlifted to Perth in critical condition. Hughes was in a coma for five weeks after the crash. In a 2000 court hearing, Hughes's defence barrister alleged that the occupants of the other car had been transporting illicit drugs at the time of the accident and were at fault. In 2003 Hughes pleaded guilty to dangerous driving causing bodily harm and was fined A$2,500. He also allegedly described the crown prosecutor, Lloyd Rayney, as a "curry muncher", which resulted in a defamation action and out-of-court settlement. Hughes recounts the story of the accident and his recovery in the first chapter of his 2006 memoir Things I Didn't Know. In 2001, Hughes wed his third wife, the American artist and art director Doris Downes. "Apart from being a talented painter, she saved my life, my emotional stability, such as it is", he said.
Question: Was Robert Hughes married?
Answer: Hughes met his first wife, Danne Emerson, in London
Question: What year did they get married?
Answer: the 1960s,
Question: Did they have any children?
Answer: Their son, Danton, Hughes's only child,
Question: What was their son's occupation?
Answer: CANNOTANSWER
Question: Who was Robert's second wife? | [
"Hughes was married to his second wife, Victoria Whistler,"
] |
Title: Lyndon B. Johnson
Background: Lyndon Baines Johnson (; August 27, 1908 - January 22, 1973), often referred to by his initials LBJ, was an American politician who served as the 36th President of the United States from 1963 to 1969, assuming the office after having served as the 37th Vice President of the United States from 1961 to 1963. A Democrat from Texas, he also served as a United States Representative and as the Majority Leader in the United States Senate. Johnson is one of only four people who have served in all four federal elected positions.
Section: Federal funding for education
Passage: Johnson, whose own ticket out of poverty was a public education in Texas, fervently believed that education was a cure for ignorance and poverty, and was an essential component of the American dream, especially for minorities who endured poor facilities and tight-fisted budgets from local taxes. He made education the top priority of the Great Society agenda, with an emphasis on helping poor children. After the 1964 landslide brought in many new liberal Congressmen, LBJ launched a legislative effort which took the name of the Elementary and Secondary Education Act (ESEA) of 1965. The bill sought to double federal spending on education from $4 billion to $8 billion.; with considerable facilitating by the White House, it passed the House by a vote of 263 to 153 on March 26 and then it remarkably passed without change in the Senate, by 73 to 8, without going through the usual conference committee. This was an historic accomplishment by the president, with the billion dollar bill passing as introduced just 87 days before. For the first time, large amounts of federal money went to public schools. In practice ESEA meant helping all public school districts, with more money going to districts that had large proportions of students from poor families (which included all the big cities). For the first time private schools (most of them Catholic schools in the inner cities) received services, such as library funding, comprising about 12 percent of the ESEA budget. Though federal funds were involved, they were administered by local officials, and by 1977 it was reported that less than half of the funds were actually applied toward the education of children under the poverty line. Dallek further reports that researchers cited by Hugh Davis Graham soon found that poverty had more to do with family background and neighborhood conditions than the quantity of education a child received. Early studies suggested initial improvements for poor children helped by ESEA reading and math programs, but later assessments indicated that benefits faded quickly and left pupils little better off than those not in the schemes. Johnson's second major education program was the Higher Education Act of 1965, which focused on funding for lower income students, including grants, work-study money, and government loans. Although ESEA solidified Johnson's support among K-12 teachers' unions, neither the Higher Education Act nor the new endowments mollified the college professors and students growing increasingly uneasy with the war in Vietnam. In 1967, Johnson signed the Public Broadcasting Act to create educational television programs to supplement the broadcast networks. In 1965, Johnson also set up the National Endowment for the Humanities and the National Endowment for the Arts, to support academic subjects such as literature, history, and law, and arts such as music, painting, and sculpture (as the WPA once did).
Question: Did Johnson provide funding for education?
Answer: LBJ launched a legislative effort which took the name of the Elementary and Secondary Education Act (ESEA) of 1965.
Question: Was this successful?
Answer: by 1977 it was reported that less than half of the funds were actually applied toward the education of children under the poverty line.
Question: Did this have critics?
Answer: researchers cited by Hugh Davis Graham soon found that poverty had more to do with family background and neighborhood conditions than the quantity of education
Question: Did Johnson sign this? | [
"the billion dollar bill passing as introduced just 87 days before."
] |
Title: Lyndon B. Johnson
Background: Lyndon Baines Johnson (; August 27, 1908 - January 22, 1973), often referred to by his initials LBJ, was an American politician who served as the 36th President of the United States from 1963 to 1969, assuming the office after having served as the 37th Vice President of the United States from 1961 to 1963. A Democrat from Texas, he also served as a United States Representative and as the Majority Leader in the United States Senate. Johnson is one of only four people who have served in all four federal elected positions.
Section: "War on Poverty" and healthcare reform
Passage: In 1964, at Johnson's request, Congress passed the Revenue Act of 1964 and the Economic Opportunity Act, as part of the war on poverty. Johnson set in motion legislation creating programs such as Head Start, food stamps and Work Study. During Johnson's years in office, national poverty declined significantly, with the percentage of Americans living below the poverty line dropping from 23 percent to 12 percent. Johnson took an additional step in the War on Poverty with an urban renewal effort, presenting to Congress in January 1966 the "Demonstration Cities Program". To be eligible a city would need to demonstrate its readiness to "arrest blight and decay and make substantial impact on the development of its entire city." Johnson requested an investment of $400 million per year totaling $2.4 billion. In the fall of 1966 the Congress passed a substantially reduced program costing $900 million, which Johnson later called the Model Cities Program. Changing the name had little effect on the success of the bill; the New York Times wrote 22 years later that the program was for the most part a failure. Johnson's initial effort to improve healthcare was the creation of The Commission on Heart Disease, Cancer and Strokes (HDCS). Combined, these diseases accounted for 71 percent of the nation's deaths in 1962. To enact recommendations of the commission, Johnson asked Congress for funds to set up the Regional Medical Program (RMP), to create a network of hospitals with federally funded research and practice; Congress passed a significantly watered down version. As a back-up position, in 1965 Johnson turned his focus to hospital insurance for the aged under Social Security. The key player in initiating this program, named Medicare, was Wilbur Mills, Chairman of the House Ways and Means Committee. In order to reduce Republican opposition, Mills suggested that Medicare be fashioned as a three layer cake--hospital insurance under Social Security, a voluntary insurance program for doctor visits and an expanded medical welfare program for the poor, known as Medicaid. The bill passed the house by a margin of 110 votes on April 8. The effort in the Senate was considerably more complicated; however, the Medicare bill passed Congress on July 28 after negotiation in a conference committee. Medicare now covers tens of millions of Americans. Johnson gave the first two Medicare cards to former President Harry S Truman and his wife Bess after signing the Medicare bill at the Truman Library in Independence, Missouri.
Question: What was Johnson's War on Poverty?
Answer: Congress passed the Revenue Act of 1964 and the Economic Opportunity Act, as part of the war on poverty.
Question: Why did he feel he needed to act?
Answer: During Johnson's years in office, national poverty declined significantly, with the percentage of Americans living below the poverty line dropping from 23 percent to 12 percent.
Question: Were any healthcare laws passed? | [
"The Commission on Heart Disease, Cancer and Strokes (HDCS). Combined, these diseases accounted for 71 percent of the nation's deaths in 1962. To enact recommendations of the commission,"
] |
Title: Vampire Weekend
Background: Vampire Weekend are an American rock band from New York City, formed in 2006. They are currently signed to Columbia Records. The band consists of lead vocalist and guitarist Ezra Koenig, drummer and percussionist Chris Tomson and bassist and backing vocalist Chris Baio. The band's first album Vampire Weekend (2008) - which included the singles "Mansard Roof", "A-Punk", "Oxford Comma", "Cape Cod Kwassa Kwassa" and "The Kids Don't Stand a Chance" - was acclaimed by critics for its world music influences.
Section: Modern Vampires of the City (2011 - 2014)
Passage: On November 11, 2011, it was revealed that Vampire Weekend had been in the studio, writing and recording material for their third album. On April 26, 2012, Rolling Stone reported that the new album could be released by the end of the year. Koenig said, "We do have a ton of stuff. It would be cool if it was [released] this year...We just never want to be in a position [where] when we put out something, we feel could've benefited from more time." Until its release, the band was discreet about the details of the next album, stating that a band "can give a bunch of interviews when they're working on stuff" but they "don't want something [they] said six months ago to influence how people hear it when it's done." Modern Vampires of the City was released in May 2013, and written and recorded in various locations including SlowDeath Studios in New York, Echo Park "Back House" in Los Angeles, Vox Recording Studios in Hollywood, Rostam Batmanglij's New York apartment and a guest house on Martha's Vineyard. The album was co-produced by Batmanglij and Ariel Rechtshaid. After Batmanglij produced the first two albums himself, this marked the first time the band worked with an outside producer on any of their records. In an interview for the February 2013 edition of Q (released in mid-January), Koenig described the upcoming album as "darker and more organic" and "very much the last of a trilogy". Says Koenig, "Things that we might have found boring in the past, we've started to find more fresh. This album has more piano and acoustic guitar and organ." Modern Vampires of the City also marks the band's first use of digital voice modulation, as heard in the songs "Diane Young" and "Ya Hey." (first use was actually in the song "California English" on the Contra album) The album was recorded and co-produced by Ariel Rechtshaid in his Los Angeles Studio (alongside Batmanglij). The band discussed the album with The FADER and appeared on the cover of the magazine's 84th issue. On March 16, 2013, the band played the closing show at Stubbs on the last day of the SXSW festival in Austin, Texas. In the show they played two new songs from the upcoming album: "Diane Young" and "Ya Hey". On March 18, 2013, Vampire Weekend released a double-sided single, "Diane Young"/"Step". On May 11, 2013, Vampire Weekend were featured as the musical guest on Saturday Night Live with Kristen Wiig hosting, their third time on the show. Released on May 14, 2013, the album debuted at #1 on the Billboard chart, marking the second time Vampire Weekend has achieved the feat: its second album Contra also debuted at #1 in 2010, making this the first time an independent rock band has entered at #1 with two consecutive releases. Modern Vampires of the City also shattered the previous record for first week vinyl sales, moving nearly 10,000 units on vinyl alone and debuting at #1 on the Soundscan Vinyl Charts. Additionally, the band charted #1 at Indie, Alternative, Digital and the top 200. In 2014, Modern Vampires of the City won a Grammy for Best Alternative Music Album.
Question: what did they do
Answer: material
Question: whate date
Answer: November 11, 2011,
Question: what does this mean
Answer: Rolling Stone reported that the new album could be released by the
Question: What did he do next
Answer: Until its release, the band was discreet about the details of the next album, stating that a band "can give a bunch of interviews when they're working on stuff"
Question: What did they try next
Answer: May 2013,
Question: WHat was it called
Answer: Modern Vampires of the City
Question: What was it at
Answer: and recorded in various locations including SlowDeath Studios in New York, Echo Park "Back House
Question: Who helped them | [
"The album was co-produced by Batmanglij and Ariel Rechtshaid."
] |
Title: Julia Louis-Dreyfus
Background: Louis-Dreyfus was born in New York City. Her American-born mother, Judith (nee LeFever), was a writer and special needs tutor, and her French-born father, Gerard Louis-Dreyfus, chaired Louis Dreyfus Energy Services. She is a great-great-granddaughter of Leopold Louis-Dreyfus, who in 1851 founded the Louis Dreyfus Group, a French commodities and shipping conglomerate, which members of her family control into the 21st century. Her paternal grandfather, Pierre Louis-Dreyfus, was president of the Louis Dreyfus Group.
Section: 1990-98: The Seinfeld years
Passage: In the early 1990s, Louis-Dreyfus became famous for the role of Elaine Benes on NBC's Seinfeld. She played the role for nine seasons, appearing in all but three episodes. One of the episodes that she did not appear in was the inaugural pilot episode, "The Seinfeld Chronicles", because her character was not initially intended to be a part of the series. It was only after the first episode that NBC executives felt the show was too male-centric, and demanded that creators Jerry Seinfeld and Larry David add a woman to the cast. It was revealed in the commentary on the DVD package that the addition of a female character was the condition for commissioning the show. Louis-Dreyfus won the role over several other actresses who would also eventually enjoy their own TV success, including Patricia Heaton, Rosie O'Donnell and Megan Mullally. On the "Notes About Nothing" featurette on the DVD package, Seinfeld says that Louis-Dreyfus' ability to eat a peanut M&M without breaking the peanut aptly describes the actress: "She cracks you up without breaking your nuts." Her performance on the series was met with critical acclaim, and she was a regular winner and nominee at television award shows throughout the 1990s. Her performance earned her two Golden Globe Award nominations, winning once in 1994, nine Screen Actors Guild Award nominations, winning one in 1995 and two in both 1997 and 1998, and seven American Comedy Awards, winning five times in 1993, 1994, 1995, 1997 and 1998. In 1996, she received the Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series, an award she was nominated for on seven occasions from 1992 to 1998. After receiving the award, Louis-Dreyfus claimed the win was a "shocker", and that after being in both positions, it was "much better to win than to lose." In 1998, Seinfeld decided to end the series after nine seasons. The series finale aired on May 14 and was one of the most watched TV events in history, with over 76 million people tuning in. During her time on Seinfeld she appeared in several films, including Fathers' Day, opposite Robin Williams and Billy Crystal, and Woody Allen's Oscar-nominated Deconstructing Harry.
Question: what happened in the 1990s
Answer: 1990s, Louis-Dreyfus became famous for the role of Elaine Benes on NBC's Seinfeld.
Question: Did she gain recognition | [
"became famous for the role"
] |
Title: Julia Louis-Dreyfus
Background: Louis-Dreyfus was born in New York City. Her American-born mother, Judith (nee LeFever), was a writer and special needs tutor, and her French-born father, Gerard Louis-Dreyfus, chaired Louis Dreyfus Energy Services. She is a great-great-granddaughter of Leopold Louis-Dreyfus, who in 1851 founded the Louis Dreyfus Group, a French commodities and shipping conglomerate, which members of her family control into the 21st century. Her paternal grandfather, Pierre Louis-Dreyfus, was president of the Louis Dreyfus Group.
Section: 1982-89: Early work and Saturday Night Live
Passage: As part of her comedic training, Louis-Dreyfus appeared in The Second City, one of Chicago's best-known improvisation theatre groups (whose alumni include Alan Arkin, Steve Carell, Stephen Colbert, Tina Fey, Amy Poehler, and Shelley Long). It was her performance with The Practical Theatre Company at their "Golden 50th Anniversary Jubilee" that led to her being asked to join the cast of NBC's Saturday Night Live at the age of 21. Louis-Dreyfus was subsequently made into a cast member on Saturday Night Live from 1982 to 1985, becoming the youngest female cast member in the history of the program at that time. During her time on SNL, she appeared alongside several actors who would later rise to prominence, such as Eddie Murphy, Jim Belushi, Billy Crystal, and Martin Short. It was during her third and final year on SNL that she met writer Larry David during his only year on the show, who would later co-create Seinfeld. Louis-Dreyfus has commented that her casting on SNL was a "Cinderella-getting-to-go-to-the-ball kind of experience"; however, she has also admitted that at times it was often quite tense, stating that she "didn't know how to navigate the waters of show business in general and specifically doing a live sketch-comedy show". Following her 1985 departure from SNL, Louis-Dreyfus appeared in several films, including the Woody Allen-directed Hannah and Her Sisters (1986); Soul Man (1986), starring C. Thomas Howell; and National Lampoon's Christmas Vacation (1989), in which she starred alongside fellow SNL alum Chevy Chase. In 1987, Louis-Dreyfus appeared in the NBC sitcom pilot The Art of Being Nick, an intended spin-off from Family Ties starring Scott Valentine. When the pilot did not make it to series, Louis-Dreyfus was retained by producer Gary David Goldberg for a role on his new sitcom Day by Day, as the sarcastic and materialistic neighbor, Eileen Swift. Premiering in early 1988, Day by Day aired for two seasons on NBC before being cancelled.
Question: What did she do in 1982?
Answer: Louis-Dreyfus was subsequently made into a cast member on Saturday Night Live from 1982 to 1985,
Question: Did she get any awards? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Solange Knowles
Background: Knowles was born in Houston, Texas, to Mathew Knowles and Tina Knowles. Solange's older sister is singer Beyonce. Her father, originally from Alabama, is African American, and her mother, originally from southern Louisiana, is Creole (with African, Native American, and French ancestry).
Section: 2009-2014: True EP and Saint Records
Passage: In an interview with MTV in 2009, Knowles revealed that she was determining the type of sound for the follow-up to Sol-Angel and the Hadley St. Dreams. Knowles also parted ways with the Interscope-Geffen-A&M record label group. She would now release her third studio album independently. Early in 2010, Knowles traveled to Australia to work with Australian rock band, Midnight Juggernauts on her third studio album. Knowles had planned to release the album in summer as revealed on her official Twitter account in 2009. She also revealed on her Twitter account that she rented a house in Santa Barbara, California to get into a certain state of mind while writing and making music. On May 7, 2010, Knowles made a guest appearance on the popular children show, Yo Gabba Gabba! for a "Mothers Day Special" where she performed an original song called "Momma Loves Baby". In an interview with Vibe on July 7, 2010, Knowles said she suffered "a little bit of a breakdown" while recording her new album: "I literally gave up my sanity for a while to do this record. [...] We literally were waking up in the morning and just making music all day and all night. [...] It just started to wear on me in so many different ways. I started having these crazy panic attacks." Knowles explained how she made sacrifices "mentally, emotionally and financially", and continued, "It's more than an album to me. It's a transitional time in my life." Regarding the musical direction of the album, she said the inspiration came from new wave and stated, "This is a dance record, but the lyrics can get pretty dark at times." The singer has also worked on songs with Chromeo and long-time collaborator Pharrell Williams. In September 2012, Solange released a teaser video for "Losing You", which was announced as the lead single from her third studio album. This release marked Solange's first release as a signee of the independent label Terrible Records. The video was shot in Cape Town, South Africa in early September 2012. Knowles revealed in an interview that her mother Tina Knowles had paid for Solange and her friends to fly out and record the video as her birthday gift. On October 24, 2012, Knowles held a listening party in New York City for her EP True, released for digital download on iTunes November 27, 2012. The CD and vinyl was made available January 8, 2013. Following the EP's release, Solange appeared on the cover of The Fader magazine's 84th issue. On May 14, 2013, Knowles announced that she had launched her own record label named Saint Records, which she will be using to release her third full-length album and future music projects distributed through Sony. Solange also collaborated with The Lonely Island on the song "Semicolon" which was featured as part of YouTube's Comedy Week and is featured on The Lonely Island's album, The Wack Album. On November 11, 2013, Knowles' record label released its first compilation album, Saint Heron.
Question: Was the True EP successful?
Answer: CANNOTANSWER
Question: When did she sign with Saint Records?
Answer: On May 14, 2013, Knowles announced that she had launched her own record label named Saint Records,
Question: What is the True EP?
Answer: On October 24, 2012, Knowles held a listening party in New York City for her EP True, released for digital download on iTunes November 27, 2012.
Question: What happened at the party?
Answer: CANNOTANSWER
Question: Did either make the tops charts? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Solange Knowles
Background: Knowles was born in Houston, Texas, to Mathew Knowles and Tina Knowles. Solange's older sister is singer Beyonce. Her father, originally from Alabama, is African American, and her mother, originally from southern Louisiana, is Creole (with African, Native American, and French ancestry).
Section: 2001-2003: Early career and Solo Star
Passage: Managed by her father Mathew, Knowles' first time into the music business was in 2001 as the lead singer, backed with Destiny's Child, on the title theme song for the animated television series The Proud Family. She also was a featured performer on "Hey Goldmember" for the soundtrack to the 2002 film Austin Powers in Goldmember, as well as a backup singer on the track "Little Drummer Boy" on her sister's group's 2001 holiday album 8 Days of Christmas. In 2002, she was featured on Lil Romeo's second studio album Game Time, singing portions of Luther Vandross-penned "So Amazing" on the single "True Love", and on Rowland's debut solo album Simply Deep, for which she also wrote the title track, "Beyond Imagination" and "Obsession". In 2001 she also appeared as Lil' Bow Wow's date in the music video for his single "Puppy Love". She also made an appearance on The Master of Disguise soundtrack and made cameos in Play's video for "M.A.S.T.E.R. (Part II)" featuring Lil' Fizz. In 2002, she lent her voice for the character Chanel, the cousin of the protagonist Penny Proud, in the episode "Behind Family Lines" to the animated television series The Proud Family. In June 2003, Mathew Knowles excitedly announced that he was considering adding Solange to Destiny's Child when the group reunited in 2004, thus turning them into a quartet for the first time since short-lived member Farrah Franklin left in 2000. Mathew Knowles said he was testing the reactions, and, judging by what he had heard, "it seems like a good idea". Later in August, however, Beyonce said it was only a rumor and Destiny's Child would remain a trio. Rowland added, "She's a solo star," name-dropping Knowles' debut album. At the age of 14, Solange Knowles started working on her debut album Solo Star, which involved American producers such as Jermaine Dupri, The Neptunes, Linda Perry and Timbaland among others. The album is primarily uptempo R&B, although Knowles said there are pop, rock, reggae and hip hop influences. Knowles co-wrote and co-produced some of the 15 tracks in the album, including its lead single, "Feelin' You (Part II)". The song failed to enter the Billboard Hot 100, but reached number three on both the Hot R&B/Hip-Hop Singles Sales and Hot Dance Music/Maxi-Singles Sales chart. Solo Star was released on January 21, 2003 in the United States, where it debuted at number 49 on the Billboard 200 and reached number 23 on the Top R&B/Hip-Hop Albums chart. Solo Star had a mixed critical reception: William Ruhlmann of AllMusic called it a "state-of-the-art contemporary R&B album", but deemed Knowles "lost somewhere in the mix". By mid-2008, the album had sold 112,000 copies domestically according to Nielsen SoundScan.
Question: When did Solange start performing?
Answer: Managed by her father Mathew, Knowles' first time into the music business was in 2001 as the lead singer,
Question: The lead singer of what?
Answer: on the title theme song for the animated television series The Proud Family.
Question: What was her first recording?
Answer: She also was a featured performer on "Hey Goldmember" for the soundtrack to the 2002 film Austin Powers in Goldmember,
Question: When did she complete it? | [
"Solo Star was released on January 21, 2003 in the United States,"
] |
Title: Scott Joplin
Background: According to author Edward A. Berlin, "One tenacious myth tells us that Joplin was born in Texarkana, Texas, on November 24, 1868. The location is easily dispensed with: Texarkana was not established until 1873." But, based on a letter discovered by musicologist John Tennison in 2015 in the December 19, 1856 edition of the Times-Picayune, it is clear that Texarkana was established as a place-name at least as early as 1856. Consequently, it appears possible that Joplin, born 12 years later, could have been born in Texarkana.
Section: Later years and death
Passage: The combination of classical music, the musical atmosphere present around Texarkana (including work songs, gospel hymns, spirituals and dance music) and Joplin's natural ability have been cited as contributing significantly to the invention of a new style that blended African-American musical styles with European forms and melodies, and first became celebrated in the 1890s: ragtime. When Joplin was learning the piano, serious musical circles condemned ragtime because of its association with the vulgar and inane songs "...cranked out by the tune-smiths of Tin Pan Alley." As a composer Joplin refined ragtime, elevating it above the low and unrefined form played by the "...wandering honky-tonk pianists... playing mere dance music" of popular imagination. This new art form, the classic rag, combined Afro-American folk music's syncopation and 19th-century European romanticism, with its harmonic schemes and its march-like tempos. In the words of one critic, "Ragtime was basically... an Afro-American version of the polka, or its analog, the Sousa-style march." With this as a foundation, Joplin intended his compositions to be played exactly as he wrote them - without improvisation. Joplin wrote his rags as "classical" music in miniature form in order to raise ragtime above its "cheap bordello" origins and produced work that opera historian Elise Kirk described as, "... more tuneful, contrapuntal, infectious, and harmonically colorful than any others of his era." Some speculate that Joplin's achievements were influenced by his classically trained German music teacher Julius Weiss, who may have brought a polka rhythmic sensibility from the old country to the 11-year old Joplin. As Curtis put it, "The educated German could open up the door to a world of learning and music of which young Joplin was largely unaware." Joplin's first and most significant hit, the "Maple Leaf Rag", was described as the archetype of the classic rag, and influenced subsequent rag composers for at least 12 years after its initial publication thanks to its rhythmic patterns, melody lines, and harmony, though with the exception of Joseph Lamb, they generally failed to enlarge upon it.
Question: What music did Joplin rejuvenate?
Answer: invention of a new style that blended African-American musical styles with European forms and melodies, and first became celebrated in the 1890s: ragtime.
Question: How much money did Joplin die with?
Answer: CANNOTANSWER
Question: What was ragtime music?
Answer: Joplin refined ragtime, elevating it above the low and unrefined form played by the "...wandering honky-tonk pianists... playing mere dance music"
Question: What compositions did Joplin set the standard for? | [
"Joplin's first and most significant hit, the \"Maple Leaf Rag\", was described as the archetype of the classic rag, and influenced subsequent rag composers for at least 12 years"
] |
Title: Scott Joplin
Background: According to author Edward A. Berlin, "One tenacious myth tells us that Joplin was born in Texarkana, Texas, on November 24, 1868. The location is easily dispensed with: Texarkana was not established until 1873." But, based on a letter discovered by musicologist John Tennison in 2015 in the December 19, 1856 edition of the Times-Picayune, it is clear that Texarkana was established as a place-name at least as early as 1856. Consequently, it appears possible that Joplin, born 12 years later, could have been born in Texarkana.
Section: Legacy
Passage: Joplin and his fellow ragtime composers rejuvenated American popular music, fostering an appreciation for African-American music among European-Americans by creating exhilarating and liberating dance tunes. "Its syncopation and rhythmic drive gave it a vitality and freshness attractive to young urban audiences indifferent to Victorian proprieties ... Joplin's ragtime expressed the intensity and energy of a modern urban America." Joshua Rifkin, a leading Joplin recording artist, wrote, "A pervasive sense of lyricism infuses his work, and even at his most high-spirited, he cannot repress a hint of melancholy or adversity ... He had little in common with the fast and flashy school of ragtime that grew up after him." Joplin historian Bill Ryerson adds that, "In the hands of authentic practitioners like Joplin, ragtime was a disciplined form capable of astonishing variety and subtlety ... Joplin did for the rag what Chopin did for the mazurka. His style ranged from tones of torment to stunning serenades that incorporated the bolero and the tango." Biographer Susan Curtis wrote that Joplin's music had helped to "revolutionise American music and culture" by removing Victorian restraint. Composer and actor Max Morath found it striking that the vast majority of Joplin's work did not enjoy the popularity of the "Maple Leaf Rag", because while the compositions were of increasing lyrical beauty and delicate syncopation they remained obscure and unheralded during his lifetime. Joplin apparently realized that his music was ahead of its time: As music historian Ian Whitcomb mentions that Joplin, "...opined that "Maple Leaf Rag" would make him 'King of Ragtime Composers' but he also knew that he would not be a pop hero in his own lifetime. 'When I'm dead twenty-five years, people are going to recognize me,' he told a friend." Just over thirty years later he was recognized, and later historian Rudi Blesh wrote a large book about ragtime, which he dedicated to the memory of Joplin. Although he was penniless and disappointed at the end of his life, Joplin set the standard for ragtime compositions and played a key role in the development of ragtime music. And as a pioneer composer and performer, he helped pave the way for young black artists to reach American audiences of both races. After his death, jazz historian Floyd Levin noted: "Those few who realized his greatness bowed their heads in sorrow. This was the passing of the king of all ragtime writers, the man who gave America a genuine native music."
Question: What about his legacy stands out the most?
Answer: CANNOTANSWER
Question: What is his legacy?
Answer: fostering an appreciation for African-American music among European-Americans by creating exhilarating and liberating dance tunes.
Question: Are there any other interesting aspects about this article? | [
"And as a pioneer composer and performer, he helped pave the way for young black artists to reach American audiences of both races."
] |
Title: William Randolph Hearst
Background: William Randolph Hearst Sr. (; April 29, 1863 - August 14, 1951) was an American businessman, politician, and newspaper publisher who built the nation's largest newspaper chain and media company Hearst Communications and whose flamboyant methods of yellow journalism influenced the nation's popular media by emphasizing sensationalism and human interest stories. Hearst entered the publishing business in 1887 after being given control of The San Francisco Examiner by his wealthy father.
Section: 180-degree change: Hearst to the right
Passage: As biographer Ben Proctor explains: During the 1920s he became an avowed Jeffersonian Democrat, warning his fellow citizens against the dangers of big government, of unchecked federal power that could infringe on the individual rights of Americans, especially if a charismatic leader was in charge....[After supporting FDR in 1932] Hearst soon became highly critical of the New Deal. With increasing frequency Hearst newspapers supported big business to the detriment of organized labor. With unabated vigor they condemned higher income tax legislation as a persecution of the "successful." Hearst broke with FDR in spring 1935 when the president vetoed the Patman Bonus Bill for veterans and tried to enter the World Court. Hearst's papers were his weapon. They carried the publisher's rambling, vitriolic, all-capital-letters editorials, but he no longer employed the energetic reporters, editors, and columnists who might have made a serious attack. He reached 20 million readers in the mid 1930s, but they included much of the working class that Roosevelt had swept by three-to-one margins in the 1936 election. The Hearst papers--like most major chains--had supported the Republican Alf Landon that year. In 1934, after checking with Jewish leaders to ensure a visit would be to their benefit, Hearst visited Berlin to interview Adolf Hitler. When Hitler asked why he was so misunderstood by the American press, Hearst retorted: "Because Americans believe in democracy, and are averse to dictatorship." Hearst's papers ran columns without rebuttal by Nazi leader Hermann Goring and Hitler himself, as well as Mussolini and other dictators in Europe and Latin America.
Question: What was William Randolph Hearts first interested in?
Answer: During the 1920s he became an avowed Jeffersonian Democrat, warning his fellow citizens against the dangers of big government,
Question: Did he inherit from his father | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: William Randolph Hearst
Background: William Randolph Hearst Sr. (; April 29, 1863 - August 14, 1951) was an American businessman, politician, and newspaper publisher who built the nation's largest newspaper chain and media company Hearst Communications and whose flamboyant methods of yellow journalism influenced the nation's popular media by emphasizing sensationalism and human interest stories. Hearst entered the publishing business in 1887 after being given control of The San Francisco Examiner by his wealthy father.
Section: California properties
Passage: Beginning in 1919, Hearst began to build Hearst Castle, which he never completed, on a 240,000 acres (97,000 hectares) ranch at San Simeon, California, which he furnished with art, antiques and entire rooms brought from the great houses of Europe. He also used the ranch for an Arabian horse breeding operation. San Simeon was also used in the 1960 film Spartacus as the estate of Marcus Licinius Crassus (played by Laurence Olivier). He also had a property on the McCloud River in Siskiyou County, in far northern California, called Wyntoon. Wyntoon was designed by famed architect Julia Morgan, who also designed Hearst Castle and worked in collaboration with William J. Dodd on a number of other projects. In 1947, Hearst paid $120,000 for an H-shaped Beverly Hills mansion, (located at 1011 N Beverly Dr, Beverly Hills CA 90210) on 3.7 acres three blocks from Sunset Boulevard. This home, known as Beverly House, was once perhaps the "most expensive" private home in the U.S., valued at $165 million (PS81.4 million). It has 29 bedrooms, three swimming pools, tennis courts, its own cinema and a nightclub. Lawyer and investor Leonard Ross has owned it since 1976. The estate went on the market for $95 million at the end of 2010. The property had not sold by 2012 but was then listed at a significantly increased asking price of $135 million. The Beverly House, as it has come to be known, has some cinematic connections. It was the setting for the gruesome scene in the film The Godfather depicting a horse's severed head in the bed of film-producer, Jack Woltz. The character was head of a film company called International, the name of Hearst's early film company. According to Hearst Over Hollywood, John and Jacqueline Kennedy stayed at the house for part of their honeymoon. They watched their first film together as a married couple in the mansion's cinema. It was a Hearst-produced film from the 1920s. In the early 1890s, Hearst began building a mansion on the hills overlooking Pleasanton, California on land purchased by his father a decade earlier. Hearst's mother took over the project, hired Julia Morgan to finish it as her home, and named it Hacienda del Pozo de Verona. After her death, it served as the clubhouse for Castlewood Country Club from 1925 to 1969, when it was destroyed in a massive fire.
Question: what are the properties
Answer: H-shaped Beverly Hills mansion, (
Question: where was it located
Answer: John and Jacqueline Kennedy stayed at the house for part of their honeymoon. They watched their first film together as a married couple in the mansion's cinema.
Question: was he able to aaquire thhe property | [
"most expensive\" private home in the U.S., valued at $165 million"
] |
Title: Zorro
Background: Zorro (Spanish for "fox") is a fictional character created in 1919 by American pulp writer Johnston McCulley, and appearing in works set in the Pueblo of Los Angeles during the era of Spanish California (1769-1821). He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as sombrero cordobes, and a domino mask that covers the upper part of his face. In the stories, Zorro has a high bounty on his head, but is too skilled and cunning for the bumbling authorities to catch, and he also delights in publicly humiliating them.
Section: Skills and resources
Passage: In The Curse of Capistrano, Senor Zorro became an outlaw in the pueblo of Los Angeles in California "to avenge the helpless, to punish cruel politicians, to aid the oppressed." He is the title character, as he is dubbed the "Curse of Capistrano". The novel features extensively both Don Diego Vega and Zorro, but the fact that they are the same person is not revealed to the reader until the end of the book. In the story, both Diego and Zorro romance Lolita Pulido, an impoverished noblewoman. While Lolita is unimpressed with Diego, who pretends to be a passionless fop, she is attracted to the dashing Zorro. The main villain is Captain Ramon, who also has his eyes on Lolita. Other characters include Sgt. Pedro Gonzales, Zorro's enemy but Diego's friend; Diego's deaf and mute servant Bernardo; his ally, Fray (Friar) Felipe; his father Don Alejandro Vega, the richest landowner in California and a widower; Don Carlos Pulido and his wife, Dona Catalina, Lolita's parents; and a group of noblemen (caballeros) who, at first, hunt Zorro but are then won over to his cause. In later stories, McCulley introduces characters such as pirates and Native Americans, some of whom know Zorro's identity. In McCulley's later stories, Diego's surname became de la Vega. In fact, the writer was wildly inconsistent. The first magazine serial ended with the villain dead and Diego publicly exposed as Zorro. But in the sequel, the villain was alive and the next entry had the double identity still secret. Several Zorro productions have expanded on the character's exploits. Many of the continuations feature a younger character taking up the mantle of Zorro. McCulley's stories are set during the during the era of Spanish California (1769-1821) and, although exact years are often vague, the presence of the Pueblo of Los Angeles means the stories cannot happen before 1781, the year it was founded. Some media adaptations of Zorro's story have placed him during the later era of Mexican California (1821-1846). The character's visual motif is typically a black costume with a black flowing Spanish cape or cloak, a black flat-brimmed hat known as sombrero cordobes, and a black sackcloth mask that covers the top of the head from eye level upwards. Sometimes the mask is a two piece, the main item being a blindfold-type fabric with slits for the eyes, and the other item being a bandana over the head, so that it is covered even if the hat is removed: this is the mask worn in the movie The Mark of Zorro (1920) and in the television series Zorro (1957-1959). Other times, the mask is a one piece that unites both items described above: this mask was introduced in The Mark of Zorro (1940) and appears in many modern versions. Zorro's mask has also occasionally been shown as being a rounded domino mask, which he wore without also wearing a bandana. In his first appearance, Zorro's cloak is purple, his hat is generically referred to as a "wide sombrero," and his black cloth veil mask with slits for eyes covers his whole face. Other features of the costume may vary. His favored weapon is a rapier, which he also uses to often leave his distinctive mark, a Z cut with three quick strokes, on his defeated foes and other objects. He also uses other weapons, including a bullwhip and a pistol. The fox is never depicted as Zorro's emblem. It is used as a metaphor for the character's wiliness, such as in the lyrics "Zorro, 'the Fox', so cunning and free ..." from the Disney television show theme. His heroic pose consists of rearing on his horse Tornado, often saluting with his hand or raising his sword high. The logo of the company Zorro Productions, Inc. uses an image of Zorro rearing on his horse, sword raised high. Zorro is an agile athlete and acrobat, using his bullwhip as a gymnastic accoutrement to swing through gaps between city roofs, and is very capable of landing from great heights and taking a fall. Although he is a master swordsman and marksman, he has more than once demonstrated his prowess in unarmed combat against multiple opponents. His calculating and precise dexterity as a tactician has enabled him to use his two main weapons, his sword and bullwhip, as an extension of his deft hand. He never uses brute strength. Instead and more likely, he uses his fox-like and sly mind, and well-practiced technique to outmatch an opponent. In some versions, Zorro keeps a medium-sized dagger tucked in his left boot for emergencies. He has used his cape as a blind, a trip-mat and a disarming tool. Zorro's boots are also sometimes weighted, as is his hat, which he has thrown, Frisbee-style, as an efficiently substantial warning to enemies. But more often than not, he uses psychological mockery to make his opponents too angry to be coordinated in combat. Zorro is a skilled horseman. The name of his jet-black horse has varied through the years. In The Curse of Capistrano, it was unnamed. In Disney's Zorro television series the horse gets the name Tornado, which has been kept in many later adaptations. In most versions, Zorro keeps Tornado in a secret cave, connected to his hacienda with a system of secret passages and underground tunnels. McCulley's concept of a band of men helping Zorro is often absent from other versions of the character. An exception is Zorro's Fighting Legion (1939), starring Reed Hadley as Diego. In Douglas Fairbanks' version, he also has a band of masked men helping him. In McCulley's stories, Zorro was aided by a deaf-mute named Bernardo. In Disney's Zorro television series, Bernardo is not deaf but pretends to be, and serves as Zorro's secret agent. He is a capable and invaluable helper for Zorro, sometimes wearing the mask to reinforce his master's charade. The Family Channel's Zorro television series replaces Bernardo with a teenager named Felipe, played by Juan Diego Botto, with a similar disability and pretense.
Question: what were some of Zorro's skills?
Answer: Zorro is an agile athlete and acrobat, using his bullwhip as a gymnastic accoutrement to swing through gaps between city roofs,
Question: how did he get his skills?
Answer: CANNOTANSWER
Question: has he ever had to use it? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Mark Henry
Background: Henry was born in Silsbee, Texas. As a child, he was a big wrestling fan and Andre the Giant was his favorite wrestler. While attending a wrestling show in Beaumont, Texas, young Henry tried to touch Andre as he was walking down the aisle, but tripped over the barricade. Andre picked him up out of the crowd and put him back behind the barricade.
Section: Later career (2015-2017)
Passage: Henry returned on the March 12, 2015 episode of SmackDown, confronting Roman Reigns for having a lack of identity and for not being respected, resulting in Reigns attacking Henry. The attack caused Henry to become a "believer" in Reigns and turning face again in the process. Henry was unsuccessful in the Elimination Chamber match for the vacant Intercontinental Championship at Elimination Chamber, replacing Rusev who was injured, but was eliminated by Sheamus On the June 1 episode of Raw, Henry unsuccessfully faced Reigns for his Money in the Bank spot. After the match, Henry attacked Reigns. Henry spent the remainder of 2015 suffering back to back losses in singles matches, losing to the likes of Big Show, Sheamus and Neville while constantly switching between face and heel. On the 2016 Royal Rumble pre-show, Henry teamed with Jack Swagger to win a Fatal 4-Way tag team match to earn their spots in the Royal Rumble match. Despite this victory, Henry entered the Rumble match at #22 and lasted only 47 seconds when he was quickly eliminated by The Wyatt Family. On the February 8 episode of Raw, Henry walked out on The New Day during an 8-Man Tag team tables match against The Usos and The Dudley Boyz. On the February 15 episode of Raw, Henry lost to Big E; during the match Henry (kayfabe) suffered broken ribs leading to a botched (unplanned) ending. At WrestleMania 32, Henry entered his third Andre the Giant Memorial Battle Royal, where made it to the final six competitors until being eliminated by Kane and Darren Young. On July 19, at the 2016 WWE draft, Henry was drafted to Raw. On the August 1 episode of Raw, Henry claimed he still "had a lot left in him" when he spoke of reviving the Hall of Pain and his participation in the olympics. Raw General Manager Mick Foley gave Henry a United States Championship match, but Henry would lose by submission to Rusev. In October, Henry allied himself with R-Truth and Goldust in a feud against Titus O'Neil and The Shining Stars (Primo and Epico), in which Henry's team came out victorious. Henry returned at the 2017 Royal Rumble as entrant number 6, only to be eliminated by Braun Strowman. His final match was the Andre the Giant Memorial Battle Royal at WrestleMania 33.
Question: What did he do in his later career?
Answer: On July 19, at the 2016 WWE draft, Henry was drafted to Raw.
Question: What is Raw
Answer: CANNOTANSWER
Question: Does he still wrestle
Answer: His final match was the Andre the Giant Memorial Battle Royal at WrestleMania 33.
Question: Is he still on tv | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Mark Henry
Background: Henry was born in Silsbee, Texas. As a child, he was a big wrestling fan and Andre the Giant was his favorite wrestler. While attending a wrestling show in Beaumont, Texas, young Henry tried to touch Andre as he was walking down the aisle, but tripped over the barricade. Andre picked him up out of the crowd and put him back behind the barricade.
Section: Nation of Domination and Sexual Chocolate (1998-2000)
Passage: Henry joined the faction with Farooq, The Rock, Kama Mustafa, and D'Lo Brown on January 12, 1998. After The Rock usurped Farooq's position as leader, Henry switched loyalties to The Rock. He also competed at WrestleMania XIV in a tag team Battle Royal with Brown as his partner, but they did not win. After The Nation disbanded, he engaged in a short feud with The Rock, defeating him at Judgment Day: In Your House with help from Brown, and then forming a permanent team with Brown, gaining Ivory as a manager. During the next year, Henry gave himself the nickname Sexual Chocolate, and was involved in controversial angles with Chyna and a transvestite. During a match at the August 1999 SummerSlam pay-per-view between Brown and Jeff Jarrett for the WWF Intercontinental and WWF European Championships (both held at the time by Brown), Henry turned on Brown and helped Jarrett win the match and the titles. The next night, Henry was awarded the European title by Jarrett in return for his help. Henry lost the title one month later to Brown at the Unforgiven pay-per-view. The night after he tried to make up with Brown and later in the week claimed to be a sex addict resulting in him attending a sex therapy session a week later where he claimed that he lost his virginity at eight years old to his sister, and had just slept with her two days ago. After this, Henry turned into a fan favorite, and was seen on television romancing WWF women from Chyna to Mae Young as part of the "Sexual Chocolate" character. He feuded with Viscera during this time, as part of a storyline where Viscera splashed Mae Young while she was carrying Henry's child. Young later gave birth to a hand. Henry was part of various other embarrassing and infamous storylines, including one about him overcoming sex addiction.
Question: What was the Nation of Domination?
Answer: He also competed at WrestleMania XIV in a tag team Battle Royal with Brown as his partner, but they did not win. After The Nation disbanded,
Question: What did Sexual Chocolate refer to?
Answer: Henry gave himself the nickname Sexual Chocolate, and was involved in controversial angles with Chyna and a transvestite.
Question: Were there other people involved? | [
"sex therapy session a week later where he claimed that he lost his virginity at eight years old to his sister, and had just slept with her two days ago."
] |
Title: Michelle Pfeiffer
Background: Pfeiffer was born in Santa Ana, California, the second of four children of Richard Pfeiffer, an air-conditioning contractor, and Donna (nee Taverna), a housewife. She has one elder brother, Rick (born 1955), and two younger sisters, Dedee Pfeiffer (born 1964), a television and film actress, and Lori Pfeiffer (born 1965). Her parents were both originally from North Dakota. Her paternal grandfather was of German ancestry and her paternal grandmother was of English, Welsh, French, Irish, and Dutch descent, while her maternal grandfather was of Swiss-German descent and her maternal grandmother of Swedish ancestry.
Section: 2000-2006: Hiatus
Passage: Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999, and move into semi-retirement in order to spend more quality time with her children and family, meaning that she would continue to star in films sporadically into the 2000s and beyond. Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header. The film was called Original Sin (2001). It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while. The film was produced by her company, but instead starred Angelina Jolie and Antonio Banderas. In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past. While critical response towards the film was mixed, it opened atop at the box office in July 2000, and went on to gross US$291 million worldwide. She then accepted the role of Rita Harrison, a highly strung lawyer helping a father with a developmental disability, in the drama I Am Sam (2001), opposite Sean Penn. Despite grossing $97.8 million worldwide, the movie received unfavorable reviews; Seattle Post-Intelligencer wrote: "Pfeiffer, apparently stymied by the bland cliches that prop up her screechy role, delivers her flattest, phoniest performance ever". Meanwhile, SF Gate observed: "In one scene, she breaks down in tears as she unburdens herself to him about her miserable life. It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material". Pfeiffer took on the role of a murderous artist named Ingrid Magnussen in the drama White Oleander (2002), alongside Alison Lohman (in her film debut), Renee Zellweger and Robin Wright. The film was an arthouse success and Pfeiffer garnered a substantial amount of critical praise; Stephen Holden of The New York Times wrote that "Ms. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical". Kenneth Turan of the Los Angeles Times described her as "incandescent," bringing "power and unshakable will to her role as mother-master manipulator" in a "riveting, impeccable performance". She earned Best Supporting Actress Awards from the San Diego Film Critics Society and the Kansas City Film Critics Circle, as well as a Screen Actors Guild Award nomination. Pfeiffer lent her voice for the character of goddess of chaos Eris in Sinbad: Legend of the Seven Seas (2003), an animated film featuring Brad Pitt as the voice of Sinbad the Sailor. She had struggles with finding the character's villainies. Initially the character was "too sexual," then she lacked fun. After the third rewrite, Pfeiffer called producer Jeffrey Katzenberg and told him "You know, you really can fire me", but he assured her that this was just part of the process. Following the release of the film, she took a four-year hiatus from acting, during which she remained largely out of the public eye to devote time to her husband and children. At the time, she turned down the role of the White Witch in the fantasy film The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (2005), which went to Tilda Swinton.
Question: What led to her hiatus?
Answer: Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in 1999,
Question: What did she do after dissolving the film company?
Answer: spend more quality time with her children and family, meaning that she would continue to star in films sporadically into the 2000s and beyond.
Question: Did she end up starring in any films during this time?
Answer: In the Hitchcockian thriller What Lies Beneath (2000), Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past.
Question: Was the movie considered to be a success?
Answer: While critical response towards the film was mixed, it opened atop at the box office in July 2000, and went on to gross US$291 million worldwide.
Question: Did the movie do well at the box office? | [
"Despite grossing $97.8 million worldwide, the movie received unfavorable reviews;"
] |
Title: Pink Floyd
Background: Pink Floyd were an English rock band formed in London in 1965. They achieved international acclaim with their progressive and psychedelic music. Distinguished by their use of philosophical lyrics, sonic experimentation, extended compositions, and elaborate live shows, they are one of the most commercially successful and influential groups in popular music history. Pink Floyd were founded by students Syd Barrett on guitar and lead vocals, Nick Mason on drums, Roger Waters on bass and vocals, and Richard Wright on keyboards and vocals.
Section: Replacement of Barrett by Gilmour
Passage: In December 1967, the group added guitarist David Gilmour as the fifth member of Pink Floyd. Gilmour already knew Barrett, having studied with him at Cambridge Tech in the early 1960s. The two had performed at lunchtimes together with guitars and harmonicas, and later hitch-hiked and busked their way around the south of France. In 1965, while a member of Joker's Wild, Gilmour had watched the Tea Set. Morrison's assistant, Steve O'Rourke, set Gilmour up in a room at O'Rourke's house with a salary of PS30 per week (equivalent to PS500 in 2016), and in January 1968, Blackhill Enterprises announced Gilmour as the band's newest member; the second guitarist and its fifth member, the band intending to continue with Barrett as a nonperforming songwriter. Jenner commented: "The idea was that Dave would ... cover for [Barrett's] eccentricities and when that got to be not workable, Syd was just going to write. Just to try to keep him involved". In an expression of his frustration, Barrett, who was expected to write additional hit singles to follow up "Arnold Layne" and "See Emily Play", instead introduced "Have You Got It Yet?" to the band, intentionally changing the structure on each performance so as to make the song impossible to follow and learn. In a January 1968 photo-shoot of the five-man Pink Floyd, the photographs show Barrett looking detached from the others, staring into the distance. Working with Barrett eventually proved too difficult, and matters came to a conclusion in January while en route to a performance in Southampton when a band member asked if they should collect Barrett. According to Gilmour, the answer was "Nah, let's not bother", signalling the end of Barrett's tenure with Pink Floyd. Waters later admitted, "He was our friend, but most of the time we now wanted to strangle him". In early March 1968, Pink Floyd met with business partners Jenner and King to discuss the band's future; Barrett agreed to leave. Jenner and King believed Barrett to be the creative genius of the band, and decided to represent him and end their relationship with Pink Floyd. Morrison then sold his business to NEMS Enterprises, and O'Rourke became the band's personal manager. Blackhill announced Barrett's departure on 6 April 1968. After Barrett's departure, the burden of lyrical composition and creative direction fell mostly on Waters. Initially, Gilmour mimed to Barrett's voice on the group's European TV appearances; however, while playing on the university circuit, they avoided Barrett songs in favour of Waters and Wright material such as "It Would Be So Nice" and "Careful with That Axe, Eugene".
Question: Why was Barrett replaced?
Answer: Working with Barrett eventually proved too difficult,
Question: When did Barrett get replaced? | [
"In early March 1968, Pink Floyd met with business partners Jenner and King to discuss the band's future; Barrett agreed to leave."
] |
Title: Mike Pence
Background: Michael Richard Pence (born June 7, 1959) is an American politician and lawyer serving as the 48th and current Vice President of the United States, since January 20, 2017. He previously was the 50th Governor of Indiana from 2013 to 2017 and a member of the United States House of Representatives from 2001 to 2013. Born and raised in Columbus, Indiana, Pence graduated from Hanover College and earned a law degree from the Indiana University Robert H. McKinney School of Law before entering private practice. After losing two bids for a U.S. congressional seat in 1988 and 1990, he became a conservative radio and television talk show host from 1994 to 1999.
Section: Early life and career
Passage: Michael Richard "Mike" Pence was born June 7, 1959, in Columbus, Indiana, one of six children of Nancy Jane (nee Cawley) and Edward Joseph Pence Jr. (1929-1988), who ran a group of gas stations. His father served in the U.S. Army during the Korean War and received the Bronze Star in 1953, which Pence displays in his office along with its commendation letter and a reception photograph. His family were Irish Catholic Democrats. Pence was named after his grandfather, Richard Michael Cawley, who emigrated from County Sligo, Ireland, to the United States through Ellis Island, following an aunt and his brother James, and became a bus driver in Chicago, Illinois. His maternal grandmother's parents were from Doonbeg, County Clare. Pence graduated from Columbus North High School in 1977. He earned a BA degree in history from Hanover College in 1981, and a JD degree from the Indiana University's Robert H. McKinney School of Law in Indianapolis in 1986. While at Hanover, Pence joined the Phi Gamma Delta fraternity, where he became the chapter president. After graduating from Hanover, Pence was an admissions counselor at the college from 1981 to 1983. In his childhood and early adulthood, Pence was a Roman Catholic and a Democrat. He volunteered for the Bartholomew County Democratic Party in 1976 and voted for Jimmy Carter in the 1980 presidential election, and has stated that he was originally inspired to get involved in politics by people such as John F. Kennedy and Martin Luther King Jr. While in college, Pence became an evangelical, born-again Christian, to the great disappointment of his mother. His political views also started shifting to the right during this time in his life, something which Pence attributes to the "common-sense conservatism of Ronald Reagan" that he began to identify with. After graduating from law school in 1986, Pence was an attorney in private practice. He ran unsuccessfully for a congressional seat in 1988 and in 1990. In 1991, he became the president of the Indiana Policy Review Foundation, a self-described free-market think tank and a member of the State Policy Network. Pence left the Indiana Policy Review Foundation in 1993, a year after beginning to host The Mike Pence Show, a talk radio program based in WRCR-FM in Rushville, Indiana. Pence called himself "Rush Limbaugh on decaf" since he considered himself politically conservative while not as outspoken as Limbaugh. The show was syndicated by Network Indiana and aired weekdays 9 a.m. to noon (ET) on 18 stations throughout the state, including WIBC in Indianapolis. From 1995 to 1999, Pence also hosted a weekend political talk show from Indianapolis.
Question: Where did Mike Pence grow up?
Answer: Michael Richard "Mike" Pence was born June 7, 1959, in Columbus, Indiana, one of six children of Nancy Jane (nee Cawley) and Edward Joseph Pence Jr. (
Question: How did he get started in politics?
Answer: After graduating from law school in 1986, Pence was an attorney in private practice. He ran unsuccessfully for a congressional seat in 1988 and in 1990.
Question: Why did he lose both the '88 and '90 race?
Answer: CANNOTANSWER
Question: Where did Pence go to college? | [
"He earned a BA degree in history from Hanover College in 1981, and a JD degree from the Indiana University's Robert H. McKinney School of Law in Indianapolis"
] |
Title: Mike Pence
Background: Michael Richard Pence (born June 7, 1959) is an American politician and lawyer serving as the 48th and current Vice President of the United States, since January 20, 2017. He previously was the 50th Governor of Indiana from 2013 to 2017 and a member of the United States House of Representatives from 2001 to 2013. Born and raised in Columbus, Indiana, Pence graduated from Hanover College and earned a law degree from the Indiana University Robert H. McKinney School of Law before entering private practice. After losing two bids for a U.S. congressional seat in 1988 and 1990, he became a conservative radio and television talk show host from 1994 to 1999.
Section: Education
Passage: During his tenure as governor, Pence supported significant increases in education funding to pre-schools, voucher programs, and charter schools, but frequently clashed with supporters of traditional public schools. In 2014, a little over one year after taking office, Pence helped establish a $10 million state preschool pilot program in Indiana and testified personally before the state Senate Education Committee in favor of the program to convince fellow Republicans (several of whom opposed the proposal) to approve the plan. Although the plan was initially defeated, Pence successfully managed to revive it, "getting Indiana off the list of just 10 states that spent no direct funds to help poor children attend preschool." Demand for enrollment in the program "far outstripped" capacity, and Pence at first refused to apply for up to $80 million in federal Health and Human Services Preschool Development Grant program funding, arguing that "Indiana must develop our own pre-K program without federal intrusion." After coming under sustained criticism for this position, Pence reversed course and sought to apply for the funds. In 2015, Pence secured significant increases in charter-school funding from the legislation, although he did not get everything he had proposed. Legislation signed into law by Pence in 2013 greatly increased the number of students in Indiana who qualify for school vouchers, making it one of the largest voucher programs in the United States. The annual cost of the program is estimated to be $53 million for the 2015-16 school year. Pence opposed the Common Core State Standards Initiative, calling for the repeal of the standards in his 2014 State of the State address. The Indiana General Assembly then passed a bill to repeal the standards, becoming the first state to do so. Despite successful advocacy for more funding for pre-schools, voucher programs, and charter schools, Pence has frequently clashed with teachers unions and supporters of public schooling. In one of his first acts as governor, Pence removed control of the Educational Employment Relations Board, which was in charge of handling conflicts between unions and school boards, from Glenda Ritz, a Democrat who was the Indiana Superintendent of Public Instruction (a separately elected position in the state). Pence created a new "Center for Education and Career Innovation" (CECI) to coordinate efforts between schools and the private sector; Ritz opposed the Center, viewing it as a "power grab" and encroachment on her own duties. Pence eventually disestablished the Center in order to help defuse the conflict. In May 2015, Pence signed a bill stripping Ritz of much of her authority over standardized testing and other education issues, and reconstituting the State Board of Education dominated by Pence appointees. The bill also allowed the board to appoint a chairman other than the Superintendent of Public Instruction starting in 2017, and added the State Board of Education (controlled by Pence) as a "state educational authority" along with the Department of Education (controlled by Ritz) for purposes of accessing sensitive student data. Pence and Ritz also clashed over non-binding federal guidelines that advised Indiana public schools must treat transgender students in a way that corresponds to their gender identity, even if their education files indicate a different gender.
Question: What was Mike's education like?
Answer: CANNOTANSWER
Question: When did Mike go to college?
Answer: CANNOTANSWER
Question: Did Mike do anything for education???????
Answer: During his tenure as governor, Pence supported significant increases in education funding to pre-schools, voucher programs, and charter schools, but frequently clashed with supporters of traditional public schools.
Question: Why did he clash with supporters?
Answer: Pence has frequently clashed with teachers unions and supporters of public schooling.
Question: Are there any other interesting aspects of this article? | [
"Pence opposed the Common Core State Standards Initiative, calling for the repeal of the standards in his 2014 State of the State address."
] |
Title: Yip Harburg
Background: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"
Section: Hollywood and Broadway
Passage: Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow." Of his work on The Wizard of Oz, his son (and biographer) Ernie Harburg has said: So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains and the nerve, because he was the final script editor. And he--there were eleven screenwriters on that--and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing. Working in Hollywood did not stop Harburg's career on Broadway. In the 1940s, he wrote a series of "book" musicals with social messages, including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer. Harburg's best known Broadway show, Finian's Rainbow (1947) was, in its original production, possibly the first Broadway musical with a racially integrated chorus line, and features his "When the Idle Poor Become the Idle Rich." It was made into a film in 1968 starring Fred Astaire and Petula Clark, directed by Francis Ford Coppola.
Question: What did Yip do in Hollywood?
Answer: wrote the lyrics for The Wizard of Oz,
Question: Did he work on this alone or with others?
Answer: Harburg and Gorney were offered a contract with Paramount:
Question: What did he do on broadway? | [
"In the 1940s, he wrote a series of \"book\" musicals with social messages,"
] |
Title: Yip Harburg
Background: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"
Section: Early life and career
Passage: Harburg, the youngest of four surviving children (out of ten), was born Isidore Hochberg on the Lower East Side of New York City on April 8, 1896. His parents, Lewis Hochberg and Mary Ricing, were Yiddish-speaking Orthodox Jews who had emigrated from Russia. He later adopted the name Edgar Harburg, and came to be best known as Edgar "Yip" Harburg. He attended Townsend Harris High School, where he and Ira Gershwin, who met over a shared fondness for Gilbert and Sullivan, worked on the school paper and became lifelong friends. According to his son Ernie Harburg, Gilbert and Irish dramatist George Bernard Shaw taught his father, a "democratic socialist, [and] sworn challenger of all tyranny against the people, that 'humor is an act of courage' and dissent". After World War I, Harburg returned to New York and graduated from City College (later part of the City University of New York), which Ira Gershwin had initially attended with him, in 1921. After Harburg married and had two children, he started writing light verse for local newspapers. He became a co-owner of Consolidated Electrical Appliance Company, but the company went bankrupt following the crash of 1929, leaving Harburg "anywhere from $50,000 - $70,000 in debt," which he insisted on paying back over the course of the next few decades. At this point, Harburg and Ira Gershwin agreed that Harburg should start writing song lyrics. Gershwin introduced Harburg to Jay Gorney, who collaborated with him on songs for an Earl Carroll Broadway review (Earl Carroll's Sketchbook): the show was successful and Harburg was engaged as lyricist for a series of successful revues, including Americana in 1932, for which he wrote the lyrics of "Brother, Can You Spare a Dime?" to the tune of a lullaby Gorney had learned as a child in Russia. This song swept the nation, becoming an anthem of the Great Depression. Harburg was a staunch critic of religion and an atheist. He wrote a poem entitled "Atheist" that summarized his views on god and religion.
Question: Where was he born?
Answer: was born Isidore Hochberg on the Lower East Side of New York City
Question: Is there any information about where he went to school as a child?
Answer: He attended Townsend Harris High School,
Question: How did he get started in show business? | [
"At this point, Harburg and Ira Gershwin agreed that Harburg should start writing song lyrics."
] |
Title: Laurence Olivier
Background: Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.
Section: 1968-1974
Passage: Olivier had intended to step down from the directorship of the National Theatre at the end of his first five-year contract, having, he hoped, led the company into its new building. By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term. His next major role, and his last appearance in a Shakespeare play, was as Shylock in The Merchant of Venice, his first appearance in the work. He had intended Guinness or Scofield to play Shylock, but stepped in when neither was available. The production by Jonathan Miller, and Olivier's performance, attracted a wide range of responses. Two different critics reviewed it for The Guardian: one wrote "this is not a role which stretches him, or for which he will be particularly remembered"; the other commented that the performance "ranks as one of his greatest achievements, involving his whole range". In 1969 Olivier appeared in two war films, portraying military leaders. He played Field Marshal French in the First World War film Oh! What a Lovely War, for which he won another BAFTA award, followed by Air Chief Marshal Hugh Dowding in Battle of Britain. In June 1970 he became the first actor to be created a peer for services to the theatre. Although he initially declined the honour, Harold Wilson, the incumbent prime minister, wrote to him, then invited him and Plowright to dinner, and persuaded him to accept. After this Olivier played three more stage roles: James Tyrone in Eugene O'Neill's Long Day's Journey into Night (1971-72), Antonio in Eduardo de Filippo's Saturday, Sunday, Monday and John Tagg in Trevor Griffiths's The Party (both 1973-74). Among the roles he hoped to play, but could not because of ill-health, was Nathan Detroit in the musical Guys and Dolls. In 1972 he took leave of absence from the National to star opposite Michael Caine in Joseph L. Mankiewicz's film of Anthony Shaffer's Sleuth, which The Illustrated London News considered to be "Olivier at his twinkling, eye-rolling best"; both he and Caine were nominated for the Academy Award for Best Actor, losing to Marlon Brando in The Godfather. The last two stage plays Olivier directed were Jean Giradoux's Amphitryon (1971) and Priestley's Eden End (1974). By the time of Eden End, he was no longer director of the National Theatre; Peter Hall took over on 1 November 1973. The succession was tactlessly handled by the board, and Olivier felt that he had been eased out--although he had declared his intention to go--and that he had not been properly consulted about the choice of successor. The largest of the three theatres within the National's new building was named in his honour, but his only appearance on the stage of the Olivier Theatre was at its official opening by the Queen in October 1976, when he made a speech of welcome, which Hall privately described as the most successful part of the evening.
Question: did anything happen to him in 1968 or 1969?
Answer: By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term.
Question: what was he serving a five-year term for?
Answer: intended to step down from the directorship of the National Theatre at the end of his first five-year contract, having, he hoped, led the company into its new building.
Question: What happened during his time when he was diretor at the Theatre?
Answer: The last two stage plays Olivier directed were Jean Giradoux's Amphitryon (1971) and Priestley's Eden End (1974).
Question: Did he do anything else at the Theatre before or after Amphitryon?
Answer: Olivier played three more stage roles:
Question: was there anything important about some of the roles he played? | [
"the other commented that the performance \"ranks as one of his greatest achievements, involving his whole range\"."
] |
Title: Laurence Olivier
Background: Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.
Section: Last years with Leigh (1955-1956)
Passage: Olivier was born in Dorking, Surrey, the youngest of the three children of the Revd Gerard Kerr Olivier (1869-1939) and his wife Agnes Louise, nee Crookenden (1871-1920). Their elder children were Sybille (1901-1989) and Gerard Dacres "Dickie" (1904-1958). His great-great-grandfather was of French Huguenot descent, and Olivier came from a long line of Protestant clergymen. Gerard Olivier had begun a career as a schoolmaster, but in his thirties he discovered a strong religious vocation and was ordained as a priest of the Church of England. He practised extremely high church, ritualist Anglicanism and liked to be addressed as "Father Olivier". This made him unacceptable to most Anglican congregations, and the only church posts he was offered were temporary, usually deputising for regular incumbents in their absence. This meant a nomadic existence, and for Laurence's first few years, he never lived in one place long enough to make friends. In 1912, when Olivier was five, his father secured a permanent appointment as assistant priest at St Saviour's, Pimlico. He held the post for six years, and a stable family life was at last possible. Olivier was devoted to his mother, but not to his father, whom he found a cold and remote parent. Nevertheless, he learned a great deal of the art of performing from him. As a young man Gerard Olivier had considered a stage career and was a dramatic and effective preacher. Olivier wrote that his father knew "when to drop the voice, when to bellow about the perils of hellfire, when to slip in a gag, when suddenly to wax sentimental ... The quick changes of mood and manner absorbed me, and I have never forgotten them." In 1916, after attending a series of preparatory schools, Olivier passed the singing examination for admission to the choir school of All Saints, Margaret Street, in central London. His elder brother was already a pupil, and Olivier gradually settled in, though he felt himself to be something of an outsider. The church's style of worship was (and remains) Anglo-Catholic, with emphasis on ritual, vestments and incense. The theatricality of the services appealed to Olivier, and the vicar encouraged the students to develop a taste for secular as well as religious drama. In a school production of Julius Caesar in 1917, the ten-year-old Olivier's performance as Brutus impressed an audience that included Lady Tree, the young Sybil Thorndike, and Ellen Terry, who wrote in her diary, "The small boy who played Brutus is already a great actor." He later won praise in other schoolboy productions, as Maria in Twelfth Night (1918) and Katherine in The Taming of the Shrew (1922). From All Saints, Olivier went on to St Edward's School, Oxford, from 1920 to 1924. He made little mark until his final year, when he played Puck in the school's production of A Midsummer Night's Dream; his performance was a tour de force that won him popularity among his fellow pupils. In January 1924, his brother left England to work in India as a rubber planter. Olivier missed him greatly and asked his father how soon he could follow. He recalled in his memoirs that his father replied, "Don't be such a fool, you're not going to India, you're going on the stage." While Leigh made Streetcar in 1951, Olivier joined her in Hollywood to film Carrie, based on the controversial novel Sister Carrie; although the film was plagued by troubles, Olivier received warm reviews and a BAFTA nomination. Olivier began to notice a change in Leigh's behaviour, and he later recounted that "I would find Vivien sitting on the corner of the bed, wringing her hands and sobbing, in a state of grave distress; I would naturally try desperately to give her some comfort, but for some time she would be inconsolable." After a holiday with Coward in Jamaica, she seemed to have recovered, but Olivier later recorded, "I am sure that ... [the doctors] must have taken some pains to tell me what was wrong with my wife; that her disease was called manic depression and what that meant--a possibly permanent cyclical to-and-fro between the depths of depression and wild, uncontrollable mania. He also recounted the years of problems he had experienced because of Leigh's illness, writing, "throughout her possession by that uncannily evil monster, manic depression, with its deadly ever-tightening spirals, she retained her own individual canniness--an ability to disguise her true mental condition from almost all except me, for whom she could hardly be expected to take the trouble." In January 1953 Leigh travelled to Ceylon (now Sri Lanka) to film Elephant Walk with Peter Finch. Shortly after filming started she suffered a breakdown, and returned to Britain where, between periods of incoherence, she told Olivier that she was in love with Finch, and had been having an affair with him; she gradually recovered over a period of several months. As a result of the breakdown, many of the Oliviers' friends learned of her problems. Niven said she had been "quite, quite mad", and in his diary, Coward expressed the view that "things had been bad and getting worse since 1948 or thereabouts." For the Coronation season of 1953, Olivier and Leigh starred in the West End in Terence Rattigan's Ruritanian comedy, The Sleeping Prince. It ran for eight months but was widely regarded as a minor contribution to the season, in which other productions included Gielgud in Venice Preserv'd, Coward in The Apple Cart and Ashcroft and Redgrave in Antony and Cleopatra. Olivier directed his third Shakespeare film in September 1954, Richard III (1955), which he co-produced with Korda. The presence of four theatrical knights in the one film--Olivier was joined by Cedric Hardwicke, Gielgud and Richardson--led an American reviewer to dub it "An-All-Sir-Cast". The critic for The Manchester Guardian described the film as a "bold and successful achievement", but it was not a box-office success, which accounted for Olivier's subsequent failure to raise the funds for a planned film of Macbeth. He won a BAFTA award for the role and was nominated for the Best Actor Academy Award, which Yul Brynner won. In 1955 Olivier and Leigh were invited to play leading roles in three plays at the Shakespeare Memorial Theatre, Stratford. They began with Twelfth Night, directed by Gielgud, with Olivier as Malvolio and Leigh as Viola. Rehearsals were difficult, with Olivier determined to play his conception of the role despite the director's view that it was vulgar. Gielgud later commented: Somehow the production did not work. Olivier was set on playing Malvolio in his own particular rather extravagant way. He was extremely moving at the end, but he played the earlier scenes like a Jewish hairdresser, with a lisp and an extraordinary accent, and he insisted on falling backwards off a bench in the garden scene, though I begged him not to do it. ... But then Malvolio is a very difficult part. The next production was Macbeth. Reviewers were lukewarm about the direction by Glen Byam Shaw and the designs by Roger Furse, but Olivier's performance in the title role attracted superlatives. To J. C. Trewin, Olivier's was "the finest Macbeth of our day"; to Darlington it was "the best Macbeth of our time". Leigh's Lady Macbeth received mixed but generally polite notices, although to the end of his life Olivier believed it to have been the best Lady Macbeth he ever saw. In their third production of the 1955 Stratford season, Olivier played the title role in Titus Andronicus, with Leigh as Lavinia. Her notices in the part were damning, but the production by Peter Brook and Olivier's performance as Titus received the greatest ovation in Stratford history from the first-night audience, and the critics hailed the production as a landmark in post-war British theatre. Olivier and Brook revived the production for a continental tour in June 1957; its final performance, which closed the old Stoll Theatre in London, was the last time Leigh and Olivier acted together. Leigh became pregnant in 1956 and withdrew from the production of Coward's comedy South Sea Bubble. The day after her final performance in the play she miscarried and entered a period of depression that lasted for months. The same year Olivier decided to direct and produce a film version of The Sleeping Prince, retitled The Prince and the Showgirl. Instead of appearing with Leigh, he cast Marilyn Monroe as the showgirl. Although the filming was challenging because of Monroe's behaviour, the film was appreciated by the critics.
Question: Who was Leigh?
Answer: Vivien
Question: What was their relationship?
Answer: the doctors] must have taken some pains to tell me what was wrong with my wife;
Question: Did she die?
Answer: CANNOTANSWER
Question: Did Leigh have a job?
Answer: January 1953 Leigh travelled to Ceylon (now Sri Lanka) to film Elephant Walk with Peter Finch.
Question: Did they act together in anything else? | [
"In 1955 Olivier and Leigh were invited to play leading roles in three plays at the Shakespeare Memorial Theatre,"
] |
Title: Xi Jinping
Background: Xi Jinping (; Chinese: Xi Jin Ping ; pinyin: Xi Jinping; born 15 June 1953) is a Chinese politician currently serving as General Secretary of the Communist Party of China, President of the People's Republic of China, and Chairman of the Central Military Commission. As Xi holds the top offices of the party, the state, and the military, he is sometimes referred to as China's "paramount leader"; in 2016, the party officially gave him the title of "core" leader.
Section: Politburo Standing Committee member
Passage: Xi was appointed to the nine-man Politburo Standing Committee of the Communist Party of China at the 17th Party Congress in October 2007. Xi was ranked above Li Keqiang, an indication that he was going to succeed Hu Jintao as China's next leader. In addition, Xi also held the top-ranking membership of the Communist Party's Central Secretariat. This assessment was further supported at the 11th National People's Congress in March 2008, when Xi was elected as Vice-President of the People's Republic of China. Following his elevation, Xi has held a broad range of portfolios. He was put in charge of the comprehensive preparations for the 2008 Summer Olympics in Beijing, as well as being the central government's leading figure in Hong Kong and Macau affairs. In addition, he also became the new President of the Central Party School of the Communist Party of China, the cadre-training and ideological education wing of the Communist Party. In the wake of the 2008 Sichuan earthquake, Xi visited disaster areas in Shaanxi and Gansu. Xi made his first foreign trip as vice president to North Korea, Mongolia, Saudi Arabia, Qatar and Yemen from 17 to 25 June 2008. After the Olympics, Xi was assigned the post of Committee Chair for the preparations of the 60th Anniversary Celebrations of the founding of the People's Republic of China. He was also reportedly at the helm of a top-level Communist Party committee dubbed the 6521 Project, which was charged with ensuring social stability during a series of politically sensitive anniversaries in 2009. Xi is considered to be one of the most successful members of the Crown Prince Party, a quasi-clique of politicians who are descendants of early Chinese Communist revolutionaries. Former Prime Minister of Singapore, Lee Kuan Yew, when asked about Xi, said he felt he was "a thoughtful man who has gone through many trials and tribulations." Lee also commented: "I would put him in the Nelson Mandela class of persons. A person with enormous emotional stability who does not allow his personal misfortunes or sufferings affect his judgment. In other words, he is impressive". Former U.S. Treasury Secretary Henry Paulson described Xi as "the kind of guy who knows how to get things over the goal line." Australian Prime Minister Kevin Rudd said that Xi "has sufficient reformist, party and military background to be very much his own man." Former US Secretary of State Hillary Clinton tweeted, "Xi hosting a meeting on women's rights at the UN while persecuting feminists? Shameless."
Question: What is this
Answer: Xi was appointed to the nine-man Politburo Standing Committee of the Communist Party of China at the 17th Party Congress in October 2007.
Question: What place was he ranked
Answer: Xi was ranked above Li Keqiang, an indication that he was going to succeed Hu Jintao as China's next leader.
Question: What did he also control
Answer: Xi also held the top-ranking membership of the Communist Party's Central Secretariat.
Question: Who supports this
Answer: This assessment was further supported at the 11th National People's Congress in March 2008, when Xi was elected as Vice-President of the People's Republic of China.
Question: What happened following his promotion
Answer: He was put in charge of the comprehensive preparations for the 2008 Summer Olympics in Beijing,
Question: What else did this promotion ge him
Answer: as well as being the central government's leading figure in Hong Kong and Macau affairs.
Question: what did he also do in 2008 | [
"wake of the 2008 Sichuan earthquake, Xi visited disaster areas in Shaanxi and Gansu."
] |
Title: Zorro
Background: Zorro (Spanish for "fox") is a fictional character created in 1919 by American pulp writer Johnston McCulley, and appearing in works set in the Pueblo of Los Angeles during the era of Spanish California (1769-1821). He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as sombrero cordobes, and a domino mask that covers the upper part of his face. In the stories, Zorro has a high bounty on his head, but is too skilled and cunning for the bumbling authorities to catch, and he also delights in publicly humiliating them.
Section: Inspirations
Passage: The historical figure most often associated with the Zorro character is Joaquin Murrieta, whose life was fictionalized in an 1854 dime novel by John Rollin Ridge. In the 1998 film The Mask of Zorro Murrieta's (fictitious) brother Alejandro succeeds Diego as Zorro. As a hero with a secret identity who taunts his foes by signing his deeds, Zorro finds a direct literary predecessor in Sir Percival Blakeney, hero of the Scarlet Pimpernel pulp series by Emma Orczy. The character recalls other figures, such as Robin Hood, Reynard the Fox, Salomon Pico, Manuel Rodriguez Erdoiza, and Tiburcio Vasquez. Another possible historical inspiration is William Lamport, an Irish soldier who lived in Mexico in the seventeenth century. His life was the subject of a fictive book by Vicente Riva Palacio; The Irish Zorro (2004) is a recent biography. Another is Estanislao, a Yokuts man who led a revolt against the Mission San Jose in 1827. The 1890s penny dreadful treatment of the Spring-heeled Jack character as a masked avenger may have inspired some aspects of Zorro's heroic persona. Spring Heeled Jack was portrayed as a nobleman who created a flamboyant, masked alter ego to fight injustice, frequently demonstrated exceptional athletic and combative skills, maintained a hidden lair and was known to carve the letter "S" into walls with his rapier as a calling card. Like Sir Percy in The Scarlet Pimpernel, Don Diego avoids suspicion by playing the role of an effete dandy who wears lace, writes poetry, and shuns violence. The all-black Fairbanks film costume, which with variations has remained the standard costume for the character, was likely adapted from the Arrow serial film character The Masked Rider (1919). This character was the first Mexican black-clad masked rider on a black horse to appear on the silver screen. Fairbanks's costume in The Mark of Zorro, released the following year, resembled that of the Rider with only slight differences in the mask and hat.
Question: What were some of the inspirations behind the character of Zorro?
Answer: Joaquin Murrieta, whose life was fictionalized in an 1854 dime novel by John Rollin Ridge.
Question: Was that the only inspiration or were there others?
Answer: The character recalls other figures, such as Robin Hood, Reynard the Fox, Salomon Pico, Manuel Rodriguez Erdoiza, and Tiburcio Vasquez.
Question: What other people had inspired the creation of Zorro?
Answer: Another possible historical inspiration is William Lamport, an Irish soldier who lived in Mexico in the seventeenth century.
Question: Did any historical events inspire the creation of Zorro?
Answer: The 1890s penny dreadful treatment of the Spring-heeled Jack character as a masked avenger may have inspired some aspects of Zorro's heroic persona.
Question: How did treatment of the Spring-heeled Jack character inspire some of the Zorro's characteristics?
Answer: Spring Heeled Jack was portrayed as a nobleman who created a flamboyant, masked alter ego to fight injustice,
Question: Are there any other interesting aspects about this article? | [
"This character was the first Mexican black-clad masked rider on a black horse to appear on the silver screen."
] |
Title: Harry Hopkins
Background: Hopkins was born at 512 Tenth Street in Sioux City, Iowa, the fourth child of four sons and one daughter of David Aldona and Anna (nee Pickett) Hopkins. His father, born in Bangor, Maine, ran a harness shop (after an erratic career as a salesman, prospector, storekeeper and bowling-alley operator), but his real passion was bowling, and he eventually returned to it as a business. Anna Hopkins, born in Hamilton, Ontario, had moved at an early age to Vermillion, South Dakota, where she married David. She was deeply religious and active in the affairs of the Methodist church.
Section: Social and public health work
Passage: In 1915, New York City Mayor John Purroy Mitchel appointed Hopkins executive secretary of the Bureau of Child Welfare which administered pensions to mothers with dependent children. Hopkins at first opposed America's entrance into World War I, but, when war was declared in 1917, he supported it enthusiastically. He was rejected for the draft because of a bad eye. Hopkins moved to New Orleans where he worked for the American Red Cross as director of Civilian Relief, Gulf Division. Eventually, the Gulf Division of the Red Cross merged with the Southwestern Division and Hopkins, headquartered now in Atlanta, was appointed general manager in 1921. Hopkins helped draft a charter for the American Association of Social Workers (AASW) and was elected its president in 1923. In 1922, Hopkins returned to New York City, where the AICP was involved with the Milbank Memorial Fund and the State Charities Aid Association in running three health demonstrations in New York State. Hopkins became manager of the Bellevue-Yorkville health project and assistant director of the AICP. In mid-1924 he became executive director of the New York Tuberculosis Association. During his tenure, the agency grew enormously and absorbed the New York Heart Association. In 1931, New York Governor Franklin D. Roosevelt named R. H. Macy's department store president Jesse Straus as president of the Temporary Emergency Relief Administration (TERA). Straus named Hopkins, then unknown to Roosevelt, as TERA's executive director. His efficient administration of the initial $20 million outlay to the agency gained Roosevelt's attention, and in 1932, he promoted Hopkins to the presidency of the agency. Hopkins and Eleanor Roosevelt began a long friendship, which strengthened his role in relief programs.
Question: What did he do in the sector of public health/
Answer: Hopkins became manager of the Bellevue-Yorkville health project and assistant director of the AICP.
Question: What did he do for the public during his management?
Answer: During his tenure, the agency grew enormously and absorbed the New York Heart Association.
Question: Are there any other interesting aspects about this article?
Answer: In 1915, New York City Mayor John Purroy Mitchel appointed Hopkins executive secretary of the Bureau of Child Welfare which administered pensions to mothers with dependent children.
Question: What were some policies he implemented? | [
"Hopkins helped draft a charter for the American Association of Social Workers (AASW) and was elected its president in 1923."
] |
Title: Harry Hopkins
Background: Hopkins was born at 512 Tenth Street in Sioux City, Iowa, the fourth child of four sons and one daughter of David Aldona and Anna (nee Pickett) Hopkins. His father, born in Bangor, Maine, ran a harness shop (after an erratic career as a salesman, prospector, storekeeper and bowling-alley operator), but his real passion was bowling, and he eventually returned to it as a business. Anna Hopkins, born in Hamilton, Ontario, had moved at an early age to Vermillion, South Dakota, where she married David. She was deeply religious and active in the affairs of the Methodist church.
Section: New Deal
Passage: In March 1933, Roosevelt summoned Hopkins to Washington as federal relief administrator. Convinced that paid work was psychologically more valuable than cash handouts, Hopkins sought to continue and expand New York State's work-relief programs, the Temporary Emergency Relief Administration. He supervised the Federal Emergency Relief Administration (FERA), the Civil Works Administration (CWA), and the Works Progress Administration (WPA). Over 90% of the people employed by the Hopkins programs were unemployed or on relief. He feuded with Harold Ickes, who ran a rival program--the Public Works Administration--which also created jobs but did not require applicants to be unemployed or on relief. FERA, the largest program from 1933 to 1935, involved giving money to localities to operate work relief projects to employ those on direct relief. CWA was similar but did not require workers to be on relief in order to receive a government sponsored job. In less than four months, the CWA hired four million people, and during its five months of operation, the CWA built and repaired 200 swimming pools, 3,700 playgrounds, 40,000 schools, 250,000 miles (400,000 km) of road, and 12 million feet of sewer pipe. The WPA, which followed the CWA, employed 8.5 million people in its seven-year history, working on 1.4 million projects, including the building or repair of 103 golf courses, 1,000 airports, 2,500 hospitals, 2,500 sports stadiums, 3,900 schools, 8,192 parks, 12,800 playgrounds, 124,031 bridges, 125,110 public buildings, and 651,087 miles (1,047,823 km) of highways and roads. The WPA operated on its own, and on selected projects in cooperation with local and state governments, but always with its own staff and budget. Hopkins started programs for youth (National Youth Administration) and for artists and writers (Federal One Programs). He and Eleanor Roosevelt worked together to publicize and defend New Deal relief programs. He was concerned with rural areas but increasingly focused on cities in the Great Depression. Before Hopkins began to decline from his struggle with stomach cancer in the late 1930s, FDR appeared to be training him as a possible successor. With the advent of World War II in Europe, however, FDR himself ran again in 1940, winning an unprecedented third term.
Question: What deal did Hopkins get?
Answer: FERA, the largest program from 1933 to 1935, involved giving money to localities to operate work relief projects to employ those on direct relief.
Question: What is the CWA? | [
"Civil Works Administration ("
] |
Title: Funeral for a Friend
Background: Funeral for a Friend were a Welsh post-hardcore band from Bridgend, formed in 2001. The band consisted of lead vocalist Matthew Davies-Kreye and guitarist Kris Coombs-Roberts for its entire history, with Darran Smith (guitar), Gareth Davies (bass) and Ryan Richards (drums and screaming vocals) completing the line-up for the band's first four studio albums. Between 2008 and 2012 the band transitioned towards its final line-up, which saw Davies-Kreye and Coombs-Roberts alongside guitarist and occasional vocalist Gavin Burrough, bassist Richard Boucher and drummer Pat Lundy (who left the band in 2014). Funeral for a Friend's popularity rose in the United Kingdom with the release of their debut album, Casually Dressed & Deep in Conversation (2003).
Section: Hours
Passage: In May 2005 the first single from the upcoming second album "Streetcar" acted as the band's fourth consecutive top 20 single in the United Kingdom by debuting at number 15. On 14 June 2005, the band released their second album Hours through Atlantic Records. Produced by Terry Date, the album was recorded in two Seattle studios owned by the grunge band Pearl Jam and featured unusual methods of recording, for example Matt Davies' vocals were recorded whilst in a moving car and on a crowded Seattle street, for the song "Drive". Just two weeks after its release the album was certified a Silver over 60,000 sales and was awarded a Gold for over 100,000 sales on 23 December 2005. In August of the same year, the band won a Kerrang! Award for "Best British Band". Funeral for a Friend performed several low-profile shows in Wales, including Bangor University and Bridgend Recreation Centre, prior to the release of Hours. In the United States, they played alongside bands such as Atreyu, Saosin, Hawthorne Heights and Thrice on the Maurice Stage of the 2005 Vans Warped Tour. The band headlined the British leg of Taste Of Chaos across November with support from The Used, Killswitch Engage, Rise Against and Story Of the Year. Funeral for a Friend released the third and last single from Hours, "History", which music video depicts the events of the miner strikes of the mid-1980s in South Wales. Funeral For a Friend closed the promotional jaunt for Hours in the Summer of 2006, with a series of UK shows rescheduled from February. Most of the original dates had been cancelled because Matt Davies had suffered from a bout of laryngitis. Several other shows were scheduled in the UK to complement these rescheduled dates, and the tour culminated in a slot below headliners Guns N' Roses at the Download Festival at Donington Park. The rest of 2006 was spent writing and recording the band's third album.
Question: Is Hours one of the band's albums?
Answer: their second album Hours
Question: what were the most popular songs from the album? | [
"\"Drive\"."
] |
Title: Funeral for a Friend
Background: Funeral for a Friend were a Welsh post-hardcore band from Bridgend, formed in 2001. The band consisted of lead vocalist Matthew Davies-Kreye and guitarist Kris Coombs-Roberts for its entire history, with Darran Smith (guitar), Gareth Davies (bass) and Ryan Richards (drums and screaming vocals) completing the line-up for the band's first four studio albums. Between 2008 and 2012 the band transitioned towards its final line-up, which saw Davies-Kreye and Coombs-Roberts alongside guitarist and occasional vocalist Gavin Burrough, bassist Richard Boucher and drummer Pat Lundy (who left the band in 2014). Funeral for a Friend's popularity rose in the United Kingdom with the release of their debut album, Casually Dressed & Deep in Conversation (2003).
Section: Formation and early years (2001-03)
Passage: When Michael Davies, one of January Thirst's original vocalists, quit in December 2001, Matthew Evans (vocals) and Johnny Phillips (drums) invited Matt Davies (later Davies-Kreye) to try out for the vacated singer position. Soon afterward, the band reformed as Funeral for a Friend; the name is derived from a song by Planes Mistaken for Stars, one of Davies' favourite bands at the time. During the start of the New Year they parted ways with second guitarist Kerry Roberts (Kris Coombs-Roberts's brother) and found a suitable replacement in Darran Smith (ex-Tripcage). The band recorded four tracks at Mighty Atom Studios for a proposed self-financed EP with another Welsh band From This Moment On. Upon hearing the tracks, Mighty Atom Records approached the band and offered a two-album deal, resulting in their debut EP, Between Order and Model (2002). Before the EP's release, Andi Morris (bass) quit, with Phillips and Evans also leaving. The band then recruited Gareth Davies (later Ellis-Davies) on bass and Ryan Richards on drums. Matt Davies became the band's only primary vocalist, with Gareth Davies performing backing melodies and Richards taking over Evans' screaming role. In 2003, Funeral for a Friend recorded their second EP, Four Ways to Scream Your Name, produced and mixed by Colin Richardson. In mid-2003, the band secured their first Kerrang! award, winning the award for "Best UK Newcomer", beating The Darkness, who won in all other nominated categories. Funeral for a Friend's win was largely attributed to their fervent fan base, as the awards winner was decided by public vote online at the official Kerrang! Web site. In August 2003, Funeral for a Friend opened the Concrete Jungle stage at the Reading and Leeds Festivals.
Question: who were the members?
Answer: Matthew Evans (vocals) and Johnny Phillips (drums) invited Matt Davies (later Davies-Kreye) to try out for the vacated singer position.
Question: did they win any awards? | [
"In mid-2003, the band secured their first Kerrang! award, winning the award for \"Best UK Newcomer\","
] |
Title: Tab Hunter
Background: Hunter was born in New York City, the son of Gertrude (nee Gelien) and Charles Kelm. His mother, from Hamburg, was a German Roman Catholic immigrant, and his father was Jewish. Hunter's father was reportedly abusive, and within a few years of his birth, his parents divorced. Tab grew up in California with his mother, older brother Walter, and maternal grandparents, John Henry and Ida (nee Sonnenfleth)
Section: Music career
Passage: Hunter had a 1957 hit record with the song "Young Love," which was No. 1 on the Billboard Hot 100 chart for six weeks (seven weeks on the UK Chart) and became one of the larger hits of the Rock 'n' Roll era. It sold over one million copies, and was awarded a gold disc by the RIAA. He had the hit, "Ninety-Nine Ways," which peaked at No. 11 in the US and No. 5 in the UK. His success prompted Jack L. Warner to enforce the actor's contract with the Warner Bros. studio by banning Dot Records, the label for which Hunter had recorded the single (and which was owned by rival Paramount Pictures), from releasing a follow-up album he had recorded for them. He established Warner Bros. Records specifically for Hunter. Hunter's acting career was also at its zenith. William Wellman used him again in a war film, Lafayette Escadrille (1958). Columbia Pictures borrowed him for a Western, Gunman's Walk (1958), a film that Hunter considers his favorite role. Hunter starred in the 1958 musical film Damn Yankees, in which he played Joe Hardy of Washington, D.C.'s American League baseball club. The film had originally been a Broadway show, but Hunter was the only one in the film version who had not appeared in the original cast. The show was based on the 1954 best-selling book The Year the Yankees Lost the Pennant by Douglass Wallop. Hunter later said the filming was hellish because director George Abbott was only interested in recreating the stage version word for word. He also starred in They Came to Cordura (1959), with Gary Cooper and Rita Hayworth. Sidney Lumet starred him opposite Sophia Loren in That Kind of Woman (1959).
Question: How did his music career begin?
Answer: Hunter had a 1957 hit record with the song "Young Love," which was No. 1
Question: Where did it land on the charts? | [
"1957"
] |
Title: Tab Hunter
Background: Hunter was born in New York City, the son of Gertrude (nee Gelien) and Charles Kelm. His mother, from Hamburg, was a German Roman Catholic immigrant, and his father was Jewish. Hunter's father was reportedly abusive, and within a few years of his birth, his parents divorced. Tab grew up in California with his mother, older brother Walter, and maternal grandparents, John Henry and Ida (nee Sonnenfleth)
Section: Warner Bros.
Passage: One of Hunter's first films for Warners was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1955). It was a solid hit and Hunter began to get more notice. His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros largest grossing film of that year, cementing Hunter's position as one of Hollywood's top young romantic leads. In September 1955 the tabloid magazine Confidential reported Hunter's 1950 arrest for disorderly conduct. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing his more prominent client Rock Hudson's sexual orientation to the public. Not only did this have no negative effect on Hunter's career, a few months later he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations. In 1956, he received 62,000 Valentines. Hunter, James Dean and Natalie Wood were the last of the actors placed under exclusive studio contract to Warner Bros. Warners decided to promote him to star status, teaming him with Natalie Wood in two back-to-back films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be hits with audiences and Warners planned a third teaming of Hunter and Wood. Hunter rejected the third picture, thus ending Warner's attempt to make Tab and Natalie the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955-1959.
Question: When was Tab Hunter born?
Answer: CANNOTANSWER
Question: Was he married?
Answer: CANNOTANSWER
Question: Was it successful? | [
"It was a big hit, but Hunter's part was relatively small."
] |
Title: Neil Diamond
Background: Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter, musician and actor. With 38 songs in the Top 10 on the Billboard Adult Contemporary charts, Diamond has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time. Neil Diamond has been touring around the world consecutively for 50 years. Neil Diamond 50 - 50th Anniversary Collection Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011.
Section: The 1990s
Passage: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus. The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game. The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half.
Question: What happened in the 90s?
Answer: The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events.
Question: did the song sell a lot of albums?
Answer: He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period.
Question: did it win any awards?
Answer: CANNOTANSWER
Question: what else happened in the 90s?
Answer: The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events.
Question: Are there any other interesting aspects about this article?
Answer: College sporting events in other states also played it, and it was even played at sports events in other countries,
Question: how much money did he make off that song?
Answer: CANNOTANSWER
Question: did they win any awards? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Neil Diamond
Background: Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter, musician and actor. With 38 songs in the Top 10 on the Billboard Adult Contemporary charts, Diamond has sold more than 100 million records worldwide, making him one of the best-selling musicians of all time. Neil Diamond has been touring around the world consecutively for 50 years. Neil Diamond 50 - 50th Anniversary Collection Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011.
Section: Early life and education
Passage: Diamond was born in Brooklyn, New York, to a Jewish family descended from Russian and Polish immigrants. His parents were Rose (nee Rapaport) and Akeeba "Kieve" Diamond, a dry-goods merchant. He grew up in several homes in Brooklyn, having also spent four years in Cheyenne, Wyoming, where his father was stationed in the army. In Brooklyn he attended Erasmus Hall High School and was a member of the Freshman Chorus and Choral Club, along with classmate Barbra Streisand. They were not close friends at the time, Diamond recalls: "We were two poor kids in Brooklyn. We hung out in the front of Erasmus High and smoked cigarettes." After his family moved he then attended Abraham Lincoln High School, and was a member of the fencing team. Also on the team was his best friend, future Olympic fencer Herb Cohen. For his 16th birthday, he received his first guitar. When he was 16, and still in high school, Diamond spent a number of weeks at Surprise Lake Camp, a camp for Jewish children in upstate New York, when folk singer Pete Seeger performed a small concert. Seeing the widely recognized singer perform, and watching other children singing songs for Seeger that they wrote themselves, had an immediate effect on Diamond, who then became aware of the possibility of writing his own songs. "And the next thing, I got a guitar when we got back to Brooklyn, started to take lessons and almost immediately began to write songs," he said. He adds that his attraction to songwriting was the "first real interest" he had growing up, besides helping him release his youthful "frustrations". Diamond also used his newly developing skill to write poetry. By writing poems for girls he was attracted to in school, he soon learned it often won their hearts. His male classmates took note and began asking him to write poems for them which they would sing and use with equal success. He spent the summer following his graduation as a waiter in the Catskills resort area. There he first met Jaye Posner, who would years later become his wife. Diamond next attended New York University as a pre-med major on a fencing scholarship, again on the fencing team with Herb Cohen. He was a member of the 1960 NCAA men's championship fencing team. Often bored in class, he found writing song lyrics more to his liking. He began cutting classes and taking the train up to Tin Pan Alley, where he tried to get some of his songs heard by local music publishers. In his senior year, when he was just 10 units short of graduation, Sunbeam Music Publishing offered him a 16-week job writing songs for $50 a week (equivalent to about US$405 per week, in 2017 dollars), and he dropped out of college to accept it.
Question: Where was Neil Diamond born?
Answer: Diamond was born in Brooklyn, New York,
Question: Where was Neil Diamond raised?
Answer: He grew up in several homes in Brooklyn, having also spent four years in Cheyenne, Wyoming,
Question: Where did Neil receive his education?
Answer: In Brooklyn he attended Erasmus Hall High School and was a member of the Freshman Chorus and Choral Club,
Question: Did Neil attend university?
Answer: Diamond next attended New York University as a pre-med major on a fencing scholarship,
Question: When did Neil break on to the music scene? | [
"Sunbeam Music Publishing offered him a 16-week job writing songs for $50 a week (equivalent to about US$405 per week, in 2017 dollars), and he dropped out of college"
] |
Title: Fun Lovin' Criminals
Background: Fun Lovin' Criminals are a band from New York City. Their musical style is eclectic, covering styles such as hip hop, rock, blues, jazz, R&B, punk, and funk. They are best known for their hit "Scooby Snacks", which features samples from films by Quentin Tarantino, and the song "Love Unlimited", which recalls Barry White's backing vocal group. Their songs often focus on life in New York City, as well as urban life in general.
Section: Formation and first albums: 1993-1999
Passage: The band was formed in 1993 by Huey Morgan, Brian "Fast" Leiser and Steve Borgovini after Leiser, who was already friends with Borgovini, met Morgan at the club where they both worked. They started playing together and would provide the entertainment for the club when a booked act failed to show up. It was during one of these stand-in gigs that they came to the attention of EMI and they were offered a record deal. Come Find Yourself, the band's first album, was released in the summer of 1996 by Chrysalis Records and followed their single "The Grave And The Constant" (UK No. 72), which was released a month earlier, into the UK charts. The album also featured the UK Top 40 hits, "Scooby Snacks" (UK No. 22), "The Fun Lovin' Criminal" (UK No. 26) and "King Of New York" (UK No. 28). The subject of latter touched on the imprisonment of Italian-American mafioso John Gotti, the wannabe gangsters emulating his style, and his fans and followers in his community that maintained his innocence. The biggest hit, "Scooby Snacks", features samples from films by Quentin Tarantino and a guitar sample from Tones On Tail song "Movement of Fear", interspersed with rap verses and a sung, anthemic, chorus. Come Find Yourself had a slow rise up the UK Albums Chart, finally peaking at No. 7 and spending well over a year in the chart, however it failed to make any impact in the US. The success of the album prompted the re-release of "Scooby Snacks" as a single, alongside a cover of the 10cc classic "I'm Not In Love", which this time reached UK No. 12. 100% Colombian, released in August 1998 by Virgin Records, had a far grittier sound to it tempered by three upbeat songs, and several downtempo tracks, including "Love Unlimited", a tribute to Barry White. "Korean Bodega", one of the aforementioned upbeat songs, was the biggest hit from the album, reaching No. 15, their second-highest placing single so far after the re-release of "Scooby Snacks". In June 1999 the band played at Glastonbury Festival on the Pyramid Stage. Their December 1999 album Mimosa, released by EMI was a compilation album consisting mostly of laid back lounge style covers and different versions of earlier released tracks. While making reasonable sales, the album was their weakest selling album yet and remained so for some years. It was around this time, in 1999, that Steve Borgovini left the band. He was replaced by Maxwell "Mackie" Jayson. A permanent replacement was found in 2003 in the form of Mark Reid (aka Frank Benbini) from Leicester, United Kingdom, who had previously worked with the band as Jayson's technician.
Question: What did they do in 1993?
Answer: The band was formed in 1993 by Huey Morgan, Brian "Fast" Leiser and Steve Borgovini
Question: When did their first album come out?
Answer: Come Find Yourself, the band's first album, was released in the summer of 1996
Question: How did the album do?
Answer: The album also featured the UK Top 40 hits,
Question: What were singles from this album?
Answer: "Scooby Snacks" (UK No. 22), "The Fun Lovin' Criminal" (
Question: Were there any others?
Answer: "King Of New York" (UK No. 28).
Question: Did any of those singles make the charts?
Answer: No. 28
Question: Which song?
Answer: "King Of New York" (
Question: Was there anything else notable in this time?
Answer: The biggest hit, "Scooby Snacks", features samples from films by Quentin Tarantino
Question: What happened in the late 90s? | [
"100% Colombian, released in August 1998"
] |
Title: George Orwell
Background: Eric Arthur Blair (25 June 1903 - 21 January 1950), better known by his pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is marked by lucid prose, awareness of social injustice, opposition to totalitarianism, and outspoken support of democratic socialism. Orwell wrote literary criticism, poetry, fiction, and polemical journalism. He is best known for the allegorical novella Animal Farm (1945) and the dystopian novel Nineteen Eighty-Four (1949).
Section: Southwold
Passage: In December 1929, after nearly two years in Paris, Blair returned to England and went directly to his parents' house in Southwold, a coastal town in Suffolk, which remained his base for the next five years. The family was well established in the town and his sister Avril was running a tea-house there. He became acquainted with many local people, including Brenda Salkeld, the clergyman's daughter who worked as a gym-teacher at St Felix Girls' School in the town. Although Salkeld rejected his offer of marriage, she remained a friend and regular correspondent for many years. He also renewed friendships with older friends, such as Dennis Collings, whose girlfriend Eleanor Jacques was also to play a part in his life. In early 1930 he stayed briefly in Bramley, Leeds, with his sister Marjorie and her husband Humphrey Dakin, who was as unappreciative of Blair as when they knew each other as children. Blair was writing reviews for Adelphi and acting as a private tutor to a disabled child at Southwold. He then became tutor to three young brothers, one of whom, Richard Peters, later became a distinguished academic. "His history in these years is marked by dualities and contrasts. There is Blair leading a respectable, outwardly eventless life at his parents' house in Southwold, writing; then in contrast, there is Blair as Burton (the name he used in his down-and-out episodes) in search of experience in the kips and spikes, in the East End, on the road, and in the hop fields of Kent." He went painting and bathing on the beach, and there he met Mabel and Francis Fierz, who later influenced his career. Over the next year he visited them in London, often meeting their friend Max Plowman. He also often stayed at the homes of Ruth Pitter and Richard Rees, where he could "change" for his sporadic tramping expeditions. One of his jobs was domestic work at a lodgings for half a crown (two shillings and sixpence, or one-eighth of a pound) a day. Blair now contributed regularly to Adelphi, with "A Hanging" appearing in August 1931. From August to September 1931 his explorations of poverty continued, and, like the protagonist of A Clergyman's Daughter, he followed the East End tradition of working in the Kent hop fields. He kept a diary about his experiences there. Afterwards, he lodged in the Tooley Street kip, but could not stand it for long, and with financial help from his parents moved to Windsor Street, where he stayed until Christmas. "Hop Picking", by Eric Blair, appeared in the October 1931 issue of New Statesman, whose editorial staff included his old friend Cyril Connolly. Mabel Fierz put him in contact with Leonard Moore, who became his literary agent. At this time Jonathan Cape rejected A Scullion's Diary, the first version of Down and Out. On the advice of Richard Rees, he offered it to Faber and Faber, but their editorial director, T. S. Eliot, also rejected it. Blair ended the year by deliberately getting himself arrested, so that he could experience Christmas in prison, but the authorities did not regard his "drunk and disorderly" behaviour as imprisonable, and he returned home to Southwold after two days in a police cell.
Question: Who/What was Southwold?
Answer: Blair returned to England and went directly to his parents' house in Southwold, a coastal town in Suffolk,
Question: What did he do there? | [
"He then became tutor to three young brothers,"
] |
Title: George Orwell
Background: Eric Arthur Blair (25 June 1903 - 21 January 1950), better known by his pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is marked by lucid prose, awareness of social injustice, opposition to totalitarianism, and outspoken support of democratic socialism. Orwell wrote literary criticism, poetry, fiction, and polemical journalism. He is best known for the allegorical novella Animal Farm (1945) and the dystopian novel Nineteen Eighty-Four (1949).
Section: Hampstead
Passage: This job was as a part-time assistant in Booklovers' Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope, who were friends of Nellie Limouzin in the Esperanto movement. The Westropes were friendly and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was sharing the job with Jon Kimche, who also lived with the Westropes. Blair worked at the shop in the afternoons and had his mornings free to write and his evenings free to socialise. These experiences provided background for the novel Keep the Aspidistra Flying (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the Adelphi writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party, although at this time Blair was not seriously politically active. He was writing for the Adelphi and preparing A Clergyman's Daughter and Burmese Days for publication. At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. A Clergyman's Daughter was published on 11 March 1935. In early 1935 Blair met his future wife Eileen O'Shaughnessy, when his landlady, Rosalind Obermeyer, who was studying for a master's degree in psychology at University College London, invited some of her fellow students to a party. One of these students, Elizaveta Fen, a biographer and future translator of Chekhov, recalled Orwell and his friend Richard Rees "draped" at the fireplace, looking, she thought, "moth-eaten and prematurely aged." Around this time, Blair had started to write reviews for the New English Weekly. In June, Burmese Days was published and Cyril Connolly's review in the New Statesman prompted Orwell (as he then became known) to re-establish contact with his old friend. In August, he moved into a flat in Kentish Town, which he shared with Michael Sayers and Rayner Heppenstall. The relationship was sometimes awkward and Orwell and Heppenstall even came to blows, though they remained friends and later worked together on BBC broadcasts. Orwell was now working on Keep the Aspidistra Flying, and also tried unsuccessfully to write a serial for the News Chronicle. By October 1935 his flatmates had moved out and he was struggling to pay the rent on his own. He remained until the end of January 1936, when he stopped working at Booklovers' Corner.
Question: When was he in Hampstead
Answer: At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill.
Question: what did he do there
Answer: This job was as a part-time assistant in Booklovers' Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope,
Question: how long did he live there
Answer: He remained until the end of January 1936, when he stopped working at Booklovers' Corner.
Question: why did he leave
Answer: By October 1935 his flatmates had moved out and he was struggling to pay the rent on his own.
Question: did he do anything there besides the bookstore
Answer: He was writing for the Adelphi and preparing A Clergyman's Daughter and Burmese Days for publication.
Question: did he meet anyone else there | [
"In August, he moved into a flat in Kentish Town, which he shared with Michael Sayers and Rayner Heppenstall."
] |
Title: Wyclef Jean
Background: Jean was born in Croix-des-Bouquets, Haiti. In 1982, he immigrated with his family as a thirteen-year-old boy to the United States; after living in Brooklyn, New York, they settled in East Orange and Newark, New Jersey. He began to make music as a child and has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab. His mother recognized his musical talent and bought him a guitar when he was in his teens; he played music to earn respect.
Section: Fugees era (1988-1997)
Passage: Jean and other musicians formed a group in the 1980s under the name Tranzlator Crew. After they signed with Ruffhouse Records and Columbia Records in 1993, they renamed their group as Fugees - an abbreviation of "refugees", and also a reference to Haitian immigrants. The group's debut album, Blunted on Reality, was released in 1994. It achieved limited commercial success, peaking at number 62 on the US Top R&B/Hip-Hop Albums chart. The album peaked at number 122 on the UK Albums Chart in 1997, and it was certified gold by the Syndicat National de l'Edition Phonographique (SNEP). Blunted on Reality spawned three singles: "Boof Baf", "Nappy Heads" and "Vocab." "Nappy Heads" was the Fugees' first single to be ranked on the US Billboard Hot 100, charting at number 49. In 1996, the Fugees released their second album, titled The Score. The album achieved significant commercial success in the United States, topping the US Billboard 200. It was later certified as six-times platinum by the Recording Industry Association of America (RIAA). It performed well in several overseas nations, topping the Austrian, Canadian, French, German and Swiss albums charts, while also peaking at number two in Sweden and the United Kingdom. Four commercially successful singles were released from The Score; "Fu-Gee-La", the first single from the album, peaked at number 29 on the Billboard Hot 100 and was certified gold by the RIAA and by the Bundesverband Musikindustrie (BVMI). The other three singles - "Killing Me Softly", "Ready or Not" and "No Woman, No Cry" - did not appear on the Billboard Hot 100 as they were not released for commercial sale, making them ineligible to appear on the chart, although they all received sufficient airplay to appear on the Hot 100 Airplay and Hot R&B/Hip-Hop Airplay charts. "Killing Me Softly", a cover of the Roberta Flack song "Killing Me Softly with His Song", performed strongly in other territories, topping the singles charts in Australia, Austria, Germany and the United Kingdom, among several others. "Ready or Not" peaked at number one in the UK and at number three in Sweden. "No Woman, No Cry" - a cover of the Bob Marley & The Wailers song of the same name - topped the singles chart in New Zealand. Fugees collaborated with singer Bounty Killer on the single "Hip-Hopera" and recorded the single "Rumble in the Jungle" for the soundtrack to the film When We Were Kings in 1997: although they have not released any studio albums since The Score, a compilation album, Greatest Hits, was released in 2003, and spawned the single "Take It Easy".
Question: Who were the Fugees?
Answer: Jean and other musicians formed a group in the 1980s
Question: What happened in 1988?
Answer: CANNOTANSWER
Question: What albums did they release?
Answer: The group's debut album, Blunted on Reality, was released in 1994.
Question: What songs were on their debut album?
Answer: Blunted on Reality spawned three singles: "Boof Baf", "Nappy Heads" and "Vocab.
Question: What album did they release next? | [
"their second album, titled The Score."
] |
Title: Wyclef Jean
Background: Jean was born in Croix-des-Bouquets, Haiti. In 1982, he immigrated with his family as a thirteen-year-old boy to the United States; after living in Brooklyn, New York, they settled in East Orange and Newark, New Jersey. He began to make music as a child and has cited reggae artist Bigga Haitian as one of his early influences, as well as neighborhood heroes MC Tiger Paw Raw and producer Lobster v. Crab. His mother recognized his musical talent and bought him a guitar when he was in his teens; he played music to earn respect.
Section: Start of his solo career (1997-2004)
Passage: Jean announced plans to begin a solo career with 1997's Wyclef Jean Presents the Carnival Featuring the Refugee All-Stars (generally called The Carnival). The album's guests included Lauryn Hill and Pras along with Jean's siblings' group Melky Sedeck; the I Threes (back-up vocals for Bob Marley); The Neville Brothers and Celia Cruz. The album was a hit, as were two singles: "We Trying to Stay Alive" (adapted from the Bee Gees' "Stayin' Alive") and "Gone Till November" (recorded with the New York Philharmonic Orchestra). Released in 2000, Jean's second solo album The Ecleftic: 2 Sides II a Book was recorded with guests including Youssou N'Dour; Earth, Wind & Fire; Kenny Rogers; The Rock; and Mary J. Blige. With Blige he released "911" as a single. He was nominated for Best Hip-Hop Act at the 2000 MTV Europe Music Awards. Following the terrorist attacks of September 11, 2001, Jean participated in the benefit concert America: A Tribute to Heroes contributing a cover of the Bob Marley song "Redemption Song". His third album, Masquerade, was released in 2002. His fourth album, The Preacher's Son, was released in November 2003 as the follow-up to his first solo album, The Carnival. In 2004, he released his fifth album, Sak Pase Presents: Welcome to Haiti (Creole 101) (released in the United States by Koch Records). Most of its songs are in his native language of Haitian Creole like "Fanm Kreyol" with the French Caribbean Admiral T. He also figured on the album Mozaik Kreyol of this one in the song "Secret Lover". Then he covered Creedence Clearwater Revival's song "Fortunate Son" for the soundtrack of the 2004 film remake of The Manchurian Candidate and wrote the song "Million Voices" for the film Hotel Rwanda. Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary The Agronomist, about the Haitian activist and radio personality Jean Dominique. With Jerry 'Wonder' Duplessis, Jean also composed the score of the documentary Ghosts of Cite Soleil, He helped produce the film and he appears briefly onscreen speaking by telephone in 2004 to a "chimere" gang-leader and aspiring rapper, Winston "2Pac" Jean.
Question: What was Jean's first solo album?
Answer: Wyclef Jean Presents the Carnival Featuring the Refugee All-Stars
Question: What songs were on the album?
Answer: "We Trying to Stay Alive" (adapted from the Bee Gees' "Stayin' Alive") and "Gone Till November" (
Question: Was the album a success?
Answer: The album was a hit,
Question: What happened after Jean released his first solo album?
Answer: Jean's second solo album The Ecleftic: 2 Sides II a Book was recorded
Question: What songs were on his second album?
Answer: he released "911" as a single.
Question: Did he release any more solo albums?
Answer: His third album, Masquerade, was released in 2002.
Question: Are there any other interesting aspects about this article?
Answer: Jean also produced and wrote songs for the soundtrack to Jonathan Demme's 2003 documentary
Question: What songs did he write for the documentary? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: My Happiness (Powderfinger song)
Background: "My Happiness" is a song by Australian rock band Powderfinger. It was released on record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. The single is Powderfinger's most successful; it peaked at number four on the Australian ARIA Singles Chart, and charted in the United States on the Hot Modern Rock Tracks chart--the first Powderfinger song to do so. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result.
Section: Production and content
Passage: If you can't cop a bit of emotional stuff then you should go and get the lamp shade extracted from your arse. If you don't think there is enough rock in your life then let me know and I will personally come around to your house and chuck stones at you. --Bernard FanningIn response to "My Happiness" being described by fans as "like Lauryn Hill, bland and boring Top 40 bullshit". The lyrics for "My Happiness" were written by Bernard Fanning, Powderfinger's lead singer and songwriter. The rest of the band are co-credited with Fanning for composing the track. The song describes feelings of love and separation; Sain's Pennie Dennison said it described "the pining feeling you experience when you spend time away from the one you love". Fanning called it "a sad story of touring and the absence loneliness that comes with it". The extensive time spent touring took its toll on the band, and it was on the back of this that Fanning wrote "My Happiness". Thus, he expressed confusion at its being considered a romantic song. "My Happiness" was attacked by some fans as being "like Lauryn Hill, bland and boring Top 40 bullshit"; guitarist Ian Haug rebutted by pointing out that the song was an example of the new emotional level on which Powderfinger made music, while Fanning was more aggressive in his defence of the song. In response to being dubbed "Mr Miserable" by The Sun-Herald's Peter Holmes for the lyrics of "My Happiness" and "These Days", Fanning pointed out that the songs could be construed either as melancholy, or as part of "the most hopeful record ... in a long time". Much of Fanning's writing is inspired by non-rock music, and "My Happiness" is no exception. Gospel and soul music that is "unashamedly about love and how good it makes you feel" was common during the Odyssey Number Five recording sessions. Powderfinger worked hard in those sessions to ensure a more polished work than Internationalist; guitarist Darren Middleton concluded that "My Happiness", "The Metre", and "Up & Down & Back Again" were more "complete" because of the band's efforts. The lighter elements of "My Happiness" in comparison to some of the band's earlier work saw Fanning reveal his passion for several other musicians, such as James Taylor--something that "five years ago ... would have been an embarrassing thing to say".
Question: What is the song about?
Answer: track. The song describes feelings of love and separation; Sain's Pennie Dennison said it described "the pining feeling you experience when you spend time away from the one you love".
Question: Who wrote the song?
Answer: Bernard Fanning, Powderfinger's lead singer and songwriter.
Question: How did the song do?
Answer: My Happiness" was attacked by some fans as being "like Lauryn Hill, bland and boring Top 40 bullshit";
Question: How was it similar to Lauryn Hill?
Answer: CANNOTANSWER
Question: What was the inspiration for the song?
Answer: The extensive time spent touring took its toll on the band, and it was on the back of this that Fanning wrote "My Happiness
Question: Did Fanning have a hard time writing the song?
Answer: CANNOTANSWER
Question: What are the other types of music that inspired him? | [
"Gospel and soul music that is \"unashamedly about love and how good it makes you feel\" was common"
] |
Title: My Happiness (Powderfinger song)
Background: "My Happiness" is a song by Australian rock band Powderfinger. It was released on record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. The single is Powderfinger's most successful; it peaked at number four on the Australian ARIA Singles Chart, and charted in the United States on the Hot Modern Rock Tracks chart--the first Powderfinger song to do so. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result.
Section: Touring and promotion
Passage: "My Happiness" was put on heavy rotation by Los Angeles radio station KROQ-FM two months prior to its United States release, and Powderfinger signed a contract with United States label Republic as a result of the song's early success. Beat journalist Jayson Argall joked the song had received "a bit" of airplay. Although "My Happiness" was subsequently dropped from KROQ's roster, other radio stations continued to give the song high priority. "My Happiness" peaked at number 23 on the Hot Modern Rock Tracks, making it the first Powderfinger song to appear on a Billboard chart. According to Susan Groves of WHRL, part of the song's success came about because very few people knew of Powderfinger, but were drawn towards "My Happiness" because it was "melodic, [and] pretty"--a change from what she described as "middle of the road rock" popular in the United States. Meanwhile, Australians were "starting to get sick of My Happiness"--Cameron Adams argued in The Hobart Mercury that this was one of the reasons Powderfinger decided to focus on the offshore market. Powderfinger performed "My Happiness" live on the Late Show with David Letterman while touring North America with British rock group Coldplay. They were the fourth Australian act (after The Living End, Silverchair, and Nick Cave) to play on the show. The band also did free promotional shows leading up to the release of the single. In Europe, "My Happiness" received approximately four weeks of airplay on German music video program Viva II, and the band sold out for three nights in a row in London, partly due to the success of the single.
Question: When did they go on tour?
Answer: CANNOTANSWER
Question: How did they promote themselves? | [
"The band also did free promotional shows leading up to the release of the single."
] |
Title: Harry Partch
Background: Harry Partch (June 24, 1901 - September 3, 1974) was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave.
Section: Theory
Passage: Partch made public his theories in his book Genesis of a Music (1947). He opens the book with an overview of music history, and argues that Western music began to suffer from the time of Bach, after which twelve-tone equal temperament was adopted to the exclusion of other tuning systems, and abstract, instrumental music became the norm. Partch sought to bring vocal music back to prominence, and adopted tunings and scales he believed more suitable to singing. Inspired by Sensations of Tone, Hermann von Helmholtz's book on acoustics and the perception of sound, Partch based his music strictly on just intonation. He tuned his instruments using the overtone series, and extended it past the twelfth partial. This allowed for a larger number of smaller, unequal intervals than found in the Western classical music tradition's twelve-tone equal temperament. Partch's tuning is often classed as microtonality, as it allowed for intervals smaller than 100 cents, though Partch did not conceive his tuning in such a context. Instead, he saw it as a return to pre-Classical Western musical roots, in particular to the music of the ancient Greeks. By taking the principles he found in Helmholtz's book, he expanded his tuning system until it allowed for a division of the octave into 43 tones based on ratios of small integers. Partch uses the terms Otonality and Utonality to describe chords whose pitch classes are the harmonics or subharmonics of a given fixed tone. These six-tone chords function in Partch's music much the same that the three-tone major and minor chords (or triads) do in classical music. The Otonalities are derived from the overtone series, and the Utonalities from the undertone series.
Question: What were some of Harry Partchs theories?
Answer: Partch made public his theories in his book Genesis of a Music (1947). He opens the book with an overview of music history,
Question: how was his book received? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Curtly Ambrose
Background: Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.
Section: Victory against South Africa
Passage: During the 1991-92 season, West Indies played mainly one-day cricket, taking part in tournaments in Sharjah--where Ambrose took seven wickets, including an analysis of five for 53--and Australia, and took part in the World Cup in Australia and New Zealand. In this tournament, Ambrose took seven wickets in seven games at an average of 33.57 and was the seventh most economical bowler among those who played more than one game. West Indies finished sixth in the qualifying table and failed to reach the semi-finals. Ambrose returned home to play twice for the Leeward Islands in January 1992. In April 1992, South Africa toured West Indies for the first time, and played their first Test match for 22 years. Ambrose played in all three ODIs, all of which were won by West Indies. The Test match was the first time West Indies bowled under a new playing regulation which permitted only one bouncer per over; this seemed to affect the home bowlers, but Ambrose took two for 47 from 36 overs. South Africa began the final day of the match requiring 79 runs to win with just two batsmen out, but Ambrose and Courtney Walsh took the last eight wickets for 26 runs to bowl West Indies to a 52-run win. On a difficult pitch for batting, the ball bounced unevenly, and both bowlers concentrated on accuracy. Ambrose took six for 34 in the second innings, and was named joint man of the match; in just over 60 overs, he took eight for 81 in the match. Returning to play for Northamptonshire, he was less effective. Hampered by a knee injury, which necessitated surgery after the English season, and suffering from many dropped catches, he took 50 first-class wickets at an average of 26.14, but his performance compared unfavourably with other bowlers on the team. He was more effective in the NatWest Trophy, a one-day competition that Northamptonshire won that season, in which he conceded fewer than two runs per over across five games.
Question: Which sport did Curtly Ambrose play?
Answer: Ambrose played in all three ODIs,
Question: Did he ever suffer from fatigue? | [
"and was the seventh most economical bowler among those who played more than one game."
] |
Title: Edward Said
Background: Edward Wadie Said (Arabic: dwrd wdy` s`yd [waedi:? sae?i:d], Idward Wadi' Sa'id; 1 November 1935 - 25 September 2003) was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran.
Section: Criticism of U.S. foreign policy
Passage: In the revised edition of Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1997), Said criticized the Orientalist bias of the Western news media's reportage about the Middle East and Islam, especially the tendency to editorialize "speculations about the latest conspiracy to blow up buildings, sabotage commercial airliners, and poison water supplies." He criticized the American military involvement in the Kosovo War (1998-99) as an imperial action; and described the Iraq Liberation Act (1998), promulgated during the Clinton Administration, as the political license that predisposed the U.S. to invade Iraq in 2003, which was authorised with the Iraq Resolution (2 October 2002); and the continual support of Israel by successive U.S. presidential governments, as actions meant to perpetuate regional political instability in the Middle East. In the event, despite being sick with leukemia, as a public intellectual, Said continued criticising the U.S. Invasion of Iraq in mid-2003; and, in the Egyptian Al-Ahram Weekly newspaper, in the article "Resources of Hope" (2 April 2003), Said said that the U.S. war against Iraq was a politically ill-conceived military enterprise: My strong opinion, though I don't have any proof, in the classical sense of the word, is that they want to change the entire Middle East, and the Arab world, perhaps terminate some countries, destroy the so-called terrorist groups they dislike, and install regimes friendly to the United States. I think this is a dream that has very little basis in reality. The knowledge they have of the Middle East, to judge from the people who advise them, is, to say the least, out of date and widely speculative. . . . I don't think the planning for the post-Saddam, post-war period in Iraq is very sophisticated, and there's very little of it. U.S. Undersecretary of State Marc Grossman and U.S. Undersecretary of Defense Douglas Feith testified in Congress, about a month ago, and seemed to have no figures, and no ideas [about] what structures they were going to deploy; they had no idea about the use of [the Iraqi] institutions that exist, although they want to de-Ba'thise the higher echelons, and keep the rest. The same is true about their views of the [Iraqi] army. They certainly have no use for the Iraqi opposition that they've been spending many millions of dollars on; and, to the best of my ability to judge, they are going to improvise; of course, the model is Afghanistan. I think they hope that the U.N. will come in and do something, but, given the recent French and Russian positions, I doubt that that will happen with such simplicity.
Question: When did Said first critique US foreign policy?
Answer: He criticized the American military involvement in the Kosovo War (1998-99) as an imperial action;
Question: Was this in an article?
Answer: In the revised edition of Covering Islam: How the Media and the Experts Determine How We See the Rest of the World (1997),
Question: What other criticisms did he make of American foreign policy?
Answer: Said criticized the Orientalist bias of the Western news media's reportage about the Middle East and Islam,
Question: Did he five examples of the bias?
Answer: the tendency to editorialize "speculations about the latest conspiracy to blow up buildings, sabotage commercial airliners, and poison water supplies."
Question: Was there backlash from people who disagreed with him? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Edward Said
Background: Edward Wadie Said (Arabic: dwrd wdy` s`yd [waedi:? sae?i:d], Idward Wadi' Sa'id; 1 November 1935 - 25 September 2003) was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran.
Section: Criticism of Orientalism
Passage: Orientalism provoked much professional and personal criticism for Said among academics. Traditional Orientalists, such as Albert Hourani, Robert Graham Irwin, Nikki Keddie, Bernard Lewis, and Kanan Makiya, suffered negative consequences, because Orientalism affected public perception of their intellectual integrity and the quality of their Orientalist scholarship. The historian Keddie said that Said's critical work about the field of Orientalism had caused, in their academic disciplines: Some unfortunate consequences ... I think that there has been a tendency in the Middle East [studies] field to adopt the word Orientalism as a generalized swear-word, essentially referring to people who take the "wrong" position on the Arab-Israeli dispute, or to people who are judged "too conservative." It has nothing to do with whether they are good or not good in their disciplines. So, Orientalism, for many people, is a word that substitutes for thought, and enables people to dismiss certain scholars and their works. I think that is too bad. It may not have been what Edward Said meant, at all, but the term has become a kind of slogan. In Orientalism, Said described Bernard Lewis, the Anglo-American Orientalist, as "a perfect exemplification [of an] Establishment Orientalist [whose work] purports to be objective, liberal scholarship, but is, in reality, very close to being propaganda against his subject material." Lewis responded with a harsh critique of Orientalism accusing Said of politicizing the scientific study of the Middle East (and Arabic studies in particular); neglecting to critique the scholarly findings of the Orientalists; and giving "free rein" to his biases. Said retorted that in The Muslim Discovery of Europe (1982), Lewis responded to his thesis with the claim that the Western quest for knowledge about other societies was unique in its display of disinterested curiosity, which Muslims did not reciprocate towards Europe. Lewis was saying that "knowledge about Europe [was] the only acceptable criterion for true knowledge." The appearance of academic impartiality was part of Lewis's role as an academic authority for zealous "anti-Islamic, anti-Arab, Zionist, and Cold War crusades." Moreover, in the Afterword to the 1995 edition of the book, Said replied to Lewis's criticisms of the first edition of Orientalism (1978).
Question: How did Said feel about Orientalism?
Answer: Said described Bernard Lewis, the Anglo-American Orientalist, as "a perfect exemplification [of an] Establishment Orientalist [whose work] purports to be objective, liberal scholarship,
Question: Are there any other interesting aspects about this article?
Answer: Orientalism provoked much professional and personal criticism for Said among academics.
Question: Which academics criticized Said
Answer: Nikki Keddie,
Question: What did Keddie have to say about Said? | [
"Said's critical work about the field of Orientalism had caused, in their academic disciplines: Some unfortunate consequences"
] |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.