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Title: Steve McQueen
Background: Terence Steven McQueen was born on March 24, 1930, at St. Francis Hospital in Beech Grove, Indiana, a suburb of Indianapolis. His father, William Terence McQueen, was a stunt pilot for a barnstorming flying circus who left McQueen's mother, Julia Ann (a.k.a. Julian; nee Crawford), six months after meeting her. Several biographers have stated that Julia Ann was an alcoholic.
Section: Ford commercials
Passage: In 1952, with financial assistance provided by the G.I. Bill, McQueen began studying acting in New York at Sanford Meisner's Neighborhood Playhouse. Reportedly, he delivered his first dialogue on a theatre stage in a 1952 play produced by Yiddish theatre star Molly Picon. McQueen's character spoke one brief line: "Alts iz farloyrn." ("All is lost."). During this time, he also studied acting with Stella Adler in whose class he met Gia Scala. McQueen began to earn money by competing in weekend motorcycle races at Long Island City Raceway and purchased the first of many motorcycles, a Harley-Davidson and Triumph. He soon became an excellent racer, and went home each weekend with about $100 in winnings (equivalent to $900 in 2017). He appeared as a musical judge in an episode of ABC's Jukebox Jury, that aired in the 1953-1954 season. McQueen had minor roles in productions including Peg o' My Heart, The Member of the Wedding, and Two Fingers of Pride. He made his Broadway debut in 1955 in the play A Hatful of Rain, starring Ben Gazzara. In late 1955, at the age of 25, McQueen left New York and headed for California, where he moved into a house on Vestal Avenue in the Echo Park area, seeking acting jobs in Hollywood. When McQueen appeared in a two-part television Westinghouse Studio One presentation entitled The Defenders, Hollywood manager Hilly Elkins (who managed McQueen's first wife, Neile) took note of him and decided that B-movies would be a good place for the young actor to make his mark. He landed his first film role in a bit part in Somebody Up There Likes Me, directed by Robert Wise and starring Paul Newman. McQueen was subsequently hired for the films Never Love a Stranger, The Blob (his first leading role) which depicts a flesh eating amoeba-like space creature, and The Great St. Louis Bank Robbery. McQueen's first breakout role came on television. He appeared on Dale Robertson's NBC western series, Tales of Wells Fargo. Elkins, then McQueen's manager, successfully lobbied Vincent M. Fennelly, producer of the western series Trackdown, to have McQueen read for the part of bounty hunter Josh Randall in a Trackdown episode. McQueen appeared as Randall in the episode, cast opposite series lead and old New York motorcycle racing buddy Robert Culp. McQueen then filmed the pilot episode, which became the series titled Wanted: Dead or Alive, which aired on CBS in September 1958. In 1971 McQueen starred in the poorly received auto-racing drama Le Mans. Then came Junior Bonner in 1972, a story of an aging rodeo rider. He worked for director Sam Peckinpah again with the leading role in The Getaway, where he met future wife Ali MacGraw. He followed this with a physically demanding role as a Devil's Island prisoner in 1973's Papillon, featuring Dustin Hoffman as his character's tragic sidekick. In 1973 The Rolling Stones referred to McQueen in the song "Star Star" from the album Goats Head Soup for which an amused McQueen reportedly gave personal permission. The lines were "Star ######, star ######, star ######, star ###### star/ Yes you are, yes you are, yes you are/Yeah, Ali MacGraw got mad with you/For givin' head to Steve McQueen". By the time of The Getaway, McQueen was the world's highest-paid actor, but after 1974's The Towering Inferno, co-starring with his long-time professional rival Paul Newman and reuniting him with Dunaway, became a tremendous box-office success, McQueen all but disappeared from the public eye, to focus on motorcycle racing and traveling around the country in a motor home and on his vintage Indian motorcycles. He did not return to acting until 1978 with An Enemy of the People, playing against type as a bearded, bespectacled 19th-century doctor in this adaptation of a Henrik Ibsen play. The film was never properly released theatrically. His last two films were loosely based on true stories: Tom Horn, a Western adventure about a former Army scout-turned professional gunman who worked for the big cattle ranchers hunting down rustlers, and later hanged for murder in the shooting death of a sheepherder, and The Hunter, an urban action movie about a modern-day bounty hunter, both released in 1980. In 1998 director Paul Street created a commercial for the Ford Puma. Footage was shot in modern-day San Francisco, set to the theme music from Bullitt. Archive footage of McQueen was used to digitally superimpose him driving and exiting the car in settings reminiscent of the film. The Puma shares the same number plate of the classic fastback Mustang used in Bullitt, and as he parks in the garage (next to the Mustang), he pauses and looks meaningfully at a motorcycle tucked in the corner, similar to that used in The Great Escape. In 2005, Ford used his likeness again, in a commercial for the 2005 Mustang. In the commercial, a farmer builds a winding racetrack, which he circles in the 2005 Mustang. Out of the cornfield comes Steve McQueen. The farmer tosses his keys to McQueen, who drives off in the new Mustang. McQueen's likeness was created using a body double (Dan Holsten) and digital editing. Ford secured the rights to McQueen's likeness from the actor's estate licensing agent, GreenLight, for an undisclosed sum. At the Detroit Auto Show in January 2018, Ford unveiled the new 2019 Mustang Bullitt. The company called on McQueen's granddaughter, actress Molly McQueen, to make the announcement. After a brief rundown of the tribute car's particulars, a short film was shown in which Molly was introduced to the actual Bullitt Mustang, a 1968 Mustang Fastback with a 390 cubic-inch engine and a four-speed manual gearbox. That car has been in possession of the same family since 1974 and hidden away from the public until now, when it was driven out from under the press stand and up the center aisle of Ford's booth to much fanfare.
Question: When did Steve McQuuen star in Ford COmmercials?
Answer: In 1998 director Paul Street created a commercial for the Ford Puma. Footage was shot in modern-day San Francisco, set to the theme music from Bullitt.
Question: How successful were these FOrd commercials? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Bradley Joseph
Background: Bradley Joseph (born 1965) is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet, and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breadth". Active since 1983, Joseph has performed in front of millions of people around the world. He played various instruments in rock bands throughout the Midwest until 1989 when Greek composer Yanni hired him for his core band after hearing a tape of his original compositions.
Section: Yanni
Passage: In 1989, Joseph recorded his first demo tape and sent it off to Greek composer Yanni, who was looking for someone to replace keyboardist John Tesh, as Tesh was launching his own solo career. When Yanni heard Joseph's compositions and arrangements, he was hired over the phone to join his core band, without ever meeting. After moving to Los Angeles at age 23, he composed, arranged, and performed alongside Yanni for more than six years, performing in-concert with a number of notable symphony orchestras, touring throughout the U.S. and abroad as Yanni gained worldwide fame. His first show was at the Starplex in Dallas with the Dallas Symphony Orchestra filming a video project. "It was a real trial by fire for me", said Joseph. "First show + 10,000 people + TV cameras equals NERVOUS." He told Jane Fredericksen of the St. Croix Valley Press that "It was a big jump, you don't really realize it at the time, but there's no in-between -- going from playing nightclubs to arenas." Some of these early tours included the Reflections of Passion, Revolution in Sound, Dare to Dream, Yanni Live, The Symphony Concerts 1993 and 1994 concert tours, as well as a performance in Germany that was broadcast throughout Europe and seen by 30 to 40 million viewers. Joseph appears on the 1994 multi-platinum album and video, Live at the Acropolis. He recounts, "When I reflect back over the years, one of the high points that stand out include performing at the Acropolis with Yanni. Imagine all these different cultures coming together with the challenges of language, equipment, travel, and weather problems. I still picture the police running their dogs through the dressing rooms to sniff out any bomb possibilities right before the show. People still come up to me and comment how that show has affected their lives." In the band, Joseph covered a lot of the keyboard parts that Yanni could not for lack of hands in the shows. He assisted with the task of managing the 30 or more synthesizers onstage, and helped layer with the orchestra to create a "full-bodied, live-effect sound". He did have to adjust some parts that did not work well in a live situation and worked extensively on programming sounds for all keyboardists. Joseph said that "Yanni gave us musicians a great deal of freedom to expand the music as well. If you listen to the original recordings he did and what we ended up with in our live recordings, you can really hear the musician's input." He readily credits Yanni's role in his professional development, and for five years of irreplaceable experiences and memories. Between tours, Joseph worked extensively in recording studios on music ranging from rock and pop to rhythm and blues and orchestration with numerous artists from RCA, Epic, Warner Brothers, and Polygram Records, in addition to performing in an elaborate national keyboard show tour with various musicians. In 2003, he returned for the 60-city Ethnicity tour.
Question: Who was Yanni?
Answer: Greek composer Yanni, who was looking for someone to replace keyboardist
Question: Did Yanni like the demo? | [
"When Yanni heard Joseph's compositions and arrangements, he was hired over the phone"
] |
Title: Jayan
Background: Krishnan Nair (25 July 1939 - 16 November 1980), better known by his stage name Jayan, was an Indian film actor, naval officer, stunt performer and cultural icon of the 1970s. He starred in over 120 Malayalam films. During his film career, he was primarily an action star and was particularly famous for his macho image and unique style. He was reputed for his chauvinistic appeal and well known for performing stunts of a dangerous nature on his own.
Section: Death
Passage: On 16 November 1980, Jayan was killed in an accident on the set of the movie Kolilakkam (English: Shockwave). The climactic scene of the movie was being filmed in Sholavaram, near Madras, Tamil Nadu. Jayan always performed his own stunts, and for this movie he was performing a particularly dangerous stunt that involved him boarding an airborne helicopter from a moving motorbike. The shot was accepted by the director in the first take; altogether three shots were filmed. According to the film's production executive, Jayan insisted on yet another re-take as he was not satisfied with its perfection. During the re-take, the helicopter lost its balance and crashed along with Jayan who was hanging onto the landing skids, and he later succumbed to his injuries. After his death was confirmed, a slide was added during the theatre show of his movie Deepam, which was running in packed houses, informing his death to the viewers who witnessed it with absolute shock and disbelief. A large number of his fans burst into tears and ran out of the buildings, while many continued to watch the movie, refusing to believe it and taking it for an ingenious promotion for some upcoming project. Jayan's body was taken to Trivandrum via aeroplane and later it was taken to his home in Quilon, where he was cremated. Thousands paid homage to the late actor, and the police had to take huge measures to deal with the crowds. His mother Bharathiyamma became bedridden after this incident, and she too died two years later. Some conspiracy theories emerged regarding the circumstances of his death, primarily because the pilot and his co-star Balan K. Nair, who was in the helicopter, survived with minor or no injuries. Nevertheless, it has been confirmed as a genuine accident.
Question: When did he die?
Answer: On 16 November 1980,
Question: how did he die?
Answer: Jayan was killed in an accident on the set of the movie Kolilakkam
Question: where did this happen?
Answer: The climactic scene of the movie was being filmed in Sholavaram, near Madras, Tamil Nadu.
Question: did the production keep going? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Jayan
Background: Krishnan Nair (25 July 1939 - 16 November 1980), better known by his stage name Jayan, was an Indian film actor, naval officer, stunt performer and cultural icon of the 1970s. He starred in over 120 Malayalam films. During his film career, he was primarily an action star and was particularly famous for his macho image and unique style. He was reputed for his chauvinistic appeal and well known for performing stunts of a dangerous nature on his own.
Section: Resurgence in the 2000s
Passage: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death. The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man." A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future.
Question: What was significant about the 2000s for Jayan?
Answer: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again.
Question: Did any of Jayan's films receive any awards?
Answer: Today, Jayan is best remembered as the first and best action star of Malayalam cinema,
Question: Are there any other interesting aspects about this article? | [
"The \"comeback\" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death."
] |
Title: Rick Price
Background: Rick Allan Price was born on 6 July 1961 in Beaudesert, a small country town 69 kilometres (43 mi) south of Brisbane. At the age of nine he appeared with his family band, Union Beau, performing at local bush dances in southern Queensland and northern New South Wales. Price has cited Stevie Wonder, James Taylor and Carole King as his inspirations. At the age of 18 Price moved to Sydney where he worked as a session and touring musician, playing bass guitar with various inner city outfits.
Section: 1995-1996: Tamborine Mountain
Passage: In April 1995, the long-awaited single "River of Love" was released, the first from Price's album Tamborine Mountain, which was later released in July. "It was quite difficult", Price reveals, "because I knew it was going to be a different album to Heaven Knows. I made that album as pop as I could make it, I wanted to be certain of airplay and all those kind of things. After the first album was released, I went out and played a lot of acoustic gigs. My audience tripled and people really liked it, which surprised me because I thought it would be a bit too internal, a bit too self conscious. But it worked, which gave me a lot of encouragement and the confidence to write more like that, just simple little stories. And that's the kind of music I've always been drawn to - people like James Taylor and Carole King, great songwriters who have the ability to say something really simple". The album was produced by Price and American Ben Wisch, who Price was drawn to as a result of his production of Marc Cohn's "Walking in Memphis". Special guests on the album include Tommy Emmanuel on guitar and Tina Arena on backing vocals and the duet "Trust Me This Is Love". After the success of the first single "River of Love", a second single "Bridge Building Man" was released. The song is a standout track for Price, written for his father and grandfather. The album title itself is a reference to a small town near Beaudesert where Price grew up. In November and December 1995, following the release of the album, Price then toured with Australia's legendary guitarist Tommy Emmanuel. The tour, Rick Price & Tommy Emmanuel - Together & Alone, was a sell-out. It received rave reviews from critics and the public alike. In conjunction with the tour, a third single "To Be with You" was released in Australia. Price performed at several Carols by Candlelight shows around the country and continued to tour during early 1996. "You're Never Alone", a song Price wrote for his son, was released in Australia while he travelled the country on further promotional tours throughout the remainder of the year.
Question: What was Tamborine Mountain?
Answer: In April 1995, the long-awaited single "River of Love" was released, the first from Price's album Tamborine Mountain, which was later released in July.
Question: What other songs were on the album?
Answer: Special guests on the album include Tommy Emmanuel on guitar and Tina Arena on backing vocals and the duet "Trust Me This Is Love".
Question: Did the album win any awards? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Rick Price
Background: Rick Allan Price was born on 6 July 1961 in Beaudesert, a small country town 69 kilometres (43 mi) south of Brisbane. At the age of nine he appeared with his family band, Union Beau, performing at local bush dances in southern Queensland and northern New South Wales. Price has cited Stevie Wonder, James Taylor and Carole King as his inspirations. At the age of 18 Price moved to Sydney where he worked as a session and touring musician, playing bass guitar with various inner city outfits.
Section: 1997-2003: Another Place and A Million Miles
Passage: In January and February 1997, Price played several shows alongside another accomplished Australian singer/songwriter, Jack Jones. The shows were a huge success with the pair performing their best hits together and alone, proving yet again their abilities as live performers. For the majority of the year, Price spent his time in Los Angeles and Nashville writing material for his next album. Some of the collaborators Price has worked with included Steve Werfel and Pam Reswick on "Not a Day Goes By" (who has written songs such as "Chains" by Tina Arena), Jon Lind (who has written songs such as "Simple Life" by John Farnham, and "Crazy for You" by Madonna), and Randy Goodrum, a well-respected writer from Nashville. He has also written with Australia's Heather Field who co-wrote "Heaven Knows" and "River of Love", and once again has worked with Phil Buckle who co-wrote "What's Wrong With That Girl" from Rick's Heaven Knows album. In November and December 1997, Price played a couple of showcases to the public with some of the new material he had been working on. During the later months of 1997 and early 1998, Price recorded his new album in Los Angeles. The album Another Place was released in Australia in July 1999, spanning singles including "Where in the World" and "Good As Gone". In 2003, parting with Sony, Price released another solo album, A Million Miles, on his own label Clarice. Described as a garage album and going back to his musical roots, he plays every instrument heard on the album.
Question: What was Another Place and A Million Miles?
Answer: The album Another Place was released in Australia in July 1999,
Question: Was it well-received?
Answer: CANNOTANSWER
Question: Did he release other albums in this period?
Answer: In 2003, parting with Sony, Price released another solo album, A Million Miles,
Question: Who did he work with after Sony?
Answer: his own label Clarice.
Question: What is A Million Miles?
Answer: another solo album, A Million Miles,
Question: Which collaborators has Price worked with? | [
"Steve Werfel and Pam Reswick on \"Not a Day Goes By\" (who has written songs such as \"Chains\" by Tina Arena), Jon Lind"
] |
Title: MC Hammer
Background: Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American hip hop recording artist, dancer, record producer and entrepreneur. He had his greatest commercial success and popularity from the late 1980s, until the early 1990s. Remembered for his rapid rise to fame, Hammer is known for hit records (such as "U Can't Touch This" and "2 Legit 2 Quit"), flashy dance movements, choreography and eponymous Hammer pants. A multi-award winner, M.C. Hammer is considered a "forefather/pioneer" and innovator of pop rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album.
Section: Feel My Power (1986)
Passage: In the mid-1980s while rapping in small venues and after a record deal went sour, Hammer borrowed US$20,000 each from former Oakland A's players Mike Davis and Dwayne Murphy to start a record label business called Bust It Productions. He kept the company going by selling records from his basement and car. Bust It spawned Bustin' Records, the independent label of which Hammer was CEO. Together, the companies had more than 100 employees. Recording singles and selling them out of the trunk of his car, he marketed himself relentlessly. Coupled with his dance abilities, Hammer's style was unique at the time. Now billing himself as "M.C. Hammer", he recorded his debut album, Feel My Power, which was produced between 1986 and 1987 and released independently in 1987 on his Oaktown Records label (Bustin'). It was produced by Felton Pilate (of Con Funk Shun), and sold over 60,000 copies and was being distributed by City Hall Records. In the spring of 1988, a 107.7 KSOL Radio DJ Tony Valera played the track "Let's Get It Started" in his mix-shows--a song in which he declared he was "second to none, from Doug E. Fresh, LL Cool J, or DJ Run"--after which the track began to gain popularity in clubs. (He would continue to call out other East Coast rappers in future projects as well.) Hammer also released a single called "Ring 'Em", and largely on the strength of tireless street marketing by Hammer and his wife, plus continued radio mix-show play, it achieved considerable popularity at dance clubs in the San Francisco Bay Area. Heartened by his rising prospects, Hammer launched into seven-day-a-week rehearsals with the growing troupe of dancers, musicians, and backup vocalists he had hired. It was Hammer's stage show, and his infectious stage presence, that led to his big break in 1988 while performing in an Oakland club. There he impressed a record executive who "didn't know who he was, but knew he was somebody", according to the New Rolling Stone Encyclopedia of Rock & Roll. M.C.Hammer had received several offers from major record labels before (which he initially declined due to his personal success), but after the successful release of this independent album and elaborate live dance show amazed the Capitol Records executive, Hammer agreed to sign a record deal soon after. Hammer took home a US$1,750,000 advance and a multi-album contract. It didn't take long for Capitol to recoup its investment.
Question: What is Feel My Power?
Answer: Now billing himself as "M.C. Hammer", he recorded his debut album, Feel My Power,
Question: Were there any hit singles?
Answer: "Let's Get It Started"
Question: What other singles did he release? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Pete Wentz
Background: Wentz was born Peter Lewis Kingston Wentz III, in Wilmette, Illinois, an affluent suburb of Chicago. He is the son of Dale (nee Lewis), a high school admissions counselor, and Pete Wentz II, an attorney. He is of English and German descent on his father's side and Afro-Jamaican on his mother's side. He has a younger sister, Hillary, and a younger brother, Andrew.
Section: Non-performance projects
Passage: Apart from his musical career, Wentz has been involved in various entrepreneurial ventures. Fall Out Boy bandmate Patrick Stump says of Wentz's endeavors: "It scares me sometimes, watching him. The two seconds you're not with that dude he's made 30 decisions that are going to affect our band for the rest of the year." Wentz's company, Clandestine Industries, distributes books, clothing, and other merchandise. On August 2, 2007, fashion company DKNY joined a partnership with Clandestine Industries. Wentz himself has served as a model on the DKNY/Clandestine promo website. In April 2007, Pete came out with his own signature Squier Precision Bass. It has a black body with a red shell pickguard and special graphics that include Wentz's own red bat/heart design on the body, plus a black bat/diamond fingerboard inlay at the 12th fret. It also features Wentz's signature on the back of the headstock. Wentz owns a very similar custom Fender bass with a purple pickguard and bat/heart. In 2008, Fender gave his son, Bronx Wentz, a three-quarter-sized modified version of his guitar. Wentz opened a nightclub in New York with his bandmates as well as members of Gym Class Heroes, The Academy Is..., and Cobra Starship; the bands' managers are also involved in the enterprise. Called Angels & Kings, the club occupies the former space on 11th Street near Avenue A that housed the Orchid Lounge. Notable guests, including Tommy Hilfiger, arrived for the grand opening on April 20, 2007. In June 2007, Wentz celebrated the opening of Angels & Kings' second location in Chicago. On December 13, 2008, Wentz, along with Travis McCoy of Gym Class Heroes, created several pieces for an art exhibit at Gallery 1988 in Los Angeles called "Without You, I'm Just Me." The exhibit closed on December 24, 2008. Wentz appeared in the season 5 episode of CSI: NY, "Point of No Return", along with then-wife Ashlee Simpson. Wentz also hosted the Australia MTV VMAs on March 27, 2009. Wentz collaborated with Mark Hoppus on the track "In Transit" on the Almost Alice soundtrack for the 2010 movie, Alice in Wonderland. He was also a judge for the 10th and 11th annual Independent Music Awards to support independent artists' careers.
Question: what kind of projects did he work on?
Answer: Apart from his musical career, Wentz has been involved in various entrepreneurial ventures.
Question: what was the first of these ventures
Answer: Wentz's company, Clandestine Industries, distributes books, clothing, and other merchandise.
Question: Did he have any other companies | [
"Squier Precision Bass."
] |
Title: Pete Wentz
Background: Wentz was born Peter Lewis Kingston Wentz III, in Wilmette, Illinois, an affluent suburb of Chicago. He is the son of Dale (nee Lewis), a high school admissions counselor, and Pete Wentz II, an attorney. He is of English and German descent on his father's side and Afro-Jamaican on his mother's side. He has a younger sister, Hillary, and a younger brother, Andrew.
Section: Fall Out Boy (2001-2009, 2013-present)
Passage: In 2002, Fall Out Boy released an EP called Fall Out Boy/Project Rocket Split EP. Soon after, in 2003, the band released their mini-LP Fall Out Boy's Evening Out with Your Girlfriend on Uprising Records. This album would later be digitally remastered and reissued after the band's third, successful full-album release From Under the Cork Tree, on the major label Island Records. In 2003, the band released their first full-length album, Take This to Your Grave through Fueled By Ramen. Fall Out Boy signed with major label Island Records in 2003 and in 2004 released an acoustic EP and DVD entitled, My Heart Will Always Be the B-Side to My Tongue. Their third album, From Under the Cork Tree, was released in 2005. Wentz wrote the lyrics to the lead single, "Sugar, We're Goin Down" with his dad in Chicago; the song peaked at #8 on the Billboard Hot 100 and spent months in the top 50 of the Hot 100, marking five weeks in the top 10 and fourteen weeks in the top 20. The band's major label debut album has since been certified double platinum by the RIAA as well as "Sugar, We're Goin Down." In 2007, Fall Out Boy's fourth album, Infinity on High was released to major success, debuting at #1 on the Billboard 200 with 260,000 sales, spurred by the #2 charting lead single, "This Ain't a Scene, It's an Arms Race". The second single, "Thnks fr th Mmrs" sold more than 2 million units in the US. The band's fifth studio album, Folie a Deux was released on December 13, 2008, and debuted at #8 on the Billboard 200. The band toured extensively in support of their albums. On November 20, 2009, the four band members announced they will be taking an indefinite hiatus, saying they were unsure of the future of the band. Wentz has said that his personal reason for taking a break is that he feels that his name and marriage to pop singer Ashlee Simpson had become a hindrance for the band. He added: "I think the world needs a little less Pete Wentz". On February 4, 2013, the band announced their hiatus was over, via their official webpage. They released a new single off their upcoming album, a video for the single, upcoming tour dates and a pre-order campaign for the new album titled Save Rock and Roll.
Question: What album did Falloutboy release in 2001?
Answer: CANNOTANSWER
Question: What album did they release? | [
"In 2002, Fall Out Boy released an EP called Fall Out Boy/Project Rocket Split EP."
] |
Title: Cesar Romero
Background: Cesar Julio Romero Jr. was born in New York City on February 15, 1907, the son of Cesar Julio Romero Sr. and Maria Mantilla. His mother was said to be the biological daughter of Cuban national hero Jose Marti. His father was born in Barcelona, Spain and immigrated to the United States in 1888, where he was an expert merchant in commercial business. His mother was a concert singer.
Section: Career
Passage: At 6'3", Romero routinely played "Latin lovers" in films from the 1930s until the 1950s, usually in supporting roles. He starred as the Cisco Kid in six westerns made between 1939 and 1941. Romero danced and performed comedy in the 20th Century Fox films he starred in opposite Carmen Miranda and Betty Grable, such as Week-End in Havana and Springtime in the Rockies, in the 1940s. He also played a minor role as Sinjin, a piano player in Glenn Miller's band, in the 1942 20th Century Fox musical Orchestra Wives. In The Thin Man (1934), Romero played a villainous supporting role opposite the film's main star William Powell. Many of Romero's films from this early period saw him cast in small character parts, such as Italian gangsters and East Indian princes. Romero had a lead role as the Pathan rebel leader, Khoda Khan, in John Ford's British Raj-era action film Wee Willie Winkie (1937) and The Little Princess (1939) alongside Shirley Temple. He also appeared in a comic turn as a foil for Frank Sinatra and his crew in Ocean's 11 (1960). Romero sometimes played the leading man, for example in Allan Dwan's 15 Maiden Lane (1936) opposite Claire Trevor, as well as winning the key role of the Doc Holliday character (with name changed to "Doc Halliday") in Dwan's Wyatt Earp saga Frontier Marshal three years later. 20th Century Fox, along with mogul Darryl Zanuck, personally selected Romero to co-star with Tyrone Power in the Technicolor historical epic Captain from Castile (1947), directed by Henry King. While Power played a fictionalized character, Romero played Hernan Cortes, a historical conquistador in Spain's conquest of the Americas.
Question: When did Romero's career begin?
Answer: He starred as the Cisco Kid in six westerns made between 1939 and 1941.
Question: What movie was he in with Miranda and Grable? | [
"Week-End in Havana and Springtime in the Rockies, in the 1940s."
] |
Title: Izzy Stradlin
Background: Jeffrey Dean Isbell (born April 8, 1962), best known as Izzy Stradlin, is an American guitarist, singer and songwriter. He is best known as the co-founder and former rhythm guitarist of the hard rock band Guns N' Roses, which he left at the height of their fame in 1991, and with whom he recorded four studio albums. Following his departure from Guns N' Roses, Stradlin fronted his own rock band Izzy Stradlin and the Ju Ju Hounds, before continuing to record as a solo artist. He was inducted into the Rock and Roll Hall of Fame as a member of Guns N' Roses in 2012.
Section: 1995-2002: Solo career and Velvet Revolver
Passage: In 1995, Stradlin began recording material for his second solo album, 117deg. Released in March 1998, the album was recorded in fits and starts over a period of two years and featured his former band mates Duff McKagan and Rick Richards, as well as former Reverend Horton Heat drummer Taz Bentley, whose work Stradlin admired. As before, Stradlin had little interest in promoting his music; he did few interviews and played no live performances. The album turned out to be his last release on his long-time label Geffen; as a result of the merge between Geffen and Interscope, Stradlin was dropped from the label's roster. In December 1999, Stradlin's third solo album, Ride On, was released on the Universal Victor label in Japan. It featured the same line-up as his previous release. To promote the album, Stradlin--with McKagan, Richards, and Bentley--played four shows in Japan the following April. With the addition of keyboardist Ian McLagan, the group recorded two more albums: River, which was released in May 2001 on Sanctuary, and a second Japan-only release, On Down the Road, which followed in August 2002 on JVC Victor. Stradlin was then asked by his former Guns N' Roses band mates Duff McKagan, Slash, and Matt Sorum to join the supergroup Velvet Revolver. Although he contributed to the songwriting process while the band was in its formative stage, Stradlin ultimately declined to join due to his aversion to life on the road and his unwillingness to work with a lead singer, although he offered to share vocal duties with McKagan.
Question: what happened in 1995?
Answer: In 1995, Stradlin began recording material for his second solo album,
Question: was it successful? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Izzy Stradlin
Background: Jeffrey Dean Isbell (born April 8, 1962), best known as Izzy Stradlin, is an American guitarist, singer and songwriter. He is best known as the co-founder and former rhythm guitarist of the hard rock band Guns N' Roses, which he left at the height of their fame in 1991, and with whom he recorded four studio albums. Following his departure from Guns N' Roses, Stradlin fronted his own rock band Izzy Stradlin and the Ju Ju Hounds, before continuing to record as a solo artist. He was inducted into the Rock and Roll Hall of Fame as a member of Guns N' Roses in 2012.
Section: 2003-2010: Independent solo career and second return to Guns N' Roses
Passage: In 2003, Stradlin recorded his sixth album, Like a Dog, with guitarist Rick Richards, drummer Taz Bentley, and bassist JT Longoria. It was originally scheduled for a late 2003 release, with just under one thousand promo copies made. However, the album was not released until October 2005, when Stradlin--prompted by a fan petition--made it available through internet order. The following year, Stradlin re-released Ride On, River, On Down the Road, and Like a Dog through iTunes. In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show at the Hammerstein Ballroom in New York; he played on "Patience", "Think About You", and "Nightrain". He then performed with Guns N' Roses for 13 shows during the band's summer European tour. Stradlin said, "Axl [Rose] and I connected via cell phone this year, I stopped by. It was nice to reconnect with an old friend/war buddy/fellow musician. I told him later I'd like to join the fun in some way and he said I was welcome to come and play something, so I did! Took me about three weeks to recover from the six weeks of touring!" In December, he played three shows with the group at the Gibson Amphitheatre in Universal City, California. Stradlin released his seventh album, Miami, through iTunes in May 2007. It again featured Rick Richards, Taz Bentley, and JT Longoria, as well as keyboardist Joey Huffman. Guitarist Richards described the album as being "a bit of a departure from Like a Dog but still quite a rocker." In July, a remixed version of Miami was released through iTunes; Stradlin called the new mix "much louder and more powerful sounding." In November of that year, he released a second iTunes-only album, Fire, the Acoustic Album, which also featured Richards, Bentley, and Longoria. Stradlin's next iTunes release, Concrete, came out in July 2008. In addition to his regular collaborators, Stradlin also invited Duff McKagan to play bass on three songs, including the title track. Stradlin then released two more albums through iTunes: Smoke, which came out in December 2009, and Wave of Heat, which followed in July 2010 and again featured McKagan, who appears on seven tracks. Also in 2010, Stradlin appeared as a guest on Slash's first solo album, Slash; he performs rhythm guitar on the first track, "Ghost".
Question: What made him return to Guns N Roses the second time?
Answer: In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show
Question: Was the guest performance a success?
Answer: He then performed with Guns N' Roses for 13 shows during the band's summer European tour.
Question: What did he do after that tour with them? | [
"Stradlin released his seventh album, Miami, through iTunes in May 2007."
] |
Title: Cesar Romero
Background: Cesar Julio Romero Jr. was born in New York City on February 15, 1907, the son of Cesar Julio Romero Sr. and Maria Mantilla. His mother was said to be the biological daughter of Cuban national hero Jose Marti. His father was born in Barcelona, Spain and immigrated to the United States in 1888, where he was an expert merchant in commercial business. His mother was a concert singer.
Section: Television
Passage: Among many television credits, Romero appeared several times on The Martha Raye Show in the mid-1950s. He portrayed Don Diego de la Vega's uncle in a number of Season 2 Zorro episodes. In 1958, he guest-starred as Ramon Valdez, a South American businessman, who excels at dancing the Cha-Cha with Barbara Eden in her syndicated romantic comedy, How to Marry a Millionaire in the episode entitled "The Big Order". He performed the mambo with Gisele MacKenzie on her NBC variety show, The Gisele MacKenzie Show. He guest-starred in 1957 on CBS's The Lucy-Desi Comedy Hour on the first episode of the seventh season ("Lucy Takes a Cruise to Havana"). He played "Don Carlos", a card shark on the episode, "The Honorable Don Charlie Story" of NBC's Wagon Train. On January 16, 1958, he appeared on The Ford Show, Starring Tennessee Ernie Ford. In 1959, Romero was cast as Joaquin in the episode "Caballero" from The Texan. In 1960, he was cast as Ricky Valenti in "Crime of Passion" from Pete and Gladys. In 1965, Romero played the head of THRUSH in France in "The Never Never Affair" from The Man from U.N.C.L.E. From 1966 to 1968, he portrayed the Joker on Batman. He refused to shave his moustache for the role, and so the supervillain's white face makeup was simply smeared over it throughout the series' run and in the 1966 film. His guest star work in the 1970s included was a recurring role on the western comedy Alias Smith and Jones as Senor Armendariz, a Mexican rancher feuding with Patrick McCreedy (Burl Ives), the owner of a ranch on the opposite side of the border. He appeared in three episodes. Romero later portrayed Peter Stavros on Falcon Crest (from 1985-1987). He also appeared in a sixth-season episode of The Golden Girls, where he played a suitor named Tony Delvecchio for Sophia. Apart from these television roles, Romero appeared as A.J. Arno, a small-time criminal who continually opposes Dexter Riley (played by Kurt Russell) and his schoolmates of Medfield College in a series of films by Walt Disney Productions in the 1970s.
Question: Who is Cesar Romero?
Answer: He portrayed Don Diego de la Vega's uncle in a number of Season 2 Zorro episodes.
Question: Did he ever win awards for his acting? | [
"In 1960, he was cast as Ricky Valenti in \"Crime of Passion\" from Pete and Gladys."
] |
Title: Bobby Womack
Background: Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
Section: Drug addiction and health issues
Passage: Womack opened up about his frequent drug use in his memoirs, Midnight Mover. Womack said he began using cocaine sometime in the late 1960s. He had become close friends with Sly Stone, and was an enthusiastic participant in Stone's infamous drug binges. Womack told Rolling Stone in 1984: "I was really off into the drugs. Blowing as much coke as I could blow. And drinking. And smoking weed and taking pills. Doing that all day, staying up seven, eight days. Me and Sly [Stone] were running partners." His cocaine use turned into an addiction by the late 1970s. Womack partially blamed his habit for his son Truth's death. Throughout most of the 1980s, Womack struggled with drug addiction. In the early 1980s his career slowed down partially due to his drug usage. At the end of the 1980s, he went into a rehabilitation center to get over his cocaine addiction, which he said he conquered. Womack survived prostate cancer. A series of health problems would follow, including diabetes, pneumonia, colon cancer and the early signs of Alzheimer's disease. Womack developed diabetes in his later years. It was revealed in March that Womack was diagnosed with colon cancer after Bootsy Collins reported it on his Facebook page. Womack announced afterwards that he was to undergo cancer surgery. On May 24, 2012, it was announced that Womack's surgery to remove a tumor from his colon was successful and he was declared cancer free. On January 1, 2013, Womack admitted that he struggled to remember his songs and other people's names, and later he was diagnosed with early stages of Alzheimer's disease.
Question: Did Womack ever try to be clean?
Answer: At the end of the 1980s, he went into a rehabilitation center to get over his cocaine addiction,
Question: What was he addicted to?
Answer: cocaine
Question: Was he addicted to anything else?
Answer: CANNOTANSWER
Question: What were some of his health problems?
Answer: Womack survived prostate cancer.
Question: Other than prostate cancer did he have any other health conditions?
Answer: A series of health problems would follow, including diabetes, pneumonia, colon cancer and the early signs of Alzheimer's disease.
Question: How did he die?
Answer: CANNOTANSWER
Question: What happened after he had colon cancer? | [
"Womack's surgery to remove a tumor from his colon was successful and he was declared cancer free."
] |
Title: Barack Obama
Background: Barack Hussein Obama II ( ( listen); born August 4, 1961) is an American politician who served as the 44th President of the United States from 2009 to 2017. The first African American to assume the presidency, he was previously the junior United States Senator from Illinois from 2005 to 2008. Before that, he served in the Illinois State Senate from 1997 until 2004. Obama was born in 1961 in Honolulu, Hawaii, two years after the territory was admitted to the Union as the 50th state.
Section: Education
Passage: From age six to ten, Obama attended local Indonesian-language schools: Sekolah Dasar Katolik Santo Fransiskus Asisi (St. Francis of Assisi Catholic Elementary School) for two years and Sekolah Dasar Negeri Menteng 01 (State Elementary School Menteng 01/Besuki Public School) for one and a half years, supplemented by English-language Calvert School homeschooling by his mother. As a result of those four years in Jakarta, he was able to speak Indonesian fluently as a child. During his time in Indonesia, Obama's step-father taught him to be resilient and gave him "a pretty hardheaded assessment of how the world works". In 1971, Obama returned to Honolulu to live with his maternal grandparents, Madelyn and Stanley Dunham. He attended Punahou School-- a private college preparatory school-- with the aid of a scholarship from fifth grade until he graduated from high school in 1979. In his youth, Obama went by the nickname "Barry". Obama lived with his mother and half-sister, Maya Soetoro, in Hawaii for three years from 1972 to 1975 while his mother was a graduate student in anthropology at the University of Hawaii. Obama chose to stay in Hawaii with his grandparents for high school at Punahou when his mother and half-sister returned to Indonesia in 1975 so his mother could begin anthropology field work. His mother spent most of the next two decades in Indonesia, divorcing Lolo in 1980 and earning a PhD degree in 1992, before dying in 1995 in Hawaii following unsuccessful treatment for ovarian and uterine cancer. Obama later reflected on his years in Honolulu and wrote: "The opportunity that Hawaii offered - to experience a variety of cultures in a climate of mutual respect - became an integral part of my world view, and a basis for the values that I hold most dear." Obama has also written and talked about using alcohol, marijuana, and cocaine during his teenage years to "push questions of who I was out of my mind". Obama was also a member of the "choom gang", a self-named group of friends that spent time together and occasionally smoked marijuana. After graduating from high school in 1979, Obama moved to Los Angeles to attend Occidental College. In February 1981, Obama made his first public speech, calling for Occidental to participate in the disinvestment from South Africa in response to that nation's policy of apartheid. In mid-1981, Obama traveled to Indonesia to visit his mother and half-sister Maya, and visited the families of college friends in Pakistan and India for three weeks. Later in 1981, he transferred as a junior to Columbia University in New York City, where he majored in political science with a specialty in international relations and in English literature and lived off-campus on West 109th Street. He graduated with a BA degree in 1983 and worked for about a year at the Business International Corporation, where he was a financial researcher and writer, then as a project coordinator for the New York Public Interest Research Group on the City College of New York campus for three months in 1985.
Question: Where did Obama attend school?
Answer: From age six to ten, Obama attended local Indonesian-language schools:
Question: Did he go to college? | [
"Columbia University in New York City,"
] |
Title: Barack Obama
Background: Barack Hussein Obama II ( ( listen); born August 4, 1961) is an American politician who served as the 44th President of the United States from 2009 to 2017. The first African American to assume the presidency, he was previously the junior United States Senator from Illinois from 2005 to 2008. Before that, he served in the Illinois State Senate from 1997 until 2004. Obama was born in 1961 in Honolulu, Hawaii, two years after the territory was admitted to the Union as the 50th state.
Section: Early life and career
Passage: Obama was born on August 4, 1961, at Kapiolani Medical Center for Women and Children in Honolulu, Hawaii. He is the only President who was born in Hawaii and the only President who was born outside of the contiguous 48 states. He was born to a white mother and a black father. His mother, Ann Dunham (1942-1995), was born in Wichita, Kansas; she was mostly of English descent, with some German, Irish, Scottish, Swiss, and Welsh ancestry. His father, Barack Obama Sr. (1936-1982), was a married Luo Kenyan man from Nyang'oma Kogelo. Obama's parents met in 1960 in a Russian language class at the University of Hawaii at Manoa, where his father was a foreign student on scholarship. The couple married in Wailuku, Hawaii on February 2, 1961, six months before Obama was born. In late August 1961 (only a few weeks after he was born), Barack and his mother moved to the University of Washington in Seattle, where they lived for a year. During that time, the elder Obama completed his undergraduate degree in economics in Hawaii, graduating in June 1962. He then left to attend graduate school on a scholarship at Harvard University, where he earned an M.A. in economics. Obama's parents divorced in March 1964. Obama Sr. returned to Kenya in 1964, where he married for a third time. He visited his son in Hawaii only once, at Christmas time in 1971, before he was killed in an automobile accident in 1982, when Obama was 21 years old. Recalling his early childhood, Obama said, "That my father looked nothing like the people around me - that he was black as pitch, my mother white as milk - barely registered in my mind." He described his struggles as a young adult to reconcile social perceptions of his multiracial heritage. In 1963, Dunham met Lolo Soetoro at the University of Hawaii; he was an Indonesian East-West Center graduate student in geography. The couple married on Molokai on March 15, 1965. After two one-year extensions of his J-1 visa, Lolo returned to Indonesia in 1966. His wife and stepson followed sixteen months later in 1967. The family initially lived in a Menteng Dalam neighborhood in the Tebet subdistrict of south Jakarta. From 1970, they lived in a wealthier neighborhood in the Menteng subdistrict of central Jakarta.
Question: What was Barack Obama's first job?
Answer: CANNOTANSWER
Question: Where did Obama live as a young adult?
Answer: Seattle,
Question: Who did he live in Seattle with?
Answer: Barack and his mother moved to the University of Washington in
Question: Where did he go after Seattle?
Answer: Indonesia
Question: How long was he in Indonesia? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Phineas Gage
Background: Phineas P. Gage (1823-1860) was an American railroad construction foreman remembered for his improbable[B1]:19 survival of an accident in which a large iron rod was driven completely through his head, destroying much of his brain's left frontal lobe, and for that injury's reported effects on his personality and behavior over the remaining 12 years of his life--effects sufficiently profound (for a time at least) that friends saw him as "no longer Gage". [H]:14 Long known as the "American Crowbar Case"--once termed "the case which more than all others is calculated to excite our wonder, impair the value of prognosis, and even to subvert our physiological doctrines" --Phineas Gage influenced 19th-century discussion about the mind and brain, particularly debate on cerebral localization, [M]:ch7-9[B] and was perhaps the first case to suggest the brain's role in determining personality, and that damage to specific parts of the brain might induce specific personality changes. [M]:1,378[M2]:C :1347 :56
Section: Exaggeration and distortion of mental changes
Passage: Macmillan's analysis of scientific and popular accounts of Gage found that they almost always distort and exaggerate his behavioral changes well beyond anything described by anyone who had direct contact with him, concluding that the known facts are "inconsistent with the common view of Gage as a boastful, brawling, foul-mouthed, dishonest useless drifter, unable to hold down a job, who died penniless in an institution". In the words of Barker, "As years passed, the case took on a life of its own, accruing novel additions to Gage's story without any factual basis".[B]:678 Even today (writes Zbigniew Kotowicz) "Most commentators still rely on hearsay and accept what others have said about Gage, namely, that after the accident he became a psychopath";[K2]:125 Grafman has written that "the details of [Gage's] social cognitive impairment have occasionally been inferred or even embellished to suit the enthusiasm of the story teller";[G]:295 and Goldenberg calls Gage "a (nearly) blank sheet upon which authors can write stories which illustrate their theories and entertain the public". For example, Harlow's statement that Gage "continued to work in various places; could not do much, changing often, and always finding something that did not suit him in every place he tried" [H]:15 refers only to Gage's final months, after convulsions had set in.[M]:107[M10]:646 But it has been misinterpreted as meaning that, after his accident, Gage never held a regular job, "was prone to quit in a capricious fit or be let go because of poor discipline",:8-9 "never returned to a fully independent existence",:1102 "spent the rest of his life living miserably off the charity of others and traveling around the country as a sideshow freak", and ("dependent on his family" or "in the custody of his parents") died "in careless dissipation". In fact, after his initial post-recovery months spent traveling and exhibiting, Gage supported himself--at a total of two jobs--from early 1851 until just before his death in 1860. [M10]:654-5[D]:77 Other behaviors ascribed to the post-accident Gage that are either unsupported by, or in contradiction to, the known facts include: None of these behaviors is mentioned by anyone who had met Gage or even his family, and as Kotowicz put it, "Harlow does not report a single act that Gage should have been ashamed of." [K2]:122-3 Gage is "a great story for illustrating the need to go back to original sources", writes Macmillan, most authors having been "content to summarize or paraphrase accounts that are already seriously in error". [M]:315 Nonetheless (write Daffner and Searl) "the telling of [Gage's] story has increased interest in understanding the enigmatic role that the frontal lobes play in behavior and personality", and Ratiu has said that in teaching about the frontal lobes, an anecdote about Gage is like an "ace [up] your sleeve. It's just like whenever you talk about the French Revolution you talk about the guillotine, because it's so cool." [K] Benderly suggests that instructors use the Gage case to illustrate the importance of critical thinking.
Question: What was exaggerated about mental changes?
Answer: Macmillan's analysis of scientific and popular accounts of Gage found that they almost always distort and exaggerate his behavioral changes
Question: In what other ways was the mental change exaggerated? | [
"\"inconsistent with the common view of Gage as a boastful, brawling, foul-mouthed, dishonest useless drifter, unable to hold down a job, who died penniless in an institution\"."
] |
Title: Robert Benchley
Background: Robert Charles Benchley (September 15, 1889 - November 21, 1945) was an American humorist best known for his work as a newspaper columnist and film actor. From his beginnings at The Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from his peers at the Algonquin Round Table in New York City to contemporaries in the burgeoning film industry. Benchley is best remembered for his contributions to The New Yorker, where his essays, whether topical or absurdist, influenced many modern humorists. He also made a name for himself in Hollywood, when his short film How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards, and through his many memorable appearances in films such as Alfred Hitchcock's Foreign Correspondent (1940) and Nice Girl?
Section: Hollywood and The New Yorker call
Passage: Benchley had continued to receive positive responses from his performing, and in 1925 he accepted a standing invitation from film producer Jesse L. Lasky for a six-week term writing screenplays at $500. While the session did not yield significant results, Benchley did get writing credit for producing the title cards on the Raymond Griffith silent film You'd Be Surprised (released September 1926), and was invited to do some titling for two other films. Benchley was also hired to help with the book for a Broadway musical, Smarty, starring Fred Astaire. This experience was not as positive, and most of Benchley's contributions were excised and the final product, Funny Face, did not have Benchley's name attached. Worn down, Benchley moved to his next commitment, an attempt at a talkie version of "The Treasurer's Report". The filming went by quickly, and though he was convinced he was not good, The Treasurer's Report was a financial and critical success upon its release in 1928. Benchley participated in two more films that year: a second talking film he wrote, The Sex Life of the Polyp, and a third starring but not written by him, The Spellbinder, all made in the Fox Movietone sound-on-film system and released by Fox Films. The films enjoyed similar success and were critically acclaimed, and Benchley was signed to a deal to produce more films before heading back to New York to continue writing. As Life would say following his eventual resignation in 1929, "Mr. Benchley has left Dramatic Criticism for the Talking Movies". During the time that Benchley was filming various short films, he also began working at The New Yorker, which had started in February 1925 under the control of Benchley's friend Harold Ross. While Benchley, along with many of his Algonquin acquaintances, was wary of getting involved with another publication for various reasons, he completed some freelance work for The New Yorker over the first few years, and was later invited to be newspaper critic. Benchley initially wrote the column under the pseudonym Guy Fawkes (the lead conspirator in the English Gunpowder Plot), and the column was well received. Benchley tackled issues ranging from careless reporting to European fascism, and the publication flourished. He was invited to be theatre critic for The New Yorker in 1929, leaving Life, and contributions from Woollcott and Parker became regular features in the magazine. The New Yorker published an average of forty-eight Benchley columns per year during the early 1930s. With the emergence of The New Yorker, Benchley was able to stay away from Hollywood work for a number of years. In 1931, he was persuaded to do voice work for RKO Radio Pictures for a film that would eventually be titled Sky Devils, and he acted in his first feature film, The Sport Parade (1932) with Joel McCrea. The work on The Sport Parade caused Benchley to miss the fall theatre openings, which embarrassed him (even if the relative success of The Sport Parade was often credited to Benchley's role), but the lure of filmmaking did not disappear, since RKO offered him a writing and acting contract for the following year for more money than he was making writing for The New Yorker.
Question: what did he do in hollywood?
Answer: Benchley was filming various short films,
Question: were any of the films popular?
Answer: The Sport Parade (1932)
Question: what was that about?
Answer: CANNOTANSWER
Question: were any of these films popular? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: New York Public Library
Background: The New York Public Library (NYPL) is a public library system in New York City. With nearly 53 million items and 92 locations, the New York Public Library is the second largest public library in the United States (behind the Library of Congress), and fourth largest in the world. It is a private, non-governmental, independently managed, nonprofit corporation operating with both private and public financing. The library has branches in the boroughs of Manhattan, The Bronx, and Staten Island, and affiliations with academic and professional libraries in the metropolitan area of New York State.
Section: Collection development
Passage: The notable New York author Washington Irving was a close friend of Astor for decades and had helped the philanthropist design the Astor Library. Irving served as President of the library's Board of Trustees from 1848 until his death in 1859, shaping the library's collecting policies with his strong sensibility regarding European intellectual life. Subsequently, the library hired nationally prominent experts to guide its collections policies; they reported directly to directors John Shaw Billings (who also developed the National Library of Medicine), Edwin H. Anderson, Harry Miller Lydenberg, Franklin F. Hopper, Ralph A. Beals, and Edward Freehafer (1954-70). They emphasized expertise, objectivity, and a very broad worldwide range of knowledge in acquiring, preserving, organizing, and making available to the general population nearly 12 million books and 26.5 million additional items. The directors in turn reported to an elite board of trustees, chiefly elderly, well-educated, philanthropic, predominantly Protestant, upper-class white men with commanding positions in American society. They saw their role as protecting the library's autonomy from politicians as well as bestowing upon it status, resources, and prudent care. Representative of many major board decisions was the purchase in 1931 of the private library of Grand Duke Vladimir Alexandrovich (1847-1909), uncle of the last tsar. This was one of the largest acquisitions of Russian books and photographic materials; at the time, the Soviet government had a policy of selling its cultural collections abroad for gold. The military drew extensively from the library's map and book collections in the world wars, including hiring its staff. For example, the Map Division's chief Walter Ristow was appointed as head of the geography section of the War Department's New York Office of Military Intelligence from 1942 to 1945. Ristow and his staff discovered, copied, and loaned thousands of strategic, rare or unique maps to war agencies in need of information not available through other sources.
Question: Who organized the collection development ?
Answer: directors John Shaw Billings (who also developed the National Library of Medicine), Edwin H. Anderson, Harry Miller Lydenberg, Franklin F. Hopper, Ralph A. Beals, and Edward Freehafer
Question: How much did the collection cost ? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: New York Public Library
Background: The New York Public Library (NYPL) is a public library system in New York City. With nearly 53 million items and 92 locations, the New York Public Library is the second largest public library in the United States (behind the Library of Congress), and fourth largest in the world. It is a private, non-governmental, independently managed, nonprofit corporation operating with both private and public financing. The library has branches in the boroughs of Manhattan, The Bronx, and Staten Island, and affiliations with academic and professional libraries in the metropolitan area of New York State.
Section: Recent history
Passage: The New York Public Library was not created by government statute. From its earliest days, the library was formed from a partnership of city government with private philanthropy. As of 2010, the research libraries in the system are largely funded with private money, and the branch or circulating libraries are financed primarily with city government funds. Until 2009, the research and branch libraries operated almost entirely as separate systems, but that year various operations were merged. By early 2010, the NYPL staff had been reduced by about 16 percent, in part through the consolidations. In 2010, as part of the consolidation program, the NYPL moved various back-office operations to a new Library Services Center building in Long Island City. A former warehouse was renovated for this purpose for $50 million. In the basement, a new, $2.3 million book sorter uses bar codes on library items to sort them for delivery to 132 branch libraries. At two-thirds the length of a football field, the machine is the largest of its kind in the world, according to library officials. Books located in one branch and requested from another go through the sorter, which use has cut the previous waiting time by at least a day. Together with 14 library employees, the machine can sort 7,500 items an hour (or 125 a minute). On the first floor of the Library Services Center is an ordering and cataloging office; on the second, the digital imaging department (formerly at the Main Branch building) and the manuscripts and archives division, where the air is kept cooler; on the third, the Barbara Goldsmith Preservation Division, with a staff of 10 (as of 2010) but designed for as many as 30 employees. The NYPL maintains a force of NYC special patrolmen, who provide security and protection to various libraries, and NYPL special investigators, who oversee security operations at the library facilities. These officials have on-duty arrest authority granted by the New York Penal Law. Some library branches contract for security guards.
Question: Can you tell me some notable recent happenings?
Answer: From its earliest days, the library was formed from a partnership of city government with private philanthropy.
Question: Are there any other interesting aspects about this article?
Answer: Until 2009, the research and branch libraries operated almost entirely as separate systems, but that year various operations were merged.
Question: Why did they reduce staff? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Peter Sutcliffe
Background: Sutcliffe was born in Bingley in the West Riding of Yorkshire to a working-class family. He was given a Catholic upbringing by his parents, John William Sutcliffe and his wife Kathleen Frances (nee Coonan). Reportedly a loner, he left school aged fifteen and had a series of menial jobs, including two stints as a gravedigger in the 1960s. Between November 1971 and April 1973, Sutcliffe worked at the Baird Television factory on a packaging line.
Section: Appeal
Passage: An application by Sutcliffe for a minimum term to be set, offering the possibility of parole after that date if it is thought safe to release him, was heard by the High Court of Justice on 16 July 2010. The High Court decided that Sutcliffe will never be released. Mr Justice Mitting stated: This was a campaign of murder which terrorised the population of a large part of Yorkshire for several years. The only explanation for it, on the jury's verdict, was anger, hatred and obsession. Apart from a terrorist outrage, it is difficult to conceive of circumstances in which one man could account for so many victims. Psychological reports describing his mental state were taken into consideration, as was the severity of his crimes. Barring judicial decisions to the contrary, Sutcliffe will spend the rest of his life in Broadmoor Hospital. On 4 August 2010, a spokeswoman for the Judicial Communications Office confirmed that Sutcliffe had initiated an appeal against the decision. The hearing for Sutcliffe's appeal against the ruling began on 30 November 2010 at the Court of Appeal. It was rejected on 14 January 2011. On 9 March 2011, the Court of Appeal rejected Sutcliffe's application for leave to appeal to the Supreme Court. In December 2015 Sutcliffe was assessed as being "no longer mentally ill". In August 2016, a medical tribunal ruled that he no longer required clinical treatment for his mental condition, and could be returned to prison. Sutcliffe is reported to have been transferred from Broadmoor to Frankland Prison in Durham in August 2016.
Question: what did he do in 2010
Answer: heard by the High Court of Justice on 16 July 2010. The High Court decided that Sutcliffe will never be released.
Question: What did he do
Answer: This was a campaign of murder which terrorised the population of a large part of Yorkshire for several years.
Question: what did the court say
Answer: The only explanation for it, on the jury's verdict, was anger, hatred and obsession.
Question: What else did they say
Answer: Apart from a terrorist outrage, it is difficult to conceive of circumstances in which one man could account for so many victims.
Question: What did the judge say
Answer: Sutcliffe will spend the rest of his life in Broadmoor Hospital.
Question: Did sutcliff appeal
Answer: Judicial Communications Office confirmed that Sutcliffe had initiated an appeal against the decision.
Question: What was the police's response | [
"returned to prison. Sutcliffe is reported to have been transferred from Broadmoor to Frankland Prison in Durham in August 2016."
] |
Title: Celebrity Rehab with Dr. Drew
Background: Celebrity Rehab with Dr. Drew, later called simply Rehab with Dr. Drew, is a reality television show that aired on the cable network VH1 in which many of the episodes chronicle a group of well-known people as they are treated for alcohol and drug addiction by Dr. Drew Pinsky and his staff at the Pasadena Recovery Center in Pasadena, California. The first five seasons of the series, on which Pinsky also serves as executive producer, cast celebrities struggling with addiction, with the first season premiering on January 10, 2008, and the fifth airing in 2011. The sixth season, which filmed in early 2012, featured non-celebrities as treatment subjects, and the series name shortened to Rehab with Dr. Drew. Season 6 premiered on September 16, 2012.
Section: Production
Passage: According to a December 2009 New York Times article, Drew Pinsky, who was alarmed by tabloid portrayals of addiction as an indulgence of the rich and famous, and a group of independent producers, approached VH1 with a proposal for a reality television series which would authentically depict addiction, as a sort of media intervention. According to executive producer John Irwin, casting for the first season was the most difficult, as the representatives of the celebrities who had been arrested or had publicized bouts with addiction refused to speak with him and the other producers. The process became easier after the first season aired. Actor Tom Sizemore, for example, who was cast for Season 3, had been sought after since Season 1. Producers have reportedly offered actress Lindsay Lohan six figures to appear on the show. Pinsky, who focuses on the treatment side of the production, is not usually involved with casting, though he reportedly visited Rachel Uchitel personally in order to convince her to join the fourth-season cast. A multitude of cameras are employed, which film twenty-four hours a day, seven days a week, during the 21-day treatment cycle. Because some dramatic incidents occur early in the morning when the camera crews are not present, automated cameras are mounted all over the clinic to capture them. The exception to this are the bathrooms, which nonetheless are equipped with microphones to monitor unusual sounds, such as patients attempting to use drugs. In addition to receiving the free treatment (which would normally be worth approximately US$50,000-60,000), the patients receive a salary for their appearance on the series, which is prorated, and distributed once a week as an incentive to stay. Celebrity Rehab spun off two other shows. The first spinoff is Sober House, which depicts Rehab alumni living for 30 days at a sober living facility, as an interim step for recovering addicts between the completion of rehab and their eventual return to their old life. The second spinoff is Sex Rehab with Dr. Drew, in which Pinsky and his staff treat celebrities for sexual addiction. In May 2013, Pinsky announced that season six was the final season, citing the criticism leveled at him following the relapse and death of cast members, saying, "I'm tired of taking all the heat. It's very stressful and very intense for me. To have people questioning my motives and taking aim at me because people get sick and die because they have a life-threatening disease, and I take the blame? Rodney King has a heart attack and I take blame for that? It's just ridiculous." Pinsky insisted that his practices depicted on the show were the same ones he, Bob Forrest and Shelly Sprague engaged in for decades, with the sole difference being the presence of cameras. Despite his decision not to continue the series, Pinsky stated a number of people achieved sobriety due to Celebrity Rehab who would not have attained it without the show, and cites as the biggest success story Sizemore, who struggled with Pinsky's program for 10 years before finally achieving sobriety after being on the show.
Question: who produced Dr. Drew's Celebrity Rehab?
Answer: executive producer John Irwin,
Question: what channel was it on?
Answer: CANNOTANSWER
Question: how many seasons was dr. drew on?
Answer: season six was the final season,
Question: what year did it air?
Answer: CANNOTANSWER
Question: why was it the final season?
Answer: citing the criticism leveled at him following the relapse and death of cast members,
Question: anything else interesting?
Answer: Celebrity Rehab spun off two other shows.
Question: whats the second show? | [
"The second spinoff is Sex Rehab with Dr. Drew, in which Pinsky and his staff treat celebrities for sexual addiction."
] |
Title: Fran Drescher
Background: Drescher was born in Kew Gardens Hills, New York, the daughter of Sylvia, a bridal consultant, and Morty Drescher, a naval systems analyst. Her family is from Southeast and Central Europe. Her maternal great-grandmother Yetta was born in Focsani, Romania, and emigrated to the United States, while her father's family came from Poland. She has an older sister, Nadine.
Section: Personal life
Passage: In January 1985, two armed robbers broke into Drescher and Jacobson's Los Angeles apartment. While one ransacked their home, Drescher and a female friend were raped by the other at gunpoint. Jacobson was also physically attacked, tied up, and forced to witness the entire ordeal. It took Drescher many years to recover, and it took her even longer to tell her story to the press. She was paraphrased as saying in an interview with Larry King that although it was a traumatic experience, she found ways to turn it into something positive. In her book Cancer Schmancer, the actress writes: "My whole life has been about changing negatives into positives." Her rapist, who was on parole at the time of the crime, was returned to prison and given two life sentences. After separating in 1996, Drescher and Jacobson divorced in 1999. They had no children. Drescher stated, "I would have been able to conceive but not hold on." Drescher has worked to support LGBT rights issues after her former husband came out. Drescher has stated that the primary reason for the divorce was her need to change directions in life. Drescher and Jacobson remain friends and business partners. She has stated that "we choose to be in each other's lives in any capacity. Our love is unique, rare, and unconditional; unless he's being annoying." On September 7, 2014, Drescher and scientist and conservative politician Shiva Ayyadurai participated in a ceremony at Drescher's beach house. Both tweeted that they had married, and the event was widely reported as such. Ayyadurai later said it was not "a formal wedding or marriage", but a celebration of their "friendship in a spiritual ceremony with close friends and her family." The couple parted ways two years later.
Question: what year was fran born
Answer: CANNOTANSWER
Question: what was something bad that happen in her personal life
Answer: In January 1985, two armed robbers broke into Drescher and Jacobson's Los Angeles apartment.
Question: was there any really great things tha happen in her personal life
Answer: On September 7, 2014, Drescher and scientist and conservative politician Shiva Ayyadurai participated in a ceremony at Drescher's beach house.
Question: did she have any children
Answer: They had no children. Drescher stated, "I would have been able to conceive but not hold on."
Question: did she have any other people close to her personally
Answer: Shiva Ayyadurai
Question: who was shiva
Answer: Ayyadurai later said it was not "a formal wedding or marriage", but a celebration of their "friendship in a spiritual ceremony
Question: is there anything else from her personal life people should know about
Answer: Drescher and a female friend were raped by the other at gunpoint.
Question: how did she cope with this | [
"she found ways to turn it into something positive."
] |
Title: Fran Drescher
Background: Drescher was born in Kew Gardens Hills, New York, the daughter of Sylvia, a bridal consultant, and Morty Drescher, a naval systems analyst. Her family is from Southeast and Central Europe. Her maternal great-grandmother Yetta was born in Focsani, Romania, and emigrated to the United States, while her father's family came from Poland. She has an older sister, Nadine.
Section: Return to television
Passage: In the 2000s, Drescher made a return to television both with leading and guest roles. In 2003, Drescher appeared in episodes of the short lived sitcom, Good Morning, Miami as Roberta Diaz. In 2005, she returned with the sitcom Living with Fran, in which she played Fran Reeves, a middle-aged mother of two, living with Riley Martin (Ryan McPartlin), a man half her age and not much older than her son. Former Nanny costar Charles Shaughnessy appeared as her philandering ex-husband, Ted. Living with Fran was cancelled on May 17, 2006, after two seasons. In 2006, Drescher guest starred in an episode of Law & Order: Criminal Intent; the episode, "The War at Home", aired on US television on November 14, 2006. She also appeared in an episode of Entourage and in the same year, gave her voice to the role of a female golem in The Simpsons episode "Treehouse of Horror XVII". In 2007, Drescher appeared in the US version of the Australian improvisational comedy series Thank God You're Here. In 2008, Drescher announced that she was developing a new sitcom entitled The New Thirty, also starring Rosie O'Donnell. A series about two old high school friends coping with midlife crises, Drescher described the premature plot of the show as "kind of Sex and the City but we ain't getting any! It'll probably be more like The Odd Couple." The sitcom failed to materialize however. In 2010, Drescher returned to television with her own daytime talk show, The Fran Drescher Tawk Show. While the program debuted to strong ratings, it ended its three-week test run to moderate success, resulting in its shelving. The following year, the sitcom Happily Divorced, created by Drescher and her ex-husband, Peter Marc Jacobson, was picked up by TV Land for a ten-episode order. It premiered there June 15, 2011. The show was renewed in July 2011 for a second season of 12 episodes, which aired in spring 2012. On May 1, 2012, TV Land extended the second season and picked up 12 additional episodes, taking the second season total to 24. The back-order of season two debuted later in 2012. Happily Divorced was cancelled in August 2013. To promote Happily Divorced, Drescher performed the weddings of three gay couples in New York City using the minister's license she received from the Universal Life Church. Drescher hand-picked the three couples, all of whom were entrants into "Fran Drescher's 'Love Is Love' Gay Marriage Contest" on Facebook, based on the stories the couples submitted about how they met, why their relationship illustrated that "love is love" and why they wanted to be married by her.
Question: What year did Fran return to television?
Answer: In 2003,
Question: What show did she appear in, in her return?
Answer: Good Morning, Miami
Question: Was her return a success?
Answer: Living with Fran was cancelled
Question: How did she do in the ratings? | [
"debuted to strong ratings, it ended its three-week test run"
] |
Title: North American fur trade
Background: The North American fur trade was the industry and activities related to the acquisition, trade, exchange, and sale of animal furs in North America. Aboriginal peoples in Canada and Native Americans in the United States of different regions traded among themselves in the Pre-Columbian Era, but Europeans participated in the trade beginning from the time of their arrival in the New World and extended its reach to Europe. The French started trading in the 16th century, the English established trading posts on Hudson Bay in present-day Canada in the 17th century, and the Dutch had trade by the same time in New Netherland. The 19th-century North American fur trade, when the industry was at its peak of economic importance, involved the development of elaborate trade networks.
Section: Mid-18th Century
Passage: Deerskin trade was at its most profitable in the mid-18th century. The Creeks rose up as the largest deerskin supplier, and the increase in supply only intensified European demand for deerskins. Native Americans continued to negotiate the most lucrative trade deals by forcing England, France, and Spain to compete for their supply of deerskins. In the 1750s and 1760s, the Seven Years' War disrupted France's ability to provide manufactures goods to its allies, the Choctaws and Chickasaw. The French and Indian War further disrupted trade, as the British blockaded French goods. The Cherokees allied themselves with France, who were driven out from the southeast in accordance with the Treaty of Paris in 1763. The British were now the dominant trading power in the southeast. While both the Cherokee and the Creek were the main trading partners of the British, their relationships with the British were different. The Creeks adapted to the new economic trade system, and managed to hold onto their old social structures. Originally Cherokee land was divided into five districts; however, the number soon grew to thirteen districts with 200 hunters assigned per district due to deerskin demand. Charleston and Savannah were the main trading ports for the export of deerskins. Deerskins became the most popular export, and monetarily supported the colonies with the revenue produced by taxes on deerskins. Charleston's trade was regulated by the Indian Trade Commission, composed of traders who monopolized the market and profited off the sale of deerskins. From the beginning of the 18th century to mid-century, the deerskin exports of Charleston more than doubled in exports. Charleston received tobacco and sugar from the West Indies and rum from the North in exchange for deerskins. In return for deerskins, Great Britain sent woolens, guns, ammunition, iron tools, clothing, and other manufactured goods that were traded to the Native Americans.
Question: What was happening in the fur trade during this time?
Answer: Deerskin trade was at its most profitable in the mid-18th century.
Question: Why was that?
Answer: The Creeks rose up as the largest deerskin supplier, and the increase in supply only intensified European demand for deerskins.
Question: What else did you find interesting about this section? | [
"While both the Cherokee and the Creek were the main trading partners of the British, their relationships with the British were different."
] |
Title: North American fur trade
Background: The North American fur trade was the industry and activities related to the acquisition, trade, exchange, and sale of animal furs in North America. Aboriginal peoples in Canada and Native Americans in the United States of different regions traded among themselves in the Pre-Columbian Era, but Europeans participated in the trade beginning from the time of their arrival in the New World and extended its reach to Europe. The French started trading in the 16th century, the English established trading posts on Hudson Bay in present-day Canada in the 17th century, and the Dutch had trade by the same time in New Netherland. The 19th-century North American fur trade, when the industry was at its peak of economic importance, involved the development of elaborate trade networks.
Section: Beginning of the 18th century
Passage: At the beginning of the 18th century, more organized violence than in previous decades occurred between the Native Americans involved in the deerskin trade and white settlers, most famously the Yamasee War. This uprising of Indians against fur traders almost wiped out the European colonists in the southeast. The British promoted competition between tribes, and sold guns to both Creeks and Cherokees. This competition sprang out of the slave demand in the southeast - tribes would raid each other and sell prisoners into the slave trade of the colonizers. France tried to outlaw these raids because their allies, the Choctaws, Chickasaws, and Yazoos, bore the brunt of the slave trade. Guns and other modern weapons were essential trading items for the Native Americans to protect themselves from slave raids; motivation which drove the intensity of the deerksin trade. The need for Indian slaves decreased as African slaves began to be imported in larger quantities, and the focus returned to deerskins. The drive for Indian slaves also was diminished after the Yamasee War to avoid future uprisings. The Yamasees had collected extensive debt in the first decade of the 1700s due to buying manufactured goods on credit from traders, and then not being able to produce enough deerskins to pay the debt later in the year. Indians who were not able to pay their debt were often enslaved. The practice of enslavement extended to the wives and children of the Yamasees in debt as well. This process frustrated the Yamasees and other tribes, who lodged complaints against the deceitful credit-loaning scheme traders had enforced, along with methods of cheating or trade. The Yamasees were a coastal tribe in the area that is now known as South Carolina, and most of the white-tailed deer herds had moved inland for the better environment. The Yamasees rose up against the English in South Carolina, and soon other tribes joined them, creating combatants from almost every nation in the South. The British were able to defeat the Indian coalition with help from the Cherokees, cementing a pre-existing trade partnership. After the uprisings, the Native Americans returned to making alliances with the European powers, using political savvy to get the best deals by playing the three nations off each other. The Creeks were particularly good at manipulation - they had begun trading with South Carolina in the last years of the 17th century and became a trusted deerskin provider. The Creeks were already a wealthy tribe due to their control over the most valuable hunting lands, especially when compared to the impoverished Cherokees. Due to allying with the British during the Yamasee War, the Cherokees lacked Indian trading partners and could not break with Britain to negotiate with France or Spain.
Question: What was the most most profitable fur at the beginning of the 18th century?
Answer: deerskin
Question: What impact did that have on the US?
Answer: more organized violence than in previous decades occurred between the Native Americans involved in the deerskin trade and white settlers,
Question: What happened as a result of the organized violence between Native Americans and white settlers?
Answer: most famously the Yamasee War. This uprising of Indians against fur traders almost wiped out the European colonists in the southeast.
Question: What impact did the Yamasee War and other fighting have on the fur trade?
Answer: Indians who were not able to pay their debt were often enslaved.
Question: Did the fur trade suffer as a result?
Answer: not being able to produce enough deerskins
Question: Were any other furs besides deer fur important during this time?
Answer: CANNOTANSWER
Question: What happened to the fur trade after the Cherokees couldn't break with Britain? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Bert Bell
Background: De Benneville "Bert" Bell (February 25, 1895 - October 11, 1959) was the National Football League (NFL) commissioner from 1945 until his death in 1959. As commissioner, he introduced competitive parity into the NFL to improve the league's commercial viability and promote its popularity, and he helped make the NFL the most financially sound sports enterprise and preeminent sports attraction in the United States (US). He was posthumously inducted into the charter class of the Pro Football Hall of Fame. Bell played football at the University of Pennsylvania, where as quarterback, he led his team to an appearance in the 1917 Rose Bowl.
Section: University of Pennsylvania (1914-1919)
Passage: Bell entered Penn in the fall of 1914 as an English major and joined Phi Kappa Sigma. In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke. On the team, he also was as a defender, punter, and punt returner. After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2. Prior to Penn's 1916 season, his mother died while he was en route to her bedside. Nevertheless, he started the first game for the Quakers under new coach Bob Folwell, but mixed results left him platooned for the rest of the season. Penn finished with a record of 7-2-1. However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks. Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell, he was replaced late in the game at quarterback after throwing an interception. In the 1917 season, Bell led Penn to a 9-2 record. Afterwards, he registered with a Mobile Hospital Unit of the US Army for World War I and was deployed to France in May 1918. As a result of his unit participating in hazardous duty, it received a congratulatory letter for bravery from General John J. Pershing, and Bell was promoted to first sergeant. After the war, Bell returned to the United States in March 1919. He returned to Penn as captain of the team in the fall and again performed erratically. The Quakers finished 1919 with a 6-2-1 record. Academically, his aversion to attending classes forced him to withdraw from Penn without a degree in early 1920. His collegiate days ended with his having been a borderline All-American, but this period of his life had proven that he "possessed the qualities of a leader."
Question: what happened in 1914?
Answer: Bell entered Penn in the fall of 1914
Question: what did he do there?
Answer: In a rare occurrence for a sophomore, he became the starting quarterback for Penn's coach George H. Brooke.
Question: did he win games?
Answer: After the team's 3-0 start, Bell temporarily shared possession of his quarterbacking duties until he subsequently reclaimed them later in the season, as Penn finished with a record of 3-5-2.
Question: did he win any awards?
Answer: However, the Quakers secured an invitation to the 1917 Rose Bowl against the Oregon Ducks.
Question: did the quakers win?
Answer: Although the best offensive gain for Penn during their 20-14 loss to Oregon was a 20-yard run by Bell,
Question: how long did he stay there? | [
"After the war, Bell returned to the United States in March 1919. He returned to Penn"
] |
Title: Bruce Sudano
Background: Sudano was born in Flatbush, Brooklyn, New York to Margaret Alessio (1924-2012) and Louis Sudano (1923-2008). At the age of four, Sudano learned to play his first instrument, the accordion. He later taught himself to play piano and guitar. He soon developed a reputation in his community as a talented musician and got his first paid gig at the age of twelve.
Section: Brooklyn Dreams and Donna Summer
Passage: In 1977, Sudano, Esposito and Hokenson moved to Los Angeles, formed the band Brooklyn Dreams and signed a recording deal with Millennium Records. That same year, Skip Konte of Three Dog Night produced their first self-titled debut. The trio scored a modest hit with the single "Music, Harmony and Rhythm", which they performed on American Bandstand. On March 13, 1977, Sudano met Donna Summer, who was signed to Casablanca Records. Casablanca was the distributor for Sudano's label Millennium Records. The Brooklyn Dreams and Summer immediately began writing songs together and within a few months Sudano and Summer were dating. In 1978, the band penned "Take It to the Zoo" with Summer for the Thank God It's Friday soundtrack. The same year, the Brooklyn Dreams appeared in the movie American Hot Wax performing as the Planotones, a group created for the movie with long time friend Kenny Vance. They scored a Top 5 hit when they appeared on the single "Heaven Knows" with Esposito and Summer singing a duet. The song peaked at #4 on the Billboard Hot 100 chart and became a certified million-selling Gold single in 1979. In 1979, Brooklyn Dreams and Summer wrote the title track "Bad Girls" for the best selling album of Summers' career Bad Girls. In addition to the title track, Sudano also co-wrote the songs "Lucky" and "On My Honor" with Summer and Harold Faltermeyer as well as "Can't Get to Sleep At Night" with Bob Conti. He then wrote the song "I'm A Rainbow", which was the title track to Summer's next LP. Unfortunately, it was shelved by Geffen Records and not released until 1996. When Millennium Records changed their distribution to RCA, the Brooklyn Dreams contract was transferred to Casablanca Records. Under their new recording contract, Brooklyn Dreams recorded three more studio LPs. They released two albums in 1979: Sleepless Nights, produced by Bob Esty, and Joyride produced by Jurgen Koppers, an engineer for Giorgio Moroder. In 1980, they made their fourth and final album Won't Let Go, which they produced themselves. A song from this record, "Hollywood Knights" became the title track for the comedy The Hollywood Knights starring Tony Danza, Michelle Pfeiffer and Fran Drescher. In 2008, "Hollywood Knights" was sampled by Snoop Dogg on his song "Deez Hollywood Nights". Brooklyn Dreams amicably disbanded in 1980 when Hokensen returned to New York after his mother died. Sudano and Summer continued writing songs together and were married the same year.
Question: What is Brooklyn Dreams?
Answer: In 1977, Sudano, Esposito and Hokenson moved to Los Angeles, formed the band Brooklyn Dreams
Question: Was this band successful?
Answer: In 1979, Brooklyn Dreams and Summer wrote the title track "Bad Girls" for the best selling album of Summers' career Bad Girls.
Question: What other hit songs did they have? | [
"In addition to the title track, Sudano also co-wrote the songs \"Lucky\" and \"On My Honor\""
] |
Title: Paul Gascoigne
Background: Gascoigne was born in Dunston, Tyne and Wear on 27 May 1967. His father, John (1946-2018), was a hod carrier, and his mother, Carol, worked in a factory. He was named Paul John Gascoigne in tribute to Paul McCartney and John Lennon of the Beatles. He attended Breckenbeds Junior High School, then the Heathfield Senior High School, both in the Low Fell area of Gateshead.
Section: Rangers
Passage: Gascoigne captained Newcastle United's youth team to the FA Youth Cup in the 1984-85 season, and scored twice in the 4-1 victory over Watford in the final at Vicarage Road. Manager Jack Charlton handed Gascoigne his first team debut as a substitute for George Reilly in a 1-0 win over Queens Park Rangers on 13 April 1985 at St James' Park. At the age of 18 Gascoigne signed a two-year PS120 a week contract at Newcastle, with the club also having a further two-year option clause. Willie McFaul took over as manager for the 1985-86 season, and named Gascoigne in his first eleven from the opening game of the campaign; he took the place of Chris Waddle, who had been sold to Tottenham Hotspur in the summer. He scored his first goal at home to Oxford United in a 3-0 victory on 21 September 1985, and claimed a further eight goals in the 1985-86 campaign. Newcastle finished 11th in the First Division that season and, at the end of it, Gascoigne was featured on the front cover of the Rothmans Football Yearbook. He scored five goals in 24 league games in the 1986-87 season, as the "Magpies" slipped to 17th place, just three points above the relegation play-offs. In a 0-0 draw with Wimbledon at Plough Lane hard-man Vinnie Jones singled him out for attention, and in an incident that would become a much-publicised photograph, Jones grabbed him by the genitals as Gascoigne screamed in agony. Gascoigne subsequently sent Jones a red rose, and the two became good friends. He was named as the PFA Young Player of the Year and listed on the PFA Team of the Year in the 1987-88 season, and was the subject of offers from both Manchester United and Tottenham Hotspur. His first choice was Liverpool but with no offer forthcoming, Gascoigne promised Alex Ferguson that he would sign for Manchester United. Ferguson duly went on holiday to Malta, where he received the news that Gascoigne had signed for Spurs, for a record British fee of PS2.2 million. In his 1999 autobiography, Ferguson claimed that Gascoigne was wooed into signing for Tottenham after they bought a house for his impoverished family. In his first season at White Hart Lane Gascoigne helped Terry Venables's Spurs to sixth in the First Division, scoring seven goals in 37 appearances. They rose to third place in 1989-90, but were still 16 points behind champions Liverpool. He was named as BBC Sports Personality of the Year in 1990, and on accepting the award said that "I haven't won anything in the game as yet. But the World Cup did help to put England on the map". He was also named as Tottenham Hotspur's Player of the Year. Gascoigne was named on the PFA Team of the Year in the 1990-91 season as Tottenham reached the FA Cup Final, with victories over Blackpool, Oxford United, Portsmouth, Notts County and North London derby rivals Arsenal. He scored the opening goal of the 3-1 victory over Arsenal at Wembley with a free-kick, one of six goals he scored in the competition. Going into the final against Nottingham Forest he had already agreed terms to join Italian club Lazio in an PS8.5 million deal. However just 15 minutes into the game he committed a dangerous knee-high foul on Gary Charles and ruptured his own cruciate ligaments in his right knee. England teammate Stuart Pearce scored from the resultant free kick, and Gascoigne subsequently collapsed after the kick-off, forcing him to leave the match on a stretcher. Tottenham went on to win the Cup in extra-time. He missed the entire 1991-92 season while he recovered, suffering a further knee injury in late 1991, when an incident at a nightclub on Tyneside kept him out for even longer. The saga over Gascoigne's proposed transfer to Lazio dominated the tabloid press throughout 1991, often overshadowing the key national news of that time - namely the recession and rise in unemployment that it sparked - although the broadsheet newspapers generally kept stories about Gascoigne confined to their back pages. "I'm very pleased for Paul but it's like watching your mother-in-law drive off a cliff in your new car." Gascoigne signed for Rangers in July 1995, for a club record fee of PS4.3 million, on wages of PS15,000 a week. He made an immediate impact; in the fifth league game of the season in the Old Firm match at Celtic Park he scored a goal after running almost the full length of the pitch. On 30 December, in a match against Hibernian, Gascoigne was booked by referee Dougie Smith after he picked Smith's yellow card up from the ground and jokingly 'booked' the referee. Rangers went on to win the league in the 1995-96 season, clinching the title in the penultimate game of the season against Aberdeen at Ibrox Stadium; Gascoigne scored a hat-trick during the game. Rangers won the double as they also won the Scottish Cup by knocking out Keith, Clyde, Inverness Caledonian Thistle and Celtic, before beating Heart of Midlothian 5-1 in the final at Hampden Park. He scored 19 goals in 42 appearances in all competitions, and was named as both PFA Scotland Players' Player of the Year and SFWA Footballer of the Year. Rangers won the league title again in 1996-97, their ninth in succession. Gascoigne claimed hat-tricks against Kilmarnock and Motherwell, and ended the campaign with 17 goals in 34 games. However manager Walter Smith and assistant Archie Knox became increasingly concerned over Gascoigne's reliance on alcohol. The "Gers" won another double by winning the League Cup, knocking out Clydebank, Ayr United, Hibernian and Dunfermline Athletic en route to the final. Rangers beat Hearts 4-3 in the final at Celtic Park, with Gascoigne scoring two goals and Ally McCoist claiming the other two. In November 1997, Gascoigne received a five-match ban after being sent off for violent conduct during the Old Firm derby following an incident with Celtic midfielder Morten Wieghorst. In January 1998, Gascoigne courted serious controversy after he played a mock flute (symbolic of the flute-playing of Orange Order marchers) during an Old Firm match at Celtic Park. The gesture infuriated Celtic fans who had been taunting him and Gascoigne was fined PS20,000 by Rangers after the incident. He also received a death threat from an Irish Republican Army (IRA) Member following the incident. The 1997-98 season was not a success, as Gascoigne scored just three goals in 28 games and Rangers failed to win any trophies, losing the league title to Celtic.
Question: What is the Rangers?
Answer: Queens Park Rangers
Question: When did he sign to the Rangers?
Answer: 1985-86 season,
Question: How much money would he make for signing?
Answer: CANNOTANSWER
Question: Who did the rangers play?
Answer: Rangers beat Hearts 4-3 in the final at Celtic Park, with Gascoigne scoring two goals and Ally McCoist claiming the other two.
Question: Was there any controversy with this team? | [
"In November 1997, Gascoigne received a five-match ban after being sent off for violent conduct during the Old Firm derby following an incident with Celtic midfielder Morten Wieghorst."
] |
Title: Paul Gascoigne
Background: Gascoigne was born in Dunston, Tyne and Wear on 27 May 1967. His father, John (1946-2018), was a hod carrier, and his mother, Carol, worked in a factory. He was named Paul John Gascoigne in tribute to Paul McCartney and John Lennon of the Beatles. He attended Breckenbeds Junior High School, then the Heathfield Senior High School, both in the Low Fell area of Gateshead.
Section: Managerial and coaching career
Passage: Having already gained some coaching experience in China, Gascoigne signed for Boston United on 30 July 2004. After being at the club for 11 games he left (partly as a result of the club refusing to let him participate in the reality television show I'm a Celebrity...Get Me Out of Here!) on 5 October, to begin a football coaching course. After leaving Boston, he stated that he was interested in taking over as manager of Scottish side Greenock Morton, but this came to nothing. In mid-2005 he spent two months as player-coach at the recently founded Portuguese team Algarve United, but he returned to England after a proposed contract never materialised. He was appointed manager of Conference North club Kettering Town on 27 October 2005, and also planned to put in enough money to own one-third of the club to show his commitment. Previous manager Kevin Wilson was appointed as director of football, and Paul Davis was appointed as the club's assistant manager. Bookmakers put odds on Gascoigne being dismissed before Christmas, though he insisted that he was at the club "for the long haul". Attempts to get new sponsors on board were successful, though results on the pitch soon went against Kettering. His tenure lasted just 39 days, and he was dismissed by the club's board on 5 December. The club's owner, Imraan Ladak, blamed Gascoigne's alcohol problems, stating that he drank almost every day he worked. Gascoigne later claimed that the owner had interfered incessantly and harboured ambitions of being a manager himself, despite knowing little about football. He was never on a contract at the club, and was never paid for his six weeks work, nor was he given the chance to invest money in the club as he had first planned. Gascoigne came close to being appointed manager of Garforth Town in October 2010, and after weeks of talks between his agent and the club he decided to turn down the offer, though reiterated his desire to return to football management.
Question: when did the mangerial and coaching career start
Answer: on 5 October, to begin a football coaching course.
Question: for what team?
Answer: Gascoigne signed for Boston United on 30 July 2004.
Question: what were his coaching or managerial accomplishments
Answer: After leaving Boston, he stated that he was interested in taking over as manager of Scottish side Greenock Morton, but this came to nothing.
Question: is there anything else interesting with his time as a coach
Answer: In mid-2005 he spent two months as player-coach at the recently founded Portuguese team Algarve United,
Question: how long did his career as manager and coaching last? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Girls' Generation
Background: Girls' Generation (Hangul: sonyeosidae; RR: Sonyeo Sidae), also known as SNSD, is a South Korean girl group formed by S.M. Entertainment. The group is composed of eight members: Taeyeon, Sunny, Tiffany, Hyoyeon, Yuri, Sooyoung, Yoona and Seohyun. Originally a nine-piece group, Jessica later departed from the group in September 2014. Girls' Generation debuted in 2007 with their Korean eponymous debut album.
Section: 2015-16: Lion Heart
Passage: Girls' Generation announced the single "Catch Me If You Can", their first release as an eight-member group, in March 2015. It was recorded in both Korean and Japanese; the Korean version was released worldwide on April 10, while the Japanese version was released on April 22, 2015. It peaked at number nineteen on the Gaon Digital Chart and number eight on the Oricon Singles Chart. Girls' Generation revealed the cover artwork of their fifth Korean studio album Lion Heart on August 12, 2015. It was subsequently released by S.M. Entertainment on August 19, 2015. The album peaked atop the Gaon Album Chart, and at number eleven on the Oricon Albums Chart. Lion Heart was the thirteenth best-selling album of 2015 in South Korea, with sales figures standing at 145,044 units. Lion Heart produced three singles--the first being "Party", which was released in July 2015. It peaked atop the Gaon Digital Chart, at number ten on the Japan Hot 100, and number four on Billboard's World Digital Songs. Following the release of "Party", Girls' Generation appeared on the Billboard Social 50 at number forty-four on August 1, 2015. The following week, the group's position on the chart rose to number twenty-two. The follow-up singles "Lion Heart" and "You Think" were made available in conjunction with the release of the album. They charted at numbers four and thirty on the Gaon Digital Chart, respectively. To promote the album, the group starred in a South Korean reality television program titled Channel Girls' Generation. They further embarked on their fourth concert tour, Girls' Generation's Phantasia, which started on November 21, 2015 in Seoul. With this achievement, Girls' Generation became the first South Korean girl group to hold a fourth concert tour. The group also concurrently embarked on their 4th Japan Tour, which commenced on December 12, 2015 at Nagoya. By year-end, the Gaon Music Chart announced that Girls' Generation was the most successful girl group of South Korea for 2015. With the release of their Lion Heart album along with two other albums, by subgroup TTS and member Taeyeon, they together sold over 398,000 physical copies. The group was on a hiatus for the most part of 2016. However, to commemorate the group's ninth debut anniversary, in August 2016, a single titled "Sailing (0805)" was released. The lyrics were written by member Sooyoung, highlighting the relationship between the group and their fans.
Question: What happened during Girls' Generation?
Answer: Girls' Generation revealed the cover artwork of their fifth Korean studio album Lion Heart on August 12, 2015.
Question: What happened in 2002?
Answer: CANNOTANSWER
Question: Don't know why I said 2002 earlier. (sorry) What happened in 2016? | [
"The group was on a hiatus for the most part of 2016. However, to commemorate the group's ninth debut anniversary, in August 2016, a single titled \"Sailing (0805)\" was released."
] |
Title: Girls' Generation
Background: Girls' Generation (Hangul: sonyeosidae; RR: Sonyeo Sidae), also known as SNSD, is a South Korean girl group formed by S.M. Entertainment. The group is composed of eight members: Taeyeon, Sunny, Tiffany, Hyoyeon, Yuri, Sooyoung, Yoona and Seohyun. Originally a nine-piece group, Jessica later departed from the group in September 2014. Girls' Generation debuted in 2007 with their Korean eponymous debut album.
Section: 2000-08: Formation and debut
Passage: Prior to the group's debut, some of the members were already involved in the entertainment industry. Yoona had gone through about 200 auditions for music videos, dramas, and movies before becoming a singer for Girls' Generation. Sooyoung was exposed to the Japanese music scene as a member of a pop duo named Route th, which disbanded one year after its debut in 2002. The first member of the group to join S.M. Entertainment's training system was Jessica in 2000, after she and her sister, Krystal Jung, were scouted in a mall in South Korea during a family vacation. That same year, members Sooyoung and Hyoyeon were cast into S.M.'s training system through the 2000 S.M. Open Audition, in which Hyoyeon danced for her audition. Yuri was the next Girls' Generation member to become an S.M. trainee after coming second in the 2001 S.M. Youth Best Dancer competition. Yoona was cast the following year through the 2002 S.M. Saturday Open Casting Audition, where she sang and danced to her favorite singers, BoA and Britney Spears. Seohyun, the group's youngest member, was scouted in the subway by an S.M. scout; she then auditioned in 2003, singing children's songs. The group's leader, Taeyeon, was cast in 2004 after winning first place in the S.M. Youth Singing Competition. That same year, member Tiffany auditioned at S.M.'s Starlight Casting System in Los Angeles, and joined the company in October 2004. The final member of the group to be added was Sunny, who had become an S.M. trainee in 1998 and trained for five years before moving to another company, Starworld. At Starworld, she trained to debut in a duo named Sugar, which never debuted. In 2007, on the recommendation of Korean-Japanese singer IconiQ, Sunny moved back to S.M. Entertainment and became a member of Girls' Generation. In July 2007, Girls' Generation had their first stage performance on Mnet's School of Rock, where the group performed their first single, "Into the New World" (dasi mannan segye; Dasi mannan segye). On August 5, 2007, the group officially made their debut on SBS's Inkigayo, where they performed the same song. Girls' Generation subsequently released their self-titled debut studio album in November 2007, which was preceded by the singles "Girls' Generation" (sonyeosidae; Sonyeo sidae)--a remake of Lee Seung-cheol's 1989 song, and "Kissing You". Girls' Generation became the twelfth best-selling album of 2007 in South Korea, selling 56,804 copies. The album has sold over 120,000 copies in the country as of 2009. In March 2008, the album was re-released under the title Baby Baby. The album was preceded by a single with the same name, which was released on digital music sites on March 17, 2008.
Question: How did the group form?
Answer: Yoona had gone through about 200 auditions for music videos, dramas, and movies before becoming a singer for Girls' Generation.
Question: How many singers were there?
Answer: CANNOTANSWER
Question: What was their first project after formation?
Answer: July 2007, Girls' Generation had their first stage performance on Mnet's School of Rock,
Question: How did the performance go?
Answer: CANNOTANSWER
Question: Was that their debut?
Answer: On August 5, 2007, the group officially made their debut on SBS's Inkigayo, where they performed the same song.
Question: What else happened after the debut?
Answer: Girls' Generation subsequently released their self-titled debut studio album in November 2007,
Question: Did they sell many?
Answer: The album has sold over 120,000 copies in the country as of 2009.
Question: How did that one do? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Aquaman
Background: For the upcoming film about the superhero character, see Aquaman (film). Aquaman is a fictional superhero appearing in American comic books published by DC Comics. Created by Paul Norris and Mort Weisinger, the character debuted in More Fun Comics #73 (November 1941). Initially a backup feature in DC's anthology titles, Aquaman later starred in several volumes of a solo comic book series.
Section: Golden Age
Passage: Aquaman's first origin story was presented in flashback from his debut in More Fun Comics #73 (November 1941), narrated by the character himself: The story must start with my father, a famous undersea explorer--if I spoke his name, you would recognize it. My mother died when I was a baby, and he turned to his work of solving the ocean's secrets. His greatest discovery was an ancient city, in the depths where no other diver had ever penetrated. My father believed it was the lost kingdom of Atlantis. He made himself a water-tight home in one of the palaces and lived there, studying the records and devices of the race's marvelous wisdom. From the books and records, he learned ways of teaching me to live under the ocean, drawing oxygen from the water and using all the power of the sea to make me wonderfully strong and swift. By training and a hundred scientific secrets, I became what you see--a human being who lives and thrives under the water. In his early Golden Age appearances, Aquaman can breathe underwater and control fish and other underwater life for up to a minute. Initially, he was depicted as speaking to sea creatures "in their own language" rather than telepathically, and only when they were close enough to hear him (within a 20 yards (18 m) radius). Aquaman's adventures took place all across the world, and his base was "a wrecked fishing boat kept underwater," in which he lived. During his wartime adventures, most of Aquaman's foes were Nazi U-boat commanders and various Axis villains where he once worked with the All-Star Squadron. The rest of his adventures in the 1940s and 1950s had him dealing with various sea-based criminals, including modern-day pirates such as his longtime archenemy Black Jack, as well as various threats to aquatic life, shipping lanes, and sailors. Aquaman's last appearance in More Fun Comics was in issue #107, before being moved along with Superboy and Green Arrow to Adventure Comics, starting with issue #103 in 1946.
Question: what was the golden age?
Answer: In his early Golden Age appearances, Aquaman can breathe underwater
Question: did that change? | [
"rather than telepathically, and only when they were close enough to hear him (within a 20 yards (18 m) radius)."
] |
Title: Aquaman
Background: For the upcoming film about the superhero character, see Aquaman (film). Aquaman is a fictional superhero appearing in American comic books published by DC Comics. Created by Paul Norris and Mort Weisinger, the character debuted in More Fun Comics #73 (November 1941). Initially a backup feature in DC's anthology titles, Aquaman later starred in several volumes of a solo comic book series.
Section: Silver Age
Passage: Aquaman's adventures continued to be published in Adventure Comics through the 1940s and 1950s, as one of the few superheroes to last through the 1950s in continuous publication. Starting in the late 1950s, new elements to Aquaman's backstory were introduced, with various new supporting characters added and several adjustments made to the character, his origins, his powers, and persona. The first of these elements was the story "Aquaman's Undersea Partner" in Adventure Comics #229 (October 1956), where his octopus sidekick, Topo, was first introduced. This and subsequent elements were later, after the establishment of DC's multiverse in the 1960s, attributed to the Aquaman of Earth-One. In Adventure Comics #260 (May 1959) and subsequent Silver Age comics, it was revealed that Aquaman was Arthur Curry, the son of Tom Curry, a lighthouse keeper, and Atlanna, a water-breathing outcast from the lost, underwater city of Atlantis. Due to his heritage, Aquaman discovers as a youth that he possesses various superhuman abilities, including the powers of surviving underwater, communication with sea life, and tremendous swimming prowess. Eventually, Arthur decided to use his talents to become the defender of the Earth's oceans. It was later revealed that he had, in his youth, adventured as Aquaboy and on one occasion, met Superboy, Earth's only other publicly active superpowered hero at the time. When Arthur grew up, he called himself "Aquaman". It was later revealed that after Atlanna's death, Tom Curry met and married an ordinary human woman and had a son named Orm Curry, Aquaman's half-brother. Orm grew up as a troubled youth in the shadow of his brother, who constantly bailed him out of trouble with the law. He grew to hate Aquaman not only for the powers that he could never possess but also because he believed that their father would always favor Aquaman. Orm disappeared after becoming an amnesiac and would resurface years later as Aquaman's nemesis, Ocean Master. Aquaman's ability to talk with fish eventually expanded to full-fledged telepathic communication with sea creatures even from great distances. He also retroactively developed a specific weakness akin to Superman's vulnerability to kryptonite or Green Lantern's vulnerability to the color yellow: Aquaman had to come into contact with water at least once per hour, or he would die. Prior to this story, Aquaman could exist both in and out of water indefinitely.
Question: What began the silver age?
Answer: In Adventure Comics #260 (May 1959) and subsequent Silver Age comics, it was revealed that Aquaman was Arthur Curry, the son of Tom Curry,
Question: What else happened in the silver age?
Answer: Due to his heritage, Aquaman discovers as a youth that he possesses various superhuman abilities, including the powers of surviving underwater,
Question: what other powers did he have?
Answer: communication with sea life, and tremendous swimming prowess.
Question: Did he have any enemies?
Answer: Orm disappeared after becoming an amnesiac and would resurface years later as Aquaman's nemesis, Ocean Master.
Question: Who was Orm before Ocean Master
Answer: after Atlanna's death, Tom Curry met and married an ordinary human woman and had a son named Orm Curry, Aquaman's half-brother.
Question: how did he end up in Atlantis? | [
"Arthur decided to use his talents to become the defender of the Earth's oceans."
] |
Title: Jason Mraz
Background: Mraz was born and raised in Mechanicsville, Virginia. He is of Czech and Slovak descent through his grandfather, who moved to the United States from Austria-Hungary in 1915. His surname is Czech for "frost". (Czech: mraz)
Section: Love Is a Four Letter Word (2010-13)
Passage: In 2009, while preparing for his new album, Mraz recorded "The Way Is Love", an unreleased Roy Orbison song, as a duet with Willie Nelson. In November 2009, he released the live CD/DVD Jason Mraz's Beautiful Mess: Live on Earth, recorded in Chicago during the Gratitude Cafe tour. The following year, he went to Brazil to record "Simplesmente Todo" with Milton Nascimento, who sings in Portuguese while Mraz sings in English. He also did some writing with Dido, and recorded new material with producer Martin Terefe. Mraz then released two live EPs: the Life Is Good EP on October 5, 2010, and the Live Is A Four Letter Word EP on February 28, 2012. Love Is a Four Letter Word was released on April 13, 2012. It reached number 2 on the Billboard 200, and the top 20 in 10 other countries. The lead single, "I Won't Give Up", debuted at number 8 on the Billboard Hot 100, and number 1 on the Digital Songs chart. It charted in 15 countries in total, and in October 2013 was certified 4x multi-platinum, for selling in excess of 4 million units. Mraz premiered the track live during his 2011 tour, before an official version had been released. It began to receive a lot of attention through live performances, as well as online. The official lyric video gained over 2.5 million views in its first 10 days on YouTube. Love Is a Four Letter Word was nominated for a 2012 Grammy Award for Best Engineered Album, Non-Classical. Mraz won a 2013 People's Choice Award for Favorite Male Artist. He performed at Farm Aid 2011 in Kansas City. In 2012 he played sold-out shows at the Hollywood Bowl in Los Angeles, Madison Square Garden in New York and the O2 Arena in London, and performed at President Barack Obama and family's lighting of the national Christmas tree at the White House; a noted Obama supporter, he has also performed at numerous other events involving Obama and Vice President Joe Biden. Also in 2012, he performed "You Did It" at the presentation ceremony for the Kennedy Center's Mark Twain Prize for American Humor, won that year by Ellen DeGeneres.
Question: When was this song recorded?
Answer: CANNOTANSWER
Question: How did it do on the charts?
Answer: It reached number 2 on the Billboard 200, and the top 20 in 10 other countries.
Question: was it nominated for an award?
Answer: Love Is a Four Letter Word was nominated for a 2012 Grammy Award for Best Engineered Album, Non-Classical. Mraz won a 2013 People's Choice Award for Favorite Male Artist.
Question: Whats songs were featured on the album?
Answer: The Way Is Love", an unreleased Roy Orbison song, as a duet with Willie Nelson.
Question: Did the album do well on the charts? | [
"The lead single, \"I Won't Give Up\", debuted at number 8 on the Billboard Hot 100,"
] |
Title: Aleksandr Solzhenitsyn
Background: Aleksandr Isayevich Solzhenitsyn (; 11 December 1918 - 3 August 2008) was a Russian novelist, historian, and short story writer. He was an outspoken critic of the Soviet Union and communism and helped to raise global awareness of its Gulag forced labor camp system. He was allowed to publish only one work in the Soviet Union, One Day in the Life of Ivan Denisovich (1962), in the periodical Novy Mir.
Section: World War II
Passage: During the war, Solzhenitsyn served as the commander of a sound-ranging battery in the Red Army, was involved in major action at the front, and was twice decorated. He was awarded the Order of the Red Star on 8 July 1944 for sound-ranging two German artillery batteries and adjusting counterbattery fire onto them, resulting in their destruction. A series of writings published late in his life, including the early uncompleted novel Love the Revolution!, chronicles his wartime experience and his growing doubts about the moral foundations of the Soviet regime. While serving as an artillery officer in East Prussia, Solzhenitsyn witnessed war crimes against local German civilians by Soviet military personnel. The noncombatants and the elderly were robbed of their meager possessions and women and girls were gang-raped to death. A few years later, in the forced labor camp, he memorized a poem titled "Prussian Nights" about these incidents. In this poem, which describes the gang-rape of a Polish woman whom the Red Army soldiers mistakenly thought to be a German, the first-person narrator comments on the events with sarcasm and refers to the responsibility of official Soviet writers like Ilya Ehrenburg. In The Gulag Archipelago, Solzhenitsyn wrote, "There is nothing that so assists the awakening of omniscience within us as insistent thoughts about one's own transgressions, errors, mistakes. After the difficult cycles of such ponderings over many years, whenever I mentioned the heartlessness of our highest-ranking bureaucrats, the cruelty of our executioners, I remember myself in my Captain's shoulder boards and the forward march of my battery through East Prussia, enshrouded in fire, and I say: 'So were we any better?'"
Question: Did Aleksandr Solzhenitsyn play a role in WW2?
Answer: During the war, Solzhenitsyn served as the commander of a sound-ranging battery in the Red Army,
Question: How long was he in the Army for?
Answer: CANNOTANSWER
Question: How many troops did he command?
Answer: CANNOTANSWER
Question: Did WW2 have any effect on him?
Answer: Solzhenitsyn witnessed war crimes against local German civilians by Soviet military personnel.
Question: How did he react to seeing war crimes?
Answer: Solzhenitsyn wrote, "There is nothing that so assists the awakening of omniscience within us as insistent thoughts about one's own transgressions,
Question: How much did WW2 influence his writing? | [
"Love the Revolution!, chronicles his wartime experience and his growing doubts about the moral foundations of the Soviet regime."
] |
Title: Aleksandr Solzhenitsyn
Background: Aleksandr Isayevich Solzhenitsyn (; 11 December 1918 - 3 August 2008) was a Russian novelist, historian, and short story writer. He was an outspoken critic of the Soviet Union and communism and helped to raise global awareness of its Gulag forced labor camp system. He was allowed to publish only one work in the Soviet Union, One Day in the Life of Ivan Denisovich (1962), in the periodical Novy Mir.
Section: Early years
Passage: Solzhenitsyn was born in Kislovodsk, RSFSR (now in Stavropol Krai, Russia). His mother, Taisiya Zakharovna (nee Shcherbak) was of Ukrainian descent. Her father had risen from humble beginnings to become a wealthy landowner, acquiring a large estate in the Kuban region in the northern foothills of the Caucasus. During World War I, Taisiya went to Moscow to study. While there she met and married Isaakiy Solzhenitsyn, a young officer in the Imperial Russian Army of Cossack origins and fellow native of the Caucasus region. The family background of his parents is vividly brought to life in the opening chapters of August 1914, and in the later Red Wheel novels. In 1918, Taisia became pregnant with Aleksandr. On 15 June, shortly after her pregnancy was confirmed, Isaakiy was killed in a hunting accident. Aleksandr was raised by his widowed mother and aunt in lowly circumstances. His earliest years coincided with the Russian Civil War. By 1930 the family property had been turned into a collective farm. Later, Solzhenitsyn recalled that his mother had fought for survival and that they had to keep his father's background in the old Imperial Army a secret. His educated mother (who never remarried) encouraged his literary and scientific learnings and raised him in the Russian Orthodox faith; she died in 1944. As early as 1936, Solzhenitsyn began developing the characters and concepts for a planned epic work on World War I and the Russian Revolution. This eventually led to the novel August 1914; some of the chapters he wrote then still survive. Solzhenitsyn studied mathematics at Rostov State University. At the same time he took correspondence courses from the Moscow Institute of Philosophy, Literature and History, at this time heavily ideological in scope. As he himself makes clear, he did not question the state ideology or the superiority of the Soviet Union until he spent time in the camps.
Question: Where was Aleksandr born?
Answer: Kislovodsk, RSFSR (now in Stavropol Krai, Russia
Question: what year was he born?
Answer: In 1918, Taisia became pregnant with Aleksandr.
Question: What did his parents do?
Answer: officer in the Imperial Russian Army of Cossack origins
Question: where did he go to school?
Answer: Rostov State University.
Question: what did he major in?
Answer: he took correspondence courses
Question: did he get married?
Answer: CANNOTANSWER
Question: what else is significant about his early years? | [
"Solzhenitsyn recalled that his mother had fought for survival and that they had to keep his father's background in the old Imperial Army a secret."
] |
Title: Jason Mraz
Background: Mraz was born and raised in Mechanicsville, Virginia. He is of Czech and Slovak descent through his grandfather, who moved to the United States from Austria-Hungary in 1915. His surname is Czech for "frost". (Czech: mraz)
Section: Mr. A-Z (2005-08)
Passage: On July 26, 2005, Mraz released his second major label album, Mr. A-Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A-Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005-06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink".
Question: what album was nominated for an award?
Answer: Mr. A-Z,
Question: was he ever recognized for anything?
Answer: In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites",
Question: which president did he support?
Answer: CANNOTANSWER
Question: what famous places did he perform?
Answer: In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival.
Question: did he ever perform at madison square garden? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Joe Biden
Background: Biden was born on November 20, 1942, at St. Mary's Hospital in Scranton, Pennsylvania, to Catherine Eugenia "Jean" Biden (nee Finnegan) and Joseph Robinette "Joe" Biden Sr. He was the first of four siblings in a Catholic family, with a sister, Valerie, and two brothers, James and Frank, following. His mother was of Irish descent, with roots variously attributed to County Louth or County Londonderry. His paternal grandparents, Mary Elizabeth (Robinette) and Joseph H. Biden, an oil businessman from Baltimore, Maryland, were of English, French, and Irish ancestry.
Section: Early Senate activities
Passage: During his first years in the Senate, Biden focused on legislation regarding consumer-protection and environmental issues and called for greater accountability on the part of government. In mid-1974, freshman Senator Biden was named one of the 200 Faces for the Future by Time magazine, in a profile that mentioned what had happened to his family and characterized Biden as "self-confident" and "compulsively ambitious". Biden became ranking minority member of the U.S. Senate Committee on the Judiciary in 1981. In 1984, he was Democratic floor manager for the successful passage of the Comprehensive Crime Control Act; civil libertarians praised him for modifying some of the Act's provisions, and it was his most important legislative accomplishment at that point in time. He first considered running for president in that year, after he gained notice for giving speeches to party audiences that simultaneously scolded and encouraged Democrats. Regarding foreign policy, during his first decade in the Senate, Biden focused on arms control issues. In response to the refusal of the U.S. Congress to ratify the SALT II Treaty signed in 1979 by Soviet leader Leonid Brezhnev and President Jimmy Carter, he took the initiative to meet the Soviet Foreign Minister Andrei Gromyko, educated him about American concerns and interests, and secured several changes to address objections of the Foreign Relations Committee. When the Reagan administration wanted to interpret the 1972 SALT I Treaty loosely in order to allow the Strategic Defense Initiative to proceed, Biden argued for strict adherence to the treaty's terms. He clashed again with the Reagan administration in 1986 over economic sanctions against South Africa; he received considerable attention when he excoriated Secretary of State George P. Shultz at a Senate hearing because of the administration's support of that country, which continued to practice the apartheid system.
Question: What were some of his early senate activities?
Answer: During his first years in the Senate, Biden focused on legislation regarding consumer-protection and environmental issues and called for greater accountability
Question: Was he successful in this?
Answer: Senator Biden was named one of the 200 Faces for the Future by Time magazine,
Question: Are there any other interesting aspects about this article? | [
"He first considered running for president in that year, after he gained notice for giving speeches to party audiences that simultaneously scolded and encouraged Democrats."
] |
Title: Joe Biden
Background: Biden was born on November 20, 1942, at St. Mary's Hospital in Scranton, Pennsylvania, to Catherine Eugenia "Jean" Biden (nee Finnegan) and Joseph Robinette "Joe" Biden Sr. He was the first of four siblings in a Catholic family, with a sister, Valerie, and two brothers, James and Frank, following. His mother was of Irish descent, with roots variously attributed to County Louth or County Londonderry. His paternal grandparents, Mary Elizabeth (Robinette) and Joseph H. Biden, an oil businessman from Baltimore, Maryland, were of English, French, and Irish ancestry.
Section: Early political career and family life
Passage: On August 27, 1966, while Biden was still a law student, he married Neilia Hunter. They overcame her parents' initial reluctance for her to wed a Roman Catholic, and the ceremony was held in a Catholic church in Skaneateles. They had three children, Joseph R. "Beau" Biden III in 1969, Robert Hunter in 1970, and Naomi Christina in 1971. During 1968, Biden clerked for six months at a Wilmington law firm headed by prominent local Republican William Prickett and, as he later said, "thought of myself as a Republican". He disliked the conservative racial politics of incumbent Democratic Governor of Delaware Charles L. Terry and supported a more liberal Republican, Russell W. Peterson, who defeated Terry in 1968. The local Republicans tried to recruit him, but he resisted due to his distaste for Republican presidential candidate Richard Nixon, and registered as an Independent instead. In 1969, Biden resumed practicing law in Wilmington, first as a public defender and then at a firm headed by Sid Balick, a locally active Democrat. Balick named him to the Democratic Forum, a group trying to reform and revitalize the state party, and Biden switched his registration to Democrat. He also started his own firm, Biden and Walsh. Corporate law, however, did not appeal to him and criminal law did not pay well. He supplemented his income by managing properties. Later in 1969, Biden ran as a Democrat for the New Castle County Council on a liberal platform that included support for public housing in the suburban area. He won by a solid, two-thousand vote margin in the usually Republican district and in a bad year for Democrats in the state. Even before taking his seat, he was already talking about running for the U.S. Senate in a couple of years. He served on the County Council from 1970 to 1972 while continuing his private law practice. Among issues he addressed on the council was his opposition to large highway projects that might disrupt Wilmington neighborhoods, including those related to Interstate 95.
Question: When did Joe get married?
Answer: August 27, 1966,
Question: Who did he marry?
Answer: Neilia Hunter.
Question: Did he have children?
Answer: They had three children, Joseph R. "Beau" Biden III in 1969, Robert Hunter in 1970, and Naomi Christina in 1971.
Question: What political work was he doing?
Answer: During 1968, Biden clerked for six months at a Wilmington law firm headed by prominent local Republican William Prickett
Question: Did he keep pondering whether to be a republican? | [
"He disliked the conservative racial politics of incumbent Democratic Governor of Delaware Charles L. Terry"
] |
Title: Karch Kiraly
Background: Kiraly grew up in Santa Barbara, California. He began playing volleyball at age six with encouragement from his father, Dr. Laszlo Kiraly, who had been a member of the Hungarian Junior National team prior to fleeing the country during the Hungarian national uprising of 1956. At age 11, Kiraly entered his first beach volleyball tournament paired with his father. Kiraly attended Santa Barbara High School, where he was a member of the boys' varsity volleyball team.
Section: Career in beach volleyball
Passage: Kiraly had a long career on the professional beach circuit, and with 148 career wins is the 'winningest' player in the sport's history. He won at least one tournament in 24 of the 28 seasons he played in a career that spanned four decades. He claimed titles with 13 partners, and in domestic events he made it to the semifinals over 80% of the time. Kiraly competed into his mid-40s. Kiraly played in his first beach tournament at age 11 as his father's partner. Kiraly has said as an 11-year-old he was thrilled to discover in beach volleyball he could compete with grown men on even terms. He earned his A and AA rating on the beach at the age of 15 and his AAA rating at 17. Kiraly's first big beach breakthrough came at Hermosa Beach in 1978. As a 17-year-old who had just graduated from high school, he shocked Hermosa onlookers by gaining the finals before he and partner Marco Ortega lost to the day's dominant team on the beach, Jim Menges and Greg Lee. In the early 1980s, Kiraly made a successful beach team pairing with UCLA teammate Sinjin Smith. The partnership split up as Kiraly came to focus on the U.S National Team. In 1992 Kiraly left his indoor career behind, returning to the U.S. to play beach volleyball full-time on the AVP tour. Kiraly chose Kent Steffes as his doubles partner. Steffes was a talented younger player who had left UCLA early to start playing on the professional beach tour. Kiraly and Steffes soon became the dominant pairing on the tour, supplanting former teammate and doubles partner Smith and his partner Randy Stoklos as the beach's top team. In 1996 Kiraly returned to the Olympics, this time competing in beach volleyball with his partner, Steffes. Kiraly and Steffes won the gold medal, the first ever awarded for men's beach volleyball. Kiraly continued to win tournaments into his 40s, recording two AVP tournament victories with his partner Brent Doble in 2002 and 2003, and four more with Mike Lambert in 2004 and 2005. Kiraly's last victory came in August 2005, when he and Lambert won at Huntington Beach. In 2006, Kiraly partnered with Larry Witt, and in 2007 partnered with Kevin Wong. His teams continued to make high placings. Over his career on the beach, Kiraly won over $3 million in prize money, and earned considerably more in endorsements. Kiraly retired from the AVP tour after the 2007 season. Ultimately Kiraly won 148 professional beach volleyball titles, 74 of them with Steffes. The next closest player in total wins is Sinjin Smith at 139. Following Smith is his longtime partner, Randy Stoklos, at 122. The next closest player behind these four from the top two teams is Emanuel Rego, with 78 wins.
Question: When did Kiraly start a career in beach volleyball
Answer: terms. He earned his A and AA rating on the beach at the age of 15
Question: Where did he start playing
Answer: Kiraly's first big beach breakthrough came at Hermosa Beach
Question: Who won the game at hermosa beach | [
"he and partner Marco Ortega lost to the day's dominant team on the beach, Jim Menges and Greg Lee."
] |
Title: Havelock Ellis
Background: Henry Havelock Ellis, known as Havelock Ellis (2 February 1859 - 8 July 1939), was an English physician, writer, progressive intellectual and social reformer who studied human sexuality. He co-authored the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896.
Section: Views on sterilization
Passage: Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and pedophiles were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favorable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people...but what, I ask myself, is the practical alternative?"
Question: what did he write about sterilization?
Answer: Ellis remained staunchly opposed to the practice.
Question: did he write a book about it?
Answer: CANNOTANSWER
Question: how did he share his views on sterilization?
Answer: he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene.
Question: what were the regulations about? | [
"allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized."
] |
Title: Justine Henin
Background: Justine Henin (French pronunciation: [Zystin ene]; born 1 June 1982), between 2002 and 2007 Justine Henin-Hardenne, is a Belgian former professional tennis player known for her all-court style of play and notably being one of the few female players to use a single-handed backhand. She spent a total of 117 weeks as the world No. 1 and was the year-end No. 1 in 2003, 2006 and 2007.
Section: 2004: Australian Open and Olympic gold
Passage: Henin started 2004 by winning a warm-up tournament in Sydney and then the Australian Open in Melbourne, defeating Clijsters in three sets in the final. By the end of 2004's spring hard court season, Henin had built a 25-match Tier I win streak and 22-1 win-loss record, winning her first 16 matches. At the start of the spring clay court season, Henin's health was adversely affected by infection with a strain of cytomegalovirus and an immune system problem. She often slept up to 18 hours a day but barely had the strength to brush her teeth, let alone play competitive tennis. Although Henin decided to defend her French Open title and was seeded first in the tournament, she lost her second round match to a much lower-ranked player, Tathiana Garbin of Italy. At the time, the loss marked only the second time in 15 Grand Slam events that she had lost before the fourth round. After months of layoff because of a virus, Henin returned to competition in August and won the women's singles gold medal at the Summer Olympics in Athens, defeating Amelie Mauresmo in the final 6-3, 6-3. Henin reached the gold medal match by defeating reigning French Open champion Anastasia Myskina in a semifinal 7-5, 5-7, 8-6 after having trailed 1-5 in the final set. Her medal ceremony was attended by fellow countryman and IOC president Jacques Rogge. In September, she was unsuccessful in her defence of her US Open title, losing to Nadia Petrova in the fourth round. This defeat caused her to lose the world No. 1 ranking, which she had held for 45 non-consecutive weeks. She then withdrew from the ten remaining tournaments of the year in an effort to recover her health and improve her fitness.
Question: who is Justine Henin
Answer: CANNOTANSWER
Question: where is she from
Answer: Australian
Question: did she win in 2004
Answer: final. By the end of 2004's spring hard court season, Henin had built a 25-match Tier I win streak and 22-1 win-loss record, winning her first 16 matches.
Question: did she win anything else? | [
"she was unsuccessful in her defence of her US Open title, losing to Nadia Petrova in the fourth round."
] |
Title: Justine Henin
Background: Justine Henin (French pronunciation: [Zystin ene]; born 1 June 1982), between 2002 and 2007 Justine Henin-Hardenne, is a Belgian former professional tennis player known for her all-court style of play and notably being one of the few female players to use a single-handed backhand. She spent a total of 117 weeks as the world No. 1 and was the year-end No. 1 in 2003, 2006 and 2007.
Section: Early career
Passage: Henin, known as "Juju" to many of her fans, was coached by Carlos Rodriguez of Argentina. In 1997, she won the junior girls' singles title at the French Open. Early in her senior career, she regularly reached the late rounds of international competitions and won five International Tennis Federation (ITF) tournaments by the end of 1998. She began her professional career on the Women's Tennis Association tour in May 1999 as a wild card entry in the Belgian Open clay tournament at Antwerp and became only the fifth player to win her debut WTA Tour event. She also won her hometown event, the Liege Challenger, in July 2000. Henin established herself as a major competitor in 2001, consequently reaching the women's singles semifinals of the French Open and then upset the reigning Australian Open and French Open champion Jennifer Capriati in the semifinals of Wimbledon, losing to defending champion Venus Williams in three sets in the final. By the end of the year, Henin was ranked 7th in singles, with three titles to her name. Also that year, she reached the French Open women's doubles semifinals with Elena Tatarkova and helped Belgium win the 2001 Fed Cup. In 2002, she reached four WTA finals, winning two of them, and finished the year ranked world No. 5. Her German Open victory, her first win at a Tier I tournament, was noteworthy as she beat Jennifer Capriati in a semifinal and Serena Williams in the final, the then No. 2 and No. 5 ranked players, respectively. At Wimbledon 2002, Henin beat former world No. 1, Monica Seles, in two tough sets.
Question: What was Henin doing in his early career?
Answer: she regularly reached the late rounds of international competitions and won five International Tennis Federation (ITF) tournaments by the end of 1998.
Question: What else did she do? | [
"In 2002, she reached four WTA finals, winning two of them, and finished the year ranked world No. 5."
] |
Title: Jakko Jakszyk
Background: Michael "Jakko" Jakszyk (born Michael Lee Curran, 8 June 1958) is an English musician, record producer, and actor. He has released several solo albums as a singer, songwriter, and multi-instrumentalist and has been the lead singer for King Crimson since 2013. His work has been variously credited to "Jakko", "Jakko Jakszyk", and "Jakko M. Jakszyk". Before joining King Crimson, he led bands for over thirty years, including 64 Spoons, Dizrhythmia, 21st Century Schizoid Band, Jakszyk Fripp Collins, and Rapid Eye Movement.
Section: Early bands: Soon After, 64 Spoons, and Rapid Eye Movement (1975-1980)
Passage: By 1975, Jakszyk was leading an eccentric jazz-rock band called Soon After. His self-confessed "dictatorial tendencies" reduced a bigger line-up to a trio of "two screaming lead guitars and a trumpet" (the latter played by ex-National Youth Jazz Orchestra member Ted Emmett). The band reached the finals of the 1975 Melody Maker National Rock/Folk competition, finishing third to a heavy metal band featuring future Clash co-leader Mick Jones and to a big band featuring future saxophone session musician Gary Barnacle. When Soon After split up, Jakszyk toured with "a strange little band" which supported Camel, Stackridge, and Judas Priest, then briefly joined a Tring-based band called Synthesis which played progressive rock in the Canterbury-scene vein. Jakszyk's first significant band was 64 Spoons, which he joined as guitarist and lead singer in 1976, co-writing much of the band's material. Between 1976 and 1980, 64 Spoons wrote and performed a blend of pop, progressive rock, jazz, and comedy (typified by their single "Ladies Don't Have Willies"). Boosted by an exuberant and funny live show, 64 Spoons proved popular with audiences but failed to gain an effective record deal or media breakthrough and split up in 1980. Their only album, Landing on a Rat Column, was eventually released in 1992, many years after it was recorded. Jakszyk would described them as "the wrong band at the wrong time". 64 Spoons's work did, however, lead to friendships with several of the musicians who had inspired the band, notably keyboard player Dave Stewart. Following the split of 64 Spoons, Jakszyk joined Stewart, Rick Biddulph, and Pip Pyle in the band Rapid Eye Movement. Jakszyk contributed several songs to the band's repertoire ("One More Time", "I'll Stand On My Own", "Ingmar Bergman on the Window Sill", "Straining Our Eyes", and "Dear Clare", the last of these a 64 Spoons song) and co-wrote material with Stewart ("This Is Not What I Want" and "'Allo Darlin' I Work on the Fair"). Between August 1980 and June 1981, Rapid Eye Movement toured Spain, France, and the UK and recorded material but split up due to Stewart's desire to concentrate on studio work (Jakszyk sang on the original version of Stewart's cover of "What Becomes of the Brokenhearted?", later a hit with a new vocal track by the Zombies' lead singer Colin Blunstone). During this period, Jakszyk also contributed to sessions for the former Van der Graaf Generator saxophonist David Jackson's album The Long Hello Vol. 3 (eventually released in 1982).
Question: what were some of the early bands jakko was in?
Answer: By 1975, Jakszyk was leading an eccentric jazz-rock band called Soon After.
Question: Who were members of that band?
Answer: ex-National Youth Jazz Orchestra member Ted Emmett).
Question: What was 64 spoons | [
"Jakszyk's first significant band was 64 Spoons, which he joined as guitarist and lead singer in 1976, co-writing much of the band's material."
] |
Title: Jakko Jakszyk
Background: Michael "Jakko" Jakszyk (born Michael Lee Curran, 8 June 1958) is an English musician, record producer, and actor. He has released several solo albums as a singer, songwriter, and multi-instrumentalist and has been the lead singer for King Crimson since 2013. His work has been variously credited to "Jakko", "Jakko Jakszyk", and "Jakko M. Jakszyk". Before joining King Crimson, he led bands for over thirty years, including 64 Spoons, Dizrhythmia, 21st Century Schizoid Band, Jakszyk Fripp Collins, and Rapid Eye Movement.
Section: Early solo career, Stewart/Gaskin, and The Lodge (1981-1987)
Passage: Signing a solo deal with Chiswick Records in 1981, Jakszyk began to record his debut solo album, Silesia, aided by Dave Stewart, David Jackson, and Amanda Parsons. During 1982, Chiswick released three singles ("The Night Has a Thousand Eyes", "Straining Our Eyes", and "Grab What You Can"), although none were hits. A full release of Silesia was shelved at the last minute when Chiswick declared bankruptcy while the album was at the manufacturing stage (although the album had a limited release in Germany). Strengthening his existing links to British art rock, Jakszyk began working with Peter Blegvad and would go on to play on the latter's first three solo albums (beginning with 1983's The Naked Shakespeare). In 1983, Jakszyk signed a second solo recording contract with Stiff Records. Three further singles followed between 1983 and 1984 ("Dangerous Dreams", "I Can't Stand This Pressure", and "Who's Fooling Who") and recordings were made for a second solo album. Due for release in 1985, this album met the same fate as Silesia. It was shelved in 1985 when Stiff Records filed for bankruptcy. Discouraged but not defeated, Jakko supplemented his income with acting work while continuing to pursue music. He continued his collaboration with Dave Stewart, contributing to his duo work with Barbara Gaskin and playing a prominent role on the Stewart-produced Neil's Heavy Concept Album (a 1984 spin-off from the Young Ones comedy series). During this time he also met an up-and-coming drummer Gavin Harrison, who would become one of his most frequent collaborators. It was also during this time that he finally visited the United States to meet his birth mother. Jakszyk's third attempt at recording a solo album, this time for MDM Records in 1986-87, was shelved when MDM's distributor, Virgin Records, dropped its support. Some of the "lost" material from this and the previously shelved albums resurfaced on Jakszyk's 1996 compilation album Are My Ears on Wrong?, while Jakko's ill-fated first album Silesia was briefly issued on CD in the late 1990s. In 1987, Jakszyk joined Peter and Kristoffer Blegvad, John Greaves, and Anton Fier in the short-lived New York-based band The Lodge, with whom he recorded one album, The Smell of a Friend.
Question: What happened in 1981?
Answer: Signing a solo deal with Chiswick Records in 1981, Jakszyk began to record his debut solo album, Silesia, aided by Dave Stewart, David Jackson, and Amanda Parsons.
Question: What is the lodge? | [
"In 1987, Jakszyk joined Peter and Kristoffer Blegvad, John Greaves, and Anton Fier in the short-lived New York-based band The Lodge,"
] |
Title: Robert Novak
Background: Robert David Sanders "Bob" Novak (February 26, 1931 - August 18, 2009) was an American syndicated columnist, journalist, television personality, author, and conservative political commentator. After working for two newspapers before serving in the U.S. Army during the Korean War, he became a reporter for the Associated Press and then for The Wall Street Journal. He teamed up with Rowland Evans in 1963 to start Inside Report, which became the longest running syndicated political column in U.S. history and ran in hundreds of papers. They also started the Evans-Novak Political Report, a notable biweekly newsletter, in 1967.
Section: Early life and early career
Passage: Novak was born in Joliet, Illinois, the son of Jane Sanders and Maurice Novak, a chemical engineer. His paternal grandparents immigrated from Ukraine, and his mother's family was from Lithuania. Novak's parents were secular Jews who had little interaction with their local Jewish community and rarely attended religious services. Neighbors considered Novak's family to be Polish. Novak suffered from chronic bronchitis through his early childhood, which led his mother to drive him to and from school instead of letting him walk. Because of the constant family attention, his cousins mockingly called him "Baby Jesus". Novak also loved to tease, offend, and shock his family from an early age, and he later compared himself to French rebel Bertran de Born. Novak's journalism career began when he was in high school as a student-writer for the Joliet Herald-News, his hometown newspaper, and he received ten cents per inch. After high school, he attended the University of Illinois at Urbana-Champaign (UI) from 1948 to 1952. His father had attended the college, and he later remarked that "I was an Illini from birth". He became a brother of the Alpha Epsilon Pi fraternity, at the time a mostly Jewish college fraternity, while attending the University of Illinois. Novak would later use the group's 'secret handshake' whenever he met fellow alumnus Wolf Blitzer. He continued gaining journalism experience as a sports writer for the Daily Illini (DI), the college's student newspaper. Novak's wrote how his disappointment about not being named the paper's main sports editor for the 1951-52 school year (he lost the job to Tony Garcia) led him to skip his senior classes and to work full time for the Champaign-Urbana Courier. After four years at the University, Novak left it to become a full-time journalist without a degree, even though he was only one course short of the requirements. In 1993 a college Dean determined that four mandatory physical education classes that Novak had gone through for no credit should constitute enough credit hours, and Novak received his bachelor's degree. Novak later described his academic achievements as "very uneven." He spoke at the university's May 1998 commencement, and in his speech he credited the college for bringing him up from working class immigrant status into the American middle class. During the Korean War, Novak served in the U.S. Army, and he reached the rank of lieutenant. He later stated that he had fully expected to die in the service. After serving from 1952 to 1954, he joined the Associated Press (AP) and became a political correspondent in Omaha, Nebraska. He was transferred to Lincoln, Nebraska, and then to Indianapolis, Indiana, covering the two state legislatures in his reporting. In 1957, Novak was transferred to Washington, D.C. where he reported on Congress. He left the AP to join the D.C. bureau of The Wall Street Journal in 1958, covering the Senate. He rose to the rank of chief congressional correspondent in 1961. He generally did his work without using a tape recordings or paper notes, relying just on his detailed memory. Novak's colleagues at The Wall Street Journal later said that he absorbed himself in his work so completely that he often forgot to shave, left his shoes untied, and even started accidentally placing burning cigarettes into his pockets.
Question: Who were Robert Novak's parents?
Answer: the son of Jane Sanders and Maurice Novak,
Question: What were his parents like?
Answer: Novak's parents were secular Jews who had little interaction with their local Jewish community and rarely attended religious services.
Question: When did his interest in journalism begin?
Answer: Novak's journalism career began when he was in high school as a student-writer for the Joliet Herald-News, his hometown newspaper, and he received ten cents per inch.
Question: Did he go to college?
Answer: he attended the University of Illinois at Urbana-Champaign (UI) from 1948 to 1952.
Question: Where did he work after graduation?
Answer: he joined the Associated Press (AP) and became a political correspondent in Omaha, Nebraska.
Question: Did he work with any news organizations? | [
"He left the AP to join the D.C. bureau of The Wall Street Journal in 1958, covering the Senate."
] |
Title: Eurythmics
Background: Eurythmics were a British music duo consisting of members Annie Lennox and David A. Stewart. Stewart and Lennox were both previously in the band The Tourists (originally known as The Catch), who split up in 1980; Eurythmics were formed that year in Wagga Wagga. The duo released their first album, In the Garden, in 1981 to little fanfare, but went on to achieve global success with their second album Sweet Dreams
Section: 1986-89: Revenge, Savage and We Too Are One
Passage: Eurythmics released their next album, Revenge, in 1986. The album continued their move towards a band sound, verging on an AOR-pop/rock sound. Sales continued to be strong in the UK and internationally, but were somewhat slower in the U.S., though "Missionary Man" reached number 14 on the U.S. Hot 100 chart and went all the way to No. 1 on the US Album Oriented Rock chart (AOR). Revenge would eventually certify double Platinum in the UK and Gold in the U.S. The band went on a massive worldwide tour in support of the album, and a live concert video from the Australian leg of the tour was released. In 1987, Lennox and Stewart released the album Savage. This saw a fairly radical change within the group's sound, being based mainly around programmed samples and drum loops (Lennox would later say that where Revenge was more of a Stewart album in sound, Savage was more of a Lennox one). Lyrically the songs showed an even darker, more obsessive side to Lennox's writing. A video album was also made, directed by Sophie Muller, with a video for each song. This was largely a concept piece, following characters portrayed by Lennox, specifically one of a frustrated housewife-turned-vamp (as exemplified in "Beethoven (I Love to Listen To)", a UK top 30 hit). The brazen, sexually charged rocker "I Need a Man" remains a Eurythmics staple, as does "You Have Placed a Chill in My Heart". Much less commercial than the two previous albums, Savage was mostly ignored in the U.S., although rock radio in more progressive markets supported "I Need a Man". In the duo's native UK however, the album was a top 10 success and was certified Platinum. In 1989, Eurythmics released the album We Too Are One, which entered the UK album chart at no.1 (their second no.1 album after Touch) and gave the duo four UK Top 30 hit singles. The album was a return to the rock/pop sound of their mid-80s albums and was certified Double Platinum in the UK, but was less successful in the U.S. (although the single "Don't Ask Me Why" grazed the Billboard Top 40). Other singles from the album included "Revival", "The King and Queen of America" and "Angel". The duo also conducted a world tour for the album in late 1989.
Question: What is Revenge?
Answer: Eurythmics released their next album, Revenge, in 1986.
Question: Was this a hit?
Answer: Sales continued to be strong in the UK and internationally, but were somewhat slower in the U.S.,
Question: What are some of the singles?
Answer: "Missionary Man"
Question: Are there other singles?
Answer: CANNOTANSWER
Question: Did it win any awards? | [
"was certified Platinum."
] |
Title: György Ligeti
Background: Gyorgy Sandor Ligeti (; Hungarian: Ligeti Gyorgy Sandor, pronounced ['ligeti 'jorj 'Sa:ndor]; 28 May 1923 - 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in Hungary before emigrating to Austria in 1956, and became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule fur Musik und Theater until he retired in 1989.
Section: Compositions in Hungary
Passage: Many of Ligeti's very earliest works were written for chorus and included settings of folk songs. His largest work in this period was a graduation composition for the Budapest Academy, entitled Cantata for Youth Festival, for four vocal soloists, chorus and orchestra. One of his earliest pieces now in the repertoire is his Cello Sonata, a work in two contrasting movements that were written in 1948 and 1953 respectively. It was initially banned by the Soviet-run Composer's Union and had to wait a quarter of a century before its first public performance. Ligeti's earliest works are often an extension of the musical language of Bela Bartok. Even his piano cycle Musica ricercata (1953), though written according to Ligeti with a "Cartesian" approach in which he "regarded all the music I knew and loved as being... irrelevant", has been described by one biographer as inhabiting a world very close to Bartok's set of piano works, Mikrokosmos. Ligeti's set comprises eleven pieces in all. The work is based on a simple restriction: the first piece uses exclusively one pitch A, heard in multiple octaves, and only at the very end of the piece is a second note, D, heard. The second piece then uses three notes (E#, F#, and G), the third piece uses four, and so on, so that in the final piece all twelve notes of the chromatic scale are present. Shortly after its composition, Ligeti arranged six of the movements of Musica ricercata for wind quintet under the title 'Six Bagatelles for Wind Quintet'. The Bagatelles were performed first in 1956, but not in their entirety: the last movement was censored by the Soviets for being too 'dangerous'. Because of Soviet censorship, his most daring works from this period, including Musica ricercata and his String Quartet No. 1 Metamorphoses nocturnes (1953-1954), were written for the 'bottom drawer'. Composed of a single movement divided into seventeen contrasting sections linked motivically, the First String Quartet is Ligeti's first work to suggest a personal style of composition. The string quartet was not performed until 1958, after he had fled Hungary for Vienna.
Question: What compositions did he do in Hungary?
Answer: His largest work in this period was a graduation composition for the Budapest Academy, entitled Cantata for Youth Festival,
Question: Was it well received?
Answer: has been described by one biographer as inhabiting a world very close to Bartok's set of piano works,
Question: Did he have any other works?
Answer: Shortly after its composition, Ligeti arranged six of the movements of Musica ricercata for wind quintet under the title 'Six Bagatelles for Wind Quintet'.
Question: Did he win any awards?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: Ligeti's set comprises eleven pieces in all. The work is based on a simple restriction: the first piece uses exclusively one pitch A,
Question: Was this hard for him to do?
Answer: Ligeti arranged six of the movements of Musica ricercata for wind quintet under the title 'Six Bagatelles for Wind Quintet'.
Question: Did he have any influences?
Answer: Because of Soviet censorship, his most daring works from this period, including Musica ricercata and his String Quartet
Question: Why would they think they were dangerous? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: György Ligeti
Background: Gyorgy Sandor Ligeti (; Hungarian: Ligeti Gyorgy Sandor, pronounced ['ligeti 'jorj 'Sa:ndor]; 28 May 1923 - 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in Hungary before emigrating to Austria in 1956, and became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule fur Musik und Theater until he retired in 1989.
Section: Biography
Passage: Ligeti was born in 1923 at Dicsoszentmarton (which was renamed Tarnaveni in 1941), in the Romanian region of Transylvania to Dr. Sandor Ligeti and Dr. Ilona Somogyi. His family was Hungarian Jewish. He was the grandnephew of the violinist Leopold Auer and cousin of Hungarian philosopher Agnes Heller. Ligeti recalled that his first exposure to languages other than Hungarian came one day while listening to a conversation among the Romanian-speaking town police. Before that he had not known that other languages existed. He moved to Cluj with his family when he was six years old. He was not to return to the town of his birth until the 1990s. In 1940, Northern Transylvania was annexed by Hungary following the Second Vienna Award and Cluj became part of Hungary. In 1941 Ligeti received his initial musical training at the conservatory in Cluj, and during the summers privately with Pal Kadosa in Budapest. In 1944, Ligeti's education was interrupted when he was sent to a forced labor brigade by the Horthy regime. His brother, age 16, was deported to the Mauthausen-Gusen concentration camp and both of his parents were sent to Auschwitz. His mother was the only other survivor of his immediate family. Following World War II, Ligeti returned to his studies in Budapest, Hungary, graduating in 1949 from the Franz Liszt Academy of Music. He studied under Pal Kadosa, Ferenc Farkas, Zoltan Kodaly and Sandor Veress. He went on to do ethnomusicological research into the Hungarian folk music of Transylvania. However, after a year he returned to Franz Liszt Academy in Budapest, this time as a teacher of harmony, counterpoint and musical analysis, a position he secured with the help of Kodaly and held between 1950 and 1956. As a young teacher, Ligeti took the unusual step of regularly attending the lectures of an older colleague, the conductor and musicologist Lajos Bardos, a conservative Christian whose circle represented for Ligeti a safe haven, and whose help and advice he later acknowledged in the prefaces to his own two harmony textbooks (1954 and 1956). However, communications between Hungary and the West by then had become difficult due to the restrictions of the communist government, and Ligeti and other artists were effectively cut off from recent developments outside the Eastern Bloc.
Question: Who is Gyorgy Ligeti?
Answer: Ligeti was born in 1923 at Dicsoszentmarton (
Question: Who are his parents?
Answer: Dr. Sandor Ligeti and Dr. Ilona Somogyi.
Question: Where did he grew up?
Answer: He moved to Cluj with his family when he was six years old. He was not to return to the town of his birth until the 1990s.
Question: Did he marry anyone?
Answer: CANNOTANSWER
Question: What school he attended?
Answer: Following World War II, Ligeti returned to his studies in Budapest, Hungary, graduating in 1949 from the Franz Liszt Academy of Music.
Question: Did he got any awards?
Answer: CANNOTANSWER
Question: What did he do in there? | [
"forced labor"
] |
Title: James Buchanan
Background: James Buchanan Jr. was born in a log cabin in Cove Gap, Pennsylvania (now Buchanan's Birthplace State Park), in Franklin County, on April 23, 1791, to James Buchanan, Sr. (1761-1821), a businessman, merchant, and farmer, and Elizabeth Speer, an educated woman (1767-1833). His parents were both of Ulster Scottish descent, the father having emigrated from Milford, County Donegal, Ireland, in 1783. One of eleven siblings, Buchanan was the oldest child in the family to survive infancy.
Section: Covode Committee
Passage: In March 1860, the House created the Covode Committee to investigate the administration for evidence of offenses, some impeachable, such as bribery and extortion of representatives in exchange for their votes. The committee, with three Republicans and two Democrats, was accused by Buchanan's supporters of being nakedly partisan; they also charged its chairman, Republican Rep. John Covode, with acting on a personal grudge (since the president had vetoed a bill that was fashioned as a land grant for new agricultural colleges, but was designed to benefit Covode's railroad company). However, the Democratic committee members, as well as Democratic witnesses, were equally enthusiastic in their pursuit of Buchanan, and as pointed in their condemnations, as the Republicans. The committee was unable to establish grounds for impeaching Buchanan; however, the majority report issued on June 17 exposed corruption and abuse of power among members of his cabinet, as well as allegations (if not impeachable evidence) from the Republican members of the Committee, that Buchanan had attempted to bribe members of Congress in connection with the Lecompton constitution. (The Democratic report, issued separately the same day, pointed out that evidence was scarce, but did not refute the allegations; one of the Democratic members, Rep. James Robinson, stated publicly that he agreed with the Republican report even though he did not sign it.) Buchanan claimed to have "passed triumphantly through this ordeal" with complete vindication. Nonetheless, Republican operatives distributed thousands of copies of the Covode Committee report throughout the nation as campaign material in that year's presidential election.
Question: what is the covode committee?
Answer: the House created the Covode Committee to investigate the administration for evidence of offenses,
Question: what offenses?
Answer: some impeachable, such as bribery and extortion of representatives in exchange for their votes.
Question: what was his role in the committee?
Answer: The committee, with three Republicans and two Democrats, was accused by Buchanan's supporters of being nakedly partisan;
Question: who were the people in the committee?
Answer: its chairman, Republican Rep. John Covode,
Question: did they arrest anyone?
Answer: The committee was unable to establish grounds for impeaching Buchanan;
Question: how old was Buchanan when they tried to impeach?
Answer: CANNOTANSWER
Question: where did the committee meet?
Answer: CANNOTANSWER
Question: how was that report received? | [
"Buchanan claimed to have \"passed triumphantly through this ordeal\" with complete vindication."
] |
Title: Judith Butler
Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
Section: Early life and education
Passage: Judith Butler was born in Cleveland, Ohio, to a family of Hungarian-Jewish and Russian-Jewish descent. Most of her maternal grandmother's family perished in the Holocaust. As a child and teenager, she attended both Hebrew school and special classes on Jewish ethics, where she received her "first training in philosophy". Butler stated in a 2010 interview with Haaretz that she began the ethics classes at the age of 14 and that they were created as a form of punishment by her Hebrew school's Rabbi because she was "too talkative in class". Butler also stated that she was "thrilled" by the idea of these tutorials, and when asked what she wanted to study in these special sessions, she responded with three questions preoccupying her at the time: "Why was Spinoza excommunicated from the synagogue? Could German Idealism be held accountable for Nazism? And how was one to understand existential theology, including the work of Martin Buber?" Butler attended Bennington College and then Yale University where she studied philosophy, receiving her B.A. in 1978 and her Ph.D. in 1984. She spent one academic year at Heidelberg University as a Fulbright-Scholar. She taught at Wesleyan University, George Washington University, and Johns Hopkins University before joining University of California, Berkeley, in 1993. In 2002 she held the Spinoza Chair of Philosophy at the University of Amsterdam. In addition, she joined the department of English and Comparative Literature at Columbia University as Wun Tsun Tam Mellon Visiting Professor of the Humanities in the spring semesters of 2012, 2013 and 2014 with the option of remaining as full-time faculty. Butler serves on the editorial board or advisory board of academic journals including JAC: A Journal of Rhetoric, Culture, and Politics and Signs: Journal of Women in Culture and Society.
Question: When was she born?
Answer: CANNOTANSWER
Question: Where did she grow up?
Answer: Cleveland, Ohio,
Question: Who were her parents?
Answer: a family of Hungarian-Jewish and Russian-Jewish descent. Most of her maternal grandmother's family perished in the Holocaust.
Question: Did she go to college? | [
"Butler attended Bennington College and then Yale University"
] |
Title: Judith Butler
Background: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:
Section: "Performative Acts and Gender Constitution" (1988)
Passage: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.
Question: What were the Performative Acts?
Answer: Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience.
Question: Why does he argue that?
Answer: Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality.
Question: Did she write a book or is this a spoken theory?
Answer: In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.
Question: How was this work received?
Answer: CANNOTANSWER
Question: What else did you find interesting in this section? | [
"Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal."
] |
Title: Robert Crumb
Background: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.
Section: Early work (1962-1966)
Passage: Crumb's father gave him $40 when he left home after high school. His first job, in 1962, was drawing novelty greeting cards for American Greetings in Cleveland, Ohio. He stayed with the company for four years, producing hundreds of cards for the company's Hi-Brow line; his superiors had him draw in a cuter style that was to leave a footprint on his work throughout his career. In Cleveland he met a group of young bohemians such as Buzzy Linhart, Liz Johnston, and Harvey Pekar. Dissatisfied with greeting card work, he tried to sell cartoons to comic book companies, who showed little interest in his work. In 1965, cartoonist Harvey Kurtzman printed some of Crumb's work in the humor magazine he edited, Help!. Crumb moved to New York, intending to work with Kurtzman, but Help! ceased publication shortly after. Crumb briefly illustrated bubblegum cards for Topps before returning to Cleveland and American Greetings. Crumb married Dana Morgan in 1964. Nearly destitute, the couple traveled in Europe, during which Crumb continued to produce work for Kurtzman and American Greetings, and Dana stole food. The relationship was unstable as Crumb frequently went his own way, and he was not close to his son Jesse (b. 1965). In 1965 and 1966 Crumb had a number of Fritz the Cat strips published in the men's magazine Cavalier. Fritz had appeared in Crumb's work as early as the late 1950s; he was to become a hipster, scam artist, and bohemian until Crumb abandoned the character in 1969. Crumb was becoming increasingly uncomfortable with his job and marriage when in June 1965 he began taking LSD, a psychedelic drug that was then still legal. He had both good and bad trips. One bad trip left him in a muddled state for half a year, during which for a time he left Dana; the state ended when the two took a strong dose of the drug together in April 1966. Crumb created a number of his best-known characters during his years of LSD use, including Mr. Natural, Angelfood McSpade, and the Snoid.
Question: what did he do in 1962?
Answer: His first job, in 1962,
Question: what did he do?
Answer: was drawing novelty greeting cards for American Greetings
Question: how long did he do that?
Answer: He stayed with the company for four years,
Question: what did he do after?
Answer: Dissatisfied with greeting card work, he tried to sell cartoons to comic book companies,
Question: was he successful?
Answer: In 1965, cartoonist Harvey Kurtzman printed some of Crumb's work in the humor magazine he edited, Help!.
Question: did he do anything else? | [
"Crumb married Dana Morgan in 1964."
] |
Title: Robert Crumb
Background: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.
Section: Zap and underground comix (1967-1979)
Passage: In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks. Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage. Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968. The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap was financially successful, and developed a market for underground comix. Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years. He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat, spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade. During this period, he launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb's Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).
Question: What is Zap?
Answer: Crumb drew up two issues of Zap Comix,
Question: What is significant about this?
Answer: Donahue published the first in February 1968 under the publisher name Apex Novelties.
Question: Were these successful?
Answer: Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage.
Question: What happened after this?
Answer: Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque.
Question: What did Crumb do with this information? | [
"his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968."
] |
Title: Harrison Ford
Background: Ford was born at the Swedish Covenant Hospital in Chicago, Illinois to Christopher Ford (born John William Ford), an advertising executive and former actor, and Dorothy (nee Nidelman), a former radio actress. His father is Irish and his mother is Jewish. A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively.
Section: Early career
Passage: In 1964, after a season of summer stock with the Belfry Players in Wisconsin, Ford traveled to Los Angeles to apply for a job in radio voice-overs. He did not get it, but stayed in California and eventually signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films. His first known role was an uncredited one as a bellhop in Dead Heat on a Merry-Go-Round (1966). There is little record of his non-speaking roles (or "extra" work) in film. Ford was at the bottom of the hiring list, having offended producer Jerry Tokovsky after he played a bellboy in the feature. He was told by Tokovsky that when actor Tony Curtis delivered a bag of groceries, he did it like a movie star; Ford felt his job was to act like a bellboy. Ford managed to secure other roles in movies, such as A Time for Killing (The Long Ride Home), starring Glenn Ford; George Hamilton; and Inger Stevens. His speaking roles continued next with Luv (1967), though he was still uncredited. He was finally credited as "Harrison J. Ford" in the 1967 Western film A Time for Killing, but the "J" did not stand for anything, since he has no middle name. It was added to avoid confusion with a silent film actor named Harrison Ford, who appeared in more than 80 films between 1915 and 1932 and died in 1957. Ford later said that he was unaware of the existence of the earlier actor until he came upon a star with his own name on the Hollywood Walk of Fame. Ford soon dropped the "J" and worked for Universal Studios, playing minor roles in many television series throughout the late 1960s and early 1970s, including Gunsmoke, Ironside, The Virginian, The F.B.I., Love, American Style, and Kung Fu. He appeared in the western Journey to Shiloh (1968) and had an uncredited, non-speaking role in Michelangelo Antonioni's 1970 film Zabriskie Point as an arrested student protester. Not happy with the roles being offered to him, Ford became a self-taught professional carpenter to support his then-wife and two young sons. Casting director and fledgling producer Fred Roos championed the young Ford and secured him an audition with George Lucas for the role of Bob Falfa, which Ford went on to play in American Graffiti (1973). Ford's relationship with Lucas would profoundly affect his career later on. After director Francis Ford Coppola's film The Godfather was a success, he hired Ford to expand his office and gave him small roles in his next two films, The Conversation (1974) and Apocalypse Now (1979); in the latter film he played an army officer named "G. Lucas".
Question: What was Ford's first career move?
Answer: signed a $150-a-week contract with Columbia Pictures' New Talent program, playing bit roles in films.
Question: What was Ford's first film?
Answer: His first known role was an uncredited one as a bellhop in Dead Heat on a Merry-Go-Round (1966).
Question: Did he appear in Dead Heat on a Merry-Go-Round with anyone notable?
Answer: CANNOTANSWER
Question: What was Ford's most successful film?
Answer: American Graffiti (1973).
Question: Did Ford get hired at the job he applied at for radio voice-overs? | [
"He did not get it,"
] |
Title: Harrison Ford
Background: Ford was born at the Swedish Covenant Hospital in Chicago, Illinois to Christopher Ford (born John William Ford), an advertising executive and former actor, and Dorothy (nee Nidelman), a former radio actress. His father is Irish and his mother is Jewish. A younger brother, Terence, was born in 1945. Ford's paternal grandparents, John Fitzgerald Ford and Florence Veronica Niehaus, were of Irish Catholic and German descent, respectively.
Section: Incidents
Passage: On October 23, 1999, Harrison Ford was involved in the crash of a Bell 206L4 LongRanger helicopter (N36R). The NTSB accident report states that Ford was piloting the aircraft over the Lake Piru riverbed near Santa Clarita, California, on a routine training flight. While making his second attempt at an autorotation with powered recovery, Ford allowed the aircraft's altitude to drop to 150-200 feet before beginning power-up. The aircraft was unable to recover power before hitting the ground. The aircraft landed hard and began skidding forward in the loose gravel before one of its skids struck a partially embedded log, flipping the aircraft onto its side. Neither Ford nor the instructor pilot suffered any injuries, though the helicopter was seriously damaged. When asked about the incident by fellow pilot James Lipton in an interview on the TV show Inside the Actor's Studio, Ford replied, "I broke it." On March 5, 2015, Ford's plane, believed to be a Ryan PT-22 Recruit, made an emergency landing on the Penmar Golf Course in Venice, California. Ford had radioed in to report that the plane had experienced engine failure. He was taken to Ronald Reagan UCLA Medical Center, where he was reported to be in fair to moderate condition. Ford suffered a broken pelvis and broken ankle during the accident, as well as other injuries. On February 13, 2017, Ford landed an Aviat Husky at John Wayne Airport on the taxiway left of runway 20L. A Boeing 737 was holding short of the runway on the taxiway when Ford overflew them.
Question: Did Harrison Ford get into legal trouble?
Answer: CANNOTANSWER
Question: Were there any notable incidents that involved Ford?
Answer: On October 23, 1999, Harrison Ford was involved in the crash of a Bell 206L4 LongRanger helicopter (N36R).
Question: Was Ford flying the helicopter or was he a passenger?
Answer: Ford was piloting the aircraft over the Lake Piru riverbed near Santa Clarita, California,
Question: Was Ford hurt in the incident?
Answer: Neither Ford nor the instructor pilot suffered any injuries,
Question: Was he hurt in that incident? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Sigmund Freud
Background: Sigmund Freud ( FROYD; German: ['zi:kmUnt 'fRoYt]; born Sigismund Schlomo Freud; 6 May 1856 - 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for treating psychopathology through dialogue between a patient and a psychoanalyst. Freud was born to Galician Jewish parents in the Moravian town of Freiberg, in the Austrian Empire. He qualified as a doctor of medicine in 1881 at the University of Vienna. Upon completing his habilitation in 1885, he was appointed a docent in neuropathology and became an affiliated professor in 1902.
Section: Relationship with Fliess
Passage: During this formative period of his work, Freud valued and came to rely on the intellectual and emotional support of his friend Wilhelm Fliess, a Berlin based ear, nose and throat specialist whom he had first met 1887. Both men saw themselves as isolated from the prevailing clinical and theoretical mainstream because of their ambitions to develop radical new theories of sexuality. Fliess developed highly eccentric theories of human biorhythms and a nasogenital connection which are today considered pseudoscientific. He shared Freud's views on the importance of certain aspects of sexuality -- masturbation, coitus interruptus, and the use of condoms -- in the etiology of what were then called the "actual neuroses," primarily neurasthenia and certain physically manifested anxiety symptoms. They maintained an extensive correspondence from which Freud drew on Fliess's speculations on infantile sexuality and bisexuality to elaborate and revise his own ideas. His first attempt at a systematic theory of the mind, his 'Project for a Scientific Psychology' was developed with Fliess as interlocutor. Freud had Fliess repeatedly operate on his nose and sinuses to treat "nasal reflex neurosis", and subsequently referred his patient Emma Eckstein to him. According to Freud her history of symptoms included severe leg pains with consequent restricted mobility, and stomach and menstrual pains. These pains were, according to Fliess's theories, caused by habitual masturbation which, as the tissue of the nose and genitalia were linked, was curable by removal of part of the middle turbinate. Fliess's surgery proved disastrous, resulting in profuse, recurrent nasal bleeding - he had left a half-metre of gauze in Eckstein's nasal cavity the subsequent removal of which left her permanently disfigured. At first, though aware of Fliess's culpability - Freud fled from the remedial surgery in horror - he could only bring himself to delicately intimate in his correspondence to Fliess the nature of his disastrous role and in subsequent letters maintained a tactful silence on the matter or else returned to the face-saving topic of Eckstein's hysteria. Freud ultimately, in light of Eckstein's history of adolescecent self-cutting and irregular nasal and menstrual bleeding, concluded that Fliess was "completely without blame", as Eckstein's post-operative hemorrhages were hysterical "wish-bleedings" linked to "an old wish to be loved in her illness" and triggered as a means of "rearousing [Freud's] affection". Eckstein nonetheless continued her analysis with Freud. She was restored to full mobility and went on to practice psychoanalysis herself. Freud, who had called Fliess "the Kepler of biology", later concluded that a combination of a homoerotic attachment and the residue of his "specifically Jewish mysticism" lay behind his loyalty to his Jewish friend and his consequent over-estimation of both his theoretical and clinical work. Their friendship came to an acrimonious end with Fliess angry at Freud's unwillingness to endorse his general theory of sexual periodicity and accusing him of collusion in the plagiarism of his work. After Fliess failed to respond to Freud's offer of collaboration over publication of his Three Essays on the Theory of Sexuality in 1906, their relationship came to an end.
Question: Who is Fliess?
Answer: his friend Wilhelm Fliess, a Berlin based ear, nose and throat specialist whom he had first met 1887.
Question: Was Fliess Freud's doctor?
Answer: Freud valued and came to rely on the intellectual and emotional support of his friend
Question: Are there any other interesting aspects about this article?
Answer: Freud had Fliess repeatedly operate on his nose and sinuses to treat "nasal reflex neurosis", and subsequently referred his patient Emma Eckstein to him.
Question: What can you tell me about Emma Eckstein?
Answer: her history of symptoms included severe leg pains with consequent restricted mobility, and stomach and menstrual pains.
Question: Was she treated?
Answer: according to Fliess's theories, caused by habitual masturbation which, as the tissue of the nose and genitalia were linked, was curable by removal of part
Question: Did Eckstein die as a result? | [
"which left her permanently disfigured."
] |
Title: John Stossel
Background: John F. Stossel was born on March 6, 1947, in Chicago Heights, Illinois, the younger of two sons, to Jewish parents who left Germany before Hitler rose to power. They joined a Congregationalist church in the U.S., and Stossel was raised Protestant. He grew up on Chicago's affluent North Shore and graduated from New Trier High School. Stossel characterizes his older brother, Tom, as "the superstar of the family", commenting, "While I partied and played poker, he studied hard, got top grades, and went to Harvard Medical School."
Section: Criticism and controversy
Passage: Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA) have criticized Stossel's work, for what they perceived as a lack of balance of coverage and distortion of facts. For example, Stossel was criticized for a segment on his October 11, 1999, show during which he argued that AIDS research has received too much funding, "25 times more than on Parkinson's, which kills more people." FAIR responded that AIDS had killed more people in the United States in 1999, but Stossel was speaking in more broad terms than a single country over a single year. In a February 2000 Salon.com feature on Stossel entitled "Prime-time propagandist", David Mastio wrote that Stossel has a conflict of interest in donating profits from his public speaking engagements to, among others, a non-profit called "Stossel in the Classroom" which includes material for use in schools, some of which uses material made by Stossel. University of Texas economist James K. Galbraith has alleged that Stossel, in his September 1999 special Is America #1?, used an out-of-context clip of Galbraith to convey the notion that Galbraith advocated the adoption by Europe of the free market economics practiced by the United States, when in fact Galbraith actually advocated that Europe adopt some of the United States' social benefit transfer mechanisms such as Social Security, which is the economically opposite view. Stossel denied any misrepresentation of Galbraith's views and stated that it was not his intention to convey that Galbraith agreed with all of the special's ideas. However, he re-edited that portion of the program for its September 2000 repeat, in which Stossel paraphrased, "Even economists who like Europe's policies, like James Galbraith, now acknowledge America's success."
Question: Why was John criticized?
Answer: he argued that AIDS research has received too much funding,
Question: What was the public's reaction to those claims?
Answer: Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA) have criticized Stossel's work,
Question: Is there any other claim that John did that created a lot of controversy?
Answer: used an out-of-context clip of Galbraith to convey the notion that Galbraith advocated the adoption by Europe of the free market economics practiced by the United States,
Question: Why did he use that clip?
Answer: Stossel denied any misrepresentation of Galbraith's views and stated that it was not his intention to convey that Galbraith agreed with all of the special's ideas.
Question: What was the public's reaction to it?
Answer: CANNOTANSWER
Question: What was his claim that created the biggest controversy?
Answer: he argued that AIDS research has received too much funding, "25 times more than on Parkinson's, which kills more people."
Question: Are there any other interesting aspects about this article?
Answer: David Mastio wrote that Stossel has a conflict of interest in donating profits from his public speaking engagements to, among others, a non-profit
Question: Did John ever change his mind about the AIDS controversy? | [
"Stossel was speaking in more broad terms than a single country over a single year."
] |
Title: Inzamam-ul-Haq
Background: Inzamam-ul-Haq ( pronunciation ;Punjabi, Urdu: nDmm lHq; born 3 March 1970), also known as Inzy, is a former Pakistani cricketer, and former captain. He is the leading run scorer for Pakistan in one-day internationals, and the third-highest run scorer for Pakistan in Test cricket. He was the captain of the Pakistan national cricket team from 2003-07 and is considered to be one of the best leaders in Pakistan Cricket history. Inzamam rose to fame in the semi-final of the 1992 Cricket World Cup.
Section: Captaincy
Passage: Inzamam captained Pakistan in thirty Tests, winning eleven, drawing nine and losing ten. Only three players have captained Pakistan in more Test matches, but all have better win-loss records and only Imran Khan has a lower win percentage than Inzamam. Although the Oval Test match in 2006 was poised as a victory for Pakistan before the controversy took place and had it not occurred, Inzamam's record would have had a win more and a loss less. However, Inzamam held the captaincy until March 2007, the longest captaincy tenure since 1992, when Imran Khan retired. Captaincy had a positive effect on Inzamam's batting, often leading by example in pressure situations, averaging greater as a captain (52) than without (50). In ODI's Inzamam also held the highest average as captain in ODI's and is currently third on that list behind the former Australian skipper Ricky Ponting and the Indian captain Mahendra Singh Dhoni. After early failures in Australia, he took a depleted Pakistan side to India in 2005 and played an important role in securing a draw by winning the final test match from an unlikely position with an innings of 184 runs. He subsequently led his side to an ODI success against West Indies (away), England (home) and Sri Lanka (away) as well as Test Series victories against England (home), India (home), Sri Lanka (away). Inzamam had seemed to have united the Pakistan side and victories led them to 2nd place in the ICC Test Rankings and 3rd place in the ICC ODI Ranking. The latter part of Inzamam's tenure as Pakistan captain was less successful and the team was embroiled in many controversies culminating in a disappointingly early exit from the 2007 Cricket World Cup at the hands of lowly ranked Ireland. In the 2007 Cricket World Cup, Inzamam captained the Pakistani team to its first loss to associate ICC member Ireland (on St Patrick's Day). This result and their previous loss to West Indies, led to them being knocked out of the tournament. A day later he announced his retirement from One Day International Cricket and resignation as Test captain. The announcement was made the same day that Bob Woolmer, Pakistan's coach, died in his hotel room in Kingston, Jamaica. He dedicated his final ODI to Woolmer to whom he shared a good relationship with for three years and affectionately called him 'The Bob'.
Question: what was his captaincy?
Answer: Inzamam captained Pakistan in thirty Tests, winning eleven, drawing nine and losing ten.
Question: did he have any records?
Answer: Inzamam had seemed to have united the Pakistan side and victories led them to 2nd place in the ICC Test Rankings and 3rd place in the ICC ODI Ranking.
Question: did he win any awards?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article? | [
"he announced his retirement from One Day International Cricket and resignation as Test captain."
] |
Title: Inzamam-ul-Haq
Background: Inzamam-ul-Haq ( pronunciation ;Punjabi, Urdu: nDmm lHq; born 3 March 1970), also known as Inzy, is a former Pakistani cricketer, and former captain. He is the leading run scorer for Pakistan in one-day internationals, and the third-highest run scorer for Pakistan in Test cricket. He was the captain of the Pakistan national cricket team from 2003-07 and is considered to be one of the best leaders in Pakistan Cricket history. Inzamam rose to fame in the semi-final of the 1992 Cricket World Cup.
Section: One Day International Cricket
Passage: Inzamam made his (ODI) debut in a home series against West Indies in 1991, and made a good start to his career by scoring 20 and 60 runs in two matches against West Indies. This was followed by 48, 60, 101, and 117 runs against Sri Lanka. Handpicked by former Pakistan captain Imran Khan for the 1992 Cricket World Cup in Australia and New Zealand, 22-year-old Inzamam was relatively unheard of before the tournament. To the surprise of many he was persevered with throughout the tournament, coming in at various positions in the batting line-up, despite not being very successful early on. Yet it was his performances at the most crucial stage of the competition that made fans and summarisers take note. Inzamam rose to fame in Pakistan's dramatic semi-final against New Zealand at Auckland. With his side in a precarious position, chasing 262 against an impressive New Zealand side, he hit a fiery 60 run innings from just 37 balls to rescue his side and guide them into the final. The innings was regarded as one of the finest World Cup performances. He hit a massive six in that match which was described by David Lloyd as the shot of the tournament. Inzamam made an equally vital contribution in the final of the World Cup, scoring 42 runs off just 35 balls, helping Pakistan reach a score of 249 after a sluggish start. These innings established Inzamam's billing as a big-game player, although he was unable to replicate his World Cup success in later tournaments. Inzamam regard his best least highlighted innings of 90 not out against West Indies when Pakistan won their first ODI in the West Indies on 27 March 1993. In total, Inzamam set a record for scoring the most half centuries in One Day Internationals, 83 - though this is now surpassed by Sachin Tendulkar, Jacques Kallis and Kumar Sangakkara. He also became the second batsman to score 10,000 runs in One-day Internationals (again after Tendulkar) and was named in the ICC World XI for both Tests and One-day Internationals in the 2005 ICC Awards. In his final ODI for Pakistan, playing against Zimbabwe in the 2007 Cricket World Cup, he took three catches whilst fielding, including the last one of the match, ending his One Day career.
Question: How is Inzamam-ul-Haq connected to One Day International Cricket?
Answer: Inzamam made his (ODI) debut in a home series against West Indies in 1991, and made a good start to his career
Question: What position did he play?
Answer: CANNOTANSWER
Question: How did Captain Imran Khan find Inzamam? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Lester Young
Background: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Section: With the Count Basie Orchestra
Passage: In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch). Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style." As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era. After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).
Question: when did he join the count basie orchestra?
Answer: In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie.
Question: how did he meet count basie?
Answer: where after playing briefly in several bands, he rose to prominence with Count Basie.
Question: what was it like with the count basie orchestra?
Answer: His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins,
Question: did he become successful?
Answer: Their famously empathetic classic recordings with Teddy Wilson date from this era.
Question: were these recordings successful? | [
"they were recorded in New York (in 1938, with a reunion in 1944),"
] |
Title: Lester Young
Background: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Section: Leaving Basie
Passage: Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist. During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943. In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.
Question: Why did he leave Basie?
Answer: his departure had been in the works for months.
Question: What were some of the songs they recorded? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Hattie McDaniel
Background: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
Section: Death
Passage: In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke." McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today. In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions. McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department.
Question: When did Hattie die?
Answer: October 26, 1952,
Question: Was he treated before his death? | [
"in the hospital"
] |
Title: Hattie McDaniel
Background: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
Section: Whereabouts of the McDaniel Oscar
Passage: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
Question: where is she?
Answer: The whereabouts of McDaniel's Oscar are currently unknown.
Question: Are there any other interesting aspects about this article?
Answer: In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s.
Question: why did it diappear?
Answer: an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s.
Question: did he win any awards?
Answer: CANNOTANSWER
Question: did anything big happen?
Answer: Her speech revived interest in the whereabouts of McDaniel's plaque.
Question: what happened after the interest arrised?
Answer: In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s.
Question: why was he cast there? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Fun Lovin' Criminals
Background: Fun Lovin' Criminals are a band from New York City. Their musical style is eclectic, covering styles such as hip hop, rock, blues, jazz, R&B, punk, and funk. They are best known for their hit "Scooby Snacks", which features samples from films by Quentin Tarantino, and the song "Love Unlimited", which recalls Barry White's backing vocal group. Their songs often focus on life in New York City, as well as urban life in general.
Section: Mainstream success: 2000-2008
Passage: The band's third studio album, Loco, was released in early 2001. Back under EMI, the album had all new songs including the eponymous single which became their biggest hit yet, reaching No. 5 in the UK Singles Chart. It was the only single release from the album to reach the UK Top 40, and its success helped Loco to reach No. 5 in the UK Albums Chart. Their final album under EMI was a "best of" compilation called Bag of Hits released in 2002. It was released in both one and two disc versions, with the second disc featuring remixes of Fun Lovin' Criminals songs by other artists. EMI released this album against the wishes of the band, who were not happy with the two disc version. However, despite their objections it reached No. 11 in the UK Albums Chart. After parting company with EMI the band was picked up by Sanctuary Records in the UK, under which they released their fourth studio album Welcome to Poppy's (2003). While it received strong, but not fantastic, music reviews it failed to live up to the commercial success of any of the previous albums, peaking at No. 20 in the UK Albums Chart. The best-selling single from the album reached No. 61. EMI continued to release the band's back catalog, as well as unreleased songs on two more albums. The Fun Lovin' Criminals made no further releases until 2005 album Livin' in the City, still under Sanctuary Records. This was very much a love letter to New York with many songs extolling the virtues of the city. In June 2008 they made their second appearance at the Glastonbury Festival, this time on the Jazz World Stage.
Question: what happened in 2000?
Answer: CANNOTANSWER
Question: what is the most important fact in this article?
Answer: The band's third studio album, Loco, was released in early 2001.
Question: did the album make the charts?
Answer: the eponymous single which became their biggest hit yet, reaching
Question: reaching what?
Answer: to reach the UK Top 40, and its success helped Loco to reach No. 5 in the UK Albums Chart.
Question: did they ever tour?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: After parting company with EMI the band was picked up by Sanctuary Records in the UK, under which they released
Question: what did they release?
Answer: their fourth studio album
Question: what was the name of this album?
Answer: Welcome to Poppy's (2003).
Question: what did it peak at? | [
"peaking at No. 20 in the UK Albums Chart. The best-selling single from the album reached No. 61."
] |
Title: Van Halen
Background: Van Halen is an American hard rock band formed in Pasadena, California, in 1972. From 1974 until 1985, the band consisted of guitarist Eddie Van Halen, vocalist David Lee Roth, drummer Alex Van Halen, and bassist Michael Anthony. The band went on to become major stars, and by the early 1980s they were one of the most successful rock acts of the time. 1984 was their most successful album.
Section: Gary Cherone era (1996-99)
Passage: Van Halen's next lead singer was Gary Cherone, frontman of the then-defunct Boston-based band Extreme, a group which had enjoyed some popular success in the early 1990s. The result was the album Van Halen III. Many songs were longer and more experimental than Van Halen's earlier work. It was a notable contrast from their previous material, with more focus on ballads than traditional rock songs ("How Many Say I," with Eddie on vocals). Sales were poor by the band's standards, only reaching Gold certification, despite the album peaking at No. 4 on the U.S. charts. However, Van Halen III did produce the hit "Without You," and another album track, "Fire in the Hole," appeared on the Lethal Weapon 4 soundtrack. The album was followed by a tour. The III Tour saw Van Halen playing in new countries, including first ever visits to Australia and New Zealand. Shortly afterwards, Van Halen returned to the studio and in early 1999, they started work on a new album. Working titles of songs included "Left for Dead," "River Wide," "Say Uncle," "You Wear it Well," "More Than Yesterday," "I Don't Miss You ... Much," "Love Divine," and "From Here, Where Do We Go?". The project was left unfinished when Cherone left the band amicably in November 1999. Citing musical differences, it is likely III's poor sales and critical reception had a big impact. None of the material from these sessions has ever been released, and in fact the band released no new material at all until three new songs were included on the 2004 Best of Both Worlds compilation. Lyrics that Cherone had written for the Van Halen III follow up would be used in his next project with Tribe of Judah. Touring with Cherone had proven disappointing in terms of attendance. Eddie would later admit that "the powers that be" (Warner Bros.) had forced his hand in parting with Cherone. Unlike with the previous two singers, there was reportedly no bad blood behind the breakup, and Cherone remained in contact and on good terms with Van Halen. As when Hagar left, speculation resumed on a Roth reunion.
Question: What can you tell me about Gary Cherone?
Answer: Van Halen's next lead singer was Gary Cherone, frontman of the then-defunct Boston-based band Extreme,
Question: did Gary sing well?
Answer: CANNOTANSWER
Question: What significant fact can you tell me about Gary that you liked?
Answer: Cherone remained in contact and on good terms with Van Halen.
Question: What did Cherone do after Van Halen?
Answer: CANNOTANSWER
Question: Did they release any albums during that time frame?
Answer: The result was the album Van Halen III.
Question: The audience didnt like Cherone that much? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Van Halen
Background: Van Halen is an American hard rock band formed in Pasadena, California, in 1972. From 1974 until 1985, the band consisted of guitarist Eddie Van Halen, vocalist David Lee Roth, drummer Alex Van Halen, and bassist Michael Anthony. The band went on to become major stars, and by the early 1980s they were one of the most successful rock acts of the time. 1984 was their most successful album.
Section: A temporary reunion with Roth (1996)
Passage: David Lee Roth called Eddie to discuss what tracks would be included on a planned Van Halen compilation (work on which had actually begun before Hagar's departure). They got along well, and Eddie invited him up to his house/studio. Shortly afterwards, Roth re-entered the studio with the band and producer Glen Ballard. Two songs from those sessions were added to the band's Greatest Hits album and released as singles to promote it. In September, Van Halen was asked to present an award at the 1996 MTV Video Music Awards. They agreed, and on September 4, 1996, the four original members of Van Halen made their first public appearance together in over eleven years. This helped to bring the compilation to No. 1 on the U.S. album charts. However, unknown to Roth, Eddie and Alex were still auditioning other singers, including Mitch Malloy. The band's appearance on the 1996 MTV Video Music Awards fueled reunion speculation. But several weeks after the awards show, it was discovered that Roth was out of Van Halen again. Roth released a statement in which he apologized to the media and the fans, stating that he was an unwitting participant in a publicity stunt by Van Halen and manager Ray Danniels. The next day, Eddie and Alex released their own statement, claiming they had been completely honest with Roth and had never suggested he was guaranteed to be the next lead singer. Eddie Van Halen would later explain (in regard to the MTV Video Music Awards appearance) that he had initially been embarrassed by Roth's antics while on camera behind Beck, who was giving an acceptance speech for the award that Van Halen had presented to him. Immediately following this, the band had been taken to a backstage press conference where press queries about a reunion tour were met with Eddie Van Halen saying that he needed a hip replacement and would have to record an entire new studio album before any tour. In private Roth told Eddie to avoid talking about negative things like his hip and the two almost came to blows, thereby shattering any chance of a full-scale reunion.
Question: How did Van Halen reunite with Roth?
Answer: They got along well, and Eddie invited him up to his house/studio.
Question: Why was it only temporary? | [
"But several weeks after the awards show, it was discovered that Roth was out of Van Halen again."
] |
Title: Sean Combs
Background: Sean John Combs was born on November 4, 1969 in Manhattan's Harlem neighborhood in New York City, and was raised in Mount Vernon, New York. His mother, Janice (Smalls), was a model and teacher's assistant, and his father, Melvin Earl Combs, served in the U.S. Air Force and was an associate of convicted New York drug dealer Frank Lucas. At age 33, Melvin was shot to death while sitting in his car on Central Park West, when Combs was 2 years old. Combs graduated from the Roman Catholic Mount Saint Michael Academy in 1987.
Section: 2014-present: MMM (Money Making Mitch), No Way Out 2, and "Love"
Passage: On February 26, 2014, Combs premiered "Big Homie", featuring Rick Ross and French Montana, as the first single from his mixtape MMM (Money Making Mitch), which was originally scheduled to be released that year. The song was released for digital download on March 24, and two days later the trailer for the music video was released. The full version of the music video was released on March 31. Combs used his former stage name Puff Daddy for the album. MMM was released as a free mixtape album of 12 tracks on November 4, 2015. In 2014 Combs and Guy Gerber announced that their joint album 11 11 would be available for free download. A new single called "Finna Get Loose" featuring Combs and Pharrell Williams was released on June 29, 2015. In July 2015, Bad Boy Entertainment artist Gizzle told the press that she is collaborating with Combs on what she describes as his last album, titled No Way Out 2, a sequel to his 1997 debut. She describes the music as unique: "The mindset is to just be classic and to be epic. And to really live up to that ... we know it's a tall order, but we welcome the challenge." In April 2016, Combs announced that after this last album and tour, he plans to retire from the music industry to focus on acting. On May 20 and 21, 2016, Combs launched a tour of Bad Boy Records' biggest names to celebrate the 20th anniversary of the label. The documentary Can't Stop, Won't Stop: A Bad Boy Story, covering the two shows at the Barclays Center in Brooklyn as well as behind-the-scenes events, was released on June 23, 2017. The show toured to an additional twenty venues across the United States and Canada. On November 5, 2017, Combs announced that he would be going by the name Love, stating "My new name is Love, aka Brother Love". Two days later, he told the press he had been joking, but on January 3, 2018, he announced on Jimmy Kimmel Live! that he had changed his mind again, and will be using the new name after all.
Question: What is MMM?
Answer: mixtape MMM (Money Making Mitch),
Question: Is it an album or a song?
Answer: The song was released for digital download on March 24, and two days later the trailer for the music video was released.
Question: Was it a hit?
Answer: CANNOTANSWER
Question: Was this album a success? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Sean Combs
Background: Sean John Combs was born on November 4, 1969 in Manhattan's Harlem neighborhood in New York City, and was raised in Mount Vernon, New York. His mother, Janice (Smalls), was a model and teacher's assistant, and his father, Melvin Earl Combs, served in the U.S. Air Force and was an associate of convicted New York drug dealer Frank Lucas. At age 33, Melvin was shot to death while sitting in his car on Central Park West, when Combs was 2 years old. Combs graduated from the Roman Catholic Mount Saint Michael Academy in 1987.
Section: Sean John
Passage: In 1998, Combs started a clothing line, Sean John. It was nominated for the Council of Fashion Designers of America (CFDA) award for Menswear Designer of the Year in 2000, and won in 2004. California billionaire Ronald Burkle invested $100 million into the company in 2003. Also in 2003, the National Labor Committee revealed that factories producing the clothing in Honduras were violating Honduran labor laws. Among the accusations were that workers were subjected to body searches and involuntary pregnancy tests. Bathrooms were locked and access tightly controlled. Employees were forced to work overtime and were paid sweatshop wages. Charles Kernaghan of the National Labor Committee told The New York Times that "Sean Puff Daddy obviously has a lot of clout, he can literally do a lot overnight to help these workers." Combs responded with an extensive investigation, telling reporters "I'm as pro-worker as they get". On February 14, 2004, Kernaghan announced that improvements had been implemented at the factory, including adding air conditioning and water purification systems, firing the most abusive supervisors, and allowing the formation of a labor union. In late 2006, the department store Macy's removed Sean John jackets from their shelves when they discovered that the clothing was made using raccoon dog fur. Combs had not known the jackets were made with dog fur, but as soon as he was alerted, he had production stopped. In November 2008, Combs added a men's perfume called "I Am King" to the Sean John brand. The fragrance, dedicated to Barack Obama, Muhammad Ali, and Martin Luther King, featured model Bar Refaeli in its advertisements. In early 2016, Sean John introduced the brand's GIRLS collection.
Question: Who is Sean John
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: In 1998, Combs started a clothing line, Sean John.
Question: Who did he start the company with
Answer: California billionaire Ronald Burkle invested $100 million into the company in 2003.
Question: Why was it violating the labor laws | [
"Among the accusations were that workers were subjected to body searches and involuntary pregnancy tests."
] |
Title: David M. Shoup
Background: David Monroe Shoup (30 December 1904 - 13 January 1983) was a decorated general of the United States Marine Corps who was awarded the Medal of Honor in World War II, became the 22nd Commandant of the Marine Corps, and, after retiring, became one of the most prominent critics of the Vietnam War. Born in Indiana to an impoverished family, Shoup joined the military for financial reasons. Rising through the ranks in the interwar era, he was twice deployed to China during the Chinese Civil War. He served in Iceland at the beginning of U.S. involvement in World War II, and as a staff officer during the Pacific War.
Section: Early years
Passage: David Monroe Shoup was born on 30 December 1904 in Battle Ground, Indiana. His family lived on a farm in Ash Grove, but moved to Covington to live on a new farm in 1916. At age 12 he was enrolled in Covington High School, a competitive high school with an advanced curriculum. Shoup was an excellent student, maintaining high marks in French, English, physics, and history. Additionally, he was involved in several extracurricular activities, including basketball, and was class president in his senior year. He graduated in 1921. He later affectionately referred to his impoverished upbringing as that of an "Indiana plowboy." Regarded by friends as very sociable, he met Zola De Haven in his freshman year and later said he had been instantly attracted to her. They were both very competitive in academics and athletics, and the two dated throughout high school; they were married in 1931. After high school, Shoup attended DePauw University where he was one of 100 awarded the Edward Rector Scholarship, giving him full tuition. Majoring in mathematics, he joined the Delta Upsilon fraternity and maintained high marks, narrowly failing the selection criteria for Phi Beta Kappa Society. He was on the track and field and rifle teams, and also competed in the wrestling and football teams. He won the Indiana and Kentucky Amateur Athletic Union marathon in 1925. He waited tables, washed dishes and worked in a cement factory to help pay his expenses. Lack of funds compelled him to take a year off after his junior year to teach school, and his expenses were further strained when he contracted a severe case of pneumonia and incurred hospital bills. He opted to enroll in the Reserve Officers Training Corps (ROTC) to offset his living expenses, and later recalled that this was the only reason he joined the military. He graduated from DePauw in 1926. From an early age, Shoup was molded by the progressive ideas of Indiana politicians, sympathizing with rural progressives fighting against the interests of big businesses. He developed an anti-imperialist attitude, and his skepticism about American foreign policy, influenced by his small-town background, made him an outspoken opponent of the unnecessary use of military force. He felt the use of troops for economic or imperialist consideration was wrong, a viewpoint he would carry for his entire career.
Question: Where was he born?
Answer: in Battle Ground, Indiana.
Question: When was he born?
Answer: David Monroe Shoup was born on 30 December 1904
Question: Did he grow up in Battleground?
Answer: His family lived on a farm in Ash Grove, but moved to Covington
Question: Why did they move to Covington?
Answer: to live on a new farm
Question: When did they move to Covington?
Answer: in 1916.
Question: Where did he go to school?
Answer: Covington High School, a competitive high school with an advanced curriculum.
Question: How did he do in school?
Answer: Shoup was an excellent student, maintaining high marks in French, English, physics, and history.
Question: Was he in any other activities? | [
"and was class president in his senior year."
] |
Title: David M. Shoup
Background: David Monroe Shoup (30 December 1904 - 13 January 1983) was a decorated general of the United States Marine Corps who was awarded the Medal of Honor in World War II, became the 22nd Commandant of the Marine Corps, and, after retiring, became one of the most prominent critics of the Vietnam War. Born in Indiana to an impoverished family, Shoup joined the military for financial reasons. Rising through the ranks in the interwar era, he was twice deployed to China during the Chinese Civil War. He served in Iceland at the beginning of U.S. involvement in World War II, and as a staff officer during the Pacific War.
Section: Tarawa
Passage: In mid-1943, Shoup was transferred to the staff of Major General Julian C. Smith, commander of the 2nd Marine Division, and tasked to help plan the invasion of Betio on Tarawa Atoll. Shoup's aggressive leadership style would complement the offensive strategy his superiors were seeking in taking the atoll. He was tasked with drawing up initial plans, designating the landing beaches on Betio for the 2nd Marines, and overseeing some rehearsals at Efate. However, after Colonel William W. Marshall, commander of the 2nd Marines, suffered a nervous breakdown before invasion, Smith promoted Shoup to Colonel and gave him command of the regiment, in spite of Shoup's lack of combat experience. The invasion commenced on 20 November 1943, with Shoup disembarking from Maryland, the flagship for the invasion. His force met heavy resistance on the beaches. His LVT was destroyed by shore fire, and he had to proceed without transportation. As he was wading ashore at around 11:00, he was struck by shrapnel in the legs and received a grazing wound from a bullet in the neck. In spite of these wounds, he rallied the Marines and led them ashore. He was able to coordinate the troops on the beaches and organize them as they began to push inland against an anticipated Japanese counterattack. He continuously organized aggressive attacks on the defenders, and was noted for his bravery and vigour during the conflict. On the second day of the attack, he organized an advance inland, despite heavy casualties among the American troops. By the afternoon, they were winning the battle, and reinforcements began to arrive in force. That night, Shoup was relieved by Colonel Merritt A. Edson, the division's Chief of Staff, who commanded the 2nd Marines for the remainder of the campaign. Six years later, Shoup made a cameo appearance in the movie "Sands of Iwo Jima" reprising his actions that first night on Tarawa, although he had originally been brought onto the movie as a technical advisor. For his leadership during the assault and the push inland Shoup was awarded the Medal of Honor and the British Distinguished Service Order. For his role in planning the invasion he was awarded the Legion of Merit with "V" device. He also was awarded the Purple Heart for the combat wounds he suffered during the course of the campaign. Ten years after the assault, Shoup remarked of the operation, "there was never a doubt in the minds of those ashore what the final outcome of the battle for Tarawa would be. There was for some seventy-six hours, however, considerable haggling with the enemy over the exact price we would have to pay." In 1968, he returned to Tarawa to dedicate a memorial to the battle and to the American and Japanese troops who had died there.
Question: What is Tarawa?
Answer: battle
Question: What was significant about that battle?
Answer: On the second day of the attack, he organized an advance inland, despite heavy casualties among the American troops.
Question: Did he receive any awards or medals?
Answer: Legion of Merit with "V" device.
Question: Did he receive any other awards?
Answer: device. He also was awarded the Purple Heart for the combat wounds he suffered during the course of the campaign.
Question: Were there any significant losses or injuries from that battle?
Answer: His LVT was destroyed by shore fire, and he had to proceed without transportation.
Question: Was there anything significant that happened in that battle?
Answer: The invasion commenced on 20 November 1943, with Shoup disembarking from Maryland, the flagship for the invasion.
Question: Where was the invasion?
Answer: Tarawa
Question: Was there anything else important? | [
"Shoup made a cameo appearance in the movie \"Sands of Iwo Jima\" reprising his actions that first night on Tarawa,"
] |
Title: Ralph Waldo Emerson
Background: Ralph Waldo Emerson (May 25, 1803 - April 27, 1882) was an American essayist, lecturer, philosopher and poet who led the transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States. Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay "Nature". Following this work, he gave a speech entitled "The American Scholar" in 1837, which Oliver Wendell Holmes Sr. considered to be America's "intellectual Declaration of Independence".
Section: Early life, family, and education
Passage: Emerson was born in Boston, Massachusetts, on May 25, 1803, a son of Ruth Haskins and the Rev. William Emerson, a Unitarian minister. He was named after his mother's brother Ralph and his father's great-grandmother Rebecca Waldo. Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles. Three other children--Phebe, John Clarke, and Mary Caroline--died in childhood. Emerson was entirely of English ancestry, and his family had been in New England since the early colonial period. Emerson's father died from stomach cancer on May 12, 1811, less than two weeks before Emerson's eighth birthday. Emerson was raised by his mother, with the help of the other women in the family; his aunt Mary Moody Emerson in particular had a profound effect on him. She lived with the family off and on and maintained a constant correspondence with Emerson until her death in 1863. Emerson's formal schooling began at the Boston Latin School in 1812, when he was nine. In October 1817, at 14, Emerson went to Harvard College and was appointed freshman messenger for the president, requiring Emerson to fetch delinquent students and send messages to faculty. Midway through his junior year, Emerson began keeping a list of books he had read and started a journal in a series of notebooks that would be called "Wide World". He took outside jobs to cover his school expenses, including as a waiter for the Junior Commons and as an occasional teacher working with his uncle Samuel and aunt Sarah Ripley in Waltham, Massachusetts. By his senior year, Emerson decided to go by his middle name, Waldo. Emerson served as Class Poet; as was custom, he presented an original poem on Harvard's Class Day, a month before his official graduation on August 29, 1821, when he was 18. He did not stand out as a student and graduated in the exact middle of his class of 59 people. In 1826, faced with poor health, Emerson went to seek a warmer climate. He first went to Charleston, South Carolina, but found the weather was still too cold. He then went further south, to St. Augustine, Florida, where he took long walks on the beach and began writing poetry. While in St. Augustine he made the acquaintance of Prince Achille Murat, the nephew of Napoleon Bonaparte. Murat was two years his senior; they became good friends and enjoyed one another's company. The two engaged in enlightening discussions of religion, society, philosophy, and government. Emerson considered Murat an important figure in his intellectual education. While in St. Augustine, Emerson had his first encounter with slavery. At one point, he attended a meeting of the Bible Society while a slave auction was taking place in the yard outside. He wrote, "One ear therefore heard the glad tidings of great joy, whilst the other was regaled with 'Going, gentlemen, going!'"
Question: Where was he born?
Answer: Emerson was born in Boston, Massachusetts, on May 25, 1803,
Question: who where his parents?
Answer: Emerson's father died from stomach cancer on May 12, 1811, less than two weeks before Emerson's eighth birthday. Emerson was raised by his mother,
Question: Who was his mother?
Answer: Ruth Haskins
Question: Where did he grow up?
Answer: CANNOTANSWER
Question: Did he have any siblings?
Answer: Ralph Waldo was the second of five sons who survived into adulthood; the others were William, Edward, Robert Bulkeley, and Charles.
Question: Where did he go to school?
Answer: Emerson's formal schooling began at the Boston Latin School in 1812, when he was nine.
Question: What did he study? | [
"Emerson began keeping a list of books he had read and started a journal in a series of notebooks that would be called \"Wide World\"."
] |
Title: Ralph Waldo Emerson
Background: Ralph Waldo Emerson (May 25, 1803 - April 27, 1882) was an American essayist, lecturer, philosopher and poet who led the transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States. Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay "Nature". Following this work, he gave a speech entitled "The American Scholar" in 1837, which Oliver Wendell Holmes Sr. considered to be America's "intellectual Declaration of Independence".
Section: Civil War years
Passage: Emerson was staunchly opposed to slavery, but he did not appreciate being in the public limelight and was hesitant about lecturing on the subject. He did, however, give a number of lectures during the pre-Civil War years, beginning as early as November, 1837. A number of his friends and family members were more active abolitionists than he, at first, but from 1844 on, he took a more active role in opposing slavery. He gave a number of speeches and lectures, and notably welcomed John Brown to his home during Brown's visits to Concord. He voted for Abraham Lincoln in 1860, but Emerson was disappointed that Lincoln was more concerned about preserving the Union than eliminating slavery outright. Once the American Civil War broke out, Emerson made it clear that he believed in immediate emancipation of the slaves. Around this time, in 1860, Emerson published The Conduct of Life, his seventh collection of essays. In this book, Emerson "grappled with some of the thorniest issues of the moment," and "his experience in the abolition ranks is a telling influence in his conclusions." In these essays Emerson strongly embraced the idea of war as a means of national rebirth: "Civil war, national bankruptcy, or revolution, [are] more rich in the central tones than languid years of prosperity." Emerson visited Washington, D.C, at the end of January 1862. He gave a public lecture at the Smithsonian on January 31, 1862, and declared:, "The South calls slavery an institution... I call it destitution... Emancipation is the demand of civilization". The next day, February 1, his friend Charles Sumner took him to meet Lincoln at the White House. Lincoln was familiar with Emerson's work, having previously seen him lecture. Emerson's misgivings about Lincoln began to soften after this meeting. In 1865, he spoke at a memorial service held for Lincoln in Concord: "Old as history is, and manifold as are its tragedies, I doubt if any death has caused so much pain as this has caused, or will have caused, on its announcement." Emerson also met a number of high-ranking government officials, including Salmon P. Chase, the secretary of the treasury; Edward Bates, the attorney general; Edwin M. Stanton, the secretary of war; Gideon Welles, the secretary of the navy; and William Seward, the secretary of state. On May 6, 1862, Emerson's protege Henry David Thoreau died of tuberculosis at the age of 44. Emerson delivered his eulogy. He often referred to Thoreau as his best friend, despite a falling-out that began in 1849 after Thoreau published A Week on the Concord and Merrimack Rivers. Another friend, Nathaniel Hawthorne, died two years after Thoreau, in 1864. Emerson served as a pallbearer when Hawthorne was buried in Concord, as Emerson wrote, "in a pomp of sunshine and verdure". He was elected a Fellow of the American Academy of Arts and Sciences in 1864.
Question: What was important during the civil war years?
Answer: Emerson was staunchly opposed to slavery, but he did not appreciate being in the public limelight and was hesitant about lecturing on the subject.
Question: Did he ever lecture regardless of how he felt?
Answer: He did, however, give a number of lectures during the pre-Civil War years, beginning as early as November, 1837.
Question: Did he participate in many lectures?
Answer: notably welcomed John Brown to his home during Brown's visits to Concord.
Question: What else happened during the civil war years?
Answer: Emerson visited Washington, D.C, at the end of January 1862. He gave a public lecture at the Smithsonian on January 31, 1862,
Question: Was he successful giving this lecture?
Answer: declared:, "The South calls slavery an institution... I call it destitution... Emancipation is the demand of civilization
Question: Did anything take place at this lecture?
Answer: The next day, February 1, his friend Charles Sumner took him to meet Lincoln at the White House.
Question: Did him and Lincoln get a chance to talk?
Answer: Lincoln was familiar with Emerson's work, having previously seen him lecture. Emerson's misgivings about Lincoln began to soften after this meeting.
Question: How long did him and Lincoln talk?
Answer: CANNOTANSWER
Question: Did he continue to meet high ranking government officials? | [
"On May 6, 1862, Emerson's protege Henry David Thoreau died of tuberculosis at the age of 44. Emerson delivered his eulogy."
] |
Title: Sara Evans
Background: Sara Lynn Evans (born February 5, 1971) is an American country music singer and songwriter. Evans has released eight studio albums: Three Chords and the Truth (1997), No Place That Far (1998), Born to Fly (2000), Restless (2003), Real Fine Place (2005), Stronger (2011), Slow Me Down (2014), Words (2017), plus one Christmas album, At Christmas (2014).
Section: Breakthrough with Born to Fly and Restless albums
Passage: Evans' third studio album, Born to Fly, was released on October 10, 2000. She insisted on hiring Seattle-based rock drummer Matt Chamberlain (The Wallflowers, Edie Brickell), who brought a different sound to her music. The album's title track ("Born to Fly"), which was released as the lead single, was a Number One hit on the Hot Country Songs chart. Three more singles were released from the album ("I Could Not Ask for More," "I Keep Looking," and "Saints & Angels"), the first two reaching the Top 10, and the latter becoming a Top 20 hit. Born to Fly was eventually certified 2x Platinum by the RIAA in 2004. In 2001, Evans was the most-nominated artist at the Country Music Association awards with seven nominations overall, and she won her first CMA award when "Born to Fly" won the award for Video of the Year, her first major industry award. Evans released her fourth studio album, Restless, on August 19, 2003. The album's lead single, "Backseat of a Greyhound Bus," was a Top 20 hit on the Hot Country Songs chart. The album debuted at No. 3 on the Top Country Albums chart and at No. 20 on the Billboard 200 chart, with first-week sales of over 40,000 copies. "Perfect," the album's second single, was a No. 2 hit on the country charts. However, the album's third single, "Suds in the Bucket," was the most successful single; it became Evans' third Number One hit on the Hot Country Songs chart and was also her fifth Top 40 hit on the Billboard Hot 100. Additionally, it was Evans' first ever Gold-certified single by the RIAA. The album's fourth and final single, "Tonight," failed to reach the Top 40 country charts. Restless received a nomination in the 2005 Academy of Country Music Awards.
Question: When was Born to Fly released?
Answer: was released on October 10, 2000.
Question: Was this album well received by critics?
Answer: was a Number One hit on the Hot Country Songs chart.
Question: Did it win any awards?
Answer: Born to Fly was eventually certified 2x Platinum by the RIAA in 2004.
Question: How many copies did Born to Fly sell?
Answer: with first-week sales of over 40,000 copies.
Question: Did she go on tour after the release of this album?
Answer: CANNOTANSWER
Question: How did it do in the charts? | [
"The album's lead single, \"Backseat of a Greyhound Bus,\" was a Top 20 hit on the Hot Country Songs chart."
] |
Title: Sara Evans
Background: Sara Lynn Evans (born February 5, 1971) is an American country music singer and songwriter. Evans has released eight studio albums: Three Chords and the Truth (1997), No Place That Far (1998), Born to Fly (2000), Restless (2003), Real Fine Place (2005), Stronger (2011), Slow Me Down (2014), Words (2017), plus one Christmas album, At Christmas (2014).
Section: Early life and the rise to fame
Passage: Evans was born in Boonville, Missouri, in 1971, and is of Welsh, English, Irish, and Native American descent. She was raised on a farm near New Franklin, Missouri, the eldest girl of seven children. By five, she was singing weekends in her family's band. At the age of eight, she was struck by an automobile in front of the family home, and her legs suffered multiple fractures. Recuperating for months in a wheelchair, she continued singing to help pay her medical bills. When she was 16, she began performing at a nightclub near Columbia, Missouri, a gig that lasted two years. Evans moved to Nashville, Tennessee, in 1991 to be a country music artist. She met fellow musician Craig Schelske and left Nashville with him in 1992, moving to Oregon. They married in 1993. She returned to Nashville in 1995 and began recording demos. Nashville songwriter Harlan Howard was impressed by her demo of his song "Tiger by the Tail". He decided to help her music career, leading to a signed contract with RCA Nashville. In 1997, Evans released her debut album for RCA, Three Chords and the Truth. Although none of its three singles ("True Lies," the title track, and "Shame About That") reached the Top 40 of the Billboard Hot Country Songs chart, the album received critical praise for its neotraditional country sound. In 1998, Evans released her second album, No Place That Far. The album's lead single, "Cryin' Game," also failed to reach the Top 40. However, the album's second single and title track, gave Evans her first Number One hit on the Hot Country Songs chart in March 1999. The album was eventually certified Gold by the RIAA, and produced one additional Top 40 country hit in "Fool, I'm a Woman."
Question: Where was she born?
Answer: Evans was born in Boonville, Missouri,
Question: Was she raised there?
Answer: She was raised on a farm near New Franklin, Missouri,
Question: Did she get an education in music?
Answer: CANNOTANSWER
Question: When did she become an artist?
Answer: By five, she was singing weekends in her family's band.
Question: When did she rise to fame?
Answer: In 1997, Evans released her debut album for RCA,
Question: What were some of her early songs?
Answer: ("True Lies," the title track, and "Shame About That")
Question: Did any of her songs reach any charts or billboards?
Answer: the album's second single and title track, gave Evans her first Number One hit on the Hot Country Songs chart
Question: Was she married early in her career?
Answer: Craig Schelske and left Nashville with him in 1992, moving to Oregon. They married in 1993.
Question: Are there any other interesting aspects about this article?
Answer: At the age of eight, she was struck by an automobile in front of the family home,
Question: Was she badly hurt in this accident?
Answer: her legs suffered multiple fractures. Recuperating for months in a wheelchair,
Question: Is there anything else you can share about her rise to fame? | [
"Evans moved to Nashville, Tennessee, in 1991 to be a country music artist."
] |
Title: The Animals
Background: The Animals are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic No. 1 hit single, "House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "I'm Crying" and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material.
Section: Reunions of first incarnation
Passage: The original Animals line-up of Burdon, Price, Valentine, Chandler and Steel reunited for a benefit concert in Newcastle in December 1968 and re-formed in late 1975 to record again. Burdon later said nobody understood why they did this short reunion. They did a mini-tour in 1976 and shot a few videos of their new songs like "Lonely Avenue" and "Please Send Me Someone to Love". They released the album in 1977 aptly called Before We Were So Rudely Interrupted. The album received critical praise. Burdon and Valentine also recorded some demos at that time, which were never released. On 12 December 1982, Burdon performed together with Alan Price and a complete line-up, foreshadowing later events. All five original band members reunited again in 1983 for the album Ark and a world concert tour, supplemented by Zoot Money on keyboards, Nippy Noya on percussion, Steve Gregory on saxophone and Steve Grant on guitar. The first single "The Night" reached #48 at the US Pop Singles and #34 at the Mainstream Rock Charts, also gaining success in Greece. They released a second single called "Love Is For All Time". The Ark tour consisted of about one-third material from the original 1960s and two-thirds material from Ark or other songs. The latter included the songs "Heart Attack", "No More Elmore" (both released a year earlier by Burdon), "Oh Lucky Man" (from the 1973 soundtrack album to O Lucky Man! by Price), "It's Too Late", "Tango", and "Young Girls" (later released on Burdon's compilation, The Night). On 9 September, they had their first show in New York at the Mid-Hudson Civic Center, the tickets for which sold out. A Wembley Arena concert followed on 31 December (supporting The Police) which was released on the Rip it To Shreds live album in 1984 after they had disbanded again. Their concert at the Royal Oak Theatre in Royal Oak, Michigan on 29 November 1983 was released on 27 February 2008, as Last Live Show. A film about the reunion tour was shot but never released. Chas Chandler died from an aneurysm in 1996, putting an end to any possibility of another reunion of the full original line-up.
Question: When was the reunion?
Answer: December 1968
Question: where was the reunion?
Answer: Newcastle
Question: who were the members?
Answer: Burdon, Price, Valentine, Chandler and Steel
Question: did they produce any albums?
Answer: They released the album in 1977
Question: what album did they release?
Answer: Before We Were So Rudely Interrupted.
Question: was the album successful?
Answer: The album received critical praise.
Question: what were song singles?
Answer: Lonely Avenue" and "Please Send Me Someone to Love".
Question: did they break up? | [
"Chas Chandler died from an aneurysm in 1996, putting an end to any possibility of another reunion of the full original line-up."
] |
Title: The Animals
Background: The Animals are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic No. 1 hit single, "House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "I'm Crying" and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material.
Section: Second incarnation
Passage: A group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano), and Danny McCulloch (bass) were formed under the name Eric Burdon and Animals (or sometimes Eric Burdon and the New Animals) in December 1966 and changed direction. The hard driving blues was transformed into Burdon's version of psychedelia as the former heavy drinking Geordie (who later said he could never get used to Newcastle "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation. Early performances of this group did not include any of the Animals hits for which the original Animals had become known. Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and "Sky Pilot". Their sound was much heavier than the original group. Burdon screamed more and louder on live versions of "Paint It Black" and "Hey Gyp". In 1968, they had a more experimental sound on songs like "We Love You Lil" and the 19-minute record "New York 1963 - America 1968". The songs had a style of being silent at the beginning and then becoming psychedelic and raw straight to the end with screaming, strange lyrics and "scrubbing" instruments. There were further changes to this lineup: Zoot Money was added in April 1968, initially as organist/pianist only, but upon McCulloch's departure he also took on bass and occasional lead vocals. In July 1968, Andy Summers replaced Briggs. Both Money and Summers were formerly of British psychedelic outfit Dantalian's Chariot, and much of this new lineup's set was composed of Dantalian's Chariot songs which caught Burdon's interest. Due to Money's multi-instrumental load, in live settings bass was played alternately by Weider and Summers. Summers was to eventually go on to great success as the guitarist for The Police. By December 1968, these Animals had dissolved, and both their double album Love Is and the singles "Ring of Fire" and "River Deep - Mountain High" were internationally released. Numerous reasons have been cited for the breakup, the most famous being an aborted Japanese tour. The tour had been scheduled for September 1968 but was delayed until November, due to difficulty obtaining visas. Only a few dates into the tour, the promoters - who, unbeknownst to the band, were yakuza - kidnapped the band's manager and threatened him at gunpoint to write an IOU for $25,000 to cover losses incurred by the tour's delay. The manager wrote out the IOU but, correctly surmising that none of his captors could read English, added a note that it was written under duress. The yakuza released him but warned that he and the band would have to leave Japan the next day or be killed. The Animals promptly fled the country, leaving all their tour equipment behind. Money and Summers both subsequently pursued solo careers (though this pursuit was swiftly aborted in Summers' case), Weider signed up with Family, and Burdon joined forces with a Latin group from Long Beach, California, called War.
Question: Who was the members of the Second incarnation?
Answer: group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano), and Danny McCulloch
Question: What year was the Second incarnation?
Answer: ) in December 1966 and changed direction.
Question: Did they release any albums?
Answer: Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and "Sky Pilot". Their
Question: Did they celebrate any successes?
Answer: CANNOTANSWER
Question: Is there anything else interesting about the second incarnation?
Answer: Only a few dates into the tour, the promoters - who, unbeknownst to the band, were yakuza - kidnapped the band's manager and threatened him at gunpoint
Question: What happened to The Animals afterwards? | [
"The yakuza released him but warned that he and the band would have to leave Japan the next day or be killed."
] |
Title: Sean Combs
Background: Sean John Combs was born on November 4, 1969 in Manhattan's Harlem neighborhood in New York City, and was raised in Mount Vernon, New York. His mother, Janice (Smalls), was a model and teacher's assistant, and his father, Melvin Earl Combs, served in the U.S. Air Force and was an associate of convicted New York drug dealer Frank Lucas. At age 33, Melvin was shot to death while sitting in his car on Central Park West, when Combs was 2 years old. Combs graduated from the Roman Catholic Mount Saint Michael Academy in 1987.
Section: Sean John
Passage: In 1998, Combs started a clothing line, Sean John. It was nominated for the Council of Fashion Designers of America (CFDA) award for Menswear Designer of the Year in 2000, and won in 2004. California billionaire Ronald Burkle invested $100 million into the company in 2003. Also in 2003, the National Labor Committee revealed that factories producing the clothing in Honduras were violating Honduran labor laws. Among the accusations were that workers were subjected to body searches and involuntary pregnancy tests. Bathrooms were locked and access tightly controlled. Employees were forced to work overtime and were paid sweatshop wages. Charles Kernaghan of the National Labor Committee told The New York Times that "Sean Puff Daddy obviously has a lot of clout, he can literally do a lot overnight to help these workers." Combs responded with an extensive investigation, telling reporters "I'm as pro-worker as they get". On February 14, 2004, Kernaghan announced that improvements had been implemented at the factory, including adding air conditioning and water purification systems, firing the most abusive supervisors, and allowing the formation of a labor union. In late 2006, the department store Macy's removed Sean John jackets from their shelves when they discovered that the clothing was made using raccoon dog fur. Combs had not known the jackets were made with dog fur, but as soon as he was alerted, he had production stopped. In November 2008, Combs added a men's perfume called "I Am King" to the Sean John brand. The fragrance, dedicated to Barack Obama, Muhammad Ali, and Martin Luther King, featured model Bar Refaeli in its advertisements. In early 2016, Sean John introduced the brand's GIRLS collection.
Question: What is Sean John?
Answer: Combs started a clothing line, Sean John.
Question: What style of clothing?
Answer: It was nominated for the Council of Fashion Designers of America (CFDA) award for Menswear Designer of the Year in 2000,
Question: Was his clothing line successful? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Sean Combs
Background: Sean John Combs was born on November 4, 1969 in Manhattan's Harlem neighborhood in New York City, and was raised in Mount Vernon, New York. His mother, Janice (Smalls), was a model and teacher's assistant, and his father, Melvin Earl Combs, served in the U.S. Air Force and was an associate of convicted New York drug dealer Frank Lucas. At age 33, Melvin was shot to death while sitting in his car on Central Park West, when Combs was 2 years old. Combs graduated from the Roman Catholic Mount Saint Michael Academy in 1987.
Section: 2014-present: MMM (Money Making Mitch), No Way Out 2, and "Love"
Passage: On February 26, 2014, Combs premiered "Big Homie", featuring Rick Ross and French Montana, as the first single from his mixtape MMM (Money Making Mitch), which was originally scheduled to be released that year. The song was released for digital download on March 24, and two days later the trailer for the music video was released. The full version of the music video was released on March 31. Combs used his former stage name Puff Daddy for the album. MMM was released as a free mixtape album of 12 tracks on November 4, 2015. In 2014 Combs and Guy Gerber announced that their joint album 11 11 would be available for free download. A new single called "Finna Get Loose" featuring Combs and Pharrell Williams was released on June 29, 2015. In July 2015, Bad Boy Entertainment artist Gizzle told the press that she is collaborating with Combs on what she describes as his last album, titled No Way Out 2, a sequel to his 1997 debut. She describes the music as unique: "The mindset is to just be classic and to be epic. And to really live up to that ... we know it's a tall order, but we welcome the challenge." In April 2016, Combs announced that after this last album and tour, he plans to retire from the music industry to focus on acting. On May 20 and 21, 2016, Combs launched a tour of Bad Boy Records' biggest names to celebrate the 20th anniversary of the label. The documentary Can't Stop, Won't Stop: A Bad Boy Story, covering the two shows at the Barclays Center in Brooklyn as well as behind-the-scenes events, was released on June 23, 2017. The show toured to an additional twenty venues across the United States and Canada. On November 5, 2017, Combs announced that he would be going by the name Love, stating "My new name is Love, aka Brother Love". Two days later, he told the press he had been joking, but on January 3, 2018, he announced on Jimmy Kimmel Live! that he had changed his mind again, and will be using the new name after all.
Question: What was Money Making Mitch?
Answer: his mixtape MMM (Money Making Mitch),
Question: Did it do well? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Refused
Background: Refused (also known as The Refused) is a Swedish punk rock band originating from Umea and formed in 1991. Refused is composed of vocalist Dennis Lyxzen, guitarist Kristofer Steen, drummer David Sandstrom, and bassist Magnus Flagge. Guitarist Jon Brannstrom was a member from 1994, through reunions, until he was fired in late-2014. Their lyrics are often of a non-conformist and politically far-left nature.
Section: Musical style, lyrics and influences
Passage: Refused started as a "fresh-faced positive hardcore band" and their music became increasingly progressive and radical, as did their lyrics. The record This Just Might Be the Truth was characterized for its "massive hardcore sound", mostly influenced by various bands from the New York hardcore scene (such as Earth Crisis). On its follow-up, Songs to Fan the Flames of Discontent, the band had a heavier, more intricate style, which is generally attributed to their Slayer inspiration, and Lyxzen adopted screaming vocals rather than shouting. With the third album, The Shape of Punk to Come, "came the leap into the unknown" as the band mixed their previous style with unorthodox chord progressions, sampling, "ambient textures, jazz breakdowns", electronica and monologues, and other deviations from the hardcore punk music. Refused's lyrics soon began to focus on far-left politics, drawing on anarchism, socialism, among others ideologies. By the time of their first album, the band already had a strong anti-establishment profile. The group's members were all vegan straight edge until their last show in 1998 and a couple of their songs dealt with these topics. Today, some of them no longer follow these lifestyles. In their live performances, vocalist Lyxzen usually delivers political speeches between songs. Before the Umea hardcore phenomenon went into full bloom, the band was seen as part of the scene centered around youth-oriented venue Galaxen, along with the punk-rock scene as well as metal bands such as Meshuggah. Among the biggest influences of Refused were ManLiftingBanner, Born Against, Slayer, and Ian Svenonius's projects (The Make-Up, The Nation of Ulysses and Cupid Car Club). Other bands that have influenced them are Fugazi, Inside Out, and Snapcase.
Question: What is Refused music style?
Answer: Refused started as a "fresh-faced positive hardcore band" and their music became increasingly progressive and radical, as did their lyrics.
Question: How are their lyrics described?
Answer: Refused's lyrics soon began to focus on far-left politics, drawing on anarchism, socialism, among others ideologies.
Question: Is There a specific song that is mentioned?
Answer: The record This Just Might Be the Truth was characterized for its "massive hardcore sound
Question: How was "This Just Might be the Truth" received?
Answer: CANNOTANSWER
Question: What else can you tell me about the album or lyrics?
Answer: On its follow-up, Songs to Fan the Flames of Discontent, the band had a heavier, more intricate style, which is generally attributed to their Slayer inspiration,
Question: Who did the influence?
Answer: their Slayer inspiration, and Lyxzen adopted screaming vocals rather than shouting.
Question: Did they do a compilation with anyone?
Answer: CANNOTANSWER
Question: Where have they played? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Refused
Background: Refused (also known as The Refused) is a Swedish punk rock band originating from Umea and formed in 1991. Refused is composed of vocalist Dennis Lyxzen, guitarist Kristofer Steen, drummer David Sandstrom, and bassist Magnus Flagge. Guitarist Jon Brannstrom was a member from 1994, through reunions, until he was fired in late-2014. Their lyrics are often of a non-conformist and politically far-left nature.
Section: Hiatus, second reunion, and Freedom (2013-present)
Passage: On February 22, 2013, Refused were awarded "The special prize for Swedish music exports" by the Minister of Trade. Lyxzen and Sandstrom chose to criticize the current Government at the ceremony, instead thanking the efforts of popular education, in particular Workers' Educational Association (ABF) and youth centers (in Sweden associated with social democracy) while Jon Brannstrom chose to not accept the prize on his behalf later stating he wished they "[...] had said no to the prize and instead held a press conference about why we had turned it down". On October 31, 2014, Jon Brannstrom stated on the official Refused Facebook page that he had been fired from the band (the band would later state that he left the band in 2013), implying that Refused were still active and planned on performing again in the future. On November 25, 2014, the band announced that they would perform their first shows in three years at the Reading and Leeds Festivals, Groezrock and Amnesia Rockfest in the summer of 2015. They also headlined Punk Rock Bowling in Las Vegas in May 2015. Around the same time, rumours surfaced of a new album being recorded for release in 2015 after ...And You Will Know Us By The Trail Of Dead's Autrey Fulbright II posted a photo on Instagram claiming that Lyxzen had been in the studio recording vocals for the album. On April 27, 2015, it was announced that Refused would release their fourth studio album, Freedom, in June 2015 via Epitaph Records. The album was produced by Nick Launay and includes further collaborations such as two songs produced with Max Martin-collaborator Shellback (Taylor Swift). The news was announced along with the release of the album's opening track, "Elektra," as its lead single. On November 20, 2017, members of Refused revealed on social media that the band has been in the studio working on their next album.
Question: Why did they go on a hiatus
Answer: Jon Brannstrom stated on the official Refused Facebook page that he had been fired from the band (
Question: What happened next | [
"On November 25, 2014, the band announced that they would perform their first shows in three years at"
] |
Title: Pierrot
Background: Pierrot (French pronunciation: [pjeRo]) is a stock character of pantomime and commedia dell'arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comedie-Italienne; the name is a diminutive of Pierre (Peter), via the suffix -ot. His character in contemporary popular culture--in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall--is that of the sad clown, pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim, more rarely with a conical shape like a dunce's cap.
Section: "Shakespeare at the Funambules" and aftermath
Passage: In 1842, Deburau was inadvertently responsible for translating Pierrot into the realm of tragic myth, heralding the isolated and doomed figure--often the fin-de-siecle artist's alter-ego--of Decadent, Symbolist, and early Modernist art and literature. In that year, Gautier, drawing upon Deburau's newly acquired audacity as a Pierrot, as well as upon the Romantics' store of Shakespearean plots and of Don-Juanesque legend, published a "review" of a pantomime he claimed to have seen at the Funambules. He entitled it "Shakespeare at the Funambules", and in it he summarized and analyzed an unnamed pantomime of unusually somber events: Pierrot murders an old-clothes man for garments to court a duchess, then is skewered in turn by the sword with which he stabbed the peddler when the latter's ghost lures him into a dance at his wedding. The pantomime under "review" was a fabrication (though it inspired a hack to turn it into an actual pantomime, The Ol' Clo's Man [1842], in which Deburau probably appeared--and also inspired Barrault's wonderful recreation of it in Children of Paradise). But it importantly marked a turning-point in Pierrot's career: henceforth Pierrot could bear comparisons with the serious over-reachers of high literature, like Don Juan or Macbeth; he could be a victim--even unto death--of his own cruelty and daring. When Gustave Courbet drew a crayon illustration for The Black Arm (1856), a pantomime by Fernand Desnoyers written for another mime, Paul Legrand (see next section), the Pierrot who quakes with fear as a black arm snakes up from the ground before him is clearly a child of the Pierrot in The Ol' Clo's Man. So, too, are Honore Daumier's Pierrots: creatures often suffering a harrowing anguish. In 1860, Deburau was directly credited with inspiring such anguish, when, in a novella called Pierrot by Henri Riviere, the mime-protagonist blames his real-life murder of a treacherous Harlequin on Baptiste's "sinister" cruelties. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality--usually by love of a fickle Columbine--and so inevitably marked for destruction (Paul Margueritte's Pierrot, Murderer of His Wife [1881]; the mime Severin's Poor Pierrot [1891]; Catulle Mendes' Ol' Clo's Man [1896], modeled on Gautier's "review").
Question: What was the relation between Pierrot and Shakespeare at the Funabules?
Answer: In 1842, Deburau was inadvertently responsible for translating Pierrot into the realm of tragic myth,
Question: Does he have any other work mentioned?
Answer: CANNOTANSWER
Question: Are there any other interesting aspects about this article?
Answer: In 1842, Deburau was inadvertently responsible for translating Pierrot into the realm of tragic myth, heralding the isolated and doomed figure
Question: Which person does he work with? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Nancy Grace
Background: Nancy Grace was born in Macon, Georgia, the youngest of three children, to factory worker Elizabeth Grace and Mac Grace, a freight agent for Southern Railway. Her older siblings are brother Mac Jr. and sister Ginny. The Graces are longtime members of Macon's Liberty United Methodist Church, where Elizabeth plays the organ and Mac Sr. was once a Sunday School teacher. Grace graduated from Macon's Windsor Academy in 1977.
Section: Controversies
Passage: In a 2011 New York Times article, David Carr wrote, "Since her show began in 2005, the presumption of innocence has found a willful enemy in the former prosecutor turned broadcast judge-and-jury". He criticized her handling of the kidnapping of Elizabeth Smart, the Duke lacrosse case, the Melinda Duckett interview and suicide, and the Caylee Anthony case. George Washington University law professor Jonathan Turley told Carr that Grace, as an attorney and reporter, "has managed to demean both professions with her hype, rabid persona, and sensational analysis. Some part of the public takes her seriously, and her show erodes the respect for basic rights." In January 2014, she again ignited controversy for her wildly negative depiction of recreational marijuana users. Grace made statements such as users were "fat and lazy" and that anyone who disagreed with her was "lethargic, sitting on the sofa, eating chips" to CNN's news correspondent Brooke Baldwin during a segment covering legalization in Colorado on January 6, 2014. On October 11, 2016, The Jim Norton and Sam Roberts Show had Grace as a guest, on which they accused her of capitalizing on other's tragedy, for her personal gain. They also addressed her handling of The Ultimate Warrior's death, and the Duke lacrosse case. Norton said during the interview that he has disliked her for some time, and she has previously blocked him on Twitter. Grace, in defending herself, stated that she was a crime victim herself, and stating that they didn't ask her one decent question. The next day on The View, Grace addressed the interview, calling Norton and Roberts Beavis and Butt-Head. Grace said she had to hold back tears during the interview and stated, "I don't really know what it was, but it was hell for me."
Question: What controversies was she apart of?
Answer: negative depiction of recreational marijuana users.
Question: What tragedy ? | [
"The Ultimate Warrior's death, and the Duke lacrosse case."
] |
Title: Pierrot
Background: Pierrot (French pronunciation: [pjeRo]) is a stock character of pantomime and commedia dell'arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comedie-Italienne; the name is a diminutive of Pierre (Peter), via the suffix -ot. His character in contemporary popular culture--in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall--is that of the sad clown, pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim, more rarely with a conical shape like a dunce's cap.
Section: Origins: seventeenth century
Passage: He is sometimes said to be a French variant of the sixteenth-century Italian Pedrolino, but the two types have little but their names ("Little Pete") and social stations in common. Both are comic servants, but Pedrolino, as a so-called first zanni, often acts with cunning and daring, an engine of the plot in the scenarios where he appears. Pierrot, on the other hand, as a "second" zanni, is a static character in his earliest incarnations, "standing on the periphery of the action", dispensing advice that seems to him sage, and courting--unsuccessfully--his master's young daughter, Columbine, with bashfulness and indecision. His origins among the Italian players in France are most unambiguously traced to Moliere's character, the lovelorn peasant Pierrot, in Don Juan, or The Stone Guest (1665). In 1673, probably inspired by Moliere's success, the Comedie-Italienne made its own contribution to the Don Juan legend with an Addendum to "The Stone Guest", which included Moliere's Pierrot. Thereafter the character--sometimes a peasant, but more often now an Italianate "second" zanni--appeared fairly regularly in the Italians' offerings, his role always taken by one Giuseppe Giaratone (or Geratoni, fl. 1639-1697), until the troupe was banished by royal decree in 1697. Among the French dramatists who wrote for the Italians and who gave Pierrot life on their stage were Jean Palaprat, Claude-Ignace Brugiere de Barante, Antoine Houdar de la Motte, and the most sensitive of his early interpreters, Jean-Francois Regnard. He acquires there a very distinctive personality. He seems an anomaly among the busy social creatures that surround him; he is isolated, out of touch. Columbine laughs at his advances; his masters who are in pursuit of pretty young wives brush off his warnings to act their age. His is a solitary voice, and his estrangement, however comic, bears the pathos of the portraits--Watteau's chief among them--that we will encounter in the centuries to come.
Question: What Italian is Pierrot compared to?
Answer: sixteenth-century Italian Pedrolino,
Question: What do they have in common?
Answer: but the two types have little but their names ("Little Pete") and social stations in common.
Question: Where is Pierrot's origin traced to?
Answer: His origins among the Italian players in France are most unambiguously traced to Moliere's character,
Question: Who gave life to Pierrot? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Josh White
Background: Joshua Daniel White (February 11, 1914 - September 5, 1969) was an American singer, guitarist, songwriter, actor and civil rights activist. He also recorded under the names Pinewood Tom and Tippy Barton in the 1930s. White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs.
Section: Legacy
Passage: White was in many senses a trailblazer: popular country bluesman in the early 1930s, responsible for introducing a mass white audience to folk-blues in the 1940s, and the first black singer-guitarist to star in Hollywood films and on Broadway. On one hand he was famous for his civil rights songs, which made him a favorite of the Roosevelts, and on the other he was known for his sexy stage persona (a first for a black male artist). He was the first black singer to give a White House command performance (1941), to perform in previously segregated hotels (1942), to get a million-selling record ("One Meatball", 1944), and the first to make a solo concert tour of America (1945). He was also the first folk and blues artist to perform in a nightclub, the first to tour internationally, and (along with Lead Belly and Woody Guthrie) the first to be honored with a US postage stamp. White and Libby Holman became the first mixed-race male and female artists to perform together, record together and tour together in previously segregated venues across the United States. They continued performing off and on for the next six years, while making an album and a film together. White was seen as an influence on hundreds of artists of diverse musical styles, including: Pete Seeger, Lee Hays, Oscar Brand, Ed McCurdy, Lonnie Donegan, Alexis Korner, Cy Coleman, Elvis Presley, Merle Travis, Joel Grey, Bob Gibson, Dave Van Ronk, Phish, Clancy Brothers and Tommy Makem, Shel Silverstein, John Fahey, Bob Dylan, Peter, Paul and Mary, Judy Collins, Roger McGuinn, David Crosby, Mike Bloomfield, Danny Kalb, Ry Cooder, John Fogerty, Don McLean, Robert Plant and Eva Cassidy; in addition to those African-American artists, such as Blind Boy Fuller, Robert Johnson, Brownie McGhee, Lena Horne, Nat King Cole, Pearl Primus, Josephine Premice, Eartha Kitt, Harry Belafonte, Odetta, Ray Charles, Josh White, Jr., Jackie Washington, the Chambers Brothers, and Richie Havens, who in the footsteps of White were also able to break considerable barriers that had hampered African-American artists in the past.
Question: What was wrong
Answer: 1930s,
Question: What was he
Answer: first black singer to give a White House
Question: What year did he do this
Answer: 1941
Question: What did he do
Answer: perform in previously segregated hotels
Question: What year was this
Answer: 1942
Question: What else did he say
Answer: get a million-selling record
Question: What year was this | [
"1944"
] |
Title: Josh White
Background: Joshua Daniel White (February 11, 1914 - September 5, 1969) was an American singer, guitarist, songwriter, actor and civil rights activist. He also recorded under the names Pinewood Tom and Tippy Barton in the 1930s. White grew up in the South during the 1920s and 1930s. He became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel music, and social protest songs.
Section: At the Cafe Society
Passage: White was born on February 11, 1914, in the black section of Greenville, South Carolina, one of the four children of Reverend Dennis and Daisy Elizabeth White. His father told him that he was named after the Biblical character Joshua of the Old Testament. His mother introduced him to music when he was five years old, at which age he began singing in his church's choir. White's father threw a white bill collector out of his home in 1921, for which he was beaten so badly that he nearly died, and then was locked up in a mental institution, where he died nine years later. Two months after his father had been taken away from the family, White left home with Blind Man Arnold, a black street singer, whom he agreed to lead across the South and for whom he would collect coins after performances. Arnold would then send White's mother two dollars a week. Arnold soon realized that he could profit from this gifted boy, who quickly learned to dance, sing, and play the tambourine. Over the next eight years, he rented the boy's services to other blind street singers, including Blind Blake and Blind Joe Taggart, and in time White mastered the varied guitar stylings of all of them. In order to appear sympathetic to the onlookers tossing coins, the old men kept White shoeless and in ragged short pants until he was sixteen years old. At night he slept in cotton fields or in horse stables, often on an empty stomach, while his employer slept in a black hotel. While guiding Taggart in 1927, White arrived in Chicago, Illinois. Mayo Williams, a producer for Paramount Records, recognized White's talents and began using him as a session guitarist. He backed many artists for recordings before recording his first popular Paramount record as the lead vocalist and lead guitarist on "Scandalous and a Shame", billed as "Blind Joe Taggart & Joshua White", thus becoming the youngest artist of the "race records" era. He was still shoeless and sleeping in horse stables, with all his payments for recordings going to Taggart and Arnold. After Williams left Paramount to start his own label in Chicago, he threatened that if Taggart did not pay White for his recording services he would call the authorities and have Taggart arrested for indentured servitude and keeping the boy out of school. For a few months after Taggart released him from servitude, White shared a room with Blind Blake at Williams's home before finding his own room in a boarding house. Finally, he was being paid for his recordings and for the first time in his life was able to buy proper clothes and shoes. For the next two years, White continued an active recording schedule in Chicago, until he had saved enough money to return to Greenville and take care of his mother and younger siblings. Late in 1930, ARC Records, based in New York, sent two A&R men to find White, the lead boy who had recorded for Paramount in 1928. After several months of searching, they found him recovering from a broken leg at his mother's home in Greenville. They persuaded her to sign a recording contract for her underage son, promising that they would record only religious songs and not the "devil's music" (the blues). White then moved to New York City and recorded religious songs for ARC, billed as "Joshua White, the Singing Christian". In a few months, having recorded his repertoire of religious songs, White was persuaded by ARC to record blues songs and to work as a session musician for other artists. White, 18 years old and still underage, signed a new contract under the name Pinewood Tom in 1932. This name was used only on his blues recordings. ARC used his birth name for new gospel recordings and soon added "The Singing Christian". ARC also released his recordings under the name Tippy Barton during this period. As a session guitarist, White recorded with Leroy Carr and Scrapper Blackwell, Buddy Moss, Charlie Spand, the Carver Boys, Walter Roland, and Lucille Bogan. In February 1936, he punched his left hand through a glass door during a bar fight, and the hand became infected with gangrene. Doctors recommended amputation of the hand, which White repeatedly refused. Amputation was averted, but his chording hand was left immobile. He retreated from his recording career to become a dock worker, an elevator operator, and a building superintendent. During the time when his hand was lame, he squeezed a small rubber ball to try to revive it. One night during a card game, White's left hand was revived completely. He immediately began practicing playing the guitar and soon put together a group, Josh White and His Carolinians, with his brother Billy and close friends Carrington Lewis, Sam Gary, and Bayard Rustin. They soon began playing private parties in Harlem. At one of these parties, on New Year's Eve 1938, Leonard De Paur, a Broadway choral director, was intrigued by White's singing. For the past six months, DePaur and the producers of a Broadway musical in development, John Henry, had been searching America for an actor, singer, and guitarist to play the lead role of Blind Lemon, a street minstrel who wandered back and forth across the stage narrating the story in song. Their initial auditions with native New York singers were unsuccessful, so they looked through previous race record releases to find a suitable artist. They eventually narrowed their search down to two people, Pinewood Tom and The Singing Christian, both pseudonyms used by White. The Cafe Society nightclub, located in New York's Greenwich Village, was the first integrated nightclub in the United States, where blacks and whites could sit, socialize and dance in the same room and enjoy entertainment. It opened in late 1938 with a three-month engagement of the Fletcher Henderson Orchestra, Billie Holiday and comedian Jack Gilford, immediately making it New York's hottest club. One day, John Hammond asked White to meet Barney Josephson, the owner of the club. As soon as Josephson heard White and saw the charisma he exuded, he told Hammond that White was going to become the first black male sex symbol in America. It was Josephson who decided at that first encounter, on the stage apparel he would have designed for White--which would become a trademark for years to come--a black velvet shirt open to the stomach and silk slacks. While starring at the Cafe Society over the next decade and becoming exposed to audiences, performers and beautiful music from around the world, White expanded his musical interests and repertoire to include various styles which he would subsequently record. He had remarkable success in popularizing recordings in diverse musical genres, which ranged from his original repertoire of Negro blues, gospel and protest songs to Broadway show tunes, cabaret, pop, and white American, English and Australian folk songs. The Greenwich Village club was so successful that Josephson soon opened a larger Cafe Society Uptown, at which White also performed, gaining him recognition by the New York Times as the "Darling of Fifth Avenue". The Roosevelt family, New York society, international royalty, and Hollywood stars regularly came to see White at the Cafe Society, and he used his fame and visibility to create, foster and develop relations between blacks and whites, making him a national figure and voice of racial integration in America. He was thought to have had numerous romantic liaisons with wealthy society women, singers, and Hollywood actresses, but the rumors were never substantiated. The women in question always referred to White as their close friend, and Lena Horne and Eartha Kitt also referred to him as a mentor. The Cafe Society made White a star and put him in a unique position as an African American. However, because of the club's unique social status of mixing the races, it also became a haven for New York's social progressives, whose politics leaned to the left. As it played a vital role in White's ascendancy to stardom, it would also one day play a crucial role in his fall from grace.
Question: What day
Answer: 11,
Question: When was he born
Answer: February 11, 1914,
Question: What city | [
"Greenville,"
] |
Title: Manchu people
Background: The Manchu (Manchu: manjU; Mollendorff: manju; Abkai: manju; simplified Chinese: Man Zu ; traditional Chinese: Man Zu ; pinyin: Manzu; Wade-Giles: Man3-tsu2) are an ethnic minority in China and the people from whom Manchuria derives its name. They are sometimes called "red-tasseled Manchus", a reference to the ornamentation on traditional Manchu hats. The Later Jin (1616-1636), and Qing dynasty (1636-1912) were established by Manchus, who are descended from the Jurchen people who earlier established the Jin dynasty (1115-1234) in China. Manchus form the largest branch of the Tungusic peoples and are distributed throughout China, forming the fourth largest ethnic group in the country.
Section: Octagonal drum
Passage: Octagonal drum is a type of Manchu folk art that was very popular among bannermen, especially in Beijing. It is said that octagonal drum originated with the snare drum of the Eight-banner military and the melody was made by the banner soldiers who were on the way back home from victory in the battle of Jinchuan. The drum is composed of wood surrounded by bells. The drumhead is made by wyrmhide with tassels at the bottom. The colors of the tassels are yellow, white, red, and blue, which represent the four colors of the Eight Banners. When artists perform, they use their fingers to hit the drumhead and shake the drum to ring the bells. Traditionally, octagonal drum is performed by three people. One is the harpist; one is the clown who is responsible for harlequinade; and the third is the singer. "Zidishu" is the main libretto of octagonal drum and can be traced back to a type of traditional folk music called the "Manchu Rhythm". Although Zidishu was not created by Han Chinese, it still contains many themes from Chinese stories, such as Romance of the Three Kingdoms, Dream of the Red Chamber, Romance of the West Chamber, Legend of the White Snake and Strange Stories from a Chinese Studio. Additionally, there are many works that depict the lives of Bannermen. Aisin Gioro Yigeng, who was pen named "Helu" and wrote the sigh of old imperial bodyguard, as the representative author. Zidishu involves two acts of singing, which are called dongcheng and xicheng. After the fall of the Qing dynasty, the influence of the octagonal drum gradually reduced. However, the Chinese monochord and crosstalk which derived from octagonal are still popular in Chinese society and the new generations. Many famous Chinese monochord performers and crosstalkers were the artists of octagonal drum, such as De Shoushan and Zhang Sanlu.
Question: Did the Manchu people create the Octagonal drum?
Answer: It is said that octagonal drum originated with the snare drum of the Eight-banner military and the melody was made by the banner soldiers
Question: What material was the drum made from? | [
"The drumhead is made by wyrmhide with tassels at the bottom."
] |
Title: Willow Rosenberg
Background: Willow Danielle Rosenberg is a fictional character created for the fantasy television series Buffy the Vampire Slayer (1997-2003). She was developed by Joss Whedon and portrayed throughout the TV series by Alyson Hannigan. Willow plays an integral role within the inner circle of friends--called the Scooby Gang--who support Buffy Summers, a teenager gifted with superhuman powers to defeat vampires, demons, and other evil in the fictional town of Sunnydale. The series begins as Buffy, Willow, and their friend Xander are in 10th grade and Willow is a shy, nerdy girl with little confidence.
Section: Season 7
Passage: The seventh season starts with Willow in England, unnerved by her power, studying with a coven near Giles' home to harness it. She fears returning to Sunnydale and what she is capable of doing if she loses control again, a fear that dogs her the whole season. Buffy and the Scoobies face the First Evil, bent on ending the Slayer line and destroying the world. Potential Slayers from around the globe congregate at Buffy's home and she trains them to battle the First Evil. Willow continues to face her grief over Tara's death and, reluctantly, becomes involved with one of the Potentials, Kennedy (Iyari Limon). In the final episode of the series, "Chosen", Buffy calls upon Willow to perform the most powerful spell she has ever attempted. With Kennedy nearby, cautioned to kill her if she becomes out of control, Willow infuses every Potential Slayer in the world with the same powers Buffy and Faith have. The spell momentarily turns her hair white and makes her glow--Kennedy calls her "a goddess"--and it ensures that Buffy and the Potentials defeat the First Evil. Willow is able to escape with Buffy, Xander, Giles, and Kennedy as Sunnydale is destroyed. Through the gamut of changes Willow endures in the series, Buffy studies scholar Ian Shuttleworth states that Alyson Hannigan's performances are the reason for Willow's popularity: "Hannigan can play on audience heartstrings like a concert harpist... As an actress she is a perfect interpreter in particular of the bare emotional directness which is the specialty of [series writer Marti] Noxon on form."
Question: How does season 7 start for Willow?
Answer: The seventh season starts with Willow in England, unnerved by her power,
Question: Does she ever return to her home? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Willow Rosenberg
Background: Willow Danielle Rosenberg is a fictional character created for the fantasy television series Buffy the Vampire Slayer (1997-2003). She was developed by Joss Whedon and portrayed throughout the TV series by Alyson Hannigan. Willow plays an integral role within the inner circle of friends--called the Scooby Gang--who support Buffy Summers, a teenager gifted with superhuman powers to defeat vampires, demons, and other evil in the fictional town of Sunnydale. The series begins as Buffy, Willow, and their friend Xander are in 10th grade and Willow is a shy, nerdy girl with little confidence.
Section: Seasons 1-3
Passage: The Buffy television series first aired mid-season in March 1997, almost immediately earning positive critical reviews. Willow is presented as a bookish nerd with considerable computer skills, dowdily dressed and easily intimidated by more popular girls in school. She grows faint at the sight of monsters, but quickly forms a friendship with Buffy Summers (Sarah Michelle Gellar) and is revealed to have grown up as friends with Xander (Nicholas Brendon). They are mentored by the school librarian who is also Buffy's Watcher, Rupert Giles (Anthony Stewart Head), who often works closely with Willow in researching the various monsters the group encounters. Joss Whedon found that Hannigan was especially gifted reacting with fear (calling her the "king of pain") and viewers responded strongly when she was placed in danger, needing to be rescued by Buffy. Willow in various predicaments became common in early episodes. However, Willow establishes herself as integral to the group's effectiveness, often willing to break rules by hacking into highly secure computer systems. In the second season when the characters are in 11th grade, Willow becomes more sure of herself, standing up to the conceited Cordelia Chase (Charisma Carpenter), and approaching Xander, on whom she has had a crush for years, although it is unrequited as Xander is in love with Buffy. Seth Green joined the cast during the second season as Oz, a high school senior who becomes a werewolf, and Willow's primary romantic interest. The show's popularity by early 1998 was evident to the cast members, and Hannigan remarked on her surprise specifically. Willow was noted to be the spirit of the Scooby Gang, and Hannigan attributed Willow's popularity with viewers (she had by May 1998 seven websites devoted to her) to being an underdog who develops confidence and is accepted by Buffy, a strong, popular person in school. Hannigan described her appeal: "Willow is the only reality-based character. She really is what a lot of high-schoolers are like, with that awkwardness and shyness, and all those adolescent feelings." At the end of the second season, Willow begins to study magic following the murder of the computer teacher and spell caster Jenny Calendar (Robia LaMorte). Willow is able to perform a complicated spell to restore the soul of Angel, a vampire who is also Calendar's murderer and Buffy's boyfriend. During the third season three episodes explore Willow's backstory and foreshadow her development. In "Gingerbread", her home life is made clearer: Sunnydale falls under the spell of a demon who throws the town's adults into a moral panic, and Willow's mother is portrayed as a career-obsessed academic who is unable to communicate with her daughter, eventually trying to burn Willow at the stake for being involved in witchcraft; her father is never featured. In "The Wish" a vengeance demon named Anya (Emma Caulfield) grants Cordelia's wish that Buffy never came to Sunnydale, showing what would happen if it were overrun with vampires. In this alternate reality, Willow is an aggressively bisexual vampire. In a related episode, "Doppelgangland", Willow meets "Vamp Willow", who dresses provocatively and flirts with her.
Question: When was season 1 released?
Answer: The Buffy television series first aired mid-season in March 1997,
Question: How does it start?
Answer: Willow is presented as a bookish nerd with considerable computer skills, dowdily dressed and easily intimidated by more popular girls in school.
Question: When does that change?
Answer: but quickly forms a friendship with Buffy Summers
Question: Who is buffy summers?
Answer: Sarah Michelle Gellar
Question: Are there any other interesting aspects about this article?
Answer: In the second season when the characters are in 11th grade, Willow becomes more sure of herself,
Question: How does the 3rd season start? | [
"the third season three episodes explore Willow's backstory and foreshadow her development."
] |
Title: Judd Apatow
Background: Judd Apatow (; born December 6, 1967) is an American producer, writer, director, stand-up comedian and actor. He is the founder of Apatow Productions, through which he produced and developed the television series Freaks and Geeks, Undeclared, Girls, Love, and Crashing and directed the films The 40-Year-Old Virgin (2005), Knocked Up (2007), Funny People (2009), This Is 40 (2012), and Trainwreck (2015).
Section: Debate
Passage: In 2007 New York magazine noted that [former Apatow associate] Mike White ... was "disenchanted" by Apatow's later films, "objecting to the treatment of women and gay men in Apatow's recent movies", saying of Knocked Up: "At some point it starts feeling like comedy of the bullies, rather than the bullied." In a highly publicized Vanity Fair interview, lead actress Katherine Heigl admitted that though she enjoyed working with Apatow, she had a hard time enjoying Knocked Up herself, calling the movie "a little sexist", saying that the film "paints the women as shrews, as humorless and uptight". In response to accusations of sexism, Apatow told an interviewer that the characters in the film Knocked Up "are sexist at times... but it's really about immature people who are afraid of women and relationships and learn to grow up." Kristen Wiig, in a speech presenting Apatow with the Herb Sargent Award for Comedy Excellence in February 2012 said that he was an "incredible collaborator and supporter" and in a 2011 interview with Elle, television actress and writer Lena Dunham, who has collaborated often with Apatow said of his work, "Knocked Up is really about love. ... His movies are about people trying to get closer to themselves. He's the perfect match for a story about being 25, because that's all 25-year-olds are interested in. The other problems they encounter--money issues, conflicts at work--don't matter." Alyssa Rosenberg of ThinkProgress praised Apatow for his "wonderfully refreshing" approach to women and comedy, quoting Apatow as saying "I got bored of penises. I said, 'enough of that.' No, I just like immaturity, I like to show people struggle and try to figure out who they are. I'm a guy and so it leaned guy for a while. But one of the projects I'm most proud of is Freaks and Geeks, which is about a woman in high school struggling to figure out which group she wants to belong to, so for me, it goes back and forth. ..."
Question: What was there to debate about?
Answer: "objecting to the treatment of women and gay men in Apatow's recent movies",
Question: Are there any other interesting aspects about this article?
Answer: Alyssa Rosenberg of ThinkProgress praised Apatow for his "wonderfully refreshing" approach to women and comedy,
Question: How was it taken by the public? | [
"CANNOTANSWER",
"Not enough information",
"Cannot answer",
"Do not know"
] |
Title: Judd Apatow
Background: Judd Apatow (; born December 6, 1967) is an American producer, writer, director, stand-up comedian and actor. He is the founder of Apatow Productions, through which he produced and developed the television series Freaks and Geeks, Undeclared, Girls, Love, and Crashing and directed the films The 40-Year-Old Virgin (2005), Knocked Up (2007), Funny People (2009), This Is 40 (2012), and Trainwreck (2015).
Section: Criticisms of hypocrisy
Passage: During his work on the Larry Sanders Show, Apatow was nominated for five Emmys, as well as a Critics' Choice Television Award. In 2007, he was nominated for a Grammy and a Golden Globe for co-writing the song "Walk Hard" (nominated for Best Song Written for Motion Picture). Apatow's work was also nominated for Outstanding Comedy Series at the 2012 and 2013 Primetime Emmys for Girls and was also nominated at the Critics' Choice Television Awards for Girls. In 2012, Apatow received the Hollywood Comedy Award at the 16th annual Hollywood Film Awards presented by the Hollywood Film Festival. In the 2013 Critics Choice Award Nominations from the Broadcast Film Critics Association, Apatow's film This Is 40 was nominated for Best Comedy as were Leslie Mann and Paul Rudd for their performances in the film. On January 10, 2013, the Broadcast Film Critics Association awarded Apatow the Critics' Choice Louis XIII Genius Award named after a cognac. On October 3, 2013, The San Diego Film Festival awarded Apatow the esteemed Visionary Filmmaker Award. Apatow has been nominated for three Awards Circuit Community Awards, once for Best Director for the 2007 film Knocked Up and twice for Best Original Screenplay for Knocked Up and The 40-Year-Old Virgin, for which he shared the nomination with star and co-writer Steve Carell. Apatow was also nominated for the Writers Guild of America Award for Best Original Screenplay for his work on The 40-Year-Old Virgin, a nomination also shared with Carell, and Knocked Up. In 2015, Apatow's film Trainwreck was nominated for 2 Golden Globe Awards, including a nomination for Best Motion Picture - Musical or Comedy, the first film directed by Apatow to achieve this feat. The film was also nominated for 3 Critics' Choice Movie Awards, including Best Comedy.
Question: Is Apatow seen as hypocritical?
Answer: During his work on the Larry Sanders Show, Apatow was nominated for five Emmys, as well as a Critics' Choice Television Award.
Question: What was the movie nominated for? | [
"was nominated for Best Comedy as were Leslie Mann and Paul Rudd for their performances in the film."
] |
Title: The Outfield
Background: The Outfield were an English rock band based in London, England. The band achieved success in the mid-1980s and are best remembered for their hit single, "Your Love". The band's lineup consisted of guitarist John Spinks, vocalist and bassist Tony Lewis, and drummer Alan Jackman. They had an unusual experience for a British band in that they enjoyed commercial success in the US, but never in their homeland.
Section: Subsequent efforts and continued success (1987-1991)
Passage: 1987 saw the release of their second album, Bangin'. This album did not achieve the acclaim of Play Deep, but it did spawn a Top 40 single "Since You've Been Gone" (not to be confused with the 1970s Rainbow and Head East hit of the same name) and the minor radio/MTV hit "No Surrender", and the album was certified Gold in the US A US summer tour opening for Night Ranger followed. For the group's third album, 1989's Voices of Babylon, a new producer (David Kahne) and sound was evident. The title track was a Top 25 single and "My Paradise" was a mid-sized album-rock hit, but overall the group's popularity continued to decline. After the Babylon LP, Alan Jackman parted ways with the band and was replaced for a concert tour by Paul Read. Spinks and Lewis continued as a duo, switched labels and began recording Diamond Days for MCA. Playing drums on the disc was session drummer Simon Dawson. The LP, released in 1990, produced a Top 30 US hit, "For You". Quick to follow was "One Hot Country", included on the soundtrack for the 1991 action film If Looks Could Kill. The Outfield returned with 1992's Rockeye. Its leadoff single, "Closer to Me", was a near Top 40 hit, and a second release, "Winning It All", gained some notice due to extensive play during NBC's NBA Finals coverage, NBA Superstars series featuring Larry Bird, the 1992 Barcelona Summer Olympics and the film The Mighty Ducks. Simon Dawson, who played on Rockeye, would eventually become the band's official third member.
Question: Who is the lead singer of the Outfield?
Answer: CANNOTANSWER
Question: Where did the band have success?
Answer: the release of their second album, Bangin'. This album did not achieve the acclaim of Play Deep, but it did spawn a Top 40 single "Since You've Been Gone" (
Question: When was Bangin released?
Answer: 1987
Question: Did the band have any other top 40 hits? | [
"The LP, released in 1990, produced a Top 30 US hit, \"For You\". Quick to follow was \"One Hot Country\","
] |
Title: The Outfield
Background: The Outfield were an English rock band based in London, England. The band achieved success in the mid-1980s and are best remembered for their hit single, "Your Love". The band's lineup consisted of guitarist John Spinks, vocalist and bassist Tony Lewis, and drummer Alan Jackman. They had an unusual experience for a British band in that they enjoyed commercial success in the US, but never in their homeland.
Section: Formation and commercial success (1984-1986)
Passage: Bassist/singer Tony Lewis, guitarist/keyboardist and songwriter John Spinks and drummer Alan Jackman played together in the late 1970s in a straightforward power pop band called Sirius B. After rehearsing for about six months and playing several gigs, their style did not match the punk rock that was surging in popularity in England and they broke up. Several years afterward, the three gathered back together in London's East End under the name The Baseball Boys. They performed in and around England until a demo got them signed to Columbia/CBS Records in 1984. Spinks adopted the name 'Baseball Boys' from a teen gang called "The Baseball Furies" in the cult film The Warriors, a movie that he had just seen. Although he used the name as a joke and "just to be outrageous", record company people responded favourably. The band got a reputation as a very "American-sounding" group and signed in the US after playing for just a few months in England. Their manager, an American living in England, recommended a new band name with a similar attitude since 'Baseball Boys' seemed too "tacky" and "tongue-in-cheek". Spinks has said, "the Outfield was the most left-wing kind of thing we liked." Spinks expressed an interest for the American sport of baseball, while also being a devoted fan of association football. He claimed that the group "didn't know what an outfield was" until they came to the US, and that "We're just learning about baseball. It's an acquired taste and we're trying to acquire a taste for it." He expounded upon this in a Chicago Tribune piece: The thing about American sports - baseball and football - is that they're far more show business, far more a spectacle, than British sports. In England, it's just sort of everyday soccer matches. You get 30,000 people in the freezing cold in the middle of winter watching guys chase around in mud. In America, you have the sunny days, and the baseball diamond is really nicely laid out. In England, you'd see these guys covered in mud within 10 minutes. It's not such a nice spectacle to watch. Their debut album, Play Deep, produced by William Wittman, was issued in 1985, and was a success. The album would go on to reach triple platinum sales status and the Top 10 in the US album charts; it also featured a Top 10 single entry with "Your Love", which peaked at No. 6. It went on to be featured in a number of 80s-themed compilation albums, and over 1,000 covers and remixes by other artists have been released physically and/or online. The band toured extensively, opening for Journey and Starship. Spinks made a point of mentioning in interviews that the band was "totally into not smoking or doing drugs".
Question: When was the Outfield formed?
Answer: played together in the late 1970s
Question: Are there any other interesting aspects about this article?
Answer: Spinks adopted the name 'Baseball Boys' from a teen gang called "The Baseball Furies" in the cult film The Warriors, a movie that he had just seen.
Question: Who lead to their commercial success?
Answer: Columbia/CBS Records
Question: When did they sign with them?
Answer: 1984.
Question: Did any songs chart? | [
"it also featured a Top 10 single entry with \"Your Love\", which peaked at No. 6."
] |
Title: Billie Jean King
Background: King was born in Long Beach, California, into a conservative Methodist family, the daughter of Betty (nee Jerman), a housewife, and Bill Moffitt, a firefighter. Billie Jean's family was athletic. Her mother excelled at swimming, her father played basketball, baseball and ran track. Her younger brother, Randy Moffitt, became a Major League Baseball pitcher, pitching for 12 years in the major leagues for the San Francisco Giants, Houston Astros, and Toronto Blue Jays.
Section: Player compensation
Passage: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her. King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles. King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved. King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487. In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes. In 1982, King was 38 years old and the twelfth-seed at Wimbledon. In her third round match with Tanya Harford of South Africa, King was down 7-5, 5-4 (40-0) before saving three match points to win the second set 7-6(2) and then the third set 6-3. King said in her post-match press conference, "I can't recall the previous time I have been so close to defeat and won. When I was down 4-5 and love-40, I told myself, 'You have been here 21 years, so use that experience and hang on.'" In the fourth round, King upset sixth-seeded Australian Wendy Turnbull in straight sets. King then upset third-seeded Tracy Austin in the quarterfinals 3-6, 6-4, 6-2 to become the oldest female semifinalist at Wimbledon since Dorothea Douglass Lambert Chambers in 1920. This was King's first career victory over Austin after five defeats and reversed the result of their 1979 Wimbledon quarterfinal. King said in her post-match press conference, "Today, I looked at the scoreboard when I was 2-0 in the third set and the '2' seemed to be getting bigger and bigger. In 1979, when I was up 2-0 at the same stage, I was tired and didn't have anything left. But today I felt so much better and was great mentally." Two days later in the semifinals, which was King's 250th career match at Wimbledon in singles, women's doubles, and mixed doubles, the second-seeded Chris Evert defeated King on her fifth match point 7-6(4), 2-6, 6-3. King was down a set and 2-1 in the second set before winning five consecutive games to even the match. King explained that she actually lost the match in the first set by failing to convert break points at 15-40 in the second and fourth games. She reached the semifinals in her final appearance at Wimbledon, losing to Andrea Jaeger 6-1, 6-1 after beating Kathy Jordan in the quarterfinals, seventh-seeded Wendy Turnbull in the fourth round, and Rosemary Casals, her longtime doubles partner, in the third round. Jaeger claims that she was highly motivated to defeat King because King had defeated Turnbull, a favorite of Jaeger's, and because King refused a towel from an attendant just before her match with Jaeger, explaining, "I'm not going to sweat in this match." King became the oldest WTA player to win a singles tournament when she won the Edgbaston Cup grass court tournament in Birmingham at 39 years, 7 months and 23 days after a straight-sets victory in the final against Alycia Moulton. The final official singles match of King's career was a second round loss to Catherine Tanvier at the 1983 Australian Open. Before the start of the open era in 1968, King earned US$100 a week as a playground instructor and student at Los Angeles State College when not playing in major tennis tournaments. In 1967, King criticized the United States Lawn Tennis Association (USLTA) in a series of press conferences, denouncing what she called the USLTA's practice of "shamateurism", where top players were paid under the table to guarantee their entry into tournaments. King argued that this was corrupt and kept the game highly elitist. King quickly became a significant force in the opening of tennis to professionalism. King said this about the amateur game, In America, tennis players are not people. If you are in tennis, you are a cross between a panhandler and a visiting in-law. You're not respected, you're tolerated. In England, you're respected as an artist. In Europe, you're a person of importance. Manuel Santana gets decorated by Franco. The Queen leads the applause. How many times have I been presented at the White House? You work all your life to win Wimbledon and Forest Hills and all the people say is, "That's nice. Now what are you going to do with your life?" They don't ask Mickey Mantle that. Stop 12 people on the street and ask them who Roy Emerson is and they're stuck for an answer, but they know the third-string right guard for the Rams. I'd like to see tennis get out of its "sissy" image and see some guy yell, "Hit it, ya bum" and see it be a game you don't have to have a lorgnette or a sash across your tuxedo to get in to watch.
Question: Can you give me some information on the Player compensation?
Answer: "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her.
Question: What are some other key points to the career Grand slam?
Answer: King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles.
Question: Did he win anything else?
Answer: In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4.
Question: How many tournaments did she participate in? | [
"12"
] |
Title: Aleksandr Solzhenitsyn
Background: Aleksandr Isayevich Solzhenitsyn (; 11 December 1918 - 3 August 2008) was a Russian novelist, historian, and short story writer. He was an outspoken critic of the Soviet Union and communism and helped to raise global awareness of its Gulag forced labor camp system. He was allowed to publish only one work in the Soviet Union, One Day in the Life of Ivan Denisovich (1962), in the periodical Novy Mir.
Section: World War II
Passage: During the war, Solzhenitsyn served as the commander of a sound-ranging battery in the Red Army, was involved in major action at the front, and was twice decorated. He was awarded the Order of the Red Star on 8 July 1944 for sound-ranging two German artillery batteries and adjusting counterbattery fire onto them, resulting in their destruction. A series of writings published late in his life, including the early uncompleted novel Love the Revolution!, chronicles his wartime experience and his growing doubts about the moral foundations of the Soviet regime. While serving as an artillery officer in East Prussia, Solzhenitsyn witnessed war crimes against local German civilians by Soviet military personnel. The noncombatants and the elderly were robbed of their meager possessions and women and girls were gang-raped to death. A few years later, in the forced labor camp, he memorized a poem titled "Prussian Nights" about these incidents. In this poem, which describes the gang-rape of a Polish woman whom the Red Army soldiers mistakenly thought to be a German, the first-person narrator comments on the events with sarcasm and refers to the responsibility of official Soviet writers like Ilya Ehrenburg. In The Gulag Archipelago, Solzhenitsyn wrote, "There is nothing that so assists the awakening of omniscience within us as insistent thoughts about one's own transgressions, errors, mistakes. After the difficult cycles of such ponderings over many years, whenever I mentioned the heartlessness of our highest-ranking bureaucrats, the cruelty of our executioners, I remember myself in my Captain's shoulder boards and the forward march of my battery through East Prussia, enshrouded in fire, and I say: 'So were we any better?'"
Question: What was Solzhenitsyn's role during World War II?
Answer: Solzhenitsyn served as the commander of a sound-ranging battery in the Red Army,
Question: Where did he serve during the war? | [
"East Prussia,"
] |
Title: Osceola
Background: Osceola was named Billy Powell at birth in 1804 in the Creek village of Talisi. now known as Tallassee, Alabama, in current Elmore County. "The people in the town of Tallassee...were mixed-blood Native American/English/Irish/Scottish, and some were black. Billy was all of these."
Section: Relics
Passage: After Osceola's death, army doctor Frederick Weedon persuaded the Seminole to allow him to make a death mask of Osceola, this being a European-American custom at the time for prominent people. Later he removed Osceola's head and embalmed it. For some time, Weedon kept the head and a number of personal objects Osceola had given him. Later, Weedon gave the head to his son-in-law Daniel Whitehurst. In 1843, Whitehurst sent the head to Valentine Mott, a New York physician. Mott placed it in his collection at the Surgical and Pathological Museum. It was presumably lost when a fire destroyed the museum in 1866. Some of Osceola's belongings are still held by the Weedon family, while others have disappeared. Captain Pitcairn Morrison sent the death mask and some other objects collected by Weedon to an army officer in Washington. By 1885, the death mask and some of Osceola's belongings had arrived in the anthropology collection of the Smithsonian Institution, where they are still held. In 1966, Miami businessman Otis W. Shriver claimed he had dug up Osceola's grave and put his bones into a bank vault to rebury them at a tourist site at the Rainbow Springs. Shriver traveled around the state in 1967 to gather support for his project. Archaeologists later proved that Shriver had dug up animal remains; Osceola's body was still in its coffin. In 1979 the Seminole Nation of Oklahoma bought Osceola's bandolier and other personal items from a Sotheby's auction. Because of the chief's significance, over time some people have created forgeries of Osceola's belongings. Rumors persist that his embalmed head has been found in various locations.
Question: what aappenne after his deah
Answer: After Osceola's death, army doctor Frederick Weedon persuaded the Seminole to allow him to make a death mask of Osceola,
Question: did he torch any of his body part | [
"Later he removed Osceola's head and embalmed it."
] |
Title: Osceola
Background: Osceola was named Billy Powell at birth in 1804 in the Creek village of Talisi. now known as Tallassee, Alabama, in current Elmore County. "The people in the town of Tallassee...were mixed-blood Native American/English/Irish/Scottish, and some were black. Billy was all of these."
Section: 1830s resistance and war leader
Passage: Through the 1820s and the turn of the decade, American settlers kept up pressure on the US government to remove the Seminole from Florida to make way for their desired agricultural development. In 1832, a few Seminole chiefs signed the Treaty of Payne's Landing, by which they agreed to give up their Florida lands in exchange for lands west of the Mississippi River in Indian Territory. According to legend, Osceola stabbed the treaty with his knife, although there are no contemporary reports of this. Five of the most important Seminole chiefs, including Micanopy of the Alachua Seminole, did not agree to removal. In retaliation, the US Indian agent, Wiley Thompson, declared that those chiefs were deposed from their positions. As US relations with the Seminole deteriorated, Thompson forbade the sale of guns and ammunition to them. Osceola, a young warrior rising to prominence, resented this ban. He felt it equated the Seminole with slaves, who were forbidden to carry arms. Thompson considered Osceola to be a friend and gave him a rifle. Osceola had a habit of barging into Thompson's office and shouting complaints at him. On one occasion Osceola quarreled with Thompson who had the warrior locked up at Fort King for a two nights until he agreed to be more respectful. In order to secure his release, Osceola agreed to sign the Treaty of Payne's Landing and to bring his followers into the fort. After his humiliating imprisonment, Osceola secretly prepared vengeance against Thompson. On December 28, 1835, Osceola, with the same rifle Thompson gave him, killed Wiley Thompson. Osceola and his followers shot six others outside Fort King, while another group of Seminole ambushed and killed a column of US Army, over 100 troops, marching from Fort Brooke to Fort King, in what Americans called the Dade Massacre. These nearly simultaneous attacks began the Second Seminole War.
Question: What was Osceola's role in the resistance?
Answer: Osceola stabbed the treaty with his knife, although there are no contemporary reports of this.
Question: why did they want to remove the seminole? | [
"to make way for their desired agricultural development."
] |
Title: Hasan al-Askari
Background: Hasan ibn Ali ibn Muhammad (c. 846 - 874) was the 11th Imam of Twelver Shia Islam, after his father Ali al-Hadi. He was also called Abu Muhammad and Ibn al-Ridha. Because Samarra, the city where he lived, was a garrison town, he is generally known as al-Askari (Askar is the word for military in Arabic). Al-Askari married Narjis Khatun and was kept under house arrest or in prison for most of his life, until, according to some Shia sources, he was poisoned at the age of 28 on the orders of the Abbasid caliph Al-Mu'tamid and was buried in Samarra.
Section: His wife
Passage: Various legends relate to al-Askari's wife, Narjis Khatun (the mother of the twelfth Imam, Muhammad al-Mahdi). It is said that al-Askari's father, Ali al-Hadi, wrote a letter in the script of Rum; put it in a red purse, with 220 Dinars; and gave it to his friend Bashar ibn Sulaiman. The letter instructed him to go to Baghdad, to a ferry place on the river where the boats from Syria were unloaded, and female slaves were sold. Bashar was told to look out for a shipowner named Amr ibn Yazid, who had a slave girl who would call out in the language of Rum: "Even if you have wealth and the glory of Solomon the son of David, I can never have affection for you, so take care lest you waste your money." And that if a buyer approached her, she would say "Cursed be the man who unveils my eyebrow!" Her owner would then protest, "But what recourse do I have I; I am compelled to sell you?" "You will then hear the slave answer", said the Imam, "Why this hast, let me choose my purchaser, that my heart may accept him in confidence and gratitude." Bashar gave the letter, as he was instructed, to the slave girl; who read it, and was not able to keep from crying afterward. Then she said to Amr ibn Yezid, "Sell me to the writer of this letter, for if you refuse I will surely kill myself." "I therefore talked over the price with Amr until we agreed on the 220 Dinars my master had given me," said Bashar. On her way to Samarra, the slave girl would kiss the letter and rub it to her face and body; and when asked by Bashar why she did so despite not knowing the writer of the letter, she said, "May the offspring of the Prophet dispel your doubts!" Later on, however, she gave a full description of the dream she had had, and how she had escaped from her father's palace. A lengthier version of this story is recorded in Donaldson's book, along with further discussion on the authenticity of this story. Some Shia sources have recorded her as being a "Roman (i.e. Byzantine) princess" who pretended to be a slave so that she might travel from her kingdom to Arabia. Mohammad Ali Amir-Moezzi, in the Encyclopedia of Iranica, suggests that the last version is "undoubtedly legendary and hagiographic".
Question: What was his wife's name?
Answer: Narjis Khatun
Question: Who was she?
Answer: female slaves were sold.
Question: Was she a slave?
Answer: Some Shia sources have recorded her as being a "Roman (i.e. Byzantine) princess" who pretended to be a slave
Question: Did Hasan buy her?
Answer: al-Askari's father, Ali al-Hadi, wrote a letter in the script of Rum; put it in a red purse, with 220 Dinars; and
Question: What did Ali do with the red purse?
Answer: instructed him to go to Baghdad, to a ferry place on the river where the boats from Syria were unloaded, and female slaves were sold.
Question: Did they marry right away?
Answer: she said to Amr ibn Yezid, "Sell me to the writer of this letter, for if you refuse I will surely kill myself." "
Question: Was her dream significant in some way? | [
"last version is \"undoubtedly legendary and hagiographic"
] |
Title: Hasan al-Askari
Background: Hasan ibn Ali ibn Muhammad (c. 846 - 874) was the 11th Imam of Twelver Shia Islam, after his father Ali al-Hadi. He was also called Abu Muhammad and Ibn al-Ridha. Because Samarra, the city where he lived, was a garrison town, he is generally known as al-Askari (Askar is the word for military in Arabic). Al-Askari married Narjis Khatun and was kept under house arrest or in prison for most of his life, until, according to some Shia sources, he was poisoned at the age of 28 on the orders of the Abbasid caliph Al-Mu'tamid and was buried in Samarra.
Section: Birth and early life
Passage: Hasan al-Askari was born during a period when his father Ali al-Hadi, the tenth Imam, was suspected of being involved in a conspiracy against the Caliph Al-Mutawakkil. There is doubt as to whether al-Askari was born in Medina or Samarra. According to authentic shia hadith he was born in Medina on the 8th of Rabiul Akhar 232 Hijri (4 December 846 AD) and died in Samarrah Iraq on the 8th of Rabiul Awwal 260 Hijri (4 January 874) aged 28. The period of his imamate was 6 years. He was taken along with his family to Samarra in the year 230, 231 or 232 A.H., and was kept there under house arrest. In Samarra, al-Askari spent most of his time reading the Quran and the Sharia. According to Donaldson, al-Askari must also have studied languages, for in later years it was known that he could speak Hindi with the pilgrims from India, Turkish with the Turks, and Persian with the Persians. According to Shia accounts, however, it is part of the divine knowledge given to all Imams to be able to speak all human languages. It is said that even as a child, al-Askari was endowed with divine knowledge. One day a man passed by him, and saw that he was crying. The man told him he would buy a toy that he might play with. "No!" said al-Askari, "We have not been created for play." The man was amazed at this answer and said, "Then, what for have we been created?" "For knowledge and worship." answered the child. The man said "Where have you got this from?" Al-Askari said, "From the saying of God, Did you then think that We had created you in vain." The man was confused, so he said, "What has happened to you while you are guiltless, little child?" al-Askari said, "Be away from me! I have seen my mother set fire to big pieces of firewood, but fire is not lit except with small pieces, and I fear that I shall be from the small pieces of the firewood of the Hell." Al-Askari's mother, as in the case of the majority of The Twelve Imams, was a slave girl who was honoured after bearing children with the title Umm walad (mother of offspring). Her given name was Hadith, though some say she was called Susan, Ghazala, Salil, or Haribta. Al-Askari had other brothers, and among them was Ja'far who was also known as Ja'far al-Zaki or Jaffar-us-Sani. His other brother was Husayn, and together he and al-Askari were known as "as-Sibtayn", after their two grandfathers Hasan and Husayn, who were also called as-Sibtayn.
Question: When was he born?
Answer: on the 8th of Rabiul Akhar 232 Hijri (4 December 846 AD)
Question: where was he born?
Answer: There is doubt as to whether al-Askari was born in Medina or Samarra.
Question: Did he have siblings? | [
"Al-Askari had other brothers, and among them was Ja'far who was also known as Ja'far al-Zaki or Jaffar-us-Sani."
] |
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