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allow us to hope that nolan is poised to embark a major career as a commercial yet inventive filmmaker .

it take a strange kind of laziness to waste the talents of robert forster , anne meara , eugene levy , and reginald veljohnson all in the same movie .

... the film suffer from a lack of humor ( something needed to balance out the violence ) ...

even horror fans will most likely not find what they 're seeking with trouble every day ; the movie lack both thrills and humor .

a gorgeous , high-spirited musical from india that exquisitely blend music , dance , song , and high drama .

audrey tatou have a knack for picking roles that magnify her outrageous charm , and in this literate french comedy , she 's as morning-glory exuberant as she was in amélie .

in its best moments , resemble a bad high school production of grease , without benefit of song .

pumpkin take an admirable look at the hypocrisy of political correctness , but it do so with such an uneven tone that you never know when humor ends and tragedy begin .

the iditarod last for days - this just felt like it did .

seldom have a movie so closely matched the spirit of a man and his work .

nicks , seemingly uncertain what 's going to make people laugh , run the gamut from stale parody to raunchy sex gags to formula romantic comedy .

the action switch between past and present , but the material link is too tenuous to anchor the emotional connections that purport to span a 125-year divide .

it 's an offbeat treat that poke fun at the democratic exercise while also examining its significance for those who take part .

... designed to provide a mix of smiles and tears , `` crossroads '' instead provoke a handful of unintentional howlers and numerous yawns .

if the movie succeed in instilling a wary sense of ` there but for the grace of god , ' it is far too self-conscious to draw you deeply into its world .

it do n't believe in itself , it have no sense of humor ... it 's just plain bored .

there 's ... tremendous energy from the cast , a sense of playfulness and excitement that seem appropriate .

this illuminating documentary transcend our preconceived vision of the holy land and its inhabitants , revealing the human complexities beneath .

the subtle strength of `` elling '' is that it never lose touch with the reality of the grim situation .

the title not only describe its main characters , but the lazy people behind the camera as well .

it offer little beyond the momentary joys of pretty and weightless intellectual entertainment .

a synthesis of cliches and absurdities that seem positively decadent in its cinematic flash and emptiness .

have a lot of the virtues of eastwood at his best .

it feel like an after-school special gussied up with some fancy special effects , and watching its rote plot points connect is about as exciting as gazing at an egg timer for 93 minutes .

so devoid of any kind of intelligible story that it make films like xxx and collateral damage seem like thoughtful treatises

manage to be both repulsively sadistic and mundane .

it 's just disappointingly superficial -- a movie that have all the elements necessary to be a fascinating , involving character study , but never do more than scratch the surface .

schaeffer have to find some hook on which to hang his persistently useless movies , and it might as well be the resuscitation of the middle-aged character .

the primitive force of this film seem to bubble up from the vast collective memory of the combatants .

for all its impressive craftsmanship , and despite an overbearing series of third-act crescendos , lily chou-chou never really build up a head of emotional steam .

use high comedy to evoke surprising poignance .

the movie fail to live up to the sum of its parts .

the son 's room is a triumph of gentility that earn its moments of pathos .

the movie achieve as great an impact by keeping these thoughts hidden as ... ( quills ) did by showing them .

it 's a scattershot affair , but when it hit its mark it 's brilliant .

hardly a masterpiece , but it introduce viewers to a good charitable enterprise and some interesting real people .

byler reveal his characters in a way that intrigue and even fascinate us , and he never reduce the situation to simple melodrama .

this riveting world war ii moral suspense story deal with the shadow side of american culture : racial prejudice in its ugly and diverse forms .

no sophomore slump for director sam mendes , who segue from oscar winner to oscar-winning potential with a smooth sleight of hand .

on the whole , the movie lack wit , feeling and believability to compensate for its incessant coarseness and banality .

his last movie was poetically romantic and full of indelible images , but his latest have nothing going for it .

do paint some memorable images ... , but makhmalbaf keep her distance from the characters

combining quick-cut editing and a blaring heavy metal much of the time , beck seem to be under the illusion that he 's shooting the latest system of a down video .

it 's great escapist fun that recreate a place and time that will never happen again .

score no points for originality , wit , or intelligence .

it haunt you , you ca n't forget it , you admire its conception and are able to resolve some of the confusions you had while watching it .

sam mendes have become valedictorian at the school for soft landings and easy ways out .

one of the smartest take on singles culture i 've seen in a long time .

moody , heartbreaking , and filmed in a natural , unforced style that make its characters seem entirely convincing even when its script is not .

every nanosecond of the the new guy remind you that you could be doing something else far more pleasurable .

come ... uncomfortably close to coasting in the treads of the bicycle thief .

warm water under a red bridge is a quirky and poignant japanese film that explore the fascinating connections between women , water , nature , and sexuality .

it seem to me the film is about the art of ripping people off without ever letting them consciously know you have done so

turn potentially forgettable formula into something strangely diverting .

a movie that remind us of just how exciting and satisfying the fantasy cinema can be when it 's approached with imagination and flair .

confirm the nagging suspicion that ethan hawke would be even worse behind the camera than he is in front of it .

in the end , we are left with something like two ships passing in the night rather than any insights into gay love , chinese society or the price one pay for being dishonest .

montias ... pump a lot of energy into his nicely nuanced narrative and surround himself with a cast of quirky -- but not stereotyped -- street characters .

it provide the grand , intelligent entertainment of a superior cast playing smart people amid a compelling plot .

suffer from the lack of a compelling or comprehensible narrative .

scooby dooby dooed / and shaggy too / you both look and sound great .

it all drag on so interminably it 's like watching a miserable relationship unfold in real time .

pumpkin mean to be an outrageous dark satire on fraternity life , but its ambitions far exceed the abilities of writer adam larson broder and his co-director , tony r. abrams , in their feature debut .

looks and feel like a project better suited for the small screen .

while ( hill ) have learned new tricks , the tricks alone are not enough to salvage this lifeless boxing film .

the best that can be said about the work here of scottish director ritchie ... is that he obviously do n't have his heart in it .

about a manga-like heroine who fight back at her abusers , it 's energetic and satisfying if not deep and psychological .

feel too formulaic and too familiar to produce the transgressive thrills of early underground work .

the volatile dynamics of female friendship is the subject of this unhurried , low-key film that is so off-hollywood that it seem positively french in its rhythms and resonance .

a big , gorgeous , sprawling swashbuckler that deliver its diversions in grand , uncomplicated fashion .

a difficult , absorbing film that manage to convey more substance despite its repetitions and inconsistencies than do most films than are far more pointed and clear .

manage to transcend the sex , drugs and show-tunes plot into something far richer .

it take talent to make a lifeless movie about the most heinous man who ever lived .

uncommonly stylish but equally silly ... the picture fail to generate much suspense , nor do it ask searching enough questions to justify its pretensions .

there seem to be no clear path as to where the story 's going , or how long it 's going to take to get there .

slapstick buffoonery can tickle many a preschooler 's fancy , but when it cost a family of four about $ 40 to see a film in theaters , why spend money on a dog like this when you can rent a pedigree instead ?

may reawaken discussion of the kennedy assassination but this fictional film look made for cable rather than for the big screen .

manage to be sweet and wickedly satisfying at the same time .

rarely have leukemia looked so shimmering and benign .

it seem like i have been waiting my whole life for this movie and now i ca n't wait for the sequel .

deliver the same old same old , tarted up with latin flava and turned out by hollywood playas .

do n't offer much besides glib soullessness , raunchy language and a series of brutal set pieces ... that raise the bar on stylized screen violence .

it 's a bad thing when a movie have about as much substance as its end credit blooper reel .

i sympathize with the plight of these families , but the movie do n't do a very good job conveying the issue at hand .

a must-see for the david mamet enthusiast and for anyone who appreciate intelligent , stylish moviemaking .

` de niro ... is a veritable source of sincere passion that this hollywood contrivance orbit around . '

a misogynistic piece of filth that attempt to pass itself off as hip , young adult entertainment .

the movie is beautiful to behold and engage one in a sense of epic struggle -- inner and outer -- that 's all too rare in hollywood 's hastier productions .

morton use her face and her body language to bring us morvern 's soul , even though the character is almost completely deadpan .

my thoughts was focused on the characters .

this is a winning ensemble comedy that show canadians can put gentle laughs and equally gentle sentiments on the button , just as easily as their counterparts anywhere else in the world .

the format get used best ... to capture the dizzying heights achieved by motocross and bmx riders , whose balletic hotdogging occasionally end in bone-crushing screwups .

inside the film 's conflict-powered plot there is a decent moral trying to get out , but it 's not that , it 's the tension that keep you in your seat .

fall neatly into the category of good stupid fun .

an artful , intelligent film that stay within the confines of a well-established genre .

not only is undercover brother as funny , if not more so , than both austin powers films , but it 's also one of the smarter , savvier spoof to come along in some time .

to say this was done better in wilder 's some like it hot is like saying the sun rise in the east .

this time mr. burns is trying something in the martin scorsese street-realist mode , but his self-regarding sentimentality trip him up again .

the movie understand like few others how the depth and breadth of emotional intimacy give the physical act all of its meaning and most of its pleasure .

once ( kim ) begin to overplay the shock tactics and bait-and-tackle metaphors , you may decide it 's too high a price to pay for a shimmering picture postcard .