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|---|---|---|---|
300 |
true tale of courage -- and complicity -- at auschwitz is a harrowing drama that try to tell of the unspeakable .
| 1 | 1 |
301 |
no screen fantasy-adventure in recent memory have the showmanship of clones ' last 45 minutes .
| 1 | 1 |
302 |
if you 've ever entertained the notion of doing what the title of this film imply , what sex with strangers actually show may put you off the idea forever .
| 0 | 2 |
303 |
once the 50 year old benigni appear as the title character , we find ourselves longing for the block of wood to come back .
| 0 | 1 |
304 |
an effectively creepy , fear-inducing ( not fear-reducing ) film from japanese director hideo nakata , who take the superstitious curse on chain letters and actually apply it .
| 1 | 2 |
305 |
sustain its dreamlike glide through a succession of cheesy coincidences and voluptuous cheap effects , not the least of which is rebecca romijn-stamos .
| 0 | 1 |
306 |
for the first time in years , de niro dig deep emotionally , perhaps because he 's been stirred by the powerful work of his co-stars .
| 1 | 1 |
307 |
not since tom cruise in risky business have an actor made such a strong impression in his underwear .
| 1 | 1 |
308 |
less dizzying than just dizzy , the jaunt is practically over before it begin .
| 0 | 1 |
309 |
overall the film feel like a low-budget tv pilot that could not find a buyer to play it on the tube .
| 0 | 1 |
310 |
worth watching for dong jie 's performance -- and for the way it document a culture in the throes of rapid change .
| 1 | 1 |
311 |
too restrained to be a freak show , too mercenary and obvious to be cerebral , too dull and pretentious to be engaging ... the isle defy an easy categorization .
| 0 | 1 |
312 |
( grant 's ) bumbling magic take over the film , and it turn out to be another winning star vehicle .
| 1 | 2 |
313 |
it get onto the screen just about as much of the novella as one could reasonably expect , and is engrossing and moving in its own right .
| 1 | 1 |
314 |
velocity represent everything wrong with '' independent film '' as a commodified , sold-out concept on the american filmmaking scene .
| 0 | 1 |
315 |
the piece play as well as it do thanks in large measure to anspaugh 's three lead actresses .
| 1 | 2 |
316 |
the man from elysian fields is a cold , bliss-less work that groan along thinking itself some important comment on how life throw us some beguiling curves .
| 0 | 2 |
317 |
american chai encourage rueful laughter at stereotypes only an indian-american would recognize .
| 0 | 1 |
318 |
my big fat greek wedding use stereotypes in a delightful blend of sweet romance and lovingly dished out humor .
| 1 | 1 |
319 |
jose campanella deliver a loosely autobiographical story brushed with sentimentality but brimming with gentle humor , bittersweet pathos , and lyric moments that linger like snapshots of memory .
| 1 | 1 |
320 |
but it still jingle in the pocket .
| 1 | 1 |
321 |
it 's a demented kitsch mess ( although the smeary digital video do match the muddled narrative ) , but it 's savvy about celebrity and have more guts and energy than much of what will open this year .
| 1 | 2 |
322 |
a working class `` us vs. them '' opera that leave no heartstring untugged and no liberal cause unplundered .
| 1 | 1 |
323 |
nelson 's brutally unsentimental approach ... suck the humanity from the film , leaving behind an horrific but weirdly unemotional spectacle .
| 0 | 1 |
324 |
like watching a dress rehearsal the week before the show go up : everything 's in place but something 's just a little off-kilter .
| 0 | 1 |
325 |
may be far from the best of the series , but it 's assured , wonderfully respectful of its past and thrilling enough to make it abundantly clear that this movie phenomenon have once again reinvented itself for a new generation .
| 1 | 1 |
326 |
if there 's one thing this world need less of , it 's movies about college that are written and directed by people who could n't pass an entrance exam .
| 0 | 1 |
327 |
writer/director joe carnahan 's grimy crime drama is a manual of precinct cliches , but it move fast enough to cover its clunky dialogue and lapses in logic .
| 1 | 1 |
328 |
there 's something auspicious , and daring , too , about the artistic instinct that push a majority-oriented director like steven spielberg to follow a.i. with this challenging report so liable to unnerve the majority .
| 1 | 1 |
329 |
not an objectionable or dull film ; it merely lack everything except good intentions .
| 0 | 1 |
330 |
a compelling spanish film about the withering effects of jealousy in the life of a young monarch whose sexual passion for her husband become an obsession .
| 1 | 1 |
331 |
not the kind of film that will appeal to a mainstream american audience , but there is a certain charm about the film that make it a suitable entry into the fest circuit .
| 1 | 1 |
332 |
by candidly detailing the politics involved in the creation of an extraordinary piece of music , ( jones ) call our attention to the inherent conflict between commerce and creativity .
| 1 | 1 |
333 |
the structure the film take may find matt damon and ben affleck once again looking for residuals as this officially complete a good will hunting trilogy that was never planned .
| 1 | 2 |
334 |
the movie do a good job of laying out some of the major issues that we encounter as we journey through life .
| 1 | 1 |
335 |
aside from minor tinkering , this is the same movie you probably loved in 1994 , except that it look even better .
| 1 | 1 |
336 |
the film make a fatal mistake : it ask us to care about a young man whose only apparent virtue is that he is not quite as unpleasant as some of the people in his life .
| 0 | 2 |
337 |
based on a devilishly witty script by heather mcgowan and niels mueller , the film get great laughs , but never at the expense of its characters
| 1 | 1 |
338 |
it 's as if you 're watching a movie that was made in 1978 but not released then because it was so weak , and it have been unearthed and released now , when it have become even weaker .
| 0 | 2 |
339 |
it 's somewhat clumsy and too lethargically paced -- but its story about a mysterious creature with psychic abilities offer a solid build-up , a terrific climax , and some nice chills along the way .
| 0 | 1 |
340 |
it confirm fincher 's status as a film maker who artfully bend technical know-how to the service of psychological insight .
| 1 | 2 |
341 |
the film contain no good jokes , no good scenes , barely a moment when carvey 's saturday night live-honed mimicry rise above the level of embarrassment .
| 0 | 2 |
342 |
it 's not original , and , robbed of the element of surprise , it do n't have any huge laughs in its story of irresponsible cops who love to play pranks .
| 0 | 1 |
343 |
this film seem thirsty for reflection , itself taking on adolescent qualities .
| 0 | 1 |
344 |
but the power of these ( subjects ) is obscured by the majority of the film that show a stationary camera on a subject that could be mistaken for giving a public oration , rather than contributing to a film 's narrative .
| 0 | 1 |
345 |
griffiths prove she 's that rare luminary who continually raise the standard of her profession .
| 1 | 2 |
346 |
a lean , deftly shot , well-acted , weirdly retro thriller that recall a raft of '60s and '70s european-set spy pictures .
| 1 | 1 |
347 |
the affectionate loopiness that once seemed congenital to demme 's perspective have a tough time emerging from between the badly dated cutesy-pie mystery scenario and the newfangled hollywood post-production effects .
| 0 | 1 |
348 |
i can take infantile humor ... but this is the sort of infantile that make you wonder about changing the director and writer 's diapers .
| 0 | 1 |
349 |
the only excitement come when the credits finally roll and you get to leave the theater .
| 0 | 1 |
350 |
the movie is dawn of the dead crossed with john carpenter 's ghosts of mars , with zombies not as ghoulish as the first and train not as big as the second .
| 0 | 1 |
351 |
it have the charm of the original american road movies , feasting on the gorgeous , ramshackle landscape of the filmmaker 's motherland .
| 1 | 1 |
352 |
exciting and direct , with ghost imagery that show just enough to keep us on our toes .
| 1 | 1 |
353 |
it want to tweak them with a taste of tangy new humor .
| 1 | 1 |
354 |
candid and comfortable ; a film that deftly balance action and reflection as it let you grasp and feel the passion others have for their work .
| 1 | 2 |
355 |
the movie , directed by mick jackson , leave no cliche unturned , from the predictable plot to the characters straight out of central casting .
| 0 | 1 |
356 |
this is the sort of burly action flick where one coincidence pummel another , narrative necessity is a drunken roundhouse , and whatever pass for logic is a factor of the last plot device left standing .
| 0 | 2 |
357 |
manage to show life in all of its banality when the intention is quite the opposite .
| 0 | 1 |
358 |
ultimately feel empty and unsatisfying , like swallowing a communion wafer without the wine .
| 0 | 1 |
359 |
collateral damage finally deliver the goods for schwarzenegger fans .
| 1 | 1 |
360 |
sometimes seem less like storytelling than something the otherwise compelling director needed to get off his chest .
| 0 | 1 |
361 |
but this film lack the passion required to sell the material .
| 0 | 2 |
362 |
given how heavy-handed and portent-heavy it is , this could be the worst thing soderbergh have ever done .
| 0 | 1 |
363 |
despite the evocative aesthetics evincing the hollow state of modern love life , the film never percolate beyond a monotonous whine .
| 0 | 1 |
364 |
... mafia , rap stars and hood rats butt their ugly heads in a regurgitation of cinematic violence that give brutal birth to an unlikely , but likable , hero . '
| 1 | 1 |
365 |
trademark american triteness and simplicity are tossed out the window with the intelligent french drama that deftly explore the difficult relationship between a father and son .
| 1 | 1 |
366 |
miller is playing so free with emotions , and the fact that children are hostages to fortune , that he make the audience hostage to his swaggering affectation of seriousness .
| 1 | 1 |
367 |
impostor have a handful of thrilling moments and a couple of good performances , but the movie do n't quite fly .
| 0 | 2 |
368 |
( serry ) want to blend politics and drama , an admirable ambition .
| 1 | 1 |
369 |
in a way , the film feel like a breath of fresh air , but only to those that allow it in .
| 1 | 1 |
370 |
visually imaginative , thematically instructive and thoroughly delightful , it take us on a roller-coaster ride from innocence to experience without even a hint of that typical kiddie-flick sentimentality .
| 1 | 1 |
371 |
bennett 's naturalistic performance speak volumes more truth than any ` reality ' show , and anybody contemplating their own drastic life changes should watch some body first .
| 1 | 1 |
372 |
the far future may be awesome to consider , but from period detail to matters of the heart , this film is most transporting when it stay put in the past .
| 1 | 1 |
373 |
have all the depth of a wading pool .
| 0 | 1 |
374 |
a subject like this should inspire reaction in its audience ; the pianist do not .
| 0 | 1 |
375 |
looking aristocratic , luminous yet careworn in jane hamilton 's exemplary costumes , rampling give a performance that could not be improved upon . '
| 1 | 1 |
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