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The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Minneapolis
true
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding United States
false
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Boston
false
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Minneapoilis
true
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding San Diego
true
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Cincinnati
false
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding New York, Chicago, Detroit, San Diego, and Minneapolis
true
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Chicago
true
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Los Angeles
false
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding New York
true
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Washington D.C
false
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding America
false
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding San Deigo
true
14
Sept11-reports/oanc-chapter-6-7.txt
false
The FBI operated a web of informants, conducted electronic surveillance, and had opened significant investigations in a number of field offices, including New York, Chicago, Detroit, San Diego, and Minneapolis. ||||| Within the United States, various FBI field offices gathered intelligence on organizations suspected of raising funds for al Qaeda or other terrorist groups.
Where were field offices opened to investigate al Qaeda funding Saudia Arabia
false
14
Sept11-reports/oanc-chapter-6-7.txt
false
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Is the entire Norman screen the work of Remigius, or did he only begin it He completed it
false
0
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Is the entire Norman screen the work of Remigius, or did he only begin it No, the relief work was Late Norman and Early English
true
0
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Is the entire Norman screen the work of Remigius, or did he only begin it He began it
true
0
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
Which sculpture is a Gothic masterpiece Towers
false
1
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
Which sculpture is a Gothic masterpiece Angel Choir
true
1
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Who is Remigus and what time or period was he around The Reneissance painter
false
2
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Who is Remigus and what time or period was he around The first bishop, Norman period
true
2
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The plain centre of the screen is the work of Remigius, the first bishop. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Who is Remigus and what time or period was he around The first bishop during the Late Norman and later English periods
false
2
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
To him we owe the choir and eastern transept. ||||| His successors completed the western transept and began the west end of the nave.
Who created the eastern transept Remigius
false
3
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
To him we owe the choir and eastern transept. ||||| His successors completed the western transept and began the west end of the nave.
Who created the eastern transept Hugh of Avalon
true
3
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
To him we owe the choir and eastern transept. ||||| His successors completed the western transept and began the west end of the nave.
Who created the eastern transept Hugh of Avalon created the eastern transept
true
3
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
What architectural style the Angel Choir belongs to French style
false
4
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
What architectural style the Angel Choir belongs to Lancet-Gothic
true
4
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
What architectural style the Angel Choir belongs to Gothic
true
4
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Which feature of the mighty fane has rich arcading of Late Norman and Early English periods The three towers
false
5
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Which feature of the mighty fane has rich arcading of Late Norman and Early English periods The structure except the screen
false
5
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The rest of it is relieved with rich arcading of Late Norman and Early English periods.
Which feature of the mighty fane has rich arcading of Late Norman and Early English periods The Norman Screen
true
5
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop.
What object is contained within the fane and what is significant about the design of its center The statue by Michelangelo
false
6
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop.
What object is contained within the fane and what is significant about the design of its center The Norman Screen and its plain centre
true
6
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front. ||||| The plain centre of the screen is the work of Remigius, the first bishop.
What object is contained within the fane and what is significant about the design of its center The work of Remigius
true
6
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807.
Which building's spires were removed in 1807 Norman building of Remigius
true
7
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807.
Which building's spires were removed in 1807 The English fane
false
7
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807.
Which building's spires were removed in 1807 The church
false
7
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
Who is responsible for the rebuilding of the choir and eastern transept Hugh of Avalon
true
8
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
Who is responsible for the rebuilding of the choir and eastern transept King of Avon
false
8
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front.
What is the church's most striking feature Three towers
false
9
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front.
What is the church's most striking feature Norman screen
true
9
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front.
What is the church's most striking feature The great Norman screen
true
9
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| The interior of the cathedral is remarkable for the harmony of its style, which is Lancet-Gothic, and the dim lighting of the nave only adds to its impressiveness.
What is the style of the interior cathedral and why is there a problem with the choir Classic
false
10
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| The interior of the cathedral is remarkable for the harmony of its style, which is Lancet-Gothic, and the dim lighting of the nave only adds to its impressiveness.
What is the style of the interior cathedral and why is there a problem with the choir Lancet-Gothi
true
10
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| The interior of the cathedral is remarkable for the harmony of its style, which is Lancet-Gothic, and the dim lighting of the nave only adds to its impressiveness.
What is the style of the interior cathedral and why is there a problem with the choir Lancet-Gothic and St. Hugh's design of low vaulting is a serious defect
true
10
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
To whom do we owe the rebuilding of the Norman building of Remigius The President
false
11
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
To whom do we owe the rebuilding of the Norman building of Remigius Hugh of Avalon
true
11
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
How many times the building of Remigius was rebuilt 2
false
12
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
How many times the building of Remigius was rebuilt At least 2
true
12
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
How many times the building of Remigius was rebuilt 1
false
12
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
Who rebuilt the choir and eastern transept Hugh of Avalon
true
13
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
Who rebuilt the choir and eastern transept English architects
false
13
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front.
Which building's most striking feature is the great Norman screen Owers of the west front
false
14
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front.
Which building's most striking feature is the great Norman screen The fane
true
14
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| Its most striking feature is the great Norman screen, running up without buttresses or projections to the parapet and hiding the bases of the square, richly decorated towers of the west front.
Which building's most striking feature is the great Norman screen The choir
false
14
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
false
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
Who was responsible for initially building the choir and eastern transept and in what year did he start Remigius
false
15
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
Who was responsible for initially building the choir and eastern transept and in what year did he start It wasn't the Hugh of Avalon
false
15
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
In 1192 Hugh of Avalon determined to rebuild the Norman building of Remigius, which an earthquake had shaken. ||||| To him we owe the choir and eastern transept.
Who was responsible for initially building the choir and eastern transept and in what year did he start Hugh of Avalon in 1192
true
15
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
What has the richness of sculpture and is masterpiece of Gothic style in England The angle Choir which encloses shrine
true
16
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
What has the richness of sculpture and is masterpiece of Gothic style in England Norman building of Remigiu
false
16
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The low vaulting is a serious defect in the choir built by St. Hugh, but of the superb beauty of the Angel Choir, which encloses his shrine, there can be no doubt. ||||| In its richness of sculpture it is one of the masterpieces of Gothic architecture in England.
What has the richness of sculpture and is masterpiece of Gothic style in England Angel Choir
true
16
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
What is the issue with the nave and why is the axis of the west front conflicting with it The axis of the west front does not correspond to that of the nave, which is too wide for its height
true
17
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
What is the issue with the nave and why is the axis of the west front conflicting with it The axis of the east front does not correspond to that of the nave, which is too narrow for its height
false
17
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
What is the issue with the nave and why is the axis of the west front conflicting with it The nave had to be rebuilt after 1239 and the west front is too wide for the nave's height
true
17
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807.
What was atop the three towers Atop the hill
false
18
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807.
What was atop the three towers Wooden spires
true
18
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
The mighty fane, with its three massive towers, rises majestically over the red roofs of the town. ||||| The wooden spires which crowned the towers were removed in 1807.
What was atop the three towers The red roofs of the town
true
18
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
What was so much money spent on building that the Cano could not rebuild the nave entirely Money had to be spent in rebuilding the central tower, which fell in 1239
true
19
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
What was so much money spent on building that the Cano could not rebuild the nave entirely Western transept and the west end of the nave
false
19
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
Unfortunately the axis of the west front does not correspond to that of the nave, which is too wide for its height. ||||| So much money had to be spent in rebuilding the central tower, which fell in 1239, that the canons could not rebuild the nave entirely, but had to incorporate the Norman end by Remigius.
What was so much money spent on building that the Cano could not rebuild the nave entirely Money had to be spent in rebuilding the west wing which was too wide
false
19
Fiction/gutenberg_withoutQuotes/gutenberg-11642-0.txt
true
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work.
What is Tocqueville's second most famous publication The Old Regime and the Revolution
true
0
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work.
What is Tocqueville's second most famous publication Recollections
false
0
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work.
What is Tocqueville's second most famous publication The Old Regime and the Revolution, a second book
true
0
Wiki_articles/wikiAlexis de Tocqueville-31.txt
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L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work.
What is Tocqueville's second most famous publication L'Ancien Regime et la Revolution (1856)
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0
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
Was the Tocqueville's journey to England and Ireland 1835 published by his wife No
true
1
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
Was the Tocqueville's journey to England and Ireland 1835 published by his wife Yes
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1
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
Was the Tocqueville's journey to England and Ireland 1835 published by his wife No, Recollections (1893) was published by his wife and his friend Gustave de Beaumont
true
1
Wiki_articles/wikiAlexis de Tocqueville-31.txt
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Alexis de Tocqueville and Gustave de Beaumont in America: Their Friendship and Their Travels edited by Oliver Zunz, translated by Arthur Goldhammer (University of Virginia Press; 2011) 698 pages; Includes previously unpublished letters, essays, and other writings Du systeme penitentaire aux Etats-Unis et de son application en France (1833) - On the Penitentiary System in the United States and Its Application to France, with Gustave de Beaumont. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
Who kept a private journal of the Revolution of 1848 that was posthumously published by the author's wife and friend Tocqueville
true
2
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Alexis de Tocqueville and Gustave de Beaumont in America: Their Friendship and Their Travels edited by Oliver Zunz, translated by Arthur Goldhammer (University of Virginia Press; 2011) 698 pages; Includes previously unpublished letters, essays, and other writings Du systeme penitentaire aux Etats-Unis et de son application en France (1833) - On the Penitentiary System in the United States and Its Application to France, with Gustave de Beaumont. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
Who kept a private journal of the Revolution of 1848 that was posthumously published by the author's wife and friend Gustave de Beaumont
false
2
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Alexis de Tocqueville and Gustave de Beaumont in America: Their Friendship and Their Travels edited by Oliver Zunz, translated by Arthur Goldhammer (University of Virginia Press; 2011) 698 pages; Includes previously unpublished letters, essays, and other writings Du systeme penitentaire aux Etats-Unis et de son application en France (1833) - On the Penitentiary System in the United States and Its Application to France, with Gustave de Beaumont. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
Who kept a private journal of the Revolution of 1848 that was posthumously published by the author's wife and friend Alexis de Tocqueville
true
2
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work.
What was Tocqueville's second most famous work Journeys to England and Ireland
false
3
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| It is Tocqueville's second most famous work.
What was Tocqueville's second most famous work L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution
true
3
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Journeys to England and Ireland 1835 ||||| De la democratie en Amerique (1835/1840) - Democracy in America. ||||| L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848.
What years was the old regime and revolution written and published 1848
false
4
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Journeys to England and Ireland 1835 ||||| De la democratie en Amerique (1835/1840) - Democracy in America. ||||| L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848.
What years was the old regime and revolution written and published 1835
false
4
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Journeys to England and Ireland 1835 ||||| De la democratie en Amerique (1835/1840) - Democracy in America. ||||| L'Ancien Regime et la Revolution (1856) - The Old Regime and the Revolution. ||||| Recollections (1893) - This work was a private journal of the Revolution of 1848.
What years was the old regime and revolution written and published 1856
true
4
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
De la democratie en Amerique (1835/1840) - Democracy in America. ||||| It was published in two volumes, the first in 1835, the second in 1840. ||||| English language versions: Tocqueville, Democracy in America, trans.
Was De la democratie en Amerique only written in French in one volume No
true
5
Wiki_articles/wikiAlexis de Tocqueville-31.txt
false
De la democratie en Amerique (1835/1840) - Democracy in America. ||||| It was published in two volumes, the first in 1835, the second in 1840. ||||| English language versions: Tocqueville, Democracy in America, trans.
Was De la democratie en Amerique only written in French in one volume Yes
false
5
Wiki_articles/wikiAlexis de Tocqueville-31.txt
false
De la democratie en Amerique (1835/1840) - Democracy in America. ||||| It was published in two volumes, the first in 1835, the second in 1840. ||||| English language versions: Tocqueville, Democracy in America, trans.
Was De la democratie en Amerique only written in French in one volume No, it was published in two volumes and translated into English as Democracy in America
true
5
Wiki_articles/wikiAlexis de Tocqueville-31.txt
false
L'Etat social et politique de la France avant et depuis 1789 - Alexis de Tocqueville Memoir On Pauperism: Does public charity produce an idle and dependant class of society? ||||| (1835) originally published by Ivan R. Dee. ||||| Inspired by a trip to England. ||||| One of Tocqueville's more obscure works.
What did Tocqueville write inspired by a trip to England L'Etat social et politique de la France avant et depuis 1789
true
6
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
L'Etat social et politique de la France avant et depuis 1789 - Alexis de Tocqueville Memoir On Pauperism: Does public charity produce an idle and dependant class of society? ||||| (1835) originally published by Ivan R. Dee. ||||| Inspired by a trip to England. ||||| One of Tocqueville's more obscure works.
What did Tocqueville write inspired by a trip to England Journeys to England and Ireland 1935
true
6
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
L'Etat social et politique de la France avant et depuis 1789 - Alexis de Tocqueville Memoir On Pauperism: Does public charity produce an idle and dependant class of society? ||||| (1835) originally published by Ivan R. Dee. ||||| Inspired by a trip to England. ||||| One of Tocqueville's more obscure works.
What did Tocqueville write inspired by a trip to England Journey to America
false
6
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
L'Etat social et politique de la France avant et depuis 1789 - Alexis de Tocqueville Memoir On Pauperism: Does public charity produce an idle and dependant class of society? ||||| (1835) originally published by Ivan R. Dee. ||||| Inspired by a trip to England. ||||| One of Tocqueville's more obscure works.
What did Tocqueville write inspired by a trip to England The Old Regime and Revolution
false
6
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
What work did Tocqueville's wife and Gustave de Beaumont publish after his death Journeys to England and Ireland
false
7
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
What work did Tocqueville's wife and Gustave de Beaumont publish after his death The Old Regime and the Revolution
false
7
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
Recollections (1893) - This work was a private journal of the Revolution of 1848. ||||| He never intended to publish this during his lifetime; it was published by his wife and his friend Gustave de Beaumont after his death.
What work did Tocqueville's wife and Gustave de Beaumont publish after his death Recollections
true
7
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
One of Tocqueville's more obscure works. ||||| Journeys to England and Ireland 1835
Which was Tocqueville's more obscure work Democracy in America
false
8
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
One of Tocqueville's more obscure works. ||||| Journeys to England and Ireland 1835
Which was Tocqueville's more obscure work Journeys to England and Ireland 1835
true
8
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
De la democratie en Amerique (1835/1840) - Democracy in America. ||||| It was published in two volumes, the first in 1835, the second in 1840.
What work of Tocqueville's was published in two volumes, the first in 1835 and then again in 1840 Journeys to England and Ireland
false
9
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
De la democratie en Amerique (1835/1840) - Democracy in America. ||||| It was published in two volumes, the first in 1835, the second in 1840.
What work of Tocqueville's was published in two volumes, the first in 1835 and then again in 1840 The Old Regime and the Revolution
false
9
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true
De la democratie en Amerique (1835/1840) - Democracy in America. ||||| It was published in two volumes, the first in 1835, the second in 1840.
What work of Tocqueville's was published in two volumes, the first in 1835 and then again in 1840 De la democratie en Amerique (1835/1840) - Democracy in America
true
9
Wiki_articles/wikiAlexis de Tocqueville-31.txt
true