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27323637_1_0 | 27323637 | https://en.wikipedia.org/wiki/Away%20from%20Home%20Tour | Away from Home Tour | Away from Home Tour. Opening acts
k-os (United States — Leg 1)
Francis & The Lights (United States — Leg 1)
P. Reign (Canada)
Clipse (United States — Leg 4)
Tyga (Bloomington) |
27323637_1_1 | 27323637 | https://en.wikipedia.org/wiki/Away%20from%20Home%20Tour | Away from Home Tour | Away from Home Tour. Setlist
"Forever"
"Unstoppable"
"Uptown"
"Lust for Life"
"Houstatlantavegas"
"November 18th"
"Fireworks"
"Killers"
"Money to Blow" / "Big Tymers" / "I'm Still Fly"
"I'm Goin' In"
"Every Girl / "Bedrock" / "Throw It In the Bag"
"Un-Thinkable (I'm Ready)"
"A Night Off"
"Successful"
"Fear"
"Say Something"
"I Invented Sex"
"Best I Ever Had"
"Over" |
27323637_2_0 | 27323637 | https://en.wikipedia.org/wiki/Away%20from%20Home%20Tour | Away from Home Tour | Away from Home Tour. Campus Consciousness Tour
New Orleans Jazz & Heritage Festival
Bamboozle Festival
Spring Fling
WWKX Hot Night
Hot Jam 9
JAM'N 94.5 Summer Jam
Summer Jam
Super Jam 3
Sounds like Paper
KUBE 93 Summer Jam
Ottawa Bluesfest
Indiana State Fair
Bumbershoot
Aggie Homecoming Concert
Powerhouse 2010
Monster Jam
Voodoo Music + Arts Experience |
27323651_0_0 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band).
Consecration is a Serbian rock band from Belgrade. Their unique sound that incorporates elements from various musical genres earned them a growing fan base in the region. |
27323651_0_1 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band). History
The band was formed in 2000 in Belgrade. Over the years the line-up has frequently been in a state of change, ranging all the way from three to six members before finally stabilizing in form of a three-piece band. The only member that was in the founding lineup and still plays in the band is the lead singer/guitarist Danilo Nikodinovski.
Their debut album, "aux", was recorded in 2006. It consisted of seven tracks that all together last for near an hour. Dissatisfied with the lack of interest by local labels, the band decided to put both "aux" and the live album entitled "live 2nd april 2008" (containing five new tracks at the time) for free download in mid 2008. The release of "aux" was followed by positive local and foreign critics alike, praising the band's will and ability to refresh the dull Serbian heavy music scene. In the meantime, the band's fan base was growing rapidly, making it one of the most popular underground bands in Serbia. |
27323651_0_2 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band).
In 2010, the band's second studio album titled ".avi" was released. This time, the album was released through Geenger Records from Croatia, as once again Serbian record companies failed to make an offer that would interest the band. After the release of ".avi", David Lazar Galić, a longtime bassist of the band (and also a founding member of Draconic), left the band due to personal issues and was replaced by Ivan Aranđelović. Consecration's live performances are rated very highly because of the big amount of energy presented on them. They played on several festivals in the region such as EXIT Fest, FENODOM and ARF Festival, along with others. They also performed live with the likes of The Ocean, Block Out, Knut, Hesus Attor, Charon and To/Die/For. The band already has already written a couple of new songs that will be present in the following release that's yet to be announced. These songs ("Vertikala", "Debeli Leptir" and "H1N1") are occasionally being played at the band's latest shows. |
27323651_0_3 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band).
In March 2011, an independent label Prog Sphere Records has released a live EP Consecration in the Temple of the Smoke, which was recorded live on April 2, 2008 in SKC Livingroom, Belgrade. Consecration trio at the time (Danilo Nikodinovski, Nemanja Trećaković and David Lazar Galić) joined forces with three members of a Belgrade's band Temple of the Smoke to record this 20-minutes long EP under the name Consecration & Temple of the Smoke Big Band. |
27323651_0_4 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band). Musical style
Consecration's sound has a lot of different influences into it. In the "aux" period, the band stated that their main influences were bands such as Opeth, Katatonia, Anathema, Slowdive and Neurosis, thus being more sludge-oriented. However, on the second, and highly successful studio album (.avi), it is obvious that the band was this time rather more influenced by post-rock/post-metal/ambiental music (the band noted Isis, Sigur Rós, Tool and Godspeed You! Black Emperor as their main influences for the record). And indeed, the second album had more distorted, sludgy riffs with more influences from post rock and post metal, thus being much more ambiental than the previous one. The band is never in a rush to create a feeling, as their songs can last up to fourteen minutes ("Đavo Nije Urban"). The lyrics are few, have more meanings attached to them, and are open for personal interpretation. Danilo sings mostly in cleans, although there are growls on most of the songs from "aux" and the song "Idiot Glee" from ".avi". The bass is usually under various types of distortions on main riffs. |
27323651_0_5 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band). Band members
Current:
Matija Dagović - drums and percussion
Ivan Aranđelović - bass
Danilo Nikodinovski - vocals, guitar and synth |
27323651_0_6 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band). Past:
Nikola Milojević (guitar)
David Lazar Galić (bass)
Milan Jejina (drums and percussion)
Nemanja Trećaković - keyboards, samples and vocoder |
27323651_1_0 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band). Studio albums
Aux (2008)
.avi (2010)
Cimet (2013)
Univerzum zna (2013)
Grob (2015)
Plava Laguna (2019) |
27323651_2_0 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band). Extended plays
Consecration in the Temple of the Smoke (2011) - as Consecration & Temple of the Smoke Big Band |
27323651_2_1 | 27323651 | https://en.wikipedia.org/wiki/Consecration%20%28band%29 | Consecration (band) | Consecration (band). Other appearances
Demo masters 2/3 ("Absinthe Thoughts", "Aimless", 2005) |
27323660_0_0 | 27323660 | https://en.wikipedia.org/wiki/2004%20Karl%20Sch%C3%A4fer%20Memorial | 2004 Karl Schäfer Memorial | 2004 Karl Schäfer Memorial.
The 2004 Karl Schäfer Memorial (also known as the Vienna Cup) took place from October 13 through 16th, 2004. Skaters competed in the disciplines of men's singles and ladies' singles. |
27323660_1_0 | 27323660 | https://en.wikipedia.org/wiki/2004%20Karl%20Sch%C3%A4fer%20Memorial | 2004 Karl Schäfer Memorial | 2004 Karl Schäfer Memorial. Karl Schäfer Memorial
Karl Schafer Memorial, 2004
Karl Schafer Memorial, 2004 |
27323701_0_0 | 27323701 | https://en.wikipedia.org/wiki/Latin%20America%20Memorial | Latin America Memorial | Latin America Memorial.
The Latin America Memorial (in Portuguese, Memorial da América Latina) is a cultural, political and leisure complex, inaugurated in 1989, in São Paulo, Brazil. The architectural setting, designed by Oscar Niemeyer, is a monument to the cultural, political, social and economic integration of Latin America, spanning an area of 84,482 square meters. Its cultural project was developed by Brazilian anthropologist Darcy Ribeiro. It is a public foundation, financially and administratively autonomous, maintained by the state government. |
27323701_0_1 | 27323701 | https://en.wikipedia.org/wiki/Latin%20America%20Memorial | Latin America Memorial | Latin America Memorial.
The architectural complex consists of several buildings arranged around two squares. It comprises: Salão de Atos Tiradentes (Tiradentes "hall of acts"), the Victor Civita Latin American Library, the Brazilian Center of Latin American Studies, the Marta Traba Gallery of Latin American Art, the Pavilhão da Criatividade ("creativity pavilion"), the Símon Bolívar Auditorium, and the Latin American Parliament building. In the main square (Praça Cívica), there is a large concrete sculpture, also designed by Oscar Niemeyer, representing an open hand in vertical position, with the map of Latin America painted in red. It's a symbol of Latin America's past of oppression and its battles for freedom, with the red map as a reminder of the blood from the sacrifices that were made. |
27323701_0_2 | 27323701 | https://en.wikipedia.org/wiki/Latin%20America%20Memorial | Latin America Memorial | Latin America Memorial.
The Memorial has a permanent collection of works of art, on display in indoor and outdoor areas, as well as a large assemblage of Latin American folk art, housed in the Pavilhão da Criatividade. The library comprises 30,000 titles, besides music and image departments. The Memorial promotes exhibitions, conferences, debates, video sessions, theater, dance and music performances. It also has a research center specializing in Latin American issues and keeps an active bibliographic production. From 1989 to 2007, the Memorial also served as a host to the Latin American Parliament. |
27323701_1_0 | 27323701 | https://en.wikipedia.org/wiki/Latin%20America%20Memorial | Latin America Memorial | Latin America Memorial. Fire
On November 29, 2013, the Simón Bolívar Auditorium caught fire, causing an extensive destruction of its inner parts. Causes of fire are unknown, although a short circuit was cited. Authorities predict more than 90% of the site have been consumed. Some employees stated the original blueprints from Oscar Niemeyer were inside the building. 25 firefighters were wounded, many of them because a flashover occurred during their attempt to ventilate the building. |
27323701_1_1 | 27323701 | https://en.wikipedia.org/wiki/Latin%20America%20Memorial | Latin America Memorial | Latin America Memorial. See also
Museu Paulista
Museum of the Portuguese Language
MALBA
Latin American art
List of Oscar Niemeyer works |
27323763_0_0 | 27323763 | https://en.wikipedia.org/wiki/Project%20MKCHICKWIT | Project MKCHICKWIT | Project MKCHICKWIT.
Project MKCHICKWIT, or CHICKWIT was a covert program of the US Department of Defense operated in conjunction with the CIA. A partner program to MKSEARCH, the goal of MKCHICKWIT was to "identify new drug developments in Europe and Asia and to obtain information and samples". |
27323805_0_0 | 27323805 | https://en.wikipedia.org/wiki/WYOT | WYOT | WYOT.
WYOT (102.3 FM, "102.3 The Coyote") is a radio station broadcasting a country music format. Licensed to Rochelle, Illinois, the station serves the Rochelle and DeKalb areas. The station is owned by Rochelle Broadcasting Company. |
27323805_0_1 | 27323805 | https://en.wikipedia.org/wiki/WYOT | WYOT | WYOT. Programming
The Coyote's programming includes Kris Wexell with Chuck O'Brien and Jeff Leon weekday mornings, Susan Tyler weekday afternoons, as well as nationally syndicated shows such as The Sandy Show, Nights With Elaina, The Big Time Saturday Night, American Country Countdown, Country Top 30 With Bobby Bones and The Sam Alex Show . |
27323805_0_2 | 27323805 | https://en.wikipedia.org/wiki/WYOT | WYOT | WYOT. History
The station began broadcasting on October 5, 1973, holding the call sign WRHL-FM, and was a sister station to WRHL 1060. The station initially simulcast the country music programming of WRHL 1060. In 1994, the station's format was changed to adult contemporary, and the station was branded "The Hub". In 2006, the station's format was changed to adult hits, and the station was branded "102.3 Sam-FM". The station aired programming from Dial Global's S.A.M.: Simply About Music, along with local programming. |
27323805_0_3 | 27323805 | https://en.wikipedia.org/wiki/WYOT | WYOT | WYOT. The Coyote
In December 2012, the station's format was changed to country music, and the station was branded "102.3 The Coyote". In 2015, the station's call sign was changed to WYOT. 102.3 The Coyote was named "Small Business of the Year" by the Rochelle Chamber of Commerce in 2014. In May 2014, Kris Wexell was recognized by the 98th General Assembly of Illinois for his work with The Coyote. The Coyote was also named the Illinois National Guard's Small Market Station of the Year for 2014. In 2016, 2017, and 2018, Kris Wexell was named by the Illinois Broadcasters Association (IBA), Illinois Radio Personality of the Year for small market, also placing 2nd for Best Morning Show in 2014 and 1st place in 2019, 2020 & 2021. WYOT was also named as one of the Top 3 radio stations in the state of Illinois by the IBA in 2020. 102.3 The Coyote also is a reporter for the Music Row Country Breakout™ Chart & Billboard Country Indicator Chart. |
27323805_1_0 | 27323805 | https://en.wikipedia.org/wiki/WYOT | WYOT | WYOT. YOT
Country radio stations in the United States
Radio stations established in 1973
1973 establishments in Illinois |
27323812_0_0 | 27323812 | https://en.wikipedia.org/wiki/Project%20MKOFTEN | Project MKOFTEN | Project MKOFTEN.
Project MKOFTEN was a covert U.S. Department of Defense program developed in conjunction with the Central Intelligence Agency (CIA) sometime in the late 1960s. A partner or descendant program of MKSEARCH, the goal of MKOFTEN was to "test the behavioral and toxicological effects of certain drugs on animals and humans". Testing of these drugs was done on animals, prisoners at Holmesburg Prison in Philadelphia, and military personnel at Edgewood Arsenal. |
27323965_0_0 | 27323965 | https://en.wikipedia.org/wiki/Fortitude%20%28play%29 | Fortitude (play) | Fortitude (play).
Fortitude is a one-act play written by Kurt Vonnegut in 1968, and broadly based on Mary Shelley's novel Frankenstein, or the Modern Prometheus. The brief [19 page] play relates to the issues of robotics and the ethical dilemmas of the "cyborg's rights." It was featured in the anthologies, Human-Machines: An Anthology of Stories About Cyborgs (Edited by Thomas N. Scortia and George Zebrowski New York: Vintage, 1975) and The Ultimate Frankenstein (edited by Byron Preiss, New York: Dell Publishing, 1991). The story was also featured in the 1991 made-for-cable-TV anthology Kurt Vonnegut's Monkey House. |
27323965_0_1 | 27323965 | https://en.wikipedia.org/wiki/Fortitude%20%28play%29 | Fortitude (play) | Fortitude (play). Synopsis
The story follows Dr. Elbert Little on a visit to Dr. Frankenstein's and his assistant Dr. Tom Swift's laboratory. Frankenstein's only patient and life work is Sylvia Lovejoy, who after some 70 operations has been reduced to a head on a tripod that is controlled by Frankenstein's machines. One of Sylvia's mood machines has malfunctioned, causing her to slip into a deep depression and to write Dr. Little to request that he provide her with cyanide. Seeing Sylvia's diminished emotional state getting worse, Gloria, Sylvia's beautician and only friend, agrees that Sylvia's only remaining freedom is "the power to commit suicide." Frankenstein fires Gloria for speaking about death in Sylvia's presence. Gloria sneaks back into Sylvia's room while she is sleeping and leaves her a revolver. Sylvia finds the gun and tries to kill herself, but her prosthetic arms have been designed to prevent her from doing so. Instead, she shoots Frankenstein, who promptly becomes the second head attached to the machines. |
27323981_0_0 | 27323981 | https://en.wikipedia.org/wiki/Liga%20de%20Ascenso%20Bicentenario%202010%20Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla.
The Liguilla will have the teams play two games against each other on a home-and-away basis. The winner of each match up will be determined by aggregate score. The higher seeded team will advance if the aggregate is a tie. The exception for tie-breaking procedure is the finals, where the higher seeded team rule will not be used. If the teams remained tied after 90 minutes of play during the 2nd leg of the finals, extra time will be used, followed by a penalty shootout if necessary. The teams will be seeded 2 to 7 (depending on their position at the end of the regular season). Higher seeded teams play on their home field during the second leg. |
27323981_1_0 | 27323981 | https://en.wikipedia.org/wiki/Liga%20de%20Ascenso%20Bicentenario%202010%20Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla. Quarter-finals
The quarterfinals are scheduled to be played on. |
27323981_2_0 | 27323981 | https://en.wikipedia.org/wiki/Liga%20de%20Ascenso%20Bicentenario%202010%20Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla. Final
The first and second legs of the final are scheduled to be played on . |
27323981_3_0 | 27323981 | https://en.wikipedia.org/wiki/Liga%20de%20Ascenso%20Bicentenario%202010%20Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla. Second leg
Necaxa won the Liga De Ascenso on a 4-2 aggregate score line |
27323981_4_0 | 27323981 | https://en.wikipedia.org/wiki/Liga%20de%20Ascenso%20Bicentenario%202010%20Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla | Liga de Ascenso Bicentenario 2010 Liguilla. 2 goals
Álvaro Fabián González (BUAP)1 goal
Nelson Sebastián Maz (Necaxa) Alejandro Castro (Cruz Azul Hidalgo)
Raymundo Torres Rangel (Sinaloa)
Luis Ángel García (Veracruz) Iván Vázquez (Necaxa) Juan Augusto Gómez (BUAP) Paulo Chávez (Necaxa)''' |
27324000_0_0 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx.
Classixx is an American electronic music record production and DJ duo, based in Los Angeles, composed of Michael David and Tyler Blake. |
27324000_0_1 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx. History
Tyler Blake and Michael David, childhood friends, started a DJ duo in the suburbs of Los Angeles. The name Classixx came from their liking of classic compilations of different music. The DJ duo is influenced by a plethora of music, ranging from old school R&B to Paul Simon to Kraftwerk. |
27324000_0_2 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx.
The duo currently reside in the greater Los Angeles metropolitan area. Michael David married Katie Gravette in 2011. David and Blake are childhood friends and attended the same middle school and high school together. |
27324000_0_3 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx. Career
David spent the first half of the 2000s releasing his own music and touring in a band as a guitar player while Blake attended the Berklee School of Music. In 2005, David left his previous band and Blake dropped out of music school. Soon after, Classixx was formed. In their early twenties, Classixx were part of the new wave of the Los Angeles electronic music. A change from the banger-driven electro that had been dominating dance floors, their sound was a smooth blend of disco, new wave, funk, house, and indie rock. Recent remixes for groundbreaking and diverse artists include Phoenix, Mayer Hawthorne, Holy Ghost, Ladyhawke, Fischerspooner, Groove Armada, Yacht, Beni, Drop the Lime and Major Lazer. According to Chicagoist, Classixx "became staples in DJ sets all over the world". |
27324000_0_4 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx.
Pitchfork Media wrote that the duo gave Phoenix's "Lisztomania" "a gorgeously pillowy synth-disco framework". The Los Angeles Times called it "pure disco cotton candy". |
27324000_0_5 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx.
Classixx's debut single, "I'll Get You" featuring Jeppe (Junior Senior), was released in the summer of 2009 on Paris based Kitsune Records. |
27324000_0_6 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx.
Classixx's first album, Hanging Gardens, was released on May 14, 2013 via Innovative Leisure. |
27324000_0_7 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx.
Classixx announced their second album Faraway Reach via Instagram on February 17, 2016. The album features guest appearances by Passion Pit, T-Pain, De Lux, Alex Frankel, How to Dress Well, Nonku, Harriet Brown, Isles and Panama and was released on June 3, 2016. |
27324000_0_8 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx.
In 2017, they worked with Panama on his EP 'Hope for Something'. |
27324000_0_9 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx. Discography
Studio albums
Hanging Gardens (Innovative Leisure · 2013)
Faraway Reach (Innovative Leisure · 2016) |
27324000_0_10 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx. Singles
"Cold Act Ill" (In Stereo · 2008)
"I'll Get You (feat. Jeppe)" (Kitsune Records · 2009)
"Into the Valley" featuring Karl Dixon (Green Label Sound · 2011)
"Holding On" (Innovative Leisure · 2013)
"All You're Waiting For" featuring Nancy Whang (Innovative Leisure · 2013)
"Santa Domino" (Innovative Leisure · 2013)
"A Stranger Love" (Innovative Leisure · 2014)
"Whatever I Want" featuring T-Pain (Innovative Leisure · 2015)
"Just Let Go" featuring How To Dress Well (Innovative Leisure · 2016)
"Safe Inside" featuring Passion Pit (Innovative Leisure · 2016)
"I Feel Numb" featuring Alex Frankel (Innovative Leisure · 2016)
"Possessive" (Innovative Leisure · 2017)
"Love Me No More" (Innovative Leisure · 2019)
"What's Wrong With That? (Silly Love Songs Rework)" (Innovative Leisure · 2020)
"One More Song" featuring Roosevelt (Innovative Leisure · 2020)
"Francesca"/"Weekends" (collaboration with Local Natives) (Innovative Leisure · 2020)
"Big Rhythm" (Potion Records · 2021) |
27324000_0_11 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx. Original production
Mayer Hawthorne - "No Strings" (Produced by Classixx) (Stones Throw Records · 2010) |
27324000_1_0 | 27324000 | https://en.wikipedia.org/wiki/Classixx | Classixx | Classixx. 2009: "Lisztomania" by Phoenix
2009: "Starts With One" by Shiny Toy Guns
2009: "My Love Sees You" by Beni
2009: "I Will Come Back" by Holy Ghost!
2009: "Riddle of Steel" by Guns N' Bombs
2009: "Green Eyed Love" by Mayer Hawthorne
2009: "Cash Flow" by Major Lazer
2009: "We Are Electric" by Fischerspooner
2010: "Psychic City" by Yacht
2010: "Devil's Eyes" by Drop The Lime
2010: "Paper Romance" by Groove Armada
2010: "When Your Love Is Safe" by Active Child
2011: "Reginald's Groove" by Cosmic Kids
2011: "Buzzin'" by Shwayze
2011: "Blue Velvet" by Lana Del Rey
2011: "Lucky Star" by Madonna
2012: "Take a Walk" by Passion Pit
2012: "Move in the Right Direction" by Gossip
2012: "Am I Real?" by Nite Jewel
2013: "You Can't Run From My Love" by Munk & Peaches
2013: "Is This How You Feel?" by The Preatures
2013: "Penny" by Hanni El Khatib
2014: "Always" by Panama
2014: "Sundream" by Rüfüs Du Sol
2015: "The Pleasure Principle by Janet Jackson
2017: "Dark Days" by Local Natives
2017: "Undertow" by Panama (with Turbotito)
2018: "Wolves Still Cry" by Lawrence Rothman
2021: "Good Old Days" by JR JR |
27324038_0_0 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night.
The War for Late Night: When Leno Went Early and Television Went Crazy is a 2010 non-fiction book written by The New York Times media reporter Bill Carter. It chronicles the 2010 conflict surrounding the American late-night talk show The Tonight Show involving Conan O'Brien and Jay Leno. It is a sequel to Carter's 1994 book The Late Shift, which detailed the struggle for the hosting spot on The Tonight Show between David Letterman and Jay Leno in the early 1990s following the retirement of Johnny Carson. It was first published on November 4, 2010, by Viking Press. |
27324038_0_1 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night.
The book received a generally favorable reception from reviewers including Associated Press, BusinessWeek, The Buffalo News, New York Magazine, Star Tribune, The Hollywood Reporter, The Washington Post, Entertainment Weekly, New York Post, Los Angeles Times, Time, and ABC News. The Las Vegas Review-Journal said, "The War for Late Night ... offers an exhaustive, eye-opening, how-could-he-possibly-know-that look at the late-night feud that ultimately was a muddled victory for Leno: He won back The Tonight Show, but his ratings have fallen below O'Brien's." |
27324038_0_2 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Background
Author Bill Carter previously wrote The Late Shift, a book about the 1992 conflict between Jay Leno and David Letterman to decide who would succeed Johnny Carson as host of The Tonight Show. The book was well received by critics from publications including The New York Times Book Review, and The Christian Science Monitor. |
27324038_0_3 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Research
Carter researched for the book during 2010. He had secured a publishing deal for the book by January of that year. Carter confirmed to Gillian Reagan of Business Insider that in his research, he tried to gather information from multiple viewpoints. He said, "I'm reaching out to everyone I possibly can to get every side of the story." Carter said that he was remaining neutral about the 2010 Tonight Show conflict. "I obviously have to reach out to all sides", he said. "For the longest time, I personally tried to watch as many episodes of all the shows as I could to get sense of each show, and what each guy does. I don't just pick one and stick with that guy." Carter researched the impact of financial decision-making on the controversy. He said he had known Leno for a long time, and O'Brien since he began working for NBC, and that these connections gave him the benefit of familiarity. |
27324038_0_4 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Contents
The War for Late Night chronicles the 2010 conflict surrounding the American late-night talk show The Tonight Show involving Conan O'Brien and Jay Leno. Carter gives biographical description of other late-night television personalities, including David Letterman, Jimmy Fallon, Jimmy Kimmel, Craig Ferguson, Jon Stewart and Stephen Colbert. As host of Late Night with Conan O'Brien, O'Brien decided to remain with NBC after attempts by ABC and Fox to attract him to their networksas NBC executives had told O'Brien that he would become host of The Tonight Show after Leno's retirement. While hosting The Tonight Show and analyzing ratings results, O'Brien told his manager Gavin Polone that he feared that Leno might be moved back to the program. Carter's book contains details of O'Brien's and Leno's contracts, and describes O'Brien's emotional state during the 2010 conflict. According to Carter, Leno had an advantage during negotiations because of a stronger contract agreement with NBC, which gave Leno the option to sue NBC if his program was canceled. |
27324038_0_5 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night.
NBC executives tried to solve the problem so that both Leno and O'Brien would keep their jobs. Jeff Gaspin, the chairman of NBC Universal Television, instructed both parties that he did not wish to make a difficult decision but that the most appropriate solution was to move Leno back to his previous timeslot and push O'Brien to 12:05. Carter details a heated exchange between NBC executive Jeff Zucker and O'Brien's agent Rick Rosen during which Zucker told O'Brien's representatives he could enforce O'Brien's contract and "ice him for two years", after details of the conflict were leaked to the media. The author cites O'Brien's disappointment with the perceived unfairness of the situation, and quotes O'Brien's comments at a meeting with NBC Entertainment and Universal Media Studios chairman Marc Graboff and Jeff Gaspin, "I know how hard I worked for this. It was promised to me. I had a shitty lead-in." Carter recounts how affiliates of NBC complained to the network about the poor ratings performance of Leno's program The Jay Leno Show. O'Brien asked the two NBC executives, "What does Jay have on you? What does this guy have on you people? What the hell is it about Jay?" |
27324038_0_6 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night.
Carter writes about how the "Team Coco" movement and fans impacted O'Brien following the controversy, "The outpouring of support made Conan feel as if he was starring in his own version of the movie It's a Wonderful Life, both because he was allowed to see a 'Tonight Show' where he never existed and because the support made him realize he really was 'the richest man in town.'" O'Brien was hurt by the fact that Leno did not communicate directly with him during the fiasco. Carter also says that compared to the eventual payout to O'Brien of $45 million, NBC would have suffered a financial loss of $235 million if O'Brien had left the company in 2004 to host a talk show for another network. O'Brien moved from NBC to host his own late night program on TBS. Carter's work concludes with an interview from comic Jerry Seinfeld, who favored Leno; Seinfeld argues that O'Brien should have remained at NBC. |
27324038_1_0 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Reception
Writing for New York Post, Larry Getlen wrote, "Veteran journalist Bill Carter details the vicious recent battle over The Tonight Show, showing how Leno was hardly the devious schemer he was made out to be, and how O’Brien was not always the angelic innocent the media portrayed, as he and his team aggressively pursued the show at every opportunity." Jon Bershad of Mediaite commented, "It’s as tense and exciting as expected." Writing for TV Squad, Joel Keller analyzed Carter's comparison of Leno's legal contract with O'Brien's, and wrote that the author "paints a picture of Leno and his producer, Debbie Vickers, as pragmatists and Conan as a cockeyed idealist". Joe Flint of Los Angeles Times commented about changes in the media industry since Carter's prior book The Late Shift, "The only difference is that the media world has changed a lot then, and while The Late Shift had a lot of inside dirt and drama that was news to everyone but the most hardcore industry insiders, this time around the soap opera played out on TV and in the media." James Poniewozik of Time wrote, "There are lots of juicy bits, but the big takeaway: the guy with the best contract, wins", and called the book, "Bill Carter's Jaypocalypse dirt-disher". Writing for ABC News, journalist Sheila Marikar commented, "Bill Carter's new book, 'The War for Late Night,' reveals what happened behind the scenes, the expletives that were hurled during closed-door discussions, the roller coaster that O'Brien, Leno, and their cohorts rode during that tumultuous time." |
27324038_1_1 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Reception
Frazier Moore of Associated Press wrote, "He plays this latest late-night conflagration right down the middle. He keeps the story moving almost cinematically, crosscutting from one personality to another, deftly and revealingly presenting different points of view." Writing for BusinessWeek, Jim Windolf gave the book a rating of three stars out of a possible five, and commented, "Bill Carter has become the Bob Woodward of the 11:35 time slot." Paula Duffy of HULIQ News described the book as "a juicy tell-all". Dylan Stableford of TheWrap called the book "a must-read" for fans of Conan O'Brien. Jeff Simon of The Buffalo News called the book a "definitive history" of the 2010 Tonight Show conflict. Willa Paskin wrote for New York Magazine that Carter, "spoke with enough people involved in the situation to provide an account so detailed, it even includes re-created conversations and dialogue". Neal Justin of Star Tribune commented on the author's neutrality in his writing style, "The next time network TV executives stumble into an ugly behind-the-scenes battle, they should consider hiring Bill Carter to negotiate. The veteran New York Times media reporter has a way of sharing juicy stories without painting anyone as a complete saint or sinner, a feat he pulls off again in his latest book, 'The War for Late Night: When Leno Went Early and Television Went Crazy'". |
27324038_1_2 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Reception
Nate Jones wrote for Time magazine, "There are no landmark surprisesJay Leno comes off as affably opportunistic, Conan O'Brien as a tragic self-dramatist with a little bit of a martyrdom complexbut it's a worthwhile look at the procedural negotiations that led to last winter's messy divorce." The Hollywood Reporter said, "Bill Carter's book reveals explosive new details about the Jay Leno-O'Brien debacle." Kyle Anderson of MTV.com wrote, "the story takes an amazingly candid look at the conversations and arguments that went on behind the scenes. It even takes you to the moment when O'Brien decides that he has to walk away from 'The Tonight Show.'" Paul Schwartzman of The Washington Post wrote that it "is a great read and an example of narrative journalism's power when practiced by a reporter steeped in his subject matter." Lynette Rice of Entertainment Weekly gave Carter's book a rating of B-, and wrote, "In the end, Carter presents a pretty compelling argument that while the fourth-place network lost the public relations war, it probably won the late-night battle." Speaking on his program The Howard Stern Show, host Howard Stern said of Carter's writing style, "It is just endlessly fascinating the way he paints this picture." |
27324038_1_3 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Film adaptation
On January 19, 2010, during O'Brien's last week of shows, guest Quentin Tarantino jokingly suggested that he direct a sequel to The Late Shift, cast O'Brien as himself and make it a revenge movie in the style of his film Kill Bill with the title Late Shift 2: The Rolling Thunder of Revenge. The Toronto Star reported in February 2010 that a sequel to The Late Shift film was in planning stages. In the final episode of The Tonight Show with Conan O'Brien, O'Brien said he wished that actress Tilda Swinton could portray him in the film, an idea in which Swinton subsequently expressed interest. |
27324038_1_4 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. Reception
When asked in a June 2010 interview with Movieline about the prospects of a film adaptation, Carter responded in the negative, saying, "Not really. Nothing serious. Let's put it this way: There have always been people kicking it around because they think it's funny ... Letterman made a ... joke saying that Max von Sydow should play him. So, you know, people are just kicking it around like that." Actor Bob Balaban, who portrayed NBC executive Warren Littlefield in The Late Shift said he would like to portray Jeff Zucker, and said Jason Alexander would also be a good choice to play Zucker. Andy Richter jokingly told Movieline that he would want Justin Bieber to portray him in a film adaptation of the book. |
27324038_2_0 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. External links
The War for Late Night, at official website of publisher |
27324038_2_1 | 27324038 | https://en.wikipedia.org/wiki/The%20War%20for%20Late%20Night | The War for Late Night | The War for Late Night. 2010 non-fiction books
2010 Tonight Show conflict
Conan O'Brien
Jay Leno
Books about television
Books about Los Angeles
Works about public relations |
27324067_0_0 | 27324067 | https://en.wikipedia.org/wiki/.avi%20%28album%29 | .avi (album) | .avi (album).
.avi is the second studio album of the Serbian experimental band Consecration. The album received a string of positive reviews from all over the Balkans region and Europe, which increased the band's popularity further. |
27324067_0_1 | 27324067 | https://en.wikipedia.org/wiki/.avi%20%28album%29 | .avi (album) | .avi (album). Track listing
All songs written and performed by Consecration |
27324067_0_2 | 27324067 | https://en.wikipedia.org/wiki/.avi%20%28album%29 | .avi (album) | .avi (album). "Aligator" – 8:30
".avi" – 13:56
"Cisterna" – 1:07
"Somna" – 7:29
"Idiot Glee" – 11:25
"Đavo Nije Urban" – 14:17 |
27324067_1_0 | 27324067 | https://en.wikipedia.org/wiki/.avi%20%28album%29 | .avi (album) | .avi (album). Reception
Apart from the very positive reviews by other European reviewers, the album was critically very positively acclaimed by reviewers from Serbia, Croatia and other countries in the former Yugoslavia region. Nenad Milosavljević from Popboks gave 7/10 stars for this album with the comment that .avi "presents a release whose echo could very easily go overseas, over boundaries of the autistic miniature scene they belong to". Slobodan Trifunović from Metal Sound gave the album ten out of ten stars, saying that the album "is one beautiful piece of music, well rounded work of experienced musicians and it will for sure go down in history as one of the best releases of harder music in Serbia". Croatian Cmar-net awarded the album with the rating of 9/10, praising the album as one of the most refreshing releases in past couple of years. Later on, Popboks announced that Consecration's .avi is the Serbian Album of The Year 2010, as voted by the jury. |
27324067_1_1 | 27324067 | https://en.wikipedia.org/wiki/.avi%20%28album%29 | .avi (album) | .avi (album). Personnel
Consecration:
Matija Dagović – Drums and Percussion
David Lazar Galić – Bass
Danilo Nikodinovski – Vocals and Guitar
Nikola Milojević – Guitar
Nemanja Trećaković – Keyboards, Samples
Other:
Marko Jovanović – Recording/Production
Aleksandar Zec – Photography
Stojan Reljić – Guitar on "Cisterna"
Milutin Jovančić – Backing vocals on "Somna"
Jelena Stanićević – Backing vocals on "Idiot Glee" |
27324093_0_0 | 27324093 | https://en.wikipedia.org/wiki/Niche%20Syndrome | Niche Syndrome | Niche Syndrome.
Niche Syndrome (NICHE シンドローム) is the fourth studio album by Japanese rock band One Ok Rock, released on June 9, 2010. It was released as a normal CD-only edition and a limited CD+DVD edition. This album includes the group's single "Kanzen Kankaku Dreamer", which was released earlier in 2010. This was the first album that did not feature original lead guitarist Alex Onizawa. |
27324093_0_1 | 27324093 | https://en.wikipedia.org/wiki/Niche%20Syndrome | Niche Syndrome | Niche Syndrome.
The song from the album, "Wherever You Are", peaked at #4 on the Billboard Japan Hot 100 and stayed for 89 weeks. The song was used on NTT Docomo's phone commercial series, "Kazoku-hen". Their single "Kanzen Kankaku Dreamer" peaked at #40 on the Billboard Japan Hot 100 and stayed on the chart for 18 weeks. |
27324093_0_2 | 27324093 | https://en.wikipedia.org/wiki/Niche%20Syndrome | Niche Syndrome | Niche Syndrome.
The release of Niche Syndrome was followed by a Zepp Tour titled ONE OK ROCK "This Is My Own Judgement" Tour, spanning from June 27 through July 23, 2010. |
27324093_1_0 | 27324093 | https://en.wikipedia.org/wiki/Niche%20Syndrome | Niche Syndrome | Niche Syndrome. Notes
"Wherever You Are" was written by Taka for his friend's wedding.
"Nobody's Home" is about Taka's apology and gratitude straightforwardly for his parents Shinichi Mori and Masako Mori. |
27324093_2_0 | 27324093 | https://en.wikipedia.org/wiki/Niche%20Syndrome | Niche Syndrome | Niche Syndrome. One Ok Rock
Takahiro "Taka" Moriuchi — lead vocals
Toru Yamashita — guitars
Ryota Kohama — bass guitar
Tomoya Kanki — drums, percussion |
27324093_2_1 | 27324093 | https://en.wikipedia.org/wiki/Niche%20Syndrome | Niche Syndrome | Niche Syndrome. Production
Takeshi Baba — assistant engineer
Masanori Hata — assistant engineer
Ryota Hattanda — assistant engineer
Hideaki Ikawa — assistant engineer
Naoki Iwata — assistant engineer
Miki Nagashima — assistant engineer
Norikatsu Teruuchi — assistant engineer
Satoru Hiraide — engineering, mixing
Satoshi Hosoi — engineering, mixing
Hideki Kodera — engineering
Kensuke Miura — engineering
Ian Cooper — mastering
Kaoru Aoki — A&R
Atsushi Gaja — A&R
Kazunori Ito — A&R
Kazuaki Seki — art direction
Daichi Shiono — design |
27324143_0_0 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport.
Hesketh Park is a public park situated near the north end of Lord Street in the Victorian seaside town of Southport, Merseyside, England. It was designed as a public park in the mid-19th century by Edward Kemp, and was further developed in the 20th century. The land was donated by the Rev Charles Hesketh and has many Victorian features and landscape designs. |
27324143_0_1 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. History
The land Hesketh Park occupies was once (like the rest of Southport) sand dunes and beach, as the tides receded and the town of Southport grew, the need for a park was proposed. The land at the time was owned by Rev Charles Hesketh of Meols Hall, who donated the land for use as a public park.
Hesketh Park was created by the Southport Commissioners through the Second Southport Improvement Act of 1865. Edward Kemp laid out the park which is of a near oval shape, possibly to the design of Joseph Paxton for whom Kemp had worked at Birkenhead Park in Liverpool. The layout cost of Hesketh Park was £12,000 and the park was officially opened in 1868. Various structures have been added to the park since it opened and some alterations have been made through the later 19th and 20th centuries, with the main alterations happening in 2007 when the park was restored as part of a major refurbishment and restoration scheme. |
27324143_0_2 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Facilities
The park visitor facilities include a Cafe and Play Area which is situated on the east side of the park and also features a crazy golf, the play area was dramatically reduced due to the restoration project with a whole new play area created on one half and the other half was grassed over for a field for ball games. The park toilet facilities were also upgraded as part of the restoration project and are situated near the east entrance to the park. |
27324143_1_0 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Park Lodges
The Park has two gate houses at two of the entrances to the park. They are lived in by the park keepers and have colourful annual flower beds outside each lodge. |
27324143_1_1 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Glasshouses
The Glasshouses are the green house development by where the floral displays for the park are grown, this is a private area which is not accessible to the public and is situated behind the Conservatory. |
27324143_1_2 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Aviary
The Aviary once housed many exotic birds which included flamingos up until the late 1990s but due to neglect of the cages, the birds were removed. In 2007 as part of the park restoration project the damaged cages were removed, with the overgrown foliage and the remaining birds moved into the central remaining cages. There are future plans to restore the aviary but the project is awaiting funding. |
27324143_1_3 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Conservatory
The Conservatory was once full of exotic plants, but since restoration in 2007 the plants were removed while the whole building was taken down and later restored on the same site. |
27324143_1_4 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Lake
The Lake is the biggest feature in the park, situated at the centre, it has a small island in the centre which was created for the wild birds which live and breed on the lake. The lake was restored to its full size with the extension to the west end of the lake in 2007, as part of the main restoration project. The lake once featured boats but since the restoration of the lake the boats have not returned to the lake. |
27324143_1_5 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Waterfall
The waterfall is situated to the north central bank of the lake. For many years the waterfall lay inactive and overgrown, up until the park restoration project which saw the revamp to the waterfall area and the removal of trees from the surrounding area. |
27324143_1_6 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Floral Clock
The Floral Clock is another feature of the park that has been restored, it is planted up with annual flowers each year in the formation of the Roman numerals and a decorative pattern. Many visitors since the Victorian period have come to visit the park just to see the clock and hear the cuckoo call when the clock strikes the hour.
The clock is currently not in full working order. |
27324143_2_0 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Rose Garden
The Rose Garden is a formal garden dedicated to many varieties of roses and was very well known in the Victorian era. The Rose Garden was renovated in 2016 with the Victorian roses being replaced with modern roses from the David Austin nursery in Albrighton. The money for renovation being given as a grant from the National Lottery. Some of the Victorian roses are planted in an area not accessible to members of the public. The park still has many of the original varieties of roses which were originally growing in the Victorian era. |
27324143_2_1 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Rock Garden
The Rock Garden is a feature in a crater type garden on the top of a hill, it is accessed by sloping paths and by steep steps which once led to a shelter at the top. The seating shelter was removed and a seating/ viewing area was created. The rock garden also feature specimen trees such as atlas cedars and redwood trees. |
27324143_2_2 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Blind Garden
The blind and disabled sensory garden was created in Hesketh Park in 1995 and its opening is commemorated by a plaque at its entranceway. Currently, it is a neglected/underfunded area, in need of refurbishment. |
27324143_2_3 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Parkrun
Hesketh Park is home to Southport Parkrun, a free 5 km timed event, which is open to all and fully staffed by volunteers. The first Southport Parkrun took place on 11 June 2016. |
27324143_2_4 | 27324143 | https://en.wikipedia.org/wiki/Hesketh%20Park%2C%20Southport | Hesketh Park, Southport | Hesketh Park, Southport. Featured Gardens
On 26 August 2017 Southport Parkrun hosted the BBC for filming of Parkrun UK's Finalist Video for the National Lottery Awards. Michelle Ackerly presented this segment of filming and announced during filming that the Parkrun Visually Impaired project had won the Sports Category award. The award was presented in the studio by Libby Clegg. |
27324156_0_0 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge.
Radio Clatterbridge is a community hospital radio station based at Clatterbridge Health Park, Wirral, UK. It is also a registered UK charity. |
27324156_0_1 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge.
The station notably carried the earliest surviving recorded broadcast interview with the Beatles. It is one of the oldest radio stations in the UK. |
27324156_1_0 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. History
Radio Clatterbridge began life as a group of boys from a local youth group. As an aid to providing some vital rest and recuperation, the boys decided to visit sick patients at Clatterbridge General Hospital. Their genius was to play them songs at their bedsides using a portable record player. The idea was so popular that it soon became possible to buy permanent gramophones and "broadcast" the songs back to the patients, via a simple land-line system. |
27324156_1_1 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. History
Soon the new radio station was broadcasting a number of programmes every week. One of those, Sunday Spin, created musical history. Presenter Monty Lister recorded the first broadcast interview with a new up-and-coming band, called The Beatles in 1962. This was marked with a special anniversary reunion in 2002. |
27324156_1_2 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. History
As the Swinging Sixties moved into the Seventies, so the Radio Clatterbridge premises moved into Larch House. The station remained in these studios for nearly two decades. |
27324156_1_3 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. History
Digital technology was first introduced during the late 1980s, as the station (now equipped with two studios) began playing its first CDs! |
27324156_1_4 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. History
Before long Radio Clatterbridge was on the move again. This time it was only temporary. In 1993 the charity made its home near to St John's Hospice. The temporary move lasted for nearly a decade. |
27324156_1_5 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. History
Radio Clatterbridge finally made its permanent move into the old boiler house in 2001. The charity's new home had to be developed from scratch. A series of successful community grant applications enabled Radio Clatterbridge to fit a new studio for the new millennium. |
27324156_1_6 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. History
New computer equipment in 2003 enabled the station to do something it had never been able to do before. Radio Clatterbridge now provides a round-the-clock service to the health park. |
27324156_2_0 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. Today
Staffed by about 30 volunteers, Radio Clatterbridge provides an important and unique service to patients and staff at Clatterbridge Health Park. It is heard via a landline service wards throughout Clatterbridge Hospital, Clatterbridge Centre for Oncology. |
27324156_2_1 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. Today
In November 2011, the station began broadcasting to the remainder of the site on 1386 AM (Medium Wave). It means that for the first time, patients at St John's Hospice in the Wirral, Claire House Children's Hospice and Elderholme are able to hear the service along with their visitors and staff. |
27324156_2_2 | 27324156 | https://en.wikipedia.org/wiki/Radio%20Clatterbridge | Radio Clatterbridge | Radio Clatterbridge. Today
Ward visitors regularly collect requests which are played on air. These are supplemented by requests received from patients' relatives around the world via the charity's website. Radio Clatterbridge also receives requests for patients via both Facebook and Twitter. |
27324178_0_0 | 27324178 | https://en.wikipedia.org/wiki/Ranam%20station | Ranam station | Ranam station.
Ranam station is a railway station located in Ranam-guyok, Chongjin, North Korea. It is located on the Pyongra Line, which connects the capital, Pyongyang, to Rason, a major port city. |
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