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27336999_0_0 | 27336999 | https://en.wikipedia.org/wiki/Jonathan%20Saidel | Jonathan Saidel | Jonathan Saidel.
Jonathan A. Saidel is a politician from Philadelphia, Pennsylvania. He is a former Philadelphia city controller. |
27336999_1_0 | 27336999 | https://en.wikipedia.org/wiki/Jonathan%20Saidel | Jonathan Saidel | Jonathan Saidel. Philadelphia City Controller
After incumbent Philadelphia City Controller Joe Vignola announced his resignation in late 1987, in preparation for a campaign against incumbent Republican Senator John Heinz in 1988, Saidel announced his intention to enter the Democratic primary for the race to succeed him. He won the Democratic primary, held in the spring of 1989, and narrowly defeated the Republican nominee, State Senator Joe Rocks, in the fall general election. |
27336999_1_1 | 27336999 | https://en.wikipedia.org/wiki/Jonathan%20Saidel | Jonathan Saidel | Jonathan Saidel. Political career
He would go on to be re-elected to the position three more times, each by a wide margin. He did not seek re-election in 2005, and left office the following year. |
27336999_2_0 | 27336999 | https://en.wikipedia.org/wiki/Jonathan%20Saidel | Jonathan Saidel | Jonathan Saidel. Lieutenant gubernatorial campaign
Saidel sought the Democratic nomination for lieutenant governor in 2010. Ultimately came in second in a three-person field, ahead of Doris Smith-Ribner, a former Commonwealth Court Judge from Pittsburgh, and behind the winner, State Representative Scott Conklin of Philipsburg, Centre County. Conklin ultimately defeated Saidel by just under 4,000 votes, out of a total of over 900,000 votes cast. |
27336999_2_1 | 27336999 | https://en.wikipedia.org/wiki/Jonathan%20Saidel | Jonathan Saidel | Jonathan Saidel. Post-political career
Saidel has since returned to private practice. |
27336999_3_0 | 27336999 | https://en.wikipedia.org/wiki/Jonathan%20Saidel | Jonathan Saidel | Jonathan Saidel. Pennsylvania Democrats
Living people
Politicians from Philadelphia
Year of birth missing (living people) |
27337004_0_0 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin.
Michael Allen Austin (born August 30, 1965) is an American illustrator, best known for his work in children’s books. Among the titles he has illustrated are Cowpoke Clyde and Dirty Dawg, written by Lori Mortensen; The Horned Toad Prince, written by Jackie Mims Hopkins; and Railroad John and the Red Rock Run, written by Tony Crunk. His illustrations have also appeared in magazines, such as Highlights for Children, Spider and Cricket, as well as galleries and museums throughout the United States. |
27337004_0_1 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin.
The older of two sons, Austin grew up in Florida, drawing favorite characters from The Addams Family, Scooby Doo and Disney films. Early on in college, Austin trained to be a Medical Technologist, but later found he couldn’t resist the call of art and changed his major. After college, he moved to New Orleans where he began his illustration career, creating displays for the music industry. He now lives in Georgia with his wife, Kim, and their sheep dog, Riley, both who appear regularly in his books. Austin is represented by Portfolio Solutions in New York, and has served as a juror for the Young Georgia Authors Competition. |
27337004_0_2 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin.
Artistic influences: Charles Addams, Chris VanAllsburg, C.F. Payne, Edward Gorey, Peter de Séve |
27337004_1_0 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Recognition
Austin has appeared in the GCPSTV program, The Author In You, as well as The Georgia Department of Education’s Georgia Read More Literacy Program. A reading by Fred Newman, author and host of PBS's Between the Lions, was broadcast on PBS. Austin’s books have been recognized by the Society of Illustrators, the IRC/CBC Children’s Choice Awards, Pura Belpre Medal, Parent’s Guide to Media Awards, Bank Street College of Education and the Irma Simonton & James H. Black Award for the Best Picture Book of the Year, to name a few. |
27337004_1_1 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Recognition
Both Railroad John and the Redrock Run and Martina the Beautiful Cockroach have been nominated for the 2010-2011 Georgia Children's Picture Book Award. Books are nominated for the awards by teachers and media specialists from the state of Georgia. |
27337004_1_2 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Recognition
School Library Journal called Austin's artwork "luminous" and "stunning". Publishers Weekly called his illustrations "whimsical, haunting and dynamic". Children's Literature said, "Austin's characters are sculpturesque." Kirkus Reviews called Austin’s compositions "clever". |
27337004_2_0 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Sam Patch; Daredevil Jumper
Gold Award Winner in the Society of Illustrators Los Angeles Illustration 48 West
Storytelling World Resource Awards |
27337004_2_1 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Martina the Beautiful Cockroach
Pura Belpre Medal (honor book)
NCSS/CBC Notable Trade Books for Young People in the Field of Social Studies Kansas State Reading Circle Recommended Reading List (primary - starred review)
The Best Children’s Books of the Year (Bank Street College of Education)
Irma Simonton and James H. Black Award for the Best Picture Book of the Year (honor book)
International Latino Book Awards (Best Children’s Picture Book, English)
Américas Award for Children’s and Young Adult Literature
Read On Wisconsin! (primary age group)
Volunteer State Book Awards (master list, K-3)
Junior Library Guild Selection
Criticas Magazine Starred Review
Society of School Librarians International Book Awards
Odyssey Award (honor book)
Storytelling World Resource Awards
Children's Book Award (Florida)
Texas Bluebonnet Award
Virginia Reader's Choice Awards |
27337004_2_2 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Railroad John and the Red Rock Run
Selected by the Society of Illustrators of Los Angeles for inclusion in the Illustration West Exhibition and annual
Storytelling World Awards: Stories for Pre-Adolescent Listeners (honor book) |
27337004_2_3 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Late For School
Selected by the Society of Illustrators for inclusion in the Annual Exhibition
Children's Choice
Parent's Guide to Children's Media Award
Reader/Selector List, Show Me Readers Award (MO)
Master Reading List, Volunteer State Book Award (TN) |
27337004_2_4 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. The Horned Toad Prince
Selected by the Society of Illustrators for inclusion in the Original Art exhibition
2 x 2 Reading List, Children’s Round Table, Texas Library Association
Masterlist, Land of Enchantment Award, New Mexico Library Association
Willa Award |
27337004_3_0 | 27337004 | https://en.wikipedia.org/wiki/Michael%20Allen%20Austin | Michael Allen Austin | Michael Allen Austin. Storybooks
Cowpoke Clyde and Dirty Dawg, by Lori Mortensen (Clarion, 2013)
10 Rules You Absolutely Must Not Break If You Want to Survive The School Bus, by John Grandits (Clarion, 2011)
Sam Patch; Daredevil Jumper, by Julie Cummins (Holiday House, 2009)
Martina the Beautiful Cockroach, by Carmen Agra Deedy (Peachtree Publishers, 2007)
Railroad John and the Red Rock Run, by Tony Crunk (Peachtree Publishers, 2006)
Late For School, by Mike Reiss (Peachtree Publishers, 2003)
Bats, Bats, Bats, by Amy Levin (Scholastic, 2002)
The Horned Toad Prince, by Jackie Mims Hopkins (Peachtree Publishers, 2000)
13 Monsters Who Should be Avoided, by Kevin Shortsleeve (Peachtree Publishers, 1998) |
27337030_0_0 | 27337030 | https://en.wikipedia.org/wiki/Nahl | Nahl | Nahl. Nahl (surname)
National Accident Helpline, a British personal injury lawyer service
North American Hockey League, an American junior hockey league
North American Hockey League (1973–1977), an American professional hockey league |
27337030_0_1 | 27337030 | https://en.wikipedia.org/wiki/Nahl | Nahl | Nahl. See also
An-Nahl, the 16th sura of the Qur'an, from the Arabic word for bee |
27337046_0_0 | 27337046 | https://en.wikipedia.org/wiki/Rights%20and%20Equality%20Party | Rights and Equality Party | Rights and Equality Party.
The Rights and Equality Party (, HEPAR) was a political party in Turkey, founded on 4 September 2008 by Osman Pamukoğlu, a former army general known for his military successes against the Kurdistan Workers' Party in the 1990s during the Kurdish–Turkish conflict. |
27337046_0_1 | 27337046 | https://en.wikipedia.org/wiki/Rights%20and%20Equality%20Party | Rights and Equality Party | Rights and Equality Party.
The party's main manifest was the setting sovereignty, own based economical development and peace for Turkish citizens. The party had 8,273 members as of 2014. |
27337046_0_2 | 27337046 | https://en.wikipedia.org/wiki/Rights%20and%20Equality%20Party | Rights and Equality Party | Rights and Equality Party.
The party claimed their ideology as being neither on the right nor left, above all with populist, nationalist aiming social justice for Turkish citizens. The party chairman Osman Pamukoğlu often mentioned Mustafa Kemal Atatürk's quote as "Our target is being a merged society with no classes and privileges." |
27337046_0_3 | 27337046 | https://en.wikipedia.org/wiki/Rights%20and%20Equality%20Party | Rights and Equality Party | Rights and Equality Party.
The party gained 121,814 votes during the 2011 elections, comprising 0.28% of the votes. |
27337046_0_4 | 27337046 | https://en.wikipedia.org/wiki/Rights%20and%20Equality%20Party | Rights and Equality Party | Rights and Equality Party.
The party announced its end of activities during an extraordinary convention on 21 April 2019. |
27337057_0_0 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818).
The Siege of Multan was a battle between a Vizier of the Durrani Empire and the Sikh Empire that started in March 1818 and ended on 2 June 1818. |
27337057_1_0 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818). Background
After he was defeated at the Battle of Attock, the Durrani Vizier, Wazir Fateh Khan, fought off an attempt by Ali Shah, the ruler of Persia, to capture the Durrani province of Herat. He was joined by his brother, Dost Mohammad Khan. Once they had captured the city, Fateh Khan attempted to remove the ruler, a relation of his superior, Mahmud Shah, and rule in his stead. In the attempt to take the city from its Durrani ruler, Dost Mohammad Khan's men robbed a princess of her jewels. Kamran Durrani, Mahmud Shah's son, used this as a pretext to remove Fateh Khan from power, and had him horribly tortured and executed. |
27337057_1_1 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818). Background
While in power, however, Fateh Khan had installed twenty-one of his brothers in positions of power throughout the Durrani Empire. After his death the next eldest brother Mohd. Azim Khan, governor of Kashmir, led the Barakzais as they rebelled and divided up the provinces of the empire between themselves. During this turbulent period Kabul had many temporary rulers until Dost Mohammad Khan captured the city in 1826. |
27337057_1_2 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818). Background
The Sikh Empire had attacked Multan multiple times in the past, the largest attack being in 1810. However, on the previous occasions the Sikh forces would defeat the defending force and seize the city only to have the governor of Multan, Muzaffar Khan Sadozai, retreat into the Multan Fort. During previous sieges, the Sikhs had settled for large single payments of tribute, while the attack in 1810, resulted in Multan paying a yearly tribute. Muzaffar Khan already ruled the Durrani province of Multan independently of the descendants of Ahmad Shah Abdali, the rulers of Kabul. With the relatives of the deceased Fateh Khan engulfed in a power struggle with Mahmud Shah, no Durrani force would be able to relieve him. |
27337057_1_3 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818). Battle
In early 1818, Ranjit Singh ordered the Sikh army to rendezvous on the south-west frontier of the Sikh Empire to make preparations for an expedition against Multan. By January 1818, the Sikh Empire had established an extensive supply chain from the capital, Lahore, to Multan, with the use of boat transports to ferry supplies across the Jhelum, Chenab, and Ravi rivers. Rani Raj Kaur (Mai Nakkain) was given the command of the battle additionally she, herself oversaw the steady supply of grain, horses, and ammunition being sent to the at Kot Kamalia, a town equally distanced between Multan and Lahore. |
27337057_1_4 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818). Background
In early January the Sikh force began their campaign with the capture of Nawab Muzaffar Khan's forts at Muzaffargarh and Khangarh. In February, the Sikh force under Kharak Singh reached Multan and ordered Muzaffar to pay the large tribute he owed and to surrender the fort, but Muzaffar refused. The Sikh forces won an engagement near the city but were unable to capture Muzaffar before he retreated into the fort. The Sikh army asked for more artillery and Ranjit Singh sent them the Zamzama and other large artillery pieces, which commenced fire on the walls of the fort. In early June, Sadhu Singh and a small band of other Akalis attacked the fort walls and discovered a breach in the wall. As they ran in to battle the unaware garrison the larger Sikh army was alerted and entered the fort through the breach. Muzaffar and his sons attempted a sortie to defend the fort but were killed in the battle. |
27337057_1_5 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818). Background
The siege of Multan ended significant Afghan influence in the Peshawar region and led to capture of Peshawar by Sikhs. |
27337057_2_0 | 27337057 | https://en.wikipedia.org/wiki/Siege%20of%20Multan%20%281818%29 | Siege of Multan (1818) | Siege of Multan (1818). Conflicts in 1818
1818 in India
History of Multan
Battles involving the Sikhs
March 1818 events |
27337149_0_0 | 27337149 | https://en.wikipedia.org/wiki/Trigonictis%20macrodon | Trigonictis macrodon | Trigonictis macrodon.
Trigonictis macrodon is an extinct species of mammal related to the living grison (genus Galictis). It lived in North America during the Pliocene to Pleistocene epochs, from ~4.1–1.6 Ma. (AEO), existing for approximately . Fossil specimens have been found across the United States, from Washington and Oregon in the northwest to California and Florida in the south. |
27337149_0_1 | 27337149 | https://en.wikipedia.org/wiki/Trigonictis%20macrodon | Trigonictis macrodon | Trigonictis macrodon. Morphology and diet
Trigonictis is most closely related to the modern neotropical galictines, Sminthosinis and possibly Canimartes. According to Kurtén and Anderson, Trigonictis macrodon was about the size of the modern fisher, quickly moving and very capable of swimming. It was closely related to a group of galictine mustelids and reached the New World in the Middle Pliocene. Its diet was probably the rabbit Hypolagus, ground squirrels, and young beavers. |
27337170_0_0 | 27337170 | https://en.wikipedia.org/wiki/HMCS%20Rainbow | HMCS Rainbow | HMCS Rainbow.
Two vessels of the Royal Canadian Navy have been named HMCS Rainbow, after the rainbow. |
27337170_0_1 | 27337170 | https://en.wikipedia.org/wiki/HMCS%20Rainbow | HMCS Rainbow | HMCS Rainbow.
, an protected cruiser operated by the Royal Navy from 1893 to 1909 as HMS Rainbow, transferred to Canada in 1910, and operated until 1920
, a operated by the United States Navy from 1944 to 1968 as , sold to Canada in 1968, and operated until 1974 |
27337170_0_2 | 27337170 | https://en.wikipedia.org/wiki/HMCS%20Rainbow | HMCS Rainbow | HMCS Rainbow. See also
, nine ships of the Royal Navy, including the first HMCS Rainbow
, a distilling ship and submarine tender of the United States Navy |
27337194_0_0 | 27337194 | https://en.wikipedia.org/wiki/Ya%20Po%20Ah%20Terrace | Ya Po Ah Terrace | Ya Po Ah Terrace.
Ya-Po-Ah Terrace (nickname The High Place), is the tallest building in Eugene, Oregon at . It is a controversial high-rise apartment building for senior citizens erected in 1968 at the foot of Skinner Butte. |
27337194_0_1 | 27337194 | https://en.wikipedia.org/wiki/Ya%20Po%20Ah%20Terrace | Ya Po Ah Terrace | Ya Po Ah Terrace. History
"Ya Po Ah" means very high place in the language of the Kalapuya Indians who inhabited the Willamette Valley prior to the arrival of the Euro-American settlers. Ya Po Ah was the name used by the tribe for what is now called Skinner Butte, in honor of Eugene Franklin Skinner, the founder of Eugene City. He built his first log cabin on the western slopes of the butte to avoid the frequent floods of the Willamette River to the north, per the advice of the Kalapuya. |
27337194_0_2 | 27337194 | https://en.wikipedia.org/wiki/Ya%20Po%20Ah%20Terrace | Ya Po Ah Terrace | Ya Po Ah Terrace.
The building is an 18-story, 222-unit apartment building located on the southern slopes of Skinner Butte, overlooking downtown Eugene. Ya Po Ah also houses a performance hall, library, salon, and convenience stores. Constructed in 1968, public outcry over the building's size led to laws being passed soon after, limiting the height and stories of buildings in Eugene. This was a measure taken to preserve, among other things, the views of nearby mountains. It remains the tallest building in Eugene. |
27337194_0_3 | 27337194 | https://en.wikipedia.org/wiki/Ya%20Po%20Ah%20Terrace | Ya Po Ah Terrace | Ya Po Ah Terrace.
A major renovation project is under way in the summer of 2019. |
27337194_0_4 | 27337194 | https://en.wikipedia.org/wiki/Ya%20Po%20Ah%20Terrace | Ya Po Ah Terrace | Ya Po Ah Terrace.
Up until the end of the 1990s these building restrictions limited density and upward growth as the city's population grew, forcing urban sprawl outward, which was then limited by the current Urban growth boundary. Only within the last decade has Eugene begun to amend some of these measures to promote denser growth within the city's core. |
27337200_0_0 | 27337200 | https://en.wikipedia.org/wiki/Rhapsodie%20espagnole%20%28Liszt%29 | Rhapsodie espagnole (Liszt) | Rhapsodie espagnole (Liszt).
Rhapsodie espagnole (Spanish Rhapsody), S.254, R.90, is a composition for solo piano composed by Franz Liszt in 1858. The piece is very suggestive of traditional Spanish music, and was inspired by Liszt's tour in Spain and Portugal in 1845. When played, this piece takes roughly 11–14 minutes and contains many extreme technical challenges, including rapid chords and octaves. Ferruccio Busoni arranged the piece for piano and orchestra in 1894. |
27337200_0_1 | 27337200 | https://en.wikipedia.org/wiki/Rhapsodie%20espagnole%20%28Liszt%29 | Rhapsodie espagnole (Liszt) | Rhapsodie espagnole (Liszt).
It includes free variations on La Folia and Jota Aragonesa and opens with a cadenza including blind octaves. |
27337369_0_0 | 27337369 | https://en.wikipedia.org/wiki/Krista%20White | Krista White | Krista White.
Krista White (born December 19, 1984) is an American fashion model, best known as the winner of Cycle 14 of America's Next Top Model. As part of her win, she was signed with Wilhelmina Models, received a $100,000 contract with Covergirl, and appeared on the cover of Seventeen Magazine. |
27337369_0_1 | 27337369 | https://en.wikipedia.org/wiki/Krista%20White | Krista White | Krista White. Early life
White was born in Pine Bluff, Arkansas. She worked as a retail manager before her stint on ANTM. |
27337369_0_2 | 27337369 | https://en.wikipedia.org/wiki/Krista%20White | Krista White | Krista White. Americas Next Top Model
White won the fourteenth cycle of America's Next Top Model. She received four consecutive first call-outs. She was never placed in the bottom two, making her the fourth winner to achieve this record, preceded by winners Jaslene Gonzalez, McKey Sullivan, and Nicole Fox. She won a total of four reward challenges. In the end, she was selected over runner-up Raina Hein, because the judges thought White would have a better chance at an international career. |
27337369_0_3 | 27337369 | https://en.wikipedia.org/wiki/Krista%20White | Krista White | Krista White.
She has walked the runway for top New York designer Nicole Miller in New Zealand Fashion Week. |
27337369_0_4 | 27337369 | https://en.wikipedia.org/wiki/Krista%20White | Krista White | Krista White.
White has also modeled for top designer Betsey Johnson and friend Sergio Guadarramo's collection "Celestino Collection". |
27337405_0_0 | 27337405 | https://en.wikipedia.org/wiki/Richard%20Riddell | Richard Riddell | Richard Riddell. Richard V. Riddell is an American lighting designer.
He graduated from Knox College with a B.A. with honors in 1972. In 1978, he received his doctorate from Stanford University. |
27337405_0_1 | 27337405 | https://en.wikipedia.org/wiki/Richard%20Riddell | Richard Riddell | Richard Riddell. Richard V. Riddell is an American lighting designer.
He has had extensive teaching experience, working at such schools as the University of California, San Diego, Harvard University. He finally moved to Duke University, where he became vice president as well as university secretary and assistant to the president, Richard H. Brodhead. |
27337405_0_2 | 27337405 | https://en.wikipedia.org/wiki/Richard%20Riddell | Richard Riddell | Richard Riddell. Richard V. Riddell is an American lighting designer.
Riddell has also worked on numerous shows, including two Broadway shows: A Walk in the Woods and Big River. He mostly designed lighting for the shows, but occasionally dabbled in scenic design. |
27337405_0_3 | 27337405 | https://en.wikipedia.org/wiki/Richard%20Riddell | Richard Riddell | Richard Riddell. Richard V. Riddell is an American lighting designer.
He is also published many articles in different magazines and newspapers such as American Theater, The New York Times, TheaterWeek, The Drama Review, The Chronicle of Higher Education, Contemporary Designers, and Theater Crafts. |
27337405_0_4 | 27337405 | https://en.wikipedia.org/wiki/Richard%20Riddell | Richard Riddell | Richard Riddell. Teaching
Riddell taught in the theater department at the University of California, San Diego from 1978 to 1987. He then became the director of the Institute for Advanced Theatre Training at Harvard University until 1991. He moved to work at Duke in 1992 as the Mary D.B.T. and James H. Semans Professor of the Practice of Theater Studies, teaching classes such as "Arts and Contemporary Society", "Lighting Design for the Theater", and "Arts and Stage in the 20th Century". He also became the chairman of Duke's Department of Theater Studies. In 2007, it was announced that he would succeed Allison Haltom as Duke's vice president and secretary, as well as retain his position as assistant to the president. |
27337405_0_5 | 27337405 | https://en.wikipedia.org/wiki/Richard%20Riddell | Richard Riddell | Richard Riddell. Designs
He designed lights for such shows as The Philadelphia Story for Missouri Repertory Theatre; Eleanor: An American Love Story for Ford's Theater; Kudzu for Ford's Theater; Otello for the English National Opera; Private Lives for Cleveland Play House; Queen of Spades for the English National Opera; Steel for American Repertory Theater; The Return of Ulysses for English National Opera; The Flying Dutchman for the Santa Fe Opera; A Walk in the Woods for La Jolla Playhouse and for Broadway; The Day Room for American Repertory Theater; Akhnaten for the Houston Grand Opera, New York City Opera, and English National Opera; Big River for La Jolla Playhouse and Broadway; Pieces of Eight for The Acting Company National Tour; The Tempest for the London and Stratford-Upon-Avon Royal Shakespeare Companies; The Yellow Sound for Marymount Manhattan Theatre and Alte Oper; Káťa Kabanová for Houston Grand Opera; Our Town for Guthrie Theater; and Satyagraha for De Nederlandse Opera, Brooklyn Academy of Music, Lyric Opera of Chicago, Seattle Opera, and San Francisco Opera. Additionally, he worked on the scene design for 'Krapp's Last Tape for Akademie der Künste, Akhnaten, and The Yellow Sound. |
27337405_0_6 | 27337405 | https://en.wikipedia.org/wiki/Richard%20Riddell | Richard Riddell | Richard Riddell. Awards
Riddell won the Tony Award for Best Lighting Design, Drama Desk Award for Outstanding Lighting Design, and Hewes Design Award for his work on Big River in 1985. Additionally, he received a Knox College Alumni Achievement Award in 1986. |
27337478_0_0 | 27337478 | https://en.wikipedia.org/wiki/Brunegg%20Castle | Brunegg Castle | Brunegg Castle.
Brunegg castle () is a castle in the municipality of Brunegg in the canton of Aargau in Switzerland. |
27337478_0_1 | 27337478 | https://en.wikipedia.org/wiki/Brunegg%20Castle | Brunegg Castle | Brunegg Castle.
The castle was built on a hill at the edge of the Jura mountains in the 13th Century. This castle was probably built, together with Wildegg castle in nearby Wildegg, as part of the Habsburg border defenses. The castle was occupied by Habsburg knights, including Schenken von Brunegg and Gessler von Meienberg. In 1415 the castle was besieged by Bernese troops, but they lifted siege after a counterattack. However, Bern conquered the Aargau, and awarded the fief to the Segenser or Segesser family. Between 1538-1798, the castle was subordinate to the Governor of Lenzburg. In 1815 it became the property of the Hünerwadel family of Lenzburg. The current owners of the castle, the von Salis family, inherited the castle through marriage from the Hünerwadels. For hundreds of years, the castle was poorly maintained, and in the 17th Century it was heavily damaged twice through storm and tempest. In 1805-06, the keep and out buildings were repaired and the roof was rebuilt. |
27337478_0_2 | 27337478 | https://en.wikipedia.org/wiki/Brunegg%20Castle | Brunegg Castle | Brunegg Castle.
The village of Brunegg owes its name and existence to the castle. Initially it belonged to the personal land of the Habsburgs. In the 14th Century, they granted the rights to low justice into the hands of the castle owners. Bern placed in the court of Othmarsingen in the Lenzburg district. In the 19th Century it was part of the Brugg district though since 1840 it has been in the Lenzburg district. |
27337502_0_0 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples.
Perfect Couples is an American sitcom television series that was originally broadcast by NBC. The half-hour romantic comedy was co-created by Jon Pollack and Scott Silveri and produced by Universal Media Studios. A sneak preview of the series aired on December 20, 2010, and officially premiered on January 20, 2011, as a mid-season replacement for the 2010–11 television season. The show was filmed in Los Angeles. |
27337502_0_1 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples.
On April 14, 2011, the show was replaced in its timeslot with The Paul Reiser Show which was cancelled 11 days later on April 25 after only two episodes. NBC officially canceled Perfect Couples on May 13, 2011. |
27337502_0_2 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Plot
Perfect Couples revolves around three couples at various stages in their relationships, yet who face similar problems. Vance and Amy are a couple who fight a lot and have a very active sex life. Rex and Leigh view themselves as relationship experts and therefore a "perfect couple", while Dave and Julia are considered the normal pair to whom everyone can relate. |
27337502_0_3 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Cast
Kyle Bornheimer as Dave
Christine Woods as Julia
David Walton as Vance
Mary Elizabeth Ellis as Amy
Hayes MacArthur as Rex
Olivia Munn as Leigh
Nicolette Robinson as Isabella |
27337502_1_0 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Development
In early February 2010, NBC announced that it had green-lighted a pilot script by creators Jon Pollack and Scott Silveri. Olivia Munn was the first actress cast in mid-February. David Walton came on board the project in early March, followed soon by Mary Elizabeth Ellis and Hayes MacArthur. In late March 2010, Christine Woods was cast in what was described as the female lead. Kyle Howard rounded out the main cast in mid-April. |
27337502_1_1 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Production
NBC announced a pick up of the series on May 12, 2010, which is currently planned as a midseason replacement. |
27337502_1_2 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Production
On June 3, 2010, comedian and writer Jen Kirkman announced she would be leaving late-night show Chelsea Lately to join the writing staff for Perfect Couples. |
27337502_1_3 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Production
On July 1, 2010, Deadline.com reported that Kyle Bornheimer had replaced Kyle Howard as Dave due to uncertainty whether the actor would be available due to TBS' decision to see how the fourth season of My Boys performed before deciding whether to renew or cancel the series. TBS cancelled the series less than three months later. |
27337502_1_4 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Cancellation
On March 22, 2011, it was announced that The Paul Reiser Show would replace Perfect Couples, even though the show still had two unaired episodes remaining. Mid-April is not a typical time for a prime-time network television show to finish its run, leading many to believe the show may be canceled. However, the premiere of The Paul Reiser Show fared even worse in the ratings, showing even more uncertainty for the timeslot, and was itself canceled after only two episodes. Perfect Couples was officially cancelled on May 13, 2011. |
27337502_2_0 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Reception
On December 20, 2010, NBC aired a sneak preview of the series after the season finale of the reality show The Sing-Off. The series received mixed reviews, scoring a 43 out of 100 based on 19 critics on Metacritic. Entertainment Weekly critic Ken Tucker said the show has improved since the first episodes. |
27337502_2_1 | 27337502 | https://en.wikipedia.org/wiki/Perfect%20Couples | Perfect Couples | Perfect Couples. Episodes
The show was the lowest rated scripted series on NBC, with about 3 million viewers on average, until it was replaced by The Paul Reiser Show, which fared even worse. |
27337531_0_0 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera).
is an operatic 'drame lyrique' that was written as a collaborative effort on the part of nine composers. It premiered in Paris at the Salle Ventadour of the Opéra-Comique on 31 October 1831. |
27337531_0_1 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Composition and performances
Under the Empire and Restoration, there were a number of collaborations in which composers worked together in a very short time to produce works to celebrate events of importance to the ruling dynasty, such as a marriage, birth, or baptism. Such a composition was usually the work of a few days and might involve as many as 4 composers. The only notable work by many hands before the composition of La marquise de Brinvilliers was Le congrès des rois, conceived in a revolutionary spirit, the work of 12 composers, and presented at the Opéra-Comique on 26 February 1794. |
27337531_0_2 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera).
In 1831, the Opéra-Comique was suffering financially and its Salle Ventadour was no longer fashionable. Émile Lubbert, the director of company, needed to mount a successful production promptly. He engaged Eugène Scribe and Castil-Blaze to produce a libretto and, with no time to spare, divided the work of composition among nine composers: Daniel Auber, Désiré-Alexandre Batton, Henri Montan Berton, Giuseppe Marco Maria Felice Blangini, François-Adrien Boieldieu, Michele Carafa, Luigi Cherubini, Ferdinand Hérold, and Ferdinando Paer. A review in the Courrier de l'Europe noted the inclusion of a gigue by Gossec, a composer of an older generation who died in 1829. |
27337531_0_3 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera).
The work premiered on 31 October 1831 and had a very modest run of 32 performances, the last on 9 December, at which point the theater closed. The theater re-opened in January 1832 under a new director and continued to struggle. Before the end of 1831, F. Marcucci composed a "Fantasy for harp on the prettiest motifs from la Marquise de Brinvilliers". The opera was revived in 1836 and presented for 11 performances. No further performances have been documented. |
27337531_1_0 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Synopsis
The action of the opera is based loosely on the story of Marie-Madeleine-Marguerite d'Aubray, Marquise de Brinvilliers, an historical figure of the seventeenth century whose trial for murder initiated the Affair of the Poisons, which saw a number of French aristocrats accused of murder and witchcraft. |
27337531_1_1 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Roles
The first two acts take place at the home of M. de Vernillac at Versailles. The third act is set in Paris at the hotel of the marquise on the rue Neuve-Saint-Paul. |
27337531_2_0 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Time: during the reign of Louis XIV, 1643–1715.
Before the action of the opera begins, Hortense De Montmélian and Arthur Saint-Brice, both without fortunes, love one another, but the Marquise has contrived to separate them and make each believe the other has cut off contact. She has arranged for Hortense to marry Vernillac, a wealthy government official. |
27337531_2_1 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Act 1
As guests arrive for the wedding of Vernillac and Hortense, he rejoices while the future bride expresses her dismay and discusses with her friend Madelon how Arthur's silence has hurt her. The Marquise meets privately with her retainer Galifard and learns he knows more than she imagined of her passion for Arthur and her manipulation of the young lovers. Arthur enters and explains he has come to the Marquise for counsel. Despite a year's separation he needs to see the woman he loves just once more. The Marquise orders him to leave, but he encounters Madelon, who quickly learns that he is as wounded as Hortense and never saw her many letters. As he rushes to stop the wedding, the married couple returns and, amid general rejoicing, Hortense and Arthur recognize one another. |
27337531_2_2 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Act 2
Hortense and Arthur meet and reconcile. The Marquise interrupts them and, hiding her love for Arthur and her hatred of her rival, persuades them to separate lest Vernillac become even more suspicious than he already is. Arthur writes a letter to Hortense and Madelon plans to get it past Vernillac by placing it in a basket under a bouquet of roses meant for Hortense. The Marquise has learned of the letter and added to it a subtle and quick-acting poison that will allow her to rid herself of her rival. Hortense and Vernillac, already a jealous husband, prepare to leave the wedding ball. He hears Madelon whispering to Hortense and catches the phrase "in the basket." When they are finally alone, he questions her with increasing vehemence about any secrets she may be withholding from him. At first she protests her devotion, but can not disguise her feelings and eventually admits there is a letter hidden with the flowers. He snatches the bouquet from the basket, inhales its perfume, and falls dead. Hortense cries out for help and the wedding guests enter and express general astonishment. |
27337531_2_3 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Act 3
Alone, the Marquise reviews the letters Galifard has returned to her of his own accord. She doubts he could have blackmailed her without implicating himself, but she burns them all. In the bottom of his portfolio she finds a secret compartment containing a powder-filled red packet that she determines is his secret antidote that has protected him from her attempt to poison him. She replaces the antidote with a slow-acting poison. Galifard arrives and speaks of their marriage. She is shocked, but pretends to humor him. When tea arrives, she adds sugar to hers while he adds powder from his red packet saying it is medicinal. They discuss their anticipated trip to Italy and future happiness. As he leaves she rejoices that he will be dead within the hour. |
27337531_2_4 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Time: during the reign of Louis XIV, 1643–1715.
The scene changes. Hortense appears in mourning for Vernillac. Arthur begs the Marquise to ask Hortense to see him. The Marquise instead insinuates to Hortense that Arthur poisoned Vernillac. Hortense imagines Arthur will flee France to avoid arrest. She is overcome, newly widowed and now about to lose Arthur. When Arthur approaches Hortense, she refuses to speak to him saying she is prepared to enter the convent. Arthur starts to leave in anger as the Marquise relishes her triumph in separating the lovers. Suddenly Galifard enters, a specter, shriveling and in convulsions. With his last breath he accuses the Marquise of poisoning Vernillac and dies. All becomes instantly clear. Galifard dies. As the Marquise is led away to stand trial, she gazes at him in triumph and vengeance. |
27337531_2_5 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Assessments
A lengthy review in the Courrier d'Europe called it "the most interesting work the Ventadour has offered in a long time." The Revue des deux mondes thought the music was "diffuse and without unity" but noted that "a duet by Auber in the third act received much applause. The tragedy is well constructed and affecting. There is lots of poison but it is handled plausibly; unfortunately a duet does not make an opera, not even a comic opera." Frédéric Chopin, on the other hand, wrote that it would have been difficult to assemble a better group for such a joint effort: "I confess I was not bored and that it was not a work to mock." |
27337531_2_6 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Time: during the reign of Louis XIV, 1643–1715.
According to a later assessment of the Paris musical scene at the time of the opera's premiere, Cherubini was the old master of the group, "the Nestor of composers." Batton was the least noted, who wrote a few unsuccessful operas and then worked in the manufacture of artificial flowers. Berton, Paer, Blangini, Carafa were past the height of their careers. Boieldieu had successes in the 1820s as well as one noteworthy failure. Herold's Zampa had just premiered to great acclaim. Auber was at the height of his fame and powers. |
27337531_2_7 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Contributions
Daniel Auber
Duet in the third act, "a masterpiece of theatrical insight"
Désiré-Alexandre Batton
Duet and finale in the first act.
Henri Montan Berton
Couplets in the third act.
Giuseppe Marco Maria Felice Blangini
No. 3, Recitative and Aria: "Oui mon repos l'exige"
No. 5, Rondo: "De ces lieux que j'abhorre"
No. 6, Duet: "Un mot encore, un mot, Madam"
François-Adrien Boieldieu
Couplets
Michele Carafa
Overture, 2nd act finale
2nd act duet
Luigi Cherubini
Introduction to the first act (lost)
Ferdinand Hérold
Finale to the third act
Ferdinando Paer
Air à l'italienne |
27337531_3_0 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Sources
Sadie, Stanley, ed. (1992). The New Grove Dictionary of Opera (4 volumes). London: Macmillan. .
Scribe, Eugène. "La marquise de Brinvilliers", in Théàtre complet de M. Eugène Scribe, 2nd edition, vol. 20 (Paris: Aimé André, 1837), 187–267. Google Books: "La marquise de Brinvilliers". Also available as Eugène Scribe, "La marquise de Brinvilliers", in Œuvres complètes de M. Eugène Scribe, vol. 2 (Paris: Furne et Cie. and Aimé André, 1841), 428–50. Google Books: "La marquise de Brinvilliers".
Wild, Nicole; Charlton, David (2005). Théâtre de l'Opéra-Comique Paris: répertoire 1762–1972. Sprimont, Belgium: Editions Mardaga. . |
27337531_3_1 | 27337531 | https://en.wikipedia.org/wiki/La%20marquise%20de%20Brinvilliers%20%28opera%29 | La marquise de Brinvilliers (opera) | La marquise de Brinvilliers (opera). Grand operas
French-language operas
Operas
1831 operas
Operas set in France
Operas by Daniel Auber
Libretti by Eugène Scribe
Operas by François-Adrien Boïeldieu
Operas by Michele Carafa
Operas by Luigi Cherubini
Operas by Ferdinand Hérold
Operas by Ferdinando Paer
Operas by multiple composers
Opera world premieres at the Opéra-Comique |
27337556_0_0 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign.
The National Union of Students LGBT+ Campaign is an LGBT advocacy group that is part of Liberation Campaign Committee of the National Union of Students (NUS). The full-time officer accountable for the LGBT+ Campaign is the vice-president equality and liberation officer. |
27337556_1_0 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Campaigns
The NUS LGBT are mostly nationally recognisable for their high-profile campaigns. |
27337556_1_1 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Donation, Not Discrimination
The Donation, Not Discrimination campaign, which carried the tag line "It's time to end the ban", was a campaign to end the National Blood Service's discrimination against men who have had sex with other men, and women who have had sex with those men; the NBS would not allow them to give blood, a policy built upon the claim that gay men have a higher chance of carrying HIV. The campaign believed the lifetime ban to be discriminatory, and that it perpetuated the myth that AIDS is a “gay disease”. It argued that selection criteria should not be based on sexual orientation, but on participation in high-risk behaviour, and that the number of HIV infections through blood transfusion had been reduced in those countries where this is the case. The campaign ended in 2011 when the Department of Health lifted the ban. |
27337556_1_2 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Putting the LGBT into FE
This campaign has been running since 2007 and is to help students in further education (FE) who want to set up or develop their LGBT groups. The campaign find that participation and support in FE insututions to be limited or non existent and this is to change this. |
27337556_2_0 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Annual conference
The NUS LGBT+ conference is an opportunity for LGBT students activists from across the UK to come together to set the direction for the campaign for the year ahead, to attend workshops and hear speakers, and to network with other LGBT students. |
27337556_2_1 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Annual conference
One of the key functions of the conference is to debate, pass policy which forms the basis of NUS LGBT+'s campaigning and to amend the constitution of the campaign. All changes to policy and the constitution are submitted by LGBT students or societies, up to 5 for each, previous to the conference which are then compiled by the steering committee. |
27337556_2_2 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Annual conference
At the conference there is the annual NUS LGBT Awards, which started in 2007, to help promote and support the societies which have done things that are considered to be above and beyond the standard. |
27337556_2_3 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Annual conference
Officers and committee members are elected at the annual conference by delegates. |
27337556_2_4 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. National officers
National officers within the campaign are elected paid officials who coordinate and fulfil the agenda of the campaign. |
27337556_2_5 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Annual conference
There are two officers for the NUS LGBT+ Campaign, one woman's place which is and is only elected by self identifying women and open place which is open to anyone who identifies within the membership of the campaign. The officers can only stand for two years before having to step down. |
27337556_2_6 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Annual conference
The first national officers were elected in 2000, after NUS Annual Conference voted to change the constitution in order for the positions to be created. |
27337556_2_7 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Committee members
Committee members are elected representatives which help prioritise the agenda of the campaign and fulfill it. There are currently fourteen positions on the committee of seven types. The maximum term in office is two years in each type, and the representative must be elected each year. |
27337556_2_8 | 27337556 | https://en.wikipedia.org/wiki/National%20Union%20of%20Students%20LGBT%2B%20Campaign | National Union of Students LGBT+ Campaign | National Union of Students LGBT+ Campaign. Further education
The further education representatives are elected by delegates who are in further education and is in further education at the time of election. There is currently two positions as further education representatives. They are elected to help tackle the lack of participation within the liberation campaign despite the majority of NUS's membership being further education and to improve further education for LGBT people. The current representatives are Lani Baird and Joe Vinson, elected at the NUS LGBT Conference 2012. |
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