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Thursday, June 22, 2023 1 event | 2023-14/0037/en_head.json.gz/13434 | {"url": "https://www.washingtonindependentreviewofbooks.com/index.php/calendar_main/day/2023/06/22/", "partition": "head_middle", "language": "en", "source_domain": "www.washingtonindependentreviewofbooks.com", "date_download": "2023-03-20T10:19:35Z", "digest": "sha1:FDLXLF4YPTNJXIQVEIRMDKI56CLK572V"} | {"ccnet_length": [[0, 31, 31.0]], "ccnet_original_length": [[0, 31, 1120.0]], "ccnet_nlines": [[0, 31, 1.0]], "ccnet_original_nlines": [[0, 31, 105.0]], "ccnet_language_score": [[0, 31, 0.99]], "ccnet_perplexity": [[0, 31, 205.9]], "ccnet_bucket": [[0, 31, 0.0]], "rps_doc_curly_bracket": [[0, 31, 0.0]], "rps_doc_ldnoobw_words": [[0, 31, 0.0]], "rps_doc_lorem_ipsum": [[0, 31, 0.0]], "rps_doc_stop_word_fraction": [[0, 31, 0.0]], "rps_doc_ut1_blacklist": [[0, 31, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 31, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 31, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 31, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 31, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 31, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 31, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 31, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 31, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 31, 0.0]], "rps_doc_frac_all_caps_words": [[0, 31, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 31, 0.0]], "rps_doc_frac_no_alph_words": [[0, 31, 0.625]], "rps_doc_frac_unique_words": [[0, 31, 1.0]], "rps_doc_mean_word_length": [[0, 31, 4.0]], "rps_doc_symbol_to_word_ratio": [[0, 31, 0.0]], "rps_doc_unigram_entropy": [[0, 31, 1.79175947]], "rps_doc_word_count": [[0, 31, 6.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 31, 0.0]], "rps_lines_javascript_counts": [[0, 31, 0.0]], "rps_lines_num_words": [[0, 31, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 31, 0.24137931]], "rps_lines_start_with_bulletpoint": [[0, 31, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 31, 0.06451613]], "rps_doc_ml_palm_score": [[0, 31, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 31, null]], "rps_doc_ml_wikiref_score": [[0, 31, -1.001e-05]], "rps_doc_books_importance": [[0, 31, -5.20397273]], "rps_doc_openwebtext_importance": [[0, 31, -1.87164768]], "rps_doc_wikipedia_importance": [[0, 31, -1.30587363]], "rps_doc_num_sentences": [[0, 31, 1.0]]} |
How did the tradition of Valentine's Day cards begin?
These days Hallmark estimates that 145 million Valentine’s Day cards are exchanged annually, not including kids’ valentines popular for classroom exchanges.
Author: KATHERINE ROTH (Associated Press)
Published: 9:54 AM EST February 14, 2023
Updated: 9:54 AM EST February 14, 2023
NEW YORK — It was Valentine’s Day 1917 in the Minnesota farming village of Lewiston, and Fred Roth — a fourth grader — seems to have come up with just the way to express his love for his sweetheart, Louise Wirt. He gave her a card.
The folding, pop-up Valentine's Day card, on stock so heavy it remains in good shape 106 years later, reads: “Forget me not!/I ask of thee/Reserve one spot/In your heart for me.”
And so she did. Years later they married, and Louise displayed the cherished card, tucked into the fretwork of a bedroom dresser, for decades to come. She pointed it out to her daughter, and later to a granddaughter, me, and it remained near her bedside until her death at 91, a token of lasting love.
Although the message was in English, the card is printed with the word “Germany” and is seemingly imported, as were many cards of that era. Small companies in the U.S. also were part of a flourishing commercial card business.
Hallmark, which began offering Valentine's Day cards in 1913, estimates that today, 145 million Valentine’s Day cards are exchanged annually, not including the kids’ valentines popular for classroom exchanges.
Fertility-related customs and rituals have been celebrated in mid-February since pagan times, says Emelie Gevalt, curator of folk art and curatorial chair for collections at the American Folk Art Museum in New York City.
Tokens of affection varied: In the 1600s, the practice was to give pairs of gloves in mid-February, she says.
“By the 18th century, we start to see something that really begins to resemble modern Valentine’s cards,” she says. “In the 19th century, this evolved further to the point where popular ladies’ magazines like Harper’s Weekly published instructions for readers on how to craft them.”
There have long been both earnest, heartfelt Valentines like Grandpa Fred's, and ones in a more teasing, playful vein.
The museum’s collection includes a number of lovingly crafted tokens of affection from various periods. “You see the heart motif quite a lot,” Gevalt says.
Although not specifically linked to Valentine’s Day, an exhibit at the museum opening March 17, “Material Witness: Folk and Self-Taught Artists at Work,” features two examples of “fraktur,” exuberantly decorated watercolors made by German immigrants in Pennsylvania. One is called “Inverted Heart,” and another depicts a labyrinth.
“They were really dazzling objects, including motifs of flowers or hearts. The playfulness and cleverness of these objects is one of the most interesting aspects they have in common,” Gevalt says.
In the mid-19th century, some people shared “Vinegar Valentines,” a sort of anti-Valentine that featured playfully insulting verses, not unlike a modern-day roast.
Sometimes, cards involved writing in a circle or upside down, like a puzzle. Some had a decorative folded border or verses on the folds; cutwork resembling lace; or watercolor decorations of pierced hearts, lovebirds and flowers. Lover’s knots and labyrinths were also common elements.
“They remind me of games, like plucking the petals of a flower saying ‘she loves me, she loves me not,’” Gevalt says.
The boom in commercial Valentine’s Day cards in the mid-1800s was a reflection of changing courtship patterns, says Elizabeth White Nelson, associate professor of history at University of Nevada, Las Vegas.
“The idea of companionate marriage and love became a part of the calculus of marriage, and Valentine’s Day cards became a part of courtship,” she says.
These days, the cards continue to evolve.
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“Over the last few years, trends have been less about romantic love but more about letting someone know they matter," says Jen Walker, vice president of trends and creative studios at Hallmark Cards, Inc.
There are "more inclusive visuals, and a larger representation of relationships — love, chosen family, friendships, parents and children, self-care,” she says.
A bit of mystery surrounds my Grandma Louise’s precious Valentine. It would have been out of character for Fred to buy a commercial card as opposed to, say, presenting her with a bouquet of pussy willows he had picked.
“That period would have been the beginning of an organized practice of exchanging Valentines in school," says Nelson. In some classrooms, everyone was required, or at least encouraged, to give a Valentine.
“The giving and receiving of Valentines was always partly about performing love, for an audience,” says Nelson, “and once that Valentine’s Day card got saved, it would have become a talisman of all that love is supposed to be.” | 2023-14/0037/en_head.json.gz/13435 | {"url": "https://www.wbir.com/article/news/nation-world/earnest-or-playful-valentines-card-history/507-19bd2f71-e507-454e-ba53-d8a2c724e41a", "partition": "head_middle", "language": "en", "source_domain": "www.wbir.com", "date_download": "2023-03-20T09:17:10Z", "digest": "sha1:3TYCIQFVBV3LLSLZVKP5CF7E7QVHX4GE"} | {"ccnet_length": [[0, 5054, 5054.0]], "ccnet_original_length": [[0, 5054, 7041.0]], "ccnet_nlines": [[0, 5054, 31.0]], "ccnet_original_nlines": [[0, 5054, 123.0]], "ccnet_language_score": [[0, 5054, 0.97]], "ccnet_perplexity": [[0, 5054, 294.3]], "ccnet_bucket": [[0, 5054, 0.0]], "rps_doc_curly_bracket": [[0, 5054, 0.0]], "rps_doc_ldnoobw_words": [[0, 5054, 1.0]], "rps_doc_lorem_ipsum": [[0, 5054, 0.0]], 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Man with dementia missing from Cincinnati nursing home
CINCINNATI -- A 55-year-old man who suffers from dementia walked away from a nursing home Friday and is considered missing.
James Brown has only lived in Cincinnati for about two weeks and doesn't know anyone in the area, according to Cincinnati police.
Brown is in overall poor mental health, Cincinnati police said.
He left the Oak Pavilion Nursing Home at 510 Oak St. between 3:55 p.m. and 6 p.m. Friday.
Brown is black, 5 feet 9 inches and 150 pounds. He is bald, but unlike the photo provided, Cincinnati police said he was not wearing glasses.
Anyone who sees him should call Cincinnati Police District Four at 513-569-8600. | 2023-14/0037/en_head.json.gz/13436 | {"url": "https://www.wcpo.com/news/local-news/hamilton-county/cincinnati/avondale/james-brown-man-with-dementia-missing-from-cincinnati-nursing-home", "partition": "head_middle", "language": "en", "source_domain": "www.wcpo.com", "date_download": "2023-03-20T09:34:00Z", "digest": "sha1:IYMMESDT42RWIGCUOJP3V55OIOK5IYMR"} | {"ccnet_length": [[0, 685, 685.0]], "ccnet_original_length": [[0, 685, 2780.0]], "ccnet_nlines": [[0, 685, 7.0]], "ccnet_original_nlines": [[0, 685, 137.0]], "ccnet_language_score": [[0, 685, 0.97]], "ccnet_perplexity": [[0, 685, 258.5]], "ccnet_bucket": [[0, 685, 0.0]], "rps_doc_curly_bracket": [[0, 685, 0.0]], "rps_doc_ldnoobw_words": [[0, 685, 0.0]], "rps_doc_lorem_ipsum": [[0, 685, 0.0]], "rps_doc_stop_word_fraction": [[0, 685, 0.33333333]], "rps_doc_ut1_blacklist": [[0, 685, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 685, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 685, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 685, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 685, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 685, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 685, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 685, 0.11743119]], "rps_doc_frac_chars_top_3gram": [[0, 685, 0.0733945]], "rps_doc_frac_chars_top_4gram": [[0, 685, 0.08073394]], "rps_doc_frac_all_caps_words": [[0, 685, 0.01360544]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 685, 0.0]], "rps_doc_frac_no_alph_words": [[0, 685, 0.23809524]], "rps_doc_frac_unique_words": [[0, 685, 0.65217391]], "rps_doc_mean_word_length": [[0, 685, 4.73913043]], "rps_doc_symbol_to_word_ratio": [[0, 685, 0.0]], "rps_doc_unigram_entropy": [[0, 685, 4.14861039]], "rps_doc_word_count": [[0, 685, 115.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 55, 0.0], [55, 179, 1.0], [179, 309, 1.0], [309, 373, 1.0], [373, 463, 1.0], [463, 605, 1.0], [605, 685, 1.0]], "rps_lines_javascript_counts": [[0, 55, 0.0], [55, 179, 0.0], [179, 309, 0.0], [309, 373, 0.0], [373, 463, 0.0], [463, 605, 0.0], [605, 685, 0.0]], "rps_lines_num_words": [[0, 55, 8.0], [55, 179, 19.0], [179, 309, 22.0], [309, 373, 10.0], [373, 463, 18.0], [463, 605, 26.0], [605, 685, 12.0]], "rps_lines_numerical_chars_fraction": [[0, 55, 0.0], [55, 179, 0.01709402], [179, 309, 0.0], [309, 373, 0.0], [373, 463, 0.08536585], [463, 605, 0.03676471], [605, 685, 0.12987013]], "rps_lines_start_with_bulletpoint": [[0, 55, 0.0], [55, 179, 0.0], [179, 309, 0.0], [309, 373, 0.0], [373, 463, 0.0], [463, 605, 0.0], [605, 685, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 55, 0.03636364], [55, 179, 0.09677419], [179, 309, 0.03076923], [309, 373, 0.03125], [373, 463, 0.08888889], [463, 605, 0.02112676], [605, 685, 0.0625]], "rps_doc_ml_palm_score": [[0, 685, 0.01062244]], "rps_doc_ml_wikipedia_score": [[0, 685, null]], "rps_doc_ml_wikiref_score": [[0, 685, 0.03497303]], "rps_doc_books_importance": [[0, 685, -13.46428641]], "rps_doc_openwebtext_importance": [[0, 685, 9.60999353]], "rps_doc_wikipedia_importance": [[0, 685, -16.18150713]], "rps_doc_num_sentences": [[0, 685, 12.0]]} |
NYS DEC CBGP 2.25-1
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1992 Club Drive, Wellington, FL 33414
Price: $13,000 MLS Number: RX-10840809 Rental
Address: 1992 Club Drive, Wellington, Florida 33414 USA
Living Area: 3,885
Subdivision: LAKEFIELD OF THE LANDINGS AT WELLINGTON 3A
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Welcome to Wellington, The Equestrian Capitol of the US. Looking for that perfect winter retreat that is literally minutes from the WEF. This Amazing home offers 4 bedrooms and 3 1/2 baths that has just been newly renovated and furnished with the upmost design to detail. You have a gorgeous screened pool that overlooks the golf course. You have 4 bedrooms and 3 1/2 baths with 1 of the bedrooms beside the Master bedroom having its own bath. Beautifully laid out perfect for entertaining. This 1 story home with plenty of room for all. Lakefield West is a gated community. Don't miss out on this one. Come and Live the Wellington Life. Frameless Glass being installed in Master bath shower.All room sizes are approximate
Mapped Location:
The data relating to real estate for sale/lease on this web site come in part from a cooperative data exchange program of the multiple listing service (MLS) in which this real estate firm (Broker) participates. The properties displayed may not be all of the properties in the MLS's database, or all of the properties listed with Brokers participating in the cooperative data exchange program. Properties listed by Brokers other than this Broker are marked with either the listing Broker's logo or name or the MLS name or a logo provided by the MLS. Detailed information about such properties includes the name of the listing Brokers. Information provided is thought to be reliable but is not guaranteed to be accurate; you are advised to verify facts that are important to you. No warranties, expressed or implied, are provided for the data herein, or for their use or interpretation by the user.
The Florida Association of Realtors and its cooperating MLS's do not create, control or review the property data displayed herein and take no responsibility for the content of such records. Federal law prohibits discrimination on the basis of race, color, religion, sex, handicap, familial status or national origin in the sale, rental or financing of housing. This property is courtesy of Re/Max Direct. | 2023-14/0037/en_head.json.gz/13438 | {"url": "https://www.wellingtonproperties.com/Wellington-mls-listing/RX-10840809.htm", "partition": "head_middle", "language": "en", "source_domain": "www.wellingtonproperties.com", "date_download": "2023-03-20T09:14:47Z", "digest": "sha1:GRY2GPTZTWEXCKCHLN7O4SLWJP2H77MV"} | {"ccnet_length": [[0, 2275, 2275.0]], "ccnet_original_length": [[0, 2275, 3133.0]], "ccnet_nlines": [[0, 2275, 10.0]], "ccnet_original_nlines": [[0, 2275, 45.0]], "ccnet_language_score": [[0, 2275, 0.91]], "ccnet_perplexity": [[0, 2275, 305.6]], "ccnet_bucket": [[0, 2275, 0.0]], "rps_doc_curly_bracket": [[0, 2275, 0.0]], "rps_doc_ldnoobw_words": [[0, 2275, 1.0]], "rps_doc_lorem_ipsum": [[0, 2275, 0.0]], "rps_doc_stop_word_fraction": [[0, 2275, 0.3536036]], "rps_doc_ut1_blacklist": [[0, 2275, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2275, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2275, 0.02169197]], "rps_doc_frac_chars_dupe_6grams": [[0, 2275, 0.02169197]], "rps_doc_frac_chars_dupe_7grams": [[0, 2275, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2275, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2275, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2275, 0.01898048]], "rps_doc_frac_chars_top_3gram": [[0, 2275, 0.01409978]], "rps_doc_frac_chars_top_4gram": [[0, 2275, 0.02494577]], "rps_doc_frac_all_caps_words": [[0, 2275, 0.04054054]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2275, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2275, 0.17567568]], "rps_doc_frac_unique_words": [[0, 2275, 0.54155496]], "rps_doc_mean_word_length": [[0, 2275, 4.94369973]], "rps_doc_symbol_to_word_ratio": [[0, 2275, 0.0]], "rps_doc_unigram_entropy": [[0, 2275, 4.9255902]], "rps_doc_word_count": [[0, 2275, 373.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 38, 0.0], [38, 84, 0.0], [84, 140, 0.0], [140, 159, 0.0], [159, 215, 0.0], [215, 234, 0.0], [234, 957, 0.0], [957, 974, 0.0], [974, 1871, 1.0], [1871, 2275, 1.0]], "rps_lines_javascript_counts": [[0, 38, 0.0], [38, 84, 0.0], [84, 140, 0.0], [140, 159, 0.0], [159, 215, 0.0], [215, 234, 0.0], [234, 957, 0.0], [957, 974, 0.0], [974, 1871, 0.0], [1871, 2275, 0.0]], "rps_lines_num_words": [[0, 38, 6.0], [38, 84, 6.0], [84, 140, 8.0], [140, 159, 3.0], [159, 215, 8.0], [215, 234, 3.0], [234, 957, 124.0], [957, 974, 2.0], [974, 1871, 150.0], [1871, 2275, 63.0]], "rps_lines_numerical_chars_fraction": [[0, 38, 0.25714286], [38, 84, 0.325], [84, 140, 0.17307692], [140, 159, 0.25], [159, 215, 0.01851852], [215, 234, 0.0], [234, 957, 0.01414427], [957, 974, 0.0], [974, 1871, 0.0], [1871, 2275, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 38, 0.0], [38, 84, 0.0], [84, 140, 0.0], [140, 159, 0.0], [159, 215, 0.0], [215, 234, 0.0], [234, 957, 0.0], [957, 974, 0.0], [974, 1871, 0.0], [1871, 2275, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 38, 0.13157895], [38, 84, 0.17391304], [84, 140, 0.14285714], [140, 159, 0.10526316], [159, 215, 0.64285714], [215, 234, 0.15789474], [234, 957, 0.04011065], [957, 974, 0.11764706], [974, 1871, 0.02675585], [1871, 2275, 0.02970297]], "rps_doc_ml_palm_score": [[0, 2275, 0.03975773]], "rps_doc_ml_wikipedia_score": [[0, 2275, null]], "rps_doc_ml_wikiref_score": [[0, 2275, 0.03578031]], "rps_doc_books_importance": [[0, 2275, -134.03923722]], "rps_doc_openwebtext_importance": [[0, 2275, -42.2708797]], "rps_doc_wikipedia_importance": [[0, 2275, -61.86101529]], "rps_doc_num_sentences": [[0, 2275, 20.0]]} |
FHFA
https://www.wenavigatehome.net/wp-content/uploads/2022/11/STEPHANIE-WASHINGTON-NOVEMBER-8-scaled.jpg 2560 2560 Stephanie Washington https://www.wenavigatehome.net/wp-content/uploads/2020/06/nexa-trans-white.png Stephanie Washington2022-11-22 20:42:172022-11-22 20:42:17FHFA
FHA FIX WHY NEXA ON THANKSGIVING DAY | 2023-14/0037/en_head.json.gz/13439 | {"url": "https://www.wenavigatehome.net/fhfa/", "partition": "head_middle", "language": "en", "source_domain": "www.wenavigatehome.net", "date_download": "2023-03-20T10:09:33Z", "digest": "sha1:P6BANAQQ3SQ2BT2EHL5NEFNPYIZ3ZQX2"} | {"ccnet_length": [[0, 315, 315.0]], "ccnet_original_length": [[0, 315, 31984.0]], "ccnet_nlines": [[0, 315, 3.0]], "ccnet_original_nlines": [[0, 315, 823.0]], "ccnet_language_score": [[0, 315, 0.53]], "ccnet_perplexity": [[0, 315, 320.8]], "ccnet_bucket": [[0, 315, 0.0]], "rps_doc_curly_bracket": [[0, 315, 0.0]], "rps_doc_ldnoobw_words": [[0, 315, 0.0]], "rps_doc_lorem_ipsum": [[0, 315, 0.0]], "rps_doc_stop_word_fraction": [[0, 315, 0.0]], "rps_doc_ut1_blacklist": [[0, 315, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 315, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 315, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 315, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 315, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 315, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 315, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 315, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 315, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 315, 0.0]], "rps_doc_frac_all_caps_words": [[0, 315, 0.13953488]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 315, 0.0]], "rps_doc_frac_no_alph_words": [[0, 315, 0.58139535]], "rps_doc_frac_unique_words": [[0, 315, 0.88888889]], "rps_doc_mean_word_length": [[0, 315, 14.44444444]], "rps_doc_symbol_to_word_ratio": [[0, 315, 0.0]], "rps_doc_unigram_entropy": [[0, 315, 2.73633905]], "rps_doc_word_count": [[0, 315, 18.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 5, 0.0], [5, 279, 0.0], [279, 315, 0.0]], "rps_lines_javascript_counts": [[0, 5, 0.0], [5, 279, 0.0], [279, 315, 0.0]], "rps_lines_num_words": [[0, 5, 1.0], [5, 279, 10.0], [279, 315, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 5, 0.0], [5, 279, 0.20851064], [279, 315, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 5, 0.0], [5, 279, 0.0], [279, 315, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 5, 0.8], [5, 279, 0.12773723], [279, 315, 0.83333333]], "rps_doc_ml_palm_score": [[0, 315, 3.22e-06]], "rps_doc_ml_wikipedia_score": [[0, 315, null]], "rps_doc_ml_wikiref_score": [[0, 315, -1.001e-05]], "rps_doc_books_importance": [[0, 315, -109.51107341]], "rps_doc_openwebtext_importance": [[0, 315, -47.67186962]], "rps_doc_wikipedia_importance": [[0, 315, -55.26647541]], "rps_doc_num_sentences": [[0, 315, 7.0]]} |
Becky Ruiz, MA, LPC, CADC I, CHC
(Not yet rated)
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WHA - Peterkort North (503) 734-3700
Provider Bio
Becky Ruiz (formerly Baker), LPC, MA, is a behavioral and mental health therapist at Women's Healthcare Associates in Portland, Oregon.
From the Provider
“I am amazed by the resiliency that the women I care for exhibit and the strengths they have to get through difficult times of their lives. I feel fortunate to be a part of their care team and provide the additional support they need on their path to physical and emotional wellness.”
About the Provider
Becky has had a lifelong passion for helping others achieve mental and physical wellness. She recognizes and admires the strength and adaptability women exhibit through all phases of their lives and is passionate about helping them make positive changes by providing a trusting and caring environment that inspires confidence, both in the care they are receiving and in their own strengths and abilities. In addition to being a licensed professional counselor, she is also a certified health coach, which helps her understand the mind/body connection and guides her holistic approach to helping women achieve their goals for overall wellness. Besides promoting goals for a healthy lifestyle, Becky is also experienced in helping patients with stress management, life transitions, postpartum depression and anxiety, substance abuse and management of chronic illnesses.
In her spare time, Becky enjoys cooking, hiking and other outdoor activities. She also loves traveling and spending time with her partner and her dog.
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Certified Alcohol & Drug Counselor I, Mental Health & Addiction Certification Board of Oregon, 2015
Certified Health Coach, National Society of Health Coaches
Master of Arts, Counseling Psychology, Pacific University, 2011
Bachelor of Science, Psychology, Oregon State University, 2009
Women's Healthcare Associates, LLC - Bridgeview -
Women's Healthcare Associates, LLC - Peterkort... | 2023-14/0037/en_head.json.gz/13440 | {"url": "https://www.whallc.com/providers/becky-baker-ma-lpc-cadci-chc/", "partition": "head_middle", "language": "en", "source_domain": "www.whallc.com", "date_download": "2023-03-20T08:50:50Z", "digest": "sha1:5TQLXZO3ALKRQTBS5WNJKC7NXMRIT4W3"} | {"ccnet_length": [[0, 2019, 2019.0]], "ccnet_original_length": [[0, 2019, 4467.0]], "ccnet_nlines": [[0, 2019, 18.0]], "ccnet_original_nlines": [[0, 2019, 78.0]], "ccnet_language_score": [[0, 2019, 0.96]], "ccnet_perplexity": [[0, 2019, 333.9]], "ccnet_bucket": [[0, 2019, 0.0]], "rps_doc_curly_bracket": [[0, 2019, 0.0]], "rps_doc_ldnoobw_words": [[0, 2019, 0.0]], "rps_doc_lorem_ipsum": [[0, 2019, 0.0]], "rps_doc_stop_word_fraction": [[0, 2019, 0.30769231]], "rps_doc_ut1_blacklist": [[0, 2019, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2019, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2019, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 2019, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2019, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2019, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2019, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2019, 0.02903811]], "rps_doc_frac_chars_top_3gram": [[0, 2019, 0.04718693]], "rps_doc_frac_chars_top_4gram": [[0, 2019, 0.03508772]], "rps_doc_frac_all_caps_words": [[0, 2019, 0.03846154]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2019, 0.05555556]], "rps_doc_frac_no_alph_words": [[0, 2019, 0.16758242]], "rps_doc_frac_unique_words": [[0, 2019, 0.59539474]], "rps_doc_mean_word_length": [[0, 2019, 5.4375]], "rps_doc_symbol_to_word_ratio": [[0, 2019, 0.00274725]], "rps_doc_unigram_entropy": [[0, 2019, 4.90317412]], "rps_doc_word_count": [[0, 2019, 304.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 33, 0.0], [33, 49, 0.0], [49, 82, 0.0], [82, 119, 0.0], [119, 132, 0.0], [132, 268, 1.0], [268, 286, 0.0], [286, 571, 1.0], [571, 590, 0.0], [590, 1458, 1.0], [1458, 1609, 1.0], [1609, 1634, 0.0], [1634, 1734, 0.0], [1734, 1793, 0.0], [1793, 1857, 0.0], [1857, 1920, 0.0], [1920, 1970, 0.0], [1970, 2019, 1.0]], "rps_lines_javascript_counts": [[0, 33, 0.0], [33, 49, 0.0], [49, 82, 0.0], [82, 119, 0.0], [119, 132, 0.0], [132, 268, 0.0], [268, 286, 0.0], [286, 571, 0.0], [571, 590, 0.0], [590, 1458, 0.0], [1458, 1609, 0.0], [1609, 1634, 0.0], [1634, 1734, 0.0], [1734, 1793, 0.0], [1793, 1857, 0.0], [1857, 1920, 0.0], [1920, 1970, 0.0], [1970, 2019, 0.0]], "rps_lines_num_words": [[0, 33, 7.0], [33, 49, 3.0], [49, 82, 5.0], [82, 119, 5.0], [119, 132, 2.0], [132, 268, 20.0], [268, 286, 3.0], [286, 571, 52.0], [571, 590, 3.0], [590, 1458, 129.0], [1458, 1609, 25.0], [1609, 1634, 3.0], [1634, 1734, 13.0], [1734, 1793, 8.0], [1793, 1857, 8.0], [1857, 1920, 8.0], [1920, 1970, 5.0], [1970, 2019, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 33, 0.0], [33, 49, 0.0], [49, 82, 0.0], [82, 119, 0.32258065], [119, 132, 0.0], [132, 268, 0.0], [268, 286, 0.0], [286, 571, 0.0], [571, 590, 0.0], [590, 1458, 0.0], [1458, 1609, 0.0], [1609, 1634, 0.0], [1634, 1734, 0.04301075], [1734, 1793, 0.0], [1793, 1857, 0.06666667], [1857, 1920, 0.06779661], [1920, 1970, 0.0], [1970, 2019, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 33, 0.0], [33, 49, 0.0], [49, 82, 0.0], [82, 119, 0.0], [119, 132, 0.0], [132, 268, 0.0], [268, 286, 0.0], [286, 571, 0.0], [571, 590, 0.0], [590, 1458, 0.0], [1458, 1609, 0.0], [1609, 1634, 0.0], [1634, 1734, 0.0], [1734, 1793, 0.0], [1793, 1857, 0.0], [1857, 1920, 0.0], [1920, 1970, 0.0], [1970, 2019, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 33, 0.45454545], [33, 49, 0.0625], [49, 82, 0.03030303], [82, 119, 0.13513514], [119, 132, 0.15384615], [132, 268, 0.09558824], [268, 286, 0.11111111], [286, 571, 0.01052632], [571, 590, 0.10526316], [590, 1458, 0.00576037], [1458, 1609, 0.01986755], [1609, 1634, 0.12], [1634, 1734, 0.11], [1734, 1793, 0.11864407], [1793, 1857, 0.09375], [1857, 1920, 0.0952381], [1920, 1970, 0.14], [1970, 2019, 0.14285714]], "rps_doc_ml_palm_score": [[0, 2019, 0.01413971]], "rps_doc_ml_wikipedia_score": [[0, 2019, null]], "rps_doc_ml_wikiref_score": [[0, 2019, 0.01522177]], "rps_doc_books_importance": [[0, 2019, -82.34167745]], "rps_doc_openwebtext_importance": [[0, 2019, -14.39627185]], "rps_doc_wikipedia_importance": [[0, 2019, -29.2438788]], "rps_doc_num_sentences": [[0, 2019, 10.0]]} |
How High Would Mortgage Rates Rise?
On the whole, mortgage rates have been rising in 2022, exceeding 5.00% for the first time in years. As homeowners look at the rapidly increasing rates, many may wonder how high rates would rise. While it’s hard to predict, home buyers can look at today’s average rates to see how much they would pay for a home loan right now.
When considering buying a home and are concerned about the rapid rise increase in rates this year, borrowers may be wondering if things are about to get worse.
Unfortunately, since the Federal Reserve’s (Federal Reserve) plans to raise interest rates again and the rising inflation, as well as the uncertainty in financial markets that could result from the war in Ukraine, the reality is that the trend of increasingly expensive home loans is likely to continue throughout the year.
No one can accurately predict how high interest rates will rise, but they have a long way to go before hitting some of the recent records. In fact, the average annual interest rate exceeded 6.00% in 2007 and 2008.
Borrowers who are worried about what rising rates would mean for them may want to act quickly to get quotes from some of the best mortgage lenders and lock in at the current rates.
In light of the actual situation, it can be said that this is a historic opportunity that has the potential to save thousands of dollars on the mortgage. Chances are, interest rates won’t stay at such a low point for much longer. That’s why it’s critical to act now, whether looking to refinance, cut mortgage payments, or be ready to pull the trigger on purchasing a new home.
Post time: Apr-16-2022 | 2023-14/0037/en_head.json.gz/13441 | {"url": "https://www.wholesaleaaalendings.com/news/how-high-would-mortgage-rates-rise/", "partition": "head_middle", "language": "en", "source_domain": "www.wholesaleaaalendings.com", "date_download": "2023-03-20T10:28:11Z", "digest": "sha1:5RBAIGQ6CIERH2O5AMU3I5CAHZTOHUFW"} | {"ccnet_length": [[0, 1642, 1642.0]], "ccnet_original_length": [[0, 1642, 3519.0]], "ccnet_nlines": [[0, 1642, 8.0]], "ccnet_original_nlines": [[0, 1642, 151.0]], "ccnet_language_score": [[0, 1642, 0.97]], "ccnet_perplexity": [[0, 1642, 195.2]], "ccnet_bucket": [[0, 1642, 0.0]], "rps_doc_curly_bracket": [[0, 1642, 0.0]], "rps_doc_ldnoobw_words": [[0, 1642, 0.0]], "rps_doc_lorem_ipsum": [[0, 1642, 0.0]], "rps_doc_stop_word_fraction": [[0, 1642, 0.45747801]], "rps_doc_ut1_blacklist": [[0, 1642, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1642, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1642, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1642, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1642, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1642, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1642, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1642, 0.01593323]], "rps_doc_frac_chars_top_3gram": [[0, 1642, 0.01365706]], "rps_doc_frac_chars_top_4gram": [[0, 1642, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1642, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1642, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1642, 0.14956012]], "rps_doc_frac_unique_words": [[0, 1642, 0.56401384]], "rps_doc_mean_word_length": [[0, 1642, 4.56055363]], "rps_doc_symbol_to_word_ratio": [[0, 1642, 0.0]], "rps_doc_unigram_entropy": [[0, 1642, 4.73236666]], "rps_doc_word_count": [[0, 1642, 289.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 36, 1.0], [36, 363, 1.0], [363, 523, 1.0], [523, 847, 1.0], [847, 1061, 1.0], [1061, 1242, 1.0], [1242, 1620, 1.0], [1620, 1642, 0.0]], "rps_lines_javascript_counts": [[0, 36, 0.0], [36, 363, 0.0], [363, 523, 0.0], [523, 847, 0.0], [847, 1061, 0.0], [1061, 1242, 0.0], [1242, 1620, 0.0], [1620, 1642, 0.0]], "rps_lines_num_words": [[0, 36, 6.0], [36, 363, 60.0], [363, 523, 28.0], [523, 847, 51.0], [847, 1061, 39.0], [1061, 1242, 34.0], [1242, 1620, 68.0], [1620, 1642, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 36, 0.0], [36, 363, 0.02208202], [363, 523, 0.0], [523, 847, 0.0], [847, 1061, 0.0531401], [1061, 1242, 0.0], [1242, 1620, 0.0], [1620, 1642, 0.31578947]], "rps_lines_start_with_bulletpoint": [[0, 36, 0.0], [36, 363, 0.0], [363, 523, 0.0], [523, 847, 0.0], [847, 1061, 0.0], [1061, 1242, 0.0], [1242, 1620, 0.0], [1620, 1642, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 36, 0.16666667], [36, 363, 0.00917431], [363, 523, 0.00625], [523, 847, 0.01851852], [847, 1061, 0.00934579], [1061, 1242, 0.00552486], [1242, 1620, 0.00793651], [1620, 1642, 0.09090909]], "rps_doc_ml_palm_score": [[0, 1642, 0.3115297]], "rps_doc_ml_wikipedia_score": [[0, 1642, null]], "rps_doc_ml_wikiref_score": [[0, 1642, 0.011958]], "rps_doc_books_importance": [[0, 1642, -97.22030097]], "rps_doc_openwebtext_importance": [[0, 1642, 47.74026349]], "rps_doc_wikipedia_importance": [[0, 1642, -71.21019123]], "rps_doc_num_sentences": [[0, 1642, 15.0]]} |
Four new tenants fill WSU's Braeburn Square with an array of dining, shopping options
Feb. 22, 2023 — Braeburn Square on Wichita State University’s Innovation Campus is transforming the dining and shopping scene in Wichita. With four new tenants — Sesame Mediterranean Kitchen, Jersey Mike’s, Two Hands Corn Dogs and Pedego Wichita — the shopping center is fully occupied and fast becoming a hub for all Wichitans to gather, feast and shop.
NSF director praises 'amazing' applied learning at Wichita State
Jan. 25, 2023 - The director of the National Science Foundation (NSF) visited Wichita State University last week. The Honorable Sethuraman Panchanathan toured Wichita State’s National Institute for Aviation Research, WSU Tech and the National Center for Aviation Training as a guest of U.S. Senator Jerry Moran.
WSU ranks No. 20 in US for engineering R&D funding
Jan. 9, 2023 — Wichita State University has moved into the list of the top 20 universities in engineering research and development (R&D) expenditures, according to the latest data compiled by the National Science Foundation’s Higher Education Research and Development Survey.
WSU announces fall 2022 commencement schedule, speaker
Dec. 12, 2022 — Almost 1,300 students are eligible to participate in Wichita State University’s 125th fall commencement ceremony at 2:30 p.m. Sunday, Dec. 18 in Charles Koch Arena. Media are welcome to attend. | 2023-14/0037/en_head.json.gz/13442 | {"url": "https://www.wichita.edu/about/wsunews/news/wsu_news_listing.php?tags=Research%2Cscholarships%2CEngineering%2CInnovation%2CCollege+of+Health+Professions%2Cfirst+generation%2CFairmount+College+of+Liberal+Arts+and+Sciences%2CAlumni%2CInnovation+Campus", "partition": "head_middle", "language": "en", "source_domain": "www.wichita.edu", "date_download": "2023-03-20T09:58:36Z", "digest": "sha1:POA6UJHZK7VNZC6TMDJQMUKGHUH66VWA"} | {"ccnet_length": [[0, 1409, 1409.0]], "ccnet_original_length": [[0, 1409, 7308.0]], "ccnet_nlines": [[0, 1409, 8.0]], "ccnet_original_nlines": [[0, 1409, 99.0]], "ccnet_language_score": [[0, 1409, 0.87]], "ccnet_perplexity": [[0, 1409, 246.0]], "ccnet_bucket": [[0, 1409, 0.0]], "rps_doc_curly_bracket": [[0, 1409, 0.0]], "rps_doc_ldnoobw_words": [[0, 1409, 0.0]], "rps_doc_lorem_ipsum": [[0, 1409, 0.0]], "rps_doc_stop_word_fraction": [[0, 1409, 0.22743682]], "rps_doc_ut1_blacklist": [[0, 1409, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1409, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1409, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1409, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1409, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1409, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1409, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1409, 0.05221932]], "rps_doc_frac_chars_top_3gram": [[0, 1409, 0.02436902]], "rps_doc_frac_chars_top_4gram": [[0, 1409, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1409, 0.04693141]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1409, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1409, 0.24187726]], "rps_doc_frac_unique_words": [[0, 1409, 0.62557078]], "rps_doc_mean_word_length": [[0, 1409, 5.24657534]], "rps_doc_symbol_to_word_ratio": [[0, 1409, 0.0]], "rps_doc_unigram_entropy": [[0, 1409, 4.69681318]], "rps_doc_word_count": [[0, 1409, 219.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 86, 0.0], [86, 441, 1.0], [441, 506, 0.0], [506, 818, 1.0], [818, 869, 0.0], [869, 1145, 1.0], [1145, 1200, 0.0], [1200, 1409, 1.0]], "rps_lines_javascript_counts": [[0, 86, 0.0], [86, 441, 0.0], [441, 506, 0.0], [506, 818, 0.0], [818, 869, 0.0], [869, 1145, 0.0], [1145, 1200, 0.0], [1200, 1409, 0.0]], "rps_lines_num_words": [[0, 86, 14.0], [86, 441, 58.0], [441, 506, 9.0], [506, 818, 46.0], [818, 869, 10.0], [869, 1145, 41.0], [1145, 1200, 7.0], [1200, 1409, 34.0]], "rps_lines_numerical_chars_fraction": [[0, 86, 0.0], [86, 441, 0.01729107], [441, 506, 0.0], [506, 818, 0.02], [818, 869, 0.04166667], [869, 1145, 0.0261194], [1145, 1200, 0.0754717], [1200, 1409, 0.09045226]], "rps_lines_start_with_bulletpoint": [[0, 86, 0.0], [86, 441, 0.0], [441, 506, 0.0], [506, 818, 0.0], [818, 869, 0.0], [869, 1145, 0.0], [1145, 1200, 0.0], [1200, 1409, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 86, 0.06976744], [86, 441, 0.06197183], [441, 506, 0.07692308], [506, 818, 0.10897436], [818, 869, 0.15686275], [869, 1145, 0.05072464], [1145, 1200, 0.05454545], [1200, 1409, 0.05263158]], "rps_doc_ml_palm_score": [[0, 1409, 0.06339931]], "rps_doc_ml_wikipedia_score": [[0, 1409, null]], "rps_doc_ml_wikiref_score": [[0, 1409, 0.99940026]], "rps_doc_books_importance": [[0, 1409, -146.18706593]], "rps_doc_openwebtext_importance": [[0, 1409, -6.46960475]], "rps_doc_wikipedia_importance": [[0, 1409, -0.76699505]], "rps_doc_num_sentences": [[0, 1409, 17.0]]} |
Quick Hits: The Keep ‘Em Separated Edition
By J.J. from Kansas@JJfromKansas Jul 26, 2020, 7:00am CDT
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As NHL starts back up, don’t expect mingling among players in hubs - The Detroit News
Steven Mayer, the NHL’s chief content officer, who oversees the production of the hub city arenas in Edmonton and Toronto, said players requested separation.
“We’re finding from our players, this is the Stanley Cup playoffs and they are competing for the Stanley Cup, and it’s in their interest to be separated,” Mayer said during a Zoom media conference Friday. “The players’ feedback is their interest to be separated throughout. We’ll see how that evolves as the tournament moves on.”
No friends out there once the game starts.
Around the NHL
Bruins’ Brad Marchand expects ‘really sloppy hockey’ in NHL’s return - NBC Sports Boston
“I think it’s going to be really sloppy hockey, to be honest with you,” said Marchand. “We’ve been off for four or five months, whatever it’s been, and it takes more than a couple of weeks to get it all back and be at the top of your game. And the ice conditions are not going to be good. So I just don’t think it’s going to be great hockey.
Coming from anybody else this is decent analysis but coming from Marchand it’s excuse-making.
Corey Crawford joins Blackhawks after recovering from COVID-19 - Second City Hockey
“I’ve had to quarantine in my place here in Chicago for the last few weeks,” he said, adding he mostly experienced flu-like symptoms. “I’m excited to be back. I’m going to try to get into it as quick as possible and try to get game shape back.” | 2023-14/0037/en_head.json.gz/13443 | {"url": "https://www.wingingitinmotown.com/2020/7/26/21338753/quick-hits-the-keep-em-separated-edition", "partition": "head_middle", "language": "en", "source_domain": "www.wingingitinmotown.com", "date_download": "2023-03-20T10:06:20Z", "digest": "sha1:DJLTAIAW4HFJONZJZM5NVJWS5GPQVNL2"} | {"ccnet_length": [[0, 1660, 1660.0]], "ccnet_original_length": [[0, 1660, 4324.0]], "ccnet_nlines": [[0, 1660, 13.0]], "ccnet_original_nlines": [[0, 1660, 112.0]], "ccnet_language_score": [[0, 1660, 0.94]], "ccnet_perplexity": [[0, 1660, 321.9]], "ccnet_bucket": [[0, 1660, 0.0]], "rps_doc_curly_bracket": [[0, 1660, 0.0]], "rps_doc_ldnoobw_words": [[0, 1660, 0.0]], "rps_doc_lorem_ipsum": [[0, 1660, 0.0]], "rps_doc_stop_word_fraction": [[0, 1660, 0.4005305]], "rps_doc_ut1_blacklist": [[0, 1660, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1660, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1660, 0.07975922]], "rps_doc_frac_chars_dupe_6grams": [[0, 1660, 0.05267118]], "rps_doc_frac_chars_dupe_7grams": [[0, 1660, 0.05267118]], "rps_doc_frac_chars_dupe_8grams": [[0, 1660, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1660, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1660, 0.02106847]], "rps_doc_frac_chars_top_3gram": [[0, 1660, 0.02031603]], "rps_doc_frac_chars_top_4gram": [[0, 1660, 0.02407825]], "rps_doc_frac_all_caps_words": [[0, 1660, 0.03713528]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1660, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1660, 0.19098143]], "rps_doc_frac_unique_words": [[0, 1660, 0.625]], "rps_doc_mean_word_length": [[0, 1660, 4.61458333]], "rps_doc_symbol_to_word_ratio": [[0, 1660, 0.0]], "rps_doc_unigram_entropy": [[0, 1660, 4.91444138]], "rps_doc_word_count": [[0, 1660, 288.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 43, 0.0], [43, 101, 0.0], [101, 175, 0.0], [175, 261, 0.0], [261, 419, 1.0], [419, 749, 1.0], [749, 792, 1.0], [792, 807, 0.0], [807, 896, 0.0], [896, 1238, 1.0], [1238, 1332, 1.0], [1332, 1416, 0.0], [1416, 1660, 1.0]], "rps_lines_javascript_counts": [[0, 43, 0.0], [43, 101, 0.0], [101, 175, 0.0], [175, 261, 0.0], [261, 419, 0.0], [419, 749, 0.0], [749, 792, 0.0], [792, 807, 0.0], [807, 896, 0.0], [896, 1238, 0.0], [1238, 1332, 0.0], [1332, 1416, 0.0], [1416, 1660, 0.0]], "rps_lines_num_words": [[0, 43, 7.0], [43, 101, 9.0], [101, 175, 12.0], [175, 261, 15.0], [261, 419, 24.0], [419, 749, 55.0], [749, 792, 8.0], [792, 807, 3.0], [807, 896, 13.0], [896, 1238, 70.0], [1238, 1332, 14.0], [1332, 1416, 11.0], [1416, 1660, 47.0]], "rps_lines_numerical_chars_fraction": [[0, 43, 0.0], [43, 101, 0.17647059], [101, 175, 0.0], [175, 261, 0.0], [261, 419, 0.0], [419, 749, 0.0], [749, 792, 0.0], [792, 807, 0.0], [807, 896, 0.0], [896, 1238, 0.0], [1238, 1332, 0.0], [1332, 1416, 0.025], [1416, 1660, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 43, 0.0], [43, 101, 0.0], [101, 175, 0.0], [175, 261, 0.0], [261, 419, 0.0], [419, 749, 0.0], [749, 792, 0.0], [792, 807, 0.0], [807, 896, 0.0], [896, 1238, 0.0], [1238, 1332, 0.0], [1332, 1416, 0.0], [1416, 1660, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 43, 0.1627907], [43, 101, 0.18965517], [101, 175, 0.12162162], [175, 261, 0.08139535], [261, 419, 0.0443038], [419, 749, 0.03030303], [749, 792, 0.02325581], [792, 807, 0.26666667], [807, 896, 0.12359551], [896, 1238, 0.01754386], [1238, 1332, 0.0212766], [1332, 1416, 0.13095238], [1416, 1660, 0.01639344]], "rps_doc_ml_palm_score": [[0, 1660, 0.2434864]], "rps_doc_ml_wikipedia_score": [[0, 1660, null]], "rps_doc_ml_wikiref_score": [[0, 1660, 0.86947638]], "rps_doc_books_importance": [[0, 1660, -179.02308831]], "rps_doc_openwebtext_importance": [[0, 1660, 71.07579222]], "rps_doc_wikipedia_importance": [[0, 1660, -216.31230161]], "rps_doc_num_sentences": [[0, 1660, 15.0]]} |
Samples of Items For Sale
send purchase inquires to [email protected]
items for purchase
gold bracelet with black bead
wooden bracelet
wooden bracelet with stone
owl necklace
cute owl necklace
gold colored necklace
beautiful necklace with large stone
necklace assortments
lovely drop earrings
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Staffing, Development, and Marketing are three key areas that are critical to the success of any business. Staffing involves finding the right people to help run the organization and achieve its goals. Development involves building and enhancing products, services, and processes to meet the needs of customers and stay competitive in the market. Marketing involves creating and executing campaigns that drive growth and increase revenue by reaching and engaging with the target audience.
Together, these three areas provide businesses with the tools and expertise they need to build a strong team, create effective products and services, and promote their brand and offerings to the world.
Staffing Service
Development Service
Marketing Service
Our staffing service provides businesses with the ability to hire talented and skilled professionals for temporary, contract, or permanent positions. We work closely with businesses to understand their staffing needs and provide them with qualified candidates who meet their requirements. Our staffing process involves sourcing candidates, conducting interviews, running background checks, and verifying their qualifications. We aim to provide quick and efficient staffing solutions to help businesses meet their objectives.
Permanent, temporary and contract staffing solutions
Candidate sourcing and selection
Pre-employment screening and background checks
HR consulting and compliance support
Employer branding and employee engagement
Onboarding and training services
Our development service provides businesses with the tools and expertise they need to develop and enhance their products, services, and processes. Our team of experienced developers works closely with businesses to understand their specific needs and develop tailored solutions to help them achieve their goals. We specialize in software development, web development, mobile app development, and custom solutions. We use the latest technologies and development methodologies to ensure that businesses receive high-quality results.
IT consulting and project management
Maintenance and support services
Our marketing service provides businesses with the expertise they need to create effective marketing campaigns that drive growth and increase revenue. We work closely with businesses to understand their target audience, develop marketing strategies, and execute campaigns across various channels, including social media, email, search engines, and more. We specialize in digital marketing, content marketing, branding, and advertising. We use data-driven insights and analytics to continuously refine our approach and ensure that businesses get the best possible results from their marketing efforts.
Digital marketing (SEO, SEM, PPC, social media, email marketing, etc.)
Content marketing (blogging, video marketing, infographics, etc.)
Branding and brand identity
Graphic design and creative services
Advertising (print, online, television, radio, etc.)
Market research and analytics
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A brand is a combination of the name, slogan and logo that is used to help identify a company or its products.
A business strategy is a set of competitive moves and actions that a business uses to attract customers.
Opp Big Bazar Lane, Ameerpet, Hyderabad, TS. India - 500016
[email protected]
Brochures are promotional materials that are designed to provide potential customers with a brief overview of a company’s products, services, or events. 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CCNB selects Cybermine simulators
Published by Angharad Lock, Digital Assistant Editor
World Coal, Tuesday, 23 May 2017 08:40
The Canadian Collège Communautaire du Nouveau-Brunswick (CCNB) has selected ThoroughTec Simulation to equip its new Mine Training Centre with the latest high-fidelity operator training simulators. The college will be receiving six Cybermine simulators to facilitate the training of both surface and underground heavy equipment operators.
“The CCNB is a francophone, modern, globally focused college, centered on its student population that provides high quality educational services and training programmes to meet the needs of an emerging economy. CCNB values the importance of developing a skilled, well-trained workforce to meet the demands of the labour market including customised training programmes in French and English, tailored to meet the specific needs of industry,” said Liane Roy, CEO. “On our five campuses, the CCNB contributes to the development of the New Brunswick communities with more than 85 regular programmes in technical and professional training. As an entrepreneurial and innovative college, the CCNB adapts to the rapidly changing economy, supports applied research activities and encourages innovation,” adds Roy.
The centre, which will be located at CCNB’s Bathurst Campus, will service the rapidly expanding mining industry in the region.
“The facility will offer training in different aspects of the industry, including equipment operator training,” commented Alain Gauvin, Head of Development at CCNB’s Bathurst Campus. “We currently have another programme where we use simulators as part of training and we are convinced that it’s a must in training students coming through the mining programme.” Gauvin goes on to say that CCNB is also interested in conducting on-site training with the Cybermine simulators in addition to the training offered at Bathurst. Simulator training will be offered in both French and English and so the Cybermine system was designed from the outset to support training in both French and English.
“We love working with training institutions and are delighted to be adding CCNB to our family of Cybermine clients in North America,” said Adam Smallman, VP of sales for the region at ThoroughTec. “This project stands as testimony to the strength of our simulator portfolio, really highlighting our ability to deliver a large number of simulators, across a wide range of equipment classes, in an incredibly short timeframe. We are proud to lead the market in this respect and work hard to maintain that position.” Over the last two decades ThoroughTec has developed the widest range of surface and underground heavy equipment training simulators in the industry.
The simulator cabs that CCNB will be receiving shall cater for the training of trainee operators of Komatsu 930E haul trucks and PC5500 shovels; Caterpillar 992G wheel loaders, DT10 dozers, R2900G LHDs and AD55 ADTs.
“We see these simulators and the Mine Training Centre playing an important role in New Brunswick’s mining industry,” said Gauvin.
Read the article online at: https://www.worldcoal.com/coal/23052017/ccnb-selects-cybermine-simulators/
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Groundbreaking earpiece is a gadget that translates languages instantly
Posted at 11:45 AM, May 23, 2016
NEW YORK, NY - Hey, listen up! Have you ever come across a hottie you'd love to meet, but they only talk in a foreign tongue?
Well, now there's an app for that!
Actually, it's a groundbreaking gadget that brings the power of Schwarzenneger and the spirit of the United Nations to your dating game.
Yeah, they say necessity is the mother of invention, and the inventor of this new device met his match in French.
"I came up with the idea for a translator when I met a French girl," young inventor Andrew Ochoa confessed.
So, he invented a little earpiece that translates languages "instantly" so you can 'up' your dating game, or go negotiate a nuclear arms deal.
The choice is yours!
Ochoa tested the new device on his new love in an online video. "Can you hear me in French?" he asked his girlfriend.
"Oui!" she proclaimed laughing.
The new device is called "The Pilot" and will cost about $250 to $300 when it officially goes on the market.
So, get ready to say "Ooh La La" in any language! | 2023-14/0037/en_head.json.gz/13448 | {"url": "https://www.wsfltv.com/2016/05/23/groundbreaking-earpiece-is-a-gadget-that-translates-languages-instantly", "partition": "head_middle", "language": "en", "source_domain": "www.wsfltv.com", "date_download": "2023-03-20T09:12:18Z", "digest": "sha1:4E2SBJW73BWYO5KVUFCMZBJ6DC5QVAJV"} | {"ccnet_length": [[0, 1097, 1097.0]], "ccnet_original_length": [[0, 1097, 2831.0]], "ccnet_nlines": [[0, 1097, 13.0]], "ccnet_original_nlines": [[0, 1097, 110.0]], "ccnet_language_score": [[0, 1097, 0.95]], "ccnet_perplexity": [[0, 1097, 250.0]], "ccnet_bucket": [[0, 1097, 0.0]], "rps_doc_curly_bracket": [[0, 1097, 0.0]], "rps_doc_ldnoobw_words": [[0, 1097, 0.0]], "rps_doc_lorem_ipsum": [[0, 1097, 0.0]], "rps_doc_stop_word_fraction": [[0, 1097, 0.39919355]], "rps_doc_ut1_blacklist": [[0, 1097, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1097, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1097, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1097, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1097, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1097, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1097, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1097, 0.03176471]], "rps_doc_frac_chars_top_3gram": [[0, 1097, 0.05411765]], "rps_doc_frac_chars_top_4gram": [[0, 1097, 0.07529412]], "rps_doc_frac_all_caps_words": [[0, 1097, 0.02419355]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1097, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1097, 0.20967742]], "rps_doc_frac_unique_words": [[0, 1097, 0.62626263]], "rps_doc_mean_word_length": [[0, 1097, 4.29292929]], "rps_doc_symbol_to_word_ratio": [[0, 1097, 0.0]], "rps_doc_unigram_entropy": [[0, 1097, 4.60017058]], "rps_doc_word_count": [[0, 1097, 198.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 72, 0.0], [72, 105, 0.0], [105, 231, 1.0], [231, 266, 1.0], [266, 403, 1.0], [403, 517, 1.0], [517, 625, 1.0], [625, 768, 1.0], [768, 789, 1.0], [789, 907, 1.0], [907, 939, 1.0], [939, 1048, 1.0], [1048, 1097, 1.0]], "rps_lines_javascript_counts": [[0, 72, 0.0], [72, 105, 0.0], [105, 231, 0.0], [231, 266, 0.0], [266, 403, 0.0], [403, 517, 0.0], [517, 625, 0.0], [625, 768, 0.0], [768, 789, 0.0], [789, 907, 0.0], [907, 939, 0.0], [939, 1048, 0.0], [1048, 1097, 0.0]], "rps_lines_num_words": [[0, 72, 9.0], [72, 105, 7.0], [105, 231, 25.0], [231, 266, 7.0], [266, 403, 22.0], [403, 517, 21.0], [517, 625, 20.0], [625, 768, 24.0], [768, 789, 4.0], [789, 907, 23.0], [907, 939, 4.0], [939, 1048, 21.0], [1048, 1097, 11.0]], "rps_lines_numerical_chars_fraction": [[0, 72, 0.0], [72, 105, 0.34482759], [105, 231, 0.0], [231, 266, 0.0], [266, 403, 0.0], [403, 517, 0.0], [517, 625, 0.0], [625, 768, 0.0], [768, 789, 0.0], [789, 907, 0.0], [907, 939, 0.0], [939, 1048, 0.05825243], [1048, 1097, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 72, 0.0], [72, 105, 0.0], [105, 231, 0.0], [231, 266, 0.0], [266, 403, 0.0], [403, 517, 0.0], [517, 625, 0.0], [625, 768, 0.0], [768, 789, 0.0], [789, 907, 0.0], [907, 939, 0.0], [939, 1048, 0.0], [1048, 1097, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 72, 0.01388889], [72, 105, 0.12121212], [105, 231, 0.08730159], [231, 266, 0.02857143], [266, 403, 0.02919708], [403, 517, 0.01754386], [517, 625, 0.0462963], [625, 768, 0.00699301], [768, 789, 0.04761905], [789, 907, 0.02542373], [907, 939, 0.03125], [939, 1048, 0.02752294], [1048, 1097, 0.08163265]], "rps_doc_ml_palm_score": [[0, 1097, 0.33916152]], "rps_doc_ml_wikipedia_score": [[0, 1097, null]], "rps_doc_ml_wikiref_score": [[0, 1097, 0.05404103]], "rps_doc_books_importance": [[0, 1097, 10.23368681]], "rps_doc_openwebtext_importance": [[0, 1097, 10.01753191]], "rps_doc_wikipedia_importance": [[0, 1097, -60.20295787]], "rps_doc_num_sentences": [[0, 1097, 15.0]]} |
Alexi Horowitz-Ghazi
Alexi Horowitz-Ghazi is a host and reporter for Planet Money, telling stories that creatively explore and explain the workings of the global economy. He's a sucker for a good supply chain mystery — from toilet paper to foster puppies to specialty pastas. He's drawn to tales of unintended consequences, like the time a well-intentioned chemistry professor unwittingly helped unleash a global market for synthetic drugs, or what happened when the U.S. Patent Office started granting patents on human genes. And he's always on the lookout for economic principles at work in unexpected places, like the tactics comedians use to protect their intellectual property (a.k.a. jokes).
He's reported from Iceland on the dramatic crash of the country's budget airline, from Denmark on the global trade for human sperm, and from Germany on the country's (uncannily familiar) obsession with returning the things they buy online. He also produced Planet Money's 2020 Murrow-award-winning collaboration with the NPR Ed Desk, the show's audiobook rendition of the Great Gatsby, as well as collaborative episodes with Pro Publica, and Gimlet Media's How to Save A Planet.
Horowitz-Ghazi hails from Santa Fe, New Mexico, studied history at Reed College, and got his start in radio at Oregon Public Broadcasting. He was selected as a 2014 AIR New Voices Scholar and a 2019 Arthur F. Burns Fellow. He previously worked with Michel Martin's team at All Things Considered, where he produced breaking news and feature stories, led film coverage, and directed the live broadcast.
At All Things Considered, Horowitz-Ghazi reported on how a national clown scare affected professional clowns, who was behind of a wave of succulent poaching on the California coastline, what happens to a musician's legacy after they die, and why his hometown burns a giant human effigy every year. He also pitched and produced "Brave New Workers," a series of profiles on people adapting to the changing economy, and has interviewed coal miners, rock climbers, coyote hunters, porn stars, cowboys, truck drivers, drone pilots, Carrie Brownstein, Werner Herzog, and George R.R. Martin, among many others. In his free time, he enjoys riding bicycles, playing squash (middlingly), and sleeping out of doors.
Dozens of TV shows are disappearing from streaming platforms like HBO Max. Here's why
Dozens of original streaming shows have been removed from platforms in an apparent effort to cut costs. The disappearing shows may point to a more fundamental change in the business of streaming.
Who actually pays with buy now, pay later companies like Klarna and Affirm
These businesses have exploded in popularity during the pandemic, and now Apple is getting on board. But are these interest-free payment installments too good to be true?
Buy now, pay later plans help to reduce online cart abandonment
A payment option called buy now, pay later is growing in popularity. While these services offer consumers a convenient form of interest-free installment credit, they've raised regulators' concerns.
Planet Money: How Florida's manatees got hooked on fossil fuels
In the 1970s, Florida's manatees were near extinction. When power companies noticed manatees hanging out near their power plants in search of warm water, they partnered with environmentalists.
2 resellers go on a treasure hunt to find returned goods they can flip for profit
U.S. consumers are returning more of the stuff they buy than ever before. The returned goods often end up at bargain-bin stores, where resellers look for items they can resell for profit.
Decades-long dispute between Mi'kmaq community and commercial lobstermen escalates
The waters of Nova Scotia, Canada, hold one of the world's most lucrative lobster fisheries. A conflict over how to balance native treaty rights with commercial fishing rules is coming to a head.
How the 40-hour work week became the norm
With the pandemic causing many workers and businesses to rethink our collective relationship with work, several companies are experimenting with a four-day work week.
Hollywood Production Crews May Strike Due To Unglamorously Low Wages And Long Hours
IATSE, a union which represents film crews, has asked their members to grant them the authority to strike. Conditions have worsened in the pandemic for people who work on sets for film and television.
Music Streaming Giants To Pay $424 Million In Royalty Fees
Streaming has revolutionized the music business, including how songwriters get paid. Now the 20 biggest streaming platforms have been ordered to pay $424 million in unmatched royalties to artists.
How The Writers Guild of America Declared Victory Over Hollywood's Talent Agencies
The Writers Guild of America declared victory after grappling for nearly two years with Hollywood's biggest talent agencies over how agents make their money. | 2023-14/0037/en_head.json.gz/13449 | {"url": "https://www.wshu.org/people/alexi-horowitz-ghazi", "partition": "head_middle", "language": "en", "source_domain": "www.wshu.org", "date_download": "2023-03-20T10:23:26Z", "digest": "sha1:5B6FCFGKPPGX3UBV4QIC537JYGYHS33K"} | {"ccnet_length": [[0, 4869, 4869.0]], "ccnet_original_length": [[0, 4869, 9102.0]], "ccnet_nlines": [[0, 4869, 25.0]], "ccnet_original_nlines": [[0, 4869, 267.0]], "ccnet_language_score": [[0, 4869, 0.96]], "ccnet_perplexity": [[0, 4869, 329.2]], "ccnet_bucket": [[0, 4869, 0.0]], "rps_doc_curly_bracket": [[0, 4869, 0.0]], "rps_doc_ldnoobw_words": [[0, 4869, 1.0]], "rps_doc_lorem_ipsum": [[0, 4869, 0.0]], "rps_doc_stop_word_fraction": [[0, 4869, 0.31974249]], "rps_doc_ut1_blacklist": [[0, 4869, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4869, 0.0]], 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PPS Artificial Intelligence for recognizing megafauna (seabirds and mammals) in and around offshore wind farms (AI-MEG)
The North Sea is becoming more and more crowded and especially wind farms at sea are taking up an increasing area. Protected species, such as marine mammals and birds, most likely avoid offshore wind farms and this loss of habitat can result in declining populations. However, it is also possible that the animals get used to wind turbines in their habitat. It is important for the further rollout of offshore wind farms to have a clear picture of the distribution of marine mammals and birds at the level of individual species, both inside and outside wind farms. The current method of observation, using visual observers in aircrafts, has become unworkable. Due to the height of the wind turbines, these surveys have to be flown at too high an altitude for human observers. A new technique, using high-definition cameras, offers a solution: these cameras can fly at a higher altitude and the images obtained can be stored for future analyses. At the moment, however, the assessment of the collected images is still human work, very labour-intensive and therefore expensive. There is thus an urgent need to automate this part of the process. With the emergence of Deep Learning within Artificial Intelligence (AI), it is possible to perform image recognition automatically.
We are developing Deep Learning models capable of detecting, identifying and counting species on the stream of images, focusing on seabirds, but also other fauna where possible. This development requires the development of software that is fed with images previously analysed by experts for species detection and identification. For this purpose, images collected from two wind farms in the North Sea are used: Gemini Windparm, north of the island Schiermonnikoog, and Borssele Wind Farm, west of Rotterdam. These images are visually analysed ("annotated") by experts from BioConsult SH in Germany. The joint dataset, with images from Gemini and Borssele, is so extensive that sufficient annotated images will be obtained to feed the software, even for the slightly less numerous species.
In addition, the situation from the air will be compared with the situation on the ground by having an experienced bird observer count birds at Gemini Wind Farm during one or more flights. This will make it possible to compare the type of birds detected on the images with what is seen in a corresponding location “on the ground”.
If the models perform sufficiently accurately (compared to the accuracy of the human expert), they will be integrated into a software platform yet to be set up, which will allow video-surveys to be analysed (semi-)automatically when the software is available to the user. Ultimately, this platform will be publicly accessible for image recognition analyses and reports.
Part of this project is also an advisory committee, consisting of bird and AI experts and policy makers, who can give feedback on the AI and platform development based using the Agile work approach.
The research question Gemini Windpark is interested in, is to what extent certain species of birds avoid the wind farm. The extent of this habitat loss will be determined by comparing the densities within the wind farm with those in the area surrounding the wind farm, based on the collected images. The area surveyed for this purpose is therefore considerably larger than Gemini Windparm itself. The images obtained by the Gemini and Borssele projects, as well as the software developed, will contribute to the further development of the (inter)national infrastructure of image recognition at sea, both in the Netherlands and abroad.
The AI-MEG project aims to:
1. To determine the habitat loss of Razorbills and Guillemots at Gemini Windfarm;
2. To develop species identification in the obtained images (annotations) of Razorbills and Guillemots by ground truthing during flights;
3. Development of Deep Learning (AI) models to automatically detect, identify and count seabirds and marine mammals in the digital images.
4. Integration of the Deep Learning models in a (software) platform with which relevant digital image surveys can be carried out (semi-)automatically (when the AI model performs adequately).
Interchange of knowledge
This research contributes explicitly to a larger parallel project led by Rijkswaterstaat (RWS), in which work is being done on setting up a national digital aircraft survey AI and data structure (see this roadmap). The goal of the RWS project is to be able to process and analyse all digital aircraft surveys conducted in the Netherlands (and eventually throughout the North Sea) in a publicly accessible platform. Within the RWS programme Wozep, a pilot has already started with image collection inside and outside the Borssele wind area, the images of which will also be made available to this project.
Contact A (Afra) Asjes
Project code:
LWV21.244
End project:
TKI Agri & Food
Gemini Windpark, BioConsult SH, Observation International, Wageningen Agro Food Robotics | 2023-14/0037/en_head.json.gz/13450 | {"url": "https://www.wur.nl/en/project/ppsaimeg-1.htm", "partition": "head_middle", "language": "en", "source_domain": "www.wur.nl", "date_download": "2023-03-20T10:07:33Z", "digest": "sha1:NNLZD34GVAYFT6UFMUA2CGZM3KFPIKHA"} | {"ccnet_length": [[0, 5091, 5091.0]], "ccnet_original_length": [[0, 5091, 6907.0]], "ccnet_nlines": [[0, 5091, 20.0]], "ccnet_original_nlines": [[0, 5091, 111.0]], "ccnet_language_score": [[0, 5091, 0.93]], "ccnet_perplexity": [[0, 5091, 235.5]], "ccnet_bucket": [[0, 5091, 0.0]], "rps_doc_curly_bracket": [[0, 5091, 0.0]], "rps_doc_ldnoobw_words": [[0, 5091, 0.0]], "rps_doc_lorem_ipsum": [[0, 5091, 0.0]], "rps_doc_stop_word_fraction": [[0, 5091, 0.38817204]], "rps_doc_ut1_blacklist": [[0, 5091, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 5091, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 5091, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 5091, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 5091, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 5091, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 5091, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 5091, 0.01081211]], "rps_doc_frac_chars_top_3gram": [[0, 5091, 0.01225372]], "rps_doc_frac_chars_top_4gram": [[0, 5091, 0.0100913]], "rps_doc_frac_all_caps_words": [[0, 5091, 0.02150538]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 5091, 0.0]], "rps_doc_frac_no_alph_words": [[0, 5091, 0.13010753]], "rps_doc_frac_unique_words": [[0, 5091, 0.40869565]], "rps_doc_mean_word_length": [[0, 5091, 5.17018634]], "rps_doc_symbol_to_word_ratio": [[0, 5091, 0.0]], "rps_doc_unigram_entropy": [[0, 5091, 5.1434845]], "rps_doc_word_count": [[0, 5091, 805.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 120, 0.0], [120, 1395, 1.0], [1395, 2184, 1.0], [2184, 2515, 1.0], [2515, 2885, 1.0], [2885, 3084, 1.0], [3084, 3719, 1.0], [3719, 3747, 0.0], [3747, 3829, 0.0], [3829, 3967, 0.0], [3967, 4106, 1.0], [4106, 4297, 1.0], [4297, 4322, 0.0], [4322, 4927, 1.0], [4927, 4950, 0.0], [4950, 4964, 0.0], [4964, 4974, 0.0], [4974, 4987, 0.0], [4987, 5003, 0.0], [5003, 5091, 0.0]], "rps_lines_javascript_counts": [[0, 120, 0.0], [120, 1395, 0.0], [1395, 2184, 0.0], [2184, 2515, 0.0], [2515, 2885, 0.0], [2885, 3084, 0.0], [3084, 3719, 0.0], [3719, 3747, 0.0], [3747, 3829, 0.0], [3829, 3967, 0.0], [3967, 4106, 0.0], [4106, 4297, 0.0], [4297, 4322, 0.0], [4322, 4927, 0.0], [4927, 4950, 0.0], [4950, 4964, 0.0], [4964, 4974, 0.0], [4974, 4987, 0.0], [4987, 5003, 0.0], [5003, 5091, 0.0]], "rps_lines_num_words": [[0, 120, 16.0], [120, 1395, 209.0], [1395, 2184, 120.0], [2184, 2515, 59.0], [2515, 2885, 56.0], [2885, 3084, 34.0], [3084, 3719, 101.0], [3719, 3747, 5.0], [3747, 3829, 13.0], [3829, 3967, 19.0], [3967, 4106, 21.0], [4106, 4297, 28.0], [4297, 4322, 3.0], [4322, 4927, 99.0], [4927, 4950, 4.0], [4950, 4964, 2.0], [4964, 4974, 1.0], [4974, 4987, 2.0], [4987, 5003, 3.0], [5003, 5091, 10.0]], "rps_lines_numerical_chars_fraction": [[0, 120, 0.0], [120, 1395, 0.0], [1395, 2184, 0.0], [2184, 2515, 0.0], [2515, 2885, 0.0], [2885, 3084, 0.0], [3084, 3719, 0.0], [3719, 3747, 0.0], [3747, 3829, 0.01265823], [3829, 3967, 0.0075188], [3967, 4106, 0.0075188], [4106, 4297, 0.00552486], [4297, 4322, 0.0], [4322, 4927, 0.0], [4927, 4950, 0.0], [4950, 4964, 0.0], [4964, 4974, 0.625], [4974, 4987, 0.0], [4987, 5003, 0.0], [5003, 5091, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 120, 0.0], [120, 1395, 0.0], [1395, 2184, 0.0], [2184, 2515, 0.0], [2515, 2885, 0.0], [2885, 3084, 0.0], [3084, 3719, 0.0], [3719, 3747, 0.0], [3747, 3829, 0.0], [3829, 3967, 0.0], [3967, 4106, 0.0], [4106, 4297, 0.0], [4297, 4322, 0.0], [4322, 4927, 0.0], [4927, 4950, 0.0], [4950, 4964, 0.0], [4964, 4974, 0.0], [4974, 4987, 0.0], [4987, 5003, 0.0], [5003, 5091, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 120, 0.08333333], [120, 1395, 0.01411765], [1395, 2184, 0.02915082], [2184, 2515, 0.01510574], [2515, 2885, 0.00540541], [2885, 3084, 0.03015075], [3084, 3719, 0.01732283], [3719, 3747, 0.21428571], [3747, 3829, 0.06097561], [3829, 3967, 0.02173913], [3967, 4106, 0.03597122], [4106, 4297, 0.02617801], [4297, 4322, 0.04], [4322, 4927, 0.03305785], [4927, 4950, 0.17391304], [4950, 4964, 0.07142857], [4964, 4974, 0.3], [4974, 4987, 0.07692308], [4987, 5003, 0.3125], [5003, 5091, 0.13636364]], "rps_doc_ml_palm_score": [[0, 5091, 0.60813075]], "rps_doc_ml_wikipedia_score": [[0, 5091, null]], "rps_doc_ml_wikiref_score": [[0, 5091, 0.23099297]], "rps_doc_books_importance": [[0, 5091, -184.72460011]], "rps_doc_openwebtext_importance": [[0, 5091, 13.32737484]], "rps_doc_wikipedia_importance": [[0, 5091, 34.73032196]], "rps_doc_num_sentences": [[0, 5091, 35.0]]} |
FBI dive team involved as search for 3-year-old Lina Sardar Khil enters 3rd week
San Antonio Police Department via Facebook
(SAN ANTONIO, Texas) — An FBI dive team is assisting in the search for missing 3-year-old Lina Sardar Khil, authorities said.
The investigation has led the FBI’s underwater search and evidence response team to an area not previously searched, according to San Antonio Police Chief William McManus.
“We don’t want to leave anything to chance,” McManus told reporters during a press briefing Tuesday evening at the scene of the search. “Everything that we get that has any kind of potential at all, we follow it up. And that’s what we’re doing here today.”
The area is located near the family’s apartment complex, according to ABC San Antonio affiliate KSAT.
The chief said he couldn’t provide any additional information on what led detectives to the area, but noted the search will continue Tuesday until it gets dark, and pick up again Wednesday.
“I wish there was more uplifting information I could give you to at least provide some hope, but I don’t have any of that information, unfortunately,” he said.
Lina Sardar Khil was last seen on Dec. 20 between 4 p.m. and 5 p.m. at a park on the 9400 block of Fredericksburg Road in San Antonio, according to police. The park is located near the family’s home at the Villa Del Cabo apartment complex.
Lina has brown eyes and brown hair and was last seen wearing a black jacket, red dress and black shoes. Police issued multiple Amber Alerts and said she could be in “grave danger.”
Lina’s family is part of the Afghan refugee community in San Antonio and speaks Pashto. Police have issued alerts in multiple languages to the community, urging anyone with information to come forward.
FBI joins ‘aggressive’ search
McManus said Tuesday Lina is still considered a missing person.
“Our Missing Person’s Unit is working tirelessly at receiving leads and tips on little Lina’s case,” a spokesperson for SAPD told ABC News. “We will continue to follow every lead, no matter how small, until Lina is located.”
The FBI said it is accepting any tips, video footage or insight on Lina’s whereabouts.
Agent Justin Garris of the FBI’s Justin San Antonio field office told reporters on Dec. 28 the investigation into Lina’s disappearance is “aggressive,” adding that the FBI has utilized its child abduction rapid deployment team, behavioral analysis unit, intelligence response teams and forensic examiners.
Authorities are asking anyone who has information on the case to call SAPD Missing Person’s Unit at 210-207-7660.
Community rallies behind the family
As the search continues, the community is rallying around the family by joining search crews and raising money to help find the child.
The Eagles Flight Advocacy & Outreach organization, a nonprofit in San Antonio, joined the search over the weekend with about 150 people from the Afghan community showing up.
“We can’t sit still. We have to do something,” Pamela Allen, CEO of Eagles Flight Advocacy and Outreach, told ABC News.
Allen said the group has been in touch with police and was actively searching surrounding areas that are points of interest in the case.
“Yesterday we had about 150 Afghani men and children come out and look for this baby,” Allen said, adding that seeing the community come together has been “the most amazing thing.”
The Islamic Center of San Antonio is also supporting the family by offering a $100,000 reward for anyone who can help police find Lina.
The Crime Stoppers of San Antonio has offered an additional $50,000 for information resulting in the arrest or indictment of a suspect accused of any involvement in the disappearance.
Lina’s family moved to the U.S. in 2019, her father, Riaz Sardar Khil, told KENS5 through a translator.
Khil said at first they believed that their daughter could be with another Afghan family in the community but now they believe she may have been abducted.
“During our entire lives we have not been as saddened as we were yesterday and today,” he said.
Culturingua, a San Antonio nonprofit that has been helping with the search for Lina, is a leader of the Afghan refugee response collaboration, a citywide effort to support the large influx of Afghan refugees in San Antonio.
Culturingua CEO Nadia Mavrakis told ABC News on Tuesday the organization’s programs include community development in low income and moderate income areas with a high percentage of refugees, including Lina’s family.
“There is tremendous pressure placed on the refugee resettlement agencies as this high influx of Afghans are coming into the community,” Mavrakis said, adding that the coalition seeks to support the integration of Afghan families in the community through services that go “beyond the scope and capabilities of the case workers.”
Nader Mehdawi, COO of Culturingua, told ABC News one of the “biggest challenges” that families like Lina’s face is the language barrier.
“A lot of the Afghan refugees coming here, they only speak Pashto or Dari,” he said, adding that this is one of the reasons many refugees “struggle to find work.”
Mavrakis, who visited the family on Friday along with other staff members, said that Culturingua is one of the organizations that has offered translation support to the family as they communicate with police and navigate the legal system.
The Afghan community started a GoFundMe account for the Khils so they can focus on the search for Lina and Culturingua has been working to get the word out to the Afghan community and the organizations within their network, she added. | 2023-14/0037/en_head.json.gz/13451 | {"url": "https://www.wxhc.com/fbi-dive-team-involved-as-search-for-3-year-old-lina-sardar-khil-enters-3rd-week/", "partition": "head_middle", "language": "en", "source_domain": "www.wxhc.com", "date_download": "2023-03-20T10:22:51Z", "digest": "sha1:HWUAJUZPXONU6GYT6UPPSQ54DZBYNC5D"} | {"ccnet_length": [[0, 5580, 5580.0]], "ccnet_original_length": [[0, 5580, 8947.0]], "ccnet_nlines": [[0, 5580, 35.0]], "ccnet_original_nlines": [[0, 5580, 175.0]], "ccnet_language_score": [[0, 5580, 0.97]], "ccnet_perplexity": [[0, 5580, 295.9]], "ccnet_bucket": [[0, 5580, 0.0]], "rps_doc_curly_bracket": [[0, 5580, 0.0]], "rps_doc_ldnoobw_words": [[0, 5580, 0.0]], "rps_doc_lorem_ipsum": [[0, 5580, 0.0]], "rps_doc_stop_word_fraction": 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Meat Loaf passes away at age 74
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Meat Loaf has passed away at age 74.
The news was confirmed in a statement on the rocker and actor’s Facebook page.
“Our hearts are broken to announce that the incomparable Meat Loaf passed away tonight with his wife Deborah by his side,” the statement reads. “Daughters Pearl and Amanda and close friends have been with him throughout the last 24 hours.”
The post notes Meat Loaf’s “amazing career,” which spanned six decades. Meat Loaf, birth name Marvin Lee Aday, sold 100 million album sales worldwide and starred in over 65 movies including Fight Club, Rocky Horror Picture Show and Wayne’s World. His 1977 album Bat Out of Hell is one of the top selling albums of all time and he scored a number one hit with 1993’s “I’d Do Anything for Love (But I Won’t Do That).”
The statement continues, “We know how much he meant to so many of you and we truly appreciate all of the love and support as we move through this time of grief in losing such an inspiring artist and beautiful man…From his heart to your souls…don’t ever stop rocking! | 2023-14/0037/en_head.json.gz/13452 | {"url": "https://www.wxhc.com/meat-loaf-passes-away-at-age-74/", "partition": "head_middle", "language": "en", "source_domain": "www.wxhc.com", "date_download": "2023-03-20T09:14:29Z", "digest": "sha1:EXUIYNPIDQ6ZUQ77KULTCCFUBFAYCAW7"} | {"ccnet_length": [[0, 1266, 1266.0]], "ccnet_original_length": [[0, 1266, 4358.0]], "ccnet_nlines": [[0, 1266, 10.0]], "ccnet_original_nlines": [[0, 1266, 147.0]], "ccnet_language_score": [[0, 1266, 0.95]], "ccnet_perplexity": [[0, 1266, 204.6]], "ccnet_bucket": [[0, 1266, 0.0]], "rps_doc_curly_bracket": [[0, 1266, 0.0]], "rps_doc_ldnoobw_words": [[0, 1266, 0.0]], "rps_doc_lorem_ipsum": [[0, 1266, 0.0]], "rps_doc_stop_word_fraction": [[0, 1266, 0.33212996]], "rps_doc_ut1_blacklist": [[0, 1266, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1266, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1266, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1266, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1266, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1266, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1266, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1266, 0.03137255]], "rps_doc_frac_chars_top_3gram": [[0, 1266, 0.01764706]], "rps_doc_frac_chars_top_4gram": [[0, 1266, 0.02156863]], "rps_doc_frac_all_caps_words": [[0, 1266, 0.01083032]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1266, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1266, 0.18772563]], "rps_doc_frac_unique_words": [[0, 1266, 0.7300885]], "rps_doc_mean_word_length": [[0, 1266, 4.51327434]], "rps_doc_symbol_to_word_ratio": [[0, 1266, 0.00722022]], "rps_doc_unigram_entropy": [[0, 1266, 4.91387013]], "rps_doc_word_count": [[0, 1266, 226.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 32, 0.0], [32, 69, 0.0], [69, 158, 0.0], [158, 211, 0.0], [211, 228, 0.0], [228, 265, 1.0], [265, 344, 1.0], [344, 584, 1.0], [584, 1000, 1.0], [1000, 1266, 1.0]], "rps_lines_javascript_counts": [[0, 32, 0.0], [32, 69, 0.0], [69, 158, 0.0], [158, 211, 0.0], [211, 228, 0.0], [228, 265, 0.0], [265, 344, 0.0], [344, 584, 0.0], [584, 1000, 0.0], [1000, 1266, 0.0]], "rps_lines_num_words": [[0, 32, 7.0], [32, 69, 6.0], [69, 158, 15.0], [158, 211, 9.0], [211, 228, 2.0], [228, 265, 8.0], [265, 344, 14.0], [344, 584, 40.0], [584, 1000, 76.0], [1000, 1266, 49.0]], "rps_lines_numerical_chars_fraction": [[0, 32, 0.06451613], [32, 69, 0.0], [69, 158, 0.08045977], [158, 211, 0.14], [211, 228, 0.0], [228, 265, 0.05714286], [265, 344, 0.0], [344, 584, 0.00847458], [584, 1000, 0.0320197], [1000, 1266, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 32, 0.0], [32, 69, 0.0], [69, 158, 0.0], [158, 211, 0.0], [211, 228, 0.0], [228, 265, 0.0], [265, 344, 0.0], [344, 584, 0.0], [584, 1000, 0.0], [1000, 1266, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 32, 0.0625], [32, 69, 0.16216216], [69, 158, 0.05617978], [158, 211, 0.0754717], [211, 228, 0.17647059], [228, 265, 0.05405405], [265, 344, 0.02531646], [344, 584, 0.02916667], [584, 1000, 0.06971154], [1000, 1266, 0.0112782]], "rps_doc_ml_palm_score": [[0, 1266, 0.04143929]], "rps_doc_ml_wikipedia_score": [[0, 1266, null]], "rps_doc_ml_wikiref_score": [[0, 1266, 0.9825058]], "rps_doc_books_importance": [[0, 1266, -92.22518253]], "rps_doc_openwebtext_importance": [[0, 1266, 30.00565889]], "rps_doc_wikipedia_importance": [[0, 1266, -87.59625589]], "rps_doc_num_sentences": [[0, 1266, 8.0]]} |
Getty Images/Catherine McQueen
(VIRGINIA) — A local prosecutor said Wednesday that he does not believe the law supports charging the 6-year-old boy accused of shooting a teacher at his Virginia elementary school.
“We don’t believe the law supports charging a 6-year-old with a criminal offense as serious as this one,” Newport News Commonwealth’s Attorney Howard Gwynn told ABC Hampton, Virginia, affiliate WVEC in a phone call.
Gwynn said they would have to show that “any defendant, including a 6-year-old,” is competent to stand trial and understands the legal system enough to help with their defense.
“I think it’s problematical to assume that a 6-year-old understands the criminal justice system enough to be competent to stand trial,” Gwynn told the station.
Gwynn added that once his office has reviewed the facts of the case, they will determine if anyone else should be criminally charged in connection with the shooting.
The incident occurred at Richneck Elementary School in Newport News on Jan. 6. The 6-year-old, who has not been named publicly, allegedly brought a handgun from his home to school in his backpack and shot and wounded a teacher in a first-grade classroom in what police described as an “intentional” act.
The teacher, Abigail Zwerner, sustained a gunshot wound to the chest. A bullet remains lodged in her body, according to her lawyer.
About 16 to 20 students were in the room at the time of the shooting and none of them were physically injured, officials said. After Zwerner was shot, she ushered all of her students out of the classroom, according to police.
Police said the boy’s mother legally purchased the 9 mm Taurus pistol.
The 6-year-old’s family released a statement through a spokesperson in the wake of the incident, saying, “Our family has always been committed to responsible gun ownership and keeping firearms out of the reach of children.”
“We have been cooperating with local and federal law enforcement to understand how this could have happened,” the family said.
Their son “suffers from an acute disability and was under a care plan at the school that included his mother or father attending school with him and accompanying him to class every day,” the family said. “The week of the shooting was the first week when we were not in class with him. We will regret our absence on this day for the rest of our lives.”
Zwerner claimed the student had a history of violent behavior at the school and accused the school’s assistant principal of failure to act despite being told repeatedly that the student had a gun at school, her lawyer alleged in a letter notifying the district of the intent to file a lawsuit last month.
The student had been suspended the day before the shooting because he “slammed Ms. Zwerner’s phone breaking it” and had cursed at the guidance counselors,” according to the letter.
The student had allegedly been removed from the school a year prior after he “choked his teacher until she couldn’t breathe,” according to the letter.
“This school year, the shooter was put on a modified schedule in the fall of 2022 after the school year had started because he constantly cursed at the staff and teachers and then one day took off his belt on the playground and chased kids trying to whip them,” according to the letter.
The school’s assistant principal, Ebony Parker, resigned from her position on Jan. 25, according to a school spokesperson.
The Newport News School Board last month voted 5-1 to relieve its superintendent, George Parker III, “without cause,” effective Feb. 1, in the wake of the shooting. | 2023-14/0037/en_head.json.gz/13453 | {"url": "https://www.wxhc.com/prosecutor-wont-charge-6-year-old-accused-of-shooting-teacher/", "partition": "head_middle", "language": "en", "source_domain": "www.wxhc.com", "date_download": "2023-03-20T09:05:05Z", "digest": "sha1:LRP6OO5XBXIP5CUNIOGFNHIDYW64WH3J"} | {"ccnet_length": [[0, 3579, 3579.0]], "ccnet_original_length": [[0, 3579, 7029.0]], "ccnet_nlines": [[0, 3579, 19.0]], "ccnet_original_nlines": [[0, 3579, 161.0]], "ccnet_language_score": [[0, 3579, 0.99]], "ccnet_perplexity": [[0, 3579, 222.0]], "ccnet_bucket": [[0, 3579, 0.0]], "rps_doc_curly_bracket": [[0, 3579, 0.0]], "rps_doc_ldnoobw_words": [[0, 3579, 0.0]], "rps_doc_lorem_ipsum": [[0, 3579, 0.0]], "rps_doc_stop_word_fraction": [[0, 3579, 0.42738589]], "rps_doc_ut1_blacklist": [[0, 3579, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3579, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3579, 0.04545455]], "rps_doc_frac_chars_dupe_6grams": [[0, 3579, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3579, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3579, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3579, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3579, 0.0137741]], "rps_doc_frac_chars_top_3gram": [[0, 3579, 0.01790634]], "rps_doc_frac_chars_top_4gram": [[0, 3579, 0.02066116]], "rps_doc_frac_all_caps_words": [[0, 3579, 0.00968188]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3579, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3579, 0.15767635]], "rps_doc_frac_unique_words": [[0, 3579, 0.49251248]], "rps_doc_mean_word_length": [[0, 3579, 4.83194676]], "rps_doc_symbol_to_word_ratio": [[0, 3579, 0.0]], "rps_doc_unigram_entropy": [[0, 3579, 5.10987413]], "rps_doc_word_count": [[0, 3579, 601.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 31, 0.0], [31, 213, 1.0], [213, 429, 1.0], [429, 606, 1.0], [606, 766, 1.0], [766, 932, 1.0], [932, 1236, 1.0], [1236, 1368, 1.0], [1368, 1594, 1.0], [1594, 1665, 1.0], [1665, 1889, 1.0], [1889, 2016, 1.0], [2016, 2368, 1.0], [2368, 2673, 1.0], [2673, 2854, 1.0], [2854, 3005, 1.0], [3005, 3292, 1.0], [3292, 3415, 1.0], [3415, 3579, 1.0]], "rps_lines_javascript_counts": [[0, 31, 0.0], [31, 213, 0.0], [213, 429, 0.0], [429, 606, 0.0], [606, 766, 0.0], [766, 932, 0.0], [932, 1236, 0.0], [1236, 1368, 0.0], [1368, 1594, 0.0], [1594, 1665, 0.0], [1665, 1889, 0.0], [1889, 2016, 0.0], [2016, 2368, 0.0], [2368, 2673, 0.0], [2673, 2854, 0.0], [2854, 3005, 0.0], [3005, 3292, 0.0], [3292, 3415, 0.0], [3415, 3579, 0.0]], "rps_lines_num_words": [[0, 31, 3.0], [31, 213, 29.0], [213, 429, 34.0], [429, 606, 29.0], [606, 766, 25.0], [766, 932, 28.0], [932, 1236, 51.0], [1236, 1368, 22.0], [1368, 1594, 41.0], [1594, 1665, 12.0], [1665, 1889, 35.0], [1889, 2016, 20.0], [2016, 2368, 67.0], [2368, 2673, 53.0], [2673, 2854, 29.0], [2854, 3005, 25.0], [3005, 3292, 53.0], [3292, 3415, 18.0], [3415, 3579, 27.0]], "rps_lines_numerical_chars_fraction": [[0, 31, 0.0], [31, 213, 0.00568182], [213, 429, 0.00478469], [429, 606, 0.00584795], [606, 766, 0.00645161], [766, 932, 0.0], [932, 1236, 0.00677966], [1236, 1368, 0.0], [1368, 1594, 0.01818182], [1594, 1665, 0.01449275], [1665, 1889, 0.00458716], [1889, 2016, 0.0], [2016, 2368, 0.0], [2368, 2673, 0.0], [2673, 2854, 0.0], [2854, 3005, 0.0], [3005, 3292, 0.01413428], [3292, 3415, 0.01709402], [3415, 3579, 0.01910828]], "rps_lines_start_with_bulletpoint": [[0, 31, 0.0], [31, 213, 0.0], [213, 429, 0.0], [429, 606, 0.0], [606, 766, 0.0], [766, 932, 0.0], [932, 1236, 0.0], [1236, 1368, 0.0], [1368, 1594, 0.0], [1594, 1665, 0.0], [1665, 1889, 0.0], [1889, 2016, 0.0], [2016, 2368, 0.0], [2368, 2673, 0.0], [2673, 2854, 0.0], [2854, 3005, 0.0], [3005, 3292, 0.0], [3292, 3415, 0.0], [3415, 3579, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 31, 0.16129032], [31, 213, 0.06043956], [213, 429, 0.07407407], [429, 606, 0.00564972], [606, 766, 0.0125], [766, 932, 0.0060241], [932, 1236, 0.02631579], [1236, 1368, 0.03030303], [1368, 1594, 0.01327434], [1594, 1665, 0.02816901], [1665, 1889, 0.00892857], [1889, 2016, 0.00787402], [2016, 2368, 0.00852273], [2368, 2673, 0.00327869], [2673, 2854, 0.01657459], [2854, 3005, 0.00662252], [3005, 3292, 0.00348432], [3292, 3415, 0.03252033], [3415, 3579, 0.06707317]], "rps_doc_ml_palm_score": [[0, 3579, 0.9389174]], "rps_doc_ml_wikipedia_score": [[0, 3579, null]], "rps_doc_ml_wikiref_score": [[0, 3579, 0.95359313]], "rps_doc_books_importance": [[0, 3579, -78.87284938]], "rps_doc_openwebtext_importance": [[0, 3579, 172.05183328]], "rps_doc_wikipedia_importance": [[0, 3579, -66.47200208]], "rps_doc_num_sentences": [[0, 3579, 27.0]]} |
Outlaw Speedway kicks off 2023 racing season with first day of practice
Jeff Vorick,
Local racing season is just around the corner. The opening practice of the 2023 season was held over the weekend at Outlaw Speedway.
Outlaw Speedway is in George County on Vestry Road between Highways 15 and 57. Track workers have been hard at work to get the half-mile dirt oval ready to go for the first practice day, bringing the start to the 2023 season.
Track Announcer and Chaplain Ron Southern said, “Zach Rushing and his family built this track from scratch. It took them many years to do it, they finally got it open. Third season and we’ll have a full schedule this season. It is the perfect place for a dirt track race as well as family entertainment. You can’t beat the family entertainment you find at a dirt track. Practice day is the kickoff for the Outlaw 2023 season. They’ve done a lot of prep work, they put a lot of new dirt and clay on this track surface. There are a lot of young guns coming in. We have one here today he’s 15 years old he was a go-kart driver and I’m excited to see how he progresses and learns… gets that seat time. You’ve got some veterans that are going to be out here. Those guys know the lines around this track. But the bottom line is, the racing family helps each other.”
It takes the racers to put on the Saturday night shows. Tyler Smith is a 15-year-old who will be racing this year. “Starting out in karts, we started racing, and a bunch of tracks started opening up by where we live… it just got to the point where we wanted to start racing cars. So, we got a street stock and that’s probably one of the best choices we could have made. We’re going to try to shoot for a heat race win this year. That’s going to be my goal, get consistent laps and seat time.”
Driver Paul Gamble said, “Never run this big of track, just trying to see what it will do. Got a lot of setup adjustments in the car, see if the car will handle it with this track.”
After a successful opening practice day of the 2023 season, the Outlaw Speedway is ready to bring the action.
Tags: Outlaw Speedway, racing, sports | 2023-14/0037/en_head.json.gz/13454 | {"url": "https://www.wxxv25.com/outlaw-speedway-kicks-off-2023-racing-season-with-first-day-of-practice/", "partition": "head_middle", "language": "en", "source_domain": "www.wxxv25.com", "date_download": "2023-03-20T09:21:50Z", "digest": "sha1:PC3CFAUIDO3S5XHLL3KP4HNUXU6IXFGJ"} | {"ccnet_length": [[0, 2126, 2126.0]], "ccnet_original_length": [[0, 2126, 6897.0]], "ccnet_nlines": [[0, 2126, 9.0]], "ccnet_original_nlines": [[0, 2126, 253.0]], "ccnet_language_score": [[0, 2126, 0.97]], "ccnet_perplexity": [[0, 2126, 285.7]], "ccnet_bucket": [[0, 2126, 0.0]], "rps_doc_curly_bracket": [[0, 2126, 0.0]], "rps_doc_ldnoobw_words": [[0, 2126, 0.0]], "rps_doc_lorem_ipsum": [[0, 2126, 0.0]], "rps_doc_stop_word_fraction": [[0, 2126, 0.43881857]], "rps_doc_ut1_blacklist": [[0, 2126, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2126, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2126, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 2126, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2126, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2126, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2126, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2126, 0.04166667]], "rps_doc_frac_chars_top_3gram": [[0, 2126, 0.01428571]], "rps_doc_frac_chars_top_4gram": [[0, 2126, 0.01785714]], "rps_doc_frac_all_caps_words": [[0, 2126, 0.0021097]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2126, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2126, 0.14556962]], "rps_doc_frac_unique_words": [[0, 2126, 0.50124688]], "rps_doc_mean_word_length": [[0, 2126, 4.18952618]], "rps_doc_symbol_to_word_ratio": [[0, 2126, 0.00421941]], "rps_doc_unigram_entropy": [[0, 2126, 4.87613364]], "rps_doc_word_count": [[0, 2126, 401.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 72, 0.0], [72, 85, 0.0], [85, 218, 1.0], [218, 444, 1.0], [444, 1304, 1.0], [1304, 1797, 1.0], [1797, 1979, 1.0], [1979, 2089, 1.0], [2089, 2126, 0.0]], "rps_lines_javascript_counts": [[0, 72, 0.0], [72, 85, 0.0], [85, 218, 0.0], [218, 444, 0.0], [444, 1304, 0.0], [1304, 1797, 0.0], [1797, 1979, 0.0], [1979, 2089, 0.0], [2089, 2126, 0.0]], "rps_lines_num_words": [[0, 72, 12.0], [72, 85, 2.0], [85, 218, 23.0], [218, 444, 42.0], [444, 1304, 164.0], [1304, 1797, 97.0], [1797, 1979, 37.0], [1979, 2089, 19.0], [2089, 2126, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 72, 0.05633803], [72, 85, 0.0], [85, 218, 0.03076923], [218, 444, 0.0361991], [444, 1304, 0.00712589], [1304, 1797, 0.00416667], [1797, 1979, 0.0], [1979, 2089, 0.03738318], [2089, 2126, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 72, 0.0], [72, 85, 0.0], [85, 218, 0.0], [218, 444, 0.0], [444, 1304, 0.0], [1304, 1797, 0.0], [1797, 1979, 0.0], [1979, 2089, 0.0], [2089, 2126, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 72, 0.02777778], [72, 85, 0.15384615], [85, 218, 0.03007519], [218, 444, 0.03539823], [444, 1304, 0.02325581], [1304, 1797, 0.01622718], [1797, 1979, 0.02747253], [1979, 2089, 0.02727273], [2089, 2126, 0.08108108]], "rps_doc_ml_palm_score": [[0, 2126, 0.37648267]], "rps_doc_ml_wikipedia_score": [[0, 2126, null]], "rps_doc_ml_wikiref_score": [[0, 2126, 0.95490205]], "rps_doc_books_importance": [[0, 2126, -99.10565688]], "rps_doc_openwebtext_importance": [[0, 2126, 75.81709915]], "rps_doc_wikipedia_importance": [[0, 2126, -164.20224818]], "rps_doc_num_sentences": [[0, 2126, 26.0]]} |
Clemson's Wilkins wins national player of the year award
Tigers DL honored by Columbus Touchdown club
Marc Dopher
Sports Anchor
Clemson defensive tackle Christian Wilkins has been named the recipient of the Bill Willis Award as the National Defensive Lineman of the Year by the Columbus (OH) Touchdown Club. Wilkins will be honored at the organization’s annual banquet on Feb. 17.The junior from Springfield, Mass was named a first-team All-American by the Football Coaches Association and the Sporting News and a second-team selection by Associated Press. A first-team All-ACC player, Wilkins has 47 tackles, 8.5 tackles for loss and four sacks so far this season. He also has four passes broken up and 10 quarterback pressures. He had a dominant performance in Clemson’s ACC Championship victory over Miami (FL) when he had seven tackles, 2.5 tackles for loss, a sack and two pass deflections. He was a major reason Clemson held Miami (FL) to three points and 214 yards of total offense.The All-around player was on the preseason Watch List for nine different awards in the preseason, more than any other ACC player.Wilkins graduates from Clemson on December 21 and will be the first Clemson scholarship player to graduate in two-and-a-half years. He was named an Academic All-District selection by the College Sports Information Directors of America this season when he had a 3.32 GPA. He has already been named to the Academic All-ACC team twice and is a favorite to be selected for a third time in 2017.Courtesy: Clemson Tigers
CLEMSON, S.C. —
Clemson defensive tackle Christian Wilkins has been named the recipient of the Bill Willis Award as the National Defensive Lineman of the Year by the Columbus (OH) Touchdown Club. Wilkins will be honored at the organization’s annual banquet on Feb. 17.
The junior from Springfield, Mass was named a first-team All-American by the Football Coaches Association and the Sporting News and a second-team selection by Associated Press. A first-team All-ACC player, Wilkins has 47 tackles, 8.5 tackles for loss and four sacks so far this season. He also has four passes broken up and 10 quarterback pressures.
He had a dominant performance in Clemson’s ACC Championship victory over Miami (FL) when he had seven tackles, 2.5 tackles for loss, a sack and two pass deflections. He was a major reason Clemson held Miami (FL) to three points and 214 yards of total offense.
The All-around player was on the preseason Watch List for nine different awards in the preseason, more than any other ACC player.
Wilkins graduates from Clemson on December 21 and will be the first Clemson scholarship player to graduate in two-and-a-half years. He was named an Academic All-District selection by the College Sports Information Directors of America this season when he had a 3.32 GPA. He has already been named to the Academic All-ACC team twice and is a favorite to be selected for a third time in 2017.
Courtesy: Clemson Tigers | 2023-14/0037/en_head.json.gz/13455 | {"url": "https://www.wyff4.com/article/clemsons-wilkins-wins-national-player-of-the-year-award/14466200", "partition": "head_middle", "language": "en", "source_domain": "www.wyff4.com", "date_download": "2023-03-20T09:28:07Z", "digest": "sha1:XXCTKGWNK2GGGNZ3FL5IPDHAC6WUY62U"} | {"ccnet_length": [[0, 2957, 2957.0]], "ccnet_original_length": [[0, 2957, 5486.0]], "ccnet_nlines": [[0, 2957, 12.0]], "ccnet_original_nlines": [[0, 2957, 124.0]], "ccnet_language_score": [[0, 2957, 0.97]], "ccnet_perplexity": [[0, 2957, 155.0]], "ccnet_bucket": [[0, 2957, 0.0]], "rps_doc_curly_bracket": [[0, 2957, 0.0]], "rps_doc_ldnoobw_words": [[0, 2957, 0.0]], "rps_doc_lorem_ipsum": [[0, 2957, 0.0]], "rps_doc_stop_word_fraction": [[0, 2957, 0.36867863]], "rps_doc_ut1_blacklist": [[0, 2957, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2957, 0.90657729]], "rps_doc_frac_chars_dupe_5grams": [[0, 2957, 0.90657729]], "rps_doc_frac_chars_dupe_6grams": [[0, 2957, 0.90657729]], "rps_doc_frac_chars_dupe_7grams": [[0, 2957, 0.90657729]], "rps_doc_frac_chars_dupe_8grams": [[0, 2957, 0.90657729]], "rps_doc_frac_chars_dupe_9grams": [[0, 2957, 0.90657729]], "rps_doc_frac_chars_top_2gram": [[0, 2957, 0.01256808]], "rps_doc_frac_chars_top_3gram": [[0, 2957, 0.02346041]], "rps_doc_frac_chars_top_4gram": [[0, 2957, 0.02597403]], "rps_doc_frac_all_caps_words": [[0, 2957, 0.03588907]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2957, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2957, 0.18107667]], "rps_doc_frac_unique_words": [[0, 2957, 0.31083845]], "rps_doc_mean_word_length": [[0, 2957, 4.88139059]], "rps_doc_symbol_to_word_ratio": [[0, 2957, 0.0]], "rps_doc_unigram_entropy": [[0, 2957, 4.70163002]], "rps_doc_word_count": [[0, 2957, 489.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 57, 0.0], [57, 102, 0.0], [102, 114, 0.0], [114, 128, 0.0], [128, 1533, 0.0], [1533, 1549, 0.0], [1549, 1802, 1.0], [1802, 2152, 1.0], [2152, 2412, 1.0], [2412, 2542, 1.0], [2542, 2933, 1.0], [2933, 2957, 0.0]], "rps_lines_javascript_counts": [[0, 57, 0.0], [57, 102, 0.0], [102, 114, 0.0], [114, 128, 0.0], [128, 1533, 0.0], [1533, 1549, 0.0], [1549, 1802, 0.0], [1802, 2152, 0.0], [2152, 2412, 0.0], [2412, 2542, 0.0], [2542, 2933, 0.0], [2933, 2957, 0.0]], "rps_lines_num_words": [[0, 57, 9.0], [57, 102, 7.0], [102, 114, 2.0], [114, 128, 2.0], [128, 1533, 231.0], [1533, 1549, 3.0], [1549, 1802, 41.0], [1802, 2152, 56.0], [2152, 2412, 46.0], [2412, 2542, 22.0], [2542, 2933, 67.0], [2933, 2957, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 57, 0.0], [57, 102, 0.0], [102, 114, 0.0], [114, 128, 0.0], [128, 1533, 0.01611722], [1533, 1549, 0.0], [1549, 1802, 0.00809717], [1802, 2152, 0.01780415], [2152, 2412, 0.02], [2412, 2542, 0.0], [2542, 2933, 0.02362205], [2933, 2957, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 57, 0.0], [57, 102, 0.0], [102, 114, 0.0], [114, 128, 0.0], [128, 1533, 0.0], [1533, 1549, 0.0], [1549, 1802, 0.0], [1802, 2152, 0.0], [2152, 2412, 0.0], [2412, 2542, 0.0], [2542, 2933, 0.0], [2933, 2957, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 57, 0.03508772], [57, 102, 0.11111111], [102, 114, 0.16666667], [114, 128, 0.14285714], [128, 1533, 0.05836299], [1533, 1549, 0.5625], [1549, 1802, 0.06719368], [1802, 2152, 0.05428571], [2152, 2412, 0.05384615], [2412, 2542, 0.05384615], [2542, 2933, 0.05626598], [2933, 2957, 0.125]], "rps_doc_ml_palm_score": [[0, 2957, 0.96457595]], "rps_doc_ml_wikipedia_score": [[0, 2957, null]], "rps_doc_ml_wikiref_score": [[0, 2957, 0.95402122]], "rps_doc_books_importance": [[0, 2957, -200.48286277]], "rps_doc_openwebtext_importance": [[0, 2957, 24.90489278]], "rps_doc_wikipedia_importance": [[0, 2957, 82.33959341]], "rps_doc_num_sentences": [[0, 2957, 33.0]]} |
Walden Structures
Walden Construction has successfully completed modular construction projects from the Virgin Islands to the coal fields of Wyoming, to aerospace companies of Southern California. The company has the most diverse experience in installing modular buildings and performing site work in the modular construction industry. | 2023-14/0037/en_head.json.gz/13456 | {"url": "https://www.xcelmech.com/project-partners/walden-structures/", "partition": "head_middle", "language": "en", "source_domain": "www.xcelmech.com", "date_download": "2023-03-20T09:18:41Z", "digest": "sha1:ZILMZRXPZ2TMR6SDH6PZESMW5K6XN7KQ"} | {"ccnet_length": [[0, 335, 335.0]], "ccnet_original_length": [[0, 335, 3455.0]], "ccnet_nlines": [[0, 335, 2.0]], "ccnet_original_nlines": [[0, 335, 64.0]], "ccnet_language_score": [[0, 335, 0.93]], "ccnet_perplexity": [[0, 335, 309.3]], "ccnet_bucket": [[0, 335, 0.0]], "rps_doc_curly_bracket": [[0, 335, 0.0]], "rps_doc_ldnoobw_words": [[0, 335, 0.0]], "rps_doc_lorem_ipsum": [[0, 335, 0.0]], "rps_doc_stop_word_fraction": [[0, 335, 0.30612245]], "rps_doc_ut1_blacklist": [[0, 335, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 335, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 335, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 335, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 335, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 335, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 335, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 335, 0.13240418]], "rps_doc_frac_chars_top_3gram": [[0, 335, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 335, 0.0]], "rps_doc_frac_all_caps_words": [[0, 335, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 335, 0.0]], "rps_doc_frac_no_alph_words": [[0, 335, 0.06122449]], "rps_doc_frac_unique_words": [[0, 335, 0.7173913]], "rps_doc_mean_word_length": [[0, 335, 6.23913043]], "rps_doc_symbol_to_word_ratio": [[0, 335, 0.0]], "rps_doc_unigram_entropy": [[0, 335, 3.35972107]], "rps_doc_word_count": [[0, 335, 46.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 18, 0.0], [18, 335, 1.0]], "rps_lines_javascript_counts": [[0, 18, 0.0], [18, 335, 0.0]], "rps_lines_num_words": [[0, 18, 2.0], [18, 335, 44.0]], "rps_lines_numerical_chars_fraction": [[0, 18, 0.0], [18, 335, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 18, 0.0], [18, 335, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 18, 0.11111111], [18, 335, 0.02523659]], "rps_doc_ml_palm_score": [[0, 335, 0.00188988]], "rps_doc_ml_wikipedia_score": [[0, 335, null]], "rps_doc_ml_wikiref_score": [[0, 335, 8.941e-05]], "rps_doc_books_importance": [[0, 335, -8.38252668]], "rps_doc_openwebtext_importance": [[0, 335, 4.12280635]], "rps_doc_wikipedia_importance": [[0, 335, 7.69958793]], "rps_doc_num_sentences": [[0, 335, 2.0]]} |
Why a tactical belt should be at the top of your gear list? Feb 25, 2023
When it comes to outdoor activities, having the right gear can make all the difference. One essential accessory that should not be overlooked is the outdoor tactical belt. Designed with durability, functionality, and reliability in mind, a Yakeda tactical military belt is a must-have for anyone who enjoys outdoor activities like camping, hiking, hunting, or even just taking a walk in the woods. CLICK TO CHECK THE DETAIL So, what makes a tactical belt different from a regular belt? Durability: outdoor Tactical belts are made from high-quality materials that are designed to withstand the wear and tear of outdoor activities. They are typically made from nylon or other durable materials, which makes them resistant to water, stains, and tears. Additionally, they often feature reinforced stitching and heavy-duty buckles, ensuring that your belt can withstand the toughest conditions. Functionality: Tactical belts are designed with functionality in mind. They often feature multiple loops and attachment points, allowing you to carry a variety of gear and accessories with you. This can include items like holsters, pouches, and even water bottles. Additionally, tactical belts often feature a quick-release buckle, which makes it easy to take your belt on and off, even with gloves on. CLICK TO CHECK THE DETAIL Comfort: One of the key benefits of a Tactical belts is its comfort. Unlike traditional belts, which can be uncomfortable to wear for extended periods, tactical belts are designed to be worn for hours on end. They often feature padding and ventilation, which helps to keep you cool and comfortable, even in hot weather. Versatility: Tactical belt with pouches are versatile accessories that can be used for a wide range of activities. Whether you're camping, hiking, or hunting, a tactical belt can help you carry your gear and accessories with ease. Additionally, they can be worn with a variety of clothing styles, making them a versatile accessory for any outdoor enthusiast. CLICK TO CHECK THE DETAIL Adjustability:One of the key features of a molle military belt is its adjustability. Most tactical belts come with a variety of adjustment options, allowing you to customize the fit to your specific needs. This adjustability is especially important when you're carrying heavy loads, as it helps distribute the weight evenly across your waist. Versatility:Another benefit of a tactical belt is its versatility. Most tactical belts come with multiple attachment points, allowing you to attach a variety of accessories to your belt. This can include things like holsters for carrying your firearm, pouches for carrying your phone or other small items, or even a carabiner for attaching gear like water bottles or climbing equipment. CLICK TO CHECK THE DETAIL When choosing a tactical belt, it's important to consider the type of activities you'll be using it for. If you're planning on carrying a lot of weight, you'll want to choose a belt that is wider and thicker than a standard belt. Look for belts that have a minimum width of 1.5 inches and are made from heavy-duty materials like nylon or polyester webbing. Another factor to consider when choosing a tactical belt is the buckle. Look for buckles that are made from high-quality materials like aluminum or stainless steel, as these materials are strong and durable. Some buckles are also designed to be quick-release, making it easy to remove your belt in an emergency situation. Overall, If you're an outdoor enthusiast, then you know how important it is to have the right gear. From camping and hiking to hunting and fishing, having the right equipment can make all the difference in your outdoor adventures. One accessory that is a must-have for any outdoor enthusiast is a tactical belt. A tactical belt is a must-have accessory for any outdoor enthusiast. With its durability, functionality, comfort, and versatility, it's the perfect accessory for carrying all of your gear and essentials while you're out in the wilderness. So, if you're planning your next outdoor adventure, make sure to add a tactical belt to your gear list! CLICK TO GET BELTS
Explosive duty belt nylon
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tactical belt with holster
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belt with cobra buckle | 2023-14/0037/en_head.json.gz/13457 | {"url": "https://www.yakedamilitray.com/odm-services-army-pt-belt", "partition": "head_middle", "language": "en", "source_domain": "www.yakedamilitray.com", "date_download": "2023-03-20T10:28:01Z", "digest": "sha1:CVCZB4674GGTTOUOACUSORKKFLBUAEN5"} | {"ccnet_length": [[0, 4369, 4369.0]], "ccnet_original_length": [[0, 4369, 7317.0]], "ccnet_nlines": [[0, 4369, 8.0]], "ccnet_original_nlines": [[0, 4369, 155.0]], "ccnet_language_score": [[0, 4369, 0.96]], "ccnet_perplexity": [[0, 4369, 315.5]], "ccnet_bucket": [[0, 4369, 0.0]], "rps_doc_curly_bracket": [[0, 4369, 0.0]], "rps_doc_ldnoobw_words": [[0, 4369, 0.0]], "rps_doc_lorem_ipsum": [[0, 4369, 0.0]], "rps_doc_stop_word_fraction": [[0, 4369, 0.39404762]], "rps_doc_ut1_blacklist": [[0, 4369, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4369, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 4369, 0.11655405]], "rps_doc_frac_chars_dupe_6grams": [[0, 4369, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 4369, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 4369, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 4369, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 4369, 0.04391892]], "rps_doc_frac_chars_top_3gram": [[0, 4369, 0.03293919]], "rps_doc_frac_chars_top_4gram": [[0, 4369, 0.01689189]], "rps_doc_frac_all_caps_words": [[0, 4369, 0.03095238]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 4369, 0.0]], "rps_doc_frac_no_alph_words": [[0, 4369, 0.13452381]], "rps_doc_frac_unique_words": [[0, 4369, 0.35684062]], "rps_doc_mean_word_length": [[0, 4369, 5.00987306]], "rps_doc_symbol_to_word_ratio": [[0, 4369, 0.0]], "rps_doc_unigram_entropy": [[0, 4369, 4.96495642]], "rps_doc_word_count": [[0, 4369, 709.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 73, 0.0], [73, 4206, 0.0], [4206, 4232, 0.0], [4232, 4258, 0.0], [4258, 4293, 0.0], [4293, 4320, 0.0], [4320, 4347, 0.0], [4347, 4369, 0.0]], "rps_lines_javascript_counts": [[0, 73, 0.0], [73, 4206, 0.0], [4206, 4232, 0.0], [4232, 4258, 0.0], [4258, 4293, 0.0], [4293, 4320, 0.0], [4320, 4347, 0.0], [4347, 4369, 0.0]], "rps_lines_num_words": [[0, 73, 16.0], [73, 4206, 667.0], [4206, 4232, 4.0], [4232, 4258, 5.0], [4258, 4293, 5.0], [4293, 4320, 4.0], [4320, 4347, 4.0], [4347, 4369, 4.0]], "rps_lines_numerical_chars_fraction": [[0, 73, 0.08571429], [73, 4206, 0.00049689], [4206, 4232, 0.0], [4232, 4258, 0.0], [4258, 4293, 0.0], [4293, 4320, 0.0], [4320, 4347, 0.0], [4347, 4369, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 73, 0.0], [73, 4206, 0.0], [4206, 4232, 0.0], [4232, 4258, 0.0], [4258, 4293, 0.0], [4293, 4320, 0.0], [4320, 4347, 0.0], [4347, 4369, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 73, 0.02739726], [73, 4206, 0.03459956], [4206, 4232, 0.03846154], [4232, 4258, 0.15384615], [4258, 4293, 0.08571429], [4293, 4320, 0.0], [4320, 4347, 0.03703704], [4347, 4369, 0.0]], "rps_doc_ml_palm_score": [[0, 4369, 0.28020447]], "rps_doc_ml_wikipedia_score": [[0, 4369, null]], "rps_doc_ml_wikiref_score": [[0, 4369, 0.13338125]], "rps_doc_books_importance": [[0, 4369, -151.55766226]], "rps_doc_openwebtext_importance": [[0, 4369, -15.69760334]], "rps_doc_wikipedia_importance": [[0, 4369, -202.56758117]], "rps_doc_num_sentences": [[0, 4369, 38.0]]} |
FILE – Jany Leveille sits in court during a hearing, Monday, Aug. 13, 2018, in Taos, N.M. Leveille, of Haiti, has signed a tentative agreement to plead…
FILE – Jany Leveille sits in court during a hearing, Monday, Aug. 13, 2018, in Taos, N.M. Leveille, of Haiti, has signed a tentative agreement to plead guilty to weapons charges in exchange for a reduced sentence more than four years after authorities arrested her and four other adults from an extended family at a squalid New Mexico compound and recovered the remains of a 3-year-old boy. A possible trial still looms for the co-defendants who deny charges against them. (Roberto E. Rosales/The Albuquerque Journal via AP, Pool, File)
Haitian offers guilty plea in 2018 New Mexico compound raid
by: MORGAN LEE, Associated Press
SANTA FE, N.M. (AP) — A Haitian woman has signed a tentative agreement to plead guilty to weapons charges in exchange for a reduced sentence more than four years after authorities arrested her and four other adults from an extended family at a squalid New Mexico compound and recovered the remains of a 3-year-old boy.
Jany Leveille would accept a potential prison sentence of 12-15 years and possible fines under the proposed agreement with prosecutors from the U.S. Attorney’s Office in Albuquerque that dismisses kidnapping and terrorism-related charges.
Approval of the agreement is still pending in U.S. District Court. Prosecutors could withdraw from the agreement based on responses to proposed plea agreements with four additional defendants who say they are innocent of all charges, the U.S. Attorney’s Office confirmed Tuesday. A deadline passed last week without additional plea agreements to avoid trial.
Leveille was arrested along with her partner Siraj Ibn Wahhaj and extended family members in a law enforcement raid in August 2018 on a ramshackle encampment in the remote desert surrounded by berms of used tires and an adjacent firing range.
Authorities were searching for a sickly 3-year-old who had been reported missing by his mother in Georgia. Sheriff’s deputies and state agents initially found 11 hungry children and a small arsenal of ammunition and guns. After days of searching, they recovered the decomposed remains of the 3-year-old in an underground tunnel.
Authorities have said the deceased child, Abdul-Ghani Wahhaj, suffered from untreated disabilities as father Siraj Ibn Wahhaj and Leveille performed daily prayer rituals over him — even as he cried and foamed at the mouth. Authorities also said Leveille believed medication suppressed the group’s Muslim beliefs.
Forensic specialists determined the child died several months prior to the recovery of his body.
Leveille was accused of flouting prohibitions on firearms possession and transportation based on her status as a Haitian national without legal standing in the U.S. after she overstayed a visa without seeking renewal. Convictions also could result in her removal from the U.S.
An initial grand jury indictment alleges Leveille and her partner instructed people at the compound to be prepared to engage in jihad and die as martyrs, and that one more relative was invited to bring money and firearms.
All five defendants were charged with conspiracy to commit an offense against the United States and providing material support to each other as potential terrorists by crossing state lines with firearms and training at the New Mexico compound.
Defense attorneys have said their clients would not be facing terrorism-related charges if they were not Muslim.
All five defendants have been found competent to stand trial after mental health evaluations.
One defendant, Lucas Morton, is acting as his own legal counsel after declining his right to a public attorney. | 2023-14/0037/en_head.json.gz/13458 | {"url": "https://www.yourbigsky.com/news/national-news/ap-haitian-offers-guilty-plea-in-2018-new-mexico-compound-raid/", "partition": "head_middle", "language": "en", "source_domain": "www.yourbigsky.com", "date_download": "2023-03-20T09:10:48Z", "digest": "sha1:SNMOPWXYDMKITWTSMTDOHDNXHEQHNB3J"} | {"ccnet_length": [[0, 3743, 3743.0]], "ccnet_original_length": [[0, 3743, 9630.0]], "ccnet_nlines": [[0, 3743, 17.0]], "ccnet_original_nlines": [[0, 3743, 212.0]], "ccnet_language_score": [[0, 3743, 0.97]], "ccnet_perplexity": [[0, 3743, 260.4]], "ccnet_bucket": [[0, 3743, 0.0]], "rps_doc_curly_bracket": [[0, 3743, 0.0]], "rps_doc_ldnoobw_words": [[0, 3743, 0.0]], "rps_doc_lorem_ipsum": [[0, 3743, 0.0]], "rps_doc_stop_word_fraction": [[0, 3743, 0.35684062]], "rps_doc_ut1_blacklist": [[0, 3743, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3743, 0.21265492]], "rps_doc_frac_chars_dupe_5grams": [[0, 3743, 0.21265492]], "rps_doc_frac_chars_dupe_6grams": [[0, 3743, 0.21265492]], "rps_doc_frac_chars_dupe_7grams": [[0, 3743, 0.21265492]], "rps_doc_frac_chars_dupe_8grams": [[0, 3743, 0.21265492]], "rps_doc_frac_chars_dupe_9grams": [[0, 3743, 0.21265492]], "rps_doc_frac_chars_top_2gram": [[0, 3743, 0.01174168]], "rps_doc_frac_chars_top_3gram": [[0, 3743, 0.02217873]], "rps_doc_frac_chars_top_4gram": [[0, 3743, 0.018591]], "rps_doc_frac_all_caps_words": [[0, 3743, 0.03949224]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3743, 0.05882353]], "rps_doc_frac_no_alph_words": [[0, 3743, 0.14809591]], "rps_doc_frac_unique_words": [[0, 3743, 0.48235294]], "rps_doc_mean_word_length": [[0, 3743, 5.15294118]], "rps_doc_symbol_to_word_ratio": [[0, 3743, 0.00141044]], "rps_doc_unigram_entropy": [[0, 3743, 5.24710791]], "rps_doc_word_count": [[0, 3743, 595.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 153, 0.0], [153, 690, 0.0], [690, 750, 0.0], [750, 783, 0.0], [783, 1102, 1.0], [1102, 1341, 1.0], [1341, 1700, 1.0], [1700, 1943, 1.0], [1943, 2272, 1.0], [2272, 2585, 1.0], [2585, 2682, 1.0], [2682, 2959, 1.0], [2959, 3181, 1.0], [3181, 3425, 1.0], [3425, 3538, 1.0], [3538, 3632, 1.0], [3632, 3743, 1.0]], "rps_lines_javascript_counts": [[0, 153, 0.0], [153, 690, 0.0], [690, 750, 0.0], [750, 783, 0.0], [783, 1102, 0.0], [1102, 1341, 0.0], [1341, 1700, 0.0], [1700, 1943, 0.0], [1943, 2272, 0.0], [2272, 2585, 0.0], [2585, 2682, 0.0], [2682, 2959, 0.0], [2959, 3181, 0.0], [3181, 3425, 0.0], [3425, 3538, 0.0], [3538, 3632, 0.0], [3632, 3743, 0.0]], "rps_lines_num_words": [[0, 153, 27.0], [153, 690, 89.0], [690, 750, 10.0], [750, 783, 5.0], [783, 1102, 55.0], [1102, 1341, 33.0], [1341, 1700, 54.0], [1700, 1943, 41.0], [1943, 2272, 51.0], [2272, 2585, 46.0], [2585, 2682, 15.0], [2682, 2959, 43.0], [2959, 3181, 38.0], [3181, 3425, 38.0], [3425, 3538, 17.0], [3538, 3632, 14.0], [3632, 3743, 19.0]], "rps_lines_numerical_chars_fraction": [[0, 153, 0.04225352], [153, 690, 0.01359223], [690, 750, 0.06779661], [750, 783, 0.0], [783, 1102, 0.00322581], [1102, 1341, 0.01716738], [1341, 1700, 0.0], [1700, 1943, 0.01659751], [1943, 2272, 0.0125], [2272, 2585, 0.0], [2585, 2682, 0.0], [2682, 2959, 0.0], [2959, 3181, 0.0], [3181, 3425, 0.0], [3425, 3538, 0.0], [3538, 3632, 0.0], [3632, 3743, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 153, 0.0], [153, 690, 0.0], [690, 750, 0.0], [750, 783, 0.0], [783, 1102, 0.0], [1102, 1341, 0.0], [1341, 1700, 0.0], [1700, 1943, 0.0], [1943, 2272, 0.0], [2272, 2585, 0.0], [2585, 2682, 0.0], [2682, 2959, 0.0], [2959, 3181, 0.0], [3181, 3425, 0.0], [3425, 3538, 0.0], [3538, 3632, 0.0], [3632, 3743, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 153, 0.08496732], [153, 690, 0.04841713], [690, 750, 0.05], [750, 783, 0.33333333], [783, 1102, 0.04702194], [1102, 1341, 0.0292887], [1341, 1700, 0.03342618], [1700, 1943, 0.02057613], [1943, 2272, 0.01215805], [2272, 2585, 0.03514377], [2585, 2682, 0.01030928], [2682, 2959, 0.02527076], [2959, 3181, 0.00900901], [3181, 3425, 0.0204918], [3425, 3538, 0.01769912], [3538, 3632, 0.0106383], [3632, 3743, 0.02702703]], "rps_doc_ml_palm_score": [[0, 3743, 0.90691441]], "rps_doc_ml_wikipedia_score": [[0, 3743, null]], "rps_doc_ml_wikiref_score": [[0, 3743, 0.93545371]], "rps_doc_books_importance": [[0, 3743, -137.27428428]], "rps_doc_openwebtext_importance": [[0, 3743, 83.38178171]], "rps_doc_wikipedia_importance": [[0, 3743, 48.08186249]], "rps_doc_num_sentences": [[0, 3743, 39.0]]} |
Fifth Y Bridge at 30 years; legacy at 200
Kate Snyder
ZANESVILLE – The fifth and current Y Bridge has stood for 30 years, and with proper upkeep and maintenance, it possibly could stand for many more.
But if not for some design issues, the fourth Y Bridge, built in 1902, could still be standing as a safe, functional bridge, said Jim Geyer, director of the Pioneer and Historical Society of Muskingum County.
Thecurrent Y Bridge was opened in 1984 after years of construction. The fourth bridge was concrete reinforced with steel, Geyer said, but the steel beams were not tied together and needed to be reconstructed.
If not for that problem, the fourth bridge would probably still be here today.
“That’s the opinion of preservationists,” Geyer said.
Explosives were used to completely demolish the fourth bridge in early 1983, and for nearly two years, traffic was diverted to avoid the construction, according to archived stories from the Times Recorder. The construction of the bridge cost $3.163 million.
Once construction was finished, traffic gradually returned to normal and downtown business picked up again. But controversy also erupted once the bridge was completed, Geyer said, because passers-by could no longer see the river from the bridge.
“Nobody could see the river in 1902, either,” he said.
After the flood of 1913, however, the only damage the bridge sustained was to the balustrades, or sometimes called “New Jersey barriers,” which blocked the view of the water, Geyer said. The barriers were replaced with a cast-iron railing until the fifth bridge was completed nearly 70 years later.
“When the new bridge was designed, it was designed to be historically accurate,” he said.
So the fifth bridge was built in the same style as the fourth bridge, with the barriers intact.
“But people couldn’t see the river,” Geyer said. “And they didn’t like it. And they complained.”
According to a Times Recorder story dated Dec. 26, 1982, “the reason for the concrete balustrades had never been clear. They added greatly to the cost of construction and maintenance and they increased the weight of the structure unnecessarily.”
Eventually, Geyer said, more than 10 years ago, the balustrades were removed. And the bridge hasn’t had any major problems since its construction in the early 1980s.
“I think it’s holding up pretty well,” Geyer said.
There are many organizations working to keep the bridge structurally sound, he said, including the city and the state.
The bridge has been written about in national magazines, modeled in the Ohio Office of Travel and Tourism exhibit at the Ohio State Fair and featured in a documentary series in 1995 called “Bridges of the World,” a semi-weekly TV show in Japan, according to Times Recorder archives.
But the question today, Geyer said, is what kind of historical significance the Y Bridge has for the community.
During the celebration of the 200th birthday of the Y Bridge on Sunday afternoon, Geyer will explore that question and give community members the chance to engage in a discussion about it. The celebration is scheduled for 1:30 p.m. to 3 p.m. Sunday at the Welcome Center in Zanesville.
There are a lot of trivia questions that could be created about the Y Bridge, Geyer said, but after 200 years of history, that shouldn’t be the greatest significance the community can come up with.
“We don’t want to say, ‘Well, we’re a trivia question,’ ” he said.
People like to joke with out-of-towners and tell them to drive to the middle of the bridge and take a left, Geyer said, and it’s one of the few bridges where someone could cross it and end up on the same side of the river, but it’s not the only Y-shaped bridge in the world.
“So what’s the significance?” he said. “That’s what we want to get the community to think about.”
[email protected]
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Warren Buffett In Business - Book Summary
Warrent Buffet on Business - Book Summary
Richard J. Connors is an investment advisor and owner of the investment management firm Connors. He introduced a course on Warren Buffett at the University of Washington.
Main content:
The work is a collection of letters written by Warren Buffett - businessman, sage of Omaha - to shareholders of Berkshire Hathaway. In it, he reveals his management fundamentals for sound business practices.
Chapter 1 – Viewing shareholders as partners
We view Berkshire shareholders as co-investors. The majority of shareholders accept long-term partnerships, they value Berkshire stock like Berkshire respects the companies it invests in.
The financial fortunes of the shareholders will be in sync with the financial fortunes of Charlie and me.
In a partnership, equality requires that the partners' interests be equally valued when they enter or leave the game.
Chapter 2 – Corporate culture
Often, business acquisition is simply a matter of "selling". When the contract has not been exhausted, the buyer has considered the "exit strategies". If you decide to sell your business, Berkshire Hathaway offers a number of advantages that most other buyers do not have. We buy to keep. All of the businesses we own are self-run. If you decide to do business with Berkshire, we will pay in cash. Your business will not be used by Berkshire as collateral for a loan. We do exactly what we promise because we do it for the best business results.
Berkshire has no "exit strategy". We take our obligations to the people who create the business very seriously. If owners treat their businesses and employees with respect, their behavior often infects attitudes and practices within the company. When this emotional bond exists, it makes important qualities more likely to emerge in the business.
We love working with people who love our company. We ask our CEOs to manage for maximum long-term value, rather than focusing on next quarter earnings. It's the strongest cultural background you can have.
I would be extremely proud to have Berkshire co-owned with key members of your family.
I believe there will be as much fun running a business in the next 20 years as you have in the last 20.
If you have the right business give me a call.
Chapter 3 – Corporate Governance
True independence is an extremely valuable quality in a manager. In addition to being independent, directors must have job knowledge, a shareholder-oriented attitude, and a genuine interest in the company.
Both the competence and loyalty of managers have long needed to be monitored. Too many of these people have behaved badly in recent years. Off-limits phenomenon has become common but very few hands are hit.
We will select directors with genuine and profound equity interests who are members of a family that owns at least $40 million of stock without an option or a gift. They enjoy no fees or liability insurance other than a very small percentage of their annual income. We want directors' behaviors to be influenced by the consequences of their decisions on their family's net worth, not their salary. If something serious happens during the session of the directors, they usually suffer more than you. You win, they win big; You lose, they lose badly. We expect these interests to influence their actions to some extent. However, as their talents and vitality decline, their self-esteem declines, too. Then bystanders must "blank" the warning.
To prepare the company's financial statements, which cannot be controlled by the supervisory board, only an external audit organization can determine whether the earnings claimed by management are questionable. . In some cases, the auditing organizations are well aware of the frauds, but they are silent because they see the CEOs and CFOs as their customers and the ones who pay them.
The way to help break that close relationship is that the supervisory boards have to question and force the auditing organizations to tell the truth. Make them understand that they could be fined large sums of money or stand in the dock if they do not speak out what they know or suspect.
Chapter 4 – Managers at Berkshire
We intend to maintain our practice of working with only those we love and admire. Working with someone who makes you uncomfortable is like marrying for money.
To be a winner you have to work with a winner.
Often the managers who go with the company we acquire, have proven their talent over the course of a career that has gone through a lot of ups and downs. They were the stars of management long before they knew us. Our main contribution is not to interfere in their work.
Our primary purpose as owners is to treat our managers the same way we treat Berkshire shareholders. Managers want to be treated fairly, they don't want to be taken advantage of, they want to paint their own picture, they love it and they get what they want from Berkshire.
Chapter 5 – Communication
I have 3 recommendations for investors. First, beware of companies with weak accounting practices. Second, cryptic notes at the bottom of a report often indicate an unreliable management team. Third, be skeptical of companies that flaunt earnings forecasts and growth expectations.
At Berkshire, full reporting means giving you the information we would like you to give us if our roles were interchangeable.
We communicate with you in several different ways: through our annual report, we strive to provide all shareholders with as much valuable information as possible. We strive to convey a brief but important amount of information in our quarterly reports over the internet. Another important occasion is communication at the annual conference.
In all our communications, we strive to be truthful with regard to the current operations as well as the long-term economic characteristics of the business, so that no shareholder misunderstands. .
At the annual meeting, Charlie and I are happy to answer shareholder questions at any time. We like to communicate information directly from management to owners and believe that the annual conference is the ideal place for this exchange.
Chapter 6 – Acquiring Nebraska Furniture Mart “Extraordinary Mrs. B ”
Mrs. B (Rose Blumkin) was born in 1893 in Russia, she crossed the sea to America when she was 23 years old. As a child, she was not fully educated, she did not finish primary school, she did not speak English. In America, she started selling used clothes. In 1937, amassing $500, she founded the Nebraska Funiture Mart (NFM) in Omaha, a furniture, home appliance and carpet store. She is at the store seven days a week from opening to closing. NFM has grown into the largest furniture store in the country.
She liked me to buy this business, and we bought 90% of the business, she was 89 years old at the time. She remains the president and continues to be in the sales department seven days a week. By the age of 93, she had not yet reached her peak. She celebrated her 100th birth in 1993.
This is an ideal business, built on extraordinary value for customers, which then translates into extraordinary economic benefits for the owners.
New York University awarded her an honorary doctorate in commercial science and she was listed in the Guinness Book of World Records.
Mrs. B's business story is unique and I'm her fan.
Mrs. B's business secret is not difficult to understand, in short: (1) show enthusiasm and excitement, (2) define a phenomenally realistic view and act firmly on it, (3) ignore offers that are outside the scope of skills, (4) never act "superior" to anyone who has a business relationship with you. Mrs. B summarizes the above ideas into a sentence: "Sell cheap and tell the truth".
Chapter 7 – Buying Geico “My Favorite Stock”
I entered the business school of Columbia University just because I wanted to study with Ben Graham, an idol of mine. Ben is the chairman of a government insurance company. After hearing about the insurance brochure, I tried to find Geico in Washington, an auto insurance company. Knowing that I was a student of Braham, Davy, the assistant president, enthusiastically guided me about the operation of the insurance industry. I got excited about Geico, so when I finished college, I went back to Omaha to sell stocks, I focused only on Geico stocks. The sale failed, I wrote an article about Geico “My Favorite Stock” published in Finance magazine. I bought Geico stock several times a year by delivering The Washington Post. I bought 350 shares worth $10,282 and at the end of the year the value increased to $13,125.
In 1952, I sold all of my shares in Geico for $15,259 and switched to buying Western insurance because it was cheap. Over time, the amount of Geico shares I sold increased in value to $1.3 million, which taught me a lesson in unwiseness.
In particular, Geico has two talented managers, Tony and Lou, who skillfully run the company's operations, attracting insurance buyers. But the company's ultimate secret was its lowest operating costs that competitors could not compete with, especially during the period when Jack Byrne took over as CEO. Because of our belief in Jack and the power of Geico, Berkshire spent $45.7 million to own 33.3% of Geico in 1980, in 1995 we paid $2.3 billion to buy the rest. again. Berkshire is like "a tiger with more wings". We have created the right working environment so that companies can turn their almost endless source of potential into unparalleled achievements.
Chapter 8 – Acquiring General Reinsurance
When I agreed to merge Berkshire with Gen Re in 1988, I think the company has always adhered to three rules: (a) spend with steadfast discipline, (b) reserve conservatively, and (c) avoid accumulating scandals that could lead to an “impossible” event that threatens the solvency of insurance activities.
Investors should understand that, in all forms of financial institutions, rapid growth sometimes hides serious problems (and sometimes deception). Long-term and variable contracts, which are difficult to gauge against time, provide an opportunity to “imaginary,” as traders estimate their value. The CEOs are incompetent to manage the massive complex derivative accounting system, the derivative fees are very dangerous, they suddenly increase the leverage ratio. Derivatives contracts often go unsettled for years or even decades as counterparties alternate claims against each other.
Massive earnings reports lead to multi-million dollar bonuses, CEOs benefit from their options, fake, exaggerated reports take years to come out. Some of the large-scale scams “facilitated by derivative transactions. Derivatives are, in our opinion, a financial weapon of mass destruction, potentially lethal.
The hypothetical numbers are so dangerous, no real solution can help us out of the maze of debt that has existed for decades. If derivatives activities need to be supported, it will affect the capital as well as the credit level of Berkshire. We had $262 million in losses in 2002, 2003. Our shareholders are paying a much higher price than what is needed to get out of this business. I'm sure I could save approximately $100 million if I shut down Gen Re faster. My takeaway is: I have no idea what's going on in their portfolio.
Chapter 9 – Risk assessment and management
A winner is someone who consistently adheres to three principles: (1) they only take risks they can appreciate, (2) they restrict the deal accepted to ensure that they are not suffer any loss from related events that threaten solvency, (3) they avoid dealings that involve moral hazard.
In our super disaster operation, our clients are insurers who face great volatility in their income streams and want to minimize it. The product we sell is an attitude determined to change that instability in the accounting system.
In the insurance business, it's important to remember that most "surprises" aren't very pleasant, with that in mind, we value the financial perils of a super-catastrophe business one at a time. reasonable manner, such that 90% of the total premium is sufficient to cover losses and expenses.
We've always made sure that super-catastrophic corporate losses, no matter how large, won't have a major impact on Berkshire's core values. The biggest loss to date was the World Trade Center disaster, which cost the insurance industry $35 billion and rocked the insurance and reinsurance industries. But, an event worth $100 billion or even larger is still within our reach. Many insurance companies consider a $100 billion insurance loss as unthinkable, and don't even have a backup plan for this. But at Berkshire, we are always prepared. The returns from our investments and other businesses would easily exceed that cost.When we couldn't find something interesting to invest in, our default target was US treasury vehicles, both bills of exchange and sales contracts.
We will continue to have both the capacity and the interest to become the largest super disaster insurer in the world.
Chapter 10 – Salary and bonus for executives
At Berkshire, we want reward policies that are both easy to understand and in sync with what we want our colleagues to achieve. When using reward policies, they are always tied to performance results under the authority of a particular CEO.
Berkshire employs a variety of bonus arrangements, depending on a number of factors, trying to keep it simple and fair no matter what.
If a CEO bets 300 points, he will be rewarded when he scores 300 points, even if circumstances beyond his control bring Berkshire's operations to a halt, and when he reaches 150 points, he He would not be rewarded if, thanks to the success of others, Berkshire's operations grew rapidly.
We do not set a cap on bonuses and the ability to receive them, nor do we have a hierarchical structure and are not influenced by age and career factors.
Chapter 11 – Time Management
Your life is dominated by so many things that you really don't have a choice. I don't want that. My commute to work and home are not fixed, I don't like to be forced into a framework. I read 5 newspapers a day, including magazines. I read all the annual reports. I could say I spend 75% to 80% of my time reading. I pay 5 million USD per year for playing bridge online 12 hours a week.
I don't have time to mow the lawn, trim the fence, or wash the car. My time is very precious. I know how to organize my time and don't want it to get in the way. However, I often make an appointment: "come anytime". My workday is like a series of irregular hours. I do not use electronic calculators, stock trackers and personal computers. I engage with the world around me through a phone. But the phone doesn't ring very much.
Chapter 12 – How to deal with a crisis
The unusual adjustment of Warren Buffett in Salomon.
In 1987, Berkshire with $ 700 million bought shares of Salomon Brothers and became the largest shareholder of this company.
In December 1990 and February 1991, Salomon's chief executive officer, Paul W. Mozer, conducted unauthorized, clandestine transactions of Salomon customer accounts. On August 18, 1991, the US Department of Finance banned Salomon from participating in the auction of government securities; sure Salomon faced the risk of bankruptcy. The collapse of Salomon could shake the very roots of the global financial system. It was day after day that I was elected as the unpaid interim president of Salomon.
The first was human resources: director Mozer was fired, presidents Gutfreund and Strauss resigned.
Denham and Maughan were added to the board of directors. I conduct an internal inspection
Salomon and submitted to the Energy and Commerce Committee a 52-page report on September 4, 1991.
I believe I have a particularly serious problem, but it's not so common that it's confined to a small number of people. I promulgated some rules and procedures in Salomon. But the environment that encourages good behavior is certainly much more important than the rules.
I set up a legal pre-tax reserve of $200 million for payments, court fees, and other related litigation, promptly pay any reasonable penalties and claims but will sue those that are not. handled or inflated.
I am redefining the bonuses and bonuses of $110 million, having previously spent unreasonably on this issue, affecting shareholder earnings. We want to see managers get rich through their own ownership, not through enjoying someone else's ownership.
Our performance-based pay philosophy is sure to drive some managers away, but more importantly, it's this philosophy that can convince top managers to stay.
The normal operations of the 3rd quarter produced excellent profits. In Fortune's year-end survey, Salomon jumped to third out of 311 companies, in terms of reputation improvement. It was my wise decision to appoint Maughan as general manager. Without the close cooperation of Maughan with Denhan, Don Howard, John MacFarlane, the company certainly could not exist. I will never forget them.
Chapter 13 – Management principles and practices
We have established long-term economic goals including: maintaining a “giraffe” financial position, expanding a “strategic moat” around existing businesses, and earning and growing income streams. new, diversified and expanded, cultivating the core force.
To achieve these goals, we are always looking for and acquiring companies whose businesses we understand well, favorable long-term economic conditions, competent, trustworthy management and a Reasonable price tag. A business has a solid "strategic moat" such as being a low-cost producer or owning a globally recognized brand name.
An economic franchise must arise from a product or service that is: (1) needed or desired, (2) has no corresponding substitute, (3) is not subject to price adjustment.
We try to buy good businesses at reasonable prices instead of buying good businesses at good prices.
In terms of capital allocation, at Berkshire, in owned companies that we don't control, it's done pretty well, very smartly, in the direction of increasing the value of each share, avoiding moves that lower the price. that value. If the allocation of capital is not smart, it will lead to what we often call "restructuring".
Regarding dividend policy, we understand that inflation will cause part or all of income to be limited in value; This means that one dollar of earnings retained for reinvestment into the business has turned into 25 cents of market value. Some businesses disregard that nature, instead of paying the owner, they reinvest with the purpose of expanding the scope of operations or creating a financial state of abundance, if lack of insight will lead to disaster. There is only the best reason to hold back when seeing a reasonable perspective, great core performance; and the remainder is paid to shareholders as dividends or used to buy back shares.
At Berkshire, we do not provide capital, we believe that any subsidiary that borrows money should pay an appropriate percentage of the borrowed capital, should not be subsidized by the parent company.
We want investors to see them as business owners and stay for the long term. They should focus on business results, not market prices. We want the stock to trade in a narrow range. When trading activity takes place, it shows that many owners leave the company. If we split the stock, we will attract a segment of “low-end” buyers; they only focus on stock price instead of business value.
The managers at Berkshire run their businesses as the sole and exclusive property of their families, we believe Charlie's claims. To managers: “Tell me the bad news, the good news will take care of it on its own”.
When recruiting employees, we rarely look at resumes, focusing only on intelligence, passion and honesty. Personality is also an important factor: independent thought, emotional stability, and erudition are essential conditions for long-term collaboration.
Chapter 14 – Management behavior
In the management world, the biggest irony of corporate management is that it's easier for an incompetent CEO to hold onto his seat than an incompetent subordinate. When salespeople do not achieve the set sales, they may be fired, and the CEO's performance standards are rarely set, if at all, it is very confusing and complicated.
Management behavior is even worse when it comes to restructuring or merger accounting. They deliberately focus on calculating numbers to deceive investors; they pumped up the stock price even though the business didn't bring the expected results. To explain this behavior, they say their shareholders will be hurt if the deal (i.e. equity) investment doesn't have the highest value, they argue, which is just what people do.
At Berkshire, we're completely clean about these practices: if we let you down, we'd rather let it affect our own earnings than let it affect our accounting.
Chapter 15 – Mistakes I Made
My first mistake was buying control of Berkshire for cheap, knowing its business was not very promising. There is no initial advantage, low profit, but reselling will lose because of the maintenance fee. In fact, I learned this lesson several times, I bought the department store and three years later I sold it back at the old price. Through that, the lesson I have learned is that a good jockey will do well with a good horse, but not with a sick horse.
My surprising finding is this: the importance of an invisible force in the business world is the “organization imperative”. This unbridled, at times conservative and foolish command guided business. So I reorganized Berkshire to minimize its impact. And later on, I knew I should join an organization with individuals I loved, trusted, and admired.
I missed the opportunity to profit from companies that depend on secret inventions (Xerox), high technology (Apple), smart shopping (Wal-mart).
We decided to buy 30 million shares of Famie Mac, but after buying only 7 million shares, the price started to increase.
An even worse mistake was pre-accepting the Dexter deal for $433 million in Berkshire stock, but its competitive advantage vanished rapidly after only a few years. Because using Berkshire stock makes this mistake more serious, costing Berkshire shareholders $3.5 billion.
Maybe my dumbest mistake will happen in the future. But I always look back at the mistakes I made year after year.
Chapter 16 – Personal Investment
To invest, you don't need to be an expert on every company, you just need to be able to evaluate companies that fall within your range of competence. Over time, you'll realize only a handful of businesses can meet your standards. Therefore, when you see a "standard" business, you should immediately buy a large number of shares. Without straying from your mainstream, arrange a portfolio of businesses whose gross income increases over time, so that the market price of this portfolio increases as well.
The true investor welcomes volatility, because an overly volatile market means that irrationally low prices are sometimes associated with strong businesses.
In fact, people are happy that the stock price is going up. But in reality, only short-term sellers should be happy to see the stock price go up. Futures buyers should be happy to see the price drop.
There are “outbreaks” of two super-contagious diseases of fear and greed, which are always present in the investment community. The timing of these epidemics is unpredictable, both in terms of duration and extent. We never tried to predict their arrival or departure. Our goal is much more modest: We show fear only when others are greedy and appear greedy when others are fearful.
Chapter 17 – Buffett, the Teacher
What I heard when I was 20 years old from people I wanted to hear changed my behavior. Now, when I talk to 20 people, they will ask me questions from their own thoughts. They really made it clear what they were thinking and facing. I love talking to them.
We must admit that the most ethical leaders are parents. If parents have appropriate behavior, it is very likely that children will have similar behaviors. It will be very difficult for you to change habits in your 50s or 60s. In fact, students can fake their habits. So pick someone to admire and ask why you admire them. At your age, you can have any habit you want. When you admire someone, it's entirely possible to act like them.
You must find passion in life. Why do they have to wait until you're 80 to start doing the things you love. Although I want to show patience in what I do, why live and wait so long? Do some things and collaborate with people you don't like, and when you die, your obituary says you're a billionaire, it doesn't make a difference. Go work for an organization you admire or for an individual you admire.
Investing in body, soul and mind makes sense. An MBA can be very rewarding, but as long as it's what you bring to the classroom, it's an attitude of receptivity and a willingness to explore. Economics is interesting; that's how the world really works. In business school, you have to master two things: how to value a business and how to think about stock market fluctuations. You need to have a stable psychological state, have the attitude to separate yourself from the influences of the market.
You must understand that honesty is a great quality. Without the love and respect of others, you are always a failure. It's the only thing you have to earn, because you can never buy it. The other two factors are intelligence and enthusiasm.
Pete Kiewit of Omaha says: “If you hire an employee who doesn't have the first quality, the latter two qualities will 'kill' you, because without honesty they'll just appear stupid and lazy.” .
Chapter 18 – Humor and stories
The elderly man crashes his supermarket trolley into the young man's trolley as they both go shopping.
- Sorry! - said the old man - I lost my wife, was busy thinking about finding her.
“I also lost my wife,” said the young man, and suggested that they both search together, which might be more effective.
The elder agreed and said:
- So what is your wife like?
– She has gorgeous blonde hair, is tall, is wearing white shorts. What about his wife?
The old man quickly: "Forget about her, we'll go find your wife."
Abraham Lincoln used to ask: "How many legs does a dog have if you consider its tail a leg?"
Answer: “Four legs. Because you can't turn a tail into a leg."
Managers should bear in mind the assertion of this answer, even if an audit organization is determined to certify that a dog's tail is also a leg.
23 Things They Don't Tell You About Capitalism, Ha-Joon Chang - Book Summary
The Wisdom of Crowds (James Surowiecki) - Book Summary
Book Summary - The Art Of Seduction (2001), Robert Greene
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Why the XFL is better than the NFL
Hunter Ellis is a first-year Philosophy, Politics and the Public major. He is a staff writer for the Newswire from Mt. Orab, Ohio.
Just like many people across the world, I have so many great memories of football, as well as some not so great ones. I remember the feeling of playing peewee football and intercepting a fourth quarter pass to seal the win for my team, the Rockets. I also remember crying when my Patriots lost to the New York Jets in the playoffs in 2011… and again in 2012 when they lost to the Giants in the Super Bowl. Football has long been my favorite sport, and I have a strong attachment to it, for better or for worse.
In recent years, several people have tried to capitalize on the tremendous popularity of the sport, some of who have gone as far as creating a new league of teams to give the people what they inevitably want — more football.
This year, that startup league has been the XFL, and no league has done it better than they have. The XFL product is simply better and more entertaining than the NFL. I’m not going to claim the on-field play is as good as the NFL, as the most talented players still play in the NFL. That being said, there are key ways that the XFL games on the weekend are better than the games the NFL is putting forth.
First off, the XFL has seemed to fix a problem that is pervasive for a lot of fans in the top league: officiating. The XFL has implemented a new sky judge, which is being flawlessly executed. For any play that needs confirmation, the sky judge can step in and do a review to make sure the calls are right on the field. It’s such a simple and seamless addition to the officiating crew, and it has led to the referees getting more calls correct.
Throughout the eight XFL games that I’ve watched, the crews have been very accurate and effective, and there have been hardly any calls that were wrong, which is something the NFL can hardly say in recent years.
It’s also nice to see the XFL bring back a physicality that the NFL has been missing the past few years. This doesn’t mean that the hits are flagrant in any way, but it simply means there can be a hard hit and viewers do not have to expect a flag for unnecessary roughness or roughing the passer seconds later. The play is overall more physical, and it is great for the audience to see players on the field who have something to prove for the livelihood of their careers each and every down.
Perhaps most importantly, the XFL has a shorter play clock, down to 25 seconds from the NFL’s 40 seconds. This rule was targeted to give games more play time. The faster pace of the game hasn’t quite promoted scoring, as many of the offenses in the league are still finding their rhythm. However, it has provided us with more plays per game so far, and more football is always better than less football.
There are also smaller changes to consider, like the new kickoff rules which have promoted more exciting and longer returns, as well as the added strategy of getting to choose between a 1-point, 2-point, or 3-point play after each touchdown. The league is also very transparent. On live TV we can hear coaches calling plays and talking to their quarterbacks, officials discussing penalties and reporters interviewing players right after good and bad plays.
Overall, the XFL is showing us that its games are more than enough to fill the void of no football after the NFL season ends. In fact, its presentation has been better than the NFL. Hopefully some of the inventive rule changes that the XFL has made will, in turn, put some much-needed pressure on the NFL to improve what it is doing next season.
19 Feb 2020 xaviernewswirehunter ellis
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The best places to nap on campus: A review | 2023-14/0037/en_head.json.gz/13461 | {"url": "https://xaviernewswire.com/2020/02/19/why-the-xfl-is-better-than-the-nfl/", "partition": "head_middle", "language": "en", "source_domain": "xaviernewswire.com", "date_download": "2023-03-20T10:38:25Z", "digest": "sha1:P7HBW5UD7OONZPFFUQ7ZSDDLQ3ZGGPGR"} | {"ccnet_length": [[0, 3862, 3862.0]], "ccnet_original_length": [[0, 3862, 6461.0]], "ccnet_nlines": [[0, 3862, 15.0]], "ccnet_original_nlines": [[0, 3862, 112.0]], "ccnet_language_score": [[0, 3862, 0.98]], "ccnet_perplexity": [[0, 3862, 259.4]], "ccnet_bucket": [[0, 3862, 0.0]], "rps_doc_curly_bracket": [[0, 3862, 0.0]], "rps_doc_ldnoobw_words": [[0, 3862, 0.0]], "rps_doc_lorem_ipsum": [[0, 3862, 0.0]], "rps_doc_stop_word_fraction": [[0, 3862, 0.49566295]], "rps_doc_ut1_blacklist": [[0, 3862, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3862, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3862, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 3862, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3862, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3862, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3862, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3862, 0.01949951]], "rps_doc_frac_chars_top_3gram": [[0, 3862, 0.01169971]], "rps_doc_frac_chars_top_4gram": [[0, 3862, 0.01039974]], "rps_doc_frac_all_caps_words": [[0, 3862, 0.03717472]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3862, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3862, 0.11771995]], "rps_doc_frac_unique_words": [[0, 3862, 0.45416079]], "rps_doc_mean_word_length": [[0, 3862, 4.33991537]], "rps_doc_symbol_to_word_ratio": [[0, 3862, 0.00123916]], "rps_doc_unigram_entropy": [[0, 3862, 5.12727782]], "rps_doc_word_count": [[0, 3862, 709.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 35, 0.0], [35, 166, 1.0], [166, 677, 1.0], [677, 902, 1.0], [902, 1307, 1.0], [1307, 1751, 1.0], [1751, 1963, 1.0], [1963, 2455, 1.0], [2455, 2859, 1.0], [2859, 3316, 1.0], [3316, 3662, 1.0], [3662, 3701, 0.0], [3701, 3768, 0.0], [3768, 3820, 0.0], [3820, 3862, 0.0]], "rps_lines_javascript_counts": [[0, 35, 0.0], [35, 166, 0.0], [166, 677, 0.0], [677, 902, 0.0], [902, 1307, 0.0], [1307, 1751, 0.0], [1751, 1963, 0.0], [1963, 2455, 0.0], [2455, 2859, 0.0], [2859, 3316, 0.0], [3316, 3662, 0.0], [3662, 3701, 0.0], [3701, 3768, 0.0], [3768, 3820, 0.0], [3820, 3862, 0.0]], "rps_lines_num_words": [[0, 35, 8.0], [35, 166, 23.0], [166, 677, 98.0], [677, 902, 41.0], [902, 1307, 79.0], [1307, 1751, 84.0], [1751, 1963, 37.0], [1963, 2455, 94.0], [2455, 2859, 73.0], [2859, 3316, 73.0], [3316, 3662, 65.0], [3662, 3701, 5.0], [3701, 3768, 11.0], [3768, 3820, 9.0], [3820, 3862, 9.0]], "rps_lines_numerical_chars_fraction": [[0, 35, 0.0], [35, 166, 0.0], [166, 677, 0.01596806], [677, 902, 0.0], [902, 1307, 0.0], [1307, 1751, 0.0], [1751, 1963, 0.0], [1963, 2455, 0.0], [2455, 2859, 0.01015228], [2859, 3316, 0.00674157], [3316, 3662, 0.0], [3662, 3701, 0.15789474], [3701, 3768, 0.0], [3768, 3820, 0.0], [3820, 3862, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 35, 0.0], [35, 166, 0.0], [166, 677, 0.0], [677, 902, 0.0], [902, 1307, 0.0], [1307, 1751, 0.0], [1751, 1963, 0.0], [1963, 2455, 0.0], [2455, 2859, 0.0], [2859, 3316, 0.0], [3316, 3662, 0.0], [3662, 3701, 0.0], [3701, 3768, 0.0], [3768, 3820, 0.0], [3820, 3862, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 35, 0.2], [35, 166, 0.07633588], [166, 677, 0.02739726], [677, 902, 0.00444444], [902, 1307, 0.0617284], [1307, 1751, 0.02252252], [1751, 1963, 0.03773585], [1963, 2455, 0.01829268], [2455, 2859, 0.02475248], [2859, 3316, 0.01094092], [3316, 3662, 0.05202312], [3662, 3701, 0.02564103], [3701, 3768, 0.05970149], [3768, 3820, 0.05769231], [3820, 3862, 0.04761905]], "rps_doc_ml_palm_score": [[0, 3862, 0.49052244]], "rps_doc_ml_wikipedia_score": [[0, 3862, null]], "rps_doc_ml_wikiref_score": [[0, 3862, 0.18368024]], "rps_doc_books_importance": [[0, 3862, -61.11752704]], "rps_doc_openwebtext_importance": [[0, 3862, 138.56810147]], "rps_doc_wikipedia_importance": [[0, 3862, -73.54187928]], "rps_doc_num_sentences": [[0, 3862, 31.0]]} |
Tag: My Unorthodox Life
Review: Brazen: My Unorthodox Journey from Long Sleeves to Lingerie by Julia Haart
Featured ~ xennialchick81 ~ Leave a comment
Welcome back y’all! Book #2 of 2023!!! Woohoo! This one sort of rolled over from 2022 because I did borrow the audiobook from the local library and I was slacking getting it done and it had others waiting for it but I digress. I did get it back this month and I did finish it finally! I just want to say that I chose this book due to watching the show My Unorthodox Life on Netflix. I really liked the show and after Season 1, I knew the memoir was coming out. Well I didn’t finish the book last year so I got to binge on Season 2 and my opinion of the show someone changed after watching Season 2 and things sort of came full circle for me after finishing the book so let’s get into it.
Length: 19 hours and 11 minutes
How I Discovered This Book: I watched and loved the Netflix show, My Unorthodox Life, which is a reality show about Julia Haart and her family.
How I Acquired: Borrowed from the local library
Date Published: In this format – April 12, 2022
Date Started: November, 2022
Date Finished: 01/19/2023
This book was a mixed bag for me. I watched Season 1 of My Unorthodox Life and was completely intrigued by Julia and wanted to know more about her backstory. This very wealthy, workaholic, mom and boss babe seems to have it all and astonishingly, she came from an ultra fundamentalist, orthodox Jewish community which had me thinking…”How?” Like, what is your story girl? I consider myself a feminist and upon watching her show, I was immediately rooting for her. I was super stoked when she revealed in the show she was publishing a memoir about her life and at the end of the season, I was eager to know more. I went into this book with high expectations. The first half of the book was very enlightening. I knew little about the workings of the Jewish community, let alone the words and holidays and rituals and celebrations. Julia did a fantastic job of explaining these things to Non-Jewish listeners. I can understand how she became a teacher in her community. I really was hooked during the first half of the book where she goes through her childhood and into her young adulthood and marriage and the strict written and unwritten rules of life as a woman in her community. The constraining way of life she was living through those years was indeed heartbreaking to listen to. Then came the second half of the book.
For me, when I started struggling to get through the book, was how she just leaves and then all of a sudden, she has wealthy men to help invest in her ideas almost out of nowhere. This is where I started getting a little suspicious. All of these miracles suddenly started happening and everyone and everywhere and everything was just beautiful and amazing and wanted to sleep with her. The goings on about brands and money and 5-star hotels and clothes and yacht parties etc. became nauseating because she is literally enjoying all of these things with supposedly no money or using these other wealthy men’s money. The name dropping became annoying too. I feel like a lot was either glossed over or left out. I was like, “what happened during the transition from leaving the community?” Nope, it’s just bam…..jet setting and shopping and thousand dollar dinners in Europe? I guess that I cannot relate much to the obvious obsession with the luxury everything lifestyle that she just seemingly catapults into upon leaving her community. Of course she does admit to being too naïve and trusting and then everyone is out to take advantage of her or sleep with her blah, blah, blah. I was struggling to get through it. One minute she is talking about having sex in front of a famous fountain in Rome with her hot, British model boyfriend (whom is much younger than her) to her male business partner (who’s money she spends steadily) is trying to control her then on to a preachy, albeit, interesting interlude into the “Adjacent Possible” theory. I was torn on whether to finish. At that point, I was like Julia….I get the whole “Woman Power” thing but you are too wrapped up in the materialistic and being money hungry. The second half barely touched on her kids. Luckily for her, she had her ex-husband stay behind to help raise and take care of the kids while he shows up as a weekend Mom sometimes while the rest of the time she is living the high life supposedly for work and to help build a better life for her kids? The kids needed her then not someday when they are no longer kids and can just get bankrolled by Mommy. The part where Batsheva (her oldest) is paid money each month to take care of her son (Batsheva’s younger brother.) had me shaking my head. Now, after finishing the book and watching Season 2, it all made a little more sense.
Her kids, minus Aron the youngest, were all working for their mother at the end of Season 1 and into Season 2. What is the term now???? Nepotism Baby?? Anywho, I was sort of burnt out at the unending hyperbole and bragginess and name dropping towards the end of the book. I do give Julia props for admitting her naivety and mistakes made because of it. The book ends abruptly as she gets a job with LaPerla and has met her now estranged 2nd husband, Silvio. There is no context on their relationship, as far as, how it began romantically and the forming of Elite World Group and so forth. Then to watch Season 2 and see the cluster that her marriage or should I say, divorce turned into without the backstory or context, left me perturbed. Although, after reading the book and her behaviors in the past with money and men….I couldn’t help but wonder, what her motives really were when she married Silvio to begin with and what a toxic individual he turned out to be. It seems like she struggles with men, money and relationships period. Could it be from her time being so brainwashed and restricted or could it be who she is and has been all along….very self-serving and self focused? The way she confronts her daughter and best friend in Season 2 about them not being present and there for her during the drama after she was fired but in reality, they were there. I see her Instagram post where she drives an ambulance to Ukraine to deliver supplies but she has to put in a plug for her luxury brand clothes she wears to do this. C’mon Julia, you totally took away the focus of why you were there in order to shamelessly promote highly expensive clothes in a war-torn country. The post has since been edited where she takes out the remark about the name brand so there is hope after all.
Back to the book….overall….the review of the book fits perfectly with my thoughts about Julia as a person. I don’t know her personally this is just based off of what I’ve seen on the show, read in her book and seen on her social media. It’s all a mixed bag. The book is very engaging in the first half. Julia is a very interesting person with an interesting backstory. The book goes into the second half just drowning in materialism and self-serving drama. Julia displays the little selfish monster hiding in her Gucci purse in the show as well. The book has some poignant moments of self-reflection and admittance of poor judgement on her part. Julia does have moments of humility on the show and in social media. Overall, I think the book is decent and I think Julia herself is decent but like the book and like most of us, we are all grey individuals…..light and shadow……..giving and selfish, moments of smart decision making and moments of poor judgement. I can’t hate on Julia or her book too much because while I do not wear luxury brand clothes or jet-set to Paris at the drop of dime…..I also have my moments of poor judgement and my moments of being determined and savvy and I also support women which is why I wish Julia the best in kicking Silvio’s butt in court and success for the future. I also hope that, as she so aptly states towards the end of her book, that she is still learning…that she learns a little more humility and that money and name brands aren’t everything. I’m glad for Julia, that she left her community, that she was able to catapult into a luxury lifestyle (despite the means), that she adamantly supports women and that she is still learning and continues to grow as a person.
Do I recommend this book? – I do, but with the warning that the first half is the most educational and engaging half. While the second half is all Me, money, sex, me, me, me, money, money, travel to Paris, travel to Italy, I was wearing this…etc.
Who do I recommend this book to? – Anyone with an interest in Jewish culture, anyone interested in memoirs, and anyone who is highly invested in fashion and luxury travel. Anyone who is truly interested in leaving an ultra-fundamentalist community….you may be inspired after reading this but this is definitely not a “how-to.” Her life is not real life for a regular person….it is a real life for a super lucky, ambitious and connected person who has means to travel extensively and meet more connected people. | 2023-14/0037/en_head.json.gz/13462 | {"url": "https://xennialbookworm.com/tag/my-unorthodox-life/", "partition": "head_middle", "language": "en", "source_domain": "xennialbookworm.com", "date_download": "2023-03-20T09:18:47Z", "digest": "sha1:P74E76KC54UEFDY6OYS2Z3SZ3DXPSULJ"} | {"ccnet_length": [[0, 9095, 9095.0]], "ccnet_original_length": [[0, 9095, 9877.0]], "ccnet_nlines": [[0, 9095, 16.0]], "ccnet_original_nlines": [[0, 9095, 45.0]], "ccnet_language_score": [[0, 9095, 0.98]], "ccnet_perplexity": [[0, 9095, 321.0]], "ccnet_bucket": [[0, 9095, 0.0]], "rps_doc_curly_bracket": [[0, 9095, 0.0]], "rps_doc_ldnoobw_words": [[0, 9095, 3.0]], "rps_doc_lorem_ipsum": [[0, 9095, 0.0]], "rps_doc_stop_word_fraction": [[0, 9095, 0.48314015]], "rps_doc_ut1_blacklist": [[0, 9095, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 9095, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 9095, 0.01130723]], "rps_doc_frac_chars_dupe_6grams": [[0, 9095, 0.00579151]], "rps_doc_frac_chars_dupe_7grams": [[0, 9095, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 9095, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 9095, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 9095, 0.01544402]], "rps_doc_frac_chars_top_3gram": [[0, 9095, 0.00620518]], "rps_doc_frac_chars_top_4gram": [[0, 9095, 0.00537783]], "rps_doc_frac_all_caps_words": [[0, 9095, 0.028451]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 9095, 0.0]], "rps_doc_frac_no_alph_words": [[0, 9095, 0.12328767]], "rps_doc_frac_unique_words": [[0, 9095, 0.36634265]], "rps_doc_mean_word_length": [[0, 9095, 4.40583232]], "rps_doc_symbol_to_word_ratio": [[0, 9095, 0.00842993]], "rps_doc_unigram_entropy": [[0, 9095, 5.52050407]], "rps_doc_word_count": [[0, 9095, 1646.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 24, 0.0], [24, 107, 0.0], [107, 151, 0.0], [151, 839, 1.0], [839, 871, 0.0], [871, 1015, 1.0], [1015, 1063, 0.0], [1063, 1111, 0.0], [1111, 1140, 0.0], [1140, 1166, 0.0], [1166, 2488, 1.0], [2488, 4837, 1.0], [4837, 6626, 1.0], [6626, 8338, 1.0], [8338, 8585, 1.0], [8585, 9095, 1.0]], "rps_lines_javascript_counts": [[0, 24, 0.0], [24, 107, 0.0], [107, 151, 0.0], [151, 839, 0.0], [839, 871, 0.0], [871, 1015, 0.0], [1015, 1063, 0.0], [1063, 1111, 0.0], [1111, 1140, 0.0], [1140, 1166, 0.0], [1166, 2488, 0.0], [2488, 4837, 0.0], [4837, 6626, 0.0], [6626, 8338, 0.0], [8338, 8585, 0.0], [8585, 9095, 0.0]], "rps_lines_num_words": [[0, 24, 4.0], [24, 107, 13.0], [107, 151, 5.0], [151, 839, 138.0], [839, 871, 6.0], [871, 1015, 26.0], [1015, 1063, 8.0], [1063, 1111, 9.0], [1111, 1140, 4.0], [1140, 1166, 3.0], [1166, 2488, 235.0], [2488, 4837, 421.0], [4837, 6626, 330.0], [6626, 8338, 311.0], [8338, 8585, 47.0], [8585, 9095, 86.0]], "rps_lines_numerical_chars_fraction": [[0, 24, 0.0], [24, 107, 0.0], [107, 151, 0.05128205], [151, 839, 0.01777778], [839, 871, 0.13333333], [871, 1015, 0.0], [1015, 1063, 0.0], [1063, 1111, 0.13333333], [1111, 1140, 0.15384615], [1140, 1166, 0.36363636], [1166, 2488, 0.00077042], [2488, 4837, 0.00086919], [4837, 6626, 0.00285388], [6626, 8338, 0.0], [8338, 8585, 0.0], [8585, 9095, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 24, 0.0], [24, 107, 0.0], [107, 151, 0.0], [151, 839, 0.0], [839, 871, 0.0], [871, 1015, 0.0], [1015, 1063, 0.0], [1063, 1111, 0.0], [1111, 1140, 0.0], [1140, 1166, 0.0], [1166, 2488, 0.0], [2488, 4837, 0.0], [4837, 6626, 0.0], [6626, 8338, 0.0], [8338, 8585, 0.0], [8585, 9095, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 24, 0.16666667], [24, 107, 0.12048193], [107, 151, 0.04545455], [151, 839, 0.03343023], [839, 871, 0.03125], [871, 1015, 0.08333333], [1015, 1063, 0.08333333], [1063, 1111, 0.08333333], [1111, 1140, 0.10344828], [1140, 1166, 0.07692308], [1166, 2488, 0.01966717], [2488, 4837, 0.01575138], [4837, 6626, 0.019564], [6626, 8338, 0.01635514], [8338, 8585, 0.03238866], [8585, 9095, 0.01176471]], "rps_doc_ml_palm_score": [[0, 9095, 0.28209436]], "rps_doc_ml_wikipedia_score": [[0, 9095, null]], "rps_doc_ml_wikiref_score": [[0, 9095, 0.33427554]], "rps_doc_books_importance": [[0, 9095, -49.33192549]], "rps_doc_openwebtext_importance": [[0, 9095, 107.20639901]], "rps_doc_wikipedia_importance": [[0, 9095, -478.69060422]], "rps_doc_num_sentences": [[0, 9095, 90.0]]} |
The Transformation of Myanmar's Retail Industry
Myanmar's consumers’ behavior, purchasing habits, and shift in market demand offer various opportunities for businesses to capture in the retail sector.
October 2020 , by Naithy Cyriac
Between 2014 and 2019, the average year-on-year GDP growth of Myanmar was over 6% due to the government’s ongoing effort on policy and economic reforms. In 2019, the modern grocery sales were at USD 269.6 million (an increase of USD 68.4 million) and those of mixed retailers were US$177.8 million combined. Despite the domination of traditional retail markets, there are more modern retail markets found in Myanmar’s commercial cities.
Our latest white paper, “The Transformation of Myanmar’s Retail Industry: Changing Consumer Dynamics and Opportunities for Foreign Investments” highlights that Myanmar's retail will maintain a strong and steady growth - represented by the growth of modern retail with a CAGR of 33%, presenting ample opportunities for investors to tap into this promising sector.
How Does Myanmar's Retail Look Going Forward?
Here are some key aspects in the retail industry of Myanmar:
Changing consumer dynamics: The 16-35 years age group accounts for a third of the country’s 54 million population, while the under 25 years age group accounts for 46% of the total population. As such, Myanmar not only represents the untapped rising consumer market but also promises long-term growth opportunities for retailers and consumer brands.
The retail landscape transformed: The number of modern retail channels currently accounts for approximately 10% of the country’s retail segment with revenue growth of 32.8% from 2013 to 2018.
Bright outlook for retail: In the Q4 of 2019, Yangon’s retail area grew by 5% Q-o-Q and 6% Y-o-Y that was largely driven by new shopping malls.
Myanmar's consumers’ behavior, purchasing habits, and shift in market demand show that there are various opportunities for multinational retailers to enter and invest in the retail sector. Download the report and find out available opportunities to capture. | 2023-14/0037/en_head.json.gz/13463 | {"url": "https://ycpsolidiance.com/white-paper/the-transformation-of-myanmars-retail-industry", "partition": "head_middle", "language": "en", "source_domain": "ycpsolidiance.com", "date_download": "2023-03-20T10:15:43Z", "digest": "sha1:CP5NYHHNYRTOOI75XRJEJ45JSSSPHTM3"} | {"ccnet_length": [[0, 2082, 2082.0]], "ccnet_original_length": [[0, 2082, 3352.0]], "ccnet_nlines": [[0, 2082, 11.0]], "ccnet_original_nlines": [[0, 2082, 81.0]], "ccnet_language_score": [[0, 2082, 0.92]], "ccnet_perplexity": [[0, 2082, 266.7]], "ccnet_bucket": [[0, 2082, 0.0]], "rps_doc_curly_bracket": [[0, 2082, 0.0]], "rps_doc_ldnoobw_words": [[0, 2082, 1.0]], "rps_doc_lorem_ipsum": [[0, 2082, 0.0]], "rps_doc_stop_word_fraction": [[0, 2082, 0.29828851]], "rps_doc_ut1_blacklist": [[0, 2082, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2082, 0.07507331]], "rps_doc_frac_chars_dupe_5grams": [[0, 2082, 0.10322581]], "rps_doc_frac_chars_dupe_6grams": [[0, 2082, 0.07507331]], "rps_doc_frac_chars_dupe_7grams": [[0, 2082, 0.07507331]], "rps_doc_frac_chars_dupe_8grams": [[0, 2082, 0.07507331]], "rps_doc_frac_chars_dupe_9grams": [[0, 2082, 0.07507331]], "rps_doc_frac_chars_top_2gram": [[0, 2082, 0.04692082]], "rps_doc_frac_chars_top_3gram": [[0, 2082, 0.01935484]], "rps_doc_frac_chars_top_4gram": [[0, 2082, 0.04222874]], "rps_doc_frac_all_caps_words": [[0, 2082, 0.02444988]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2082, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2082, 0.22493888]], "rps_doc_frac_unique_words": [[0, 2082, 0.54402516]], "rps_doc_mean_word_length": [[0, 2082, 5.36163522]], "rps_doc_symbol_to_word_ratio": [[0, 2082, 0.0]], "rps_doc_unigram_entropy": [[0, 2082, 4.73696055]], "rps_doc_word_count": [[0, 2082, 318.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 48, 0.0], [48, 201, 1.0], [201, 233, 0.0], [233, 670, 1.0], [670, 1033, 1.0], [1033, 1079, 1.0], [1079, 1140, 0.0], [1140, 1489, 1.0], [1489, 1681, 1.0], [1681, 1825, 1.0], [1825, 2082, 1.0]], "rps_lines_javascript_counts": [[0, 48, 0.0], [48, 201, 0.0], [201, 233, 0.0], [233, 670, 0.0], [670, 1033, 0.0], [1033, 1079, 0.0], [1079, 1140, 0.0], [1140, 1489, 0.0], [1489, 1681, 0.0], [1681, 1825, 0.0], [1825, 2082, 0.0]], "rps_lines_num_words": [[0, 48, 6.0], [48, 201, 21.0], [201, 233, 5.0], [233, 670, 69.0], [670, 1033, 52.0], [1033, 1079, 7.0], [1079, 1140, 11.0], [1140, 1489, 54.0], [1489, 1681, 29.0], [1681, 1825, 27.0], [1825, 2082, 37.0]], "rps_lines_numerical_chars_fraction": [[0, 48, 0.0], [48, 201, 0.0], [201, 233, 0.13793103], [233, 670, 0.05700713], [670, 1033, 0.00564972], [1033, 1079, 0.0], [1079, 1140, 0.0], [1140, 1489, 0.02941176], [1489, 1681, 0.06989247], [1681, 1825, 0.05223881], [1825, 2082, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 48, 0.0], [48, 201, 0.0], [201, 233, 0.0], [233, 670, 0.0], [670, 1033, 0.0], [1033, 1079, 0.0], [1079, 1140, 0.0], [1140, 1489, 0.0], [1489, 1681, 0.0], [1681, 1825, 0.0], [1825, 2082, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 48, 0.10416667], [48, 201, 0.00653595], [201, 233, 0.09375], [233, 670, 0.03661327], [670, 1033, 0.04683196], [1033, 1079, 0.15217391], [1079, 1140, 0.03278689], [1140, 1489, 0.01146132], [1489, 1681, 0.01041667], [1681, 1825, 0.05555556], [1825, 2082, 0.0077821]], "rps_doc_ml_palm_score": [[0, 2082, 0.07050312]], "rps_doc_ml_wikipedia_score": [[0, 2082, null]], "rps_doc_ml_wikiref_score": [[0, 2082, 0.11292648]], "rps_doc_books_importance": [[0, 2082, -168.88720689]], "rps_doc_openwebtext_importance": [[0, 2082, 25.68008538]], "rps_doc_wikipedia_importance": [[0, 2082, 6.62126394]], "rps_doc_num_sentences": [[0, 2082, 16.0]]} |
The Yale Daily News 16 June 1914
The Yale Daily News, 16 June 1914 | 2023-14/0037/en_head.json.gz/13464 | {"url": "https://ydnhistorical.library.yale.edu/?a=d&d=YDN19140616-01.2.4.2", "partition": "head_middle", "language": "en", "source_domain": "ydnhistorical.library.yale.edu", "date_download": "2023-03-20T11:12:15Z", "digest": "sha1:HGSOGJSTJWQQVWKVM74INQ4SILG37WP6"} | {"ccnet_length": [[0, 66, 66.0]], "ccnet_original_length": [[0, 66, 783.0]], "ccnet_nlines": [[0, 66, 2.0]], "ccnet_original_nlines": [[0, 66, 43.0]], "ccnet_language_score": [[0, 66, 0.89]], "ccnet_perplexity": [[0, 66, 158.6]], "ccnet_bucket": [[0, 66, 0.0]], "rps_doc_curly_bracket": [[0, 66, 0.0]], "rps_doc_ldnoobw_words": [[0, 66, 0.0]], "rps_doc_lorem_ipsum": [[0, 66, 0.0]], "rps_doc_stop_word_fraction": [[0, 66, 0.0]], "rps_doc_ut1_blacklist": [[0, 66, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 66, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 66, 1.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 66, 1.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 66, 1.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 66, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 66, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 66, 0.26923077]], "rps_doc_frac_chars_top_3gram": [[0, 66, 0.46153846]], "rps_doc_frac_chars_top_4gram": [[0, 66, 0.61538462]], "rps_doc_frac_all_caps_words": [[0, 66, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 66, 0.0]], "rps_doc_frac_no_alph_words": [[0, 66, 0.33333333]], "rps_doc_frac_unique_words": [[0, 66, 0.5]], "rps_doc_mean_word_length": [[0, 66, 3.71428571]], "rps_doc_symbol_to_word_ratio": [[0, 66, 0.0]], "rps_doc_unigram_entropy": [[0, 66, 1.94591015]], "rps_doc_word_count": [[0, 66, 14.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 33, 0.0], [33, 66, 0.0]], "rps_lines_javascript_counts": [[0, 33, 0.0], [33, 66, 0.0]], "rps_lines_num_words": [[0, 33, 7.0], [33, 66, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 33, 0.1875], [33, 66, 0.1875]], "rps_lines_start_with_bulletpoint": [[0, 33, 0.0], [33, 66, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 33, 0.15151515], [33, 66, 0.15151515]], "rps_doc_ml_palm_score": [[0, 66, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 66, null]], "rps_doc_ml_wikiref_score": [[0, 66, -1.001e-05]], "rps_doc_books_importance": [[0, 66, -10.73637279]], "rps_doc_openwebtext_importance": [[0, 66, -3.82058258]], "rps_doc_wikipedia_importance": [[0, 66, 0.43625485]], "rps_doc_num_sentences": [[0, 66, 1.0]]} |
The Yale Daily News 8 December 1936
The Yale Daily News, 8 December 1936 | 2023-14/0037/en_head.json.gz/13465 | {"url": "https://ydnhistorical.library.yale.edu/?a=d&d=YDN19361208-01.2.6", "partition": "head_middle", "language": "en", "source_domain": "ydnhistorical.library.yale.edu", "date_download": "2023-03-20T11:08:48Z", "digest": "sha1:6Q7L4VOQQKRL2HW5JHIFYOQOAOBZTLHI"} | {"ccnet_length": [[0, 72, 72.0]], "ccnet_original_length": [[0, 72, 791.0]], "ccnet_nlines": [[0, 72, 2.0]], "ccnet_original_nlines": [[0, 72, 43.0]], "ccnet_language_score": [[0, 72, 0.9]], "ccnet_perplexity": [[0, 72, 170.1]], "ccnet_bucket": [[0, 72, 0.0]], "rps_doc_curly_bracket": [[0, 72, 0.0]], "rps_doc_ldnoobw_words": [[0, 72, 0.0]], "rps_doc_lorem_ipsum": [[0, 72, 0.0]], "rps_doc_stop_word_fraction": [[0, 72, 0.0]], "rps_doc_ut1_blacklist": [[0, 72, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 72, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 72, 1.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 72, 1.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 72, 1.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 72, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 72, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 72, 0.24137931]], "rps_doc_frac_chars_top_3gram": [[0, 72, 0.4137931]], "rps_doc_frac_chars_top_4gram": [[0, 72, 0.55172414]], "rps_doc_frac_all_caps_words": [[0, 72, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 72, 0.0]], "rps_doc_frac_no_alph_words": [[0, 72, 0.33333333]], "rps_doc_frac_unique_words": [[0, 72, 0.5]], "rps_doc_mean_word_length": [[0, 72, 4.14285714]], "rps_doc_symbol_to_word_ratio": [[0, 72, 0.0]], "rps_doc_unigram_entropy": [[0, 72, 1.94591015]], "rps_doc_word_count": [[0, 72, 14.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 36, 0.0], [36, 72, 0.0]], "rps_lines_javascript_counts": [[0, 36, 0.0], [36, 72, 0.0]], "rps_lines_num_words": [[0, 36, 7.0], [36, 72, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 36, 0.14285714], [36, 72, 0.14285714]], "rps_lines_start_with_bulletpoint": [[0, 36, 0.0], [36, 72, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 36, 0.13888889], [36, 72, 0.13888889]], "rps_doc_ml_palm_score": [[0, 72, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 72, null]], "rps_doc_ml_wikiref_score": [[0, 72, -1.001e-05]], "rps_doc_books_importance": [[0, 72, -12.9718668]], "rps_doc_openwebtext_importance": [[0, 72, -6.01553299]], "rps_doc_wikipedia_importance": [[0, 72, -1.87406111]], "rps_doc_num_sentences": [[0, 72, 1.0]]} |
The Yale Daily News 3 May 1961
The Yale Daily News, 3 May 1961 | 2023-14/0037/en_head.json.gz/13466 | {"url": "https://ydnhistorical.library.yale.edu/?a=d&d=YDN19610503-01.2.12", "partition": "head_middle", "language": "en", "source_domain": "ydnhistorical.library.yale.edu", "date_download": "2023-03-20T09:21:15Z", "digest": "sha1:V53UUSROOCJWRAY3RSL2GBVHYW5BRIII"} | {"ccnet_length": [[0, 62, 62.0]], "ccnet_original_length": [[0, 62, 777.0]], "ccnet_nlines": [[0, 62, 2.0]], "ccnet_original_nlines": [[0, 62, 43.0]], "ccnet_language_score": [[0, 62, 0.81]], "ccnet_perplexity": [[0, 62, 155.9]], "ccnet_bucket": [[0, 62, 0.0]], "rps_doc_curly_bracket": [[0, 62, 0.0]], "rps_doc_ldnoobw_words": [[0, 62, 0.0]], "rps_doc_lorem_ipsum": [[0, 62, 0.0]], "rps_doc_stop_word_fraction": [[0, 62, 0.0]], "rps_doc_ut1_blacklist": [[0, 62, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 62, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 62, 1.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 62, 1.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 62, 1.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 62, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 62, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 62, 0.29166667]], "rps_doc_frac_chars_top_3gram": [[0, 62, 0.5]], "rps_doc_frac_chars_top_4gram": [[0, 62, 0.66666667]], "rps_doc_frac_all_caps_words": [[0, 62, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 62, 0.0]], "rps_doc_frac_no_alph_words": [[0, 62, 0.33333333]], "rps_doc_frac_unique_words": [[0, 62, 0.5]], "rps_doc_mean_word_length": [[0, 62, 3.42857143]], "rps_doc_symbol_to_word_ratio": [[0, 62, 0.0]], "rps_doc_unigram_entropy": [[0, 62, 1.94591015]], "rps_doc_word_count": [[0, 62, 14.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 31, 0.0], [31, 62, 0.0]], "rps_lines_javascript_counts": [[0, 31, 0.0], [31, 62, 0.0]], "rps_lines_num_words": [[0, 31, 7.0], [31, 62, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 31, 0.16666667], [31, 62, 0.16666667]], "rps_lines_start_with_bulletpoint": [[0, 31, 0.0], [31, 62, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 31, 0.16129032], [31, 62, 0.16129032]], "rps_doc_ml_palm_score": [[0, 62, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 62, null]], "rps_doc_ml_wikiref_score": [[0, 62, -1.001e-05]], "rps_doc_books_importance": [[0, 62, -9.45417937]], "rps_doc_openwebtext_importance": [[0, 62, -5.55468401]], "rps_doc_wikipedia_importance": [[0, 62, 0.37725607]], "rps_doc_num_sentences": [[0, 62, 1.0]]} |
How to record photos and videos from your WebCam!
General Terms and Conditions for yesadultdating.com
Last edition – June 4th 2014
ATTENTION: No person under the age of 18 is permitted to visit this website or use the yesadultdating.com Service.
1. Service
1.1 The Service can only be used after you have registered. Registration is free. You thereby enter into a non-fee based contractual relationship with us, which is governed by these GTC.
1.2 We also offer more extensive services under a subscription which is fee-based, if you wish to communicate with other members and use the Service in full. We always notify you accordingly before you use any fee-based services, indicating which fees are applicable and the respective amount. You choose how long you want to subscribe to the service for. The subscription period paid for by you shall extend automatically for a period equal to the original subscription unless cancelled by you. You can use the fee-based services after paying the appropriate fee.
1.3 Your membership is intended only for your personal use. You are not allowed to authorize others to use your membership or your account on yesadultdating.com. That means you’re not allowed to share your access data with any third party or forward your access data to any third party. We offer the Service exclusively for private purposes. By registering, you undertake to use this Service exclusively for private purposes and not for commercial ones.
2. Registration and Service Use
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2.2 By registering, you agree to these GTC and warrant that you are of age, i.e. at least 18 years old.
2.3 Services accessed over mobile devices might be restricted and not all features may be available. Only a limited selection of payment methods subscriptions may be offered.
2.4 You must ensure the truthfulness of the details given during the registration and later during purchase and payment.
2.5 We reserve the right to block your access to the Service if you use the Service in a manner that is illegal or breaches the obligations laid out in these GTC. However, blockage of access for the above reasons shall have no effect on your obligation to pay for the service purchased. In such an event, any amount up to 295 CHF already paid to us will not be refunded but retained as a penalty. We also reserve the express right to demand a flat-rate penalty of up to 295 CHF from you if you have paid no amount or an amount lower than 295 CHF. This will not prevent the assertion of any claims for greater losses actually incurred.
3. Conditions of Use
3.1 You are responsible for all details you provide. You must ensure that the details you provide are truthful and describe you personally. You undertake to refrain from willfully presenting data from third parties as yours. Willfully false details or details made with fraudulent intentions, in particular providing the bank or credit card details of a third party without their consent, will carry legal consequences.
3.2. You undertake to keep the details provided to us up to date, in particular your contact details and payment information.
3.3. You are solely responsible for the content that you publish or display on the service, or transmit to other members, and by posting content to any public area of the service, you automatically grant, and you guarantee that you have the right to grant, to us an irrevocable, perpetual, non-exclusive, worldwide license to use such information and content, and to grant and authorize sublicensing of this content. We reserve the right to use content from profiles, including the member username, photos and videos, for featuring them in promotional material. yesadultdating.com has joined the Dating Factory network which pools resources and members of several websites to provide you with a larger selection of members to communicate with. Any content you post may be visible on other sites on the network.
3.4. We do not verify the accuracy or truth of any information published by members. Whilst we are entitled, but not obliged, to investigate the content of profiles, including uploaded images, for compliance with the law in general, with these GTC and with the rules specified by us on the relevant web pages and, if necessary, to reject, modify or even delete the content in question. By using this service you accept that any member profiles, messages and communication may not be genuine and the service is for entertainment purposes only.
3.5. You undertake to furnish no information that you are not explicitly requested to provide. In particular, this applies to names, residential addresses, e-mail addresses, web addresses, telephone numbers and fax numbers.
3.6. You undertake to treat other customers’ data (in particular names, residential addresses, e-mail addresses, web addresses, telephone numbers and fax numbers), e-mails and other forms of correspondence that you obtain in connection with your use of the Service with confidentiality; you also undertake to refrain from making these accessible to third parties without the consent of their originator. It is also forbidden to pass on the data of non-customers as part of the Service.
3.7. You warrant that you have no commercial intentions and will refrain from using the information entrusted to you for commercial purposes or purposes that breach the contract. You undertake to send messages to other customers for no purpose other than that of personal communication and in particular not for the purposes of advertising or tendering goods or services. You also undertake to refrain from sending "chain mail" or similar.
3.8. You shall not misuse us and in particular shall refrain from using the Service in order to
distribute defamatory, objectionable or otherwise illegal material (e.g. but not limited to material that infringes third party personality rights such as photos of third parties);
threaten or harass others and/or violate their rights;
to pledge or demand money or payment in kind.
3.9. You also undertake
not to upload any data containing a virus (infected software) to the Service;
not to upload any data to the Service containing software or other material that are copyright protected or protected by other commercial property rights unless you are the owner of the rights in question or have obtained the consent necessary to use the software or materials from the holder of the rights;
not to use the Service in such a way that the availability of the Service to other customers are negatively affected;
not to intercept e-mails or make any attempt to do so.
3.10. If you do not comply with any one of the obligations set out in the paragraphs above, this may lead to us terminating the contractual relationship and access to the Service being immediately blocked. Any pecuniary claim by us against you remains unaffected by this. Furthermore, we reserve the right to initiate civil or criminal proceedings against you.
3.11. If you use the Service in conjunction with business interests or use the details and data entrusted to you for commercial purposes, you shall be obligated to pay a contractual penalty of 10,000 CHF for each proven contravention or the highest amount permitted by law, without prejudice to any claim for damages.
3.12. You undertake to hold us harmless against all proceedings, loss, demands or claims for damages that may arise during your registration for and use of the Service. In particular, you shall indemnify us against any liability and all obligations, expenses and claims resulting from losses due to malicious gossip, insult, defamation and violations of personality rights by other customers, due to non-provision of services for customers or due to the violation of intellectual property rights or other rights by you. Furthermore, you shall indemnify us against all liability and claims arising from a breach of these GTC by you.
3.13. You are expected to open and respond to the messages that you receive at regular and appropriate intervals and, if necessary, file these on your own computer or another storage medium.
3.14. All incoming messages of users of the free service are stored in the internal mailbox on the site for 30 days. All incoming messages for paying subscribers are stored in your internal mailbox on the site for 3 months. We reserve the right to review and delete any messages, comments, photos, video and whole profiles (the "content") that in our sole judgment violate these Terms or may be offensive, illegal, or that might violate the rights or put in danger safety of other members.
3.15. We are entitled to delete your profile if have not used the free Service for more than six (6) months from the database, even without consultation or notice. On the one hand, this measure helps to protect your data as, after this period has elapsed, we will be forced to assume that you are no longer interested in the storage of your data; on the other hand, the measure serves to keep the database free of inactive customers, thereby improving the service offered by us.
3.16. In order to use the yesadultdating.com chat program you need to have Adobe Flash Player installed.
4. SPECIAL CONDITIONS FOR EU CUSTOMERS: Right of withdrawal
Information concerning the exercise of the right of withdrawal
The withdrawal period will expire after 14 days from the day of the conclusion of the contract.
If you withdraw from this contract, we shall reimburse to you all payments received from you, including the costs of delivery (with the exception of the supplementary costs resulting from you choice of a type of delivery other than the least expensive type of standard delivery offered by us), without undue delay and in any event not later than 14 days from the day on which we are informed about your decision to withdraw from this contract. We will carry out such reimbursement using the same means of payment as you used for your initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of such reimbursement.
If you requested to begin the performance of services during the withdrawal period, you shall pay us an amount which is in proportion to what has been provided until you have communicated us your withdrawal from this contract, in comparison with the full coverage of contract.
— To Dating Factory, Customer Service, The Exchange, Express Park, Bristol Road, Bridgewater, Somerset, TA6 4RR, United Kingdom:
— I/We (*) hereby give notice that I/We (*) withdraw from my/our (*) contract of sale of the following goods (*)/for the provision of the following service (*),
— Ordered on (*)/received on (*): __________________________
— Name of consumer (s): __________________________
— Address of consumer(s): __________________________
— Signature of consumer(s) (only if this form is notified on paper): __________________________
—Date: __________________________
(*) Delete as appropriate
Please Note: To help us with identifying you and processing your withdrawal quickly, please notify us about the following details combined with your withdrawal notice:
-your email address with which you signed up and
-which of our platforms you want to withdraw from
5. Termination; Extension of the contract; Cessation of the service
5.1 Termination
When discussing termination, a strict distinction must be drawn between the free contractual relationship that comes into existence upon registration and the paid contractual relationship that comes into existence upon purchase of a paid service.
You are entitled to terminate the free contractual relationship with us at any time without stating your grounds for doing so.
We are entitled to terminate the existing free contractual relationship with you following a 14-day notice period. The right to terminate for good cause or to block you remains unaffected by this.
The paid contractual relationship must be terminated at least 14 calendar days before the respective duration of the contract expires or, if another period was specified upon purchase of the paid access, within the specified period. The termination of the paid contractual services is only effective if it takes place by means of an explicit, written declaration. To aid clear assignment and to protect against misuse, you must always specify your registration details as an absolute necessity.
Note: A paid contractual agreement cannot be terminated simply by deleting the profile. If you have purchased a paid service and delete your profile, the paid contractual relationship shall remain unaffected by this. If a service has been paid for but not used and you delete your profile, you are merely refusing to use the service. This means that you will receive no refund for the payment already made. As described above, the written form is always an absolute necessity for the termination of a paid contractual relationship.
5.2 Extension of the contract
The contract relating to a paid service is automatically extended by a period of time specified upon purchase provided that you do not terminate your contract in writing at least 14 calendar days before the respective contract duration expires, or, if another period was specified upon purchase of the paid access, within the specified period, giving your full registration details.
The rule may be deviated from in the case of trial subscriptions, advertising campaigns and similar. For these too, you are informed of the duration of the trial subscription, the option to terminate and the automatic extension that occurs failing exercise of this option in each case.
When purchasing a paid service, you are informed, upon receipt of the order confirmation, of the relevant duration, the start date of the contract and the duration of the extension applicable if no termination is made on time. You will be sent payment confirmation e-mail, which contains your payment reference. You must keep a copy of this information as this may be required if you wish to cancel your payment agreement.
For trial offers your subscription will renew automatically based on the period equal to the first full subscription agreed upon after the trial and will continue to be renewed unless cancelled or suspended by you. Subscriptions will be billed periodically on the same day of the month as the first payment unless the transaction is not successful, in which case it will be tried again at a later date. The subscription fees for the service may be changed by yesadultdating.com at any time (e.g. due to VAT changes, etc.) with effect to the next renewal period. We’ll inform you about the changed renewal price and your extraordinary right for termination if you disagree with the new price. If you are unhappy with any subscription fee changes you may terminate your membership by sending us the signed service suspension request form.
Discounted subscription fees for special offers apply only to the initial payment. Further recurring payments will be charged at normal published prices unless specified in the said offer.
5.3 Cessation of the service
We are entitled to cease providing the services offered in full or in part. We will inform you of the planned cessation and its scope ahead of time, at least 14 days before the full or partial cessation of the services. If you have paid for, but not yet fully exhausted an entitlement to the Service at the time of the cessation, you will receive a pro-rated refund for this non-exhausted entitlement.
6. Information on data
6.1 In the running of its services, we undertake to comply with legal provisions pertaining to data protection.
6.2 You acknowledge and agree that all content uploaded by you to the Service is available for all customers within the Dating Factory database. This is applicable regardless of the matter that other customers may have registered for the services provided by or us via other websites in the Dating Factory Network or us or via other cooperation partners. Reciprocally you also enjoy the benefits of this central Dating Factory database for the Services provided which are available via different domains, due to the broader database available for you.
6.3 Your profile and its contents may be searchable by, and you may be able to search for the profiles and their contents of members registered to other websites operated and powered by us, for example, co-branded or privately labeled. Your profile and its contents may be searchable by third-party search engines, for example Google, MSN, etc.
6.4 To improve your chances of success yesadultdating.com provides you with a free icebreaker messaging service. This feature ensures your profile gets maximum visibility as your matches are automatically sent a personal icebreaker message on your behalf.
6.5 In the course of serving ads to this site and you using some part of the web-site, us or our third-party advertiser may place or recognize a unique cookie on your browser. Cookies are a normal part of internet operations and are also used by yesadultdating.com to safely identify you each time you login and use the site and to keep your session active when you don’t use the website for some time. Any information that us or third parties collect via cookies and marketing campaigns tracking software is totally anonymous. By registering on this website you agree to allow the placement of these cookies. For more information on the types of cookie we use on the sites please visit our cookie information page.
6.6 For further privacy terms, please refer to our Privacy Policy.
7. Rights of use and copyright
All rights to programs, services, processes, software, technologies, brands, trade names, inventions and materials that belong to us shall remain exclusively ours. We are the owner of all rights of use for the above-mentioned rights. The use of all programs and the content, materials, brands and trade names contained therein are only permissible for the purposes specified in these GTC. Any reproduction of the programs, services, processes, software, technologies, brands, trade names, inventions and materials belonging to us are not permissible unless expressly authorized by us.
8.1 Direct contact is only established between our customers following mutual agreement. We are therefore not liable in the event that no such contact is established within the duration of the agreement. However, we endeavor to mediate contact between our customers by providing the technological means to this end.
8.2 We are not liable for the misuse of data and information as the possibility exists, despite its explicit prohibition, that you may use the Service in an improper or illegal manner. Furthermore, we are not liable in the event that information made accessible to a third party by you is misused by this third party.
8.3 We make no guarantee that the service will operate properly at all times, i.e. that it will be constantly available without interruption. In particular, we are not liable for faults in technical equipment or in the quality of access to the service due to force majeure or events beyond the control of us (e.g. failure of communication networks).
8.4 We are not liable for unauthorized attainment of your personal information by third parties, e.g. in the form of access to the database by hackers.
8.5 For other losses that occur due to causes other than those stated above, we shall only be liable in cases of intent and gross negligence on the part of its executive bodies, employees and vicarious agents, and this liability are proportionate to other causes contributing to the loss.
8.6 In the event of injury to life, body or health or in the case that we have breached material contractual obligations we are also liable for slight negligence. Liability in the latter case is limited to foreseeable, direct losses typical to this type of contractual relationship.
8.7 Liability is otherwise excluded.
9. Objections
9.1 Any objections to the amount charged or billed and must be raised and justified in writing to Dating Factory within six (6) weeks of the queried charge being made or the invoice being received. If you do not raise any justified objections within this 6-week period, the charged or invoiced costs shall be deemed as approved. For the avoidance of doubt, non-usage of the service, if the service has been available, is not a justified objection.
If a justified objection is raised, the legitimate account claimed will be reimbursed to you or, optionally, you will be offered an extension of the paid service. This extension will be for the period for which you raised the justified objection.
You also have the right to set us a grace period of five working days for proper performance. If the cause of the complaint is not resolved by the end of this grace period, you have the right to terminate the contract.
Mere immaterial interference to the service does not entitle you to a complaint. An immaterial interference to a paid service occurs when the period during which you are unable to use the paid service does not exceed two consecutive days.
You can only offset or assert a right of retention on the basis of your own claim against us if this claim is legally established, uncontested or recognized.
9.2 In cases of non-payment or a default on payment by you, we reserve the right to commission a debt collection agency and demand that you pay your fees. We also reserve the right to levy interest for arrears in an amount based upon legal provisions.
We reserve the right to demand that you pay the expenses arising from the unauthorized cancellation of a credit card payment or an unjustified objection to a direct debit payment to the extent possible under law.
10. Disputes resolution
To resolve a complaint regarding the service or the website, you should contact yesadultdating.com customer support team using the Contact us form on the yesadultdating.com website.
11.1 Except as expressly provided in the written form, the information on our payment page (s) in case you purchase paid services and these GTC constitute the entire agreement between us and you with respect to website and Service use.
11.2 The registration and subscription are personal to you. You will not assign, transfer or charge your rights and responsibilities under your registration and subscription.
11.3 We are authorized to commission third-party service providers and vicarious agents with the rendering of parts of or the entire spectrum of the Services provided that this does not give rise to any disadvantages for you.
11.4 Should individual provisions of these GTC’s or the contract become void or incomplete, the validity of the remaining provisions of the GTC’s or contract shall in no way be affected. As far as provisions do not become part of the contract or are invalid, the content of the contract shall be governed by applicable legal provisions.
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Posted inOp-Ed
Jessica White and David Meijer: Securing a Vibrant Future for the World’s Public Broadcasters
In an era defined by the manipulation of information, trustworthy public media are critical. Their home countries should embrace and bolster them instead of threatening their financial security and independence for short-term gain.
by Freedom House January 26, 2023 January 26, 2023
January 26, 2023 – In the century since the world’s oldest public broadcaster, the British Broadcasting Corporation (BBC), began operating, people around the world have benefited from international public broadcasters that share reliable information. Even with the rise of social media and competing services, their global footprint remains significant. The BBC reached a record 489 million people worldwide in 2020–21. France Médias Monde, which manages services like France 24 and Radio France Internationale (RFI), produces content in 20 languages.
These organizations may be taken for granted at home, but their global audiences rely on them as they navigate far more restrictive realities. Some 13 million people tuned into the BBC from Iran in 2021, for example; Tehran restricts access to foreign outlets, regularly disrupts internet access, and allows no domestic media diversity. That intolerance is on vivid display as authorities continue to target reporters covering protests sparked by the death of Mahsa Amini in September 2022.
And yet, even well-established public broadcasters face growing pressure and hostility in their own backyard, as governments tinker with their internal governance and funding. Their reach and effectiveness are at risk, as is people’s access to reliable information.
Wielding the axe
Much of the ongoing debate on the future of public media has revolved around the funding that underpins their editorial output and independence, as governments consider cost, perceived value, and the behavior of media consumers who are shaken by ongoing cost-of-living crises.
While constructive debate and reform is healthy and necessary, governments should be careful not to succumb to short-term desires that carry longer term risks. Reporters Without Borders (RSF) voiced this concern when it covered recent events in France; President Emmanuel Macron pledged to abolish the license fee that funds outlets including France 24 and RFI during his 2022 reelection campaign, which the parliament quickly fulfilled. Affected outlets will instead rely on a value-added tax until 2024, sparking concern over what will happen after.
The United Kingdom’s ruling Conservative Party, which has long pondered the BBC’s license fee, has also used cost-of-living concerns to justify their decisions. In January 2022, then culture secretary Nadine Dorries cited that issue when announcing a two-year license fee freeze. That April, Dorries proposed a new funding model altogether. Within months, the BBC announced layoffs at the World Service and the replacement of Arabic- and Persian-language radio services with digital offerings, citing the freeze. Staff objected to a plan to move colleagues responsible for Vietnamese-language content from London to Thailand, where enforced disappearance is a real risk.
Beyond the practical consequences of these cuts, any funding reform must be weighed against the risk of political interference, which only increases as governments exert more explicit budgetary control. Examples of this can be found even in strong democracies. In 2019, an Australian Senate committee criticized the government’s use of “funding as a lever to exert political influence” within the Australian Broadcasting Corporation (ABC). Accusations of open partisanship also surfaced at the BBC; in August 2022, former presenter Emily Maitlis accused Robbie Gibb, a prominent Conservative and BBC board member, of actively influencing its output (which the BBC denied).
The wrong targets
Broadcasters in established democracies are being pressured at a particularly sensitive time, especially as state and nonstate actors warp public and electoral life by manipulating the spread of information. The Chinese regime is particularly dogged in advancing its narrative through state-controlled outlets. Who is best placed to combat these trends? Many countries have a ready answer if they possess public outlets engaging in trustworthy journalism.
And even in a more polarized era, they are widely accepted as doing just that. A 2020 report from the Reuters Institute at the University of Oxford noted that British news consumers across the political spectrum trust the BBC. It also found that audiences in Finland, France, Germany, Italy, and Spain continue to rely on public content, even as they peruse other outlets and social media. In a 2020 Reuters Institute survey, Australians chose the ABC as their most-trusted news brand. Australia’s Special Broadcasting Service (SBS) and the BBC placed second and third, representing a clean sweep of the podium for public broadcasters.
Reputable outlets are also responsive to outside criticism, enhancing their nations’ democratic openness and resilience. Australia’s SBS had relied on China Central Television and China Global Television, both state-controlled, for Chinese-language content. But it took civil society feedback to heart when it suspended that arrangement in March 2021, after human rights organization Safeguard Defenders noted the Chinese outlets’ practice of airing forced confessions.
Ensuring a bright future for broadcasters to defend democracy
The structure of these broadcasters should not be preserved in amber; they must balance their own interests, respect media-sector diversity, and address the concerns of the feepaying public and civil society. But regulators and politicians should not lose sight of how important and effective these broadcasters are even as they consider reforms. They would do their citizens, and the world’s, a service by embracing outlets that backstop the free flow of information.
Luckily, the tide may be turning. In February 2022, Australia’s Liberal-National coalition increased ABC funding after years of cuts. The Labor government that succeeded it vowed to introduce a five-year funding cycle and improve the broadcaster’s financial outlook. European initiatives also promise heightened collaboration between, and support for, public outlets. In 2021, the European Broadcasting Union launched A European Perspective, a newsroom tasked with combating disinformation. Last September, the European Commission proposed the European Media Freedom Act, which would address funding stability for public outlets and provide other safeguards against political interference.
More headlines like this would be a welcome opening to a second century for public media. But reform should not presage retreat, especially when the consequences to democracy are so profound; as we noted in the 2022 edition of Freedom in the World, the capturing of a nation’s public media precedes a greater narrowing of its society. Democratic leaders should instead promote a continued understanding of why these outlets matter, secure an affordable and sustainable future for them, and illustrate how they combat authoritarianism by doing what they already do best.
Jessica White is Senior Research Analyist for Media and Democracy. David Meijer is Associate Editor.
Freedom House is founded on the core conviction that freedom flourishes in democratic nations where governments are accountable to their people; the rule of law prevails; and freedoms of expression, association, and belief, as well as respect for the rights of women, minority communities, and historically marginalized groups, are guaranteed. www.freedomhouse.org | 2023-14/0037/en_head.json.gz/13468 | {"url": "https://yubanet.com/opinions/jessica-white-and-david-meijer-securing-a-vibrant-future-for-the-worlds-public-broadcasters/", "partition": "head_middle", "language": "en", "source_domain": "yubanet.com", "date_download": "2023-03-20T09:16:14Z", "digest": "sha1:637BECDNEZOVRVGVJNWWPBHNFYHCAW4U"} | {"ccnet_length": [[0, 7727, 7727.0]], "ccnet_original_length": [[0, 7727, 10158.0]], "ccnet_nlines": [[0, 7727, 22.0]], "ccnet_original_nlines": [[0, 7727, 104.0]], "ccnet_language_score": [[0, 7727, 0.95]], "ccnet_perplexity": [[0, 7727, 303.2]], "ccnet_bucket": [[0, 7727, 0.0]], 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Discover Pinterest’s 10 best ideas and inspiration for Planks. Get inspired and try out new things. | 2023-14/0037/en_head.json.gz/13469 | {"url": "https://za.pinterest.com/ideas/planks/923659246604/", "partition": "head_middle", "language": "en", "source_domain": "za.pinterest.com", "date_download": "2023-03-20T11:04:07Z", "digest": "sha1:KEJOL2UOZXJ5EDF6LEQZSNQFBJU7JF7J"} | {"ccnet_length": [[0, 99, 99.0]], "ccnet_original_length": [[0, 99, 345.0]], "ccnet_nlines": [[0, 99, 1.0]], "ccnet_original_nlines": [[0, 99, 9.0]], "ccnet_language_score": [[0, 99, 0.82]], "ccnet_perplexity": [[0, 99, 332.8]], "ccnet_bucket": [[0, 99, 0.0]], "rps_doc_curly_bracket": [[0, 99, 0.0]], "rps_doc_ldnoobw_words": [[0, 99, 0.0]], "rps_doc_lorem_ipsum": [[0, 99, 0.0]], "rps_doc_stop_word_fraction": [[0, 99, 0.4]], "rps_doc_ut1_blacklist": [[0, 99, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 99, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 99, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 99, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 99, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 99, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 99, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 99, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 99, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 99, 0.0]], "rps_doc_frac_all_caps_words": [[0, 99, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 99, 0.0]], "rps_doc_frac_no_alph_words": [[0, 99, 0.2]], "rps_doc_frac_unique_words": [[0, 99, 0.9375]], "rps_doc_mean_word_length": [[0, 99, 5.125]], "rps_doc_symbol_to_word_ratio": [[0, 99, 0.0]], "rps_doc_unigram_entropy": [[0, 99, 2.68594532]], "rps_doc_word_count": [[0, 99, 16.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 99, 1.0]], "rps_lines_javascript_counts": [[0, 99, 0.0]], "rps_lines_num_words": [[0, 99, 16.0]], "rps_lines_numerical_chars_fraction": [[0, 99, 0.02061856]], "rps_lines_start_with_bulletpoint": [[0, 99, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 99, 0.04040404]], "rps_doc_ml_palm_score": [[0, 99, 0.01355076]], "rps_doc_ml_wikipedia_score": [[0, 99, null]], "rps_doc_ml_wikiref_score": [[0, 99, -1.001e-05]], "rps_doc_books_importance": [[0, 99, -14.17312916]], "rps_doc_openwebtext_importance": [[0, 99, -1.97093423]], "rps_doc_wikipedia_importance": [[0, 99, -11.48927023]], "rps_doc_num_sentences": [[0, 99, 2.0]]} |
Tag: how to track a phone
In the age of digital technology nearly everyone has an iPhone and it’s become a vital aspect in our daily lives. It’s difficult to imagine a life without a mobile phone. But …
How to Track a Cell Phone’s Location with Phone Number Read More | 2023-14/0037/en_head.json.gz/13470 | {"url": "https://zeetv.xyz/tag/how-to-track-a-phone/", "partition": "head_middle", "language": "en", "source_domain": "zeetv.xyz", "date_download": "2023-03-20T09:44:24Z", "digest": "sha1:J233IMO53K5ZOY2TJVPDQPDQMAVEDJPZ"} | {"ccnet_length": [[0, 267, 267.0]], "ccnet_original_length": [[0, 267, 2503.0]], "ccnet_nlines": [[0, 267, 3.0]], "ccnet_original_nlines": [[0, 267, 97.0]], "ccnet_language_score": [[0, 267, 0.89]], "ccnet_perplexity": [[0, 267, 297.0]], "ccnet_bucket": [[0, 267, 0.0]], "rps_doc_curly_bracket": [[0, 267, 0.0]], "rps_doc_ldnoobw_words": [[0, 267, 0.0]], "rps_doc_lorem_ipsum": [[0, 267, 0.0]], "rps_doc_stop_word_fraction": [[0, 267, 0.41666667]], "rps_doc_ut1_blacklist": [[0, 267, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 267, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 267, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 267, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 267, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 267, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 267, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 267, 0.04672897]], "rps_doc_frac_chars_top_3gram": [[0, 267, 0.09345794]], "rps_doc_frac_chars_top_4gram": [[0, 267, 0.10280374]], "rps_doc_frac_all_caps_words": [[0, 267, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 267, 0.33333333]], "rps_doc_frac_no_alph_words": [[0, 267, 0.11666667]], "rps_doc_frac_unique_words": [[0, 267, 0.76470588]], "rps_doc_mean_word_length": [[0, 267, 4.19607843]], "rps_doc_symbol_to_word_ratio": [[0, 267, 0.01666667]], "rps_doc_unigram_entropy": [[0, 267, 3.53606013]], "rps_doc_word_count": [[0, 267, 51.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 26, 0.0], [26, 203, 0.0], [203, 267, 0.0]], "rps_lines_javascript_counts": [[0, 26, 0.0], [26, 203, 0.0], [203, 267, 0.0]], "rps_lines_num_words": [[0, 26, 6.0], [26, 203, 33.0], [203, 267, 12.0]], "rps_lines_numerical_chars_fraction": [[0, 26, 0.0], [26, 203, 0.0], [203, 267, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 26, 0.0], [26, 203, 0.0], [203, 267, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 26, 0.03846154], [26, 203, 0.02259887], [203, 267, 0.140625]], "rps_doc_ml_palm_score": [[0, 267, 1.454e-05]], "rps_doc_ml_wikipedia_score": [[0, 267, null]], "rps_doc_ml_wikiref_score": [[0, 267, 0.00058019]], "rps_doc_books_importance": [[0, 267, -36.04808131]], "rps_doc_openwebtext_importance": [[0, 267, 4.38383329]], "rps_doc_wikipedia_importance": [[0, 267, -25.70659181]], "rps_doc_num_sentences": [[0, 267, 3.0]]} |
Almost ready for our open date on March 18! I took my daughter to check out the new office today and she loved it so much she offered to work the front desk. My son said he couldn’t wait for his next appointment. And these are kids who hate going to the dentist!!! “No offense, Mom…” | 2023-14/0037/en_head.json.gz/13471 | {"url": "https://zeisdental.com/from-our-instagram-75/", "partition": "head_middle", "language": "en", "source_domain": "zeisdental.com", "date_download": "2023-03-20T10:28:42Z", "digest": "sha1:YDVOG6LUQNKYPBCGM47HB453NJABAJEC"} | {"ccnet_length": [[0, 283, 283.0]], "ccnet_original_length": [[0, 283, 2228.0]], "ccnet_nlines": [[0, 283, 1.0]], "ccnet_original_nlines": [[0, 283, 43.0]], "ccnet_language_score": [[0, 283, 0.98]], "ccnet_perplexity": [[0, 283, 333.2]], "ccnet_bucket": [[0, 283, 0.0]], "rps_doc_curly_bracket": [[0, 283, 0.0]], "rps_doc_ldnoobw_words": [[0, 283, 0.0]], "rps_doc_lorem_ipsum": [[0, 283, 0.0]], "rps_doc_stop_word_fraction": [[0, 283, 0.44615385]], "rps_doc_ut1_blacklist": [[0, 283, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 283, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 283, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 283, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 283, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 283, 0.0]], "rps_doc_frac_all_caps_words": [[0, 283, 0.01538462]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 283, 0.0]], "rps_doc_frac_no_alph_words": [[0, 283, 0.13846154]], "rps_doc_frac_unique_words": [[0, 283, 0.85714286]], "rps_doc_mean_word_length": [[0, 283, 3.94642857]], "rps_doc_symbol_to_word_ratio": [[0, 283, 0.01538462]], "rps_doc_unigram_entropy": [[0, 283, 3.80862221]], "rps_doc_word_count": [[0, 283, 56.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 283, 1.0]], "rps_lines_javascript_counts": [[0, 283, 0.0]], "rps_lines_num_words": [[0, 283, 56.0]], "rps_lines_numerical_chars_fraction": [[0, 283, 0.00724638]], "rps_lines_start_with_bulletpoint": [[0, 283, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 283, 0.02473498]], "rps_doc_ml_palm_score": [[0, 283, 0.00318408]], "rps_doc_ml_wikipedia_score": [[0, 283, null]], "rps_doc_ml_wikiref_score": [[0, 283, 5.507e-05]], "rps_doc_books_importance": [[0, 283, -10.66255095]], "rps_doc_openwebtext_importance": [[0, 283, 1.15122522]], "rps_doc_wikipedia_importance": [[0, 283, -31.20607499]], "rps_doc_num_sentences": [[0, 283, 5.0]]} |
What does it take to make it in corporate sales?
Job-Seeking
Corporate sales are one of the most challenging, but rewarding things in the sales domain that ensure trust and long-term relations between the entities. Quality products, valuable services, valued customers, and knowledge market trends are a few things that are considered pre-requisite for sales. However, when it comes to corporate sales, it needs a different strategy and approach about which we will discuss in this blog. So, let’s begin!
Six Ways You Can Succeed at Corporate Sales
If you are a sales professional or marketer that wants to increase the company revenue but finds it challenging to close the deal, then you need not worry anymore. We are here with Six ways you can truly rock corporate sales.
Know What You Are Selling
Before you begin making sales, you must know exactly what you are selling. Learn about your product or service as much as you can. Your customer may ask you some technical questions related to your offerings, and you are expected to have all the answers. Here you have a good chance to convince your customer that will increase your chances of closing the deal.
Build a Database to Work
After you have a good idea about your products and services, it’s time to build a database. Having a database is a must when it comes to making corporate sales as it allows the customer information to stay centralized. A database will help you store information about sales prospects. You can categorize various prospects into hot, cold, and medium considering their profile and buying patterns. It organizes information that can be easily accessed and managed. Moreover, you have complete information about the sales-related activities and customer profiles.
Try Different Marketing Avenues for Interaction and Probing
Now that you have got a complete record of information about contacts and customer profiles, begin interacting with them. Try different marketing avenues like digital marketing, social media, websites, cold calling, and finally arranging appointments. Also, consider social selling as 31% of the B2B marketers believe that it has helped nurture better relationships with customers. The purpose is to probe and know about your targeted customer more. Supposedly, you sell office supplies, and you visit an organization and try learning about the organization. Ask them how many employees they have, how many branches they have, number of reception, number of conference rooms, and so forth. It will give you an idea of how much office supplies they need. Moreover, it will help you convince your customer why and where they need your office supplies for the smooth day-to-day running of the office and to maintain productivity and efficiency.
Know the Pitch
Consider getting an elevator pitch ready. By elevator pitch, we mean that the overview of your product should be as long as an elevator ride while leaving a good impression. It helps you to get your important message and points across quickly. All you need to do is just adjust according to the requirements of your customer. Supposedly, your customer wants power-saving instruments in the office, then show them the equipment right away. However, if the customer is concerned about the pricing, then show them the best options available in their budget. So, know the requirements and try to make your offerings fit in.
Follow Up is Must
As you are on the way to close the deal, you must remember that the first call or first interaction with the customers won’t help in closing the sale. Around 60% of buyers want to connect after their research. Also, 42% of the people are encouraged on being followed up at an agreed-upon time. Thus, we would recommend you to have a follow-up strategy. You can follow up with your customers in different ways that include phone calls, messaging, and emails. Make sure that you get a response from the customer at the earliest because the slightest delay in the follow-up will direct the customer somewhere else, and you may have to bear the loss. Also, look for subtle hints; supposedly, the customer dodges the answer, he is more likely to move away. Moreover, we would recommend you to follow up with existing as well as prospective customers with the intent to nudge your target and build trust.
Finally, Close the Sale
Closing the deal depends on the trust that you try to build throughout the process. If you are successful at convincing the customer, you are successful at building trust. Following the above steps, you can finally close the deal on a positive note. You must observe the pattern that the customer follows before making the final purchase. For example, some customers like to be addressed directly, some hate excessive calling, some like to explore the market, while some like to browse the website and other digital avenues before making a final decision. Try to figure out what triggers the customer and what is his thought process. It will help you predict his next move, and you can focus on that specific area rightly and approach the customer accordingly. It will ultimately help you close the sale. Important Note- In the corporate sale, the cost of retaining an existing customer is half of acquiring a new one. And, the best way to retain your existing customer is to provide him with the right service in time of need. Even if you have closed the sale, never underestimate the significance of after-sale service. Closing the sale and not addressing their issues or providing any support would ruin your reputation in the market. Make sure that you solve the customer issues and provide them with a legitimate and valuable solution. Otherwise, you may end up creating trouble for yourself as it will result in negative publicity that will somehow shake people and businesses trust.
Corporates are smart, and marketers need to have more than just an exciting pitch. Most importantly, you should know your customers, show empathy for them, and have confidence in your offerings. We would recommend you consider the steps mentioned above and crack the deal. Meanwhile, if you are facing issues landing a successful sales deal, consider checking Zestcity. Here you will get a dedicated community of web designers and marketing experts that can help you with engaging websites that can prove to be a lead generator for businesses in the UK and USA. Need our assistance? Get in touch with us right here! | 2023-14/0037/en_head.json.gz/13472 | {"url": "https://zestcity.com/job-seeking/what-does-it-take-to-make-it-in-corporate-sales/", "partition": "head_middle", "language": "en", "source_domain": "zestcity.com", "date_download": "2023-03-20T09:43:28Z", "digest": "sha1:ZFEZ4FVMCNCLTHEET62PGPHBQDG2DSRD"} | {"ccnet_length": [[0, 6431, 6431.0]], "ccnet_original_length": [[0, 6431, 11014.0]], "ccnet_nlines": [[0, 6431, 18.0]], "ccnet_original_nlines": [[0, 6431, 122.0]], "ccnet_language_score": [[0, 6431, 0.96]], "ccnet_perplexity": [[0, 6431, 311.7]], "ccnet_bucket": [[0, 6431, 0.0]], "rps_doc_curly_bracket": [[0, 6431, 0.0]], "rps_doc_ldnoobw_words": [[0, 6431, 0.0]], "rps_doc_lorem_ipsum": [[0, 6431, 0.0]], "rps_doc_stop_word_fraction": [[0, 6431, 0.47638436]], "rps_doc_ut1_blacklist": [[0, 6431, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 6431, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 6431, 0.00804444]], "rps_doc_frac_chars_dupe_6grams": [[0, 6431, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 6431, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 6431, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 6431, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 6431, 0.02106876]], "rps_doc_frac_chars_top_3gram": [[0, 6431, 0.00459682]], "rps_doc_frac_chars_top_4gram": [[0, 6431, 0.01091745]], "rps_doc_frac_all_caps_words": [[0, 6431, 0.00325733]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 6431, 0.0]], "rps_doc_frac_no_alph_words": [[0, 6431, 0.11726384]], "rps_doc_frac_unique_words": [[0, 6431, 0.38210624]], "rps_doc_mean_word_length": [[0, 6431, 4.86579683]], "rps_doc_symbol_to_word_ratio": [[0, 6431, 0.0]], "rps_doc_unigram_entropy": [[0, 6431, 5.29166687]], "rps_doc_word_count": [[0, 6431, 1073.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 49, 1.0], [49, 61, 0.0], [61, 505, 1.0], [505, 549, 0.0], [549, 775, 1.0], [775, 801, 0.0], [801, 1163, 1.0], [1163, 1188, 0.0], [1188, 1748, 1.0], [1748, 1808, 0.0], [1808, 2750, 1.0], [2750, 2765, 0.0], [2765, 3385, 1.0], [3385, 3403, 0.0], [3403, 4302, 1.0], [4302, 4326, 0.0], [4326, 5816, 1.0], [5816, 6431, 1.0]], "rps_lines_javascript_counts": [[0, 49, 0.0], [49, 61, 0.0], [61, 505, 0.0], [505, 549, 0.0], [549, 775, 0.0], [775, 801, 0.0], [801, 1163, 0.0], [1163, 1188, 0.0], [1188, 1748, 0.0], [1748, 1808, 0.0], [1808, 2750, 0.0], [2750, 2765, 0.0], [2765, 3385, 0.0], [3385, 3403, 0.0], [3403, 4302, 0.0], [4302, 4326, 0.0], [4326, 5816, 0.0], [5816, 6431, 0.0]], "rps_lines_num_words": [[0, 49, 10.0], [49, 61, 1.0], [61, 505, 69.0], [505, 549, 8.0], [549, 775, 41.0], [775, 801, 5.0], [801, 1163, 64.0], [1163, 1188, 5.0], [1188, 1748, 87.0], [1748, 1808, 8.0], [1808, 2750, 148.0], [2750, 2765, 3.0], [2765, 3385, 104.0], [3385, 3403, 4.0], [3403, 4302, 158.0], [4302, 4326, 4.0], [4326, 5816, 251.0], [5816, 6431, 103.0]], "rps_lines_numerical_chars_fraction": [[0, 49, 0.0], [49, 61, 0.0], [61, 505, 0.0], [505, 549, 0.0], [549, 775, 0.0], [775, 801, 0.0], [801, 1163, 0.0], [1163, 1188, 0.0], [1188, 1748, 0.0], [1748, 1808, 0.0], [1808, 2750, 0.00327154], [2750, 2765, 0.0], [2765, 3385, 0.0], [3385, 3403, 0.0], [3403, 4302, 0.00457666], [4302, 4326, 0.0], [4326, 5816, 0.0], [5816, 6431, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 49, 0.0], [49, 61, 0.0], [61, 505, 0.0], [505, 549, 0.0], [549, 775, 0.0], [775, 801, 0.0], [801, 1163, 0.0], [1163, 1188, 0.0], [1188, 1748, 0.0], [1748, 1808, 0.0], [1808, 2750, 0.0], [2750, 2765, 0.0], [2765, 3385, 0.0], [3385, 3403, 0.0], [3403, 4302, 0.0], [4302, 4326, 0.0], [4326, 5816, 0.0], [5816, 6431, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 49, 0.02040816], [49, 61, 0.16666667], [61, 505, 0.00900901], [505, 549, 0.15909091], [549, 775, 0.01327434], [775, 801, 0.19230769], [801, 1163, 0.01104972], [1163, 1188, 0.12], [1188, 1748, 0.01071429], [1748, 1808, 0.1], [1808, 2750, 0.01061571], [2750, 2765, 0.13333333], [2765, 3385, 0.01129032], [3385, 3403, 0.16666667], [3403, 4302, 0.00889878], [4302, 4326, 0.125], [4326, 5816, 0.01073826], [5816, 6431, 0.02113821]], "rps_doc_ml_palm_score": [[0, 6431, 0.11154687]], "rps_doc_ml_wikipedia_score": [[0, 6431, null]], "rps_doc_ml_wikiref_score": [[0, 6431, 0.02463406]], "rps_doc_books_importance": [[0, 6431, -196.71964986]], "rps_doc_openwebtext_importance": [[0, 6431, 18.09135762]], "rps_doc_wikipedia_importance": [[0, 6431, -465.91886734]], "rps_doc_num_sentences": [[0, 6431, 61.0]]} |
Royal Palace of Brussels
The Royal Palace of Brussels (Dutch: Koninklijk Paleis van Brussel [ˈkoːnɪŋklək paːˈlɛis fɑm ˈbrʏsəl],[2] French: Palais Royal de Bruxelles, German: Königlicher Palast von Brüssel) is the official palace of the King and Queen of the Belgians in the centre of the nation's capital Brussels. However it is not used as a royal residence, as the king and his family live in the Royal Palace of Laeken on the outskirts of Brussels. The website of the Belgian Monarchy describes the function of the palace as follows:
"The Palace is where His Majesty the King exercises his prerogatives as Head of State, grants audiences and deals with affairs of state. Apart from the offices of the King and the Queen, the Royal Palace houses the services of the Grand Marshal of the Court, the King's Head of Cabinet, the Head of the King's Military Household and the Intendant of the King's Civil List. The Palace also includes the State Rooms where large receptions are held, as well as the apartments provided for foreign Heads of State during official visits."
Palais Royal de Bruxelles (in French)
Koninklijk Paleis van Brussel (in Dutch)
Königlicher Palast von Brüssel (in German)
Main façade of the Royal Palace of Brussels (constructed 1904)
Location within Brussels
Monarchy of Belgium
Construction started
Belgian federal government
33,027m2 (355,500ft2)
1818-20: Ghislain-Joseph Henry
1820-25: Charles Vander Straeten
1825-29: Tilman-François Suys
1868: Alphonse Balat
1903: Henri Maquet
1930-34: Octave Flanneau
François Rude, Jan Fabre
The palace is situated in front of Brussels Park. A long square called the Paleizenplein/Place des Palais separates the palace from the park. The middle axis of the park marks both the middle peristyle of the palace and the middle of the facing building on the other side of the park, which is the Palace of the Nation (the Belgian Federal Parliament building). The two facing buildings are said to symbolize Belgium's system of government: a constitutional monarchy.
As often mentioned, it has a facade 50% longer than that of Buckingham Palace [3] but its floor area of 33,027 m2 is less than half of Buckingham Palace's floor area (77,000 m2).[4]
Further information: Coudenberg
The facade existing today was only built after 1900 on the initiative of King Leopold II. The first nucleus of the present-day building dates from the end of the 18th century. However, the grounds on which the palace stands were once part of the Coudenberg Palace a very old palatial complex that dated back to the Middle Ages.[1]
The first building on the Coudenberg hill was constructed between the second half of the 11th and first half of the 12th century. At that time it probably looked like a fortified castle forming a part of the fortifications of the city of Brussels. It was the home of the Dukes of Brabant who also resided in the nearby city of Leuven and in the Castle of Tervuren. In the following centuries it was rebuilt, extended and improved in line with the increased prestige of the Dukes of Brabant and their successors; the Dukes of Burgundy, the Emperor Charles V, the Archduke Albert of Austria and Infanta Isabel of Spain and successive Governors of the Habsburg Netherlands.
The 'Aula Magna', or Throne Room, was built for Philip the Good in the 15th century. It was in this room that the Emperor Charles V abdicated in 1555 in favour of his son Philip II of Spain. This prestigious complex was unfortunately destroyed by a fire on February 3, 1731. The ruins only disappeared when the district was redeveloped after 1775. At that time the urban axes of the present-day Brussels Park were laid out. The Place Royale was built on top of the ruined palace. Excavations of the site by different archeological organisations have unearthed various remains of different parts of the Palace as well as the surrounding town. The monumental vaults remaining under the square and its surrounding buildings can be visited.
The New Palace
Charles Alexander of Lorraine, at that time Governor of the Habsburg Netherlands had a new palace, the Palace of Charles of Lorraine, built on the nearby site of the former palace of the Nassau family (Hof van Nassau). The Palace of Charles of Lorraine is now part of the Royal Library of Belgium. The old palace garden was redesigned as a public park. On the north side a new building for the Council of Brabant (Raad van Brabant / Conseil de Brabant) was built by the French architect Gilles Barnabé Guimard, which today houses the Belgian Federal Parliament and is known as the 'Palace of the Nation'. On the other side of the park (the building plot of the present-day palace) the middle axis of the park continued as a street between two newly built mansions. One served as the residence of the Abbot of the nearby Coudenberg Abbey, while the other was inhabited by important government members.
After the Congress of Vienna in 1814, Brussels became (together with The Hague) the joint capital of the new established United Kingdom of the Netherlands. It was under the rule of William I of the Netherlands that the street was covered and the two mansions were joined with a gallery. The newly created 'palace' received a new neo-classic facade designed by Tilman-François Suys with a peristyle in the middle, and a balcony with a wrought iron parapet surrounding the entire first floor.
The street running alongside the new palace was widened and thus the Place des Palais or Paleizenplein was created. The new square was called 'Square of the Palaces' in plural, because another palace was built on the left side of the Royal Palace. This new building (1823) was designed as the residence of the Crown Prince called the Prince of Orange (the later King William II of the Netherlands). Today it houses the Royal Academies of Sciences and Arts of Belgium and is consequently called Academiënpaleis / Palais des Academies. The rooms and 'Salons' of the old mansions were incorporated in the new Royal Palace and were only partly refurnished. Some of them survived al the 19th and 20th century renovations and are still partly intact today. A major addition to the interior decoration from the time of William I is the so-called 'Empire room' which was designed as a ballroom. It has a very refined cream and gold decoration designed and executed by the famous French sculptor François Rude.
Extensions by Leopold II
After the Belgian revolution the palace was offered to Leopold of Saxe-Coburg when he ascended the throne as the first King of the Belgians. Just like his predecessor William II he used the palace mainly for official receptions and other representational purposes and lived in the Royal Palace of Laeken. During his reign (until 1865) little was changed to the palace. It was his son and successor Leopold II who judged the building to be too modest for a king of his stature, and who kept on enlarging and embellishing the palace until his death in 1909. During his reign the palace nearly doubled in surface. After the designs of his architect Alphonse Balat, imposing rooms like the 'Grand Staircase', 'Throne Room' and the 'Grande Gallerie' were added. Balat also planned a new façade but died before the plans could be executed.
It was only after 1904 that the new façade was executed after new plans by Henri Maquet. The pediment sculpture shows an allegorical figure of Belgium flanked by groups representing Industry and Agriculture, by Belgian sculptor Thomas Vinçotte. The new design included a formal front garden separating the building from the 'Place des Palais'.
In the palace an important part of the royal collection is found. This consists of mainly state portraits and important furniture of Napoleon, Leopold I, King Louis Philippe and Leopold II. Silverware, porcelain and fine crystal is kept in the cellars used during state banquets and formal occasions at court. Queen Paola added modern art in some of the state rooms.
During state visits, the royal apartments and suites are at the disposal of visiting heads of state. Ambassadors too are received here with state ceremony. New Year's receptions are held for NATO, ambassadors of the EU and politicians. Royal wedding banquets take place in the palace, and after their death, the body of the deceased king lies in state here. If the king is currently in the country, the flag is hoisted on the central building. If he is present inside the palace then the Honor Guard stands at the front of the palace.
List of castles in Belgium
Royal Castle of Laeken residence of the King
Ministère de la culture française (1994). "Le Palais Royal". Le patrimoine monumental de la Belgique / Bruxelles (in French). Liège: Editions Mardaga. pp. 57–67. ISBN 2870095627. Retrieved 9 April 2012.
In isolation, van is pronounced [vɑn].
http://www.smarksthespots.com/10-fun-facts-brussels/
http://www.royalcollection.org.uk/sites/default/files/Buckingham_Palace_Fact_Sheet.pdf
André Molitor. The Royal Palace in Brussels. Musea Nostra. Ghent, Crédit Communal & Ludion, 1993.
Liane Ranieri. Léopold II urbaniste (Leopold II as town planner). Brussels, Hayez, 1973.
Irène Smets. The Royal Palace in Brussels. Ghent, Ludion, 2000.
Arlette Smolar et al., Le Palais de Bruxelles (The Palace of Brussels). Huit siècles d'art et d'histoire (Eight centuries of art and history). Brussels, Crédit Communal, 1991.
Thierry Van Oppem. 'Aux origines du Palais Royal de Bruxelles, un hôtel ministériel de la fin du XVIIe siècle'. ("The origins of the Royal Palace of Brussels, a late 17th century ministerial mansion"). Maison d'Hier et d'Aujourd'hui, 1991.
Wikimedia Commons has media related to Royal Palace, Brussels.
Palace of Brussels, official website
Royal palaces and residences in Belgium
Royal Palace of Brussels (Main Residence of the Belgian Court)
Royal Castle of Laeken (Private Residence of the King)
Belvédère Castle
Château royal de Ciergnon
Fenffe Castle
Château du Stuyvenberg
Villa Clémentine
Palace of the Count of Flanders
Chateau des Amerois
Château royal d'Ardenne
Palace of Coudenberg
Villa Leopolda
Les Cèdres (private residence)
Villa Astrida, Motril
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Half Court Basketball Size: Everything You Need to Know
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Basketball is one of the most popular sports in the world, enjoyed by millions of people of all ages. While most people are familiar with full-sized basketball courts, half courts are also common in many settings, such as community centers, schools, and backyards. If you’re thinking of building or playing on a half court, it’s important to know the size and dimensions of the court. In this article, we’ll explore everything you need to know about half court basketball size.
Half Court Basketball Size
Half Court Basketball Dimensions
History of Half Court Basketball
Benefits of Playing on a Half Court
Famous Half Basketball Courts Players
Materials for Building a Basketball Court Half Size
Tips for Playing on Half Courts
A half court basketball court is exactly what it sounds like – half the size of a full court. According to the regulations of NBA and National Collegiate Athletic Association (NCAA), the standard size of a full court is 94 feet long by 50 feet wide, while a half court is 47 feet long by 50 feet wide. As you can see, the width of a half court is the same as a full court, while the length is half the size.
source: dimensions.com
The basketball half court dimensions are as follows:
Length: 47 feet (14.32 meters)
Width: 50 feet (15.24 meters)
Free-throw line distance: 15 feet (4.57 meters)
Three-point line distance: 22 feet (6.71 meters) from the center of the basket
Key width: 12 feet (3.66 meters)
Key length: 19 feet (5.79 meters)
These dimensions are standardized by the National Basketball Association (NBA), and are used in most basketball courts across the world. It’s important to note that while these are the official dimensions, some courts may have slight variations based on the available space.
Basketball was invented in 1891 by Dr. James Naismith, a Canadian physical education instructor. The first game was played with nine players on each team, and the court was much smaller than the modern court size. Over time, the court size and number of players evolved, with the first official rules being established in 1932. At the time, most basketball games were played on outdoor courts, which were often uneven and had various obstacles. As a result, it was difficult to maintain a full-sized court and play a full game. To address this issue, basketball enthusiasts started building half courts that were smaller in size and easier to maintain. These half courts quickly gained popularity and became a common feature in schools, parks, and recreational facilities.
Playing on a half court can be beneficial in many ways, such as:
It requires less space: Half courts can be built in smaller spaces, such as backyards or community centers, making it more accessible to more people.
It’s easier to maintain: Half courts require less maintenance than full courts, which can be time-consuming and expensive.
It allows for more games: With half courts, multiple games can be played simultaneously, allowing more people to participate.
It’s great for practicing: Half courts are ideal for practicing shooting, dribbling, and other basketball skills.
Many famous basketball players have honed their skills on half courts, including Michael Jordan, Kobe Bryant, and LeBron James. In fact, playing on a half court can be a great way to develop your skills, as it forces you to be more creative and strategic in your movements. With less space to move around, you need to be more efficient with your dribbling, passing, and shooting. Plus, playing on a half court can help you improve your stamina, as you need to move more quickly and cover more ground.
If you’re thinking of building a half court basketball size, you’ll need the following materials:
A flat and level surface: This can be concrete, asphalt, or any other solid and stable surface.
Paint or tape: You’ll need to mark the half basketball court dimensions, including the free-throw line, three-point line, and key.
Basketball hoop and backboard: You’ll need a basketball hoop and backboard that meet the standard size and height requirements.
ZSFloorTech provides professional basketball court flooring, which has the performance required by FIBA and is sold at factory price. What’s more, we helped people solve the problems of floor installation and court lines drawing. We pre-draw the basketball lines and custom logos for you before delivery, and the floor is connected with snaps, so you can install it very conveniently.
In conclusion, a half court basketball court is a great option for people who want to enjoy basketball without the space and maintenance requirements of a full court. By following the standardized dimensions and using the right materials, you can build a half court that meets your needs and allows you to play and practice basketball whenever you want.
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If you’re planning to play on a backyard half court basketball size, here are some tips to keep in mind:
Focus on ball handling: With less space to move around, you’ll need to be more skilled at dribbling and controlling the ball.
Develop your shooting skills: On a half court, shooting accuracy is more important than power. Practice your shooting from different angles and distances.
Play with smaller teams: To maximize the space on a half court, it’s best to play with smaller teams, such as 2-on-2 or 3-on-3.
Be mindful of the lines: The free-throw line and three-point line are critical areas on a half court. Make sure you know where they are and use them strategically to your advantage.
Use the key to your advantage: The key is a critical area on a half court that can be used for both offense and defense. Use it to create space, set screens, and draw fouls.
In summary, half court basketball is a popular and accessible way to enjoy the game of basketball. Whether you’re playing in a schoolyard, community center, or backyard, it’s important to know the size and dimensions of a half court to ensure a fun and safe experience. By following the standard dimensions and using the right materials, you can build a half court that meets your needs and allows you to practice and play basketball with friends and family. Don’t forget to check out our sports ground flooring options to enhance your half court experience!
National Basketball League (NBL)
Basketball-Reference.com. “Half-Court Basketball.”
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FREEBIES!!!!!!!!!!
Check out the Freebie section for two great Freebie packs. | 2023-14/0037/en_head.json.gz/13476 | {"url": "http://100ormorein2011.blogspot.com/2011/03/freebies.html", "partition": "head_middle", "language": "en", "source_domain": "100ormorein2011.blogspot.com", "date_download": "2023-03-20T08:51:40Z", "digest": "sha1:KQ5YV6WLBDJOQGNIQKWKOUJWT7ZJNSH3"} | {"ccnet_length": [[0, 77, 77.0]], "ccnet_original_length": [[0, 77, 508.0]], "ccnet_nlines": [[0, 77, 2.0]], "ccnet_original_nlines": [[0, 77, 19.0]], "ccnet_language_score": [[0, 77, 0.64]], "ccnet_perplexity": [[0, 77, 212.1]], "ccnet_bucket": [[0, 77, 0.0]], "rps_doc_curly_bracket": [[0, 77, 0.0]], "rps_doc_ldnoobw_words": [[0, 77, 0.0]], "rps_doc_lorem_ipsum": [[0, 77, 0.0]], "rps_doc_stop_word_fraction": [[0, 77, 0.30769231]], "rps_doc_ut1_blacklist": [[0, 77, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 77, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 77, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 77, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 77, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 77, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 77, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 77, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 77, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 77, 0.0]], "rps_doc_frac_all_caps_words": [[0, 77, 0.07692308]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 77, 0.0]], "rps_doc_frac_no_alph_words": [[0, 77, 0.15384615]], "rps_doc_frac_unique_words": [[0, 77, 0.90909091]], "rps_doc_mean_word_length": [[0, 77, 5.09090909]], "rps_doc_symbol_to_word_ratio": [[0, 77, 0.0]], "rps_doc_unigram_entropy": [[0, 77, 2.27186851]], "rps_doc_word_count": [[0, 77, 11.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 19, 1.0], [19, 77, 1.0]], "rps_lines_javascript_counts": [[0, 19, 0.0], [19, 77, 0.0]], "rps_lines_num_words": [[0, 19, 1.0], [19, 77, 10.0]], "rps_lines_numerical_chars_fraction": [[0, 19, 0.0], [19, 77, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 19, 0.0], [19, 77, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 19, 0.42105263], [19, 77, 0.05172414]], "rps_doc_ml_palm_score": [[0, 77, -6.2e-06]], "rps_doc_ml_wikipedia_score": [[0, 77, null]], "rps_doc_ml_wikiref_score": [[0, 77, -1.001e-05]], "rps_doc_books_importance": [[0, 77, -0.51439966]], "rps_doc_openwebtext_importance": [[0, 77, -0.78717329]], "rps_doc_wikipedia_importance": [[0, 77, -1.8563839]], "rps_doc_num_sentences": [[0, 77, 2.0]]} |
Book 113: Christmas Train
Written by: David Baldacci
Disillusioned journalist Tom Langdon must get from Washington D.C. to L.A in time for Christmas. Forced to travel by train, he begins a journey of rude awakenings, thrilling adventures and holiday magic. He has no idea that the locomotives pulling him across America will actually take him into the rugged terrain of his own heart, as he rediscovers people's essential goodness and someone very special he believed he had lost. The Christmas Train is filled with memorable characters who have packed their bags with as much wisdom as mischief...and shows how wedoget second chances to fulfill our deepest hopes and dreams, especially during this season of miracles.
Tom Langdon, a weary and cash-strapped journalist, is banned from flying when a particularly thorough airport security search causes him to lose his cool. Now, he must take the train if he has any chance of arriving in Los Angeles in time for Christmas with his girlfriend. To finance the trip, he sells a story about a train ride taken during the Christmas season.
Okay...so this one was a roller coaster for me. I knew it wasn't going to be typical Baldacci but I really don't know how I feel about it. At times I really liked it (especially the surprise ending) but other times I couldn't wait to stop reading it, and almost gave up a few times, because I was bored. Not my favorite Baldacci but I guess it was a good enough Christmas story and made me want to ride a train.
My Grade: B-
tamtit11 June 4, 2019 at 6:41 PM
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arts Magazine, 1985
Available here as pdf
An Interview with Allan McCollum
Allan McCollum.
Surrogate Paintings.
D.A. ROBBINS
“Paintings are everywhere you look; they’re all over the place — like cars, or buildings.”
DR: The surrogates are clearly “fake paintings,” imitations of paintings. I’m curious as to whether you have contempt for painting.
AM: Well, to begin with, I don’t think that it’s only my surrogates which are imitations of paintings — paintings are imitations of paintings in some way, aren’t they? With each one reflecting every other one? No, I don’t think I have contempt for painting; that would be like having contempt for culture. Paintings are everywhere you look; they’re all over the place — like cars, or buildings.
There is some parody, I think, in the way I reduce all paintings to a single “kind,” to a universal sign-for-a-painting; the gesture can be read as an ironic mimicry of modernist reduction, for instance, or as some kind of reference to the relations between modern art and modern industrial production — people can make these associations. But my interests are much more centered on discovering what kind of an object a painting is in an emotional sense, without the patriarchal noise of aesthetics intruding into the relationship. What is it we want from art that our belief in “content” works to hide from us?
DR: When I visit a gallery or a museum, I am seeking out objects to meet a need. That need is fulfilled through a pseudo-event engaged in with a real, physical object. I believe the surrogates catch me in the act of seeking out this emotional connection with inanimate objects, and force it back onto me. They do not allow for the same kind of release that the conventional art object is made to transact.
AM: Well, that’s just what I’m trying to do, to frustrate the habitual mislocation of meaning within the objects, yes; and that’s why the paintings are so “reduced,” you see, that’s why I reduce them to simple tokens of exchange. The other day I read a remark by the psychoanalyst and pediatrician D. W. Winnicott which I thought was nicely put, in which he claims that there is no such thing as a “baby,” because “if you set out to describe a baby you will find you are describing a baby and someone.” It’s the same with the art object, of course, and I’m interested in locating the meaning of my work — and the emotional content of my work — somewhere within those transactions which occur between the various “someones” who are involved in the artwork’s circulation. To do this, I have to try to dislocate the object’s so-called content. When we speak of a content as residing somehow within the art object, we disregard the object’s meaning as an item of exchange in the real, social world, and replace this with all sorts of imaginary constructs.
DR: What do you think a person is really “looking for” when he or she walks over to look at a painting?
AM: Well, that’s a big question. My theory is that one approaches an artwork to displace some anxiety, or to achieve some feeling of safety and security — freedom from fear. Through artworks people gain for themselves an imaginary sense of freedom. But this feeling of freedom can be constructed in lots of different ways, of course. On the most conscious level, I guess, it can be evoked through illustrative devices, in an overt way: pictures of “nature,” nudity, leisure activity, travel, that sort of thing. Freedom from moral conflict may be suggested by images of innocent children, animals, happy peasants, righteous patriots, religious heroes, “artistic” eroticism, and so forth. We shouldn’t forget the moral purity of “pure form,” either, the ideal space of the “non-representational.” There are the expressionisms, too, which invite the viewer to identify with the spontaneity of the artist himself, his freedom from the strictures of tradition, his freedom to be creative, to express rage and passion, etc.
But I think these are all fairly obvious devices, and they don’t really accomplish too much by themselves — the cinema does most of this so much better than painting anyway. The real sense of imaginary freedom we seek out through art comes through our wishful identification with the forces of money and power which we associate as supporting it, or underwriting it. We identify with the art’s patronage; we find a feeling of safety and security by imagining that we belong to an elite group of some kind: a group whose tastes we share and who will protect us from harm. If one has money and power on one’s side, we believe we are free from all significant anxiety.
DR: So art in general represents a pleasurable suspension of conflict.
AM: Yes, I think so. But because art works to contain anxiety, it also comes to represent anxiety, to invoke it, to speak for it. An effective work of art can render out of us anxieties we never knew we had, and in turn, mediate the repression of these anxieties in an orderly, socially acceptable way.
It is the expectancy of this transformation that I’m trying to effect in a viewer, without offering its fulfillment. I’m trying to create a susceptibility, a vulnerability, to that sort of emotional deferral, but stopping short: trying to create the experience of subjectivity rather than creating subjective experience.
DR: How did this come to be the focus of your work?
AM: Well, I think this focus originally grew out of an interest in the idea of “defining” painting, the notion of reducing painting to a simple set of essential terms, and then “expressing yourself” within those terms. This was what a lot of painters seemed to be thinking about in the late Sixties and early Seventies. I began to see this sort of thinking as really absurd, somehow. It seemed to me that every conceivable description of a painting that one might offer to define its “essence” or its “terms” could always be found to also define some other, similar object which was not a painting — except for one: a painting always has the identity of a painting; a painting is what it is because it is a convention. It exists precisely because the culture makes a place for it. As a definition, of course, this is a lot like saying, “a painting is something often found over a couch,” and yet it was exactly this sort of common sense definition which I felt was missing in all that other formalist debate. The “terms” of painting are the terms of the world-at-large! An artwork is related to every other object and event in the cultural system, and the meaning of an artwork resides in the role the artwork plays in the culture, before anything else.
DR: Art as a distinctly non-transcendent activity.
AM: This seemed like an important truth to keep in mind, and yet I found it difficult to think of a painting as simply a term within a whole set of other terms precisely because I couldn’t picture a painting that didn’t aspire to be a world-in-itself. Such paintings didn’t seem to exist. So I took it upon myself to create a model, a standard sign-for-a-painting which might represent nothing more than the identity of painting in the world of other objects.
DR: As if creating an advertisement for painting, or better still, art object.
AM: Yes, like an advertisement, or a logo. I wanted to install a useful image in my mind and in the minds of others. My first impulse was to make only one painting, and exhibit it over and over again, to create a sort of archival object — like the government’s Bureau of Standards maintains the standard “inch” in platinum. But this solution eliminated the possibility of exchange transactions — and how could a thing represent an art object if it couldn’t be bought and sold?
I ultimately decided to use a single but repeatable image, one which I could vary minimally in size and proportion, but which remained essentially the same: a frame, a mat, and a black center. I made many of these out of wood from 1978 until 1982, at which time I began to cast them in plaster from rubber molds. At this point I dropped the designation “painting” and began to call them “plaster surrogates.”
DR: So you’ve fabricated a sort of generic painting. Was your decision to use molds related to increasing the volume of your production?
AM: Sure, but also because plaster as a material carries with it the connotation of artificiality, and I needed this nuance to accelerate the theatricality of my installations. Without really anticipating it, you see, I was becoming something of an installation artist. After mounting a few exhibits, I learned quickly that the surrogates worked to their best effect when they came across as “props” — like stage props — which pointed to a much larger melodrama than could ever exist merely within the paintings themselves. The surrogates, via their reduced attributes and their relentless sameness, started working to render the gallery into a quasi-theatrical space which seemed to “stand for” a gallery; and by extension, this rendered me into a sort of caricature of an artist, and the viewers became performers, and so forth. In trying to objectify the conventions of art production, I theatricalized the whole situation without exactly intending to. But, even so, there it was.
At this point, I think, I let myself become the victim of my own thesis, so lo speak. The artificiality of the work functioned pretty well to displace content, as I intended, but it also gave me no outlet for the very real desperation that underlay my drive to make art in the first place. I think it was the nightmarishness of this no-exit situation that triggered the exaggerated and obsessional repetitiveness of my work as it exists now. By removing the possibility of catharsis through the work itself, I led myself into a kind of madness of production.
DR: Which, given the international nature of the art world’s structures, and the production demands made on artists to supply those structures with objects, seems a very appropriate “madness” to engage. You engaged your work over into psychoanalysis.
AM: Yes, I think so. Once I began to locate the content of my work as dispersed throughout that whole behavioral complex of exchanges and meanings that is the art world, I began to discover the powerful grip of all those emotions which go into making, showing, buying, selling, and looking at art. There’s a lot more at stake in these transactions than meets the eye, so to speak. You and I participate in a sect, a sect in which all the action pivots on this single token, the art object; but it’s the emotional politics surrounding this token which provide the meaning and the value. The artwork is always just a substitute, a surrogate.
DR: The fetishistic center of our attention.
AM: Yes, the artwork is a kind of fetish — a kind of substitute for real power, or maybe I mean a kind of sign representing imaginary power. Like I said, we look at art for security, security against loss or death. I’ve tried to design these surrogates to invite a fetishistic attachment, the kind of attachment one might develop towards a literal sign, like maybe the old Coca Cola sign, for instance. Remember how adolescent boys liked to steal public street signs and hang them in their bedrooms? Appropriating the signs which emanate from authority? I make my work smooth and shiny, with many coats of enamel, to humanize them. Their corners are slightly rounded, they’re small, they’re nice and solid. One can carry them around, one can put them in a purse, one can wash them...
DR: They’re user-friendly.
AM: Well, maybe. But anything designed to function as a fetish shouldn’t be trusted, I suspect. I think a fetish inevitably represents the fear of the absence it is meant to replace, and is therefore a kind of scary object. A fetish is a function of fear. It is in this area that I try to draw parallels between the art object and the object produced for mass-consumption; both rely on fear for their circulation. Advertising works to make us insecure about what we lack, and then offers us the fetish-object designed to displace this anxiety: the product. All the while, the vast economic powers which underwrite the entire system of industrial production work to intimidate us from above, creating the insecurity and feelings of helplessness which make us susceptible to this kind of ploy in the first place. So the mass-produced consumer product, then, as a fetish, both threatens us and offers us freedom at the same time. We are seduced, of course; it’s just a cheap trick.
DR: Like art?
AM: Well, yes, as I said before. With art, the viewer imagines he belongs to a select and powerful group through his sharing in their good taste. When we purchase a consumer product, we achieve an imaginary identification with the powers responsible for its production, and feel we have won the protection of these powers. It’s a really similar kind of thing, I think.
DR: The surrogates engage volume and surplus more than they do mammoth scale. The quantity and variety of them — you told me before you’ve made over 2000 of them — forces the viewer into choosing favorites, which, if they want to buy some, becomes a parody of the shopping experience. You’ve even devised a sliding scale of discounts which is to be applied if they’re purchased in quantity. So, the theatricalization extends to commerce as well.
AM: Oh, yes. I hear people complain all the time about how the world has become too commercial, but I really think that just the opposite has occurred: commerce has been completely banished from our lives as a form of social discourse. Instead, we engage in a highly controlled and sterile consumer “behavior.” The pleasure of actual commerce is available only to those of privilege, those with property and power; the rest of us just stand namelessly in line in an endless series of department stores, exchanging money for what we’re told we need, with a lot of nameless cashiers.
DR: Credit cards remove even more of the touch.
AM: Right. That way, no sweat is even exchanged. The marketplaces in other cultures can be hotbeds of human exchange and interaction. In our culture, the pleasure of this anarchy is reserved for the few.
So when we set art against commerce, we distort both, I think. To define art as a “spiritual” activity, and then to deny human commerce any spiritual value, well that’s ludicrous. What else does art stand for in people’s minds anymore if not as a symbol of wealth, a symbol of some certain few people’s success at commerce? We see art as a kind of spiritual reward for being wealthy. When we experience the spirituality of art, we are usually only constructing a chain of fantasy identifications which lead to power — not mystical power, but just brute, human, political, and military power. The reason for this is simple: we make this association because we figure it takes money and power to own art. Even with inexpensive artworks, stylistic devices always serve to refer to the artworks owned by the privileged — the aristocracies of the past, the museums of the present.
How does art ever become “great” except through such associations? Whenever I hear the term “Great Art” I immediately think of the procession: great collectors, great museums, great countries, great armies, great weapons. This is one of the main ways that value and meaning develop in this world. It’s very human, I guess, but it’s sad I think. And the mythology we construct about art and its place in the world works to disguise this simple fact, because recognizing the implications of power leads us right back to our anxiety over our powerlessness and it is exactly this anxiety that the arts are designed to alleviate. So instead of creating artifacts to carry meaning amongst us through social exchange, we create artifacts to facilitate our imaginary identifications with those who dominate us.
By being involved in this activity of “creating culture,” by making artworks, I believe we are often simply averting our eyes from those powerful people who frighten and threaten us. We make signals to them with our artworks that we are engaged in a harmless activity, that we are not rebels.
DR: Our popular notion of artists as being childlike is perverse, but what seems stranger is the number of artists who agree to that assigned behavior.
AM: Well, you know it’s very important to us that our artists be powerless, like children. The artist is elected to articulate subjectivity for the culture at large, and we require that that subjectivity be passive, and voyeuristic, without effect. All passions which might feed into any desires to disrupt order are displaced into “artistic” expression. The way we characterize the “artist” in our culture — it’s a clue to how we construct our emotional lives with regard to the social whole, I think. While we attribute many “positive” features to the artist, we also attribute a whole set of complementary “negative” ones. An artist may be spontaneous, expressive, idealistic, sensitive, creative, sensual, and brilliant — but he or she is also neurotic, infantile, self-centered, sexually obsessed, impractical, parasitical, and so forth. It’s easy to see how the popular mind imagines that the positive traits necessarily imply the negative ones! Sensuality leads to hypersexuality, idealism to ineffectiveness, expressivity to infantilism, and so on. The artist’s character is like an object lesson to most people, a walking argument for moderation in all things. I think people sometimes choose to be artists because they desperately need to play this privileged, doomed role. It’s kind of like being a human sacrifice, but without any such cathartic reward!
DR: The artist assumes the role so that the rest of society doesn’t need to. But why does the artist, or perhaps more accurately, “the artistic,” conform to this well-worn patch of personality between Peter Pan and Joan of Arc?
AM: Well, when I say that the action of the art world pivots on the art object as a token of exchange, it is this quality of being privileged which forms the actual signified, I think. What we seem to be exchanging are our mutual illusions of being special, which I read as meaning protected or safe and secure. Certain people can’t feel that they can exist unless they feel special and privileged in a really broad and exaggerated way. Artists spend their entire lives developing circumstances for themselves in which their signature becomes a valued object, one which is actually worth money.
DR: Picasso’s signed dinner napkin.
AM: Yes, and I think the collector of art consumes not only the art but the artist too, in a way. He acquires the fruits of the artist’s moral instability from a safe distance, without having to assume the artist’s politically inferior position. The collector thinks the artist represents his innermost self, his unrealized or deferred self, and when he acquires the art object, he rewards himself for his success at repressing his infantile nature, you know, he rewards himself for his superior socialization. The collector thinks he has the best of both worlds — he buys back the part of himself he has lost, so to speak. The artist recognizes himself to exist only when he is recognized by the collector, and the collector recognizes himself only when he recognizes the artist.
DR: It’s a mutual con.
AM: Exactly. A narcissistic dyad. Who’s kidding who? We use art in our culture to construct imaginary relations to others. Now, I don’t mean to say that I think that this is the ultimate and irreversible destiny of art, that it should continually reproduce this model of human relations. But I do think that our artworks and our relationships to them are just shadows of what they might be, if we didn’t constantly pursue an imaginary mystical union with the powers of industry, only discovering ourselves through perpetually repeated acts of buying things, because we are a consumer society.
DR: We tend to say to ourselves that the art object is above the commodity, above the pair of shoes that I buy, because art isn’t tied to a utilitarian basis.
AM: And yet the absolute utility of art is pretty clear: we are meant to discover our subjectivity in these objects — objects which are owned or controlled by the wealthy, the privileged, the powerful. Artworks function to regulate not only the way objects mean, the way they are valued, but also the consciousness which sets out these operations. To describe art as “useless” is to reproduce a really insidious falsification. The world of artworks makes up an extremely useful and monstrous totemic system through which we all trace our imaginary lineage to power. Do you know about the Nelson Rockefeller Collection Gallery up on 57th Street? Where you can buy hand-made copies of art-objects in the Nelson Rockefeller collection? We think this is really funny, of course, because we think we are above all that — but isn’t this just a gallery which is just a little more honest than usual? To see this gallery as an aberration only normalizes those other institutions — like the Museum of Modern Art, for instance — which work to accomplish very similar ends, really. The museum’s board of acquisitions collects artworks from a certain very narrow spectrum of art activity (most of which might never even have been created if it weren’t for the possibility of such an institution collecting it), and is therefore very handily involved in what comes to be considered “art” in our culture. In this way, a really influential institution effects the very subjectivity we experience as our own. Our so-called “unconscious” is conventionalized, and artists reproduce museum-type art all over the country, if not all over the world. We produce our own hand-made copies.
DR: And official culture is established.
AM: Yes, unofficially, of course. We do it ourselves, through our mimicry of those with power. It’s an identification-with-the-aggressor kind of thing, or an identification with the object-of-envy. The privileged exclude us, but offer us an imaginary relation to their exclusivity as a substitute. Thus we exclude ourselves even from one another. The class boundaries which separate the privileged from the powerless are very real, but their representation in the consciousness of the powerless is made to be really vague and obscure, and so they can only take the form of phobias and obsessions, repetitions and rituals: boundaries of false difference.
DR: Is the multiplication of effect afforded by exhibiting more than 700 imitation paintings in one location designed as a mockery of that authoritarian aspect?
AM: Well, it’s related. I see repetition as being one of those devices used a lot in the maintaining of power relations. It is a device used by religions everywhere, and by the military, too, to construct a hypnotic spectacle. Repetition is a kind of meaning in itself. Possibly it is the language of power par excellence.
DR: Inventing an event or an object is a wonderful thing, but inventing it again has more to do with power than it does with invention: you are proving that you are powerful enough to arrange the same conditions and make it happen again.
AM: Look at the way, AT&T invented a new logo just a couple of years ago, and now it’s absolutely everywhere you look. It’s truly magical. We love this vast spectacle of repetition that arises out of industrial power because of the safety it seems to offer, the security of a predictable authority. We are protected from loss in the glow of a perpetual industrial fecundity!
But I think this is a very fragile security we’re speaking of, and this gets into one of the main reasons I produce my work in such vast quantities and install so many in one exhibit. As I said before, I think the artwork and the consumer good are both a kind of intentionally designed fetish; I believe that you can only reduplicate the fetish so many times before the accumulation begins to turn on you, and the fetish becomes your persecutor: this is why all mass-produced objects have a certain ominous presence. I might like to have a Sony video recorder, but to come face-to-face with all the Sony video recorders in the world would be a truly terrifying experience — this I’m sure of. There’s a certain point, like a critical mass, where the fear that animates the fetish-object submerges the safety it offers and works against it. I think the Sorcerer’s Apprentice sequence of Disney’s Fantasia depicted this sort of transformation from the helpful object to the object which threatens death. From the nurturing object to the persecuting object.
When I was a child, both of my parents worked on the assembly line of a large aircraft factory in Southern California. On Christmas, the company invited all the employees of this huge industrial complex to bring their children to an enormous party in one of their larger warehouses, and all of us were given exactly identical Christmas gifts. There were giant stacks upon stacks of these gifts, all in identical wrappings, stacked very high. There must have been hundreds and hundreds of them, maybe thousands, and we all had to stand in line for maybe half an hour to get one — handed to us by a Santa Claus, of course. What is a corporation trying to communicate at a moment like that? Generosity? Power? Threat? I found the whole experience really frightening, as I recall, but, naturally, I wanted the gift. This is the sort of nightmarishly ambiguous atmosphere I try to create with my installations, sometimes — not just to be nasty, but to try to free up some of the desperation and anxiety which I believe is inherent in the showing and viewing of art, but which a smaller amount of artworks would only work to defer and to contain. As I’ve said, so much of art is about fear-in-the-face-of-power.
DR: So you are demonstrating your mastery over that fear.
AM: My attempts to master it. Through my own personal imaginary identification with the processes of mass-production, probably!
DR: What led you to take pictures off the television?
AM: Well, you know, like I said before, I wanted my surrogates to represent all paintings, all artworks. I wanted to show that all artworks, everywhere, are just a kind of prop — a prop which has meaning only in relation to the action which takes place around it. A stage-prop seemed like a perfect metaphor for this, of course, and I was surprised to see how often images which looked exactly like my surrogates appeared in the backgrounds of television dramas, old movies, and so forth. I started taking these pictures as a kind of facetious “proof’ that my works were an accurate rendering of a real-life phenomenon, I think. I was offering a kind of pseudo-argument for my project’s right to exist. A fictitious provenance, as one friend put it.
But to be completely honest, I’m just really fascinated at finding my work on TV. It makes me feel important, in a really infantile way; I sort of display this omnipotence fantasy as a part of my work, to make a point, some of the same points I’ve been trying to make in this interview. Through art we construct imaginary relations to power. But also, and also very importantly, I use these pictures to ephemeralize the actual plaster objects, to enhance their sign qualities. I’m reproducing a certain kind of strategy where photographs are used to manipulate the meaning and the value of an object, a strategy we’re all familiar with: it’s the strategy that the world of advertising shares with the world of selling art. There’s a certain way I like to look at my surrogates, sometimes: that they exist solely to be photographed.
DR: And for the TV pictures, the art is photographed to show its prior existence, to naturalize it.
AM: Yes, but usually only in the fantasy-world of the televised melodrama. I do make a special attempt to discover my surrogates on walls behind politically powerful men, though. I’ve found “my work” in the same rooms with John F. Kennedy, Harry Truman, and Gerald Ford, among others. On a certain level I’m making a parody of a sales technique, the technique of celebrity endorsement; but in a more important way, I’m using my own infantile wishes as a metaphor for the way we relate to art in general, for that very basic wish we all share, the wish to be in the picture .
DR: The wish to participate in history, where one’s existence has been shown to count for something — recorded.
AM: To be in on things at the source, to be involved in the Primal Scene, not out in the hall looking through the keyhole. To be present with those who have the power, to be under their gaze, and to be protected by them. We want to be somewhere within the circle of power, but safely preoccupied with something harmless at the same time, maybe. To be absorbed with something sublime and beautiful which is contiguous with something powerful and threatening. These wishes operate all the time while we look at art, but we do not experience them as part of the “content.” It is only within the context of this wishing, however, that content is sought out.
DR: While the plaster surrogates themselves are about locating where art is in the cultural hierarchy as commodity, in the emotional hierarchy as mediator, in the political hierarchy as class sieve, the TV pictures are about locating the place of art in the representation of life by the mass media. George Trow says that TV represents the scale of national life. It’s the national home we all share. If that is so, then the TV surrogates represent that national life’s use for and placement of art.
AM: Sure, I guess so. On the wall, out of the way, incidental to the action. We have to remember that as artists, critics, art dealers, and so forth, we see art in a grossly distorted way.
DR: As a hugely important thing.
AM: Absolutely vital to life! I’m always especially happy to find an image with either a violent, or melodramatic, or historically important activity going on in the foreground, with the inactive painting on the wall in the background mutely signaling. This is the ultimate location of art, in the background — as it should be, I suppose.
DR: In the second phase of the TV pictures, the ones you call Perpetual Photos, you’ve isolated the tiny images from framed paintings in the backgrounds of TV scenes of domestic life and blown them up to show us what the broadcast interpretation and placement of art really looks like.
AM: Sometimes I’ll find a picture that has a tiny framed picture on the wall in the background, and the image within that frame is indecipherable, just a blur. When I enlarge these little meaningless smudges up to life-size — the size of a picture we might hang in our own home — there’s nothing there, just the ghost of an artwork, the ghost of content. There’s something parodic in this gesture of mine, I think, and some thing pathetic. Looking for the limits of representation; seeking to discover those limits at which the binding of a picture gives way; releasing those emotions the representation sought to contain. This is a kind of synthetic expressionism I am doing here.
DR: But it’s also an important retrieval. The first TV pictures are placed surrogates, while the second — the Perpetual Photos — are displaced images of art, grotesque abstractions which represent the bourgeois recognition of art. You have retrieved them in order to bring them back to art so that we might understand art’s mediated image, its place in the world.
AM: Well, I think that through this “retrieval,” as you call it, I’m also trying to mimic one’s search for meaning in the artwork, too, one’s quest for the sublime and the transcendent, one’s quest for one’s own unconscious, and so forth.
DR: You’ve been very critical of the art machine as it’s currently constructed. How do you answer those who accuse artists who espouse this point of view of being self-righteous or moralistic?
AM: I’m interested to encourage an analysis of art, but through the pleasure of looking, that’s all. I would like to see us be a little more anthropological in the way we assess our own cultural production. I feel that art now functions to keep people apart, to reinforce and maintain class boundaries, and to encourage exclusion and inequality through the cult of “taste.” I think this is wrong; yes, I am moralistic about this. I hope that my work might play some role in the analysis of this situation, and I hope it does so by bringing some pleasure into the the discovery that the problem does not necessarily lie with art but with those forces which work to legislate its meaning.
DA Robbins
Summer, 1984
Plaster Surrogates.
Perpetual Photo #10.
Perpetual Photo #2.
Twelve Perpetual Photos.
1982/84. Installation:
Metro Pictures Gallery
Surrogates on Location.
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THE SIXTY - FIFTH MONITORING REPORT OF ANEM
SERBIAN MEDIA SCENE IN OCTOBER 2015
Freedom of expression - October has seen many cases of direct and indirect pressure against journalists and the media, some of which originated from state authorities. We analyzed the following cases in the Report: two cases where members of the Communal police prevented journalists from doing their job - the reporter of Istinomer was prevented from filming a story at a location he had chosen and the crew of the Network for Investigating Crime and Corruption - KRIK had its equipment taken away and footage deleted; the case "Teleprompter", which raised the issue of the right of journalists to protect their sources; the case of the obscure dismissal of the editor of the culture column in the "Magyar Szo" daily, which raised the issue of ensuring editorial independence of minority media funded from the budget; the pressure of the ruling party against the public service broadcaster RTS after the interview with guest speaker Zoran Panovic in RTS program. Regarding legal proceedings, the following ones were analyzed in the Report: the procedure arising from the criminal charges pressed by RDP B92 pursuant to Article 387 of the Penal Code against the "Naši" Movement, over the release of the list of alleged "Serb haters"; the judgment of the Higher Court in Belgrade in the case of Dragoljub Milanovic, former Director of RTS against journalist Nikola Radisic and RDP B92, which upheld the position that "value judgments" may not be proven and that journalists are not required to adhere to strict legal categories while reporting.
Implementation of laws - Law on Public Information and Media: the authors of the Report analyzed the problems identified in the implementation of project co-financing rules, pointing to their causes. Law on Electronic Media: the issue of political promotion outside of the election campaign was dealt with, in the context of the live broadcast of the anniversary of the establishment of the ruling SNS, as well as the ensuing actions by the Regulatory Body for Electronic Media (RBEM) in that case; the authors of the Report also commented on the election of candidates for membership in the RBEM Council, as well as the networking of media services (namely the networking of specific TV and radio stations). The Law on Public Service Broadcasters: in relation to the public debates held by both PSBs about their programming content, the Report pointed to the role of PSBs' Programming Councils, as well as to other aspects of the transparency of the work of PSBs that must be realized.
In the part of the Report concerning the adoption of new laws, the authors concluded that there were no major activities in that respect but for the announcement that the Proposal of Advertising Law will soon be subject to parliamentary procedure.
Work of competent bodies, authorities and organizations - The Regulatory Body for Electronic Media (RBEM) - the Report analyzed the case of the campaign by TV Happy against the President of the Commercial Court in Pancevo and the ensuing actions by RBEM; The Press Council and Commissioner for Equality Protection - in relation to the controversial text about migrants in "Informer", the Council and the Commissioner had different opinions about the journalist's reporting from the aspect of breach of professional and statutory rules concerning the ban on discrimination, which was the topic of the authors' analysis in the Report.
The privatization process - The authors of the Report acknowledged the completion of the media privatization process by the sale of capital and commented on the situation in that field.
In the Conclusion of the Report, summing up their findings about the Serbian media scene in October 2015, the authors pointed to the most notable developments in that month.
The Sixty-fifth Monitoring Report was prepared by the ANEM expert monitoring team from the law office „Živković&Samardžić", in cooperation with ANEM.
The Summary and Conclusion of the Report in English are available for download at the end of this page.
The full Report and its sections in Serbian are available for download here.
The creation of this Report is supported by the Swiss Cooperation Office Serbia within the Small Projects Fund, but the views presented in this Report are the sole responsibility of its authors and do not necessarily reflect the views of the Swiss Cooperation Office Serbia.
The Summary and Conclusion of the ANEM 65th Monitoring Report
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THE SIXTY - SEVENTH MONITORING REPORT OF ANEM
THE SIXTY - SIXTH MONITORING REPORT OF ANEM
ANEM HELD THE ROUND TABLE TITLED "EFFECTS OF MEDIA LAWS IMPLEMENTATION AND FURTHER GUIDELINES FOR MEDIA REFORM"
MONITORING PUBLICATION XII PRESENTED!
New Media Laws
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9/16 Takovska Street, 11 000 Belgrade; Tel/fax: 011/32 25 852, 011/ 30 38 383, 011/ 30 38 384; E-mail: [email protected] | 2023-14/0037/en_head.json.gz/13480 | {"url": "http://anem.org.rs/en/aktivnostiAnema/monitoring/story/17863/THE+SIXTY+-+FIFTH+MONITORING+REPORT+OF+ANEM.html", "partition": "head_middle", "language": "en", "source_domain": "anem.org.rs", "date_download": "2023-03-20T09:24:41Z", "digest": "sha1:ZZYNWAX6FPPQCIFRCJVGSX5J55BUDVP6"} | {"ccnet_length": [[0, 6663, 6663.0]], "ccnet_original_length": [[0, 6663, 7429.0]], "ccnet_nlines": [[0, 6663, 45.0]], "ccnet_original_nlines": [[0, 6663, 100.0]], "ccnet_language_score": [[0, 6663, 0.95]], "ccnet_perplexity": [[0, 6663, 297.9]], "ccnet_bucket": [[0, 6663, 0.0]], "rps_doc_curly_bracket": [[0, 6663, 0.0]], "rps_doc_ldnoobw_words": [[0, 6663, 0.0]], "rps_doc_lorem_ipsum": [[0, 6663, 0.0]], "rps_doc_stop_word_fraction": [[0, 6663, 0.32371795]], "rps_doc_ut1_blacklist": [[0, 6663, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 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Retrieved from "http://asylumprojects.org/index.php/Special:UserLogin" | 2023-14/0037/en_head.json.gz/13481 | {"url": "http://asylumprojects.org/index.php?title=Special:UserLogin&returnto=Talk%3AHickory+Grove+Sanatorium", "partition": "head_middle", "language": "en", "source_domain": "asylumprojects.org", "date_download": "2023-03-20T09:15:29Z", "digest": "sha1:K5ASSEH66MRFAUT7NTFD7XTKS5UALL4G"} | {"ccnet_length": [[0, 70, 70.0]], "ccnet_original_length": [[0, 70, 816.0]], "ccnet_nlines": [[0, 70, 1.0]], "ccnet_original_nlines": [[0, 70, 52.0]], "ccnet_language_score": [[0, 70, 0.57]], "ccnet_perplexity": [[0, 70, 195.5]], "ccnet_bucket": [[0, 70, 0.0]], "rps_doc_curly_bracket": [[0, 70, 0.0]], "rps_doc_ldnoobw_words": [[0, 70, 0.0]], "rps_doc_lorem_ipsum": [[0, 70, 0.0]], "rps_doc_stop_word_fraction": [[0, 70, 0.05882353]], "rps_doc_ut1_blacklist": [[0, 70, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 70, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 70, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 70, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 70, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 70, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 70, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 70, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 70, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 70, 0.0]], "rps_doc_frac_all_caps_words": [[0, 70, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 70, 0.0]], "rps_doc_frac_no_alph_words": [[0, 70, 0.47058824]], "rps_doc_frac_unique_words": [[0, 70, 1.0]], "rps_doc_mean_word_length": [[0, 70, 19.33333333]], "rps_doc_symbol_to_word_ratio": [[0, 70, 0.0]], "rps_doc_unigram_entropy": [[0, 70, 1.09861229]], "rps_doc_word_count": [[0, 70, 3.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 70, 0.0]], "rps_lines_javascript_counts": [[0, 70, 0.0]], "rps_lines_num_words": [[0, 70, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 70, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 70, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 70, 0.05714286]], "rps_doc_ml_palm_score": [[0, 70, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 70, null]], "rps_doc_ml_wikiref_score": [[0, 70, -1.001e-05]], "rps_doc_books_importance": [[0, 70, -22.07642734]], "rps_doc_openwebtext_importance": [[0, 70, -11.5530958]], "rps_doc_wikipedia_importance": [[0, 70, -13.56648807]], "rps_doc_num_sentences": [[0, 70, 3.0]]} |
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The Children’s Defense Fund
CDF provides a strong effective voice for all the children of America who cannot vote lobby or speak for themselves. We pay particular attention to the needs of poor and minority children and those with disabilities. | 2023-14/0037/en_head.json.gz/13482 | {"url": "http://autismlink.com/dir/the-childrens-defense-fund/", "partition": "head_middle", "language": "en", "source_domain": "autismlink.com", "date_download": "2023-03-20T10:27:42Z", "digest": "sha1:HZXVJEJLLOCMJ27CGC3ZYHDJG47DCBV7"} | {"ccnet_length": [[0, 312, 312.0]], "ccnet_original_length": [[0, 312, 1169.0]], "ccnet_nlines": [[0, 312, 4.0]], "ccnet_original_nlines": [[0, 312, 33.0]], "ccnet_language_score": [[0, 312, 0.9]], "ccnet_perplexity": [[0, 312, 220.9]], "ccnet_bucket": [[0, 312, 0.0]], "rps_doc_curly_bracket": [[0, 312, 0.0]], "rps_doc_ldnoobw_words": [[0, 312, 0.0]], "rps_doc_lorem_ipsum": [[0, 312, 0.0]], "rps_doc_stop_word_fraction": [[0, 312, 0.38181818]], "rps_doc_ut1_blacklist": [[0, 312, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 312, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 312, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 312, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 312, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 312, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 312, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 312, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 312, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 312, 0.0]], "rps_doc_frac_all_caps_words": [[0, 312, 0.01818182]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 312, 0.0]], "rps_doc_frac_no_alph_words": [[0, 312, 0.09090909]], "rps_doc_frac_unique_words": [[0, 312, 0.84313725]], "rps_doc_mean_word_length": [[0, 312, 5.09803922]], "rps_doc_symbol_to_word_ratio": [[0, 312, 0.0]], "rps_doc_unigram_entropy": [[0, 312, 3.70410793]], "rps_doc_word_count": [[0, 312, 51.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 37, 0.0], [37, 68, 0.0], [68, 96, 0.0], [96, 312, 1.0]], "rps_lines_javascript_counts": [[0, 37, 0.0], [37, 68, 0.0], [68, 96, 0.0], [96, 312, 0.0]], "rps_lines_num_words": [[0, 37, 7.0], [37, 68, 4.0], [68, 96, 4.0], [96, 312, 36.0]], "rps_lines_numerical_chars_fraction": [[0, 37, 0.0], [37, 68, 0.0], [68, 96, 0.0], [96, 312, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 37, 0.0], [37, 68, 0.0], [68, 96, 0.0], [96, 312, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 37, 0.16216216], [37, 68, 0.09677419], [68, 96, 0.14285714], [96, 312, 0.02314815]], "rps_doc_ml_palm_score": [[0, 312, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 312, null]], "rps_doc_ml_wikiref_score": [[0, 312, -9.06e-06]], "rps_doc_books_importance": [[0, 312, -14.56196116]], "rps_doc_openwebtext_importance": [[0, 312, -3.10636679]], "rps_doc_wikipedia_importance": [[0, 312, -18.28449061]], "rps_doc_num_sentences": [[0, 312, 2.0]]} |
The following is the results of your search for firepan.
Firepan: (Exodus 27:3; 38:3) one of the vessels of the temple service (rendered "snuff-dish") (Exodus 25:38; 37:23) and "censer" (Leviticus 10:1; 16:12) It was probably a metallic cinder-basin used for the purpose of carrying live coal for burning incense, and of carrying away the snuff in trimming the lamps. | 2023-14/0037/en_head.json.gz/13483 | {"url": "http://bible.christiansunite.com/est.cgi?action=Search&terms=firepan", "partition": "head_middle", "language": "en", "source_domain": "bible.christiansunite.com", "date_download": "2023-03-20T10:11:16Z", "digest": "sha1:7SGZ7AQCHGKJFU2JT6LV2R66YV4SMVRM"} | {"ccnet_length": [[0, 367, 367.0]], "ccnet_original_length": [[0, 367, 2173.0]], "ccnet_nlines": [[0, 367, 2.0]], "ccnet_original_nlines": [[0, 367, 63.0]], "ccnet_language_score": [[0, 367, 0.88]], "ccnet_perplexity": [[0, 367, 111.1]], "ccnet_bucket": [[0, 367, 0.0]], "rps_doc_curly_bracket": [[0, 367, 0.0]], "rps_doc_ldnoobw_words": [[0, 367, 0.0]], "rps_doc_lorem_ipsum": [[0, 367, 0.0]], "rps_doc_stop_word_fraction": [[0, 367, 0.27956989]], "rps_doc_ut1_blacklist": [[0, 367, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 367, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 367, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 367, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 367, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 367, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 367, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 367, 0.03546099]], "rps_doc_frac_chars_top_3gram": [[0, 367, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 367, 0.0]], "rps_doc_frac_all_caps_words": [[0, 367, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 367, 0.0]], "rps_doc_frac_no_alph_words": [[0, 367, 0.40860215]], "rps_doc_frac_unique_words": [[0, 367, 0.72881356]], "rps_doc_mean_word_length": [[0, 367, 4.77966102]], "rps_doc_symbol_to_word_ratio": [[0, 367, 0.0]], "rps_doc_unigram_entropy": [[0, 367, 3.560426]], "rps_doc_word_count": [[0, 367, 59.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 57, 1.0], [57, 367, 1.0]], "rps_lines_javascript_counts": [[0, 57, 0.0], [57, 367, 0.0]], "rps_lines_num_words": [[0, 57, 10.0], [57, 367, 49.0]], "rps_lines_numerical_chars_fraction": [[0, 57, 0.0], [57, 367, 0.07394366]], "rps_lines_start_with_bulletpoint": [[0, 57, 0.0], [57, 367, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 57, 0.01754386], [57, 367, 0.01612903]], "rps_doc_ml_palm_score": [[0, 367, 0.13789982]], "rps_doc_ml_wikipedia_score": [[0, 367, null]], "rps_doc_ml_wikiref_score": [[0, 367, 1.264e-05]], "rps_doc_books_importance": [[0, 367, -43.00014288]], "rps_doc_openwebtext_importance": [[0, 367, -18.98418393]], "rps_doc_wikipedia_importance": [[0, 367, -4.86129191]], "rps_doc_num_sentences": [[0, 367, 2.0]]} |
A Visit to Gooseberry Falls State Park is Memorable
in Birding, Birds, Family Travel, Fishing, hiking, Nature, Travel, Waterfalls
Anne Arthur and daughter Signy Sherman, authors of Minnesota State Parks, help us to discover the beauty and the countless things to see and do at Gooseberry Falls State Park.
Gooseberry Falls State Park covers 1,687 acres, and the park’s beautiful lake frontage features five waterfalls, including spectacular Upper and Lower Gooseberry Falls. Gooseberry was the first park created on the North Shore of Lake Superior, and it receives half a million visitors a year.
The original visitor center and rest area, located next to Highway 61, were built by the Civilian Conservation Corps (CCC) during the 1930s. The CCC also created roads, buildings, and the park’s water supply.
The proximity of the falls to the highway helped it become popular, but it also created a dangerous traffic situation. To relieve congestion, a new visitor center was built on the lake side of the highway. The new visitor center does not require a state park permit, and it includes a rest stop, a gift shop, an interpretive center, plenty of parking, and easy access to the river or lake.
WHY YOU SHOULD GO
The center is located about 13 miles northeast of Two Harbors along Highway 6. The parking can fill up fast in the busy summer month. The falls are the park’s major draw. From the free parking at the visitor center, the falls are easy to access.
There are 20 miles of trails in the park, including access to the Superior Hiking Trail. The Hiking Club Trail follows the Gitchi-Gami Trail for a 1.2-mile loop featuring incredible views of the lake. One mile of trail is accessible for those with disabilities. The Gitchi-Gami State Trail has a trailhead in the visitor center parking lot.
There are 2.5 miles of paved bike trails in the park connecting with the Gitchi-Gami State Trail, which when finished will connect Two Harbors with Grand Marais (ggta.org). This segment of the trail goes 14.1 miles from Gooseberry State Park through Split Rock Lighthouse State Park and on to Beaver Bay. Winter users will find 12 miles of groomed cross-country skiing trails, some with incredible lake views. In addition, 2 miles of snowmobiling trails connect to the extensive North Shore Trail system. Snowshoeing can be done anywhere in the park except for on groomed trails. The visitor center serves as a warming house in the winter.
Three picnic areas are located along the lake and the river. There are two enclosed shelters: The Lakeview Shelter is located near Lake Superior, and the Ladyslipper Lodge is in a wooded area. Anglers can enjoy fishing in the river or along the shore of Lake Superior. Trout are a popular catch here. Geo-caching is available, and GPS units are available for loan.
There are 69 sites, but none are electric. Four of the sites are wheelchair accessible. There are three group campsites, each accommodating up to 50 people. The park has one kayak-in site along Lake Superior; it is part of the Lake Superior Water Trail. For more info, visit dnr.state.mn.us/watertrails/
Programs are offered throughout the summer and occasionally in the winter. The visitor center is open year-round with interpretive displays and exhibits.
Iona Beach is located at mile marker 42.6 on Highway 61 in Two Harbors. Its 10 acres include 300 feet of Lake Superior Shoreline. Check out the pink- or salmon-colored rhyolite rocks.
The Lake County Historical Society manages the following sites in Two Harbors: The Two Harbors Lighthouse, the 3M Museum, and the Depot Museum. 218-834-4898.
For more information, visit the website of Lake County Historical Society.
ANNE’S TIPS
1] Visit Gateway Plaza, which is next to Highway 61 and includes interpretive displays and panoramic views of the river. The plaza sits on top of the largest retaining wall that the CCC constructed in Minnesota.
2] To avoid the crowds, head down to one of the picnic areas by the lake. It is a good place to explore the rocky shoreline and even find a sandy beach. Trails from the beach lead up to the falls area. Search for all the CCC buildings in the park.
3] Bring your bike: The Gitchi-Gami State Trail starts from the park and heads 14.1 miles to Beaver Bay, passing through Split Rock Lighthouse State Park along the way.
4] In winter, the groomed skiing trails have great views of the lake.
If you enjoyed this post about Gooseberry Falls State Park, order your copy of Minnesota State Parks here and sign up for our newsletter now!
Anne ArthurGooseberry Falls State ParkMinnesota State ParksOutdoor AdventuresSigny Sherman | 2023-14/0037/en_head.json.gz/13484 | {"url": "http://blog.adventurepublications.net/2022/04/a-visit-to-gooseberry-falls-state-park-is-memorable/", "partition": "head_middle", "language": "en", "source_domain": "blog.adventurepublications.net", "date_download": "2023-03-20T09:45:40Z", "digest": "sha1:JOS3OZ2DVIIREPOGVOMGIOZ32YJQWCFU"} | {"ccnet_length": [[0, 4625, 4625.0]], "ccnet_original_length": [[0, 4625, 7916.0]], "ccnet_nlines": [[0, 4625, 23.0]], "ccnet_original_nlines": [[0, 4625, 188.0]], "ccnet_language_score": [[0, 4625, 0.94]], "ccnet_perplexity": [[0, 4625, 228.2]], "ccnet_bucket": [[0, 4625, 0.0]], "rps_doc_curly_bracket": [[0, 4625, 0.0]], "rps_doc_ldnoobw_words": [[0, 4625, 0.0]], "rps_doc_lorem_ipsum": [[0, 4625, 0.0]], "rps_doc_stop_word_fraction": [[0, 4625, 0.31189711]], "rps_doc_ut1_blacklist": [[0, 4625, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4625, 0.0]], 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Author Archives: ubneis001
Crystallography: past, present and future (Science Week 2014)
This post was contributed by Dr Clare Sansom, Senior Associate Lecturer in Birkbeck’s Department of Biological Sciences.
Prof Paul Barnes sets the scene for one of the experiments he carried out in the Crystallography lecture
The second of the Science Week lectures from the Department of Biological Sciences, which was presented on 2 July 2014, was a double act from two distinguished emeritus professors and Fellows of the College, Paul Barnes and David Moss. Remarkably, they both started their working lives at Birkbeck on the same day – 1 October 1968 – and so had clocked up over 90 years of service to the college between them by Science Week 2014.
The topic they took was a timely one: the history of the science of crystallography over the past 100 years. UNESCO has declared 2014 to be the International Year of Crystallography in recognition of the seminal discoveries that started the discipline, which were made almost exactly 100 years ago; a number of the most important discoveries of that century were made by scientists with links to Birkbeck.
The presenters divided the “century of crystallography” into two, with Barnes speaking first and covering the first 50 years. In giving his talk the title “A History of Modern Crystallography”, however, he recognised that crystals have been observed, admired and studied for many centuries. What changed at the beginning of the last century was the discovery of X-ray diffraction. Wilhelm Röntgen was awarded the first-ever Nobel Prize for Physics for his discovery of X-rays in 1896, but it was almost two decades before anyone thought of directing them at crystals. The breakthroughs came when Max von Laue showed that a beam of X-rays can be diffracted by a crystal to yield a pattern of spots, and the father-and-son team of William Henry Bragg and William Lawrence Bragg showed that it was possible to derive information about the atomic structure of crystals from their diffraction patterns. These discoveries also solved – to some extent – the debate about whether X-rays were particles or waves, as only waves diffract; we now know that all electromagnetic radiation, including X-rays, can be thought of as both particles and waves.
Von Laue and the Braggs were awarded Nobel Prizes for Physics in 1914 and 1915 respectively, and between 1916 and 1964 no fewer than 13 more Nobel Prizes were awarded to 18 more scientists for discoveries related to crystallography. Petrus Debye, who won the Chemistry prize in 1936, showed how to quantify the thermal motion of atoms as vibrations within a crystal. He also invented one of the first powder diffraction cameras, used to obtain diffraction patterns from powders of tiny crystallites. Another Nobel Laureate, Percy Bridgman, studied the structures of materials under pressure: it has been said that he would “squeeze anything he could lay his hands on”, often up to intense pressures.
Scientists and scientific commentators often argue about which of their colleagues would have most deserved to win the ultimate accolade. Barnes named three who, he said, could easily have been Nobel Laureates in the field of crystallography. One, Paul Ewald, was a theoretical physicist who had studied for his PhD under von Laue in Munich, and the other two had strong links with Birkbeck. JD “Sage” Bernal was Professor of Physics and then of Crystallography here; he was famous for obtaining, with Dorothy Crowfoot (later Hodgkin) the first diffraction pattern from a protein crystal, but his insights into the atomic basis of the very different properties of carbon as diamond and as graphite were perhaps even more remarkable. He took on Rosalind Franklin, whose diffraction patterns of DNA had led Watson and Crick to deduce its double helical structure, after she left King’s College, and she did pioneering work on virus structure here until her premature death in 1958.
Barnes ended his talk and led into Moss’s second half-century with a discussion of similarities between the earliest crystallography and today. Then, as now, you only need three things to obtain a diffraction pattern: a source of X-rays, a crystalline sample, and a recording device; the differences all lie in the power and precision of the equipment used. He demonstrated this with a “symbolic demo” that ended when he pulled a model structure of a zeolite out of a large cardboard box.
David Moss then took over to describe some of the most important crystallographic discoveries from the last half-century. His talk concentrated on the structures of large biological molecules, particularly proteins, and he began by explaining the importance of protein structure. All the chemistry that is necessary for life is controlled by proteins, and knowing the structure of proteins enables us to understand, and potentially also to modify, how they work.
Even the smallest proteins contain thousands of atoms; in order to determine the position of all the atoms in a protein using crystallography you need to make an enormous number of measurements of the positions and intensities of X-ray spots. The process of solving the structure of a protein is no different from that of solving a small molecule crystal structure, but it is more complex and takes much more time. Very briefly, it involves crystallising the protein; shining an intense beam of X-rays on the resulting crystals to produce diffraction patterns, and then doing some extremely complex calculations. The first protein structures, obtained without the benefit of automation and modern computers, took many years and sometimes even decades.
Thanks to Bernal’s genius, energy and pioneering spirit, Birkbeck was one of the first institutes in the UK to have all the equipment that was needed for crystallography. This included some of the country’s first “large” computers. One of the first electronic stored-program computers was developed in Donald Booth’s laboratory here in the 1950s. In the mid-1960s the college had an ATLAS computer with a total memory of 96 kB. It occupied the basements of two houses in Gordon Square, and crystallographers used it to calculate electron density maps of small molecules. Protein crystallography only “took off” in the 1970s with further improvements in computing and automation of much of the experimental technique.
Today, protein crystallography can almost be said to be routine. The first step, crystallising the protein, can still be an important bottleneck, but data collection at powerful synchrotron X-ray sources is extremely rapid and structures can be solved quite easily with user-friendly software that runs on ordinary laptops. There are now over 100,000 protein structures freely available in the Protein Data Bank, and about 90% of these were obtained using X-ray crystallography. The techniques used to obtain the other 10,000 or so, nuclear magnetic resonance and electron microscopy, are more specialised.
Moss ended his talk by describing one of the proteins solved in his group during his long career at Birkbeck: a bacterial toxin that is responsible for the disease gas gangrene. This destroys muscle cells by punching holes in their membranes, and its victims usually have to have limbs amputated to save their lives. Knowing the structure has allowed scientists to understand how this toxin works, which is the first step towards developing drugs to stop it. But you can learn even more about how proteins work if you also understand how they move. Observing and modelling protein motion in “real time” still poses many challenges for scientists as the second century of crystallography begins.
This entry was posted in Science and tagged Crystallography, International Year of Crystallography, science, Science Week on 21 July, 2014 by ubneis001.
The Legacy of William Morris (East London in Flux V)
This blog was contributed by Elisa Engel, Architect and Director of ehk! (engelhadleykirk limited). ehk! publishes a regular blog on its website. Click here to read.
William Morris Gallery. Credit: Nick Bishop, Overview
East London in Flux, an event series organised by Fundamental Architectural Inclusion and Birkbeck, met at the William Morris Gallery on Wednesday 18 June, for the third event in the series. A fascinating guided tour of the collection was followed by tea, cake and debate in the museum’s café.
The William Morris Gallery, at Morris’s former home in Walthamstow, houses an exhibition on the designer, poet and socialist’s life and achievements, alongside changing exhibitions. The museum was remodelled in 2012, coinciding with the Olympics, and has since gone from strength to strength, winning the prestigious Museum of the Year award in 2013.
William Morris (1834-1896) is most famous for his involvement with the arts and crafts movement. By all accounts, throughout his life he battled with two sometimes conflicting ideals.
The Ideal Book room at the William Morris Gallery. © William Morris Gallery
The first ideal, that of beauty, diverted him from the career in the clergy that he had been destined for. It led him to study art and develop an almost obsessive interest in the details of craft. William Morris was not content to design objects and work with craftsmen in delivering his vision. He insisted on becoming a master in every discipline he touched – to know all there was to know about dyeing fabrics and printing patterns, of weaving tapestries and printing books. It seems almost unimaginable how one person would fit his level of accomplishment, combined with his vast output in different disciplines, into one lifetime.
The second ideal, that of social justice, led him to stand at the street corners of London’s East End, overcoming his fear of public speaking, to rail against inequality and poor working conditions. In his workshops, he offered decent pay and development opportunities for his employees.
William Morris aimed to make his products available to the wider population – he famously said: ‘I do not want art for a few, any more than education for a few, or freedom for a few.’
However, this is where his two ideals seemed to collide. Given the meticulous craft that went into producing his company’s artefacts, they would always remain out of the financial grasp of the “common person”. He tried to counteract this by offering a range of objects large and small, to ensure that the moderately wealthy would be in a position to afford at least more minor items that embodied his aesthetics. Commissions for his company, however, came largely from wealthy clients for their refined country homes.
Following the tour of the gallery, the group sat down to discuss how William Morris would have viewed today’s world, and more specifically the changes that East London is experiencing right now. Many of his concerns appear to be surprisingly contemporary – most notably, growing income inequality and the struggle to combine quality design with ethical considerations about methods of production at prices that make objects affordable to every sector of society. A question that sparked much debate was: what would William Morris have made of Ikea and its planned housing development in the Lea Valley?
© Black Horse Workshop
One development he would have surely approved of is the recent emergence of shared craft spaces in London. Black Horse Workshop in Walthamstow, an easy walk away from the William Morris Gallery, is one such workshop that offers open access to a fully equipped wood and metal workshop for people wanting to reconnect with the making of things.
One can also easily hazard a guess at what he would have made of the sales pitch that the company that still bears his name employs on its website: “The original William Morris and Co: The luxury of taste”…
The East London in Flux evening at the William Morris gallery very much chimed with another event, held at the London School of Economics and organised by the Royal College of Art, the following night. This was a panel discussion featuring Alex de Rijke (of dRMM architects), Oliver Wainwright (architecture critic at the Guardian) and Katie Lloyd-Thomas of Newcastle University under the title Kapital Architecture: Commodity. The panel discussed how the role of the designer has changed. Increasingly, architects specify proprietary systems, and merely design the interface between them. This is just one example of how architects are complicit in reducing and narrowing their role in the construction process (while simultaneously aiming to widen their role into other areas, such as social policy). In this way, they are moving further and further away from Morris’s ideal of someone who is intimately involved in the making of things. Not everyone is following this trend, but it is only logical that there is a certain economy to working with proprietary systems instead of bespoke solutions.
But maybe this is not as much of a contradiction as it may at first appear – proprietary systems are not a natural resource, they are designed just as much as a wallpaper by William Morris is. Maybe what needs to happen in order to reconcile William Morris’s two ideals is for those involved in the design of our homes and cities on a larger scale to work much more closely with those behind the designs of the components that make up their physical fabric – and in this way once again to create objects and buildings that are designed in a much more holistic way.
At this year’s Architecture Biennale in Venice, the 14th International Architecture Exhibition is looking at the evolution of building components from bespoke architectural solutions to manufactured components. As its curator, Rem Koolhaas, says: “There are whole sections of my buildings that I have no control over. I simply don’t know what goes into the soffits of my buildings!”
It appears that it is not just us here in East London that people are pondering these questions – East London in Flux is dealing with very topical issues that are being discussed at a global level, forming part of a much wider debate.
East London in Flux continues on 16 July.
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WATERS TO THE SOUTH OF THE KOREAN PENINSULA (May 25, 2015) USS Lassen (DDG 82), Turkish frigate FTCD Gediz (F-495) and Republic of Korea navy destroyers Seoae Ryu Seong-ryong (DDG 993) and Gang Gam-chan (DDH 979)
The Arleigh Burke-class guided-missile destroyer USS Lassen (DDG 82), front, conducts a trilateral naval exercise with the Turkish frigate FTCD Gediz (F-495) and Republic of Korea navy destroyers Seoae Ryu Seong-ryong (DDG 993) and Gang Gam-chan (DDH 979) in support of theater security operations. Lassen is on routine patrol in the U.S. 7th Fleet area of operations in support of security and stability in the Indo-Asia-Pacific region.
U.S. Navy photo by Naval Air Crewman (Helicopter) 2nd Class Evan Kenny
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Posted on May 1, 2012 by caivon
Today was the vote for the money for a new high school. Vote yes, and we get a nice, new, state-of-the-art building for a fraction of the total cost, thanks to state reimbursements; vote no, and we get to pay much more to keep the old school from falling down, all with our own dough. I love the old school, the way it looks, its Estes Kefauver High entrance & cafeteria, its bust of JFK, but it’s outdated, run down, and beyond saving.
We let Tom fill in the space between the fronts of the arrows and their backs on our ballots with a black marker, then slide them into the ballot-counting machine, registering 99 & 100, so that he could vote for the construction of his own high school.
I have voted in so many elections by now, even ones where folks were running unopposed, but I think I am more emotionally invested in this election than in any other in which I’ve voted. Funny what having kids will do to you.
Posted on April 30, 2012 by caivon
There are books that make me cry. Kids’ books. Books I read aloud to Tom. The crying part is usually at the end, which means I can manage to just struggle through, voice cracking, eyes spilling over, reaching the end just in time to pause to regain my composure. So far the major offenders are “The House at Pooh Corner” and “An Owl and Three Pussycats,” and “The Selfish Giant.”
So they went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest, a little boy and his Bear will always be playing
On the way to pick up T from preschool, I thought I saw a plane flying over the car, coming from the Turner’s Airport. But when I craned my neck to see, leaning forward to look up through the windshield, I saw it was a bald eagle. It was enormous & its head shone in the late afternoon sun. I’ve heard there is a pair at Barton’s Cove so it makes sense that I might see one.
Was it my sister who told me it’s good luck to see an unusual animal? I choose to believe it’s true.
I sat at the next table. I ate good food. Werner Herzog is amazing.
Posted on April 5, 2012 by caivon
April 25th blach blah blah
The Brass Buckle
Mrs. Taggart’s Curious Kids
Greenfield Local Cultural Council
P. D. Eastman
Nalini Jones
Francie Lin
TINYcrush Society | 2023-14/0037/en_head.json.gz/13487 | {"url": "http://caitlinvonschmidt.com/category/uncategorized/", "partition": "head_middle", "language": "en", "source_domain": "caitlinvonschmidt.com", "date_download": "2023-03-20T10:10:09Z", "digest": "sha1:DQ72IAKV3ARADGOJ65X7C5SYQJUUUKX3"} | {"ccnet_length": [[0, 2292, 2292.0]], "ccnet_original_length": [[0, 2292, 2834.0]], "ccnet_nlines": [[0, 2292, 19.0]], "ccnet_original_nlines": [[0, 2292, 45.0]], "ccnet_language_score": [[0, 2292, 0.97]], "ccnet_perplexity": [[0, 2292, 307.4]], "ccnet_bucket": [[0, 2292, 0.0]], "rps_doc_curly_bracket": [[0, 2292, 0.0]], "rps_doc_ldnoobw_words": [[0, 2292, 0.0]], "rps_doc_lorem_ipsum": [[0, 2292, 0.0]], "rps_doc_stop_word_fraction": [[0, 2292, 0.43129771]], "rps_doc_ut1_blacklist": [[0, 2292, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2292, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2292, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 2292, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2292, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2292, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2292, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2292, 0.01340034]], "rps_doc_frac_chars_top_3gram": [[0, 2292, 0.0201005]], "rps_doc_frac_chars_top_4gram": [[0, 2292, 0.0]], "rps_doc_frac_all_caps_words": [[0, 2292, 0.03816794]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2292, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2292, 0.16221374]], "rps_doc_frac_unique_words": [[0, 2292, 0.60689655]], "rps_doc_mean_word_length": [[0, 2292, 4.11724138]], "rps_doc_symbol_to_word_ratio": [[0, 2292, 0.0]], "rps_doc_unigram_entropy": [[0, 2292, 5.21125362]], "rps_doc_word_count": [[0, 2292, 435.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 32, 0.0], [32, 469, 1.0], [469, 722, 1.0], [722, 948, 1.0], [948, 983, 0.0], [983, 1363, 1.0], [1363, 1552, 0.0], [1552, 1927, 1.0], [1927, 2028, 1.0], [2028, 2096, 1.0], [2096, 2130, 0.0], [2130, 2157, 0.0], [2157, 2174, 0.0], [2174, 2202, 0.0], [2202, 2236, 0.0], [2236, 2250, 0.0], [2250, 2263, 0.0], [2263, 2275, 0.0], [2275, 2292, 0.0]], "rps_lines_javascript_counts": [[0, 32, 0.0], [32, 469, 0.0], [469, 722, 0.0], [722, 948, 0.0], [948, 983, 0.0], [983, 1363, 0.0], [1363, 1552, 0.0], [1552, 1927, 0.0], [1927, 2028, 0.0], [2028, 2096, 0.0], [2096, 2130, 0.0], [2130, 2157, 0.0], [2157, 2174, 0.0], [2174, 2202, 0.0], [2202, 2236, 0.0], [2236, 2250, 0.0], [2250, 2263, 0.0], [2263, 2275, 0.0], [2275, 2292, 0.0]], "rps_lines_num_words": [[0, 32, 7.0], [32, 469, 82.0], [469, 722, 46.0], [722, 948, 43.0], [948, 983, 7.0], [983, 1363, 70.0], [1363, 1552, 37.0], [1552, 1927, 76.0], [1927, 2028, 21.0], [2028, 2096, 14.0], [2096, 2130, 7.0], [2130, 2157, 5.0], [2157, 2174, 3.0], [2174, 2202, 4.0], [2202, 2236, 4.0], [2236, 2250, 3.0], [2250, 2263, 2.0], [2263, 2275, 2.0], [2275, 2292, 2.0]], "rps_lines_numerical_chars_fraction": [[0, 32, 0.16666667], [32, 469, 0.0], [469, 722, 0.02040816], [722, 948, 0.0], [948, 983, 0.18181818], [983, 1363, 0.0], [1363, 1552, 0.0], [1552, 1927, 0.0], [1927, 2028, 0.0], [2028, 2096, 0.0], [2096, 2130, 0.15625], [2130, 2157, 0.07692308], [2157, 2174, 0.0], [2174, 2202, 0.0], [2202, 2236, 0.0], [2236, 2250, 0.0], [2250, 2263, 0.0], [2263, 2275, 0.0], [2275, 2292, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 32, 0.0], [32, 469, 0.0], [469, 722, 0.0], [722, 948, 0.0], [948, 983, 0.0], [983, 1363, 0.0], [1363, 1552, 0.0], [1552, 1927, 0.0], [1927, 2028, 0.0], [2028, 2096, 0.0], [2096, 2130, 0.0], [2130, 2157, 0.0], [2157, 2174, 0.0], [2174, 2202, 0.0], [2202, 2236, 0.0], [2236, 2250, 0.0], [2250, 2263, 0.0], [2263, 2275, 0.0], [2275, 2292, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 32, 0.0625], [32, 469, 0.02059497], [469, 722, 0.00790514], [722, 948, 0.02212389], [948, 983, 0.05714286], [983, 1363, 0.05], [1363, 1552, 0.02116402], [1552, 1927, 0.03733333], [1927, 2028, 0.01980198], [2028, 2096, 0.05882353], [2096, 2130, 0.05882353], [2130, 2157, 0.03703704], [2157, 2174, 0.17647059], [2174, 2202, 0.14285714], [2202, 2236, 0.11764706], [2236, 2250, 0.21428571], [2250, 2263, 0.15384615], [2263, 2275, 0.16666667], [2275, 2292, 0.29411765]], "rps_doc_ml_palm_score": [[0, 2292, 0.01185071]], "rps_doc_ml_wikipedia_score": [[0, 2292, null]], "rps_doc_ml_wikiref_score": [[0, 2292, 0.01600945]], "rps_doc_books_importance": [[0, 2292, -44.47112268]], "rps_doc_openwebtext_importance": [[0, 2292, 34.4998253]], "rps_doc_wikipedia_importance": [[0, 2292, -192.7491054]], "rps_doc_num_sentences": [[0, 2292, 25.0]]} |
Wisbech, Cambridgeshire
Wisbech on Wikipedia.
Friends Meeting House (1854) on North Brink. TF 458 096. © Richard Roberts (2016). Grade II listed.
Mortuary Chapel (1881) in Mount Pleasant Cemetery on Mount Pleasant Road. TF 464 104. © Richard Roberts (2016). Grade II listed.
St. Augustine (1869) on St. Augustines Road. TF 463 099. © Richard Roberts (2016). Link. Grade II listed.
St. Peter and St. Paul on Church Terrace. Interior view. TF 4630 0955. Three additional views - 1, 2, 3, all © Karel Kuča (2007). Link. Grade I listed.
Trinity Methodist Church (1969) on Church Terrace. TF 463 094. © Richard Roberts (2016). Link.
U.R.C. on Castle Square was built as Congregational in 1818. TF 461 096. © Richard Roberts (2016). Grade II listed.
The former Wesleyan Chapel (1803) on The Crescent is now used as a Masonic Hall. TF 461 095. © Richard Roberts (2016). Grade II listed. | 2023-14/0037/en_head.json.gz/13488 | {"url": "http://churches-uk-ireland.org/towns/w/wisbech.html", "partition": "head_middle", "language": "en", "source_domain": "churches-uk-ireland.org", "date_download": "2023-03-20T09:38:06Z", "digest": "sha1:OGEOCI2I2R7WKG2EKKRASENEIGOEI4VL"} | {"ccnet_length": [[0, 879, 879.0]], "ccnet_original_length": [[0, 879, 1021.0]], "ccnet_nlines": [[0, 879, 9.0]], "ccnet_original_nlines": [[0, 879, 14.0]], "ccnet_language_score": [[0, 879, 0.78]], "ccnet_perplexity": [[0, 879, 297.1]], "ccnet_bucket": [[0, 879, 0.0]], "rps_doc_curly_bracket": [[0, 879, 0.0]], "rps_doc_ldnoobw_words": [[0, 879, 0.0]], "rps_doc_lorem_ipsum": [[0, 879, 0.0]], "rps_doc_stop_word_fraction": [[0, 879, 0.09433962]], "rps_doc_ut1_blacklist": [[0, 879, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 879, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 879, 0.27149321]], "rps_doc_frac_chars_dupe_6grams": [[0, 879, 0.20211161]], "rps_doc_frac_chars_dupe_7grams": [[0, 879, 0.20211161]], "rps_doc_frac_chars_dupe_8grams": [[0, 879, 0.10558069]], "rps_doc_frac_chars_dupe_9grams": [[0, 879, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 879, 0.07239819]], "rps_doc_frac_chars_top_3gram": [[0, 879, 0.13574661]], "rps_doc_frac_chars_top_4gram": [[0, 879, 0.1719457]], "rps_doc_frac_all_caps_words": [[0, 879, 0.0754717]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 879, 0.0]], "rps_doc_frac_no_alph_words": [[0, 879, 0.46226415]], "rps_doc_frac_unique_words": [[0, 879, 0.55033557]], "rps_doc_mean_word_length": [[0, 879, 4.44966443]], "rps_doc_symbol_to_word_ratio": [[0, 879, 0.0]], "rps_doc_unigram_entropy": [[0, 879, 4.10159307]], "rps_doc_word_count": [[0, 879, 149.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 24, 0.0], [24, 46, 1.0], [46, 146, 1.0], [146, 275, 1.0], [275, 381, 1.0], [381, 533, 1.0], [533, 628, 1.0], [628, 744, 1.0], [744, 879, 1.0]], "rps_lines_javascript_counts": [[0, 24, 0.0], [24, 46, 0.0], [46, 146, 0.0], [146, 275, 0.0], [275, 381, 0.0], [381, 533, 0.0], [533, 628, 0.0], [628, 744, 0.0], [744, 879, 0.0]], "rps_lines_num_words": [[0, 24, 2.0], [24, 46, 3.0], [46, 146, 17.0], [146, 275, 21.0], [275, 381, 18.0], [381, 533, 28.0], [533, 628, 15.0], [628, 744, 20.0], [744, 879, 25.0]], "rps_lines_numerical_chars_fraction": [[0, 24, 0.0], [24, 46, 0.0], [46, 146, 0.15384615], [146, 275, 0.11666667], [275, 381, 0.14893617], [381, 533, 0.10948905], [533, 628, 0.1627907], [628, 744, 0.13207547], [744, 879, 0.11023622]], "rps_lines_start_with_bulletpoint": [[0, 24, 0.0], [24, 46, 0.0], [46, 146, 0.0], [146, 275, 0.0], [275, 381, 0.0], [381, 533, 0.0], [533, 628, 0.0], [628, 744, 0.0], [744, 879, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 24, 0.08333333], [24, 46, 0.09090909], [46, 146, 0.12], [146, 275, 0.11627907], [275, 381, 0.12264151], [381, 533, 0.09868421], [533, 628, 0.10526316], [628, 744, 0.11206897], [744, 879, 0.1037037]], "rps_doc_ml_palm_score": [[0, 879, -9.89e-06]], "rps_doc_ml_wikipedia_score": [[0, 879, null]], "rps_doc_ml_wikiref_score": [[0, 879, 0.99933589]], "rps_doc_books_importance": [[0, 879, -132.84636369]], "rps_doc_openwebtext_importance": [[0, 879, -56.45945131]], "rps_doc_wikipedia_importance": [[0, 879, 8.03547689]], "rps_doc_num_sentences": [[0, 879, 39.0]]} |
http://ciaspeakers.com/home/wp-content/uploads/ZohraSarwari2016W-1.mp4
Are all Muslims terrorists? What does Islam say about “terrorism”? What is behind the veil?
This is a golden opportunity to change the way your students think about Muslims and other religions. Over 50% of Americans have no basic understanding of the Muslim faith, which causes discrimination and intolerance everywhere.
Using humor and personal experiences, Amazon.com best selling author, Zohra educates others about diversity. Her program promotes dialogue and fosters tolerance towards people of all races, religions and backgrounds, regardless how tough and sensitive the subject matter.
Zohra came to America from Afghanistan at age 6. Her parents could barely speak a word of English when they arrived and worked in low-paying jobs to make ends meet. Despite the circumstances, Zohra strived to achieve success. She married at the age of 19, then went on to receive a Bachelor’s Degree in Psychology, a Master’s in Business Administration and is currently working on a Bachelor’s Degree in Islamic Studies.
Additional programs offered by Zohra:
Are Muslim Women Oppressed?
What is the scarf (hijaab) for? What does the Qur’aan say about women? So often we hear the Muslim Women are oppressed due to how they dress and because they aren’t allowed to go school. This program will explain to the audience who Muslim women are, what their status is, and if they can they get an education or not? What roles do they play in the world, if any?
What is Sharia Law? Is It Really Coming to the United States?
Is it a barbaric set of laws that Muslims are trying to sneak into the US? Does Sharia Law take all of the women’s rights away? Does Sharia Law have brutal punishments for those who break the Law? Are the Muslims trying to take over the US with their Sharia Law? Does Sharia Law exist in Muslim countries? These and more will be answered in this amazing lecture.
All went tremendously. Good crowd – about 220 almost filling the venue. Zohra is a tremendous person who really connected well with the students. About 30 students lined up to talk with her at the end of her presentation. Much emotion, and many, many student lives touched in such a gentle and positive way. It was so nice getting to spend time with her, my life is enriched.
Ron B. Director, Career & Leadership Development
U WI, Whitewater
Zohra is one of the most humble, sweetest, and funniest people you’ll ever meet. After a few minutes going over the program, she was eager to custom make a speech to match what we were looking for. She delivered an amazing speech. If you are looking for a great speaker, guaranteed to leave on impression on your audience – I highly recommend Zohra Sarwari without any hesitation.
P.S. Make sure you take notes during her speech!
Jason K
Graduate Coordinator for Student Development
It was a pleasure to have Mrs. Sarwari on our campus. Her talk was very informative and eye-opening. I know that I learned a great deal and the feedback from the students, faculty, and staff members that attended indicated the same.
She has a true passion for what she does and that can be seen in the enthusiasm with which she speaks. She challenges the way people think without being disrespectful of their beliefs. Many of our students were apprehensive about coming to her talk, because they were unfamiliar with Muslims but her use of humor really set them at ease. I believe that they were able to be open-minded because of her demeanor and ability to set people at ease.
Stacie R
The Office of Student Activities
Gainesville State College
Your presentation was interesting, informative, educational, fun, thought provoking, and one that students as well as members of the general public really enjoyed.
I received many positive comments from those in attendance. They did not know what to expect but your presentation really opened their eyes to a culture they know little about and hopefully this experience will help them in future discussions with others.
For many there, this was all new information for them as many students have never been exposed to the information in your presentation. Thanks for being so easy to work with and so wonderful with my students!
Boyd J
Campus Programs Director
It was awesome!! Students LOVED her. There were way more questions than I had anticipated, which was great. People really seemed to enjoy her message. Thank you so much for all of your help!
Coordinator of Residence Life and Student Programming
St. Vincent College
She was amazing. I personally felt a real connection to her, like we should be friends. It went really well. I was a little nervous that there would be a few weirdos in the crowd but it turned out that everyone really just wanted to learn. It was a lot of community folks but also a lot of students. So happy I did it!
Shelley K. B.
Director of Student Life
Centralia College, WA
Category : Diversity and Multicultural &Speakers &World Peace
It has been a pleasure to work with you. Thanks for helping me to plan my first event and for your continual flexibility. I look forward to working with your company again!!
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Russian legal system. Russia Legal System 2022-11-23
Russian legal system Rating: 8,3/10 711 reviews
The legal system of the Russian Federation is based on the civil law system, which is derived from the Roman-Germanic legal tradition. The Constitution of the Russian Federation, which was adopted in 1993, is the supreme law of the country and serves as the basis for the legal system.
The Russian legal system is divided into two main branches: civil law and criminal law. Civil law deals with disputes between individuals or organizations, such as contract disputes and civil rights violations. Criminal law, on the other hand, is concerned with crimes committed against the state or society, and includes crimes such as murder, robbery, and drug trafficking.
The judicial system in Russia is organized into three levels: local courts, regional courts, and the Supreme Court. Local courts, also known as "courts of general jurisdiction," handle the majority of civil and criminal cases in the country. There are also specialized courts, such as arbitration courts, which handle disputes related to commercial and economic matters.
The Constitution of the Russian Federation guarantees the independence of the judiciary, but in practice, the judiciary is subject to significant political influence. There have been concerns raised about the lack of judicial independence in Russia, particularly with regard to politically sensitive cases.
The legal profession in Russia is regulated by the Ministry of Justice, which sets standards for legal education and professional conduct. In order to practice law in Russia, an individual must hold a law degree and pass a qualification exam.
There are several different types of legal professionals in Russia, including judges, lawyers, and notaries. Lawyers, also known as "advocates," are responsible for representing clients in legal proceedings and providing legal advice. Notaries, on the other hand, are responsible for certifying legal documents and conducting legal transactions.
Overall, the legal system in Russia is influenced by both the civil law tradition and the Russian legal culture, which has evolved over centuries. While it has its challenges, the legal system in Russia plays an important role in maintaining the rule of law and ensuring that individuals and organizations are held accountable for their actions.
Judicial system of the Russian Empire
Companies wishing to contract with Russian entities should carry out enhanced due diligence to ensure that they do not become involved in activities prohibited under the relevant sanctions regime. Edited by Robert Sharlet and Ferdinand Feldbrugge. He also took up the position of the leader of the United Russia party, holding 70 percent seats in Duma the competitive advantage of Russia Para 19. In Russia and the Republics , v. Russian Civil Code is the primary source of civil law and the civil code spells out certain basic principles. After successful passing the qualification exam a candidate should take the oath of advocate.
UPDATE: Guide to Russian Federation Law in English:
It will be referred to in this article under relevant topics inthis article. Therefore, limits the political rights of national minorities, guaranteed in Article 15 of the Framework Convention for the protection of national minorities Widra, Para 3. There are multiple search options. Civil Human Rights in Russia: Modern Problems of Theory and Practice. Update information may have changed after the guide was written. Enforcing Foreign Arbitral Awards against Russian Entities. Public Health and Safety 10.
Russia Legal System, Sample of Essays
Legal persons and their types. Foreign Law: Current Sources of Codes and Legislation in Jurisdictions of the World. Privatization in Eastern Europe: Legal, Economic and Social Aspects. · Judgement of the Constitutional Court of the Russian Federation of 31 July 1995: On the Constitution. Thirdly, a ban on the import to Russia of a number of goods of Ukrainian origin or transiting through Ukraine was declared in December 2018and expanded in scope in December 2019. Alphen aan den Rijn, the Netherlands; Kluwer Law International.
The Legal System of Russian Federation
The result was a stronger and more influential Russia, having vast natural resources, a highly educated population, and showing improved economic growth. Books and Articles on Constitutional Court: · Thorson, Carla. · Federal Constitutional Law on the Commissioner of Human Rights in the Russian Federation Ombudsman Information Network · Saari, Sinikukka. Papers from a conference held at the Kennan Institute in 2004. Presidential elections are contested in two rounds; if no candidate receives a majority in the first round, there is a runoff between the top two candidates. Unofficial translations by John Fowler.
Political Environment As per the Russian Constitution, Putin was banned to run for re-election as he had already served for two consecutive four years terms. According to the decree of the Russian President 13. Among the laws included in this section are the following, regularly amended. Law in Eastern Europe, No. Reforming the Russian Legal System. Also available on Hein Online.
Legal environment in Russia
At the time of writing, these codes were available: Administrative Offences Code , Criminal Code , Criminal Procedure Code , Customs Code , Tax Code Parts One and Two , Labor Code , Forest Code. The editor points out the significant changes in this new code from the prior ones. Sanctions imposed on Russia are not prohibiting all commercial activity. Political Outlook Russian leadership always faced the challenge of a cooling relationship with the West. · Embassy of the Russian Federation to the U. Provides a thorough bibliographic listing of books, articles, translations of laws and court decisions from law reviews and other journals. It provides a brief overview of the Constitution and legal system and links to important government bodies.
Russian Federation: Legal tradition
They are elected for four years terms but the president has powers to dismiss the Duma and call for early elections the competitive advantage of Russia Para12. In the introductory note the editor explains just what this code is intended to do, and points out that prior versions had applied to individuals only, while this version also applied to legal entitites. Principles of the Russian administrative law. Includes articles, book reviews, excerpts from court cases. · Intelligence Related Laws and Decrees Federation of American Scientists. Statutes and Decisions 42: 3-6 2007 These 4 issues cover the first five parts of the code of 2001, as amended 2007. This is another major Russian legal database which makes English translations of Russian legal material available and is updated frequently.
About the Russian Legal System
Article on an array of social issues, including legal ones. The State of the Judiciary in Russia November 2010 , p. Constitution of the Russian Federation: With Commentaries and Interpretations. · The Environment and the Violations of Human Rights: Special Report of the Commissioner on Human Rights in the Russian Federation. 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Thank you letter for trip. 100 Best "Thank You for Visiting" Messages and Quotes 2022-10-31
Thank you letter for trip Rating: 5,2/10 1231 reviews
The day of destiny in "Le Morte d'Arthur" is a significant event in the Arthurian legend, as it marks the end of the reign of King Arthur and the beginning of a new era. In the story, the day of destiny is foretold by the wizard Merlin, who tells Arthur that he will meet his fate at the hands of his illegitimate son, Mordred, on the battlefield.
Despite knowing his fate, Arthur remains determined to protect his kingdom and his people, and he prepares for the final battle with Mordred. On the day of the battle, Arthur and his knights gather on the field, ready to fight for their cause. Despite their valiant efforts, the outcome of the battle is inevitable, and Arthur is fatally wounded by Mordred.
The day of destiny marks the end of an era and the beginning of a new one, as Arthur's death signals the end of the Arthurian golden age and the start of a time of chaos and uncertainty. However, Arthur's legacy lives on through the stories and legends that have been passed down through the ages, and he is remembered as a great and noble king who fought for justice and righteousness.
In conclusion, the day of destiny in "Le Morte d'Arthur" is a poignant and significant moment in the Arthurian legend, marking the end of an era and the beginning of a new one. Although Arthur meets his fate on the battlefield, his legacy lives on through the stories and legends that have been passed down through the ages, and he will always be remembered as a great and noble king.
Thank You Message To Boss For Company Trip
Thankful messages to those people for gifting you a lovely holiday are a must. However, many people find it challenging to frame correct thank you messages. And then once you write your thank you email, you can start to put together a Looking for booking software that can keep you connected with your customers? I had a great day with you, seeing the sights and enjoying all of the amazing food. It was a pleasure to be your employee. Make your call-to-action clear In your thank you for booking with us email, you want to finish with a call-to-action to invite them to follow, share or connect with you further. From now on I will recommend it and everybody in my contacts to do all the travel management work with you. We hope that the feature is working well for you.
A Thank you Letter to the Principal for a Trip
I and my husband wanted to spend our first marriage anniversary in a very special way. I can attest without hesitation the first reason that I had fun boys was due to you and the attention that your team paid to me for planning my trip. Everything was perfect and we are planning our next one as I write this email. Great friends, great conversation, and great food. Thank you to the travel blogging community for your visits, your comments, your promotion, your tips, your contacts, and more! Explore using polls or questionnaires to make it easy for people to share their feedback. Much love, Kate At age 26, I quit my job to travel the world alone. We learned about many new things and saw many new places.
How to Write a Thank You For Booking With Us Email
You mean so much to me and it was so good to catch up. You made it super fun for me, thank you! Smith, thank you for inviting me on this awesome trip. Horseback riding, swimming, and hiking have helped me become the woman that I am today and thank you for that. Vacation is the time to get away from the daily hustle and bustle of your life. We love all the hotels in which we stayed.
Thank You For The Trip Of A Lifetime Quotes
Thank you so very much for these full of energy holidays. I hope we have even more of these in the future. Thank you for visiting and sharing our grief. Suggestion: Have them give us a business card with their eMail and cell phone numbers. Thank you for the amazing trip! They saved you a lot of money! You took us to the most amazing places and made sure we had the time of our lives.
Thank You, Thank You, Thank You: Message to Friends for a Trip
Thank you for making my 30th birthday so fun. Thank you for stopping by! May the Lord bless you and your family! Those sunsets by the ocean, and ice cream every night with your best friend. The fact that the company paid for you to go on the trip made it even better. I can only imagine the amount of time and work you put into the trip. Good trips made with good friends make the holiday more exciting. You were more than a tour guide to us. I had a wonderful time.
Thank You Letter for Arranging Trip: 6 Templates
Watching the sunset on the beach in the Bahamas was amazing. You made us feel like we were one of you. Your fluency in different languages amazed me and everyone else on the trip. Thank you for making our holiday worthwhile. I hope your family and you had an awesome time in Baguio. The hotel was amazing, the food was incredible, and waking up in the middle of the night to watch the sunrise over the lake was breathtaking, I love you. The tour guides were professional and good in English.
A Thank You Letter To My Vacation
I was very surprised that you got me a gift card to my favorite store, too. They made sure we were always safe and that really helped us to enjoy the experience. Choose New Notification Watch this video below for a step-by-step guide to creating a new automated thank you email. Thank you for going out of your way to spend time with us. We were only able to visit those lovely homes due to your tireless work. For the last two months, we were searching for a travel agent who could arrange everything to honor the lowest possible budget.
Thank You For A Wonderful Trip Quotes
It was nice to have someone else to drive and share the driving responsibilities with. Thank you email calls-to-action Include your intended call-to-action CTA after the main content of your email. Thank you for all the laughter and fun times! With regards, Name and Signature of the sender Template: 4 Thank You Letter to Foreign Trip as A Gift When you work in a company or organization you give your best in every project, trying to do your job with full dedication and you try to keep up with the expectations of your boss. It was a very memorable trip and we had a great time together. 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Conversational Design
Leave a Comment / NLP News / By admin
What kind of character would your customers accept advice from? You can give it certain character traits, emotions, the unique features that will set your product apart from the rest. The emergence of Conversational interfaces has been long-awaited. Now, after decades of being something from science fiction, it has become just another part of everyday life. To understand the underlying legal challenges regarding personal information, check out the EU’s General Data Protection Regulation. As mentioned before in the Types section, the use cases may vary from basic a Q&A to a hands-on organizer to a powerful lead generation and marketing tool. To get to the most valuable content, users need some extra tools that can sort the content and deliver only the relevant stuff.
The term conversational AI refers to the underlying set of intelligent technologies that enable software systems to interact with humans using natural language processing .
Conversational UI design is, in fact, a combination of several disciplines including copywriting, UX design, interaction design, visual design, motion design, and, if relevant, voice and audio design.
But first, we need to break down conversational user interfaces.
User Engagement interface is quickly becoming commonplace amongst the companies.
If you can’t identify opportunities to improve that process, determine what additional support you need to address those pain points.
Voice bot could run them through the options best suited to their question. This would leave human agents free to answer more challenging queries, increasing employee productivity and customer satisfaction at the same time. Customer support teams who want to provide a better experience for their https://metadialog.com/ customers often use Drift as a help center widget similar to the example mentioned at the very beginning of our article. Incidentally, that was a chatbot powered by HubSpot, not Drift. But the majority of these solutions can be used interchangeably and are just a matter of personal preferences.
Conversational Ui In Real Estate Industry
They operate similarly to chatbots but communicate with users through audio. The core technologies upon with voice assistants function are Automated Voice recognition, Natural language Understanding, Business Logic, and Context. A UX approach will give you confidence that you’re building a conversational user interface that will prove its worth to your customers. This is basic but contingent to building a perfect chatbot. The purpose of a chatbot is to provide the user a human-like experience in sorting out their problems related to the business. In that context, the chatbot must understand and respond to the problem with empathy and gravitas. To do this the developers need to be mindful of all possible reactions to the way in which a sentence is spoken and the response it must elicit. Wit.ai – This is another comprehensive, extensible natural language platform, owned by Facebook, which enables you to build text-based and also voice-controlled chatbots which can understand humans. There are plenty of Chatbot building services which enable non-technical people to build simple chatbots.
This application of health behavioral user experiences is perhaps the most groundbreaking use of conversational interfaces, in my opinion. In the clinic I attended, they, unfortunately, only focused on chatbots as an example of conversational design. And while I understand that virtual assistants and chatbots are probably the first thing people think about when you talk about conversational design, they are actually only a small part of the discussion. A chatbot (sometimes also spelled “chat bot”) is a computer program that simulates human conversation through text or speech synthesis. Chatbots are commonly used in customer service or marketing applications to interact with customers. For example, Microsoft uses a customer service chatbot to troubleshoot common issues and answer frequently asked questions.
Give Your Bot
In addition to NLP, this would require speech recognition and text-to-speech tools. Remember, the real stories of the dissatisfied users are the gold mine of insight for developers. Apart from the copy itself, your personality may also be reflected in the bot’s name and avatar . These lightweight voice-based apps allow you to control your smart devices, listen to the news, hitch a ride, find your phone, and much, much more. Your users – and you – will benefit from easy, efficient, effective experiences that help them meet their goals.
@chatbotsmag We’ve been building basic Conversational UI into client websites to guide users to information for 5+ years. It works. #ux
— Candorem (@Candorem) September 7, 2017
It will start to be seamless when we move from location to location. As a designer, if we can make that transition for people a lot easier, then people will have an easier time responding to AI and adopting new technology. Like being able to ask a device about a schedule or cooking, or if there a way to set a table or ask about measurements . The goal is to try to make people forget the a device is a robot, but rather a human. For example, when the computer came out, people were like “What, you don’t have to go to the library anymore? We didn’t have these things for centuries, kind of like when Uber came out. You are basically calling a person from the internet and they show up.
Simple loading indicators can be used as an equivalent to phatic expression in speaking, telling the user—stay cool, honey bunny, I’m still here, give me a second to retort. Naturally, an ideal conversation should be unfettered, but in case of a conversational UI without an AI backing — well, a bit of control is inevitable. The visual display of the conversation was one of this project’s most important UX challenges. Example of syntax notation⚠️ If you’d like to learn more about writing the script per se, let us know. Donations to freeCodeCamp go toward our education initiatives, and help pay for servers, services, and staff. Better yet, you can ask some of your best customers to test it for you. The shopping assistant would also try to conclude your interaction in a pleasant, conclusive way. Once the flow diagram is in place, you are free to expand and perfect your script.
It has a decision tree where the user has to choose between options for the conversation to continue. Rule-based chatbots are widely popular across industries as they don’t require any coding or technical expertise. Conversations on a rule-based chatbot are used for generating leads and offering generic support questions which have only a handful of solutions that are already mapped out. Many people say conversational UI is the future of web interface. IM apps, Guide Into Conversational UI chatbots, text-based UIs or emojis probably have never been more popular. Text messages have became extremely natural way of communicating these days. Conversational UX is quickly becoming the differentiating factor between businesses that excel in customer service and those that fall short. If you’re ready to transform your user experience but aren’t sure where to begin, kickstart the process by investing in a customer service solution such as Zendesk. | 2023-14/0037/en_head.json.gz/13492 | {"url": "http://creativecomputercentre.com/2022/01/28/conversational-design/", "partition": "head_middle", "language": "en", "source_domain": "creativecomputercentre.com", "date_download": "2023-03-20T09:08:35Z", "digest": "sha1:Z3AM7767MQUOWGHHE3PMJMOLB23PDGNT"} | {"ccnet_length": [[0, 7329, 7329.0]], "ccnet_original_length": [[0, 7329, 8495.0]], "ccnet_nlines": [[0, 7329, 19.0]], "ccnet_original_nlines": [[0, 7329, 67.0]], "ccnet_language_score": [[0, 7329, 0.94]], "ccnet_perplexity": [[0, 7329, 336.9]], "ccnet_bucket": [[0, 7329, 0.0]], "rps_doc_curly_bracket": [[0, 7329, 0.0]], "rps_doc_ldnoobw_words": [[0, 7329, 0.0]], "rps_doc_lorem_ipsum": [[0, 7329, 0.0]], "rps_doc_stop_word_fraction": [[0, 7329, 0.40991977]], "rps_doc_ut1_blacklist": [[0, 7329, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 7329, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 7329, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 7329, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 7329, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 7329, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 7329, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 7329, 0.00666889]], "rps_doc_frac_chars_top_3gram": [[0, 7329, 0.00400133]], "rps_doc_frac_chars_top_4gram": [[0, 7329, 0.0]], "rps_doc_frac_all_caps_words": [[0, 7329, 0.01677608]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 7329, 0.0]], "rps_doc_frac_no_alph_words": [[0, 7329, 0.13347921]], "rps_doc_frac_unique_words": [[0, 7329, 0.46397942]], "rps_doc_mean_word_length": [[0, 7329, 5.14408233]], "rps_doc_symbol_to_word_ratio": [[0, 7329, 0.00072939]], "rps_doc_unigram_entropy": [[0, 7329, 5.66119144]], "rps_doc_word_count": [[0, 7329, 1166.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 22, 0.0], [22, 60, 0.0], [60, 837, 1.0], [837, 1010, 1.0], [1010, 1211, 1.0], [1211, 1276, 1.0], [1276, 1357, 1.0], [1357, 1491, 1.0], [1491, 2108, 1.0], [2108, 2150, 0.0], [2150, 3252, 1.0], [3252, 4070, 1.0], [4070, 4084, 0.0], [4084, 4625, 1.0], [4625, 4761, 0.0], [4761, 4802, 0.0], [4802, 5490, 1.0], [5490, 6377, 1.0], [6377, 7329, 1.0]], "rps_lines_javascript_counts": [[0, 22, 0.0], [22, 60, 0.0], [60, 837, 0.0], [837, 1010, 0.0], [1010, 1211, 0.0], [1211, 1276, 0.0], [1276, 1357, 0.0], [1357, 1491, 0.0], [1491, 2108, 0.0], [2108, 2150, 0.0], [2150, 3252, 0.0], [3252, 4070, 0.0], [4070, 4084, 0.0], [4084, 4625, 0.0], [4625, 4761, 0.0], [4761, 4802, 0.0], [4802, 5490, 0.0], [5490, 6377, 0.0], [6377, 7329, 0.0]], "rps_lines_num_words": [[0, 22, 2.0], [22, 60, 7.0], [60, 837, 124.0], [837, 1010, 24.0], [1010, 1211, 28.0], [1211, 1276, 10.0], [1276, 1357, 10.0], [1357, 1491, 20.0], [1491, 2108, 96.0], [2108, 2150, 6.0], [2150, 3252, 170.0], [3252, 4070, 120.0], [4070, 4084, 3.0], [4084, 4625, 89.0], [4625, 4761, 21.0], [4761, 4802, 6.0], [4802, 5490, 132.0], [5490, 6377, 151.0], [6377, 7329, 147.0]], "rps_lines_numerical_chars_fraction": [[0, 22, 0.0], [22, 60, 0.0], [60, 837, 0.0], [837, 1010, 0.0], [1010, 1211, 0.0], [1211, 1276, 0.0], [1276, 1357, 0.0], [1357, 1491, 0.0], [1491, 2108, 0.0], [2108, 2150, 0.0], [2150, 3252, 0.0], [3252, 4070, 0.0], [4070, 4084, 0.0], [4084, 4625, 0.0], [4625, 4761, 0.00769231], [4761, 4802, 0.13888889], [4802, 5490, 0.0], [5490, 6377, 0.0], [6377, 7329, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 22, 0.0], [22, 60, 0.0], [60, 837, 0.0], [837, 1010, 0.0], [1010, 1211, 0.0], [1211, 1276, 0.0], [1276, 1357, 0.0], [1357, 1491, 0.0], [1491, 2108, 0.0], [2108, 2150, 0.0], [2150, 3252, 0.0], [3252, 4070, 0.0], [4070, 4084, 0.0], [4084, 4625, 0.0], [4625, 4761, 0.0], [4761, 4802, 0.0], [4802, 5490, 0.0], [5490, 6377, 0.0], [6377, 7329, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 22, 0.09090909], [22, 60, 0.18421053], [60, 837, 0.02187902], [837, 1010, 0.01734104], [1010, 1211, 0.02487562], [1211, 1276, 0.01538462], [1276, 1357, 0.02469136], [1357, 1491, 0.00746269], [1491, 2108, 0.01458671], [2108, 2150, 0.14285714], [2150, 3252, 0.01905626], [3252, 4070, 0.01100244], [4070, 4084, 0.21428571], [4084, 4625, 0.01478743], [4625, 4761, 0.03676471], [4761, 4802, 0.07317073], [4802, 5490, 0.01598837], [5490, 6377, 0.02029312], [6377, 7329, 0.02205882]], "rps_doc_ml_palm_score": [[0, 7329, 0.65855426]], "rps_doc_ml_wikipedia_score": [[0, 7329, null]], "rps_doc_ml_wikiref_score": [[0, 7329, 0.15725064]], "rps_doc_books_importance": [[0, 7329, -307.9340374]], "rps_doc_openwebtext_importance": [[0, 7329, 56.39979647]], "rps_doc_wikipedia_importance": [[0, 7329, -363.52527431]], "rps_doc_num_sentences": [[0, 7329, 64.0]]} |
Collegiate Gothic
By Weston Ulbirch Collegiate Gothic, Mansions, New Haven
2150 Chapel Street, New Haven, Connecticut: This single-family fortress in Westville was built in 1937. The mansion is 7,272 square feet on 1.4…
Perry House March 18, 2022 | 2023-14/0037/en_head.json.gz/13493 | {"url": "http://ctre.co/category/architecture/collegiate-gothic/", "partition": "head_middle", "language": "en", "source_domain": "ctre.co", "date_download": "2023-03-20T09:11:20Z", "digest": "sha1:WFHBIS4GHTEJQA7WXFR4BYZ55SPGLBKF"} | {"ccnet_length": [[0, 246, 246.0]], "ccnet_original_length": [[0, 246, 2307.0]], "ccnet_nlines": [[0, 246, 4.0]], "ccnet_original_nlines": [[0, 246, 49.0]], "ccnet_language_score": [[0, 246, 0.91]], "ccnet_perplexity": [[0, 246, 314.1]], "ccnet_bucket": [[0, 246, 0.0]], "rps_doc_curly_bracket": [[0, 246, 0.0]], "rps_doc_ldnoobw_words": [[0, 246, 0.0]], "rps_doc_lorem_ipsum": [[0, 246, 0.0]], "rps_doc_stop_word_fraction": [[0, 246, 0.09615385]], "rps_doc_ut1_blacklist": [[0, 246, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 246, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 246, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 246, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 246, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 246, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 246, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 246, 0.16080402]], "rps_doc_frac_chars_top_3gram": [[0, 246, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 246, 0.0]], "rps_doc_frac_all_caps_words": [[0, 246, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 246, 0.25]], "rps_doc_frac_no_alph_words": [[0, 246, 0.36538462]], "rps_doc_frac_unique_words": [[0, 246, 0.86842105]], "rps_doc_mean_word_length": [[0, 246, 5.23684211]], "rps_doc_symbol_to_word_ratio": [[0, 246, 0.01923077]], "rps_doc_unigram_entropy": [[0, 246, 3.45517901]], "rps_doc_word_count": [[0, 246, 38.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 18, 0.0], [18, 75, 0.0], [75, 220, 0.0], [220, 246, 0.0]], "rps_lines_javascript_counts": [[0, 18, 0.0], [18, 75, 0.0], [75, 220, 0.0], [220, 246, 0.0]], "rps_lines_num_words": [[0, 18, 2.0], [18, 75, 8.0], [75, 220, 23.0], [220, 246, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 18, 0.0], [18, 75, 0.0], [75, 220, 0.10218978], [220, 246, 0.24]], "rps_lines_start_with_bulletpoint": [[0, 18, 0.0], [18, 75, 0.0], [75, 220, 0.0], [220, 246, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 18, 0.11111111], [18, 75, 0.14035088], [75, 220, 0.05517241], [220, 246, 0.11538462]], "rps_doc_ml_palm_score": [[0, 246, -8.94e-06]], "rps_doc_ml_wikipedia_score": [[0, 246, null]], "rps_doc_ml_wikiref_score": [[0, 246, 0.00521857]], "rps_doc_books_importance": [[0, 246, -27.39284002]], "rps_doc_openwebtext_importance": [[0, 246, -12.04649178]], "rps_doc_wikipedia_importance": [[0, 246, 5.38151068]], "rps_doc_num_sentences": [[0, 246, 3.0]]} |
I made myself this necklace from Fimo...
...which led on to making these beads as a present...
...and these necklaces for two little girls...
The colour possibilities are endless... I'm addicted!
those look like so much fun!
Friday, 20 May 2011 at 20:47:00 BST
I love those! You are amazingly creative! Well done:)
Wednesday, 25 May 2011 at 20:54:00 BST
Galit said...
Beautiful!! I love the simplicity of them and the bright colours!
I forgot all about Fimo! Should give it a try and get some to play with!
Monday, 6 June 2011 at 05:13:00 BST
I like the colors and how you combined them :)
Monday, 8 August 2011 at 15:37:00 BST
SEO Services India said...
Monday, 19 September 2011 at 09:58:00 BST | 2023-14/0037/en_head.json.gz/13494 | {"url": "http://cubicdreams.blogspot.com/2011/05/beads.html", "partition": "head_middle", "language": "en", "source_domain": "cubicdreams.blogspot.com", "date_download": "2023-03-20T10:02:38Z", "digest": "sha1:QOH4DYV4JUWQCUM2FMMROUBKNQPYHF3D"} | {"ccnet_length": [[0, 696, 696.0]], "ccnet_original_length": [[0, 696, 1586.0]], "ccnet_nlines": [[0, 696, 16.0]], "ccnet_original_nlines": [[0, 696, 61.0]], "ccnet_language_score": [[0, 696, 0.95]], "ccnet_perplexity": [[0, 696, 219.0]], "ccnet_bucket": [[0, 696, 0.0]], "rps_doc_curly_bracket": [[0, 696, 0.0]], "rps_doc_ldnoobw_words": [[0, 696, 0.0]], "rps_doc_lorem_ipsum": [[0, 696, 0.0]], "rps_doc_stop_word_fraction": [[0, 696, 0.30952381]], "rps_doc_ut1_blacklist": [[0, 696, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 696, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 696, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 696, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 696, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 696, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 696, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 696, 0.05769231]], "rps_doc_frac_chars_top_3gram": [[0, 696, 0.03461538]], "rps_doc_frac_chars_top_4gram": [[0, 696, 0.0]], "rps_doc_frac_all_caps_words": [[0, 696, 0.07142857]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 696, 0.3125]], "rps_doc_frac_no_alph_words": [[0, 696, 0.35119048]], "rps_doc_frac_unique_words": [[0, 696, 0.70731707]], "rps_doc_mean_word_length": [[0, 696, 4.22764228]], "rps_doc_symbol_to_word_ratio": [[0, 696, 0.04761905]], "rps_doc_unigram_entropy": [[0, 696, 4.29827799]], "rps_doc_word_count": [[0, 696, 123.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 41, 1.0], [41, 95, 1.0], [95, 142, 1.0], [142, 196, 1.0], [196, 225, 1.0], [225, 261, 0.0], [261, 315, 0.0], [315, 354, 0.0], [354, 368, 1.0], [368, 434, 1.0], [434, 507, 1.0], [507, 543, 0.0], [543, 590, 0.0], [590, 628, 0.0], [628, 655, 1.0], [655, 696, 0.0]], "rps_lines_javascript_counts": [[0, 41, 0.0], [41, 95, 0.0], [95, 142, 0.0], [142, 196, 0.0], [196, 225, 0.0], [225, 261, 0.0], [261, 315, 0.0], [315, 354, 0.0], [354, 368, 0.0], [368, 434, 0.0], [434, 507, 0.0], [507, 543, 0.0], [543, 590, 0.0], [590, 628, 0.0], [628, 655, 0.0], [655, 696, 0.0]], "rps_lines_num_words": [[0, 41, 7.0], [41, 95, 10.0], [95, 142, 7.0], [142, 196, 7.0], [196, 225, 6.0], [225, 261, 7.0], [261, 315, 9.0], [315, 354, 7.0], [354, 368, 2.0], [368, 434, 11.0], [434, 507, 16.0], [507, 543, 7.0], [543, 590, 9.0], [590, 628, 7.0], [628, 655, 4.0], [655, 696, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 41, 0.0], [41, 95, 0.0], [95, 142, 0.0], [142, 196, 0.0], [196, 225, 0.0], [225, 261, 0.375], [261, 315, 0.0], [315, 354, 0.34285714], [354, 368, 0.0], [368, 434, 0.0], [434, 507, 0.0], [507, 543, 0.34375], [543, 590, 0.0], [590, 628, 0.32352941], [628, 655, 0.0], [655, 696, 0.31578947]], "rps_lines_start_with_bulletpoint": [[0, 41, 0.0], [41, 95, 0.0], [95, 142, 0.0], [142, 196, 0.0], [196, 225, 0.0], [225, 261, 0.0], [261, 315, 0.0], [315, 354, 0.0], [354, 368, 0.0], [368, 434, 0.0], [434, 507, 0.0], [507, 543, 0.0], [543, 590, 0.0], [590, 628, 0.0], [628, 655, 0.0], [655, 696, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 41, 0.04878049], [41, 95, 0.0], [95, 142, 0.0], [142, 196, 0.03703704], [196, 225, 0.0], [225, 261, 0.13888889], [261, 315, 0.05555556], [315, 354, 0.12820513], [354, 368, 0.07142857], [368, 434, 0.03030303], [434, 507, 0.04109589], [507, 543, 0.13888889], [543, 590, 0.0212766], [590, 628, 0.13157895], [628, 655, 0.18518519], [655, 696, 0.12195122]], "rps_doc_ml_palm_score": [[0, 696, 0.00071055]], "rps_doc_ml_wikipedia_score": [[0, 696, null]], "rps_doc_ml_wikiref_score": [[0, 696, 0.00026208]], "rps_doc_books_importance": [[0, 696, -81.73614563]], "rps_doc_openwebtext_importance": [[0, 696, -61.78490367]], "rps_doc_wikipedia_importance": [[0, 696, -104.81715278]], "rps_doc_num_sentences": [[0, 696, 15.0]]} |
Post by Super User
In Sales and Marketing
On 26 April 2014
There are many amazing musicians out there, the difference for those who are commercially successful is the ability to connect with their audience and get product to them, in an ever-increasing variety of formats and crowded market.
That's where we come in, helping to create the demand and then communicate and faccilitate the availability of the product to the fans.
You are here: Home Services Sales and Marketing | 2023-14/0037/en_head.json.gz/13495 | {"url": "http://customhousemusic.com/services/91-sales-and-marketing-consultancy", "partition": "head_middle", "language": "en", "source_domain": "customhousemusic.com", "date_download": "2023-03-20T09:25:43Z", "digest": "sha1:TR5FOYD7HHOZKT5LNMZX2ETOWGOZBZRA"} | {"ccnet_length": [[0, 475, 475.0]], "ccnet_original_length": [[0, 475, 1154.0]], "ccnet_nlines": [[0, 475, 6.0]], "ccnet_original_nlines": [[0, 475, 38.0]], "ccnet_language_score": [[0, 475, 0.96]], "ccnet_perplexity": [[0, 475, 325.0]], "ccnet_bucket": [[0, 475, 0.0]], "rps_doc_curly_bracket": [[0, 475, 0.0]], "rps_doc_ldnoobw_words": [[0, 475, 0.0]], "rps_doc_lorem_ipsum": [[0, 475, 0.0]], "rps_doc_stop_word_fraction": [[0, 475, 0.47777778]], "rps_doc_ut1_blacklist": [[0, 475, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 475, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 475, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 475, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 475, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 475, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 475, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 475, 0.04123711]], "rps_doc_frac_chars_top_3gram": [[0, 475, 0.08762887]], "rps_doc_frac_chars_top_4gram": [[0, 475, 0.0]], "rps_doc_frac_all_caps_words": [[0, 475, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 475, 0.0]], "rps_doc_frac_no_alph_words": [[0, 475, 0.11111111]], "rps_doc_frac_unique_words": [[0, 475, 0.725]], "rps_doc_mean_word_length": [[0, 475, 4.85]], "rps_doc_symbol_to_word_ratio": [[0, 475, 0.0]], "rps_doc_unigram_entropy": [[0, 475, 3.87490868]], "rps_doc_word_count": [[0, 475, 80.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 19, 0.0], [19, 42, 0.0], [42, 59, 0.0], [59, 292, 1.0], [292, 428, 1.0], [428, 475, 0.0]], "rps_lines_javascript_counts": [[0, 19, 0.0], [19, 42, 0.0], [42, 59, 0.0], [59, 292, 0.0], [292, 428, 0.0], [428, 475, 0.0]], "rps_lines_num_words": [[0, 19, 4.0], [19, 42, 4.0], [42, 59, 4.0], [59, 292, 37.0], [292, 428, 23.0], [428, 475, 8.0]], "rps_lines_numerical_chars_fraction": [[0, 19, 0.0], [19, 42, 0.0], [42, 59, 0.375], [59, 292, 0.0], [292, 428, 0.0], [428, 475, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 19, 0.0], [19, 42, 0.0], [42, 59, 0.0], [59, 292, 0.0], [292, 428, 0.0], [428, 475, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 19, 0.15789474], [19, 42, 0.13043478], [42, 59, 0.11764706], [59, 292, 0.00429185], [292, 428, 0.00735294], [428, 475, 0.10638298]], "rps_doc_ml_palm_score": [[0, 475, 3.731e-05]], "rps_doc_ml_wikipedia_score": [[0, 475, null]], "rps_doc_ml_wikiref_score": [[0, 475, 0.00010681]], "rps_doc_books_importance": [[0, 475, -18.18919089]], "rps_doc_openwebtext_importance": [[0, 475, 2.17815717]], "rps_doc_wikipedia_importance": [[0, 475, -14.00174356]], "rps_doc_num_sentences": [[0, 475, 3.0]]} |
[cvs] / xvidcore / src / utils / mbtransquant.c Repository: Repository Listing cvs
Diff of /xvidcore/src/utils/mbtransquant.c
Parent Directory | Revision Log | Patch
revision 1.11, Wed Sep 4 06:24:37 2002 UTC
revision 1.12, Thu Sep 5 21:44:11 2002 UTC
# Line 1 Line 1
1 /****************************************************************************** /*****************************************************************************
3 * This file is part of XviD, a free MPEG-4 video encoder/decoder * * XVID MPEG-4 VIDEO CODEC
4 * * * - MacroBlock transfer and quantization -
5 * XviD is an implementation of a part of one or more MPEG-4 Video tools * *
6 * as specified in ISO/IEC 14496-2 standard. Those intending to use this * * Copyright(C) 2002-2001 Michael Militzer <[email protected]>
7 * software module in hardware or software products are advised that its * * 2002-2001 Peter Ross <[email protected]>
8 * use may infringe existing patents or copyrights, and any such use * *
9 * would be at such party's own risk. The original developer of this * * This program is an implementation of a part of one or more MPEG-4
10 * software module and his/her company, and subsequent editors and their * * Video tools as specified in ISO/IEC 14496-2 standard. Those intending
11 * companies, will have no liability for use of this software or * * to use this software module in hardware or software products are
12 * modifications or derivatives thereof. * * advised that its use may infringe existing patents or copyrights, and
13 * * * any such use would be at such party's own risk. The original
14 * XviD is free software; you can redistribute it and/or modify it * * developer of this software module and his/her company, and subsequent
15 * under the terms of the GNU General Public License as published by * * editors and their companies, will have no liability for use of this
16 * the Free Software Foundation; either version 2 of the License, or * * software or modifications or derivatives thereof.
17 * (at your option) any later version. * *
18 * * * This program is free software; you can redistribute it and/or modify
19 * XviD is distributed in the hope that it will be useful, but * * it under the terms of the GNU General Public License as published by
20 * WITHOUT ANY WARRANTY; without even the implied warranty of * * the Free Software Foundation; either version 2 of the License, or
21 * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the * * (at your option) any later version.
22 * GNU General Public License for more details. * *
23 * * * This program is distributed in the hope that it will be useful,
24 * You should have received a copy of the GNU General Public License * * but WITHOUT ANY WARRANTY; without even the implied warranty of
25 * along with this program; if not, write to the Free Software * * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
26 * Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA * * GNU General Public License for more details.
28 ******************************************************************************/ * You should have received a copy of the GNU General Public License
29 * along with this program; if not, write to the Free Software
30 /****************************************************************************** * Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
32 * mbtransquant.c * * $Id$
34 * Copyright (C) 2001 - Peter Ross <[email protected]> * ****************************************************************************/
* Copyright (C) 2001 - Michael Militzer <[email protected]> *
* For more information visit the XviD homepage: http://www.xvid.org *
* Revision history: *
* 29.03.2002 interlacing speedup - used transfer strides instead of *
* manual field-to-frame conversion *
* 26.03.2002 interlacing support - moved transfers outside loops *
* 22.12.2001 get_dc_scaler() moved to common.h *
* 19.11.2001 introduced coefficient thresholding (Isibaar) *
* 17.11.2001 initial version *
36 #include <string.h> #include <string.h>
Colored Diff Long Colored Diff Unidiff Context Diff Side by Side
Removed from v.1.11
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NEHOL: Negerhollands Database
Negerhollands, the now extinct Dutch-derived creole of the Virgins Islands, is unique in that there is a rich digitized corpus of historical as well as almost contemporary texts available that hardly have been studied. The language emerged around 1700 and the last known speaker died in 1987. This database contains a rich digitized corpus of historical as well as almost contemporary texts (1742-1936) in Negerhollands. These data were carefully edited and digitized in a previous NWO project. A considerable and representative part of the database is annotated, which enables the user to make advanced search queries.
NEHOL is a digitally accessible and searchable database with the Dutch-lexifier Creole language Negerhollands, in the same format as the parallel SUCA (SUriname Creole Archive) corpus, coordinated by Margot van den Berg (Radboud University Nijmegen). The NEHOL project was coordinated by Pieter Muysken (Radboud University Nijmegen), and technically supported by the TLA (‘The Language Archive’) unit at the MPI for Psycholinguistics in Nijmegen.
The majority of the data included in the database have been digitalized and carefully edited in a previous NWO financed project from the first part of the ‘90s, carried out by Cefas van Rossem and Hein van der Voort. This mostly concerns the eighteenth and nineteenth century documents written by Moravian missionaries and discovered by dr. Peter Stein in the Archiv der Brüder-Unität in Herrnhut (Germany). Other documents digitalized in the previous project mainly consist of primers, hymn books and documents from the Danish Lutheran mission. This project also resulted in the publication of Die Creol Tael (Van Rossem & Van der Voort 1996), a comprehensive book discussing and exemplifying the broad variety of Negerhollands sources and their different varieties of the language.
All documents included in NEHOL have been checked with copies of the original manuscripts for errors, as it was not feasible to do this for all the data in the previous project. Additional sources have been digitalised for NEHOL, of which the 1926 publication by De Josselin de Jong, containing 58 pages of basilectal Negerhollands data plus a wordlist, is the most important. The main feature of NEHOL is that a considerable and representative part of the database is annotated, which enables the user to make advanced search queries. The annotations consist of three lines: 1) a morphological line, containing a standardised lemma for each lexical and functional item to overcome spelling variation in search queries; 2) a line with glosses, providing information on the meaning of content words and the grammatical properties of function words; 3) a line containing Part of speech tags
Project leader: Prof. dr. P.C. Muysken (Radboud University)
CLARIN center: Max Planck Institute for Psycholinguistics (MPI) and Meertens Institute
Help contact
: http://tla.mpi.nl/contact/
Web-sites: https://diecreoltaal.wordpress.com/
Manual: http://diecreoltaal.files.wordpress.com/2013/12/manualnehol.pdf
Data Link (VLO): http://catalog.clarin.eu/vlo/search?fq=collection:TLA:+NEHOL
Data link (IMDI Browser): https://corpus1.mpi.nl/ds/imdi_browser/?openpath=MPI1475545%23
Muysken, P, van Rossem, C and van Sluijs, R. 2017. Variation in Preposition Use in the Virgin Islands Dutch Creole (VIDC) Cluster. In: Odijk, J and van Hessen, A. (eds.) CLARIN in the Low Countries, Pp. 133–149. London: Ubiquity Press. DOI: https://doi.org/10.5334/bbi.12. License: CC-BY 4.0
NOTE: Part/copy of this project's data is hosted at the Meertens Institute, which also serves a metadata record for this (DB 2-11-2020)
MPI for Psycholinguistics
Negerhollands
Pidgin and Creole Studies
text corpus
orthographic representation
normalized orthographic representation
Morphosyntactic
Part-of-speech
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Database index
Ex Fondo Iozzino
40° 44' 50.6004" N 14° 29' 49.29" E
Benchmark list
Civita Giuliana
Scavi di Ercolano
Villa San Marco
Foro Triangolare
Palestra Grande
Villa Sora
Villa di Diomede
Torre di Mercurio
Messigno
A feature of the suburban sanctuary in the Fondo Iozzino, where rites were held from the most ancient times, is the presence of an enormous number of votive offerings. These consist of miniature objects such as vases, chalices, cups, and saucers dating from the late seventh century BC. The arrival of these offerings is recorded in a dump of votive materials, which were deposited in the late second century BC in a fenced-in space, in order to raise the floor level. In the subsequent architectural redevelopment of the sanctuary, this sedimented layer of votive deposits formed a sort of connection with the previous religious activities. The huge quantity of votive materials points to an archaic cult, devoted to a divinity we know only by the epithet “apa”, the customs of which included an enigmatic and impenetrable ritual. The pottery provides evidence of the religious activity of the sanctuary, with its sacrifices, offerings, and libations, which included the use of wine, as revealed by residual organic traces. The artefacts – vases, jugs, and bowls – bear sgraffito inscriptions in the Etruscan alphabet, and dedicatory formulas with the names of the offerors, together with scratched symbols, including crosses, stars, asterisks, and small trees. This is the largest collection of Etruscan inscriptions ever found in a single place in southern Italy, and it sheds light on the very earliest period of the sanctuary and on the presence of the Etruscans in the Vesuvius area. These artefacts show that the sanctuary was used for this form of worship for a very long time, from the seventh to the first century BC.
Similarly, in one of the most evocative spaces in the monumental sanctuary built in 1800 in contemporary Pompeii, we find a gallery of devotional ex-votos dedicated to the Blessed Virgin of the Rosary. The ex-votos in the premises next to the basilica are in the form of objects, photographs, texts and painted panels offered to the Madonna of the Rosary in thanks for grace received. They do not just bear witness to the faith, for they are also a symbol of the perpetual memory of great devotion to the Virgin. Most of these votive offerings in the sanctuary consist of paintings, some of them beautifully made by master craftsmen known as madonnari. In them we can see some of the characteristic elements used to portray the state of mind and the stories of the patrons. These might include a view of some terrible episode that happened before a miracle, the representation of a saint, a narrative description, and a picture of the worshipper. At the bottom we see the Latin initials V.F.G.A. (votum fecit, gratiam accepit – vow made, grace received) or the Italian P.R.G. (per grazia ricevuta – for grace received). Over the years, goldsmiths, silversmiths, decorators, potters, and photographers were all involved, making these ex-votos a consistent part of the historic and devotional memory of the people, as well as testimony to their artistic and crafts traditions.
The 0007 core sampling site is in a sacred area in the southern suburb of ancient Pompeii. Geographically, the sanctuary is on a low hill (20 m ASL) near the mouth of the river Sarno, and about 500 m from the south-east boundary of ancient Pompeii.
The sanctuary was discovered in 1960, after the extraction of lapilli for the construction of a private building. Work was halted to permit the unearthing of the walls of an imposing enclosure in pseudo-opus isodomum with limestone blocks from Sarno. Inside, there was a second enclosure dating from the first century BC. This one was smaller in size, made in opus incertum with blocks of grey tuff from Nocera with two podiums for aedicules and a base. The resumption of research in 1992 showed that the sanctuary had been given monumental form in the Hellenistic age with the construction of an enclosure in pseudo-opus isodomum paved internally in opus signinum. The layer on which the most recent sacred area was built contained a whole deposit of votive offerings, with a wealth of mainly miniature objects. These included weapons (in bronze and iron) and pottery, most of which was bucchero ware. Among the weapons were short swords, about twenty iron spear heads, some with a bronze handle, javelin tips, an iron sceptre (very rare for southern Italy) and a large bronze shield.
The most important aspect of the findings, which date from the Archaic period, is the considerable quantity of bucchero pottery with graffito inscriptions in the Etruscan language. The inscriptions were made on the basins and feet of bowls and banqueting vessels which, after use, were placed upside down on the ground. These inscriptions reveal the names of the Etruscan offerors, who also came from Etruria, and the god (“Apa” or “father”), who may have been Jupiter Meilichios, to whom the sanctuary was dedicated.
The 0007 core sampling site is located outside this enclosure, which is made of limestone blocks. The stratigraphy shows a gap in the uppermost part, where the debris from the eruption in AD 79 is missing. This was probably removed at the time of the discovery of the archaeological structures, which can now be seen on the front of the excavation nearby. The stratigraphic sequence extracted by coring consists of backfill for the first 60 cm. Beneath this is a humified level containing a fragment of modern hollow brick tile.
From -1.15 to -2 m from the ground level there is a greyish reworked layer of ash-tuff (US3), which covers the accumulation layer over a pit or canal (US 4-5), possibly of anthropic origin, measuring about 40 cm. From -2.4 m come the remains of the so-called paleosol B (US6), which is an important stratigraphic marker that is clearly identifiable throughout the Piana Campana, where traces of the Eneolithic and Neolithic ages have been found. The paleosol is that of the pedogenesis of the underlying products of the Mercato eruption of Vesuvius (US7) which occurred 8000 years ago. It consists of ochre-coloured ash containing white pumice. These deposits rest directly on the lava bed, which is found at -3.60 m below ground level. The upper level of this varies in colour from blackish to pinkish grey as the depth increases.
The archaeological stratigraphy and geological data acquired from the core sampling site has led to some interesting considerations on the definition of some environmental and morphological aspects regarding the place where it was decided to build the sanctuary already in the Archaic period (7th century BC). 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why is the arabian leopard endangered
Three subspecies, the Amur leopard, the Arabian leopard and the Javan leopard are Critically Endangered (the most severe level ⦠Many killings of leopards can be attributed to livestock protection. Many species of leopards also suffer from traps that livestock farmers leave for them in an attempt to protect their herds. Roaming the ⦠The enemy is an Arabian Leopard ; Needs to drink water everyday ; The smallest of three kinds of species ; They can climb vertical faces of cliffs ; 8 My Viewpoint At a weight of about 30 kg (66 lb) for the male and around 20 kg (44 lb) for the female, the Arabian leopard is much smaller than the African Leopard and other Asian subspecies. Their number have been declining because of poaching and forest destruction.Only the subspecies Amur leopard, and Arabian leopard. The population comprises fewer than 250 mature individuals and is severely fragmented. Today its harsh mountains are one of the Arabian leopard's last refuges. Support WWF in its efforts to protect the species and its habitat. Good day Ron, Regarding the Leopard. 7 Interesting Facts! 2006, Spalton and Al Hikmani 2006, Al-Johany 2007). I know snow leopards are entirely independent. If you're asking yourself why Snow Leopards are endangered, take a look at this AnimalWised article and find out. Many leopards are killed each year for their fur and body parts and this is one reason why the leopard is an endangered animal. The Arabian leopard is threatened by habitat loss, degradation and fragmentation; hunting of its wild prey, and retaliatory killing in defense of livestock (Al Jumaily et al. Fact Check: What Power Does the President Really Have Over State Governors. With only 50 left in Oman and about 200 in the world, the species is quickly disappearing-- but one Emirati is doing something to help. Main threats to the Arabian leopard are habitat loss and fragmentation, overhunting of its prey species and killing of leopards due to livestock depredation. The races known as the Barbary, South Arabian, Anatolian, Amur, and Sinai leopards are listed as endangered. Originally, it was thought that a leopard was a hybrid between a lion and a panther. The Arabian leopard is almost extinct. And over 75% of that is in isolation. The International Union for the Conservation of Nature has listed the Arabian leopard subspecies as critically endangered, and estimates that fewer than 200 remain in the wild. Interesting Leopard Facts. 2006a, Judas et al. Hunted largely for its beautiful, spotted fur, the loss of each Amur leopard puts the species at greater risk of extinction. Why is This Creature Endangered? It was eventually reintroduced in other regions in the Arabian Peninsula, including Saudi Arabia, Jordan, and Oman. The sighting is a boon for conservationists, as the big cat is one of the scarcest feline breeds on the planet. Of all the leopards, the Amur leopard is the most critically endangered. List of leopard subspecies: African Leopard (P. p. pardus) Amur Leopard (P. p. orientalis) Arabian Leopard (P. p. nimr) Indian Leopard (P. p. fusca) Indo-Chinese Leopard (P. p. delacouri) Support WWF in its efforts to ⦠However, there are Arabian Leopards which are currently placed in captive breeding in the Kingdom and plans have been made for their reintroduction in the wild. Many species of leopards also suffer from traps that livestock farmers leave for them in an attempt to protect their herds. However, the major threat to this act species is poaching, driven mostly by the illegal trade of animal skin and body parts. "Also, along the way, we have a station every five kilometres, and there you can decide if you want to rest, eat, exit the challenge or continue.". In Egypt, the leopard is found in the Sinai Peninsula. The Anatolian leopard (Panthera pardus tulliana) is a leopard subspecies native to Southwest Asia.Also called Asia Minor leopard, it was proposed in the 19th century as a distinct leopard subspecies native to southwestern Turkey. Saudi Arabiaâs Royal Commission for Al Ula (RCU) has recently announced the birth of two Arabian leopard cubs. This prized mammal is believed to be extinct in the wild as of 1972. The hike is set to be held at the end of September, and you can register right here! The pelage hues of the leopard vary from pale yellow to golden with patterned rosettes. Three confirmed separate subpopulations remain on the Arabian Peninsula with fewer than an estimated 200 leopards.The Arabian leopard is threatened by habitat loss, degradation and fragmentation; prey depletion caused by unregulated hunting; trapping for the illegal wildlife trade and retaliatory killing in defense of livestock. The species as a whole has lost between 25 to 37 percent of its historic range. The Arabian Leopard is an endangered species, only still remaining in a small area of our planet. Of all the leopards, the Amur leopard is the most critically endangered. The snow leopard is actually in a dangerous spot on the list, with dwindling numbers. The snow leopard is actually in a dangerous spot on the list, with dwindling numbers. See How 1 Emirati Is Walking to Save The Almost-Extinct Arabian Leopard. The big cats have declined in West and North Africa and have been nearly wiped out from much of the Arabian Peninsula and China. The pelage hues of the leopard vary from pale yellow to golden with patterned rosettes. 3 years ago view more articles The two cubs, one male, and one female were born on April 26 at the Prince Saud Al-Faisal Wildlife Research Centre in Taif in the north-west of Saudi Arabia. The big cats are also found in the Hawf area of north-eastern Yemen and a small, isolated population is known to roam in Saudi Arabia.. Leopards have protected status in Oman. Is the Coronavirus Crisis Increasing America's Drug Overdoses? Posted by 3 months ago ð¥ A rare sight of the Critically Endangered Arabian Leopard in Oman. This information was revealed by the ⦠Arabian Leopard There are less than 200 Arabian Leopards left within the UAE. Smaller sub-populations are thought to persist in Saudi Arabia and Yemen. The Arabian Leopard is an endangered species, only still remaining in a small area of our planet. They then have their child solo, raise the kid up, and then release it in fairly short amount of time. The Arabian leopard is a critically endangered species native to the mountain uplands and hilly steppes of the Arabian Peninsula. The actual distribution of the leopard in Arabia is not known exactly, mainly due to habitat destruction, killing and lack of ecological studies. "The challenge begins at 1,500 metres in a very bare, rocky desert and sunny environment, then you start walking into the monsoon, and everything turns from yellow to green," said Husain. Habitat destruction and prey depletion caused by unregulated hunting are probably the two main threats to the Arabian leopard throughout its range. 2006a, Judas et al. The penalty for hunting or capturing the critically endangered ⦠With only 50 left in Oman and about 200 in the world, the species is quickly disappearing-- but one Emirati is doing something to help. Some reports indicate that the leopard populat⦠While they were previously found in the wild in a number of areas around the world, their habitat is largely restricted to sub-Saharan Africa with small numbers also found in India, Pakistan, Malaysia, China ⦠Critically endangered Arabian leopards face a new threat in Oman: frankincense collectors encroaching on the tiny remnants of their habitat. Where they were once easy to spot in the outskirts, they are now part of the endangered species list. Native to the Arabian Peninsula, the Arabian leopard is today extremely rare â less than 200 animals are thought to survive in the wild. In the latter region, for example, the leopard is just as endangered as the tiger. "You've got the trees and rain, the reef and rivers and many waterfalls all the way down to the ocean," he said. People disturb the leopards, but also hunt and scare away its natural prey, the gazelle and the ibex. This endangered leopard has some common characteristics such as low productive, small ⦠The big cats are also found in the Hawf area of north-eastern Yemen and a small, isolated population is known to roam in Saudi Arabia.. Leopards have protected status in Oman. According to reports, there have been sightings of the endangered Arabian leopard in Dhofar Mountains. The Arabian Oryx, scientifically known as Oryx Leucoryx, is an endangered species that resides in the Mediterranean region in Sinai, Iraq, Yemen, Syria and Kuwait. I refer now to the population in the Pilanesberg National Park in South Africa. The big cats have declined in West and North Africa and have been nearly wiped out from much of the Arabian Peninsula and China. The IUCN has placed the species in the endangered category for a reason. Other than that though, the female snow leopard is entirely by herself. Is the smallest subspecies from all leopards. Gorillas are often portrayed as savage beasts that are big and scary with the likes of King Kongâââ¬Â and as protagonist in movies like Conan the Barbarianâââ¬Â and âââ¬Â Tarzanâââ¬Â . Their population has been in dramatic decline in the Middle East ever since. The south-eastern region of Oman is a known territorial area for Arabian leopards. Another major threat is ⦠), The Secret Science of Solving Crossword Puzzles, Racist Phrases to Remove From Your Mental Lexicon. The population is thought to decline continuously. Fewer than 200 wild individuals were estimated to be alive in 2006. Muscat: Cameras have captured the endangered Arabian leopard in Dhofar Mountains, the Ministry of Environment and Climate Affairs has said. Other articles where Amur leopard is discussed: leopard: Conservation status: â¦were endangered species and the Amur leopard (P. pardus orientalis), Arabian leopard (P. pardus nimr), and Javan leopard (P. pardus melas) continued to decrease, with several of these subspecies declining to critical levels. In this part of Turkey, the leopard population is considered locally extinct since the mid-1970s. Leopards are endangered mainly due to over-hunting and habitat loss. An unsuccessful hunt the Leopard will seldom chase the prey further than 50 meters. Today the Arabian leopard is listed as Critically Endangered (CR) on the IUCN Red List of Endangered species and the biggest sub-population can be found in the Omani Dhofar mountains. ALULA: The birth of two Arabian leopard cubs has been hailed as a ânew beacon of hopeâ in Saudia Arabiaâs bid to reintroduce the critically endangered big cat back into the wild. It has been listed as Critically Endangered on the IUCN Red List since 1996 as fewer than 200 wild individuals were estimated to be alive in 2006. At the Breeding Centre for Endangered Arabian Wildlife in the emirate of Sharjah, UAE, the leopards are caged and almost docile when humans approach, and they would make easy pickings in the wild. If you're asking yourself why Snow Leopards are endangered, take a look at this AnimalWised article and find out. Farmers will poison small animal carcasses which kill any leopard that feeds on them. The Arabian leopard is threatened by habitat loss, degradation and fragmentation; hunting of its wild prey, and retaliatory killing in defense of livestock (Al Jumaily et al. ð¥ A rare sight of the Critically Endangered Arabian Leopard in Oman. Arabian Leopard. The animal, which is native to the Arabian peninsula, is critically endangered. Other articles where Amur leopard is discussed: leopard: Conservation status: â¦were endangered species and the Amur leopard (P. pardus orientalis), Arabian leopard (P. pardus nimr), and Javan leopard (P. pardus melas) continued to decrease, with several of these subspecies declining to critical levels. The arabian leopard (Panthera pardus nimr) is a subespeces of a leopard (Panther pardus). Literally females only see males to have a one night stand, and then they vanish. In reality, gorillas are peaceful and friendly in nature. Their fur was prized as a very valuable commodity in the 1960s and 1970s, and livestock farmers drive them away from their natural habitat. The south-eastern region of Oman is a known territorial area for Arabian leopards. The cubs are also unable to leave their dens for four to five weeks, which is why the 12-week examination period was crucial for the new-born cubs. The male leopard has a length of 5.97 to 6.66 ⦠Leopards are endangered mainly due to over-hunting and habitat loss. Close. The Leopard is considered to kill more predators than any other carnivore. The leopard is facing problems across the Peninsula. Muscat: Cameras have captured the endangered Arabian leopard in Dhofar Mountains, the Ministry of Environment and Climate Affairs has said. Endangered animals of the UAE â in pictures The recent sighting of a Rueppell's fox and crested porcupine place the spotlight on the country's most at-risk creatures Arabian Caracal (Caracal caracal) - IUCN status: least concern - thought to be extinct, the environment agency captured daytime and nighttime footage of the ⦠Why is gorilla endangered. It is believed to be extinct in the wild as there have been no sightings of it since 2002. Because of the variety of threats, some subspecies of leopard are more endangered than others. Yes, they are endangered. "Oman's Arabian Leopards are critically endangered, close to extinction" The Environment Society of Oman (ESO) estimated population at 48 to 55 in ⦠The leopardâs common name derives from this belief; leo is the Greek and Latin word for lion and pard is an old term meaning panther. To be held at the end of September, the 50km hike will begin at the Jebel Samhan mountains and will have participants walk through three different eco-systems in one day. Permalink. The Arabian leopards are unable to see when born, and only open their eyes after a week or more. Hunting statistics indicate that 1 out of 5 are successful. Learn how AWF mitigates human-wildlife conflict to protect the African leopard. The Arabian oryx or white oryx is a medium-sized antelope with a distinct shoulder bump, long, straight horns, and a tufted tail. This would make it the worldâs biggest population, as only 200 wild animals are thought to be left across the Arabian Peninsula. The Arabian leopard (Panthera pardus nimr) is a leopard subspecies native to the Arabian Peninsula. Human impact and environmental pollution has a significant role of the reduction of Arabian leopardâs population. In nature there is natural selection, but with such a small population of leopards, even life and reproductive ability of just one leopard can tip the balance of the endangerment of species in one direction or another. "It is downhill and very easy," Mr Husain said. Courtesy: Times of Oman A rare Arabian leopard was caught on camera in the Dhofar Mountains of Oman. Subpopulations are isolated and not larger than ⦠While 50km sounds like a long hike, Husain insists that the trek is not difficult. Prey depletion leads to livestock depredation and retaliatory killing of leopards by angry pastoralists. The animal, which is native to the Arabian peninsula, is critically endangered. 2006, Spalton and Al Hikmani 2006, Al-Johany 2007). A rare Arabian leopard has been spotted in Oman, fewer than 200 are thought to exist in the wild. "We work closely with the World Wildlife Fund, and this event has an educational animal conversation theme about the endangered wildlife in Arabia," said Husain. Yet habitat loss has been much more severe in certain areas: up to 98 percent in the Arabian Peninsula, China and Southeast Asia. ... the female snow leopard is entirely by herself. 48.7k. ALULA: The birth of two Arabian leopard cubs has been hailed as a ânew beacon of hopeâ in Saudia Arabiaâs bid to reintroduce the critically endangered big cat back into the wild. 2006, Breitenmoser 2006, Edmonds et al. âAn Arabian leopard enjoys the charm of nature and the picturesque ambiance of the khareef season in Dhofar as a result of conservation and protection efforts.â âKnown locally in the Dhofar Mountains as âQadr, these endangered animals are active mostly at night due to relatively cooler temperatures, with their spotted ⦠The Arabian leopard is a critically endangered species native to the mountain uplands and hilly steppes of the Arabian Peninsula. In Egypt, the leopard is found in the Sinai Peninsula. Why is the Snow Leopard Endangered? The Arabian leopard (Panthera pardus nimr) is a leopard subspecies native to the Arabian Peninsula.It has been listed as Critically Endangered on the IUCN Red List since 1996 as fewer than 200 wild individuals were estimated to be alive in 2006. According to The National, experts will also be present to teach participants about the endangered creature. Overall, their range has shrunk to ⦠Subpopulations are isolated and not larger than 50 mature individuals. Until last year, Panthera Pardus Nimr, the rarest of the eight leopard sub-species, was thought to be extinct in the wild. The IUCN has placed the species in the endangered category for a reason. It is listed as endangered ⦠Poaching ; The snow leopard faces many threats including poaching, global warming, and habitat loss. Although listed and protected, the leopard is actually doing well in the wild with the latest population estimated at over 500,000 worldwide. 2006, Breitenmoser 2006, Edmonds et al. During the 1980âs and 1990âs we had a hunting operation in Pilanesberg and during that time I was a manager in the Parks system and also a Professional Hunter and I hunted extensively in the Parks system with overseas paying hunting clients for 12 years. Of the large cats the Leopard is the most ⦠Established in 1964, the IUCN Red List of Threatened Species has evolved to become the worldâs most comprehensive information source on the global conservation status of animal, fungi and plant species. These beautiful felines have decreased colossally over the years from UAEâs landscape. Despite the catâs precarious position, there is relatively little local enthusiasm to protect a species that is widely seen as a threat to livestock. The population is severely fragmented. Endangered species as Arabian leopard is a species that still abundant in wild but their population are able to decline. They are endangered because poachers are killing them and their habitat is being destroyed by Feral goats. Females with cubs usually hunt double the amount of time. The population is severely fragmented. Is native to the Arabian Peninsula and classified as Critically Endangered by IUCN since 1996. The Foundation for the Protection of the Arabian Leopard in Yemen/Foundation for Endangered Wildlife (FPALY/FEW) and the Rewilding Foundation in the Netherlands have successfully secured a grant from the Prince Bernhard Nature Fund for the project âPreventing the extinction of the critically endangered Arabian leopard at two key sites in the Republic of Yemenâ. Farmers are also driving leopards' natural prey animals away by overgrazing and leaving the areas bare. Their fur was prized as a very valuable commodity in the 1960s and 1970s, and livestock farmers drive them away from their natural habitat. The leopard has rosettes rather than spots like a cheetah. The Arabian leopard is almost extinct. A black form, in which the ground colour as well as the spots is black, is widely known as the black panther; it is more common in Asia than in other parts of the range of the leopard. However, due to conservation acts beginning in the 1970s, many species of leopard are seeing a rise in numbers, with some estimates of the number in the wild reaching over 500,000 animals. Hunted largely for its beautiful, spotted fur, the loss of each Amur leopard puts the species at greater risk of extinction. And their average life span is like 15-20 or so. The leopard is an adaptable big cat with a wide range across Africa and Asia but populations are isolated and shrinking. Two subspecies, the Sri Lankan leopard and the Persian leopard, are classified as Endangered. The Arabian leopard has pelage hues that vary from pale yellow to deep golden or tawny and are patterned with rosettes. 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why is the arabian leopard endangered 2020 | 2023-14/0037/en_head.json.gz/13499 | {"url": "http://directspasalesblog.com/docs/8e5ys2lz/article.php?page=257816-why-is-the-arabian-leopard-endangered", "partition": "head_middle", "language": "en", "source_domain": "directspasalesblog.com", "date_download": "2023-03-20T09:52:38Z", "digest": "sha1:NCCDIES556ZP2P7MCT66MJPG2LPCLQCS"} | {"ccnet_length": [[0, 31344, 31344.0]], "ccnet_original_length": [[0, 31344, 31648.0]], "ccnet_nlines": [[0, 31344, 4.0]], "ccnet_original_nlines": [[0, 31344, 9.0]], "ccnet_language_score": [[0, 31344, 0.94]], "ccnet_perplexity": [[0, 31344, 325.8]], "ccnet_bucket": [[0, 31344, 0.0]], "rps_doc_curly_bracket": [[0, 31344, 0.0]], "rps_doc_ldnoobw_words": [[0, 31344, 0.0]], "rps_doc_lorem_ipsum": [[0, 31344, 0.0]], "rps_doc_stop_word_fraction": [[0, 31344, 0.37128378]], "rps_doc_ut1_blacklist": [[0, 31344, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 31344, 0.27360414]], "rps_doc_frac_chars_dupe_5grams": [[0, 31344, 0.58194793]], "rps_doc_frac_chars_dupe_6grams": [[0, 31344, 0.51631117]], "rps_doc_frac_chars_dupe_7grams": [[0, 31344, 0.43475533]], "rps_doc_frac_chars_dupe_8grams": [[0, 31344, 0.37758783]], "rps_doc_frac_chars_dupe_9grams": [[0, 31344, 0.30740276]], "rps_doc_frac_chars_top_2gram": [[0, 31344, 0.03952321]], "rps_doc_frac_chars_top_3gram": [[0, 31344, 0.02266311]], "rps_doc_frac_chars_top_4gram": [[0, 31344, 0.00893977]], "rps_doc_frac_all_caps_words": [[0, 31344, 0.00996622]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 31344, 0.0]], "rps_doc_frac_no_alph_words": [[0, 31344, 0.14763514]], "rps_doc_frac_unique_words": [[0, 31344, 0.18968223]], "rps_doc_mean_word_length": [[0, 31344, 5.00274617]], "rps_doc_symbol_to_word_ratio": [[0, 31344, 0.00692568]], "rps_doc_unigram_entropy": [[0, 31344, 5.61578725]], "rps_doc_word_count": [[0, 31344, 5098.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 38, 0.0], [38, 30857, 1.0], [30857, 31302, 0.0], [31302, 31344, 0.0]], "rps_lines_javascript_counts": [[0, 38, 0.0], [38, 30857, 0.0], [30857, 31302, 0.0], [31302, 31344, 0.0]], "rps_lines_num_words": [[0, 38, 6.0], [38, 30857, 5022.0], [30857, 31302, 63.0], [31302, 31344, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 38, 0.0], [38, 30857, 0.00967067], [30857, 31302, 0.02570093], [31302, 31344, 0.0952381]], "rps_lines_start_with_bulletpoint": [[0, 38, 0.0], [38, 30857, 0.0], [30857, 31302, 0.0], [31302, 31344, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 38, 0.0], [38, 30857, 0.03553003], [30857, 31302, 0.13258427], [31302, 31344, 0.0]], "rps_doc_ml_palm_score": [[0, 31344, 0.8452453]], "rps_doc_ml_wikipedia_score": [[0, 31344, null]], "rps_doc_ml_wikiref_score": [[0, 31344, 0.804474]], "rps_doc_books_importance": [[0, 31344, -638.38192979]], "rps_doc_openwebtext_importance": [[0, 31344, 174.86125076]], "rps_doc_wikipedia_importance": [[0, 31344, 303.24392191]], "rps_doc_num_sentences": [[0, 31344, 304.0]]} |
108 Memorial Auditorium and Administration Building of Kyusyu Institute of Technology
Kiyoshi SEIKE
This facility is located within the first technical university campus established in Kyushu Area of Japan, and consists of an auditorium and office. As the auditorium is placed in the naturally sloped site, the floor of the seating area follows the gradient. The building is covered by the folded slab roof. The wood wool cement board of the (original) internal ceiling was used as both mold and finish. The office is a single-story building with square units laid out on the floorplan. While having beams placed diagonally to maintain horizontal stiffness, the facade on the longitude side has floor-to-ceiling windows. | 2023-14/0037/en_head.json.gz/13500 | {"url": "http://docomomojapan.com/structure/%E4%B9%9D%E5%B7%9E%E5%B7%A5%E6%A5%AD%E5%A4%A7%E5%AD%A6%E8%A8%98%E5%BF%B5%E8%AC%9B%E5%A0%82%E3%81%8A%E3%82%88%E3%81%B3%E4%BA%8B%E5%8B%99%E6%A3%9F/", "partition": "head_middle", "language": "en", "source_domain": "docomomojapan.com", "date_download": "2023-03-20T10:21:04Z", "digest": "sha1:CAAQ2CZEFGIFYAEVIOWXFMG5GJCC4VWP"} | {"ccnet_length": [[0, 720, 720.0]], "ccnet_original_length": [[0, 720, 1240.0]], "ccnet_nlines": [[0, 720, 3.0]], "ccnet_original_nlines": [[0, 720, 21.0]], "ccnet_language_score": [[0, 720, 0.95]], "ccnet_perplexity": [[0, 720, 312.5]], "ccnet_bucket": [[0, 720, 0.0]], "rps_doc_curly_bracket": [[0, 720, 0.0]], "rps_doc_ldnoobw_words": [[0, 720, 0.0]], "rps_doc_lorem_ipsum": [[0, 720, 0.0]], "rps_doc_stop_word_fraction": [[0, 720, 0.36153846]], "rps_doc_ut1_blacklist": [[0, 720, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 720, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 720, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 720, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 720, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 720, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 720, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 720, 0.04377104]], "rps_doc_frac_chars_top_3gram": [[0, 720, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 720, 0.0]], "rps_doc_frac_all_caps_words": [[0, 720, 0.00769231]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 720, 0.0]], "rps_doc_frac_no_alph_words": [[0, 720, 0.11538462]], "rps_doc_frac_unique_words": [[0, 720, 0.69911504]], "rps_doc_mean_word_length": [[0, 720, 5.25663717]], "rps_doc_symbol_to_word_ratio": [[0, 720, 0.0]], "rps_doc_unigram_entropy": [[0, 720, 4.07520061]], "rps_doc_word_count": [[0, 720, 113.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 86, 0.0], [86, 100, 0.0], [100, 720, 1.0]], "rps_lines_javascript_counts": [[0, 86, 0.0], [86, 100, 0.0], [100, 720, 0.0]], "rps_lines_num_words": [[0, 86, 11.0], [86, 100, 2.0], [100, 720, 100.0]], "rps_lines_numerical_chars_fraction": [[0, 86, 0.03529412], [86, 100, 0.0], [100, 720, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 86, 0.0], [86, 100, 0.0], [100, 720, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 86, 0.08139535], [86, 100, 0.42857143], [100, 720, 0.01451613]], "rps_doc_ml_palm_score": [[0, 720, 0.46879262]], "rps_doc_ml_wikipedia_score": [[0, 720, null]], "rps_doc_ml_wikiref_score": [[0, 720, 0.02337873]], "rps_doc_books_importance": [[0, 720, -21.07729167]], "rps_doc_openwebtext_importance": [[0, 720, 5.00428701]], "rps_doc_wikipedia_importance": [[0, 720, 21.09969651]], "rps_doc_num_sentences": [[0, 720, 6.0]]} |
For the first time, I have been flattered by a pro-Israel lobbyist.
Toby Greene, the lobbyist in question, emailed me a few days ago, seeking help with a project he is conducting for Hebrew University of Jerusalem. “Given your knowledge of Israeli-Palestinian issues and EU politics, your insights would be invaluable for my research,” he wrote.
The flattery proved fruitless. I promptly told Greene that I supported the Palestinian call for an academic boycott of Israel. Before I could entertain his request, I would need clarity about who he represented.
Greene replied that his position at Hebrew University was being financed by the Israel Institute in Washington. He claimed, however, that the university and the institute merely “support and facilitate my research” and “like all academics in Israel, I have full academic freedom and I define my own research projects.”
I don’t buy that explanation and have refused to help Greene’s project – which apparently relates to how Israel is viewed by Europe’s political elites.
Cherishing freedom?
Greene is a lobbyist masquerading as an analyst. Apart from holding a post at Hebrew University, he works for a propaganda outfit called the Britain Israel Communications and Research Centre (BICOM).
He has previously been a staff member with Labour Friends of Israel. That pressure group – embedded in one of Britain’s largest political parties – coordinates its activities with the Israeli government, as a recent Al Jazeera documentary illustrated.
Greene inferred that his sponsors at the Israel Institute cherish academic freedom. Is that really the case?
The institute was established in 2012 by Itamar Rabinovich, a former Israeli diplomat, and is funded by the Charles and Lynn Schusterman Family Foundation.
The Schusterman Foundation has made clear that it is supporting academic research with the intention of “strengthening Israel at home and abroad.” The foundation’s declared mission includes funding “efforts to identify, mentor and train student leaders to support Israel and advocate for strong US-Israel relations.”
That is anathema to the whole concept of academic freedom.
Truly independent academics are focused on the production of knowledge, not on the “strengthening” of states or disseminating propaganda to further their political agendas.
I asked Ari Roth, director of the Israel Institute, if it had sponsored any academics who criticized Zionism, Israel’s state ideology. Rather than answering that question, he stated that “descriptions of our grantees can be found on our website.”
I could not find any criticisms of Zionism on its website. But I did find publications which were fundamentally dishonest. One of them claimed Israel had made “notable efforts to avoid civilian casualties” during its major offensive against Gaza in 2014.
Israel killed almost 1,500 civilians – including more than 550 children – in that offensive. That means around one in every 1,000 residents of Gaza was killed.
How can that be construed as a notable effort to avoid civilian casualties?
Toby Greene has told a similar lie. In 2014, he spoke of Israel’s “desire to avoid civilian casualties” while bombing Gaza.
He then had the impudence to scold Jon Snow from the broadcaster Channel 4, one of the few British journalists willing to challenge Israeli spin doctors. Accurately describing the effects of Israel’s attacks on children – as Snow did three years ago – meant he had “abandoned all pretense at objectivity,” Greene wrote.
Greene has a long record of downplaying crimes by both Israel and Britain.
Back in 2006, he advocated that powerful governments should be “ready to reward” Israel’s political leaders who make “positive steps” towards Palestinians. One reward that he recommended would be “international recognition that some of the settlement blocs [in the occupied West Bank] will remain as part of a future land-swap deal.”
That proposal echoed an argument by George W. Bush, then US president, in 2004 that it would be “unrealistic” for Israel to fully withdraw from the West Bank. By making that comment, Bush signaled that he would tolerate Israel’s settlement activities, despite how they violated international law.
Flexible flunky
Greene is also an apologist for Tony Blair.
When an official British enquiry issued a damning verdict last year on Blair’s determination to join the 2003 invasion of Iraq, Greene wrote a lengthy article that was highly sympathetic to the former prime minister.
To Greene, Blair’s only “sin” was “hubris: an overinflated misperception of his ability to shape international politics.” Causing hundreds of thousands to die and destroying an entire country are more grievous sins than hubris – though not, it would appear, in Greene’s mind.
Greene is still lying in the service of Israel. He recently alleged that an event held as part of a campaign to make Britain apologize for supporting Zionist colonization in Palestine was characterized by “anti-Semitic bluster.” A parliamentary investigation into the same event, which was held at Westminster, found no evidence to support the accusations of anti-Semitism made by the Israeli government and its surrogates.
Greene has written a book about the British Labour Party and Palestine. It is a 298-page fan letter to Blair disguised as sober analysis.
A note in the acknowledgements section of that book states: “Two employers, Labour Friends of Israel and the Britain Israel Communications and Research Centre, generously allowed me the flexibility to pursue my research while under their employment.”
The note is perhaps the most instructive thing about the book. Greene has implicitly admitted that he is a flexible flunky.
He is a scholar who shills for Israel. | 2023-14/0037/en_head.json.gz/13501 | {"url": "http://dvcronin.blogspot.com/2017/05/the-scholar-who-shills-for-israel.html", "partition": "head_middle", "language": "en", "source_domain": "dvcronin.blogspot.com", "date_download": "2023-03-20T10:34:56Z", "digest": "sha1:B64CS3AQUCHARPTQODNH3H7IVN5266AL"} | {"ccnet_length": [[0, 5731, 5731.0]], "ccnet_original_length": [[0, 5731, 7881.0]], "ccnet_nlines": [[0, 5731, 31.0]], "ccnet_original_nlines": [[0, 5731, 145.0]], "ccnet_language_score": [[0, 5731, 0.97]], "ccnet_perplexity": [[0, 5731, 249.5]], "ccnet_bucket": [[0, 5731, 0.0]], "rps_doc_curly_bracket": [[0, 5731, 0.0]], "rps_doc_ldnoobw_words": [[0, 5731, 0.0]], "rps_doc_lorem_ipsum": [[0, 5731, 0.0]], "rps_doc_stop_word_fraction": [[0, 5731, 0.36423221]], "rps_doc_ut1_blacklist": [[0, 5731, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 5731, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 5731, 0.01989839]], "rps_doc_frac_chars_dupe_6grams": 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Vol 25, No 1 (2021) Penilaian Postur Kerja Menggunakan Rapid Entire Body Assessment dan Perancangan Fasilitas Kerja pada Stasiun Kerja Press di Perusahaan Coco fiber Abstract PDF
Dika Rahayu Widiana, Indra Adi Ramana, Lukman Handoko | 2023-14/0037/en_head.json.gz/13502 | {"url": "http://ejurnal.itats.ac.id/iptek/search?subject=Rapid%20Entire%20Body%20Asssessment", "partition": "head_middle", "language": "en", "source_domain": "ejurnal.itats.ac.id", "date_download": "2023-03-20T09:04:04Z", "digest": "sha1:3645V222LE4EMVCIMAZC2KIO2NKN52IK"} | {"ccnet_length": [[0, 681, 681.0]], "ccnet_original_length": [[0, 681, 3068.0]], "ccnet_nlines": [[0, 681, 4.0]], "ccnet_original_nlines": [[0, 681, 82.0]], "ccnet_language_score": [[0, 681, 0.8]], "ccnet_perplexity": [[0, 681, 54.0]], "ccnet_bucket": [[0, 681, 0.0]], "rps_doc_curly_bracket": [[0, 681, 0.0]], "rps_doc_ldnoobw_words": [[0, 681, 0.0]], "rps_doc_lorem_ipsum": [[0, 681, 0.0]], "rps_doc_stop_word_fraction": [[0, 681, 0.0]], "rps_doc_ut1_blacklist": [[0, 681, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 681, 0.62453532]], "rps_doc_frac_chars_dupe_5grams": [[0, 681, 0.62453532]], "rps_doc_frac_chars_dupe_6grams": [[0, 681, 0.62453532]], "rps_doc_frac_chars_dupe_7grams": [[0, 681, 0.62453532]], "rps_doc_frac_chars_dupe_8grams": [[0, 681, 0.62453532]], "rps_doc_frac_chars_dupe_9grams": [[0, 681, 0.62453532]], "rps_doc_frac_chars_top_2gram": [[0, 681, 0.05576208]], "rps_doc_frac_chars_top_3gram": [[0, 681, 0.07434944]], "rps_doc_frac_chars_top_4gram": [[0, 681, 0.0929368]], "rps_doc_frac_all_caps_words": [[0, 681, 0.00694444]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 681, 0.0]], "rps_doc_frac_no_alph_words": [[0, 681, 0.59722222]], "rps_doc_frac_unique_words": [[0, 681, 0.60431655]], "rps_doc_mean_word_length": [[0, 681, 3.8705036]], "rps_doc_symbol_to_word_ratio": [[0, 681, 0.0]], "rps_doc_unigram_entropy": [[0, 681, 4.37464707]], "rps_doc_word_count": [[0, 681, 139.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 224, 0.0], [224, 449, 0.0], [449, 628, 0.0], [628, 681, 0.0]], "rps_lines_javascript_counts": [[0, 224, 0.0], [224, 449, 0.0], [449, 628, 0.0], [628, 681, 0.0]], "rps_lines_num_words": [[0, 224, 52.0], [224, 449, 52.0], [449, 628, 27.0], [628, 681, 8.0]], "rps_lines_numerical_chars_fraction": [[0, 224, 0.42152466], [224, 449, 0.41964286], [449, 628, 0.04], [628, 681, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 224, 0.0], [224, 449, 0.0], [449, 628, 0.0], [628, 681, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 224, 0.05803571], [224, 449, 0.05777778], [449, 628, 0.12290503], [628, 681, 0.1509434]], "rps_doc_ml_palm_score": [[0, 681, -3.46e-06]], "rps_doc_ml_wikipedia_score": [[0, 681, null]], "rps_doc_ml_wikiref_score": [[0, 681, 0.00710762]], "rps_doc_books_importance": [[0, 681, -157.33750923]], "rps_doc_openwebtext_importance": [[0, 681, -75.01357296]], "rps_doc_wikipedia_importance": [[0, 681, -35.75969236]], "rps_doc_num_sentences": [[0, 681, 1.0]]} |
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What is the energy storage principle of super capacitors?
Second-rate
Supercapacitors are capacitors with higher capacity than traditional capacitors. Energy is stored by polarizing the electrolyte. It is an energy storage device between capacitors and batteries, which not only has the characteristics of fast charging and discharging of capacitors, but also has the energy storage characteristics of batteries. Supercapacitors have the advantages of long charging and discharging life, fast charging, large capacitance, wide operating temperature range, arbitrary parallel connection to increase capacitance, maintenance-free and more environmentally friendly.
Supercapacitors are classified into electric double layer capacitors, Faraday pseudocapacitors and hybrid supercapacitors. Faraday pseudocapacitor, also known as Faraday quasi-capacitance, is a two-dimensional or three-dimensional space in the living phase of the electrode surface. The electrode active material undergoes underpotential deposition, and a highly reversible chemical adsorption or redox reaction occurs, resulting in a charge potential related to the electrode. capacitance. When the supercapacitor scheme is charged, the ions in the electrolyte diffuse into the solution to the electrode/solution interface under the action of the applied electric field, and then enter the bulk phase of the active oxide on the surface of the electrode through the electrochemical reaction of the interface; if the electrode material is For oxides with larger specific surface area, a considerable number of electrochemical reactions will occur, and a large amount of charge will be stored in the electrode.
When the supercapacitor module is discharged, the ions entering the nitride will return to the electrolyte, and the stored charge will be released through the external circuit. The advantage of the Faraday pseudocapacitor is that under the condition of the same electrode area, the specific capacitance of the Faraday pseudocapacitor is 10-100 times that of the electric double layer capacitor, and at the same time has a larger specific capacitance and energy density. Hybrid supercapacitors use traditional battery electrodes at one end to store and convert energy through electrochemical reactions, and a supercapacitor that stores energy through an electric double layer at the other end.
Prev：What are the classifications of super capacitors?2020-03-03 | 2023-14/0037/en_head.json.gz/13503 | {"url": "http://en.hcepower.com/news/451.html", "partition": "head_middle", "language": "en", "source_domain": "en.hcepower.com", "date_download": "2023-03-20T09:52:16Z", "digest": "sha1:UXSD2DKOKCLDFJOITFIHU4DPNFW73M27"} | {"ccnet_length": [[0, 2484, 2484.0]], "ccnet_original_length": [[0, 2484, 4104.0]], "ccnet_nlines": [[0, 2484, 7.0]], "ccnet_original_nlines": [[0, 2484, 75.0]], "ccnet_language_score": [[0, 2484, 0.87]], "ccnet_perplexity": [[0, 2484, 205.3]], "ccnet_bucket": [[0, 2484, 0.0]], "rps_doc_curly_bracket": [[0, 2484, 0.0]], "rps_doc_ldnoobw_words": [[0, 2484, 0.0]], "rps_doc_lorem_ipsum": [[0, 2484, 0.0]], "rps_doc_stop_word_fraction": [[0, 2484, 0.3627451]], "rps_doc_ut1_blacklist": [[0, 2484, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2484, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2484, 0.02780441]], "rps_doc_frac_chars_dupe_6grams": [[0, 2484, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2484, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2484, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2484, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2484, 0.02157239]], "rps_doc_frac_chars_top_3gram": [[0, 2484, 0.02732502]], "rps_doc_frac_chars_top_4gram": [[0, 2484, 0.02588686]], "rps_doc_frac_all_caps_words": [[0, 2484, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2484, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2484, 0.13235294]], "rps_doc_frac_unique_words": [[0, 2484, 0.4683908]], "rps_doc_mean_word_length": [[0, 2484, 5.99425287]], "rps_doc_symbol_to_word_ratio": [[0, 2484, 0.0]], "rps_doc_unigram_entropy": [[0, 2484, 4.57350523]], "rps_doc_word_count": [[0, 2484, 348.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 55, 0.0], [55, 113, 1.0], [113, 125, 0.0], [125, 718, 1.0], [718, 1727, 1.0], [1727, 2420, 1.0], [2420, 2484, 0.0]], "rps_lines_javascript_counts": [[0, 55, 0.0], [55, 113, 0.0], [113, 125, 0.0], [125, 718, 0.0], [718, 1727, 0.0], [1727, 2420, 0.0], [2420, 2484, 0.0]], "rps_lines_num_words": [[0, 55, 6.0], [55, 113, 9.0], [113, 125, 1.0], [125, 718, 77.0], [718, 1727, 143.0], [1727, 2420, 105.0], [2420, 2484, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 55, 0.0], [55, 113, 0.0], [113, 125, 0.0], [125, 718, 0.0], [718, 1727, 0.0], [1727, 2420, 0.00732064], [2420, 2484, 0.13114754]], "rps_lines_start_with_bulletpoint": [[0, 55, 0.0], [55, 113, 0.0], [113, 125, 0.0], [125, 718, 0.0], [718, 1727, 0.0], [1727, 2420, 0.0], [2420, 2484, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 55, 0.07272727], [55, 113, 0.01724138], [113, 125, 0.08333333], [125, 718, 0.00674536], [718, 1727, 0.00693756], [1727, 2420, 0.00721501], [2420, 2484, 0.03125]], "rps_doc_ml_palm_score": [[0, 2484, 0.62260926]], "rps_doc_ml_wikipedia_score": [[0, 2484, null]], "rps_doc_ml_wikiref_score": [[0, 2484, 0.05744004]], "rps_doc_books_importance": [[0, 2484, -21.01693602]], "rps_doc_openwebtext_importance": [[0, 2484, 22.93263735]], "rps_doc_wikipedia_importance": [[0, 2484, 38.62184936]], "rps_doc_num_sentences": [[0, 2484, 15.0]]} |
Court Cases (111)
Order of the National Green Tribunal regarding brick kiln violating siting criteria rules, Moradabad, Uttar Pradesh, 15/03/2023
<p>Order of the National Green Tribunal in the matter of Kuldeep Singh Vs M/s Choudhary Brick Works & Others dated 15/03/2023.</p> <p>Grievance in the application is against operation of brick kiln
Industrial Pollution
Industrial Siting
Moradabad (D)
Order of the Supreme Court of India regarding operation of brick kilns in the national capital region, 27/02/2023
<p>Order of the Supreme Court of India in the matter of NCR Brick Kiln Association Vs Central Pollution Control Board & Others dated 27/02/2023.</p> <p>The matter related to operation of brick kilns
Central Pollution Control Board (CPCB)
Order of the National Green Tribunal regarding the operation of brick kilns in Hisar district of Haryana, 03/02/2023
<p>Order of the National Green Tribunal in the matter of Jitender Singh Vs Union of India & Others dated 03/02/2023.</p> <p>The matter related to the operation of 138 brick kilns in violation of environmental
Hisar (D)
The CPCB report on two brick kilns operating in village Bamnoli, Shamli district of Uttar Pradesh, 23/11/2022
<p>The Central Pollution Control Board (CPCB) in its report to the National Green Tribunal (NGT) said that two brick kilns are operating in village Bamnoli, Shamli district of Uttar Pradesh without zig
Order of the National Green Tribunal regarding illegal brick kilns in Uttar Pradesh, 21/11/2022
<p>Order of the National Green Tribunal in the matter of Suntera Singh Yadav Vs Uttar Pradesh Pollution Control Board and Others dated 21/11/2022.</p> <p>The NGT directed the constitution of a joint committee
Order of the National Green Tribunal regarding brick kilns operating illegally in Haridwar, Uttarakhand, 04/11/2022
<p>Order of the National Green Tribunal in the matter of Ajay Kumar Vs Uttarakhand Pollution Control Board & Others dated 04/11/2022.</p> <p>The applicant, Ajay Kumar said that in district Haridwar,
Haridwar (D)
Uttaranchal (Uttarakhand)
Order of the National Green Tribunal regarding illegal operation of brickfield, village Angnakol, Sultanpur district, Uttar Pradesh, 17/10/2022
<p>Order of the National Green Tribunal in the matter of Dilshad Hussain Vs State of Uttar Pradesh dated 17/10/2022.</p><a href="http://www.indiaenvironmentportal.org.in/files/file/brickfield-Sultanpur-NGT-order-Oct17-2022.pdf"
Sultanpur (D)
Report of the Joint Committee to the NGT on the illegal operation of brick kilns, Pathankot, Punjab, 27/07/2022
<p>Report of the Joint Committee in compliance of the National Green Tribunal orders, April 29, 2022 in the matter of Original Application No. 289/2022 (Amandeep Singh & Others Vs State of Punjab).</p>
Order of the National Green Tribunal regarding brick kilns in Sri Ganganagar district, Rajasthan, 11/07/2022
<p>Order of the National Green Tribunal in the matter of Hakam Singh & Others Vs State of Rajasthan & Others dated 11/07/2022.</p> <p>Question for consideration was compliance of environmental
Ganganagar (D)
Order of the National Green Tribunal regarding brick kilns in Aligarh, Uttar Pradesh, 08/07/2022
<p>Order of the National Green Tribunal in the matter of Jhammanlal Gautam Vs Union of India & Others dated 08/07/2022.</p> <p>The matter related to brick kilns operating in Uttar Pradesh without
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Reopening your business: Things you may not have considered
May 8, 2020 @ 2:00 pm - 3:00 pm EDT
Join Small Business Majority and Retail Smart Guys for a free, interactive webinar to assist in planning the reopening of your business. When brick-and-mortar businesses begin to reopen, it won’t be business as usual. This webinar will guide you through the new factors you’ll need to consider to ensure your business can operate safely and profitably.
Navigating Long-Term Uncertainty and the Aftermath of Disruption
Finding a Story to Share with Folkways CDC (free)
Ecosystem Builders, Entrepreneurs, Recovery
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Pizazz for jazz
Nate Albin and Madelyn Lerew|May 17, 2022
Photo by Madelyn Lerew.
One of the Fishers’ jazz lab bands performs at the Jazz cafe held on May 13 in Cafe A.
On May 13, various Fishers jazz bands, as well as those from Riverside Junior High and Fishers Junior High, hosted their annual Jazz Cafe. Due to the pandemic, this was their first time having the event in a couple of years.
The students’ passion for jazz is on display as the FHS students either take jazz band as a class or rehearse outside of school in jazz lab band. This passion runs deep, as jazz band director Chris Dessent is a player himself.
Jazz band director Chris Dessent conducts a piece for one of the jazz lab bands. (Photo by Madelyn Lerew.)
“I think my middle school had a jazz band,” Dessent said. “I was young and dorky and just signed up and then I learned I really liked it. I started on clarinet in Chicago where I grew up. Then my teacher was like ‘Hey, want to learn saxophone for jazz band?’ and I was like ‘Sure,’ and that’s how I got into it. And, my high school had a really good jazz program. My director is an awesome sax player and he really taught me a lot and got me more into it. Then in college, I played in a couple big bands. I’ve kept it a part of my teaching and playing career all the way through school.”
High school students currently in jazz band have similar plans to those of Dessent in continuing on with music. Options for playing after high school can range from performing professionally or participating in smaller community bands.
“I’m planning on getting a music education degree,” senior Daniel Cooper said. “I want to take a few years to perform professionally and eventually settle down to educate.”
Outside of playing musicians can also compose music, Dessent for example has written a few of his own pieces, including arranging “Ain’t What You Do (It’s the Way That You Do It)”, a swing-inspired piece that he had his group play. Part of why he likes jazz is the different opportunities for playing it offers.
“I’ve always been a huge jazz fan,” Dessent said. “I grew up listening to a lot because my dad was a trumpet player and has played in jazz bands before and he exposed me to that style. I like teaching kids the style because it is pretty unique in comparison with classical music. [It has] different articulation style and different textural things you can work out.”
Jazz music is a style of music that typically utilizes things like swinging eighth notes and improvisation. This differs from classical music which tends to be written more lyrically or in a march type fashion.
Senior Daniel Cooper solos in “Charade”, a Latin piece one of the jazz lab bands played dedicated to him. (Photo by Madelyn Lerew.)
“You have a lot more freedom and chances of expression [with jazz] than you have in concert band,” Cooper said.
Jazz bands are typically made up of fewer people than traditional concert bands, and this is no different at the high school. The band directors split up the two jazz lab bands in order to ensure that they could keep a closer-knit group in each band.
“My favorite part [of playing in jazz band] is the community and feeling of making music with all my friends,” Cooper said. “It’s a warming feeling,”
Fishers Band
Jazz Cafe
Nate Albin, Editor-in-Chief
Nate Albin is the editor-in-chief of Fishers N The Red. He runs on the cross country and track teams for FHS as well as serving as a student body officer....
Madelyn Lerew, Online Editor
Madelyn Lerew is a junior at Fishers High School. She enjoys playing trombone, hiking and spending time with her dogs Winnie and Ellie.
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Getting Ready to Study Abroad Part 2: When You Arrive
by Girl Sees The World | Aug 21, 2015 | Europe, France, North America, Study Abroad, Study Abroad, Travel
It’s getting close to the start of the school year, and that means lots of students will be boarding flights to spend a semester or a year in a foreign country. Study abroad is becoming more and more common among college students, and it’s basically a rite...
Getting Ready To Study Abroad Part 1: Before You Leave
It’s almost that time of year again—back to school. But if you’re like a lot of college students nowadays, instead of preparing to head back to your school for another year, you’re getting ready to embark on an adventure in a totally foreign part of... | 2023-14/0037/en_head.json.gz/13507 | {"url": "http://girlseestheworld.com/category/travel/study-abroad/", "partition": "head_middle", "language": "en", "source_domain": "girlseestheworld.com", "date_download": "2023-03-20T09:11:25Z", "digest": "sha1:MXHEUAHEHOP3WI4PTUN7EDSPQKSZA6UX"} | {"ccnet_length": [[0, 727, 727.0]], "ccnet_original_length": [[0, 727, 3496.0]], "ccnet_nlines": [[0, 727, 5.0]], "ccnet_original_nlines": [[0, 727, 81.0]], "ccnet_language_score": [[0, 727, 0.92]], "ccnet_perplexity": [[0, 727, 167.9]], "ccnet_bucket": [[0, 727, 0.0]], "rps_doc_curly_bracket": [[0, 727, 0.0]], "rps_doc_ldnoobw_words": [[0, 727, 0.0]], "rps_doc_lorem_ipsum": [[0, 727, 0.0]], "rps_doc_stop_word_fraction": [[0, 727, 0.35849057]], "rps_doc_ut1_blacklist": [[0, 727, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 727, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 727, 0.10086957]], "rps_doc_frac_chars_dupe_6grams": [[0, 727, 0.10086957]], "rps_doc_frac_chars_dupe_7grams": [[0, 727, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 727, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 727, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 727, 0.09565217]], "rps_doc_frac_chars_top_3gram": [[0, 727, 0.07304348]], "rps_doc_frac_chars_top_4gram": [[0, 727, 0.06608696]], "rps_doc_frac_all_caps_words": [[0, 727, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 727, 0.4]], "rps_doc_frac_no_alph_words": [[0, 727, 0.17610063]], "rps_doc_frac_unique_words": [[0, 727, 0.59689922]], "rps_doc_mean_word_length": [[0, 727, 4.45736434]], "rps_doc_symbol_to_word_ratio": [[0, 727, 0.01257862]], "rps_doc_unigram_entropy": [[0, 727, 4.09937598]], "rps_doc_word_count": [[0, 727, 129.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 54, 0.0], [54, 160, 0.0], [160, 420, 1.0], [420, 475, 0.0], [475, 727, 1.0]], "rps_lines_javascript_counts": [[0, 54, 0.0], [54, 160, 0.0], [160, 420, 0.0], [420, 475, 0.0], [475, 727, 0.0]], "rps_lines_num_words": [[0, 54, 10.0], [54, 160, 17.0], [160, 420, 47.0], [420, 475, 10.0], [475, 727, 45.0]], "rps_lines_numerical_chars_fraction": [[0, 54, 0.01923077], [54, 160, 0.06315789], [160, 420, 0.0], [420, 475, 0.01886792], [475, 727, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 54, 0.0], [54, 160, 0.0], [160, 420, 0.0], [420, 475, 0.0], [475, 727, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 54, 0.14814815], [54, 160, 0.13207547], [160, 420, 0.00769231], [420, 475, 0.16363636], [475, 727, 0.00793651]], "rps_doc_ml_palm_score": [[0, 727, 0.02125984]], "rps_doc_ml_wikipedia_score": [[0, 727, null]], "rps_doc_ml_wikiref_score": [[0, 727, 0.00602466]], "rps_doc_books_importance": [[0, 727, -75.79726278]], "rps_doc_openwebtext_importance": [[0, 727, 2.07143553]], "rps_doc_wikipedia_importance": [[0, 727, -67.28803904]], "rps_doc_num_sentences": [[0, 727, 4.0]]} |
You'll discover that getting your Doggie watching you're very satisfying and comfortable. Pet day care is good for you and your Doggie as well. You will love the ease of your own area while your Doggie is out and about. It is such a good feeling to know your Doggie has had the pleasure of sitting beside you. All you have to do is find the best Pet sitting service and Select the best one for your Pooch. It is a excellent opportunity to have your Pooch's healthy and happy. Build a relationship with your Doggie by giving him or her a gift or a treat when you do something nice.
Some Pet sitting experts suggest that you build a positive interaction. In this way, your Doggy knows that you're willing to do the perfect thing. Be it for your Doggy or your Doggie, you can always get services Of a Doggie Sitting Service to be sure that you need to face no longer worries and issues about care for your Pooch. It is a wonderful relief for you as well. Doggie Daycare is a flexible service that you can always avail of. You can even hire these services from the comfort of your own home.
Some of the important factors which make it perfect for Pooch owners are: You can choose to stay at the local Doggie daycare for a week Or so, or you can opt to stay there for longer. The advantages of the traditional daycare are that you don't need to worry about money and the Doggys are there and feel secure. It may not be wise to get a puppy from the local pound. You May want to try and locate an animal rescue group that might help.
While this may be an alternative, it could be costly. That being said, you may also save on medical expenses and other potential costs by going for a home made Pet sitter. The other advantage is that you don't have to pay for your Own food, and there is not any grooming to do either. You may bring your own Puppy food and water and no Puppy groomer is necessary. It's an alternative to the conventional daycare center and is much cheaper than conventional daycare services.
You will discover that getting your Doggie watching you're very satisfying and comfortable. Doggy day care is good for you and your Doggie also. You will love the convenience of your own area while your Doggie is out and about. It's such a good feeling to know your Pet has had the pleasure of sitting beside you. Doggy sitting requires a whole lot of patience. The more your Doggy Learns to realize that you're not comDoggieing with him or her for attention, the more enjoyable it will be.
Plus, you will be making your Pooch feel more secure around you, which will help keep him or her relaxed and joyful. A Doggiegie day care is often a special service which has grown From a market niche. This could mean that the services that this business offers are more than sufficient to make it very successful. | 2023-14/0037/en_head.json.gz/13508 | {"url": "http://hargreavesgeridog.wapdale.com/index/__xtblog_entry/15836338-dog-daycare?__xtblog_block_id=1", "partition": "head_middle", "language": "en", "source_domain": "hargreavesgeridog.wapdale.com", "date_download": "2023-03-20T10:06:45Z", "digest": "sha1:U7J3KQXNCZEHL3NB42ZF7VAOSUXSE5E3"} | {"ccnet_length": [[0, 2807, 2807.0]], "ccnet_original_length": [[0, 2807, 3133.0]], "ccnet_nlines": [[0, 2807, 6.0]], "ccnet_original_nlines": [[0, 2807, 16.0]], "ccnet_language_score": [[0, 2807, 0.98]], "ccnet_perplexity": [[0, 2807, 334.9]], "ccnet_bucket": [[0, 2807, 0.0]], "rps_doc_curly_bracket": [[0, 2807, 0.0]], "rps_doc_ldnoobw_words": [[0, 2807, 0.0]], "rps_doc_lorem_ipsum": [[0, 2807, 0.0]], "rps_doc_stop_word_fraction": [[0, 2807, 0.54529915]], "rps_doc_ut1_blacklist": [[0, 2807, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2807, 0.09941782]], "rps_doc_frac_chars_dupe_5grams": [[0, 2807, 0.19793999]], "rps_doc_frac_chars_dupe_6grams": [[0, 2807, 0.19793999]], "rps_doc_frac_chars_dupe_7grams": [[0, 2807, 0.18271384]], "rps_doc_frac_chars_dupe_8grams": [[0, 2807, 0.15942678]], "rps_doc_frac_chars_dupe_9grams": [[0, 2807, 0.12807882]], "rps_doc_frac_chars_top_2gram": [[0, 2807, 0.04030452]], "rps_doc_frac_chars_top_3gram": [[0, 2807, 0.01209136]], "rps_doc_frac_chars_top_4gram": [[0, 2807, 0.02060009]], "rps_doc_frac_all_caps_words": [[0, 2807, 0.0017094]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2807, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2807, 0.08717949]], "rps_doc_frac_unique_words": [[0, 2807, 0.38358779]], "rps_doc_mean_word_length": [[0, 2807, 4.26145038]], "rps_doc_symbol_to_word_ratio": [[0, 2807, 0.0]], "rps_doc_unigram_entropy": [[0, 2807, 4.7695322]], "rps_doc_word_count": [[0, 2807, 524.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 581, 1.0], [581, 1087, 1.0], [1087, 1527, 1.0], [1527, 2002, 1.0], [2002, 2493, 1.0], [2493, 2807, 1.0]], "rps_lines_javascript_counts": [[0, 581, 0.0], [581, 1087, 0.0], [1087, 1527, 0.0], [1527, 2002, 0.0], [2002, 2493, 0.0], [2493, 2807, 0.0]], "rps_lines_num_words": [[0, 581, 111.0], [581, 1087, 95.0], [1087, 1527, 87.0], [1527, 2002, 86.0], [2002, 2493, 88.0], [2493, 2807, 57.0]], "rps_lines_numerical_chars_fraction": [[0, 581, 0.0], [581, 1087, 0.0], [1087, 1527, 0.0], [1527, 2002, 0.0], [2002, 2493, 0.0], [2493, 2807, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 581, 0.0], [581, 1087, 0.0], [1087, 1527, 0.0], [1527, 2002, 0.0], [2002, 2493, 0.0], [2493, 2807, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 581, 0.02753873], [581, 1087, 0.03162055], [1087, 1527, 0.02272727], [1527, 2002, 0.01894737], [2002, 2493, 0.02647658], [2493, 2807, 0.01910828]], "rps_doc_ml_palm_score": [[0, 2807, 0.36715698]], "rps_doc_ml_wikipedia_score": [[0, 2807, null]], "rps_doc_ml_wikiref_score": [[0, 2807, 0.0194971]], "rps_doc_books_importance": [[0, 2807, -87.32747193]], "rps_doc_openwebtext_importance": [[0, 2807, -13.63518398]], "rps_doc_wikipedia_importance": [[0, 2807, -315.09388688]], "rps_doc_num_sentences": [[0, 2807, 31.0]]} |
Highland Park (Ill.)--Business, industries and trades Series
US IlHpHS busi.ser
This series contains records relating to business in Highland Park, IL that are either prominent or business that conducted transactions with the city of Highland Park. This is an artificial series created by the Highland Park Historical Society. The dates range from the late 19th century to the early 21st century. The series contains brochures, photographs, business receipts, correspondence, and advertisements relating to business in Highland Park, chiefly arranged by business name.
Highland Park Historical Society | 2023-14/0037/en_head.json.gz/13509 | {"url": "http://highlandparkhistory.libraryhost.com/index.php/informationobject/browse?view=table&sortDir=asc&places=9712&sf_culture=en&levels=195&sort=alphabetic&topLod=0", "partition": "head_middle", "language": "en", "source_domain": "highlandparkhistory.libraryhost.com", "date_download": "2023-03-20T08:48:57Z", "digest": "sha1:JLU2DI7MDO6AE62RCKYTQML44L2V5C4N"} | {"ccnet_length": [[0, 601, 601.0]], "ccnet_original_length": [[0, 601, 2827.0]], "ccnet_nlines": [[0, 601, 4.0]], "ccnet_original_nlines": [[0, 601, 86.0]], "ccnet_language_score": [[0, 601, 0.92]], "ccnet_perplexity": [[0, 601, 177.0]], "ccnet_bucket": [[0, 601, 0.0]], "rps_doc_curly_bracket": [[0, 601, 0.0]], "rps_doc_ldnoobw_words": [[0, 601, 0.0]], "rps_doc_lorem_ipsum": [[0, 601, 0.0]], "rps_doc_stop_word_fraction": [[0, 601, 0.25490196]], "rps_doc_ut1_blacklist": [[0, 601, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 601, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 601, 0.12825651]], "rps_doc_frac_chars_dupe_6grams": [[0, 601, 0.12825651]], "rps_doc_frac_chars_dupe_7grams": [[0, 601, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 601, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 601, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 601, 0.14428858]], "rps_doc_frac_chars_top_3gram": [[0, 601, 0.07214429]], "rps_doc_frac_chars_top_4gram": [[0, 601, 0.08016032]], "rps_doc_frac_all_caps_words": [[0, 601, 0.01960784]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 601, 0.0]], "rps_doc_frac_no_alph_words": [[0, 601, 0.1372549]], "rps_doc_frac_unique_words": [[0, 601, 0.60465116]], "rps_doc_mean_word_length": [[0, 601, 5.80232558]], "rps_doc_symbol_to_word_ratio": [[0, 601, 0.0]], "rps_doc_unigram_entropy": [[0, 601, 3.72175639]], "rps_doc_word_count": [[0, 601, 86.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 61, 0.0], [61, 80, 0.0], [80, 569, 1.0], [569, 601, 0.0]], "rps_lines_javascript_counts": [[0, 61, 0.0], [61, 80, 0.0], [80, 569, 0.0], [569, 601, 0.0]], "rps_lines_num_words": [[0, 61, 7.0], [61, 80, 3.0], [80, 569, 72.0], [569, 601, 4.0]], "rps_lines_numerical_chars_fraction": [[0, 61, 0.0], [61, 80, 0.0], [80, 569, 0.0083682], [569, 601, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 61, 0.0], [61, 80, 0.0], [80, 569, 0.0], [569, 601, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 61, 0.08196721], [61, 80, 0.31578947], [80, 569, 0.03271984], [569, 601, 0.125]], "rps_doc_ml_palm_score": [[0, 601, 0.39117098]], "rps_doc_ml_wikipedia_score": [[0, 601, null]], "rps_doc_ml_wikiref_score": [[0, 601, 0.00010931]], "rps_doc_books_importance": [[0, 601, -24.11036458]], "rps_doc_openwebtext_importance": [[0, 601, -5.28963142]], "rps_doc_wikipedia_importance": [[0, 601, 14.89495217]], "rps_doc_num_sentences": [[0, 601, 7.0]]} |
The Francis A. Countway Library of Medicine
List of Countries » United States » Boston » The Francis A. Countway Library of Medicine
The Francis A. Countway Library of Medicine in Boston (10 Shattuck St.) "is one of the largest medical libraries in the world. Countway holds more than 630,000 volumes and subscribes to 3,500 current journal titles.
Countway serves the Harvard Medical School, Harvard T.H. Chan School of Public Health, Harvard School of Dental Medicine, Boston Medical Library, and the Massachusetts Medical Society. Countway houses the Center for the History of Medicine, the Brigham and Women's Hospital Archives, the Harvard T.H. Chan School of Public Health Archives, and the Warren Anatomical Museum"1.
Many historical items are on display around the Library rooms.
Photos by Luca Ambrosio moc.liamg|sorbma.cul#| (August 2017)
Locate the item on this Google Map
1. From the Library's official website. | 2023-14/0037/en_head.json.gz/13510 | {"url": "http://himetop.wikidot.com/the-francis-a-countway-library-of-medicine", "partition": "head_middle", "language": "en", "source_domain": "himetop.wikidot.com", "date_download": "2023-03-20T09:19:59Z", "digest": "sha1:I3X2OGIIJ4QGRVSTINKDGTI4NLNR34Y7"} | {"ccnet_length": [[0, 923, 923.0]], "ccnet_original_length": [[0, 923, 3616.0]], "ccnet_nlines": [[0, 923, 8.0]], "ccnet_original_nlines": [[0, 923, 159.0]], "ccnet_language_score": [[0, 923, 0.86]], "ccnet_perplexity": [[0, 923, 304.4]], "ccnet_bucket": [[0, 923, 0.0]], "rps_doc_curly_bracket": [[0, 923, 0.0]], "rps_doc_ldnoobw_words": [[0, 923, 0.0]], "rps_doc_lorem_ipsum": [[0, 923, 0.0]], "rps_doc_stop_word_fraction": [[0, 923, 0.21808511]], "rps_doc_ut1_blacklist": [[0, 923, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 923, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 923, 0.23387097]], "rps_doc_frac_chars_dupe_6grams": [[0, 923, 0.23387097]], "rps_doc_frac_chars_dupe_7grams": [[0, 923, 0.23387097]], "rps_doc_frac_chars_dupe_8grams": [[0, 923, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 923, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 923, 0.05376344]], "rps_doc_frac_chars_top_3gram": [[0, 923, 0.04435484]], "rps_doc_frac_chars_top_4gram": [[0, 923, 0.0766129]], "rps_doc_frac_all_caps_words": [[0, 923, 0.03723404]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 923, 0.0]], "rps_doc_frac_no_alph_words": [[0, 923, 0.24468085]], "rps_doc_frac_unique_words": [[0, 923, 0.56643357]], "rps_doc_mean_word_length": [[0, 923, 5.2027972]], "rps_doc_symbol_to_word_ratio": [[0, 923, 0.00531915]], "rps_doc_unigram_entropy": [[0, 923, 4.03760807]], "rps_doc_word_count": [[0, 923, 143.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 44, 0.0], [44, 133, 0.0], [133, 349, 1.0], [349, 725, 1.0], [725, 788, 1.0], [788, 849, 0.0], [849, 884, 0.0], [884, 923, 1.0]], "rps_lines_javascript_counts": [[0, 44, 0.0], [44, 133, 0.0], [133, 349, 0.0], [349, 725, 0.0], [725, 788, 0.0], [788, 849, 0.0], [849, 884, 0.0], [884, 923, 0.0]], "rps_lines_num_words": [[0, 44, 7.0], [44, 133, 16.0], [133, 349, 35.0], [349, 725, 55.0], [725, 788, 10.0], [788, 849, 7.0], [849, 884, 7.0], [884, 923, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 44, 0.0], [44, 133, 0.0], [133, 349, 0.05825243], [349, 725, 0.00277778], [725, 788, 0.0], [788, 849, 0.0754717], [849, 884, 0.0], [884, 923, 0.02777778]], "rps_lines_start_with_bulletpoint": [[0, 44, 0.0], [44, 133, 0.0], [133, 349, 0.0], [349, 725, 0.0], [725, 788, 0.0], [788, 849, 0.0], [849, 884, 0.0], [884, 923, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 44, 0.13636364], [44, 133, 0.12359551], [133, 349, 0.0462963], [349, 725, 0.10638298], [725, 788, 0.03174603], [788, 849, 0.06557377], [849, 884, 0.08571429], [884, 923, 0.05128205]], "rps_doc_ml_palm_score": [[0, 923, 1.717e-05]], "rps_doc_ml_wikipedia_score": [[0, 923, null]], "rps_doc_ml_wikiref_score": [[0, 923, 0.19763303]], "rps_doc_books_importance": [[0, 923, -74.23745616]], "rps_doc_openwebtext_importance": [[0, 923, -22.57757544]], "rps_doc_wikipedia_importance": [[0, 923, 13.65812858]], "rps_doc_num_sentences": [[0, 923, 17.0]]} |
Chicago, USA Panchangam for September 25, 2021 in Hindi
Chicago Panchangam - September 25, 2021
Chicago, USA Hindu Panchangam for September 25, 2021 in Hindi - Hindu Panchangam Calendars for all major cities in USA, Brazil, UK, Australia, United Arab Emirates, Singapore, Malaysia, Saudi Arabia, Kuwait etc.
« September 24, 2021
September 26, 2021 »
Month & Paksham भाद्रपद & कृष्णपक्ष
Tithi* पंचमी 26:34
Nakshatram* कृत्तिका 28:03
Yogam* वज्र 29:18
Karanam* कौलव 13:17 तैतुल 26:34
Rahukalam* 9:43 am - 11:12 am
Yamagandam* 2:10 pm - 3:39 pm
Varjyam* 2:33 pm - 4:21 pm
Gulika* 6:46 am - 8:14 am
Amritakalam* 1:21 am - 3:09 am
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Published on February 17, 2020 in GalleryFull resolution (1000 × 885) | 2023-14/0037/en_head.json.gz/13512 | {"url": "http://hoeandhopegardenclub.com/gallery/dsc_3029/", "partition": "head_middle", "language": "en", "source_domain": "hoeandhopegardenclub.com", "date_download": "2023-03-20T10:39:33Z", "digest": "sha1:SLN7QZHDAJDKFYQHB6GJWD2DUF3TTN6L"} | {"ccnet_length": [[0, 69, 69.0]], "ccnet_original_length": [[0, 69, 692.0]], "ccnet_nlines": [[0, 69, 1.0]], "ccnet_original_nlines": [[0, 69, 38.0]], "ccnet_language_score": [[0, 69, 0.95]], "ccnet_perplexity": [[0, 69, 159.5]], "ccnet_bucket": [[0, 69, 0.0]], "rps_doc_curly_bracket": [[0, 69, 0.0]], "rps_doc_ldnoobw_words": [[0, 69, 0.0]], "rps_doc_lorem_ipsum": [[0, 69, 0.0]], "rps_doc_stop_word_fraction": [[0, 69, 0.14285714]], "rps_doc_ut1_blacklist": [[0, 69, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 69, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 69, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 69, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 69, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 69, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 69, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 69, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 69, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 69, 0.0]], "rps_doc_frac_all_caps_words": [[0, 69, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 69, 0.0]], "rps_doc_frac_no_alph_words": [[0, 69, 0.57142857]], "rps_doc_frac_unique_words": [[0, 69, 1.0]], "rps_doc_mean_word_length": [[0, 69, 5.09090909]], "rps_doc_symbol_to_word_ratio": [[0, 69, 0.0]], "rps_doc_unigram_entropy": [[0, 69, 2.39789527]], "rps_doc_word_count": [[0, 69, 11.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 69, 0.0]], "rps_lines_javascript_counts": [[0, 69, 0.0]], "rps_lines_num_words": [[0, 69, 11.0]], "rps_lines_numerical_chars_fraction": [[0, 69, 0.1969697]], "rps_lines_start_with_bulletpoint": [[0, 69, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 69, 0.05797101]], "rps_doc_ml_palm_score": [[0, 69, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 69, null]], "rps_doc_ml_wikiref_score": [[0, 69, -1.001e-05]], "rps_doc_books_importance": [[0, 69, -11.04357945]], "rps_doc_openwebtext_importance": [[0, 69, -5.58470777]], "rps_doc_wikipedia_importance": [[0, 69, 0.10628022]], "rps_doc_num_sentences": [[0, 69, 1.0]]} |
March 15, 2020 June 4, 2020 howigotold
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← Fifty Is the New 65 | 2023-14/0037/en_head.json.gz/13513 | {"url": "http://howigotold.com/finest-online-dating-sites-finding-the-best-online-dating-sites-is-easy/", "partition": "head_middle", "language": "en", "source_domain": "howigotold.com", "date_download": "2023-03-20T09:43:27Z", "digest": "sha1:C2MKNWZHLK66OM7GRL2KK7R5KUMFIPZC"} | {"ccnet_length": [[0, 1811, 1811.0]], "ccnet_original_length": [[0, 1811, 3153.0]], "ccnet_nlines": [[0, 1811, 6.0]], "ccnet_original_nlines": [[0, 1811, 77.0]], "ccnet_language_score": [[0, 1811, 0.97]], "ccnet_perplexity": [[0, 1811, 226.2]], "ccnet_bucket": [[0, 1811, 0.0]], "rps_doc_curly_bracket": [[0, 1811, 0.0]], "rps_doc_ldnoobw_words": [[0, 1811, 0.0]], "rps_doc_lorem_ipsum": [[0, 1811, 0.0]], "rps_doc_stop_word_fraction": [[0, 1811, 0.59466667]], "rps_doc_ut1_blacklist": [[0, 1811, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1811, 0.03474635]], "rps_doc_frac_chars_dupe_6grams": [[0, 1811, 0.03474635]], "rps_doc_frac_chars_dupe_7grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1811, 0.05837387]], "rps_doc_frac_chars_top_3gram": [[0, 1811, 0.0590688]], "rps_doc_frac_chars_top_4gram": [[0, 1811, 0.0180681]], "rps_doc_frac_all_caps_words": [[0, 1811, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1811, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1811, 0.088]], "rps_doc_frac_unique_words": [[0, 1811, 0.43641618]], "rps_doc_mean_word_length": [[0, 1811, 4.15895954]], "rps_doc_symbol_to_word_ratio": [[0, 1811, 0.0]], "rps_doc_unigram_entropy": [[0, 1811, 4.53012159]], "rps_doc_word_count": [[0, 1811, 346.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 39, 0.0], [39, 634, 1.0], [634, 1316, 1.0], [1316, 1768, 1.0], [1768, 1790, 0.0], [1790, 1811, 0.0]], "rps_lines_javascript_counts": [[0, 39, 0.0], [39, 634, 0.0], [634, 1316, 0.0], [1316, 1768, 0.0], [1768, 1790, 0.0], [1790, 1811, 0.0]], "rps_lines_num_words": [[0, 39, 7.0], [39, 634, 116.0], [634, 1316, 128.0], [1316, 1768, 85.0], [1768, 1790, 4.0], [1790, 1811, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 39, 0.30555556], [39, 634, 0.0], [634, 1316, 0.0], [1316, 1768, 0.0], [1768, 1790, 0.0], [1790, 1811, 0.0952381]], "rps_lines_start_with_bulletpoint": [[0, 39, 0.0], [39, 634, 0.0], [634, 1316, 0.0], [1316, 1768, 0.0], [1768, 1790, 0.0], [1790, 1811, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 39, 0.05128205], [39, 634, 0.00840336], [634, 1316, 0.00879765], [1316, 1768, 0.00884956], [1768, 1790, 0.04545455], [1790, 1811, 0.14285714]], "rps_doc_ml_palm_score": [[0, 1811, 3.445e-05]], "rps_doc_ml_wikipedia_score": [[0, 1811, null]], "rps_doc_ml_wikiref_score": [[0, 1811, 9.263e-05]], "rps_doc_books_importance": [[0, 1811, -83.18065494]], "rps_doc_openwebtext_importance": [[0, 1811, -1.10658699]], "rps_doc_wikipedia_importance": [[0, 1811, -240.34768247]], "rps_doc_num_sentences": [[0, 1811, 17.0]]} |
Social Media / By Nestor Javier Garcia Cantillo
Identify what’s trending on social media
From global events like the WannaCry and Petya ransomware attacks to the Super Bowl halftime show that took the internet by storm, content marketers need to know what consumers are talking about on social media.
For example, when Steve Harvey read the wrong name at Miss Universe in 2016, Burger King wasted no time tweeting a picture with the caption: “At BK, everyone gets to keep their crown.” This clever and timely message resulted in almost 100,000 retweets, likes, and replies.
Knowing what’s trending helps marketers fine-tune content to ensure better engagement and higher conversion rates. And it can even help establish relevance in larger conversations and engage new groups of potential customers.
Understand what’s happening locally and globally
Content marketers should stay on top of what’s happening on both a global and local scale, and then share what they’ve learned with their teams. For instance, children’s clothing companies can combine the latest trend with the back-to-school season to attract more students and parents.
Leverage user-generated content
According to a recent Bazaarvoice report , shoppers who interact with consumer-generated content are 97 percent more likely to make a purchase than shoppers who don’t. Customer-generated content helps drive awareness among non-customers who may be persuaded by positive and authentic customers’ experience. Social data derived from user-generated content also helps marketers address content pain points.
Incorporate social data into your marketing strategy
Put the social media data you’ve gathered to good use by integrating them into your current marketing strategy. They immediately provide a better understanding of the customer and highlight the type of content audiences are currently engaging with. This can be used to help develop and execute better content and marketing campaigns.
Social media has changed the way small- and medium-sized businesses operate. In order to get ahead of your competitors, it’s imperative that you understand how to leverage it to your business’s advantage. Feel free to contact us about what we can do to help. | 2023-14/0037/en_head.json.gz/13514 | {"url": "http://huakaxueyuan.com/index-2125.html", "partition": "head_middle", "language": "en", "source_domain": "huakaxueyuan.com", "date_download": "2023-03-20T09:14:42Z", "digest": "sha1:FWET2LQYHWDNPT7L54FIZWOTI6OF6EG6"} | {"ccnet_length": [[0, 2218, 2218.0]], "ccnet_original_length": [[0, 2218, 6201.0]], "ccnet_nlines": [[0, 2218, 12.0]], "ccnet_original_nlines": [[0, 2218, 101.0]], "ccnet_language_score": [[0, 2218, 0.92]], "ccnet_perplexity": [[0, 2218, 319.6]], "ccnet_bucket": [[0, 2218, 0.0]], "rps_doc_curly_bracket": [[0, 2218, 0.0]], "rps_doc_ldnoobw_words": [[0, 2218, 0.0]], "rps_doc_lorem_ipsum": [[0, 2218, 0.0]], "rps_doc_stop_word_fraction": [[0, 2218, 0.37652812]], "rps_doc_ut1_blacklist": [[0, 2218, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2218, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2218, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 2218, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2218, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2218, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2218, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2218, 0.0298913]], "rps_doc_frac_chars_top_3gram": [[0, 2218, 0.01413043]], "rps_doc_frac_chars_top_4gram": [[0, 2218, 0.0]], "rps_doc_frac_all_caps_words": [[0, 2218, 0.00244499]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2218, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2218, 0.13447433]], "rps_doc_frac_unique_words": [[0, 2218, 0.63609467]], "rps_doc_mean_word_length": [[0, 2218, 5.44378698]], "rps_doc_symbol_to_word_ratio": [[0, 2218, 0.0]], "rps_doc_unigram_entropy": [[0, 2218, 5.04518607]], "rps_doc_word_count": [[0, 2218, 338.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 48, 0.0], [48, 89, 0.0], [89, 301, 1.0], [301, 574, 1.0], [574, 800, 1.0], [800, 849, 0.0], [849, 1136, 1.0], [1136, 1168, 0.0], [1168, 1573, 1.0], [1573, 1626, 0.0], [1626, 1960, 1.0], [1960, 2218, 1.0]], "rps_lines_javascript_counts": [[0, 48, 0.0], [48, 89, 0.0], [89, 301, 0.0], [301, 574, 0.0], [574, 800, 0.0], [800, 849, 0.0], [849, 1136, 0.0], [1136, 1168, 0.0], [1168, 1573, 0.0], [1573, 1626, 0.0], [1626, 1960, 0.0], [1960, 2218, 0.0]], "rps_lines_num_words": [[0, 48, 7.0], [48, 89, 6.0], [89, 301, 35.0], [301, 574, 46.0], [574, 800, 32.0], [800, 849, 6.0], [849, 1136, 45.0], [1136, 1168, 3.0], [1168, 1573, 55.0], [1573, 1626, 7.0], [1626, 1960, 52.0], [1960, 2218, 44.0]], "rps_lines_numerical_chars_fraction": [[0, 48, 0.0], [48, 89, 0.0], [89, 301, 0.0], [301, 574, 0.03802281], [574, 800, 0.0], [800, 849, 0.0], [849, 1136, 0.0], [1136, 1168, 0.0], [1168, 1573, 0.00506329], [1573, 1626, 0.0], [1626, 1960, 0.0], [1960, 2218, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 48, 0.0], [48, 89, 0.0], [89, 301, 0.0], [301, 574, 0.0], [574, 800, 0.0], [800, 849, 0.0], [849, 1136, 0.0], [1136, 1168, 0.0], [1168, 1573, 0.0], [1573, 1626, 0.0], [1626, 1960, 0.0], [1960, 2218, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 48, 0.14583333], [48, 89, 0.02439024], [89, 301, 0.02830189], [301, 574, 0.04029304], [574, 800, 0.00884956], [800, 849, 0.02040816], [849, 1136, 0.00696864], [1136, 1168, 0.03125], [1168, 1573, 0.00987654], [1573, 1626, 0.01886792], [1626, 1960, 0.00898204], [1960, 2218, 0.01162791]], "rps_doc_ml_palm_score": [[0, 2218, 0.20773387]], "rps_doc_ml_wikipedia_score": [[0, 2218, null]], "rps_doc_ml_wikiref_score": [[0, 2218, 0.04465342]], "rps_doc_books_importance": [[0, 2218, -188.84679132]], "rps_doc_openwebtext_importance": [[0, 2218, 19.88941119]], "rps_doc_wikipedia_importance": [[0, 2218, -162.6958275]], "rps_doc_num_sentences": [[0, 2218, 16.0]]} |
How selfish are you?
Posted by Dean Shareski on December 1, 2007 in change, Personal
Once again a tweet inspired me. This time it’s Mark Wagner at a conference presentation in California:
Will Richardson’s been talking for a while about having teachers examine their learning. Not necessarily their professional development but their personal learning. For many reasons, this is a major challenge. For people that are in the business of learning, it can be really difficult to engage in this discussion at times. Perhaps because of the busyness, the daily grind, the pressure of teaching, teachers have a difficult time recognizing the need to learn beyond the subject areas and pedagogies they spend much of their day grappling with.
So I understand the frustration and in a sense, ground breaking idea of teachers thinking about personal learning. Without this discussion, our ideas of learning are inevitably confined to the structures and traditions of school. Thinking about the last time you planned a trip, researched a political candidate, compared vehicles you wanted to purchase or tried to learn a new instrument. What did that look like?
I wonder if these two ideas are somewhat at odds?
“Teachers do not need to learn the technology in order for kids to use them.”
“Teachers need to model effective use of technology”
Will may not have said it explicitly but the personal learning he talks about involves using the tools of today to maximize learning. Connecting with experts, social networking, publishing ideas are all part of what effective learning looks like. While more and more teachers get this, they really don’t get it for themselves. They want their kids to blog, but they don’t. They want their kids to connect with others but they don’t. They want kids to use all kids of technologies, but they don’t.
I never was all that impressed with Physical Education teachers who were out of shape. It didn’t make sense. They are supposed to be advocates for healthy lifestyles and need to model that. Fortunately most do and those are the ones that will likely have the most impact on kids. Come to think of it, that’d be an interesting piece of research.
If learning is personal, there has to be an element of selfishness. Teachers aren’t very selfish in this area. I’ve posted the Big Ideas of Digital Learning on our school district’s website. I use Will’s Ten Things we May Need to Unlearn idea:
We need to unlearn the notion that our students don’t need to see and understand how we ourselves learn.
That’s way harder than it sounds. Silent reading advocates always demand teachers read with their kids. I was one of those guilty of grading papers or planning when I should have been reading. I guess I just didn’t think it was all that important. I was wrong.
I’ve always been an advocate for teachers to take stuff home and personalize it. That’s how I learned. That’s why today I have a hard time separating professional and personal learning. If I learn a new technique in videography, I play with and use it with my friends or family. It’s not long before eventually I bring it to teachers and students as a new tool.
If you’re a classroom teacher, tell me how do you show your kids how you learn?
Technorati Tags: markwagner, willrichardson, pln
← Scott Schultz and Ron Estay on Assessment
Del.icio.us as the precursor to Twitter → | 2023-14/0037/en_head.json.gz/13515 | {"url": "http://ideasandthoughts.org/2007/12/01/how-selfish-are-you/", "partition": "head_middle", "language": "en", "source_domain": "ideasandthoughts.org", "date_download": "2023-03-20T09:57:38Z", "digest": "sha1:IC7Q35O64BOHGMVQDMQLYBJC5QM6H73T"} | {"ccnet_length": [[0, 3359, 3359.0]], "ccnet_original_length": [[0, 3359, 8292.0]], "ccnet_nlines": [[0, 3359, 18.0]], "ccnet_original_nlines": [[0, 3359, 44.0]], "ccnet_language_score": [[0, 3359, 0.97]], "ccnet_perplexity": [[0, 3359, 322.8]], "ccnet_bucket": [[0, 3359, 0.0]], "rps_doc_curly_bracket": [[0, 3359, 0.0]], "rps_doc_ldnoobw_words": [[0, 3359, 0.0]], "rps_doc_lorem_ipsum": [[0, 3359, 0.0]], "rps_doc_stop_word_fraction": [[0, 3359, 0.45997089]], "rps_doc_ut1_blacklist": [[0, 3359, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3359, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3359, 0.02575423]], "rps_doc_frac_chars_dupe_6grams": [[0, 3359, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3359, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3359, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3359, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3359, 0.01545254]], "rps_doc_frac_chars_top_3gram": [[0, 3359, 0.01324503]], "rps_doc_frac_chars_top_4gram": [[0, 3359, 0.0125092]], "rps_doc_frac_all_caps_words": [[0, 3359, 0.02328967]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3359, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3359, 0.13537118]], "rps_doc_frac_unique_words": [[0, 3359, 0.48263889]], "rps_doc_mean_word_length": [[0, 3359, 4.71875]], "rps_doc_symbol_to_word_ratio": [[0, 3359, 0.0]], "rps_doc_unigram_entropy": [[0, 3359, 5.1625795]], "rps_doc_word_count": [[0, 3359, 576.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 21, 1.0], [21, 85, 0.0], [85, 188, 0.0], [188, 735, 1.0], [735, 1150, 1.0], [1150, 1200, 1.0], [1200, 1278, 1.0], [1278, 1331, 1.0], [1331, 1828, 1.0], [1828, 2173, 1.0], [2173, 2417, 0.0], [2417, 2522, 1.0], [2522, 2783, 1.0], [2783, 3145, 1.0], [3145, 3225, 1.0], [3225, 3274, 0.0], [3274, 3318, 0.0], [3318, 3359, 0.0]], "rps_lines_javascript_counts": [[0, 21, 0.0], [21, 85, 0.0], [85, 188, 0.0], [188, 735, 0.0], [735, 1150, 0.0], [1150, 1200, 0.0], [1200, 1278, 0.0], [1278, 1331, 0.0], [1331, 1828, 0.0], [1828, 2173, 0.0], [2173, 2417, 0.0], [2417, 2522, 0.0], [2522, 2783, 0.0], [2783, 3145, 0.0], [3145, 3225, 0.0], [3225, 3274, 0.0], [3274, 3318, 0.0], [3318, 3359, 0.0]], "rps_lines_num_words": [[0, 21, 4.0], [21, 85, 11.0], [85, 188, 17.0], [188, 735, 87.0], [735, 1150, 66.0], [1150, 1200, 10.0], [1200, 1278, 15.0], [1278, 1331, 8.0], [1331, 1828, 85.0], [1828, 2173, 62.0], [2173, 2417, 43.0], [2417, 2522, 19.0], [2522, 2783, 47.0], [2783, 3145, 66.0], [3145, 3225, 16.0], [3225, 3274, 5.0], [3274, 3318, 8.0], [3318, 3359, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 21, 0.0], [21, 85, 0.08196721], [85, 188, 0.0], [188, 735, 0.0], [735, 1150, 0.0], [1150, 1200, 0.0], [1200, 1278, 0.0], [1278, 1331, 0.0], [1331, 1828, 0.0], [1828, 2173, 0.0], [2173, 2417, 0.0], [2417, 2522, 0.0], [2522, 2783, 0.0], [2783, 3145, 0.0], [3145, 3225, 0.0], [3225, 3274, 0.0], [3274, 3318, 0.0], [3318, 3359, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 21, 0.0], [21, 85, 0.0], [85, 188, 0.0], [188, 735, 0.0], [735, 1150, 0.0], [1150, 1200, 0.0], [1200, 1278, 0.0], [1278, 1331, 0.0], [1331, 1828, 0.0], [1828, 2173, 0.0], [2173, 2417, 0.0], [2417, 2522, 0.0], [2522, 2783, 0.0], [2783, 3145, 0.0], [3145, 3225, 0.0], [3225, 3274, 0.0], [3274, 3318, 0.0], [3318, 3359, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 21, 0.04761905], [21, 85, 0.078125], [85, 188, 0.04854369], [188, 735, 0.01096892], [735, 1150, 0.01204819], [1150, 1200, 0.02], [1200, 1278, 0.01282051], [1278, 1331, 0.01886792], [1331, 1828, 0.01207243], [1828, 2173, 0.02028986], [2173, 2417, 0.05737705], [2417, 2522, 0.00952381], [2522, 2783, 0.02681992], [2783, 3145, 0.02762431], [3145, 3225, 0.0125], [3225, 3274, 0.04081633], [3274, 3318, 0.11363636], [3318, 3359, 0.04878049]], "rps_doc_ml_palm_score": [[0, 3359, 0.00953126]], "rps_doc_ml_wikipedia_score": [[0, 3359, null]], "rps_doc_ml_wikiref_score": [[0, 3359, 0.0048964]], "rps_doc_books_importance": [[0, 3359, -206.30555013]], "rps_doc_openwebtext_importance": [[0, 3359, 47.95466488]], "rps_doc_wikipedia_importance": [[0, 3359, -404.54019557]], "rps_doc_num_sentences": [[0, 3359, 42.0]]} |
Generative Play
Working collaboratively, create a short 2-3 minute performance that will never be the same. Use ideas of indeterminacy, emergence and generative performance, to develop a media-driven performance t...more
Calm Technology in Commercial Product
Find and discuss one example of calm technology in a commercial product. The example can be a product that completely blends into the background, or it can be a feature of a product that uses the ...more
80-292 A3 Learning Science Principles (Spring 2015)
The ability to learn - that is, to change and adapt to one's environment - is one of the hallmarks of intelligence, whether in humans, animals, or machines. In this course, we will examine the natu...more | 2023-14/0037/en_head.json.gz/13516 | {"url": "http://ideate.xsead.cmu.edu/gallery/pools?page=11&skill=evaluation&tool=eaglecad", "partition": "head_middle", "language": "en", "source_domain": "ideate.xsead.cmu.edu", "date_download": "2023-03-20T10:03:00Z", "digest": "sha1:FWK5ODOJVRTOF524DTBNGZBJI2AO37LD"} | {"ccnet_length": [[0, 719, 719.0]], "ccnet_original_length": [[0, 719, 3776.0]], "ccnet_nlines": [[0, 719, 6.0]], "ccnet_original_nlines": [[0, 719, 143.0]], "ccnet_language_score": [[0, 719, 0.84]], "ccnet_perplexity": [[0, 719, 286.3]], "ccnet_bucket": [[0, 719, 0.0]], "rps_doc_curly_bracket": [[0, 719, 0.0]], "rps_doc_ldnoobw_words": [[0, 719, 0.0]], "rps_doc_lorem_ipsum": [[0, 719, 0.0]], "rps_doc_stop_word_fraction": [[0, 719, 0.42253521]], "rps_doc_ut1_blacklist": [[0, 719, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 719, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 719, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 719, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 719, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 719, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 719, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 719, 0.04861111]], "rps_doc_frac_chars_top_3gram": [[0, 719, 0.05555556]], "rps_doc_frac_chars_top_4gram": [[0, 719, 0.0]], "rps_doc_frac_all_caps_words": [[0, 719, 0.00704225]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 719, 0.0]], "rps_doc_frac_no_alph_words": [[0, 719, 0.1971831]], "rps_doc_frac_unique_words": [[0, 719, 0.61946903]], "rps_doc_mean_word_length": [[0, 719, 5.09734513]], "rps_doc_symbol_to_word_ratio": [[0, 719, 0.02112676]], "rps_doc_unigram_entropy": [[0, 719, 4.0340225]], "rps_doc_word_count": [[0, 719, 113.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 16, 0.0], [16, 221, 0.0], [221, 259, 0.0], [259, 463, 0.0], [463, 515, 0.0], [515, 719, 0.0]], "rps_lines_javascript_counts": [[0, 16, 0.0], [16, 221, 0.0], [221, 259, 0.0], [259, 463, 0.0], [463, 515, 0.0], [515, 719, 0.0]], "rps_lines_num_words": [[0, 16, 2.0], [16, 221, 28.0], [221, 259, 5.0], [259, 463, 37.0], [463, 515, 7.0], [515, 719, 34.0]], "rps_lines_numerical_chars_fraction": [[0, 16, 0.0], [16, 221, 0.01025641], [221, 259, 0.0], [259, 463, 0.0], [463, 515, 0.20833333], [515, 719, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 16, 0.0], [16, 221, 0.0], [221, 259, 0.0], [259, 463, 0.0], [463, 515, 0.0], [515, 719, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 16, 0.125], [16, 221, 0.0097561], [221, 259, 0.10526316], [259, 463, 0.00980392], [463, 515, 0.09615385], [515, 719, 0.00980392]], "rps_doc_ml_palm_score": [[0, 719, 0.52745807]], "rps_doc_ml_wikipedia_score": [[0, 719, null]], "rps_doc_ml_wikiref_score": [[0, 719, 0.00234109]], "rps_doc_books_importance": [[0, 719, -41.8439634]], "rps_doc_openwebtext_importance": [[0, 719, -7.86295821]], "rps_doc_wikipedia_importance": [[0, 719, -32.76303105]], "rps_doc_num_sentences": [[0, 719, 7.0]]} |
Fatimid
The Fatimid Islamic Caliphate or al-Fāṭimiyyūn (Arabic الفاطميون) was a Berber
Berber people
Berbers are the indigenous peoples of North Africa west of the Nile Valley. They are continuously distributed from the Atlantic to the Siwa oasis, in Egypt, and from the Mediterranean to the Niger River. Historically they spoke the Berber language or varieties of it, which together form a branch...
Shia Muslim
A Muslim, also spelled Moslem, is an adherent of Islam, a monotheistic, Abrahamic religion based on the Quran, which Muslims consider the verbatim word of God as revealed to prophet Muhammad. "Muslim" is the Arabic term for "submitter" .Muslims believe that God is one and incomparable...
The term caliphate, "dominion of a caliph " , refers to the first system of government established in Islam and represented the political unity of the Muslim Ummah...
first centered in Tunisia
Tunisia , officially the Tunisian RepublicThe long name of Tunisia in other languages used in the country is: , is the northernmost country in Africa. It is a Maghreb country and is bordered by Algeria to the west, Libya to the southeast, and the Mediterranean Sea to the north and east. Its area...
and later in Egypt
Egypt , officially the Arab Republic of Egypt, Arabic: , is a country mainly in North Africa, with the Sinai Peninsula forming a land bridge in Southwest Asia. Egypt is thus a transcontinental country, and a major power in Africa, the Mediterranean Basin, the Middle East and the Muslim world...
that ruled over varying areas of the Maghreb
The Maghreb is the region of Northwest Africa, west of Egypt. It includes five countries: Morocco, Algeria, Tunisia, Libya, and Mauritania and the disputed territory of Western Sahara...
, Sudan
Sudan , officially the Republic of the Sudan , is a country in North Africa, sometimes considered part of the Middle East politically. It is bordered by Egypt to the north, the Red Sea to the northeast, Eritrea and Ethiopia to the east, South Sudan to the south, the Central African Republic to the...
, Sicily
Sicily is a region of Italy, and is the largest island in the Mediterranean Sea. Along with the surrounding minor islands, it constitutes an autonomous region of Italy, the Regione Autonoma Siciliana Sicily has a rich and unique culture, especially with regard to the arts, music, literature,...
, the Levant
The Levant or ) is the geographic region and culture zone of the "eastern Mediterranean littoral between Anatolia and Egypt" . The Levant includes most of modern Lebanon, Syria, Jordan, Israel, the Palestinian territories, and sometimes parts of Turkey and Iraq, and corresponds roughly to the...
, and Hijaz from 5 January 909 to 1171.
The caliphate was ruled by the Fatimids, who established the Tunisian city of Mahdia
Mahdia is a provincial centre north of Sfax. It is important for the associated fish-processing industry, as well as weaving. It is the capital of Mahdia Governorate.- History :...
and made it their capital city, before conquering Egypt and building the city of Cairo
Cairo , is the capital of Egypt and the largest city in the Arab world and Africa, and the 16th largest metropolitan area in the world. Nicknamed "The City of a Thousand Minarets" for its preponderance of Islamic architecture, Cairo has long been a centre of the region's political and cultural life...
in 969, which thereafter became their capital.
994 Major Fatimid victory over the Byzantine Empire at the Battle of the Orontes.
1009 The Church of the Holy Sepulchre, a Christian church in Jerusalem, is completely destroyed by the Fatimid caliph Al-Hakim bi-Amr Allah, who hacks the Church's foundations down to bedrock.
1099 First Crusade: Battle of Ascalon Crusaders under the command of Godfrey of Bouillon defeat Fatimid forces led by Al-Afdal Shahanshah. 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About Inger
Capetown & The Cape
Sweden’s West Coast
Sonoma & Napa
Inger Hultgren Meyer
Travel & Lifestyle Writer / San Francisco & Beyond
Mauna Kea Magic
Big, fancy resort hotels are normally not my thing. There is a sanitized sameness to many of them, detached from the life and culture of the places where they are located, that leaves me cold. So when I encountered the sprawling, 252-room Mauna Kea Beach Hotel during my family’s first visit to Hawaii’s Big Island in November 2014, I did not wish I were staying there.
We had come to Kauna’oa Bay to enjoy its spectacular white sand beach and calm, turquoise waters, setting up camp at the far southern end of the bay with the rest of the day-trippers, who like us, had arrived early enough to snag one of the 40 parking spots set aside for non-hotel guests. At the other end, the hulking block of concrete that was the Mauna Kea sat atop a low hillside, fringed in tropical greenery and backed by the slopes of the volcanic mountain for which it was named; an unfortunate eyesore on an otherwise perfect beach, as far as I was concerned.
Fast forward four and a half years, and I’m back home after a five night stay at the Mauna Kea (made possible by my husband’s Marriot points), tanned, relaxed and, to my surprise, head over heels in love with said block of concrete. So what is it about the Mauna Kea that sets it apart from other luxury beach resorts? Let me try to explain . . .
The Architecture
Built in 1965 by Laurence S. Rockefeller, grandson of the illustrious John D. Rockefeller, the Mauna Kea is not particularly beautiful on the outside. You need to go inside the hotel, into its airy atrium with peek-a-boo views of ocean and sky, to appreciate the genius of its architecture. In this light-filled space, an azure-tiled lobby gives way to a manicured slice of jungle, koi flashing silver and orange in a winding stream, while cantilevered stairways, balconies and bridges reminiscent of Frank Lloyd Wright designs transport guests to their rooms on the floors above.
It’s a space at once stunning and unassuming. Massive, yet somehow intimate. Luxurious but also welcoming. A place that imparts a feeling of peace, harmony and well-being from the moment you enter it. A place you are very, very sad to have to leave when it comes time to go home.
In the indoor / outdoor atrium of the Mauna Kea.
Manta, the hotel’s freestanding dining pavilion, designed to mimic a Buddhist temple.
One of a pair of Thai sculptures that greet guests at the entrance to the hotel.
Another unique and wonderful aspect of the Mauna Kea is its incredible collection of over 1,300 works of art gathered from various corners of the Eastern world.
A brass dowry chest from India here and a wooden Garuda bird sculpture from Thailand there, these artworks, my husband and I learned on a docent-led tour of the hotel’s most notable pieces, were purposely left unlabeled, the intention being that they serve simply as a part of the hotel’s decor. As a result, the art feels approachable and even homey; it is there to beautify and inspire, not to impress or intimidate.
The oldest piece in the Mauna Kea’s collection, a 7th century Indian Buddha that sits under a bodhi tree at the top of a staircase in a lush, outer courtyard, is a perfect example of the hotel’s philosophy toward its art. Guests are trusted to visit with the Buddha up close, many leaving flower leis and other offerings in its pink granite lap. On our last day at the Mauna Kea, we added ours to a colorful jumble of leis from a wedding celebrated at the hotel the previous night, tightly bound necklaces of fragrant roses, orchids and frangipani cradled gently in the Buddha’s arms.
A collection of Japanese copper bells.
The oldest piece in the Mauna Kea’s art collection, a 7th century pink granite Buddha from India.
The Natural Setting
But there would be no Mauna Kea without the gorgeous melding of mountains, sand and sea that brought my family there in the first place, and this is undoubtedly the resort’s most important asset. It was the natural beauty of this spot that inspired Laurence Rockefeller to build a hotel on the as yet undiscovered Big Island when he first spied Kauna’oa Bay from a plane in 1960, just one year after the Hawaiian islands became a US state. Flanked by swaying palms and bookended by craggy, black lava rocks, the crescent of powdery white sand at Kauna’oa Bay (informally known as Mauna Kea Beach) is considered by many to be the most beautiful beach in the state of Hawaii.
And apart from the day-trippers I mentioned earlier, the Mauna Kea has this beach all to itself. There are no hotels or other buildings in view, just the beauty of nature all around.
Looking north toward the Mauna Kea from the far southern end of Kauna’oa Bay.
The Magic
While it’s possible to describe in words the physical aspects of the Mauna Kea Beach Hotel that make it so incredibly special, there is a certain feeling to the resort that you just have to experience to understand. This is the kind of place to which families return year after year, generation after generation. A place about which, as I read in a book commemorating the Mauna Kea’s 50th anniversary, longtime guests say “there is just something magical.”
And although it wasn’t love at first sight for me and the Mauna Kea, now that I’ve experienced the magic of this wonderful place, I will be forever under its spell.
My daughters watching the sunset from a bench in the lava rocks at the northern end of the resort.
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You are at:Home»Uncategorized»No Sini/No Wonder…
No Sini/No Wonder…
By Vazken Movsesian on November 18, 2013 Uncategorized
A series and collection of events, every day-in and day-out
Thursday – Worked at the Ascencia homeless shelter. In the process of food distribution, thought about the place of responsibility. Sixteen kids lived in the shelter, seven of them from one family. Where’s the conversation about birth control and the need for personal responsibility?
As I walk out, I’m confronted by an ex-heroin addict. He tells me he’s cured by Jesus. In the same town, Glendale, on TV, the Church, clergy and Christ are being degraded and humiliated. People listen and applaud. People listen and support.
Meanwhile, a priest, his church and the love in the heart of the congregation has not asked any questions, only fed the hungry based on Christ’s message to help and have compassion.
Friday – I’m dealing all day with a woman victimized by her husband in an overt case of domestic abuse. We’re careful not to call it “violence” because she has not been beaten, but she has endured the wounds of words and neglect on her psyche and soul.
We reach out with wings. It’s “Datev” Outreach. A couple of us offer help and support. All of sudden she’s been given the greatest of all gifts, she has hope. She believes that things can get better. Her brows ease up and a smile appears on her face.
At what point do the husbands stop beating their wives? When do we identify problems of anger, lust, addictions and address the issues before those issues destroy lives? Where and when does the true “manliness” conversation begin to the responsibility to love?
And all the while, it’s a small group of the Church. It is the Body of Christ that is in motion.
Saturday – Funeral service. She’s lived for 89 years, married for 66 of those years. This woman radiated beauty. She was in church every Sunday until her dying day. She brought her children up in the Church. Some of the grandkids don’t speak Armenian, but no one would dare to question their ethnicity. They are Armenian all the way through – mind and soul without a question, without a doubt.
We’re a long way from Glendale: Fifty miles to the South, light years in mentality. This woman raised her family in the Armenian Church. There was no compromise when it came to the Armenian Church. It was the place where she lived. The same Armenian Church that today is passed up for the soccer field and the Armenian clubs on Sunday mornings.
Sunday – Divine Liturgy. We’re in another parish. It’s a brand new building. The priest’s voice is beautiful. Is there more to say? Some 20, maybe 30, people show up for worship. What do they get from the service? What is redeeming about it? It’s very difficult to sit through one of these. Here’s the question – why would anyone want to sit through a terrible opera?
We have a good thing in Glendale. It’s taken us several years to get it to that point. It’s a different understanding of spirituality at our church. It’s a process. It’s singing. It’s participating. But what do we find on the outside? Is this a unique reality? Or are we just seeing a smaller version of the norm throughout the Armenian Church world?
It’s depressing. It makes us depressed. We’ve done everything to make the Church accessible. It’s not being accessed and in other parishes, even that little access is denied. When do we reach critical mass to effectuate change?
We talk about the Church as the “Body of Christ.” Where else do you find or see this understanding of the Sacred Institution, the House of God?
I get it. I’m on another page. That’s why the need for Armodoxy. The Church if not there. It’s traditions and liturgy are beautiful. They speak to the angels. But to us mortals? The connection is lost. So before it’s too late we have to make sure we are there. The need for relevancy is ever more accented this day.
Before going to sleep that night I read a sorry story of ANOTHER loss. How many of these will it take before we say enough? Here we find a young woman who is unable to connect with her Church. She’s in a stand-off and rather than fight and expelling the people who don’t belong there, she jumps ship and finds expression elsewhere. How many more of these will it take?
I go to sleep, but I can’t. It’s a toss and turn night until a dot wakes me to consciousness.
Monday – We have a meeting to organize our work. It requires putting the pure entity into a box. The box gives it structure and also boundaries. That’s OK for an organization, a club or a fraternity, even for a hospital. What about the Body of Christ? Can that be put into a box? We can’t. You see, I just got word that another 130 people were killed in Darfur and the Genocide continues. It’s been the enough moment too long. While the Armenians are going to commemorate 100 years of Genocide, the evil continues. There’s only one answer to evil. I know it. We have it.
The box is there. It’s the structure that gives form. It’s the structure that fools us into believing the building is the church. It makes us lose sight of the mission that defines the Church. The box is the structure that gives the awards and accolades to people, while ignoring those who give a hand and those who need a hand. The box makes us believe that the Institution is corrupt, and even prevents us from supporting the sacredness of Church, i.e., the Body and its Mission. Yes, support is withheld in the guise of thoughtful giving.
And so… when someone criticizes the Church and shies away from using the name of Jesus Christ, I have to think it’s due to a fundamental misunderstanding of terms and function. But I also feel it is due to our betrayal of the fundamental foundation of our Faith.
I’m done. It will not be a stand-off this time.
The name of Love is Jesus. Crush my cold and stony heart with your love. -St. Neress Shnorhali
Vazken Movsesian
Christ the Catalyst to Enact the Kingdom
Torkom – Day #27 on the Road to Healing
bruce on Poitier’s Priest
Anna Harmandarian on Head Coverings that Fly with the Wind
Kalia on The Search and the Seeker
Anna Harmandarian on Imagine Below the Horizon
Anna on Insiders Guide to 7 Gen
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The Pend Oreille Valley During World War II
Newport, Washington Street Scene, circa 1940
courtesy Pend Oreille County Historical Society
Every part of the country has a unique history; this is the history of the Pend Oreille Valley, an area that was comprised of small towns in extreme northeastern Washington and northwest Idaho. This is a place of interesting cultural diversity that is closely tied to its environment, a place that during World War II provided numerous vital war industries as well as brave young men for the war effort. It is also the story of how people dealt with the adversity of shortages, the loneliness, and the humor that often surrounded them in the four-year period that has many calling them the Greatest Generation. While the experiences of those that lived in the Pend Oreille Valley are not a singularly unique occurrence, this study is exclusive in the fact that this area has often been forgotten in the histories of the region, and as such, this is the first we hear from its residents.
When the Japanese attacked Pearl Harbor, the Pend Oreille Valley was still in the throes of the Depression, with the majority of its residents barely eking out a living in the woods, in the mines, or in the fields. Through these occupations, now deemed essential industries, the residents of the Valley would find themselves helping out the war effort. The timber that in the 1920s and 1930s produced poles for the REA (Rural Electrification Administration) and telephone poles now would be used for the war effort. The mines in the northern part of Pend Oreille County which had long produced lead and zinc for the smelters in Spokane was contributing materials vital for the war. The same with the agricultural products in the Valley, with the milk, cheese, beef, poultry, potatoes, and grains going to not just feed the military, but to feed those on the home front.
As was the entire nation, residents were swept up into defeating our enemies, whether as part of the military or part of the workforce. Many of the young men that could serve did so, in all branches of the service. Many of the young men of the Valley and some of its young women enlisted in the Navy, an organization that recruited heavily in this land-locked area. There were also those that volunteered or were inducted into the Army and Army Air Corps, and there were still a few that volunteered for the Marines. Those men and women that did not serve in the military went to work in the essential industries around the area, places like Diamond Match Sawmill, the Pend Oreille Mine, or went into Spokane to work out at Galena Air Depot, the Alcoa Plant, or Trentwood Aluminum.
Many that look back on that war remember it as a time of minor hardships, a time where you couldn't always get what you wanted, and had to curtail how much you traveled. Those of the "Greatest Generation" remember the difficulty in getting enough sugar, shoes, meat, and stockings, but in the grand scheme of things what wasn't available on the home front was not as bad as it seemed, because after all they didn't have much to begin with. As a result, the gas and tire rationing, the food rationing, and the rationing of shoes, and other clothing wasn't something to worry too much about.
For the young women that were caught up in the rush to marry their sweethearts, and in some cases men they hardly knew, the four years at war was one of terrible loneliness, made especially hard if there were young children involved. However, these women found times to laugh and found that they were not alone, as there were others going through the same things that they were, creating support networks to help them cope.
While none of this is unusual for many small towns in the nation, the proximity to Spokane and Farragut Naval Station would indicate that the Pend Oreille Valley would at least be a footnote in the history of World War II in the Pacific Northwest, and this is not the case. This area, which provided lumber for the building of Farragut, supplied women that worked in Spokane's factories, sent some of its finest young men to fight and inevitably die, as well as serve as host for German and Italian prisoners of war, has been largely ignored, that is until now. Thus, the purpose of this study is to rectify this situation.
The stories and research within are part of an oral history project to complete my master's degree from Eastern Washington University. What follows are the pictures and reminicinces of the Pend Oreille Valley during World War II and the stories of the people that experienced it.
Copyright © 2004 by Kristen Cornelis | 2023-14/0037/en_head.json.gz/13523 | {"url": "http://kac.douglassclan.com/home.html", "partition": "head_middle", "language": "en", "source_domain": "kac.douglassclan.com", "date_download": "2023-03-20T08:38:25Z", "digest": "sha1:4DEFETQ5RZOA43M4E5GZ3FDUXON7KV2K"} | {"ccnet_length": [[0, 4630, 4630.0]], "ccnet_original_length": [[0, 4630, 4676.0]], "ccnet_nlines": [[0, 4630, 11.0]], "ccnet_original_nlines": [[0, 4630, 11.0]], "ccnet_language_score": [[0, 4630, 0.98]], "ccnet_perplexity": [[0, 4630, 150.2]], "ccnet_bucket": [[0, 4630, 0.0]], "rps_doc_curly_bracket": [[0, 4630, 0.0]], "rps_doc_ldnoobw_words": [[0, 4630, 0.0]], "rps_doc_lorem_ipsum": [[0, 4630, 0.0]], "rps_doc_stop_word_fraction": [[0, 4630, 0.4747807]], "rps_doc_ut1_blacklist": [[0, 4630, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4630, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 4630, 0.0348806]], "rps_doc_frac_chars_dupe_6grams": [[0, 4630, 0.01931849]], "rps_doc_frac_chars_dupe_7grams": [[0, 4630, 0.01931849]], "rps_doc_frac_chars_dupe_8grams": [[0, 4630, 0.01931849]], "rps_doc_frac_chars_dupe_9grams": [[0, 4630, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 4630, 0.02548967]], "rps_doc_frac_chars_top_3gram": [[0, 4630, 0.02629461]], "rps_doc_frac_chars_top_4gram": [[0, 4630, 0.03219748]], "rps_doc_frac_all_caps_words": [[0, 4630, 0.00548246]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 4630, 0.0]], "rps_doc_frac_no_alph_words": [[0, 4630, 0.10745614]], "rps_doc_frac_unique_words": [[0, 4630, 0.43016069]], "rps_doc_mean_word_length": [[0, 4630, 4.60692213]], "rps_doc_symbol_to_word_ratio": [[0, 4630, 0.0]], "rps_doc_unigram_entropy": [[0, 4630, 5.1106241]], "rps_doc_word_count": [[0, 4630, 809.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 44, 0.0], [44, 89, 0.0], [89, 137, 0.0], [137, 1024, 1.0], [1024, 1894, 1.0], [1894, 2676, 1.0], [2676, 3266, 1.0], [3266, 3690, 1.0], [3690, 4314, 1.0], [4314, 4594, 1.0], [4594, 4630, 0.0]], "rps_lines_javascript_counts": [[0, 44, 0.0], [44, 89, 0.0], [89, 137, 0.0], [137, 1024, 0.0], [1024, 1894, 0.0], [1894, 2676, 0.0], [2676, 3266, 0.0], [3266, 3690, 0.0], [3690, 4314, 0.0], [4314, 4594, 0.0], [4594, 4630, 0.0]], "rps_lines_num_words": [[0, 44, 8.0], [44, 89, 6.0], [89, 137, 6.0], [137, 1024, 155.0], [1024, 1894, 148.0], [1894, 2676, 141.0], [2676, 3266, 106.0], [3266, 3690, 75.0], [3690, 4314, 112.0], [4314, 4594, 46.0], [4594, 4630, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 44, 0.0], [44, 89, 0.0952381], [89, 137, 0.0], [137, 1024, 0.0], [1024, 1894, 0.00942285], [1894, 2676, 0.0], [2676, 3266, 0.0], [3266, 3690, 0.0], [3690, 4314, 0.0], [4314, 4594, 0.0], [4594, 4630, 0.11111111]], "rps_lines_start_with_bulletpoint": [[0, 44, 0.0], [44, 89, 0.0], [89, 137, 0.0], [137, 1024, 0.0], [1024, 1894, 0.0], [1894, 2676, 0.0], [2676, 3266, 0.0], [3266, 3690, 0.0], [3690, 4314, 0.0], [4314, 4594, 0.0], [4594, 4630, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 44, 0.20454545], [44, 89, 0.08888889], [89, 137, 0.10416667], [137, 1024, 0.02029312], [1024, 1894, 0.02758621], [1894, 2676, 0.03324808], [2676, 3266, 0.00847458], [3266, 3690, 0.00471698], [3690, 4314, 0.03205128], [4314, 4594, 0.04285714], [4594, 4630, 0.08333333]], "rps_doc_ml_palm_score": [[0, 4630, 0.8515895]], "rps_doc_ml_wikipedia_score": [[0, 4630, null]], "rps_doc_ml_wikiref_score": [[0, 4630, 0.44004291]], "rps_doc_books_importance": [[0, 4630, 97.26558446]], "rps_doc_openwebtext_importance": [[0, 4630, 117.88251778]], "rps_doc_wikipedia_importance": [[0, 4630, 118.29744239]], "rps_doc_num_sentences": [[0, 4630, 25.0]]} |
Reviewed Films with a Principal Acting Credit by Rowan Blanchard
Spy Kids 4D (Spy Kids: All the Time in the World in 4D) (2011) | 2023-14/0037/en_head.json.gz/13524 | {"url": "http://kinocritics.com/actor_sort.php?a=3791", "partition": "head_middle", "language": "en", "source_domain": "kinocritics.com", "date_download": "2023-03-20T10:30:00Z", "digest": "sha1:O7WMU2Z3EDQZRCN7MYYPCVQORM6RPCC4"} | {"ccnet_length": [[0, 127, 127.0]], "ccnet_original_length": [[0, 127, 2576.0]], "ccnet_nlines": [[0, 127, 2.0]], "ccnet_original_nlines": [[0, 127, 51.0]], "ccnet_language_score": [[0, 127, 0.87]], "ccnet_perplexity": [[0, 127, 243.4]], "ccnet_bucket": [[0, 127, 0.0]], "rps_doc_curly_bracket": [[0, 127, 0.0]], "rps_doc_ldnoobw_words": [[0, 127, 0.0]], "rps_doc_lorem_ipsum": [[0, 127, 0.0]], "rps_doc_stop_word_fraction": [[0, 127, 0.24137931]], "rps_doc_ut1_blacklist": [[0, 127, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 127, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 127, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 127, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 127, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 127, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 127, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 127, 0.14141414]], "rps_doc_frac_chars_top_3gram": [[0, 127, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 127, 0.0]], "rps_doc_frac_all_caps_words": [[0, 127, 0.06896552]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 127, 0.0]], "rps_doc_frac_no_alph_words": [[0, 127, 0.20689655]], "rps_doc_frac_unique_words": [[0, 127, 0.79166667]], "rps_doc_mean_word_length": [[0, 127, 4.125]], "rps_doc_symbol_to_word_ratio": [[0, 127, 0.0]], "rps_doc_unigram_entropy": [[0, 127, 2.88924251]], "rps_doc_word_count": [[0, 127, 24.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 65, 0.0], [65, 127, 0.0]], "rps_lines_javascript_counts": [[0, 65, 0.0], [65, 127, 0.0]], "rps_lines_num_words": [[0, 65, 10.0], [65, 127, 14.0]], "rps_lines_numerical_chars_fraction": [[0, 65, 0.0], [65, 127, 0.10526316]], "rps_lines_start_with_bulletpoint": [[0, 65, 0.0], [65, 127, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 65, 0.10769231], [65, 127, 0.14516129]], "rps_doc_ml_palm_score": [[0, 127, 0.00037986]], "rps_doc_ml_wikipedia_score": [[0, 127, null]], "rps_doc_ml_wikiref_score": [[0, 127, -1.001e-05]], "rps_doc_books_importance": [[0, 127, -20.13188126]], "rps_doc_openwebtext_importance": [[0, 127, -8.29263627]], "rps_doc_wikipedia_importance": [[0, 127, 5.07082633]], "rps_doc_num_sentences": [[0, 127, 1.0]]} |
Tag Archives: poetry
Maggie reviews Queer Little Nightmares edited by David Ly and Daniel Zomparelli
Posted on November 21, 2022 by Lesbrarians
Queer Little Nightmares, an anthology edited by David Ly and Daniel Zomparelli is a fun and sometimes terrifying collection of queer horror writing. The Lesbrary was provided with a review copy, and I was more than happy to spend time with this collection. Queer Little Nightmares let writers experiment with queerness and horror in a variety of ways. I highly recommend getting your hands on this one if you want some innovative horror writing.
As with any anthology, some stories caught my attention more than others, with my favorites being “Wooly Bully” by Amber Dawn and “Glamour-Us” by Andrew Wilmont.
“Wooly Bully” is a story about coming of age, queer awakenings in a small town, and werewolves. I absolutely loved all the sensory details, the limits of the narrator’s community, and how deeply she feels within that setting. The enforced gender roles as they learn agricultural skills, the way she is put off by the boys but is fascinated by Brenda, the slow realization that the feelings are real and reciprocated—it is a delightful story of teenage growth and queer desire, and the setting was filled in to perfection. The sort of story where the 4-H fair culture of my youth is turned slightly on its head.
“Glamour-Us” is at the other end of the spectrum, about a future where it is possible, for enough money, to purchase either a synthetic body or a self-projection that can be customized, with the rich of course using it as a form of eternal youth. Within the LGBT community though, there is immediate debate as to whether that sort of glamour is a brilliant way for people to transition without struggle or for people to experiment or for people who don’t see themselves as one particular gender and want to flip between projections, and whether such technological assistance is exploitive and something the community doesn’t need. I think the story does a great job of bringing into a short story both an echo of “Dr. Jekyll and Mr. Hyde but make it trans,” the sort of inner community debate that would absolutely happen in these circumstances, and how the threat of bigotry is still a horror that always lurks, no matter the technology.
But I enjoyed much of this anthology, and it’s the sort of collection where everyone will have immediate favorites but those favorites will be wildly different. This plays to the biggest strength of this collection which, in my opinion, is the whole range of horror presented, in both prose and poetry format. Horror and monster standards such as werewolves, devils, and creepy carnivals make appearances, but authors also explore how horror interacts with queerness in novel ways, from body horror to love and desire. The editors put together a stunningly broad collection that doesn’t leave you bored. I never knew what sort of story was coming next, and it was a very fun read. I also appreciated that they included both short stories and poetry. I think it presented a varied picture of the complex themes and manner queerness interacts with horror.
In conclusion, if you’re a horror fan you could certainly do worse than picking up Queer Little Nightmares. The range of material gives full scope to queer imagination, and perhaps you will discover new fav authors to follow in the future.
Content warnings: It’s hard in an anthology, particularly a horror anthology, to be comprehensive with warnings but you will find gore, bigotry, body horror, cannibalism, sexual assault, and death at various points within this collection.
Posted in Lesbrary Reviews | Tagged anthology, horror, Maggie, monster, monsters, poetry, short stories, trans, Werewolf, werewolves
Meagan Kimberly reviews Crossfire: A Litany for Survival by Staceyann Chin
I had the privilege to see Staceyann Chin do a live reading at Miami Book Fair a few years ago, which is where and why I picked up this collection. Her performance was electric and captivating, and that strong voice translates well on the page.
Every piece is propulsive and rhythmic, feeling like there’s a drum beat underlying each one. A lack of punctuation in most pieces creates this movement, forcing you to read line after line after line, all in one breath until you reach the end of the poem, like in “Catalogue the Insanity,” written from start to finish without any punctuation marks, not even a period at the end.
But there are also quieter moments that slow down the rhythm, giving you a chance to breathe. Chin creates this with the use of white space around lines and stanzas, such as in the poem, Love:
“I’ve bought the bloody myth
swallowed that sucker
hairy legs and all
crawled careless into bed with a fantasy
and now I’m hopping antsy with expectation
having drawn these crooked lines
in what looked to me like sand
my uncertain frame stands
on what I have been promised by the TV
by that saccharine ache Anita Baker
moans from a mass-produced CD…”
The speaker’s language packs a punch, bringing forth fire and anger. Chin is unapologetic in her feminist rage and it energizes the reader, making you feel like burning it all down. Covering themes of sex and sexuality, rape and assault, it can be overwhelming at times. But that’s the point. Her purpose is to be loud and in your face and make it hard for you to look away.
She combines poetic imagery and metaphors with straightforward phrases that don’t mince words to create both art and rant, like in the poem Speech Delivered in Chicago at 2006 Gay Games:
“…even in friendly conversation
I have to rein in the bell hooks-ian urge
to kill motherfuckers who say stupid shit to me
all day, bitter branches of things I cannot say out loud
sprout deviant from my neck…”
Overall, this is a loud and empowering collection of poetry that is accessible to readers who often feel like they don’t understand poetry. It’s an outstanding example of how much we need more diversity and representation to give space for voices that often get drowned out by the mainstream and literary canon.
Content warnings: rape, homophobia, violence
Posted in Lesbrary Reviews | Tagged asian, black, Chinese, feminism, feminist, Jamaican, lesbian, Meagan Kimberly, poems, poetry, Staceyann Chin, tw: homophobia, TW: rape, TW: sexual assault, TW: violence
Rachel reviews The Lost Time Accidents by Síle Englert
Posted on December 14, 2021 by Lesbrarians
An incredibly complex and stunning poetic debut, Síle Englert’s collection The Lost Time Accidents (Icehouse Poetry 2021) is a must-read.
This collection of poems, divided into three distinct parts, unpacks a number of central themes such as gender, sexuality, objectification, fantasy, reality, motherhood, childhood, and many more. Icehouse writes that this collection moves “through time and memory — from childhood to motherhood, from historical figures and events to the precarious environment of the Anthropocene” and “Englert’s voice brims with grief while still holding space for whimsy.” Indeed, the focus on stages of life and stark dichotomies such as whimsy and grief is a hallmark of Englert’s collection.
A wonderful aspect of Englert’s writing is the way in which she interprets the significance of everyday objects. Using children’s toys, household items, and everyday experiences, Englert reframes them in order to craft a metaphorical narrative that addresses the larger and more complex issues dealt with in the collection. While Englert’s poetry is not easy reading—indeed, it is complex and intensely sophisticated in its language—The Lost Time Accidents demonstrates an obvious mastery of language, imagery, and literary devices. Gorgeously executed and obviously queer, each poem in the collection is a triumph.
In this collection, Englert’s writing includes something for everyone. I was particularly taken with the second section’s outward focus on famous figures and events that Englert adapts to suit her own thematic needs. However, I had undeniable favourite from across the collection, including “The Reason for Tiger Lilies”; “Functional Interpretation of the Knee”; “Summers at the Lake”; “Rabbit”; “Body of Nude Woman Found at Life Drawing Exhibit”; “Insomnia”; “Blackout Lullaby”; “Beetroot”; “Unearthing”; “Bullhorn”; “Denouement”; and “Petrified.”
I highly recommend The Lost Time Accidents for anyone interested in queer poetry and Canadian writers.
Please visit Síle Englert on Twitter.
Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.
You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.
Posted in Lesbrary Reviews | Tagged canadian, poetry, Rachel Friars, Síle Englert
Rachel reviews Myself a Paperclip by Triny Finlay
Posted on November 9, 2021 by Lesbrarians
Incredibly personal, startlingly reflective, and refreshingly inventive, Triny Finlay’s new poetry collection from Icehouse Poetry (an imprint of Gooselane Editions) is an immersive and beautifully crafted account of a Finlay’s struggle and experience with mental illness.
Myself a Paperclip oscillates between the thoughts and experiences of the speaker and the world of the psychiatric ward. Icehouse writes that, in this collection, “memories, musings, echoes, and meditations on stigma coalesce: quarters dispensed into a payphone to listen to the stunned silence of a partner; Splenda packets and rice pudding hoarded in dresser drawers; counting back from ten as electrodes connect with the temple.” Finlay herself writes at the end of the collection that the text “focuses on my experiences with debilitating mental illnesses and some of their treatments, including hospitalizations in psychiatric wards, psychotropic medications, cognitive behavioral therapy (CBT), Dialectical Behavioural Therapy (DBT), and Electroconvulsive Therapy (ECT)” (77).
It is difficult to succinctly review or sum up a poetry collection like Finlay’s, but suffice it to say that the poems here are poignant, imaginative, and heart-wrenching. Finlay demonstrates a mastery of language here that I have only encountered in some of the strongest poetry collections. Her experiences, while harrowing at times, are also deeply familiar. The core themes of this book—alternately trusting/being trapped in your own mind, distrusting those around you, questioning the limits of the body and the self—resonate with readers of this collection. The form of the collection—built around long and short poems, fragmentation, and back-and-forth dialogue structures, was also an innovative way to formulate the collection.
While the collection as a whole clearly works to form a unified whole, I had a handful of standout favourites that I felt exemplified the collection’s themes and resonated with me personally. Additionally, however, these poems are simply beautiful and Finlay’s work with imagery and metaphor is truly commendable. Favourites for me included “Adjusting the Psychotropics”; “#MeToo, and You, and You, and You, Too”; “Advice to the Mentally Ill from the Queen Bee”; and “Rejected Embroidery Projects.”
I highly recommend Myself a Paperclip for anyone interested in queer poetry and Canadian writers.
Please visit Triny Finlay on Twitter and put Myself a Paperclip on your TBR on Goodreads.
Content Warnings: Trauma, rape, sexual abuse, mental illness.
Posted in Lesbrary Reviews | Tagged poetry, rachel, Triny Finlay
Kayla Bell reviews Radiant Days by Elizabeth Hand
Posted on June 5, 2021 by Danika Ellis
There aren’t many stories that can truly say they’ve done time travel in a unique way. Going back to the past or ahead to the future have already been done dozens of times. A fish out of water, or out of time, is going to make for an interesting story. But Radiant Days does time travel differently, and in a way that felt very compelling to me.
Radiant Days takes place in two different time periods. The 1870s storyline follows French poet Arthur Rimbaud through the trials and tribulations of his youth. The other storyline takes place in the 1970s, and follows Virginia art student Merle as she develops her craft and explores the street art scene. Merle is exploring her sexuality and Arthur is trying to survive as an artist in an oppressive time. One night, somehow, they meet and connect over their shared love of art. In terms of plot, there isn’t anything too major beyond that.
Still, I found this book really compelling. Merle’s voice feels very authentic, and I wanted to see her make it out okay despite being in a bit of a toxic relationship. I also appreciated the unique perspective of a queer woman from Appalachia. Merle’s sexuality wasn’t at the forefront of the novel, and I think that was quite refreshing. She was also trying to deal with her complex family dynamics, recovering from the abuse she grew up around, and trying to make it in the art world. At the same time, the storyline following Arthur was also entertaining and kept me reading. Hand mixes historical events with humor and fun in a way that clearly showed how much respect and admiration she had for Arthur Rimbaud. As a Young Adult book, I thought this story structure was a clever way to get young readers interested in what from another writer might be a drier historical story.
That being said, I would have liked to have seen a bit more plot in this novel. Merle exploring the graffiti subculture of the 1970s was very interesting, but I think the story could have used a little more of a driver. Similarly, I wish that Arthur had been given a chance to develop more as a character, I found myself wanting to read more of his inner thoughts and feelings and connecting more with Merle than Arthur. It was clear that both protagonists were impacted by their meeting out of time, but I think the story could have benefitted from spending a bit more time describing the impacts on both of them. With that being said, I thought that this was an excellently paced novel that is fantastic for younger readers.
If you know a young person that is looking for a book about the power of art and what it means to break the rules, and is interested in historical fiction, this is a great option. I found myself feeling genuinely connected to both characters by the end of the book, and I can only imagine that it would be even more powerful for a younger reader. More queer historical fiction, especially about artists, is something I definitely want to see.
Posted in Lesbrary Reviews | Tagged 1800s, 1970s, Appalachia, elizabeth hand, graffiti, historical fiction, Kayla Bell, poetry, Radiant Days, Rimbaud, time travel, toxic relationship, visual art
10 Poetry Collections by Black Queer Women
Posted on June 23, 2020 by Danika Ellis
Poetry has always been an artistic expression. From declarations of love to contemplating the meaning of life, poetry has a way of putting the human experience into words. It’s also an effective way to take a political stance or spark compassion for others’ cultures and ways of life. Here are 10 poetry collections that delve into the experience of Black bisexual, lesbian, and queer writers.
How to Get Over by T’ai Freedom Ford
Ford’s debut collection of poems reads like a lyrical train of thought. Jumping from one piece to the next, each poem holds a life of its own but remains connected to the collection’s overall narrative. Ford’s writing has a melodic sense that will make you stop and listen, not just read the words on the page.
Crossfire: A Litany for Survival by Staceyann Chin
Full of feminist rage, Chin’s collection of poetry Crossfire is aptly named. It brings forth the activist’s voice, full of power, anger, and sass, the very qualities for which the white patriarchy condemns black women. Chin and her work are the definition of noncompliance. Her poetry raises her voice with no apologies for justified anger.
The Works of Alice Dunbar Nelson by Alice Dunbar Nelson
Nelson was among the first generation born free in the South after the Civil War. Born in New Orleans, Nelson became a prolific poet that influenced the blossoming of the Harlem Renaissance. The Works of Alice Dunbar combine poetry, novellas, and autobiographical stories, giving one point of view of Black women’s lives during her time.
June Jordan’s Poetry for the People: A Revolutionary Blueprint by June Jordan
The Caribbean-American Jordan inspires poets and readers far and wide to this day. Her program Poetry for the People was highly innovative and successful, inspired by her work as a teacher. This poetry collection is a combination of poems for the people who took her class and by the people who participated.
American Dreams by Sapphire
Mixing poetry and prose, Sapphire creates a collection of poems that are at once a lesson on sensuality and allusions to prophecy. No matter what topic she takes on in her work, she does so with brutal honesty. Born to the name Ramona Lofton, Sapphire took on her pen name after becoming entrenched in poetry in New York City in the late 70s.
Inventory by Dionne Brand
Inventory isn’t so much a collection of poems as it is one long story written as a poem. This long-form poem turned story takes stock of the ongoing violence that comes from upheavals and wars within a community’s own streets. It makes an account of the horror that has become commonplace and no longer holds the sensation it once did.
Living as a Lesbian: Poetry by Cheryl Clarke
Clark’s work pays tribute to the very subject in the title. Her work ranges from jazz music to her childhood in Washington, D.C. to singing the blues. This collection of poems is filled with rhythmic and lyrical lines that convey Clark’s adept hand at poetry. It’s intimate and personal and yet universal in its themes.
The Complete Works of Pat Parker by Pat Parker
This poetry collection compiles all of Parker’s pieces from two complete books of poetry and three chapbooks, plus other previously unpublished work. Parker’s work as a Black lesbian feminist poet has influenced and inspired others across generations. Her poems have had such a lasting influence, that even artist Solange has paid homage to her in her music.
Proxy by R. Erica Doyle
This collection tells the story of an unrequited love through prose poetry. Doyle’s poems tell the story of love as landscape. It traverses the likes of New York City, the Caribbean, and North Africa. In a collection of poems that tells all by proxy, nothing is as it seems. There are always countless layers to each piece.
Head Off & Split by Nikky Finney
Finney’s work examines Black life through various lenses, including the real and surreal. Her work focuses on studies on Rosa Parks and civil rights marches to a closer look at former Secretary of State Condoleezza Rice. Political and personal, Finney’s work is intimate and exacting.
Posted in Uncategorized | Tagged Alice Dunbar-Nelson, author of color, black, Black authors, book lists, book recommendations, Cheryl Clark, dionne brand, June Jordan, Meagan Kimberly, Nikky Finney, Pat Parker, poc, poems, poetry, poetry collections, R. Erica Doyle, reading list, reading recommendations, Staceyann Chin, T’ai Freedom Ford
Meagan Kimberly reviews Gender Flytrap by Zoe Estelle Hitzel
Posted on April 28, 2020 by Danika Ellis
For National Poetry Month I chose to read this collection I’d picked up from Sundress Publications, an independent press. It’s a fascinating collection of poems about the interconnected nature of gender, sexuality, sex, and identity.
The poems’ forms start as stanzas and lines written in fragments, but as the speaker gains a greater sense of clarity of who they are, the images and statements become more solid. A few in between bolly back and forth between this fragmented style and coherent thoughts.
It seems as though the purpose of this structure is to literally indicate the speaker’s growing anxieties and uncertainness about their gender, sex, and identity. Hitzel shows an adept hand in using and creating structure that works perfectly in conjunction with the language and emotions of each individual poem.
While the poems’ structures vary between fragmented and complete, the word choice always creates a precise and purposeful rhythm and sound. It gives the feeling that even in the most turbulent of moments of doubt, the speaker knows for certain who they are and where they stand, somewhere beneath the insecurity and anxiety.
Hitzel delivers heartbreaking lines in the simplest language, like this one:
“the television showed what it was capable of showing
and my father heard what he was capable of hearing…”
Lines like the two above depict the common way discussions and discourse about transitioning and transgender individuals are often perceived and treated. The speaker throughout the poems often analyzes and talks about others’ perceptions about their identity, and how those perceptions affect their perceptions of themselves.
In another poem, “Dial-up Internet — Diagnosis” Hitzel delivers a gut punch of emotion that anyone who’s ever questioned their identity has felt. The speaker’s tone approaches the subject from an analytical perspective but still manages to send a shock of pain to the heart.
Hitzel excels at this juxtaposition of using a neutral tone of rationale to describe the turmoil of feelings on the subject matter. The poem “Math Problem” is another standout piece that takes an analytical eye to the topic of transitioning.
The titular poem is another standout piece in the collection as the speaker delineates all the different labels and names she’s been given. Its ending line packs so much in such a matter-of-fact statement: “I appreciate how the silence calls me nothing.”
There are so many poems to choose from with powerful lines and emotional messages. It’s easy to keep flipping from one piece to the next and savoring each word. Sometimes a second and third read is necessary to fully appreciate Hitzel’s brilliant use of language and lyricism.
Posted in Lesbrary Reviews | Tagged *****, collection of poems, gender, identity, independent press, Meagan Kimberly, National Poetry Month, poetry, poetry collection, trans, trans woman, transgender
Sheila reviews Disintegrate/Dissociate by Arielle Twist
I wanted to read something shorter, that I could put down and come back to as my attention comes and goes these days. I was very happy to pick up (or download, whatever) this work of poetry, Disintegrate/Dissociate by Arielle Twist.
This isn’t to say that these poems are of a lighter subject manner. Many of the poems deal with sexual trauma and the ramifications of racism, so readers should be aware of that. But Arielle’s words are so impactful that there doesn’t need to be many of them to be moving. I also don’t mind reading about the hardships of others, especially when I myself am going through a harder time. It was comforting to read these poems, which reflected upon themes of grief, trauma, identity and metamorphosis. I understand that many readers won’t find these appealing during a global pandemic, and ultimately what is happening in the world right now is probably shaping the way that I am reading Arielle’s writing as well.
Particularly, her poems “The Girls,” “In Dying I Become” and “Who Will Save You Now?” really stood out to me as gripping and emotional. Of course, “Who will save you now?” is a question that may have crossed many of our minds since the current pandemic started. That piece really got me to thinking about how our interpretations of events and art can change depending on where and who we are at the time. This collection of poetry has many themes of changing and rebirth, which I found very meaningful. If you can, I encourage you to not only read this work but to also consider purchasing her book, especially during this time.
Posted in Lesbrary Reviews | Tagged Arielle Twist, grief, identity, indigenous, Nehiyaw, poetry, Sheila Laroque, trans, trauma, Two-Spirit
Sheila Laroque reviews Holy Wild by Gwen Benaway
Posted on January 6, 2020 by Danika Ellis
As I’ve said in previous reviews; I haven’t widely read a great deal of poetry. Nor do I have the lived experience of a trans person. However, reading this collection of poetry by Gwen Benaway I felt drawn into her world and stories, and I felt like I could understand a little bit better. The stories that are told within these poems are powerful and raw, and I felt like I was being taken on a journey with the author. Gwen is able to take her readers along for a ride, as she narrates her experiences as being both trans and Anishinaabe in these poems. The poems are at times grappling with difficult subject matters, but we are also left with the feeling of how difficult it must have been to live through these experiences from Gwen’s perspective.
There is an honesty within these poems that immediately draws in the reader, and while this is a relatively short book I found myself reading these quite quickly. Her discussions of the complexities that can arise when dating in a transphobic world; as well as what it is like to navigate the health care systems while being Indigenous gave me some more insight and understanding. I say ‘gave’ intentionally, because her writing is so illuminating and full of her own personal experiences and trauma that it is a gift to the reader.
Posted in Lesbrary Reviews | Tagged Anishinaabe, Award-Winning, Governor General’s Award, Gwen Benaway, indigenous, Métis, poetry, Sheila Laroque, trans
Sheila Laroque reviews Calling Down the Sky by Rosanna Deerchild
Posted on November 4, 2019 by Danika Ellis
I’m not much of a poetry person. I never have been. I’m the type of librarian who only took the required English courses; and I definitely don’t have an English literature degree. However, I wanted to challenge myself to diversify my reading beyond what I usually go for. I admit that I avoid poetry because I often fear that I won’t understand what it’s about. Calling Down the Sky is a work that I was able to understand on a deeper level, and I’m grateful to have had the chance to read such poetry.
Rosanna Deerchild is a Cree broadcaster, who also identifies as Two-Spirit. Personally I’m most familiar with her work through the CBC (Canadian Broadcasting Corporation)’s radio show Unreserved. It was an interesting experience to read the poetry of a writer whose voice I was already familiar with.I could hear her saying the words on the page to me. In that way, it made me relate to what was written had already meant; both because I was familiar with how she was saying the words, but also understanding the tone and experiences in the book.
The lasting impact of residential schools within Canada is ongoing, and all of the complexities that come with intergenerational trauma will still be worked out for years to come. Deerchild explores how her mother’s trauma has affected the relationship that they have; but also for other members of the family too. It is all of our complexities and traumas that can shape and create who we are, and that can be seen throughout this work.
This was a quick read for me, and I was surprised by how much of it allowed me to see my own family experiences within her poetry. The most powerful poem in the collection is the title poem, “Calling Down the Sky.” No spoilers, but the acts of resistance give moments of hope, which makes this a powerful poetry collection.
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Wastewater Department
WASTEWATER TREATMENT PLANT PROJECT 2022
The City of Levelland's Wastewater Treatment Plant is nearing the end of its life. Built in 1983, the plant was projected to last for 30 years and will surpass its 40th year this year. The aging infrastructure and outdated technology are in need of replacement.
NOTICE OF INTENT to issue certificates of obligation to fund this project (Required to be posted on this website. Date posted: 9/26/22)
PROJECT INFO MAILER will be mailed to each utility accountholder address
Wastewater Department Information
To insure the citizens of Levelland receive a quality standard of water and ensure a safe and sanitary environment in which to live and raise a family. In order to maintain this objective, we pledge to abide by and stay current on all rules and regulations concerning the safe delivery of drinking water. We pledge to provide and operate the most efficient means available to react and dispose of wastewater. Our goal is to provide a high standard maintenance to the existing system and to facilitate the planning and implementation of future development.
Source of Water
The City of Levelland has a reliable water supply through a municipality owned and operated system in conjunction with Canadian River Municipal Water Authority. The distribution system has mains up to 16" under 55 to 60 PSI.
Personnel Energy
Drought Contingency Plan
300 Treatment Plant Road
300 Treatment Plant Road Levelland TX 79336
1 - 5 p.m.
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Vol 14 (2022) Projective sets, intuitionistically Abstract 5. [PDF]
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The Hispanic Buying Power: Why, How, and Where to market to it
Online US Hispanic Market
Whether you are a small business or a fortune 500 company, you cannot afford to disregard this huge swath of the U.S. market. As per the 2020 Census, the Hispanic market makes close to 20% of the U.S. population with a buying power of $1.7 Trillion and is projected to reach $2.6 Trillion by year 2025. The growth in buying power from 2020 will be nearly 50% more than that of white households, which hold the largest share of the market today. In other words, this is a demographic you cannot afford to ignore.
Why market to the Hispanic Consumer
As the Hispanic population continues to grow and expand, so does the influence that the Hispanic audience has in the U.S. economy. The Hispanic consumer is recognized as one of the top consumer segments, the influence and power this segment of the U.S. population wields is undeniable. If the amazing growth potential that is projected for the Hispanic market is not enough incentive for you, take into consideration as well that Hispanics are also more brand loyal than other ethnic groups, once you have acquired their business it is tough to lose it.
However, as an advertiser embarking in conquering this market, it is imperative that you understand and pay close attention to how very diverse this community is and adjust your marketing endeavors accordingly.
How to market to the Hispanic consumer
Start by building trust through engagement. However, there are multiple factors you should take into consideration when reaching out to this market, for example one size does not fit all, what does this mean? Well, when developing a marketing plan make allowances for educational, cultural, and generational differences between the Hispanic population living in the U.S., which can affect their buying behaviors and habits.
Culture is very important with the Hispanic community, make a point to understand the unique identity beyond race, heritage, and language; don’t assume all Hispanics speak Spanish and when advertising in Spanish don’t just translate the material you already have to Spanish and call it a day, chances are that it will not yield the results you are looking for. There is a lot that can be lost or confused in translation.
One of the greatest mistakes marketers make when doing the crossover to promoting to this growing market is not understanding the cultural aspects of this audience, don’t make that mistake. Note the differences between the diversity and cultural differences within the Hispanic community, pay attention and be cognizant of the dialects, notice the nuances and multiple differences amongst them; using the same dialect to target Hispanics who come from Central America as Hispanics form the Caribbean or South America, might cause confusion on your message, one word might have various meanings to each of those regions, use the wrong one with the wrong target audience and you might offend and/or alienate the section you were trying to market to.
Important point to mention – if you market in Spanish, make sure you are equipped and ready to help them in the language you are promoting, have staff that can attend to their language needs.
Where to market
Hispanic consumers are very smartphone savvy, they lead in the adoption of new devices and are amongst the top users of mobile and video consumption, so make sure when creating online promotional materials they are mobile friendly, since they are more likely to interact with brands and products via their mobile devices.
Hispanics use more Social Media platforms than the total U.S. population, which makes it a great way to reach them, and they are highly responsive to this way of communication.
Bottom line is, when marketing to the Hispanic audience authenticity is a must, always keep that in mind when reaching out and creating your marketing strategy, do this and you’ll be on your way to building a loyal customer base.
About Jackie Paz
Jackie Paz is the Affiliate Marketing Director at LunaSol Media, she is devoted to the continued growth of multicultural creators by helping them adapt and increase their revenue avenues through the monetization of their audience via affiliate marketing. Her background in Web & Graphic design as well as marketing strategies have gained her an in-depth knowledge on how to best match products/services with an audience, brand building and the best way to help clients build strong campaigns and maximize their ROI. She specializes in the USA, US Hispanic & LATAM Market Diversification, Global Business Development & Multicultural Marketing.
Connect with Jackie on Social. | 2023-14/0037/en_head.json.gz/13528 | {"url": "http://lunasolmedia.com/the-hispanic-buying-power-why-how-and-where-to-market-to-it", "partition": "head_middle", "language": "en", "source_domain": "lunasolmedia.com", "date_download": "2023-03-20T10:46:29Z", "digest": "sha1:7FPDS7XEAWU2TNBDVREPHMNMRVUIIGQG"} | {"ccnet_length": [[0, 4661, 4661.0]], "ccnet_original_length": [[0, 4661, 10699.0]], "ccnet_nlines": [[0, 4661, 18.0]], "ccnet_original_nlines": [[0, 4661, 141.0]], "ccnet_language_score": [[0, 4661, 0.96]], "ccnet_perplexity": [[0, 4661, 250.5]], "ccnet_bucket": [[0, 4661, 0.0]], "rps_doc_curly_bracket": [[0, 4661, 0.0]], "rps_doc_ldnoobw_words": [[0, 4661, 0.0]], "rps_doc_lorem_ipsum": [[0, 4661, 0.0]], "rps_doc_stop_word_fraction": [[0, 4661, 0.45267959]], "rps_doc_ut1_blacklist": [[0, 4661, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4661, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 4661, 0.01421053]], "rps_doc_frac_chars_dupe_6grams": [[0, 4661, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 4661, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 4661, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 4661, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 4661, 0.03473684]], "rps_doc_frac_chars_top_3gram": [[0, 4661, 0.00789474]], "rps_doc_frac_chars_top_4gram": [[0, 4661, 0.00894737]], "rps_doc_frac_all_caps_words": [[0, 4661, 0.01938426]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 4661, 0.0]], "rps_doc_frac_no_alph_words": [[0, 4661, 0.12200684]], "rps_doc_frac_unique_words": [[0, 4661, 0.4308094]], "rps_doc_mean_word_length": [[0, 4661, 4.96083551]], "rps_doc_symbol_to_word_ratio": [[0, 4661, 0.0]], "rps_doc_unigram_entropy": [[0, 4661, 5.18926617]], "rps_doc_word_count": [[0, 4661, 766.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 63, 0.0], [63, 89, 0.0], [89, 601, 1.0], [601, 637, 0.0], [637, 1191, 1.0], [1191, 1402, 1.0], [1402, 1441, 0.0], [1441, 1865, 1.0], [1865, 2286, 1.0], [2286, 3034, 1.0], [3034, 3226, 1.0], [3226, 3242, 0.0], [3242, 3564, 1.0], [3564, 3741, 1.0], [3741, 3971, 1.0], [3971, 3988, 0.0], [3988, 4631, 1.0], [4631, 4661, 1.0]], "rps_lines_javascript_counts": [[0, 63, 0.0], [63, 89, 0.0], [89, 601, 0.0], [601, 637, 0.0], [637, 1191, 0.0], [1191, 1402, 0.0], [1402, 1441, 0.0], [1441, 1865, 0.0], [1865, 2286, 0.0], [2286, 3034, 0.0], [3034, 3226, 0.0], [3226, 3242, 0.0], [3242, 3564, 0.0], [3564, 3741, 0.0], [3741, 3971, 0.0], [3971, 3988, 0.0], [3988, 4631, 0.0], [4631, 4661, 0.0]], "rps_lines_num_words": [[0, 63, 12.0], [63, 89, 4.0], [89, 601, 94.0], [601, 637, 6.0], [637, 1191, 93.0], [1191, 1402, 32.0], [1402, 1441, 7.0], [1441, 1865, 64.0], [1865, 2286, 72.0], [2286, 3034, 119.0], [3034, 3226, 35.0], [3226, 3242, 3.0], [3242, 3564, 52.0], [3564, 3741, 30.0], [3741, 3971, 40.0], [3971, 3988, 3.0], [3988, 4631, 95.0], [4631, 4661, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 63, 0.0], [63, 89, 0.0], [89, 601, 0.04665314], [601, 637, 0.0], [637, 1191, 0.0], [1191, 1402, 0.0], [1402, 1441, 0.0], [1441, 1865, 0.0], [1865, 2286, 0.0], [2286, 3034, 0.0], [3034, 3226, 0.0], [3226, 3242, 0.0], [3242, 3564, 0.0], [3564, 3741, 0.0], [3741, 3971, 0.0], [3971, 3988, 0.0], [3988, 4631, 0.0], [4631, 4661, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 63, 0.0], [63, 89, 0.0], [89, 601, 0.0], [601, 637, 0.0], [637, 1191, 0.0], [1191, 1402, 0.0], [1402, 1441, 0.0], [1441, 1865, 0.0], [1865, 2286, 0.0], [2286, 3034, 0.0], [3034, 3226, 0.0], [3226, 3242, 0.0], [3242, 3564, 0.0], [3564, 3741, 0.0], [3741, 3971, 0.0], [3971, 3988, 0.0], [3988, 4631, 0.0], [4631, 4661, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 63, 0.11111111], [63, 89, 0.19230769], [89, 601, 0.0234375], [601, 637, 0.08333333], [637, 1191, 0.02166065], [1191, 1402, 0.00473934], [1402, 1441, 0.05128205], [1441, 1865, 0.01415094], [1865, 2286, 0.01662708], [2286, 3034, 0.01336898], [3034, 3226, 0.01041667], [3226, 3242, 0.0625], [3242, 3564, 0.00310559], [3564, 3741, 0.02824859], [3741, 3971, 0.00869565], [3971, 3988, 0.17647059], [3988, 4631, 0.05132193], [4631, 4661, 0.1]], "rps_doc_ml_palm_score": [[0, 4661, 0.03687799]], "rps_doc_ml_wikipedia_score": [[0, 4661, null]], "rps_doc_ml_wikiref_score": [[0, 4661, 0.01923609]], "rps_doc_books_importance": [[0, 4661, -180.93841638]], "rps_doc_openwebtext_importance": [[0, 4661, 42.19136904]], "rps_doc_wikipedia_importance": [[0, 4661, -155.58023864]], "rps_doc_num_sentences": [[0, 4661, 37.0]]} |
North Korean soldiers advanced to the south through the demilitarized zone
2nd August 2019 World 30275
The South Korean military detained a North Korean soldier who crossed the heavily fortified demilitarised zone that separates the two countries, according to the South’s joint chiefs of staff (JSC).
The soldier expressed his intention to defect to South Korea, the JSC said on Thursday.
The unidentified active-duty soldier was first detected by thermal imaging equipment moving south near the Imjin river late on Wednesday and South Korean troops took him into custody just before midnight.
Also on Wednesday the South Korean military recovered a body near the DMZ suspected to be that of a North Korean civilian, a spokesman for South Korea’s defence ministry said.
Clad in military-type pants and a belt, the body was found in the Imjin river and appeared to have been dead for at least two weeks, South Korea’s Yonhap news agency reported.
South Korea returned three North Koreans on Monday who had crossed the maritime border on a fishing vessel. Officials from the South said they thought the fishermen may have wanted to defect but the men chose to return to North Korea.
Hundreds of North Koreans make their way to South Korea each year hoping to defect but unauthorised crossings of the DMZ are rare. The zone is dotted with landmines, fences, guard posts and other military equipment on both sides of the border.
The last defection by a North Korean soldier across the DMZ was in November 2018. In November 2017 a North Korean soldier was shot multiple times by fellow soldiers as he fled across the border into South Korea where he was treated by doctors.
Another North Korean soldier crossed the border to defect a few weeks later in an incident that led to South Korean guards firing warning shots into North Korea.
North and South Korea agreed in 2018 to try to reduce tensions along their border by reducing the number of landmines and guard posts, disarming their guards at a truce village and imposing a no-fly zone. | 2023-14/0037/en_head.json.gz/13529 | {"url": "http://luxherald.com/0226-north-korean-soldiers-deployed-south-through-the-demilitarized-zone.html", "partition": "head_middle", "language": "en", "source_domain": "luxherald.com", "date_download": "2023-03-20T09:21:21Z", "digest": "sha1:766IYDAWHDDUAACNDSZAFVVVLUQK5OYA"} | {"ccnet_length": [[0, 2036, 2036.0]], "ccnet_original_length": [[0, 2036, 4139.0]], "ccnet_nlines": [[0, 2036, 12.0]], "ccnet_original_nlines": [[0, 2036, 70.0]], "ccnet_language_score": [[0, 2036, 0.97]], "ccnet_perplexity": [[0, 2036, 196.6]], "ccnet_bucket": [[0, 2036, 0.0]], "rps_doc_curly_bracket": [[0, 2036, 0.0]], "rps_doc_ldnoobw_words": [[0, 2036, 0.0]], "rps_doc_lorem_ipsum": [[0, 2036, 0.0]], "rps_doc_stop_word_fraction": [[0, 2036, 0.38522427]], "rps_doc_ut1_blacklist": [[0, 2036, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2036, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2036, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 2036, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2036, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2036, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2036, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2036, 0.03961585]], "rps_doc_frac_chars_top_3gram": [[0, 2036, 0.02881152]], "rps_doc_frac_chars_top_4gram": [[0, 2036, 0.03421369]], "rps_doc_frac_all_caps_words": [[0, 2036, 0.01319261]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2036, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2036, 0.08707124]], "rps_doc_frac_unique_words": [[0, 2036, 0.50724638]], "rps_doc_mean_word_length": [[0, 2036, 4.82898551]], "rps_doc_symbol_to_word_ratio": [[0, 2036, 0.0]], "rps_doc_unigram_entropy": [[0, 2036, 4.68046406]], "rps_doc_word_count": [[0, 2036, 345.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 75, 0.0], [75, 103, 0.0], [103, 302, 1.0], [302, 390, 1.0], [390, 595, 1.0], [595, 771, 1.0], [771, 947, 1.0], [947, 1182, 1.0], [1182, 1426, 1.0], [1426, 1670, 1.0], [1670, 1832, 1.0], [1832, 2036, 1.0]], "rps_lines_javascript_counts": [[0, 75, 0.0], [75, 103, 0.0], [103, 302, 0.0], [302, 390, 0.0], [390, 595, 0.0], [595, 771, 0.0], [771, 947, 0.0], [947, 1182, 0.0], [1182, 1426, 0.0], [1426, 1670, 0.0], [1670, 1832, 0.0], [1832, 2036, 0.0]], "rps_lines_num_words": [[0, 75, 11.0], [75, 103, 5.0], [103, 302, 30.0], [302, 390, 15.0], [390, 595, 31.0], [595, 771, 30.0], [771, 947, 32.0], [947, 1182, 41.0], [1182, 1426, 42.0], [1426, 1670, 44.0], [1670, 1832, 28.0], [1832, 2036, 36.0]], "rps_lines_numerical_chars_fraction": [[0, 75, 0.0], [75, 103, 0.37037037], [103, 302, 0.0], [302, 390, 0.0], [390, 595, 0.0], [595, 771, 0.0], [771, 947, 0.0], [947, 1182, 0.0], [1182, 1426, 0.0], [1426, 1670, 0.03319502], [1670, 1832, 0.0], [1832, 2036, 0.0199005]], "rps_lines_start_with_bulletpoint": [[0, 75, 0.0], [75, 103, 0.0], [103, 302, 0.0], [302, 390, 0.0], [390, 595, 0.0], [595, 771, 0.0], [771, 947, 0.0], [947, 1182, 0.0], [1182, 1426, 0.0], [1426, 1670, 0.0], [1670, 1832, 0.0], [1832, 2036, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 75, 0.02666667], [75, 103, 0.07142857], [103, 302, 0.04522613], [302, 390, 0.07954545], [390, 595, 0.02439024], [595, 771, 0.0625], [771, 947, 0.02840909], [947, 1182, 0.03829787], [1182, 1426, 0.03688525], [1426, 1670, 0.05327869], [1670, 1832, 0.04320988], [1832, 2036, 0.01470588]], "rps_doc_ml_palm_score": [[0, 2036, 0.84218657]], "rps_doc_ml_wikipedia_score": [[0, 2036, null]], "rps_doc_ml_wikiref_score": [[0, 2036, 0.28437972]], "rps_doc_books_importance": [[0, 2036, -44.15684075]], "rps_doc_openwebtext_importance": [[0, 2036, 41.05825082]], "rps_doc_wikipedia_importance": [[0, 2036, 40.35776471]], "rps_doc_num_sentences": [[0, 2036, 13.0]]} |
You are here: Home / Manga Reviews / Barrage Vols 1 and 2
Barrage Vols 1 and 2
March 3, 2013 by Anna N Leave a Comment
Barrage Vols 1 and 2 by Kouhei Horikoshi
Barrage is a bit of a rarity, a two volume complete shonen series. I tend to read less shonen than shoujo just because of my interests as a reader, but I also have a certain hesitation to commit to a long-running shonen series when there are so many shoujo series that I’m following. I think I enjoyed Barrage more just because at two volumes the story didn’t start to get spun out to the point where the manga overstayed its welcome.
Barrage is very loosely based on The Prince and the Pauper. Astro is a plucky slum kid in a futuristic world called Industria where the humans have completely been overrun by aliens, who function as a version of the mafia on the poor stressed planet. Astro has adopted other orphan kids and tries to hold down a job despite his difficult boss just so he can feed his adopted family. One day an arrogant prince named Barrage gets his attention called to Astro and proposes a switch in identities because the boys look so similar. A stray laser blast promptly sends the prince to his death, and a group of handlers take Astro to the palace. Astro agrees to serve as the prince, and he’s given help in the form of the Knight Tiamat, who is aces at fighting and incredibly frightened of women. Astro also demonstrates an uncanny ability to weild the weapon of the royal house, a bracelet called the Orgue which can transform into a powerful energy weapon based on the wielder’s intentions. The first volume mostly serves as set-up, as Astro takes his place in the palace despite his misgivings, and he learns that he has to travel from town to town to fight off the invading aliens. Astro’s motivation stems mainly from his desire to protect families in any form, and the stress that the aliens place on normal people trying to live their lives is almost unbearable to him. Tiamat is filled with exasperation at having to train a newly minted Prince imposter, but he also has some hope for the new state of affairs as Astro takes his responsibilities much more seriously than the previous prince.
The second volume settles in to more of an in-depth storyline as Astro and Tiamat head to a new town and meet Tiko, a young girl determined to avenge the death of her parents at the hands of the alien invaders. The art for Barrage is generally detailed and interesting, with plenty of variation in the aliens’ character designs. Barrage takes down a mountainous rock-like alien and one that looks a bit like a tadpole. Astro’s past is filled in a bit as he gears up to fight an alien who he previously knew in his life as an orphan. While by the end of the second volume I felt like there could have been at least one more volume of story, things were wrapped up nicely and I enjoyed being able to read a complete, short, shonen series. While there might not be anything super innovative about Barrage, it was fun to read and I thought that using the Prince and the Pauper as a set up made the basic story a bit more interesting that I would otherwise expect. | 2023-14/0037/en_head.json.gz/13530 | {"url": "http://mangareport.mangabookshelf.com/2013/03/03/barrage-vols-1-and-2/", "partition": "head_middle", "language": "en", "source_domain": "mangareport.mangabookshelf.com", "date_download": "2023-03-20T10:29:55Z", "digest": "sha1:DYIULIIGZMIPXJJPF4CZZM67D3RDYSFD"} | {"ccnet_length": [[0, 3147, 3147.0]], "ccnet_original_length": [[0, 3147, 6322.0]], "ccnet_nlines": [[0, 3147, 7.0]], "ccnet_original_nlines": [[0, 3147, 47.0]], "ccnet_language_score": [[0, 3147, 0.98]], "ccnet_perplexity": [[0, 3147, 339.4]], "ccnet_bucket": [[0, 3147, 0.0]], "rps_doc_curly_bracket": [[0, 3147, 0.0]], "rps_doc_ldnoobw_words": [[0, 3147, 0.0]], "rps_doc_lorem_ipsum": [[0, 3147, 0.0]], "rps_doc_stop_word_fraction": [[0, 3147, 0.47730829]], "rps_doc_ut1_blacklist": [[0, 3147, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3147, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3147, 0.03565769]], "rps_doc_frac_chars_dupe_6grams": [[0, 3147, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3147, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3147, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3147, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3147, 0.00990491]], "rps_doc_frac_chars_top_3gram": [[0, 3147, 0.01426307]], "rps_doc_frac_chars_top_4gram": [[0, 3147, 0.01782884]], "rps_doc_frac_all_caps_words": [[0, 3147, 0.0172144]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3147, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3147, 0.09233177]], "rps_doc_frac_unique_words": [[0, 3147, 0.49653979]], "rps_doc_mean_word_length": [[0, 3147, 4.36678201]], "rps_doc_symbol_to_word_ratio": [[0, 3147, 0.0]], "rps_doc_unigram_entropy": [[0, 3147, 5.10073438]], "rps_doc_word_count": [[0, 3147, 578.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 58, 0.0], [58, 79, 0.0], [79, 119, 0.0], [119, 160, 0.0], [160, 595, 1.0], [595, 2188, 1.0], [2188, 3147, 1.0]], "rps_lines_javascript_counts": [[0, 58, 0.0], [58, 79, 0.0], [79, 119, 0.0], [119, 160, 0.0], [160, 595, 0.0], [595, 2188, 0.0], [2188, 3147, 0.0]], "rps_lines_num_words": [[0, 58, 11.0], [58, 79, 5.0], [79, 119, 9.0], [119, 160, 8.0], [160, 595, 81.0], [595, 2188, 283.0], [2188, 3147, 181.0]], "rps_lines_numerical_chars_fraction": [[0, 58, 0.03846154], [58, 79, 0.1], [79, 119, 0.13157895], [119, 160, 0.05], [160, 595, 0.0], [595, 2188, 0.0], [2188, 3147, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 58, 0.0], [58, 79, 0.0], [79, 119, 0.0], [119, 160, 0.0], [160, 595, 0.0], [595, 2188, 0.0], [2188, 3147, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 58, 0.10344828], [58, 79, 0.0952381], [79, 119, 0.125], [119, 160, 0.09756098], [160, 595, 0.01609195], [595, 2188, 0.01443817], [2188, 3147, 0.0177268]], "rps_doc_ml_palm_score": [[0, 3147, 0.53316242]], "rps_doc_ml_wikipedia_score": [[0, 3147, null]], "rps_doc_ml_wikiref_score": [[0, 3147, 0.73887283]], "rps_doc_books_importance": [[0, 3147, -7.78327524]], "rps_doc_openwebtext_importance": [[0, 3147, 69.97328633]], "rps_doc_wikipedia_importance": [[0, 3147, -65.34198798]], "rps_doc_num_sentences": [[0, 3147, 19.0]]} |
8 Productivity Hacks for Entrepreneurs
Posted by Wayne in Success, Time Management
Do you often reach the end of the month only to find yourself wondering why you weren’t able to accomplish more? Do find yourself committing to make next month better?
Have you realized your biggest challenge isn’t lack of time management skills, but a lack of self-management skills? The next month is going to pass regardless. It won’t matter if you have every second of your day scheduled or none of your day scheduled; when the first of next month rolls around – the previous month is over.
Co-founder of the amazing Zingerman’s Community of Businesses, Ari Weinzweig, said, “I believe the hardest work that we can undertake is the work that no one else sees and that no one can do for us. It’s the lifelong challenge to manage ourselves effectively.”
You see, the biggest challenge we face in life is learning to effectively manage ourselves. We know what we should be doing more and the things we should be doing less…and yet we don’t change. Why is that? I believe the following sums it up nicely.
“We live in a world where things are backwards. Things people should be doing, they hesitate to do. Things they shouldn’t do, they rush into.” – Tai Lopez, Financial Planner, Entrepreneur, Investor
How can you reverse this trend? How can you start doing more of the things you should be doing and less of the things you shouldn’t?
Well the secret is – there’s no secret.
Managing ourselves is about doing the little things no one else sees. It is about taking action despite our feelings. I certainly didn’t feel like getting out of bed this morning when my alarm sounded at 5:00 AM.
It’s about taking action in spite of our excuses. There’s always a great excuse to the easy road.
So, in order to make this month your most productive and fulfilling month ever, it is time to change your approach. Here are eight productivity hacks for entrepreneurs.
1) Set Clear Objectives
Thirty days from today, what do you want to have accomplished? Do you want to lose five pounds? Do you want write 10,000 words? Do you want to meet someone? Do you want to increase your income?
Make a list of everything you are planning to achieve over the next 30 days.
2) Measure Everything
Convert each objective on your list that is measurable. For example, don’t simply say, “I want to increase my income.” Instead write it down in a measurable format like this, “I want to increase my income by $500.”
3) Identify Habits
“We become what we repeatedly do.” – Sean Covey, Author and Vice President FranklinCovey
What habits do you currently have that hinder you from accomplishing your objectives? (Make a list.) Maybe you need to break the habit of staying up until midnight, so you can get up earlier to start your day.
“The individual who wants to reach the top in business must appreciate the might and force of habit. He must be quick to break those habits that can break him – and hasten to adopt those practices that will become the habits that help him achieve the success he desires.” – J. Paul Getty, Founder Getty Oil
4) Use Accountability
From the time we are born, accountability is part of our lives. Our parents held us accountable to their rules. Our teachers held us accountable for our homework and class attendance. When you get a job, your boss or manager holds you accountable for showing up each day and delivering results.
For the most part, we’ve all been conditioned to work best when there is some form of outside accountability. Despite all of this conditioning, when it comes to the most important aspect, our personal lives, we have virtually no accountability.
Who can you find to hold you accountable for your personal goals and objectives? It must be someone who can and will be brutally honest with you. Someone who will call you out when you make excuses.
If no one comes immediately to mind for you, you might consider using an app like Coach.Me. This app is designed to provide outside accountability and positive peer pressure for individuals just like us.
5) Set a Schedule
When will you find time to work on your objectives? I don’t need to tell you how busy life can be…I’m sure you’re living it each day. The question for many becomes, “When will I find the time to incorporate these new habits?” Well truthfully, you may not like my answer; but you have to make the time.
For me, I wanted to develop the habit of writing each day, but between balancing growing two companies and a wife and four young children, I didn’t have much extra time in my day. I decided to get up each morning at 5:00 AM and write for an hour. Want to know something…
I HATED IT!
I am not a morning person. And most mornings, even after six months of waking up at 5 AM, I rarely feel like getting up. But I know if I’m going to write each day, then 5:00 AM provides the best chance for me to accomplish this objective.
I’ve found the old sage advice to be true, “Do the most important things first thing in the morning.”
When will you make time for each of your new habits? If you don’t assign specific times for each, you’re setting yourself up for failure.
6) Be a Stickler
“There is a difference between interest and commitment. When you’re interested in doing something, you do it only when it’s convenient. When you’re committed to something, you accept no excuses, only results.” Ken Blanchard, Author and Management Expert
There are two critical mistakes to avoid when establishing and sticking to a new habit:
a) First, don’t allow excuses or exceptions. Last night was rough for me, I woke up several times and felt like I tossed and turned the rest of the night. When my alarm sounded at 5:00 this morning, my brain was telling me every reason in the world to stay in bed.
There are always…ALWAYS going to be excuses. If you allow excuses, you are allowing your objectives not to be reached.
“You won’t like it at first. You may even hate it. But be proactive. Do it anyway. Even if it’s raining on the morning you’re scheduled to jog, do it anyway. ‘Oh good! It’s raining! I get to develop my willpower as well as my body.’“ – Stephen Covey
b) Second, you have to establish stop times for everything. Whether it is an objective you want to achieve or a task you are working on, without an end time, you’ll spend far more time than necessary.
Parkinson’s Law states, “work expands so as to fill the time available for its completion.” You will find this to be true even for the smallest, most meaningless tasks.
To make this month your most productive and meaningful ever, you’ll need to be a stickler for your schedule. You’ll need to ensure that all your working time is effectively scheduled.
7) Review and Measure Regularly
Over the next month, if you don’t do anything except take daily measurements, chances are good you’ll improve in all of the areas you are measuring.
Management guru Peter Drucker said, “What is measured improves.”
I’ve personally seen this validated in virtually every area of my life. I have always struggled with finding time to exercise. Not that I didn’t have time, but simply that exercising wasn’t a big priority for me.
The way I overcame this was to begin tracking how much exercise I did daily. My initial objective was four days each week. This simple daily practice of measurement and review ended the struggle for me. My tracking sheet doesn’t lie. If I don’t workout, then there’s a gap on my tracking sheet and I don’t like gaps.
You will want to schedule set times each day when you are going to review and measure.
Tip: Goal Streaks is a simple to use, yet extremely powerful app that helps you continually review and track the progress you’re making toward your objectives.
8) Show Gratitude
As you begin this journey to your most productive month ever, know it is going to be a challenge. There will be many things which happen that could derail you from your success.
Entrepreneur Jon Huntsman once said, “Life is difficult and success even more so, but anything worth doing must be challenging.”
In his book Flourish: A Visionary New Understanding of Happiness and Well-Being, Martin Seligman offers a simple, yet scientifically validated method for shifting our focus from all the negatives and challenges to the positives.
“We think too much about what goes wrong and not enough about what goes right in our lives. Of course, sometimes it makes sense to analyze bad events so we can learn from them and avoid them in the future. However, people tend to spend more time thinking about what is bad in life than is helpful. Worse, this focus on negative events sets us up for anxiety and depression. One way to keep this from happening is to get better at thinking about and savoring what went well.
Every night for the next week, set aside ten minutes before you go to sleep. Write down three things that went well today and why they did. You may use a journal or your computer to write about the events, but it is important you have a physical record of what you wrote. The three things need not be earthshaking, (“My husband picked up my favorite ice cream for dessert on the way home from work today.”), but they can be important (“My sister just gave birth to a healthy baby boy.”).
Beside each positive event, answer the question, “Why did this happen?” For example, if you wrote that your husband picked up ice cream, write “because my husband is really thoughtful sometimes” or “because I remembered to call him and remind him to stop by the grocery store.” Or if you wrote, “My sister just gave birth to a healthy baby boy,” you might write because “she did everything right during her pregnancy.”
Writing about why the positive events in your life occurred may seem awkward at first, but please stick with it for one week. It will get easier.”
At the end of the month – you will have spent another month of your life – why not make it your most productive and fulfilling month ever? Follow these eight simple (but not easy) steps and I’m confident that you will see a significant increase in not only your productivity, but also in your fulfillment. Let me know how it goes.
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Van Gogh’s Art, Gogen’s Influence and Mental Illness
Topic: Mental Illness Words: 8399 Pages: 31 Oct 9th, 2020
Vincent Van Gogh made a significant influence on the art of the 20th century. This researcher has also been influenced by Van Gogh and wanted to learn more about him. A historical study began to explore Van Gogh’s depression and his artistic production throughout his close relationship with Gauguin, another artist of his time. Vincent Van Gogh had a miserable childhood and was described as unstable with emotional problems.
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It was the time between the 1860s and 1880s that he was most productive, and finally decided to become an artist after he had seen and experienced much in life. In describing the mutual friendship and artistic relationship between Vincent and Gauguin, it will be noted that Gauguin greatly admired Gogh’s paintings. Later, they became close to each other for they could relate their shared desire to give a new form to their imaginations as artists struggling to earn a name in the highly confounding impressionist art form. After many cooperative efforts by both artists, problems soon arose due to basic differences in their personalities.
It is possible that the stress of this relationship caused an increase in Vincent’s mental disorders. Throughout this thesis, the researcher will review Vincent Van Gogh’s talent. The question of the influence on the work of his relationship with Gauguin and possible mental illness will be investigated and discussed. Even though the themes of his work were sometimes somber, Vincent Van Gogh’s paintings reflected hope and happiness. The research method adopted in this thesis follows a historical framework.
Child Vincent Van Gogh.
Figure 1 is a photograph of Vincent Van Gogh as a child Vincent Van Gogh was born in Groot-Zundert, the Netherlands, on March 30, 1853. The works of this well-known Dutch painter are notable for the emotion, beauty, and color that influenced 20th-century art. However, it is believed that he suffered from several mental illnesses (Naifeh & Smith, 2011). He did not attain notoriety until after his death and thus remained poor throughout his life.
He died in France on July 29th, 1853, at the age of 37. The cause of his death was a self-inflicted gunshot wound. As a saying goes, “morning shows the day”, which means if the beginning is good, then the result will also be good, so it was with Vincent Van Gogh ‘s talent. He drew early as a child and ended up as a famous artist, after struggles with mental illness, which may have caused his death (Naifeh & Smith, 2011).
Although Vincent Van Gogh died young, he was a prolific painter, and his life of probable mental illness and unsuccessful relationships is of interest to this writer, who is studying to become an art therapist. Vincent Van Gogh’s two strongest relationships seem to have been with his brother, Theo, and Paul Gauguin, a contemporary artist. Van Gogh and Gauguin are known as two of the most influential artists of their era. They learned a lot from each other even though their collaboration was not long. Later, there was some competition and friction between them. They differed in views. Where Gauguin supported abstract art, Vincent Van Gogh supported the reality of the world. Their collaboration ended dramatically around Christmas Eve, 1888, followed by a series of violent incidents (Greenberg & Jordan, 2001)
Life of Vincent Van Gogh (1853-1889)
Figure 2 is the map of the region of the Netherlands where Van Gogh grew up.
Vincent Willem Van Gogh, usually known as Van Gogh, was born in Groot-Zundert, Holland, on March 30, 1853. Vincent seems to have been affected mentally by the fact that his father was a pastor, making him a mostly unstable child with emotional problems. During his childhood, he was
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perceived as a reticent child and while he attended the Zundert village school, he was taught by a Catholic tutor along with 200 other students. After that, he was home tutored with his sister for a while before he joined the Jan Provily’s boarding school at Zevenbergen. Though he resented leaving the pleasant ambiance of home, it was only when he went to a new middle school, Willem II College in Tilburg, that he encountered Huysmans, a renowned artist from Paris who later helped him to cultivate an interest in art (Naifeh & Smith, 2011).
Huysmans helped Vincent Van Gogh understand the nuances of painting and helped him grasp the concepts by having a concise and structured perception towards art. It was clear that since his childhood, Vincent Van Gogh had an early inclination towards painting and he eventually created 2100 artworks comprised of oil paintings, watercolors, art, sketches, and self-portraits which vouch for his talent. As mentioned in the book “The letters of Vincent Van Gogh” (Van Gogh & Leeuw, 1997), Vincent Van Gogh himself reflected on his abrupt withdrawal from school, as he wrote to his older brother Theo that “My youth was gloomy and cold and sterile” (Naifeh & Smith, 2011, p. 42).
During the time between 1860 and 1880 when Van Gogh finally decided to become an artist, he had already seen much in life. His experiences included two failed romantic relationships and stints at odd jobs like that were mostly unsuccessful such as becoming a clerk in a bookstore. He tried working as an art salesman, and even as a preacher in Belgium in 1869; there he was not given much regard because of his bizarre behavior (Stein, 1986) which included episodes of depression and acting out behaviors.
Van Gogh is thought to have suffered from a combination of physical and mental disorders. One of them was Bipolar disorder formerly referred to as manic depression. Besides, Van Gogh experienced seizures that were caused by temporal lobe epilepsy, according to his doctors. His manic personality is thought to be the source of his extreme enthusiasm for religion and art. Moreover, it is recognized as the cause of his incredibly fast art production. His massive collection of over 800 letters was attributed to a condition called Hypergraphia, a disorder linked to mania and epilepsy, where a person needlessly writes continuously (Naifeh & Smith, 2011).
Van Gogh’s mind was occupied by beauty while he practiced painting in Belgium. His works are subtle and filled with light. A good example is the painting called “The Potato Eaters” which was created in 1885 and brought much recognition to the artist. Van Gogh was influenced by the style of Rubens and the Japanese still life which he traveled to see in Antwerp (Naifeh & Smith, 2011).
Naifeh and Smith (2011) reveal the changes in the life of Van Gogh after he started to develop his impressionist style and re-invent the dimensions of art Vincent Van Gogh’s paintings and his talent made him immortal. Even though he was somber, his paintings reflected hope and happiness (Naifeh & Smith, 2011). The greatest achievement of the genius that Vincent Van Gogh was that his art was ahead of its time. Even when it was ridiculed, it rendered a new definition of painting and gave him an iconic status much later (Naifeh & Smith, 2011).
Relationship with his brother
Figure 3 is a photograph of Theo Van Gogh.
Vincent Van Gogh was extremely close to his brother Theo, whom he believed to be his confidante. In 1886 Vincent moved to Paris where he lived with Theo who was the manager of Goupil’s gallery. Theo tried to understand the deep-seated melancholy that possessed Vincent which was revealed in the book of their letters to each other, Dear Theo: The Autobiography of Vincent Van Gogh (Van Gogh & Stone, 1995). In these letters to his brother, Vincent disclosed the pain and inner conflicts that affected him throughout his life. In the book, it is explained how Theo was so close to Vincent Van Gogh that Theo himself died soon after Vincent. Van Gogh’s last words were directed for his brother, as he said “The sadness will last forever” (Van Gogh, 2003, p. 1154).
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Relationship with Paul Gauguin
Figure 4 is a photograph of Paul Gauguin Vincent Van Gogh was highly influenced by Gauguin. Paul Gauguin had been very impressed by Vincent Van Gogh ’s exceptional talent when he first came upon Vincent’s work (Naifeh & Smith, 2011). The story of how their friendship developed is very interesting.
Paul Gauguin.
They met when they were both living in Paris. Gauguin was struck by one painting in an exhibition, Van Gogh’s Two Sunflowers, which is a beautiful blend of colors and techniques and an example of Impressionist painting. This painting was the beginning of Vincent’s encounters with nature. A closer look at it will reveal the impact of Gaugin and other Impressionists of the time such as Monet – the colors and the blurry and flowing nature of the objects, the bright light, and very short brush strokes.
It is visible hos strongly the artist was influenced by his outstanding contemporaries. Not only his style but the subjects were adapted from the works of the Impressionists – flowers, well-lit sceneries, still lives. He also painted things he loved both for their natural beauty and their symbolic significance (Naifeh & Smith, 2011).
Gauguin loved Vincent Van Gogh’s sunflower painting and Gauguin bartered for this with his best work By the Shore of the Lake, painted in Martinique which vouched for his adoration for the work (Jansen & Van Gogh, 2007). These men developed a friendship and were close to each other for they could relate to their inexplicable desire to give a new form to their imaginations as artists and also as people struggling to earn a name in the highly confounding Impressionist art form (de Leeuw, 2006). Van Gogh and Gauguin even found an art school together but it did not work out as expected.
After Gauguin and Van Gogh agreed to work together, they traveled to the south of France, and bought the yellow house in Arles in early 1888, in the Provence section of France, and began working on the house (Naifeh & Smith, 2011). They both visited the home of Jean Courbet, a leading painter of that time, who also lived in Provence, to view his work which they admired deeply (Naifeh & Smith, 2011).
Soon, problems arose between the two due to differences like their personalities (Naifeh & Smith, 2011). Gauguin was very dominating and planned to leave Van Gogh. This was very stressful for Van Gogh and may have been the cause of the many mental problems he suffered during the rest of his life. For instance, the well-known incident where Van Gogh used a razor to mutilate his ear in December 1888 can be considered as an act of self-harm caused by emotional overwhelming. Such behaviors are common for people with bipolar disorder. Physically, he recovered speedily and was taken home, but still suffered from hallucinations of being poisoned, and had other symptoms of mental illness (Greenberg & Jordan, 2001).
Later in 1889, Van Gogh committed himself to a mental asylum in St. Remy and ended his friendship with Gauguin. He did many paintings in St Remy such as Olive Trees against a slope of the hill, corner in the garden of the hospital, Starry Night, Old Man in Sorrow, and Road with Cypress and Star. He left the asylum in 1890 and moved to Auvers-Sur-Oise to continue his treatment. These were the last days of his life. He suffered from hallucinations for many months although he had some clear times which he used to draw and work (Greenberg & Jordan, 2001)
It was on the unfortunate day of 27 July 1890 that Van Gogh committed suicide by shooting himself in his chest; he died the following day after his wound became infected. It is believed that his mental anxiety and extreme seclusion from the world might account for his demise (Gayford, 2006).
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Van Gogh’s life was very short – he died at 37 years old, after creating more than 900 paintings and 1000 other works of art. Van Gogh managed to sell only one painting (“The Red Vineyard”) throughout his career. He earned 400 Francs for it just a few months before his death. However, his art and style were admired after his death and are still considered among the great works of art. Van Gogh’s paintings now cost millions of dollars. Van Gogh’s most striking works were created in less than three years but his style was individual and inimitable and that made him stand out as a genius. His paintings were exhibited in Paris and Brussels. This way, Van Gogh’s art begun to gain the recognition and attention of art connoisseurs and critics only after the artist had passed away (Stolwijk & Thomson, 1999).
Figure 5 is a timeline showing the important events during Vincent Van Gogh’s life along with important events that were happening in the world at the same time
Figure 5. Timeline of Vincent Van Gogh’s life.
It is believed to be important to describe the background of what was happening in the world, and in the artistic community, especially in France, during the period when Van Gogh was alive and living and working in France and other parts of Europe. The three most important world history events were the French Revolution, the American Civil War, and the Franco-Prussian war in Europe.
1848 French Revolution
Soon before the birth of Van Gogh, civil war broke out in Europe, specifically the French Revolution which had an impact on everyone’s lives. The French Revolution is also commonly called the February Revolution and lasted from 23rd February until 2nd December 1848. The civil war was an uprising that had grown in the minds of the men of Europe so they could overcome the monarchy and rule their own lives.
This was mainly due to dissatisfaction with the political scenario, the desire for freedom of the press, and the need for the people to look after and participate in the law-making and government policies. These civil uprisings broke out through Europe and we’re not always successful, but in France, it led to a new and free country. The rule of Louis-Phillippe was put to an end and thus was born the French Second Republic which was led by Louis Napoleon (Tocqueville, 1986).
1861 American Civil War
In 1861, eleven states in the United States wanted to secede from the union of states and form their own confederate American country. The United States government did not want them to secede. The Civil War began and continued for four years. No foreign countries came to help the eleven states of the confederacy.
Although the war took place in the United States in North America, the events in America influenced life in Europe since the union decided to blockade the Confederate seaports which supplied cotton and other material into Europe. As the war progressed and more territory fell into the power of Union, the blockade became an international issue. Although the eleven seceding states tried to form their own country, the power of the Union was too strong and the United States remained as one nation (Keegan, 2010).
Franco-Prussian War (1870-1871)
Soon after the American Civil War, France lost an important war to Prussia against Germany. The main cause of this war was the unification of Germany. Prussia was grasping power in the southern provinces of Germany and France wanted compensation in Belgium to maintain the balance of power in Europe. The French army had a handful of people against a large number of people in Prussia. The war lasted a long time and had a series of battles. The influence of the French empire ended and unified Germany was formed which created a balance of power in Europe and the formation of the French Third Republic (Howard, 2001).
Influence of the Political Scenario on Van Gogh
Growing up in the conditions of ongoing political conflicts Van Gogh was under constant pressure. First of all, in the times of economic instability the families start to push their children into careers they deem the best, the safest, and the most profitable. Van Gogh started to be disconnected from his family at a very young age due to his failure to perform successfully in the career fields they chose for him such as teaching, religion, and sales (Butterfield, 2011).
Economic instability led to the growth of the gap between the rich and the poor in Europe. Working as a missionary, Van Gogh often engaged in communication with the poorest population and happened to adopt their worldview starting to believe that religion was irrelevant to reality (Butterfield, 2011). Van Gogh’s sympathy towards the lower class people (peasants, miners, prostitutes) resulted in conflicts with his family but made a positive impact on his art. The art of Impressionism that affected Van Gogh’s style so much derived from the dire historical environments as an opposition to the depressive reality with the help of non-sentimental themes, bright light, and cheerful colors.
Influence of other artists
During his time in Paris in 1886, Van Gogh happened to meet many outstanding artists such as Cormon, Cezanne, Pissarro, Monet, and Gauguin, from whom he learned various art techniques making slight changes in his style and adapting to the world of the Impressionists (Naifeh & Smith, 2011).
Paul Cezanne (1839-1906)
Paul Cezanne’s work laid the foundation for Post-Impressionist painting in France. Paul Cezanne met Van Gogh in 1873. Cezanne’s work initially was disliked by the public and a lot of fellow painters because he was influenced by Pissarro’s Impressionist style. Nevertheless, Paul Cezanne is considered one of the greatest revolutionary artists of the late 19th and early 20th centuries. He worked with thick layers of pastel and simple shapes (Van Gogh & Powell, 2003).
Henri De Toulouse Lautrec (1864- 1901)
When Van Gogh moved in with his brother Theo in Paris in March 1886 he met Henri de Toulouse Lautrec in Cormon’s studio where Lautrec drew Van Gogh’s painting in pastel. Lautrec was born in 1864 at Albi. He was a very famous draftsman who liked to work on cardboard. He created 737 canvases, 275 watercolors, 363 prints and posters, 5,084 drawings some ceramic and stained glass work in 20 years. Lautrec and Van Gogh later met again at Julien Pere Tanguy’s paint store to view Paul Cezanne’s painting.
Cezanne and Van Gogh worked together for two years. Cezanne’s impact is visible in Van Gogh’s still lives and fruit paintings, the two painters share similar vague impressionistic oils with hesitant edges and flickering colors. Besides, Van Gogh had a lot in common with Lautrec – they both were deeply moved by the Japanese of art with its thin and curvy lines, and complex figures. However the brief friendship between these artists dissolved fast and Lautrec didn’t hear from Van Gogh after that (Van Gogh & Powell, 2003).
Edouard Manet (1832-1883) and Henri Matisse (1869- 1954)
It was in Paris where Van Gogh met many other French painters like Henri Matisse and Edouard Manet. These artists drew and painted many floral still lives, which influenced Van Gogh. Edouard Manet’s work showed a connection between realism and post-impressionism. As the Prussian war approached, Manet joined the army and moved his family away from Paris. Manet died early in 1883.
Henri Matisse was born in a middle-class family and wanted to study law. He and Van Gogh used the same technique of painting. They also both used the bright yellow color, and other bold, vivid colors to make a lot of floral paintings. Matisse was interested in post-impressionism and studied the works of Van Gogh and Paul Cezanne (Spurling, 1998).
Pierre-Auguste Renoir (1841- 1919)
Renoir was a leading painter in post-impressionism and his basic subject of study became the female. He was inspired by dark colors and was in close acquaintance with Claude Monet who had similar reflection. Renoir had a series of best 181 paintings that have been reproduced often (Krell & Manet, 1996).
Jean Gustave Courbet (1819- 1877)
In October of 1888, Gauguin and Van Gogh agreed to work together and decorate the yellow house when they arrived in Arles. During this time they both visited the work of Jean Courbet, a leading painter of that time, and viewed it seriously. The work of Jean Courbet was very highly appreciated by Van Gogh and Henri De Toulouse Lautrec. Courbet was a painter by birth and drew from quite an early age, using his sisters as subjects. He painted landscapes, still lives, and sea scopes and social issues. Courbet was a leading reformer being appreciated by other fellow workers. (Van Gogh & Powell, 2003; Poulet & Arts, 1979).
As a concept, depression is divided into a common feeling such as “blues” or “sadness” and clinical depression that requires medical treatment and the help of a professional. Depression, just like all other psychological and mental disorders is recognized as a clinical issue when it starts to make a serious negative impact on the everyday life of an affected individual (National Institute of Health, 2013).
The scientists still argue whether depressions are inflicted from within or from without. Overall, the nature of depression is not understood entirely and it considered multi-factorial. Some experts state that depression occurs due to the genetic factors, others maintain that it develops because of the external factors (Raynor, 2013). The theory that depressions may run in families comes from the perspective that if a child tends to witness a parent suffering from depression, they become likely to develop a depression of their own over time.
As for the environmental causes of depression, they are numerous. For instance, depressions may appear because of sudden changes in one’s living conditions or habitual environments. Besides, shocking stressful situations (both prolonged and short) may also cause depressions, especially if they occur at a tender age (childhood or teenage). Other traumatizing events are conflicts and losses, lack of stable support from the close ones, other personal problems, alcohol, and substance abuse (Raynor, 2013).
Van Gogh’s Mental Illness: Was it Depression?
Van Gogh suffered from some severe active mental disorders which are now thought to have been periods of depression which led him to risky behaviors such as smoking, drinking, trying to cut off his ear, and finally suicide. Such examples of depression along with the dynamic stages of over- an enthusiasm he showed frequently as an artist are now considered mostly to have been bipolar disorder (Bush, 2014). Various incidents demonstrate Vincent Van Gogh’s depression:
Figure 6. Ear .
On 23rd December 1888, Van Gogh tried to cut off his ear after running to Gauguin with a razor after Van Gogh had been informed of Gauguin’s decision to leave. This act of mutilation was thought to be mostly due to the depression he suffered at night and he even tried to give his ear to a prostitute, with whom might he have had a relationship. Van Gogh was later found by local police almost bleeding to death (Heenk, 2013).
In February 1889, the residents of Arles complained to the authorities that Van Gogh should be placed in an asylum on account of his mental conditions and the depression he was suffering. As a result, Gogh was locked up without books, paintings, or even his pipe.
Later in May of the same year, Van Gogh turned himself into the asylum at Remy and was allowed to paint. This activity decreased his hallucinations and paranoid behavior. This might be is the first historical example of art therapy (Bush, 2014).
Other indicators that he might have had bipolar disorder can be seen if we carefully examine Vincent Van Gogh’s life history where it can be easily noted that Vincent Van Gogh’s life was separated into different periods. The first period was the one in which he showed great enthusiasm and excitement towards his religion. He flourished in his art and did a wide range of paintings, whereas the later periods were sad, depressing, and exhausting for him. Later, he dedicated most of his time to smoking and drinking which finally lead to extreme depression and his suicide. Thus the understanding of bipolar disorder or maniac depressive disorder can provide a great source of understanding about Vincent Van Gogh’s life (Hulsker & Miller, 1990).
Other possible causes of mental and physical illness
Temporal Lobe Epilepsy
Epilepsy was a common disease during Vincent Van Gogh’s lifetime. Vincent Van Gogh himself thought that he might be suffering from epilepsy. Dr. Felix Rey and Dr. Peyron supported this diagnosis. Van Gogh was diagnosed with a brain lesion. His doctors believed this, as well as his epileptic condition, was caused by his alcohol abuse. Dr. Gachet, one of Van Gogh’s physicians, treated his illnesses using digitalis that is known to make people see yellow spots. This explains why Van Gogh described yellow as his favorite color (Ford, 2014).
Thujone poisoning
To cope with the painful outcomes of epilepsy and depression, Van Gogh developed a habit to drink absinthe, a drink that was cheap and rather toxic. Thujone is present in Absinthe which might have increased Vincent Van Gogh’s mental illness, depression, anxiety, and his epilepsy. Many physicians even argue that Thujone also causes one to see things in yellow (Tralbaut, 1969).
Vincent Van Gogh did most of his paintings outdoors and so had severe sun exposure. Such intense amounts of sun can do great damage to the brain and could have caused Vincent Van Gogh to also have many stomach problems (Tralbaut, 1969).
Hypergraphia
Hypergraphia is the condition in which one tends to write continuously. This can be very easily be seen in the 800 letters written by Vincent Van Gogh to his brother in a brief period of 20 years (Meekeren, 2003).
Van Gogh’s paints he used to create his art contained small doses of lead, and the painter had a habit to nibble on the chips of paint. He had many of the symptoms typical of lead poisoning such as anemia, stomatitis, and abdominal pain as well as signs of radial neuropathy. He even tried to commit suicide by drinking his paints. Van Gogh’s painting called The Starry Night demonstrates one of the distinct symptoms of lead poisoning – seeing the objects in circles or halos (Meekeren, 2003).
The conclusion to Literature Review
Vincent Van Gogh became a painter When he reached the age of 28, He was the oldest son of a Protestant minister. Van Gogh’s first job was as a gallery salesman in 1875 but he was not happy. He was moody with customers and two months later he quit the job. In 1886 he moved to Paris to live with his brother and happened to meet the well-known artists such as Henri de Toulouse-Lautrec and Paul Gauguin.
In 1888, Van Gogh traveled to the South of France, along with Gauguin. The two could not live together harmoniously. Vincent Van Gogh tried to kill his friend Gauguin, and then he cut off a part of his ear. The artist decided to admit himself to the asylum at Saint-Remy in 1889. He was insane and lonely; his rejection by Gauguin led to periods of depression. On the 27th of July, 1890, he attempted suicide and died in two days. However, during his short lifetime, he completed over six hundred canvases, thousand drawings, and watercolors.
In the second part of the thesis, I will analyze some of Van Gogh’s paintings and describe how they might illustrate different aspects of his mental illness. I will also describe how Van Gogh’s friendship with Gauguin was related to his art as well as his mental illness.
To understand particular processes and consider objects or concepts one is to maintain research. Of course, it should be based on authoritative information and proved with the help of a decent examination. Quantitative and qualitative research methods can be used to provide one with needed findings. The historical method is remarkable as it can include the collection of the variables that refer to both of them. The method can help to gain information about the origins, evaluate different theories dealing with the development or deepen in the life of well-known people.
The historical method of research is the one that includes the process of investigating the events that took place in the past and things that refer to it. These are not only significant dates and occasions that are of interest. The historical method is aimed at the explanation and interpretation of the peculiarities and personalities. It is an attempt to recapture what has happened some time ago. As a rule, this method is chosen when one wants to research the development of ideas or technologies, remarkable people or changes in society, etc.
When one deals with the historical method, he/she refers to the comparison. Within a particular period, various subjects can be collated with each other or the stages of the development of one subject. For example, it is possible to compare in what way the works of two artists altered due to the revolution or just to see and assess what has happened to one of them. The historical method is the main one in such kind of researches. It includes different techniques that the researchers use to gain information. With its help, people can not only enhance their knowledge of previous events but also predict future ones (Sreedharan, 2007).
Both primary and secondary sources can be used to conduct historical research. Thus, it can be based on the information taken from original documents, remains periodicals and textbooks.
To conduct the research using the historical method one is to remember about the stages that are to be followed.
Identify the phenomenon of the study. Of course, the subject of the research is to be current and interesting for the person who maintains it. To understand what is better to choose one can get background information based on secondary sources. Then a particular time, person, or concept can be easily selected.
Develop a hypothesis or questions to conduct the research. This stage is to help the researcher to concentrate on the topic and stick to it. All information will be collected taking into account what is to be examined or proved. Thus, the hypothesis or questions create some framework.
Gain the information relevant to the topic. It is the most time- and labor-consuming stage. One needs to collect all possible data that can help to consider the subject. Some changes may be made in the hypothesis or research questions to improve them.
Evaluate and analyze the data. The researcher describes the subject, provides the information about it, and points out what information misses and why. One accepts or rejects the hypothesis that was previously made or answers the questions. During this stage, conclusions are also made.
Perform the findings and interpret them. It is the last stage that is aimed at the support of the conclusions. The researcher presents the results and explains them. Here he/she also points out what is to be investigated deeper (Given, 2008).
In my research, I will analyze the painting so several clusters of data will be investigated. Art analysis includes information about the artist, date, location, influence on the works, and one’s techniques. All the mentioned topics will be evaluated and supported by authoritative information.
First of all, I will concentrate on the artist’s personality. I will search for the data relating to the life of Vincent Van Gogh and describe his life. Important events will be highlighted and considered as the steps of his development as a person and painter.
Then I will concentrate on the period when he lived and the location. It will be a kind of historical background that will show the realities of life, their influence, and the peculiarities of art. I will consider how the wars and revolutions changed people’s interests in the art perspective.
To explain the way Vincent Van Gogh’s works were developing, I will include the information about other artists and explain how they influenced him, in what way they altered his paintings. I will distinguish the master’s techniques, investigate the way they changed, and compare them with the techniques of other artists.
I will compare the works of Vincent Van Gogh and Eugène Henri Paul Gauguin trying to find out a range of common and different things in their paintings. I will distinguish the themes they preferred and the reasons they chose them. I will also pay attention to such things as colors, brushwork, manners, etc.
I believe that in my study the historical method can be used, as it deals with the development of a person as an artist. It needs to consider the events and things over a long period. Moreover, the comparison of the development of the two artists will be provided. Such aims are usually achieved with the help of historical method, and my research is not an exception.
Worn out analyze
Vincent Willem van Gogh (1853-1890) was one of the most conspicuous painters of the 19th century. However, he was not recognized at the time (Butterfield, 2011). His life was a tough one; fiery temper, unsuccessfulness in his careers, and hard relationships with his family were the burdens he and his milieu had to carry. It is also widely speculated that van Gogh suffered from a mental disorder. However, it is possible that, had it been not for his difficult life, he wouldn’t have been known today as a great painter. Many of his paintings, such as his “Peasant Sitting by the Fireplace” reflect the sorrow of the artist and the grimness of the situation he lived in.
Many scholars state that not only his unprecedented talent but also the events of his life led to his painting his masterpieces. It is believed that van Gogh was unstable even in his early childhood (Smith & Naifeh, 2011). His family, friends, and acquaintances considered him a reticent personality. As Vincent grew older, violent and unpredicted behavior started to emerge in the list of his traits. Failed romantic relationships and an inability to socialize were the factors that contributed to van Gogh’s mental disorder. Many researchers highlight the importance of art in the life of the young man. It was one of his few consolations.
However, his hard life and the lack of attention from the society were a lot more than the art genius could have handled. It is claimed that “his mental state was so precarious that it took only the humblest provocation to bring on the storm” (Smith & Naifeh, 2011, p.356). The most widespread belief amongst psychiatrists is that the Dutch painter suffered from manic depression, an ailment common among artistic personalities.
Besides the information from van Gogh’s biographical books, a good way to analyze his state of mind is to study his paintings and the time sequence of when they were painted from both the personal and social perspectives. The picture under consideration is the “Peasant Sitting by the Fireplace (‘Worn Out’)”, drawn in September 1881. This one is among my personal favorites; it was created when the artist was fascinated by the life of simple rural workers. Van Gogh was also highly interested in figure drawing (Smith & Naifeh, 2011, p. 241, 317-321).ok
Fig. 1. “Peasant Sitting by the Fireplace (Worn Out)” (van Gogh, 1881).
Historical time
It is also paramount to explain the historical context in which van Gogh lived. The continuing political conflicts (e.g. Franco-Prussian War) added to the pressure that van Gogh experienced throughout his life. good But, importantly, having failed in all the careers that the artist tried to pursue (namely, teaching, bookselling, and preaching) worsened van Gogh’s relationships with his family (Butterfield, 2011; Smith & Naifeh, 2011).
Also, during the time he spent as a missionary in a coal-mining community in 1879, he perceived the extremely poor conditions that the lower class lived in and sympathized with them strongly (Butterfield, 2011; Smith & Naifeh, 2011). It is apparent that the theme of “Peasant Sitting by the Fireplace” was taken from that context; the dejected peasant reflects the sorrow for the situation that so many people had to live in.
Psychological and esthetic analysis
Before analyzing the drawing from a psychological viewpoint, it is important to remember that Vincent van Gogh was a renowned self-portrait artist. Many of his art admirers believe that all of his portraits reflect his inner state to some extent. The name of the picture itself is rather symbolic. The two words in the brackets are the name of the group of peasant portraits. These words play a crucial role in the understanding of this piece of art.
They point out that it is not solely the physical fatigue that makes the old man in the picture lean onto his palms, but his state of consciousness. The choice of color tones should also be paid attention to since each color represents a certain level of emotional tension on the scale from low to high (Osi & Byle, 2009). The colors are dark and gloomy, proving that the outer world and the inner perception of the person in the picture coincide. Psychiatrists point out
that manic depression is a condition that includes periods of active creativity and the lack of such; the latter is accompanied by the feeling of helplessness and desperation (Lewis, 2010). The latter state can be perceived in the drawing. The posture of the man shows his dejection; such a pose is characteristic of a state when a person is exhausted emotionally and has lost any hope that the situation will be resolved. The other remarkable detail is the fireplace the peasant is sitting at. After looking at the painting, it is apparent that, despite the proximity, the man pays no attention to the heat, as if his mental pain overrides the physical one (van Gogh, 1881).
To conclude, Vincent van Gogh’s paintings are full of vivid positive and dark negative emotions, which often reflect the painter’s state of mind. It is questionable if he could have become such a great artist without being inflicted by the psychological illness (Smith & Naifeh, 2011).
Sunflower Analyze
Vincent van Gogh has had a complicated childhood, and the hardships of his later life worsened his mental state. The problem of the connection between Van Gogh’s artistic talent and his mental illness is still unsolved. Likewise, it is unknown what the illness was: the most popular versions are depression and bipolar disorder.
The first flare-up of his illness occurred with Paul Gauguin. Gauguin and Van Gogh were trying to create an artist union in Arles, but their views differed so much that it leads to a conflict. Shortly before Christmas Van Gogh, tried to attack Gauguin with a razor. After Gauguin finally left, Van Gogh cut off a part of his ear. The next day he went to a mental hospital at Saint-Remy. Van Gogh “saw himself as wrongly convicted, not ill” (Charles, 2014, p. 311).
At Saint-Remy, Van Gogh was extremely productive; it can be concluded that working on his paintings was bringing him relief. The problem of the connection between the painter’s mental state and his works is still a topic of continuous research. One of the versions is depression: it is known that (cutting oneself) is a sign of depression (Eiss, 2010, p.13). The other widespread version is bipolar disorder, especially given the fact that Van Gogh committed suicide (Eiss, 2010, p. 263).
The famous “Sunflowers” (1889), one of Van Gogh’s sunflower series, was created after Gauguin took his leave. The painting is a perfect material to study Van Gogh’s mental condition of that period. Sunflowers were a special symbol for him; in Dutch literature, these flowers symbolize the love of God. “He consoled himself with the sight of sunflowers. In his view, they symbolized gratefulness”(Wessels, 2013, p. 94). The color gamma used by Van Gogh in “Sunflowers” reveals the influence of Impressionism. Van Gogh used contrasting colors. He employed contrasting colors to express his feelings rather than copy nature.
In contrast, the Calm, simple lines of the vase and the petalless flowers are in contrast with the sharp lines of the petals, which makes a contradictory effect on a viewer’s perception. Van Gogh himself has mentioned that Gauguin liked sunflowers, so he was painting them while missing his friend, suffering from loneliness and isolation. Working on a painting provided him some relief, the one that therapy could provide.
It can be concluded that the events of Van Gogh’s childhood predisposed him to his disease, and the later failures worsened his condition. “Sunflowers” was created in one of the hardest periods of Van Gogh’s life. His artwork undoubtedly served as some therapy to him. It is still unknown what role the illness played in his success as a painter.
Vincent Van Gogh was a prolific artist in the 19th century. His impressionist forms were influenced by his close collaborations with artists such as Mantic, Gauguin, Lautrec, and Cezanne. Van Gogh had a difficult childhood this was attributed to his lack of proper socialization in early childhood. Van Gogh tried his luck in selling art, preaching, and book-keeping. Van Gogh had no success in the choice of careers that had been laid out for him by his parents. This added to his troubles. All three career choices failed and he was later inclined to reconsider painting (Gayford, 2008). Van Gogh was born during the Franco-Prussian War which took a toll on the economy of France. This affected the financial stability of France.
These difficulties weighed heavily on Van Gogh’s. As a result, he developed emotional and mental difficulties. His emotional troubles were often reflected in his art pieces. Consequently, one of Van Gogh’s pieces exhibits vibrancy and color, which indicate moments of hyperactivity and joy. On the contrary, other pieces are dark this was a period of gloom and depression for Van Gogh. There is a possibility that Van Gogh’s emotional state can be attributed to bipolar disorder, or manic depression (Gayford, 2008).
Sommers (2003) explains manic depression as a mental disorder that enables one to experience moments of extreme joy and hyperactivity. However, after a short period, the individual suddenly becomes downcast and unhappy. This disorder normally affects highly creative individuals who, in most cases, proceed to create ingenious works of art.
In this section of the paper, I would like to analyze Van Gogh’s personality using his The Yellow House and the house-tree-person test since exactly these objects are painted in the picture.
The house-tree-person test is a personality test with the help of an individual’s drawings and his or her subsequent responses to questions reveal various aspects of the personality. Before passing the test, a person is provided with three separate sheets of paper with words a house, a tree, and a person written on them (Knoff, 2003, p. 217). Firstly, a person is required to draw a house. The examiner gives the following instructions.
Take one of these pencils, please. I want you to draw me as good a picture of a house as you can. You may draw any kind of house you like, it will not be counted against you. And you may take as long as you wish. Just draw me as good a house as you can. (Knoff, 2003, p. 217)
Them the examiner gives the same instructions for the tree and person drawings. When a person finishes the task, he or she is asked questions about the pictures. As an example, the examiner can ask if an individual has drawn a familiar or just an abstract person, how he or she feels about the tree in the picture, what house is associated with the one drawn on the sheet of paper, and so on. Then, considering both the character of drawings and an individual’s responses to questions, particular conclusions about his or her personality can be made.
House in this test is a symbolic interpretation of a person’s relationships with his or her surroundings (Knoff, 2003). It can tell about both the relations with an individual’s family and close friends. As for Van Gogh’s painting, first of all, he drew the house he once lived in. According to Gayford (2008), in May 1888, Van Gogh decided to rent the right-hand part of the house. As can be seen in the painting, this part of the building looks different than any other – it has green shutters on the windows, which is why it contrasts with the rest of the picture. In this house, Vincent had finally found some good friends and was not only painting but communicating as well (Gayford, 2008). Moreover, Van Gogh and his friend Gauguin wanted to
transform the building into an artists’ house where artists could work together (Gayford, 2008). That is why some parts of the house are drawn in yellow, bright colors – they show that Vincent was excited about this house and his friend Gauguin (Gayford, 2008).
The tree is supposed to reveal “deeper and more unconscious feelings” a person has about his or her self (Knoff, 2003, p. 218). The way how the artist has drawn the bark of the tree, in vine-like vertical lines and heavy dark colors, shows his emotional aloofness, anxiety, and solitude (Knoff, 2003, p. 221). Besides, no roots can be seen, which says that the person is not grounded and feels insecure. So, although the artist was excited about this particular period in his life, he still felt some emptiness and solitude.
As for the drawing of a person, it shows a “closer-to-conscious” feeling about the examinee’s self (Knoff, 2003, p. 221). However, The Yellow House has several persons on it, so it is impossible to find out which one of them represents the artist.
The painting is full of life as the choice of colors, bright yellow, and deep blue. This represents a joyful period in the artist’s life. Van Gogh’s early childhood was a far cry from what he represented in the painting. This art is impressionist. According to Gayford (2008), the Yellow House comprised of white-washed walls, flower decorations as well as Japanese wall illustrations. The house was set under an incredibly blue sky. It has been hypothesized that the description of the white-washed walls of the house was a symbolic representation of Van Gogh’s empty life. The colorful representation of the house describes the positivity that Van Gogh bore upon the start of their living together with his fellow friend and painter, Gauguin (Gayford, 2008).
Historical time and space
The Yellow House was located in Arles, south of France. The choice of the house is based on his dream of starting the ‘Studio of the South’ when he visited Arles in February 1888. He rented the house in May 1888 and waited for Gauguin to move in with him later on the year, October 1888. Van Gogh recreated his dream house and had finally found someone to relate to Gauguin. The two artists had a lot in common and they both admired and respected each other’s work (Gayford, 2008).
At the conclusion, several things can be learned from the research on Van Gogh’s mental disorder. Firstly, the artist indeed was mentally ill, and that can be seen not only from his acts such as an attempt to cut off his ear but from his paintings as well. He had hallucinations and regularly experienced paranoid behavior (Greenberg & Jordan, 2001). Also, along with recurrent depression, the artist had progressive stages of over-enthusiasm, which is why many physicians believed that he had bipolar disorder (Bush, 2014). That explains why Van Gogh’s paintings are full of both anxiety and hopefulness.
Secondly, Van Gogh’s mental illness can be considered as a combination of many factors, the first and probably most important of which is family. Vincent had a miserable childhood, and that contributed to his mental state. Thirdly, one more background factor contributed to Van Gogh’s future illness. It refers to the history and events that unfolded at a time. Growing up in the conditions of ongoing political conflicts, the artist was under constant pressure. For example, he did not meet the expectations of his parents and society as for a career in teaching, religion, or sales (Butterfield, 2011). So, the pressure even doubled. The fourth thing that can be learned from the research is that bad habits that Vincent had significantly worsened the situation and became a catalyst for his mental illness.
For example, Van Gogh developed a habit of drinking absinthe, which was rather toxic and contained Thujone that might have increased depression, anxiety, and epilepsy. Some physicians even said that Thujone could make the artist see different things in yellow, and yellow was Vincent’s favorite color (Tralbaut, 1969). Finally, the last conclusion is that Gauguin was one of the most important people in Vincent’s life, and he contributed to both his illness (Van Gogh tried to cut off his ear soon after he found out about Gauguin’s desire to leave) and its cure (since Van Gogh’s art was probably his best cure).
Although the research is rather valuable and analyzes Van Gogh’s mental state well enough, it should be admitted that it does have several limitations. The first and perhaps the greatest one is that the artist is dead now, so it is impossible to read his interview in one of the modern magazines or get any first-hand information. That also leaves a researcher with a limited number of resources, which is the second constraint. Another limitation is that it is impossible to get the results of modern diagnostics, and particular details of Van Gogh’s illness can only be guessed. Finally, while analyzing the artist’s paintings, a researcher can only see their photos and copies since original works are unavailable. Perhaps, through the analysis of original works, more details would have been noticed.
Considering all of this, to conduct successful research on the topic of Van Gogh’s illness and its reflection in his works, it should be recommended to search for as many sources as possible. Since this person is dead now and the number of sources is limited, it is important to analyze maximum information. This need is even more acute because many details of Van Gogh’s mental disorder are controversial and vary from one book or article to another.
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Introducing Tara to Genevieve
So, I introduced Tara to Genevieve. We are all still at the Oasis, and we are having a really great time. Genevieve thinks that Tara is a pretty cool gal. They seem to be getting along quite well. Tara and I only talked for a little while, but I really like her. There is something that just draws me close to her, but at the same time what about the feelings I have been growing with Genevieve? I just don’t want to think about it right now… However, I am so glad I finally met this girl. It has been bothering me since I first saw her back in February. Anyways, I am pretty flippin hammered! It’s almost 6am in the morning, but damn it is good times!
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