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This low-rent -- and even lower-wit -- rip-off of the Farrelly brothers ' oeuvre gets way too mushy -- and in a relatively short amount of time .
| 0.23611 |
This|low-rent|--|and|even|lower-wit|--|rip-off|of|the|Farrelly|brothers|'|oeuvre|gets|way|too|mushy|--|and|in|a|relatively|short|amount|of|time|.
|
53|48|48|49|47|47|51|52|46|44|43|42|42|45|40|39|37|37|35|35|34|32|30|30|31|29|29|41|33|31|32|33|34|36|36|38|38|39|40|41|55|43|44|45|46|54|50|49|50|51|52|53|54|55|0
|
rip-off, Farrelly brothers, mushy
|
It recycles every cliché about gays in what is essentially an extended soap opera .
| 0.11111 |
It|recycles|every|cliché|about|gays|in|what|is|essentially|an|extended|soap|opera|.
|
29|27|25|25|24|23|22|21|19|19|18|17|16|16|28|17|18|20|20|21|22|23|24|26|26|27|28|29|0
|
recycling, clichés, soap opera
|
I 'm all for the mentally challenged getting their fair shot in the movie business , but surely it does n't have to be as a collection of keening and self-mutilating sideshow geeks .
| 0.40278 |
I|'m|all|for|the|mentally|challenged|getting|their|fair|shot|in|the|movie|business|,|but|surely|it|does|n't|have|to|be|as|a|collection|of|keening|and|self-mutilating|sideshow|geeks|.
|
63|61|60|59|58|58|57|55|54|53|53|52|51|50|50|64|65|49|48|46|46|45|44|43|42|40|40|39|38|37|36|35|35|67|36|37|38|39|41|41|42|43|44|45|47|47|48|49|66|51|52|56|54|55|56|57|62|59|60|61|62|63|64|65|66|67|0
|
mentally challenged, fair shot, movie business
|
May offend viewers not amused by the sick sense of humor .
| 0.26389 |
May|offend|viewers|not|amused|by|the|sick|sense|of|humor|.
|
23|21|20|19|18|17|15|14|14|13|13|22|16|15|16|17|18|19|20|21|22|23|0
|
offensive, humor, viewers
|
Many of Benjamins ' elements feel like they 've been patched in from an episode of Miami Vice .
| 0.55556 |
Many|of|Benjamins|'|elements|feel|like|they|'ve|been|patched|in|from|an|episode|of|Miami|Vice|.
|
36|35|33|33|34|31|30|29|28|27|26|25|24|22|22|21|20|20|32|21|23|23|24|25|26|27|28|29|30|31|32|37|34|35|36|37|0
|
Miami Vice, elements, patched in
|
It aimlessly and unsuccessfully attempts to fuse at least three dull plots into one good one .
| 0.16667 |
It|aimlessly|and|unsuccessfully|attempts|to|fuse|at|least|three|dull|plots|into|one|good|one|.
|
33|30|30|31|28|27|25|22|22|23|21|21|20|19|18|18|29|19|20|26|24|23|24|25|26|27|28|29|32|31|32|33|0
|
Fusion, Multiple Plots, Unsuccessful Attempt
|
Most folks with a real stake in the American sexual landscape will find it either moderately amusing or just plain irrelevant .
| 0.45833 |
Most|folks|with|a|real|stake|in|the|American|sexual|landscape|will|find|it|either|moderately|amusing|or|just|plain|irrelevant|.
|
41|41|40|38|37|37|36|35|34|33|33|31|30|29|26|25|25|27|24|23|23|32|24|28|26|27|28|29|30|31|32|43|34|35|36|39|38|39|40|42|42|43|0
|
American sexual landscape, relevance, amusement
|
If you 're not fans of the adventues of Steve and Terri , you should avoid this like the dreaded King Brown snake .
| 0.20833 |
If|you|'re|not|fans|of|the|adventues|of|Steve|and|Terri|,|you|should|avoid|this|like|the|dreaded|King|Brown|snake|.
|
46|45|43|43|42|41|39|39|38|36|36|37|35|34|32|31|30|29|28|27|26|25|25|33|26|27|28|29|30|31|32|33|34|35|47|37|38|40|40|41|42|44|44|45|46|47|0
|
avoid, Steve and Terri, King Brown snake
|
Personally , I 'd rather watch them on the Animal Planet .
| 0.18056 |
Personally|,|I|'d|rather|watch|them|on|the|Animal|Planet|.
|
23|22|21|18|18|16|16|15|14|13|13|20|14|15|17|17|19|19|20|21|22|23|0
|
Animal Planet, watch, preference
|
Cherish is a dud -- a romantic comedy that 's not the least bit romantic and only mildly funny .
| 0.23611 |
Cherish|is|a|dud|--|a|romantic|comedy|that|'s|not|the|least|bit|romantic|and|only|mildly|funny|.
|
39|37|34|34|35|32|31|31|30|28|28|26|25|25|23|23|22|21|21|38|22|24|24|27|26|27|29|29|30|33|32|33|36|35|36|37|38|39|0
|
romantic comedy, not romantic, mildly funny
|
Feels as if the inmates have actually taken over the asylum .
| 0.5 |
Feels|as|if|the|inmates|have|actually|taken|over|the|asylum|.
|
23|21|20|18|18|16|16|15|14|13|13|22|14|15|17|17|19|19|20|21|22|23|0
|
inmates, taken over, asylum
|
All of the filmmakers ' calculations ca n't rescue Brown Sugar from the curse of blandness .
| 0.13889 |
All|of|the|filmmakers|'|calculations|ca|n't|rescue|Brown|Sugar|from|the|curse|of|blandness|.
|
32|31|29|28|28|30|25|25|24|22|22|21|19|19|18|18|27|20|20|21|23|23|24|26|26|27|33|29|30|31|32|33|0
|
filmmakers, calculations, blandness
|
The movie 's gloomy atmosphere is fascinating , though , even if the movie itself does n't stand a ghost of a chance .
| 0.58333 |
The|movie|'s|gloomy|atmosphere|is|fascinating|,|though|,|even|if|the|movie|itself|does|n't|stand|a|ghost|of|a|chance|.
|
45|44|44|43|43|37|37|38|39|40|36|35|33|33|32|30|30|29|27|27|26|25|25|42|26|28|28|29|31|31|32|34|34|35|36|41|38|39|40|41|42|47|46|45|46|47|0
|
atmosphere, fascination, low chance
|
... post-September 11 , `` The Sum Of All Fears '' seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves .
| 0.069444 |
...|post-September|11|,|``|The|Sum|Of|All|Fears|''|seems|more|tacky|and|reprehensible|,|manipulating|our|collective|fear|without|bestowing|the|subject|with|the|intelligence|or|sincerity|it|unequivocally|deserves|.
|
67|63|63|64|62|61|59|58|57|57|60|53|52|50|50|51|54|48|47|46|46|45|43|42|42|41|39|37|37|38|36|35|35|56|36|40|38|39|40|41|44|43|44|45|49|47|48|49|55|51|52|53|54|55|56|66|58|59|60|61|62|65|64|65|66|67|0
|
manipulating fear, post-9/11, lack of intelligence
|
The exclamation point seems to be the only bit of glee you 'll find in this dreary mess .
| 0.15278 |
The|exclamation|point|seems|to|be|the|only|bit|of|glee|you|'ll|find|in|this|dreary|mess|.
|
35|34|34|33|32|31|29|28|28|27|27|26|24|23|22|21|20|20|25|21|22|23|24|25|26|37|30|29|30|31|32|33|36|35|36|37|0
|
exclamation point, glee, dreary mess
|
No matter how you slice it , Mark Wahlberg and Thandie Newton are not Hepburn and Grant , two cinematic icons with chemistry galore .
| 0.5 |
No|matter|how|you|slice|it|,|Mark|Wahlberg|and|Thandie|Newton|are|not|Hepburn|and|Grant|,|two|cinematic|icons|with|chemistry|galore|.
|
48|47|46|45|44|44|43|41|40|39|38|38|35|35|31|31|32|33|29|28|28|27|26|26|37|27|30|29|30|34|32|33|34|36|36|37|42|39|40|41|42|43|49|45|46|47|48|49|0
|
Mark Wahlberg, Thandie Newton, cinematic icons
|
Godard 's ode to tackling life 's wonderment is a rambling and incoherent manifesto about the vagueness of topical excess ... In Praise of Love remains a ponderous and pretentious endeavor that 's unfocused and tediously exasperating .
| 0.11111 |
Godard|'s|ode|to|tackling|life|'s|wonderment|is|a|rambling|and|incoherent|manifesto|about|the|vagueness|of|topical|excess|...|In|Praise|of|Love|remains|a|ponderous|and|pretentious|endeavor|that|'s|unfocused|and|tediously|exasperating|.
|
70|70|69|68|67|65|65|66|64|62|59|59|60|61|58|56|56|55|54|54|73|52|51|50|50|49|47|46|45|44|44|43|42|40|40|39|39|75|41|41|42|43|48|45|46|47|48|49|53|51|52|53|74|55|57|57|58|63|60|61|62|63|64|72|66|67|68|69|71|71|72|73|74|75|0
|
Godard, In Praise of Love, ponderous and pretentious
|
Humorless , self-conscious art drivel , made without a glimmer of intelligence or invention .
| 0.11111 |
Humorless|,|self-conscious|art|drivel|,|made|without|a|glimmer|of|intelligence|or|invention|.
|
26|26|25|24|24|28|22|21|19|19|18|16|16|17|23|17|18|20|20|21|22|23|29|25|27|27|28|29|0
|
Humorless, self-conscious, lacking intelligence.
|
The movie 's progression into rambling incoherence gives new meaning to the phrase ` fatal script error . '
| 0.16667 |
The|movie|'s|progression|into|rambling|incoherence|gives|new|meaning|to|the|phrase|`|fatal|script|error|.|'
|
34|33|33|35|32|31|31|27|26|26|25|24|23|22|21|20|20|29|30|21|22|23|24|25|28|27|28|29|30|37|32|36|34|35|36|37|0
|
movie, rambling incoherence, fatal script error
|
Solondz may be convinced that he has something significant to say , but he is n't talking a talk that appeals to me .
| 0.31944 |
Solondz|may|be|convinced|that|he|has|something|significant|to|say|,|but|he|is|n't|talking|a|talk|that|appeals|to|me|.
|
43|42|40|40|39|38|37|36|35|34|34|44|45|33|31|31|30|28|28|27|26|25|25|47|26|27|29|29|30|32|32|33|46|35|36|37|38|39|41|41|42|43|44|45|46|47|0
|
Solondz, significant message, personal preference
|
More tiring than anything .
| 0.22222 |
More|tiring|than|anything|.
|
8|7|6|6|9|7|8|9|0
|
tiring, exhaustion, fatigue
|
Nelson 's intentions are good , but the end result does no justice to the story itself .
| 0.26389 |
Nelson|'s|intentions|are|good|,|but|the|end|result|does|no|justice|to|the|story|itself|.
|
29|29|30|28|28|32|33|26|25|25|23|22|22|21|19|19|20|35|20|21|24|23|24|27|26|27|34|31|30|31|32|33|34|35|0
|
good intentions, disappointing outcome, story justice
|
It 's horribly depressing and not very well done .
| 0.19444 |
It|'s|horribly|depressing|and|not|very|well|done|.
|
19|17|13|13|14|15|11|11|12|18|12|16|14|15|16|17|18|19|0
|
depressing, poorly done, critique
|
... the efforts of its star , Kline , to lend some dignity to a dumb story are for naught .
| 0.29167 |
...|the|efforts|of|its|star|,|Kline|,|to|lend|some|dignity|to|a|dumb|story|are|for|naught|.
|
41|37|37|36|32|32|33|34|35|31|29|28|28|27|26|25|25|23|22|22|24|23|24|40|26|27|30|29|30|31|39|33|34|35|36|38|38|39|40|41|0
|
Kline, dignity, dumb story
|
A good-natured ensemble comedy that tries hard to make the most of a bumper cast , but never quite gets off the ground .
| 0.25 |
A|good-natured|ensemble|comedy|that|tries|hard|to|make|the|most|of|a|bumper|cast|,|but|never|quite|gets|off|the|ground|.
|
45|44|43|43|42|41|40|39|38|36|36|35|34|34|29|29|30|28|28|26|26|25|25|33|27|27|32|31|30|31|32|33|47|35|37|37|38|39|40|41|42|46|44|45|46|47|0
|
ensemble comedy, bumper cast, fails to launch
|
Is n't it a bit early in his career for director Barry Sonnenfeld to do a homage to himself ?
| 0.27778 |
Is|n't|it|a|bit|early|in|his|career|for|director|Barry|Sonnenfeld|to|do|a|homage|to|himself|?
|
35|35|36|32|32|33|31|29|29|28|27|26|26|25|23|22|22|21|21|39|24|23|24|25|38|27|28|30|30|31|34|33|34|37|36|37|38|39|0
|
Barry Sonnenfeld, career, homage
|
And it 's a lousy one at that .
| 0.16667 |
And|it|'s|a|lousy|one|at|that|.
|
17|16|14|12|11|11|10|10|15|13|12|13|14|15|16|17|0
|
lousy, statement, negative
|
Overly long and worshipful bio-doc .
| 0.23611 |
Overly|long|and|worshipful|bio-doc|.
|
8|8|9|7|7|11|10|9|10|11|0
|
worshipful, bio-doc, overly long
|
I 'll go out on a limb .
| 0.61111 |
I|'ll|go|out|on|a|limb|.
|
15|13|11|11|10|9|9|14|10|12|12|13|14|15|0
|
risk-taking, decision-making, confidence
|
It is n't quite one of the worst movies of the year .
| 0.18056 |
It|is|n't|quite|one|of|the|worst|movies|of|the|year|.
|
25|22|22|20|20|19|17|16|16|15|14|14|24|15|18|17|18|19|21|21|23|23|24|25|0
|
movie, year, not the worst
|
It 's just merely very bad .
| 0.055556 |
It|'s|just|merely|very|bad|.
|
13|10|10|9|8|8|12|9|11|11|12|13|0
|
merely, very bad, statement
|
Writer-director Ritchie reduces Wertmuller 's social mores and politics to tiresome jargon .
| 0.23611 |
Writer-director|Ritchie|reduces|Wertmuller|'s|social|mores|and|politics|to|tiresome|jargon|.
|
24|24|22|18|18|17|17|20|16|15|14|14|23|15|16|21|19|19|20|21|22|23|25|25|0
|
reduces, social mores, tiresome jargon
|
About Amy 's cuteness , Amy 's career success ( she 's a best-selling writer of self-help books who ca n't help herself ) , and Amy 's neuroses when it comes to men .
| 0.5 |
About|Amy|'s|cuteness|,|Amy|'s|career|success|(|she|'s|a|best-selling|writer|of|self-help|books|who|ca|n't|help|herself|)|,|and|Amy|'s|neuroses|when|it|comes|to|men|.
|
68|68|66|60|60|58|58|57|57|56|54|53|50|49|49|48|47|47|46|44|44|43|43|55|63|64|40|40|41|39|38|37|36|36|67|37|38|39|42|41|42|65|45|45|46|52|48|51|50|51|52|53|54|55|56|62|59|59|61|61|62|63|64|65|66|67|69|69|0
|
cute, career success, neuroses
|
Everything about Girls Ca n't Swim , even its passages of sensitive observation , feels secondhand , familiar -- and not in a good way .
| 0.34722 |
Everything|about|Girls|Ca|n't|Swim|,|even|its|passages|of|sensitive|observation|,|feels|secondhand|,|familiar|--|and|not|in|a|good|way|.
|
45|44|44|42|42|43|47|48|40|40|39|38|38|50|36|34|34|33|32|31|30|29|28|27|27|37|28|29|30|31|32|33|35|35|36|37|51|39|41|41|49|43|46|45|46|47|48|49|50|51|0
|
familiarity, unoriginality, lack of authenticity
|
Feels aimless for much of its running time , until late in the film when a tidal wave of plot arrives , leaving questions in its wake .
| 0.33333 |
Feels|aimless|for|much|of|its|running|time|,|until|late|in|the|film|when|a|tidal|wave|of|plot|arrives|,|leaving|questions|in|its|wake|.
|
55|49|48|47|46|45|44|44|50|43|42|41|39|39|38|35|34|34|33|33|37|52|31|31|30|29|29|54|30|32|32|53|36|35|36|37|38|40|40|41|42|43|51|45|46|47|48|49|50|51|52|53|54|55|0
|
aimless, tidal wave of plot, questions
|
In my own very humble opinion , In Praise of Love lacks even the most fragmented charms I have found in almost all of his previous works .
| 0.041667 |
In|my|own|very|humble|opinion|,|In|Praise|of|Love|lacks|even|the|most|fragmented|charms|I|have|found|in|almost|all|of|his|previous|works|.
|
54|53|52|50|50|51|49|47|46|45|45|43|41|40|38|38|39|37|36|35|34|32|32|31|30|29|29|44|30|31|33|33|34|35|36|37|42|39|40|41|42|43|44|48|46|47|48|49|55|51|52|53|54|55|0
|
opinion, critique, previous works
|
The script is too mainstream and the psychology too textbook to intrigue .
| 0.29167 |
The|script|is|too|mainstream|and|the|psychology|too|textbook|to|intrigue|.
|
21|21|20|19|19|23|17|17|16|15|14|14|25|15|16|18|18|24|20|22|22|23|24|25|0
|
script, mainstream, psychology
|
Muddled , simplistic and more than a little pretentious .
| 0.15278 |
Muddled|,|simplistic|and|more|than|a|little|pretentious|.
|
17|17|15|15|13|11|11|12|14|19|12|13|14|16|16|18|18|19|0
|
Muddled, Simplistic, Pretentious
|
Meandering and glacially paced , and often just plain dull .
| 0.47222 |
Meandering|and|glacially|paced|,|and|often|just|plain|dull|.
|
19|19|18|16|14|14|15|13|12|12|21|13|17|15|16|17|18|20|20|21|0
|
slow, boring, wandering
|
A disaster of a drama , saved only by its winged assailants .
| 0.375 |
A|disaster|of|a|drama|,|saved|only|by|its|winged|assailants|.
|
23|23|22|21|21|20|17|17|16|15|14|14|19|15|16|18|18|19|20|25|22|24|24|25|0
|
disaster, drama, winged assailants
|
A road trip that will get you thinking , ` Are we there yet ? '
| 0.43056 |
A|road|trip|that|will|get|you|thinking|,|`|Are|we|there|yet|?|'
|
28|27|27|26|25|23|22|19|19|20|17|17|18|24|30|31|18|21|20|21|22|23|24|25|26|29|28|29|30|31|0
|
Road trip, thinking, destination
|
Director Elie Chouraqui , who co-wrote the script , catches the chaotic horror of war , but why bother if you 're going to subjugate truth to the tear-jerking demands of soap opera ?
| 0.23611 |
Director|Elie|Chouraqui|,|who|co-wrote|the|script|,|catches|the|chaotic|horror|of|war|,|but|why|bother|if|you|'re|going|to|subjugate|truth|to|the|tear-jerking|demands|of|soap|opera|?
|
63|62|62|64|61|60|59|59|66|56|55|54|54|52|52|50|50|49|48|47|46|45|44|43|41|41|40|38|37|37|36|35|35|58|36|39|38|39|40|42|42|43|44|45|46|47|48|49|51|51|53|53|57|55|56|57|58|67|60|61|65|63|64|65|66|67|0
|
war, truth, soap opera
|
Dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting , and the film settles too easily along the contours of expectation .
| 0.27778 |
Dong|never|pushes|for|insights|beyond|the|superficial|tensions|of|the|dynamic|he|'s|dissecting|,|and|the|film|settles|too|easily|along|the|contours|of|expectation|.
|
51|50|48|47|47|46|44|43|43|42|40|40|39|38|38|52|53|36|36|34|33|33|32|30|30|29|29|55|31|31|32|35|34|35|37|37|54|39|41|41|42|45|44|45|46|49|48|49|50|51|52|53|54|55|0
|
superficial tensions, dynamic dissection, settling along contours of expectation
|
If there was any doubt that Peter O'Fallon did n't have an original bone in his body , A Rumor of Angels should dispel it .
| 0.18056 |
If|there|was|any|doubt|that|Peter|O'Fallon|did|n't|have|an|original|bone|in|his|body|,|A|Rumor|of|Angels|should|dispel|it|.
|
50|49|48|47|46|45|43|43|41|41|40|38|37|37|36|35|35|34|31|31|30|30|28|27|27|29|28|29|33|32|32|33|34|51|36|39|38|39|40|42|42|44|44|45|46|47|48|49|50|51|0
|
originality, doubt, dispel
|
An occasionally interesting but mostly repetitive look at a slice of counterculture that might be best forgotten .
| 0.34722 |
An|occasionally|interesting|but|mostly|repetitive|look|at|a|slice|of|counterculture|that|might|be|best|forgotten|.
|
34|31|31|32|30|30|28|27|24|24|23|23|22|21|20|19|19|29|20|21|22|26|25|25|26|27|28|29|35|33|32|33|34|35|0
|
counterculture, repetitive, forgettable
|
What could have been right at home as a nifty plot line in Steven Soderbergh 's Traffic fails to arrive at any satisfying destination .
| 0.31944 |
What|could|have|been|right|at|home|as|a|nifty|plot|line|in|Steven|Soderbergh|'s|Traffic|fails|to|arrive|at|any|satisfying|destination|.
|
49|47|46|45|43|42|42|41|38|37|36|36|35|33|32|32|34|31|30|29|28|27|26|26|48|27|28|29|30|31|40|33|34|35|39|37|38|39|40|41|44|43|44|45|46|47|48|49|0
|
Steven Soderbergh, Traffic, unsatisfying ending
|
The movie is like Scorsese 's Mean Streets redone by someone who ignored it in favor of old ` juvenile delinquent ' paperbacks with titles like Leather Warriors and Switchblade Sexpot .
| 0.33333 |
The|movie|is|like|Scorsese|'s|Mean|Streets|redone|by|someone|who|ignored|it|in|favor|of|old|`|juvenile|delinquent|'|paperbacks|with|titles|like|Leather|Warriors|and|Switchblade|Sexpot|.
|
62|62|60|59|56|56|55|55|54|53|52|51|48|48|47|46|45|43|42|40|40|39|39|38|38|37|34|34|35|33|33|61|36|35|36|37|50|44|41|41|42|43|44|45|46|47|49|49|50|51|52|53|54|58|57|57|58|59|60|61|63|63|0
|
Scorsese, Mean Streets, juvenile delinquent
|
This pathetic junk is barely an hour long .
| 0.16667 |
This|pathetic|junk|is|barely|an|hour|long|.
|
16|15|15|12|12|10|10|11|14|11|13|13|14|17|16|17|0
|
short duration, low quality, negative opinion
|
Nevertheless , it still seems endless .
| 0.22222 |
Nevertheless|,|it|still|seems|endless|.
|
13|12|11|10|8|8|9|9|10|11|12|13|0
|
endless, nevertheless, seems
|
It is n't that Stealing Harvard is a horrible movie -- if only it were that grand a failure !
| 0.18056 |
It|is|n't|that|Stealing|Harvard|is|a|horrible|movie|--|if|only|it|were|that|grand|a|failure|!
|
39|36|36|35|33|33|30|29|28|28|31|26|26|25|24|23|22|21|21|38|22|23|24|25|27|27|32|29|30|31|32|34|34|35|37|37|38|39|0
|
movie review, Stealing Harvard, failure
|
It 's just that it 's so not-at-all-good .
| 0.22222 |
It|'s|just|that|it|'s|so|not-at-all-good|.
|
17|15|14|13|12|11|10|10|16|11|12|13|14|15|16|17|0
|
negative, evaluation, emphasis
|
And I expect much more from a talent as outstanding as director Bruce McCulloch .
| 0.43056 |
And|I|expect|much|more|from|a|talent|as|outstanding|as|director|Bruce|McCulloch|.
|
29|28|25|24|24|23|21|21|20|18|17|17|16|16|27|19|18|19|20|22|22|23|26|25|26|27|28|29|0
|
outstanding talent, director, expectations
|
Dolman confines himself to shtick and sentimentality -- the one bald and the other sloppy .
| 0.45833 |
Dolman|confines|himself|to|shtick|and|sentimentality|--|the|one|bald|and|the|other|sloppy|.
|
31|26|26|25|23|23|24|28|20|19|19|21|18|17|17|30|18|22|20|21|22|29|24|25|27|27|28|29|30|31|0
|
confines, shtick, sentimentality
|
Is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it ?
| 0.30556 |
Is|it|possible|for|a|documentary|to|be|utterly|entranced|by|its|subject|and|still|show|virtually|no|understanding|of|it|?
|
40|40|39|38|37|37|36|33|32|31|30|29|29|34|28|27|25|24|24|23|23|43|26|25|26|27|28|35|30|31|32|33|34|35|36|42|38|39|41|41|42|43|0
|
documentary, entranced, understanding
|
It 's supposed to be a romantic comedy - it suffers from too much Norma Rae and not enough Pretty Woman .
| 0.23611 |
It|'s|supposed|to|be|a|romantic|comedy|-|it|suffers|from|too|much|Norma|Rae|and|not|enough|Pretty|Woman|.
|
40|39|38|37|36|35|34|34|41|33|32|31|27|27|26|26|29|25|24|23|23|43|24|25|30|28|28|29|30|31|32|33|42|35|36|37|38|39|40|41|42|43|0
|
romantic comedy, Norma Rae, Pretty Woman
|
The leads are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material .
| 0.083333 |
The|leads|are|so|unmemorable|,|despite|several|attempts|at|lengthy|dialogue|scenes|,|that|one|eventually|resents|having|to|inhale|this|gutter|romancer|'s|secondhand|material|.
|
54|54|50|49|49|48|46|44|44|43|42|41|41|47|40|39|38|37|36|35|34|32|31|30|30|29|29|53|33|31|32|33|34|35|36|37|38|39|40|52|42|43|45|45|46|47|48|51|50|51|52|53|55|55|0
|
unmemorable leads, lengthy dialogue scenes, gutter romancer
|
Staggers between flaccid satire and what is supposed to be madcap farce .
| 0.11111 |
Staggers|between|flaccid|satire|and|what|is|supposed|to|be|madcap|farce|.
|
24|23|20|20|21|22|18|17|16|15|14|14|19|15|16|17|18|19|25|21|22|23|24|25|0
|
satire, farce, inconsistency
|
Not that any of us should be complaining when a film clocks in around 90 minutes these days , but the plotting here leaves a lot to be desired .
| 0.27778 |
Not|that|any|of|us|should|be|complaining|when|a|film|clocks|in|around|90|minutes|these|days|,|but|the|plotting|here|leaves|a|lot|to|be|desired|.
|
53|52|52|51|51|50|49|48|47|45|45|43|42|40|40|41|39|39|56|57|37|37|36|35|34|33|32|31|31|59|32|33|34|35|36|38|38|58|44|41|42|43|44|46|46|47|48|49|50|55|54|53|54|55|56|57|58|59|0
|
film length, plot quality, complaining
|
Brainy , artistic and muted , almost to the point of suffocation .
| 0.43056 |
Brainy|,|artistic|and|muted|,|almost|to|the|point|of|suffocation|.
|
25|24|18|18|19|20|21|17|15|15|14|14|23|16|16|17|22|19|20|21|22|23|24|25|0
|
Brainy, artistic, muted
|
Plays like the old disease-of-the-week small-screen melodramas .
| 0.36111 |
Plays|like|the|old|disease-of-the-week|small-screen|melodramas|.
|
15|13|12|11|10|9|9|14|10|11|12|13|14|15|0
|
melodramatic, small-screen, disease-of-the-week
|
Like life on the island , the movie grows boring despite the scenery .
| 0.19444 |
Like|life|on|the|island|,|the|movie|grows|boring|despite|the|scenery|.
|
26|25|24|23|23|22|20|20|18|17|16|15|15|19|16|17|18|19|21|21|22|27|24|25|26|27|0
|
boredom, island life, scenery
|
The truth about Charlie is that it 's a brazenly misguided project .
| 0.26389 |
The|truth|about|Charlie|is|that|it|'s|a|brazenly|misguided|project|.
|
23|23|22|22|20|19|18|17|16|15|14|14|21|15|16|17|18|19|20|21|25|24|24|25|0
|
misguided project, truth, Charlie
|
displays the potential for a better movie than what Bailly manages to deliver
| 0.5 |
displays|the|potential|for|a|better|movie|than|what|Bailly|manages|to|deliver
|
25|23|23|22|20|19|19|18|17|16|15|14|14|15|16|17|18|21|20|21|22|24|24|25|0
|
potential, better movie, Bailly
|
So exaggerated and broad that it comes off as annoying rather than charming .
| 0.25 |
So|exaggerated|and|broad|that|it|comes|off|as|annoying|rather|than|charming|.
|
26|24|24|25|22|21|20|18|18|17|16|15|15|23|16|17|19|19|20|21|22|23|27|25|26|27|0
|
exaggerated, broad, annoying
|
An awkward hybrid of genres that just does n't work .
| 0.23611 |
An|awkward|hybrid|of|genres|that|just|does|n't|work|.
|
19|18|18|17|16|15|14|12|12|13|21|13|14|15|16|17|20|19|20|21|0
|
hybrid, genres, unsuccessful
|
The latest vapid actor 's exercise to appropriate the structure of Arthur Schnitzler 's Reigen .
| 0.34722 |
The|latest|vapid|actor|'s|exercise|to|appropriate|the|structure|of|Arthur|Schnitzler|'s|Reigen|.
|
30|30|27|25|25|26|24|22|21|21|20|18|17|17|19|29|18|19|20|23|22|23|24|28|26|27|28|29|31|31|0
|
actor, exercise, appropriation
|
Snipes is both a snore and utter tripe .
| 0.33333 |
Snipes|is|both|a|snore|and|utter|tripe|.
|
17|15|14|11|11|12|10|10|16|13|12|13|14|15|16|17|0
|
Keywords: Snipes, snore, tripe.
|
Ritchie 's film is easier to swallow than Wertmuller 's polemical allegory , but it 's self-defeatingly decorous .
| 0.38889 |
Ritchie|'s|film|is|easier|to|swallow|than|Wertmuller|'s|polemical|allegory|,|but|it|'s|self-defeatingly|decorous|.
|
31|31|32|29|29|28|27|26|24|24|23|23|34|35|22|21|20|20|37|21|22|36|25|25|26|27|28|30|30|33|32|33|34|35|36|37|0
|
film, allegory, decorum
|
Chalk it up as the worst kind of hubristic folly .
| 0.13889 |
Chalk|it|up|as|the|worst|kind|of|hubristic|folly|.
|
19|19|18|17|15|14|14|13|12|12|21|13|16|15|16|17|18|20|20|21|0
|
hubris, folly, worst
|
It 's the kind of under-inspired , overblown enterprise that gives Hollywood sequels a bad name .
| 0.083333 |
It|'s|the|kind|of|under-inspired|,|overblown|enterprise|that|gives|Hollywood|sequels|a|bad|name|.
|
33|31|29|29|28|26|25|24|24|23|21|20|20|19|18|18|32|19|22|21|22|23|27|25|26|27|28|30|30|31|32|33|0
|
Hollywood sequels, under-inspired, overblown
|
Rosenthal ( Halloween II ) seems to have forgotten everything he ever knew about generating suspense .
| 0.20833 |
Rosenthal|(|Halloween|II|)|seems|to|have|forgotten|everything|he|ever|knew|about|generating|suspense|.
|
32|31|29|29|30|27|26|25|24|23|22|21|20|19|18|18|28|19|20|21|22|23|24|25|26|27|28|33|30|31|32|33|0
|
suspense, Halloween II, forgotten
|
Even Murphy 's expert comic timing and famed charisma ca n't rescue this effort .
| 0.36111 |
Even|Murphy|'s|expert|comic|timing|and|famed|charisma|ca|n't|rescue|this|effort|.
|
26|24|24|23|22|22|27|21|21|18|18|17|16|16|20|17|19|19|20|29|28|23|25|25|26|27|28|29|0
|
Murphy, comic timing, effort
|
Rodriguez ... was unable to reproduce the special spark between the characters that made the first film such a delight .
| 0.52778 |
Rodriguez|...|was|unable|to|reproduce|the|special|spark|between|the|characters|that|made|the|first|film|such|a|delight|.
|
41|40|38|37|36|35|33|32|32|31|29|29|28|26|25|24|24|23|22|22|39|23|27|25|26|27|28|30|30|31|34|33|34|35|36|37|38|39|40|41|0
|
reproduction, lack of chemistry, sequel
|
A sleek advert for youthful anomie that never quite equals the sum of its pretensions .
| 0.38889 |
A|sleek|advert|for|youthful|anomie|that|never|quite|equals|the|sum|of|its|pretensions|.
|
29|28|28|27|26|26|24|23|23|21|19|19|18|17|17|22|18|20|20|21|22|25|24|25|31|27|30|29|30|31|0
|
sleek advert, youthful anomie, pretensions
|
Some Body smacks of exhibitionism more than it does cathartic truth telling .
| 0.38889 |
Some|Body|smacks|of|exhibitionism|more|than|it|does|cathartic|truth|telling|.
|
24|24|21|20|20|19|18|17|16|14|14|15|23|15|16|17|18|19|22|21|22|23|25|25|0
|
exhibitionism, cathartic truth telling, body
|
This is n't a terrible film by any means , but it 's also far from being a realized work .
| 0.51389 |
This|is|n't|a|terrible|film|by|any|means|,|but|it|'s|also|far|from|being|a|realized|work|.
|
37|34|34|33|32|32|31|30|30|38|39|29|27|27|26|25|24|23|22|22|41|23|24|25|26|28|28|29|40|31|36|33|35|35|36|37|38|39|40|41|0
|
film, quality, evaluation
|
Apparently , romantic comedy with a fresh point of view just does n't figure in the present Hollywood program .
| 0.18056 |
Apparently|,|romantic|comedy|with|a|fresh|point|of|view|just|does|n't|figure|in|the|present|Hollywood|program|.
|
39|38|35|35|34|32|31|31|30|30|29|26|26|25|24|23|22|21|21|28|22|23|24|25|27|27|28|29|37|33|32|33|34|36|36|37|38|39|0
|
romantic comedy, fresh point of view, Hollywood program
|
Depressingly thin and exhaustingly contrived .
| 0.11111 |
Depressingly|thin|and|exhaustingly|contrived|.
|
8|8|9|7|7|11|10|9|10|11|0
|
thin, contrived, depressing
|
Only masochistic moviegoers need apply .
| 0.30556 |
Only|masochistic|moviegoers|need|apply|.
|
10|9|9|7|7|8|8|11|10|11|0
|
moviegoers, masochistic, apply
|
A movie that 's held captive by mediocrity .
| 0.26389 |
A|movie|that|'s|held|captive|by|mediocrity|.
|
15|15|14|13|13|11|10|10|12|11|12|17|14|16|16|17|0
|
movie, mediocrity, captive
|
Not bad , but not all that good .
| 0.44444 |
Not|bad|,|but|not|all|that|good|.
|
16|16|13|13|12|10|10|11|15|11|12|14|14|15|17|17|0
|
mediocre, evaluation, feedback
|
Bacon keeps things interesting , but do n't go out of your way to pay full price .
| 0.48611 |
Bacon|keeps|things|interesting|,|but|do|n't|go|out|of|your|way|to|pay|full|price|.
|
35|30|29|29|31|32|27|27|25|25|24|23|22|21|20|19|19|34|20|21|22|23|24|26|26|28|28|33|30|31|32|33|34|35|0
|
Bacon, interesting, full price
|
What 's next ?
| 0.65278 |
What|'s|next|?
|
7|5|5|6|6|7|0
|
future, uncertainty, planning
|
Rob Schneider , Dana Carvey and Sarah Michelle Gellar in The Philadelphia Story ?
| 0.5 |
Rob|Schneider|,|Dana|Carvey|and|Sarah|Michelle|Gellar|in|The|Philadelphia|Story|?
|
24|24|25|21|21|22|19|18|18|17|16|15|15|27|16|17|20|19|20|23|22|23|26|25|26|27|0
|
Rob Schneider, Dana Carvey, Sarah Michelle Gellar, The Philadelphia Story, actors, movie.
|
David Spade as Citizen Kane ?
| 0.375 |
David|Spade|as|Citizen|Kane|?
|
9|9|8|7|7|11|8|10|10|11|0
|
David Spade, Citizen Kane, casting
|
Ca n't seem to get anywhere near the story 's center .
| 0.54167 |
Ca|n't|seem|to|get|anywhere|near|the|story|'s|center|.
|
21|21|20|19|17|17|16|14|13|13|15|23|14|15|16|18|18|19|20|22|22|23|0
|
story, center, difficulty
|
The problem , amazingly enough , is the screenplay .
| 0.27778 |
The|problem|,|amazingly|enough|,|is|the|screenplay|.
|
15|15|16|14|14|18|12|11|11|13|12|13|19|17|16|17|18|19|0
|
problem, screenplay, issue
|
It 's a Frankenstein-monster of a film that does n't know what it wants to be .
| 0.22222 |
It|'s|a|Frankenstein-monster|of|a|film|that|does|n't|know|what|it|wants|to|be|.
|
33|31|29|29|28|26|26|25|23|23|22|21|20|19|18|18|32|19|20|21|22|24|24|25|27|27|28|30|30|31|32|33|0
|
confusion, identity crisis, Frankenstein
|
Upper West Sidey exercise in narcissism and self-congratulation disguised as a tribute .
| 0.27778 |
Upper|West|Sidey|exercise|in|narcissism|and|self-congratulation|disguised|as|a|tribute|.
|
24|23|23|21|20|17|17|18|16|15|14|14|22|15|16|19|18|19|20|21|22|25|24|25|0
|
Upper West Side, narcissism, tribute
|
On its icy face , the new film is a subzero version of Monsters , Inc. , without the latter 's imagination , visual charm or texture .
| 0.069444 |
On|its|icy|face|,|the|new|film|is|a|subzero|version|of|Monsters|,|Inc.|,|without|the|latter|'s|imagination|,|visual|charm|or|texture|.
|
54|53|52|52|51|49|48|48|43|41|40|40|39|38|37|36|36|35|33|32|32|34|45|31|29|29|30|47|30|31|46|33|34|35|44|37|38|39|42|41|42|43|44|45|46|47|50|49|50|51|55|53|54|55|0
|
film, Monsters Inc., subzero version
|
I ca n't say this enough : This movie is about an adult male dressed in pink jammies .
| 0.33333 |
I|ca|n't|say|this|enough|:|This|movie|is|about|an|adult|male|dressed|in|pink|jammies|.
|
34|32|32|31|30|30|35|28|28|27|26|24|23|23|22|21|20|20|37|21|22|25|24|25|26|27|29|29|36|31|33|33|34|35|36|37|0
|
adult male, pink jammies, movie
|
It 's a mindless action flick with a twist -- far better suited to video-viewing than the multiplex .
| 0.27778 |
It|'s|a|mindless|action|flick|with|a|twist|--|far|better|suited|to|video-viewing|than|the|multiplex|.
|
37|35|33|32|31|31|30|26|26|27|25|25|23|22|22|21|20|20|36|21|24|23|24|29|28|27|28|29|30|34|32|33|34|35|36|37|0
|
mindless action flick, video-viewing, multiplex
|
After a while , the only way for a reasonably intelligent person to get through The Country Bears is to ponder how a whole segment of pop-music history has been allowed to get wet , fuzzy and sticky .
| 0.20833 |
After|a|while|,|the|only|way|for|a|reasonably|intelligent|person|to|get|through|The|Country|Bears|is|to|ponder|how|a|whole|segment|of|pop-music|history|has|been|allowed|to|get|wet|,|fuzzy|and|sticky|.
|
76|75|75|74|71|70|70|69|68|66|66|65|64|63|62|61|60|60|58|57|56|55|52|51|51|50|49|49|48|47|46|45|44|43|42|40|40|41|59|41|42|43|44|45|46|47|48|54|50|53|52|53|54|55|56|57|58|59|73|61|62|63|64|65|67|67|68|69|72|71|72|73|74|77|76|77|0
|
pop-music history, The Country Bears, intelligent person
|
We get light showers of emotion a couple of times , but then -- strangely -- these wane to an inconsistent and ultimately unsatisfying drizzle .
| 0.43056 |
We|get|light|showers|of|emotion|a|couple|of|times|,|but|then|--|strangely|--|these|wane|to|an|inconsistent|and|ultimately|unsatisfying|drizzle|.
|
47|45|43|43|42|42|40|40|39|39|48|49|38|36|35|35|34|33|32|31|28|28|27|27|30|51|29|29|30|31|32|33|34|37|36|37|38|50|41|41|46|44|44|45|46|47|48|49|50|51|0
|
Emotion, Inconsistency, Dissatisfaction
|
Summer 's far too fleeting to squander on offal like this .
| 0.41667 |
Summer|'s|far|too|fleeting|to|squander|on|offal|like|this|.
|
23|20|19|18|18|17|16|15|14|13|13|22|14|15|16|17|21|19|20|21|22|23|0
|
Summer, fleeting, offal
|
The film is grossly contradictory in conveying its social message , if indeed there is one .
| 0.23611 |
The|film|is|grossly|contradictory|in|conveying|its|social|message|,|if|indeed|there|is|one|.
|
32|32|27|26|26|25|24|23|22|22|29|21|20|19|18|18|31|19|20|21|30|23|24|25|28|27|28|29|30|31|33|33|0
|
contradictory, social message, film
|
Often lingers just as long on the irrelevant as on the engaging , which gradually turns What Time Is It There ?
| 0.20833 |
Often|lingers|just|as|long|on|the|irrelevant|as|on|the|engaging|,|which|gradually|turns|What|Time|Is|It|There|?
|
43|42|41|39|37|36|35|33|32|31|28|28|29|27|26|25|25|34|24|23|23|40|24|38|26|27|30|29|30|31|32|33|34|35|36|37|38|39|40|41|42|43|0
|
irrelevant, engaging, passage of time
|
into How Long Is This Movie ?
| 0.29167 |
into|How|Long|Is|This|Movie|?
|
12|11|11|9|8|8|10|9|10|13|12|13|0
|
movie length, inquiry, format
|
Too bad Kramer could n't make a guest appearance to liven things up .
| 0.33333 |
Too|bad|Kramer|could|n't|make|a|guest|appearance|to|liven|things|up|.
|
25|25|26|22|22|20|19|18|18|17|15|15|16|24|16|17|21|19|20|21|23|23|24|27|26|27|0
|
Kramer, guest appearance, liven things up
|
Deuces Wild is an encyclopedia of cliches that shoplifts shamelessly from farewell-to-innocence movies like The Wanderers and A Bronx Tale without cribbing any of their intelligence .
| 0.33333 |
Deuces|Wild|is|an|encyclopedia|of|cliches|that|shoplifts|shamelessly|from|farewell-to-innocence|movies|like|The|Wanderers|and|A|Bronx|Tale|without|cribbing|any|of|their|intelligence|.
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cliches, farewell-to-innocence movies, lack of intelligence
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