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It 's a barely tolerable slog over well-trod ground .
| 0.083333 |
It|'s|a|barely|tolerable|slog|over|well-trod|ground|.
|
19|17|15|13|13|14|12|11|11|18|12|16|14|15|16|17|18|19|0
|
slog, tolerable, well-trod ground
|
Epps has neither the charisma nor the natural affability that has made Tucker a star .
| 0.16667 |
Epps|has|neither|the|charisma|nor|the|natural|affability|that|has|made|Tucker|a|star|.
|
31|28|28|25|25|26|23|22|22|21|20|19|18|17|17|30|18|19|20|21|24|23|24|27|26|27|29|29|30|31|0
|
charisma, natural affability, comparison
|
It 's sweet ... but just a little bit too precious at the start and a little too familiar at the end .
| 0.45833 |
It|'s|sweet|...|but|just|a|little|bit|too|precious|at|the|start|and|a|little|too|familiar|at|the|end|.
|
41|40|40|42|43|38|37|36|36|35|32|31|30|30|33|27|27|26|26|25|24|24|45|25|29|28|28|29|34|31|32|33|34|35|39|37|38|39|44|41|42|43|44|45|0
|
sweet, precious, familiar
|
A dull , dumb and derivative horror film .
| 0.055556 |
A|dull|,|dumb|and|derivative|horror|film|.
|
15|14|13|12|11|10|10|16|17|11|12|13|14|15|16|17|0
|
dull, dumb, derivative
|
An awkwardly contrived exercise in magic realism .
| 0.31944 |
An|awkwardly|contrived|exercise|in|magic|realism|.
|
13|12|11|11|10|9|9|15|10|14|12|13|14|15|0
|
magic realism, contrived exercise, awkward
|
Demme gets a lot of flavor and spice into his Charade remake , but he ca n't disguise that he 's spiffing up leftovers that are n't so substantial or fresh .
| 0.30556 |
Demme|gets|a|lot|of|flavor|and|spice|into|his|Charade|remake|,|but|he|ca|n't|disguise|that|he|'s|spiffing|up|leftovers|that|are|n't|so|substantial|or|fresh|.
|
59|57|55|55|54|52|52|53|51|50|49|49|60|61|48|46|46|45|44|43|42|40|40|39|38|36|36|35|33|33|34|63|34|35|37|37|38|39|41|41|42|43|44|45|47|47|48|62|50|51|58|53|54|56|56|57|58|59|60|61|62|63|0
|
remake, flavor, freshness
|
This is a heartfelt story ... it just is n't a very involving one .
| 0.34722 |
This|is|a|heartfelt|story|...|it|just|is|n't|a|very|involving|one|.
|
26|25|24|23|23|27|22|21|18|18|17|17|16|16|29|20|19|19|20|21|22|28|24|25|26|27|28|29|0
|
heartfelt, story, involving
|
These self-styled athletes have banged their brains into the ground so frequently and furiously , their capacity to explain themselves has gone the same way as their natural instinct for self-preservation .
| 0.22222 |
These|self-styled|athletes|have|banged|their|brains|into|the|ground|so|frequently|and|furiously|,|their|capacity|to|explain|themselves|has|gone|the|same|way|as|their|natural|instinct|for|self-preservation|.
|
59|58|58|57|54|53|53|52|51|51|50|50|61|49|48|46|45|44|43|43|42|40|39|38|38|37|35|34|34|33|33|63|36|35|36|37|41|39|40|41|42|47|44|45|46|47|48|49|62|56|52|55|54|55|56|57|60|59|60|61|62|63|0
|
brain injury, self-styled athletes, loss of communication
|
The fact that the ` best part ' of the movie comes from a 60-second homage to one of Demme 's good films does n't bode well for the rest of it .
| 0.20833 |
The|fact|that|the|`|best|part|'|of|the|movie|comes|from|a|60-second|homage|to|one|of|Demme|'s|good|films|does|n't|bode|well|for|the|rest|of|it|.
|
63|63|62|60|59|56|56|57|55|54|54|52|51|50|49|49|48|47|46|44|44|43|43|40|40|38|38|37|35|35|34|34|42|36|36|37|39|39|41|41|42|65|45|45|46|47|48|53|50|51|52|53|61|55|58|57|58|59|60|61|62|64|64|65|0
|
movie, homage, Demme
|
Richard Pryor mined his personal horrors and came up with a treasure chest of material , but Lawrence gives us mostly fool 's gold .
| 0.27778 |
Richard|Pryor|mined|his|personal|horrors|and|came|up|with|a|treasure|chest|of|material|,|but|Lawrence|gives|us|mostly|fool|'s|gold|.
|
44|44|41|40|39|39|42|37|37|36|34|33|33|32|32|46|47|31|29|29|27|26|26|28|49|27|28|30|30|31|48|35|34|35|36|38|38|43|40|41|42|43|45|45|46|47|48|49|0
|
comedy, personal experiences, quality of material
|
The band performances featured in Drumline are red hot ... ( but ) from a mere story point of view , the film 's ice cold .
| 0.5 |
The|band|performances|featured|in|Drumline|are|red|hot|...|(|but|)|from|a|mere|story|point|of|view|,|the|film|'s|ice|cold|.
|
48|47|47|46|45|45|44|43|43|51|40|39|39|38|36|35|34|34|33|33|32|30|30|29|28|28|53|29|31|31|32|42|37|35|36|37|38|41|40|41|42|52|44|50|46|49|48|49|50|51|52|53|0
|
band performances, Drumline, story point of view
|
... built on the premise that middle-class Arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from TV reruns and supermarket tabloids .
| 0.375 |
...|built|on|the|premise|that|middle-class|Arkansas|consists|of|monster|truck-loving|good|ol'|boys|and|peroxide|blond|honeys|whose|worldly|knowledge|comes|from|TV|reruns|and|supermarket|tabloids|.
|
59|56|55|54|54|53|51|51|50|49|46|45|44|43|43|47|41|40|40|39|37|37|36|35|34|33|32|31|31|58|32|33|34|35|36|38|38|39|42|41|42|48|44|45|46|47|48|49|50|52|52|53|57|55|56|57|58|59|0
|
Arkansas, middle-class, stereotypes
|
A laughable -- or rather , unlaughable -- excuse for a film .
| 0.13889 |
A|laughable|--|or|rather|,|unlaughable|--|excuse|for|a|film|.
|
18|18|19|17|17|21|22|23|16|15|14|14|25|15|16|24|20|19|20|21|22|23|24|25|0
|
film, excuse, laughable/unlaughable
|
The sequel is everything the original was not : contrived , overblown and tie-in ready .
| 0.54167 |
The|sequel|is|everything|the|original|was|not|:|contrived|,|overblown|and|tie-in|ready|.
|
27|27|26|25|23|23|22|22|29|20|19|17|17|18|21|31|18|19|20|21|30|24|24|25|26|28|28|29|30|31|0
|
overblown, contrived, tie-in ready
|
Like a grinning Jack O ' Lantern , its apparent glee is derived from a lobotomy , having had all its vital essence scooped out and discarded .
| 0.27778 |
Like|a|grinning|Jack|O|'|Lantern|,|its|apparent|glee|is|derived|from|a|lobotomy|,|having|had|all|its|vital|essence|scooped|out|and|discarded|.
|
54|52|51|50|49|49|53|48|46|45|45|43|40|39|38|38|41|37|33|32|31|30|29|29|34|35|36|44|30|31|32|33|34|35|36|37|42|39|40|41|42|43|44|47|46|47|48|55|50|51|52|53|54|55|0
|
Jack O' Lantern, lobotomy, vital essence
|
A sentimental hybrid that could benefit from the spice of specificity .
| 0.76389 |
A|sentimental|hybrid|that|could|benefit|from|the|spice|of|specificity|.
|
21|20|20|19|18|17|16|14|14|13|13|23|15|15|16|17|18|19|22|21|22|23|0
|
sentimental, hybrid, specificity
|
... familiar and predictable , and 4\/5ths of it might as well have come from a Xerox machine rather than ( writer-director ) Franc .
| 0.23611 |
...|familiar|and|predictable|,|and|4\/5ths|of|it|might|as|well|have|come|from|a|Xerox|machine|rather|than|(|writer-director|)|Franc|.
|
49|43|43|44|45|46|42|41|41|38|37|37|36|35|34|31|30|30|29|29|28|27|26|26|40|27|28|33|32|31|32|33|34|35|36|39|38|39|40|48|42|47|44|45|46|47|48|49|0
|
familiarity, predictability, lack of originality
|
Reyes ' word processor .
| 0.5 |
Reyes|'|word|processor|.
|
7|7|8|6|6|9|8|9|0
|
Reyes, word processor, return
|
Give Shapiro , Goldman , and Bolado credit for good intentions , but there 's nothing here that they could n't have done in half an hour .
| 0.27778 |
Give|Shapiro|,|Goldman|,|and|Bolado|credit|for|good|intentions|,|but|there|'s|nothing|here|that|they|could|n't|have|done|in|half|an|hour|.
|
46|46|47|48|49|50|44|44|43|42|42|52|53|41|38|38|39|37|36|34|34|33|32|31|30|29|29|55|30|31|32|33|35|35|36|37|40|39|40|41|54|43|45|45|51|47|48|49|50|51|52|53|54|55|0
|
credit, good intentions, efficiency
|
It 's so devoid of joy and energy it makes even Jason X ... look positively Shakesperean by comparison .
| 0.15278 |
It|'s|so|devoid|of|joy|and|energy|it|makes|even|Jason|X|...|look|positively|Shakesperean|by|comparison|.
|
39|36|35|34|33|31|31|32|30|29|28|26|26|25|24|22|22|21|21|38|23|23|24|25|27|27|28|29|30|37|32|33|34|35|36|37|38|39|0
|
Comparison, lack of energy, Shakespearean
|
A little objectivity could have gone a long way .
| 0.43056 |
A|little|objectivity|could|have|gone|a|long|way|.
|
18|17|17|15|14|13|12|11|11|16|12|13|14|15|16|19|18|19|0
|
objectivity, long way, little
|
One of the worst films of 2002 .
| 0.013889 |
One|of|the|worst|films|of|2002|.
|
14|13|11|10|10|9|9|15|12|11|12|13|14|15|0
|
worst film, 2002, review
|
I believe Silberling had the best intentions here , but he just does n't have the restraint to fully realize them .
| 0.41667 |
I|believe|Silberling|had|the|best|intentions|here|,|but|he|just|does|n't|have|the|restraint|to|fully|realize|them|.
|
39|38|37|35|34|33|33|36|40|41|32|31|29|29|28|27|26|25|24|23|23|43|24|25|26|27|28|30|30|31|32|42|34|35|36|37|38|39|40|41|42|43|0
|
Silberling, intentions, restraint
|
plays like an unbalanced mixture of graphic combat footage and almost saccharine domestic interludes that are pure Hollywood .
| 0.29167 |
plays|like|an|unbalanced|mixture|of|graphic|combat|footage|and|almost|saccharine|domestic|interludes|that|are|pure|Hollywood|.
|
37|35|31|30|30|29|28|27|27|33|24|24|23|23|22|21|20|20|36|21|22|26|25|25|26|34|28|29|32|31|32|33|34|35|36|37|0
|
graphic combat footage, saccharine domestic interludes, Hollywood
|
McTiernan 's remake may be lighter on its feet -- the sober-minded original was as graceful as a tap-dancing rhino -- but it is just as boring and as obvious .
| 0.20833 |
McTiernan|'s|remake|may|be|lighter|on|its|feet|--|the|sober-minded|original|was|as|graceful|as|a|tap-dancing|rhino|--|but|it|is|just|as|boring|and|as|obvious|.
|
55|55|56|54|52|52|51|50|50|49|46|45|45|43|42|42|41|40|39|39|48|59|38|36|36|33|33|34|32|32|61|35|34|35|37|37|38|60|40|41|44|43|44|47|46|47|48|49|58|51|53|53|54|57|56|57|58|59|60|61|0
|
remake, comparison, criticism
|
High Crimes carries almost no organic intrigue as a government \/ Marine\/legal mystery , and that 's because the movie serves up all of that stuff , nearly subliminally , as the old-hat province of male intrigue .
| 0.375 |
High|Crimes|carries|almost|no|organic|intrigue|as|a|government|\/|Marine\/legal|mystery|,|and|that|'s|because|the|movie|serves|up|all|of|that|stuff|,|nearly|subliminally|,|as|the|old-hat|province|of|male|intrigue|.
|
70|70|68|67|66|65|65|64|63|62|61|60|60|72|73|59|58|57|55|55|49|49|48|47|46|46|51|45|45|53|44|42|41|41|40|39|39|75|40|43|42|43|44|54|52|47|48|50|50|51|52|53|54|56|56|57|58|59|74|61|62|63|64|69|66|67|68|69|71|71|72|73|74|75|0
|
government, Marine, legal mystery
|
This movie is about the worst thing Chan has done in the United States .
| 0.125 |
This|movie|is|about|the|worst|thing|Chan|has|done|in|the|United|States|.
|
28|28|26|24|23|22|22|21|20|19|18|17|16|16|27|17|18|19|20|21|25|23|24|25|26|27|29|29|0
|
Chan, United States, worst thing
|
The explosion essentially ruined -- or , rather , overpowered -- the fiction of the movie for me .
| 0.29167 |
The|explosion|essentially|ruined|--|or|,|rather|,|overpowered|--|the|fiction|of|the|movie|for|me|.
|
33|33|26|26|27|28|29|30|31|32|35|24|24|23|21|21|20|20|37|22|22|23|25|25|36|27|28|29|30|31|32|34|34|35|36|37|0
|
explosion, ruined, fiction
|
This ludicrous film is predictable at every turn .
| 0.18056 |
This|ludicrous|film|is|predictable|at|every|turn|.
|
16|15|15|13|12|11|10|10|14|11|12|13|14|17|16|17|0
|
predictable, ludicrous, film
|
An incredibly irritating comedy about thoroughly vacuous people ... manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy .
| 0.055556 |
An|incredibly|irritating|comedy|about|thoroughly|vacuous|people|...|manages|to|embody|the|worst|excesses|of|nouvelle|vague|without|any|of|its|sense|of|fun|or|energy|.
|
53|51|51|52|50|48|48|49|47|45|44|43|40|39|39|38|38|37|36|35|34|32|32|31|29|29|30|46|30|31|33|33|34|35|36|37|42|41|40|41|42|43|44|45|46|47|55|49|50|54|52|53|54|55|0
|
comedy, vacuous people, nouvelle vague
|
The film desperately sinks further and further into comedy futility .
| 0.18056 |
The|film|desperately|sinks|further|and|further|into|comedy|futility|.
|
20|20|19|16|14|14|15|13|12|12|18|13|17|15|16|17|18|19|21|21|0
|
comedy, sinking, desperation
|
Instead of a balanced film that explains the zeitgeist that is the X Games , we get a cinematic postcard that 's superficial and unrealized .
| 0.097222 |
Instead|of|a|balanced|film|that|explains|the|zeitgeist|that|is|the|X|Games|,|we|get|a|cinematic|postcard|that|'s|superficial|and|unrealized|.
|
50|49|47|46|46|45|44|42|42|41|40|39|38|38|37|36|34|32|31|31|30|29|27|27|28|35|28|29|30|33|32|33|34|35|36|37|51|39|40|41|43|43|44|45|48|47|48|49|50|51|0
|
superficial, unrealized, X Games
|
The crassness of this reactionary thriller is matched only by the ridiculousness of its premise .
| 0.31944 |
The|crassness|of|this|reactionary|thriller|is|matched|only|by|the|ridiculousness|of|its|premise|.
|
29|29|28|27|26|26|24|22|22|21|19|19|18|17|17|25|18|20|20|21|23|23|24|25|31|27|28|30|30|31|0
|
crassness, reactionary thriller, ridiculous premise
|
I wish it would have just gone more over-the-top instead of trying to have it both ways .
| 0.375 |
I|wish|it|would|have|just|gone|more|over-the-top|instead|of|trying|to|have|it|both|ways|.
|
35|33|32|31|29|29|27|26|26|25|24|23|22|21|20|19|19|34|20|21|22|23|24|25|28|27|28|30|30|31|32|33|34|35|0
|
over-the-top, both ways, wish
|
The superior plotline is n't quite enough to drag along the dead ( water ) weight of the other .
| 0.375 |
The|superior|plotline|is|n't|quite|enough|to|drag|along|the|dead|(|water|)|weight|of|the|other|.
|
38|37|37|34|34|33|32|31|29|29|27|26|24|23|23|25|22|21|21|36|22|28|24|25|26|27|28|30|30|31|32|33|35|35|36|39|38|39|0
|
plotline, dead weight, superior
|
The film does n't really care about the thousands of Americans who die hideously , it cares about how Ryan meets his future wife and makes his start at the CIA .
| 0.20833 |
The|film|does|n't|really|care|about|the|thousands|of|Americans|who|die|hideously|,|it|cares|about|how|Ryan|meets|his|future|wife|and|makes|his|start|at|the|CIA|.
|
61|61|58|58|59|57|56|53|53|52|52|51|50|50|49|48|46|45|44|43|40|39|38|38|41|36|35|35|34|33|33|47|34|37|36|37|42|39|40|41|42|43|44|45|46|47|48|49|63|51|55|54|54|55|56|57|60|59|60|62|62|63|0
|
American deaths, Ryan's love life, CIA career
|
Adrift , Bentley and Hudson stare and sniffle , respectively , as Ledger attempts , in vain , to prove that movie-star intensity can overcome bad hair design .
| 0.33333 |
Adrift|,|Bentley|and|Hudson|stare|and|sniffle|,|respectively|,|as|Ledger|attempts|,|in|vain|,|to|prove|that|movie-star|intensity|can|overcome|bad|hair|design|.
|
56|55|53|53|54|46|46|47|48|49|50|45|44|40|40|39|39|42|38|37|36|34|34|33|32|31|30|30|52|31|32|33|35|35|36|37|38|43|41|41|42|43|44|45|51|47|48|49|50|51|52|57|54|55|56|57|0
|
movie-star intensity, bad hair design, emotional reaction
|
After an hour and a half of wondering -- sometimes amusedly , sometimes impatiently -- just what this strenuously unconventional movie is supposed to be , you discover that the answer is as conventional as can be .
| 0.22222 |
After|an|hour|and|a|half|of|wondering|--|sometimes|amusedly|,|sometimes|impatiently|--|just|what|this|strenuously|unconventional|movie|is|supposed|to|be|,|you|discover|that|the|answer|is|as|conventional|as|can|be|.
|
74|71|71|72|69|69|68|66|65|64|60|60|61|62|63|58|58|56|54|54|55|53|52|51|51|50|49|47|46|44|44|42|41|41|40|39|39|48|40|43|42|43|45|45|46|47|48|49|50|75|52|53|57|55|56|57|59|59|67|61|62|63|64|65|66|67|68|70|70|73|72|73|74|75|0
|
movie, unconventional, conventional
|
` Linklater fans , or pretentious types who want to appear avant-garde will suck up to this project ... '
| 0.26389 |
`|Linklater|fans|,|or|pretentious|types|who|want|to|appear|avant-garde|will|suck|up|to|this|project|...|'
|
39|35|34|34|36|32|32|31|30|29|28|28|25|23|23|22|21|21|26|27|22|24|24|25|26|27|38|29|30|31|33|33|37|35|36|37|38|39|0
|
Linklater fans, pretentious types, avant-garde
|
A woefully dull , redundant concept that bears more than a whiff of exploitation , despite Iwai 's vaunted empathy .
| 0.027778 |
A|woefully|dull|,|redundant|concept|that|bears|more|than|a|whiff|of|exploitation|,|despite|Iwai|'s|vaunted|empathy|.
|
38|37|37|39|35|35|34|31|28|27|27|29|26|26|32|25|23|23|22|22|41|24|24|25|33|30|28|29|30|31|32|33|34|36|36|40|38|39|40|41|0
|
dull concept, exploitation, empathy
|
Screenwriter Chris ver Weil 's directing debut is good-natured and never dull , but its virtues are small and easily overshadowed by its predictability .
| 0.51389 |
Screenwriter|Chris|ver|Weil|'s|directing|debut|is|good-natured|and|never|dull|,|but|its|virtues|are|small|and|easily|overshadowed|by|its|predictability|.
|
43|42|41|40|40|39|39|38|36|36|35|35|46|47|33|33|32|30|30|29|28|27|26|26|49|27|28|29|31|31|32|34|34|48|37|37|38|45|44|41|42|43|44|45|46|47|48|49|0
|
directing debut, predictability, virtues
|
If you really want to understand what this story is really all about , you 're far better served by the source material .
| 0.16667 |
If|you|really|want|to|understand|what|this|story|is|really|all|about|,|you|'re|far|better|served|by|the|source|material|.
|
46|45|44|43|42|41|40|38|38|36|36|35|35|34|33|30|29|29|28|27|26|25|25|32|26|27|28|31|30|31|32|33|34|47|37|37|39|39|40|41|42|43|44|45|46|47|0
|
understanding, source material, story
|
It 's mildly sentimental , unabashedly consumerist ... studiously inoffensive and completely disposable .
| 0.25 |
It|'s|mildly|sentimental|,|unabashedly|consumerist|...|studiously|inoffensive|and|completely|disposable|.
|
27|22|21|21|23|24|17|17|16|16|19|15|15|26|20|18|18|19|20|25|22|23|24|25|26|27|0
|
sentimental, consumerist, disposable
|
Like its title character , Esther Kahn is unusual but unfortunately also irritating .
| 0.25 |
Like|its|title|character|,|Esther|Kahn|is|unusual|but|unfortunately|also|irritating|.
|
26|25|24|24|23|21|21|19|17|16|15|15|18|20|16|17|18|19|20|22|22|23|27|25|26|27|0
|
unusual, irritating, Esther Kahn
|
The star who helped give a spark to `` Chasing Amy '' and `` Changing Lanes '' falls flat as thinking man CIA agent Jack Ryan in this summer 's new action film , `` The Sum of All Fears . ''
| 0.22222 |
The|star|who|helped|give|a|spark|to|``|Chasing|Amy|''|and|``|Changing|Lanes|''|falls|flat|as|thinking|man|CIA|agent|Jack|Ryan|in|this|summer|'s|new|action|film|,|``|The|Sum|of|All|Fears|.|''
|
80|80|79|78|71|70|70|69|68|63|63|64|65|66|62|62|73|59|58|57|56|56|55|54|53|53|52|50|49|49|48|47|47|75|76|45|45|44|43|43|82|83|44|46|46|77|48|51|50|51|52|61|54|55|60|57|58|59|60|61|74|67|64|65|66|67|68|69|72|71|72|73|74|75|76|77|78|79|81|81|82|83|0
|
Jack Ryan, CIA agent, action film
|
A summary of the plot does n't quite do justice to the awfulness of the movie , for that comes through all too painfully in the execution .
| 0.11111 |
A|summary|of|the|plot|does|n't|quite|do|justice|to|the|awfulness|of|the|movie|,|for|that|comes|through|all|too|painfully|in|the|execution|.
|
53|53|52|51|51|47|47|48|43|43|42|40|40|39|38|38|45|37|36|34|33|32|31|31|30|29|29|50|30|35|32|33|34|35|36|37|46|39|41|41|42|44|44|45|46|49|48|49|50|55|52|54|54|55|0
|
awfulness, movie execution, plot summary
|
Every conceivable mistake a director could make in filming opera has been perpetrated here .
| 0.11111 |
Every|conceivable|mistake|a|director|could|make|in|filming|opera|has|been|perpetrated|here|.
|
27|26|26|24|24|23|22|21|20|20|18|17|16|16|19|17|18|19|29|21|22|23|25|25|28|27|28|29|0
|
mistakes, director, opera
|
Snoots will no doubt rally to its cause , trotting out threadbare standbys like ` masterpiece ' and ` triumph ' and all that malarkey , but rarely does an established filmmaker so ardently waste viewers ' time with a gobbler like this .
| 0.30556 |
Snoots|will|no|doubt|rally|to|its|cause|,|trotting|out|threadbare|standbys|like|`|masterpiece|'|and|`|triumph|'|and|all|that|malarkey|,|but|rarely|does|an|established|filmmaker|so|ardently|waste|viewers|'|time|with|a|gobbler|like|this|.
|
87|80|79|79|76|75|74|74|77|71|71|70|70|69|66|65|64|63|62|61|61|67|60|59|59|82|83|84|56|55|54|54|57|53|51|49|49|50|48|46|46|45|45|86|47|47|48|52|50|51|52|53|58|55|56|57|58|85|60|68|62|63|64|65|66|67|68|69|73|72|72|73|78|75|76|77|78|81|80|81|82|83|84|85|86|87|0
|
film criticism, established filmmaker, waste of time
|
( The film 's ) taste for `` shock humor '' will wear thin on all but those weaned on the comedy of Tom Green and the Farrelly Brothers .
| 0.23611 |
(|The|film|'s|)|taste|for|``|shock|humor|''|will|wear|thin|on|all|but|those|weaned|on|the|comedy|of|Tom|Green|and|the|Farrelly|Brothers|.
|
56|54|53|53|52|51|50|48|47|46|46|45|43|43|42|42|57|41|40|39|37|37|36|33|33|34|32|31|31|59|32|35|34|35|36|38|38|39|40|41|58|44|44|45|49|47|48|49|50|51|52|55|54|55|56|57|58|59|0
|
comedy, shock humor, Tom Green
|
Any enjoyment will be hinge from a personal threshold of watching sad but endearing characters do extremely unconventional things .
| 0.63889 |
Any|enjoyment|will|be|hinge|from|a|personal|threshold|of|watching|sad|but|endearing|characters|do|extremely|unconventional|things|.
|
38|38|36|35|34|33|31|30|30|29|28|24|24|25|26|23|21|21|22|37|22|23|27|25|26|27|28|29|32|31|32|33|34|35|36|37|39|39|0
|
personal threshold, sad but endearing characters, unconventional things
|
If legendary shlockmeister Ed Wood had ever made a movie about a vampire , it probably would look a lot like this alarming production , adapted from Anne Rice 's novel The Vampire Chronicles .
| 0.43056 |
If|legendary|shlockmeister|Ed|Wood|had|ever|made|a|movie|about|a|vampire|,|it|probably|would|look|a|lot|like|this|alarming|production|,|adapted|from|Anne|Rice|'s|novel|The|Vampire|Chronicles|.
|
68|66|65|64|64|62|62|61|59|59|58|57|57|56|55|54|52|50|49|49|48|45|44|44|46|43|42|40|39|39|38|37|36|36|53|37|38|41|40|41|42|43|47|45|46|47|48|51|50|51|52|53|54|55|56|69|58|60|60|61|63|63|67|65|66|67|68|69|0
|
Ed Wood, vampire, Anne Rice
|
Hardly a nuanced portrait of a young woman 's breakdown , the film nevertheless works up a few scares .
| 0.55556 |
Hardly|a|nuanced|portrait|of|a|young|woman|'s|breakdown|,|the|film|nevertheless|works|up|a|few|scares|.
|
37|36|35|35|34|30|29|28|28|31|32|27|27|25|23|23|22|21|21|26|22|24|24|25|26|39|33|29|30|31|32|33|34|38|36|37|38|39|0
|
young woman, breakdown, scares
|
Interminably bleak , to say nothing of boring .
| 0.19444 |
Interminably|bleak|,|to|say|nothing|of|boring|.
|
16|16|15|14|12|11|10|10|13|11|12|13|14|15|17|17|0
|
bleak, boring, interminable
|
Things really get weird , though not particularly scary : the movie is all portent and no content .
| 0.34722 |
Things|really|get|weird|,|though|not|particularly|scary|:|the|movie|is|all|portent|and|no|content|.
|
34|33|30|30|31|29|28|27|27|35|25|25|24|21|21|22|20|20|37|23|22|23|24|26|26|36|28|29|32|31|32|33|34|35|36|37|0
|
portent, no content, weird
|
It 's difficult to discern if this is a crazy work of disturbed genius or merely 90 minutes of post-adolescent Electra rebellion .
| 0.40278 |
It|'s|difficult|to|discern|if|this|is|a|crazy|work|of|disturbed|genius|or|merely|90|minutes|of|post-adolescent|Electra|rebellion|.
|
45|43|42|41|40|39|38|37|33|32|32|31|30|30|35|28|27|27|26|25|24|24|44|25|26|29|28|29|36|31|34|33|34|35|36|37|38|39|40|41|42|43|44|45|0
|
genius, rebellion, discernment
|
Bogs down badly as we absorb Jia 's moody , bad-boy behavior which he portrays himself in a one-note performance .
| 0.43056 |
Bogs|down|badly|as|we|absorb|Jia|'s|moody|,|bad-boy|behavior|which|he|portrays|himself|in|a|one-note|performance|.
|
41|37|37|36|36|35|31|31|32|33|29|29|28|27|25|25|24|23|22|22|40|23|24|26|26|27|28|30|30|34|32|33|34|35|39|38|38|39|40|41|0
|
one-note performance, bad-boy behavior, bogs down
|
The camera whirls !
| 0.40278 |
The|camera|whirls|!
|
6|6|5|5|7|7|0
|
camera, whirls, movement
|
The camera twirls !
| 0.54167 |
The|camera|twirls|!
|
6|6|5|5|7|7|0
|
camera, twirls, movement
|
Oh , look at that clever angle !
| 0.66667 |
Oh|,|look|at|that|clever|angle|!
|
15|14|12|11|10|9|9|13|10|11|12|13|14|15|0
|
clever, angle, observation
|
Wow , a jump cut !
| 0.41667 |
Wow|,|a|jump|cut|!
|
11|10|8|8|7|7|9|9|10|11|0
|
video editing, surprise, transition
|
Demme finally succeeds in diminishing his stature from Oscar-winning master to lowly studio hack .
| 0.38889 |
Demme|finally|succeeds|in|diminishing|his|stature|from|Oscar-winning|master|to|lowly|studio|hack|.
|
29|28|26|25|22|21|21|20|19|19|18|17|16|16|27|17|18|24|20|23|22|23|24|25|26|27|28|29|0
|
diminishing stature, Oscar-winning master, studio hack
|
The action scenes have all the suspense of a 20-car pileup , while the plot holes are big enough for a train car to drive through -- if Kaos had n't blown them all up .
| 0.16667 |
The|action|scenes|have|all|the|suspense|of|a|20-car|pileup|,|while|the|plot|holes|are|big|enough|for|a|train|car|to|drive|through|--|if|Kaos|had|n't|blown|them|all|up|.
|
70|69|69|65|63|62|62|61|60|59|59|66|58|56|55|55|52|50|50|49|48|47|46|45|44|44|53|43|42|40|40|38|38|37|37|68|39|39|41|41|42|43|54|45|46|47|48|49|51|51|52|53|54|57|56|57|58|67|60|61|64|63|64|65|66|67|68|71|70|71|0
|
suspenseful action, plot holes, destruction
|
It almost feels as if the movie is more interested in entertaining itself than in amusing us .
| 0.26389 |
It|almost|feels|as|if|the|movie|is|more|interested|in|entertaining|itself|than|in|amusing|us|.
|
35|34|32|31|30|28|28|27|25|24|23|22|22|21|20|19|19|33|20|21|26|23|24|25|26|27|29|29|30|31|32|33|34|35|0
|
entertainment, self-indulgence, audience
|
It puts Washington , as honest working man John Q. Archibald , on a pedestal , then keeps lifting the pedestal higher .
| 0.61111 |
It|puts|Washington|,|as|honest|working|man|John|Q.|Archibald|,|on|a|pedestal|,|then|keeps|lifting|the|pedestal|higher|.
|
45|43|41|41|40|35|34|33|32|31|31|36|30|29|29|38|28|27|26|25|24|24|44|25|26|27|28|39|30|37|32|33|34|35|36|37|38|39|40|42|42|43|44|45|0
|
Washington, John Q. Archibald, pedestal
|
Ultimately , the film amounts to being lectured to by tech-geeks , if you 're up for that sort of thing .
| 0.29167 |
Ultimately|,|the|film|amounts|to|being|lectured|to|by|tech-geeks|,|if|you|'re|up|for|that|sort|of|thing|.
|
43|42|40|40|38|37|36|32|32|31|31|34|30|29|27|27|26|24|24|23|23|39|25|25|26|28|28|29|30|35|33|33|34|35|36|37|38|39|41|41|42|43|0
|
film, tech-geeks, lectured
|
Far more enjoyable than its predecessor .
| 0.875 |
Far|more|enjoyable|than|its|predecessor|.
|
13|11|10|9|8|8|12|9|10|11|12|13|0
|
enjoyable, predecessor, comparison
|
( Gayton 's script ) telegraphs every discovery and layers on the gloss of convenience .
| 0.73611 |
(|Gayton|'s|script|)|telegraphs|every|discovery|and|layers|on|the|gloss|of|convenience|.
|
30|27|27|28|29|24|23|21|21|22|20|18|18|17|17|26|19|19|20|25|22|23|24|25|26|31|28|29|30|31|0
|
telegraphs, discovery, convenience
|
Full Frontal , which opens today nationwide , could almost be classified as a movie-industry satire , but it lacks the generous inclusiveness that is the genre 's definitive , if disingenuous , feature .
| 0.34722 |
Full|Frontal|,|which|opens|today|nationwide|,|could|almost|be|classified|as|a|movie-industry|satire|,|but|it|lacks|the|generous|inclusiveness|that|is|the|genre|'s|definitive|,|if|disingenuous|,|feature|.
|
61|61|62|60|58|58|59|64|56|56|55|54|53|52|51|51|66|67|50|49|47|46|46|45|44|42|41|41|39|38|37|36|36|40|69|37|38|39|40|43|42|43|44|45|48|47|48|49|50|68|52|53|54|55|57|57|65|59|60|63|62|63|64|65|66|67|68|69|0
|
movie-industry satire, lack of inclusiveness, Full Frontal
|
A ragbag of cliches .
| 0.18056 |
A|ragbag|of|cliches|.
|
7|7|6|6|9|8|8|9|0
|
cliches, ragbag, overused phrases
|
This rough trade Punch-and-Judy act did n't play well then and it plays worse now .
| 0.5 |
This|rough|trade|Punch-and-Judy|act|did|n't|play|well|then|and|it|plays|worse|now|.
|
27|26|25|24|24|22|22|20|20|21|29|19|17|17|18|31|18|19|30|21|23|23|28|25|26|27|28|29|30|31|0
|
Punch-and-Judy act, rough trade, poor reception
|
The three leads produce adequate performances , but what 's missing from this material is any depth of feeling .
| 0.16667 |
The|three|leads|produce|adequate|performances|,|but|what|'s|missing|from|this|material|is|any|depth|of|feeling|.
|
34|33|33|32|31|31|36|37|29|28|27|26|25|25|24|22|22|21|21|39|23|23|24|30|26|27|28|29|30|38|32|35|34|35|36|37|38|39|0
|
performances, depth, feeling
|
It 's possible that something hip and transgressive was being attempted here that stubbornly refused to gel , but the result is more puzzling than unsettling .
| 0.16667 |
It|'s|possible|that|something|hip|and|transgressive|was|being|attempted|here|that|stubbornly|refused|to|gel|,|but|the|result|is|more|puzzling|than|unsettling|.
|
49|47|47|46|42|42|43|44|41|40|38|38|37|36|35|34|34|50|51|32|32|31|30|29|28|28|53|29|30|31|33|33|52|35|36|37|39|39|40|41|45|43|44|45|46|48|48|49|50|51|52|53|0
|
hip, transgressive, puzzling
|
This painfully unfunny farce traffics in tired stereotypes and encumbers itself with complications ... that have no bearing on the story .
| 0.13889 |
This|painfully|unfunny|farce|traffics|in|tired|stereotypes|and|encumbers|itself|with|complications|...|that|have|no|bearing|on|the|story|.
|
39|37|37|38|34|33|32|32|35|30|30|29|29|41|28|27|25|25|24|23|23|43|24|26|26|27|28|42|31|31|36|33|34|35|36|40|38|39|40|41|42|43|0
|
stereotypes, complications, story
|
Short and sweet , but also more than anything else slight ... Tadpole pulls back from the consequences of its own actions and revelations .
| 0.625 |
Short|and|sweet|,|but|also|more|than|anything|else|slight|...|Tadpole|pulls|back|from|the|consequences|of|its|own|actions|and|revelations|.
|
47|47|48|46|45|44|42|41|39|38|38|37|36|34|34|33|31|31|30|29|28|26|26|27|43|27|28|29|30|32|32|33|35|35|36|37|40|39|40|41|42|43|44|45|46|49|48|49|0
|
Short and sweet, consequences, revelations.
|
Has its moments , but it 's pretty far from a treasure .
| 0.43056 |
Has|its|moments|,|but|it|'s|pretty|far|from|a|treasure|.
|
21|20|20|22|23|19|18|17|16|15|14|14|25|15|16|17|18|19|24|21|22|23|24|25|0
|
moments, far, treasure
|
What more can be expected from a college comedy that 's target audience has n't graduated from junior high school ?
| 0.097222 |
What|more|can|be|expected|from|a|college|comedy|that|'s|target|audience|has|n't|graduated|from|junior|high|school|?
|
40|40|38|37|36|35|33|32|32|31|30|28|28|26|26|25|24|23|22|22|39|23|24|25|27|27|29|29|30|31|34|33|34|35|36|37|38|39|41|41|0
|
college comedy, target audience, junior high school
|
Collateral Damage offers formula payback and the Big Payoff , but the explosions tend to simply hit their marks , pyro-correctly .
| 0.52778 |
Collateral|Damage|offers|formula|payback|and|the|Big|Payoff|,|but|the|explosions|tend|to|simply|hit|their|marks|,|pyro-correctly|.
|
38|38|37|34|34|35|33|32|32|40|41|30|30|29|27|27|24|23|23|25|26|43|24|25|26|28|28|29|31|31|42|33|36|35|36|37|39|39|40|41|42|43|0
|
Explosions, Payback, Accuracy
|
The plan to make Enough into ` an inspiring tale of survival wrapped in the heart-pounding suspense of a stylish psychological thriller ' has flopped as surely as a soufflé gone wrong .
| 0.15278 |
The|plan|to|make|Enough|into|`|an|inspiring|tale|of|survival|wrapped|in|the|heart-pounding|suspense|of|a|stylish|psychological|thriller|'|has|flopped|as|surely|as|a|soufflé|gone|wrong|.
|
64|63|62|60|60|57|57|55|54|54|53|52|51|50|48|47|47|46|45|43|43|44|59|41|39|38|38|37|35|35|34|34|42|36|36|37|40|39|40|41|42|65|44|45|46|49|48|49|50|51|52|53|56|55|56|58|58|59|61|61|62|63|64|65|0
|
plan, survival, thriller
|
Instead of letting the laughs come as they may , Lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick .
| 0.16667 |
Instead|of|letting|the|laughs|come|as|they|may|,|Lawrence|unleashes|his|trademark|misogyny|--|er|,|comedy|--|like|a|human|volcano|or|an|overflowing|septic|tank|,|take|your|pick|.
|
66|65|65|63|63|61|60|59|57|56|54|51|50|49|49|48|45|45|46|47|44|41|40|40|42|39|38|37|37|55|36|35|35|62|36|58|38|39|43|41|42|43|44|53|46|47|48|52|50|51|52|53|54|55|56|57|58|59|60|61|62|64|64|67|66|67|0
|
misogyny, comedy, Lawrence
|
You know that ten bucks you 'd spend on a ticket ?
| 0.45833 |
You|know|that|ten|bucks|you|'d|spend|on|a|ticket|?
|
23|21|19|18|18|17|16|15|14|13|13|22|14|15|16|17|20|19|20|21|22|23|0
|
money, ticket, request
|
Just send it to Cranky .
| 0.33333 |
Just|send|it|to|Cranky|.
|
11|8|8|7|7|10|9|9|10|11|0
|
send, Cranky, request
|
We do n't get paid enough to sit through crap like this .
| 0.097222 |
We|do|n't|get|paid|enough|to|sit|through|crap|like|this|.
|
25|22|22|21|20|19|18|17|16|15|14|14|24|15|16|17|18|19|20|21|23|23|24|25|0
|
underpaid, dissatisfaction, low-quality content
|
An even more predictable , cliche-ridden endeavor than its predecessor .
| 0.20833 |
An|even|more|predictable|,|cliche-ridden|endeavor|than|its|predecessor|.
|
20|18|17|17|16|16|14|13|12|12|15|13|14|15|21|19|18|19|20|21|0
|
predictable, cliche-ridden, predecessor
|
The whole thing plays like a tired Tyco ad .
| 0.23611 |
The|whole|thing|plays|like|a|tired|Tyco|ad|.
|
18|17|17|15|14|13|12|11|11|16|12|13|14|15|16|19|18|19|0
|
advertising, exhaustion, comparison
|
The film does n't show enough of the creative process or even of what was created for the non-fan to figure out what makes Wilco a big deal .
| 0.26389 |
The|film|does|n't|show|enough|of|the|creative|process|or|even|of|what|was|created|for|the|non-fan|to|figure|out|what|makes|Wilco|a|big|deal|.
|
56|56|53|53|52|50|49|48|47|45|45|46|44|43|42|40|39|38|38|37|35|35|34|33|32|31|30|30|55|31|32|33|34|36|36|37|41|39|40|41|42|43|44|51|46|47|48|49|50|51|52|54|54|55|57|57|0
|
creative process, Wilco, non-fan
|
The soupy end result has the odd distinction of being playful without being fun , too .
| 0.44444 |
The|soupy|end|result|has|the|odd|distinction|of|being|playful|without|being|fun|,|too|.
|
32|31|30|30|26|24|23|23|22|21|20|19|18|18|27|28|29|19|20|21|22|25|24|25|26|27|28|29|33|31|32|33|0
|
playful, odd distinction, soupy end result
|
No , I do n't know why Steven Seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money .
| 0.33333 |
No|,|I|do|n't|know|why|Steven|Seagal|is|considered|a|star|,|nor|why|he|keeps|being|cast|in|action|films|when|none|of|them|are|ever|any|good|or|make|any|money|.
|
71|70|69|66|66|63|62|60|60|59|58|56|56|54|54|53|52|51|50|48|47|46|46|45|43|42|42|40|40|39|39|64|38|37|37|68|38|65|41|41|44|43|44|45|49|47|48|49|50|51|52|53|55|55|57|57|58|59|61|61|62|63|64|65|67|67|68|69|70|71|0
|
Steven Seagal, action films, success
|
Even by the intentionally low standards of frat-boy humor , Sorority Boys is a bowser .
| 0.069444 |
Even|by|the|intentionally|low|standards|of|frat-boy|humor|,|Sorority|Boys|is|a|bowser|.
|
30|29|27|25|25|26|24|23|23|22|20|20|18|17|17|19|18|19|21|21|22|31|24|28|26|27|28|29|30|31|0
|
frat-boy humor, Sorority Boys, low standards
|
One well-timed explosion in a movie can be a knockout , but a hundred of them can be numbing .
| 0.30556 |
One|well-timed|explosion|in|a|movie|can|be|a|knockout|,|but|a|hundred|of|them|can|be|numbing|.
|
33|32|32|31|30|30|29|28|27|27|36|37|24|24|23|23|22|21|21|39|22|26|25|25|26|38|28|29|35|31|34|33|34|35|36|37|38|39|0
|
explosion, movie, overwhelming
|
Proof of this is Ballistic : Ecks vs. Sever .
| 0.51389 |
Proof|of|this|is|Ballistic|:|Ecks|vs.|Sever|.
|
18|17|17|15|13|13|11|11|12|16|12|14|14|15|16|19|18|19|0
|
Ballistic, Ecks vs. Sever, Proof
|
Halfway through , however , having sucked dry the undead action flick formula , Blade II mutates into a gross-out monster movie with effects that are more silly than scary .
| 0.29167 |
Halfway|through|,|however|,|having|sucked|dry|the|undead|action|flick|formula|,|Blade|II|mutates|into|a|gross-out|monster|movie|with|effects|that|are|more|silly|than|scary|.
|
61|60|59|58|57|55|54|53|52|51|50|49|49|48|46|46|44|43|41|40|39|39|38|37|36|35|34|33|32|32|45|33|34|35|36|37|38|42|40|41|42|43|44|45|47|47|48|56|50|51|52|53|54|55|56|57|58|59|60|61|0
|
formula exhaustion, genre shift, special effects
|
Weighted down with slow , uninvolving storytelling and flat acting .
| 0.15278 |
Weighted|down|with|slow|,|uninvolving|storytelling|and|flat|acting|.
|
15|15|14|14|17|13|13|19|12|12|21|20|18|16|16|17|18|19|20|21|0
|
slow storytelling, flat acting, weighted down
|
We ca n't accuse Kung Pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie .
| 0.041667 |
We|ca|n't|accuse|Kung|Pow|for|misfiring|,|since|it|is|exactly|what|it|wants|to|be|:|an|atrociously|,|mind-numbingly|,|indescribably|bad|movie|.
|
55|52|52|49|47|47|46|46|50|45|44|43|40|40|39|38|37|37|36|35|33|32|31|30|29|29|34|54|30|31|32|33|34|35|36|42|38|39|41|41|42|43|44|45|51|48|48|49|50|51|53|53|54|55|0
|
bad movie, mind-numbing, Kung Pow
|
Unfortunately , we 'd prefer a simple misfire .
| 0.26389 |
Unfortunately|,|we|'d|prefer|a|simple|misfire|.
|
17|16|15|13|12|11|10|10|14|11|12|13|14|15|16|17|0
|
Unfortunately, preference, misfire.
|
There is n't one moment in the film that surprises or delights .
| 0.16667 |
There|is|n't|one|moment|in|the|film|that|surprises|or|delights|.
|
25|22|22|20|20|19|17|17|16|14|14|15|24|15|16|18|18|19|21|21|23|23|24|25|0
|
disappointment, lack of surprise, absence of delight
|
` Would n't it be nice if all guys got a taste of what it 's like on the other side of the bra ? '
| 0.59722 |
`|Would|n't|it|be|nice|if|all|guys|got|a|taste|of|what|it|'s|like|on|the|other|side|of|the|bra|?|'
|
51|49|49|46|44|44|43|41|41|40|38|38|37|36|35|34|33|32|30|29|29|28|27|27|47|48|28|31|30|31|32|33|34|35|36|37|39|39|40|42|42|43|45|45|46|47|48|50|50|51|0
|
gender reversal, empathy, perspective
|
The movie is essentially a series of fleetingly interesting actors ' moments .
| 0.58333 |
The|movie|is|essentially|a|series|of|fleetingly|interesting|actors|'|moments|.
|
24|24|21|21|19|19|18|15|15|14|14|17|23|16|16|17|18|20|20|22|22|23|25|25|0
|
actors, moments, movie
|
Most of the information has already appeared in one forum or another and , no matter how Broomfield dresses it up , it tends to speculation , conspiracy theories or , at best , circumstantial evidence .
| 0.27778 |
Most|of|the|information|has|already|appeared|in|one|forum|or|another|and|,|no|matter|how|Broomfield|dresses|it|up|,|it|tends|to|speculation|,|conspiracy|theories|or|,|at|best|,|circumstantial|evidence|.
|
68|67|66|66|64|64|63|62|59|59|60|61|70|71|57|56|55|54|52|52|53|51|50|49|48|43|43|42|42|45|41|39|39|40|38|38|73|47|40|41|46|44|44|45|46|47|48|49|50|51|58|53|54|55|56|57|58|72|60|61|62|63|65|65|69|67|68|69|70|71|72|73|0
|
speculation, conspiracy theories, circumstantial evidence
|
This movie , a certain scene in particular , brought me uncomfortably close to losing my lunch .
| 0.125 |
This|movie|,|a|certain|scene|in|particular|,|brought|me|uncomfortably|close|to|losing|my|lunch|.
|
31|31|32|29|28|28|27|27|34|25|24|23|22|21|20|19|19|26|20|21|22|23|24|25|26|35|30|29|30|33|32|33|34|35|0
|
movie, uncomfortable, scene
|
The secrets of time travel will have been discovered , indulged in and rejected as boring before I see this piece of crap again .
| 0 |
The|secrets|of|time|travel|will|have|been|discovered|,|indulged|in|and|rejected|as|boring|before|I|see|this|piece|of|crap|again|.
|
47|47|46|45|45|43|42|41|37|37|36|36|39|35|34|33|32|31|29|27|27|26|26|30|44|28|28|29|30|31|32|33|34|35|40|38|38|39|40|41|42|43|44|49|46|48|48|49|0
|
time travel, discovery, rejection
|
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