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56d20a6ae7d4791d0090261a
|
Frédéric_Chopin
|
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
|
How old was Chopin when he began to perform for the public?
|
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"text": [
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|
context-5_7_3.mp3
|
context-5_7.mp3
| 22,050 |
Olivia
|
By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major.
|
By the age of seven Fryderyk had begun giving public concerts, and in eighteen seventeen he composed two polonaises, in G minor and B-flat major.
|
question-5_7_12.mp3
| 22,050 |
Ivy
|
How old was Chopin when he began to perform for the public?
|
56d20a6ae7d4791d0090261b
|
Frédéric_Chopin
|
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.
|
Who was Chopin's earliest piece of music, that there is a record of, dedicated to?
|
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"text": [
"Wojciech Żywny"
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|
context-5_7_0.mp3
|
context-5_7.mp3
| 22,050 |
Olivia
|
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny.
|
Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from eighteen sixteen to eighteen twenty-one, was the Czech pianist Wojciech Zywny.
|
question-5_7_13.mp3
| 22,050 |
Matthew
|
Who was Chopin's earliest piece of music, that there is a record of, dedicated to?
|
56cbdfbf6d243a140015edb6
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
In what year was the Saxon Palace taken by the Russian governor for use regarding the military?
|
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|
context-5_8_0.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
In eighteen seventeen the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
question-5_8_0.mp3
| 22,050 |
Salli
|
In what year was the Saxon Palace taken by the Russian governor for use regarding the military?
|
56cbdfbf6d243a140015edb7
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What establishment today contains what was known as the Warsaw Lyceum during that time?
|
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"text": [
"Warsaw University"
]
}
|
context-5_8_0.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
In eighteen seventeen the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
question-5_8_1.mp3
| 22,050 |
Matthew
|
What establishment today contains what was known as the Warsaw Lyceum during that time?
|
56cbdfbf6d243a140015edb8
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What building was Frédéric's new home adjacent to?
|
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10.1
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6.36
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5.08
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"audio_segment_answer_end": [
10.1
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"audio_segment_answer_start": [
8.8
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"text": [
"Kazimierz Palace"
]
}
|
context-5_8_0.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
In eighteen seventeen the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
question-5_8_2.mp3
| 22,050 |
Amy
|
What building was Frederic's new home adjacent to?
|
56cbdfbf6d243a140015edb9
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What palace was Frédéric sometimes invited to as a companion of the ruler's son?
|
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"audio_segment_answer_end": [
4.48
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"audio_segment_answer_start": [
3.58
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"text": [
"Belweder Palace"
]
}
|
context-5_8_2.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
question-5_8_3.mp3
| 22,050 |
Matthew
|
What palace was Frederic sometimes invited to as a companion of the ruler's son?
|
56cbdfbf6d243a140015edba
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What short poem spoke of Frédéric's popularity as a child?
|
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36.81605442176871
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35.40605442176871
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
5.16
],
"audio_segment_answer_start": [
3.75
],
"text": [
"Nasze Przebiegi"
]
}
|
context-5_8_3.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", eighteen eighteen), attested to "little Chopin's" popularity.
|
question-5_8_4.mp3
| 22,050 |
Joanna
|
What short poem spoke of Frederic's popularity as a child?
|
56cf61d3aab44d1400b891a3
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
The Saxon Palace was taken over for military use in what year?
|
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1.48
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"text": [
"1817"
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|
context-5_8_0.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
In eighteen seventeen the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
question-5_8_5.mp3
| 22,050 |
Justin
|
The Saxon Palace was taken over for military use in what year?
|
56cf61d3aab44d1400b891a4
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
The Warsaw Lyceum was moved to where?
|
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6.36
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5.08
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10.1
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"audio_segment_answer_start": [
8.8
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"text": [
"Kazimierz Palace"
]
}
|
context-5_8_0.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
In eighteen seventeen the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University).
|
question-5_8_6.mp3
| 22,050 |
Salli
|
The Warsaw Lyceum was moved to where?
|
56cf61d3aab44d1400b891a5
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
As a child Chopin was invited to play with the son of whom?
|
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9.01
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7.52
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"text": [
"Grand Duke Constantine"
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|
context-5_8_2.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
question-5_8_7.mp3
| 22,050 |
Amy
|
As a child Chopin was invited to play with the son of whom?
|
56cf61d3aab44d1400b891a6
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What did Chopin create for Grand Duke Constantine?
|
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11.92
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11.52
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"text": [
"a march"
]
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|
context-5_8_2.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
question-5_8_8.mp3
| 22,050 |
Joanna
|
What did Chopin create for Grand Duke Constantine?
|
56cf61d3aab44d1400b891a7
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
In one of his works who affirmed the popularity of Chopin as a child?
|
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1.85
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0.09
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"text": [
"Julian Ursyn Niemcewicz"
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|
context-5_8_3.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", eighteen eighteen), attested to "little Chopin's" popularity.
|
question-5_8_9.mp3
| 22,050 |
Joey
|
In one of his works who affirmed the popularity of Chopin as a child?
|
56d20bf6e7d4791d00902622
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What was the place Chopin was invited to as a friend of ruler's son?
|
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357
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23.656054421768708
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22.75605442176871
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"audio_full_neg_answer_start": [],
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4.48
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"audio_segment_answer_start": [
3.58
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"text": [
"Belweder Palace"
]
}
|
context-5_8_2.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
question-5_8_10.mp3
| 22,050 |
Justin
|
What was the place Chopin was invited to as a friend of ruler's son?
|
56d20bf6e7d4791d00902623
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What is the title and name of the ruler whose son Chopin was friends with?
|
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28.18605442176871
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26.696054421768707
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"audio_segment_answer_end": [
9.01
],
"audio_segment_answer_start": [
7.52
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"text": [
"Grand Duke Constantine"
]
}
|
context-5_8_2.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
question-5_8_11.mp3
| 22,050 |
Joey
|
What is the title and name of the ruler whose son Chopin was friends with?
|
56d20bf6e7d4791d00902624
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
What type of musical piece did Chopin compose for his friend's ruling father?
|
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"a march"
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|
context-5_8_2.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
|
question-5_8_12.mp3
| 22,050 |
Joey
|
What type of musical piece did Chopin compose for his friend's ruling father?
|
56d20bf6e7d4791d00902625
|
Frédéric_Chopin
|
In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
Who wrote in 1818 about the popularity of Chopin?
|
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"text": [
"Julian Ursyn Niemcewicz"
]
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|
context-5_8_3.mp3
|
context-5_8.mp3
| 22,050 |
Salli
|
Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.
|
Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", eighteen eighteen), attested to "little Chopin's" popularity.
|
question-5_8_13.mp3
| 22,050 |
Kevin
|
Who wrote in eighteen eighteen about the popularity of Chopin?
|
56cbe1996d243a140015edc0
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
During what years did Frédéric visit the Warsaw Lyceum for lessons?
|
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"1823 to 1826"
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|
context-5_9_0.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year.
|
From September eighteen twenty-three to eighteen twenty-six Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Wurfel during his first year.
|
question-5_9_0.mp3
| 22,050 |
Matthew
|
During what years did Frederic visit the Warsaw Lyceum for lessons?
|
56cbe1996d243a140015edc1
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
Who was Frédéric a student of involving music theory starting in 1826?
|
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"Józef Elsner"
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|
context-5_9_1.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw.
|
In the autumn of eighteen twenty-six he began a three-year course under the Silesian composer Jozef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n three] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw.
|
question-5_9_1.mp3
| 22,050 |
Amy
|
Who was Frederic a student of involving music theory starting in eighteen twenty-six?
|
56cbe1996d243a140015edc2
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What was the name of the mechanical organ Frédéric performed on during 1825?
|
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"eolomelodicon"
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|
context-5_9_2.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles.
|
He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May eighteen twenty-five he performed his own improvisation and part of a concerto by Moscheles.
|
question-5_9_2.mp3
| 22,050 |
Ivy
|
What was the name of the mechanical organ Frederic performed on during eighteen twenty-five?
|
56cbe1996d243a140015edc3
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
Which tsar did Frédéric perform for due to his success in previous concerts?
|
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"Alexander I"
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|
context-5_9_3.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring.
|
The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring.
|
question-5_9_3.mp3
| 22,050 |
Ivy
|
Which tsar did Frederic perform for due to his success in previous concerts?
|
56cbe1996d243a140015edc4
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
On what date was Frédéric's first performance that earned international esteem?
|
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"10 June 1825"
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|
context-5_9_4.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op.
|
At a subsequent eolomelodicon concert on ten June eighteen twenty-five, Chopin performed his Rondo Op.
|
question-5_9_4.mp3
| 22,050 |
Joey
|
On what date was Frederic's first performance that earned international esteem?
|
56cf63b4aab44d1400b891bd
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
Who taught Chopin to play the organ?
|
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"Wilhelm Würfel"
]
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|
context-5_9_0.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year.
|
From September eighteen twenty-three to eighteen twenty-six Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Wurfel during his first year.
|
question-5_9_5.mp3
| 22,050 |
Salli
|
Who taught Chopin to play the organ?
|
56cf63b4aab44d1400b891be
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
Chopin had three years of lessons with whom?
|
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"Józef Elsner"
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|
context-5_9_1.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw.
|
In the autumn of eighteen twenty-six he began a three-year course under the Silesian composer Jozef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n three] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw.
|
question-5_9_6.mp3
| 22,050 |
Kendra
|
Chopin had three years of lessons with whom?
|
56cf63b4aab44d1400b891bf
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What instrument did Chopin play in front of Tsar Alexander I?
|
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"eolomelodicon"
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|
context-5_9_2.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles.
|
He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May eighteen twenty-five he performed his own improvisation and part of a concerto by Moscheles.
|
question-5_9_7.mp3
| 22,050 |
Kevin
|
What instrument did Chopin play in front of Tsar Alexander I?
|
56cf63b4aab44d1400b891c0
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What gift did Tsar Alexander I give to Chopin?
|
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|
context-5_9_3.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring.
|
The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring.
|
question-5_9_8.mp3
| 22,050 |
Brian
|
What gift did Tsar Alexander I give to Chopin?
|
56cf63b4aab44d1400b891c1
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What was the first of Chopin's works to gain international renown?
|
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"Rondo Op. 1"
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| null | null | null | null | null | null | null | null | null | null |
56d22055e7d4791d00902683
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
Who gave Chopin instruction on how to play the organ?
|
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"Wilhelm Würfel"
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|
context-5_9_0.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year.
|
From September eighteen twenty-three to eighteen twenty-six Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Wurfel during his first year.
|
question-5_9_10.mp3
| 22,050 |
Salli
|
Who gave Chopin instruction on how to play the organ?
|
56d22055e7d4791d00902684
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What was the name of the teacher of Chopin's three year course that began in the fall of 1826?
|
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"Józef Elsner"
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|
context-5_9_1.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw.
|
In the autumn of eighteen twenty-six he began a three-year course under the Silesian composer Jozef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n three] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw.
|
question-5_9_11.mp3
| 22,050 |
Kimberly
|
What was the name of the teacher of Chopin's three year course that began in the fall of eighteen twenty-six?
|
56d22055e7d4791d00902685
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What is th ename of the mechanical organ Chopin played in 1825?
|
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"eolomelodicon"
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|
context-5_9_2.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles.
|
He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May eighteen twenty-five he performed his own improvisation and part of a concerto by Moscheles.
|
question-5_9_12.mp3
| 22,050 |
Ivy
|
What is th ename of the mechanical organ Chopin played in eighteen twenty-five?
|
56d22055e7d4791d00902686
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What did Tsar Alexander I give to Chopin?
|
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"a diamond ring."
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|
context-5_9_3.mp3
|
context-5_9.mp3
| 22,050 |
Kimberly
|
The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring.
|
The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring.
|
question-5_9_13.mp3
| 22,050 |
Justin
|
What did Tsar Alexander I give to Chopin?
|
56d22055e7d4791d00902687
|
Frédéric_Chopin
|
From September 1823 to 1826 Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826 he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass and composition.[n 3] Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of a mechanical organ, the "eolomelodicon", and on this instrument in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press, when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".
|
What is the title of his first commercially successful work?
|
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"text": [
"Rondo Op. 1."
]
}
| null | null | null | null | null | null | null | null | null | null |
56cbe2fd6d243a140015edcb
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
Who was Frédéric a guest of during his visit of Szafarnia in 1824 and 1825?
|
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"Dominik Dziewanowski"
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|
context-5_10_0.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
During eighteen twenty-four-twenty-eight Chopin spent his vacations away from Warsaw, at a number of locales.[n four] In eighteen twenty-four and eighteen twenty-five, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
question-5_10_0.mp3
| 22,050 |
Olivia
|
Who was Frederic a guest of during his visit of Szafarnia in eighteen twenty-four and eighteen twenty-five?
|
56cbe2fd6d243a140015edcc
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
In which village did Frédéric first experience rural Polish folk music?
|
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11.94
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11.24
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"text": [
"Szafarnia"
]
}
|
context-5_10_0.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
During eighteen twenty-four-twenty-eight Chopin spent his vacations away from Warsaw, at a number of locales.[n four] In eighteen twenty-four and eighteen twenty-five, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
question-5_10_1.mp3
| 22,050 |
Matthew
|
In which village did Frederic first experience rural Polish folk music?
|
56cbe2fd6d243a140015edcd
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
To whom did Frédéric write letters to during his stay in Szafarnia?
|
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28.786054421768707
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8.77
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8.16
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"text": [
"his family"
]
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|
context-5_10_2.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
question-5_10_2.mp3
| 22,050 |
Justin
|
To whom did Frederic write letters to during his stay in Szafarnia?
|
56cbe2fd6d243a140015edce
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
What did Frédéric write parodies of in his letters?
|
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31.056054421768707
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"audio_segment_answer_end": [
11.04
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"audio_segment_answer_start": [
9.8
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"text": [
"Warsaw newspapers"
]
}
|
context-5_10_2.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
question-5_10_3.mp3
| 22,050 |
Kendra
|
What did Frederic write parodies of in his letters?
|
56cf64e34df3c31400b0d6f9
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
During his vacation in 1824 and 1825 who did Chopin spend his vacation with?
|
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13.06
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"text": [
"Dominik Dziewanowski"
]
}
|
context-5_10_0.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
During eighteen twenty-four-twenty-eight Chopin spent his vacations away from Warsaw, at a number of locales.[n four] In eighteen twenty-four and eighteen twenty-five, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
question-5_10_4.mp3
| 22,050 |
Joanna
|
During his vacation in eighteen twenty-four and eighteen twenty-five who did Chopin spend his vacation with?
|
56cf64e34df3c31400b0d6fa
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
What type of music did Chopin discover for the first time while staying in Szafarnia?
|
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3.81
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2.1
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"Polish rural folk music"
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|
context-5_10_1.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
Here for the first time he encountered Polish rural folk music.
|
Here for the first time he encountered Polish rural folk music.
|
question-5_10_5.mp3
| 22,050 |
Emma
|
What type of music did Chopin discover for the first time while staying in Szafarnia?
|
56d2211ae7d4791d00902693
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
What was the name of the person who hosted Chopin as a guest when he discovered Polish rural folk music?
|
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"text": [
"Dominik Dziewanowski"
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|
context-5_10_0.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
During eighteen twenty-four-twenty-eight Chopin spent his vacations away from Warsaw, at a number of locales.[n four] In eighteen twenty-four and eighteen twenty-five, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
question-5_10_6.mp3
| 22,050 |
Amy
|
What was the name of the person who hosted Chopin as a guest when he discovered Polish rural folk music?
|
56d2211ae7d4791d00902694
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
What was the title chopin gave of some spoof letters he wrote?
|
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4.71
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3.43
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"text": [
"The Szafarnia Courier"
]
}
|
context-5_10_2.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
question-5_10_7.mp3
| 22,050 |
Emma
|
What was the title chopin gave of some spoof letters he wrote?
|
56d2211ae7d4791d00902695
|
Frédéric_Chopin
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.
|
Where did Chopin spend his vacation in 1824 and 1825?
|
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1.13
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11.94
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11.24
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"text": [
"Szafarnia"
]
}
|
context-5_10_0.mp3
|
context-5_10.mp3
| 22,050 |
Salli
|
During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales.[n 4] In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
During eighteen twenty-four-twenty-eight Chopin spent his vacations away from Warsaw, at a number of locales.[n four] In eighteen twenty-four and eighteen twenty-five, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate.
|
question-5_10_8.mp3
| 22,050 |
Justin
|
Where did Chopin spend his vacation in eighteen twenty-four and eighteen twenty-five?
|
56cbe5df6d243a140015edd4
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
During what year did Frédéric's youngest sister, Emilia, pass away?
|
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"1827"
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_0.mp3
| 22,050 |
Brian
|
During what year did Frederic's youngest sister, Emilia, pass away?
|
56cbe5df6d243a140015edd5
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What street did Frédéric's family move to after the death of his youngest sister?
|
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_1.mp3
| 22,050 |
Emma
|
What street did Frederic's family move to after the death of his youngest sister?
|
56cbe5df6d243a140015edd6
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What year did Frédéric leave Warsaw after moving with his family to the south annex of Krasiński Palace?
|
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_2.mp3
| 22,050 |
Brian
|
What year did Frederic leave Warsaw after moving with his family to the south annex of Krasinski Palace?
|
56cbe5df6d243a140015edd7
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What did the Chopin's family business become in the 20th century?
|
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_3.mp3
| 22,050 |
Matthew
|
What did the Chopin's family business become in the twentieth century?
|
56cbe5df6d243a140015edd8
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
Which artist created the first known portrait of Frédéric?
|
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|
context-5_11_1.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
In eighteen twenty-nine the artist Ambrozy Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n seven]
|
question-5_11_4.mp3
| 22,050 |
Amy
|
Which artist created the first known portrait of Frederic?
|
56cf66734df3c31400b0d713
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What year did Chopin's sister Emilia die?
|
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_5.mp3
| 22,050 |
Joanna
|
What year did Chopin's sister Emilia die?
|
56cf66734df3c31400b0d714
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What year did Chopin leave Warsaw?
|
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_6.mp3
| 22,050 |
Kimberly
|
What year did Chopin leave Warsaw?
|
56cf66734df3c31400b0d715
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What was the Chopin family's business?
|
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"boarding house for male students"
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_7.mp3
| 22,050 |
Justin
|
What was the Chopin family's business?
|
56cf66734df3c31400b0d717
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What artist painted the Chopin family?
|
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|
context-5_11_1.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
In eighteen twenty-nine the artist Ambrozy Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n seven]
|
question-5_11_8.mp3
| 22,050 |
Matthew
|
What artist painted the Chopin family?
|
56d3123b59d6e41400146204
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
Who in Chopin's family died shortly before they moved in 1827?
|
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_9.mp3
| 22,050 |
Ivy
|
Who in Chopin's family died shortly before they moved in eighteen twenty-seven?
|
56d3123b59d6e41400146205
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What year did Chopin leave Warsaw?
|
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_10.mp3
| 22,050 |
Joanna
|
What year did Chopin leave Warsaw?
|
56d3123b59d6e41400146206
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What was the Chopin boarding house called in English?
|
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"Chopin Family Parlour"
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_11.mp3
| 22,050 |
Justin
|
What was the Chopin boarding house called in English?
|
56d3123b59d6e41400146207
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
What artist made portraits of the Chopin family in 1829?
|
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|
context-5_11_1.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
In eighteen twenty-nine the artist Ambrozy Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n seven]
|
question-5_11_12.mp3
| 22,050 |
Olivia
|
What artist made portraits of the Chopin family in eighteen twenty-nine?
|
56d3123b59d6e41400146208
|
Frédéric_Chopin
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.[n 7]
|
Was the Chopin family boarding house for male or female students?
|
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"male"
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|
context-5_11_0.mp3
|
context-5_11.mp3
| 22,050 |
Kendra
|
In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście,[n 5] where Chopin lived until he left Warsaw in 1830.[n 6] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century.
|
In eighteen twenty-seven, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasinski Palace on Krakowskie Przedmiescie,[n five] where Chopin lived until he left Warsaw in eighteen thirty.[n six] Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinow) became a museum in the twentieth century.
|
question-5_11_13.mp3
| 22,050 |
Joey
|
Was the Chopin family boarding house for male or female students?
|
56cbe9436d243a140015eddf
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
Of the individuals that became intimate with Frédéric during their stay at the family apartments, which two became part of Frédéric's social environment in Paris?
|
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"Jan Matuszyński and Julian Fontana"
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|
context-5_12_0.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu.
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Bialoblocki, Jan Matuszynski and Julian Fontana; the latter two would become part of his Paris milieu.
|
question-5_12_0.mp3
| 22,050 |
Ivy
|
Of the individuals that became intimate with Frederic during their stay at the family apartments, which two became part of Frederic's social environment in Paris?
|
56cbe9436d243a140015ede0
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
Which singer was cited specifically as someone Frédéric was attracted to?
|
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4.03
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"text": [
"Konstancja Gładkowska"
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|
context-5_12_2.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
He was also attracted to the singing student Konstancja Gładkowska.
|
He was also attracted to the singing student Konstancja Gladkowska.
|
question-5_12_1.mp3
| 22,050 |
Kevin
|
Which singer was cited specifically as someone Frederic was attracted to?
|
56cf67c74df3c31400b0d72d
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
What four boys from his family's boarding house became friends with Chopin?
|
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|
context-5_12_0.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu.
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Bialoblocki, Jan Matuszynski and Julian Fontana; the latter two would become part of his Paris milieu.
|
question-5_12_2.mp3
| 22,050 |
Matthew
|
What four boys from his family's boarding house became friends with Chopin?
|
56cf67c74df3c31400b0d72e
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
Which singer did Chopin become fascinated with?
|
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"Konstancja Gładkowska"
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|
context-5_12_2.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
He was also attracted to the singing student Konstancja Gładkowska.
|
He was also attracted to the singing student Konstancja Gladkowska.
|
question-5_12_3.mp3
| 22,050 |
Joey
|
Which singer did Chopin become fascinated with?
|
56cf67c74df3c31400b0d72f
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
Which of Chopin's works was unknowingly dedicated to Gladkowska?
|
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"Piano Concerto No. 1 (in E minor)"
]
}
| null | null | null | null | null | null | null | null | null | null |
56cf67c74df3c31400b0d730
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
When did Chopin receive his last Conservatory report?
|
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|
context-5_12_4.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
one (in E minor) was secretly dedicated to her - "It should be like dreaming in beautiful springtime - by moonlight." His final Conservatory report (July eighteen twenty-nine) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
question-5_12_5.mp3
| 22,050 |
Joey
|
When did Chopin receive his last Conservatory report?
|
56d313b559d6e4140014620e
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
Which two of Chopin's friends became part of his Paris milieu?
|
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"Jan Matuszyński and Julian Fontana"
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}
|
context-5_12_0.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu.
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Bialoblocki, Jan Matuszynski and Julian Fontana; the latter two would become part of his Paris milieu.
|
question-5_12_6.mp3
| 22,050 |
Matthew
|
Which two of Chopin's friends became part of his Paris milieu?
|
56d313b559d6e4140014620f
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
What was the name of the singing student Chopin was attracted to?
|
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25.94201814058957
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24.28201814058957
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"Konstancja Gładkowska"
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}
|
context-5_12_2.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
He was also attracted to the singing student Konstancja Gładkowska.
|
He was also attracted to the singing student Konstancja Gladkowska.
|
question-5_12_7.mp3
| 22,050 |
Olivia
|
What was the name of the singing student Chopin was attracted to?
|
56d313b559d6e41400146210
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
To whom did Chopin reveal in letters which parts of his work were about the singing student he was infatuated with?
|
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68
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5.2
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5.2
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3.85
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"Tytus Woyciechowski"
]
}
|
context-5_12_0.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu.
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Bialoblocki, Jan Matuszynski and Julian Fontana; the latter two would become part of his Paris milieu.
|
question-5_12_8.mp3
| 22,050 |
Joey
|
To whom did Chopin reveal in letters which parts of his work were about the singing student he was infatuated with?
|
56d313b559d6e41400146211
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
What musical piece had a Larghetto dedicated to the female singing student Chopin was infatuated with?
|
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"text": [
"Piano Concerto No. 1 (in E minor)"
]
}
| null | null | null | null | null | null | null | null | null | null |
56d313b559d6e41400146212
|
Frédéric_Chopin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."
|
How many boarders of his family's boarding house became intimate friends with Chopin?
|
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|
context-5_12_0.mp3
|
context-5_12.mp3
| 22,050 |
Justin
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu.
|
Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Bialoblocki, Jan Matuszynski and Julian Fontana; the latter two would become part of his Paris milieu.
|
question-5_12_10.mp3
| 22,050 |
Kevin
|
How many boarders of his family's boarding house became intimate friends with Chopin?
|
56cbeb396d243a140015ede8
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
Who did Frédéric visit Berlin with in September 1828?
|
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"Feliks Jarocki"
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_0.mp3
| 22,050 |
Amy
|
Who did Frederic visit Berlin with in September eighteen twenty-eight?
|
56cbeb396d243a140015ede9
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
Which opera director did Frédéric see works of during his stay in Berlin?
|
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11.79
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"text": [
"Gaspare Spontini"
]
}
|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_1.mp3
| 22,050 |
Kevin
|
Which opera director did Frederic see works of during his stay in Berlin?
|
56cbeb396d243a140015edeb
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
Who was Frédéric a guest of during his stay in Berlin in 1829?
|
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|
context-5_13_1.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist.
|
On an eighteen twenty-nine return trip to Berlin, he was a guest of Prince Antoni Radziwill, governor of the Grand Duchy of Posen--himself an accomplished composer and aspiring cellist.
|
question-5_13_2.mp3
| 22,050 |
Justin
|
Who was Frederic a guest of during his stay in Berlin in eighteen twenty-nine?
|
56cbeb396d243a140015edec
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
What piece did Frédéric create specifically for the prince and the prince's daughter, Wanda?
|
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56cf69144df3c31400b0d745
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
When did Chopin visit Berlin?
|
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_4.mp3
| 22,050 |
Kevin
|
When did Chopin visit Berlin?
|
56cf69144df3c31400b0d746
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
With whom did Chopin go to Berlin?
|
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_5.mp3
| 22,050 |
Kimberly
|
With whom did Chopin go to Berlin?
|
56cf69144df3c31400b0d747
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
While in Berlin he saw the operatic work of who?
|
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_6.mp3
| 22,050 |
Kimberly
|
While in Berlin he saw the operatic work of who?
|
56cf69144df3c31400b0d748
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
In 1829 on a trip back to Berlin Chopin was a guest of who?
|
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|
context-5_13_1.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist.
|
On an eighteen twenty-nine return trip to Berlin, he was a guest of Prince Antoni Radziwill, governor of the Grand Duchy of Posen--himself an accomplished composer and aspiring cellist.
|
question-5_13_7.mp3
| 22,050 |
Salli
|
In eighteen twenty-nine on a trip back to Berlin Chopin was a guest of who?
|
56cf69144df3c31400b0d749
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
What piece did Chopin create for Prince Antoni?
|
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56d3148359d6e41400146218
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
What year did Chopin visit Berlin while still a student?
|
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_9.mp3
| 22,050 |
Salli
|
What year did Chopin visit Berlin while still a student?
|
56d3148359d6e41400146219
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
Who did Chopin go to Berlin with?
|
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_10.mp3
| 22,050 |
Emma
|
Who did Chopin go to Berlin with?
|
56d3148359d6e4140014621a
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
What did the person who Chopin went with to Berlin do for his work?
|
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"zoologist"
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_11.mp3
| 22,050 |
Olivia
|
What did the person who Chopin went with to Berlin do for his work?
|
56d3148359d6e4140014621b
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
Who directed the operas they enjoyed in Berlin?
|
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|
context-5_13_0.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
In September eighteen twenty-eight Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities.
|
question-5_13_12.mp3
| 22,050 |
Emma
|
Who directed the operas they enjoyed in Berlin?
|
56d3148359d6e4140014621c
|
Frédéric_Chopin
|
In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. 3.
|
What year did Chopin return to Berlin?
|
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|
context-5_13_1.mp3
|
context-5_13.mp3
| 22,050 |
Joey
|
On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen—himself an accomplished composer and aspiring cellist.
|
On an eighteen twenty-nine return trip to Berlin, he was a guest of Prince Antoni Radziwill, governor of the Grand Duchy of Posen--himself an accomplished composer and aspiring cellist.
|
question-5_13_13.mp3
| 22,050 |
Kimberly
|
What year did Chopin return to Berlin?
|
56cbedde6d243a140015edf2
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
What did Frédéric compose after hearing Niccolò Paganini perform on the violin?
|
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"Souvenir de Paganini"
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|
context-5_14_0.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini.
|
Back in Warsaw that year, Chopin heard Niccolo Paganini play the violin, and composed a set of variations, Souvenir de Paganini.
|
question-5_14_0.mp3
| 22,050 |
Kevin
|
What did Frederic compose after hearing Niccolo Paganini perform on the violin?
|
56cbedde6d243a140015edf4
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
During what month did Frédéric make his first appearance in Vienna?
|
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|
context-5_14_2.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
On eleven August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
question-5_14_1.mp3
| 22,050 |
Joey
|
During what month did Frederic make his first appearance in Vienna?
|
56cbedde6d243a140015edf5
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
How many piano concerts did Frédéric perform in Vienna during this time?
|
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|
context-5_14_3.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists".
|
He gave two piano concerts and received many favourable reviews--in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists".
|
question-5_14_2.mp3
| 22,050 |
Kendra
|
How many piano concerts did Frederic perform in Vienna during this time?
|
56cbedde6d243a140015edf6
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
On what date did Frédéric give his first performance of Piano Concerto No. 2 in F minor, Op. 21?
|
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|
context-5_14_8.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
21 on 17 March 1830.
|
twenty-one on seventeen March eighteen thirty.
|
question-5_14_3.mp3
| 22,050 |
Salli
|
On what date did Frederic give his first performance of Piano Concerto No. two in F minor, Op. twenty-one?
|
56cf6af94df3c31400b0d761
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
What did Chopin compose after hearing Niccolo Paganini?
|
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|
context-5_14_0.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini.
|
Back in Warsaw that year, Chopin heard Niccolo Paganini play the violin, and composed a set of variations, Souvenir de Paganini.
|
question-5_14_4.mp3
| 22,050 |
Justin
|
What did Chopin compose after hearing Niccolo Paganini?
|
56cf6af94df3c31400b0d762
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
Where did Chopin debut after completing his studies?
|
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|
context-5_14_2.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
On eleven August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
question-5_14_5.mp3
| 22,050 |
Amy
|
Where did Chopin debut after completing his studies?
|
56cf6af94df3c31400b0d763
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
What piece did Chopin debut after returning to Warsaw?
|
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"Piano Concerto No. 2 in F minor, Op. 21"
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| null | null | null | null | null | null | null | null | null | null |
56cf6af94df3c31400b0d764
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
When did Chopin return to Warsaw?
|
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|
context-5_14_6.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
He returned to Warsaw in September 1829, where he premiered his Piano Concerto No.
|
He returned to Warsaw in September eighteen twenty-nine, where he premiered his Piano Concerto No.
|
question-5_14_7.mp3
| 22,050 |
Kimberly
|
When did Chopin return to Warsaw?
|
56cf6af94df3c31400b0d765
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
Why did some critics say that Chopin was too delicate?
|
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|
context-5_14_3.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists".
|
He gave two piano concerts and received many favourable reviews--in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists".
|
question-5_14_8.mp3
| 22,050 |
Kendra
|
Why did some critics say that Chopin was too delicate?
|
56d315d159d6e41400146222
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
Who did Chopin hear play violin in 1829 that prompted him to write a composisition?
|
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"Niccolò Paganini"
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|
context-5_14_0.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini.
|
Back in Warsaw that year, Chopin heard Niccolo Paganini play the violin, and composed a set of variations, Souvenir de Paganini.
|
question-5_14_9.mp3
| 22,050 |
Olivia
|
Who did Chopin hear play violin in eighteen twenty-nine that prompted him to write a composisition?
|
56d315d159d6e41400146223
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
Where did Chopin make his debut after completing his education?
|
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|
context-5_14_2.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
On eleven August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
question-5_14_10.mp3
| 22,050 |
Kimberly
|
Where did Chopin make his debut after completing his education?
|
56d315d159d6e41400146224
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
How many public performances did Chopin do where he made his debut after completing his education?
|
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"two"
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|
context-5_14_3.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists".
|
He gave two piano concerts and received many favourable reviews--in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists".
|
question-5_14_11.mp3
| 22,050 |
Matthew
|
How many public performances did Chopin do where he made his debut after completing his education?
|
56d315d159d6e41400146225
|
Frédéric_Chopin
|
Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études, (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favourable reviews—in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on an aria from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.
|
How many weeks after completing school was it before Chopin made his public debut?
|
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|
context-5_14_2.mp3
|
context-5_14.mp3
| 22,050 |
Joey
|
On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
On eleven August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
|
question-5_14_12.mp3
| 22,050 |
Ivy
|
How many weeks after completing school was it before Chopin made his public debut?
|
56cbef3a6d243a140015edfc
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
On what date did Frédéric begin his journey into Western Europe?
|
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"2 November 1830"
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|
context-5_15_0.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on two November eighteen thirty, he set out, in the words of Zdzislaw Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
question-5_15_0.mp3
| 22,050 |
Amy
|
On what date did Frederic begin his journey into Western Europe?
|
56cbef3a6d243a140015edfd
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
Which country did Frédéric go to first after setting out for Western Europe?
|
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|
context-5_15_0.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on two November eighteen thirty, he set out, in the words of Zdzislaw Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
question-5_15_1.mp3
| 22,050 |
Amy
|
Which country did Frederic go to first after setting out for Western Europe?
|
56cbef3a6d243a140015edfe
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
In what year did his companion Woyciechowski depart to Poland to enlist for the uprising in Warsaw?
|
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|
context-5_15_1.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist.
|
Later that month, in Warsaw, the November eighteen thirty Uprising broke out, and Woyciechowski returned to Poland to enlist.
|
question-5_15_2.mp3
| 22,050 |
Kimberly
|
In what year did his companion Woyciechowski depart to Poland to enlist for the uprising in Warsaw?
|
56cbef3a6d243a140015ee00
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
What historian commented that the events involving Frédéric's friend in Poland contributed to his maturing?
|
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"Zdzisław Jachimecki"
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|
context-5_15_0.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on two November eighteen thirty, he set out, in the words of Zdzislaw Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
question-5_15_3.mp3
| 22,050 |
Amy
|
What historian commented that the events involving Frederic's friend in Poland contributed to his maturing?
|
56cf6ca44df3c31400b0d777
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
Who said that Chopin set out "into the wide world, with no very clearly defined aim, forever?"
|
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|
context-5_15_0.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on two November eighteen thirty, he set out, in the words of Zdzislaw Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
question-5_15_4.mp3
| 22,050 |
Salli
|
Who said that Chopin set out "into the wide world, with no very clearly defined aim, forever?"
|
56cf6ca44df3c31400b0d778
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
Who did Chopin leave for Austria with?
|
{
"answer_start": [
234
],
"audio_full_answer_end": [
15.58
],
"audio_full_answer_start": [
14.59
],
"audio_full_neg_answer_end": [
5.72
],
"audio_full_neg_answer_start": [
4.9
],
"audio_segment_answer_end": [
15.58
],
"audio_segment_answer_start": [
14.59
],
"text": [
"Woyciechowski"
]
}
|
context-5_15_0.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on two November eighteen thirty, he set out, in the words of Zdzislaw Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
question-5_15_5.mp3
| 22,050 |
Joey
|
Who did Chopin leave for Austria with?
|
56cf6ca44df3c31400b0d779
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
Where did Chopin intend to go after Austria?
|
{
"answer_start": [
294
],
"audio_full_answer_end": [
18.86
],
"audio_full_answer_start": [
18.34
],
"audio_full_neg_answer_end": [],
"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
18.86
],
"audio_segment_answer_start": [
18.34
],
"text": [
"Italy"
]
}
|
context-5_15_0.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on two November eighteen thirty, he set out, in the words of Zdzislaw Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy.
|
question-5_15_6.mp3
| 22,050 |
Matthew
|
Where did Chopin intend to go after Austria?
|
56cf6ca44df3c31400b0d77a
|
Frédéric_Chopin
|
Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
|
Woyciechowski left Chopin to enlist in what?
|
{
"answer_start": [
330
],
"audio_full_answer_end": [
22.926009070294782
],
"audio_full_answer_start": [
20.866009070294783
],
"audio_full_neg_answer_end": [],
"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
3.99
],
"audio_segment_answer_start": [
1.93
],
"text": [
"the November 1830 Uprising"
]
}
|
context-5_15_1.mp3
|
context-5_15.mp3
| 22,050 |
Joanna
|
Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist.
|
Later that month, in Warsaw, the November eighteen thirty Uprising broke out, and Woyciechowski returned to Poland to enlist.
|
question-5_15_7.mp3
| 22,050 |
Emma
|
Woyciechowski left Chopin to enlist in what?
|
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