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56cfdc7f234ae51400d9bf8b
|
Frédéric_Chopin
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
What is the name of the author Chopin met at a gathering put on by Marie d'Agoult?
|
{
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5.62
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6.49
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"audio_segment_answer_start": [
5.62
],
"text": [
"George Sand"
]
}
|
context-5_25_0.mp3
|
context-5_25.mp3
| 22,050 |
Joey
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin).
|
In eighteen thirty-six, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin).
|
question-5_25_3.mp3
| 22,050 |
Kimberly
|
What is the name of the author Chopin met at a gathering put on by Marie d'Agoult?
|
56cfdc7f234ae51400d9bf8e
|
Frédéric_Chopin
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
What was a possible reason for Chopin's failed engagement to Maria Wodzińska?
|
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38.39201814058957
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37.58201814058957
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"audio_full_neg_answer_start": [],
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2.92
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"audio_segment_answer_start": [
2.11
],
"text": [
"his poor health"
]
}
|
context-5_25_3.mp3
|
context-5_25.mp3
| 22,050 |
Joey
|
It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand.
|
It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand.
|
question-5_25_4.mp3
| 22,050 |
Ivy
|
What was a possible reason for Chopin's failed engagement to Maria Wodzinska?
|
56cfdc7f234ae51400d9bf8f
|
Frédéric_Chopin
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
What did Chopin write on the box of letters from Maria and her mother?
|
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51.094036281179136
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50.21403628117913
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"audio_full_neg_answer_start": [],
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7.39
],
"audio_segment_answer_start": [
6.51
],
"text": [
"My tragedy"
]
}
|
context-5_25_4.mp3
|
context-5_25.mp3
| 22,050 |
Joey
|
Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy".
|
Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy".
|
question-5_25_5.mp3
| 22,050 |
Matthew
|
What did Chopin write on the box of letters from Maria and her mother?
|
56d3234159d6e41400146288
|
Frédéric_Chopin
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
Who hosted the party whre Chopin met George Sand?
|
{
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30
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3.89
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3.04
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
3.89
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"audio_segment_answer_start": [
3.04
],
"text": [
"Marie d'Agoult"
]
}
|
context-5_25_0.mp3
|
context-5_25.mp3
| 22,050 |
Joey
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin).
|
In eighteen thirty-six, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin).
|
question-5_25_6.mp3
| 22,050 |
Brian
|
Who hosted the party whre Chopin met George Sand?
|
56d3234159d6e41400146289
|
Frédéric_Chopin
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
What year did Maria Wodzińska's mother tell Chopin that he likely would not marry her daughter?
|
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28.436009070294784
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27.236009070294784
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
4.7
],
"audio_segment_answer_start": [
3.5
],
"text": [
"1837"
]
}
|
context-5_25_2.mp3
|
context-5_25.mp3
| 22,050 |
Joey
|
Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed.
|
Is she really a woman?" However, by early eighteen thirty-seven Maria Wodzinska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed.
|
question-5_25_7.mp3
| 22,050 |
Joey
|
What year did Maria Wodzinska's mother tell Chopin that he likely would not marry her daughter?
|
56d3234159d6e4140014628b
|
Frédéric_Chopin
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
What did Chopin write on the package that contained letters from Maria and her mother?
|
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713
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51.094036281179136
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50.21403628117913
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
7.39
],
"audio_segment_answer_start": [
6.51
],
"text": [
"My tragedy"
]
}
|
context-5_25_4.mp3
|
context-5_25.mp3
| 22,050 |
Joey
|
Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy".
|
Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy".
|
question-5_25_8.mp3
| 22,050 |
Amy
|
What did Chopin write on the package that contained letters from Maria and her mother?
|
56d3234159d6e4140014628c
|
Frédéric_Chopin
|
In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
Who did Sand confide to in a letter about her feelings for Chopin in June, 1838?
|
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53.61807256235828
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52.89807256235827
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
2.45
],
"audio_segment_answer_start": [
1.73
],
"text": [
"Grzymała"
]
}
|
context-5_25_5.mp3
|
context-5_25.mp3
| 22,050 |
Joey
|
Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over.
|
Sand, in a letter to Grzymala of June eighteen thirty-eight, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymala to assess Chopin's relationship with Maria Wodzinska, without realising that the affair, at least from Maria's side, was over.
|
question-5_25_9.mp3
| 22,050 |
Kimberly
|
Who did Sand confide to in a letter about her feelings for Chopin in June, eighteen thirty-eight?
|
56cc07886d243a140015ee64
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
What city did Frédéric visit in June 1837?
|
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28
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3.62
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3.24
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3.62
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3.24
],
"text": [
"London"
]
}
|
context-5_26_0.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood.
|
In June eighteen thirty-seven Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soiree at the house of English piano maker James Broadwood.
|
question-5_26_0.mp3
| 22,050 |
Amy
|
What city did Frederic visit in June eighteen thirty-seven?
|
56cc07886d243a140015ee65
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
What event occurred on Frédéric's return to Paris?
|
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17.708027210884353
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15.078027210884354
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"audio_full_neg_answer_start": [],
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4.46
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"audio_segment_answer_start": [
1.83
],
"text": [
"his association with Sand began in earnest"
]
}
|
context-5_26_1.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers.
|
On his return to Paris, his association with Sand began in earnest, and by the end of June eighteen thirty-eight they had become lovers.
|
question-5_26_1.mp3
| 22,050 |
Justin
|
What event occurred on Frederic's return to Paris?
|
56cc07886d243a140015ee66
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
How many years older was George Sand compared to Frédéric?
|
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1.6
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1.27
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"text": [
"six"
]
}
|
context-5_26_2.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ...
|
Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ...
|
question-5_26_2.mp3
| 22,050 |
Joanna
|
How many years older was George Sand compared to Frederic?
|
56cc07886d243a140015ee67
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
What adjective is used to describe Frédéric and Sand's time together during the winter of 1838?
|
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9.53
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8.99
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"text": [
"miserable"
]
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|
context-5_26_3.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille.
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (eight November eighteen thirty-eight to thirteen February eighteen thirty-nine), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's fifteen-year-old son Maurice, and also to escape the threats of Sand's former lover Felicien Mallefille.
|
question-5_26_3.mp3
| 22,050 |
Justin
|
What adjective is used to describe Frederic and Sand's time together during the winter of eighteen thirty-eight?
|
56cc07886d243a140015ee68
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
Where did Frédéric and Sand venture to after Majorca became unlivable when it was discovered they were not married?
|
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5.71
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4.87
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"text": [
"Valldemossa"
]
}
|
context-5_26_5.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
question-5_26_4.mp3
| 22,050 |
Olivia
|
Where did Frederic and Sand venture to after Majorca became unlivable when it was discovered they were not married?
|
56cfdd64234ae51400d9bf97
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
With whom did Chopin go to London with in 1837?
|
{
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6.86
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"audio_segment_answer_end": [
7.79
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"audio_segment_answer_start": [
6.86
],
"text": [
"Camille Pleyel"
]
}
|
context-5_26_0.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood.
|
In June eighteen thirty-seven Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soiree at the house of English piano maker James Broadwood.
|
question-5_26_5.mp3
| 22,050 |
Emma
|
With whom did Chopin go to London with in eighteen thirty-seven?
|
56cfdd64234ae51400d9bf98
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
What was James Broadwood's occupation?
|
{
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161
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12.03
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"audio_full_answer_start": [
11.14
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12.03
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"audio_segment_answer_start": [
11.14
],
"text": [
"piano maker"
]
}
|
context-5_26_0.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood.
|
In June eighteen thirty-seven Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soiree at the house of English piano maker James Broadwood.
|
question-5_26_6.mp3
| 22,050 |
Matthew
|
What was James Broadwood's occupation?
|
56cfdd64234ae51400d9bf99
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
How much older was George Sands than Chopin?
|
{
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23.54605442176871
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22.84605442176871
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1.97
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1.27
],
"text": [
"six years"
]
}
|
context-5_26_2.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ...
|
Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ...
|
question-5_26_7.mp3
| 22,050 |
Justin
|
How much older was George Sands than Chopin?
|
56cfdd64234ae51400d9bf9a
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
During Sands and Chopin's visit to Majorca who were they fleeing?
|
{
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62.2220634920635
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60.68206349206349
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28.91
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"audio_segment_answer_start": [
27.37
],
"text": [
"Félicien Mallefille"
]
}
|
context-5_26_3.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille.
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (eight November eighteen thirty-eight to thirteen February eighteen thirty-nine), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's fifteen-year-old son Maurice, and also to escape the threats of Sand's former lover Felicien Mallefille.
|
question-5_26_8.mp3
| 22,050 |
Kevin
|
During Sands and Chopin's visit to Majorca who were they fleeing?
|
56cfdd64234ae51400d9bf9b
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
After it became known that Sands and Chopin were unmarried where did they end up taking up shelter?
|
{
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76.7281179138322
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74.6281179138322
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
4.68
],
"audio_segment_answer_start": [
2.58
],
"text": [
"a former Carthusian monastery"
]
}
|
context-5_26_5.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
question-5_26_9.mp3
| 22,050 |
Salli
|
After it became known that Sands and Chopin were unmarried where did they end up taking up shelter?
|
56d323fb59d6e41400146292
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
When did Chopin and Sand become lovers?
|
{
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276
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20.268027210884355
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18.748027210884352
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
7.02
],
"audio_segment_answer_start": [
5.5
],
"text": [
"June 1838"
]
}
|
context-5_26_1.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers.
|
On his return to Paris, his association with Sand began in earnest, and by the end of June eighteen thirty-eight they had become lovers.
|
question-5_26_10.mp3
| 22,050 |
Emma
|
When did Chopin and Sand become lovers?
|
56d323fb59d6e41400146293
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
Where did Chopin and Sand go between November 1838 and February 1839?
|
{
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680
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44.022063492063495
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"audio_full_answer_start": [
43.35206349206349
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39.10206349206349
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"audio_full_neg_answer_start": [
38.60206349206349
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"audio_segment_answer_end": [
10.71
],
"audio_segment_answer_start": [
10.04
],
"text": [
"Majorca"
]
}
|
context-5_26_3.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille.
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (eight November eighteen thirty-eight to thirteen February eighteen thirty-nine), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's fifteen-year-old son Maurice, and also to escape the threats of Sand's former lover Felicien Mallefille.
|
question-5_26_11.mp3
| 22,050 |
Emma
|
Where did Chopin and Sand go between November eighteen thirty-eight and February eighteen thirty-nine?
|
56d323fb59d6e41400146294
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
Who joined Chopin and Sand on their trip to Majorca?
|
{
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51.32206349206349
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50.1120634920635
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
18.01
],
"audio_segment_answer_start": [
16.8
],
"text": [
"Sand's two children"
]
}
|
context-5_26_3.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille.
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (eight November eighteen thirty-eight to thirteen February eighteen thirty-nine), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's fifteen-year-old son Maurice, and also to escape the threats of Sand's former lover Felicien Mallefille.
|
question-5_26_12.mp3
| 22,050 |
Joanna
|
Who joined Chopin and Sand on their trip to Majorca?
|
56d323fb59d6e41400146295
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
One of the reasons Chopin and Sand went to Majorca was to escape the threats of who?
|
{
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62.2220634920635
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60.68206349206349
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"audio_full_neg_answer_start": [],
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28.91
],
"audio_segment_answer_start": [
27.37
],
"text": [
"Félicien Mallefille."
]
}
|
context-5_26_3.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille.
|
I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (eight November eighteen thirty-eight to thirteen February eighteen thirty-nine), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's fifteen-year-old son Maurice, and also to escape the threats of Sand's former lover Felicien Mallefille.
|
question-5_26_13.mp3
| 22,050 |
Kevin
|
One of the reasons Chopin and Sand went to Majorca was to escape the threats of who?
|
56d323fb59d6e41400146296
|
Frédéric_Chopin
|
In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838 they had become lovers. Sand, who was six years older than the composer, and who had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving the health of Chopin and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple were not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
Where did Chopin and Sand stay in Valldemossa?
|
{
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76.7281179138322
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74.6281179138322
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
4.68
],
"audio_segment_answer_start": [
2.58
],
"text": [
"a former Carthusian monastery"
]
}
|
context-5_26_5.mp3
|
context-5_26.mp3
| 22,050 |
Kendra
|
This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.
|
question-5_26_14.mp3
| 22,050 |
Olivia
|
Where did Chopin and Sand stay in Valldemossa?
|
56cc08eb6d243a140015ee6e
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
How many doctors saw Frédéric by the 3rd of December?
|
{
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0.62
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"audio_full_answer_start": [
0.3
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0.69
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"audio_full_neg_answer_start": [
0.1
],
"audio_segment_answer_end": [
0.62
],
"audio_segment_answer_start": [
0.3
],
"text": [
"Three"
]
}
|
context-5_27_0.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
On three December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
question-5_27_0.mp3
| 22,050 |
Salli
|
How many doctors saw Frederic by the third of December?
|
56cc08eb6d243a140015ee6f
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
What did Frédéric have trouble playing as a result of his growing illness?
|
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18.00201814058957
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10.472018140589569
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9.84201814058957
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9.65
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"audio_segment_answer_start": [
9.15
],
"text": [
"piano"
]
}
|
context-5_27_1.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him.
|
The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him.
|
question-5_27_1.mp3
| 22,050 |
Justin
|
What did Frederic have trouble playing as a result of his growing illness?
|
56cc08eb6d243a140015ee70
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
What condition did Frédéric describe the piano that arrived to him through many dangerous obstacles?
|
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3.08
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"best possible condition"
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}
|
context-5_27_5.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No.
|
I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No.
|
question-5_27_2.mp3
| 22,050 |
Olivia
|
What condition did Frederic describe the piano that arrived to him through many dangerous obstacles?
|
56cfddc4234ae51400d9bfa1
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
How many doctors visited Chopin?
|
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"audio_segment_answer_start": [
0.3
],
"text": [
"3"
]
}
|
context-5_27_0.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
On three December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
question-5_27_3.mp3
| 22,050 |
Kevin
|
How many doctors visited Chopin?
|
56cfddc4234ae51400d9bfa2
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
What month did Chopin's piano arrive?
|
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"December"
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|
context-5_27_0.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
On three December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
question-5_27_4.mp3
| 22,050 |
Salli
|
What month did Chopin's piano arrive?
|
56d347fb59d6e4140014629c
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
What did Chopin compalin about?
|
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2.78
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"his bad health"
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|
context-5_27_0.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
On three December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
question-5_27_5.mp3
| 22,050 |
Salli
|
What did Chopin compalin about?
|
56d347fb59d6e4140014629d
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
What did Chopin have a hard time getting delivered to Majorca?
|
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18.00201814058957
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16.872018140589567
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9.65
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"audio_segment_answer_start": [
8.52
],
"text": [
"his Pleyel piano"
]
}
|
context-5_27_1.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him.
|
The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him.
|
question-5_27_6.mp3
| 22,050 |
Kevin
|
What did Chopin have a hard time getting delivered to Majorca?
|
56d347fb59d6e4140014629f
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
What month did Chopin's Pleyel piano arrive in Majorca?
|
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2.19
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1.26
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0.62
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"text": [
"December"
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}
|
context-5_27_0.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
On three December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ...
|
question-5_27_7.mp3
| 22,050 |
Olivia
|
What month did Chopin's Pleyel piano arrive in Majorca?
|
56d347fb59d6e414001462a0
|
Frédéric_Chopin
|
On 3 December, Chopin complained about his bad health and the incompetence of the doctors in Majorca: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him. It finally arrived from Paris in December. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs." Chopin was also able to undertake work on his Ballade No. 2, Op. 38; two Polonaises, Op. 40; and the Scherzo No. 3, Op. 39.
|
Who did Chopin send his Preludes to?
|
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17.50201814058957
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17.09201814058957
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9.802018140589569
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9.382018140589569
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"audio_segment_answer_end": [
9.15
],
"audio_segment_answer_start": [
8.74
],
"text": [
"Pleyel"
]
}
|
context-5_27_1.mp3
|
context-5_27.mp3
| 22,050 |
Brian
|
The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him.
|
The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him.
|
question-5_27_8.mp3
| 22,050 |
Joanna
|
Who did Chopin send his Preludes to?
|
56cc0d816d243a140015ee78
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
What is stated as having a negative effect on Frédéric's health during this productive time?
|
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46
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3.31
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3.31
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2.65
],
"text": [
"bad weather"
]
}
|
context-5_28_0.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island.
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island.
|
question-5_28_0.mp3
| 22,050 |
Joey
|
What is stated as having a negative effect on Frederic's health during this productive time?
|
56cc0d816d243a140015ee79
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
What culture of French people did Sand sell the piano to?
|
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14.49
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13.92
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"audio_segment_answer_end": [
6.09
],
"audio_segment_answer_start": [
5.52
],
"text": [
"Canuts"
]
}
|
context-5_28_1.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n eight] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
question-5_28_1.mp3
| 22,050 |
Kendra
|
What culture of French people did Sand sell the piano to?
|
56cc0d816d243a140015ee7a
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
What city did the group travel to in order to help Frédéric recover?
|
{
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292
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19.32
],
"audio_full_answer_start": [
18.65
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
10.92
],
"audio_segment_answer_start": [
10.25
],
"text": [
"Marseilles"
]
}
|
context-5_28_1.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n eight] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
question-5_28_2.mp3
| 22,050 |
Olivia
|
What city did the group travel to in order to help Frederic recover?
|
56cc0d816d243a140015ee7b
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Where was Sand's estate located where they stayed for the summers until 1846?
|
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27.69201814058957
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27.10201814058957
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
4.7
],
"audio_segment_answer_start": [
4.11
],
"text": [
"Nohant"
]
}
|
context-5_28_2.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846.
|
In May eighteen thirty-nine they headed for the summer to Sand's estate at Nohant, where they spent most summers until eighteen forty-six.
|
question-5_28_3.mp3
| 22,050 |
Matthew
|
Where was Sand's estate located where they stayed for the summers until eighteen forty-six?
|
56cc0d816d243a140015ee7c
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Where did Frédéric and Sand move to in 1842 in buildings next to each other?
|
{
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48.980090702947855
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47.770090702947854
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
4.22
],
"audio_segment_answer_start": [
3.01
],
"text": [
"Square d'Orléans"
]
}
|
context-5_28_5.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
In eighteen forty-two he and Sand moved to the Square d'Orleans, living in adjacent buildings.
|
question-5_28_4.mp3
| 22,050 |
Joey
|
Where did Frederic and Sand move to in eighteen forty-two in buildings next to each other?
|
56cfde92234ae51400d9bfb7
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Who did Sand sell Chopin's piano to?
|
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14.49
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"audio_full_answer_start": [
13.780000000000001
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
6.09
],
"audio_segment_answer_start": [
5.38
],
"text": [
"the Canuts"
]
}
|
context-5_28_1.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n eight] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
question-5_28_5.mp3
| 22,050 |
Emma
|
Who did Sand sell Chopin's piano to?
|
56cfde92234ae51400d9bfb8
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Where did the group travel to after Barcelona?
|
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292
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19.32
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18.65
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
10.92
],
"audio_segment_answer_start": [
10.25
],
"text": [
"Marseilles"
]
}
|
context-5_28_1.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n eight] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
question-5_28_6.mp3
| 22,050 |
Kimberly
|
Where did the group travel to after Barcelona?
|
56cfde92234ae51400d9bfb9
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Where was Sand's home?
|
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27.69201814058957
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27.10201814058957
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4.7
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"audio_segment_answer_start": [
4.11
],
"text": [
"Nohant"
]
}
|
context-5_28_2.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846.
|
In May eighteen thirty-nine they headed for the summer to Sand's estate at Nohant, where they spent most summers until eighteen forty-six.
|
question-5_28_7.mp3
| 22,050 |
Matthew
|
Where was Sand's home?
|
56cfde92234ae51400d9bfba
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
After returning to Paris where was Chopin's apartment?
|
{
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3.72
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"text": [
"5 rue Tronchet"
]
}
|
context-5_28_3.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle.
|
In autumn they returned to Paris, where Chopin's apartment at five rue Tronchet was close to Sand's rented accommodation at the rue Pigalle.
|
question-5_28_8.mp3
| 22,050 |
Amy
|
After returning to Paris where was Chopin's apartment?
|
56cfde92234ae51400d9bfbb
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
In 1842 where did Chopin and Sand move?
|
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3.01
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"text": [
"Square d'Orléans"
]
}
|
context-5_28_5.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
In eighteen forty-two he and Sand moved to the Square d'Orleans, living in adjacent buildings.
|
question-5_28_9.mp3
| 22,050 |
Kimberly
|
In eighteen forty-two where did Chopin and Sand move?
|
56d34c7c59d6e414001462a6
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
What had a negative effect on Chopin's health?
|
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"text": [
"the bad weather"
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|
context-5_28_0.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island.
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island.
|
question-5_28_10.mp3
| 22,050 |
Kendra
|
What had a negative effect on Chopin's health?
|
56d34c7c59d6e414001462a7
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Who did Sand sell the piano to?
|
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5.38
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"text": [
"the Canuts."
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}
|
context-5_28_1.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n eight] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
question-5_28_11.mp3
| 22,050 |
Matthew
|
Who did Sand sell the piano to?
|
56d34c7c59d6e414001462a8
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Where did they travel after leaving Barcelona?
|
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18.65
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10.92
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"audio_segment_answer_start": [
10.25
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"text": [
"Marseilles"
]
}
|
context-5_28_1.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n eight] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
|
question-5_28_12.mp3
| 22,050 |
Joanna
|
Where did they travel after leaving Barcelona?
|
56d34c7c59d6e414001462a9
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Where did Chopin and Sand move to in 1842?
|
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4.22
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3.01
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"text": [
"Square d'Orléans"
]
}
|
context-5_28_5.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
In eighteen forty-two he and Sand moved to the Square d'Orleans, living in adjacent buildings.
|
question-5_28_13.mp3
| 22,050 |
Joey
|
Where did Chopin and Sand move to in eighteen forty-two?
|
56d34c7c59d6e414001462aa
|
Frédéric_Chopin
|
Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.
|
Where did they spend most summers until 1846?
|
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27.69201814058957
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4.7
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"audio_segment_answer_start": [
4.11
],
"text": [
"Nohant"
]
}
|
context-5_28_2.mp3
|
context-5_28.mp3
| 22,050 |
Kimberly
|
In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846.
|
In May eighteen thirty-nine they headed for the summer to Sand's estate at Nohant, where they spent most summers until eighteen forty-six.
|
question-5_28_14.mp3
| 22,050 |
Ivy
|
Where did they spend most summers until eighteen forty-six?
|
56cc0f056d243a140015ee83
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
What event were Chopin and Sand at on 26 July 1840?
|
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17.31403628117914
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7.57
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4.59
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"text": [
"Berlioz's Grande symphonie funèbre et triomphale"
]
}
|
context-5_29_1.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
On twenty-six July eighteen forty Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funebre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
question-5_29_0.mp3
| 22,050 |
Joey
|
What event were Chopin and Sand at on twenty-six July eighteen forty?
|
56cc0f056d243a140015ee84
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
What anniversary was the July Revolution that Sand and Chopin were present at a dress rehearsal for?
|
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19.06403628117914
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9.32
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"audio_segment_answer_start": [
8.97
],
"text": [
"tenth"
]
}
|
context-5_29_1.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
On twenty-six July eighteen forty Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funebre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
question-5_29_1.mp3
| 22,050 |
Emma
|
What anniversary was the July Revolution that Sand and Chopin were present at a dress rehearsal for?
|
56cfdf00234ae51400d9bfc7
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
At whose funeral did Chopin play in 1839?
|
{
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"text": [
"Adolphe Nourrit"
]
}
|
context-5_29_0.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
At the funeral of the tenor Adolphe Nourrit in Paris in eighteen thirty-nine, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
question-5_29_2.mp3
| 22,050 |
Amy
|
At whose funeral did Chopin play in eighteen thirty-nine?
|
56cfdf00234ae51400d9bfc8
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
What instrument did Chopin play at Adolphe Nourrit's funeral?
|
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6.33
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5.88
],
"text": [
"organ"
]
}
|
context-5_29_0.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
At the funeral of the tenor Adolphe Nourrit in Paris in eighteen thirty-nine, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
question-5_29_3.mp3
| 22,050 |
Justin
|
What instrument did Chopin play at Adolphe Nourrit's funeral?
|
56cfdf00234ae51400d9bfc9
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
What piece did Chopin play at Adolphe Nourrit's funeral?
|
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"text": [
"Franz Schubert's lied Die Gestirne"
]
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|
context-5_29_0.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
At the funeral of the tenor Adolphe Nourrit in Paris in eighteen thirty-nine, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
question-5_29_4.mp3
| 22,050 |
Amy
|
What piece did Chopin play at Adolphe Nourrit's funeral?
|
56d34dea59d6e414001462b0
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
Chopin attended the funeral of who in 1839?
|
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"Adolphe Nourrit"
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|
context-5_29_0.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
At the funeral of the tenor Adolphe Nourrit in Paris in eighteen thirty-nine, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
question-5_29_5.mp3
| 22,050 |
Kimberly
|
Chopin attended the funeral of who in eighteen thirty-nine?
|
56d34dea59d6e414001462b1
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
What did Chopin play at the funeral?
|
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"text": [
"Franz Schubert's lied Die Gestirne."
]
}
|
context-5_29_0.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
At the funeral of the tenor Adolphe Nourrit in Paris in eighteen thirty-nine, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne.
|
question-5_29_6.mp3
| 22,050 |
Brian
|
What did Chopin play at the funeral?
|
56d34dea59d6e414001462b3
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
What was the dress rehearsal for?
|
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17.31403628117914
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4.59
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"Berlioz's Grande symphonie funèbre et triomphale"
]
}
|
context-5_29_1.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
On twenty-six July eighteen forty Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funebre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
question-5_29_7.mp3
| 22,050 |
Amy
|
What was the dress rehearsal for?
|
56d34dea59d6e414001462b4
|
Frédéric_Chopin
|
At the funeral of the tenor Adolphe Nourrit in Paris in 1839, Chopin made a rare appearance at the organ, playing a transcription of Franz Schubert's lied Die Gestirne. On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.
|
It was in commemoration of the tenth anniversary of what?
|
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11.45
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"audio_segment_answer_start": [
10.18
],
"text": [
"the July Revolution."
]
}
|
context-5_29_1.mp3
|
context-5_29.mp3
| 22,050 |
Kevin
|
On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
On twenty-six July eighteen forty Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funebre et triomphale, composed to commemorate the tenth anniversary of the July Revolution.
|
question-5_29_8.mp3
| 22,050 |
Salli
|
It was in commemoration of the tenth anniversary of what?
|
56cc100b6d243a140015ee8a
|
Frédéric_Chopin
|
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
What is the example given of a work produced by Frédéric during calm summers at Nohant?
|
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"text": [
"Polonaise in A-flat major, Op. 53"
]
}
| null | null | null | null | null | null | null | null | null | null |
56cc100b6d243a140015ee8c
|
Frédéric_Chopin
|
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
Which of the two people that visited Chopin were tutored by him on piano?
|
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4.43
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3.43
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"text": [
"Pauline Viardot"
]
}
|
context-5_30_2.mp3
|
context-5_30.mp3
| 22,050 |
Justin
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
question-5_30_1.mp3
| 22,050 |
Kimberly
|
Which of the two people that visited Chopin were tutored by him on piano?
|
56cc100b6d243a140015ee8d
|
Frédéric_Chopin
|
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
On what date did Delacroix write a letter based on his visit at Nohant?
|
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4.67
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3.07
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"text": [
"7 June 1842"
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|
context-5_30_3.mp3
|
context-5_30.mp3
| 22,050 |
Justin
|
Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
Delacroix gives an account of staying at Nohant in a letter of seven June eighteen forty-two:
|
question-5_30_2.mp3
| 22,050 |
Kendra
|
On what date did Delacroix write a letter based on his visit at Nohant?
|
56cfdf7b234ae51400d9bfd6
|
Frédéric_Chopin
|
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
What did Chopin help Pauline Viardot with?
|
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8.21
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6.22
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"piano technique and composition"
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|
context-5_30_2.mp3
|
context-5_30.mp3
| 22,050 |
Justin
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
question-5_30_3.mp3
| 22,050 |
Kimberly
|
What did Chopin help Pauline Viardot with?
|
56d34ffe59d6e414001462bb
|
Frédéric_Chopin
|
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
Who were two visitors to Chopin while in Nohant?
|
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"Delacroix and the mezzo-soprano Pauline Viardot"
]
}
|
context-5_30_2.mp3
|
context-5_30.mp3
| 22,050 |
Justin
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
question-5_30_4.mp3
| 22,050 |
Emma
|
Who were two visitors to Chopin while in Nohant?
|
56d34ffe59d6e414001462bc
|
Frédéric_Chopin
|
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
What two things did Chopin advise Viardot on?
|
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22.32201814058957
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8.21
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6.22
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"text": [
"piano technique and composition."
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}
|
context-5_30_2.mp3
|
context-5_30.mp3
| 22,050 |
Justin
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
question-5_30_5.mp3
| 22,050 |
Salli
|
What two things did Chopin advise Viardot on?
|
56d34ffe59d6e414001462bd
|
Frédéric_Chopin
|
During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:
|
Who wrote a letter on June 7, 1842 about a stay in Nohant?
|
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16.45201814058957
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2.34
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1.83
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"text": [
"Delacroix"
]
}
|
context-5_30_2.mp3
|
context-5_30.mp3
| 22,050 |
Justin
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
|
question-5_30_6.mp3
| 22,050 |
Ivy
|
Who wrote a letter on June seven, eighteen forty-two about a stay in Nohant?
|
56cc12376d243a140015ee92
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
In which year did Chopin begin experiencing a serious decline in health?
|
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1.6
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"1842"
]
}
|
context-5_31_0.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
From 1842 onwards, Chopin showed signs of serious illness.
|
From eighteen forty-two onwards, Chopin showed signs of serious illness.
|
question-5_31_0.mp3
| 22,050 |
Ivy
|
In which year did Chopin begin experiencing a serious decline in health?
|
56cc12376d243a140015ee93
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
To whom did Chopin write a letter on 21 February 1842 about his agonizing pain?
|
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11.49
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6.45
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"audio_segment_answer_start": [
5.6
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"text": [
"Grzymała"
]
}
|
context-5_31_1.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843.
|
After a solo recital in Paris on twenty-one February eighteen forty-two, he wrote to Grzymala: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on one March eighteen forty-three.
|
question-5_31_1.mp3
| 22,050 |
Justin
|
To whom did Chopin write a letter on twenty-one February eighteen forty-two about his agonizing pain?
|
56cc12376d243a140015ee94
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
What performance was Chopin forced to decline due to his increasing ill health?
|
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18.25
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"text": [
"Beethoven Seventh Symphony arrangement at Erard's"
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|
context-5_31_1.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843.
|
After a solo recital in Paris on twenty-one February eighteen forty-two, he wrote to Grzymala: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on one March eighteen forty-three.
|
question-5_31_2.mp3
| 22,050 |
Ivy
|
What performance was Chopin forced to decline due to his increasing ill health?
|
56cc12376d243a140015ee95
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
What instrument did Chopin play for Charles Hallé when the latter visited him?
|
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41.66
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12.86
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"piano"
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|
context-5_31_2.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor.
|
Late in eighteen forty-four, Charles Halle visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor.
|
question-5_31_3.mp3
| 22,050 |
Amy
|
What instrument did Chopin play for Charles Halle when the latter visited him?
|
56cc12376d243a140015ee96
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
What has current day research suggested that Chopin was suffering from alongside his other illnesses?
|
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54.48004535147392
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53.04004535147392
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6.96
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5.52
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"temporal lobe epilepsy"
]
}
|
context-5_31_4.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
question-5_31_4.mp3
| 22,050 |
Brian
|
What has current day research suggested that Chopin was suffering from alongside his other illnesses?
|
56cfe09e234ae51400d9bfd9
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Starting in what year did Chopin start showing evidence of very bad health?
|
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|
context-5_31_0.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
From 1842 onwards, Chopin showed signs of serious illness.
|
From eighteen forty-two onwards, Chopin showed signs of serious illness.
|
question-5_31_5.mp3
| 22,050 |
Ivy
|
Starting in what year did Chopin start showing evidence of very bad health?
|
56cfe09e234ae51400d9bfda
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
What second performance did Chopin have to decline to play?
|
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"Beethoven Seventh Symphony arrangement"
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|
context-5_31_1.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843.
|
After a solo recital in Paris on twenty-one February eighteen forty-two, he wrote to Grzymala: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on one March eighteen forty-three.
|
question-5_31_6.mp3
| 22,050 |
Justin
|
What second performance did Chopin have to decline to play?
|
56cfe09e234ae51400d9bfdb
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
What specific illness does modern evidence point to Chopin having?
|
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|
context-5_31_4.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
question-5_31_7.mp3
| 22,050 |
Ivy
|
What specific illness does modern evidence point to Chopin having?
|
56d3536159d6e414001462c2
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
When did Chopin show signs of serious illness?
|
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|
context-5_31_0.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
From 1842 onwards, Chopin showed signs of serious illness.
|
From eighteen forty-two onwards, Chopin showed signs of serious illness.
|
question-5_31_8.mp3
| 22,050 |
Kendra
|
When did Chopin show signs of serious illness?
|
56d3536159d6e414001462c3
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Chopin wrote in 1842 that he had to lie in bed all day because what ached so much?
|
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"mouth and tonsils"
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|
context-5_31_1.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843.
|
After a solo recital in Paris on twenty-one February eighteen forty-two, he wrote to Grzymala: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on one March eighteen forty-three.
|
question-5_31_9.mp3
| 22,050 |
Kevin
|
Chopin wrote in eighteen forty-two that he had to lie in bed all day because what ached so much?
|
56d3536159d6e414001462c4
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Chopin had to decline who's invitation in 1843 to particpate in a performance at Erard's?
|
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"Alkan"
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|
context-5_31_1.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843.
|
After a solo recital in Paris on twenty-one February eighteen forty-two, he wrote to Grzymala: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on one March eighteen forty-three.
|
question-5_31_10.mp3
| 22,050 |
Kimberly
|
Chopin had to decline who's invitation in eighteen forty-three to particpate in a performance at Erard's?
|
56d3536159d6e414001462c5
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Who visited Chopin in 1844 and wrote about his inability to move?
|
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"Charles Hallé"
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|
context-5_31_2.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor.
|
Late in eighteen forty-four, Charles Halle visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor.
|
question-5_31_11.mp3
| 22,050 |
Matthew
|
Who visited Chopin in eighteen forty-four and wrote about his inability to move?
|
56d3536159d6e414001462c6
|
Frédéric_Chopin
|
From 1842 onwards, Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven Seventh Symphony arrangement at Erard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Modern medicine indicates Chopin may have suffered from what condition?
|
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"temporal lobe epilepsy."
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|
context-5_31_4.mp3
|
context-5_31.mp3
| 22,050 |
Joey
|
Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
|
question-5_31_12.mp3
| 22,050 |
Olivia
|
Modern medicine indicates Chopin may have suffered from what condition?
|
56cc13956d243a140015ee9c
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
What was the name of Sand's daughter's fiance that contributed to deteriorating the relationship between Sand and Chopin?
|
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"Auguste Clésinger"
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|
context-5_32_0.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger.
|
Chopin's relations with Sand were soured in eighteen forty-six by problems involving her daughter Solange and Solange's fiance, the young fortune-hunting sculptor Auguste Clesinger.
|
question-5_32_0.mp3
| 22,050 |
Brian
|
What was the name of Sand's daughter's fiance that contributed to deteriorating the relationship between Sand and Chopin?
|
56cc13956d243a140015ee9d
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
What was the interest Sand had that Chopin showed apathy towards?
|
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"text": [
"radical political pursuits"
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|
context-5_32_2.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain.
|
Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain.
|
question-5_32_1.mp3
| 22,050 |
Joey
|
What was the interest Sand had that Chopin showed apathy towards?
|
56cc13956d243a140015ee9e
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
What did Sand begin referring to Chopin as as his illness got worse?
|
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"text": [
"third child"
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|
context-5_32_3.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child".
|
As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child".
|
question-5_32_2.mp3
| 22,050 |
Salli
|
What did Sand begin referring to Chopin as as his illness got worse?
|
56cc13956d243a140015ee9f
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
What was the name of Sand's novel she published in reference to her situation with Chopin?
|
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"Lucrezia Floriani"
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|
context-5_32_4.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In eighteen forty-seven Sand published her novel Lucrezia Floriani, whose main characters--a rich actress and a prince in weak health--could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
question-5_32_3.mp3
| 22,050 |
Kendra
|
What was the name of Sand's novel she published in reference to her situation with Chopin?
|
56cc13956d243a140015eea0
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
In what year did Chopin and Sand ultimately bring their relationship to a close?
|
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context-5_32_4.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In eighteen forty-seven Sand published her novel Lucrezia Floriani, whose main characters--a rich actress and a prince in weak health--could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
question-5_32_4.mp3
| 22,050 |
Emma
|
In what year did Chopin and Sand ultimately bring their relationship to a close?
|
56cfe169234ae51400d9bfeb
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
When did Chopin's relationship with Sand start to deteriorate?
|
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|
context-5_32_0.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger.
|
Chopin's relations with Sand were soured in eighteen forty-six by problems involving her daughter Solange and Solange's fiance, the young fortune-hunting sculptor Auguste Clesinger.
|
question-5_32_5.mp3
| 22,050 |
Salli
|
When did Chopin's relationship with Sand start to deteriorate?
|
56cfe169234ae51400d9bfec
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
Whom did Sand's daughter Solange become engaged to?
|
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"Auguste Clésinger"
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|
context-5_32_0.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger.
|
Chopin's relations with Sand were soured in eighteen forty-six by problems involving her daughter Solange and Solange's fiance, the young fortune-hunting sculptor Auguste Clesinger.
|
question-5_32_6.mp3
| 22,050 |
Justin
|
Whom did Sand's daughter Solange become engaged to?
|
56cfe169234ae51400d9bfed
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
What novel did Sand write in 1847?
|
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
13.83
],
"audio_segment_answer_start": [
12.44
],
"text": [
"Lucrezia Floriani"
]
}
|
context-5_32_4.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In eighteen forty-seven Sand published her novel Lucrezia Floriani, whose main characters--a rich actress and a prince in weak health--could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
question-5_32_7.mp3
| 22,050 |
Kimberly
|
What novel did Sand write in eighteen forty-seven?
|
56d354c659d6e414001462cd
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
Who was the fortune hunter engaged to Sand's daughter?
|
{
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149
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11.64
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10.45
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11.64
],
"audio_segment_answer_start": [
10.45
],
"text": [
"Auguste Clésinger."
]
}
|
context-5_32_0.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger.
|
Chopin's relations with Sand were soured in eighteen forty-six by problems involving her daughter Solange and Solange's fiance, the young fortune-hunting sculptor Auguste Clesinger.
|
question-5_32_8.mp3
| 22,050 |
Joanna
|
Who was the fortune hunter engaged to Sand's daughter?
|
56d354c659d6e414001462ce
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
What role did Sand take on as her relationship with Chopin progressed?
|
{
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32.31802721088435
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31.958027210884353
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5.27
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"audio_segment_answer_start": [
4.91
],
"text": [
"nurse"
]
}
|
context-5_32_3.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child".
|
As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child".
|
question-5_32_9.mp3
| 22,050 |
Justin
|
What role did Sand take on as her relationship with Chopin progressed?
|
56d354c659d6e414001462cf
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
What was the name of Sand's book where the main characters can be interpreted as Sand and Chopin?
|
{
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731
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49.30206349206349
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47.91206349206349
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
13.83
],
"audio_segment_answer_start": [
12.44
],
"text": [
"Lucrezia Floriani"
]
}
|
context-5_32_4.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In eighteen forty-seven Sand published her novel Lucrezia Floriani, whose main characters--a rich actress and a prince in weak health--could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
question-5_32_10.mp3
| 22,050 |
Joey
|
What was the name of Sand's book where the main characters can be interpreted as Sand and Chopin?
|
56d354c659d6e414001462d0
|
Frédéric_Chopin
|
Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship." The two would never meet again.
|
When did Chopin end his relationship with Sand?
|
{
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46.522063492063495
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45.18206349206349
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37.10206349206349
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35.84206349206349
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11.05
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"audio_segment_answer_start": [
9.71
],
"text": [
"1847"
]
}
|
context-5_32_4.mp3
|
context-5_32.mp3
| 22,050 |
Kendra
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters—a rich actress and a prince in weak health—could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
In letters to third parties, she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In eighteen forty-seven Sand published her novel Lucrezia Floriani, whose main characters--a rich actress and a prince in weak health--could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys.
|
question-5_32_11.mp3
| 22,050 |
Salli
|
When did Chopin end his relationship with Sand?
|
56cc15956d243a140015eea8
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
What was the name of the single piece of work he wrote in 1844?
|
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"audio_segment_answer_start": null,
"text": [
"Op. 58 sonata"
]
}
| null | null | null | null | null | null | null | null | null | null |
56cc15956d243a140015eea9
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
What can be said of these works compared to his work in other years even though the quantity was less?
|
{
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315
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24.690136054421767
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22.010136054421768
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
3.81
],
"audio_segment_answer_start": [
1.13
],
"text": [
"more refined than many of his earlier compositions"
]
}
|
context-5_33_6.mp3
|
context-5_33.mp3
| 22,050 |
Kevin
|
Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
question-5_33_1.mp3
| 22,050 |
Salli
|
What can be said of these works compared to his work in other years even though the quantity was less?
|
56cfe1d7234ae51400d9bff7
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
How many pieces did Chopin write in 1841?
|
{
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119
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6.928027210884354
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6.588027210884354
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2.32
],
"audio_segment_answer_start": [
1.98
],
"text": [
"a dozen"
]
}
|
context-5_33_1.mp3
|
context-5_33.mp3
| 22,050 |
Kevin
|
Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843.
|
Whereas in eighteen forty-one he had written a dozen works, only six were written in eighteen forty-two and six shorter pieces in eighteen forty-three.
|
question-5_33_2.mp3
| 22,050 |
Emma
|
How many pieces did Chopin write in eighteen forty-one?
|
56cfe1d7234ae51400d9bff8
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
How many pieces did Chopin compose in 1842?
|
{
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139
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8.268027210884354
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"audio_full_answer_start": [
7.968027210884353
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
3.66
],
"audio_segment_answer_start": [
3.36
],
"text": [
"six"
]
}
|
context-5_33_1.mp3
|
context-5_33.mp3
| 22,050 |
Kevin
|
Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843.
|
Whereas in eighteen forty-one he had written a dozen works, only six were written in eighteen forty-two and six shorter pieces in eighteen forty-three.
|
question-5_33_3.mp3
| 22,050 |
Brian
|
How many pieces did Chopin compose in eighteen forty-two?
|
56cfe1d7234ae51400d9bff9
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
What piece did Chopin compose in 1844?
|
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222
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"audio_segment_answer_end": null,
"audio_segment_answer_start": null,
"text": [
"Op. 58 sonata"
]
}
| null | null | null | null | null | null | null | null | null | null |
56d3af3e2ccc5a1400d82e41
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
How many works did Chopin write in 1842?
|
{
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139
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8.268027210884354
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7.968027210884353
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
3.66
],
"audio_segment_answer_start": [
3.36
],
"text": [
"six"
]
}
|
context-5_33_1.mp3
|
context-5_33.mp3
| 22,050 |
Kevin
|
Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843.
|
Whereas in eighteen forty-one he had written a dozen works, only six were written in eighteen forty-two and six shorter pieces in eighteen forty-three.
|
question-5_33_5.mp3
| 22,050 |
Ivy
|
How many works did Chopin write in eighteen forty-two?
|
56d3af3e2ccc5a1400d82e42
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
How many works did Chopin write in 1843?
|
{
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168
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11.058027210884354
],
"audio_full_answer_start": [
10.028027210884353
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"audio_full_neg_answer_end": [],
"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
6.45
],
"audio_segment_answer_start": [
5.42
],
"text": [
"six shorter pieces"
]
}
|
context-5_33_1.mp3
|
context-5_33.mp3
| 22,050 |
Kevin
|
Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843.
|
Whereas in eighteen forty-one he had written a dozen works, only six were written in eighteen forty-two and six shorter pieces in eighteen forty-three.
|
question-5_33_6.mp3
| 22,050 |
Amy
|
How many works did Chopin write in eighteen forty-three?
|
56d3af3e2ccc5a1400d82e44
|
Frédéric_Chopin
|
Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonata. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski opines that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."
|
How many works did Chopin write in 1845?
|
{
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264
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19.28609977324263
],
"audio_full_answer_start": [
18.346099773242628
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"audio_full_neg_answer_end": [],
"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
3.11
],
"audio_segment_answer_start": [
2.17
],
"text": [
"three mazurkas"
]
}
|
context-5_33_4.mp3
|
context-5_33.mp3
| 22,050 |
Kevin
|
1845 saw the completion of three mazurkas (Op.
|
eighteen forty-five saw the completion of three mazurkas (Op.
|
question-5_33_7.mp3
| 22,050 |
Kevin
|
How many works did Chopin write in eighteen forty-five?
|
56cc16bb6d243a140015eeb1
|
Frédéric_Chopin
|
Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially. In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op. 65.
|
In what month and year did Chopin give his final performance?
|
{
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202
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14.649999999999999
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12.86
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"audio_segment_answer_end": [
2.05
],
"audio_segment_answer_start": [
0.26
],
"text": [
"February 1848"
]
}
|
context-5_34_1.mp3
|
context-5_34.mp3
| 22,050 |
Brian
|
In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
In February eighteen forty-eight, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
question-5_34_0.mp3
| 22,050 |
Emma
|
In what month and year did Chopin give his final performance?
|
56cc16bb6d243a140015eeb2
|
Frédéric_Chopin
|
Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially. In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op. 65.
|
With whom did Chopin perform his final concert?
|
{
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234
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16.72
],
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15.53
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"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
4.12
],
"audio_segment_answer_start": [
2.93
],
"text": [
"Auguste Franchomme"
]
}
|
context-5_34_1.mp3
|
context-5_34.mp3
| 22,050 |
Brian
|
In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
In February eighteen forty-eight, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
question-5_34_1.mp3
| 22,050 |
Kevin
|
With whom did Chopin perform his final concert?
|
56cfe20f234ae51400d9c003
|
Frédéric_Chopin
|
Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially. In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op. 65.
|
When did Chopin last perform?
|
{
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202
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14.649999999999999
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12.86
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"audio_segment_answer_end": [
2.05
],
"audio_segment_answer_start": [
0.26
],
"text": [
"February 1848"
]
}
|
context-5_34_1.mp3
|
context-5_34.mp3
| 22,050 |
Brian
|
In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
In February eighteen forty-eight, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
question-5_34_2.mp3
| 22,050 |
Joey
|
When did Chopin last perform?
|
56cfe20f234ae51400d9c004
|
Frédéric_Chopin
|
Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially. In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op. 65.
|
Who did Chopin last perform with?
|
{
"answer_start": [
234
],
"audio_full_answer_end": [
16.72
],
"audio_full_answer_start": [
15.53
],
"audio_full_neg_answer_end": [],
"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
4.12
],
"audio_segment_answer_start": [
2.93
],
"text": [
"Auguste Franchomme"
]
}
|
context-5_34_1.mp3
|
context-5_34.mp3
| 22,050 |
Brian
|
In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
In February eighteen forty-eight, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op.
|
question-5_34_3.mp3
| 22,050 |
Ivy
|
Who did Chopin last perform with?
|
56d3ae792ccc5a1400d82e3a
|
Frédéric_Chopin
|
Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially. In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op. 65.
|
Plitical strife, popularity decline, instability of era and fewer students caused Chopin to what?
|
{
"answer_start": [
177
],
"audio_full_answer_end": [
12.39
],
"audio_full_answer_start": [
11.18
],
"audio_full_neg_answer_end": [],
"audio_full_neg_answer_start": [],
"audio_segment_answer_end": [
12.39
],
"audio_segment_answer_start": [
11.18
],
"text": [
"struggle financially."
]
}
|
context-5_34_0.mp3
|
context-5_34.mp3
| 22,050 |
Brian
|
Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially.
|
Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially.
|
question-5_34_4.mp3
| 22,050 |
Kimberly
|
Plitical strife, popularity decline, instability of era and fewer students caused Chopin to what?
|
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