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merely an instance of the enforcement of the more general right of the
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individual to be let alone. It is like the right not [to] be assaulted or beaten,
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the right not [to] be imprisoned, the right not to be maliciously prosecuted,
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the right not to be defamed. In each of these rights, as indeed in all other
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rights recognized by the law, there inheres the quality of being owned or
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possessed — and (as that is the distinguishing attribute of property) there
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may be some propriety in speaking of those rights as property. But,
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obviously, they bear little resemblance to what is ordinarily comprehended
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under that term. The principle which protects personal writings and all other
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personal productions, not against theft and physical appropriation, but
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against publication in any form, is in reality not the principle of private
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property, but that of an inviolate personality.
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If we are correct in this conclusion, the existing law affords a principle
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which may be invoked to protect the privacy of the individual from
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invasion either by the too enterprising press, the photographer, or the
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possessor of any other modern device for recording or reproducing scenes
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or sounds. For the protection afforded is not confined by the authorities to
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those cases where any particular medium or form of expression has been
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adopted, not to products of the intellect. The same protection is afforded to
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emotions and sensations expressed in a musical composition or other work
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of art as to a literary composition; and words spoken, a pantomime acted, a
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sonata performed, is no less entitled to protection than if each had been
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reduced to writing. The circumstance that a thought or emotion has been
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recorded in a permanent form renders its identification easier, and hence
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may be important from the point of view of evidence, but it has no
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significance as a matter of substantive right. If, then, the decisions indicate
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a general right to privacy for thoughts, emotions, and sensations, these
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should receive the same protection, whether expressed in writing, or in
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conduct, in conversation, in attitudes, or in facial expression.
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It may be urged that a distinction should be taken between the deliberate
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expression of thoughts and emotions in literary or artistic compositions and
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the casual and often involuntary expression given to them in the ordinary
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conduct of life. In other words, it may be contended that the protection
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afforded is granted to the conscious products of labor, perhaps as an
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encouragement to effort. This contention, however plausible, has, in fact,
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little to recommend it. If the amount of labor involved be adopted as the
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test, we might well find that the effort to conduct one’s self properly in
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business and in domestic relations had been far greater than that involved in
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painting a picture or writing a book; one would find that it was far easier to
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express lofty sentiments in a diary than in the conduct of a noble life. If the
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test of deliberateness of the act be adopted, much casual correspondence
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which is now accorded full protection would be excluded from the
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beneficent operation of existing rules. After the decisions denying the
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distinction attempted to be made between those literary productions which
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it was intended to publish and those which it was not, all considerations of
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the amount of labor involved, the degree of deliberation, the value of the
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product, and the intention of publishing must be abandoned, and no basis is
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discerned upon which the right to restrain publication and reproduction of
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such so-called literary and artistic works can be rested, except the right to
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privacy, as a part of the more general right to the immunity of the person,
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— the right to one’s personality.
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It should be stated that, in some instances where protection has been
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afforded against wrongful publication, the jurisdiction has been asserted,
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not on the ground of property, or at least not wholly on that ground, but
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upon the ground of an alleged breach of an implied contract or of a trust or
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confidence. . . .
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This process of implying a term in a contract, or of implying a trust
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(particularly where the contract is written, and where there is no established
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usage or custom), is nothing more nor less than a judicial declaration that
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public morality, private justice, and general convenience demand the
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recognition of such a rule, and that the publication under similar
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circumstances would be considered an intolerable abuse. So long as these
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circumstances happen to present a contract upon which such a term can be
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engrafted by the judicial mind, or to supply relations upon which a trust or
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confidence can be erected, there may be no objection to working out the
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desired protection through the doctrines of contract or of trust. But the court
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can hardly stop there. The narrower doctrine may have satisfied the
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demands of society at a time when the abuse to be guarded against could
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rarely have arisen without violating a contract or a special confidence; but
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now that modern devices afford abundant opportunities for the perpetration
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of such wrongs without any participation by the injured party, the protection
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granted by the law must be placed upon a broader foundation. While, for
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instance, the state of the photographic art was such that one’s picture could
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seldom be taken without his consciously “sitting” for the purpose, the law
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of contract or of trust might afford the prudent man sufficient safeguards
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against the improper circulation of his portrait; but since the latest advances
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in photographic art have rendered it possible to take pictures surreptitiously,
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the doctrines of contract and of trust are inadequate to support the required
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protection, and the law of tort must be resorted to. The right of property in
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its widest sense, including all possession, including all rights and privileges,
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and hence embracing the right to an inviolate personality, affords alone that
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broad basis upon which the protection which the individual demands can be
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rested.
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Thus, the courts, in searching for some principle upon which the
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publication of private letters could be enjoined, naturally came upon the
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ideas of a breach of confidence, and of an implied contract; but it required
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little consideration to discern that this doctrine could not afford all the
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protection required, since it would not support the court in granting a
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remedy against a stranger; and so the theory of property in the contents of
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letters was adopted. Indeed, it is difficult to conceive on what theory of the
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law the casual recipient of a letter, who proceeds to publish it, is guilty of a
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breach of contract, express or implied, or of any breach of trust, in the
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ordinary acceptation of that term. Suppose a letter has been addressed to
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him without his solicitation. He opens it, and reads. Surely, he has not made
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any contract; he has not accepted any trust. He cannot, by opening and
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reading the letter, have come under any obligation save what the law
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declares; and, however expressed, that obligation is simply to observe the
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legal right of the sender, whatever it may be, and whether it be called his
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right or property in the contents of the letter, or his right to privacy. . . .
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We must therefore conclude that the rights, so protected, whatever their
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