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iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii same characters per
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nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn per inch. If you are
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MMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM actually viewing with
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a non-proportional,
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or mono-spaced, font, the three lines in the inset area above should
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appear the same length. If they don't look the same length, try another
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font. Names to look for on various systems include: Monaco, Courier,
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Courier New, Video Terminal, System, TTY, VT100, Screen, Terminal,
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FixedSys, Line Printer, etc. This is a simple Geometric Article.
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It is used as a wrap-around for the lines of characters.
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o A small, say, 9 point font, will help to increase the apparent
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resolution. A small font also helps the illusion of gray scale images.
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o Viewing from a distance of a meter or more also helps.
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o Using light characters on a dark background. Many ASCII pictures are
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meant to be viewed light on dark. This is because the artist can more
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easily control the light and get a better lighting effect. Also, the
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viewer benefits because there is less glare than you would get from a
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light background.
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And in some instances:
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o While most gray scale pics are made to be viewed light characters on a
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dark background, some will be made to be viewed dark on light. This is
|
because they are meant to be printed with dark ink on light paper. Use
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dark characters on a light background, or print them out.
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o While most ASCII pics are made to be viewed on a monitor that displays
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80 characters across, some ASCII pics are wider, say, 81 to 132
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characters across. They are meant to be printed. Use a small, say, 4
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point type, and view dark on light, or print them out.
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o While mast ASCII art is either ready to view, 'cat' or print, you may
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find art that has been saved as a picture in a bitmap, EPS, GIF, or
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other binary format. These must be viewed or printed with the
|
appropriate software.
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There are a few important things to remember when making, viewing, or
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talking about an ASCII art image. And they're obvious but almost always
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forgotten.
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o Even though different fonts may all be mono-spaced, they ARE different,
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and can give a picture a different look. Some artists may mention the
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font the picture was made with.
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o A font may be serif or sans-serif (serifs are the little feet on
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characters. The ascenders and descenders may be straight or curved.
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And characters may be wider or narrower.
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o The weight, or heaviness of characters can vary. Serifs, the little
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feet on characters, can make them look heavier. Especially effected by
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weight inconsistencies are symbols like:
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# hatch/hash mark
|
$ dollar sign
|
@ at sign
|
o Shapes can vary too. Here are some of the more consistent shapes:
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- dash
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/ slash
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\ backslash
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Richard Kirk says "Shapes to be wary of are:"
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~ sometimes sits high, sometimes in middle
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^ same reason
|
* same reason
|
& sometimes closed, sometimes open
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| same reason
|
' sometimes hooked left, sometimes straight
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[] sometimes centered, sometimes far off
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<> sometimes touch top and bottom, sometimes centered
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0 sometimes with slash, sometimes open
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l sometimes with base, sometimes not
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y sometimes straight tail, sometimes curved
|
o According to Jorn in his 'asciitech' file, "Unfortunately, this narrow
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standard ignored the needs of many other cultures: the British 'pound'
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sign, letters with accents in French and Scandinavian alphabets, etc.,
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which led them to introduce slight modifications to the standard, making
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the following symbols (at least) non-universal:"
|
^ caret
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` backquote
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# hatch/hash mark
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| pipe
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{} curly braces
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~ tilde
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\ backslash
|
[] square brackets
|
$ dollar sign
|
@ at sign
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o Different systems display text differently. If you look at a picture on
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a terminal at a Unix site, and then bring it home and view it on a Mac,
|
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