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o Then there's smoothing, also called "anti-aliasing". This is where
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special care is taken to use characters for their shapes. With this
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technique, you can smooth out a font, or an object like the one below.
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Let's say you have made an XXXX The b d and o are good
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object like this out of X. _______ XXXXXXXX / for sloping. The o
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The object is rather rough. XXXXXXXXXX / can be used on either
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XXXXXXXX / side of the slope.
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Let's change that, first we'll XXXX /
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fill the inside with 8. / The ( and ) are for
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d88b / curving the sides.
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The 8 is a popular character ____ d888888b /
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for a general fill. Some people (88888888) The Y is used because
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prefer M or H for fills. Smooth Y888888Y ___ the P has no mirror.
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using characters for their shapes. Y88Y You can also use *.
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o Use areas of characters for patterns, tones, and contrast. For example,
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in this flower, notice the density of the letters subtlely change to
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form the petals. I would like to see this colorized.
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.
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.@. .
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@m@,. .@
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.@m%nm@,. .@m@
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.@nvv%vnmm@,. .@mn%n@
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.@mnvvv%vvnnmm@,. .@mmnv%vn@,
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@mmnnvvv%vvvvvnnmm@,. .@mmnnvvv%vvnm@
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@mmnnvvvvv%vvvvvvnnmm@, ;;;@mmnnvvvvv%vvvnm@,
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`@mmnnvvvvvv%vvvvvnnmmm;;@mmnnvvvvvv%vvvvnmm@
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`@mmmnnvvvvvv%vvvnnmmm;%mmnnvvvvvv%vvvvnnmm@
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`@m%v%v%v%v%v;%;%;%;%;%;%;%%%vv%vvvvnnnmm@
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.,mm@@@@@mm%;;@@m@m@@m@@m@mm;;%%vvvnnnmm@;@,.
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.,@mmmmmmvv%%;;@@vmvvvvvvvvvmvm@@;;%%vvnnm@;%mmm@,
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.,@mmnnvvvvv%%;;@@vvvvv%%%%%%%vvvvmm@@;;%%mm@;%%nnnnm@,
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.,@mnnvv%v%v%v%%;;@mmvvvv%%;*;*;%%vvvvmmm@;;%m;%%v%v%v%vmm@,.
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,@mnnvv%v%v%v%v%v%v%;;@@vvvv%%;*;*;*;%%vvvvm@@;;m%%%v%v%v%v%v%vnnm@,
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` `@mnnvv%v%v%v%%;;@mvvvvv%%;;*;;%%vvvmmmm@;;%m;%%v%v%v%vmm@' '
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`@mmnnvvvvv%%;;@@mvvvv%%%%%%%vvvvmm@@;;%%mm@;%%nnnnm@'
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`@mmmmmmvv%%;;@@mvvvvvvvvvvmmm@@;;%%mmnmm@;%mmm@'
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`mm@@@@@mm%;;@m@@m@m@m@@m@@;;%%vvvvvnmm@;@'
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,@m%v%v%v%v%v;%;%;%;%;%;%;%;%vv%vvvvvnnmm@
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.@mmnnvvvvvvv%vvvvnnmm%mmnnvvvvvvv%vvvvnnmm@
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.@mmnnvvvvvv%vvvvvvnnmm'`@mmnnvvvvvv%vvvnnmm@
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@mmnnvvvvv%vvvvvvnnmm@':%::`@mmnnvvvv%vvvnm@'
|
@mmnnvvv%vvvvvnnmm@'`:::%%:::'`@mmnnvv%vvmm@
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`@mnvvv%vvnnmm@' `:;%%;:' `@mvv%vm@'
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`@mnv%vnnm@' `;%;' `@n%n@
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`@m%mm@' ;%;. `@m@
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@m@' `;%; `@
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`@' ;%;. ' Top portion of a
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` `;%; picture by Susie Oviatt
|
o Here are a couple of textures from Jorn's "asciitech" file:
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*::*::*::*::*::*::*::* ::*:::::***:::::::::::
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*::*::*::*::*::*::*::* :::::::**::::::*::::*:
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*::*::*::*::*::*::*::* :*::*:*::*::::*::::*::
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*::*::*::*::*::*::*::* :::*::::::*::*:*::::::
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*::*::*::*::*::*::*::* ::*:*::::*:*::::::::::
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*::*::*::*::*::*::*::* ::::::*:*::::*::::::::
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*::*::*::*::*::*::*::* Flat *::::::::**:::::::::** The same,
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*::*::*::*::*::*::*::* texture. ::::*::::::*:::::*:::: randomized.
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Here are a few tips, that taken together, can make an instant ASCII artist
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out of anybody:
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o A quick way to make a pic is to photocopy a drawing onto plastic. Place
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the plastic over your monitor to act as a guide for placing characters.
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o Ease your work by making a file full of lines of spaces. Now copy that
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file. Open a copy and start working. You'll see that it's easier
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because you can now go where you want and replace the spaces with
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characters. You have eliminated endless space bar pressing. Remember
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to strip all trailing spaces when you're done.
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o Use a mouse. A mouse allows you to move more quickly from character to
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character. It's also easier to delete bunches of characters and large
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numbers of lines.
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___________________________
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o To avoid as much variation as possible | |
|
in characters, weights, and shapes | ) = + / ! ( |
|
found between different fonts, use the | - _ : ; , . |
|
characters shown at the right. !___________________________!
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o Use 'block editing' if you can. Some software allows for a square or
|
rectangular chunk of text to be cut, copied and pasted.
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o It may be better to work on your own computer (if it has more
|
appropriate hardware and-ar software), and then upload it to your
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host.
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Also, see files like Jorn's "asciitech", available at:
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Jorn's FTP site
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