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Produced by Keith G Richardson _Submission to Divine Providence in the Death of Children, recommended and inforced,_ IN A SERMON PREACHED at _NORTHAMPTON_, On the DEATH Of a very amiable and hopeful CHILD, about Five Years old. _Published out of Compassion to mourning_ PARENTS. By _P. DODDRIDGE_, D. D. _Neve Liturarum pudeat; qui viderit illas,_ _De Lachrymis factas sentiat esse meis._ OVID. The SECOND EDITION. _LONDON_, Printed for R. HETT, at the _Bible_ and _Crown_ in the _Poultry_. MDCCXL. THE PREFACE. _THE Discourse which I now offer to the Publick was drawn up on a very sorrowful Occasion; the Death of a most desirable Child, who was formed in such a Correspondence to my own Relish and Temper, as to be able to give me a Degree of Delight, and consequently of Distress, which I did not before think it possible I could have received from a little Creature who had not quite compleated her Fifth Year._ _Since the Sermon was preached, it has pleased_ GOD _to make the like Breaches on the Families of several of my Friends; and, with Regard to some of them, the Affliction hath been attended with Circumstances of yet sorer Aggravation. Tho' several of them are removed to a considerable Distance from me, and from each other I have born their Afflictions upon my Heart with cordial Sympathy; and it is with a particular Desire of serving them, that I have undertaken the sad Task of reviewing and transcribing these Papers; which may almost be called the Minutes of my own Sighs and Tears, over the poor Remains of my eldest and (of this Kind) dearest Hope, when they were not as yet_ buried out of my Sight. _They are, indeed, full of Affection, and to be sure some may think they are too full of it: But let them consider the Subject, and the Circumstances, and surely they will pardon it. I apprehend, I could not have treated such a Subject coldly, had I writ upon it many years ago, when I was untaught in the School of Affliction, and knew nothing of such a Calamity as this, but by Speculation or Report: How much less could I do it, when_ GOD _had touched me in so tender a Part, and (to allude to a celebrated ancient Story,) called me out to appear on a publick Stage, as with an Urn in my Hand, which contained the Ashes of my own Child!_ _In such a sad Situation Parents, at least, will forgive the Tears of a Parent, and those Meltings of Soul which overflow in the following Pages. I have not attempted to run thro' the Common place of_ immoderate Grief, _but have only selected a few obvious Thoughts which I found peculiarly suitable to myself; and, I bless_ GOD, _I can truly say, they gave me a solid and substantial Relief, under a Shock of Sorrow, which would otherwise have broken my Spirits._ _On my own Experience, therefore, I would recommend them to others, in the like Condition, And let me intreat my Friends and Fellow-Sufferers to remember, that it is not a low Degree of Submission to the Divine Will, which is called for in the ensuing Discourse. It is comparatively an easy Thing to behave with external Decency, to refrain from bold Censures and outragious Complaints, or to speak in the outward Language of Resignation. But it is not, so easy to get rid of every repining Thought, and to forbear taking it, in some Degree at least, unkindly, that the_ GOD _whom we love and serve, in whose Friendship we have long trusted and rejoiced, should act what, to Sense, seems so unfriendly a Part: That he should take away a Child; and if a Child,_ that Child; _and if that Child, at that Age; and if at that Age, with this or that particular Circumstance, which seems the very Contrivance of Providence to add double Anguish to the Wound; and all this, when he could so easily have recalled it; when we know him to have done it for so many others; when we so earnestly desired it; when we sought it with such Importunity, and yet, as we imagine, with so much Submission too:--That, notwithstanding all this; he should
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Produced by Suzanne Shell, Bonny Fafard, Tonya Allen and PG Distributed Proofreaders THE VIZIER OF THE TWO-HORNED ALEXANDER BY FRANK R. STOCKTON 1899 PREFATORY NOTE The story told in this book is based upon legendary history, and the statements on which it is founded appear in the chronicles of Abou-djafar Mohammed Tabari. This historian was the first Mussulman to write a general history of the world. He was born in the year 244 of the Hejira (838-839 A.D.), and passed a great part of his life in Bagdad, where he studied and taught theology and jurisprudence. His chronicles embrace the history of the world, according to his lights, from the creation to the year 302 of the Hejira. In these chronicles Tabari relates some of the startling experiences of El Khoudr, or El Kroudhr, then Vizier of that great monarch, the Two-Horned Alexander, and these experiences furnish the motive for those subsequent adventures which are now related in this book. Some writers have confounded the Two-Horned Alexander with Alexander the Great, but this is an inexcusable error. References in ancient histories to the Two-Horned Alexander describe him as a great and powerful potentate, and place him in the time of Abraham. Mr. S. Baring-Gould, in his "Legends of the Patriarchs and Prophets," states that, after a careful examination, he has come to the conclusion that some of the most generally known legends which have come down to us through the ages are based on incidents which occurred in the reign of this monarch. The hero of this story now deems it safe to speak out plainly without fear of evil consequences to himself, and his confidence in our high civilization is a compliment to the age. LIST OF ILLUSTRATIONS I lent large sums to the noble knights "Don't you do it" His wife was a slender lady "Time of Abraham!" I exclaimed Moses asked embarrassing questions An encounter with Charles Lamb I cut that picture from its frame When we left Cordova I had been a broker in Pompeii Solomon and the Jinns "Go tell the queen" She gave me her hand, and I shook it heartily Asking all sorts of questions And roughly told me She turned her head "How like!" I proceeded to dig a hole "Why are you not in the army?" Nebuchadnezzar and the gardener Petrarch and Laura The crouching African fixed her eyes upon him THE VIZIER OF THE TWO-HORNED ALEXANDER I I was on a French steamer bound from Havre to New York, when I had a peculiar experience in the way of a shipwreck. On a dark and foggy night, when we were about three days out, our vessel collided with a derelict--a great, heavy, helpless mass, as dull and colorless as the darkness in which she was enveloped. We struck her almost head on, and her stump of a bowsprit was driven into our port bow with such tremendous violence that a great hole--nobody knew of what dimensions--was made in our vessel. The collision occurred about two hours before daylight, and the frightened passengers who crowded the upper deck were soon informed by the officers that it would be necessary to take to the boats, for the vessel was rapidly settling by the head. Now, of course, all was hurry and confusion. The captain endeavored to assure his passengers that there were boats enough to carry every soul on board, and that there was time enough for them to embark quietly and in order. But as the French people did not understand him when he spoke in English, and as the Americans did not readily comprehend what he said in French, his exhortations were of little avail. With such of their possessions as they could carry, the people crowded into the boats as soon as they were ready, and sometimes before they were ready; and while there was not exactly a panic on board, each man seemed to be inspired with the idea that his safety, and that of his family, if he had one, depended upon precipitate individual action. I was a young man, traveling alone, and while I was as anxious as any one to be saved from the sinking vessel, I was not a coward, and I could not thrust myself into a boat when there were women and children behind me who had not yet been provided with places. There were men who did this, and several times I felt inclined to knock one of the poltroons overboard. The
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Produced by D. Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) ROLLO IN NAPLES, BY JACOB ABBOTT. BOSTON: PUBLISHED BY TAGGARD AND THOMPSON. M DCCC LXIV. Entered according to Act of Congress, in the year 1858, by JACOB ABBOTT, In the Clerk's Office of the District Court of the District of Massachusetts. ELECTROTYPED AT THE BOSTON STEREOTYPE FOUNDRY. RIVERSIDE, CAMBRIDGE: PRINTED BY H. O. HOUGHTON. [Illustration: THE ORANGE GARDEN.--See page 218.] [Illustration: ROLLO'S TOUR IN EUROPE. TAGGARD & THOMPSON. Publishers--Boston.] ROLLO'S TOUR IN EUROPE. ORDER OF THE VOLUMES ROLLO ON THE ATLANTIC. ROLLO IN PARIS. ROLLO IN SWITZERLAND. ROLLO IN LONDON. ROLLO ON THE RHINE. ROLLO IN SCOTLAND. ROLLO IN GENEVA. ROLLO IN HOLLAND. ROLLO IN NAPLES. ROLLO IN ROME. PRINCIPAL PERSONS OF THE STORY. ROLLO; twelve years of age. MR. and MRS. HOLIDAY; Rollo's father and mother, travelling in Europe. THANNY; Rollo's younger brother. JANE; Rollo's cousin, adopted by Mr. and Mrs. Holiday. MR. GEORGE; a young gentleman, Rollo's uncle. CONTENTS. CHAPTER PAGE I.--THE VETTURINO, 13 II.--CONTRACTS AND AGREEMENTS, 37 III.--THE JOURNEY, 57 IV.--SITUATION OF NAPLES, 76 V.--PLANNING THE ASCENSION, 91 VI.--GOING UP, 106 VII.--THE SUMMIT, 131 VIII.--POMPEII, 157 IX.--THE MUSEUM, 174 X.--THE STREETS, 188 XI.--AN EXCURSION, 194 XII.--THE ORANGE GARDENS, 213 ENGRAVINGS. PAGE THE ORANGE GARDEN, (Frontispiece.) TRAVELLING IN ITALY, 11 A CHURCH AT FLORENCE, 23 READING THE ARTICLES, 55 EMBLEMS ON THE CROSS, 63 ASCENDING THE MOUNTAINS, 67 SITUATION OF NAPLES, 77 VIEW THROUGH THE GLASS, 87 CALASH COMING INTO NAPLES, 111 THE ASCENT, 127 VIEW OF THE CRATER, 137 COMING DOWN, 153 THE MOSAIC, 183 THE PUBLIC GARDENS, 197 [Illustration: TRAVELLING IN ITALY.] ROLLO IN NAPLES. CHAPTER I. THE VETTURINO. If ever you make a journey into Italy, there is one thing that you will like very much indeed; and that is the mode of travelling that prevails in that country. There are very few railroads there; and though there are stage coaches on all the principal routes, comparatively few people, except the inhabitants of the country, travel in them. Almost all who come from foreign lands to make journeys in Italy for pleasure, take what is called a _vetturino_. There is no English word for _vetturino_, because where the English language is spoken, there is no such thing. The word comes from the Italian word _vettura_, which means a travelling carriage, and it denotes the man that owns the carriage, and drives it wherever the party that employs him wishes to go. Thus there is somewhat the same relation between the Italian words _vettura_ and _vetturino_ that there is between the English words _chariot_ and _charioteer_. The Italian _vetturino_, then, in the simplest English phrase that will express it, is a _travelling carriage man_; that is, he is a man who keeps a carriage and a team of horses, in order to take parties of travellers with them on long journeys, wherever they wish to go. Our word _coachman_ does not express the idea at all. A coachman is a man employed by the owner of a carriage simply to drive it; whereas the vetturino is the proprietor of his establishment; and though he generally drives it himself, still the driving is only a small part of his
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Produced by David Edwards, Chris Whitehead and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE MASTER KEY [Illustration: Rob was surrounded by a group of natives] THE MASTER KEY _An Electrical Fairy Tale_ FOUNDED UPON THE MYSTERIES OF ELECTRICITY AND THE OPTIMISM OF ITS DEVOTEES. IT WAS WRITTEN FOR BOYS, BUT OTHERS MAY READ IT BY L. FRANK BAUM ILLUSTRATIONS BY F. Y. CORY _The_ BOWEN-MERRILL COMPANY PUBLISHERS. INDIANAPOLIS COPYRIGHT 1901 THE BOWEN-MERRILL COMPANY PRESS OF BRAUNWORTH & CO. BOOKBINDERS AND PRINTERS BROOKLYN, N. Y. To my son ROBERT STANTON BAUM [Illustration] CONTENTS _Chapter_ _Page_ I Rob's Workshop 1 II The Demon of Electricity 9 III The Three Gifts 18 IV Testing the Instruments 29 V The Cannibal Island 43 VI The Buccaneers 60 VII The Demon Becomes Angry 78 VIII Rob Acquires New Powers 86 IX The Second Journey 97 X How Rob Served a Mighty King 104 XI The Man of Science 126 XII How Rob Saved a Republic 136 XIII Rob Loses His Treasures 146 XIV Turk and Tatar 160 XV A Battle With Monsters 182 XVI Shipwrecked Mariners 192 XVII The Coast of Oregon 206 XVIII A Narrow Escape 214 XIX Rob Makes a Resolution 225 XX The Unhappy Fate of the Demon 230 [Illustration] [Illustration] ILLUSTRATIONS _Page_ Rob was surrounded by a group of natives of hideous appearance--_Frontispiece_ From his workshop ran a network of wires throughout the house--_Headpiece_ 1 A quick flash of light almost blinded Rob 6 A curious being looked upon him from a magnificent radiance--_Tailpiece_ 8 Scientific men think the people of Mars have been trying to signal us--_Headpiece_ 9 I am here to do your bidding, said the Demon--_Tailpiece_ 17 Men have not yet discovered what the birds know--_Headpiece_ 18 These three gifts may amuse you for the next week--_Tailpiece_ 28 Rob's action surprised them all--_Headpiece_ 29 "He'll break his neck!" cried the astounded father 36 The red-whiskered policeman keeled over--_Tailpiece_ 42 Rob's captors caught up the end of the rope and led him away--_Headpiece_ 43 "If it's just the same to you, old chap, I won't be eaten to-day"--_Tailpiece_ 59 Rob soared through the air with five Buccaneers dangling from his leg--_Headpiece_ 60 It was a strange sight to see the pirates drop to the deck and lie motionless 66 When night fell his slumber was broken and uneasy--_Tailpiece_ 77 When Rob had been kissed by his mother, he gave an account of his adventures--_Headpiece_ 78 Rob sat staring eagerly at the Demon--_Tailpiece_ 85 The Being drew from an inner pocket something resembling a box--_Headpiece_ 86 These spectacles will indicate the character of every one you meet--_Tailpiece_ 96 Rob is in truth a typical American boy--_Headpiece_ 97 Rob placed the indicator to a point north of east and began his journey--_Tailpiece_ 103 A crowd assembled, all shouting and pointing toward him in wonder--_Headpiece_ 104 A man rushed toward it, but the next moment he threw up his hands and fell unconscious 108 Rob reached the entrance of the palace, only to face another group of guardsmen 114 Rob only smiled in an amused way as he marched past them--_Tailpiece_ 125 A tremendous din and clatter nearly deafened him--_Headpiece_ 126 The eyes of the Frenchman were actually protruding from their sockets 128 From an elevation of fifty feet or more Rob overlooked a pretty garden--_Headpiece_ 136 Placing the record so that the President could see clearly, Rob watched
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Produced by Sue Asscher and David Widger MASTER FRANCIS RABELAIS FIVE BOOKS OF THE LIVES, HEROIC DEEDS AND SAYINGS OF GARGANTUA AND HIS SON PANTAGRUEL Translated into English by Sir Thomas Urquhart of Cromarty and Peter Antony Motteux The text of the first Two Books of Rabelais has been reprinted from the first edition (1653) of Urquhart's translation. Footnotes initialled 'M.' are drawn from the Maitland Club edition (1838); other footnotes are by the translator. Urquhart's translation of Book III. appeared posthumously in 1693, with a new edition of Books I. and II., under Motteux's editorship. Motteux's rendering of Books IV. and V. followed in 1708. Occasionally (as the footnotes indicate) passages omitted by Motteux have been restored from the 1738 copy edited by Ozell. CONTENTS. Introduction THE FIRST BOOK. J. De la Salle, to the Honoured, Noble Translator of Rabelais. Rablophila The Author's Prologue to the First Book Rabelais to the Reader Chapter 1.I.--Of the Genealogy and Antiquity of Gargantua Chapter 1.II.--The Antidoted Fanfreluches: or, a Galimatia of extravagant Conceits found in an ancient Monument Chapter 1.III.--How Gargantua was carried eleven months in his mother's belly Chapter 1.IV.--How Gargamelle, being great with Gargantua, did eat a huge deal of tripes Chapter 1.V.--The Discourse of the Drinkers Chapter 1.VI.--How Gargantua was born in a strange manner Chapter 1.VII.--After what manner Gargantua had his name given him, and how he tippled, bibbed, and curried the can Chapter 1.VIII.--How they apparelled Gargantua Chapter 1.IX.--The colours and liveries of Gargantua Chapter 1.X.--Of that which is signified by the colours white and blue Chapter 1.XI.--Of the youthful age of Gargantua Chapter 1.XII.--Of Gargantua's wooden horses Chapter 1.XIII.--How Gargantua's wonderful understanding became known to his father Grangousier, by the invention of a torchecul or wipebreech Chapter 1.XIV.--How Gargantua was taught Latin by a Sophister Chapter 1.XV.--How Gargantua was put under other schoolmasters Chapter 1.XVI.--How Gargantua was sent to Paris, and of the huge great mare that he rode on; how she destroyed the oxflies of the Beauce Chapter 1.XVII.--How Gargantua paid his welcome to the Parisians, and how he took away the great bells of Our Lady's Church Chapter 1.XVIII.--How Janotus de Bragmardo was sent to Gargantua to recover the great bells Chapter 1.XIX.--The oration of Master Janotus de Bragmardo for recovery of the bells Chapter 1.XX.--How the Sophister carried away his cloth, and how he had a suit in law against the other masters Chapter 1.XXI.--The study of Gargantua, according to the discipline of his schoolmasters the Sophisters Chapter 1.XXII.--The games of Gargantua Chapter 1.XXIII.--How Gargantua was instructed by Ponocrates, and in such sort disciplinated, that he lost not one hour of the day Chapter 1.XXIV.--How Gargantua spent his time in rainy weather Chapter 1.XXV.--How there was great strife and debate raised betwixt the cake-bakers of Lerne, and those of Gargantua's country, whereupon were waged great wars Chapter 1.XXVI.--How the inhabitants of Lerne, by the commandment of Picrochole their king, assaulted the shepherds of Gargantua unexpectedly and on a sudden Chapter 1.XXVII.--How a monk of Seville saved the close of the abbey from being ransacked by the enemy Chapter 1.XXVIII.--How Picrochole stormed and took by assault the rock Clermond, and of Grangous
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Produced by Roger Frank, Darleen Dove and the Online Distributed Proofreading Team at http://www.pgdp.net THE SCARLET FEATHER [Illustration: THERE WAS SOMETHING MAGNETIC ABOUT THIS MAN WHOM SHE FEARED AND TRIED TO HATE.--Page 201] THE SCARLET FEATHER BY HOUGHTON TOWNLEY Author of "The Bishop's Emeralds" ILLUSTRATIONS BY WILL GREFE NEW YORK GROSSET & DUNLAP PUBLISHERS COPYRIGHT, 1909 BY W. J. WATT & COMPANY _Published June, 1909_ CONTENTS CHAPTER PAGE I The Sheriff's Writ 9 II The Check 21 III The Dinner at the Club 33 IV Dora Dundas 39 V Debts 50 VI A Kinship Something Less Than Kind 66 VII Good-bye 82 VIII A Tiresome Patient 89 IX Herresford is Told 93 X Hearts Ache and Ache Yet Do Not Break 102 XI A House of Sorrow 117 XII A Difficult Position 125 XIII Dick's Heroism 135 XIV Mrs. Swinton Confesses 147 XV Colonel Dundas Speaks His Mind 168 XVI Mr. Trimmer Comes Home 173 XVII Mrs. Swinton Goes Home 190 XVIII A Second Proposal 195 XIX An Unexpected Telegram 204 XX The Wedding Day Arranged 221 XXI Dick's Return 226 XXII The Blight of Fear 237 XXIII Dora Sees Herresford 249 XXIV Dick Explains to Dora 262 XXV Tracked 280 XXVI Mrs. Swinton Hears the Truth 288 XXVII Ormsby Refuses 297 XXVIII The Will 307 XXIX A Public Confession 320 XXX Flight 333 XXXI Dora Decides 340 XXXII Home Again 348 XXXIII The Scarlet Feather 353 THE SCARLET FEATHER THE SCARLET FEATHER CHAPTER I THE SHERIFF'S WRIT The residence of the Reverend John Swinton was on Riverside Drive, although the parish of which he was the rector lay miles away, down in the heart of the East Side. It was thus that he compromised between his own burning desire to aid in the cleansing of the city's slums and the social aspirations of his wife. The house stood on a corner, within grounds of its own, at the back of which were the stables and the carriage-house. A driveway and a spacious walk led to the front of the mansion; from the side street, a narrow path reached to the rear entrance. A visitor to-night chose this latter humble manner of approach, for the simple reason that this part of the grounds lay unlighted, and he hoped, therefore, to pass unobserved through the shadows. The warm, red light that streamed from an uncurtained French window on the ground floor only deepened the uncertainty of everything. The man stepped warily, closing the gate behind him with stealthy care, and crept forward on tiptoe to lessen the sound of the crunching gravel beneath his heavy shoes. It was an undignified entry for an officer of the law who carried his authorization in his hand; but courage was not this man's strong point. His fear was lest he should meet tall, stalwart Dick Swinton, who, on a previous occasion of a similar character, had forcibly resented what he deemed an unwarrantable intrusion on the part of a shabby rascal. The uncurtained window now attracted the attention of the sheriff's officer, and he peered in. It was the rector's study. The rector himself was seated with his back toward the window, at his desk, upon which were piled account-books and papers in hopeless
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Produced by David Widger from page images generously provided by the Internet Archive THE ADVENTURES OF PETER COTTONTAIL By Thornton W. Burgess Author of "The Adventures of Reddy Fox" "Old Mother West Wind," etc. With Illustrations by Harrison Cady Boston Little, Brown, And Company 1917 THE ADVENTURES OF PETER COTTONTAIL I. PETER RABBIT DECIDES TO CHANGE HIS NAME |PETER RABBIT! Peter Rabbit! I don't see what Mother Nature ever gave me such a common sounding name as that for. People laugh at me, but if I had a fine sounding name they wouldn't laugh. Some folks say that a name doesn't amount to anything, but it does. If I should do some wonderful thing, nobody would think anything of it. No, Sir, nobody would think anything of it at all just because--why just because it was done by Peter Rabbit." Peter was talking out loud, but he was talking to himself. He sat in the dear Old Briar-patch with an ugly scowl on his usually happy face. The sun was shining, the Merry Little Breezes of Old Mother West Wind were dancing over the Green Meadows, the birds were singing, and happiness, the glad, joyous happiness of springtime, was everywhere but in Peter Rabbit's heart. There there seeded to be no room for anything but discontent. And such foolish discontent--discontent with his name! And yet, do you know, there are lots of people just as foolish as Peter Rabbit. "Well, what are you going to do about it?" The voice made Peter Rabbit jump and turn around hastily. There was Jimmy Skunk poking his head in at the opening of one of Peter's private little paths. He was grinning, and Peter knew by that grin that Jimmy had heard what he had said. Peter didn't know what to say. He hung his head in a very shame-faced way. "You've got something to learn," said Jimmy Skunk. "What is it?" asked Peter. "It's just this," replied Jimmy. "There's nothing in a name except Just what we choose to make it. It lies with us and no one else How other folks shall take it. It's what we do and what we say And how we live each passing day That makes it big or makes it small Or even worse than none at all. A name just stands for what we are; It's what we choose to make it. And that's the way and only way That other folks will take it." Peter Rabbit made a face at Jimmy Skunk. "I don't like being preached to." "I'm not preaching; I'm just telling you what you ought to know without being told," replied Jimmy Skunk. "If you don't like your name, why don't you change it?" "What's that?" cried Peter sharply. "If you don't like your name, why don't you change it?" repeated Jimmy. Peter sat up and the disagreeable frown had left his face. "I--I--hadn't thought of that," he said slowly. "Do you suppose I could, Jimmy Skunk?" "Easiest thing in the world," replied Jimmy Skunk. "Just decide what name you like and then ask all your friends to call you by it." "I believe I will!" cried Peter Rabbit. "Well, let me know what it is when you have decided," said Jimmy, as he started for home. And all the way up the Crooked Little Path, Jimmy chuckled to himself as he thought of foolish Peter Rabbit trying to change his name. II. PETER FINDS A NAME |PETER RABBIT had quite lost his appetite. When Peter forgets to eat you may make up your mind that Peter has something very important to think about. At least he has something on his mind that he thinks is important. The fact is, Peter had fully made up his mind to change his name. He thought Peter Rabbit too common a name. But when he tried to think of a better one, he found that no name that he could think of really pleased him any more. So he thought and he thought and he thought and he thought. And the more he thought the less appetite he had. Now Jimmy Skunk was the only one to whom Peter had told how discontented he was with his name, and it was Jimmy who had suggested to Peter that he change it. Jimmy thought it a great joke, and he straightway passed the word along among all the little meadow and forest people that Peter Rabbit was going to change his name. Everybody laughed and chuckled over the thought of Peter Rabbit's foolishness, and they planned to have a great deal of fun with Peter as soon as he should tell them his new name. Peter was sitting on the edge of the Old Briar-patch one morning when Ol' Mistah Buzzard passed, flying low. "Good mo'ning, Brer Cottontail," said Ol' Mistah Buzzard, with a twinkle in his eye. At first Peter didn't understand that Ol' Mistah Buzzard was speaking to him, and by the time he
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Produced by Shaun Pinder, Paul Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including some inconsistent hyphenation. Some minor corrections of spelling and punctuation have been made. Italic text has been marked with _underscores_. The Romance of Modern Sieges [Illustration: THE SALLY FROM THE FORT AT KUMASSI Led by Capt. Armitage, some two hundred loyal natives sallied forth. At their head marched the native chiefs, prominent amongst whom was the young king of Aguna. He was covered back and front with fetish charms, and on his feet were boots, and where these ended his black legs began.] THE ROMANCE OF MODERN SIEGES DESCRIBING THE PERSONAL ADVENTURES, RESOURCE AND DARING OF BESIEGERS AND BESIEGED IN ALL PARTS OF THE WORLD BY EDWARD GILLIAT, M.A. SOMETIME MASTER AT HARROW SCHOOL AUTHOR OF “FOREST OUTLAWS,” “IN LINCOLN GREEN,” _&c._, _&c._ WITH SIXTEEN ILLUSTRATIONS PHILADELPHIA J. B. LIPPINCOTT COMPANY LONDON: SEELEY & CO. LIMITED 1908 PREFACE These chapters are not histories of sieges, but narratives of such incidents as occur in beleaguered cities, and illustrate human nature in some of its strangest moods. That “facts are stranger than fiction” these stories go to prove: such unexpected issues, such improbable interpositions meet us in the pages of history. What writer of fiction would dare to throw down battlements and walls by an earthquake, and represent besiegers as paralysed by religious fear? These tales are full, indeed, of all the elements of romance, from the heroism and self-devotion of the brave and the patient suffering of the wounded, to the generosity of mortal foes and the kindliness and humour which gleam even on the battle-field and in the hospital. But the realities of war have not been kept out of sight; now and then the veil has been lifted, and the reader has been shown a glimpse of those awful scenes which haunt the memory of even the stoutest veteran. We cannot realize fully the life that a soldier lives unless we see both sides of that life. We cannot feel the gratitude that we ought to feel unless we know the strain and suspense, the agony and endurance, that go to make up victory or defeat. In time of war we are full of admiration for our soldiers and sailors, but in the past they have been too often forgotten or slighted when peace has ensued. Not to keep in memory the great deeds of our countrymen is mere ingratitude. Hearty acknowledgments are due to the authors and publishers who have so kindly permitted quotation from their books. Every such permission is more particularly mentioned in its place. The writer has also had many a talk with men who have fought in the Crimea, in India, in France, and in South Africa, and is indebted to them for some little personal touches such as give life and colour to a narrative. CONTENTS CHAPTER I SIEGE OF GIBRALTAR (1779-1782) PAGES The position of the Rock--State of defence--Food-supply--Rodney brings relief--Fire-ships sent in--A convoy in a fog--Heavy guns bombard the town--Watching the cannon-ball--Catalina gets no gift--One against fourteen--Red-hot shot save the day--Lord Howe to the rescue 17-27 CHAPTER II DEFENCE OF ACRE (1799) Jaffa stormed by Napoleon--Sir Sidney Smith hurries to Acre--Takes a convoy--How the French procured cannon-balls--The Turks fear the mines--A noisy sortie--Fourteen assaults--A Damascus blade--Seventy shells explode--Napoleon nearly killed--The siege raised--A painful retreat 28-36 CHAPTER III THE WOUNDED CAPTAIN IN TALAVERA (1809) Talavera between two fires--Captain Boothby wounded--Brought into Talavera--The fear of the citizens--The surgeons’ delay--Operations without chloroform--The English retire--French troops arrive--Plunder--French officers kind, and protect Boothby--A private bent on loot beats a hasty retreat 37-52 CHAPTER IV THE CAPTURE OF CIUDAD RODRIGO (1812) A night march--Waiting for scaling-ladders--The assault--Ladders break--Shells and grenades--A magazine explodes--Street fighting--Drink brings disorder and plunder--Great spoil 53-61 CHAPTER V THE STORMING OF BADAJOS (1812) Rescue of wounded men--A forlorn hope--Fire-balls light up the scene--A mine explodes--Partial failure of the English--Escalade of the castle--Pat’s humour and heroism--Saving a General--Well
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Produced by David Widger. HTML version by Al Haines. MOSSES FROM AN OLD MANSE By Nathaniel Hawthorne A VIRTUOSO'S COLLECTION The other day, having a leisure hour at my disposal, I stepped into a new museum, to which my notice was casually drawn by a small and unobtrusive sign: "TO BE SEEN HERE, A VIRTUOSO'S COLLECTION." Such was the simple yet not altogether unpromising announcement that turned my steps aside for a little while from the sunny sidewalk of our principal thoroughfare. Mounting a sombre staircase, I pushed open a door at its summit, and found myself in the presence of a person, who mentioned the moderate sum that would entitle me to admittance. "Three shillings, Massachusetts tenor," said he. "No, I mean half a dollar, as you reckon in these days." While searching my pocket for the coin I glanced at the doorkeeper, the marked character and individuality of whose aspect encouraged me to expect something not quite in the ordinary way. He wore an old-fashioned great-coat, much faded, within which his meagre person was so completely enveloped that the rest of his attire was undistinguishable. But his visage was remarkably wind-flushed, sunburnt, and weather-worn, and had a most, unquiet, nervous, and apprehensive expression. It seemed as if this man had some all-important object in view, some point of deepest interest to be decided, some momentous question to ask, might he but hope for a reply. As it was evident, however, that I could have nothing to do with his private affairs, I passed through an open doorway, which admitted me into the extensive hall of the museum. Directly in front of the portal was the bronze statue of a youth with winged feet. He was represented in the act of flitting away from earth, yet wore such a look of earnest invitation that it impressed me like a summons to enter the hall. "It is the original statue of Opportunity, by the ancient sculptor Lysippus," said a gentleman who now approached me. "I place it at the entrance of my museum, because it is not at all times that one can gain admittance to such a collection." The speaker was a middle-aged person, of whom it was not easy to determine whether he had spent his life as a scholar or as a man of action; in truth, all outward and obvious peculiarities had been worn away by an extensive and promiscuous intercourse with the world. There was no mark about him of profession, individual habits, or scarcely of country; although his dark complexion and high features made me conjecture that he was a native of some southern clime of Europe. At all events, he was evidently the virtuoso in person. "With your permission," said he, "as we have no descriptive catalogue, I will accompany you through the museum and point out whatever may be most worthy of attention. In the first place, here is a choice collection of stuffed animals." Nearest the door stood the outward semblance of a wolf, exquisitely prepared, it is true, and showing a very wolfish fierceness in the large glass eyes which were inserted into its wild and crafty head. Still it was merely the skin of a wolf, with nothing to distinguish it from other individuals of that unlovely breed. "How does this animal deserve a place in your collection?" inquired I. "It is the wolf that devoured Little Red Riding Hood," answered the virtuoso; "and by his side--with a milder and more matronly look, as you perceive--stands the she-wolf that suckled Romulus and Remus." "Ah, indeed!" exclaimed I. "And what lovely lamb is this with the snow-white fleece, which seems to be of as delicate a texture as innocence itself?" "Methinks you have but carelessly read Spenser," replied my guide, "or you would at once recognize the'milk-white lamb' which Una led. But I set no great value upon the lamb. The next specimen is better worth our notice." "What!" cried I, "this strange animal, with the black head of an ox upon the body of a white horse? Were it possible to suppose it, I should say that this was Alexander's steed Bucephalus." "The same," said the virtuoso. "And can you likewise give a name to the famous charger that stands beside him?" Next to the renowned Bucephalus stood the mere skeleton of a horse, with the white bones peeping through his ill-conditioned hide; but, if my heart had not warmed towards that pitiful anatomy, I might as well have quitted the museum at once. Its rarities had not been collected with pain and toil from
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Produced by Robert Rowe, Charles Franks and the Online Distributed Proofreading Team. [Transcriber's Note: I feel that it is important to note that this book is part of the Caledonian series. The Caledonian series is a group of 50 books comprising all of Sir Walter Scott's works.] WAVERLEY OR 'T IS SIXTY YEARS SINCE BY SIR WALTER SCOTT VOLUME I PUBLISHERS' NOTE It has long been the ambition of the present publishers to offer to the public an ideal edition of the writings of Sir Walter Scott, the great poet and novelist of whom William Hazlitt said, 'His works are almost like a new edition of human nature.' Secure in the belief not only that his writings have achieved a permanent place in the literature of the world, but that succeeding generations will prize them still more highly, we have, after the most careful planning and study, undertaken the publication of this edition of the Waverley Novels and the complete poetical writings. It is evident that the ideal edition of a great classic must be distinguished in typography, must present the best available text, and must be illustrated in such a way as at once to be beautiful in itself and to add to the reader's pleasure and his understanding of the book. As to the typography and text, little need be said here. The format of the edition has been most carefully studied, and represents the use of the best resources of The Riverside Press. The text has been carefully edited in the light of Scott's own revisions; all of his own latest notes have been included, glossaries have been added, and full descriptive notes to the illustrations have been prepared which will, we hope, add greatly to the reader's interest and instruction in the reading of the novels and poems. Of the illustrations, which make the special feature of this edition, something more may be said. In the case of an author like Sir Walter Scott, the ideal edition requires that the beautiful and romantic scenery amid which he lived and of which he wrote shall be adequately presented to the reader. No other author ever used more charming backgrounds or employed them to better advantage. To see Scotland, and to visit in person all the scenes of the novels and poems, would enable the reader fully to understand these backgrounds and thereby add materially to his appreciation of the author. Before beginning the preparation of this edition, the head of the department having it in charge made a visit in person to the scenes of the novels and poems, determined to explore all the localities referred to by the author, so far as they could be identified. The field proved even more productive than had been at first supposed, and photographs were obtained in sufficient quantity to illustrate all the volumes. These pictures represent the scenes very much as Scott saw them. The natural scenery--mountains, woods, lakes, rivers, seashore, and the like--is nearly the same as in his day. The ruins of ancient castles and abbeys were found to correspond very closely with his descriptions, though in many instances he had in imagination rebuilt these ruins and filled them with the children of his fancy. The scenes of the stories extend into nearly every county in Scotland and through a large part of England and Wales. All of these were thoroughly investigated, and photographs were made of everything of interest. One of the novels has to do with France and Belgium, one with Switzerland, one with the Holy Land, one with Constantinople, and one with India. For all of these lands, which Scott did not visit in person, and therefore did not describe with the same attention to detail as in the case of his own country, interesting pictures of characteristic scenery were secured. By this method the publishers have hoped to bring before the reader a series of photographs which will not only please the eye and give a satisfactory artistic effect to the volumes, but also increase the reader's knowledge of the country described and add a new charm to the delightful work of the author. In addition to the photographs, old engravings and paintings have been reproduced for the illustration of novels having to do with old buildings, streets, etc., which have long since disappeared. For this material a careful search was made in the British Museum, the Advocates' Library and City Museum, Edinburgh, the Library at Abbotsford, the Bibliotheque Nationale, Paris, and other collections. It has been thought, too, that the ideal edition of Scott's works would not be complete without an adequate portrayal of his more memorable characters. This has been accomplished in a series of frontispieces specially painted for this edition by twenty of the most distinguished illustrators of England. 4 PARK STREET, BOSTON. ADVERTISEMENT TO THE WAVERLEY NOVELS IT has been the occasional occupation of the Author of Waverley, for several years past, to revise and correct the voluminous series of Novels which pass under that name, in order that, if they should ever appear as his avowed productions, he might render them in some degree deserving of a continuance of the public favour with which they have been honoured ever since their first appearance. For a long period, however
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Produced by Bryan Ness, Henry Gardiner and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) * * * * * Transcriber's Note: The original publication has been replicated faithfully except as shown in the Transcriber's Amendments at the end of the text. Words in italics are indicated like _this_. Obscured letters in the original publication are indicated with {?}. Text emphasized with bold characters or other treatment is shown like =this=. Footnotes are located near the end of the text. * * * * * Dispensary Department Bulletin No. 1 NURSES' PAPERS ON TUBERCULOSIS PUBLISHED BY THE CITY OF CHICAGO MUNICIPAL TUBERCULOSIS SANITARIUM SEPTEMBER 1914 CITY OF CHICAGO MUNICIPAL TUBERCULOSIS SANITARIUM STAFF OF NURSES --OF THE-- DISPENSARY DEPARTMENT ROSALIND MACKAY, R. N., Superintendent of Nurses ANNA G. BARRETT BARBARA H. BARTLETT OLIVE E. BEASON ELLA M. BLAND KATHRYN M. CANFIELD MABEL F. CLEVELAND ELRENE M. COOMBS MARGARET M. COUGHLIN STELLA W. COULDREY EMMA W. CRAWFORD FANNIE J. DAVENPORT ROXIE A. DENTZ C. ETHEL DICKINSON ANNA M. DRAKE MARY E. EGBERT MAUDE F. ESS{?} SARA D. FAROLL MARY FRASER AUGUSTA A. GOUGH FRANCES M. HEINRICH LAURA K. HILL ISABELLA J. JENSEN EMMA E. JONES LETTA D. JONES JEANETTE KIPP ELSA LUND MARY MACCONACHIE JOSEPHINE V. MARK ISABEL C. MCKAY ANNA V. MCVADY ANNIE MORRISON KATHERINE M. PATTERSON LAURA A. REDMOND GRACE M. SAVILLE BERYL SCOTT FLORENCE T. SINGLETON MABELLE SMITH FLORENCE A. SPENCER HARRIETT STAHLEY GENEVIEVE E. STRATTON ANNABEL B. STUBBS ALICE J. TAPPING OLIVE TUCKER ELIZABETH M. WATTS MARY C. WRIGHT MARY C. YOUNG KARLA STRIBRNA, Interpreter. BOARD OF DIRECTORS THEODORE B. SACHS, M. D., President GEORGE B. YOUNG, M. D., Secretary W. A. WIEBOLDT. GENERAL OFFICE 105 West Monroe Street FRANK E. WING, Executive Officer. [Illustration: FIELD NURSES, DISPENSARY DEPARTMENT CHICAGO MUNICIPAL TUBERCULOSIS SANITARIUM] Dispensary Department Bulletin No. 1 NURSES' PAPERS ON TUBERCULOSIS READ BEFORE THE NURSES' STUDY CIRCLE OF THE DISPENSARY DEPARTMENT CHICAGO MUNICIPAL TUBERCULOSIS SANITARIUM PUBLISHED BY THE CITY OF CHICAGO MUNICIPAL TUBERCULOSIS SANITARIUM 105 WEST MONROE STREET SEPTEMBER 1914 CONTENTS PAGE Introduction--Nurses' Tuberculosis Study Circle 5 Historical Notes on Tuberculosis 7 ROSALIND MACKAY, R. N. Visiting Tuberculosis Nursing in Various Cities of the United States 11 ANNA M. DRAKE, R. N. Provisions for Outdoor Sleeping 30 MAY MACCONACHIE, R. N. Some Points in the Nursing Care of the Advanced Consumptive 37 ELSA LUND, R. N. Open Air Schools in This Country and Abroad 44 FRANCES M. HEINRICH, R. N. Notes on Tuberculin for Nurses 56 NURSES' TUBERCULOSIS STUDY CIRCLE It is well known that the gathering of facts and study of literature essential to the preparation of a paper on a certain subject is a very productive method of
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Produced by David Reed TO HAVE AND TO HOLD By Mary Johnston TO THE MEMORY OF MY MOTHER CONTENTS CHAPTER I. IN WHICH I THROW AMBS-ACE CHAPTER II. IN WHICH I MEET MASTER JEREMY SPARROW CHAPTER III. IN WHICH I MARRY IN HASTE CHAPTER IV. IN WHICH I AM LIKE TO REPENT AT LEISURE CHAPTER V. IN WHICH A WOMAN HAS HER WAY CHAPTER VI. IN WHICH WE GO TO JAMESTOWN CHAPTER VII. IN WHICH WE PREPARE TO FIGHT THE SPANIARD CHAPTER VIII. IN WHICH ENTERS MY LORD CARNAL CHAPTER IX. IN WHICH TWO DRINK OF ONE CUP CHAPTER X. IN WHICH MASTER PORY GAINS TIME TO SOME PURPOSE CHAPTER XI. IN WHICH I MEET AN ITALIAN DOCTOR CHAPTER XII. IN WHICH I RECEIVE A WARNING AND REPOSE A TRUST CHAPTER XIII. IN WHICH THE SANTA TERESA DROPS DOWN-STREAM CHAPTER XIV. IN WHICH WE SEEK A LOST LADY CHAPTER XV. IN WHICH WE FIND THE HAUNTED WOOD CHAPTER XVI. IN WHICH I AM RID OF AN UNPROFITABLE SERVANT CHAPTER XVII. IN WHICH MY LORD AND I PLAY AT BOWLS CHAPTER XVIII. IN WHICH WE GO OUT INTO THE NIGHT CHAPTER XIX. IN WHICH WE HAVE UNEXPECTED COMPANY CHAPTER XX. IN WHICH WE ARE IN DESPERATE CASE CHAPTER XXI. IN WHICH A GRAVE IS DIGGED CHAPTER XXII. IN WHICH I CHANGE MY NAME AND OCCUPATION CHAPTER XXIII. IN WHICH WE WRITE UPON THE SAND CHAPTER XXIV. IN WHICH WE CHOOSE THE LESSER OF TWO EVILS CHAPTER XXV. IN WHICH MY LORD HATH HIS DAY CHAPTER XXVI. IN WHICH I AM BROUGHT TO TRIAL CHAPTER XXVII. IN WHICH I FIND AN ADVOCATE CHAPTER XXVIII. IN WHICH THE SPRINGTIME IS AT HAND CHAPTER XXIX. IN WHICH I KEEP TRYST CHAPTER XXX. IN WHICH WE START UPON A JOURNEY CHAPTER XXXI. IN WHICH NANTAUQUAS COMES TO OUR RESCUE CHAPTER XXXII. IN WHICH WE ARE THE GUESTS OF AN EMPEROR CHAPTER XXXIII. IN WHICH MY FRIEND BECOMES MY FOE CHAPTER XXXIV. IN WHICH THE RACE IS NOT TO THE SWIFT CHAPTER XXXV. IN WHICH I COME TO THE GOVERNOR'S HOUSE CHAPTER XXXVI. IN WHICH I HEAR ILL NEWS CHAPTER XXXVII. IN WHICH MY LORD AND I PART COMPANY CHAPTER XXXVIII. IN WHICH I GO UPON A QUEST CHAPTER XXXIX. IN WHICH WE LISTEN TO A SONG TO HAVE AND TO HOLD CHAPTER I IN WHICH I THROW AMBS-ACE THE work of the day being over, I sat down upon my doorstep, pipe in hand, to rest awhile in the cool of the evening. Death is not more still than is this Virginian land in the hour when the sun has sunk away, and it is black beneath the trees, and the stars brighten slowly and softly, one by one. The birds that sing all day have hushed, and the horned owls, the monster frogs, and that strange and ominous fowl (if fowl it be, and not, as some assert, a spirit damned) which we English call the whippoorwill, are yet silent. Later the wolf will howl and the panther scream, but now there is no sound. The winds are laid, and the restless leaves droop and are quiet. The low lap of the water among the reeds is like the breathing of one who sleeps in his watch beside the dead. I marked the light die from the broad bosom of the river, leaving it a dead man's hue. Awhile ago, and for many evenings, it had been crimson,--a river of blood. A week before, a great meteor had shot through the night, blood-red and bearded, drawing a slow-fading fiery trail across the heavens; and the moon had risen that same night blood-red, and upon its disk there was drawn in shadow a thing most marvelously like a scalping knife. Wherefore, the following day being Sunday, good Mr. Stockham, our minister at Weyanoke, exhorted us to be on our guard, and in his prayer besought that no sedition or rebellion might raise its head amongst the Indian subjects of the Lord's anointed. Afterward, in the churchyard, between the services, the more timorous began to tell of divers portents which they had observed, and to recount old tales of how the savages distressed us in the Starving Time. The bolder spirits laughed them to scorn, but the women began to weep and cower, and I, though I laughed too, thought of Smith, and how he ever held the savages, and more especially that Opechancanough who was now their emperor, in a most deep distrust; telling us that the red men watched while we slept, that they might teach wiliness to a Jesuit, and how to bide its time to a cat crouched before a mousehole. I thought of the terms we now kept with these heathen; of how they came and went familiarly amongst us, spying out our weakness, and losing the salutary awe which that noblest captain had struck into their souls; of how many were employed as hunters to bring down deer for lazy masters; of how, breaking the law, and that not secretly, we gave them knives and arms, a soldier's bread, in exchange for pelts and pearls; of how their emperor was forever sending us smooth messages; of how their lips smiled and their eyes frowned. That afternoon, as I rode home through the lengthening shadows, a hunter, red-brown and naked, rose from behind a fallen tree that sprawled across my path, and made offer to bring me my meat from the moon of corn to the moon of stags in exchange for a gun. There was scant love between the savages and myself,--it was answer enough when I told him my name. I left the dark figure standing, still as a carved stone, in the heavy shadow of the trees, and, spurring my horse (sent me from home, the year before, by my cousin Percy), was soon at my house,--a poor and rude one, but pleasantly set upon a <DW72> of green turf, and girt with maize and the broad leaves of the tobacco. When I had had my supper, I called from their hut the two Paspahegh lads bought by me from their tribe the Michaelmas before, and soundly flogged them both, having in my mind a saying of my ancient captain's, namely, "He who strikes first oft-times strikes last." Upon the afternoon of which I now speak, in the midsummer of the year of grace 1621, as I sat upon my doorstep, my long pipe between my teeth and my eyes upon the pallid stream below, my thoughts were busy with these matters,--so busy that I did not see a horse and rider emerge from the dimness of the forest into the cleared space before my palisade, nor knew, until his voice came up the bank, that my good friend, Master John Rolfe, was without and would speak to me. I went down to the gate, and, unbarring it, gave him my hand and led the horse within the inclosure. "Thou careful man!" he said, with a laugh, as he dismounted. "Who else, think you, in this or any other hundred, now bars his gate when the sun goes down?" "It is my sunset gun," I answered briefly, fastening his horse as I spoke. He put his arm about my shoulder, for we were old friends, and together we went up the green bank to the house, and, when I had brought him a pipe, sat down side by side upon the doorstep. "Of what were you dreaming?" he asked presently, when we had made for ourselves a great cloud of smoke. "I called you twice." "I was wishing for Dale's times and Dale's laws." He laughed, and touched my knee with his hand, white and smooth as a woman's, and with a green jewel upon the forefinger. "Thou Mars incarnate!" he cried. "Thou first, last, and in the meantime soldier! Why, what wilt thou do when thou gettest to heaven? Make it too hot to hold thee? Or take out letters of marque against the Enemy?" "I am not there yet," I said dryly. "In the meantime I would like a commission against--your relatives." He laughed, then sighed, and, sinking his chin into his hand and softly tapping his foot against the ground, fell into a reverie. "I would your princess were alive," I said presently. "So do I," he answered softly. "So do I." Locking his hands behind his head, he raised his quiet face to the evening star. "Brave and wise and gentle," he mused. "If I did not think to meet her again, beyond that star, I could not smile and speak calmly, Ralph, as I do now." "'T is a strange thing," I said, as I refilled my pipe. "Love for your brother-in-arms, love for your commander if he be a commander worth having, love for your horse and dog, I understand. But wedded love! to tie a burden around one's neck because 't is pink and white, or clear bronze, and shaped with elegance! Faugh!" "Yet I came with half a mind to persuade thee to that very burden!" he cried, with another laugh. "Thanks for thy pains," I said, blowing blue rings into the air. "I have ridden to-day from Jamestown," he went on. "I was the only man, i' faith, that cared to leave its gates; and I met the world--the bachelor world--flocking to them. Not a mile of the way but I encountered Tom, Dick, and Harry, dressed in their Sunday bravery and making full tilt for the city. And the boats upon the river! I have seen the Thames less crowded." "There was more passing than usual," I said; "but I was busy in the fields, and did not attend. What's the lodestar?" "The star that draws us all,--some to ruin, some to bliss ineffable, woman." "Humph! The maids have come, then?" He nodded. "There's a goodly ship down there, with a goodly lading." "Videlicet, some fourscore waiting damsels and milkmaids, warranted honest by my Lord Warwick," I muttered. "This business hath been of Edwyn Sandys' management, as you very well know," he rejoined, with some heat. "His word is good: therefore I hold them chaste. That they are fair I can testify, having seen them leave the ship." "Fair and chaste," I said, "but meanly born." "I grant you that," he answered. "But after all, what of it? Beggars must not be choosers. The land is new and must be peopled, nor will those who come after us look too curiously into the lineage of those to whom a nation owes its birth. What we in these plantations need is a loosening of the bonds which tie us to home, to England, and a tightening of those which bind us to this land in which we have cast our lot. We put our hand to the plough, but we turn our heads and look to our Egypt and its fleshpots. 'T is children and wife--be that wife princess or peasant--that make home of a desert, that bind a man with chains of gold to the country where they abide. Wherefore, when at midday I met good Master Wickham rowing down from Henricus to Jamestown, to offer his aid to Master Bucke in his press of business to-morrow, I gave the good man Godspeed, and thought his a fruitful errand and one pleasing to the Lord." "Amen," I yawned. "I love the land, and call it home. My withers are unwrung." He rose to his feet, and began to pace the greensward before the door. My eyes followed his trim figure, richly though sombrely clad, then fell with a sudden dissatisfaction upon my own stained and frayed apparel. "Ralph," he said presently, coming to a stand before me, "have you ever an hundred and twenty pounds of tobacco in hand? If not, I"-- "I have the weed," I replied. "What then?" "Then at dawn drop down with the tide to the city, and secure for thyself one of these same errant damsels." I stared at him, and then broke into laughter, in which, after a space and unwillingly, he himself joined. When at length I wiped the water from my eyes it was quite dark, the whippoorwills had begun to call, and Rolfe must needs hasten on. I went with him down to the gate. "Take my advice,--it is that of your friend," he said, as he swung himself into the saddle. He gathered up the reins and struck spurs into his horse, then turned to call back to me: "Sleep upon my words, Ralph, and the next time I come I look to see a farthingale behind thee!" "Thou art as like to see one upon me," I answered. Nevertheless, when he had gone, and I climbed the bank and reentered the house, it was with a strange pang at the cheerlessness of my hearth, and an angry and unreasoning impatience at the lack of welcoming face or voice. In God's name, who was there to welcome me? None but my hounds, and the flying squirrel I had caught and tamed. Groping my way to the corner, I took from my store two torches, lit them, and stuck them into the holes pierced in the mantel shelf; then stood beneath the clear flame, and looked with a sudden sick distaste upon the disorder which the light betrayed. The fire was dead, and ashes and embers were scattered upon the hearth; fragments of my last meal littered the table, and upon the unwashed floor lay the bones I had thrown my dogs. Dirt and confusion reigned; only upon my armor, my sword and gun, my hunting knife and dagger, there was no spot or stain. I turned to gaze upon them where they hung against the wall, and in my soul I hated the piping times of peace, and longed for the camp fire and the call to arms. With an impatient sigh, I swept the litter from the table, and, taking from the shelf that held my meagre library a bundle of Master Shakespeare's plays (gathered for me by Rolfe when he was last in London), I began to read; but my thoughts wandered, and the tale seemed dull and oft told. I tossed it aside, and, taking dice from my pocket, began to throw. As I cast the bits of bone, idly, and scarce caring to observe what numbers came uppermost, I had a vision of the forester's hut at home, where, when I was a boy, in the days before I ran away to the wars in the Low Countries, I had spent many a happy hour. Again I saw the bright light of the fire reflected in each well-scrubbed crock and pannikin; again I heard the cheerful hum of the wheel; again the face of the forester's daughter smiled upon me. The old gray manor house, where my mother, a stately dame, sat ever at her tapestry, and an imperious elder brother strode to and fro among his hounds, seemed less of home to me than did that tiny, friendly hut. To-morrow would be my thirty-sixth birthday. All the numbers that I cast were high. "If I throw ambs-ace," I said, with a smile for my own caprice, "curse me if I do not take Rolfe's advice!" I shook the box and clapped it down upon the table, then lifted it, and stared with a lengthening face at what it had hidden; which done, I diced no more, but put out my lights and went soberly to bed. CHAPTER II IN WHICH I MEET MASTER JEREMY SPARROW MINE are not dicers' oaths. The stars were yet shining when I left the house, and, after a word with my man Diccon, at the servants' huts, strode down the bank and through the gate of the palisade to the wharf, where I loosed my boat, put up her sail, and turned her head down the broad stream. The wind was fresh and favorable, and we went swiftly down the river through the silver mist toward the sunrise. The sky grew pale pink to the zenith; then the sun rose and drank up the mist. The river sparkled and shone; from the fresh green banks came the smell of the woods and the song of birds; above rose the sky, bright blue, with a few fleecy clouds drifting across it. I thought of the day, thirteen years before, when for the first time white men sailed up this same river, and of how noble its width, how enchanting its shores, how gay and sweet their blooms and odors, how vast their trees, how strange the painted savages, had seemed to us, storm-tossed adventurers, who thought we had found a very paradise, the Fortunate Isles at least. How quickly were we undeceived! As I lay back in the stern with half-shut eyes and tiller idle in my hand, our many tribulations and our few joys passed in review before me. Indian attacks; dissension and strife amongst our rulers; true men persecuted, false knaves elevated; the weary search for gold and the South Sea; the horror of the pestilence and the blacker horror of the Starving Time; the arrival of the Patience and Deliverance, whereat we wept like children; that most
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Produced by KD Weeks, David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain works put online by Harvard University Library's Open Collections Program, Women Working 1800 - 1930) Transcriber's Notes Certain typographical features of the original cannot be reproduced Illustrations cannot be reproduced in this version of the text. They are indicated in the text, in their approximate positions, as: [Illustration: <caption>]. Autograph letters, signatures, and similar documents which were presented as images in the original, but have been transcribed here, in lieu of captions. Italic fonts are rendered using delimiting underscores, as _italic_. The 'oe' ligature is spelled with separate characters. Words in all small capital letters, including those which employ mixed case, are shifted to uppercase. Footnotes, which appeared at the bottom of the page, are positioned at logical breaks following their references. They have been assigned unique letters, beginning with 'A', and appear as: [A] Text of footnote. The lists of Illustrations and Contents have several anomalous, though accurate, entries. For example, the section on the re-incorporation of the Red Cross, beginning on page 94, appears in the Contents between sections on p. 184 and p. 197, for no apparent reason. The reference has been placed in its proper position in the Contents. Please note that the entries in the Contents do not always refer to formal sections of the text. They sometimes direct one to a change of topic otherwise unmarked in the text itself. Several of the photographs associated with the Spanish American War, which were included at the end of the volume on pp. 675 and 676, are listed in the Illustrations where their subjects would appear. The opening of the section on General History is labeled "Chapter I", the only use of that designation in the volume. [Frontispiece: CLARA BARTON. _From a portrait taken about 1875._] THE RED CROSS IN PEACE AND WAR [Illustration] BY CLARA BARTON AMERICAN HISTORICAL PRESS 1906 Copyright 1898, by CLARA BARTON From the President of the United States In his Message to Congress December 6, 1898. It is a pleasure for me to mention in terms of cordial appreciation the timely and useful work of the American National Red Cross, both in relief measures preparatory to the campaigns, in sanitary assistance at several of the camps of assemblage, and, later, under the able and experienced leadership of the president of the society, Miss Clara Barton, on the fields of battle and in the hospitals at the front in Cuba. Working in conjunction with the governmental authorities and under their sanction and approval, and with the enthusiastic co-operation of many patriotic women and societies in the various States, the Red Cross has fully maintained its already high reputation for intense earnestness and ability to exercise the noble purposes of its international organization, thus justifying the confidence and support which it has received at the hands of the American people. To the members and officers and all who aided them in their philanthropic work, the sincere and lasting gratitude of the soldiers and the public is due and freely accorded. In tracing these events we are constantly reminded of our obligations to the Divine Master for His watchful care over us and His safe guidance, for which the nation makes reverent acknowledgment and offers humble prayers for the continuance of His favors. [Illustration: William McKinley] ILLUSTRATIONS. PAGE. Clara Barton, from a portrait taken about 1875 Frontispiece. The International Committee of the Red Cross, Geneva, Switzerland opp. 16 Clara Barton, taken about 1885 opp. 17 The First Red Cross Warehouse, Washington, D.C. 21 National Red Cross Headquarters in Washington, from 1892 to 1897 22 Some of the First Members of the American National Red Cross 43 A Group of American National Red Cross Members 44 A Group of American National Red Cross Members 55 Suburban Headquarters, American National Red Cross 56 Some Red Cross Decorations Presented to Clara Barton 83 Chronological Historic Tree 84 Clara Barton, taken about 1884 113 "Josh V. Throop" 114 Camp Perry 143 Red Cross Headquarters 144 Johnstown, Pa., before the Flood of 1889 155 Red Cross Hotel, Locust Street, Johnstown, Pa. 156 Red Cross Furniture Room, Johnstown, Pa. 163 Typical Scene after the Flood at Johnstown, Pa., May 30, 1889 164 In Memoriam 174
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Produced by Marc D'Hooghe at Free Literature (online soon in an extended version, also linking to free sources for education worldwide... MOOC's, educational materials,...) Images generously made available by the Internet Archive. PHILOSOPHY OF THE PRACTICAL ECONOMIC AND ETHIC TRANSLATED FROM THE ITALIAN OF BENEDETTO CROCE BY DOUGLAS AINSLIE B.A. (OXON.), M.R.A.S. MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1913 Benedetto Croce's Philosophy of the Spirit, in the English translation by Douglas Ainslie, consists of 4 volumes (which can be read separately): 1. Aesthetic as science of expression and general linguistic. (Second augmented edition. A first ed. is also available at Project Gutenberg.) 2. Philosophy of the practical: economic and ethic. 3. Logic as the science of the pure concept. 4. Theory and history of historiography. --Transcriber's note. NOTE Certain chapters only of the third part of this book were anticipated in the study entitled _Reduction of the Philosophy of Law to the Philosophy of Economy,_ read before the Accademia Pontaniana of Naples at the sessions of April 21 and May 5, 1907 (_Acts,_ vol. xxxvii.); but I have remodelled them, amplifying certain pages and summarizing others. The concept of economic activity as an autonomous form of the spirit, which receives systematic treatment in the second part of the book, was first maintained in certain essays, composed from 1897 to 1900, and afterwards collected in the volume _Historical Materialism and Marxist Economy_ (2nd edition, Palermo, Sandron, 1907). B. C. NAPLES, 19_th April_ 1908. TRANSLATOR'S PREFACE "A noi sembra che l' opera del Croce sia lo sforzo più potente che il pensiero italiano abbia compiuto negli ultimi anni."--G. DE RUGGIERO in _La Filosofia contemporanea,_ 1912. "Il sistema di Benedetto Croce rimane la più alta conquista del pensiero contemporaneo."--G. NATOLI in _La Voce,_ 19th December 1912. Those acquainted with my translation of Benedetto Croce's _Æsthetic as Science of Expression and General Linguistic_ will not need to be informed of the importance of this philosopher's thought, potent in its influence upon criticism, upon philosophy and upon life, and famous throughout Europe. In the Italian, this volume is the third and last of the _Philosophy of the Spirit, Logic as Science of the Pure Concept_ coming second in date of publication. But apart from the fact that philosophy is like a moving circle, which can be entered equally well at any point, I have preferred to place this volume before the _Logic_ in the hands of British readers. Great Britain has long been a country where moral values are highly esteemed; we are indeed experts in the practice, though perhaps not in the theory of morality, a lacuna which I believe this book will fill. In saying that we are experts in moral practice I do not, of course, refer to the narrow conventional morality, also common with us, which so often degenerates into hypocrisy, a legacy of Puritan origin; but apart from this, there has long existed in many millions of Britons a strong desire to live well, or, as they put it, cleanly and rightly, and achieved by many, independent of any close or profound examination of the logical foundation of this desire. Theology has for some taken the place of pure thought, while for others, early training on religious lines has been sufficiently strong to dominate other tendencies in practical life. Yet, as a speculative Scotsman, I am proud to think that we can claim divided honours with Germany in the production of Emmanuel Kant (or Cant). The latter half of the nineteenth century witnessed with us a great development of materialism in its various forms. The psychological, anti-historical speculation contained in the so-called Synthetic Philosophy (really psychology) of Herbert Spencer was but one of the many powerful influences abroad, tending to divert youthful minds from the true path of knowledge. This writer, indeed, made himself notorious by his attitude of contemptuous intolerance and ignorance of the work previously done in connection with subjects which he was investigating. He accepted little but the evidence of his own senses and judgment, as though he were the first philosopher. But time has now taken its revenge, and modern criticism has exposed the Synthetic Philosophy in all its barren and rigid inadequacy and ineffectuality. Spencer tries to force Life into a brass bottle of his own making, but the genius will not go into his bottle. The names and writings of J. S. Mill, of Huxley, and of Bain are, with many others of lesser calibre, a potent aid to the dissolving influence of Spencer. Thanks to their efforts, the spirit of man was lost sight of so completely that I can well remember hearing Kant's great
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Produced by Fritz Ohrenschall, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net +-------------------------------------------------+ |Transcriber's note: | | | |Obvious typographical errors have been corrected | +-------------------------------------------------+ Vol. I. MAY, 1906 No. 3 MOTHER EARTH [Illustration] P. O. Box 217 EMMA GOLDMAN, Publisher 10c. a Copy CONTENTS PAGE Tidings of May 1 Envy WALT WHITMAN 2 Observations and Comments 3 "This Man Gorky" MARGARET GRANT 8 Comrade MAXIM GORKY 17 Alexander Berkman E. G. 22 Poem VOLTAIRINE DE CLEYRE 25 The White Terror 25 Paternalistic Government THEODORE SCHROEDER 27 Liberty in Common Life BOLTON HALL 34 Statistics H. KELLY 35 Gerhart Hauptmann with the Weavers of Silesia MAX BAGINSKI 38 Disappointed Economists 47 Vital Art ANNY MALI HICKS 48 Kristofer Hansteen VOLTAIRINE DE CLEYRE 52 Fifty Years of Bad Luck SADAKICHI HARTMANN 56 10c. A COPY $1 A YEAR MOTHER EARTH Monthly Magazine Devoted to Social Science and Literature Published Every 15th of the Month EMMA GOLDMAN, Publisher, P. O. Box 217, Madison Square Station, New York, N. Y. Vol. I MAY, 1906 No. 3 TIDINGS OF MAY. The month of May is a grinning satire on the mode of living of human beings of the present day. The May sun, with its magic warmth, gives life to so much beauty, so much value. The dead, grayish brown of the forest and woods is transformed into a rich, intoxicating, delicate, fragrant green. Golden sun-rays lure flowers and grass from the soil, and kiss branch and tree into blossom and bloom. Tillers of the soil are beginning their activity with plough, shovel, rake, breaking the firm grip of grim winter upon the Earth, so that the mild spring warmth may penetrate her breast and coax into growth and maturity the seeds lying in her womb. A great festival seems at hand for which Mother Earth has adorned herself with garments of the richest and most beautiful hues. What does civilized humanity do with all this splendor? It speculates with it. Usurers, who gamble with the necessities of life, will take possession of Nature's gifts, of wheat and corn, fruit and flowers, and will carry on a shameless trade with them, while millions of toilers, both in country and city, will be permitted to partake of the earth's riches only in medicinal doses and at exorbitant prices. May's generous promise to mankind, that they were to receive in abundance, is being broken and undone by the existing arrangements of society. The Spring sends its glad tidings to man through the jubilant songs that stream from the throats of her feathered messengers. "Behold," they sing, "I have such wealth to give away, but you know not how to take. You count and bargain and weigh and measure, rather than feast at my heavily laden tables. You crawl about on the ground, bent by worry and dread, rather than drink in the free balmy air!" The irony of May is neither cold nor hard. It contains a mild yet convincing appeal to mankind to finally break the power of the Winter not only in Nature, but in our social life,--to free itself from the hard and fixed traditions of a dead past. [Illustration] ENVY. By WALT WHITMAN. _When I peruse the conquered fame of heroes, and the victories of mighty generals, I do not envy the generals, Nor the President in his Presidency, nor the rich in his great house; But when I hear of the brotherhood of lovers, how it was with them, How through life, through dangers, odium, unchanging, long and long Through youth, and through middle and old age, how unfaltering, how affectionate and faithful they were, Then I am pensive--I hastily walk away, filled with the bitterest envy._ OBSERVATIONS AND COMMENTS. A young man had an Ideal which he cherished as the most beautiful and greatest treasure he had on earth. He promised himself never to part with it, come what might. His surroundings, however, repeated from morn till night that one can not feed on Ideals, and that one must become practical if he wishes to get on in life. When he attempted the practical, he realized that his Ideal could never become reconciled to it. This, at first, caused him deep suffering, but he soon conceived a pleasant thought: "Why should I expose my precious jewel to the vulgarity, coarseness and filth of a practical life? I will put it into a jewel case and hide it in a secluded spot." From time to time, especially when business was bad, he stole over to the case containing his Ideal, to delight in its splendor. Indeed, the world was shabby compared with that! Meanwhile he married and his business began to improve. The members of his party had already begun to discuss the possibility of putting him up as a candidate for Alderman. He visited his Ideal at longer intervals now. He had made a very unpleasant discovery,--his Ideal had lessened in size and weight in proportion to the practical opulence of his mind. It grew old and full of wrinkles, which aroused his suspicions. After all, the practical people were right in making light of Ideals. Did he not observe with his own eyes how his Ideal had faded? It had been overlooked for a long time. Once more he stole over to the safety vault containing his Ideal. It was at a time when he had suffered a severe business loss. With great yearning in his breast, he lifted the cover of the case. He was worn from practical life and his heart and head felt heavy. He found the case empty. His Ideal had vanished, evaporated!--It dawned upon him that he had proven false to the Ideal, and not the Ideal to him. [Illustration] Pity and sympathy have been celebrating a great feast within the last few weeks. When they look into the mirror of public opinion they find their own reflex touchingly beautiful, big, very human. Want was about to commit self-destruction in abolishing poverty, tears and the despair of suffering humanity forever. The "heart" of New York, the "heart" of the country, the "heart" of the entire world throbs for San Francisco. The press says so, at least. No doubt a large amount in checks and banknotes was sent to the city of the Golden Gate. Money, in these days, is the criterion of emotions and sentiments; so that the pity of one who gives $10,000 must appear incomparably greater than the pity of one who contributes a small sum which was perhaps intended to buy shoes for the children, or to pay the grocery bill. A large sum is always loud and boastful in the way it appears in the newspapers. The delicate tact and fine taste of the various editors see to it that the names of the donors of large sums be printed in heavy type. After all, can not one every day and in every large city observe the same phenomenon that has followed the disaster in San Francisco? Surely there were homeless, starved, despaired, wretched beings in San Francisco before the earthquake and the fire, yet the public's pity and sympathy haughtily passed them by; and official sympathy and compassion had nothing but the police station and the workhouse to give them. And now,--what is really being done now? Humanitarianism is exhibiting itself in a low and vulgar manner, and superficiality and bad taste are stalking about in peacock fashion. The newspapers are full of praise for the bravery of the militia in their defense of property. A man was instantly shot as he walked out of a saloon with his arms full of champagne bottles, and another was shot for carrying off a sack of coffee, etc. How strange that the "brave boys" of the militia,--who, by the way, had to be severely disciplined because of their beastly drunkenness,--showed so much noble indignation against a few clumsy thieves! During the strikes and labor conflicts it is usually their mission to protect the property of skillful thieves,--legal thieves, of course. Finally what is going to be the end of the great display of superficial sentimentality for the stricken city? An all-around good deal: Moneyed people, contractors, real estate speculators will make large sums of money. Indeed it is not at all unlikely that within a few months good Christian capitalists will secretly thank their Lord that he sent the earthquake. [Illustration] As an employer, the United States Government is certainly tolerant and liberal, especially so far as the highly remunerative offices are concerned. The President, for instance, loves to deliver himself of moral sermons. Recently he spoke of the people who criticise government and society and breed discontent. He considers them dangerous and entertains little regard for them. He ought not be blamed for that, since, as the first clerk of the State, it is his duty to represent its interests and dignity. The most ordinary business agent, though he may be convinced of the corruption of his firm, will take good care to keep this fact from the public. Business morals demand it. Besides, no one will expect or desire that the President should become a Revolutionist. This would certainly be no gain of ours, nor would the State suffer harm. Surely there are enough professional politicians who do not lack talent for the calling of doorkeepers on a large scale. As to the moral sermons against the undesirable and obnoxious element, all that can be said, from a practical standpoint, is, that their originality and wisdom are in no proportion to the salary the sermonizer receives. Competition among preachers of penitence and servility is almost as great as among patent medicine quacks. Four or five thousand a year can easily buy the services of a corpulent, reverend gentleman of some prominence. [Illustration] The dangers of the first of May, when France was to be ruined by the "mob" of socialists and anarchists, was very fantastically described by the Paris correspondents of the American newspapers. These gentlemen seem to have known everything. They discovered that the cause of the threatened revolution was to be found in the irresponsible good nature and kindness of the French government. Just show "Satan" Anarchy a finger, and straightway he will seize the entire arm. Especially M. Clemenceau was severely censured as being altogether too good a fellow to make a reliable minister. There he is with France near the abyss of a social revolution! That is the manner in which history is being manufactured for boarding-school young ladies. The social revolution may come, but surely not because of the kindness or good nature of the government. France needed a newspaper boom for her elections: "The republic is in danger; for goodness' sake give us your vote on election day!" In order that the citizens might feel the proper horror, trade-union leaders, anarchists and even a few royalistic scare-crows were arrested; at the same time the sympathy and devotion of the government for its people manifested itself in the reign of the military terror in the strike regions. The real seriousness of the situation, the correspondents failed to grasp. How could they? since they got their wisdom in the ante-chamber of the ministry. The revolutionary labor organizations care little for the good will or the Jesuit kindness of the authorities. They continue with their work, propagate the idea of direct action, and strengthen the anti-military movement, the result of which is already being felt among the soldiers and officers. The officer who jumped upon the platform at the Bourse du Travail, expressing his solidarity with the workers and declaring that he would not fire on them, was immediately arrested; but this will only influence others to follow the good example. [Illustration] In the old fables the lion is described as supreme judge and not the mule or the wether. In Cleveland things are different. Several weeks ago Olga Nethersole gave a performance of Sappho there. Whereupon the police felt moved to perform an operation on the play, for moral reasons, of course. The staircase scene was ordered to be left out altogether. Ye poor, depraved artists, how low ye might sink, were the police and Comstock not here to watch over the moral qualities of your productions! If one observes one of these prosaic fellows on the corner, terribly bored, and with his entire intellect concentrated on his club, and how out of pure ennui he is constantly recapitulating the number of his brass buttons, one can hardly realize that such an individual has been entrusted with the power to decide the fate of an artistic production. [Illustration] 1792 the French people marched through the streets singing: O, what is it the people cry? They ask for all equality. The poor no more shall be In slavish misery; The idle rich shall flee. O, what is it the people need? They ask for bread and iron and lead. The iron to win our pay, The lead our foes to slay, The bread our friends to feed. The soldiers at Mount Carmel, Pennsylvania, who were ordered by their superiors to fire into a crowd of strikers and wounded and killed innocent men and women, do not sing the Carmagnole; they sing: "My country, 'tis of thee, Sweet land of Liberty!" If the ruling powers continue to maintain peace and order with iron and blood it may happen that the meaningless national hymn may be drowned by the Carmagnole, pealing forth like thunder from the throats of the masses. [Illustration] To the credit of human nature be it said, it is not altogether hopeless. Since tyranny has existed, human nature has ever rebelled against it. Real slavery exists only when the oppressed consider their fate as something normal, something self-evident. There is greater security for tyranny in slavish thoughts, indifference and pettiness than in cannons and swords. [Illustration] "THIS MAN GORKY." By MARGARET GRANT. THE women of America are aroused as never before. They always are aroused to the defense of their firesides. Even those women who live in flats are awake to the need for defending their radiators or their gas stoves; it is inherent in the nature of woman, it seems. Most of the women's societies and clubs have spoken in no uncertain terms concerning the outrage that has been put upon the civilization of this great country by the conduct of this man Gorky. And, in fact, it is a thing not to be borne. As for me, I belong to the Woman's Association for the Regulation of the Morals of Others, a society which is second to none in its activity and usefulness, but which has seen fit to defer its own discussion of this man Gorky's conduct until most of the other women's societies have spoken. We have just had our meeting, and I think that if this man Gorky should read an account of our proceedings, he would certainly get out of this outraged country with all the celerity of which he is capable. But, of course, he is only a foreigner after all and probably will not comprehend the exquisite purity of our morals. I want to say that in our meetings we do not slavishly follow those parliamentary rules which men have made for their guidance, but allow ourselves some latitude in discussion. And we do not invite some man to come and do all the talking, as is the case in some women's clubs. Mrs. Blanderocks was in the chair. We began with an informal discussion of the best way of preventing the common people from dressing so as not to be distinguished from the upper classes, but there was no heart in the talk, for we all felt that it was only preliminary. It was my friend Sarah Warner who changed the subject. "The Woman's State Republican Association held its annual meeting at Delmonico's yesterday," she said, quietly drawing a newspaper clipping from her pocket-book. "And had some men there to amuse them and to tell them what to do," said Mrs. Blanderocks with cutting irony. We all laughed heartily. We meet at Mrs. Blanderocks' house, and she always provides a beautiful luncheon. "But Mrs. Flint said some things that I would like to read to you," said Sarah. "It won't take long. I cut this out of the 'Times' this morning." "What is it about?" some one asked. "Gorky," Sarah answered, closing her eyes in a way to express volumes. You could hear all the members catch their breath. This was what they had come for. I broke the oppressive silence. "I foresee," I said, "that in the discussion of this subject there will be said things likely to bring a blush to the cheek of innocence, and I move that all unmarried women under the age of twenty-five be excluded from the meeting for as long as this man is under discussion." A fierce cry of rage rose from all parts of the crowded room. I did not understand. I could see no one who would be affected by the rule. Mrs. Blanderocks raised her hand to command silence and said coldly: "The motion is out of order. By a special provision of our constitution it is the inalienable right of all unmarried women to be under twenty-five. We will be as careful in our language as the subject will permit. Mrs. Warner will please read the words of Mrs. Flint." I was shocked to think I had made such a mistake. Sarah rose and read in a clear, sharp voice from the clipping: "
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Produced by Donald Cummings, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) WITH SACK AND STOCK IN ALASKA PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE LONDON WITH SACK AND STOCK IN ALASKA BY GEORGE BROKE, A.C., F.R.G.S. LONDON LONGMANS, GREEN, AND CO. AND NEW YORK: 15 EAST 16th STREET 1891 _All rights reserved_ Dedicated TO THE MEMORY OF A⸺ M⸺ KILLED ON THE DÜSSISTOCK AUGUST 16, 1890 PREFACE The publishing of these simple notes is due to the wishes of one who is now no more. But for this they would probably have never seen the light, and I feel therefore that less apology is needed for their crudeness and ‘diariness’ than would otherwise have been the case. G. B. CONTENTS PAGE CHAPTER I LONDON TO SITKA The summons—Across the Atlantic in the ‘Polynesian’—A deceitful car-conductor—The C.P.R.—At Victoria—On the ‘Ancon’—Fort Wrangel—Juneau—Sitka 1 CHAPTER II SITKA TO YAKUTAT The town—Ascent of Sha-klokh—Expedition to Edgcumbe—Dick’s dismissal—Enlisting recruits—Ascent of Verstovia—Arrival of W.—On board the ‘Alpha’—Miserable weather—Run ashore at Yakutat 20 CHAPTER III OPENING APPROACHES Getting canoes and men—A false start—Icy Bay—Torrents of rain—On march—The Yahkhtze-tah-heen—A wet camp—More wading—Our forces—Camp on the glacier—Across the ice—The Chaix Hills 37 CHAPTER IV AN ATTACK AND A COUNTERMARCH A long lie—Men return to the beach—We make a cache—Shifting camp—The Libbey Glacier—The south-east face of St. Elias—Right-about-turn—Lake Castani—The Guyot Glacier—Reappearance of the men—Wild-geese for supper 61 CHAPTER V FURTHER ADVANCE AND MY RETREAT Across the Tyndall Glacier—Ptarmigan—Another bear—The Daisy and Coal Glaciers—A catastrophe—The others go on—Alone with Billy and Jimmy—More geese—The blue bear—Marmot hunting 81 CHAPTER VI BACK TO THE SHORE Ptarmigan with a revolver—Back to Camp G—The others return—Their narrative—The men turn up again—We start down—A wasp’s nest—Mosquitoes—Wading extraordinary—We leave Icy Bay—A luxurious breakfast 99 CHAPTER VII LIFE AT YAKUTAT Curio-hunting—Small plover—W. goes down on the ‘Active’—Siwash dogs—A great potlatch—Cricket under difficulties—No signs of the ‘Alpha’—I determine to go down in a canoe—The white men accompany me 122 CHAPTER VIII YAKUTAT TO SITKA Farewells—A drunken skipper—Cape Fairweather—Loss of our frying-pan—Mount Fairweather and its glaciers—Murphy’s Cove—Stuck at Cape Spencer—Salmon and sour-dough bread—We reach Cape Edwardes—The ‘Pinta’—Safe back—Height of St. Elias 137 _MAPS_ COAST OF PART OF SOUTH-EASTERN ALASKA, SHOWING THE ST. ELIAS ALPS _To face p._ 1 THE SOUTHERN <DW72>s OF MOUNT ST. ELIAS 〃 61 [Illustration: COAST OF part of SOUTH-EASTERN ALASKA showing the ST. ELIAS ALPS. _Longmans, Green & Co., London & New York. F.S. Weller._] WITH SACK AND STOCK IN ALASKA CHAPTER I LONDON TO SITKA On the twenty-fifth of April, 1888, I was playing golf on our little links at home, and had driven off for the Stile Hole, situated on the lawn-tennis ground, when I observed the butler emerge from the house with an orange envelope in his hand, and come towards me across the lawn. Having with due deliberation played a neat approach shot over the railings on to the green, I climbed over after it, putted out the hole, and then went to meet him. The telegram proved to be from my friend Harold T., with whom at Saas in the previous summer I had discussed Seton-Karr’s book on Alaska, and we had both come to the conclusion that we should much like to go there. Finding that I should have the summer of ’88 at my disposal, I had written to him at the end of March to ask about his plans and now got this telegram in reply. It was sent from Victoria, B.C., and was an urgent appeal to join him and his brother at once, as they meant to make an attempt on Mount St. Elias that summer, and must start northward by the end of May. I retired to the smoking-room to consider the situation, and finally came to the conclusion that such a hurried departure might be managed. I crossed over to Brussels, where I was then posted, packed up all my goods and chattels, left masses of P.P.C. cards, and returned again three days later. The afternoon of May 11 found me on board the Allan liner ‘Polynesian’ at Liverpool. I was fortunate in making some very charming acquaintances among the few saloon passengers on board, and
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E-text prepared by Roger Frank and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) PATTY'S SUCCESS by CAROLYN WELLS Author Of Two Little Women Series, The Marjorie Series, Etc. Grosset & Dunlap Publishers New York Copyright, 1910 by Dodd, Mead and Company Printed in U.S.A. CONTENTS CHAPTER PAGE I Welcome Home 9 II An Advance Christmas Gift 23 III The Day Before Christmas 36 IV A Splendid Tree 50 V Skating and Dancing 65 VI A Fair Proposition 80 VII Department G 93 VIII Embroidered Blossoms 109 IX Slips and Sleeves 124 X The Clever Goldfish 139 XI A Busy Morning 154 XII Three Hats 169 XIII The Thursday Club 181 XIV Mrs. Van Reypen 197 XV Persistent Philip 211 XVI An Invitation Declined 227 XVII The Road to Success 243 XVIII Home Again 257 XIX Christine Comes 271 XX A Satisfactory Conclusion 284 PATTY'S SUCCESS CHAPTER I WELCOME HOME "I do think waiting for a steamer is the horridest, pokiest performance in the world! You never know when they're coming, no matter how much they sight them and signal them and wireless them!" Mrs. Allen was not pettish, and she spoke half laughingly, but she was wearied with her long wait for the _Mauretania_, in which she expected her daughter, Nan, and, incidentally, Mr. Fairfield and Patty. "There, there, my dear," said her husband, soothingly, "I think it will soon arrive now." "I think so, too," declared Kenneth Harper, who was looking down the river through field-glasses. "I'm just sure I see that whale of a boat in the dim distance, and I think I see Patty's yellow head sticking over the bow." "Do you?" cried Mrs. Allen eagerly; "do you see Nan?" "I'm not positive that I do, but we soon shall know, for that's surely the _Mauretania_." It surely was, and though the last quarter hour of waiting seemed longer than all the rest, at last the big ship was in front of them, and swinging around in midstream. They could see the Fairfields clearly now, but not being within hearing distance, they could only express their welcome by frantic wavings of hands, handkerchiefs, and flags. But at last the gangplank was put in place, and at last the Fairfields crossed it, and then an enthusiastic and somewhat incoherent scene of reunion followed. Beside Mr. and Mrs. Allen and Kenneth Harper, Roger and Elise Farrington were there to meet the home-comers, and the young people seized on Patty as if they would never let her go again. "My! but you've grown!" said Kenneth, looking at her admiringly; "I mean you're grown-up looking, older, you know." "I'm only a year older," returned Patty, laughing, "and you're that, yourself!" "Why, so I am. But you've changed somehow,--I don't know just how." Honest Kenneth looked so puzzled that Elise laughed at him and said: "Nonsense, Ken, it's her clothes. She has a foreign effect, but it will soon wear off in New York. I _am_ glad to see you again, Patty; we didn't think it would be so long when we parted in Paris last Spring." "No, indeed; and I'm glad to be home again, though I have had a terribly good time. Now, I suppose we must see about our luggage." "Yes," said Roger, "you'll be sorry you brought so many fine clothes when you have to pay duty on them." "Well, duty first, and pleasure afterward," said Kenneth. "Come on, Patty, I'll help you." "Oh, dear," said Mrs. Allen, "must we wait for all this custom-house botheration? I'm so tired of waiting." "No, you needn't," said Mr. Fairfield, kindly. "You and Nan and Mr. Allen jump in a taxicab and go home. I'll keep Patty with me, and any other
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E-text prepared by Josep Cols Canals, Ramon Pajares Box, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 53489-h.htm or 53489-h.zip: (http://www.gutenberg.org/files/53489/53489-h/53489-h.htm) or (http://www.gutenberg.org/files/53489/53489-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/lifeoflazarillod00markiala Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Small capitals are represented in upper case as in SMALL CAPS. THE LIFE OF LAZARILLO DE TORMES * * * * * * AGENTS AMERICA THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE, NEW YORK AUSTRALASIA THE OXFORD UNIVERSITY PRESS, MELBOURNE CANADA THE MACMILLAN COMPANY OF CANADA, LTD. 27 RICHMOND STREET WEST, TORONTO INDIA MACMILLAN & COMPANY, LTD. MACMILLAN BUILDING, BOMBAY 309 BOW BAZAAR STREET, CALCUTTA * * * * * * THE LIFE OF LAZARILLO DE TORMES [Illustration: _Lazarillo begging._] THE LIFE OF LAZARILLO DE TORMES His Fortunes & Adversities Translated from the Edition of 1554 (Printed at Burgos) by SIR CLEMENTS MARKHAM, K.C.B. D.SC. (CAMB.) With a Notice of the Mendoza Family, a Short Life of the Author, Don Diego Hurtado De Mendoza, a Notice of the Work, and Some Remarks on the Character of Lazarillo de Tormes London Adam and Charles Black 1908 ANALYTICAL TABLE OF CONTENTS INTRODUCTORY THE FAMILY OF MENDOZA PAGE Descent of the author of Lazarillo de Tormes xv A Mendoza saved the life of King Juan I. of Castille xvi The poet Marquis of Santillana xvii Children of the Marquis xviii Counts of Tendilla xix Antiquity of the family xxi DON DIEGO HURTADO DE MENDOZA, AUTHOR OF “LAZARILLO DE TORMES” Born in the Alhambra xxiii At Salamanca xxiv Services in Italy xxiv Library xxiv The “Guerra de Granada” xxv Last days xxv Death xxv THE BOOK, “LAZARILLO DE TORMES” Ticknor’s opinion xxvii First edition xxvii Value of copies xxviii Spurious second parts xxviii English translations xxix NOTES ON THE CHARACTER OF LAZARO His age coincides with the Author’s xxxi Two destinies xxxii Baneful surroundings as a child xxxiii Good stories well told xxxiii Higher qualities xxxv Development of character xxxv Merits of the work xxxvi PROLOGUE Lazaro’s reason for relating all the circumstances of his life 1 Motives _not_ to gain money but to win fame 2 Success of the poor should be a lesson to the rich 3 I LAZARO RELATES THE WAY OF HIS BIRTH AND TELLS WHOSE SON HE IS Parentage of Lazaro 4 Reason of his surname 4 Death of father. Mother in service 6 Stepfather. Little brown brother 6 Living on stolen goods 7 Helps at the inn 8 FIRST MASTER HOW LAZARO TOOK SERVICE WITH A BLIND MAN Service with the blind man 11 Farewell to his mother 11 Cruel trick of the blind man 12 Sagacity of the blind man 15 The blind man’s resources and avarice 16 Inside of the knaps
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Produced by Richard Hulse, Simon Gardner and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note This Plain Text version uses characters from the Latin-1 character set only. Italic typeface is indicated by the use of _underscores_. Small caps typeface is rendered as ALL CAPS. There is one instance of an oe-ligature symbol which is shown as [oe]. Footnotes are numbered sequentially and are presented at the end of the e-book. * * * * * A CHAPTER OF AUTOBIOGRAPHY. A CHAPTER OF AUTOBIOGRAPHY. BY THE RIGHT HON. W. E. GLADSTONE. "Blame not, before thou hast examined the truth: understand first, and then rebuke."--ECCLESIASTICUS, ch. ii. LONDON: JOHN MURRAY, ALBEMARLE STREET. 1868. _The right of Translation is reserved._ LONDON: PRINTED BY WILLIAM CLOWES AND SONS, DUKE STREET, STAMFORD STREET, AND CHARING CROSS. INTRODUCTION. At a time when the Established Church of Ireland is on her trial, it is not unfair that her assailants should be placed upon their trial too: most of all, if they have at one time been her sanguine defenders. But if not the matter of the indictment against them, at any rate that of their defence, should be kept apart, as far as they are concerned, from the public controversy, that it may not darken or perplex the greater issue. It is in the character of the author of a book called 'The State in its Relations with the Church,' that I offer these pages to those who may feel a disposition to examine them. They were written at the date attached to them; but their publication has been delayed until after the stress of the General Election. A CHAPTER OF AUTOBIOGRAPHY. Autobiography is commonly interesting; but there can, I suppose, be little doubt that, as a general rule, it should be posthumous. The close of an active career supplies an obvious exception: for this resembles the gentle death which, according to ancient fable, was rather imparted than inflicted by the tender arrows of Apollo and of Artemis. I have asked myself many times, during the present year, whether peculiar combinations of circumstance might not also afford a warrant at times for departure from the general rule, so far as some special passage of life is concerned; and whether I was not myself now placed in one of those special combinations. The motives, which incline me to answer these questions in the affirmative, are mainly two. First, that the great and glaring change in my course of action with respect to the Established Church of Ireland is not the mere eccentricity, or even perversion, of an individual mind, but connects itself with silent changes, which are advancing in the very bed and basis of modern society. Secondly, that the progress of a great cause, signal as it has been and is, appears liable nevertheless to suffer in point of credit, if not of energy and rapidity, from the real or supposed delinquencies of a person, with whose name for the moment it happens to be specially associated. One thing is clear: that if I am warranted in treating my own case as an excepted case, I am bound so to treat it. It is only with a view to the promotion of some general interest, that the public can becomingly be invited to hear more, especially in personal history, about an individual, of whom they already hear too much. But if it be for the general interest to relieve 'an enterprise of pith and moment' from the odium of baseness, and from the lighter reproach of precipitancy, I must make the attempt; though the obtrusion of the first person, and of all that it carries in its train, must be irksome alike to the reader and the writer. So far, indeed, as my observation has gone, the Liberal party of this country have stood fire unflinchingly under the heavy vollies which have been fired into its camp with ammunition that had been drawn from depositories full only with matter personal to myself. And, with the confidence they entertain in the justice and wisdom of the policy they recommend, it would have been weak and childish to act otherwise. Still, I should be glad to give them the means of knowing that the case may not after all be so scandalous as they are told. In the year 1827, if I remember right, when Mr. Canning had just become Prime Minister, an effort was made to
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Produced by Thiers Halliwell, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s notes: The text of this e-book has been preserved in its original form apart from correction of several typographic errors: (rog → frog, arrranged → arranged, downword → downward, and → of (in journal title), developes → develops). Inconsistent use of accents and hyphenation, and inconsistent spelling, e.g. referable/referrible, has not been altered. Several redundant parentheses have been deleted. Paragraphs of quoted text on pp. 17–19 are incomplete and/or paraphrased (compared with the original source); ellipsis dots have been inserted to indicate text omissions, and quotation marks inserted where they were lacking. Some illustrations have been moved nearer to the relevant text and their location therefore does not necessarily correspond to that shown in the List of Illustrations. Footnotes have been numbered and positioned below the relevant parapraphs. THE INTERNATIONAL SCIENTIFIC SERIES. LIST OF THE VOLUMES ALREADY PUBLISHED. *THE FORMS OF WATER IN RAIN AND RIVERS, ICE AND GLACIERS.* By J. TYNDALL, LL.D., F.R.S. With 26 Illustrations. Third Edition. Crown 8vo. 5s. “One of Professor Tyndall’s best scientific treatises.”--_Standard._ “With the clearness and brilliancy of language which have won for him his fame, he considers the subject of ice, snow, and glaciers.”--_Morning Post._ “Before starting for Switzerland next summer every one should study ‘The Forms of Water.’”--_Globe._ “Eloquent and instructive in an eminent degree.”--_British Quarterly._ *PHYSICS AND POLITICS*; or, THOUGHTS ON THE APPLICATION OF THE PRINCIPLES OF “NATURAL SELECTION” AND “INHERITANCE” TO POLITICAL SOCIETY. By WALTER BAGEHOT. Crown 8vo. Second Edition. 4s. “We can recommend the book as well deserving to be read by thoughtful students of politics.”--_Saturday Review._ “Able and ingenious.”--_Spectator._ “A work of really original and interesting speculation.”--_Guardian._ *FOODS.* By Dr. EDWARD SMITH. Profusely Illustrated. Second Edition. Price 5s. “A comprehensive résumé of our present chemical and physiological knowledge of the various foods, solid and liquid, which go so far to ameliorate the troubles and vexations of this anxious and wearying existence.”--_Chemist and Druggist._ “Heads of households will find it considerably to their advantage to study its contents.”--_Court Express._ “A very comprehensive book. Every page teems with information. Readable throughout.”--_Church Herald._ *MIND AND BODY*: THE THEORIES OF THEIR RELATIONS. By ALEXANDER BAIN, LL.D., Professor of Logic at the University of Aberdeen. Four Illustrations. Second Edition. 4s. *THE STUDY OF SOCIOLOGY.* By HERBERT SPENCER. Crown 8vo. Second Edition. Price 5s. *ON THE CONSERVATION OF ENERGY.* By Professor BALFOUR STEWART. Fourteen Engravings. Price 5s. *ANIMAL MECHANICS: or, Walking, Swimming, and Flying.* By Dr. J. B. PETTIGREW, M.D. F.R S. 130 Illustrations. Price 5s. *RESPONSIBILITY IN MENTAL DISEASE.* By Dr. HENRY MAUDSLEY. *THE ANIMAL FRAME.* By Prof. E. J. MAREY. 119 Illustrations. Crown 8vo. Price 5s. *THE NEW CHEMISTRY.* By Prof. JOSIAH P. COOKE, of the Harvard University. Numerous Engravings. Price 5s. ☞ For List of forthcoming Volumes, see end of the book. HENRY S. KING & CO. 65 CORNHILL, and 12 PATERNOSTER ROW. [Illustration: _C. Berjeau_ _W. Ballingall_ WALKING, SWIMMING, AND FLYING.] ANIMAL LOCOMOTION OR WALKING, SWIMMING, AND FLYING, WITH A DISSERTATION ON AËRONAUTICS. BY J. BELL PETTIGREW, M.D. F.R.S. F.R.S.E. F.R.C.P.E. PATHOLOGIST TO THE ROYAL INFIRMARY OF EDINBURGH; CURATOR OF THE MUSEUM OF THE ROYAL COLLEGE OF SURGEONS OF EDINBURGH; Extraordinary Member and late President of the Royal Medical Society of Edinburgh; Croonian Lecturer to the Royal Society of London for 1860; Lecturer to the Royal Institution of Great Britain and Russell Institution, 1867; Lecturer to the Royal College of Surgeons of Edinburgh, 1872; Author of numerous Memoirs on Physiological Subjects in the Philosophical and other Transactions, etc. etc. etc. _ILLUSTRATED BY 130 ENGRAVINGS ON WOOD._ HENRY S. KING & CO. 65 CORNHILL, AND 12 PATERNOSTER ROW, LONDON. 1873. [Illustration: (_All Rights reserved._)] PREFACE. In the present volume I have endeavoured to explain, in simple language, some difficult problems in “Animal Mechanics.” In order to avoid elaborate descriptions, I have introduced a large number of original Drawings and Diagrams, copied for the most part from my Papers and Memoirs “On Flight,” and other forms of “Animal Progression.” I have drawn from the same sources many of the facts to be found in the present work. My best thanks are due to Mr. W. Ballingall, of Edinburgh, for the highly artistic and effective manner in which he has engraved the several subjects. The figures, I am happy to state, have in no way deteriorated in his hands. ROYAL COLLEGE OF SURGEONS OF EDINBURGH, _July 1873_. [Illustration] CONTENTS. ANIMAL LOCOMOTION. INTRODUCTION. PAGE Motion associated with the life and well-being of animals, 1 Motion not confined to the animal kingdom; all matter in
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E-text prepared by David Edwards, Katherine Ward, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from digital material generously made available by Internet Archive (http://www.archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 30589-h.htm or 30589-h.zip: (http://www.gutenberg.org/files/30589/30589-h/30589-h.htm) or (http://www.gutenberg.org/files/30589/30589-h.zip) Images of the original pages are available through Internet Archive. See http://www.archive.org/details/continentaldrago00stepiala Transcriber's note: Hyphenation has been made consistent. Archaic and variable spellings are preserved. The author's punctuation style is preserved, except quotation marks, which have been standardized. Text in italics is enclosed by underscores (_italics_). Text in bold face is enclosed by equal signs (=bold=). THE CONTINENTAL DRAGOON. by
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ROUND THE RED LAMP BEING FACTS AND FANCIES OF MEDICAL LIFE By SIR ARTHUR CONAN DOYLE THE PREFACE. [Being an extract from a long and animated correspondence with a friend in America.] I quite recognise the force of your objection that an invalid or a woman in weak health would get no good from stories which attempt to treat some features of medical life with a certain amount of realism. If you deal with this life at all, however, and if you are anxious to make your doctors something more than marionettes, it is quite essential that you should paint the darker side, since it is that which is principally presented to the surgeon or physician. He sees many beautiful things, it is true, fortitude and heroism, love and self-sacrifice; but they are all called forth (as our nobler qualities are always called forth) by bitter sorrow and trial. One cannot write of medical life and be merry over it. Then why write of it, you may ask? If a subject is painful why treat it at all? I answer that it is the province of fiction to treat painful things as well as cheerful ones. The story which wiles away a weary hour fulfils an obviously good purpose, but not more so, I hold, than that which helps to emphasise the graver side of life. A tale which may startle the reader out of his usual grooves of thought, and shocks him into seriousness, plays the part of the alterative and tonic in medicine, bitter to the taste but bracing in the result. There are a few stories in this little collection which might have such an effect, and I have so far shared in your feeling that I have reserved them from serial publication. In book-form the reader can see that
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Produced by Charlene Taylor, Heather Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) BLUE-STOCKING HALL. J. D. NICHOLS, 25, PARLIAMENT STREET. BLUE-STOCKING HALL. “From woman’s eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, the academes, That show, contain, and nourish all the world.” LOVE’S LABOUR LOST. IN THREE VOLUMES. VOL. III. LONDON: HENRY COLBURN, NEW BURLINGTON STREET. 1827. BLUE-STOCKING HALL. LETTER XXVII. FREDERICK TO EMILY DOUGLAS. This, my dearest Emily, is the last letter which you will receive from Frederick in London; and though time speeds on rapid wing in this focus of attraction, I reckon the days with impatience till the heath-clad tops of our dear mountains break upon my view. To travel, and see new men and manners, would be too delightful, if mother and sisters were with me, but, unfashionable as the confession may be, I own to the _weakness_ of loving mine enough to make me wish to be always near them. In a few days we are to set out, and Arthur starts for France, when we turn our faces towards Glenalta. I fear that my uncle is not gaining ground; there is a consultation every day, but it seems to me as if many of these great doctors make up in _mannerism_ of one sort or other what they want in penetration. One assumes a rough tone, and thinks it for his advantage to act the brute, in order to assure his patients that he is an honest man. Another looks as smooth as satin
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Produced by Tom Roch, Barbara Kosker and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images produced by Core Historical Literature in Agriculture (CHLA), Cornell University) RURAL PROBLEMS OF TODAY RURAL PROBLEMS OF TODAY ERNEST R. GROVES _Author of "Moral Sanitation," "Using the Resources of the Country Church," etc._ ASSOCIATION PRESS NEW YORK: 124 EAST 28TH STREET 1918 COPYRIGHT, 1918, BY THE INTERNATIONAL COMMITTEE OF THE YOUNG MEN'S CHRISTIAN ASSOCIATIONS TO GLADYS HOAGLAND WHOSE UNSELFISH AND INTELLIGENT CARE OF CATHERINE AND ERNESTINE HAS JUSTIFIED THE ABSOLUTE CONFIDENCE OF THEIR MOTHER PREFACE This book is written for the men and women who love the country and are interested in its social welfare. Fortunately there are many such, and each year their number is increasing. Rural life has as many sides as there are human interests. This book looks out upon country-life conditions from a viewpoint comparatively neglected. It attempts to approach rural social life from the psychological angle. The purpose of the book forces it from the well-beaten pathways, but this effort to give emphasis to the mental side of rural problems is not an attempt to discount the other significant aspects of the rural environment. The field of rural service is large enough to contain all who desire by serious study to advance at some point the happiness, prosperity, and wholesomeness that belong by social right to those who live and work in the country. The author desires to thank the following for the privilege of using material previously published: American Sociological Society, _American Journal of Sociology_, National Conference of Social Work, Association Press, and _Rural Manhood_. E. R. G. Durham, N. H. April 1, 1918. CONTENTS PAGE PREFACE vii I. THE RURAL WORKER AND THE COUNTRY HOME 1 II. THE FAMILY IN OUR COUNTRY LIFE 15 III. THE RURAL WORKER AND THE COUNTRY SCHOOLS 41 IV. THE COUNTRY CHURCH AND THE RURAL WORKER 53 V. MENTAL HYGIENE IN RURAL DISTRICTS 71 VI. THE SOCIAL VALUE OF RURAL EXPERIENCE 89 VII. RURAL VS. URBAN ENVIRONMENT 103 VIII. THE MIND OF THE FARMER 117 IX. PSYCHIC CAUSES OF RURAL MIGRATION 135 X. RURAL SOCIALIZING AGENCIES 149 XI. THE WORLD-WAR AND RURAL LIFE 169 THE RURAL WORKER AND THE COUNTRY HOME I THE RURAL WORKER AND THE COUNTRY HOME With reference to the care of children, faulty homes may be divided into two classes. There are homes that give the children too little care and there are homes that give them too much. The failure of the first type of home is obvious. Children need a great deal of wise, patient, and kindly care. Even the lower animals require, when domesticated, considerable care from their owners, if they are to be successfully brought from infancy to maturity. Of course children need greater care. No one doubts this. And yet it is certainly true that there are, even in these days of widespread intelligence, many homes where the children obtain too little care and in one way or another are seriously neglected. The harmfulness of the homes that give their children too much care is not so generally realized as is the danger of the careless and selfish home, although, in a general way, everyone acknowledges that children may be given too much attention. The difficulty is to determine when a particular child is being given too much adult supervision and too little freedom. No one would question the fact that a child can become an adult only by a decrease of adult control and an increase of personal responsibility. Nevertheless, in spite of a general belief that a child needs an opportunity to win self-government, there are parents not a few who, from love and anxiety, run into the danger of protecting and controlling their children too much. The father or mother spends too much time with the children. The children are pampered. Too many indulgences are permitted them. Children in these over-careful homes are likely to grow up neurotic, conceited, timid, babyish, daydreaming men and women, who are of little use in the world and are often a serious problem for normal people. Probably this second type of a deficient home is more dangerous than the first, for children without sufficient home care often discover a substitute for their loss, but the over-protected children can obtain no antidote for their misfortune. Everyone knows that attacks are increasingly being made upon the home in its present form by people who regard it as inefficient or as an anachronism. It is usually thought, however, that these attacks come mostly from agitators who set themselves more or less in opposition to all the institutions established by the present social order. Perhaps for this reason many do not believe that the family is receiving any serious criticism and its satisfactory functioning is therefore taken for granted. Such an easy-going optimism is not justified, for criticism of the home is coming from science as well as from the agitators. For example read "The Deforming Influences of the Home," by Dr. Helen W. Brown, which appeared in the _Journal of Abnormal Psychology_ for April, 1917. She writes in one place as follows: "Small wonder, then, if we begin to see that many of the mental ills that afflict men are not due, as has been commonly supposed, to lack of home training and the deteriorating influence of the world, but to too much home, to a narrow environment which has often deformed his mind at the start and given him a bias that can only be overcome through painful adjustments and bitter experience." The psychoanalysts and the clinic psychologists are gathering material all the time that illustrates the bad results of home influences, and soon the agitator will be using this as proof of the harmfulness of the home as an institution. Some of us believe that no skepticism can be more dangerous socially than that relating to the value of the home. The best protection of the home must come from its moral efficiency and this cannot be obtained if people are unwilling to face reasonable and constructive criticism of the present working of the home. It is natural for the adult looking backward to his childhood to assume too much for the home, and then to transfer his emotion and his sense of the value of his home experience to the present family as an institution. With this enormous prejudice he refuses to see how often the family influence is morally and socially bad. It would surprise such a person at least to read an article like Emerson's "The Psychopathology of the Family" which recently appeared in _The Journal of Abnormal Psychology_. Material showing the unhappy results of inefficient family influences may be found in nearly any number of the _Psychoanalytic Review_. There appear to be three causes of the unwholesomeness of home influences: lack of competition between homes, insufficient science regarding the home problems, and the pleasure basis of family organization. First: There is no competition between homes. This is a most strikingly peculiar situation. The home is competed against by other institutions, such as the saloon, the moving picture, and the like, but as between homes there is no competition whatever. Home life is a private affair. Public opinion rules that it remain private. Nothing is sooner or more seriously resented than interference with or criticism of the home life of the individual. Professional men, such as doctors, lawyers, and ministers, and business men compete with one another, and from this competition comes constant, sane change and progress. But in the home, there being no competition, methods of home management, however bad, go on without change. Parents never realize their habitual carelessness in home life. The scientists are seeking to bring some sort of competition into home life, but they are under a very heavy handicap. In fact this handicap is greater now than formerly, for our forefathers made long visits with each other, sometimes staying for weeks in one home, thus giving ample opportunity for valuable criticisms and suggestions from guest to host. Second: Bringing up children is really a scientific task and requires scientific information. But to obtain scientific information of practical value relating to the home is a baffling proposition. Human instincts and child development have been studied very little. We have theorized a great deal about such problems, but we have a remarkably small fund of actual accurate information. Such knowledge as we have recorded has been mostly obtained by parents, who have, of course, been prejudiced. In such cases we seldom know the later history of the child or the character of the home management and the actual contribution that the home made as compared with other influences. Men who have had to consider the entire history of an individual, who comes to the mind specialist for treatment because of some abnormality of mental or moral character, are gathering a great deal of valuable material regarding family influences, but much of this is in regard to men and women who in one way or another have been social failures. We have no material at present of equal value in regard to the persons who in a popular sense are "normal individuals." Such valuable information as we already have, we are not very seriously trying to distribute. Yet, fortunately, a beginning has been made and the entire problem is receiving an attention that it has never before had. Third: People are finding it difficult to accept the responsibilities that belong to family life. Modern men and women more and more are basing the home upon pleasure and comfort and personal advantages in a narrow and thoughtless sense. When the crucial tests of family fitness come with the children, the parents fail. They have had little specific training for their greatest obligation and under such circumstances it is strange only that so often they do not greatly fail. Children are often unwelcome when they come into the home. Their coming disturbs the easy-going pleasure regime of the household and as they become somewhat of a burden to the father and mother, their interests are compromised, that their parents may continue to have some of the freedom which they enjoyed before the children came. Imagination cannot prepare for experience in such a degree as to make it possible for those who marry to realize the possible responsibilities of their choice. Because of this they often are found to have undertaken tasks against which in their heart of hearts they protest. It is natural for them, with such an internal dissatisfaction, not to commit themselves fully or sufficiently to the needs of their children. Of one fact there is no doubt. Modern science is all the time illustrating that early childhood, the period when the influence of parents counts most, is the most significant of all the life
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Produced by Elizaveta Shevyakhova, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Castles and Chateaux of Old Touraine and the Loire Country _WORKS OF FRANCIS MILTOUN_ _The following, each 1 vol., library 12mo, cloth, gilt top, profusely illustrated, $2.50_ _Rambles on the Riviera_ _Rambles in Normandy_ _Rambles in Brittany_ _The Cathedrals and Churches of the Rhine_ _The Cathedrals of Northern France_ _The Cathedrals of Southern France_ _The Cathedrals of Italy_ (_In preparation_) _The following, 1 vol., square octavo, cloth, gilt top, profusely illustrated. $3.00_ _Castles and Chateaux of Old Touraine and the Loire Country_ _L. C. PAGE & COMPANY New England Building, Boston, Mass._ [Illustration: A PEASANT GIRL OF TOURAINE] Castles and Chateaux OF OLD TOURAINE AND THE LOIRE COUNTRY BY FRANCIS MILTOUN Author of "Rambles in Normandy," "Rambles in Brittany," "Rambles on the Riviera," etc. _With Many Illustrations Reproduced from paintings made on the spot_ BY BLANCHE MCMANUS [Illustration] BOSTON L. C. PAGE & COMPANY 1906 _Copyright, 1906_ BY L. C. PAGE & COMPANY (Incorporated) _All rights reserved_ First Impression, June, 1906 _COLONIAL PRESS_ _Electrotyped and Printed by C. H. Simonds & Co._ _Boston, U. S. A._ [Illustration: Ed VELAY] By Way of Introduction This book is not the result of ordinary conventional rambles, of sightseeing by day, and flying by night, but rather of leisurely wanderings, for a somewhat extended period, along the banks of the Loire and its tributaries and through the countryside dotted with those splendid monuments of Renaissance architecture which have perhaps a more appealing interest for strangers than any other similar edifices wherever found. Before this book was projected, the conventional tour of the chateau country had been "done," Baedeker, Joanne and James's "Little Tour" in hand. On another occasion Angers, with its almost inconceivably real castellated fortress, and Nantes, with its memories of the "Edict" and "La Duchesse Anne," had been tasted and digested _en route_ to a certain little artist's village in Brittany. On another occasion, when we were headed due south, we lingered for a time in the upper valley, between "the little Italian city of Nevers" and "the most picturesque spot in the world"--Le Puy. But all this left certain ground to be covered, and certain gaps to be filled, though the author's note-books were numerous and full to overflowing with much comment, and the artist's portfolio was already bulging with its contents. So more note-books were bought, and, following the genial Mark Twain's advice, another fountain pen and more crayons and sketch-books, and the author and artist set out in the beginning of a warm September to fill those gaps and to reduce, if possible, that series of rambles along the now flat and now rolling banks of the broad blue Loire to something like consecutiveness and uniformity; with what result the reader may judge. Contents CHAPTER PAGE BY WAY OF INTRODUCTION v I. A GENERAL SURVEY 1 II. THE ORLEANNAIS 30 III. THE BLAISOIS AND THE SOLOGNE 56 IV. CHAMBORD 94 V. CHEVERNY, BEAUREGARD, AND CHAUMONT 110 VI. TOURAINE: THE GARDEN SPOT OF FRANCE 128 VII. AMBOISE 148 VIII. CHENONCEAUX 171 IX. LOCHES 188 X. TOURS AND ABOUT THERE 203 XI. LUYNES AND LANGEAIS 221
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Produced by Punch, or the London Charivari, Matt Whittaker, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOL. 93. AUGUST 13, 1887. AT THE OVAL. SURREY _VERSUS_ NOTTS. AUGUST 1ST, 2ND, AND 3RD 1887. (_By One of the Fifty Thousand._) _Enthusiastic Surreyite loquitur_:-- [Illustration: Lo! man!] [Illustration: Shrews--bery!] [Illustration: Gunn and Barnes.] _Hooray!_ Oh, you _must_ let me holloa. I'm one of the famed "Surrey Crowd," And a roar for a win such as _this_ is, can_not_ be too long or too loud. Won by four wickets! As good as though WALTER had scored half a million, Great Scott! what a rush from the ring! what a crowd round the crowded Pavilion! LOHMANN! MAURICE READ!! SHUTER!!! they shouted. KEY!!! KEY!!! LOHMANN!!! LOHMANN!!! "Took down the number" of Notts, Sir, and _she's_ a redoubtable foeman. _We_ haven't licked her for years, and she crowed, Sir, and not without reason; And now, under SHUTER, we've done it at last, Sir, and twice in one season! After a terrible tussle; how oft was my heart in my mouth, Sir. Luck now seemed to lean to the North, and anon would incline to the South, Sir. Game wasn't won till 'twas lost. Hooray, though, for Surrey! 'Twas _her_ win. We missed our WOOD at the wicket, Notts squared it by missing her SHERWIN, Both with smashed fingers! Rum luck! But then cricketing luck _is_ a twister. And SHERWIN turned up second innings. _Did_ you twig his face when he missed her, That ball from J. SHUTER, our Captain? It ranked pretty high among matches, But Surrey _did_ make _some_ mistakes, Sir, and Notts----well, they _couldn't_ hold catches. SHUTER shone up, did he not? Forty-four, fifty-three, and _such_ cutting! Hooray! Here's his jolly good health, and look sharp, for they're close upon shutting. Partial be blowed! I'm a Surreyite down to my socks, that's a fact, Sir. _Must_ shout when my countymen score, and don't mind being caught in the act, Sir. Cracks didn't somehow come off. ARTHUR SHREWSBURY, Notts' great nonsuch, Didn't make fifty all told, and our WALTER--the world holds but _one_ such-- A poor twenty-five and eighteen--a mere fleabite for W. W. Still, he's our glory; and _if_ you can spot such another, I'll trouble you. _GRACE?_ Why, of course, in his day he was cock of the walk--that's a moral. I won't say a word against _him_; but our WALTER!--well, there, we won't quarrel. I'm Surrey, you know, as I said. I remember JUPP, HUMPHRY, and STEVENSON, Burly BEN GRIFFITH, and SOUTHERTON! Well, if it ever was evens on Match, it was surely on _this_ one. Oh, yes, _I_ gave points, six to five, Sir, But then I have always backed Surrey, and _will_ do so whilst I'm alive, Sir. And t'other was Notts, don't you see, so _I_ couldn't well show the white feather. Ah! well, 'twas a wonderful match; such a crowd, such a game, and such weather! K. J. K. (that's Mr. KEY) showed remarkably promising cricket-- I _did_ feel a little bit quisby when SHERWIN snapped him at the wicket. 'Twas getting too close, Sir, for comfort; two hundred and five takes some making-- When BARNES nicked READ, SHUTER, and HENDERSON, 'gad, there were lots of hearts quaking. Seventy-eight for a win, Sir, and five of our best wickets levelled. Notts then began to pick up, and I own I felt rather blue-devilled; But Surrey has got a rare team, and you see, when the toppers do fail, Sir, They look at it this way, my boy,--there is all the more chance for the "tail," Sir. That's what I call true cricket pluck, and so, even when MAURICE READ quitted him, That's what young LOHMANN perceived; the place wanted cool
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Produced by Marc D'Hooghe at http://www.freeliterature.org (From images generously made available by the Hathi Trust) SYLVIE: SOUVENIRS DU VALOIS TRANSLATED FROM GERARD DE NERVAL BY LUCIE PAGE Portland, Maine THOMAS B. MOSHER 1896 * * * * * GERARD DE NERVAL. Of all that were thy prisons--ah, untamed, Ah, light and sacred soul!--none holds thee now; No wall, no bar, no body of flesh, but thou Art free and happy in the lands unnamed, Within whose gates, on weary wings and maimed, Thou still would'st bear that mystic golden bough The Sybil doth to singing men allow, Yet thy report folk heeded not, but blamed. And they would smile and wonder, seeing where Thou stood'st, to watch light leaves, or clouds, or wind, Dreamily murmuring a ballad air, Caught from the Valois peasants, dost thou find A new life gladder than the old times were, A love more fair than Sylvie, and as kind? ANDREW LANG. * * * * * CONTENTS SYLVIE ET AURELIE.--ANDREW LANG GERARD DE NERVAL SYLVIE: I A WASTED NIGHT II ADRIENNE III RESOLVE IV A VOYAGE TO CYTHERA V THE VILLAGE VI OTHYS VII CHAALIS VIII THE BALL AT LOISY IX HERMENONVILLE X BIG CURLY-HEAD XI RETURN XII FATHER DODU XIII AURELIE XIV THE LAST LEAF APPENDIX _SYLVIE ET AURELIE._ _IN MEMORY OF GERARD DE NERVAL._ _Two loves there were, and one was born_ _Between the sunset and the rain;_ _Her singing voice went through the corn,_ _Her dance was woven 'neath the thorn,_ _On grass the fallen blossoms stain;_ _And suns may set and moons may wane,_ _But this love comes no more again._ _There were two loves, and one made white_ _Thy singing lips and golden hair;_ _Born of the city's mire and light,_ _The shame and splendour of the night,_ _She trapped and fled thee unaware;_ _Not through the lamplight and the rain_ _Shalt thou behold this love again._ _Go forth and seek, by wood and bill,_ _Thine ancient love of dawn and dew;_ _There comes no voice from mere or rill,_ _Her dance is over, fallen still_ _The ballad burdens that she knew:_ _And thou must wait for her in vain,_ _Till years bring back thy youth again._ _That other love, afield, afar_ _Fled the light love, with lighter feet._ _Nay, though thou seek where gravesteads are,_ _And flit in dreams from star to star,_ _That dead love thou shalt never meet,_ _Till through bleak dawn and blowing rain_ _Thy soul shall find her soul again._ ANDREW LANG. Gerard DE NERVAL Il a toujours cherche dans le monde ce que le monde ne pouvait plus lui donner. LUDOVIC HALEVY. He has been a sick man all his life. He was always a seeker after something in the world that is there in no satisfying measure, or not at all. WALTER PATER. GERARD DE NERVAL. I. Of Gerard de Nerval, whose true name was Gerard Labrunie, it has been finely said: "His was the most beautiful of all the lost souls of the French Romance."(*) Born in 1808, he came to his death by suicide one dark winter night towards the end of January. The story of this life and its tragic finale was well known at the time to all men of letters,--Theophile Gautier, Paul de Saint-Victor, Arsene Houssaye,--friends who never forgot the young poet even after he went the way that madness lies. For it was insanity,--a nostalgia of the soul always imminent--that led him into the squalid _Rue de la Vieille-Lanterne_, in which long forgotten corner of old Paris his dead body was found one bleak belated dawn. And this was forty years ago. In later days Maxime du Camp and Ludovic Halevy have retold with great feeling the history of Gerard, his early triumphs, his love for Jenny Colon,--the Aurelie of these _Souvenirs du Valois_,--and how at last life's scurrile play was ended. (*) See _A Century of French Verse_, translated and edited by William John Robertson (4to, London, 1895). II. One of Mr. Andrew
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Produced by David Widger MEMOIRS OF LOUIS XIV AND HIS COURT AND OF THE REGENCY BY THE DUKE OF SAINT-SIMON VOLUME 14 CHAPTER CV For a long time a species of war had been declared between the King of England and his son, the Prince of Wales, which had caused much scandal; and which had enlisted the Court on one side, and made much stir in the Parliament. George had more than once broken out with indecency against his son; he had long since driven him from the palace, and would not see him. He had so cut down his income that he could scarcely subsist. The father never could endure this son, because he did not believe him to be his own. He had more than suspected the Duchess, his wife, to be in relations with Count Konigsmarck. He surprised him one morning leaving her chamber; threw him into a hot oven, and shut up his wife in a chateau for the rest of her days. The Prince of Wales, who found himself ill- treated for a cause of which he was personally innocent, had always borne with impatience the presence of his mother and the aversion of his father. The Princess of Wales, who had much sense, intelligence, grace, and art, had softened things as much as possible; and the King was unable to refuse her his esteem, or avoid loving her. She had conciliated all England; and her Court, always large, boasted of the presence of the most accredited and the most distinguished persons. The Prince of Wales feeling his strength, no longer studied his father, and blamed the ministers with words that at least alarmed them. They feared the credit of the Princess of Wales; feared lest they should be attacked by the Parliament, which often indulges in this pleasure. These considerations became more and more pressing as they discovered what was brewing against them; plans such as would necessarily have rebounded upon the King. They communicated their fears to him, and indeed tried to make it up with his son, on certain conditions, through the medium of the Princess of Wales, who, on her side, felt all the consciousness of sustaining a party against the King, and who always had sincerely desired peace in the royal family. She profited by this conjuncture; made use of the ascendency she had over her husband, and the reconciliation was concluded. The King gave a large sum to the Prince of Wales, and consented to see him. The ministers were saved, and all appeared forgotten. The excess to which things had been carried between father and son had not only kept the entire nation attentive to the intestine disorders ready to arise, but had made a great stir all over Europe; each power tried to blow this fire into a blaze, or to stifle it according as interest suggested. The Archbishop of Cambrai, whom I shall continue to call the Abbe Dubois, was just then very anxiously looking out for his cardinal's hat, which he was to obtain through the favour of England, acting upon that of the Emperor with the Court of Rome. Dubois, overjoyed at the reconciliation which had taken place, wished to show this in a striking manner, in order to pay his court to the King of England. He named, therefore, the Duc de la Force to go to England, and compliment King George on the happy event that had occurred. The demonstration of joy that had been resolved on in France was soon known in England. George, annoyed by the stir that his domestic squabbles had made throughout all Europe, did not wish to see it prolonged by the sensation that this solemn envoy would cause. He begged the Regent, therefore, not to send him one. As the scheme had been determined on only order to please him, the journey of the Duc de la Force was abandoned almost as soon as declared. Dubois had the double credit, with the King of England, of having arranged this demonstration of joy, and of giving it up; in both cases solely for the purpose of pleasing his Britannic Majesty. Towards the end of this year, 1720, the Duc de Brissac married Mlle. Pecoil, a very rich heiress, whose father was a'maitre des requetes', and whose mother was daughter of Le Gendre, a very wealthy merchant of Rouen. The father of Mlle. Pecoil was a citizen of Lyons, a wholesale dealer, and extremely avaricious. He had a large iron safe, or strong- box, filled with money, in a cellar, shut in by
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Produced by Lionel G. Sear THE LAST GALLEY IMPRESSIONS AND TALES By Arthur Conan Doyle PREFACE I have written "Impressions and Tales" upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference. The second half of the collection consists of eight stories, which explain themselves. The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind. It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves. These facts might be with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama of history and not the drama of invention should claim the attention of the reader. I have been tempted sometimes to try the effect upon a larger scale; but meanwhile these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction. ARTHUR CONAN DOYLE. WINDLESHAM, CROWBOROUGH, April, 1911. CONTENTS PART I THE LAST GALLEY THE CONTEST THROUGH THE VEIL AN ICONOCLAST GIANT MAXIMIN THE COMING OF THE HUNS THE LAST OF THE LEGIONS THE FIRST CARGO THE HOME-COMING THE RED STAR PART II THE SILVER MIRROR THE BLIGHTING OF SHARKEY THE MARRIAGE OF THE BRIGADIER THE LORD OF FALCONBRIDGE OUT OF THE RUNNING "DE PROFUNDIS" THE GREAT BROWN-PERICORD MOTOR THE TERROR OF BLUE JOHN GAP PART I. THE LAST GALLEY "Mutato nomine, de te, Britannia, fabula narratur." It was a spring morning, one hundred and forty-six years before the coming of Christ. The North African Coast, with its broad hem of golden sand, its green belt of feathery palm trees, and its background of barren, red-scarped hills, shimmered like a dream country in the opal light. Save for a narrow edge of snow-white surf, the Mediterranean lay blue and serene as far as the eye could reach. In all its vast expanse there was no break but for a single galley, which was slowly making its way from the direction of Sicily and heading for the distant harbour of Carthage. Seen from afar it was a stately and beautiful vessel, deep red in colour, double-banked with scarlet oars, its broad, flapping sail stained with Tyrian purple, its bulwarks gleaming with brass work. A brazen, three-pronged ram projected in front, and a high golden figure of Baal, the God of the Phoenicians, children of Canaan, shone upon the after deck. From the single high mast above the huge sail streamed the tiger-striped flag of Carthage. So, like some stately scarlet bird, with golden beak and wings of purple, she swam upon the face of the waters--a thing of might and of beauty as seen from the distant shore. But approach and look at her now! What are these dark streaks which foul her white decks and dapple her brazen shields? Why do the long red oars move out of time, irregular, convulsive? Why are some missing from the staring portholes, some snapped with jagged, yellow edges, some trailing inert against the side? Why are two prongs of the brazen ram twisted and broken? See, even the high image of Baal is battered and disfigured! By every sign this ship has passed through some grievous trial, some day of terror, which has left its heavy marks upon her. And now stand upon the deck itself, and see more closely the men who man her! There are two decks forward and aft, while in the open waist are the double banks of seats, above and below, where the rowers, two to an oar, tug and bend at their endless task. Down the centre is a narrow platform, along which pace a line of warders, lash in hand, who cut cruelly at the slave who pauses, be it only for an instant, to sweep the sweat from his dripping brow. But these slaves--look at them! Some are captured Romans, some Sicilians, many black Libyans, but all are in the last exhaustion, their weary eyelids drooped over their eyes, their lips thick with black crusts, and pink with bloody froth, their arms and backs moving mechanically to the hoarse chant of the overseer. Their bodies of all tints from ivory to jet, are stripped to the waist, and every glistening back shows the angry stripes of the warders. But it is not from these that the blood comes which reddens the seats and tints the salt water washing beneath their manacled feet. Great gaping wounds, the marks of sword slash and spear stab, show crimson upon their naked chests and shoulders, while many lie huddled and senseless athwart the benches, careless for ever of the whips which still hiss above them. Now we can understand those empty portholes and those trailing oars. Nor were the crew in better case than their slaves. The decks were littered with wounded and dying men. It was but a remnant who still remained upon their feet. The most lay exhausted upon the fore-deck, while a few of the more zealous were mending their shattered armour, restringing their bows, or cleaning the deck from the marks of combat. Upon a raised platform at the base of the mast stood the sailing-master who conned the ship, his eyes fixed upon the distant point of Megara which screened the eastern side of the Bay of Carthage. On the after-deck were gathered a number of officers, silent and brooding, glancing from time to time at two of their own class who stood apart deep in conversation. The one, tall, dark, and wiry, with pure, Semitic features, and the limbs of a giant, was Magro, the famous Carthaginian captain, whose name was still a terror on every shore, from Gaul to the Euxine. The other, a white-bearded, swarthy man, with indomitable courage and energy stamped upon every eager line of his keen, aquiline face, was Gisco the politician, a man of the highest Punic blood, a Suffete of the purple robe, and the leader of that party in the State which had watched and striven amid the selfishness and slothfulness of his fellow-countrymen to rouse the public spirit and waken the public conscience to the ever-increasing danger from Rome. As they talked, the two men glanced continually, with earnest anxious faces, towards the northern skyline. "It is certain," said the older man, with gloom in his voice and bearing, "none have escaped save ourselves." "I did not leave the press of the battle whilst I saw one ship which I could succour," Magro answered. "As it was, we came away, as you saw, like a wolf which has a hound hanging on to either haunch. The Roman dogs can show the wolf-bites which prove it. Had any other galley won clear, they would surely be with us by now, since they have no place of safety save Carthage." The younger warrior glanced keenly ahead to the distant point which marked his native city. Already the low, leafy hill could be seen, dotted with the white villas of the wealthy Phoenician merchants. Above them, a gleaming dot against the pale blue morning sky, shone the brazen roof of the citadel of Byrsa, which capped the sloping town. "Already they can see us from the watch-towers," he remarked. "Even from afar they may know the galley of Black Magro. But which of all of them will guess that we alone remain of all that goodly fleet which sailed out with blare of trumpet and roll of drum but one short month ago?" The patrician smiled bitterly. "If it were not for our great ancestors and for our beloved country, the Queen of the Waters," said he, "I could find it in my heart to be glad at this destruction which has come upon
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Produced by An Anonymous Volunteer THE BLUE FLOWER By Henry Van <DW18> The desire of the moth for the star, Of the night for the morrow, The devotion for something afar From the sphere of our sorrow. --SHELLEY. To THE DEAR MEMORY OF BERNARD VAN <DW18> 1887-1897 AND THE LOVE THAT LIVES BEYOND THE YEARS PREFACE Sometimes short stories are brought together like parcels in a basket. Sometimes they grow together like blossoms on a bush. Then, of course, they really belong to one another, because they have the same life in them. The stories in this book have been growing together for a long time. It is at least ten years since the first of them, the story of The Other Wise Man, came to me; and all the others I knew quite well by heart a good while before I could find the time, in a hard-worked life, to write them down and try to make them clear and true to others. It has been a slow task, because the right word has not always been easy to find, and I wanted to keep free from conventionality in the thought and close to nature in the picture. It is enough to cause a man no little shame to see how small is the fruit of so long labour. And yet, after all, when one wishes to write about life, especially about that part of it which is inward, the inwrought experience of living may be of value. And that is a thing which one cannot get in haste, neither can it be made to order. Patient waiting belongs to it; and rainy days belong to it; and the best of it sometimes comes in the doing of tasks that seem not to amount to much. So in the long run, I suppose, while delay and failure and interruption may keep a piece of work very small, yet in the end they enter into the quality of it and bring it a little nearer to the real thing, which is always more or less of a secret. But the strangest part of it all is the way in which a single thought, an idea, will live with a man while he works, and take new forms from year to year, and light up the things that he sees and hears, and lead his imagination by the hand into many wonderful and diverse regions. It seems to me that there am two ways in which you may give unity to a book of stories. You may stay in one place and write about different themes, preserving always the colour of the same locality. Or you may go into different places and use as many of the colours and shapes of life as you can really see in the light of the same thought. There is such a thought in this book. It is the idea of the search for inward happiness, which all men who are really alive are following, along what various paths, and with what different fortunes! Glimpses of this idea, traces of this search, I thought that I could see in certain tales that were in my mind,--tales of times old and new, of lands near and far away. So I tried to tell them, as best as I could, hoping that other men, being also seekers, might find some meaning in them. There are only little, broken chapters from the long story of life. None of them is taken from other books. Only one of them--the story of Winifried and the Thunder-Oak--has the slightest wisp of a foundation in fact or legend. Yet I think they are all true. But how to find a name for such a book,--a name that will tell enough to show the thought and yet not too much to leave it free? I have borrowed a symbol from the old German poet and philosopher, Novalis, to stand instead of a name. The Blue Flower which he used in his romance of Heinrich von Ofterdingen to symbolise Poetry, the object of his young hero's quest, I have used here to signify happiness, the satisfaction of the heart. Reader, will you take the book and see if it belongs to you? Whether it does or not, my wish is that the Blue Flower may grow in the garden where you work. AVALON, December 1, 1902. CONTENTS I. The Blue Flower II. The Source III. The Mill IV. Spy Rock V. Wood-Magic VI. The Other Wise Man VII. I Handful of Clay VIII. The Lost Word IX. The First Christmas-Tree THE BLUE FLOWER The parents were abed and sleeping. The clock on the wall ticked loudly and lazily, as if it had time to spare. Outside the rattling windows there was a restless, whispering wind. The room grew light, and dark, and wondrous light again, as the moon played hide-and-seek through the clouds. The boy, wide-awake and quiet in his bed, was thinking of the Stranger and his stories. "It was not what he told me about the treasures," he
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Produced by Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_ and bold text by =equal signs=. CHARLES AUCHESTER VOLUME I. [Illustration: MENDELSSOHN FROM AN ORIGINAL PORTRAIT--1821.] CHARLES AUCHESTER BY ELIZABETH SHEPPARD _WITH AN INTRODUCTION AND NOTES_ BY GEORGE P. UPTON AUTHOR OF "THE STANDARD OPERAS," "STANDARD ORATORIOS," "STANDARD CANTATAS," "STANDARD SYMPHONIES," "WOMAN IN MUSIC," ETC. In Two Volumes VOLUME I. CHICAGO A. C. McCLURG AND COMPANY 1891 COPYRIGHT, BY A. C. MCCLURG AND CO. A.D. 1891. INTRODUCTION. The romance of "Charles Auchester," which is really a memorial to Mendelssohn, the composer, was first published in England in 1853. The titlepage bore the name of "E. Berger," a French pseudonym, which for some time served to conceal the identity of the author. Its motto was a sentence from one of Disraeli's novels: "Were it not for Music, we might in these days say, The Beautiful is dead." The dedication was also to the same distinguished writer, and ran thus: "To the author of 'Contarini Fleming,' whose perfect genius suggested this imperfect history
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Produced by Rachael Schultz, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) MYTHS AND LEGENDS OF ALASKA SELECTED AND EDITED BY KATHARINE BERRY JUDSON Author of "Myths and Legends of the Pacific Northwest," and "Montana, 'The Land of Shining Mountains'" ILLUSTRATED [Illustration] CHICAGO A. C. McCLURG & CO. 1911 Copyright A. C. McCLURG & CO. 1911 Published September, 1911 W. F. Hall Printing Company Chicago [Illustration: Tlingit Indians in Dancing Costume] _BY THE SAME AUTHOR_ MYTHS AND LEGENDS OF THE PACIFIC NORTHWEST. Especially of Washington and Oregon. _With 50 full-page illustrations. Small 4to._ _$1.50 net._ MONTANA: "The Land of Shining Mountains." _Illustrated. Indexed. Square 8vo._ _75 cents net._ A. C. McCLURG & CO., Publishers PREFACE Long ago, even before the days of the animal people, the world was only a great ocean wherein was no land nor any living thing except a great Bird. The Bird, after a long, long time, flew down to the surface of the water and dipped his great black wings into the flood. The earth arose out of the waters. So began the creation. While the land was still soft, the first man burst from the pod of the beach pea and looked out upon the endless plain behind him and the gray salt sea before him. He was the only man. Then Raven appeared to him and the creation of other beings began. Raven made also animals for food and clothing. Later, because the earth plain was so bare, he planted trees and shrubs and grass and set the green things to growing. With creation by a Great Spirit, there came dangers from evil spirits. Such spirits carried away the sun and moon, and hung them to the rafters of the dome-shaped Alaskan huts. The world became cold and cheerless, and in the Land of Darkness white skins became blackened by contact with the darkness. So it became necessary to search for the sun and hang it again in the dome-shaped sky above them. Darkness in the Land of Long Night was the cause, through magic, of the bitter winds of winter--winds which came down from the North, bringing with them ice and cold and snow. This was the work of some Great Spirit which had loosened the side of the gray cloud-tent under which they lived, letting in the bitter winds of another world. Spirits blow the mists over the cold north sea so that canoes lose sight of their home-land. Spirits also drive the ice floes, with their fishermen, far over the horizon of ocean, into the still colder North. Spirits govern the run of the salmon, the catching of whales, and all the life of the people of the North who wage such a terrific struggle for existence. So there must needs be those who have power over the evil spirits, those who by incantations and charms of magic, by ceremonial dancing in symbolic dress, can control the designs of those who work ever against these children of the North. Thus there arose the shamans with all their ceremonies. The myths in this volume are authentic. The original collections were made by government ethnologists, by whose permission this compilation is made. And no effort has been made, in the telling of them, to change them from the terse directness of the natives. The language of all Indian tribes is very simple, and to the extent that an effort is made to put myths and legends into more polished form, to that extent is their authenticity impaired. Only the quaintest and purest of the myths have been selected. Many Alaskan myths are very long and tiresome, rambling from one subject to another, besides revealing low moral conditions. These have been omitted, as have also those which deal with the intermarriage of men and birds, and men and animals. Such myths are better left among government documents where they can be readily consulted by those making a special study of the subject. They are hardly suitable for any collection intended for general reading. The leading myth of the North, however, the Raven Myth, is given with a fair degree of completeness. It would not be possible, nor would it be wise, to attempt a compilation of all the fragments of this extensive myth. Especial thanks are due to Dr. Franz Boas for the Tsetsaut and Tsimshian myths, to John R. Swanton for the Tlingit myths, to Edward Russell Nelson for the Eskimo myths, to Ferdinand Schnitter, and to others. Thanks are also due for courtesies in securing photographs to Mr. B. B. Dobbs and particularly to Mr. Clarence L. Andrews, both of whom have spent many years in Alaska. K. B. J. _University
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) THE ENGLISH STAGE _WORKS BY THE AUTHOR._ PROFILS ANGLAIS. MERIMEE ET SES AMIS. VIOLETTE MERIAN. AMOURS ANGLAIS. LES CONTES DU CENTENAIRE. ETC. ETC. THE ENGLISH STAGE _Being an Account of the Victorian Drama by Augustin Filon_ Translated from the French by Frederic Whyte with an Introduction by Henry Arthur Jones JOHN MILNE 12 NORFOLK STREET, STRAND, LONDON NEW YORK DODD, MEAD, & COMPANY MDCCCXCVII _All Rights Reserved_ CONTENTS PAGE Introduction by Mr. Henry Arthur Jones 9 Author's Preface 31 CHAPTER I A Glance back--From 1820 to 1830--Kean and Macready--The Strolling Player--The Critics--Sheridan Knowles and _Virginius_--Douglas Jerrold--His Comedies--_The Rent Day_--_The Prisoner of War_--_Black-Eyed Susan_--Collapse of the Privileged Theatres--Men of Letters come to the Rescue of the Drama--Bulwer Lytton--_The Lady of Lyons_--_Richelieu_-- _Money_ 39 CHAPTER II Macready's Withdrawal from the Stage--The Enemies of the Drama in 1850: Puritanism; the Opera; the Pantomime; the "Hippodrama"--French Plays and French Players in England-- Actors of the Period--The Censorship--The Critics--The Historical Plays of Tom Taylor and the Irish Plays of Dion Boucicault 73 CHAPTER III The Vogue of Burlesque--Burnand's _Ixion_--H. J. Byron--The Influence of Burlesque upon the Moral Tone of the Stage--Marie Wilton's Debut--A Letter from Dickens--Founding of the Prince of Wales's--Tom Robertson, his Life as Actor and Author--His Journalistic Career--London Bohemia in 1865--Sothern 93 CHAPTER IV First Performance of _Society_--Success of _Ours_, _Caste_, and _School_--How Robertson turned to account the Talent of his Actors, John Hare, Bancroft, and Mrs. Bancroft--Progress in the Matter of Scenery--Dialogue and Character-drawing-- Robertson as a Humorist: a Scene from _School_--As a Realist: a Scene from _Caste_--The Comedian of the Upper Middle Classes--Robertson's Marriage, Illness, and Death--The "Cup and Saucer" Comedy--The Improvement in Actors' Salaries--The Bancrofts at the Haymarket--Farewell Performance--My Pilgrimage to Tottenham Street 114 CHAPTER V Gilbert: compared with Robertson--His First Literary Efforts-- The _Bab Ballads_--_Sweethearts_--A Series of Experiments-- Gilbert's Psychology and Methods of Work--_Dan'l Druce_, _Engaged_, _The Palace of Truth_, _The Wicked World_, _Pygmalion and Galatea_--The Gilbert and Sullivan Operas 138 CHAPTER VI Shakespeare again--From Macready to Irving; Phelps, Fechter, Ryder, Adelaide Neilson--Irving's Debut--His Career in the Provinces, and Visit to Paris--The role of Digby Grand--The role of Matthias--The Production of _Hamlet_--Successive Triumphs--Irving as Stage Manager--as an Editor of Shakespeare--His Defects as an Actor--Too great for some of his Parts--As a Writer and Lecturer; his Theory of Art--Sir Henry Irving, Head of his Profession 156 CHAPTER VII Is it well to imitate Shakespeare?--The Death of the Classical Drama--Herman Merivale and the _White Pilgrim_--Wills and his
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Produced by Tapio Riikonen and David Widger THE ADVENTURES OF FERDINAND COUNT FATHOM by Tobias Smollett COMPLETE IN TWO PARTS PART I. With the Author's Preface, and an Introduction by G. H. Maynadier, Ph.D. Department of English, Harvard University. CONTENTS INTRODUCTION PREFATORY ADDRESS CHAPTER I Some sage Observations that naturally introduce our important History II A superficial View of our Hero's Infancy III He is initiated in a Military Life, and has the good Fortune to acquire a generous Patron IV His Mother's Prowess and Death; together with some Instances of his own Sagacity V A brief Detail of his Education VI He meditates Schemes of Importance VII Engages in Partnership with a female Associate, in order to put his Talents in Action VIII Their first Attempt; with a Digression which some Readers may think impertinent IX The Confederates change their Battery, and achieve a remarkable Adventure X They proceed to levy Contributions with great Success, until our Hero sets out with the young Count for Vienna, where he enters into League with another Adventurer XI Fathom makes various Efforts in the World of Gallantry XII He effects a Lodgment in the House of a rich Jeweller XIII He is exposed to a most perilous Incident in the Course of his Intrigue with the Daughter XIV He is reduced to a dreadful Dilemma, in consequence of an Assignation with the Wife XV But at length succeeds in his Attempt upon both XVI His Success begets a blind Security, by which he is once again well-nigh entrapped in his Dulcinea's Apartment XVII The Step-dame's Suspicions being awakened, she lays a Snare for our Adventurer, from which he is delivered by the Interposition of his Good Genius XVIII Our Hero departs from Vienna, and quits the Domain of Venus for the rough Field of Mars XIX He puts himself under the Guidance of his Associate, and stumbles upon the French Camp, where he finishes his Military Career XX He prepares a Stratagem, but finds himself countermined-- Proceeds on his Journey, and is overtaken by a terrible Tempest XXI He falls upon Scylla, seeking to avoid Charybdis. XXII He arrives at Paris, and is pleased with his Reception XXIII Acquits himself with Address in a Nocturnal Riot XXIV He overlooks the Advances of his Friends, and smarts severely for his Neglect XXV He bears his Fate like a Philosopher; and contracts acquaintance with a very remarkable Personage XXVI The History of the Noble Castilian XXVII A flagrant Instance of Fathom's Virtue, in the Manner of his Retreat to England XXVIII Some Account of his Fellow-Travellers XXIX Another providential Deliverance from the Effects of the Smuggler's ingenious Conjecture XXX The singular Manner of Fathom's Attack and Triumph over the Virtue of the fair Elenor XXXI He by accident encounters his old Friend, with whom he holds a Conference, and renews a Treaty XXXII He appears in the great World with universal Applause and Admiration XXXIII He attracts the Envy and Ill Offices of the minor Knights of his own Order, over whom he obtains a complete Victory XXXIV He performs another Exploit, that conveys a true Idea of his Gratitude and Honour XXXV He repairs to Bristol Spring, where he reigns paramount during the whole Season XXXVI He is smitten with the Charms of a Female Adventurer, whose Allurements subject him to a new Vicissitude of Fortune XXXVII Fresh Cause for exerting his Equanimity and Fortitude XXXVIII The Biter is Bit INTRODUCTION The Adventures of Ferdinand Count Fathom, Smollett's third novel, was given to the world in 1753. Lady Mary Wortley Montagu, writing to her daughter, the Countess of Bute, over a year later [January 1st, 1755], remarked that "my friend Smollett. . . has certainly a talent for invention, though I think it flags a little in his last work." Lady Mary was both right and wrong
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Produced by David Widger LITERATURE AND LIFE--The Standard Household-Effect Company by William Dean Howells THE STANDARD HOUSEHOLD-EFFECT COMPANY My friend came in the other day, before we had left town, and looked round at the appointments of the room in their summer shrouds, and said, with a faint sigh, "I see you have had the eternal-womanly with you, too." I. "Isn't the eternal-womanly everywhere? What has happened to you?" I asked. "I wish you would come to my house and see. Every rug has been up for a month, and we have been living on bare floors. Everything that could be tied up has been tied up, everything that could be sewed up has been sewed up. Everything that could be moth-balled and put away in chests has been moth-balled and put away. Everything that could be taken down has been taken down. Bags with draw-strings at their necks have been pulled over the chandeliers and tied. The pictures have been hidden in cheese-cloth, and the mirrors veiled in gauze so that I cannot see my own miserable face anywhere." "Come! That's something." "Yes, it's something. But I have been thinking this matter over very seriously, and I believe it is going from bad to worse. I have heard praises of the thorough housekeeping of our grandmothers, but the housekeeping of their granddaughters is a thousand times more intense." "Do you really believe that?" I asked. "And if you do, what of it?" "Simply this, that if we don't put a stop to it, at the gait it's going, it will put a stop to the eternal-womanly." "I suppose we should hate that." "Yes, it would be bad. It would be very bad; and I have been turning the matter over in my mind, and studying out a remedy." "The highest type of philosopher turns a thing over in his mind and lets some one else study out a remedy." "Yes, I know. I feel that I may be wrong in my processes, but I am sure that I am right in my results. The reason why our grandmothers could be such good housekeepers without danger of putting a stop to the eternal- womanly was that they had so few things to look after in their houses. Life was indefinitely simpler with them. But the modern improvements, as we call them, have multiplied the cares of housekeeping without subtracting its burdens, as they were expected to do. Every novel convenience and comfort, every article of beauty and luxury, every means of refinement and enjoyment in our houses, has been so much added to the burdens of housekeeping, and the granddaughters have inherited from the grandmothers an undiminished conscience against rust and the moth, which will not suffer them to forget the least duty they owe to the naughtiest of their superfluities." "Yes, I see what you mean," I said. This is what one usually says when one does not quite know what another is driving at; but in this case I really did know, or thought I did. "That survival of the conscience is a very curious thing, especially in our eternal-womanly. I suppose that the North American conscience was evolved from the rudimental European conscience during the first centuries of struggle here, and was more or less religious and economical in its origin. But with the advance of wealth and the decay of faith among us, the conscience seems to be simply conscientious, or, if it is otherwise, it is social. The eternal-womanly continues along the old lines of housekeeping from an atavistic impulse, and no one woman can stop because all the other women are going on. It is something in the air, or something in the blood. Perhaps it is something in both." "Yes," said my friend, quite as I had said already, "I see what you mean. But I think it is in the air more than in the blood. I was in Paris, about this time last year, perhaps because I was the only thing in my house that had not been swathed in cheese-cloth, or tied up in a bag with drawstrings, or rolled up with moth-balls and put away in chests. At any rate, I was there. One day I left my wife in New York carefully tagging three worn-out feather dusters, and putting them
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Produced by Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by JSTOR www.jstor.org) THE IRISH PENNY JOURNAL. NUMBER 27. SATURDAY, JANUARY 2, 1841. VOLUME I. [Illustration: THE IRISH MIDWIFE.--PART II. BY WILLIAM CARLETON.] The village of Ballycomaisy was as pleasant a little place as one might wish to see of a summer’s day. To be sure, like all other Irish villages, it was remarkable for a superfluity of “pigs, praties, and childre,” which being the stock in trade of an Irish cabin, it is to be presumed that very few villages either in Ireland or elsewhere could go on properly without them. It consisted principally of one long street, which you entered from the north-west side by one of those old-fashioned bridges, the arches of which were much more akin to the Gothic than the Roman. Most of the houses were of
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Produced by Susan Skinner, Chris Curnow, Pamela Patten and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: THE GIRL'S OWN PAPER VOL. XX.--NO. 982.] OCTOBER 22, 1898. [PRICE ONE PENNY.] [Illustration: A MOTHER'S LOVE. "'Can a woman's tender care Cease towards the child she bare? Yes, she may forgetful be, Yet will I remember _thee_.'"] _All rights reserved_.] "OUR HERO." BY AGNES GIBERNE, Author of "Sun, Moon and Stars," "The Girl at the Dower House," etc. CHAPTER IV. MOST UNPLEASANT TIDINGS. "Hallo!--Keene!--Mr. Jack Keene! At your service, sir." "Admiral! How do you? I was near giving you the go-by." "Near running me down, you might say. Like to a three-decker in full sail. You are going indoors? Ay, ay, then I'll wait; I'll come another day. 'Twas in my mind that Mrs. Fairbank might be glad of a word. But since you are here----" "She will be glad, I can assure you. Pray, sir, come in with me. This is a frightful blow. It was told me as I came off the ground after parade; and I hastened hither at full speed." "Ay, ay; that did you!" muttered the Admiral. "Seeing nought ahead of you but the Corsican, I'll be bound." "'Tis a disgrace to his nation," burst out Jack. "Sir, what do you think of the step?" "Think! The most atrocious--the most abominable piece of work ever heard of. If ever a living man deserved to be strung up at the yard-arm, that man is Napoleon and none other." "It can never, sure, be carried out." "Nay, if the Consul choose, what is to hinder?" "Government will not give up the vessels seized." "Give them up! Knuckle down to the Corsican! Crouch before him like to a whipped hound! Why, war has been declared. Our Ambassador had had his orders to come home, before ever the step was taken. Give up the ships! Confess ourselves wrong, in a custom which has been allowed for ages. We'll give nothing up, nothing, my dear Jack! Sooner than that, let Boney do his best and his worst. Wants to chase our vessels of war, does he? Ay, so he may, when they turn tail and run away. We shall know how to meet him afloat, fast enough--no fear! With our jolly tars, and brave Nelson at their head, there's a thing or two yet to be taught to the First Consul, or I'm greatly in error." The two speakers stood outside Mrs. Fairbank's house in Bath, where they had arrived from opposite directions at the same moment. Both had walked fast; and each after his own mode showed excitement. The older of the two, Admiral Peirce, a grizzled veteran, made small attempt to hide the wrath which quivered visibly in every fibre of his athletic figure. He had usually a frank and kindly countenance, weather-beaten by many a storm, yet overflowing with geniality. The geniality had forsaken it this morning, and he looked like one whom an enemy might prefer not to meet at too close quarters. Jack Keene had, as he intimated, come straight from parade, not waiting to get rid of his uniform; and in that uniform the young ensign looked older than in civilian dress. Also he seemed older in this mood of hot indignation, his light blue eyes sparkling angrily, and his brows frowning. For once, whatever might usually be the case, he had fully the air of a grown man. Boys became men earlier in those days than they do in these, for the tension and stress of life were greater--albeit railways did not exist, and telegrams had not been heard of. "His worst!" Jack repeated, with a note of inquiry. "He'll not go beyond a point. Don't think it. No danger to their lives--none whatever, you understand! Only detention. That's bad enough, but that is all. And yon pretty sister of yours, the fair Polly, why, to be sure, and she is the betrothed of Captain Ivor." Jack nodded.
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Produced by Sandra Laythorpe. HTML version by Al Haines. DYNEVOR TERRACE. VOL. II. BY CHARLOTTE M. YONGE CONTENTS 1. THE TRYSTE. II. THE THIRD TIME. III. MISTS. IV. OUTWARD BOUND. V. THE NEW WORLD. VI. THE TWO PENDRAGONS. VII. ROLAND AND OLIVER VIII. THE RESTORATION. IX. THE GIANT OF THE WESTERN STAR. X. THE WRONG WOMAN IN THE WRONG PLACE. XI. AUNT CATHARINE'S HOME. XII. THE FROST HOUSEHOLD. XIII. THE CONWAY HOUSEHOLD. XIV. THE TRUSTEES' MEETING. XV. SWEET USES OF ADVERSITY. XVI. THE VALLEY OF HUMILIATION. XVII. 'BIDE A WEE.' XVIII. THE CRASH. XIX. FAREWELL TO GREATNESS. XX. WESTERN TIDINGS. XXI. STEPPING WESTWARD. XXII. RATHER SUDDEN. XXIII. THE MARVEL OF PERU. CHAPTER I. THE TRYSTE. One single flash of glad surprise Just glanced from Isabel's dark eyes, Then vanished in the blush of shame That as its penance instant came-- 'O thought unworthy of my race!' The Lord of the Isles. As little recked Fitzjocelyn of the murmurs which he had provoked, as he guessed the true secret of his victory. In his eyes, it was the triumph of merit over prejudice, and Mrs. Frost espoused the same gratifying view, though ascribing much to her nephew's activity, and James himself, flushed with hope and success, was not likely to dissent. Next they had to make their conquest available. Apart from Louis's magnificent prognostications, at the lowest computation, the head master's income amounted to a sum which to James appeared affluence; and though there was no house provided, it mattered the less since there were five to choose from in the Terrace, even if his grandmother had not wished that their household should be still the same. With Miss Conway's own fortune and the Terrace settled on herself, where could be any risk? Would Lady Conway think so? and how should the communication be made? James at first proposed writing to her, enclosing a letter to Isabel; but he changed his mind, unable to satisfy himself that, when absent from restraint, she might not send a refusal without affording her daughter the option. He begged his grandmother to write to Isabel; but she thought her letter might carry too much weight, and, whatever might be her hopes, it was not for her to tell the young lady that such means were sufficient. Louis begged to be the bearer of the letter. His aunt would certainly keep terms with him, and he could insure that the case was properly laid before Isabel; and, as there could be no doubt at present of his persuasive powers, James caught at the offer. The party were still at Beauchastel, and he devised going to his old quarters at Ebbscreek, and making a descent upon them from thence. When he came to take up his credentials, he found James and his little black leathern bag, determined to come at least to Ebbscreek with him, and declaring it made him frantic to stay at home and leave his cause in other hands, and that he could not exist anywhere but close to the scene of action. Captain Hannaford was smoking in his demi-boat, and gave his former lodgers a hearty welcome, but he twinkled knowingly with his eye, and so significantly volunteered to inform them that the ladies were still at Beauchastel, that James's wrath at the old skipper's impudence began to revive, and he walked off to the remotest end of the garden. The Captain, remaining with Louis, with whom he was always on far more easy terms, looked after the other gentleman, winked again, and confessed that he had suspected one or other of them might be coming that way this summer, though he could not say he had expected to see them both together. 'Mind, Captain,' said Louis,' it wasn't _I_ that made the boat late this time last year.' 'Well! I might be wrong, I fancied you cast an eye that way. Then maybe it ain't true what's all over the place here.' Louis pressed to
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Produced by Sue Asscher ION By Plato Translated by Benjamin Jowett INTRODUCTION. The Ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon's Memorabilia in which the rhapsodists are described by Euthydemus as'very precise about the exact words of Homer, but very idiotic themselves.' (Compare Aristotle, Met.) Ion the rhapsode has just come to Athens; he has been exhibiting in Epidaurus at the festival of Asclepius, and is intending to exhibit at the festival of the Panathenaea. Socrates admires and envies the rhapsode's art; for he is always well dressed and in good company--in the company of good poets and of Homer, who is the prince of them. In the course of conversation the admission is elicited from Ion that his skill is restricted to Homer, and that he knows nothing of inferior poets, such as Hesiod and Archilochus;--he brightens up and is wide awake when Homer is being recited, but is apt to go to sleep at the recitations of any other poet. 'And yet, surely, he who knows the superior ought to know the inferior also;--he who can judge of the good speaker is able to judge of the bad. And poetry is a whole; and he who judges of poetry by rules of art ought to be able to judge of all poetry.' This is confirmed by the analogy of sculpture, painting, flute-playing, and the other arts. The argument is at last brought home to the mind of Ion, who asks how this contradiction is to be solved. The solution given by Socrates is as follows:-- The rhapsode is not guided by rules of art, but is an inspired person who derives a mysterious power from the poet; and the poet, in like manner, is inspired by the God. The poets and their interpreters may be compared to a chain of magnetic rings suspended from one another, and from a magnet. The magnet is the Muse, and the ring which immediately follows is the poet himself; from him are suspended other poets; there is also a chain of rhapsodes and actors, who also hang from the Muses, but are let down at the side; and the last ring of all is the spectator. The poet is the inspired interpreter of the God, and this is the reason why some poets, like Homer, are restricted to a single theme, or, like Tynnichus, are famous for a single poem; and the rhapsode is the inspired interpreter of the poet, and for a similar reason some rhapsodes, like Ion, are the interpreters of single poets. Ion is delighted at the notion of being inspired, and acknowledges that he is beside himself when he is performing;--his eyes rain tears and his hair stands on end. Socrates is of opinion that a man must be mad who behaves in this way at a festival when he is surrounded by his friends and there is nothing to trouble him. Ion is confident that Socrates would never think him mad if he could only hear his embellishments of Homer. Socrates asks whether he can speak well about everything in Homer. 'Yes, indeed he can.' 'What about things of which he has no knowledge?' Ion answers that he can interpret anything in Homer. But, rejoins Socrates, when Homer speaks of the arts, as for example, of chariot-driving, or of medicine, or of prophecy, or of navigation--will he, or will the charioteer or physician or prophet or pilot be the better judge? Ion is compelled to admit that every man will judge of his own particular art better than the rhapsode. He still maintains, however, that he understands the art of the general as well as any one. 'Then why in this city of Athens, in which men of merit are always being sought after, is he not at once appointed a general?' Ion replies that he is a foreigner, and the Athenians and Spartans will not appoint a foreigner to be their general. 'No, that is not the real reason; there are many examples to the contrary. But Ion has long been playing tricks with the argument; like Proteus, he transforms himself into a variety of shapes, and is at last about to run away in the
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APPEAL TO THOSE RESPECTABLE PERSONAGES IN GREAT-BRITAIN AND IRELAND, WHO, BY THEIR GREAT AND PERMANENT INTEREST IN LANDED PROPERTY, THEIR LIBERAL EDUCATION, ELEVATED RANK, AND ENLARGED VIEWS, ARE THE ABLEST TO JUDGE, AND THE FITTEST TO DECIDE, WHETHER A CONNECTION WITH, OR A SEPARATION FROM THE CONTINENTAL COLONIES OF AMERICA, BE MOST FOR THE NATIONAL ADVANTAGE, AND THE LASTING BENEFIT OF THESE KINGDOMS*** E-text prepared by the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illuminations. See 32557-h.htm or 32557-h.zip: (http://www.gutenberg.org/files/32557/32557-h/32557-h.htm) or (http://www.gutenberg.org/files/32557/32557-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/humbleaddressear00tuck AN HUMBLE ADDRESS AND EARNEST APPEAL TO THOSE RESPECTABLE PERSONAGES IN GREAT-BRITAIN AND IRELAND, WHO, BY THEIR GREAT AND PERMANENT INTEREST IN LANDED PROPERTY, THEIR LIBERAL EDUCATION, ELEVATED RANK, AND ENLARGED VIEWS, ARE THE ABLEST TO JUDGE, AND THE FITTEST TO DECIDE, WHETHER A CONNECTION WITH, OR A SEPARATION FROM THE CONTINENTAL COLONIES OF AMERICA, BE MOST FOR THE NATIONAL ADVANTAGE, AND THE LASTING BENEFIT OF THESE KINGDOMS. _Suis et ipsa Roma viribus ruit._ HOR. BY JOSIAH TUCKER, D. D. DEAN OF GLOCESTER. GLOCESTER: PRINTED BY R. RAIKES; AND SOLD BY T. CADELL, IN THE STRAND, LONDON. M.DCC.LXXV. AN HUMBLE ADDRESS, &c. MY LORDS AND GENTLEMEN, Though the Author of the ensuing Tract may be below your Notice, as an Individual, yet the Subject he treats upon, highly deserves your most serious Attention. In the present unhappy Disputes between the Parent-State and the Colonies, he undertakes to point out, what Measures the Landed-Interest of _Great-Britain_ and _Ireland_ ought to pursue in future, for the Sake of themselves and their Posterity. And if what he has to offer, should, after a due Examination, be found to be reasonable, solid, and satisfactory, he relies so much on your own good Sense and Judgment, as to believe, that you will not reject his Plan, merely because it originated from an inferior Hand. This is all the Favour he asks, or expects from you. Upon this Subject, he waves the Consideration of every Thing, which might have a Tendency to keep the present Question out of Sight. _Great-Britain_ and her Colonies are now at open War. THIS IS THE FACT. But if it should be asked, How these Things came to pass? From what Causes did they spring? Which are the real, and which are the apparent Motives in this Controversy? Moreover, who were originally and principally to blame? And what Methods ought to have been taken at first, in order to have prevented Matters from coming to their present Height?--The Author having already given his Sentiments on each of these Heads in his 3d, 4th, and 5th preceding Tracts, and also in his Letter to Mr. BURKE, will not here repeat the same Things.--The grand Object now before him is simply this; _Great Britain and her Colonies are at open War_: And the proper and important Question arising from such a Fact is the following, _What is to be done at the present Crisis?_ Three Schemes have been proposed;--the Parliamentary,--Mr. BURKE's,--and my own. The Parliamentary Scheme is,--To maintain _vi et armis_ the Supremacy of the Mother-Country over her Colonies, in as full and ample a Manner, as over any Part of the _British_ Dominions. Mr. BURKE's is, [tho' not in express _Words_] To resign or relinquish the Power of the _British_ Parliament over the Colonies, and to erect each Provincial Assembly into an independent _American_ Parliament;--subject nevertheless to the King of _Great-Britain_, with his usual Prerogatives:--For which Favour of acknowledging the same Sovereign, the Colonists are to be complimented with the most precious Rights, Privileges, and Advantages of _British_ Subjects:--I say, _complimented_, and
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Produced by David Clarke, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE WHITE BLACKBIRD BY HUDSON DOUGLAS AUTHOR OF "A MILLION A MINUTE," "THE LANTERN OF LUCK," ETC WITH ILLUSTRATIONS IN COLOUR BY HERMAN PFEIFER BOSTON LITTLE, BROWN, AND COMPANY 1912 _Copyright, 1912_, BY LITTLE, BROWN, AND COMPANY. _All rights reserved, including those of translation into foreign languages, including the Scandinavian_ Published, September, 1912 THE COLONIAL PRESS C. H. SIMONDS & CO., BOSTON, U. S. A. FOR ISOBEL MY WIFE AND OUR DAUGHTER ISOBEL [Illustration: "Feel my pulse now, before you go," the pseudo-doctor's patient commanded.] CONTENTS CHAPTER PAGE I. A TROPICAL DISCUSSION 1 II. "DUTCH COURAGE" 11 III. EL FARISH 18 IV. THE MASQUE OF DEATH 28 V. AFLOAT AND ASHORE 38 VI. HOBSON'S CHOICE 51 VII. THE WHITE BLACKBIRD 64 VIII. UNMASKED 80 IX. AN OVERDRAFT ON THE FUTURE 91 X. THE GODDESS OF CHANCE 107 XI. A FOOL AND HIS FORTUNE 119 XII. THE PRICE OF FREEDOM 130 XIII. A MASTERSTROKE 143 XIV. "SALLIE HARRIS" 156 XV. THE LAW--AND THE PROFITS 169 XVI. "PLEASURES AND PALACES" 184 XVII. THE MAN IN POSSESSION 195 XVIII. THE LOSER 205 XIX. THE WINNER 217 XX. BEGGAR-MY-NEIGHBOUR 232 XXI. THE JURA SUCCESSION 243 XXII. THE PARTY OF THE FIRST PART 259 XXIII. A NEW IDEA 271 XXIV. BY RIGHT OF PURCHASE 280 XXV. THE WHITE LADY 295 XXVI. A MATTER OF LIFE AND DEATH 306 XXVII. DEBIT AND CREDIT 320 XXVIII. ISHMAEL'S HERITAGE 332 XXIX. PRIDE'S PRICE 342 XXX. THE TENTH EARL 350 XXXI. "AT THE END OF THE PASSAGE" 358 LIST OF ILLUSTRATIONS PAGE "FEEL MY PULSE NOW, BEFORE YOU GO," THE PSEUDO-DOCTOR'S PATIENT COMMANDED. (_SEE PAGE 32_) _frontispiece_ "YOU WON'T FORGET," HE URGED, GRAVE AGAIN 89 SOMETHING VERY LIKE FEAR LOOKED OUT OF HIS EYES 258 SHE TOUCHED WITH HER LIPS THE BACK OF THE TOIL-STAINED HAND 322 The White Blackbird CHAPTER I A TROPICAL DISCUSSION "I'd far rather beg in the gutter than marry you, Jasper!" flashed the girl, at last goaded past all patience. Her clouded, indignant eyes expressed both contempt and aversion for the young man leaning over the deck-rail beside her. He was still a young man as years go and in spite of the grey streaks in his dark hair, the crow's-feet above his cheek-bones; more than passably good-looking, too, with his regular profile and straight, spare, athletic figure, though his sleepy eyes were a trifle close-set and more than a trifle untrustworthy, though the black moustache he was twirling with a long, thin, almost womanish hand hid a cruel, selfish mouth. In his smart white yachting-suit and panama, lounging over the sun-dried teak taffrail with his knees crossed, he seemed to be neither oppressed by the tropical heat nor impressed at all by anything that his companion could say. "I'd _far_ rather beg in the gutter," she repeated, as if to settle the matter. And the emphasis with which she spoke showed that she meant what she said. "But--that doesn't make any difference, my dear Sallie," he once more answered, displaying his white, even teeth in a slight, amused smile. "You're going to marry me just the same. And you may as well make up your mind right away--that it will pay you best to be pleasant about it. "Captain Dove has come to the point at last," he went on to explain condescendingly, in the same cool, careless, conversational tone, a
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Produced by Barbara Watson, Mark Akrigg and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net MY LITTLE BOY _by CARL EWALD_ TRANSLATED FROM THE DANISH BY ALEXANDER TEIXEIRA DE MATTOS MY LITTLE BOY COPYRIGHT 1906 BY CHARLES SCRIBNER'S SONS SOLE AUTHORIZED TRANSLATION REPRINTED BY ARRANGEMENT WITH THE PUBLISHERS. NO PART OF THIS WORK MAY BE REPRODUCED IN ANY FORM WITHOUT THE PERMISSION OF CHARLES SCRIBNER'S SONS _MY LITTLE BOY_ I My little boy is beginning to live. Carefully, stumbling now and then on his little knock-kneed legs, he makes his way over the paving-stones, looks at everything that there is to look at and bites at every apple, both those which are his due and those which are forbidden him. He is not a pretty child and is the more likely to grow into a fine lad. But he is charming. His face can light up suddenly and become radiant; he can look at you with quite cold eyes. He has a strong intuition and he is incorruptible. He has never yet bartered a kiss for barley-sugar. There are people whom he likes and people whom he dislikes. There is one who has long courted his favour indefatigably and in vain; and, the other day, he formed a close friendship with another who had not so much as said "Good day" to him before he had crept into her lap and nestled there with glowing resolution. He has a habit which I love. When we are walking together and there is anything that impresses him, he lets go my hand for a moment. Then, when he has investigated the phenomenon and arrived at a result, I feel his little fist in mine again. He has bad habits too. He is apt, for instance, suddenly and without the slightest reason, to go up to people whom he meets in the street and hit them with his little stick. What is in his mind, when he does so, I do not know; and, so long as he does not hit me, it remains a matter between himself and the people concerned. He has an odd trick of seizing big words in a grown-up conversation, storing them up for a while and then asking me for an explanation: "Father," he says, "what is life?" I give him a tap in his little stomach, roll him over on the carpet and conceal my emotion under a mighty romp. Then, when we sit breathless and tired, I answer, gravely: "Life is delightful, my little boy. Don't you be afraid of it!" II Today my little boy gave me my first lesson. It was in the garden. I was writing in the shade of the big chestnut-tree, close to where the brook flows past. He was sitting a little way off, on the grass, in the sun, with Hans Christian Andersen in his lap. Of course, he does not know how to read, but he lets you read to him, likes to hear the same tales over and over again. The better he knows them, the better he is pleased. He follows the story page by page, knows exactly where everything comes and catches you up immediately should you skip a line. There are two tales which he loves more than anything in the world. These are Grimm's _Faithful John_ and Andersen's _The Little Mermaid_. When anyone comes whom he likes, he fetches the big Grimm, with those heaps of pictures, and asks for _Faithful John_. Then, if the reader stops, because it is so terribly sad, with all those little dead children, a bright smile lights up his small, long face and he says, reassuringly and pleased at "knowing better": "Yes, but they come to life again." Today, however, it is _The Little Mermaid_. "Is that the sort of stories you write?" he asks. "Yes," I say, "but I am afraid mine will not be so pretty." "You must take pains," he says. And I promise. For a time he makes no sound. I go on writing and forget about him. "Is there a little mermaid down there, in the water?" he asks. "Yes, she swims up to the top in the summer." He nods and looks out across the brook, which ripples so softly and smoothly that one can hardly see the water flow. On the opposite side, the rushes grow green and thick and there is also a bird, hidden in the rushes, which sings. The dragon-flies are whirling and humming. I am sitting with my head in my hand, absorbed in my work. Suddenly, I hear a splash. I jump from my chair, upset the table, dart forward and see that my little boy is gone. The brook is billowing and foaming; there are wide circles on the surface. In a moment, I am in the water and find him and catch hold of him. He stands on the grass, dripping with wet, spluttering and coughing. His
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Produced by Simon Gardner, Adrian Mastronardi, The Philatelic Digital Library Project at http://www.tpdlp.net and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Notes This is a Plain Text version. It uses the 7-bit ASCII character set. Accented characters are represented as follows: ['a] indicates the acute accent [e'] indicates the grave accent [^i] indicates the circumflex accent [:u] indicates the umlaut The following are used to represent special characters and marks: [~d] [~r] [~n] indicates a tilde above d, r, n [p=] indicates a line below p [=o] [=co] [=xon] indicate an overline above 1, 2 or 3 characters [^p] indicates an inverted breve above p [oe] indicates an oe ligature [L] indicates the pound (Sterling) sign [S] indicates the Section symbol Italic typeface in the original is indicated with _underscores_. Bold typeface in the original is indicated by UPPER CASE. Small capital typeface in the original is indicated by UPPER CASE. There are a large number of footnotes. These have been grouped together at end of each chapter or major section in which they are referenced. There are numerous quotations from documents in German, French and archaic English which use many abbreviations, variant spellings and inconsistent spellings. These are retained, except where obvious typo corrections are listed at the end of this document. * * * * * STUDIES IN ECONOMICS AND POLITICAL SCIENCE. EDIT
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The Project Gutenberg Etext of Jacqueline by Th. Bentzon (Mme. Blanc), v1 #55 in our series The French Immortals Crowned by the French Academy #1 in our series by Th. Bentzon (Mme. Blanc) Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get Etexts, and further information is included below, including for donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: Jacqueline, v1 Author: Th. Bentzon (Mme. Blanc) Release Date: April, 2003 [Etext #3968] [Yes, we are about one year ahead of schedule] [The actual date this file first posted = 09/23/01] Edition: 10 Language: English The Project Gutenberg Etext of Jacqueline by Th. Bentzon (Mme. Blanc), v1 ***********This file should be named 3968.txt or 3968.zip********** This etext was produced by David Widger <[email protected]> Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one year in advance of the official release dates, leaving time for better editing. Please be encouraged to send us error messages even years after the official publication date. Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. Most people start at our sites at: http://gutenberg.net http://promo.net/pg Those of you who want to download any Etext before announcement can surf to them as follows, and just download by date; this is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter. http://www.ibiblio.org/gutenberg/etext03 or ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 Just search by the first five letters of the filename you want, as it appears in our Newsletters. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release fifty new Etext files per month, or 500 more Etexts in 2000 for a total of 3000+ If they reach just 1-2% of the world's population then the total should reach over 300 billion Etexts given away by year's end. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users. At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 4,000 Etexts unless we manage to get some real funding. The Project Gutenberg Literary Archive Foundation has been created to secure a future for Project Gutenberg into the next millennium. We need your donations more than ever! As of July 12, 2001 contributions are only being solicited from people in: Arkansas, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana,
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Produced by James McCormick THE PAN-ANGLES {ii} {iii} THE PAN-ANGLES A CONSIDERATION OF THE FEDERATION OF THE SEVEN ENGLISH-SPEAKING NATIONS BY SINCLAIR KENNEDY _WITH A MAP_ SECOND IMPRESSION LONGMANS, GREEN AND CO. FOURTH AVENUE & 30TH STREET, NEW YORK LONDON, BOMBAY. CALCUTTA AND MADRAS 1915 _All Rights Reserved_ {iv} {v} TO THE PAN-ANGLES {vi} PREFATORY NOTE THE Author is indebted to the following publishers and authors for kind permission to make quotations from copyright matter: to Mr. Edward Arnold for _Colonial Nationalism_, by Richard Jebb; to Mr. B. H. Blackwell for _Imperial Architects_, by A. L. Burt; to the Delegates of the Clarendon Press for _Federations and Unions_, by H. E. Egerton; to Messrs. Constable & Co. for _Alexander Hamilton_, by F. S. Oliver, and _The Nation and the Empire_, edited by Lord Milner; to the publishers of the _Encyclopedia Britannica_; to Messrs. Macmillan & Co. for Seeley's _Expansion of England_, and G. L. Parkin's _Imperial Federation_; to Admiral Mahan; to Mr. John Murray for _English Colonization and Empire_, by A. Caldecott; to Sir Isaac Pitman & Sons Ltd. for _The Union of South Africa_, by W. B. Worsfold; to the Executors of the late W. T. Stead for the _Last Will and Testament of C. J. Rhodes_; to Messrs. H. Stevens, Son, & Stiles for _Thomas Pownall_, by
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Produced by Curtis Weyant, Graeme Mackreth and PG Distributed Proofreaders [Illustration] BRED IN THE BONE; OR, LIKE FATHER, LIKE SON A Novel. BY THE AUTHOR OF "A BEGGAR ON HORSEBACK," "GWENDOLINE'S HARVEST," "CARLYON'S YEAR," "ONE OF THE FAMILY," "WON--NOT WOOED," &c. _WITH ILLUSTRATIONS_. NEW YORK: 1872. CHAPTER I. CAREW OF CROMPTON. Had you lived in Breakneckshire twenty years ago, or even any where in the Midlands, it would be superfluous to tell you of Carew of Crompton. Every body thereabout was acquainted with him either personally or by hearsay. You must almost certainly have known somebody who had had an adventure with that eccentric personage--one who had been ridden down by him, for that mighty hunter never turned to the right hand nor to the left for any man, nor paid attention to any rule of road; or one who, more fortunate, had been "cleared" by him on his famous black horse _Trebizond_, an animal only second to his master in the popular esteem. There are as many highly pictures of his performance of this flying feat in existence as there are of "Dick Turpin clearing the Turnpikegate." Sometimes it is a small tradesman cowering down in his cart among the calves, while the gallant Squire hurtles over him with a "Stoop your head, butcher." Sometimes it is a wagoner, reminding one of Commodore Trunnion's involuntary deed of "derring-do," who, between two high banks, perceives with marked astonishment this portent flying over himself and convoy. But, at all events, the thing was done; perhaps on more than one occasion, and was allowed on all hands not only as a fact, but as characteristic of their sporting idol. It was "Carew all over," or "Just like Carew." This phrase was also applied to many other heroic actions. The idea of "keel-hauling," for instance, adapted from the nautical code, was said to be practically enforced in the case of duns, attorneys, and other objectionable persons, in the lake at Crompton; while the administration of pommelings to poachers and agriculturists generally, by the athletic Squire, was the theme of every tongue. These punishments, though severe, were much sought after by a certain class, the same to which the purchased free and independent voter belongs, for the clenched fist invariably became an open hand after it had done its work--a golden ointment, that is, was always applied after these inflictions, such as healed all wounds. Carew of Crompton might at one time have been member for the county, if he had pleased; but he desired no seat except in the saddle, or on the driving-box. He showed such skill in riding, and with "the ribbons," that some persons supposed that his talents must be very considerable in other matters, and affected to regret their misuse; there were reports that he knew Latin better than his own chaplain; and was, or had been, so diligent a student of Holy Writ, that he could give you chapter and verse for every thing. But it must be allowed that others were not wanting to whisper that these traits of scholarship were greatly exaggerated, and that all the wonder lay in the fact that the Squire knew any thing of such matters at all; nay, a few even ventured to express their opinion that, but for his recklessness and his money, there was nothing more remarkable in Carew than in other spendthrifts; but this idea was never mooted within twenty miles of Crompton. The real truth is, that the time was unsuitable to the display of the Squire's particular traits. He would have been an eminent personage had he been a Norman, and lived in the reign of King John. Even now, if he could have removed his establishment to Poland, and assumed the character of a Russian proprietor, he would doubtless have been a great prince. There was a savage magnificence about him, and also certain degrading traits, which suggested the Hetman Platoff. Unfortunately, he was a Squire in the Midlands. The contrast, however, of his splendid vagaries with the quiet time and industrious locality in which he lived, while it diminished his influence, did, on the other hand, no doubt enhance his reputation. He was looked upon (as Waterford and Mytton used to be) as a _lusus naturae_, an eccentric, an altogether exceptional personage, to whom license was permitted; and the charitable divided the human race, for his sake, into Men, Women, and Care
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Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSCRIBER’S NOTE: Minor spelling and punctuation errors have been corrected but accents are retained as printed: inconsistently. The exception is the replacement of A’ with Á, and so on. EXERCISES UPON THE DIFFERENT PARTS OF ITALIAN SPEECH WITH REFERENCES TO _VENERONI’S GRAMMAR:_ TO WHICH IS ADDED, AN ABRIDGMENT OF THE ROMAN HISTORY, INTENDED AT ONCE TO MAKE THE LEARNER ACQUAINTED WITH HISTORY, AND THE IDIOM OF THE ITALIAN LANGUAGE. By F. BOTTARELLI, A. M. The EIGHTH EDITION, carefully revised and corrected. By G. B. ROLANDI. _LONDON:_ PRINTED FOR J. COLLINGWOOD; LONGMAN, HURST, REES ORME
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Library of Congress) * * * * * +-----------------------------------------------------------+ | Transcriber's Note: | | | | Obvious typographical errors have been corrected. For | | a complete list, please see the end of this document. | | | +-----------------------------------------------------------+ * * * * * [Illustration: ARMSTRONG GUN FROM FORT FISHER.] GUIDE TO WEST POINT, AND THE U.S. MILITARY ACADEMY. WITH MAPS AND ENGRAVINGS. NEW YORK: D. VAN NOSTRAND, 192 BROADWAY. 1867. GUIDE TO WEST POINT. Fifty-one miles above New York, on the west bank of the Hudson river, in the midst of scenery of the most picturesque and impressive character, and on a bold shelving plateau, formed by the crossing of a range of the Alleghany Mountains, which here assume almost Alpine proportions, is a name dear to every lover of his country--a name replete with memories of the struggle for Independence, and clustering with historic associations. WEST POINT, the property of the United States by purchase, possesses a primary interest from its military importance during the period of the American Revolution, and a secondary one from its being the seat of the National Military Academy. The creative hand of natural beauty--the romance of war--the distinguished career of those who have gone forth from this locality in the defense of American Liberty, and the spectacle presented by those preparing for future public
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Produced by Chris Curnow, Tom Cosmas and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber Note Text emphasis is denoted as _Italic Text._ _Barr's Buffon._ Buffon's Natural History. CONTAINING A THEORY OF THE EARTH, A GENERAL _HISTORY OF MAN_, OF THE BRUTE CREATION, AND OF VEGETABLES, MINERALS, _&c. &c._ FROM THE FRENCH. WITH NOTES BY THE TRANSLATOR. IN TEN VOLUMES. VOL. IX. London: PRINTED FOR THE PROPRIETOR, AND SOLD BY H. D. SYMONDS, PATERNOSTER-ROW. 1807. T. Gillet, Crown-court, Fleet-street. CONTENTS OF THE NINTH VOLUME _Page_ _The Loris_ 1 _The Javelin Bat_ 3 _The Serval_ 6 _The Ocelot_ 9 _The Margay_ 13 _The Jackal and the Adil_ 17 _The Isatis_ 25 _The Glutton_ 29 _The Stinkards_
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Produced by Barbara Tozier, Bill Tozier, Julia Neufeld and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note: Text enclosed by underscores is in italics (_italics_). Small capital text has been replaced with all capitals. * * * * * THE KNICKERBOCKER. VOL. XXII. NOVEMBER, 1843. NO. 5. THOUGHTS ON IMMORTALITY. BY A NEW CONTRIBUTOR. THERE are those who reject the idea of a future state; or, at least, who deny that they ought to be convinced of its reality, because reasoning, in the method of the sciences, does not appear to prove it to them; although they acknowledge how natural it is for man to anticipate a future existence. I have thought that such persons might be included in a similitude like the following. Let us suppose a young bee, just returning from his first excursion abroad, bearing his load of honey. He has been in a labyrinth of various directions, and far from his native home; winding among trees and their branches, and stopping to sip from numerous flowers. He has even been taken, by one bearing no good-will to the little community of which he is a member, and carried onward, without being permitted a sight of the objects which he passed, that he might estimate aright his new direction. Notwithstanding, he is winging his way with unerring precision to the place where his little load is to be deposited. Not more exactly does the needle tend to the pole, than the line he is drawing points toward his store-house. But in this he is governed by no such considerations of distance and direction as enable the skilful navigator so beautifully to select his way along the pathless ocean. He has no data, by reasoning from which, as the geometrician reasons, he may determine that his course bears so many degrees to the right or so many to the left. He has never been taught to mark the right ascension of hill-tops, nor to estimate latitude and longitude from the trees. He is governed in his progress by that indescribable and mysterious principle of instinct alone, which, although developed in man, produces its most surprising effects in the brute creation. But here, as he is going onward thus swiftly and surely, by some creative power a vast addition is made to his previous character. All at once he becomes a reasoning being, possessed of all the faculties which are found in the philosopher. He is endowed with judgment, that he may compare, and consciousness and reflection, to make him a metaphysician. Nor is he slow to exercise these newly-acquired faculties. Among other things, his consciousness tells him that he is impressed with a deep presentiment of something greatly desirable in the far distance toward which he supposes his course to be fast and directly tending. Perhaps he has a memory of the place he left, of the business there going on, and of the part which he is taking in it. Probably his strong impression is, that he is fast advancing toward that place; that he expects the greeting of his friends of the swarm. Possibly he finds his bosom even now beginning to swell in anticipation of the praise which shall be bestowed on his early manifestation of industry and virtue. Perhaps his recollections are more vague; and accordingly his consciousness only tells him that he thinks of something requiring him to urge onward in that particular direction, but of which he realizes no very definite idea. But here Reason interrupts him: 'Why are you pursuing this course so fast? I see nothing to attract your attention so strongly.' 'I am going to a place lying this way,' says the bee, 'where I can deposite my load in safety, which I am anxious to do quickly, that I may return for another.' 'But,' says Reason, 'what evidence have you that the place lies this way?' Here Philosophy whispers: 'You should not act without evidence; it becomes no reasonable creature to do so;' but Reason continues: 'There are many points in the horizon beside that you are making for; and I see not why one of them is not as likely to be the place as another.' This rather staggered the bee at first; for he had no recollection of courses and distances taken, by a comparison of which he could prove his true direction; but suddenly he said: 'Why, I am so strongly impressed that this is the course, that I cannot doubt it.' 'But what signify your strong impressions,' says Reason, 'if they are not founded on any evidence? Were you ever
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Produced by Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team THE STORY HOUR A BOOK FOR THE HOME AND THE KINDERGARTEN By Kate Douglas Wiggin and Nora A. Smith Therefore ear and heart open to the genuine story teller, as flowers open to the spring sun and the May rain. FRIEDRICH FROEBEL CONTENTS. INTRODUCTION. Kate Douglas Wiggin PREFACE. Kate Douglas Wiggin and Nora A. Smith THE ORIOLE'S NEST. Kate Douglas Wiggin DICKY SMILY'S BIRTHDAY. Kate Douglas Wiggin AQUA; OR, THE WATER BABY. Kate Douglas Wiggin MOUFFLOU. Adapted from Ouida by Nora A. Smith BENJY IN BEASTLAND. Adapted from Mrs. Ewing by Kate Douglas Wiggin and Nora A. Smith THE PORCELAIN STOVE. Adapted from Ouida by Kate Douglas Wiggin THE BABES IN THE WOOD. E. S. Smith THE STORY OF CHRISTMAS. Nora A. Smith THE FIRST THANKSGIVING DAY. Nora A. Smith LITTLE GEORGE WASHINGTON. Part I. Nora A. Smith GREAT GEORGE WASHINGTON. Part II. Nora A. Smith THE MAPLE-LEAF AND THE VIOLET. Nora A. Smith MRS. CHINCHILLA. Kate Douglas Wiggin A STORY OF THE FOREST. Nora A. Smith PICCOLA. Nora A. Smith THE CHILD AND THE WORLD. Kate Douglas Wiggin WHEN I WAS A LITTLE GIRL. Kate Douglas Wiggin FROEBEL'S BIRTHDAY. Nora A. Smith INTRODUCTION. Story-telling, like letter-writing, is going out of fashion. There are no modern Scheherezades, and the Sultans nowadays have to be amused in a different fashion. But, for that matter, a hundred poetic pastimes of leisure have fled before the relentless Hurry Demon who governs this prosaic nineteenth century. The Wandering Minstrel is gone, and the Troubadour, and the Court of Love, and the King's Fool, and the Round Table, and with them the Story-Teller. "Come, tell us a story!" It is the familiar plea of childhood. Unhappy he who has not been assailed with it again and again. Thrice miserable she who can be consigned to worse than oblivion by the scathing criticism, "She doesn't know any stories!" and thrice blessed she who is recognized at a glance as a person likely to be full to the brim of them. There are few preliminaries and no formalities when the Person with a Story is found. The motherly little sister stands by the side of her chair, two or three of the smaller fry perch on the arms, and the baby climbs up into her lap (such a person always has a capacious lap), and folds his fat hands placidly. Then there is a deep sigh of blissful expectation and an expressive silence, which means, "Now we are ready, please; and if you would be kind enough to begin it with 'Once upon a time,' we should be much obliged; though of course we understand that all the stories in the world can't commence that way, delightful as it would be." The Person with a Story smiles obligingly (at least it is to be hoped that she does), and retires into a little corner of her brain, to rummage there for something just fitted to the occasion. That same little corner is densely populated, if she is a lover of children. In it are all sorts of heroic dogs, wonderful monkeys, intelligent cats, naughty kittens; virtues masquerading seductively as fairies, and vices hiding in imps; birds agreeing and disagreeing in their little nests, and inevitable small boys in the act of robbing them; busy bees laying up their winter stores, and idle butterflies disgracefully neglecting to do the same; and then a troop of lost children, disobedient children, and lazy, industrious, generous, or heedless ones, waiting to furnish the thrilling climaxes. The Story-Teller selects a hero or heroine out of this motley crowd,--all longing to be introduced to Bright-Eye, Fine-Ear, Kind-Heart, and Sweet-Lips,--and speedily the drama opens
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Produced by Earle C. Beach and David Widger HIS OWN PEOPLE by Booth Tarkington I. A Change of Lodging The glass-domed "palm-room" of the Grand Continental Hotel Magnifique in Rome is of vasty heights and distances, filled with a mellow green light which filters down languidly through the upper foliage of tall palms, so that the two hundred people who may be refreshing or displaying themselves there at the tea-hour have something the look of under-water creatures playing upon the sea-bed. They appear, however, to be unaware of their condition; even the ladies, most like anemones of that gay assembly, do not seem to know it; and when the Hungarian band (crustacean-like in costume, and therefore well within the picture) has sheathed its flying tentacles and withdrawn by dim processes, the tea-drinkers all float out through the doors, instead of bubbling up and away through the filmy roof. In truth, some such exit as that was imagined for them by a young man who remained in the aquarium after they had all gone, late one afternoon of last winter. They had been marvelous enough, and to him could have seemed little more so had they made such a departure. He could almost have gone that way himself, so charged was he with the uplift of his belief that, in spite of the brilliant strangeness of the hour just past, he had been no fish out of water. While the waiters were clearing the little tables, he leaned back in his chair in a content so rich it was nearer ecstasy. He could not bear to disturb the possession joy had taken of him, and, like a half-awake boy clinging to a dream that his hitherto unkind sweetheart has kissed him, lingered on in the enchanted atmosphere, his eyes still full of all they had beheld with such delight, detaining and smiling upon each revelation of this fresh memory--the flashingly lovely faces, the dreamily lovely faces, the pearls and laces of the anemone ladies, the color and romantic fashion of the uniforms, and the old princes who had been pointed out to him: splendid old men wearing white mustaches and single eye-glasses, as he had so long hoped and dreamed they did. "Mine own people!" he whispered. "I have come unto mine own at last. Mine own people!" After long waiting (he told himself), he had seen them--the people he had wanted to see, wanted to know, wanted to be _of!_ Ever since he had begun to read of the "beau monde" in his schooldays, he had yearned to know some such sumptuous reality as that which had come true to-day, when, at last, in Rome he had seen--as he wrote home that night--"the finest essence of Old-World society mingling in Cosmopolis." Artificial odors (too heavy to keep up with the crowd that had worn them) still hung about him; he breathed them deeply, his eyes half-closed and his lips noiselessly formed themselves to a quotation from one of his own poems: While trails of scent, like cobweb's films Slender and faint and rare, Of roses, and rich, fair fabrics, Cling on the stirless air, The sibilance of voices, At a wave of Milady's glove, Is stilled-- He stopped short, interrupting himself with a half-cough of laughter as he remembered the inspiration of these verses. He had written them three months ago, at home in Cranston, Ohio, the evening after Anna McCord's "coming-out tea." "Milady" meant Mrs. McCord; she had "stilled" the conversation of her guests when Mary Kramer (whom the poem called a "sweet, pale singer") rose to sing Mavourneen; and the stanza closed with the right word to rhyme with "glove." He felt a contemptuous pity for his little, untraveled, provincial self of three months ago, if, indeed, it could have been himself who wrote verses about Anna McCord's "coming-out tea" and referred to poor, good old Mrs. McCord as "Milady"! The second stanza had intimated a conviction of a kind which only poets may reveal: She sang to that great assembly, They thought, as they praised her tone; But she and my heart knew better: Her song was for me alone. He had told the truth when he wrote of Mary Kramer as pale and sweet, and she was paler, but no less sweet, when he came to say good-by to her before he sailed. Her face, as it was at the final moment of the protracted farewell, shone before him very clearly now for a moment: young, plaintive, white, too lamentably honest to conceal how much her "God-speed" to him cost her. He came very near telling her how fond of her he had always been; came near giving up his great trip to remain with her always. "Ah!" He shivered as one shivers at the thought of disaster narrowly averted. "The fates were good that I only came near it!" He took from his breast-pocket an engraved card, without having to search for it, because during the few days the card had been in his possession the action had become a habit. "Comtesse de Vaurigard," was the name engraved, and below was written in pencil: "To remember Monsieur Robert Russ Mellin he promise to come to tea Hotel Magnifique, Roma, at five o'clock Thursday." There had been disappointment in the first stages of his journey, and that had gone hard with Mellin. Europe had been his goal so long, and his hopes of pleasure grew so high when (after his years of saving and putting by, bit by bit, out of his salary in a real-estate office) he drew actually near the shining horizon. But London, his first stopping-place, had given him some dreadful days. He knew nobody, and had not understood how heavily sheer loneliness--which was something he had never felt until then--would weigh upon his spirits. In Cranston, where the young people "grew up together
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The Woman in White by Wilkie Collins
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Produced by Charles Franks, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net Every attempt has been made to replicate the original as printed. Archaic spellings, such as antient, expence, shew, inrolment, chearfully & encrease, have been retained. Illustrations have been moved from mid-paragraph for ease of reading. (etext transcriber's note) THE WORKS OF HENRY FIELDING EDITED BY GEORGE SAINTSBURY IN TWELVE VOLUMES VOL. XI. MISCELLANIES VOL. I. [Illustration: frontispiece] A JOURNEY FROM THIS WORLD TO THE NEXT AND A VOYAGE TO LISBON BY HENRY FIELDING ESQ [Illustration: text decoration] EDITED BY GEORGE SAINTSBURY WITH ILLUSTRATIONS BY HERBERT RAILTON & F. J. WHEELER. LONDON PUBLISHED BY J. M. DENT & CO. AT ALDINE HOUSE IN GREAT EASTERN STREET MDCCCXCIII CONTENTS OF VOL. I. PAGE INTRODUCTION xi A JOURNEY FROM THIS WORLD TO THE NEXT, ETC. ETC. INTRODUCTION 1 BOOK I. CHAPTER I. _The author dies, meets with Mercury, and is by him conducted to the stage which sets out for the other world_ 4 CHAPTER II. _In which the author first refutes some idle opinions concerning spirits, and then the passengers relate their several deaths_ 7 CHAPTER III. _The adventures we met with in the City of Diseases_ 12 CHAPTER IV. _Discourses on the road, and a description of the palace of Death_ 20 CHAPTER V. _The travellers proceed on their journey, and meet several spirits who are coming into the flesh_ 23 CHAPTER VI. _An account of the wheel of fortune, with a method of preparing a spirit for this world_ 28 CHAPTER VII. _The proceedings of judge Minos at the gate of Elysium_ 31 CHAPTER VIII. _The adventures which the author met on his first entrance into Elysium_ 37 CHAPTER IX. _More adventures in Elysium_ 40 CHAPTER X. _The author is surprised at meeting Julian the apostate in Elysium; but is satisfied by him by what means he procured his entrance there. Julian relates his adventures in the character of a slave_ 44 CHAPTER XI. _In which Julian relates his adventures in the character of an avaricious Jew_ 52 CHAPTER XII. _What happened to Julian in the characters of a general, an heir, a carpenter, and a beau_ 56 CHAPTER XIII. _Julian passes into a fop_ 61 CHAPTER XIV _Adventures in the person of a monk_ 62 CHAPTER XV. _Julian passes into the character of a fidler_ 64 CHAPTER XVI. _The history of the wise man_ 69 CHAPTER XVII. _Julian enters into the person of a king_ 77 CHAPTER XVIII. _Julian passes into a fool_ 84 CHAPTER XIX. _Julian appears in the character of a beggar_ 89 CHAPTER XX. _Julian performs the part of a statesman_ 95 CHAPTER XXI. _Julian's adventures in the post of a soldier_ 102 CHAPTER XXII. _What happened to Julian in the person of a taylor_ 108 CHAPTER XXIII. _The life of alderman Julian_ 112 CHAPTER XXIV. _Julian recounts what happened to him while he was a poet_ 118 CHAPTER XXV. _Julian performs the parts of a knight and a dancing-master_ 122 BOOK XIX. CHAPTER VII. _Wherein Anna Boleyn relates the history of her life_ 125 THE JOURNAL OF A VOYAGE TO LISBON. PAGE DEDICATION TO THE PUBLIC 145 PREFACE 147 INTRODUCTION 156 THE VOYAGE 169 [Illustration: text decoration] LIST OF ILLUSTRATIONS FIELDING'S TOMB AT LISBON _Frontispiece_ I DESIRED HIM MUCH TO NAME A PRICE _
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E-text prepared by Meredith Bach and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto) Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/futureofenglishp00gossuoft The English Association Pamphlet No. 25 THE FUTURE OF ENGLISH POETRY by EDMUND GOSSE, C.B. June, 1913 A copy of this pamphlet is supplied to all full members of the Association. They can obtain further copies (price 1_s._) on application to the Secretary, Mr. A. V. Houghton, Imperial College Union, South Kensington, London, S.W. The English Association Pamphlet No. 25 THE FUTURE OF ENGLISH POETRY by EDMUND GOSSE, C.B. June, 1913 THE FUTURE OF ENGLISH POETRY J'ai vu le cheval rose ouvrir ses ailes d'or, Et, flairant le laurier que je tenais encor, Verdoyant a jamais, hier comme aujourd'hui, Se cabrer vers le Jour et ruer vers la Nuit. HENRI DE REGNIER. In venturing this afternoon to address an audience accustomed to listen to those whose positive authority is universally recognized, and in taking for my theme a subject not, like theirs, distinct in its definitions or consecrated by tradition and history, I am aware that I perform what you may, if you choose, call an act of blameworthy audacity. My subject is chimerical, vague, and founded on conjectures which you may well believe yourselves at least as well fitted as I am to propound. Nevertheless, and in no rash or paradoxical spirit, I invite you to join with me in some reflections on what is the probable course of English poetry during, let us say, the next hundred years. If I happen to be right, I hope some of the youngest persons present will say, when I am long turned to dust, what an illuminating prophet I was. If I happen to be wrong, why, no one will remember anything at all about the matter. In any case we may possibly be rewarded this afternoon by some agreeable hopes and by the contemplation of some pleasant analogies. Our title takes for granted that English poetry[1] will continue, with whatever fluctuations, to be a living and abiding thing. This I must suppose that you all accede to, and that you do not look upon poetry as an art which is finished, or the harvest of classic verse as one which is fully reaped and garnered. That has been believed at one time and another, in various parts of the globe. I will mention one instance in the history of our own time: a quarter of a century ago, the practice of writing verse was deliberately abandoned in the literatures of the three Scandinavian countries, but particularly in that of Norway, where no poetry, in our sense, was written from about 1873 to 1885. It almost died out here in England in the middle of the fifteenth century; it ran very low in France at the end of the Middle Ages. But all these instances, whether ancient or modern, of the attempt to prove prose a sufficing medium for all expression of human thought have hitherto failed, and it is now almost certain that they will more and more languidly be revived, and with less and less conviction. [1] I here use the word 'Poetry' (as Wordsworth did) as opposed to the word 'Prose', and synonymous with metrical composition. It was at one of the deadliest moments in the life of the art in England that George Gascoigne remarked, in his 'Epistle to the Reverend Divines' (1574) that 'It seemeth unto me that in all ages Poetry hath been not only permitted, but also it hath been thought a right good thing'. Poetry has occupied the purest and the fieriest minds in all ages, and you will remember that Plato, who excluded the poets from his philosophical Utopia, was nevertheless an exquisite writer of lyrical verse himself. So, to come down to our own day, Ibsen, who drove
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Produced by Ritu Aggarwal, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSCRIBER'S NOTES 1. Passages in italics are surrounded by _underscores_. 2. Images have been moved from the middle of a paragraph to the closest paragraph break. 3. The word manoeuvre uses an oe ligature in the original. 4. Printer's inconsistencies in spelling, punctuation, hyphenation, and ligature usage have been retained. PUNCH, OR THE LONDON CHARIVARI. VOL. CL. APRIL 26, 1916. CHARIVARIA. GENERAL VILLA, in pursuit of whom a United States army has already penetrated four hundred miles into Mexico, is alleged to have died. It is not considered likely, however, that he will escape as easily as all that. *** "Germans net the Sound," says a recent issue of a contemporary. We don't know what profit they will get out of it, but we ourselves in these hard times are only too glad to net anything. *** Bags of coffee taken from a Norwegian steamer and destined for German consumption have been found to contain rubber. Once more the immeasurable superiority of the German chemist as a deviser of synthetic substitutes for ordinary household commodities is clearly illustrated. What a contrast to our own scientists, whose use of this most valuable food substitute has never gone far beyond an occasional fowl or beefsteak. *** It has been suggested that in honour of the tercentenary of SHAKSPEARE'S birth Barclay's brewery should be replaced by a new theatre, a replica of the old Globe Theatre, whose site it is supposed to occupy; and Mr. REGINALD MCKENNA is understood to have stated that it is quite immaterial to him. *** "Horseflesh is on sale in the West End," says _The Daily Telegraph_, "and the public analyst at Westminster reports having examined a smoked horseflesh sausage and found it genuine." It is only fair to our readers, however, to point out that the method of testing sausages now in vogue, _i.e._ with a stethoscope, is only useful for ascertaining the identity of the animal (if any) contained therein, and is valueless in the case of sausages that are filled with sawdust, india-rubber shavings, horsehair and other vegetables. *** Wandsworth Borough has refused the offer of a horse trough on the ground that there are not enough horses to use it. But there are always plenty of shirkers. *** Colonel CHURCHILL was reported on Tuesday last as having been seen entering the side door of No. 11, Downing Street. It was, of course, the critical stage door. *** The Austrian Government has issued an appeal for dogs "for sanitary purposes." The valuable properties of the dog for sterilising sausage casings have long been a secret of the Teuton. * * * * * Commercial Candour. "Real Harris Hand-Knitted Socks, _1s. 6d._: worth _2s. 6d._; unwearable."--_Scotch Paper._ * * * * * [Illustration: _Shopkeeper._ "YES, I WANT A GOOD USEFUL LAD TO BE PARTLY INDOORS AND PARTLY OUTDOORS." _Applicant._ "AND WHAT BECOMES OF ME WHEN THE DOOR SLAMS?"] * * * * * A Chance for the Illiterate. "Wanted, a good, all-round Gardener; illegible."--_Provincial Paper._ "Gardener.--Wanted at once, clever experienced man with good knowledge of toms., cucs., mums., &c., to work up small nursery." _Provincial Paper._ One with a knowledge of nursery language preferred. * * * * * "MANCHESTER, ENG. The election of directors of the Manchester Chamber of Commerce resulted in the return of eighteen out of twenty-two directors who are definitely committed to the policy of no free trade with the 60th Canadian Battalion." _Victoria Colonist (B.C.)._ We hope the battalion will not retaliate by refusing protection to Manchester, Eng. * * * * * THE CURSE OF BABEL. Let me tell you about the Baronne de Blanqueville and her grandson. The Baronne is a Belgian lady who came to England in the early days of the refugee movement, and established herself here in our village. With her came her younger daughter and Lou-lou, the infant son of an elder daughter, who had for some reason to be left behind in Belgium. Lou-lou was a year old when, with his grandmother and his aunt, he settled in England as an _emigre_. He was then
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Produced by Chuck Greif, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) BOHN’S STANDARD LIBRARY THE POEMS OF HEINE GEORGE BELL AND SONS LONDON: PORTUGAL ST., LINCOLN’S INN. CAMBRIDGE: DEIGHTON, BELL AND CO. NEW YORK: THE MACMILLAN CO. BOMBAY: A. H. WHEELER AND CO. THE POEMS OF HEINE COMPLETE TRANSLATED INTO THE ORIGINAL METRES WITH A SKETCH OF HIS LIFE BY EDGAR ALFRED BOWRING, C.B. [Illustration: colophon] LONDON GEORGE BELL AND SONS 1908 [_Reprinted from Stereotype plates._] CONTENTS. PAGE PREFACE TO THE SECOND EDITION viii PREFACE ix MEMOIR OF HEINRICH HEINE xi EARLY POEMS. SONGS OF LOVE Love’s Salutation 1 Love’s Lament 1 Yearning 2 The White Flower 3 Presentiment 4 MISCELLANEOUS POEMS GERMANY, 1815 6 DREAM, 1816 9 THE CONSECRATION 11 THE MOOR’S SERENADE 12 DREAM AND LIFE 13 THE LESSON 14 TO FRANCIS V. Z---- 14 A PROLOGUE TO THE HARTZ-JOURNEY 15 DEFEND NOT 15 A PARODY 16 WALKING FLOWERS AT BERLIN 16 EVENING SONGS 16 SONNETS To Augustus William von Schlegel 17 To the Same 17 To Councillor George S----, of Göttingen 19 To J. B. Rousseau 19 The Night Watch on the Drachenfels. To Fritz von B---- 20 In Fritz Steinmann’s Album 20 To Her 21 Goethe’s Monument at Frankfort-on-the-Main, 1821 21 Dresden Poetry 21 Beardless Art 22 BOOK OF SONGS PREFACE 23 YOUTHFUL SORROWS (1817-1821) VISIONS 24 SONGS 39 ROMANCES 43 The Mournful One 43 The Mountain Echo 43 The Two Brothers 44 Poor Peter 44 The Prisoner’s Song 45 The Grenadiers 46 The Message 46 Taking the Bride Home 46 Don Ramiro 47 Belshazzar 52 The Minnesingers 53 Looking from the Window 54 The Wounded Knight 54 The Sea Voyage 54 The Song of Repentance 55 To a Singer (on her singing an old romance) 56 The Song of the Ducats 57 Dialogue on Paderborn Heath 57 Life’s Salutations (from an album) 59 Quite True 59 SONNETS To A. W. von Schlegel 59 To my Mother, B. Heine, _née_ von Geldern 60 To H. S. 61 FRESCO SONNETS to Christian S---- 61 LYRICAL INTERLUDE (1822-23) PROLOGUE 65 LYRICS 66 THE GOD’S TWILIGHT 89 RATCLIFF 91 DONNA CLARA 94 ALAMANSOR 96 THE PILGRIMAGE TO KEVLAAR 100 THE DREAM (from _Salon_) 102 NEW POEMS SERAPHINA 102 ANGELICA 107 DIANA 112 HORTENSE 113
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Produced by Dr. Dwight Holden, Ted Garvin, David Garcia and PG Distributed Proofreaders CONCERNING CATS My Own and Some Others By Helen M. Winslow Editor of "The Club Woman" To the "PRETTY LADY" WHO NEVER BETRAYED A SECRET, BROKE A PROMISE, OR PROVED AN UNFAITHFUL FRIEND; WHO HAD ALL THE VIRTUES AND NONE OF THE FAILINGS OF HER SEX I Dedicate this Volume CONTENTS CHAPTER I. CONCERNING THE PRETTY LADY. II. CONCERNING MY OTHER CATS. III. CONCERNING OTHER PEOPLE'S CATS. IV. CONCERNING STILL OTHER PEOPLE'S CATS. V. CONCERNING SOME HISTORIC CATS. VI. CONCERNING CATS IN ENGLAND. VII. CONCERNING CAT CLUBS AND CAT SHOWS. VIII. CONCERNING HIGH-BRED CATS IN AMERICA. IX. CONCERNING CATS IN POETRY. X. CONCERNING CAT ARTISTS. XI. CONCERNING CAT HOSPITALS AND REFUGES. XII. CONCERNING THE ORIGIN OF CATS. XIII. CONCERNING VARIETIES OF CATS. XIV. CONCERNING CAT LANGUAGE. _Concerning Cats_ CHAPTER I CONCERNING THE "PRETTY LADY" She was such a Pretty Lady, and gentle withal; so quiet and eminently ladylike in her behavior, and yet dignified and haughtily reserved as a duchess. Still it is better, under certain circumstances, to be a cat than to be a duchess. And no duchess of the realm ever had more faithful
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Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE LAKE DWELLINGS OF IRELAND. [Illustration: _Frontispiece._ IRISH LAKE DWELLING OF THE ISOLATED TYPE. _Ideally restored from inspection of numerous sites._] THE LAKE DWELLINGS OF IRELAND: OR ANCIENT LACUSTRINE HABITATIONS OF ERIN, _COMMONLY CALLED CRANNOGS_. BY W. G. WOOD-MARTIN, M.R.I.A., F.R.H.A.A.I., LIEUT.-COLONEL 8TH BRIGADE NORTH IRISH DIVISION, R.A.; _Author of “Sligo and the Enniskilleners”; “History of Sligo, from the Earliest Ages to the close of the Reign of Queen Elizabeth.”_ “There, driving many an oaken stake Into the shallow, skilful hands A steadfast island-dwelling make, Seen from the hill-tops like a fleet Of wattled houses.…” “The footprints of an elder race are here, And memories of an heroic time, And shadows of the old mysterious faith.” _DUBLIN_: HODGES, FIGGIS & CO., GRAFTON STREET. PUBLISHERS TO THE UNIVERSITY. _LONDON_: LONGMANS, GREEN & CO., PATERNOSTER ROW. 1886. _ALL RIGHTS RESERVED._ DUBLIN: PRINTED AT THE UNIVERSITY PRESS. [Illustration] PREFACE. The object the writer has in view in this Publication is to place on record the remarkable discoveries made in a department of Archæology hitherto almost unnoticed in Ireland, except in the Proceedings, Catalogues, and Journals of various learned Societies. So far back as 1861 a writer remarked that such a work would be “a real boon to archæology,” yet in the interval none has appeared. The cause is not far to seek. A publication treating of the habits and social economy of long-forgotten generations is little calculated to gain a rapid foothold with the general public, by whom the study of the past may probably be considered dull as well as useless reading. To many, however, it proves most interesting to observe--despite widest variations of climatic conditions--the great similarity of the ways and habits of man while in a rude uncultivated state--acting as it were by a common instinct--and again to trace his upward progress towards civilization. A wide tract in this field of archæological research is fortunately opened up by a comparison of the Irish Lake Dwellings and their “finds” with those of other countries, more especially with the discoveries brought into such prominent notice by Keller in Switzerland, and Munro in Scotland. To the late Sir William Wilde belongs the honour of first drawing general attention to the water habitations of Erin; his labours have been ably followed up by W. F. Wakeman, who has so largely contributed to the _Journal of the Royal Historical and Archæological Association of Ireland_ both Papers and Drawings illustrative of the subject. In the present work, Kinahan, Reeves, Graves, Wilde, and other specialists, have been freely quoted, as evidenced in the text; in short, the observations of every author have been utilized, provided they touched on points that could tend in any degree to elucidate the subject under consideration. “A dwarf on a giant’s shoulders sees further of the two”: thus the writer, standing in this line of investigation on the eminence created by his predecessors, may perhaps be enabled to lay before his readers a distinct and comprehensive view of the Ancient Lake Dwellings in Ireland. Recent discoveries and new matter will be found in these pages; but the special intention has been to collect carefully all the information hitherto furnished by the explorers of Irish Lake Dwellings, and to present that information in a condensed form, “an abridgment of all that is pleasant,” so as to render it acceptable to archæologists, and perchance agreeable to the general reader, who, not having had his attention previously directed towards the subject, can scarcely be supposed willing to explore the voluminous records of scientific societies in search of items connected with the question of lacustrine remains in Ireland. This Publication may, perhaps, help to diffuse more generally the knowledge already possessed, so that when fresh discoveries are made in any new locality increased care may be devoted to the exploration; for every artificial island is not necessarily of remote antiquity, and the most careful examination is essential before arriving at a decision respecting the probable period of the primary construction of a crannog. It would be fortunate indeed should these pages excite sufficient attention to prove, even remotely, the cause of having the various relics indicative of the social economy and industries of the inhabitants of our ancient “water-towns” arranged systematically in the new Museum of the Science and Art Department, now in course of construction in Dublin. The facility thus
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Produced by Mary Starr WYOMING A STORY OF THE OUTDOOR WEST By William MacLeod Raine TABLE OF CONTENTS 1. A DESERT MEETING 2. THE KING OF THE BIG HORN COUNTRY 3. AN INVITATION GIVEN AND ACCEPTED 4. AT THE LAZY D RANCH 5. THE DANCE AT FRASER'S 6. A PARTY CALL 7. THE MAN FROM THE SHOSHONE FASTNESSES 8. IN THE LAZY D HOSPITAL 9. A RESCUE 12. MISTRESS AND MAID 13. THE TWO COUSINS 14. FOR THE WORLD'S CHAMPIONSHIP 15. JUDD MORGAN PASSES 16. HUNTING BIG GAME 17. RUN TO EARTH 18. PLAYING FOR TIME 19. WEST POINT TO THE RESCUE 20. TWO CASES OF DISCIPLINE 21. THE SIGNAL LIGHTS 22. EXIT THE KING 23. JOURNEYS END IN LOVERS' MEETING. CHAPTER 1. A DESERT MEETING An automobile shot out from a gash in the hills and slipped swiftly down to the butte. Here it came to a halt on the white, dusty road, while its occupant gazed with eager, unsated eyes on the great panorama that stretched before her. The earth rolled in waves like a mighty sea to the distant horizon line. From a wonderful blue sky poured down upon the land a bath of sunbeat. The air was like wine, pure and strong, and above the desert swam the rare, untempered light of Wyoming. Surely here was a peace primeval, a silence unbroken since the birth of creation. It was all new to her, and wonderfully exhilarating. The infinite roll of plain, the distant shining mountains, the multitudinous voices of the desert drowned in a sunlit sea of space--they were all details of the situation that ministered to a large serenity. And while she breathed deeply the satisfaction of it, an exploding rifle echo shattered the stillness. With excited sputtering came the prompt answer of a fusillade. She was new to the West; but some instinct stronger than reason told the girl that here was no playful puncher shooting up the scenery to ventilate his exuberance. Her imagination conceived something more deadly; a sinister picture of men pumping lead in a grim, close-lipped silence; a lusty plainsman, with murder in his heart, crumpling into a lifeless heap, while the thin smoke-spiral curled from his hot rifle. So the girl imagined the scene as she ran swiftly forward through the pines to the edge of the butte bluff whence she might look down upon the coulee that nestled against it. Nor had she greatly erred, for her first sweeping glance showed her the thing she had dreaded. In a semicircle, well back from the foot of the butte, half a dozen men crouched in the cover of the sage-brush and a scattered group of cottonwoods. They were perhaps fifty yards apart, and the attention of all of them was focused on a spot directly beneath her. Even as she looked, in that first swift moment of apprehension, a spurt of smoke came from one of the rifles and was flung back from the forked pine at the bottom of the mesa. She saw him then, kneeling behind his insufficient shelter, a trapped man making his last stand. From where she stood the girl distinguished him very clearly, and under the field-glasses that she turned on him the details leaped to life. Tall, strong, slender, with the lean, clean build of a greyhound, he seemed as wary and alert as a panther. The broad, soft hat, the scarlet handkerchief loosely knotted about his throat, the gray shirt, spurs and overalls, proclaimed him a stockman, just as his dead horse at the entrance to the coulee told of an accidental meeting in the desert and a hurried run for cover. That he had no chance was quite plain, but no plainer than the cool vigilance with which he proposed to make them pay. Even in the matter of defense he was worse off than they were, but he knew how to make the most of what he had; knew how to avail himself of every inch of sagebrush that helped to render him indistinct to their eyes. One of the attackers, eager for a clearer shot, exposed himself a trifle too far in taking aim. Without any loss of time in sighting, swift as a lightning-flash, the rifle behind the forked pine spoke. That the bullet reached its mark she saw with a gasp of dismay. For the man suddenly huddled down and rolled over on his side. His comrades appeared to take warning by this example. The men at both ends of the crescent fell back, and for a minute the girl's heart leaped
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Produced by Malcolm Farmer, Stephen H. Sentoff and the Online Distributed Proofreading Team at http://www.pgdp.net GEORGIUS AGRICOLA DE RE METALLICA TRANSLATED FROM THE FIRST LATIN EDITION OF 1556 with Biographical Introduction, Annotations and Appendices upon the Development of Mining Methods, Metallurgical Processes, Geology, Mineralogy & Mining Law from the earliest times to the 16th Century BY HERBERT CLARK HOOVER A. B. Stanford University, Member American Institute of Mining Engineers, Mining and Metallurgical Society of America, Societe des Ingenieurs Civils de France, American Institute of Civil Engineers, Fellow Royal Geographical Society, etc., etc. AND LOU HENRY HOOVER A. B. Stanford University, Member American Association for the Advancement of Science, The National Geographical Society, Royal Scottish Geographical Society, etc., etc. 1950 _Dover Publications, Inc._ NEW YORK TO JOHN CASPAR BRANNER Ph.D., _The inspiration of whose teaching is no less great than his contribution to science._ This New 1950 Edition of DE RE METALLICA is a complete and unchanged reprint of the translation published by The Mining Magazine, London, in 1912. It has been made available through the kind permission of Honorable Herbert C. Hoover and Mr. Edgar Rickard, Author and Publisher, respectively, of the original volume. PRINTED IN THE UNITED STATES OF AMERICA TRANSLATORS' PREFACE. There are three objectives in translation of works of this character: to give a faithful, literal translation of the author's statements; to give these in a manner which will interest the reader; and to preserve, so far as is possible, the style of the original text. The task has been doubly difficult in this work because, in using Latin, the author availed himself of a medium which had ceased to expand a thousand years before his subject had in many particulars come into being; in consequence he was in difficulties with a large number of ideas for which there were no corresponding words in the vocabulary at his command, and instead of adopting into the text his native German terms, he coined several hundred Latin expressions to answer his needs. It is upon this rock that most former attempts at translation have been wrecked. Except for a very small number, we believe we have been able to discover the intended meaning of such expressions from a study of the context, assisted by a very incomplete glossary prepared by the author himself, and by an exhaustive investigation into the literature of these subjects during the sixteenth and seventeenth centuries. That discovery in this particular has been only gradual and obtained after much labour, may be indicated by the fact that the entire text has been re-typewritten three times since the original, and some parts more often; and further, that the printer's proof has been thrice revised. We have found some English equivalent, more or less satisfactory, for practically all such terms, except those of weights, the varieties of veins, and a few minerals. In the matter of weights we have introduced the original Latin, because it is impossible to give true equivalents and avoid the fractions of reduction; and further, as explained in the Appendix on Weights it is impossible to say in many cases what scale the Author had in mind. The English nomenclature to be adopted has given great difficulty, for various reasons; among them, that many methods and processes described have never been practised in English-speaking mining communities, and so had no representatives in our vocabulary, and we considered the introduction of German terms undesirable; other methods and processes have become obsolete and their descriptive terms with them, yet we wished to avoid the introduction of obsolete or unusual English; but of the greatest importance of all has been the necessity to avoid rigorously such modern technical terms as would imply a greater scientific understanding than the period possessed. Agricola's Latin, while mostly free from mediaeval corruption, is somewhat tainted with German construction. Moreover some portions have not the continuous flow of sustained thought which others display, but the fact that the writing of the work extended over a period of twenty years, sufficiently explains the considerable variation in style. The technical descriptions in the later books often take the form of House-that-Jack-built sentences which have had to be at least partially broken up and the subject occasionally re-introduced. Ambiguities were also sometimes found which it was necessary to carry on into the translation. Despite these criticisms we must, however, emphasize that Agricola was infinitely clearer in his style than his contemporaries upon such subjects, or for that matter than his successors in almost any language for a couple of centuries. All of the illustrations and display letters of the original have been reproduced and the type as closely approximates to the original as the printers have been able to find in a modern font. There are no foot
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Produced by JoAnn Greenwood and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) DOMESTIC FOLK-LORE. BY REV. T. F. THISELTON DYER, M.A., OXON., _Author of "British Popular Customs" and "English Folk-lore."_ CASSELL, PETTER, GALPIN & CO.: _LONDON, PARIS & NEW YORK._ [ALL RIGHTS RESERVED.] PREFACE. For the name "Folk-lore" in its present signification, embracing the Popular Traditions, Proverbial Sayings, Superstitions, and Customs of the people, we are in a great measure indebted to the late editor of _Notes and Queries_--Mr. W. J. Thoms--who, in an anonymous contribution to the _Athenaeum_ of 22nd August, 1846, very aptly suggested this comprehensive term, which has since been adopted as the recognised title of what has now become an important branch of antiquarian research. The study of Folk-lore is year by year receiving greater attention, its object being to collect, classify, and preserve survivals of popular belief, and to trace them as far as possible to their original source. This task is no easy one, as school-boards and railways are fast sweeping away every vestige of the old beliefs and customs which, in days gone by, held such a prominent place in social and domestic life. The Folk-lorist has, also, to deal with remote periods, and to examine the history of tales and traditions which have been handed down from the distant past and have lost much of their meaning in the lapse of years. But, as a writer in the _Standard_ has pointed out, Folk-lore students tread on no man's toes. "They take up points of history which the historian despises, and deal with monuments more intangible but infinitely more ancient than those about which Sir John Lubbock is so solicitous. They prosper and are happy on the crumbs dropped from the tables of the learned, and grow scientifically rich on the refuse which less skilful craftsmen toss aside as useless. The tales with which the nurse wiles her charge asleep provide for the Folk-lore student a succulent banquet--for he knows that there is scarcely a child's story or a vain thought that may not be traced back to the boyhood of the world, and to those primitive races from which so many polished nations have sprung." The field of research, too, in which the Folk-lorist is engaged is a most extensive one, supplying materials for investigation of a widespread character. Thus he recognises and, as far as he possibly can, explains the smallest item of superstition wherever found, not limiting his inquiries to any one subject. This, therefore, whilst enhancing the value of Folk-lore as a study, in the same degree increases its interest, since with a perfect impartiality it lays bare superstition as it exists among all classes of society. Whilst condemning, it may be, the uneducated peasant who places credence in the village fortune-teller or "cunning man," we are apt to forget how oftentimes persons belonging to the higher classes are found consulting with equal faith some clairvoyant or spirit-medium. Hence, however reluctant the intelligent part of the community may be to own the fact, it must be admitted that superstition, in one form or another, dwells beneath the surface of most human hearts, although it may frequently display itself in the most disguised or refined form. Among the lower orders, as a writer has observed, "it wears its old fashions, in the higher it changes with the rapidity of modes in fashionable circles." Indeed, it is no matter of surprise that superstition prevails among the poor and ignorant, when we find the affluent and enlightened in many cases quite as ready to repose their belief in the most illogical ideas. In conclusion, we would only add that the present little volume has been written with a view of showing how this rule applies even to the daily routine of Domestic Life, every department of which, as will be seen in the following pages, has its own Folk-lore. T. F. THISELTON DYER. _Brighton, May, 1881._ CONTENTS. CHAPTER I. BIRTH AND INFANCY. PAGE Value of Superstitions--Lucky Days and Hours of Birth--The Caul--The Changeling--The Evil Eye--"Up and not Down"--Rocking the Empty Cradle--Teeth, Nails, and Hands--The Maple and the Ash--Unchristened Children 1 CHAPTER II. CHILDHOOD. Nursery Literature--The Power of Baptism--Confirmation--Popular Prayers--Weather Rhymes--School Superstitions--Barring out 16 CHAPTER III. LOVE AND COURTSHIP. Love-tests--Plants used in Love-charms--The Lady-bird--The Snail--St. Valentine's Day--Midsummer Eve--Hallowe'en--Omens on Friday 23 CHAPTER IV. MARRIAGE. Seasons and Days propitious to Marriage--Superstitions connected with the Bride--Meeting a Funeral--Robbing the Bride of Pins--Dancing in a Hog's Trough--The Wedding-cake--The Ring 36 CHAPTER V. DEATH AND BURIAL. Warnings of Death--The Howling of Dogs--A Cow in the Garden--Death-presaging Birds--Plants--The Will-o'-the-Wisp--The Sympathy between Two Personalities--Prophecy--Dying Hardly--The Last Act--Place and Position of the Grave 48 CHAPTER VI. THE HUMAN BODY. Superstitions about Deformity, Moles, &c.--Tingling of the Ear--The Nose--The Eye--The Teeth--The Hair--The Hand--Dead Man's Hand--The Feet 65 CHAPTER VII. ARTICLES OF DRESS. New Clothes at Easter and Whitsuntide--Wearing of Clothes--The Clothes of the Dead--The Apron, Stockings, Garters, &c.--The Shoe--The Glove--The Ring--Pins 81 CHAPTER VIII. TABLE SUPERSTITIONS. Thirteen at Table--Salt-spilling--The Knife--Bread, and other Articles of Food--Wishing Bones--Tea-leaves--Singing before Breakfast--Shaking Hands across the Table 100 CHAPTER IX. FURNITURE OMENS. Folk-lore of the Looking-glass--Luck of Edenhall-- Clock-falling--Chairs--Beds--The Bellows 111 CHAPTER X. HOUSEHOLD SUPERSTITIONS. Prevalence and Continuity of Superstitions--Sneezing-- Stumbling--A Whistling Woman--Sweeping--Breaking Crockery--Fires and Candles--Money--Other Superstitions 120 CHAPTER XI. POPULAR DIVINATIONS. Bible and Key--Dipping--Sieve and Shears--Crowing of the Cock--Spatulamancia--Palmistry and Onymancy--Look-divination-- Astrology--Cards--Casting Lot--Tea-stalks 134 CHAPTER XII. COMMON AILMENTS. Charm-remedies--For Ague--Bleeding of the Nose--Burns--Cramp-- Epilepsy--Fits--Gout--Headache, &c. 148 CHAPTER XIII. MISCELLANEOUS HOUSEHOLD LORE. Horse-shoes--Precautions against Witchcraft--The Charmer--Second Sight--Ghosts--Dreams--Nightmare 169 INDEX 181 DOMESTIC FOLK-LORE. CHAPTER I. BIRTH AND INFANCY. Value of Superstitions--Lucky Days and Hours of Birth--The Caul--The Changeling--The Evil Eye--"Up and not Down"--Rocking the Empty Cradle--Teeth, Nails, and Hands--The Maple and the Ash--Unchristened Children. Around every stage of human life a variety of customs and superstitions have woven themselves, most of which, apart from their antiquarian value, as having been bequeathed to us from the far-off past, are interesting in so far as they illustrate those old-world notions and quaint beliefs which marked the social and domestic life of our forefathers. Although, therefore, many of these may appear to us meaningless, yet it must be remembered that they were the natural outcome of that scanty knowledge and those crude conceptions which prevailed in less enlightened times than our own. Probably, if our ancestors were in our midst now, they would be able in a great measure to explain and account for what is often looked upon now-a-days as childish fancy and so much nursery rubbish. In the present chapter it is proposed to give a brief and general survey of the folk-lore associated with birth and infancy, without, however, entering critically into its origin or growth, or tracing its transmigration from one country to another. Commencing, then, with birth, we find that many influences are supposed to affect the future fortune and character of the infant. Thus, in some places great attention is paid to the day of the week on which the child is born, as may be gathered from the following rhyme still current in Cornwall:-- "Sunday's child is full of grace, Monday's child is full in the face, Tuesday's child is solemn and sad, Wednesday's child is merry and glad, Thursday's child is inclined to thieving, Friday's child is free in giving, Saturday's child works hard for his living"-- a piece of folk-lore varying, of course, in different localities. By general consent, however, Sunday is regarded as a most lucky day for birth, both in this country and on the Continent; and according to the "Universal Fortune-teller"--a book very popular among the lower classes in former years--"great riches, long life, and happiness" are in store for those fortunate beings born on Sunday, while in Sussex they are considered safe against drowning and hanging. Importance is also attached to the hour of birth; and the faculty of seeing much that is hidden from others is said to be granted to children born at the "chime hours," _i.e._, the hours of three, six, nine, or twelve--a superstition found in many parts of the Continent. There is, too, an idea prevalent in Germany that when a child is born in leap-year either it or its mother will die within the course of the year--a notion not unknown in our own country. Again, from time immemorial various kinds of divination have been in use for the purpose of discovering the sex of an infant previous to its birth. One of these is by means of a shoulder-of-mutton bone, which, after the whole of the flesh has been stripped clean off, must be hung up the last thing at night over the front door of the house. On the following morning the sex of the first person who enters, exclusive of the members of the household, indicates the sex of the child. We will next turn to some of the countless superstitions connected with the new-born child. A highly popular one refers to the caul--a thin membrane occasionally found covering the head at birth, and deemed specially lucky, as indicating, among other things, that the child will never be drowned. It has been, in consequence, termed the "holy" or "fortunate hood," and great care is generally taken that it should not be lost or thrown away, for fear of the death or sickness of the child. This superstitious fancy was very common in the primitive ages of the Church, and St. Chrysostom inveighs against it in several of his homilies. The presence of a caul on board ship was believed to prevent shipwreck, and owners of vessels paid a large price for them. Most readers will, no doubt, recollect how Thomas Hood wrote for his early work, "Whims and Oddities," a capital ballad upon this vulgar error. Speaking of the jolly mariner who confidently put to sea in spite of the ink-black sky which "told every eye a storm was soon to be," he goes on to say-- "But still that jolly mariner Took in no reef at all; For in his pouch confidingly He wore a baby's caul." It little availed him, however; for as soon as the storm in ruthless fury burst upon his frail bark, he "Was smothered by the squall. Heaven ne'er heard his cry, nor did The ocean heed his _caul_!" Advocates also purchased them, that they might be endued with eloquence, the price paid having often been from twenty to thirty guineas. They seem to have had other magical properties, as Grose informs us that any one "possessed of a caul may know the state of health of the person who was born with it. If alive and well, it is firm and crisp; if dead or sick, relaxed and flaccid." In France the luck supposed to belong to a caul is proverbial, and _etre ne coiffe_ is an expression signifying that a person is extremely fortunate. Apart from the ordinary luck supposed to attach to the "caul," it may preserve the child from a terrible danger to which, according to the old idea, it is ever exposed--namely, that of being secretly carried off and exchanged by some envious witch or fairy for its own ill-favoured offspring. This superstition was once very common in many countries, and was even believed by Martin Luther, if we are to rely on the following extract from his "Table Book:"--"Changelings Satan lays in the place of the genuine children, that people may be tormented with them. He often carries off young maidens into the water." This most reprehensible of the practices attributed to the fairies is constantly spoken of by our old writers, and is several times mentioned by Shakespeare. In the speech of Puck, in _A Midsummer Night's Dream_ (Act ii., sc. 1), that jovial sprite says of Titania's lovely boy--the cause of quarrel between the King and Queen of Elfland:-- "She never had so sweet a changeling." In the _Winter's Tale_ (Act iv., sc. 4) the Shepherd, on discovering the babe Perdita, tells the Clown, "It was told me I should be rich by the fairies. This is some changeling." As a preservation against this danger, sundry charms are observed. Thus, in the North of England, a carving-knife is still hung from the head of the cradle, with the point suspended near the child's face. In the Western Isles of Scotland idiots are believed to be the fairies' changelings, and in order to regain the lost child, parents have recourse to the following device:--They place the changeling on the beach, below high-water mark, when the tide is out, and pay no heed to its screams, believing that the fairies, rather than allow their offspring to be drowned by the rising waters, will convey it away and restore the child they had stolen. The sign that this has been done is the cessation of the child's crying. In Ireland, too, the peasants often place the child supposed to be a changeling on a hot shovel, or torment it in some other way. A similar practice is resorted to in Denmark, where the mother heats the oven, and places the child on the peel, pretending to put it in; and sometimes she whips it severely with a rod, or throws it into the water. The only real safeguard, however, against this piece of fairy mischief is baptism, and hence the rite has generally been performed among the peasantry as soon as possible after birth. Another danger to which the new-born child is said to be exposed, and to counteract which baptism is an infallible charm, is the influence of the "evil eye;" certain persons being thought to possess the power of inflicting injury by merely looking on those whom they wish to harm. Although this form of superstition has been gradually dying out for many years past, yet it still retains its hold in certain country places. It is interesting to trace this notion as far back as the time of the Romans; and in the late Professor Conington's translation of the "Satires of Persius" we find it thus laughably spoken of:--"Look here! A grandmother or a superstitious aunt has taken baby from his cradle, and is charming his forehead against mischief by the joint action of her middle finger and her purifying spittle; for she knows right well how to check the evil eye." Confining ourselves, however, to instances recorded in our own country, we find that, even now-a-days, various charms are practised for counteracting the baneful influence of this cruel species of witchcraft. Thus, in Lancashire, some of the chief consist in spitting three times in the child's face, turning a live coal in the fire, exclaiming, "The Lord be with us;" whilst in the neighbourhood of Burnley "drawing blood above the mouth" was once a popular antidote. Self-bored or "lucky stones" are often hung by the peasantry behind their cottage doors; and in the South of England a copy of the apocryphal letter of our Lord to Abgarus, King of Edessa, may occasionally be seen pasted on the walls. In many places, when a child pines or wastes away, the cause is often attributed to the "evil eye," and one remedy in use against this disaster is the following:--Before sunrise it is brought to a blacksmith of the seventh generation, and laid on the
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Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) SHAVING MADE EASY What the Man Who Shaves Ought to Know ILLUSTRATED PUBLISHED BY THE 20th CENTURY CORRESPONDENCE SCHOOL NEW YORK COPYRIGHT, 1905 BY THE 20TH CENTURY CORRESPONDENCE SCHOOL THIS BOOK IS DEDICATED TO THOSE MEN WHO HAVE DIFFICULTIES IN SHAVING, IN HOPE THAT ITS CONTENTS WILL BE OF ASSISTANCE IN REMEDYING THEIR TROUBLES. PREFACE. The object of this little book is to furnish clear and full information about the art of shaving. There are few men who do not experience more or less difficulty in shaving themselves, and many who, after a few unsuccessful attempts, give it up in dispair and go to the barber shop. We believe most of these would much prefer to shave themselves if only they could do as well as a barber. The advantages, indeed, seem to be wholly with the man who shaves himself. In the first place the shaving is done in the privacy of his own room. He has his own razor, cup, soap, brush and towels, which can be kept scrupulously clean and sanitary, thus avoiding the constant danger of infection. There is no long wait for the call of "next." After the first cost of the outfit there is nothing to pay, either for services or "tips." Thus in point of time, money and health, the man who shaves himself is a decided gainer. There are few things in life that are really difficult to perform when one thoroughly knows how to do them. Shaving is no exception. The art of shaving can be easily acquired if one only has the will, and the necessary practical information. This book, which, as far as we are aware, is the only one treating the subject at all completely, endeavors to supply such information; as well for the improvement of men accustomed to shave themselves, as for the instruction of beginners. We believe that any man who will carefully read and follow the instructions here given, will, with some little practice, soon be able to shave himself easily and even better than the barber can do it for him. CONTENTS. I. The Shaving Outfit 9 II. The Razor 11 III. Care of the Razor 19 IV. The Safety Razor 21 V. The Hone 23 VI. How to Use the Hone 29 VII. The Strop 37 VIII. How to Strop the Razor 41 IX. The Brush 45 X. The Cup 48 XI. The Soap 50 XII. The Lather 53 XIII. Instructions to Beginners 56 XIV. The Right Way to Shave 61 XV. Care of the Face After Shaving 74 XVI. Irritation of the Skin--Its Cause and Prevention 78 Shaving Made Easy What the Man Who Shaves Ought to Know I. THE SHAVING OUTFIT. First-class tools are necessary at the very outset. No matter how skillfully one may handle inferior tools, they will invariably produce poor results. Probably as many failures have resulted from the use of poor razors, strops, or soap as from the lack of knowledge how to use them. In order that the best possible results may be attained, _good tools_ and _skill in using them_ should go hand in hand. The shaving outfit should consist of one or two good razors, a first-class strop, a mirror, a cup, a brush, a cake of shaving soap, and a bottle of either bay rum, witch hazel, or some other good face lotion. These constitute what may be considered the _necessary_ articles, and to these may be added a number of others, such as a good hone, magnesia or talcum powder, astringent or styptic pencils, antiseptic lotions, etc. which, while not absolutely requisite, will nevertheless add much to the convenience, comfort and luxury of the shave. II. THE RAZOR. The most important article of the shaving outfit is of course the razor, and upon its selection your success or failure in self-shaving will largely depend. Never purchase a razor because it happens to be cheap
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Produced by Chris Curnow, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: CHELMSFORD HIGH STREET IN 1762. (_Reduced by Photography from the Larger Engraving by J. Ryland._)] THE TRADE SIGNS OF ESSEX: A Popular Account OF THE ORIGIN AND MEANINGS OF THE Public House & Other Signs NOW OR FORMERLY Found in the County of Essex. BY MILLER CHRISTY, _Author of “Manitoba Described,” “The Genus Primula in Essex,” “Our Empire,” &c._ WITH ILLUSTRATIONS. Chelmsford: EDMUND DURRANT & CO., 90, HIGH STREET. London: GRIFFITH, FARRAN, OKEDEN, AND WELSH, WEST CORNER ST. PAUL’S CHURCHYARD. MDCCCLXXXVII. [Illustration] PREFACE. “Prefaces to books [says a learned author] are like signs to public-houses. They are intended to give one an idea of the kind of entertainment to be found within.” A student of the ancient and peculiarly interesting Art of Heraldry can hardly fail, at an early period in his researches, to be struck with the idea that some connection obviously exists between the various “charges,” “crests,” “badges,” and “supporters” with which he is familiar, and the curious designs now to be seen upon the sign-boards of many of our roadside inns, and which were formerly displayed by most other houses of
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Produced by John Hamm THE GOLDEN ROAD By L. M. Montgomery "Life was a rose-lipped comrade With purple flowers dripping from her fingers." --The Author. TO THE MEMORY OF Aunt Mary Lawson WHO TOLD ME MANY OF THE TALES REPEATED BY THE STORY GIRL FOREWORD Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth. THE GOLDEN ROAD CHAPTER I. A NEW DEPARTURE "I've thought of something amusing for the winter," I said as we drew into a half-circle around the glorious wood-fire in Uncle Alec's kitchen. It had been a day of wild November wind, closing down into a wet, eerie twilight. Outside, the wind was shrilling at the windows and around the eaves, and the rain was playing on the roof. The old willow at the gate was writhing in the storm and the orchard was a place of weird music, born of all the tears and fears that haunt the halls of night. But little we cared for the gloom and the loneliness of the outside world; we kept them at bay with the light of the fire and the laughter of our young lips. We had been having a splendid game of Blind-Man's Buff. That is, it had been splendid at first; but later the fun went out of it because we found that Peter was, of malice prepense, allowing himself to be caught too easily, in order that he might have the pleasure of catching Felicity--which he never failed to do, no matter how tightly his eyes were bound. What remarkable goose said that love is blind? Love can see through five folds of closely-woven muffler with ease! "I'm getting tired," said Cecily, whose breath was coming rather quickly and whose pale cheeks had bloomed into scarlet. "Let's sit down and get the Story Girl to tell us a story." But as we dropped into our places the Story Girl shot a significant glance at me which intimated that this was the psychological moment for introducing the scheme she and I had been secretly developing for some days. It was really the Story Girl's idea and none of mine. But she had insisted that I should make the suggestion as coming wholly from myself. "If you don't, Felicity won't agree to it. You know yourself, Bev, how contrary she's been lately over anything I mention. And if she goes against it Peter will too--the ninny!--and it wouldn't be any fun if we weren't all in it." "What is it?" asked Felicity, drawing her chair slightly away from Peter's. "It is this. Let us get up a newspaper of our own--write it all ourselves, and have all we do in it. Don't you think we can get a lot of fun out of it?" Everyone looked rather blank and amazed, except the Story Girl. She knew what she had to do, and she did it. "What a silly idea!" she exclaimed, with a contemptuous toss of her long brown curls. "Just as if WE could get up a newspaper!" Felicity fired up, exactly as we had hoped. "I think it's a splendid idea," she said enthusiastically. "I'd like to know why we couldn't get up as good a newspaper as they have in town! Uncle Roger says the Daily Enterprise has gone to the dogs--all the news it prints is that some old woman has put a shawl on her head and gone across the road to have tea with another old woman. I guess we could do better than that. You needn't think, Sara Stanley, that nobody but you can do anything." "I think it would be great fun," said Peter decidedly. "My Aunt Jane helped edit a paper when she was at Queen's Academy, and she said it was very amusing and helped her a great deal." The Story Girl could hide her delight only by dropping her eyes and frowning. "Bev wants to be editor," she said, "and I
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Produced by readbueno, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) ------------------------------------------------------------------------ Fifty Years of Freedom WITH MATTERS OF VITAL IMPORTANCE TO BOTH THE WHITE AND <DW52> PEOPLE OF THE UNITED STATES —BY— REV. FRANCIS J. GRIMKE, D. D. Delivered before the Presbyterian Council in the Madison Street Presbyterian Church, Baltimore, Maryland, October 17, 1913. And before the Fifteenth Street Presbyterian Church, Washington, D. C., October 26, 1913. "Oh, speed the moment on When Wrong shall cease, and Liberty and Love And Truth and Right throughout the earth be known As in their home above." ------- "Voice of a ransomed race, sing on Till Freedom's every right is won, And slavery's every wrong undone!" ------- "Sail on! The morning
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Produced by David Edwards, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive.) [Illustration] [Illustration: KITE-TIME] BOY LIFE STORIES AND READINGS SELECTED FROM THE WORKS OF WILLIAM DEAN HOWELLS AND ARRANGED FOR SUPPLEMENTARY READING IN ELEMENTARY SCHOOLS BY PERCIVAL CHUBB DIRECTOR OF ENGLISH IN THE ETHICAL CULTURE SCHOOL, NEW YORK ILLUSTRATED [Illustration] HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON MCMIX HARPER'S MODERN SERIES OF SUPPLEMENTARY READERS FOR THE ELEMENTARY SCHOOLS _Each, Illustrated, 16mo, 50 Cents School._ BOY LIFE Stories and Readings Selected from the Works of WILLIAM DEAN HOWELLS, and Arranged by PERCIVAL CHUBB, Director of English in the Ethical Culture School, New York. "The literary culture which we are trying to give our boys and girls is not sufficiently contemporaneous, and it is not sufficiently national and American.... "Among the living writers there is no one whose work has a more distinctively American savor than that of William Dean Howells.... The juvenile books of Mr. Howells' contain some of the very best pages ever written for the enjoyment of young people."--PERCIVAL CHUBB. (_Others in Preparation._) HARPER & BROTHERS, PUBLISHERS, NEW YORK Copyright, 1909, by HARPER & BROTHERS. _All rights reserved._ Published September, 1909. CONTENTS PAGE INTRODUCTION ix I. ADVENTURES IN A BOY'S TOWN HOW PONY BAKER CAME PRETTY NEAR RUNNING OFF WITH A CIRCUS 3 THE CIRCUS MAGICIAN 13 JIM LEONARD'S HAIR-BREADTH ESCAPE 23 II. LIFE IN A BOY'S TOWN THE TOWN 41 EARLIEST MEMORIES 45 HOME LIFE 47 THE RIVER 51 SWIMMING 55 SKATING 61 MANNERS AND CUSTOMS 64 GIRLS 68 MOTHERS 69 A BROTHER 73 A FRIEND 79 III. GAMES AND PASTIMES MARBLES 89 RACES 91 A MEAN TRICK 93 TOPS 96 KITES 98 THE BUTLER GUARDS 103 PETS 108 INDIANS 124 GUNS 129 NUTTING 138 THE FIRE-ENGINES 145 IV. GLIMPSES OF THE LARGER WORLD THE TRAVELLING CIRCUS 151 PASSING SHOWS 163 THE THEATRE COMES TO TOWN 168 THE WORLD OPENED BY BOOKS 171 V. THE LAST OF A BOY'S TOWN 183 ILLUSTRATIONS PAGE KITE-TIME _Frontispiece_ HE BEGAN BEING COLD AND STIFF WITH HER THE VERY NEXT MORNING 5 THE FIRST LOCK 43 THE BUTLER GUARDS 105 ALL AT ONCE THERE THE INDIANS WERE 127 NUTTING 141 INTRODUCTION There are two conspicuous faults in the literary culture which we are trying to give to our boys and girls in our elementary and secondary schools: it is not sufficiently contemporaneous, and it is not sufficiently national and American. Hence it lacks vitality and actuality. So little of it is carried over into life because so little of it is interpretative of the life that is. It is associated too exclusively in the child's mind with things dead and gone--with the Puritan world of Miles Standish, the Revolutionary days of Paul Revere, the Dutch epoch of Rip Van Winkle; or with not even this comparatively recent national interest, it takes the child back to the strange folk of the days of King Arthur and King Robert of Sicily, of Ivanhoe and the Ancient Mariner. Thus when the child leaves school his literary studies do not connect helpfully with those forms of literature with which--if he reads at all--he is most likely to be concerned: the short story, the sketch, and the popular essay of the magazines and newspapers; the new novel, or the plays which he may see at the theatre. He has not been interested in the writers of his own time, and has never been put in the way of the best contemporary fiction. Hence the ineffectualness and wastefulness of much of our school work: it does not lead forward into the life of to-day, nor help the young to judge intelligently of the popular books which later on will compete for their favor. To be sure, not a little of the material used in our elementary schools is drawn from Longfellow, Whittier, and Holmes, from Irving and Hawthorne; but because it is often studied in a so-called thorough and, therefore, very deadly way--slowly and laboriously for drill, rather than briskly for pleasure--there is comparatively little of it read, and almost no sense gained of its being part of a national literature. In the high school, owing to the unfortunate domination of the college entrance requirements, the situation is not much better. Our students leave with a scant and hurried glimpse--if any glimpse at all--of Emerson, Thoreau, and Whitman, or of Lowell, Lanier, and Poe; with no intimate view of Hawthorne, our great classic; none at all of Parkman and Fiske, our historians; or of writers like Howells, James, and Cable, or Wilkins, Jewett, and Deland, and a worthy company of story-tellers. We may well be on our guard against a vaunting nationalism. It <DW44>s our culture. There should be no confusion of the second-rate values of most of our American products with the supreme values of the greatest British classics. We may work, of course, toward an ultimate appreciation of these greatest things. We fail, however, in securing such appreciation because we have failed to enlist those forms of interest which vitalize and stimulate literary studies--above all, the patriotic or national interest. Concord and Cambridge should be dearer, as they are nearer, to the young American than even Stratford and Abbotsford; Hawthorne should be as familiar as Goldsmith; and Emerson, as Addison or Burke. Ordinarily it is not so; and we suffer the consequences in the failure of our youth to grasp the spiritual ideals and the distinctively American democratic spirit which find expression in the greatest work of our literary masters, Emerson and Whitman, Lowell and Lanier. Our culture and our nationalism both suffer thereby. Our literature suffers also, because we have not an instructed and interested public to encourage excellence. Among the living writers there is no one whose work has a more distinctively American savor than that of William Dean Howells; and it is to make his delightful writings more widely known and more easily accessible that this volume of selections from his books for the young has been prepared as a reading-book for the elementary school. These juvenile books of Mr. Howells contain some of the very best pages ever written for the enjoyment of young people. His two books for boys--_A Boy's Town_ and _The Flight of Pony Baker_--rank with such favorites as _Tom Sawyer_ and _The Story of a Bad Boy_. These should be introductory to the best of Mr. Howells' novels and essays in the high school; for Mr. Howells, it need scarcely be said, is one of our few masters of style: his style is as individual and distinguished as it is felicitous and delicate. More important still, from the educational point of view, he is one of our most modern writers: the spiritual issues and social problems of our age, which our older high-school pupils are anxious to deal with, are alive in his books. Our young people should know his _Rise of Silas Lapham_ and _A Hazard of New Fortunes_, as well as his social and literary criticism. As stimulating and alluring a volume of selections may be made for high-school students as this volume will be, we venture to predict, for the younger boys and girls of the elementary school. In this little book of readings we have made, we believe, an entirely legitimate and desirable use of the books named above. _A Boy's Town_ is a series of detachable pictures and episodes into which the boy--or the healthy girl who loves boys' books--may dip, as the selections here given will, we believe, tempt him to do. The same is true of _The Flight of Pony Baker_. The volume is for class-room enjoyment; for happy hours of profitable reading--profitable, because happy. Much of it should be read aloud rather than silently, and dramatic justice be done to the scenes and conversations which have dramatic quality. PERCIVAL CHUBB. I ADVENTURES IN A BOY'S TOWN HOW PONY BAKER CAME PRETTY NEAR RUNNING OFF WITH A CIRCUS Just before the circus came, about the end of July, something happened that made Pony mean to run off more than anything that ever was. His father and mother were coming home from a walk, in the evening; it was so hot nobody could stay in the house, and just as they were coming to the front steps Pony stole up behind them and tossed a snowball which he had got out of the garden at his mother, just for fun. The flower struck her very softly on her hair, for she had no bonnet on, and she gave a jump and a hollo that made Pony laugh; and then she caught him by the arm and boxed his ears. "Oh, my goodness! It was you, was it, you good-for-nothing boy? I thought it was a bat!" she said, and she broke out crying and ran into the house, and would not mind his father, who was calling after her, "Lucy, Lucy, my dear child!" Pony was crying, too, for he did not intend to frighten his mother, and when she took his fun as if he had done something wicked he did not know what to think. He stole off to bed, and he lay there crying in the dark and expecting that she would come to him, as she always did, to have him say that he was sorry when he had been wicked, or to tell him that she was sorry when she thought she had not been quite fair with him. But she did not come, and after a good while his father came and said: "Are you awake, Pony? I am sorry your mother misunderstood your fun. But you mustn't mind it, dear boy. She's not well, and she's very nervous." "I don't care!" Pony sobbed out. "She won't have a chance to touch me again!" For he had made up his mind to run off with the circus which was coming the next Tuesday. He turned his face away, sobbing, and his father, after standing by his bed a moment, went away without saying anything but "Don't forget your prayers, Pony. You'll feel differently in the morning, I hope." Pony fell asleep thinking how he would come back to the Boy's Town with the circus when he was grown up, and when he came out in the ring riding three horses bareback he would see his father and mother and sisters in one of the lower seats. They would not know him, but he would know them, and he would send for them to come to the dressing-room, and would be very good to them, all but his mother; he would be very cold and stiff with her, though he would know that she was prouder of him than all the rest put together, and she would go away almost crying. [Illustration: HE BEGAN BEING COLD AND STIFF WITH HER THE VERY NEXT MORNING] He began being cold and stiff with her the very next morning, although she was better than ever to him, and gave him waffles for breakfast with unsalted butter, and tried to pet him up. That whole day she kept trying to do things for him, but he would scarcely speak to her; and at night she came to him and said, "What makes you act so strangely, Pony? Are you offended with your mother?" "Yes, I am!" said Pony, haughtily, and he twitched away from where she was sitting on the side of his bed, leaning over him. "On account of last night, Pony?" she asked, softly. "I reckon you know well enough," said Pony, and he tried to be disgusted with her for being such a hypocrite, but he had to set his teeth hard, hard, or he would have broken down crying. "If it's for that, you mustn't, Pony dear. You don't know how you frightened me. When your snowball hit me, I felt sure it was a bat, and I'm so afraid of bats, you know. I didn't mean to hurt my poor boy's feelings so, and you mustn't mind it any more, Pony." She stooped down and kissed him on the forehead, but he did not move or say anything; only, after that he felt more forgiving toward his mother. He made up his mind to be good to her along with the rest when he came back with the circus. But still he meant to run off with the circus. He did not see how he could do anything else, for he had told all the boys that day that he was going to do it; and when they just laughed, and said, "Oh yes. Think you can fool your grandmother! It'll be like running off with the Indians," Pony wagged his head, and said they would see whether it would or not, and offered to bet them what they dared. The morning of the circus day all the fellows went out to the corporation line to meet the circus procession. There were ladies and knights, the first thing, riding on spotted horses; and then a band-chariot, all made up of swans and dragons. There were about twenty baggage-wagons; but before you got to them there was the greatest thing of all. It was a chariot drawn by twelve Shetland ponies, and it was shaped like a big shell, and around in the bottom of the shell there were little circus actors, boys and girls, dressed in their circus clothes, and they all looked exactly like fairies. They scarce seemed to see the fellows, as they ran alongside of their chariot, but Hen Billard and Archy Hawkins, who were always cutting up, got close enough to throw some peanuts to the circus boys, and some of the little circus girls laughed, and the driver looked around and cracked his whip at the fellows, and they all had to get out of the way then. Jim Leonard said that the circus boys and girls were all stolen, and nobody was allowed to come close to them for fear they would try to send word to their friends. Some of the fellows did not believe it, and wanted to know how he knew it; and he said he read it in a paper; after that nobody could deny it. But he said that if you went with the circus men of your own free will they would treat you first-rate; only they would give you burnt brandy to keep you little; nothing else but burnt brandy would do it, but that would do it, sure. Pony was scared at first when he heard that most of the circus fellows were stolen, but he thought if he went of his own accord he would be all right. Still, he did not feel so much like running off with the circus as he did before the circus came. He asked Jim Leonard whether the circus men made all the children drink burnt brandy; and Archy Hawkins and Hen Billard heard him ask, and began to mock him. They took him up between them, one by his arms and the other by the legs, and ran along with him, and kept saying, "Does it want to be a great big circus actor? Then it shall, so it shall," and, "We'll tell the circus men to be very careful of you, Pony dear!" till Pony wriggled himself loose and began to stone them. After that they had to let him alone, for when a fellow began to stone you in the Boy's Town you had to let him alone, unless you were going to whip him, and the fellows only wanted to have a little fun with Pony. But what they did made him all the more resolved to run away with the circus, just to show them. He helped to carry water for the circus men's horses, along with the boys who earned their admission that way. He had no need to do it, because his father was going to take him in, anyway; but Jim Leonard said it was the only way to get acquainted with the circus men. Still, Pony was afraid to speak to them, and he would not have said a word to any of them if it had not been for one of them speaking to him first, when he saw him come lugging a great pail of water, and bending far over on the right to balance it. "That's right," the circus man said to Pony. "If you ever fell into that bucket you'd drown, sure." He was a big fellow, with funny eyes, and he had a white bulldog at his heels; and all the fellows said he was the one who guarded the outside of the tent when the circus began, and kept the boys from hooking in under the curtain. Even then Pony would not have had the courage to say anything, but Jim Leonard was just behind him with another bucket of water, and he spoke up for him. "He wants to go with the circus." They both set down their buckets, and Pony felt himself turning pale when the circus man came toward them. "Wants to go with the circus, heigh? Let's have a look at you." He took Pony by the shoulders and turned him slowly round, and looked at his nice clothes, and took him by the chin
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Produced by Jeannie Howse and the Online Distributed Proofreading Team at http://www.pgdp.net * * * * * +-----------------------------------------------------------+ | Transcriber's Note: | | | | Inconsistent hyphenation in the original document has | | been preserved. | | | | Obvious typographical errors have been corrected. For | | a complete list, please see the end of this document. | | | +-----------------------------------------------------------+ * * * * * VOL. I. April, 1905 No. 4. JOURNAL OF THE UNITED STATES INFANTRY ASSOCIATION PUBLISHED QUARTERLY BY THE UNITED STATES INFANTRY ASSOCIATION 75 CENTS PER COPY; $3.00 PER YEAR MAJOR WM. P. EVANS, A.A.G., _Editor_ 1800 F STREET NORTHWEST, WASHINGTON, D.C. Entered July 5, 1904, at the Post Office at Washington, D.C., as second-class matter, under act of March 3, 1879. Copyright, 1904, by the U.S. Infantry Association. All rights reserved. THE UNITED STATES INFANTRY ASSOCIATION OFFICERS _President._ Major-General J.C. BATES, U.S. Army. _Vice-President._ Lieutenant-Colonel JAS. S. PETTIT, U.S. Infantry. _Assistant Adjutant-General._ _Secretary and Treasurer._ Captain BENJAMIN ALVORD, General Staff. _Executive Council._ Lieutenant-Colonel JAMES S. PETTIT, U.S. Infantry, A.A.G. Major WM. P. EVANS, U.S. Infantry, A.A.G. Major JOHN S. MALLORY, 12th Infantry, G.S. Captain BENJAMIN ALVORD, 25th Infantry, G.S. Captain H.C. HALE, 15th Infantry, G.S. Captain C.H. MUIR, 2d Infantry, G.S. Captain FRANK MCINTYRE, 19th Infantry, G.S. Captain D.E. NOLAN, 30th Infantry, G.S. THE DEFENCE OF DUFFER'S DRIFT. BY CAPTAIN E.D. SWINTON, D.S.O., R.E.--(BACKSIGHT FORETHOUGHT.) BY PERMISSION. PROLOGUE. Upon an evening after a long and tiring trek, I arrived at Dreamdorp. The local atmosphere, combined with a heavy meal, are responsible for the following nightmare, consisting of a series of dreams. To make the sequence of the whole intelligible, it is necessary to explain that, though the scene of each vision was the same, yet by some curious mental process I had no recollection of the place whatsoever. In each dream the locality was totally new to me, and I had an entirely fresh detachment. Thus I had not the great advantage of working over familiar ground. One thing, and one only, was carried on from dream to dream, and that was the vivid recollection of the general lessons previously learnt. These finally produced success. The whole series of dreams, however, remained in my memory as a connected whole when I awoke. FIRST DREAM. "Any fool can get into a hole."--_Old Chinese proverb._ "If left to you, for defence make spades."--_Bridge Maxim._ I felt lonely, and not a little sad, as I stood on the bank of the river near Duffer's Drift and watched the red dust haze, raised by the southward departing column in the distance, turn slowly into gold as it hung in the afternoon sunlight. It was just three o'clock, and here I was on the banks of the Silliaasvogel river, left behind by my column with a party of fifty N.C.O.'s and men to hold the drift. It was an important ford, because it was the only one across which wheeled traffic could pass for some miles up or down the river. [Illustration: MAP OF DUFFER'S DRIFT.] The river was a sluggish stream, not now in flood, crawling along at the very bottom of its bed between steep banks which were almost vertical, or at any rate too steep for wagons everywhere except at the drift itself. The banks from the river edge to their tops and some distance outwards were covered with dense thorn and other bushes, which formed a screen impenetrable to the sight. They were also broken by small ravines and holes, where the earth had been eaten away by the river when in flood, and were consequently very rough. Some two thousand odd yards north of the drift was a flat-topped, rocky mountain, and about a mile to the northeast appeared the usual sugar-loaf kopje, covered with bushes and boulders--steep on the south, but gently falling to the north; this had a farm on the near side of it. About a thousand yards south of the drift was a convex and smooth hill, somewhat like an inverted basin, sparsely sown with small boulders, and with a Kaffir kraal,
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Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.) THE INTERNATIONAL MONTHLY MAGAZINE Of Literature, Science, and Art. VOLUME IV AUGUST TO DECEMBER, 1851. NEW-YORK: STRINGER & TOWNSEND, 222 BROADWAY. FOR SALE BY ALL BOOKSELLERS. BY THE NUMBER, 25 CTS.; THE VOLUME, $1; THE YEAR, $3. Transcriber's note: Contents for entire volume 4 in this text. However this text contains only issue Vol. 4, No. 1. Minor typos have been corrected and footnotes moved to the end of the article. PREFACE TO THE FOURTH VOLUME. The conclusion of the Fourth Volume of a periodical may be accepted as a sign of its permanent establishment. The proprietors of the INTERNATIONAL MAGAZINE have the satisfaction of believing that, while there has been a steady increase of sales, ever since the publication of the first number of this work, there has likewise been as regular an augmentation of its interest, value, and adaptation to the wants of the reading portion of our community. While essentially an Eclectic, relying very much for success on a reproduction of judiciously selected and fairly acknowledged Foreign Literature, it has contained from month to month such an amount of New Articles as justified its claim to consideration as an Original Miscellany. And in choosing from European publications, articles to reprint or to translate for these pages, care has been taken not only to avoid that vein of licentiousness in morals, and skepticism in religion, which in so lamentable a degree characterize a large portion of the popular literature of this age, but also to extract from foreign periodicals that American element with which the rising importance of our country has caused so many of them to be infused; so that, notwithstanding the fact that more than half the contents of the INTERNATIONAL are from the minds of Europeans, the Magazine is essentially more _American_ than any other now published. For the future, the publishers have made arrangements that will insure very decided and desirable improvements, which will be more fully disclosed in the first number of the ensuing volume; eminent original writers will be added to our list of contributors; from Germany, France, and Great Britain, we have increased our literary resources; and more attention will be given to the pictorial illustration of such subjects as may be advantageously treated in engravings. Among those authors whose contributions have appeared in the INTERNATIONAL hitherto, we may mention: MISS FENIMORE COOPER, MISS ALICE CAREY, MRS. E. OAKES SMITH, MRS. M. E. HEWITT, MRS. ALICE B. NEAL, BISHOP SPENCER, HENRY AUSTIN LAYARD, PARKE GODWIN, JOHN R. THOMPSON, W. C. RICHARDS, W. GILMORE SIMMS, BAYARD TAYLOR, ROBERT HENRY STODDARD, ALFRED B. STREET, THOMAS EWBANK, E. W. ELLSWORTH, G. P. R. JAMES, DR. JOHN W. FRANCIS, MAUNSELL B. FIELD, DR. STARBUCK MAYO, JOHN E. WARREN, A. OAKEY HALL, HORACE GREELEY, RICHARD B. KIMBALL, THE AUTHOR OF "NILE NOTES," THE AUTHOR OF "HARRY FRANCO." REV. J. C. RICHMOND, REV. H. W. PARKER, JAMES T. FIELDS, R. S. CHILTON. The foreign writers, from whom we have selected, need not be enumerated; they embrace the principal living masters of literary art; and we shall continue to avail ourselves of their new productions as largely as justice to them and the advantage and pleasure of our readers may seem to justify. NEW-YORK, December 1, 1851. CONTENTS: VOLUME IV. AUGUST TO DECEMBER, 1851. Alred.--_By Elmina W. Carey_, 27 Alexander, Last days of the Emperor.--_A. Dumas_, 233 America, as Abused by a German, 448 American Intercommunication, 461 American Literature, Studies of.--_Philarete Chasles_, 163 American and European Scenery Compared.--_By the late J. F. Cooper_, 625 Anacreon. Twentieth O
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Produced by Chris Curnow, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) CAMBRIDGE BIOLOGICAL SERIES. GENERAL EDITOR:--ARTHUR E. SHIPLEY, M.A., F.R.S. FELLOW AND TUTOR OF CHRIST’s COLLEGE, CAMBRIDGE. GRASSES. CAMBRIDGE UNIVERSITY PRESS WAREHOUSE, C. F. CLAY, MANAGER. London: FETTER LANE, E.C. Edinburgh: 100, PRINCES STREET. [Illustration] ALSO London: H. K. LEWIS, 136, GOWER STREET, W.C. Leipzig: F. A. BROCKHAUS. New York: G. P. PUTNAM’S SONS. Bombay and Calcutta: MACMILLAN & CO. LTD. [_All Rights reserved._] GRASSES A HANDBOOK FOR USE IN THE FIELD AND LABORATORY. BY H. MARSHALL WARD, SC.D., F.R.S. LATE PROFESSOR OF BOTANY IN THE UNIVERSITY OF CAMBRIDGE. CAMBRIDGE: AT THE UNIVERSITY PRESS. 1908 _First Edition 1901 Reprinted 1908_ PREFACE. The following pages have been written in the hope that they may be used in the field and in the laboratory with specimens of our ordinary grasses in the hand. Most of the exercises involved demand exact study by means of a good hand-lens, a mode of investigation far too much neglected in modern teaching. The book is not intended to be a complete manual of grasses, but to be an account of our common native species, so arranged that the student may learn how to closely observe and deal with the distinctive characters of these remarkable plants when such problems as the botanical analysis of a meadow or pasture, of hay, of weeds, or of “seed” grasses are presented, as well as when investigating questions of more abstract scientific nature. I have not hesitated, however, to introduce general statements on the biology and physiological peculiarities of grasses where such may serve the purpose of interesting the reader in the wider botanical bearings of the subject, though several reasons may be urged against extending this part of the theme in a book intended to be portable, and of direct practical use to students in the field. I have pleasure in expressing my thanks to Mr R. H. Biffen for carefully testing the classification of “seeds” on pp. 135-174, and to him and to Mr Shipley for kindly looking over the proofs; also to Mr Lewton-Brain, who has tested the classification of leaf-sections put forward on pp. 72-82, and prepared the drawings for Figs. 21-28. That errors are entirely absent from such a work as this is perhaps too much to expect: I hope they are few, and that readers will oblige me with any corrections they may find necessary or advantageous for the better working of the tables. The list of the chief authorities referred to, which students who desire to proceed further with the study of grasses should consult, is given at the end. I have pleasure in acknowledging my indebtedness to the following works for illustrations which are inserted by permission of the several publishers:--Stebler’s _Forage Plants_ (published by Nutt & Co.), Nobbe’s _Handbuch der Samenkunde_ (Wiegandt, Hempel and Parey, Berlin), Harz’s _Landwirthschaftliche Samenkunde_ (Paul Parey, Berlin), Strasburger and Noll’s _Text-Book of Botany_ (Macmillan & Co.), Figuier’s _Vegetable World_ (Cassell & Co.), Lubbock’s _Flowers, Fruits and Seeds_ (Macmillan & Co.), Kerner’s _Natural History of Plants_ (Blackie & Son), and Oliver’s _First Book of Indian Botany_ (Macmillan & Co.). It is impossible to avoid the question of variation in work of this kind, and students will without doubt come across instances--especially in such genera as _Agropyrum_, _Festuca_, _Agrostis_ and _Bromus_--of small variations which show how impossible it is to fit the facts of living organisms into the rigid frames of classification. It may possibly be urged that this invalidates all attempts at such classifications: the same argument applies to all our systems, though it is perhaps less disastrous to the best Natural Systems which attempt to take in large groups of facts, than to artificial systems selected for special purposes. Perhaps something useful may be learned by showing more clearly where and how grasses vary, and I hope that the application to them of these preliminary tests may elucidate more facts as we proceed. H. M. W. CAMBRIDGE, _April_, 1901. CONTENTS. CHAPTER I. PAGE THE VEGETATIVE ORGANS 1 CHAPTER II. THE VEGETATIVE ORGANS (_continued_) 17 CHAPTER III.
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THE LOG OF A NONCOMBATANT by Horace Green Staff Correspondent of the New York Evening Post Special Correspondent of the Boston Journal 1915 Preface In the following pages the ego is thickly spread. Their publication is the result of persuasion from many sources that, before returning to the war zone, I should put into connected form my personal experiences as correspondent during the first year of the War of Nations. A few of these adventures were mentioned in news letters from the Continent, where I limited myself so far as possible to descriptions of armies at war and peoples in time of stress; but the greater part of them were merely jotted down from time to time for my own benefit in "The Log of a Noncombatant." Contents I. From Broadway To Ghent II. The Second Bombardment Of Termonde III. Captive IV. A Clog Dance On The Scheldt V. The Bombardment Of Antwerp VI. The Surrender Of Antwerp VII. Spying On Spies VIII. The Sorrow Of The People Appendix: Atrocities The Log Of A Noncombatant Chapter I From Broadway To Ghent When the war broke out in August, 1914, I was at work in the City Room of the "New York Evening Post." One morning, during the first week of activities, the copy boy handed me a telegram which was signed "Luther, Boston," and contained the rather cryptic message: --"How about this fight?" It was some moments before I could recall the time, more than two years before, when I had last seen the writer, Willard B. Luther, Boston lawyer, devotee of some, and critic of many kinds of sport. We had been sitting on that previous occasion--a crowd of college fellows, including Luther and myself--in a certain room in Cambridge, Massachusetts, not far from the University in that neighborhood where Luther had attended the Law School and the rest of us, on our respective graduation days, had received valuable pieces of parchment with the presidential signature attached. The conversation had already run through the question of Votes for Women, progressive politics, and prize-fights, and before the card game began it had settled on the last-named, chiefly because of my own vainglorious description of adventures at Reno, Nevada, at the time of the Jeffries-Johnson battle for the heavyweight championship of the world. I remember telling with some gusto of my first newspaper interview--one with "Bob" Fitzsimmons, then the Old Man of the ring, and "Gentleman" Jim Corbett, who was Jeffries' trainer at Reno. "I had always wanted to see that performance," said Luther, "and would have gone in a flash if I could have got any one to make the trip with me. But remember this fact: whenever the next big fight is held I'm going with you." Later in the evening we shook hands on the proposition. At the time that Luther's telegram came I was planning to start for the Continent as Staff Correspondent of the "New York Evening Post" and Special Correspondent of the "Boston Journal." Remembering that Cambridge agreement I immediately wired:-- "Yes. This fight will do." So that is how it came to pass that Luther and myself boarded the Campania together, landed in Liverpool, cast about for ways and means of getting into the scrimmage, and for the first month and a half of my four months of wandering on the Continent were brother conspirators, until the duties of partnership called my friend home and left me without a companion in adventure. In London we absorbed to some extent a heavy British fog and to a greater extent British public opinion. We marveled at the exterior calm of a nation plunged in the greatest of wars, yet fighting, so it seemed at the time, with its top hat on and its smile still undisturbed. Across the English Channel three days later the Dutch steam packet Princess Juliana carried us safely through mine fields and between lanes of British torpedo boats and torpedo boat destroyers. We landed on the Continent at Flushing. Thence we headed for The Hague, Holland, the neutral gateway of northern Europe, where we found the American Minister, Dr. Henry van <DW18>, and his first secretary, Marshall Langhorne, shouldering the work of the American Legation in its chameleonesque capacity as bank, post-office, detective bureau, bureau of information, charity organization, and one might even say temporary home for the stranded travelers of every rank and nation. Antwerp, the temporary capital of Belgium, was at this time invested, but not yet besieged, by the German army. On the south the city was already cut off by several regiments of the Ninth and Tenth German Army Corps under General von Boehn. The River Scheldt and the Dutch border formed a wall on the north and west. It was to Antwerp, therefore, that we determined to go. After listening to the usual flood of warnings against entering the fighting zone, and drinking our fill of stories of atrocity and hate which every refugee brought across the border into Holland, we took a couple of reefs in our baggage, and, hoisting our knapsacks, set our course for the temporary Belgian capital. By rail we traveled south across the level fields and lush green meadows of Holland, over bridges ready to be dynamited in case of invasion, and through training camps of the 450,000 Dutch soldiers then mobilized along the border. At a little town called Eschen the train stopped because the Belgians had torn up the tracks. Seated on the cross-piece of a joggling two-wheeled ox cart, moving at the rate of not more than four miles an hour, with a dumb specimen for a driver
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Produced by Donald Cummings and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) WASHINGTON. [Illustration] THE EARLY LIFE OF WASHINGTON; DESIGNED FOR THE INSTRUCTION AND AMUSEMENT OF THE YOUNG. By a Friend of Youth. PROVIDENCE: KNOWLES, VOSE AND COMPANY. 1838. Entered according to Act of Congress, in the year 1838, by Knowles, Vose & Co., in the Clerk’s Office of the District Court for the District of Rhode-Island. CONTENTS. CHAPTER FIRST. Washington’s birth――his ancestors――the first school he attended――family anecdotes――death of his father. CHAPTER SECOND. Family anecdote――George lives with his half-brother Augustine about three years, and attends Mr. Williams’s school――his manuscript book of forms――his rules of behavior. CHAPTER THIRD. Came very near entering the British Navy at the age of fourteen――attends school at Fredericksburg――becomes a practical surveyor at the age of sixteen――the Indian war dance――continues surveying three years――is appointed Adjutant General of the Militia, with the rank of Major, at the age of nineteen――accompanies his half-brother Lawrence to Barbadoes――Lawrence dies and leaves George the Mount Vernon estate. CHAPTER FOURTH. Washington’s mission from the Governor of Virginia to the French commandant, at the age of twenty-one――narrowly escapes being killed by an Indian――came near being drowned in the Allegany river――visits Queen Aliquippa. CHAPTER FIFTH. Major Washington, at the age of twenty-two, is appointed to command the regular Virginia forces, consisting of two companies――being increased to six companies, he is raised to the rank of Lieutenant Colonel, and made second in command――his modesty――the fort, just begun at the fork of the Ohio, surrenders to the French――Washington attacks and defeats a party of French. CHAPTER SIXTH. Battle of the Great Meadows――vote of thanks to Colonel Washington and his officers――disapproving of the arrangement of the Virginia troops, he retires from the service. CHAPTER SEVENTH. Is invited by General Braddock to join his expedition as a volunteer――accepts the invitation――Battle of Monongahela――Washington conducts the retreat with ability, and retains the confidence of the public. CHAPTER EIGHTH. Anecdote――Washington is appointed to command the Virginia forces――his visit to Boston――commands the advance division at the taking of Fort Du Quesne――resigns his military commission――marries――devotes himself chiefly to agricultural pursuits till called to take command of the American armies in the war of Independence. TO THE READER. The following is a narrative of him, who has been justly styled “The Father of his Country.” It comprises the first twenty-seven years of his life. Though this is the least brilliant portion of Washington’s life, it is a _valuable_ portion of it; because it exhibits those traits of character which laid the foundation of his future greatness, and are worthy the attention and imitation of youth. The author, in remarking that he has drawn his information from the most authentic sources, acknowledges his obligations to the works of Weems, Ramsay, Marshall, and M’Guire, and especially to the valuable notes and observations of Sparks. THE EARLY LIFE OF WASHINGTON. CHAPTER FIRST. Washington’s birth――his ancestors――the first school he attended――family anecdotes――death of his father. George Washington was born in Virginia, on the 22d of February, 1732. The particular place of his birth was Pope’s Creek, Washington parish, in the county of Westmoreland. The name of his great grandfather was John Washington, who came from the north of England and settled on Pope’s Creek, in Virginia, in the year 1655. He afterwards married Miss Pope, the daughter of the gentleman from whom the Creek took its name. John Washington is believed to have been a military man in early life. His will, now at Mount Vernon, is endorsed thus: “The will of Lieutenant Colonel Washington.” This will contains a small bequest to the church, and affords evidence that he was a pious man. As the parish in which he lived has always borne his name, he was probably very instrumental in establishing it. John Washington had three children, Lawrence, John and Ann. Lawrence Washington, the oldest son and the grandfather of George, inherited the Pope’s Creek farm.――Augustin Washington, the son of Lawrence and the father of George, was born in the year 1694. He was probably the eldest son of Lawrence, as he inherited the patrimonial estate at Pope’s Creek. Augustin Washington was married twice. His first wife was Jane Butler, by whom he had four children, viz. Butler, Lawrence, Augustin, jun. and Jane. Butler and Jane died young. Lawrence and Augustin lived to be men. The second wife was Mary Ball, a young lady of highly respectable family in the northern part of Virginia.――George was the first fruit of this union. He was the oldest of six children, viz. George, Elizabeth, Samuel, John Augustin, Charles and Mildred. Mildred died very young.――George was baptized April the 5th, 1732. The church of England was then almost the only denomination of Christians in the colony of Virginia. The parents of George Washington were members of this church, and brought up their family in the habit of regular attendance on public worship. The first school that George attended, was kept by Mr. Hobby, an elderly man, who was both the school master and the sexton of the parish. By this old man, the father of his country was first taught to read. Although George’s father sent him to this school, he took upon himself the oversight of his education, and the pleasing duty of early instilling into his mind the principles of piety and virtue. His manner of doing this appears by the following anecdotes, which were related to the Rector of Mount Vernon Parish, by a venerable lady now deceased, who, as a friend and relative, spent many of her youthful days in the family. One fine morning in the autumn of 1737, Mr. Washington, having George, then five years old, by the hand, came to the door and invited cousin Washington and myself to walk with them to the orchard, promising to show us a fine sight. On arriving at the orchard, we were presented with a fine sight indeed. The ground, as far as we could see, was covered with mellow apples, and yet the trees were bending under the weight of their fruit. “George,” said his father, “don’t you remember, my son, when this good cousin of yours brought you that fine large apple, last spring, that I could hardly prevail upon you to divide it with your brothers and sisters? And don’t you remember I then told you we ought to be generous to each other because the Almighty is so bountiful to us?” Poor George could not say a word, but hanging down his head, looked quite confused. “Now look around, my son,” continued his father, “and see how kindly the Almighty has treated us, and learn from this how we ought to treat our fellow creatures.” George looked a while in silence on the abundance of fruit before him, then lifting his eyes to his father, he said, with emotion, “Well, father, only forgive me this time, and see if I am ever so stingy any more.” Mr. Augustine Washington took great pains early to inspire his son George with the love of truth. The following anecdote shows that his endeavors were not without success. When George was about six years old, he became the owner of a hatchet, with which, like most other little boys, he was very much delighted. He went about chopping every thing that came in his way. One day, in the garden, he unluckily tried the edge of his hatchet upon the body of a beautiful young English cherry tree, which he cut so badly that the tree never recovered from the injury. The next morning his father seeing what had befallen the tree, which, by the by, was a great favorite with him, came into the house, and with much warmth, asked who had done the mischief, declaring at the same time, that he would not have taken five guineas for the tree.――Nobody could tell him any thing about it. Presently George and his hatchet made their appearance. “George,” said his father, “do you know who cut that beautiful cherry tree yonder in the garden?” George was taken by surprise. He hesitated for a moment; but he soon recovered himself.――Looking at his father, he said, “I will not tell a lie, father, I cut it with my hatchet.” The delighted father, embracing his child, said, “No matter about the tree, George; you have frankly told me the truth. Though you saw I was offended, you were not afraid to do right. The pleasure I enjoy to witness this noble conduct in my son is of more value to me than a thousand such trees.” Mr. Washington took the following method to impress upon his son the existence and wisdom of God from the evidence of design in his works. On a bed in the garden, well prepared for the purpose, he traced with a stick the letters of his son’s name. He then very carefully sowed seed in the small furrows made by the stick, covered it over and smoothed the ground nicely with a roller. In a few days the seed came up, and exhibited in large letters, the words GEORGE WASHINGTON.――They soon caught the eye for which they were intended. Again and again the astonished boy read his name, springing up from the earth, fresh and green. He ran to his father and exclaimed, “O father! come here! come with me and I will show you such a sight as you never saw in all your life.” Eagerly seizing his father’s hand, he tugged him along through the garden to the spot. “Look there, father,” said he, “did you ever see such a sight before?” “It is a curious affair, indeed, George.” “But, father, who made my name there?” “It grew there, my son.” “I know it grew there, but who made the letters so as to spell my name?”
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Produced by the Mormon Texts Project (http://mormontextsproject.org), with thanks to Trevor Nysetvold for proofreading. DEFENSE OF THE FAITH AND THE SAINTS BY B. H. ROBERTS AUTHOR OF "The Gospel" "Outlines of Ecclesiastical History" "New Witness for God" "Mormon Doctrine of Deity" Etc., Etc. VOLUME II. Salt Lake City 1912 GENERAL FOREWORD No word of Preface is necessary to this Volume, except to say that in presenting it to his readers, the author feels that that he is fulfilling a promise made to them when Volume I of the series was issued. A word of explanation will be found as an introduction to each subdivision of the book, which excludes the necessity of making any reference to such subdivisions in this General Forward. THE AUTHOR. Salt Lake City, January, 1912. TABLE OF CONTENTS GENERAL FOREWORD Part I. ORIGIN OF THE BOOK OF MORMON. Schroeder-Roberts' Debate. Foreword. The Appearing of Moroni. The Book of Mormon. Description of the Nephite Record. THE ORIGIN OF THE BOOK OF MORMON. By Theodore Schroeder. I. Solomon Spaulding and his first manuscript. Spaulding's rewritten manuscript. Erroneous theories examined. II. How about Sidney Rigdon? Rigdon's prior religious dishonesty. Rigdon had opportunity to steal the manuscript. Rigdon's only denial analyzed. Rigdon and Lambdin in 1815. Rigdon exhibits Spaulding's manuscript. Rigdon foreknows the coming and contents of the Book of Mormon. III. From Rigdon to Smith via P. P. Pratt. Rigdon visits Smith before Mormonism. The conversion of Parley P. Pratt. Rigdon's miraculous conversion. The plagiarism clinched. IV. For the love of gold, not God. Concluding comment. THE ORIGIN OF THE BOOK OF MORMON. By Brigham H. Roberts. I. Justifications for replying to Mr. Schroeder. Preliminary considerations. Various classes of witnesses. Conflicting theories of origin. Mr. Schroeder's statement of his case. The facts of the Spaulding manuscript. The task of the present writer. The enemies of the Prophet. "Dr." Philastus Hurlburt. Rev. Adamson Bently, et al. II. The "second" Spaulding manuscript. The failure of Howe's book. The Conneaut witnesses. E. D. Howe discredited as a witness. The Davidson statement. Alleged statement of Mrs. Davidson, formerly the wife of Solomon Spaulding. The Haven-Davidson interview. Mrs. Ellen E. Dickinson's repudiation of the Davidson statement. Reverend John A. Clark and the Davidson statement. Mutilation of the Haven-Davidson interview. Mr. Schroeder and the Davidson statement. Why Mr. Schroeder discredits the Spaulding witnesses. III. The connection of Sidney Rigdon with the Spaulding manuscript. Of Rigdon's alleged "religious dishonesty." Rigdon's opportunity to steal Spaulding's manuscript. Did Rigdon exhibit the Spaulding manuscript. Did Rigdon foreknown the coming and contents of the Book of Mormon? Alexander Campbell and the Book of Mormon in 1831. IV. "The Angel of the Prairies." The supposed meetings of Joseph Smith and Sidney Rigdon before the publication of the Book of Mormon. Of the conversion of Pratt and Rigdon. The denials of Rigdon. The real origin of the Spaulding theory. The motive for publishing the Book of Mormon. Concluding remarks. Part II. RECENT DISCUSSION OF MORMON AFFAIRS. Foreword. I. AN ADDRESS. By the Presidency of the Church. The Church of Jesus Christ of Latter-day Saints to the world. II. REVIEW OF ADDRESS TO THE WORLD. By the Ministerial Association. Foreword. Review. III. ANSWER TO MINISTERIAL ASSOCIATION'S REVIEW. By B. H. Roberts. Foreword. Answer. Part III. JOSEPH SMITH'S DOCTRINES VINDICATED. Foreword. I. THE FIRST MESSAGE OF MORMONISM VINDICATED. Joseph Smith's first vision. "Creeds are an abomination." God's first message confirmed. Reform in Protestantism. What Mormonism affirms. Immortality of man. II. OTHER DOCTRINES OF JOSEPH SMITH VINDICATED BY THE COLLEGES. I. Men the Avatars of God. II. The Existence of a Plurality of Divine Intelligences--Gods. Part IV. MISCELLANEOUS DISCOURSES. I. THE SPIRIT OF MORMONISM; A SLANDER REFUTED. Introductory. People judged by their laws. The calling of Sidney Rigdon. A few days with the Prophet--Prayerfulness. Woman's place in Mormonism. God's Herald of the Resurrection and Human Brotherhood--Woman.
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Produced by Chris Curnow, eagkw and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE BATTLE OF LIFE. A LOVE STORY. [Illustration] [Illustration: THE BATTLE OF LIFE A LOVE STORY] THE BATTLE OF LIFE. A Love Story. BY CHARLES DICKENS. London: BRADBURY & EVANS, WHITEFRIARS. MDCCCXLVI. LONDON: BRADBURY AND EVANS, PRINTERS, WHITEFRIARS. THIS Christmas Book IS CORDIALLY INSCRIBED TO MY ENGLISH FRIENDS IN SWITZERLAND ILLUSTRATIONS. _Title._ _Artist._ _Engraver._ FRONTISPIECE D. MACLISE, R.A. _Thompson._ TITLE D. MACLISE, R.A. _Thompson._ PART THE FIRST R. DOYLE. _Dalziel._ WAR C. STANFIELD, R.A. _Williams._ PEACE C. STANFIELD, R.A. _Williams._ THE PARTING BREAKFAST J. LEECH. _Dalziel._ PART THE SECOND R. DOYLE. _Green._ SNITCHEY AND CRAGGS J. LEECH. _Dalziel._ THE SECRET INTERVIEW D. MACLISE, R.A. _Williams._ THE NIGHT OF THE RETURN J. LEECH. _Dalziel._ PART THE THIRD R. DOYLE. _Dalziel._ THE NUTMEG GRATER C. STANFIELD, R.A. _Williams._ THE SISTERS D. MACLISE, R.A. _Williams._ THE BATTLE OF LIFE. A Love Story. PART THE FIRST. [Illustration] PART THE FIRST [Illustration] Once upon a time, it matters little when, and in stalwart England, it matters little where, a fierce battle was fought. It was fought upon a long summer day when the waving grass was green. Many a wild flower formed by the Almighty Hand to be a perfumed goblet for the dew, felt its enamelled cup fill high with blood that day, and shrinking dropped. Many an insect deriving its delicate color from harmless leaves and herbs, was stained anew that day by dying men, and marked its frightened way with an unnatural track. The painted butterfly took blood into the air upon the edges of its wings. The stream ran red. The trodden ground became a quagmire, whence, from sullen pools collected in the prints of human feet and horses' hoofs, the one prevailing hue still lowered and glimmered at the sun. [Illustration] Heaven keep us from a knowledge of the sights the moon beheld upon that field, when, coming up above the black line of distant rising-ground, softened and blurred at the edge by trees, she rose into the sky and looked upon the plain, strewn with upturned faces that had once at mothers' breasts sought mothers' eyes, or slumbered happily. Heaven keep us from a knowledge of the secrets whispered afterwards upon the tainted wind that blew across the scene of that day's work and that night's death and suffering! Many a lonely moon was bright upon the battle-ground, and many a star kept mournful watch upon it, and many a wind from every quarter of the earth blew over it, before the traces of the fight were worn away. They lurked and lingered for a long time, but survived in little things, for Nature, far above the evil passions of men, soon recovered Her serenity, and smiled upon the guilty battle-ground as she had done before, when it was innocent. The larks sang high above it, the swallows skimmed and dipped and flitted to and fro, the shadows of the flying clouds pursued each other swiftly, over grass and corn and turnip-field and wood, and over roof and church-spire in the nestling town among the trees, away into the bright distance on the borders of the sky and earth, where the red sunsets faded. Crops were sown, and grew up, and were gathered in; the stream that had been crimsoned, turned
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Produced by Hazel Batey and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) LIBRARY BOOKBINDING Library Bookbinding by Arthur L. Bailey _Librarian Wilmington_ (_Delaware_) _Institute Free Library_ Illustration THE H. W. WILSON COMPANY White Plains, N. Y., and New York City 1916 Published May, 1916 Copyright, 1916 By The H. W. Wilson Company PREFACE It has been the purpose of the writer in these chapters on library bookbinding to set forth as clearly as possible the best information relating to processes, materials, routine and various other lesser matters pertaining to bookbinding which must be taken into consideration by librarians, or by assistants in charge of binding departments. Although much of this information exists elsewhere in printed form, it is scattered through various books and articles. In some respects, therefore, this book is a gathering together of scattered material. It is hoped, however, that there is enough new material to make the book of interest to those who deal daily with binding problems, and that the book as a whole may help to solve some of the questions relating to binding in libraries both large and small. Most books on binding and all books on library binding have devoted some space to paper, its composition, manufacture, finish and use. As the subject is so fully dealt with elsewhere it has not been included here. Those who are interested will find full information in the technical books on paper, in Mr. Dana's "Notes on book binding for libraries," and in Messrs. Coutts and Stephen's "Manual of library binding." There is also an excellent article on wood pulp paper in the Scientific American of October 4, 1913. Nor has it seemed desirable to include chapters on commercial binding nor on historical bindings. Both of these subjects are treated adequately in Coutts and Stephen's "Manual." The present writer has limited his discussion to matters dealing directly with the binding of books for libraries. In one or two cases the same subject has been treated in two different chapters because the subject matter belonged in both places, and in neither case would the discussion be complete without it. A. L. B. December 9, 1915. TABLE OF CONTENTS Chapter I. Introduction 3 II. Selection of a binder 9 III. Processes 13 IV. Materials 51 V. Specifications 87 VI. Binding before purchase and reinforcing 103 VII. Cost 115 VIII. Preparing for the bindery 125 IX. Binding records and routine 149 X. Repairing, recasing, recovering etc. 165 XI. Magazine binders 199 XII. Pamphlets 205 XIII. Bindery in the library building 209 Appendix A. Specifications of the U. S. Bureau of Standards for book cloths 217 B. Reading list on binding 221 C. List of technical terms 225 Index 245 LIBRARY BOOKBINDING LIBRARY BOOKBINDING CHAPTER I INTRODUCTION An examination of the annual reports of libraries in the United States shows that from four to eight per cent of the total income is spent for binding; the amounts ranging from $2,000 to over $40,000 a year for this one item. It must be admitted that these are large sums and that a knowledge of binding materials and processes is necessary in order to spend this money wisely. In many libraries the appropriation for books includes binding and periodicals. It is evident, therefore, that every dollar saved on binding can be devoted to the purchase of books. And what librarian does not desire more money for new books? In spite of the importance of the subject a great deal of ignorance has prevailed in years past, and far too many librarians of the present day fail to realize that here is one place where money can be easily wasted. Possibly one reason for the ignorance about binding is that, except in a minor degree, it does not directly affect the public, for librarians are quick to make changes which will increase the interest of the public in the library. Another reason is that experiments are necessary; and since it takes time to draw conclusions from experiments, definite rules have not been formulated. In fact, experiments are still being tried. But while in the past they were along the line of making books stronger, the experiments of the present are rather along the line of adapting different methods to different books, according to the paper on which they
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E-text prepared by Peter Vickers, Juliet Sutherland, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 31057-h.htm or 31057-h.zip: (http://www.gutenberg.org/files/31057/31057-h/31057-h.htm) or (http://www.gutenberg.org/files/31057/31057-h.zip) THE WISHING MOON by LOUISE DUTTON Author of "The Goddess Girl" [Illustration: "'_Oh, Judith, won't you speak to me?_'"] [Illustration: Publisher's logo] Illustrated by Everett Shinn Garden City New York Doubleday, Page & Company 1916 Copyright, 1916, by Louise Dutton All rights reserved, including that of translation into foreign languages, including the Scandinavian Copyright, 1916, The Metropolitan Magazine Company LIST OF ILLUSTRATIONS "'Oh, Judith, won't you speak to me?'" _Frontispiece_ (See page 239) FACING PAGE "'I know what this means,' she asserted" 128 "'Shut your eyes'" 166 "'Judith, you don't hate me? Say it--say it'" 180 THE WISHING MOON The Wishing Moon CHAPTER ONE A little girl sat on the worn front doorsteps of the Randall house. She sat very still and straight, with her short, white skirts fluffed daintily out on both sides, her hands tightly clasped over her thin knees, and her long, silk-stockinged legs cuddled tight together. She was bare-headed
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: "I give you back the wedding ring."--_Page 400._] THE BONDWOMAN BY MARAH ELLIS RYAN, AUTHOR OF "Told in the Hills," "A Pagan of the Alleghanies," etc. CHICAGO AND NEW YORK: RAND, McNALLY & COMPANY, PUBLISHERS. MDCCCXCIX. Copyright, 1899, by Rand, McNally & Co. All rights reserved. Entered at Stationers' Hall, London. THE BONDWOMAN CHAPTER I. Near Moret, in France, where the Seine is formed and flows northward, there lives an old lady named Madame Blanc, who can tell much of the history written here--though it be a history belonging more to American lives than French. She was of the Caron establishment when Judithe first came into the family, and has charge of a home for aged ladies of education and refinement whose means will not allow of them providing for themselves. It is a memorial founded by her adopted daughter and is known as the Levigne Pension. The property on which it is established is the little Levigne estate--the one forming the only dowery of Judithe Levigne when she married Philip Alain--Marquis de Caron. There is also a bright-eyed, still handsome woman of mature years, who lives in our South and has charge of another memorial--or had until recently--a private industrial school for girls of her own selection. She calls herself a creole of San Domingo, and she also calls herself Madame Trouvelot--she has been married twice since she was first known by that name, for she was never the woman to live alone--not she; but
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E-text prepared by Mary Meehan and the Project Gutenberg Online Distributed Proofreading Team LADIES MUST LIVE by ALICE DUER MILLER Author of "Come Out of the Kitchen," etc. 1917 CHAPTER I Mrs. Ussher was having a small house party in the country over New Year's Day. This is equivalent to saying that the half dozen most fashionable people in New York were out of town. Certain human beings are admitted to have a genius for discrimination in such matters as objects of art, pigs or stocks. Mrs. Ussher had this same instinct in regard to fashion, especially where fashions in people were concerned. She turned toward hidden social availability very much as the douser's hazel wand turns toward the hidden spring. When she crossed the room to speak to some woman after dinner, whatever that woman's social position might formerly have been, you could be sure that at present she was on the upward wing. When Mrs. Ussher discovered extraordinary qualities of mind and sympathy in some hitherto impossible man, you might be certain it was time to begin to book him in advance. Not that Mrs. Ussher was a kingmaker; she herself had no more power over the situation than the barometer has over the weather. She merely was able to foretell; she had the sense of approaching social success. She was unaware of her own powers, and really supposed that her sudden and usually ephemeral friendships were based on mutual attraction. The fact that for years her friends had been the small group of the momentarily fashionable required, in her eyes, no explanation. So simple was her creed that she believed people were fashionable for the same reason that they were her friends, because "they were so nice." During the short period of their existence, Mrs. Ussher gave to these friendships the utmost loyalty and devotion. She agonized over the financial, domestic and romantic troubles of her friends; she sat up till the small hours, talking to them like a schoolgirl; during the height of their careers she organized plots for their assistance; and even when their stars were plainly on the decline, she would often ask them to lunch, if she happened to be alone. Many people, we know, are prone to make friends with the rich and great. Mrs. Ussher's genius consisted in having made friends with them before they were either. When you hurried to her with some account of a newly discovered treasure--a beauty or a conversable young man--she would always say: "Oh, yes, I crossed with her two years ago," or "Isn't he a dear?--he was once in Jack's office." The strange thing was these statements were always true; the subjects of them confessed with tears that "dear Mrs. Ussher" or "darling Laura" was the kindest friend they had ever had. Her house party was therefore likely to be notable. First, there was of course Mrs. Almar--of course without her husband. There is only one thing, or perhaps two, to be said for Nancy Almar--that she was very handsome and that she was not a hypocrite, no more than a pirate is a hypocrite who comes aboard with his cutlass in his teeth. Mrs. Almar's cutlass was always in her teeth, when it was not in somebody's vitals. She had smooth, jet-black hair, done close to her pretty head, a clear white-and-vermilion complexion, and a good figure, not too tall. She said little, but everything she did say, she most poignantly meant. If, while you were talking to her, she suddenly cried out: "Ah, that's really good!" there was no doubt you had had the good fortune to amuse her; while if she yawned and left you in the midst of a sentence there was no question that she was bored. She hated her husband--not for the conventional reason that she had married him. She hated him because he was a hypocrite, because he was always placating and temporizing. For instance, he had said to her as she was about to start for the Usshers': "I hope you'll explain to them why I could not come." There had never been the least question of Mr. Almar's coming, and she turned slowly and looked at him as she asked: "You mean that I would not have gone if you had?" He did not seem annoyed. "No," he said, "that I'm called South on business." "I shan't tell them that," she said, slowly wrapping her furs about her throat; and then foreseeing a comic moment, she added, "but I'll tell them you say so, if you like." She was as good as her word--she usually was. When the party was at tea about the drawing-room fire, she asked without the slightest change of expression: "Would any one like to hear Roland's explanation of why he is not with us?" "Had it anything to do with his not being asked?" said a pale young man; and as soon as he had spoken, he glanced hastily round the circle to ascertain how his remark had succeeded. So far as Mrs. Almar was concerned it had not succeeded at all, in fact, though he did not know it, nothing he said would ever succeed with her again, although a week before she had hung upon his every word. He had been a new discovery, something unknown and Bohemian, but alas, a day or two before, she had observed that underlying his socialistic theories was an aching desire for social recognition. He liked to tell his bejeweled hostesses about his friends the car-drivers; but, oh, twenty times more, he would have liked to tell the car-drivers about his friends the bejeweled hostesses. For this reason Mrs. Almar despised him, and where she despised she made no secret of the fact. "Not asked, Mr. Wickham!" she said. "I assume my husband is asked wherever I am," and then turning to Laura Ussher she added with a faint smile: "One's husband is always asked, isn't he?" "Certainly, as long as you never allow him to come," said another speaker. This was the other great beauty of the hour--or, since she was blond and some years younger than Mrs. Almar, perhaps it would be right to say that she was the beauty of the hour. She was very tall, golden, fresh, smooth, yet with faint hollows in her cheeks that kept her freshness from being insipid. Christine Fenimer had another advantage--she was unmarried. In spite of the truth of the observation that a married woman's greatest charm is her husband, he is also in the most practical sense a disadvantage; he does sometimes stand across the road of advancement, even in a land of easy divorce. Mrs. Almar, for instance, was regretfully aware that she might have done much better than Roland Almar. The great stakes were really open to the unmarried. She was particularly aware of this fact at the moment, for the party was understood to be awaiting a great stake. Mrs. Ussher had discovered a cousin, a young man who, soon after graduating from a technical college, had invented a process in the manufacture of rubber that had brought him a fortune before he was thirty. He was now engaged in spending it on aviation experiments. He was reckless and successful. Besides which he was understood to be personally attractive--his picture in a silver frame stood on a neighboring table. He was of the lean type that Mrs. Almar admired. Now it was perfectly clear to her why he was asked. Mrs. Ussher adored Christine Fenimer. Of all girls in the world it was essential that Christine should marry money. This man, Max Riatt, new to the fashionable world, ought to be comparatively easy game. The thing ought to go on wheels. But Mrs. Almar herself was not indifferent to six feet of splendid masculinity; nor without her own uses at the moment for a good-looking young man. In other words, there was going to be a contest; in the full sight of the little public that really mattered, the lists were set. Nobody present, except perhaps Wickham, who was dangerously ignorant of the world in which he was moving, doubted for one moment that Miss Fenimer had resolved to marry Max Riatt, if, that is, he turned out to be actually as per the recommendations of Mrs. Ussher; nor was it less certain that Mrs. Almar intended that he should be hers. Of course if Mrs. Ussher had been absolutely single-minded, she would not have invited Mrs. Almar to this party; but though a warm friend to Christine Fenimer, Laura was not a fanatic, and the piratical Nancy was her friend, too. Mrs. Almar could have pleaded an additional reason for her wish to interfere with this match, besides the natural one of not wishing Miss Fenimer to attain any success; and that was the fact that Edward
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Produced by Sean Pobuda THE BOY ALLIES WITH UNCLE SAM'S CRUISERS By Ensign Robert L. Drake CHAPTER I JACK'S ADVENTURE Frank Chadwick jumped from a chair in the front window and ran toward the door. A form had swung from the sidewalk along the drive that marked the entrance to Lord Hasting's London home and at sight of it Frank had uttered an exclamation. Now, as the figure climbed the steps, Frank flung open the door. "Jack!" he exclaimed with outstretched hand. "I feared something had happened, you have been gone so long and we had heard nothing of you." "I'm perfectly whole," laughed Jack, grasping his friend's hand. "Why, I've been gone less than two weeks." "But you expected to be gone only a day or two." "That's true, but a fellow can't tell what is going to happen, you know. I wasn't sure I should find you here when I returned, though." "You probably wouldn't had you come a day later," returned Frank. "How's that?" "We sail tomorrow night," said Frank. "By George! Then I'm back just in time," declared Jack. "Where bound this time?" "I don't know exactly, but personally I believe to America." "Why?" "The United States, I understand, is about to declare war on Germany. I have heard it said that immediately thereafter American troops will be sent to Europe." "What's that got to do with our voyage?" "I'm coming to that. There will be need, of convoys for the American transports. I believe that is the work in which we will be engaged." "That will be first rate, for a change," said Jack. "But come," said Frank, leading the way into the house. "Where have you been? Tell me about yourself." "Wait, until I get a breath," laughed Jack, making himself comfortable in a big armchair. "By the way, where is Lord Hastings?" "He is in conference with the admiralty." "And Lady Hastings?" "Shopping, I believe. However, both will be back before long. Now let's have an account of your adventures." "Well, they didn't amount to much," said Jack. "Where've you been?" "Pretty close to Heligoland." "What! Again?" "Exactly. You remember how Lord Hastings came to us one day and said that the admiralty had need of a single officer at that moment, and that we both volunteered?" "I certainly do," declared Frank, "and we drew straws to see which of us should go. I lost." "Exactly. Well, when I reached the admiralty I found there a certain Captain Ames. I made myself known and was straightway informed that I would do as well as another. Captain Ames was in command of the British destroyer Falcon. He was bound on active duty at once, and he took me along as second in command." "Where was he bound?" demanded Frank. "And what was the nature of the work?" "The nature of the work," said Jack, "was to search out German mines ahead of the battleships, who were to attempt a raid of Heligoland." "Great Scott!" exclaimed Frank. "I hadn't heard anything about that. Was the raid a success?" "It was not," replied Jack briefly. "Explain," said Frank. "I'm trying to," smiled Jack. "Give me a chance, will you?" He became silent and mused for a few moments. Then he said meditatively: "The destroyer service might well be called the cavalry of the sea. It calls for dashing initiative, aggressiveness and courage and daring to the point of rashness. Where an officer would be justified--even duty bound--by navy standards to run away with a bigger and more valuable vessel, the commander of a destroyer often must close in to almost certain annihilation." "Hm-m-m," said Frank slyly. "You are not feeling a bit proud of yourself, are you?" "Oh, I'm not talking about myself," said Jack quietly. "I was thinking of a man like Captain Ames--and other men of his caliber. However, I've been pretty close to death myself, and having come as close to a fellow as death did to me, I believe he'll become discouraged and quit. Yes, sir, I don't believe I shall ever die afloat." "Don't be too cock-sure," said Frank dryly. "However, proceed." "Well," Jack continued, "I followed Captain Ames aboard the Falcon and we put to sea immediately. It was the following night that we found ourselves mixed up in the German mine fields and so close to the fortress itself that we were in range of the land batteries as well as the big guns of the German fleet. Our main fleet came far behind us, for the big ships, of course, would not venture in until we had made sure of the position of the mines." "Right," said Frank. "I can see that--" "Look here," said Jack, "who's telling this story?" "You are," said Frank hastily. "Go ahead." "All right, but don't interrupt me. As I said, we'd been searching
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project and the Internet Archive.) The Woman with a Stone Heart A Romance of the Philippine War. By O. W. Coursey, (U. S. Vols.) Author of "History and Geography of the Philippine Islands." "Who's Who In South Dakota." "Biography of General Beadle." "School Law Digest." All of these books are published and for sale by THE EDUCATOR SUPPLY COMPANY Mitchell, South Dakota Copyrighted 1914 By O. W. Coursey THE WOMAN WITH A STONE HEART INTRODUCTION To those whose love of adventure would cause them to plunge head-long into an abyss of vain glory, hoping at life's sunset to reap a harvest contrary to the seed that were sown, let me suggest that you pause first to read the story of "The Woman With a Stone Heart," Marie Sampalit, dare-devil of the Philippines. Perhaps we might profitably meditate for a few moments on the musings of Whittier: "The tissue of the life to be We weave in colors all our own, And in the field of destiny We'll reap as we have sown." --The Author. DEDICATION To Her, who, as a bride of only eighteen months, stood broken-hearted on the depot platform and bade me a tearful farewell as our train of soldier boys started to war; who later, while I was Ten Thousand miles away from home on soldier duty in the Philippine Islands, became a Mother; and who, unfortunately, three months thereafter, was called upon to lay our first-born, Oliver D. Coursey, into his snow-lined baby tomb amid the bleak silence of a cold winter's night, with no strong arm to bear her up in those awful hours of anguish and despair, My Soldier Wife, Julia, this book is most affectionately dedicated. "Only a baby's grave, Yet often we go and sit By the little stone, And thank God to own, We are nearer heaven for it." --O. W. Coursey. LIST OF ILLUSTRATIONS Page Marie Sampalit 10 Region Around Manila Bay 29 Admiral Dewey 39 Aguinaldo 61 Marie, Her Mother, etc. 82 Filipinos at Breakfast 100 End of the Boat-Battle 113 The Rescue 126 Floating Down The Rapids 129 General Lawton and Staff 139 TABLE OF CONTENTS Chapters: Page I. Love Defeated 9 II. First Shot of A New War 25 III. Avenged Her Lover's Death 41 IV. The Interval 57 V. Filipino Uprising 69 VI. As A Spy 81 VII. Off For Baler 93 VIII. The Gilmore Incident 105 IX. The American Prisoners 113 X. Death of General Lawton 131 XI. North-bound 141 XII. Crossing the Sierra Madres 153 XIII. Compensation 167 CHAPTER I. LOVE DEFEATED Marie Sampalit and her fiancee, Rolando Dimiguez, were walking arm-in-arm along the sandy beach of Manila bay, just opposite old Fort Malate, talking of their wedding day which had been postponed because of the Filipino insurrection which was in progress. The tide was out. A long waved line of sea-shells and drift-wood marked the place to which it had risen the last time before it began to recede. They were unconsciously following this line of ocean debris. Occasionally Marie would stop to pick up a spotted shell which was more pretty than the rest. Finally, when they had gotten as far north as the semi-circular drive-way which extends around the southern and eastern sides of the walled-city, or Old Manila, as it is called, and had begun to veer toward it, Marie looked back and repeated a beautiful memory gem taught to her by a good friar when she was a pupil in one of the parochial schools of Manila: "E'en as the rise of the tide is told, By drift-wood on the beach, So can our pen mark on the page How high our thoughts can reach." They turned directly east until they reached the low stone-wall that prevents Manila bay from overflowing the city during the periods of high tides. Dimiguez helped Marie to step upon it; then they strolled eastward past the large stake which marked the place where the Spaniards had shot Dr.
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Produced by David Garcia, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Kentuckiana Digital Library.) MANY GODS OTHER BOOKS BY CALE YOUNG RICE Nirvana Days Yolanda of Cyprus Plays and Lyrics A Night in Avignon Charles di Tocca David MANY GODS BY CALE YOUNG RICE NEW YORK DOUBLEDAY, PAGE & COMPANY MCMX ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN COPYRIGHT, 1910, BY DOUBLEDAY, PAGE & COMPANY PUBLISHED, FEBRUARY, 1910 TO FINIS KING FARR AN OLD AND DEAR COMRADE CONTENTS PAGE "ALL'S WELL" 3 THE PROSELYTE RECANTS 6 LOVE IN JAPAN 10 MAPLE LEAVES ON MIYAJIMA 13 TYPHOON 15 PENANG 17 WHEN THE WIND IS LOW 20 THE PAGODA SLAVE 22 THE SHIPS OF THE SEA 25 KINCHINJUNGA 26 THE BARREN WOMAN 29 BY THE TAJ MAHAL 32 LOVE'S CYNIC 35 IN A TROPICAL GARDEN 42 THE WIND'S WORD 46 THE SHRINE OF SHRINES 47 FROM A FELUCCA 48 THE EGYPTIAN WAKES 49 THE IMAM'S PARABLE 50 SONGS OF A SEA-FARER 52 A SONG OF THE SECTS 54 THE CITY 57 VIA AMOROSA 58 DUSK AT HIROSHIMA 60 THE WANDERER 61 IN A SHINTO TEMPLE GARDEN 64 FAR FUJIYAMA 65 ON MIYAJIMA MOUNTAIN 66 OLD AGE 68 ON THE YANG-TSE-KIANG 69 THE SEA-ARMIES 71 THE CHRISTIAN IN EXILE 73 THE PARSEE WOMAN 75 SHAH JEHAN TO MUMTAZ MAHAL 77 PRINCESS JEHANARA 79 A CINGHALESE LOVE LAMENT 80 ON THE ARABIAN GULF 83 THE RAMESSID 84 IMMORTAL FOES 85 THE CONSCRIPT 87 NAVIS IGNOTA 89 THE CROSS OF THE SEPULCHRE 91 THE NUN 92 ALPINE CHANT 94 THE MAN OF MIGHT 96 IN TIME OF AWE 97 SUNRISE IN UTAH 99 CONSOLATION 100 WAVES 102 VIS ULTIMA 104 MEREDITH 106 MANY GODS "ALL'S WELL" I The illimitable leaping of the sea, The mouthing of his madness to the moon, The seething of his endless sorcery, His prophecy no power can attune, Swept over me as, on the sounding prow Of a great ship that steered into the stars, I stood and felt the awe upon my brow Of death and destiny and all that mars. II The wind that blew from Cassiopeia cast Wanly upon my ear a rune that rung; The sailor in his eyrie on the mast Sang an "All's well," that to the spirit clung Like a lost voice from some aerial realm Where ships sail on forever to no shore, Where Time gives Immortality the helm, And fades like a far phantom from life's door. III "And is all well, O Thou Unweariable Launcher of worlds upon bewildered space," Rose in me, "All? or did thy hand grow dull Building this world that bears a piteous race? O was it launched too soon or launched too late? Or can it be a derelict that drifts Beyond thy ken toward some reef of Fate On which Oblivion's sand forever shifts?" IV The sea grew softer as I questioned--calm With mystery that like an answer moved, And from infinity there fell a balm, The old peace that God _is_, tho all unproved. The old faith that tho gulfs sidereal stun The soul, and knowledge drown within their deep, There is no world that wanders, no not one Of all the millions, that He does not keep. THE PROSELYTE RECANTS (_In Japan_) Where the fair golden idols Sit in darkness and in silence While the temple drum beats solemnly and slow; Where the tall cryptomerias Sway
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Produced by Charles Bowen from page scans provided by Google Books (Harvard University) Transcriber's Notes: 1. Page scan source: https://books.google.com/books?id=emlLN6DE1I (Harvard University) 2. This book was also published as "Aaron the Jew. A Novel," in London by Hutchinson & Co. in 1895. A Fair Jewess BY B. L. FARJEON, _Author of "The Last Tenant" Etc_. NEW YORK: THE F. M. LUPTON PUBLISHING COMPANY. Copyright, 1894, by THE CASSELL PUBLISHING CO. _All rights reserved_. CONTENTS. CHAPTER I. The Poor Doctor II. Dr. Spenlove's Visitor III. Dr. Spenlove Undertakes a Delicate Mission IV. "One More Unfortunate" V. "Come! We Will End It" VI. The Friend in Need VII. The Result of Dr. Spenlove's Mission VIII. What was Put in the Iron Box IX. Mr. Moss Plays his Part X. The Vision in the Churchyard XI. Mr. Whimpole Introduces Himself XII. The Course of the Seasons XIII. Aaron Cohen Preaches a Sermon on Large Noses XIV. A Proclamation of War XV. The Battle is Fought and Won XVI. Joy and Sorrow XVII. Divine Consolation XVIII. In the New House XIX. The Doctor Speaks Plainly to Aaron Cohen XX. A Momentous Night XXI. The Temptation XXII. The Living and the Dead XXIII. Plucked from the Jaws of Death XXIV. The Curtain Falls XXV. After Many Years XXVI. The Foundation of Aaron's Fortune XXVII. The Farewell XXVIII. Revisits Gosport XXIX. What Shall be Done to the Man whom the King Delighteth to Honor? XXX. The Honorable Percy Storndale XXXI. The Spirit of the Dead Past XXXII. Before All, Duty XXXIII. A Cheerful Doctor XXXIV. Ruth's Secret XXXV. The Honorable Percy Storndale Makes an Appeal XXXVI. A Duty Performed XXXVII. The Mother's Appeal XXXVIII. A Mother's Joy XXXIX. A Panic in the City XL. "Can you Forgive me?" XLI. A Poisoned Arrow XLII. Retribution A FAIR JEWESS. CHAPTER I. THE POOR DOCTOR. On a bright, snowy night in December, some years ago, Dr. Spenlove, having been employed all the afternoon and evening in paying farewell visits to his patients, walked briskly toward his home through the narrowest and most squalid thoroughfares in Portsmouth. The animation of his movements may be set down to the severity of the weather, and not to any inward cheerfulness of spirits, for as he passed familiar landmarks he looked at them with a certain regret which men devoid of sentiment would have pronounced an indication of a weak nature. In this opinion, however, they would have been wrong, for Dr. Spenlove's intended departure early the following morning from a field which had strong claims upon his sympathies was dictated by a law of inexorable necessity. He was a practitioner of considerable skill, and he had conscientiously striven to achieve a reputation in some measure commensurate with his abilities. From a worldly point of view his efforts had been attended with mortifying failure; he had not only been unsuccessful in earning a bare livelihood, but he had completely exhausted the limited resources with which he had started upon his career; he had, moreover, endured severe privation, and an opening presenting itself in the wider field of London he had accepted it with gladness and reluctance. With gladness because he was an ambitious man, and had desires apart from his profession; with reluctance because it pained him to bid farewell to patients in whom he took a genuine interest, and whom he would have liked to continue to befriend. He had, indeed, assisted many of them to the full extent of his power, and in some instances had gone beyond this limit, depriving himself of the necessaries of life to supply them with medicines and nourishing food, and robbing his nights of rest to minister to their woes. He bore about him
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Produced by Suzanne L. Shell, Jim Tinsley, Charles Franks and the Online Distributed Proofreading Team. With thanks to Amherst College Library. MIKE A PUBLIC SCHOOL STORY BY P. G. WODEHOUSE CONTAINING TWELVE FULL-PAGE ILLUSTRATIONS BY T. M. R. WHITWELL LONDON 1909. [Illustration (Frontispiece): "ARE YOU THE M. JACKSON THEN WHO HAD AN AVERAGE OF FIFTY ONE POINT NOUGHT THREE LAST YEAR?"] [Dedication] TO ALAN DURAND CONTENTS CHAPTER I. MIKE II. THE JOURNEY DOWN III. MIKE FINDS A FRIENDLY NATIVE IV. AT THE NETS V. REVELRY BY NIGHT VI. IN WHICH A TIGHT CORNER IS EVADED VII. IN WHICH MIKE IS DISCUSSED VIII. A ROW WITH THE TOWN IX. BEFORE THE STORM X. THE GREAT PICNIC XI. THE CONCLUSION OF THE PICNIC XII. MIKE GETS HIS CHANCE XIII. THE M.C.C. MATCH XIV. A SLIGHT IMBROGLIO XV. MIKE CREATES A VACANCY XVI. AN EXPERT EXAMINATION
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) [Illustration: Singing and cheering wildly they carried her to the other end of the gym.] POLLY'S FIRST YEAR AT BOARDING SCHOOL BY DOROTHY WHITEHILL ILLUSTRATED BY CHARLES L. WRENN PUBLISHERS BARSE & CO. NEW YORK, N. Y., NEWARK, N. J. Copyright, 1916 By Barse & Co. Polly's First Year at Boarding School Printed in the United States of America CONTENTS CHAPTER I--THE FIRST DAY OF SCHOOL CHAPTER II--THE PAPER CHASE CHAPTER III--THE WELCOME DANCE TO THE NEW GIRLS CHAPTER IV--THE CHOOSING OF THE TEAMS CHAPTER V--THE THANKSGIVING PARTY CHAPTER VI--A RAINY DAY CHAPTER VII--BETTY'S DUCKING CHAPTER VIII--CUTTING THE LECTURE CHAPTER IX--THE CHRISTMAS HOLIDAYS CHAPTER X--THE VALENTINE PARTY CHAPTER XI--PRACTICING FOR THE INDOOR MEET CHAPTER XII--POLLY'S HEROISM CHAPTER XIII--BETTY'S IDEA CHAPTER XIV--THE FRESHMEN ENTERTAIN CHAPTER XV--VISITORS CHAPTER XVI--GHOSTS CHAPTER XVII--POLLY INTERVENES CHAPTER XVIII--WANTED: A MASCOT CHAPTER XIX--FIELD DAY CHAPTER XX--THE MUSICAL CHAPTER XXI--COMMENCEMENT DAY CHAPTER I--THE FIRST DAY OF SCHOOL Seddon Hall, situated on top of one of the many hills that lined either side of the Hudson River, was a scene of hubbub and confusion. It was the 27th of September and the opening day of school. The girls who had already arrived were walking arm in arm about the grounds, in the broad assembly hall, and in the corridors, talking, laughing and discussing the summer vacation, plans for the winter, the new girls, and a variety of subjects with fine impartiality. In the Senior reception room Mrs. Baird, principal of the school, and a number of the faculty were receiving and assuring the mothers and guardians of the girls. Outside the carriages from the 5:04 train were winding up the steep hill from the station. The girls were waving and calling hellos as they passed one another, and on the broad piazza there was a quantity of suit cases, and a good deal of kissing. Polly Pendleton, seated beside her uncle in one of the last carriages, was just the least little bit frightened. She had never seen quite so many girls nor heard quite so much laughing and talking in all her rather uneventful life. Polly's real name was Marianna, but her heavy dark hair framed a face so bright and full of fun, and her big brown eyes had so much impishness in their depth, that to have called her by anything so long and dignified seemed absurd, and so she had been Polly all her life. Until two months before this story opens she had lived her thirteen years in an old fashioned New England town with her aunt, Hannah Pendleton, her father's eldest sister, and quite as severe as her name. It had been a very unexciting existence--school every morning with the village minister, and a patchwork "stint" every afternoon under the direction of Aunt Hannah. Polly was beginning to think every day was going to be just like every other, when suddenly Aunt Hannah died and she came to New York to live with Uncle Roddy. It had been a great change to leave the old house and the village, but under Uncle Roddy's jolly companionship she soon ceased to miss any part of her old life. After what seemed an age, the carriage finally reached the top of the hill, and Polly, holding tight to her uncle's arm, was shown into the reception-room. She was finding it harder every minute to keep down the unaccountable lump that had risen in her throat, when Mrs. Baird, catching sight of them, held out a welcoming hand. "How do you do, Mr. Pendleton?" she asked. "And is this Marianna? My dear," she added, putting her hand on Polly's shoulder, "I hope you are going to be very happy and contented with us." It was perhaps the fiftieth time Mrs. Baird had made that same remark that day, but Polly, looking into her kindly blue eyes, felt, as had every other new girl at Seddon Hall, the complete understanding and sympathy of the older woman, and felt, too, without knowing why, that Mrs. Baird had had her first day at boarding-school. Louise Preston, one of the Seniors, a slender girl of seventeen, with heaps of taffy- hair, big blue eyes, and the sweetest and jolliest smile, caught her principal's beckoning nod, and coming forward, was presented. Mrs. Baird suggested that she take Polly and show her to her room. As the two girls mounted the broad staircase, Louise linked her arm in Polly's in a big sisterly fashion, and began the conversation. "This floor that we're coming to," she explained, "is Study Hall floor; all those doors are classrooms. This is the Bridge of Sighs," she continued, stopping before a covered passage which led from one building to another. "Why the Bridge of Sighs?" inquired Polly. They were crossing it as she asked. When they reached the other side, Louise solemnly pointed to a door on the left. "That," she explained, "is Miss Hale's room. Miss Hale is the Latin teacher, and when you know her, you'll understand
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Transcribed from the 1894 Chapman and Hall edition of "Christmas Stories" by David Price, email [email protected] GOING INTO SOCIETY At one period of its reverses, the House fell into the occupation of a Showman. He was found registered as its occupier, on the parish books of the time when he rented the House, and there was therefore no need of any clue to his name. But, he himself was less easy to be found; for, he had led a wandering life, and settled people had lost sight of him, and people who plumed themselves on being respectable were shy of admitting that they had ever known anything of him. At last, among the marsh lands near the river's level, that lie about Deptford and the neighbouring market-gardens, a Grizzled Personage in velveteen, with a face so cut up by varieties of weather that he looked as if he had been tattooed, was found smoking a pipe at the door of a wooden house on wheels. The wooden house was laid up in ordinary for the winter, near the mouth of a muddy creek; and everything near it, the foggy river, the misty marshes, and the steaming market-gardens, smoked in company with the grizzled man. In the midst of this smoking party, the funnel-chimney of the wooden house on wheels was not remiss, but took its pipe with the rest in a companionable manner. On being asked if it were he who had once rented the House to Let, Grizzled Velveteen looked surprised, and said yes. Then his name was Magsman? That was it, Toby Magsman--which lawfully christened Robert; but called in the line, from a infant, Toby. There was nothing agin Toby Magsman, he believed? If there was suspicion of such--mention it! There was no suspicion of such, he might rest assured. But, some inquiries were making about that House, and would he object to say why he left it? Not at all; why should he? He left it, along of a Dwarf. Along of a Dwarf? Mr. Magsman repeated, deliberately and emphatically, Along of a Dwarf. Might it be compatible with Mr. Magsman's inclination and convenience to enter, as a favour, into a few particulars? Mr. Magsman entered into the following particulars. It was a long time ago, to begin with;--afore lotteries and a deal more was done away with. Mr. Magsman was looking about for a good pitch, and he see that house, and he says to himself, "I'll have you, if you're to be had. If money'll get you, I'll have you." The neighbours cut up rough, and made complaints; but Mr. Magsman don't know what they _would_ have had. It was a lovely thing. First of all, there was the canvass, representin the picter of the Giant, in Spanish trunks and a ruff, who was himself half the heighth of the house, and was run up with a line and pulley to a pole on the roof, so that his Ed was coeval with the parapet. Then, there was the canvass, representin the picter of the Albina lady, showing her white air to the Army and Navy in correct uniform. Then, there was the canvass, representin the picter of the Wild Indian a scalpin a member of some foreign nation. Then, there was the canvass, representin the picter of a child of a British Planter, seized by two Boa Constrictors--not that _we_ never had no child, nor no Constrictors neither. Similarly, there was the canvass, representin the picter of the Wild Ass of the Prairies--not that _we_ never had no wild asses, nor wouldn't have had 'em at a gift. Last, there was the canvass, representin the picter of the Dwarf, and like him too (considerin), with George the Fourth in such a state of astonishment at him as His Majesty couldn't with his utmost politeness and stoutness express. The front of the House was so covered with canvasses, that there wasn't a spark of daylight ever visible on that side. "MAGSMAN'S AMUSEMENTS," fifteen foot long by two foot high, ran over the front door and parlour winders
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Produced by Richard Hulse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber’s Notes Punctuation has been standardized. Characters in small caps have been replaced by all caps. Non-printable characteristics have been given the following transliteration: Italic text: --> _text_ This book was written in a period when many words had not become standardized in their spelling. Words may have multiple spelling variations or inconsistent hyphenation in the text. These have been left unchanged. _Lincoln and the Sleeping Sentinel_ Illustration: LINCOLN.--From a painting by Howard Pyle LINCOLN AND THE SLEEPING SENTINEL THE TRUE STORY TOLD BY L. E. CHITTENDEN REGISTER OF THE TREASURY, 1861-65 AND AUTHOR OF “RECOLLECTIONS OF PRESIDENT LINCOLN AND HIS ADMINISTRATION” WITH PORTRAITS Illustration: Publisher’s Seal NEW YORK AND LONDON HARPER & BROTHERS PUBLISHERS MCMIX Copyright, 1909, by HARPER & BROTHERS. _All rights reserved._ Published January, 1909. _Illustrations_ LINCOLN.--From a painting by Howard Pyle _Frontispiece_ LINCOLN IN 1857.--From a photograph in the collection of Charles Carleton Coffin _Facing p._ 20 LINCOLN AND HIS SON THOMAS, KNOWN AS “TAD.” --From a photograph by Brady ″ 28 LINCOLN.--From the statue by Augustus St. Gaudens, at Lincoln Park, Chicago ″ 36 LINCOLN IN 1865.--From a photograph by Rice ″ 46 _Introduction_ Without any attempt at biographical details or an appreciation, a few chief facts in Abraham Lincoln’s great career may be helpfully recalled to the minds of readers. His ancestors were Quakers in Berks County, Pennsylvania. His parents, born in Virginia, were influenced by the current of migration across the Alleghanies, and were carried first to Kentucky and afterward to Indiana. It was in Hardin County, Kentucky, that Abraham Lincoln was born, February 12, 1809, the child of these humble settlers. Compared with the opportunities of the present-day boy, his chances seemed desperate indeed. His attendance at a regular school covered hardly more than a year. Nearly all the education which, among other gifts, enriched him with such a mastery of the English tongue he acquired painfully by himself. It was a question of necessities, of aiding to wrest a livelihood from a new country that confronted the boy, and so we find him at work, and at nineteen entering a larger world of practical affairs by helping to guide a flat-boat down the Mississippi to New Orleans. What he had to do was done so faithfully that his employer promoted him to be a clerk, and gave him charge of a store and mill at New Salem, Illinois. The first public recognition of Lincoln’s character came in his election as captain of a company in the war against Black Hawk and his band of rebellious Indians in 1832. This was followed by his appointment as postmaster at New Salem, Illinois, which gave him better opportunities for study--opportunities so well improved that he was admitted to practise as a lawyer in 1836. He began his professional career at Springfield, Illinois. Law and politics were almost inseparable, and as Lincoln rose in his profession, and became noted for the shrewd common-sense and the dry humor of his speeches at public meetings, he gained more and more prominence as a leading member of the old Whig party in Illinois. The next steps were natural ones--repeated elections to the Legislature of Illinois, and then a nomination for Congress, which led to his election in 1847. At Washington he made his mark particularly as an opponent of slavery. Then followed, in 1858, his selection as a candidate for the United States Senate against Stephen A. Douglas, which involved a series of historic debates over the slavery question. The popular voice was for Lincoln, but the Legislature elected Douglas. From this contest Lincoln emerged with a standing which finally brought to him the Republican nomination for the presidency over William H. Seward in the stormy days of 1860. Lincoln’s great career as the sixteenth President of the United States, from 1861 to 1865, is not to be entered upon in this outline of facts. His superhuman part in preserving
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Produced by Chris Curnow, Irma Spehar and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE WITCHES OF NEW YORK, AS ENCOUNTERED BY Q. K. PHILANDER DOESTICKS, P. B. NEW YORK: RUDD & CARLETON, 310 BROADWAY. MDCCCLIX. Entered according to Act of Congress, in the year 1858, by RUDD & CARLETON, In the Clerk's Office of the District Court of the United States for the Southern District of New York. R. CRAIGHEAD, Printer, Stereotyper, and Electrotyper, Carton Building, _81, 83, and 85 Centre Street_. PREFACE. What the Witches of New York City personally told me, Doesticks, you will find written in this volume, without the slightest exaggeration or perversion. I set out now with no intention of misrepresenting anything that came under my observation in collecting the material for this book, but with an honest desire to tell the simple truth about the people I encountered, and the prophecies I paid for. So far from desiring to do any injustice to the Fortune Tellers of the Metropolis, I sincerely hope that my labors may avail something towards making their true deservings more widely appreciated, and their fitting reward more full and speedy. I am satisfied that so soon as their character is better understood, and certain peculiar features of their business more thoroughly comprehended by the public, they will meet with more attention from the dignitaries of the land than has ever before been vouchsafed them. I thank the public for the flattering consideration paid to what I have heretofore written, and respectfully submit that if they would increase the obligation, perhaps the readiest way is to buy and read the present volume. THE AUTHOR. _Sept. 20th, 1858._ CONTENTS. CHAPTER I. is simply Explanatory so far as regards the book, but in it the author takes occasion to pay himself several merited compliments on the score of honesty, ability, &c., &c., &c. 15 CHAPTER II. is devoted to the glorification of Madame Prewster, of No. 373 Bowery, the Pioneer Witch of New York. The "Individual" also herein bears his testimony that she is oily and water-proof. 27 CHAPTER III. wherein are related divers strange things of Madame Bruce, the "Mysterious Veiled Lady," of No. 513 Broome Street. 51 CHAPTER IV. Relates the marvellous performances of Madame Widger, of No. 3 First Avenue, and how she looks into the future through a paving-stone. 73 CHAPTER V. Discourses of Mrs. Pugh, of No. 102 South First Street, Williamsburgh, and tells what that Nursing Sorceress communicated to the Cash Customer. 99 CHAPTER VI. in which are narrated the wonderful workings of Madame Morrow, the "Astonisher," of No. 76 Broome Street, and how by a Crinolinic Stratagem the "Individual" got a sight of his "Future Husband." 123 CHAPTER VII. contains a full account of the interview of the Cash Customer with Doctor Wilson, the Astrologer, of No. 172 Delancey Street. The Fates decree that he shall "pizon his first wife." HOORAY! 147 CHAPTER VIII. gives a history of how Mrs. Hayes, the Clairvoyant, of No. 176 Grand Street, does the Conjuring Trick. 169 CHAPTER IX. tells all about Mrs. Seymour, the Clairvoyant, of No. 110 Spring Street, and what she had to say. 195 CHAPTER X. describes Madame Carzo, the "Brazilian Astrologist," and gives all the romantic adventures of the "Individual" with the gay South American Maid. 215 CHAPTER XI. In which is set down the prophecy of Madame Leander Lent, of No. 163 Mulberry Street; and how she promised her customer numerous wives and children. 239 CHAPTER XII. Wherein are described all the particulars of a visit to the "Gipsy Girl," of No. 207 Third Avenue; with an allusion to Gin, and other luxuries dear to the heart of that beautiful Rover. 261 CHAPTER XIII. contains a true account of the Magic Establishment of Mrs. Fleury, of No. 263 Broome Street; and also shows the exact amount of Witchcraft that snuffy personage can afford for one dollar. 281
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Produced by Bruce Albrecht, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net THE ROAD-BUILDERS [Illustration: The M M Co] [Illustration: "'there,' he cried,... 'there, boys! that means red hills or bust.'" _Frontispiece_] The Road-Builders BY SAMUEL MERWIN AUTHOR OF "THE MERRY ANNE," JOINT AUTHOR OF "CALUMET 'K,'" "THE SHORT LINE WAR," ETC. WITH ILLUSTRATIONS BY F. B. MASTERS TORONTO THE MACMILLAN CO. OF CANADA, LTD. 1910 COPYRIGHT, 1905, BY THE MACMILLAN COMPANY. Set up and electrotyped. Published October, 1905. Reprinted April, 1906. Norwood Press J. S. Cushing & Co.--Berwick & Smith Co. Norwood, Mass., U.S.A. _TO MY LITTLE SON_ NOTE A part of this story was printed serially in _The Saturday Evening Post_ under the title, "A Link in the Girdle." CONTENTS CHAPTER PAGE I. YOUNG VAN ENGAGES A COOK 1 II. WHERE THE MONEY CAME FROM 22 III. AT MR. CARHART'S CAMP 37 IV. JACK FLAGG SEES STARS 66 V. WHAT THEY FOUND AT THE WATER-HOLE 97 VI. THE ROAD TO TOTAL WRECK 138 VII. THE SPIRIT OF THE JOB 185 VIII. SHOTS--AND A SCOUTING PARTY 219 IX. A SHOW-DOWN 246 X.
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Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team. BEES IN AMBER A LITTLE BOOK OF THOUGHTFUL VERSE BY JOHN OXENHAM 1913 TO THOSE I HOLD DEAREST THIS OF MY BEST. CONTENTS CREDO NEW YEAR'S DAY AND EVERYDAY PHILOSOPHER'S GARDEN FLOWERS OF THE DUST THE PILGRIM WAY EVERYMAID BETTER AND BEST THE SHADOW THE POTTER NIGHTFALL THE PRUNER THE WAYS SEEDS WHIRRING WHEELS THE BELLS OF YS THE LITTLE POEM OF LIFE CUP OF MIXTURE WEAVERS ALL THE CLEARER VISION SHADOWS THE INN OF LIFE LIFE'S CHEQUER-BOARD CROSS-ROADS QUO VADIS? TAMATE BURDEN-BEARERS THE IRON FLAIL SARK E.A. THE PASSING OF THE QUEEN THE GOLDEN CORD THANK GOD FOR PEACE! GOD'S HANDWRITING STEPHEN--SAUL PAUL WAKENING MACEDONIA, 1903 HEARTS IN EXILE WANDERED BIDE A WEE! THE WORD THAT WAS LEFT UNSAID DON'T WORRY! THE GOLDEN ROSE GADARA, A.D. 31 THE BELLS OF STEPAN ILINE BOLT THAT DOOR! GIANT CIRCUMSTANCE THE HUNGRY SEA WE THANK THEE, LORD THE VAIL NO EAST OR WEST THE DAY--THE WAY LIBERTY, EQUALITY, FRATERNITY FREEMEN THE LONG ROAD THE CHRIST THE BALLAD OF LOST SOULS PROFIT AND LOSS FREE MEN OF GOD TREASURE-TROVE THE GATE BRING US THE LIGHT ALL'S WELL! HIS MERCY ENDURETH FOR EVER GOD IS GOOD SOME--AND SOME THE PRINCE OF LIFE JUDGMENT DAY DARKNESS AND LIGHT INDIA LIVINGSTONE LIVINGSTONE THE BUILDER LIVINGSTONE'S SOLILOQUY KAPIOLANI THEY COME! PROCESSIONALS FAITH "I WILL!" A LITTLE TE DEUM OF THE COMMONPLACE POLICEMAN X YOUR PLACE IN NARROW WAYS SHUT WINDOWS PROPS BED-ROCK AFTER WORK KAPIOLANI IN RAROTONGAN AUTHOR'S APOLOGY In these rushful days an apology is advisable, if not absolutely essential, from any man, save the one or two elect, who has the temerity to publish a volume of verse. These stray lines, such as they are, have come to me from time to time, I hardly know how or whence; certainly not of deliberate intention or of malice aforethought. More often than not they have come to the interruption of other, as it seemed to me, more important--and undoubtedly more profitable--work. They are for the most part, simply attempts at concrete and rememberable expression of ideas--ages old most of them--which "asked for more." Most writers, I imagine, find themselves at times in that same predicament--worried by some thought which dances within them and stubbornly refuses to be satisfied with the sober dress of prose. For their own satisfaction and relief, in such a case, if they be not fools they endeavour to garb it more to its liking, and so find peace. Or, to vary the metaphor, they pluck the Bee out of their Bonnet and pop it into such amber as they happen to have about them or are able to evolve, and so put an end to its buzzing. In their previous states these little Bonnet-Bees of mine have apparently given pleasure to quite a number of intelligent and thoughtful folk; and now--chiefly, I am bound to say, for my own satisfaction in seeing them all together--I have gathered them into one bunch. If they please you--good! If not, there is no harm done, and one man is content. JOHN OXENHAM CREDO Not what, but WHOM, I do believe, That, in my darkest hour of need, Hath comfort that no mortal creed To mortal man may give;-- Not what, but WHOM! For Christ is more than all the creeds, And His full life of gentle deeds Shall all the creeds outlive. Not what I do believe, but WHOM! WHO walks beside me in the gloom? WHO shares the burden wearisome? WHO all the dim way doth illume, And bids me look beyond the tomb The larger life to live?-- Not what I do believe, BUT WHOM! Not what, But WHOM! NEW YEAR'S DAY--AND EVERY DAY _Each man is Captain of his Soul, And each man his own Crew, But the Pilot knows the Unknown Seas, And He will bring us through_. We break new seas to-day,-- Our eager keels quest unaccustomed waters, And, from the vast uncharted waste in front, The mystic circles leap To greet our prows with mightiest possibilities; Bringing us--what? --Dread shoals and shifting banks? --And calms and storms? --And clouds and biting gales? --And wreck and loss? --And valiant fighting-times? And, maybe, Death!--and so, the Larger Life! _For should the Pilot deem it best To cut the voyage short, He sees beyond the sky-line, and He'll bring us into Port_. And, maybe, Life,--Life on a bounding tide, And chance of glorious deeds;-- Of help swift-born to drowning mariners; Of cheer to ships dismasted in the gale; Of succours given unasked and joyfully; Of mighty service to all needy souls. _So--Ho for the Pilot's orders, Whatever course He makes! For He sees beyond the sky-line, And He never makes mistakes_. And, maybe, Golden Days, Full freighted with delight! --And wide free seas of unimagined bliss, --And Treasure Isles, and Kingdoms to be won, --And Undiscovered Countries, and New Kin. _For each man captains his own Soul, And chooses his own Crew, But the Pilot knows
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Produced by Sonya Schermann, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Ingersoll Lectures on Immortality IMMORTALITY AND THE NEW THEODICY. By George A. Gordon. 1896. HUMAN IMMORTALITY. Two supposed Objections to the Doctrine. By William James. 1897. DIONYSOS AND IMMORTALITY: The Greek Faith in Immortality as affected by the rise of Individualism. By Benjamin Ide Wheeler. 1898. THE CONCEPTION OF IMMORTALITY. By Josiah Royce. 1899. LIFE EVERLASTING. By John Fiske. 1900. SCIENCE AND IMMORTALITY. By William Osler. 1904. THE ENDLESS LIFE. By Samuel M. Crothers. 1905. INDIVIDUALITY AND IMMORTALITY. By Wilhelm Ostwald. 1906. THE HOPE OF IMMORTALITY. By Charles F. Dole. 1907. BUDDHISM AND IMMORTALITY. By William S. Bigelow. 1908. IS IMMORTALITY DESIRABLE? By G. Lowes Dickinson. 1909. EGYPTIAN CONCEPTIONS OF IMMORTALITY. By George A. Reisner. 1911. INTIMATIONS OF IMMORTALITY IN THE SONNETS OF SHAKESPEARE. By George H. Palmer. 1912. METEMPSYCHOSIS. By George Foot Moore. 1914. PAGAN IDEAS OF IMMORTALITY DURING THE EARLY ROMAN EMPIRE. By Clifford Herschel Moore. 1918. PAGAN IDEAS OF IMMORTALITY DURING THE EARLY ROMAN EMPIRE The Ingersoll Lecture, 1918 Pagan Ideas of Immortality During the Early Roman Empire By Clifford Herschel Moore, Ph.D., Litt.D. _Professor of Latin in Harvard University_ [Illustration: colophon] Cambridge Harvard University Press London: Humphrey Milford Oxford University Press 1918 COPYRIGHT, 1918 HARVARD UNIVERSITY PRESS THE INGERSOLL LECTURESHIP _Extract from the will of Miss Caroline Haskell Ingersoll, who died in Keene, County of Cheshire, New Hampshire, Jan. 26, 1893_ _First._ In carrying out the wishes of my late beloved father, George Goldthwait Ingersoll, as declared by him in his last will and testament, I give and bequeath to Harvard University in Cambridge, Mass., where my late father was graduated, and which he always held in love and honor, the sum of Five thousand dollars ($5,000) as a fund for the establishment of a Lectureship on a plan somewhat similar to that of the Dudleian lecture, that is--one lecture to be delivered each year, on any convenient day between the last day of May and the first day of December, on this subject, “the Immortality of Man,” said lecture not to form a part of the usual college course, nor to be delivered by any Professor or Tutor as part of his usual routine of instruction, though any such Professor or Tutor may be appointed to such service. The choice of said lecturer is not to be limited to any one religious denomination, nor to any one profession, but may be that of either clergyman or layman, the appointment to take place at least six months before the delivery of said lecture. The above sum to be safely invested and three fourths of the annual interest thereof to be paid to the lecturer for his services and the remaining fourth to be expended in the publishment and gratuitous distribution of the lecture, a copy of which is always to be furnished by the lecturer for such purpose. The same lecture to be named and known as “the Ingersoll lecture on the Immortality of Man.” PAGAN IDEAS OF IMMORTALITY DURING THE EARLY ROMAN EMPIRE I The invitation of the committee charged with the administration of the Ingersoll lectureship and my own inclination have agreed in indicating that aspect of the general subject of immortality, which I shall try to present tonight. I shall not venture on this occasion to advance arguments for or against belief in a life after death; my present task is a humbler one: I propose to ask you to review with me some of the more significant ideas concerning an existence beyond the grave, which were current in the Greco-Roman world in the time of Jesus and during the earlier Christian centuries, and to consider briefly the relation of these pagan beliefs to Christian ideas on the same subject. In dealing with a topic so vast
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) HOMER MARTIN A REMINISCENCE [Illustration: HOMER MARTIN From a photograph taken in England in 1892] HOMER MARTIN A REMINISCENCE [Illustration] OCTOBER 28, 1836—FEBRUARY 12, 1897 NEW YORK WILLIAM MACBETH 1904 Copyright, 1904, by WILLIAM MACBETH [Illustration] ILLUSTRATIONS PORTRAIT OF HOMER MARTIN _Frontispiece_ FACING PAGE NORMANDY TREES 6 THE DUNES 12 ON THE HUDSON 18 BLOSSOMING TREES 24 THE HAUNTED HOUSE 28 THE CRIQUEBŒUF CHURCH 32 GOLDEN SANDS 36 ON THE SEINE (“HARP OF THE WINDS”) 40 TREES NEAR VILLERVILLE 46 CAPE TRINITY 52 A NEWPORT LANDSCAPE 56 The publisher cordially thanks the friends who kindly lent the pictures which have been reproduced to illustrate these pages. INTRODUCTION During the last year I have more than once been told that an authoritative biographical sketch of my husband ought to be written and I have never felt inclined to dispute the statement as an abstract proposition. But when it is followed by the direct question: “Who so capable of writing it as you?” the names of one or two of his personal friends inevitably present themselves as belonging to practised writers and connoisseurs of art, who might, perhaps, need the aid of dates or facts I could supply, but who, in more essential respects, would be altogether better equipped for the task. Homer Martin was so intensely masculine, so preëminently a man’s man, that he must necessarily have escaped thorough comprehension by any woman. And this, I think, is the chief reason why I have so long delayed, why I am even now inclined to shirk altogether, the fulfilment of my reluctant promise to put on paper some of my memories of the years we spent together. The question made me smile when it was propounded more than a year ago, but since then it has often made me ponder. Doubtless no one else has had so long and intimate an acquaintance with various phases of his character and circumstances; doubtless, too, it was not merely as an artist that he commanded attention and attracted life-long friends. Yet I suppose it must be solely in this character that he appeals to the majority of those who are now attaining to a tardy appreciation of his achievement as a whole. It is not in my power to hasten that. When I first met him my ignorance of art—at any rate on its pictorial side—was dense; and if it has been somewhat mitigated since, that result is due solely to him and largely to his own works. Is not this tantamount to expressing my conviction that those who wish to increase their knowledge of Homer Martin as an artist can do so much more satisfactorily by studying the landscapes into which he has put as much of his best self as any man could part with and live, than by reading anything I find it possible to say about him? Aspects of external nature are inextricably blended in these with the mind, moods, and personality of the painter. Years before he had quite succeeded in mastering his material, I remember the late John Richard Dennett saying of them: “Martin’s landscapes look as if no one but God and himself had ever seen the places.” There is an austerity, a remoteness, a certain savagery in even the sunniest and most peaceful of them, which were also in him, and an instinctive perception of which had made me say to him in the very earliest days of our acquaintance that he reminded me of Ishmael. They formed, I think, the substratum of his personality. Needless to add, for those who knew him even slightly, that he had other phases. Though the human verb in him was one and singular, its moods were many. ELIZABETH GILBERT MARTIN. A REMINISCENCE [Illustration] A REMINISCENCE Homer Dodge Martin, fourth child and youngest son of Homer Martin and Sarah Dodge, was born in Albany, N. Y., in a house on Park Street, October 28, 1836. That was my own native city, but although we must have lived for years in the same neighborhood, he was past twenty-two and I in my twenty-first year when we first became
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Produced by Sue Asscher THE STORY OF AN AFRICAN FARM by (AKA Ralph Iron) Olive Schreiner Preface. I have to thank cordially the public and my critics for the reception they have given this little book. Dealing with a subject that is far removed from the round of English daily life, it of necessity lacks the charm that hangs about the ideal representation of familiar things, and its reception has therefore been the more kindly. A word of explanation is necessary. Two strangers appear on the scene, and some have fancied that in the second they have again the first, who returns in a new guise. Why this should be we cannot tell; unless there is a feeling that a man should not appear upon the scene, and then disappear, leaving behind him no more substantial trace than a mere book; that he should return later on as husband or lover, to fill some more important part than that of the mere stimulator of thought. Human life may be painted according to two methods. There is the stage method. According to that each character is duly marshalled at
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AMERICA, VOL. II (OF 8)*** E-text prepared by Giovanni Fini, Dianna Adair, Bryan Ness, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (https://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the more than 300 original illustrations. See 50883-h.htm or 50883-h.zip: (http://www.gutenberg.org/files/50883/50883-h/50883-h.htm) or (http://www.gutenberg.org/files/50883/50883-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See https://archive.org/details/narrcrithistamerica02winsrich Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). A carat character is used to denote superscription. A single character following the carat is superscripted (example: XV^e). Multiple superscripted characters are enclosed by curly brackets (example: novam^{te}). Spanish Explorations and Settlements in America from the Fifteenth to the Seventeenth Century [Illustration] NARRATIVE AND CRITICAL HISTORY OF AMERICA Edited by JUSTIN WINSOR Librarian of Harvard University Corresponding Secretary Massachusetts Historical Society VOL. II Boston and New York Houghton, Mifflin and Company The Riverside Press, Cambridge Copyright, 1886, by Houghton, Mifflin and Company. All rights reserved. CONTENTS AND ILLUSTRATIONS. [_The Spanish arms on the title are copied from the titlepage of Herrera._] INTRODUCTION. PAGE DOCUMENTARY SOURCES OF EARLY SPANISH-AMERICAN HISTORY. _The Editor_ i CHAPTER I. COLUMBUS AND HIS DISCOVERIES. _The Editor_ 1 ILLUSTRATIONS: Columbus’ Armor, 4; Parting of Columbus with Ferdinand and Isabella, 6; Early Vessels, 7; Building a Ship, 8; Course of Columbus on his First Voyage, 9; Ship of Columbus’ Time, 10; Native House in Hispaniola, 11; Curing the Sick, 11; The Triumph of Columbus, 12; Columbus at Hispaniola, 13; Handwriting of Columbus, 14; Arms of Columbus, 15; Fruit-trees of Hispaniola, 16; Indian Club, 16; Indian Canoe, 17, 17; Columbus at Isla Margarita, 18; Early Americans, 19; House in which Columbus died, 23. CRITICAL ESSAY 24 ILLUSTRATIONS: Ptolemy, 26, 27; Albertus Magnus, 29; Marco Polo, 30; Columbus’ Annotations on the _Imago Mundi_, 31; on Æneas Sylvius, 32; the Atlantic of the Ancients, 37; Prince Henry the Navigator, 39; his Autograph, 39; Sketch-map of Portuguese Discoveries in Africa, 40; Portuguese Map of the Old World (1490), 41; Vasco da Gama and his Autograph, 42; Line of Demarcation (Map of 1527), 43; Pope Alexander VI., 44. NOTES 46 A, First Voyage, 46; B, Landfall, 52; C, Effect of the Discovery in Europe, 56; D, Second Voyage, 57; E, Third Voyage, 58; F, Fourth Voyage, 59; G, Lives and Notices of Columbus, 62; H, Portraits of Columbus, 69; I, Burial and Remains of Columbus, 78; J, Birth of Columbus, and Accounts of his Family, 83. ILLUSTRATIONS: Fac-simile of first page of Columbus’ Letter, No. III., 49; Cut on reverse of Title of Nos. V. and VI., 50; Title of No. VI., 51; The Landing of Columbus, 52; Cut in German Translation of the First Letter, 53; Text of the German Translation, 54; the Bahama Group (map), 55; Sign-manuals of Ferdinand and Isabella, 56; Sebastian Brant, 59; Map of Columbus’ Four Voyages, 60, 61; Fac-simile of page in the Glustiniani Psalter, 63; Ferdinand Columbus’ Register of Books, 65; Autograph of Humboldt,
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Produced by John Bickers; Dagny THE PEOPLE OF THE MIST By H. Rider Haggard First Published 1894. DEDICATION I DEDICATE THIS EFFORT OF "PRIMEVAL AND TROGLODYTE IMAGINATION" THIS RECORD OF BAREFACED AND FLAGRANT ADVENTURE TO MY GODSONS IN THE HOPE THAT THEREIN THEY MAY FIND SOME STORE OF HEALTHY AMUSEMENT. _Ditchingham_, 1894. AUTHOR'S NOTE On several previous occasions it has happened to this writer of romance to be justified of his romances by facts of startling similarity, subsequently brought to light and to his knowledge. In this tale occurs an instance of the sort, a "double-barrelled" instance indeed, that to him seems sufficiently curious to be worthy of telling. The People of the Mist of his adventure story worship a sacred crocodile to which they make sacrifice, but in the original draft of the book this crocodile was a snake--_monstrum horrendum, informe, ingens_. A friend of the writer, an African explorer of great experience who read that draft, suggested that the snake was altogether too unprecedented and impossible. Accordingly, also at his suggestion, a crocodile was substituted. Scarcely was this change effected, however, when Mr. R. T. Coryndon, the slayer of almost the last white rhinoceros, published in the _African Review_ of February 17, 1894, an account of a huge and terrific serpent said to exist in the Dichwi district of Mashonaland, that in many particulars resembled the snake of the story, whose prototype, by the way, really lives and is adored as a divinity by certain natives in the remote province of Chiapas in Mexico. Still, the tale being in type, the alteration was suffered to stand. But now, if the _Zoutpansberg Review_ may be believed, the author can take credit for his crocodile also, since that paper states that in the course of the recent campaign against Malaboch, a chief living in the north of the Transvaal, his fetish or god was captured, and that god, a crocodile fashioned in wood, to which offerings were made. Further, this journal says that among these people (as with the ancient Egyptians), the worship of the crocodile is a recognised cult. Also it congratulates the present writer on his intimate acquaintance with the more secret manifestations of African folklore and beast worship. He must disclaim the compliment in this instance as, when engaged in inventing the 'People of the Mist,' he was totally ignorant that any of the Bantu tribes reverenced either snake or crocodile divinities. But the coincidence is strange, and once more shows, if further examples of the fact are needed, how impotent are the efforts of imagination to vie with hidden truths--even with the hidden truths of this small and trodden world. _September_ 20, 1894. THE PEOPLE OF THE MIST CHAPTER I THE SINS OF THE FATHER ARE VISITED ON THE CHILDREN The January afternoon was passing into night, the air was cold and still, so still that not a single twig of the naked beech-trees stirred; on the grass of the meadows lay a thin white rime, half frost, half snow; the firs stood out blackly against a steel-hued sky, and over the tallest of them hung a single star. Past these bordering firs there ran a road, on which, in this evening of the opening of our story, a young man stood irresolute, glancing now to the right and now to the left. To his right were two stately gates of iron fantastically wrought, supported by stone pillars on whose summits stood griffins of black marble embracing coats of arms, and banners inscribed with the device _Per ardua ad astra_. Beyond these gates ran a broad carriage drive, lined on either side by a double row of such oaks as England alone can produce under the most favourable circumstances of soil, aided by the nurturing hand of man and three or four centuries of time. At the head of this avenue, perhaps half a mile from the roadway, although it looked nearer because of the eminence upon which it was placed, stood a mansion of the class that in auctioneers' advertisements is usually described as "noble." Its general appearance was Elizabethan, for in those days some forgotten Outram had practically rebuilt it; but a large part of its fabric was far more ancient than the Tudors, dating back, so said tradition, to the time of King John. As we are not auctioneers, however, it will be unnecessary to specify its many beauties; indeed, at this date, some of the tribe had recently employed their gift of language on these attractions with copious fulness and accuracy of detail, since Outram Hall, for
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: FRANK WAS LIFTED BY MAIN FORCE AND PLACED IN IT.--_Page 228._] THE BOY AVIATORS' FLIGHT FOR A FORTUNE BY CAPTAIN WILBUR LAWTON AUTHOR OF "THE BOY AVIATORS," "DREADNOUGHT BOYS," ETC. _ILLUSTRATED BY_ _CHARLES L. WRENN_ NEW YORK HURST & COMPANY PUBLISHERS Copyright, 1912, BY HURST & COMPANY CONTENTS CHAPTER PAGE I. On Brig Island 5 II. The Wireless 22 III. A Night Alarm 36 IV. Cut Adrift 45 V. Adventures on the Hulk 56 VI. Harry Meets an Old Friend 66 VII. A Puzzling Problem 80 VIII. The Derelict Destroyer 89 IX. The Flight of the "Sea Eagle" 97 X. "C. Q. D.!" 112 XI. "Good Luck!" 121 XII. Through the Night 129 XIII. A Twentieth-Century Rescue 137 XIV. Ben's Plan Stolen 148 XV. What Happened Ashore 158 XVI. Off on the "Air Route" 170 XVII. An Aerial Ambulance 180 XVIII. An Errand of Mercy 189 XIX. Plumbo Found Wanting 199 XX. Frank's Battle 209 XXI. A Rascally Trick 219 XXII. Reunited! 230 XXIII. Off Once More 237 XXIV. A Struggle for Life 246 XXV. A Race to Cloudland 253 XXVI. The Boy Aviators' Pluck 264 XXVII. Captured by Aeroplane 275 THE BOY AVIATORS' FLIGHT FOR A FORTUNE CHAPTER I.--ON BRIG ISLAND. The sharp bow of Zenas Daniels' green and red dory grazed the yellow beach on the west shore of Brig Island, a wooded patch of land lying about a mile off the Maine Shore in the vicinity of Casco Bay. His son Zeb, a lumbering, uncouth-looking lad of about eighteen, with a pronounced squint, leaped from the craft as it was beached, and seized hold of the frayed painter preparatory to dragging her farther up the beach. In the meantime Zenas himself, brown and hatchetlike of face, and lean of figure--with a tuft of gray whisker on his sharp chin, like an old-fashioned knocker on a mahogany door--gathered up a pile of lobster pots from the stern of the dory and shouldered them. A few lay loose, and those he flung out on the beach. These last Zeb gathered up, and as his
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Produced by David Widger THE DIARY OF SAMUEL PEPYS M.A. F.R.S. CLERK OF THE ACTS AND SECRETARY TO THE ADMIRALTY TRANSCRIBED FROM THE SHORTHAND MANUSCRIPT IN THE PEPYSIAN LIBRARY MAGDALENE COLLEGE CAMBRIDGE BY THE REV. MYNORS BRIGHT M.A. LATE FELLOW AND PRESIDENT OF THE COLLEGE (Unabridged) WITH LORD BRAYBROOKE'S NOTES 1964 By Samuel Pepys Edited With Additions By Henry B. Wheatley F.S.A. LONDON GEORGE BELL & SONS YORK ST. COVENT GARDEN CAMBRIDGE DEIGHTON BELL & CO. 1893 JANUARY 1663-1664 January 1st, Went to bed between 4 and 5 in the morning with my mind in good temper of satisfaction and slept till about 8, that many people came to speak with me. Among others one came with the best New Year's gift that ever I had, namely from Mr. Deering, with a bill of exchange drawn upon himself for the payment of L50 to Mr. Luellin. It being for my use with a letter of compliment. I am not resolved what or how to do in this business, but I conclude it is an extraordinary good new year's gift, though I do not take the whole, or if I do then give some of it to Luellin. By and by comes Captain Allen and his son Jowles and his wife, who continues pretty still. They would have had me set my hand to a certificate for his loyalty, and I know not what his ability for any employment. But I did not think it fit, but did give them a pleasing denial, and after sitting with me an hour they went away. Several others came to me about business, and then being to dine at my uncle Wight's I went to the Coffee-house, sending my wife by Will, and there staid talking an hour with Coll. Middleton, and others, and among other things about a very rich widow, young and handsome, of one Sir Nicholas Gold's, a merchant, lately fallen, and of great courtiers that already look after her: her husband not dead a week yet. She is reckoned worth L80,000. Thence to my uncle Wight's, where Dr. of-----, among others, dined, and his wife, a seeming proud conceited woman, I know not what to make of her, but the Dr's. discourse did please me very well about the disease of the stone, above all things extolling Turpentine, which he told me how it may be taken in pills with great ease. There was brought to table a hot pie made of a swan I sent them yesterday, given me by Mr. Howe, but we did not eat any of it. But my wife and I rose from table, pretending business, and went to the Duke's house, the first play I have been at these six months, according to my last vowe, and here saw the so much cried-up play of "Henry the Eighth;" which, though I went with resolution to like it, is so simple a thing made up of a great many patches, that, besides the shows and processions in it, there is nothing in the world good or well done. Thence mightily dissatisfied back at night to my uncle Wight's, and supped with them, but against my stomach out of the offence the sight of my aunt's hands gives me, and ending supper with a mighty laugh, the greatest I have had these many months, at my uncle's being out in his grace after meat, we rose and broke up, and my wife and I home and to bed, being sleepy since last night. 2nd. Up and to the office, and there sitting all the morning, and at noon to the 'Change, in my going met with Luellin and told him how I had received a letter and bill for L50 from Mr. Deering, and delivered it to him, which he told me he would receive for me. To which I consented, though professed not to desire it if he do not consider himself sufficiently able by the service I have done, and that it is rather my desire to have nothing till he be further sensible of my service. From the 'Change I brought him home and dined with us, and after dinner I took my wife out, for I do find that I am not able to conquer myself as to going to plays till I come to some new vowe concerning it, and that I am now come, that is to say, that I will not see above one in a month at any of the publique theatres till the sum of 50s. be spent, and then none before New Year's Day next, unless that I do become worth L1000 sooner than then, and then am free to come to some other terms, and so leaving him in Lombard Street I took her to the King's house, and there met Mr. Nicholson, my old colleague, and saw "The Usurper
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Produced by Bryan Ness, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Library of Congress) [Illustration: VOL.I. NO.1. GARDEN AND FOREST .A.JOURNAL.OF.HORTICULTURE..LANDSCAPE.ART.AND.FORESTRY. .FEBRUARY.29, 1888.] PRICE TEN CENTS.] Copyright, 1888, by THE GARDEN AND FOREST PUBLISHING COMPANY, LIMITED. [$4.00 A YEAR, IN ADVANCE.] IMPORTANT NEW BOOKS. I. By WILLIAM DEAN HOWELLS. APRIL HOPES. A Novel. By WILLIAM DEAN HOWELLS. 12mo, Cloth, $1 50. _Mr. Howells never wrote a more bewitching book. It is useless to deny the rarity and worth of the skill that can report so perfectly and with such exquisite humor the manifold emotions of the modern maiden and her lover._--Philadelphia Press. MODERN ITALIAN POETS. Essays and Versions. By WILLIAM DEAN HOWELLS. Author of "April Hopes," &c. With Portraits. 12mo, Half Cloth, Uncut Edges and Gilt Tops, $2 00. _A portfolio of delightsome studies.... No acute and penetrating critic surpasses Mr. Howells in true insight, in polished irony, in effective and yet graceful treatment of his theme, in that light and indescribable touch that fixes your eye on the true heart and soul of the theme._--Critic, _N. Y._ II. CONCLUSION OF KINGLAKE'S CRIMEAN WAR. KINGLAKE'S CRIMEAN WAR. The Invasion of the Crimea: its Origin, and an account of its Progress down to the Death of Lord Raglan. By ALEXANDER WILLIAM KINGLAKE. With Maps and Plans. Five Volumes now ready. 12mo, Cloth, $2 00 per vol. Vol. V. From the Morrow of Inkerman to the Fall of Canrobert; _just published_.--Vol. VI. From the Rise of Pelissier to the Death of Lord Raglan--completing the work--_nearly ready_. _The charm of Mr. Kinglake's style, the wonderful beauty of his pictures, the subtle irony of his reflections, have made him so long a favorite and companion, that it is with unfeigned regret we read the word "farewell" with which these volumes close._--Pall Mall Gazette, _London._ III. T. ADOLPHUS TROLLOPE'S AUTOBIOGRAPHY. WHAT I REMEMBER. By T. ADOLPHUS TROLLOPE. With Portrait. 12mo, Cloth, $1 75. _The most delightful pot-pourri that we could desire of the time just anterior to our own.... Mr. Trollope preserves for us delightful, racy stories of his youth and the youth of his century, and gives us glimpses of loved or worshipped faces banished before our time. Hence the success of these written remembrances._--Academy, _London._ IV. BY THE AUTHOR OF "SELF-HELP." LIFE AND LABOR; or, Characteristics of Men of Industry, Culture, and Genius. By SAMUEL SMILES, LL.D., Author of "Self-Help," &c. 12mo, Cloth, $1 00. _Commends itself to the entire confidence of readers. Dr. Smiles writes nothing that is not fresh, strong, and magnetically bracing. He is one of the most helpful authors of the Victorian era.... This is just the book for young men._--N. Y. Journal of Commerce. V. THOMAS W. HIGGINSON'S NEW BOOK. WOMEN AND MEN. By THOMAS W. HIGGINSON, Author of "A Larger History of the United States," &c. 16mo, Cloth, $1 00. _These essays are replete with common-sense ideas, expressed in well-chosen language, and reflect on every page the humor, wit, wisdom of the author._--N. Y. Sun. VI. Plain, sensible, sturdy advice.--Chicago News. BIG WAGES, AND HOW TO EARN THEM. By A FOREMAN. 16mo, Cloth, 75 cents. _The views of an intelligent observer upon some of the foremost social topics of the day. The style is simple, the logic cogent, and the tone moderate and sensible._--N. Y. Commercial Advertiser. VII. The standard authority upon the Inquisition.--Philadelphia Ledger. HISTORY OF THE INQUISITION OF THE MIDDLE AGES. By HENRY CHARLES LEA. To be completed in THREE VOLUMES. 8vo, Cloth, Uncut Edges and Gilt Tops, $3 00 per
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Produced by Eve Sobol. HTML version by Al Haines. THE DEVIL'S DISCIPLE Bernard Shaw ACT I At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeon's face, even at its best, is grimly trenched by the channels into which the barren forms and observances of a dead Puritanism can pen a bitter temper and a fierce pride. She is an elderly matron who has worked hard and got nothing by it except dominion and detestation in her sordid home, and an unquestioned reputation for piety and respectability among her neighbors, to whom drink and debauchery are still so much more tempting than religion and rectitude, that they conceive goodness simply as self-denial. This conception is easily extended to others--denial, and finally generalized as covering anything disagreeable. So Mrs. Dudgeon, being exceedingly disagreeable, is held to be exceedingly good. Short of flat felony, she enjoys complete license except for amiable weaknesses of any sort, and is consequently, without knowing it, the most licentious woman in the parish on the strength of never having broken the seventh commandment or missed a Sunday at the Presbyterian church. The year 1777 is the one in which the passions roused of the breaking off of the American colonies from England, more by their own weight than their own will, boiled up to shooting point, the shooting being idealized to the English mind as suppression of rebellion and maintenance of British dominion, and to the American as defence of liberty, resistance to tyranny, and selfsacrifice on the altar of the Rights of Man. Into the merits of these idealizations it is not here necessary to inquire: suffice it to say, without prejudice, that they have convinced both Americans and English that the most high minded course for them to pursue is to kill as many of one another as possible, and that military operations to that end are in full swing, morally supported by confident requests from the clergy of both sides for the blessing of God on their arms. Under such circumstances many other women besides this disagreeable Mrs. Dudgeon find themselves sitting up all night waiting for news. Like her, too, they fall asleep towards morning at the risk of nodding themselves into the kitchen fire. Mrs. Dudgeon sleeps with a shawl over her head, and her feet on a broad fender of iron laths, the step of the domestic altar of the fireplace, with its huge hobs and boiler, and its hinged arm above the smoky mantel-shelf for roasting. The plain kitchen table is opposite the fire, at her elbow, with a candle on it in a tin sconce. Her chair, like all the others in the room, is uncushioned and unpainted; but as it has a round railed back and a seat conventionally moulded to the sitter's curves, it is comparatively a chair of state. The room has three doors, one on the same side as the fireplace, near the corner, leading to the best bedroom; one, at the opposite end of the opposite wall, leading to the scullery and washhouse; and the house door, with its latch, heavy lock, and clumsy wooden bar, in the front wall, between the window in its middle and the corner next the bedroom door. Between the door and the window a rack of pegs suggests to the deductive observer that the men of the house are all away, as there are no hats or coats on them. On the other side of the window the clock hangs on a nail, with its white wooden dial, black iron weights, and brass pendulum. Between the clock and the corner, a big cupboard, locked, stands on a dwarf dresser full of common crockery. On the side opposite the fireplace, between the door and the corner, a shamelessly ugly black horsehair sofa stands against the wall. An inspection of its stridulous surface shows that Mrs. Dudgeon is not alone. A girl of sixteen or seventeen has fallen asleep on it. She is a wild, timid looking creature with black hair and tanned skin. Her frock, a scanty garment, is rent, weatherstained, berrystained, and by no means scrupulously clean. It hangs on her with a freedom which, taken with her brown legs and bare feet, suggests no great stock of underclothing. Suddenly there comes a tapping at the door, not loud enough to wake the sleepers. Then knocking, which disturbs Mrs. Dudgeon a little. Finally the latch is tried,
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