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"A RICH MAN'S WAR"*** E-text prepared by ellinora and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/frenziedlibertyt00kahn Transcriber’s note: Text enclosed by underscores is in italics (_italics_). FRENZIED LIBERTY The Myth of “A Rich Man’S War” by OTTO H. KAHN Extracts from Address Given at the University of Wisconsin, Jan. 14, 1918 ------------------------------------------------------------------------ Part One Frenzied Liberty ------------------------------------------------------------------------ FRENZIED LIBERTY We are engaged in a war, an “irrepressible conflict,” a most just and righteous war for a cause as high and noble as ever inspired a people to put forth its utmost of sacrifice and valor. To attain the end for which this peace-loving nation unsheathed its sword, to lay low and make powerless the accursed spirit which brought all this unspeakable misery, sorrow and ruin upon the world, is our one and supreme and unshakeable purpose. That is the purpose of the people of Wisconsin as it is the purpose of the people of New York and of every other State in the Union. I give no credence to and have no patience with those who would measure as with a thermometer the loyalty temperature of our communities. Some dreamers there may be, here as everywhere, so immersed in their dreams that the trumpet call of the day has not yet awakened them. Some politicians there may be, here and elsewhere, so obsessed by the issues which heretofore were good election assets and so unable to shake off the inveterate habits and the formulas and calculations of a lifetime, that they are unable to recognize and to share in the sudden flaming manifestations springing from the deep of the people’s soul—and after a while, looking around for their usual followers, find themselves in chilly loneliness. Some there are, a small minority always and getting smaller every day, among Americans of German birth or descent who lack the vision to see their duty or the strength to follow it, and who stand irresolute, hesitant and dazed. The vast and overwhelming majority have acted like true men and loyal Americans. They are entitled to claim your sympathetic understanding for the heartache which is theirs and they are entitled to claim your trust. It will not be misplaced. I am taking very little account of that insignificant number of men of German origin who, misguided or corrupt, dare by insidious and underground processes to attempt to weaken or oppose the resolute will of the Nation. There are too few of them to count and their manoeuvres are too clumsy to be effective. But let them be warned. There is sweeping through the country a mighty wave of stern and grim determination, which bodes ill for anyone standing in its way. II One element only there is in our population which does deliberately challenge our national unity. I mean the militant Bolsheviki in our midst, the preachers and devotees of liberty run amuck, who would place a visionary class interest above patriotism and who in ignorant fanaticism would substitute for the tyranny of autocracy the still more intolerable tyranny of mob-rule, as for the time being they have done in Russia. If it were not for the disablement of Russia, the battle against autocracy would have been won by now. As so often before, liberty has been wounded in the house of its friends. Liberty in the wild and freakish hands of fanatics has once more, as frequently in the past, proved the effective helpmate of autocracy and the twin brother of tyranny. Out-czaring the czar, its votaries are filling the prisons with their political opponents, are practising ruthless spoliation and savage oppression, and are maintaining their self-constituted rule by the force of bayonets. Riot, robbery, famine, fratricidal strife are stalking through the land. The deadliest foe of democracy is not autocracy but liberty frenzied. Liberty is not fool-proof. For its beneficent working it demands self-restraint, a sane and clear recognition of the practical and attainable and of the fact that there are laws of nature which are beyond our power to change. Liberty can, does and must limit the rights of the strong, it must increasingly guard and promote the well-being of those endowed with lesser gifts for the struggle for existence and success, it must strive in every way consistent with sane recognition of the realities to make life more worth living to those whose existence is cast in the
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Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] MR. BLAKE’S WALKING-STICK: _A CHRISTMAS STORY FOR BOYS AND GIRLS_. BY EDWARD EGGLESTON, AUTHOR OF “THE ROUND TABLE STORIES,” “THE CHICKEN LITTLE STORIES,” “STORIES TOLD ON A CELLAR DOOR,” ETC. CHICAGO: ADAMS, BLACKMER, & LYON PUBLISHING CO. 1872. Entered according to Act of Congress, in the year 1870, BY ADAMS, BLACKMER, & LYON PUBLISHING COMPANY, In the office of the Librarian of Congress, at Washington. RIVERSIDE, CAMBRIDGE: STEREOTYPED AND PRINTED BY H. O. HOUGHTON AND COMPANY. TO OUR LITTLE SILVERHAIR Who used to listen to My Stories; BUT WHO IS NOW Listening to the Christmas Stories of the Angels, THIS BOOK IS DEDICATED. PREFACE. _I have meant to furnish a book that would serve for a Christmas present to Sunday-scholars, either from the school or from their teachers. I hope it is a story, however, appropriate to all seasons, and that it will enforce one of the most beautiful and one of the most frequently forgotten precepts of the Lord Jesus._ EDWARD EGGLESTON. CONTENTS. CHAPTER I. THE WALKING-STICK WALKS 11 CHAPTER II. LONG
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Produced by Keith G. Richardson STUDIES IN ZECHARIAH. BY A. C. GAEBELEIN. _EIGHTH EDITION._ PRINTING BY FRANCIS E. FITCH, INC, 47 BROAD ST., NEW YORK. Copyright 1911, by A. C. Gaebelein. FOREWORD TO THE EIGHTH EDITION. This little exposition of the Prophecies of Zechariah was written almost 15 years ago. We are thankful to God that it has been a help to so many. The sixth edition has been sold and a seventh has become necessary. We were somewhat reluctant to print another edition. When this book was written the writer did not at all have a clear vision in the prophetic Word concerning the great predicted end events of the times of the Gentiles. Like so many others he did not distinguish between the personal Antichrist and the King of the North. He then held the view, which is still taught by many, that the first beast in Revelation xiii is the personal Antichrist. This belief led into incorrect views about that part of Revelation. Since writing the book it has pleased the Lord to give the writer better light on these great prophetic unfoldings and for this reason some of the interpretations given, especially on pages 135, 136 and 137, are no longer looked upon by the author as being scripturally correct. In our later books "The Harmony of the Prophetic Word" "Joel," and especially "Exposition of Daniel," the truth as revealed in Prophecy concerning the two beasts and the King of the North, is given. We therefore request the reader to consider this when studying this volume. We are sure the Lord will continue to bless the simple unfolding of the greatest Post exile Prophet. So little is written on this great book that we feel that we should not withhold this imperfect exposition from the students of the Word of Prophecy. May the Lord continue to bless it. A. C. GAEBELEIN. Sept. 30, 1911. INTRODUCTION. Zechariah, the name of the prophet whose visions and prophecies we desire to study, is not an uncommon name in divine history. Its meaning is _Jehovah remembers_. He is called the son of Berachiah, _Jehovah blesses_, the son of Iddo, _the appointed time_. There is here, as in many other instances in the Bible, a great significance in the Hebrew names. The name of the grandfather of Zechariah (who probably brought him up, as his father must have died early), his father's name and his own read in English translation, _the appointed time_, _Jehovah blesses_, _Jehovah remembers_. The Holy Spirit has inspired these very names; they are in themselves a commentary to the prophecies and visions God gave to Zechariah, for they speak of an appointed time of God's blessings for Jerusalem and of His loving remembrance. Zechariah was born in Babylon in the captivity, for when he returned to the land of his fathers he was but a child. Like some other prophets he was a priest as well as a prophet. His work as a prophet was commenced by him when he was a young man, for thus he is called in one of the visions. The time of his opening address to the people is two months after Haggai had opened his lips in Jehovah's name. Haggai received the word of the Lord in the sixth month in the second year of Darius, and Zechariah in the eighth month of the same year of the reign of that King, about 520 before Christ. Both prophets had the same thought given, namely, to encourage the Jewish remnant in the blessed work of rebuilding the house of the Lord. This work had suffered an interruption; the Samaritans were the cause of it. They had applied to join in the work, but as the remnant considered them idolators and as not belonging to God's people, the application was rejected. These Samaritans tried after that in various ways to hinder the rebuilding, which had so blessedly begun. At last they succeeded in obtaining a decree which forbade the building of the Temple. All work had to be stopped and ceased for about fourteen years. But when the King who had forbidden the prosecution of the work had died and Darius became King, the building of the Temple was once more made possible. The leaders of the people in the enterprise were Serubbabel and the High Priest Joshua. But again they were hindered from the outside, while on the other hand the people themselves had lost much interest and possessed no longer that love and zeal for God's house, which was so prominent after their return. Thus Haggai said: _This people say, It is not the time for us to come, the time for the Lord's house to be built... It is a time for you to dwell in your ceiled houses, while this house lieth waste_. Haggai, chapter 1. In that critical moment these two prophets made their appearance, and God gave them visions of comfort and glad tidings to encourage the disheartened, selfish and unbelieving people. The visions and prophecies of Zechariah, however, do not only give an assurance that there could be no failure in the work the remnant had taken up anew, but more than that in them the glorious future of Jerusalem and Zion is unfolded. They lead up to the grand finale of the history of God's ancient people, the time when Israel, redeemed and restored forever, will sing the grand and glorious Hallelujah. It is, of course, true that Zechariah did a blessed work for the people who lived in his day; he had a special mission to perform and succeeded in it, but the Spirit of God in the message of comfort for that time gives the history of events then in a distant future
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Produced by Katherine Ward and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) CHRISTINE By AMELIA E. BARR Christine Joan Profit and Loss Three Score and Ten The Measure of a Man The Winning of Lucia Playing with Fire All the Days of My Life D. APPLETON & COMPANY Publishers New York [Illustration: When she came to the top of the cliff, she turned and gazed again at the sea. Page 6] CHRISTINE A FIFE FISHER GIRL BY AMELIA E. BARR AUTHOR OF "JOAN", "PROFIT AND LOSS", "THE MEASURE OF A MAN", "ALL THE DAYS OF MY LIFE", ETC. FRONTISPIECE BY STOCKTON MULFORD "_The sea is His, and He made it_" D. APPLETON AND COMPANY NEW YORK LONDON 1917 COPYRIGHT, 1917, BY D. APPLETON AND COMPANY Printed in the United States of America I Inscribe This Book To Rutger Bleecker Jewett Because He is my Friend, And Expresses All That Jewel of a Monosyllable Requires And Because, Though a Landsman, He Loves the Sea And In His Dreams, He is a Sailor. Amelia E. Barr. _January 7th, 1917._ CONTENTS CHAPTER PAGE I. Fishers of Culraine 1 II. Christine and the Domine 23 III. Angus Ballister 38 IV. The Fisherman's Fair 61 V. Christine and Angus 86 VI. A Child, Two Lovers, and a Wedding 115 VII. Neil and a Little Child 152 VIII. An Unexpected Marriage 183 IX. A Happy Bit of Writing 212 X. Roberta Interferes 247 XI. Christine Mistress of Ruleson Cottage 280 XII. Neil's Return Home 306 XIII. The Right Mate and the Right Time 339 XIV. After Many Years 362 CHAPTER I FISHERS OF CULRAINE The hollow oak our palace is Our heritage the sea. Howe'er it be it seems to me 'Tis only noble to be good. Kind hearts are more than coronets And simple faith than Norman blood. Friends, who have wandered with me through England, and Scotland, and old New York, come now to Fife, and I will tell you the story of Christina Ruleson, who lived in the little fishing village of Culraine, seventy years ago. You will not find Culraine on the map, though it is one of that chain of wonderful little towns and villages which crown, as with a diadem, the forefront and the sea-front of the ancient kingdom of Fife. Most of these towns have some song or story, with which they glorify themselves, but Culraine--hidden in the clefts of her sea-girt rocks--was _in_ the world, but not _of_ the world. Her people lived between the sea and the sky, between their hard lives on the sea, and their glorious hopes of a land where there would be "no more sea." Seventy years ago every man in Culraine was a fisherman, a mighty, modest, blue-eyed Goliath, with a serious, inscrutable face; naturally a silent man, and instinctively a very courteous one. He was exactly like his great-grandfathers, he had the same fishing ground, the same phenomena of tides and winds, the same boat of rude construction, and the same implements for its management. His modes of thought were just as stationary. It took the majesty of the Free Kirk Movement, and its host of self-sacrificing clergy, to rouse again that passion of religious faith, which made him the most thorough and determined of the followers of John Knox. The women of these fishermen were in many respects totally unlike the men. They had a character of their own, and they occupied a far more prominent position in the village than the men did. They were the agents through whom all sales were effected, and all the money passed through their hands. They were talkative, assertive, bustling, and a marked contrast to their gravely silent husbands. The Fife fisherman dresses very much like a sailor--though he never looks like one--but the Fife fisher-wife had then a distinctly foreign look. She delighted in the widest stripes, and the brightest colors. Flaunting calicoes and many- kerchiefs were her steady fashion. Her petticoats were very short, her feet trigly shod, and while unmarried she wore a most picturesque headdress of white muslin or linen, set a little backward over her always luxuriant hair. Even in her girlhood she was the epitome of power and self-reliance, and the husband who could prevent her in womanhood from making the bargains and handling the money, must have been an extraordinarily clever man. I find that in representing a certain class of humanity, I have accurately described, mentally and physically, the father and mother of my heroine; and it is only necessary to say further that James Ruleson was a sternly devout man. He trusted God heartily at all hazards, and submitted himself and all he loved to the Will of God, with that complete self-abnegation which is perhaps one of the best fruits of a passionate Calvinism. For a fisherman he was doubtless well-provided, but no one but his wife, Margot Ruleson, knew the exact sum of money lying to his credit in the Bank of Scotland; and Margot kept such knowledge strictly private. Ruleson owned his boat, and his cottage, and both were a little better and larger than the ordinary boat and cottage; while Margot was a woman who could turn a penny ten times over better than any other woman in the cottages of Culraine. Ruleson also had been blessed with six sons and one daughter, and with the exception of the youngest, all the lads had served their time in their father's boat, and even the one daughter was not excused a single duty that a fisher-girl ought to do. Culraine was not a pretty village, though its cottages were all alike whitewashed outside, and roofed with heather. They had but two rooms generally--a but and a ben, with no passage between. The majority were among the sand hills, but many were built on the lofty, sea-lashed rocks. James Ruleson's stood on a wide shelf, too high up for the highest waves, though they often washed away the wall of the garden, where it touched the sandy shore. The house stood by itself. It had its own sea, and its own sky, and its own garden, the latter sloping in narrow, giddy paths to the very beach. Sure feet were needed among its vegetables, and its thickets of gooseberry and currant bushes, and its straying tangles of blackberry vines. Round the whole plot there was a low stone wall, covered with wall-flowers, wild thyme, rosemary, and house-leek. A few beds around the house held roses and lilies, and other floral treasures, but these were so exclusively Margot's property, and Margot's adoration, that I do not think she would like me even to write about them. Sometimes she put a rosebud in the buttonhole of her husband's Sunday coat, and sometimes Christina had a similar favor, but Margot was intimate with her flowers. She knew every one by a special name, and she counted them every morning. It really hurt her to cut short their beautiful lives, and her eldest son Norman, after long experience said: "If Mither cuts a flower, she'll ill to live wi'. I wouldna tine her good temper for a bit rosebud. It's a poor bargain." One afternoon, early in the June of 1849, Christine Ruleson walked slowly up the narrow, flowery path of this mountain garden. She was heard before she was seen, for she was singing an east coast ballad, telling all the world around her, that she --Cast her line in Largo bay, And fishes she caught nine; Three to boil, and three to fry, And three to bait the line. So much she sang, and then she turned to the sea. The boat of a solitary fisherman, and a lustrously white bird, were lying quietly on the bay, close together, and a large ship with all her sails set was dropping lazily along to the south. For a few moments she watched them, and then continued her song. She was tall and lovely, and browned and bloomed in the fresh salt winds. Her hair had been loosened by the breeze, and had partially escaped from her cap. She had a broad, white brow, and the dark blue eyes that dwelt beneath it were full of soul--not a cloud in them, only a soft, radiant light, shaded by eyelids deeply fringed, and almost transparent--eyelids that were eloquent--full of secrets. Her mouth was beautiful, her lips made for loving words--even little children wanted to kiss her. And she lived the very life of the sea. Like it she was subject to ebb and flow. Her love for it was perhaps prenatal, it might even have driven her into her present incarnation. When she came to the top of the cliff, she turned and gazed again at the sea. The sunshine then fell all over her, and her dress came into notice. It was simple enough, yet very effective--a white fluted cap, lying well back on her bright, rippling hair, long gold rings in her ears, and a vivid scarlet kerchief over her shoulders. Her skirt was of wide blue and gray stripes, but it was hardly noticeable, for whoever looked in Christine's face cared little about her dress. He could never tell what she wore. As she stood in the sunshine, a young man ran out of the house to meet her--a passing handsome youth, with his heart in his eager face and outstretched hands. "Christine! Christine!" he cried. "Where at a' have you keepit yourself? I hae been watching and waiting for you, these three hours past." "Cluny! You are crushing the bonnie flowers i' my hands, and I'm no thanking you for that." "And my puir heart! It is atween your twa hands, and it's crushing it you are, day after day. Christine, it is most broke wi' the cruel grip o' longing and loving--and not a word o' hope or love to help it haud together." "You should learn seasonable times, Cluny. It's few lasses that can be bothered wi' lovers that come sae early. Women folk hae their hands full o' wark o' some kind, then." "Ay, full o' flowers. They canna even find time to gie the grip o' their hand to the lad that loves them, maist to the death throe." "I'm not wanting any lad to love me to the death throe, and I'm not believing them, when they talk such-like nonsense. No indeed! The lad I love must be full o' life and _forthput_. He must be able to guide his boat, and throw and draw his nets single-handed--if needs be." "I love you so! I love you so! I can do nothing else, Christine!" "_Havers!_ Love sweetens life, but it's a long way from being life itsel'. Many a man, and many a woman, loses their love, but they dinna fling their life awa' because o' that misfortune--unless they have no kindred to love, and no God to fear." "You can't tell how it is, Christine. You never were i' love, I'm thinking." "I'm thankfu' to say I never was; and from all I see, and hear, I am led to believe that being in love isna a superior state o' life. I'm just hoping that what you ca' love isna of a catching quality." "I wish it was! Maybe then, you might catch love from me. Oh Christine, give me a hope, dear lass. I canna face life without it. 'Deed I can not." "I might do such a thing. Whiles women-folk are left to themsel's, and then it goes ill wi' them;" and she sighed and shook her head, as if she feared such a possibility was within her own fate. "What is it you mean? I'm seeking one word o' kindness from you, Christine." Then she looked at him, and she did not require speech. Cluny dared to draw closer to her--to put his arm round her waist--to whisper such alluring words of love and promise, that she smiled and gave him a flower, and finally thought she might--perhaps--sometime--learn the lesson he would teach her, for, "This warld is fu' o' maybe's, Cluny," she said, "and what's the good o' being young, if we dinna expect miracles?" "I'm looking for no miracle, Christine. I'm asking for what a man may win by a woman's favor. I hae loved you, Christine, since I was a bit laddie o' seven years auld. I'll love you till men carry me to the kirk yard. I'd die for your love. I'd live, and suffer a' things for it. Lassie! Dear, dear lassie, dinna fling love like mine awa'. There's every gude in it." She felt his heart throbbing in his words, but ere she could answer them, her brother Neil called her three times, in a voice that admitted of no delay. "Good-by, Cluny!" she said hurriedly. "You ken Neil isna to be put off." Then she was gone, and Cluny, full of bewildered loving and anxious feelings, rushed at headlong speed down the steep and narrow garden path, to his grandmother's cottage on the sands. Neil stood by a little pine table covered with books and papers. He was nearly twenty-one years old, and compared with his family was small in stature, lightly built, and dark in complexion. His hair was black, his eyes somberly gray, and full of calculation. His nose, lean and sharp, indicated selfish adherence to the realities of life, and the narrow nostrils positively accused him of timidity and caution. His mouth was firm and discreet. Taken as a whole, his face was handsome, though lean and thoughtful; but his manner was less pleasant. It was that of a serious snob, who thinks there is a destiny before him. He had been petted and spoiled all his life long, and his speech and conduct were full of the unpleasant survivals of this treatment. It spoiled him, and grated on Christine's temperament, like grit in a fine salad. He had never made a shilling in his life, he was the gentleman of the family, elected by the family to that position. In his boyhood he had been delicate, and quite unfit for the rough labor of the boats, but as he had developed an extraordinary love for books and learning, the minister had advised his dedication to the service of either the Law or the Gospel. To this proposal the whole household cheerfully, even proudly, agreed. To have an educated man among the Rulesons pleased everyone. They spoke together of the great Scotch chancellors, and the great Scotch clergy, and looked upon Neil Ruleson, by special choice and election, as destined in the future to stand high among Scotland's clergy or Scotland's lawyers. For this end, during eleven years, all had given their share without stint or holdback. That Neil had finally chosen to become a Lord of the Law, and to sit on the Bench, rather than stand in the Pulpit, was a great disappointment to his father, who had stubbornly hoped his son would get the call no man can innocently refuse to answer. His mother and brothers were satisfied. Norman Ruleson had once seen the Lords ride in civic pomp and splendid attire to Edinburgh Parliament House, and he was never weary of describing the majesty of the judges in their wigs and gowns, and the ceremonials that attended every step of the administration of justice. "And the big salary coming to the judges!" Normany always added--"the salary, and the visible honors arena to be lightlied, or made little o'. Compared wi' a minister's stipend, a judge's salary is stin-pen-dous! And they go wi' the best i' the land, and it isna anything o' a wonder, when a judge is made a lord. There was Lord Chancellor Campbell, born in Fife itsel', in the vera county town o' Cupar. I have seen the house next the Bell Inn where he was born, and his feyther was the minister o' Cupar. About the year 18----" "You needna fash either us, or yoursel', Norman, wi' names and dates; it will be time in plenty, when you can add our lad to the list." Margot at this hour was inclined to side with her husband. Margot believed in realities. She saw continually the honorable condition of the Scotch clergy; Norman's story about the royal state and power of the judges was like something read out of a book. However, now that Neil was in his last year of study, and looking forward to the certificate which would place him among men in such a desirable condition, she would not darken his hopes, nor damp his ardor. Neil's classes in the Maraschal college at Aberdeen were just closed, but he was very busy preparing
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Produced by Richard Tonsing, Dave Morgan and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: PLATE I. THE GREAT WHEEL IN ACTION. ] DISCOVERIES AND INVENTIONS OF THE NINETEENTH CENTURY Who saw what ferns and palms were pressed Under the tumbling mountain’s breast, In the safe herbal of the coal? But when the quarried means were piled, All is waste and worthless, till Arrives the wise selecting Will, And, out of slime and chaos, Wit Draws the threads of fair and fit. Then temples rose, and towns, and marts, The shop of toil, the hall of arts; Then flew the sail across the seas To feed the North from tropic trees; The storm-wind wove, the torrent span, Where they were bid the rivers ran; New slaves fulfilled the poet’s dream, Galvanic wire, strong-shouldered steam. EMERSON. DISCOVERIES AND INVENTIONS OF THE NINETEENTH CENTURY BY ROBERT ROUTLEDGE, B.Sc., SOMETIME ASSISTANT EXAMINER IN CHEMISTRY AND IN NATURAL PHILOSOPHY TO THE UNIVERSITY OF LONDON THIRTEENTH EDITION REVISED AND PARTLY RE-WRITTEN, WITH ADDITIONS CONTAINING FOUR HUNDRED AND FIFTY-SIX ILLUSTRATIONS LONDON GEORGE ROUTLEDGE AND SONS, LIMITED BROADWAY, LUDGATE HILL 1900
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Produced by MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: C. M. Tucker from a Photograph taken at Toronto in 1875. W. Notman Photo. Walker & Boutall, Ph.Sc.] A LADY OF ENGLAND _THE LIFE AND LETTERS_ OF CHARLOTTE MARIA TUCKER BY AGNES GIBERNE AUTHOR OF ‘SUN, MOON, AND STARS,’ ‘RADIANT SUNS,’ ETC. ‘_Nil desperandum_’ Motto of the Tucker Family NEW YORK A. C. ARMSTRONG & SON 51 EAST TENTH STREET 1895 Edinburgh: T. and A. CONSTABLE, Printers to Her Majesty AUTHOR’S PREFACE The principal mass of materials for this Biography was placed in my hands last summer by the Rev. W. F. Tucker Hamilton, nephew of Charlotte Maria Tucker (A. L. O. E.), and since then many other relatives or friends, both in England and in India, have contributed their share of help, either in the way of written recollections or of correspondence. A paucity of materials exists as to the early part of the life; but in later years the difficulty is of a precisely opposite description, arising from a superabundance of details. Hundreds of letters, more or less interesting in themselves, have had to be put ruthlessly aside, to make room for others of greater interest. From first to last the long series between Charlotte Tucker and her own especial sister-friend, Mrs. Hamilton, takes precedence of all other letters in point of freedom, naturalness, and simplicity. The perfect trust and unshadowed devotion which subsisted between these two form a rare and beautiful picture. It has seemed to me, and it may seem to others, that the main question in the Life of Miss Tucker is, not so much what she _did_ here or there, in England or in India, as what she _was_. Many a discussion has taken place, and doubtless will again take place, as to the wisdom of her modes of Missionary work, and as to the degree of success or non-success which attended her labours. I have endeavoured to give fairly certain opposite views upon this question, even while strongly impressed with the conviction that no human being is capable of judging with respect to the worth of work done in his own age and generation. Subtle consequences, working below the surface, are often far more weighty, far more lasting, than the most approved ‘results’ following immediately upon certain efforts,--results which are, not seldom, found after a while to be of the nature of mere froth. Nothing can be more unprofitable, usually, than the task of endeavouring to ‘count conversions.’ It is of infinitely greater importance to note with what absolute self-devotion Miss Tucker entered into the toil, with what resolution she persevered in the face of obstacles, with what eagerness she did the very utmost within her power. In writing the story of Miss Tucker’s life at Batala, it has been impossible not to write also, in some degree, the story of the Infant Church at Batala. My main object has of course been simply to show what Charlotte Maria Tucker herself was; and Mission work, Mission incidents, Missionaries themselves, come in merely incidentally, as part of the background to her figure. Mention of them is accidental and fragmentary; not systematic. At the same time there is no doubt that nothing would have gratified Miss Tucker more than that any use should have been made of her letters likely to help forward the great work of Missions among the Heathen. Some years before the end, when in severe illness she thought herself to be passing away, she spoke of the possibility that her long correspondence about Batala might be so employed, and earnestly hoped that, if it were so, no one-sided account should be given, but that shadow as well as sunshine, the dark as well as the bright aspect, should be frankly presented. I have endeavoured to carry out her wishes in this particular. It is to be regretted that at least a few letters from Mrs. Hamilton to Miss Tucker cannot be interspersed among the many from Miss Tucker to Mrs. Hamilton. None, however, have come to hand. Before Miss Tucker went to India she destroyed the bulk of her papers, after a ruthless fashion; and it does not appear that while in India she kept any of the letters that she received. After some hesitation I have decided to give generally the names in full of those Missionaries,
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Produced by Chris Curnow, Joseph Cooper, Ernest Schaal and the Online Distributed Proofreading Team at http://www.pgdp.net THE AUGUSTAN REPRINT SOCIETY _THE_ HARLOT'S PROGRESS THEOPHILUS CIBBER (_1733_) _and_ _THE_ RAKE'S PROGRESS (_MS., Ca. 1778-1780_) _Introduction by_ MARY F. KLINGER PUBLICATION NUMBER _181_ WILLIAM ANDREWS CLARK MEMORIAL LIBRARY UNIVERSITY OF CALIFORNIA, LOS ANGELES _1977_ GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David Stuart Rodes, University of California, Los Angeles ADVISORY EDITORS James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. D
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Produced by Mark C. Orton, Carol Ann Brown, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: Compare the unfavorable artificial environment of a crowded city with the more favorable environment of the country.] A CIVIC BIOLOGY Presented in Problems BY GEORGE WILLIAM HUNTER, A.M. HEAD OF THE DEPARTMENT OF BIOLOGY, DE WITT CLINTON HIGH SCHOOL, CITY OF NEW YORK. AUTHOR OF "ELEMENTS OF BIOLOGY," "ESSENTIALS OF BIOLOGY," ETC. [Illustration: Printer's Logo] AMERICAN BOOK COMPANY NEW YORK CINCINNATI CHICAGO COPYRIGHT, 1914, BY GEORGE WILLIAM HUNTER. COPYRIGHT, 1914, IN GREAT BRITAIN. * * * * * HUNTER, CIVIC BIOLOGY. W. P. 3 Dedicated TO MY FELLOW TEACHERS OF THE DEPARTMENT OF BIOLOGY IN THE DE WITT CLINTON HIGH SCHOOL WHOSE CAPABLE, EARNEST, UNSELFISH AND INSPIRING AID HAS MADE THIS BOOK POSSIBLE FOREWORD TO TEACHERS A course in biology given to beginners in the secondary school should have certain aims. These aims must be determined to a degree, first, by the capabilities of the pupils, second, by their native interests, and, third, by the environment of the pupils. The boy or girl of average ability upon admission to the secondary school is not a thinking individual. The training given up to this time, with but rare exceptions, has been in the forming of simple concepts. These concepts have been reached didactically and empirically. Drill and memory work have been the pedagogic vehicles. Even the elementary science work given has resulted at the best in an interpretation of some of the common factors in the pupil's environment, and a widening of the meaning of some of his concepts. Therefore, the first science of the secondary school, elementary biology, should be primarily the vehicle by which the child is taught to solve problems and to think straight in so doing. No other subject is more capable of logical development. No subject is more vital because of its relation to the vital things in the life of the child. A series of experiments and demonstrations, discussed and applied as definite concrete problems which have arisen within the child's horizon, will develop power in thinking more surely than any other subject in the first year of the secondary school. But in our eagerness to develop the power of logical thinking we must not lose sight of the previous training of our pupil. Up to this time the method of induction, that handmaiden of logical thought, has been almost unknown. Concepts have been formed deductively by a series of comparisons. All concepts have been handed down by the authority of the teacher or the text; the inductive search for the unknown is as yet a closed book. It is unwise, then, to directly introduce the pupil to the method of induction with a series of printed directions which, though definite in the mind of the teacher because of his wider horizon, mean little or nothing as a definite problem to the pupil. The child must be brought to the appreciation of the problem through the deductive method, by a comparison of the future problem with some definite concrete experience within his own field of vision. Then by the inductive experiment, still led by a series of oral questions, he comes to the real end of the experiment, the conclusion, with the true spirit of the investigator. The result is tested in the light of past experiment and a generalization is formed which means something to the pupil. For the above reason the laboratory problems, which naturally precede the textbook work, should be separated from the subject matter of the text. A textbook in biology should serve to verify the student's observations made in the laboratory, it should round out his concept or generalization by adding such material as he cannot readily observe and it should give the student directly such information as he cannot be expected to gain directly or indirectly through his laboratory experience. For these reasons the laboratory manual has been separated from the text. "The laboratory method was such an emancipation from the old-time bookish slavery of pre-laboratory days that we may have been inclined to overdo it and to subject ourselves to a new slavery. It should never be forgotten that the laboratory is simply a means to the end; that the dominant thing should be a consistent chain of ideas which the laboratory may serve to elucidate. When, however, the laboratory assumes the first place and other phases of the course are made explanatory to it, we have taken, in my mind, an attitude fundamentally wrong. The question is, not what _types_ may be taken up in the laboratory to be fitted into the general scheme afterwards, but what _ideas_ are most worth while to be worked out and developed in the laboratory, if that happens to be the best way of doing it, or if not, some other way to be adopted with perfect freedom. Too often our course of study of an animal or plant takes the easiest rather than the most illuminating path. What is easier, for instance, particularly with large classes of restless pupils who apparently need to be kept in a condition of uniform occupation, than to kill a supply of animals, preferably as near alike as possible, and set the pupils to work drawing the dead remains? This method is usually supplemented by a series of questions concerning the remains which are sure to keep the pupils busy a while longer, perhaps until the bell strikes, and which usually are so planned as to anticipate any ideas that might naturally crop up in the pupil's mind during the drawing exercise. "Such
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Produced by Turgut Dincer, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) SECRETS OF THE BOSPHORUS [Illustration: Ambassador Henry Morgenthau. [_Frontispiece_ ] SECRETS OF THE BOSPHORUS By AMBASSADOR HENRY MORGENTHAU CONSTANTINOPLE, 1913-1916 _With 19 Illustrations_ [Illustration: colophon] LONDON: HUTCHINSON & CO. PATERNOSTER ROW ERRATA [Corrected in this etext] Page 16, line 4, read “_without_” for _with_. Page 18, line 13, read “_Mexico_” for _Turkey_. Page 18, line 35, read “_Humann_” instead of _Enver_. PRINTED IN GREAT BRITAIN BY THE ANCHOR PRESS LTD. TIPTREE ESSEX. PUBLISHERS’ NOTE Ambassador Henry Morgenthau requires no introduction to the British public, but the American diplomat who may with justice be termed _The Searchlight of Truth at the Golden Horn_, and whose Reminiscences will rank now and in years to come as historical documents of the first importance, modestly obscures in his graphic and fascinating narrative one fact which requires emphasising: That by his shrewd grasp of enemy psychology, by his unswerving impartiality, by his tact and dignity, and unflinching courage, he frustrated again and again the evil designs and machinations of that trio of arch-s
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Produced by Charles Keller and David Widger FIRST ACROSS THE CONTINENT The Story of The Exploring Expedition of Lewis and Clark in 1804-5-6 By Noah Brooks Chapter I -- A Great Transaction in Land The people of the young Republic of the United States were greatly astonished, in the summer of 1803, to learn that Napoleon Bonaparte, then First Consul of France, had sold to us the vast tract of land known as the country of Louisiana. The details of this purchase were arranged in Paris (
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Produced by sp1nd, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) ALAMO RANCH _A Story of New Mexico_ BY SARAH WARNER BROOKS Author of "My Fire Opal," "The Search of Ceres," etc. CAMBRIDGE PRIVATELY PRINTED MCMIII UNIVERSITY PRESS. JOHN WILSON AND SON. CAMBRIDGE. U.S.A. TO LEON _Across the silence that between us stays, Speak! I should hear it from God's outmost sun, Above Earth's noise of idle blame and praise,-- The longed-for whisper of thy dear "Well done!"_ [Illustration: ALAMO RANCH] ALAMO RANCH _A STORY OF NEW MEXICO_ CHAPTER I It is autumn; and the last week in November. In New Mexico, this land of sunshine, the season is now as kindly as in the early weeks of our Northern September. To-day the sky is one cloudless arch of sapphire! The light breeze scarce ruffles a leaf of the tall alamo, the name tree of this ranch. Here any holding bigger than a kitchen garden is known as a ranch. The alamo, Spanish for poplar, lends here and there its scant, stiff shade to this roomy adobe dwelling, with its warm southern frontage and half-detached wings. Behind the house irregular out-buildings are scattered about. A commodious corral, now the distinguished residence of six fine Jersey cows, lies between the house and the orchard,--a not over-flourishing collection of peach, apricot, and plum trees. Here and there may be seen wide patches of kitchen garden, carefully intersected by irrigating ditches. Near and afar, wide alfalfa fields with their stiff aftermath stretch away to the very rim of the mesa, where the cotton-tail makes his home, and sage-brush and mesquite strike root in the meagre soil. Cones of alfalfa hay stacked here and there outline themselves like giant beehives against the soft blue sky; and over all lies the sunny silence of a cloudless afternoon with its smiling westering sun. Basking in this grateful warmth, their splint arm-chairs idly tilted against the house-front, the boarders look with sated invalid eyes upon this gracious landscape. Alamo Ranch is a health resort. In this thin, dry air of Mesilla Valley, high above the sea level, the consumptive finds his Eldorado. Hither, year by year, come these foredoomed children of men to fight for breath, putting into this struggle more noble heroism and praiseworthy courage than sometimes goes to victory in battle-fields. Of these combatants some are still buoyed by the hope of recovery; others are but hopeless mortals, with the single sad choice of eking out existence far from friends and home, or returning to native skies, there to throw up hands in despair and succumb to the foe. Sixteen miles away the Organ Mountains--seeming, in this wonderfully clear atmosphere, within but a stone's throw--loom superbly against the cloudless sky; great hills of sand are these, surmounted by tall, serrated peaks of bare rock, and now taking on their afternoon array in the ever-changing light, rare marvels of shifting color,--amethyst and violet, rosy pink, creamy gold, and dusky purple. The El Paso range rises sombrely on the gray distance, and on every hand detached sugar-loaf peaks lend their magnificence to the grand mesa-range that cordons the Mesilla Valley. And now, out on the mesa, at first but a speck between the loungers on the piazza and the distant mountain view, a single pedestrian, an invalid sportsman, comes in sight. As he nears the ranch with the slowed step of fatigue, he is heartening himself by the way with a song. When the listeners hear the familiar tune,--it is "Home, Sweet Home,"--one of them rallying his meagre wind whistles a faint accompaniment to the chorus. It is not a success; and with a mirthless laugh, the whistler abandons his poor attempt, and, with the big lump in his throat swelling to a sob, rises from his chair and goes dejectedly in. A sympathetic chord thrills along the tilted piazza chairs. The discomfited whistler is but newly arrived at Alamo; and his feeble step and weary, hollow cough predict that the poor fellow's journey will not take him back to the "Sweet Home" of the song, but rather to the uncharted country. And now the invalid sportsman steps cheerily on the piazza. "Here, you lazy folks," mocks he, holding high his well-filled game-bag, "behold the pigeon stew for your supper!" And good-naturedly hailing a Mexican chore-boy, lazily propped by
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Produced by David Widger from page images generously provided by The Internet Archive LINCOLN IN CARICATURE By Rufus Rockwell Wilson Author Of "Washington: The Capital City" Illustrated With Thirty-two Plates Printed For Private Distribution 1903 [Illustration: titlepage] LINCOLN IN CARICATURE [Illustration: 000] (Illustrated cap) INCOLN in caricature is a phase of the career of the great war President that has thus far lacked adequate treatment. Yet he was the most bitterly assailed and savagely cartooned public man of his time, and one has only to search the newspapers and periodicals of that period to find striking confirmation of this fact. The attitude of Great Britain toward the Union and its President was then one of cynical and scarcely veiled hostility, and nowhere were the sentiments of the English government and of the English masses more faithfully reflected than in the cartoons which appeared in London _Punch_ between 1861 and 1865, many of which had Lincoln for their central figure. He was also frequently cartooned in _Vanity Fair_ the American counterpart of _Punch_; in _Frank Leslie's Illustrated Newspaper_, and in _Harper's Weekly_. Indeed, nowhere were the changing sentiments of the people of the North, their likes and dislikes, their alternates hopes and fears, their hasty, often unjust judgments of men and measures, more vividly reflected than in the cartoons dealing with Lincoln which appeared in the last named journal during the epoch-making days of his Presidency. Thus the thirty-two plates from these sources here brought together have a value and interest already important and sure to increase with the passage of time, for they reflect with unconscious vividness, and as nothing else can do, the life and color of an historic era, and how his fellows regarded the grandest figure of that era. It is with their value as human documents in mind that they have been rescued from their half-forgotten hiding places, and assembled in chronological sequence, with such comment as may be necessary to make their purpose and meaning clear to older men, whose memory may have grown dim, as well as to the new generation that has come upon the stage in the eight and thirty years that have elapsed since the close of the Civil War. [Illustration: 001] |Plate Number One--This cartoon, "Lincoln a la Blondin," which appeared in _Harper's Weekly_, on August 25, 1860, seems to have been suggested by Blondin's crossing of Niagara on a tight rope with a man on his back--an event then fresh in the public mind. It also recalls an interesting phase of Lincoln's first campaign for the Presidency, which had its origin in a characteristic incident of the candidate's earlier years. It was in March, 1830, that Lincoln, at that time a youth of twenty-one, removed with his father and family from Indiana to Illinois, locating on the bluffs of the Sangamon River about ten miles from Decatur. There he and his kinsman, John Hanks, built a hewed log house, and broke fifteen acres of prairie sod with the two yoke of oxen they had driven from Indiana. They then felled the trees, cut off the logs, and with mauls and wedges split the rails to fence in the land they had broken. The following winter, the winter of the "deep snow" as it was known in Illinois, Lincoln alone made three thousand rails for a neighbor, walking three miles each day to do it. The Republican state convention of Illinois assembled at Decatur on May 9, 1860, and the first act of its chairman was to invite Lincoln, who was modestly seated in the body of the hall, to a seat upon the platform. An eye-witness describes the scene that followed as one of tumultuous enthusiasm. No way could be made through the shouting throng, and Lincoln was borne bodily, over their heads and shoulders, to the place of honor. Quiet restored, the chairman again arose and said: "There is an old Democrat outside who has something he wishes to present to this convention." Then the door of the hall swung open, and a sturdy old man marched in, shouldering two fence-rails, surmounted by a banner inscribed, in large letters: "Two rails from a lot made by Abraham Lincoln and John Hanks in the Sangamon Bottom, in the year 1830." The bearer was John Hanks himself, and he had come to do his part in making his old friend President. "It was an historic scene and moment. In an instant Lincoln, the rail-splitter, was accepted as the representative of the working man and the type and embodiment of the American idea of human freedom and possible human elevation. The applause was deafening. But it was something more than mere applause," for there was no opposition afterwards, to a resolution that declared Lincoln to be the first choice of the Republicans of Illinois for President, and instructed the delegates to the national convention to cast the vote of the State as a unit for him. It is a part
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E-text prepared by Richard Tonsing and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 54109-h.htm or 54109-h.zip: (http://www.gutenberg.org/files/54109/54109-h/54109-h.htm) or (http://www.gutenberg.org/files/54109/54109-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/roundfirestories00doylrich Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). [Illustration: “I BURST WITH A SHRIEK INTO MY OWN LIFE.” [_Page 12._] ROUND THE FIRE STORIES by ARTHUR CONAN DOYLE Author of “The White Company,” etc., etc. With a Frontispiece by A. Castaigne London Smith, Elder & Co., 15, Waterloo Place 1908 (All rights reserved) Printed by William Clowes and Sons, Limited, London and Beccles. ------------------------------------------------------------------------ PREFACE [Illustration] In a previous volume, “The Green Flag,” I have assembled a number of my stories which deal with warfare or with sport. In the present collection those have been brought together which are concerned with the grotesque and with the terrible—such tales as might well be read “round the fire” upon a winter’s night. This would be my ideal atmosphere for such stories, if an author might choose his time and place as an artist does the light and hanging of his picture. However, if they have the good fortune to give pleasure to any one, at any time or place, their author will be very satisfied. ARTHUR CONAN DOYLE. WINDLESHAM, CROWBOROUGH. CONTENTS PAGE I. THE LEATHER FUNNEL 1 II. THE BEETLE HUNTER 18 III. THE MAN WITH THE WATCHES 41 IV. THE POT OF CAVIARE 65 V. THE JAPANNED BOX 85 VI. THE BLACK DOCTOR 103 VII. PLAYING WITH FIRE 129 VIII. THE JEW’S BREASTPLATE 149 IX. THE LOST SPECIAL 177 X. THE CLUB-FOOTED GROCER 202 XI. THE SEALED ROOM 229 XII. THE BRAZILIAN CAT 248 XIII. THE USHER OF LEA HOUSE SCHOOL 276 XIV. THE BROWN HAND 299 XV. THE FIEND OF THE COOPERAGE 321 XVI. JELLAND’S VOYAGE 340 XVII. B. 24 351 “I BURST WITH A SHRIEK INTO MY OWN LIFE.” _Frontispiece_. (_From a drawing by A. Castaigne._) ------------------------------------------------------------------------ ROUND THE FIRE STORIES [Illustration] THE LEATHER FUNNEL My friend, Lionel Dacre, lived in the Avenue de Wagram, Paris. His house was that small one, with the iron railings and grass plot in front of it, on the left-hand side as you pass down from the Arc de Triomphe. I fancy that it had been there long before the avenue was constructed, for the grey tiles were stained with lichens, and the walls were mildewed and discoloured with age. It looked a small house from the street, five windows in front, if I remember right, but it deepened into a single long chamber at the back. It was here that Dacre had that singular library of occult literature, and the fantastic curiosities which served as a hobby for himself, and an amusement for his friends. A wealthy man of refined and eccentric tastes, he had spent much of his life and fortune in gathering together what was said to be a unique private collection of Talmudic, cabalistic, and magical works, many of them of great rarity and value. His tastes leaned toward the marvellous and the monstrous, and I have heard that his experiments in the direction of the unknown have passed all the bounds of civilization and of decorum. To his English friends he never alluded to such matters, and took the tone of the student and _virtuoso_; but a Frenchman whose tastes were of the same nature has assured me that the worst
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Produced by Donald Cummings and the Online Distributed Proofreading Team at http://www.pgdp.net _The_ SPIRIT OF THE SCHOOL BY RALPH HENRY BARBOUR. Each 12mo, Cloth. The Spirit of the School. Illustrated in Colors. $1.50. Four Afloat. Illustrated in Colors. $1.50. Four Afoot. Illustrated in Colors. $1.50. Four in Camp. Illustrated in Colors. $1.50. On Your Mark. Illustrated in Colors. $1.50. The Arrival of Jimpson. Illustrated. $1.50. Weatherby’s Inning. Illustrated in Colors. $1.50. Behind the Line. Illustrated. $1.50. Captain of the Crew. Illustrated. $1.50. For the Honor of the School. Illustrated. $1.50. The Half-Back. Illustrated. $1.50. D. APPLETON AND COMPANY, NEW YORK. [Illustration: “A more harmless youth it would have been hard to find.”] _The_ SPIRIT OF THE SCHOOL RALPH HENRY BARBOUR Author of “The Half-Back,” “Weatherby’s Inning,” “On Your Mark,” etc. [Illustration] D. APPLETON AND COMPANY NEW YORK 1907 Copyright, 1907, by PERRY MASON COMPANY Copyright, 1907, by D. APPLETON AND COMPANY _Published, September, 1907_ TO JOSEPH SHERMAN FORD CONTENTS CHAPTER PAGE I.--AN OLD ACQUAINTANCE IN A NEW RÔLE 1 II.--HANSEL DECLARES FOR REFORM 20 III.--MR. AMES TELLS A STORY 36 IV.--SCHOOL AGAINST TOWN 56 V.--HANSEL MEETS PHINEAS DORR 73 VI.--THE CAUSE GAINS A CONVERT 91 VII.--THE FIRST SKIRMISH 111 VIII.--MR. AMES STATES HIS POSITION 131 IX.--THE SECOND SKIRMISH 149 X.--HANSEL LEAVES THE TEAM 159 XI.--HANSEL MAKES A BARGAIN 176 XII.--THREE IN CONSPIRACY 191 XIII.--FAIRVIEW SENDS A PROTEST 216 XIV.--THE SPIRIT OF THE SCHOOL 241 XV.--THE GAME WITH FAIRVIEW 255 LIST OF ILLUSTRATIONS[*] FACING PAGE “A more harmless youth it would have been hard to find.” _Frontispiece_ “‘I am looking for Bert Middleton,’ he announced.” 12 “‘Play the game the best you can, and let me manage your campaign.’” 108 “In place of his former attire was an immaculate suit of evening dress.” 118 “He was beginning to be looked upon as ‘queer.’” 156 “‘Who do you think will win, sir?’ asked Phin.” 192 “‘Gee! I didn’t know I represented anything!’” 236 “Lockhard... was streaking around the right end of his line.” 264 [*] These illustrations are used by arrangement with the publishers of _The Youth’s Companion_. THE SPIRIT OF THE SCHOOL CHAPTER I AN OLD ACQUAINTANCE IN A NEW RÔLE “It’s all well enough for you to sit there and grin like a gargle.” “Gargoyle is what you mean, my boy!” “Well, gargoyle,” continued Bert Middleton. “What’s the difference? Of course, it’s easy enough for you to laugh about it; it isn’t your funeral; but I guess if you’d had all your plans made up only to have them knocked higher than a kite at the last minute----” “I know,” said Harry Folsom soothingly. “It’s rotten mean luck. I’d have told the doctor that I wouldn’t do it.” “But it wasn’t his fault, you see. It’s dad that’s to blame for the whole business. You see, it was this way. The Danas used to live up in Feltonville when I was a kid, and dad and Mr. Dana were second cousins or something, and were
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Produced by Emmy, MFR and the Online Distributed Proofreading Team at http://www.pgdp.net (
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Produced by Mary Glenn Krause, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) +-------------------------------------------------+ |Transcriber's note: | | | |Obvious typographic errors have been corrected. | | | +-------------------------------------------------+ BOOKS BY FRANCES HODGSON BURNETT PUBLISHED BY CHARLES SCRIBNER'S SONS +THE DAWN OF A TOMORROW.+ Illustrated. 12mo _net_ $1.00 +IN CONNECTION WITH THE DE WILLOUGHBY CLAIM.+ 12mo _net_ 1.35 +HIS GRACE OF OSMONDE.+ 12mo _net_ 1.35 +A LADY OF QUALITY.+ 12mo _net_ 1.35 +THAT LASS O' LOWRIE'S.+ 12mo _net_ 1.25 +HAWORTH'S.+ Illustrated. 12mo _net_ 1.25 +THROUGH ONE ADMINISTRATION.+ 12mo _net_ 1.35 +LOUISIANA.+ Illustrated. 12mo _net_ 1.25 +A FAIR BARBARIAN.+ 12mo _net_ 1.25 +SURLY TIM, and Other Stories.+ 12mo _net_ 1.25 +VAGABONDIA.+ 12mo _net_ 1.25 +EARLIER STORIES; First Series.+ 12mo _net_ 1.25 +EARLIER STORIES; Second Series.+ 12mo _net_ 1.25 +THE PRETTY SISTER OF JOSÉ.+ Illustrated. 12mo _net_ 1.00 * * * * * +LITTLE LORD FAUNTLEROY.+ Illustrated. 12mo _net_ 1.20 +SARA CREWE, LITTLE SAINT ELIZABETH, and Other Stories.+ Illustrated. 12 mo _net_ 1.20 +GIOVANNI AND THE OTHER.+ Illustrated. 12mo _net_ 1.20 +PICCINO, and Other Child Stories.+ Illustrated. 12mo _net_ 1.20 +TWO LITTLE PILGRIMS' PROGRESS. A Story of the City Beautiful.+ Illustrated. 12mo _net_ 1.20 * * * * * +LITTLE LORD FAUNTLEROY.+ Illustrated in Color. 8vo _net_ 2.00 +A LITTLE PRINCESS.+ Illustrated in Color. 8vo _net_ 2.00 +THE ONE I KNEW THE BEST OF ALL.+ Illustrated. 12mo _net_ 1.25 THROUGH ONE ADMINISTRATION BY FRANCES HODGSON BURNETT _author of "That Lass o' Lowrie's," "Haworth's," "Louisiana," "A Fair Barbarian," etc., etc._ NEW YORK CHARLES SCRIBNER'S SONS 1916 COPYRIGHT, 1881 and 1883, BY FRANCES HODGSON BURNETT. _All rights reserved._ [Illustration: Logo] THROUGH ONE ADMINISTRATION. CHAPTER I. Eight years before the Administration rendered important by the series of events and incidents which form the present story, there had come to Washington, on a farewell visit to a distant relative with whom he was rather a favorite, a young officer who was on the point of leaving the civilized world for a far-away Western military station. The name of the young officer was Philip Tredennis. His relative and entertainer was a certain well-known entomologist, whom it will be safe to call Professor Herrick. At the Smithsonian and in all scientific circles, Professor Herrick's name was a familiar one. He was considered an enviable as well as an able man. He had established himself in Washington because he found men there whose tastes and pursuits were congenial with his own, and because the softness of the climate suited him; he was rich enough to be free from all anxiety and to enjoy the delightful liberty of pursuing his scientific labors because they were his pleasure, and not because he was dependent upon their results. He had a quiet and charming home, an excellent matter-of-fact wife, and one daughter, who was being educated in a northern city, and who was said to be as bright and attractive as one could wish a young creature to be. Of this daughter Tredennis had known very little, except that she enjoyed an existence and came home at long intervals for the holidays, when it did not happen that she was sent to the sea or the mountains with her mother instead. The professor himself seemed to know but little of her. He was a quiet and intensely studious person, taking small interest in the ordinary world and appearing always slightly surprised when his wife spoke to him; still, his manner toward her was as gentle and painstaking as if she had been the rarest possible beetle, and the only one of her species to be
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Produced by Nick Hodson of London, England Haviland's Chum, by Bertram Mitford. ________________________________________________________________________ ________________________________________________________________________ HAVILAND'S CHUM, BY BERTRAM MITFORD. CHAPTER ONE. THE NEW BOY. "Hi! Blacky! Here--hold hard. D'you hear, Snowball?" The last peremptorily. He thus addressed, paused, turned, and eyed somewhat doubtfully, not without a tinge of apprehension, the group of boys who thus hailed him. "What's your name?" pursued the latter, "Caesar, Pompey, Snowball-- what?" "Or Uncle Tom?" came another suggestion. "I--new boy," was the response. "New boy! Ugh!" jeered one fellow. "Time I left if they are going to take <DW65>s here. What's your name, sir--didn't you hear me ask?" "Mpukuza." "Pookoo--how much?" For answer the other merely emitted a click, which might have conveyed contempt, disgust, defiance, or a little of all three. He was an African lad of about fifteen, straight and lithe and well-formed, and his skin was of a rich copper brown. But there was a clean-cut look about the set of his head, and an almost entire absence of <DW64> development of nose and lips, which seemed to point to the fact that it was with no inferior race aboriginal to the dark continent that he owned nationality. Now a hoot was raised among the group, and there was a tendency to hustle this very unwonted specimen of a new boy. He, however, took it good-humouredly, exhibiting a magnificent set of teeth in a tolerant grin. But the last speaker, a biggish, thick-set fellow who was something of a bully, was not inclined to let him down so easily. "Take off your hat, sir!" he cried, knocking it off the other's head, to a distance of some yards. "Now, Mr Woollyhead, perhaps you'll answer my question and tell us your name, or I shall have to see if some of this'll come out." And, suiting the action to the word, he reached forward and grabbed a handful of the other's short, crisp, jetty curls-- jerking his head backwards and forwards. The African boy uttered a hoarse ejaculation in a strange tongue, and his features worked with impotent passion. He could not break loose, and his tormentor was taller and stronger than himself. He put up his hands to free himself, but the greater his struggles the more the bully jerked him by the wool, with a malignant laugh. The others laughed too, enjoying the fun of what they regarded as a perfectly wholesome and justifiable bout of <DW65> baiting. But a laugh has an unpleasant knack of transferring itself to the other side, and in this instance an interruption occurred--wholly unlooked-for, but sharp and decisive, not to say violent, and to the prime mover in the sport highly unpleasant--for it took the shape of a hearty, swinging cuff on the side of that worthy's head. He, with a howl that was half a curse, staggered a yard or two under the force of the blow, at the same time loosing his hold of his victim. Then the latter laughed--being the descendant of generations of savages--laughed loud and maliciously. "Confound it, Haviland, what's that for?" cried the smitten one, feeing round upon his smiter. "D'you want some more, Jarnley?" came the quick reply. "As it is I've a great mind to have you up before the prefects' council for bullying a new boy." "Prefects' council," repeated Jarnley with a sneer. "That's just it. If you weren't a prefect, Haviland, I'd fight you. And you know it." "But I don't know it and I don't think it," was the reply. The while, something of a smothered hoot was audible among the now rapidly increasing group, for Haviland, for reasons which will hereinafter appear, was not exactly a popular prefect. It subsided however, as by magic, when he darted a glance into the quarter whence it arose. "Come here--you," he said, beckoning the cause of all the disturbance. "What's your name?" "Mpukuza." "What?" The African boy repeated it unhesitatingly, willingly. He was
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Produced by Anita Hammond, Wayne Hammond and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) SKI-RUNNING. BY D. M. M. CHRICHTON SOMERVILLE, W. R. RICKMERS, AND E. C. RICHARDSON. DEDICATED TO THE SKI CLUB OF GREAT BRITAIN. EDITED BY E. C. RICHARDSON. _WITH NUMEROUS PHOTOGRAPHS AND DIAGRAMS._ SECOND EDITION. LONDON: HORACE COX, WINDSOR HOUSE, BREAM’S BUILDINGS, E.C. 1905. LONDON: PRINTED BY HORACE COX, WINDSOR HOUSE, BREAM’S BUILDINGS, E.C. [Illustration: “PAA SKARE.”] PREFACE. Since the first edition of this book was produced two years ago popular interest in the sport has increased by leaps and bounds. We have endeavoured to keep pace with the times, and the present volume is an attempt to give a really complete account of the sport, which will be useful to beginners and experts alike. To the historical part has been added a chapter on Continental ski-running, whilst the technical part has been remodelled, enlarged, and, we trust, rendered more lucid and complete. Wherever necessary new diagrams have been added, and the whole-page illustrations have been chosen with a view to indicating the great beauty and variety of the snow regions of the earth. Here and there actual alterations of views previously expressed will be found. We make no apology for these, but desire frankly to acknowledge our errors, and to thank those friendly critics who have pointed them out. With ignorant criticism we have been very little troubled, and with actual hostility simply not at all. We are further greatly indebted to the many friends who have rendered us positive assistance. The frontispiece is from Herr Halström’s wonderful picture “Paa Skare,” which that gentleman has given us unqualified leave to reproduce. The ski-runner which it depicts also serves as a central figure for the cover, designed by Mr. Nico Jungman. To those who have kindly permitted us to copy their photographs we hereby take the opportunity of expressing our best thanks. The outline of the Solberg Hill is from an accurate drawing by Herr Von de Beauclair published in _Ski_, to the editor of which paper we are also indebted for the drawings illustrating Herr Sohm’s detachable seal’s-skin and climbing-irons. To Herr S. Höyer-Ellefsen, Herr Fredrik Juell, Herr Trygve Smith, Herr Durban Hansen, and numerous other skilful Norwegian runners we are grateful for many a useful hint and word of advice, whilst we owe to Herr Zdarsky a valuable practical demonstration of his methods of teaching. Messrs. C. W. Richardson, E. H. Wroughton, and H. P. Cox have been kind enough to help with the actual production of the little work, and if there be any others who we have omitted to mention we would hereby beg them to accept at once both our apologies and thanks. E. C. R. _November, 1905._ CONTENTS. _Pages._ PREFACE iii-iv THE ORIGIN AND HISTORY OF SKI 1-13 CONTINENTAL SKI-RUNNING 13-17 THE ELEMENTS OF SKI-RUNNING 18-85 _Introduction_ 18-20 Part I.--_The Ground and the Snow_ 20-27 Part II.--_Outfit_ 28-52 The Ski 28-35 The Binding 35-43 Footplates 44 The Stick 44-47 Footgear 47-49 Other Clothes 49-50 Accessories 50-51 Part III.--_Technical_ 52-85 Preliminary advice 52-53 Lean forward! 53 To lift the point of the ski 53-55 Turning on the spot 55
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Produced by David Widger SHIP'S COMPANY By W.W. Jacobs [Illustration: 'I tell you, I am as innercent as a new-born babe'.] SKILLED ASSISTANCE The night-watchman, who had left his seat on the jetty to answer the gate-bell, came back with disgust written on a countenance only too well designed to express it. "If she's been up 'ere once in the last week to, know whether the <i>Silvia</i> is up she's been four or five times," he growled. "He's forty- seven if he's a day; 'is left leg is shorter than 'is right, and he talks with a stutter. When she's with 'im you'd think as butter wouldn't melt in 'er mouth; but the way she talked to me just now you'd think I was paid a-purpose to wait on her. I asked 'er at last wot she thought I was here for, and she said she didn't know, and nobody else neither. And afore she went off she told the potman from the 'Albion,' wot was listening, that I was known all over Wapping as the Sleeping Beauty. "She ain't the fust I've 'ad words with, not by a lot. They're all the same; they all start in a nice, kind, soapy sort o' way, and, as soon as they don't get wot they want, fly into a temper and ask me who, I think I am. I told one woman once not to be silly, and I shall never forget it as long as I live-never. For all I know, she's wearing a bit o' my 'air in a locket to this day, and very likely boasting that I gave it to her. "Talking of her reminds me of another woman. There was a Cap'n Pinner, used to trade between 'ere and Hull on a schooner named the Snipe. Nice little craft she was, and 'e was a very nice feller. Many and many's the pint we've 'ad together, turn and turn-about, and the on'y time we ever 'ad a cross word was when somebody hid his clay pipe in my beer and 'e was foolish enough to think I'd done it. "He 'ad a nice little cottage, 'e told me about, near Hull, and 'is wife's father, a man of pretty near seventy, lived with 'em. Well-off the old man was, and, as she was his only daughter, they looked to 'ave all his money when he'd gorn. Their only fear was that 'e might marry agin, and, judging from wot 'e used to tell me about the old man, I thought it more than likely. "'If it wasn't for my missis he'd ha' been married over and over agin,' he ses one day. 'He's like a child playing with gunpowder.' "''Ow would it be to let 'im burn hisself a bit?' I ses. "'If you was to see some o' the gunpowder he wants to play with, you wouldn't talk like that,' ses the cap'n. 'You'd know better. The on'y thing is to keep 'em apart, and my pore missis is wore to a shadder a- doing of it.' "It was just about a month arter that that he brought the old man up to London with 'im. They 'ad some stuff to put out at Smith's Wharf, t'other side of the river, afore they came to us, and though they was on'y there four or five days, it was long enough for that old man to get into trouble. "The skipper told me about it ten minutes arter they was made snug in the inner berth 'ere. He walked up and down like a man with a raging toothache, and arter follering 'im up and down the wharf till I was tired out, I discovered that 'is father-in-law 'ad got 'imself mixed up with a widder-woman ninety years old and weighing twenty stun. Arter he 'ad cooled down a bit, and I 'ad given 'im a few little pats on the shoulder, 'e made it forty-eight years old and fourteen stun. "'He's getting ready to go and meet her now,' he ses, 'and wot my missis'll say to me, I don't know.' "His father-in-law came up on deck as 'e spoke, and began to brush 'imself all over with a clothesbrush. Nice-looking little man 'e was, with blue eyes, and a little white beard, cut to a point, and dressed up in a serge suit with brass buttons, and a white yachting cap. His real name was Mr. Finch, but the skipper called 'im Uncle Dick, and he took such a fancy to me that in five minutes I was calling 'im Uncle Dick too. "'Time I was moving,' he ses, by and by. 'I've got an app'intment.' "'Oh! who with?' ses the skipper, pretending not to know. "'Friend o' mine, in the army,' ses the old man, with a wink at me. 'So long.' "He went off as spry as a boy, and as soon as he'd gorn the skipper started walking back'ards and for'ards agin, and raving. "'Let's 'ope as he's on'y amusing 'imself,' I ses. "'Wait till you see 'er,' ses the skipper; 'then you won't talk foolishness.' "As it 'appened she came back with Uncle Dick that evening, to see 'im safe, and I see at once wot sort of a woman it was. She 'adn't been on the wharf five minutes afore you'd ha' thought it belonged to 'er, and when she went and sat on the schooner it seemed to be about 'arf its size. She called the skipper Tom, and sat there as cool as you please holding Uncle Dick
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Produced by Larry B. Harrison and the Online Distributed Proofreading Team at http://www.pgdp.net PRACTICAL HIGH SCHOOL SPELLER COMPILED BY TOBIAS O. CHEW, M.S. SUPERINTENDENT OF CITY SCHOOLS WASHBURN, WISCONSIN ALLYN AND BACON Boston New York Chicago COPYRIGHT, 1914, BY TOBIAS O. CHEW. DAAN Norwood Press J. S. Cushing Co.--Berwick & Smith Co. Norwood, Mass., U.S.A. Dedicated TO THE MANY HIGH SCHOOL SUPERINTENDENTS, PRINCIPALS, AND TEACHERS, WHO BY THEIR COOePERATION HAVE MADE POSSIBLE THE COMPILATION OF THIS BOOK PREFACE What are the words most commonly misspelled by the average high school pupil? In an endeavor to solve this problem, two thousand letters, with five postal cards in each, were sent to representative high schools in every state in the United States, requesting the heads of the various departments to report the words most commonly misspelled in their classes. From the many thousand replies, this text-book has been compiled. The first word in Lesson I was sent in by seven hundred high school teachers; the other words in this lesson show, by their order, the frequency with which they appear in the replies. No word has been considered unless suggested by at least two teachers. This book, then, built on the judgment of those best qualified to know--the teachers themselves--contains only the words most frequently misspelled by the average high school pupil. A simple phrase is placed after each word, illustrating its use, and serving to identify it better than would a short, abstract definition. The division of words into syllables with accent marks will be of great assistance to the pupil, should there be any question in his mind as to the correct pronunciation. The typography is based on the idea that it will be a great help to the pupil in visualizing the words if he sees them in script as well as in print. T. O. CHEW. MARCH, 1914. A FEW SIMPLE RULES FOR SPELLING When the diphthongs _ei_ and _ie_ are pronounced _[=e]_, _c_ is followed by _ei_, all other letters by _ie_. Examples: _ceiling_, _receive_, _siege_, _believe_. Exceptions: _leisure_, _seize_, _weird_. The word _slice_ will help pupils to remember this rule--_i_ after _l_ and _e_ after _c_ when applied to _believe_ and _receive_. * * * * * Final _y_ following a consonant changes to _i_ before a suffix not beginning with _i_. Examples: _busy_, _business_; _dry_, _dried_. When the suffix begins with _i_, as in _-ing_ and _-ish_, the _y_ is retained to avoid having double _i_. Examples: _try_, _trying_; _baby_, _babyish_. When the final _y_ follows a vowel, the _y_ is retained before a suffix. Examples: _toy_, _toyed_; _betray_, _betrayed_; _annoy_, _annoyed_. * * * * * To form the plural of words ending in _y_ following a consonant change the _y_ to _i_ and add _es_. Examples: _quantity_, _quantities_; _factory_, _factories_. When the final _y_ follows a vowel, the _y_ is retained and _s_ added. Examples: _journey_, _journeys_; _delay_, _delays_; _money_, _moneys_. * * * * * Monosyllables and words accented on the last syllable, which end in a single consonant, following a single vowel, double the final consonant before a suffix beginning with a vowel. Examples: _hot_, _hotter_; _begin_, _beginning_. Exceptions: (1) _gas_, _gases_. (2) The letters _w_, _x_, and _y_ are not doubled. Examples: _show_, _showing_; _box_, _boxed_; _pay_, _paying_. In words not accented on the last syllable, the final consonant may or may not be doubled. Examples: _traveler_ may be spelled _traveller_; _canceled_, _cancelled_; etc. * * * * * In words ending in
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Produced by Madeleine Fournier. Images provided by The Internet Archive. The Wheels of Time * * * * * The Wheels of Time By Florence L. Barclay _Author of "The Rosary" and "The Mistress of Shenstone"_ _ILLUSTRATED BY R. G. VOSBURGH_ New York Thomas Y. Crowell & Co. Publishers Copyright, 1908, 1910, By THOMAS Y. CROWELL & CO. _To one woman who said "I go not," but afterwards repented and went_ * * * * * Illustrations "Flower," he said, "my lovely fragrant Flower! "Good old Jane," she said. "I do enjoy talking to you" "You are not much use at answering questions, darling, are you?" "Oh, Flower! _You cared like this?_" * * * * * The Wheels of Time The doctor stood, with his hand on the doorknob, and gave a final look back into his wife's boudoir. There was nothing in that room suggestive of town or of town life and work--delicate green and white, a mossy carpet, masses of spring flowers; cool, soft, noiseless, fragrant. Standing in the doorway the doctor could hear the agitated clang of the street-door bell, Stoddart crossing the hall; the opening and closing of the door, and Stoddart's subdued and sympathetic voice saying: "Step this way, please." A heavy, depressed foot or an anxious, hurried one, according to the mental condition of its owner, obeyed; and the shutting of the library door meant another patient added to the number of those who were already listlessly turning over the pages of bound volumes of _Punch_ or scrutinizing with unseeing eyes the Landseer engraving over the mantelpiece. In former days the waiting-room used to be the doctor's dining-room, but before he married his pretty wife she put her foot down firmly on this question. He had been explaining the Wimpole Street house and its arrangements as they stood together in her sunny rose-garden. "But, Deryck," she had exclaimed in dismay, waving her hands at him, full of a great mass of freshly gathered roses, "I could not _possibly_ sit down and dine with you in a room where your horrible patients have sat waiting for hours, leaving behind them the germs of all their nasty, infectious diseases!" The doctor caught the little hands, roses and all, and held them against his breast, looking down into her face with laughing eyes. "Flower," he said, "my lovely, fragrant Flower! Am I doing a foolish thing in attempting to transplant you into the soil of busy London life? Should I not do better if I left you in your rose-garden? Ah, well, it is too late to ask that now; I can't leave Wimpole Street, and"--his voice, always deep, suddenly thrilled to a deeper depth; a tenderness of strong passion quivered in it--"I can't live without you." He let go her hands and framed her upturned face in his strong, brown fingers. "What have you done to me, Flower? I was always self-contained and self-sufficing, and now I find I can't live without you, Flower--_my_ Flower." His eyes glowed down into her face. She looked up sweetly at him. "But, Deryck," she said, "they _do_ leave the germs of all their nasty infectious--" The doctor's hands fell suddenly to his sides. "My dear child," he said, and his voice instantly regained its usual evenness of tone, "have I not told you that I am a mind specialist? The people who come to my consulting-room are not, as a rule, suffering from measles, scarlet fever, or smallpox!" "Oh, well, they leave their dreadful morbid thoughts behind them; and that is worse. I could not dine in a room where diseased minds have sat for hours, brooding. It would give me creeps. And oh, Deryck, you know that stupid article you read me the other day, about how mental impressions, when a mind was highly strung or unbalanced, could leave an impress upon walls or furniture--explaining ghost stories, you know?--I forget who wrote
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E-text prepared by deaurider, Martin Pettit, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/outaboutlondon00burk OUT AND ABOUT LONDON * * * * * * _BY THE SAME AUTHOR_ NIGHTS IN LONDON "Hundreds of books have been written about London, but few are as well worth reading as this."--_London Times._ "Thomas Burke writes of London as Kipling wrote of India."--_Baltimore Sun._ "A real book."--_New York Sun._ 4th printing, $1.50 HENRY HOLT AND COMPANY PUBLISHERS NEW YORK * * * * * * OUT AND ABOUT LONDON by THOMAS BURKE Author of "Limehouse Nights" and "Nights In London" [Illustration: Logo] New York Henry Holt and Company 1919 Copyright, 1919 by Henry Holt and Company 1916 _Lady, the world is old, and we are young. The world is old to-night and full of tears And tumbled dreams, and all its songs are sung, And echoes rise no more from the tombed years. Lady, the world is old, but we are young._ _Once only shines the mellow moon so fair; One speck of Time is Love's Eternity. Once only can the stars so light your hair, And the night make your eyes my psaltery. Lady, the world is old. Love still is young._ _Let us take hand ere the swift moment end. My heart is but a lamp to light your way. My song your counsellor, my love your friend, Your soul the shrine whereat I kneel and pray. Lady, the world grows old. Let us be young._ _T. B._ CONTENTS PAGE ROUND THE TOWN, 1917 3 BACK TO DOCKLAND 30 CHINATOWN REVISITED 40 SOHO CARRIES ON 58 OUT OF TOWN 69 IN SEARCH OF A SHOW 82 VODKA AND VAGABONDS 89 THE KIDS' MAN 113 CROWDED HOURS 123 SATURDAY NIGHT 134 RENDEZVOUS 140 TRAGEDY AND COCKNEYISM 148 MINE EASE AT MINE INN 155 RELICS 168 ATTABOY! 176 OUT AND ABOUT LONDON ROUND THE TOWN, 1917 It was a lucid, rain-washed morning--one of those rare mornings when London seems to laugh before you, disclosing her random beauties. In every park the trees were hung with adolescent tresses, green and white and yellow, and the sky was busy with scudding clouds. Even the solemn bricks had caught something of the sudden colour of the day, and London seemed to toss in its long, winter sleep and to take the heavy breaths of the awakening sluggard. I turned from my Fleet Street window to my desk, took my pen, found it in good working order, and put it down. I was hoping that it would be damaged, or that the ink had run out; I like to deceive myself with some excuse for not working. But on this occasion none presented itself save the call of the streets and the happy aspect of things, and I made these serve my purpose. With me it is always thus. Let there come the first sharp taste of Spring in the February air and I am demoralized. Away with labour. The sun is shining. The sky is bland. There are seven hundred square miles of London in which Adventure is shyly lurking for
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Produced by Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) THE LAW AND THE POOR BY HIS HONOUR JUDGE EDWARD ABBOTT PARRY AUTHOR OF "DOROTHY OSBORNE'S LETTERS," "JUDGMENTS IN VACATION," "WHAT THE JUDGE SAW," "THE SCARLET HERRING," "KATAWAMPUS," ETC. "Laws grind the poor and rich men rule the law." OLIVER GOLDSMITH: "The Traveller." LONDON SMITH, ELDER & CO., 15, WATERLOO PLACE 1914 TO THE MAN IN THE STREET THIS VOLUME IS DEDICATED, IN THE PIOUS HOPE THAT HE WILL TAKE UP HIS JOB AND DO IT. CONTENTS CHAP. PAGE INTRODUCTION ix REFERENCES xv I. PAST AND PRESENT 1 II. THE ANCIENTS AND THE DEBTOR 20 III. OF IMPRISONMENT FOR DEBT IN ENGLAND 36 IV. HOW THE MACHINE WORKS 58 V. WORKMEN'S COMPENSATION 76 VI. BANKRUPTCY 106 VII. DIVORCE 125 VIII. FLAT-TRAPS AND THEIR VICTIMS 152 IX. POVERTY AND PROCEDURE 172 X. CRIME AND PUNISHMENT 189 XI. THE POLICE COURT 213 XII. LANDLORD AND TENANT 233 XIII. THE TWO PUBLIC HOUSES: I. THE ALEHOUSE 252 XIV. THE TWO PUBLIC HOUSES: II. THE WORKHOUSE 271 XV. REMEDIES OF TO-DAY 285 XVI. REMEDIES OF TO-MORROW 299 INDEX 311 INTRODUCTION "But, say what you like, our Queen reigns over the greatest nation that ever existed." "Which nation?" asked the younger stranger, "for she reigns over two." The stranger paused; Egremont was silent, but looked inquiringly. "Yes," resumed the stranger after a moment's interval. "Two nations; between whom there is no intercourse and no sympathy; who are as ignorant of each other's habits, thoughts, and feelings, as if they were dwellers in different zones, or inhabitants of different planets; who are formed by a different breeding, are fed by a different food, are ordered by different manners, and are not governed by the same laws." "You speak of----," said Egremont, hesitatingly. "THE RICH AND THE POOR." BENJAMIN DISRAELI: "Sybil, or The Two Nations." The rich have many law books written to protect their privileges, but the poor, who are the greater nation, have but few. Not that I should like to call this a law book, for two reasons: firstly, it would not be true; secondly, if it were true, I should not mention it, as I want people to read it. You cannot read law books, you only consult them. A law book seeks to set out the law, the whole law, and nothing but the law on the subject of which it treats. There are many books on Poor Law, there are hundreds of volumes about the Poor, and many more about the Law, but the Law and the Poor is a virgin subject. It is a wonder that it should be so because it is far more practical and interesting than either of its component parts. It is as if poetry had dealt with beans or with bacon and no poet had hymned the more beautiful associations of beans and bacon. In the same way the Law and the Poor is a subject worthy of treatment in drama or poetry, but that that may be successfully done someone must do the rough spade work of digging the material out of the dirt heaps in which it lies, and presenting it in a more or less palatable form. When this has been done the poet or the politician can come along and throw the crude metal into the metres of sonnets or statutes or any form of glorious letters they please. From the very earliest I have taken a keen interest in this subject. I remember well when I was a schoolboy the profound impression made upon me by Samuel Plimsoll's agitation to rescue merchant seamen from the horrible abuses practised by a certain class of shipowner. My father, Serjeant Parry, was engaged in litigation for Plimsoll, and I heard many things at first hand of that great reformer's hopes and disappointments. There were a class of traders known as "ship knackers," who bought up old unseaworthy vessels and sent them to sea overloaded and over-insured. Plimsoll, for years, devoted himself to prevent this wickedness. There was
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Produced by David Widger THE PAPERS AND WRITINGS OF ABRAHAM LINCOLN VOLUME FIVE CONSTITUTIONAL EDITION By Abraham Lincoln Edited by Arthur Brooks Lapsley THE WRITINGS OF ABRAHAM LINCOLN, Volume Five, 1858-1862 TO SYDNEY SPRING, GRAYVILLE, ILL. SPRINGFIELD, June 19, 1858. SYDNEY SPRING, Esq. MY DEAR SIR:--Your letter introducing Mr. Faree was duly received. There was no opening to nominate him for Superintendent of Public Instruction, but through him Egypt made a most valuable contribution to the convention. I think it may be fairly said that he came off the lion of the day--or rather of the night. Can you not elect him to the Legislature? It seems to me he would be hard to beat. What objection could be made to him? What is your Senator Martin saying and doing? What is Webb about? Please write me. Yours truly, A. LINCOLN. TO H. C. WHITNEY. SPRINGFIELD, June 24, 1858 H. C. WHITNEY, ESQ. DEAR SIR:--Your letter enclosing the attack of the Times upon me was received this morning. Give yourself no concern about my voting against the supplies. Unless you are without faith that a lie can be successfully contradicted, there is not a word of truth in the charge, and I am just considering a little as to the best shape to put a contradiction in. Show this to whomever you please, but do not publish it in the paper. Your friend as ever, A. LINCOLN. TO J. W. SOMERS. SPRINGFIELD, June 25, 1858. JAMES W. SOMERS, Esq. MY DEAR SIR:--Yours of the 22nd, inclosing a draft of two hundred dollars, was duly received. I have paid it on the judgment, and herewith you have the receipt. I do not wish to say anything as to who shall be the Republican candidate for the Legislature in your district, further than that I have full confidence in Dr. Hull. Have you ever got in the way of consulting with McKinley in political matters? He is true as steel, and his judgment is very good. The last I heard from him, he rather thought Weldon, of De Witt, was our best timber for representative, all things considered. But you there must settle it among yourselves. It may well puzzle older heads than yours to understand how, as the Dred Scott decision holds, Congress can authorize a Territorial Legislature to do everything else, and cannot authorize them to prohibit slavery. That is one of the things the court can decide, but can never give an intelligible reason for. Yours very truly, A. LINCOLN. TO A. CAMPBELL. SPRINGFIELD, June 28, 1858. A. CAMPBELL, Esq. MY DEAR SIR:--In 1856 you gave me authority to draw on you for any sum not exceeding five hundred dollars. I see clearly that such a privilege would be more available now than it was then. I am aware that times are tighter now than they were then. Please write me at all events, and whether you can now do anything or not I shall continue grateful for the past. Yours very truly, A. LINCOLN. TO J. GILLESPIE. SPRINGFIELD, July 16, 1858. HON. JOSEPH GILLESPIE. MY DEAR SIR:--I write this to say that from the specimens of Douglas Democracy we occasionally see here from Madison, we learn that they are making very confident calculation of beating you and your friends for the lower house, in that county. They offer to bet upon it. Billings and Job, respectively, have been up here, and were each as I learn, talking largely about it. If they do so, it can only be done by carrying the Fillmore men of 1856 very differently from what they seem to [be] going in the other party. Below is the vote of 1856, in your district: Counties. Counties. Buchanan. Fremont. Fillmore. Bond............ 607 153 659 Madison......... 1451 1111 1658 Montgomery...... 992 162 686 ---- ---- ---- 3050 1426 3003 By this you will see, if you go through the calculation, that if they get one quarter of the Fillmore votes, and you three quarters, they will beat you 125 votes. If they get one fifth, and you four fifths, you beat them 179. In Madison, alone, if our friends get 1000 of the Fillmore votes, and their opponents the remainder, 658, we win by just two votes. This shows the whole field, on the basis of the election of 1856. Whether, since then, any Buchanan, or Fremonters, have shifted ground, and how the majority of new votes will go, you can judge better than I. Of course you, on the ground, can better determine your line of tactics than any one off the ground; but it behooves you to be wide awake and actively working. Don't neglect it; and write me at your first leisure. Yours as ever, A. LINCOLN. TO JOHN MATHERS, JACKSONVILLE, ILL. SPRINGFIELD, JULY 20, 1858. JNO. MATHERS, Esq. MY DEAR SIR:--Your kind and interesting letter of the 19th was duly received. Your suggestions as to placing one's self on the offensive rather than the defensive are certainly correct. That is a point which I shall not disregard. I spoke here on Saturday night. The speech, not very well reported, appears in the State journal of this morning. You doubtless will see it; and I hope that you will perceive in it that I am already improving. I would mail you a copy now, but have not one [at] hand. I thank you for your letter and shall be pleased to hear from you again. Yours very truly, A. LINCOLN. TO JOSEPH GILLESPIE. SPRINGFIELD, JULY 25, 1858. HON. J. GILLESPIE. MY DEAR SIR:--Your doleful letter of the 8th was received on my return from Chicago last night. I do hope you are worse scared than hurt, though you ought to know best. We must not lose the district. We must make a job of it, and save it. Lay hold of the proper agencies, and secure all the Americans you can, at once. I do hope, on closer inspection, you will find they are not half gone. Make a little test. Run down one of the poll-books of the Edwardsville precinct, and take the first hundred known American names. Then quietly ascertain how many of them are actually going for Douglas. I think you will find less than fifty. But even if you find fifty, make sure of the other fifty, that is, make sure of all you can, at all events. We will set other agencies to work which shall compensate for the loss of a good many Americans. Don't fail to check the stampede at once. Trumbull, I think, will be with you before long. There is much he cannot do, and some he can. I have reason to hope there will be other help of an appropriate kind. Write me again. Yours as ever, A. LINCOLN. TO B. C. COOK. SPRINGFIELD, Aug. 2, 1858. Hon. B. C. COOK. MY DEAR SIR:--I have a letter from a very true and intelligent man insisting that there is a plan on foot in La Salle and Bureau to run Douglas Republicans for Congress and for the Legislature in those counties, if they can only get the encouragement of our folks nominating pretty extreme abolitionists. It is thought they will do nothing if our folks nominate men who are not very obnoxious to the charge of abolitionism. Please have your eye upon this. Signs are looking pretty fair. Yours very truly, A. LINCOLN. TO HON. J. M. PALMER. SPRINGFIELD, Aug. 5, 1858. HON. J. M. PALMER. DEAR SIR:--Since we parted last evening no new thought has occurred to [me] on the subject of which we talked most yesterday. I have concluded, however, to speak at your town on Tuesday, August 31st, and have promised to have it so appear in the papers of to-morrow. Judge Trumbull has not yet reached here. Yours as ever, A. LINCOLN. TO ALEXANDER SYMPSON. SPRINGFIELD, Aug. 11, 1858. ALEXANDER SYMPSON, Esq. DEAR SIR:--Yours of the 6th received. If life and health continue I shall pretty likely be at Augusta on the 25th. Things look reasonably well. Will tell you more fully when I see you. Yours truly, A. LINCOLN. TO J. O. CUNNINGHAM. OTTAWA, August 22, 1858. J. O. CUNNINGHAM, Esq. MY DEAR SIR:--Yours of the 18th, signed as secretary of the Republican club, is received. In the matter of making speeches I am a good deal pressed by invitations from almost all quarters, and while I hope to be at Urbana some time during the canvass, I cannot yet say when. Can you not see me at Monticello on the 6th of September? Douglas and I, for the first time this canvass, crossed swords here yesterday; the fire flew some, and I am glad to know I am yet alive. There was a vast concourse of people--more than could get near enough to hear. Yours as ever, A. LINCOLN. ON SLAVERY IN A DEMOCRACY. August??, 1858 As I would not be a slave, so I would not be a master. This expresses my idea of democracy. Whatever differs from this, to the extent of the difference, is no democracy. A. LINCOLN. TO B. C. COOK. SPRINGFIELD, August 2, 1858 HON. B. C. COOK. MY DEAR SIR:--I have a letter from a very true friend, and intelligent man, writing that there is a plan on foot in La Salle and Bureau, to run Douglas Republican for Congress and for the Legislature in those counties, if they can only get the encouragement of our folks nominating pretty extreme abolitionists. It is thought they will do nothing if our folks nominate men who are not very [undecipherable word looks like "obnoxious"] to the charge of abolitionism. Please have your eye upon this. Signs are looking pretty fair. Yours very truly, A. LINCOLN. TO DR. WILLIAM FITHIAN, DANVILLE, ILL. BLOOMINGTON, Sept. 3, 1858 DEAR DOCTOR:--Yours of the 1st was received this morning, as also one from Mr. Harmon, and one from Hiram Beckwith on the same subject. You will see by the Journal that I have been appointed to speak at Danville on the 22d of Sept.,--the day after Douglas speaks there. My recent experience shows that speaking at the same place the next day after D. is the very thing,--it is, in fact, a concluding speech on him. Please show this to Messrs. Harmon and Beckwith; and tell them they must excuse me from writing separate letters to them. Yours as ever, A. LINCOLN P. S.--Give full notice to all surrounding country. A.L. FRAGMENT OF SPEECH AT PARIS, ILL., SEPT. 8, 1858. Let us inquire what Judge Douglas really invented when he introduced the Nebraska Bill? He called it Popular Sovereignty. What does that mean? It means the sovereignty of the people over their own affairs--in other words, the right of the people to govern themselves. Did Judge Douglas invent this? Not quite. The idea of popular sovereignty was floating about several ages before the author of the Nebraska Bill was born--indeed, before Columbus set foot on this continent. In the year 1776 it took form in the noble words which you are all familiar with: "We hold these truths to be self-evident, that all men are created equal," etc. Was not this the origin of popular sovereignty as applied to the American people? Here we are told that governments are instituted among men deriving their just powers from the consent of the governed. If that is not popular sovereignty, then I have no conception of the meaning of words. If Judge Douglas did not invent this kind of popular sovereignty, let us pursue the inquiry and find out what kind he did invent. Was it the right of emigrants to Kansas and Nebraska to govern themselves, and a lot of "<DW65>s," too, if they wanted them? Clearly this was no invention of his because General Cass put forth the same doctrine in 1848 in his so called Nicholson letter, six years before Douglas thought of such a thing. Then what was it that the "Little Giant" invented? It never occurred to General Cass to call his discovery by the odd name of popular sovereignty. He had not the face to say that the right of the people to govern "<DW65>s" was the right of the people to govern themselves. His notions of the fitness of things were not moulded to the brazenness of calling the right to put a hundred "<DW65>s" through under the lash in Nebraska a "sacred" right of self-government. And here I submit to you was Judge Douglas's discovery, and the whole of it: He discovered that the right to breed and flog <DW64>s in Nebraska was popular sovereignty. SPEECH AT CLINTON, ILLINOIS, SEPTEMBER 8, 1858. The questions are sometimes asked "What is all this fuss that is being made about <DW64>s? What does it amount to? And where will it end?" These questions imply that those who ask them consider the slavery question a very insignificant matter they think that it amounts to little or nothing and that those who agitate it are extremely foolish. Now it must be admitted that if the great question which has caused so much trouble is insignificant, we are very foolish to have anything to do with it--if it is of no importance we had better throw it aside and busy ourselves with something else. But let us inquire a little into this insignificant matter, as it is called by some, and see if it is not important enough to demand the close attention of every well-wisher of the Union. In one of Douglas's recent speeches, I find a reference to one which was made by me in Springfield some time ago. The judge makes one quotation from that speech that requires some little notice from me at this time. I regret that I have not my Springfield speech before me, but the judge has quoted one particular part of it so often that I think I can recollect it. It runs I think as follows: "We are now far into the fifth year since a policy was initiated with the avowed object and confident promise of putting an end to slavery agitation. Under the operation of that policy that agitation has not only not ceased but has constantly augmented. In my opinion it will not cease until a crisis shall have been reached and passed. "A house divided against itself cannot stand. I believe this government cannot endure permanently half slave and half free. I do not expect the Union to be dissolved. I do not expect the house to fall, but I do expect it will cease to be divided. It will become all one thing or all the other. Either the opponents of slavery will arrest the further spread of it and place it where the public mind shall rest in the belief that it is in the course of ultimate extinction; or its advocates will push it forward till it shall become alike lawful in all the States, old as well as new, North as well as South." Judge Douglas makes use of the above quotation, and finds a great deal of fault with it. He deals unfairly with me, and tries to make the people of this State believe that I advocated dangerous doctrines in my Springfield speech. Let us see if that portion of my Springfield speech of which Judge Douglas complains so bitterly, is as objectionable to others as it is to him. We are, certainly, far into the fifth year since a policy was initiated with the avowed object and confident promise of putting an end to slavery agitation. On the fourth day of January, 1854, Judge Douglas introduced the Kansas-Nebraska bill. He initiated a new policy, and that policy, so he says, was to put an end to the agitation of the slavery question. Whether that was his object or not I will not stop to discuss, but at all events some kind of a policy was initiated; and what has been the result? Instead of the quiet and good feeling which were promised us by the self-styled author of Popular Sovereignty, we have had nothing but ill-feeling and agitation. According to Judge Douglas, the passage of the Nebraska bill would tranquilize the whole country--there would be no more slavery agitation in or out of Congress, and the vexed question would be left entirely to the people of the Territories. Such was the opinion of Judge Douglas, and such were the opinions of the leading men of the Democratic Party. Even as late as the spring of 1856 Mr. Buchanan said, a short time subsequent to his nomination by the Cincinnati convention, that the territory of Kansas would be tranquil in less than six weeks. Perhaps he thought so, but Kansas has not been and is not tranquil, and it may be a long time before she may be so. We all know how fierce the agitation was in Congress last winter, and what a narrow escape Kansas had from being admitted into the Union with a constitution that was detested by
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Produced by Victorian/Edwardian Pictorial Magazines, Jonathan Ingram, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net Transcribers Notes: Title and Table of Contents added. * * * * * THE IDLER MAGAZINE. AN ILLUSTRATED MONTHLY. June 1893. * * * * * CONTENTS. MEMOIRS OF A FEMALE NIHILIST. II.--IN PRISON. BY SOPHIE WASSILIEFF. THE LEGS OF SISTER URSULA. BY RUDYARD KIPLING. "LIONS IN THEIR DENS." VI.--EMILE ZOLA. BY V. R. MOONEY. PEOPLE I HAVE NEVER MET. BY SCOTT RANKIN. AN ETHIOPIAN CRICKET MATCH. BY EDEN PHILLPOTTS. MY FIRST BOOK. BY R. M. BALLANTYNE. TRIALS AND TROUBLES OF AN ARTIST. BY FRED MILLER. THE BROTHERS' AGENCY. BY DO BAHIN. MY OWN MURDERER. BY E. J. GOODMAN. THE IDLERS CLUB. SHALL WE HAVE A DRAMATIC ACADEMY? * * * * * [Illustration: "'No. 16 FOR AN INTERVIEW.'"] _Memoirs of a Female Nihilist._ BY SOPHIE WASSILIEFF. ILLUSTRATIONS BY J. ST. M. FITZ-GERALD. ----- II.--IN PRISON. The life of a female prisoner! It is so uniformly dull that I fear to weary you, friends, in repeating its history; while for me, even now, outside of some few days only too memorable, the twenty-seven months
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Produced by Chris Curnow, John Campbell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER’S NOTE Italic text is denoted by _underscores_. Bold text is denoted by =equal signs=. Footnote anchors are denoted by [number], and the footnotes have been placed at the end of the book. There are only 3 in this book. A superscript is denoted by ^x or ^{xx}, for example S^T. A subscript is denoted by _{x}, for example H_{2}O_{2}. Basic fractions are displayed as ½ ⅓ ¼ etc; other fractions are shown in the form a-b/c, for example 9/10 or 1-5/16. Quantities are separated from the unit by a space, for example ‘3 ft.’ or ‘12½ lb.’ Some quantities had a linking - such as ‘12½-lb.’ For consistency this - has been removed in the etext. Numerous minor changes to the text are noted at the end of the book. SPONS’ HOUSEHOLD MANUAL: A TREASURY OF DOMESTIC RECEIPTS And Guide for HOME MANAGEMENT. [Illustration: (Publisher colophon)] London: E. & F. N. SPON, 125 STRAND. New York: SPON & CHAMBERLAIN, 12 CORTLANDT STREET. 1894 PREFACE. Time was when the foremost aim and ambition of the English housewife was to gain a full knowledge of her own duties and of the duties of her servants. In those days, bread was home-baked, butter home-made, beer home-brewed, gowns home-sewn, to a far greater extent than now. With the advance of education, there is much reason to fear that the essentially domestic part of the training of our daughters is being more and more neglected. Yet what can be more important for the comfort and welfare of the household than an appreciation of their needs and an ability to furnish them. Accomplishments, all very good in their way, must, to the true housewife, be secondary to all that concerns the health, the feeding, the clothing, the housing of those under her care. And what a range of knowledge this implies,--from sanitary engineering to patching a garment, from bandaging a wound to keeping the frost out of water pipes. It may safely be said that the mistress of a family is called upon to exercise an amount of skill and learning in her daily routine such as is demanded of few men, and this too without the benefit of any special education or preparation; for where is the school or college which includes among its “subjects” the study of such every-day matters as bad drains, or the gapes in chickens, or the removal of stains from clothes, or the bandaging of wounds, or the management of a kitchen range? Indeed, it is worthy of consideration whether our schools of cookery might not with very great advantage be supplemented by schools of general household instruction. Till this suggestion is carried out, the housewife can only refer to books and papers for information and advice. The editors of the present volume have been guided by a determination to make it a _book of reference_ such as no housewife can afford to be without. Much of the matter is, of course, not altogether new, but it has been arranged with great care in a systematic manner, and while the use of obscure scientific terms has been avoided, the teachings of modern science have been made the basis of those sections in which science plays a part. Much of the information herein contained has appeared before in lectures, pamphlets, and newspapers, foremost among these last being the _Queen_, _Field_, _Lancet_, _Scientific American_, _Pharmaceutical Journal_, _Gardener’s Chronicle_, and the _Bazaar_; but it has lost nothing by repetition, and has this advantage in being embodied in a substantial volume that it can always be readily found when wanted, while every one knows the fate of leaflets and journals. The sources whence information has been drawn have, it is believed, in every case been acknowledged, and the editors take this opportunity of again proclaiming their indebtedness to the very large number of lecturers and writers whose communications have found a place within these covers. THE EDITORS. CONTENTS. =Hints for selecting a good House=, pointing out the essential requirements for a good house as to the Site, Soil, Trees, Aspect, Construction, and General Arrangement; with instructions for Reducing Echoes, Water-proofing Damp Walls, Curing Damp Cellars Page 1 =Water Supply.=--Care of Cisterns; Sources of Supply; Pipes; Pumps; Purification and Filtration of Water 12 =Sanitation.=--What should constitute a good Sanitary Arrangement; Examples (with illustrations) of Well- and Ill-drained Houses; How to Test Drains; Ventilating Pipes, &c. 35 =Ventilation and Warming.=--Methods of Ventilating without causing cold draughts, by various means; Principles of Warming; Health Questions; Combustion; Open Grates; Open Stoves; Fuel Economisers; Varieties of Grates; Close-Fire Stoves; Hot-air Furnaces; Gas Heating; Oil Stoves; Steam Heating; Chemical Heaters; Management of Flues; and Cure of Smoky Chimneys 55
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Produced by MWS, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) A DOMINIE'S LOG WHAT THIS BOOK IS ABOUT. "A Dominie's Log" was directly due to the Scottish code of Education, by which it is forbidden to enter general reflections or opinions in the official log-book. Requiring a safety-valve, a young Dominie decides to keep a private log-book. In it he jots down the troubles and comedies of the day's work. Sometimes he startles even his own bairns by his unconventionality. There is a lot in Education that he does not understand. The one thing, however, that he does comprehend is the Child Mind, and he possesses the saving quality of humour. _BY THE SAME AUTHOR_ A DOMINIE ABROAD 7s. 6d. net. A DOMINIE DISMISSED 2s. 6d. net. A DOMINIE IN DOUBT 2s. 6d. net. THE BOOMING OF BUNKIE 2s. 6d. net. CARROTY BROON 2s. 6d. net. A DOMINIE'S LOG BY A. S. NEILL HERBERT JENKINS LIMITED YORK STREET ST. JAMES'S S.W.1. [Illustration: A HERBERT JENKINS' BOOK] _Printed in Great Britain at the Athenæum Printing Works, Redhill._ AS A BOY I ATTENDED A VILLAGE SCHOOL WHERE THE BAIRNS CHATTERED AND WERE HAPPY. I TRACE MY LOVE OF FREEDOM TO MY FREE LIFE THERE, AND
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Produced by Charlie Howard and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A TRIP TO PILAWIN [Illustration: A FOREST SCENE.] A TRIP TO PILAWIN THE DEER-PARK OF COUNT JOSEPH POTOCKI IN VOLHYNIA RUSSIA BY R. LYDEKKER LONDON ROWLAND WARD, LIMITED “THE JUNGLE,” 167 PICCADILLY, W. 1908 _All rights reserved_ PREFACE When founding the Pilawin preserve in 1901 my intention was limited to the breeding of elk, which still have their native haunts not very far away to the north, but have for many years ceased to inhabit these forests. No one, to my knowledge, has hitherto attempted to naturalise these splendid deer in enclosed parks; but the fact that Pilawin forms a part of their original habitat induced me to try the experiment, which has thus far proved an unqualified success. The first big game introduced in Pilawin were thus elk; but soon after their introduction I had the opportunity when in England of visiting the famous park of the Duke of Bedford at Woburn, and the wonders there seen enlarged my ideas with regard to Pilawin. Without any thought of rivalling the marvels of Woburn, I accordingly decided to add to the Pilawin park such of the deer of North America and Asia as appeared likely to thrive in Russia. Consequently I lost no time in obtaining specimens of American and Siberian wapiti, as well as of Caucasian red deer and the Manchurian Dybowski’s deer, after which I continued to add other new inhabitants to the park as opportunity occurred. In 1905, thanks to the kind intervention of Prince Victor Kotchoubey, who is at the head of the Imperial estates, I received from H.M. the Emperor of Russia the valuable gift of three bison from the Imperial preserves of Bielowicz; while in the following year a pair of their American relations, imported by Hagenbeck, was added to the herd. Much work still remains to be done before Pilawin is placed on such a level that will make it of real interest and importance to the study of natural history. If possible, I should like to make it the home of all such species of big game to which the climate and other local conditions prove suitable. And when established, I want them to live practically in their wild and natural state, breeding freely, and lacking any sense of confinement and limitation. I want, in fact, to see Pilawin, not a zoological garden, but a wild forest, where the noblest kinds of game may enjoy the largest possible amount of freedom, and where the sportsman may find the enjoyment of real sport and the naturalist a great field for study. Before concluding, I may avail myself of the opportunity of tendering my best thanks to all who have so kindly assisted me in the enterprise. My first thanks are due to H.M. the Emperor; and I have next to thank the Duke of Bedford for the promise of a young American bison, which I hope will reach Pilawin during the spring. To the Princes A. S. and F. Radziwill, to Count Constantin Potocki, and to Mr. Zalenski I am indebted for elk. To Mr. Poklewski-Roziell my acknowledgments are due for Siberian roe; while I have to thank Madame Ouwaroff for the valuable gift of a couple of beavers. I have likewise the pleasure of acknowledging the valuable services of the firm of Hagenbeck of Hamburg, who carried out to my entire satisfaction all orders regarding the importation of living animals into Pilawin. To the author of this little volume I desire to express my deepest gratitude and warmest thanks; and I am both proud and pleased that the first description of Pilawin should come from the pen of such a well-known naturalist as Mr. Lydekker. Last, but not least, my gratitude is due to the publisher for the manner in which this account of Pilawin is presented to the world. JOSEPH POTOCKI. ANTONINY, _January 1908_. LIST OF ILLUSTRATIONS PAGE A FOREST SCENE _Frontispiece_ THE BIG LAKE IN PILAWIN 3 EUROPEAN BISON IN THE OPEN 5 THE MAIN ENTRANCE OF THE ANTONINY PALACE 9 BEARS KILLED BY THE COUNT 13 WAPITI STAGS TRYING FOR THE MASTERY 15 AMERICAN BISON IN THE SNOW 17 WAPITI IN THE SNOW 19 WAPITI CALLING 23 EUROPEAN AND AMERICAN BISON IN THE PILAWIN PARK
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Produced by Marius Masi, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Illustration] THE MACMILLAN COMPANY NEW YORK. BOSTON. CHICAGO ATLANTA. SAN FRANCISCO MACMILLAN & CO., LIMITED LONDON. BOMBAY. CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, LTD. TORONTO [Illustration: 1. LORD MINTO, VICEROY OF INDIA. _Frontispiece_] TRANS-HIMALAYA DISCOVERIES AND ADVENTURES IN TIBET BY SVEN HEDIN WITH 388 ILLUSTRATIONS FROM PHOTOGRAPHS, WATER-COLOUR SKETCHES, AND DRAWINGS BY THE AUTHOR AND 10 MAPS IN TWO VOLUMES VOL. I New York THE MACMILLAN COMPANY 1909 _All rights reserved_ COPYRIGHT, 1909, BY THE MACMILLAN COMPANY. * * * * * Set up and electrotyped. Published December, 1909. Norwood Press J. S. Cushing Co.--Berwick & Smith Co. Norwood, Mass., U.S.A. TO HIS EXCELLENCY THE EARL OF MINTO VICEROY OF INDIA WITH GRATITUDE AND ADMIRATION FROM THE AUTHOR PREFACE In the first place I desire to pay homage to the memory of my
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Produced by Charles Bowen from page scans provided by the Internet Web Archive Transcriber's Notes: 1. Page scan source: The Internet Web Archive https://archive.org/details/indeadofnightnov02spei (University of Illinois Urbana-Champaign) IN THE DEAD OF NIGHT. A Novel. IN THREE VOLUMES. VOL. II. LONDON: RICHARD BENTLEY AND SON. 1874. (_All rights reserved_.) IN THE DEAD OF NIGHT. A Novel. IN THREE VOLUMES. VOL. II. LONDON: RICHARD BENTLEY AND SON. 1874. (_All rights reserved_.) CONTENTS OF VOL. II. CHAPTER I. THE EVE OF THE TRIAL. II. THE TRIAL. III. A BOTTLE OF BURGUNDY. IV. DR. DRAYTON'S SUSPICIONS. V. HIDE AND SEEK. VI. FLOWN. VII. GENERAL ST. GEORGE. VIII. CUPID AT PINCOTE. IX. AT THE VILLA PAMPHILI. X. BACK AGAIN AT PARK NEWTON. XI. MRS. MCDERMOTT WANTS HER MONEY. XII. FOOTSTEPS IN THE ROOM. XIII. THE SQUIRE'S TRIBULATION. IN THE DEAD OF NIGHT. CHAPTER I. THE EVE OF THE TRIAL. Within a week of Tom Bristow's first visit to Pincote, and his introduction to the Copes, father and son, Mr. Cope, junior, found himself, much to his disgust, fairly on his way to New York. He would gladly have rebelled against the parental dictum in this matter, if he had dared to do so; but he knew of old how worse than useless it would be for him to offer the slightest opposition to his father's wishes. "You will go and say goodbye to Miss Culpepper as a matter of course," said Mr. Cope to him. "But don't grow too sentimental over the parting. Do it in an easy, smiling way, as if you were merely going out of town for a few days. Don't make any promises--don't talk about the future--and, above all, don't say a word about marriage. Of course, you will have to write to her occasionally while you are away. Just a few lines, you know, to say how you are, and all that. No mawkish silly love-nonsense, but a sensible, manly letter; and be wisely reticent as to the date of your return. Very sorry, but you don't know how much longer your business may detain you--you know the sort of thing I mean." When the idea had first entered Mr. Cope's mind that it would be an excellent thing if he could only succeed in getting his son engaged to Squire Culpepper's only child, it had not been without an ulterior eye to the fortune which that young lady would one day call her own that he had been induced to press forward the scheme to a successful issue. By marrying Miss Culpepper, his son would be enabled to take up a position in county society such as he could never hope to attain either by his own merits, which were of the most moderate kind, or from his father's money bags alone. But dearly as Mr. Cope loved position, he loved money still better; and it was no part of his programme that his son should marry a pauper, even though that pauper could trace back her pedigree to the Conqueror. And yet, if the squire went on speculating as madly as he was evidently doing now, it seemed only too probable that pauperism, or something very much like it, would be the result, as far as Miss Culpepper was concerned. Instead of having a fortune of at least twenty thousand pounds, as she ought to have, would she come in for as many pence when the old man died? Mr. Cope groaned in spirit as he asked himself the question, and he became more determined than ever to carry out his policy of waiting and watching, before allowing the engagement of the young people to reach a point that would render a subsequent rupture impossible without open scandal--and scandal was a bugbear of which the banker stood in extreme dread. Fortunately, perhaps, for Mr. Cope's view, the feelings of neither of the people chiefly concerned were very deeply interested. Edward had obeyed his father in this as in everything else. He had known Jane from a child, and he liked her because she was clever and good-tempered. But she by no means realized his ideal of feminine beauty. She was too slender, too slightly formed to meet with his approval. "There's not enough of her," was the way he put it to himself. Miss Moggs, the confectioner's daughter,
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Produced by Charles Aldarondo, Michael Lockey and PG Distributed Proofreaders THE INDIAN LILY AND OTHER STORIES BY HERMANN SUDERMANN TRANSLATED BY LUDWIG LEWISOHN, M.A. 1911 CONTENTS THE INDIAN LILY THE PURPOSE THE SONG OF DEATH THE VICTIM AUTUMN MERRY FOLK THEA THE INDIAN LILY Chapter I. It was seven o'clock in the morning when Herr von Niebeldingk opened the iron gate and stepped into the front garden whose wall of blossoming bushes separated the house from the street. The sun of a May morning tinted the greyish walls with gold, and caused the open window-panes to flash with flame. The master directed a brief glance at the second story whence floated the dull sound of the carpet-beater. He thrust the key rapidly into the keyhole for a desire stirred in him to slip past the porter's lodge unobserved. "I seem almost to be--ashamed!" he murmured with a smile of self-derision as a similar impulse overcame him in front of the house door. But John, his man--a dignified person of fifty--had observed his approach and stood in the opening door. The servant's mutton-chop whiskers and admirably silvered front-lock contrasted with a repressed reproach that hovered between his brows. He bowed deeply. "I was delayed," said Herr von Niebeldingk, in order to say something and was vexed because this sentence sounded almost like an excuse. "Do you desire to go to bed, captain, or would you prefer a bath?" "A bath," the master responded. "I have slept elsewhere." That sounded almost like another excuse. "I'm obviously out of practice," he reflected as he entered the breakfast-room where the silver samovar steamed among the dishes of old Sevres. He stepped in front of the mirror and regarded himself--not with the forbearance of a friend but the keen scrutiny of a critic. "Yellow, yellow...." He shook his head. "I must apply a curb to my feelings." Upon the whole, however, he had reason to be fairly satisfied with himself. His figure, despite the approach of his fortieth year, had remained slender and elastic. The sternly chiselled face, surrounded by a short, half-pointed beard, showed neither flabbiness nor bloat. It was only around the dark, weary eyes that the experiences of the past night had laid a net-work of wrinkles and shadows. Ten years ago pleasure had driven the hair from his temples, but it grew energetically upon his crown and rose, above his forehead, in a Mephistophelian curve. The civilian's costume which often lends retired officers a guise of excessive spick-and-spanness had gradually combined with an easier bearing to give his figure a natural elegance. To be sure, six years had passed since, displeased by a nagging major, he had definitely hung up the dragoon's coat of blue. He was wealthy enough to have been able to indulge in the luxury of that displeasure. In addition his estates demanded more rigorous management.... From Christmas to late spring he lived in Berlin, where his older brother occupied one of those positions at court that mean little enough either to superior or inferior ranks, but which, in a certain social set dependent upon the court, have an influence of inestimable value. Without assuming the part of either a social lion or a patron, he used this influence with sufficient thoroughness to be popular, even, in certain cases, to be feared, and belonged to that class of men to whom one always confides one's difficulties, never one's wife. John came to announce to his master that the bath was ready. And while Niebeldingk stretched himself lazily in the tepid water he let his reflections glide serenely about the delightful occurrence of the past night. That occurrence had been due for six months, but opportunity had been lacking. "I am closely watched and well-known," she had told him, "and dare not go on secret errands."... Now at last their chance had come and had been used with clever circumspectness.... Somewhere on the
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Produced by David Edwards, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) +-------------------------------------------------+ |Transcriber's note: | | | |Obvious typographic errors have been corrected. | | | |The Publisher updated some of the text of the | |Book List by hand, indicating those which were | |out of print. | |The original text has been retained. | | | +-------------------------------------------------+ ECHOES FROM THE ORIENT A BROAD OUTLINE OF THEOSOPHICAL DOCTRINES BY WILLIAM Q. JUDGE [OCCULTUS] SECOND POINT LOMA EDITION THE THEOSOPHICAL PUBLISHING COMPANY POINT LOMA, CALIFORNIA 1910 Entered according to Act of Congress, in the year 1890, in the Office of the Librarian of Congress, at Washington, D. C. BY WILLIAM Q. JUDGE. [Illustration: Logo] THE ARYAN THEOSOPHICAL PRESS Point Loma, California DEDICATED TO HELENA PETROVNA BLAVATSKY WITH LOVE AND GRATITUDE BY THE AUTHOR TO THE READER Echoes from the Orient was written by Mr. Judge sixteen years ago (1890) as a series of papers for a well known periodical. The author wrote under the name of "_Occultus_," as it was intended that his personality should be hidden until the series was completed. The value of these papers as a popular presentation of Theosophical teaching was at once seen and led to their publication in book form. As Mr. Judge wrote in his "Antecedent Words" to the earlier edition: "The
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E-text prepared by David Edwards, Marcia Brooks, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by the Florida Board of Education, Division of Colleges and Universities, PALMM Project (http://palmm.fcla.edu/juv/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 23989-h.htm or 23989-h.zip: (http://www.gutenberg.net/dirs/2/3/9/8/23989/23989-h/23989-h.htm) or (http://www.gutenberg.net/dirs/2/3/9/8/23989/23989-h.zip) Images of the original pages are available through the Florida Board of Education, Division of Colleges and Universities, PALMM Project (Preservation and Access for American and British Children's Literature). See http://fulltext10.fcla.edu/cgi/t/text/text-idx?c=juv&idno=UF00002184&format=jpg or http://fulltext10.fcla.edu/cgi/t/text/text-idx?c=juv&idno=UF00002184&format=pdf Transcriber's note: The table of contents has been added for the reader's convenience. Punctuation and obvious printer's errors have been corrected. CALEB IN THE COUNTRY. A Story for Children. by JACOB ABBOTT, Author of "The Child at Home." [Illustration: Caleb in the country.] Halifax: Milner and Sowerby. 1852. PREFATORY NOTICE. The object of this little work, and of others of its family, which may perhaps follow, is, like that of the "Rollo Books," to furnish useful and instructive reading to young children. The aim is not so directly to communicate knowledge, as it is to develop the moral and intellectual powers,--to cultivate habits of discrimination and correct reasoning, and to establish sound principles of moral conduct. The "Rollo Books" embrace principally intellectual and moral discipline; "Caleb," and the others of its family, will include also _religious_ training, according to the evangelical views of Christian truth which the author has been accustomed to entertain, and which he has inculcated in his more serious writings. J. A. CALEB IN THE COUNTRY CONTENTS CHAPTER I Caleb's Discovery 5 CHAPTER II Trouble 30 CHAPTER III Building the Mole 43 CHAPTER IV A Discussion 54 CHAPTER V The Story of Blind Samuel 61 CHAPTER VI Engineering 68 CHAPTER VII The Sofa 74 CHAPTER VIII The Cart Ride 90 CHAPTER IX The Fire 101 CHAPTER X The Captive 123 CHAPTER XI Mary Anna 129 CHAPTER XII The Walk 148 CHAPTER XIII The Junk 166 POETRY 189 CHAPTER I. CALEB'S DISCOVERY. Caleb was a bright-looking, blue-eyed boy, with auburn hair and happy countenance. And yet he was rather pale and slender. He had been sick. His father and mother lived in Boston, but now he was spending the summer at Sandy River country, with his grandmother. His father thought that if he could run about a few months in the open air, and play among the rocks and under the trees, he would grow more strong and healthy, and that his cheeks would not look so pale. His grandmother made him a blue jacket with bright buttons. _She_ liked metal buttons, because they would wear longer than covered ones, but _he_ liked them because they were more beautiful. "Besides," said he, "I can see my face in them, grandmother." Little Caleb then went to the window, so as to see his face plainer. He stood with his back to the window, and held the button so that the light from the window could shine directly upon it. "Why grandmother," said Caleb, "I cannot see now so well as I could before." "That is because your face is turned away from the light," said she. "And the button is turned _towards_ the light," said Caleb. "But when you want to see any thing reflected in a glass, you must have the light shine upon the thing you want to see reflected, not upon the glass itself; and I suppose it is so with a bright button." Then Caleb turned around, so as to have his _face_ towards the light; and he found that he could then see it reflected very distinctly. His grandmother went on with her work, and Caleb sat for some time in silence. The house that Caleb lived in was in a narrow rocky valley. A stream of water ran over a sandy bed, in front of the house, and a rugged mountain towered behind it. Across the stream, too, there was a high, rocky hill, which was in full view from the parlour window. This hill was covered with wild evergreens, which clung to their sides, and to the interstices of the rocks; and mosses, green and brown, in long festoons, hung from their limbs. Here and there crags and precipices peeped out from among the foliage, and a grey old cliff towered above, at the summit. Caleb turned his button round again towards the window, and of course turned his face _from_ the window. The reflection of
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Produced by Juliet Sutherland, Katie Hernandez and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] [Illustration: THE OPEN ROAD. Afoot and light-hearted, I take to the open road, Healthy, free, the world before me, The long brown path before me, leading wherever I choose. (_Song of the Open Road_).] A. DAY. WITH WALT WHITMAN BY MAURICE CLARE [Illustration] LONDON HODDER & STOUGHTON _In the same Series._ _Tennyson._ _Wordsworth._ _Browning._ _Burns._ _Byron._ _Keats._ _E. B. Browning._ _Whittier_. _Rossetti._ _Shelley._ _Longfellow._ _Scott._ _Coleridge._ _Morris._ A DAY WITH WALT WHITMAN. About six o'clock on a midsummer morning in 1877, a tall old man awoke, and was out of bed next moment,--but he moved with a certain slow leisureliness, as one who will not be hurried. The reason of this deliberate movement was obvious,--he had to drag a paralysed leg, which was only gradually recovering its ability and would always be slightly lame. Seen more closely, he was not by any means so old as at first sight one might imagine. His snow-white hair and almost-white grey beard indicated some eighty years: but he was vigorous, erect and rosy: his clear grey-blue eyes were bright with a "wild-hawk look,"--his face was firm and without a line. An air of splendid vital force, despite his infirmity, was diffused from his whole person, and defied the fact of his actual age, which was two years short of sixty. Dressing with the same large, leisurely gestures as characterized him in everything, Walt Whitman was presently attired in his invariable suit of grey: and by the time the clock touched half-past seven, he was seated in the verandah, comfortably inhaling the sweet, fresh morning air, and quite ready for his simple breakfast. In this old farmhouse, in the New Jersey hamlet of White Horse, Walt Whitman had been long an inmate. He was recovering by almost imperceptible degrees from the breakdown induced by over-strain, mental and physical, which had culminated in intermittent paralytic seizures for the last eight years, and had left his robust physique a mere wreck of its former magnificence. Here, in the absolute peace and seclusion of the little wooden house, with its few fields and fruit-trees, he lived in lovable companionship with the farmer-folk, man, wife and sons: and here, the level, faintly undulated country, "neither attractive nor unattractive," supplied all the needs of his strenuous nature and healed him with its calm, curative influences. He steeped himself, month by month, season after season, in "primitive solitudes, winding stream, recluse and woody banks, sweet-feeding springs and all the charms that birds, grass, wild-flowers, rabbits and squirrels, old oaks, walnut-trees, etc., can bring." Simple fare, these charms might seem to a townsman: to the "good grey poet" they were not only sufficient but inexhaustible. Dearly as he loved the "swarming and tumultuous" life of cities, the tops of Broadway omnibuses, the Brooklyn ferry-boats, the eternal panorama of the multitude, his true delight was in the vast expanses, the illimitable spaces, the very earth from which, Antaeus-like, he drew his vital strength. Out here, in the country solitudes, alone could he observe how--in a way undreamed of by the street-dweller,-- Ever upon this stage Is acted God's calm annual drama, Gorgeous processions, songs of birds, Sunrise that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The lilliput countless armies of the grass. (_The Return of the Heroes._) It may be doubted whether any other poet who has been inspired by outdoor Nature, has approximated so closely as Whitman to the "shows of all variety," which nature presents,--from the infinite gradations of microscopic detail, to the enormous range and sweep of dim vastitudes. His poetry has a huge elemental quality, akin to that of winds and clouds and seas. "To speak with the perfect rectitude and insouciance of the movements of animals, and the unimpeachableness of the sentiment of trees in the
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Produced by Juliet Sutherland, Stephanie Eason, and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/American Libraries.) _UNIFORM VOLUMES_ Dickens' London BY FRANCIS MILTOUN Library 12mo, cloth, gilt top $2.00 The Same, 3/4 levant morocco 5.00 Milton's England BY LUCIA AMES MEAD Library 12mo, cloth, gilt top 2.00 The Same, 3/4 levant morocco 5.00 Dumas' Paris BY FRANCIS MILTOUN Library 12mo, cloth, gilt top _net_ 1.60 _postpaid_ 1.75 The Same, 3/4 levant morocco _net_ 4.00 _postpaid_ 4.15 L. C. PAGE & COMPANY New England Building Boston, Mass. [Illustration: CHARLES DICKENS] Dickens' London By Francis Miltoun _Author of "Dumas' Paris," "Cathedrals of France," "Rambles in Normandy," "Castles and Chateaux of Old Touraine," etc._ Illustrated L. C. PAGE & COMPANY BOSTON PUBLISHERS _Copyright, 1903_ BY L. C. PAGE & COMPANY (INCORPORATED) _All rights reserved_ Fourth Impression, April, 1908 Fifth Impression, April, 1910 _COLONIAL PRESS_ _Electrotyped and Printed by C. H. Simonds & Co._ _Boston, U. S. A._ _All sublunary things of death partake!_ _What alteration does a cent'ry make!_ _Kings and Comedians all are mortal found,_ _Caesar and Pinkethman are underground._ _What's not destroyed by time's devouring hand?_ _Where's Troy, and where's the Maypole in the Strand?_ _Pease, cabbages, and turnips once grew where_ _Now stands New Bond Street and a newer square;_ _Such piles of buildings now rise up and down,_ _London itself seems going out of town._ JAMES BRAMSTON, _The Art of Politicks_. The attempt is herein made to present in an informal manner such facts of historical, topographical, and literary moment as surrounded the localities especially identified with the life and work of Charles Dickens in the city of London, with naturally a not infrequent reference to such scenes and incidents as he was wont to incorporate in the results of his literary labours; believing that there are a considerable number of persons, travellers, lovers of Dickens, enthusiasts _et als._, who might be glad of a work which should present within a single pair of covers a resume of the facts concerning the subject matter indicated by the title of this book; to remind them in a way of what already exists to-day of the London Dickens knew, as well as of the changes which have taken place since the novelist's time. To all such, then, the present work is offered, not necessarily as the last word or even as an exhaustive resume, knowing full well the futility for any chronicler to attempt to do such a subject full justice within the confines of a moderate sized volume, where so many correlated facts of history and side lights of contemporary information are thrown upon the screen. The most that can be claimed is that every effort has been made to present a truthful, correct, and not unduly sentimental account of the sights and scenes of London connected with the life of Charles Dickens. In Praise of London "The inhabitants of St. James', notwithstanding they live under the same laws and speak the same language, are as a people distinct from those who live in the 'City.'" _Addison._ "If you wish to have a just notion of the magnitude of the City you must not be satisfied with its streets and squares, but must survey the innumerable little lanes and courts." _Johnson._ "I have often amused myself with thinking how different a place London is to different people." _Boswell._ "I had rather be Countess of Puddle-Dock (in London) than Queen of Sussex." _Shadwell._ "London... a place where next-door neighbours do not know one
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Produced by Brian Coe, Moti Ben-Ari, missing pages from HathiTrust Digital Library and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by University of California libraries) TRUE STORIES OF THE GREAT WAR TRUE STORIES OF THE GREAT WAR TALES OF ADVENTURE--HEROIC DEEDS--EXPLOITS TOLD BY THE SOLDIERS, OFFICERS, NURSES, DIPLOMATS, EYE WITNESSES _Collected in Six Volumes_ _From Official and Authoritative Sources_ (_See Introductory to Volume I_) VOLUME IV Editor-in-Chief FRANCIS TREVELYAN MILLER (Litt. D., LL.D.) Editor of The Search-Light Library 1917 REVIEW OF REVIEWS COMPANY NEW YORK Copyright, 1917, by REVIEW OF REVIEWS COMPANY CONTENTS The following stories have been selected for VOLUME IV by the Board of Editors, according to the plan outlined in "Introductory" to Volume I for collecting from all sources the "Best Stories of the War." This group includes personal experiences of Soldiers at the front, Submarine Officers, Aviators, Prisoners, Ambulance Drivers, Red Cross Nurses, Priests, Spies, and American Eye-Witnesses. They have been collected from twenty-eight of the most authentic sources in Europe and America and include 134 adventures and episodes. Full credit is given in every instance to the original source. VOLUME IV--TWENTY-EIGHT STORY-TELLERS--134 EPISODES "WHEN THE PRUSSIANS CAME TO POLAND"--A TRAGEDY 1 EXPERIENCES OF AN AMERICAN
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Produced by Ron Burkey, and Amy Thomte PASSING OF THE THIRD FLOOR BACK By Jerome K. Jerome Author of "Paul Kelver," "Three Men in a Boat," etc., etc. New York Dodd, Mead & Company 1909 Copyright, 1904, By Jerome K. Jerome Copyright, 1908, By Dodd, Mead & Company Published, September, 1908 The neighbourhood of Bloomsbury Square towards four o'clock of a November afternoon is not so crowded as to secure to the stranger, of appearance anything out of the common, immunity from observation. Tibb's boy, screaming at the top of his voice that _she_ was his honey, stopped suddenly, stepped backwards on to the toes of a voluble young lady wheeling a perambulator, and remained deaf, apparently, to the somewhat personal remarks of the voluble young lady. Not until he had reached the next corner--and then more as a soliloquy than as information to the street--did Tibb's boy recover sufficient interest in his own affairs to remark that _he_ was her bee. The voluble young lady herself, following some half-a-dozen yards behind, forgot her wrongs in contemplation of the stranger's back. There was this that was peculiar about the stranger's back: that instead of being flat it presented a decided curve. "It ain't a 'ump, and it don't look like kervitcher of the spine," observed the voluble young lady to herself. "Blimy if I don't believe 'e's taking 'ome 'is washing up his back." The constable at the corner, trying to seem busy doing nothing, noticed the stranger's approach with gathering interest. "That's an odd sort of a walk of yours, young man," thought the constable. "You take care you don't fall down and tumble over yourself." "Thought he was a young man," murmured the constable, the stranger having passed him. "He had a young face right enough." The daylight was fading. The stranger, finding it impossible to read the name of the street upon the corner house, turned back. "Why, 'tis a young man," the constable told himself; "a mere boy." "I beg your pardon," said the stranger; "but would you mind telling me my way to Bloomsbury Square." "This is Bloomsbury Square," explained the constable; "leastways round the corner is. What number might you be wanting?" The stranger took from the ticket pocket of his tightly buttoned overcoat a piece of paper, unfolded it and read it out: "Mrs. Pennycherry. Number Forty-eight." "Round to the left," instructed him the constable; "fourth house. Been recommended there?" "By--by a friend," replied the stranger. "Thank you very much." "Ah," muttered the constable to himself; "guess you won't be calling him that by the end of the week, young--" "Funny," added the constable, gazing after the retreating figure of the stranger. "Seen plenty of the other sex as looked young behind and old in front. This cove looks young in front and old behind. Guess he'll look old all round if he stops long at mother Pennycherry's: stingy old cat." Constables whose beat included Bloomsbury Square had their reasons for not liking Mrs. Pennycherry. Indeed it might have been difficult to discover any human being with reasons for liking that sharp-featured lady. Maybe the keeping of second-rate boarding houses in the neighbourhood of Bloomsbury does not tend to develop the virtues of generosity and amiability. Meanwhile the stranger, proceeding upon his way, had rung the bell of Number Forty-eight. Mrs. Pennycherry, peeping from the area and catching a glimpse, above the railings, of a handsome if somewhat effeminate masculine face, hastened to readjust her widow's cap before the looking-glass while directing Mary Jane to show the stranger, should he prove a problematical boarder, into the dining-room, and to light the gas. "And don't stop gossiping, and don't you take it upon yourself to answer questions. Say I'll be up in a minute," were Mrs. Pennycherry's further instructions, "and mind you hide your hands as much as you can." *** "What are you grinning at?" demanded Mrs. Pennycherry, a
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Produced by eagkw, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE SALEM WITCHCRAFT, The Planchette Mystery, AND MODERN SPIRITUALISM, WITH DR. DODDRIDGE'S DREAM. HISTORY OF SALEM WITCHCRAFT: A REVIEW OF CHARLES W. UPHAM'S GREAT WORK. FROM THE "EDINBURGH REVIEW." With Notes, BY THE EDITOR OF "THE PHRENOLOGICAL JOURNAL." NEW YORK: FOWLER & WELLS CO., PUBLISHERS, 753 BROADWAY. 1886. BIGOTRY. Obstinate or blind attachment to a particular creed; unreasonable zeal or warmth in favor of a party, sect, or opinion; excessive prejudice. The practice or tenet of a bigot. PREJUDICE. An opinion or decision of mind, formed without due examination of the facts or arguments which are necessary to a just and impartial determination. A previous bent or inclination of mind for or against any person or thing. Injury or wrong of any kind; as to act to the _prejudice_ of another. SUPERSTITION. Excessive exactness or rigor in religious opinions or practice; excess or extravagance in religion; the doing of things not required by God, or abstaining from things not forbidden; or the belief of what is absurd, or belief without evidence. False religion; false worship. Rite or practice proceeding from excess of scruples in religion. Excessive nicety; scrupulous exactness. Belief in the direct agency of superior powers in certain extraordinary or singular events, or in omens and prognostics.--_Webster._ INTRODUCTION. The object in reprinting this most interesting review is simply to show the progress made in moral, intellectual, and physical science. The reader will go back with us to a time--not very remote--when nothing was known of Phrenology and Psychology; when men and women were persecuted, and even put to death, through the baldest ignorance and the most pitiable superstition. If we were to go back still farther, to the Holy Wars, we should find cities and nations drenched in human blood through religious bigotry and intolerance. Let us thank God that our lot is cast in a more fortunate age, when the light of revelation, rightly interpreted by the aid of SCIENCE, points to the Source of all knowledge, all truth, all light. When we know more of Anatomy, Physiology, Physiognomy, and the Natural Sciences generally, there will be a spirit of broader liberality, religious tolerance, and individual freedom. Then all men will hold themselves accountable to God, rather than to popes, priests, or parsons. Our progenitors lived in a time that tried men's souls, as the following lucid review most painfully shows. S. R. W. CONTENTS. PAGE The Place 7 The Salemite of Forty Years Ago 8 How the Subject was opened 9 Careful Historiography 10 The Actors in the Tragedy 12 Philosophy of the Delusion 12 Character of the Early Settlement 13 First Causes 15 Death of the Patriarch 16 Growth of Witchcraft 17 Trouble in the Church 18 Rev. Mr. Burroughs 19 Deodat Lawson 20 Parris--a Malignant 20 A Protean Devil 21 State of Physiology 22 William Penn as a Precedent 22 Phenomena of Witchcraft 23 Parris and his Circle 25 The Inquisitions--Sarah Good 26 A Child Witch 27 The Towne Sisters 28 Depositions of Parris and his Tools 31 Goody Nurse's Excommunication 35 Mary Easty 36 Mrs. Cloyse 38 The Proctor Family 40 The Jacobs Family 41 Giles and Martha Corey 42 Decline of the Delusion 44 The Physio-Psychological Causes of the Trouble 45 The Last of Parris 47 "One of the Afflicted"--Her Confession 49 The Transition 50 The Fetish Theory Then and Now 51 The Views of Modern Investigators 53 Importance of the Subject 55 CONTENTS OF THE PLANCHETTE MYSTERY. PAGE. What Planchette is and does (with review of Facts and Phenomena) 63 The Press on Planchette (with further details of Phenomena) 67 Theory First--That the Board is moved by the hands that rest 70 upon it Theory Second--"It is Electricity
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Produced by Robert Cicconetti, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions (www.canadiana.org)) FAITHFUL MARGARET. _A Novel._ ROBERTSON'S CHEAP SERIES POPULAR READING AT POPULAR PRICES. BY ANNIE ASHMORE. "Vengeance for any cruel wrong Bringeth a dark renown; But fadeless wreaths to her belong Who calmly bears it down; Who, scorning every mean redress, Each recreant art abjures, Safe in the noble consciousness, _She conquers who endures_." TORONTO: J. ROSS ROBERTSON, CORNER KING AND BAY STREETS. 1880. FAITHFUL MARGARET. CHAPTER I. A DYING WOMAN'S COMMAND. She was dying--good old Ethel Brand, the mistress for half a century of the hoary castle which stood like an ancient cathedral in the midst of the noble estate in Surrey, Seven-Oak Waaste. No need now of these whispering attendants, and that anxious little physician; she would not trouble them more. No need for these grim medicine vials, marshaled upon the little table near her couch; she was past mortal needs or mortal help; her face, set in cold repose, seemed glistening with supernal light, while waiting for the fatal kiss of death. And over her bent a woman, breathless, pulseless, motionless, as if carved from stone, listening, with straining ear, for each slow, rattling breath; watching, with great, glistening eyes, for each darkening shadow over the noble face--Margaret Walsingham. No high-born dame was she; no fortunate next-of-kin, watching with decorous lament for the moment of emancipation from her weary wait for a dead woman's shoes. Only Mrs. Brand's poor companion, Margaret Walsingham. Four years had she ministered to the whims, the caprices, the erratic impulses of that most erratic of all creations, an eccentric old woman; and exalting the good which she found, and pardoning the frailties she could not blind her eyes to, her presence had become a sweet necessity to the world-weary dowager, who repaid it by unceasing exactions and doting outbursts of gratitude; and there had been much love between these two. Paler waxed the high patrician face, darker grew the violet circles beneath her heavy eyes. Margaret clasped her hands convulsively. "Will she go before seven?" whispered she. Old Dr. Gay stooped low and listened to the labored inspiration. "Going--going fast," he said, with faltering lips. A wail burst from the crowd of servants standing by the door; sobs and tears attested to the love they had borne their dying mistress. "Hush!" whispered Margaret. "Do not awake her." "They'll never wake her more," said Dr. Gay, mournfully. She turned at that with terror in her eyes; she laid a small, strong hand upon the doctor's arm and clung to it convulsively. "She must live to see St. Udo Brand," said she, in a low, thrilling voice. "She must, I tell you--it is her dearest, her last wish--it is my most earnest prayer. Surely you will not let her die before that wish is fulfilled?" She gazed with passionate entreaty in the little doctor's face, and her voice rose into a wail at the last words. He regarded her with helpless sympathy and shook his head. "She can't live half an hour longer," said Dr. Gay. "She'll not see St. Udo Brand." A fierce shudder seized Margaret Walsingham from head to foot. The blood forsook her lips, the light her eyes--she stood silent, the picture of heart-sick despair. She had often appealed to Dr. Gay's admiration by her faithfulness, her kindness, her timidly masked self-sacrifices; she appealed straight to his heart now by her patient suffering, unconscious as he was of its cause. "I will do what I can to keep up her strength," he said, approaching the bed to gaze anxiously again at the slumberer. "I will try another stimulant, if I can only get her to swallow it. Perhaps the London
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Produced by Jeroen Hellingman and the PG Distributed Proofreaders Team The Philippine Islands, 1493-1898 Explorations by early navigators, descriptions of the islands and their peoples, their history and records of the catholic missions, as related in contemporaneous books and manuscripts, showing the political, economic, commercial and religious conditions of those islands from their earliest relations with European nations to the close of the nineteenth century, Volume XVIII, 1617-1620 Edited and annotated by Emma Helen Blair and James Alexander Robertson with historical introduction and additional notes by Edward Gaylord Bourne. CONTENTS OF VOLUME XVIII Preface 9 Documents of 1617-1618 Letter to Felipe III. Andres de Alcaraz; Manila, August 10, 1617. 31 Trade between Nueva Espana and the Far East. [Unsigned and undated; _ca._ 1617]. 57 Events in the Filipinas Islands, 1617-18 [Unsigned; Manila], June, 1618. 65 Description of the Philippinas Islands. [Unsigned]; Manila, 1618. 93 Dutch factories and posts in the Orient. [Pedro de Heredia]; [1618?]. 107 Memorial regarding Manila hospital. [Unsigned]; Manila, 1618. 112 Letter to Felipe III. Alonso Fajardo de Tenza; Cavite, August 10, 1618. 116 Letters to Fajardo. Felipe III; Madrid, December 19, 1618. 150 Filipinas menaced by Dutch. Joan de Ribera, S.J.; Manila, December 20, 1618. 161 Documents of 1619-1620 Philippine ships and shipbuilding. Sebastian de Pineda; [Mexico? 1619]. 169 Royal decree regarding religious expelled from their orders. Felipe III; Madrid, February 19, 1619. 189 Proposal to destroy Macao. Diego Aduarte, O.P.; [Madrid? 1619]. 194 Relation of events in the Filipinas Islands, 1618-19. [Unsigned]; Manila, July 12, 1619. 204 Letter to Felipe III. Pedro de Arce; Manila, July 30, 1619. 235 Letter to Felipe III. Alonso Fajardo de Tenza; Manila, August 10, 1619. 247 Grant to seminary of Santa Potenciana. Juan Onez, and others; Manila, 1617-19. 282 Reforms needed in Filipinas (to be concluded). Hernando de los Rios Coronel; [Madrid?], 1619-20. 289 Bibliographical Data. 345 ILLUSTRATIONS Plan of the city of Goa and its environs; photographic facsimile of engraving in Bellin's _Petit atlas maritime_ ([Paris], 1764), no. 29, from copy in library of Wisconsin Historical Society. 199 View of the city of Manila; photographic facsimile of engraving in Spilbergen and Le Maire's _Speculum orientalis occidentalisque Indiae navigationum_ (French edition, 1621), no. 18, facing p. 86, from copy in Library of Congress. 225 Autograph signature of Fernando de Los Rios; photographic facsimile from original MS. in Archivo general de Indias, Sevilla. 343 PREFACE The scope of the present volume extends from 1617 to 1620. The islands are still ravaged at intervals by the Moro pirates from the southern part of the archipelago. Even worse are the losses to the commerce of the islands inflicted by the Dutch; their ships infest the seas about Luzon, and those of the Moluccas, in which region they are steadily and even rapidly gaining foothold, and securing the best commerce of those lands. Corruption in the management of the Spanish interests in the Spice Islands renders them an expensive and embarrassing possession; and the new governor, Fajardo, finds the same influence at work in the Spanish colony itself, especially among the auditors and other high officials. The colonial treasury is, as usual, short of funds, and can do little to defend the islands from the Dutch; the Madrid government is unwilling to spend much more on the Philippines, although beset with importunities to save that colony, and Spanish commerce generally, from the insolent Dutch. The usual building of ships in the islands has so harrassed and exhausted the unfortunate natives that it is necessary to have ships built for the Philippines in India and other countries where timber and labor are more abundant. The trade of the colony with China is the object of much discussion, and proposals are again made to restrict it, as
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Produced by Charlene Taylor, Heather Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) BLUE-STOCKING HALL. J. D. NICHOLS, 25, PARLIAMENT STREET. BLUE-STOCKING HALL. “From woman’s eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, the academes, That show, contain, and nourish all the world.” LOVE’S LABOUR LOST. IN THREE VOLUMES. VOL. III. LONDON: HENRY COLBURN, NEW BURLINGTON STREET. 1827. BLUE-STOCKING HALL. LETTER XXVII. FREDERICK TO EMILY DOUGLAS. This, my dearest Emily, is the last letter which you will receive from Frederick in London; and though time speeds on rapid wing in this focus of attraction, I reckon the days with impatience till the heath-clad tops of our dear mountains break upon my view. To travel, and see new men and manners, would be too delightful, if mother and sisters were with me, but, unfashionable as the confession may be, I own to the _weakness_ of loving mine enough to make me wish to be always near them. In a few days we are to set out, and Arthur starts for France, when we turn our faces towards Glenalta. I fear that my uncle is not gaining ground; there is a consultation every day, but it seems to me as if many of these great doctors make up in _mannerism_ of one sort or other what they want in penetration. One assumes a rough tone, and thinks it for his advantage to act the
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Produced by The Online Distributed Proofreading Team. CHARLES O'MALLEY The Irish Dragoon BY CHARLES LEVER. WITH ILLUSTRATIONS BY PHIZ. IN TWO VOLUMES. VOL. I. [Illustration: THE SUNK FENCE] TO THE MOST NOBLE THE MARQUESS OF DOURO, M.P., D.C.L., ETC., ETC. MY DEAR LORD,-- The imperfect attempt to picture forth some scenes of the most brilliant period of my country's history might naturally suggest their dedication to the son of him who gave that era its glory. I feel, however, in the weakness of the effort, the presumption of such a thought, and would simply ask of you to accept these volumes as a souvenir of many delightful hours passed long since in your society, and a testimony of the deep pride with which I regard the honor of your friendship. Believe me, my dear Lord, with every respect and esteem, Yours, most sincerely, THE AUTHOR. BRUSSELS, November, 1841. A WORD OF EXPLANATION. KIND PUBLIC,-- Having so lately taken my leave of the stage, in a farewell benefit, it is but fitting that I should explain the circumstances which once more bring me before you,--that I may not appear intrusive, where I have met with but too much indulgence. A blushing _debutante_--_entre nous_, the most impudent Irishman that ever swaggered down Sackville Street--has requested me to present him to your acquaintance. He has every ambition to be a favorite with you; but says--God forgive him--he is too bashful for the foot-lights. He has remarked---as, doubt
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Produced by Donald Cummings and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Bringing up the Boy [Illustration] “GIVE HIM THE LIGHT TELL HIM THE TRUTH SHOW HIM THE WAY!” Bringing up the Boy A Message to Fathers and Mothers from a Boy of Yesterday concerning the Men of To-morrow By CARL WERNER [Illustration] New York Dodd, Mead and Company 1913 Copyright, 1911, by THE BUTTERICK PUBLISHING COMPANY Copyright, 1913, by DODD, MEAD AND COMPANY Published, March, 1913 TO Mary Morris Werner A GOOD MOTHER WHOSE FINE SYMPATHY, KEEN PERCEPTION, AND DEVOUT SENSE OF DUTY ARE MOULDING THE CHARACTER OF AN AMERICAN BOY THIS VOLUME IS AFFECTIONATELY INSCRIBED CONTENTS CHAPTER PAGE FOREWORD xi I FROM BABY TO BOY 3 II THE SIMPLICITY OF DISCIPLINE 17 III AS THE TWIG IS BENT 33 IV A TALK AT CHRISTMAS TIME 48 V THE DYNASTY OF THE DIME NOVEL 63 VI THE SIN OF SEX SECRECY 77 VII THE WEED AND THE WINECUP 91 VIII OUT INTO THE WORLD 104 There; my blessing with thee! And these few precepts in thy memory See thou character. Give thy thoughts no tongue, Nor any unproportioned thought his act. Be thou familiar, but by no means vulgar. Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel; But do not dull thy palm with entertainment Of each new-hatch’d, unfledged comrade. Beware Of entrance to a quarrel, but being in, Bear’t that the opposed may beware of thee. Give every man thy ear, but few thy voice; Take each man’s censure, but reserve thy judgment. Costly thy habit as thy purse can buy, But not express’d in fancy; rich, not gaudy; For the apparel oft proclaims the man. Neither a borrower nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: To thine own self be true, And it must follow, as the night the day, Thou canst not then be false to any man. --Polonius to his son. _Hamlet_, Act I, Scene 3. FOREWORD A good portion of the material in this volume was printed in serial form in _The Delineator_, to whose editors and publishers I am deeply indebted for the sympathy and encouragement that were necessary to bring my ideas on boy training into the circle of general parenthood. As a result of the publicity gained through the medium of that magazine’s wide circulation, many letters were received by the magazine and by myself; and in this mass of correspondence there was a distinct note of appeal for the publication of the essays between covers. It was quite without any knowledge of this demand, however, that the present publishers, acting independently, became interested in the series, and decided, after due consideration, to issue it in book form. It was surprising that of the many letters received while these articles were appearing serially, only a small minority of the writers disagreed with my views, and those few protests were confined to one or two subjects. So far as could be reasonably expected of one whose time is much occupied in pursuing a livelihood, I replied to all such communications. If in some instances I failed, the omission was not because I was lacking in a keen appreciation of the interest, the sympathy, the suggestions and the criticisms thus expressed. As to those who disagreed with me, I would like to repeat here what I have said to them in personal replies: They may be right, and I wrong. This much only, I know--That Providence is kind in that He permits me to retain a distinct picture of the boy’s cosmos; that as a man and a father I can still see--and feel--from the boy’s viewpoint; and that, preserving that visuality, I have tried, with the best judgment and most constant effort of which I am capable, to employ it for the greatest good. Everything that I have written about boy training is solidly fixed on this foundation; and everything that I have written has been or is being employed, to the very letter, in my stewardship of one who is infinitely more precious to me than life itself--my own boy. If I have erred, may God forgive me; but on this score my conscience is as clear as a crystal pool, for so far as human vision penetrates not one duty has been left undone and not one endeavour has gone astray. And happily, though I say it with a prayer on my lips and humility in my heart, every passing year adds its living testimony to the principles which I advocate and for which
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Produced by David Widger THE DALTONS; OR, THREE ROADS IN LIFE. By Charles Lever. With Illustrations By Phiz. In Two Volumes: Volume Two. Boston: Little, Brown, And Company. 1904. THE DALTONS; or, THREE ROADS IN LIFE CHAPTER I. A MORNING OF MISADVENTURES. "Well, my Lord, are we to pass the day here," said Count Trouville, the second of the opposite party, as Norwood returned from a fruitless search of George Onslow, "or are we to understand that this is the English mode of settling such matters?" "I am perfectly ready, Monsieur le Comte, to prove the contrary, so far as my own poor abilities extend," said Norwood, calmly. "But your friend has disappeared, sir. You are left alone here." "Which is, perhaps, the reason of your having dared to insult me," rejoined the other; "that being, perhaps, the French custom in such affairs." "Come, come, gentlemen," interposed an old cavalry officer, who acted as second friend to Guilmard, "you must both see that all discussion of this kind is irregular and unseemly. We have come here this morning for one specific purpose,----to obtain reparation for a great injury. The gentleman who should have offered us the amende has suddenly withdrawn himself. I offer no opinion on the fact that he came out accompanied by only one friend; we might, perhaps, have devised means to obviate this difficulty. For his own absence we have no remedy. I would therefore ask what you have to propose to us in this emergency?" "A little patience,--nothing more. My friend must have lost his way; some accident or other has detained him, and I expect to see him here every instant." "Shall we say half an hour longer, my Lord?" rejoined the other, taking out his watch. "That will bring us to eight o'clock." "Which, considering that our time was named'sharp six,'" interposed Trouville, "is a very reasonable 'grace.'" "Your expression is an impertinence, Monsieur," said Norwood, fiercely. "And yet I don't intend to apologize for it," said the other, smiling. "I'm glad of it, sir. It's the only thing you have said to-day with either good sense or spirit." "Enough, quite enough, my Lord," replied the Frenchman, gayly. "'Dans la bonne societe, on ne dit jamais de trop.' Where shall it be, and when?" "Here, and now," said Norwood, "if I can only find any one who will act for me." "Pray, my Lord, don't go in search of him," said Trouville, "or we shall despair of seeing you here again." "I will give a bail for my reappearance, sir, that you cannot doubt of," cried Norwood, advancing towards the other with his cane elevated. A perfect burst of horror broke from the Frenchmen at this threat, and three or four immediately threw themselves between the contending parties. "But for this, my Lord," said the old officer, "I should have offered you my services." "And I should have declined them, sir," said Norwood, promptly. "The first peasant I meet with will suffice;" and, so saying, he hurried from the spot, his heart almost bursting with passion. With many a malediction of George--with curses deep and cutting on every one whose misconduct had served to place him in his present position--he took his way towards the high-road. "What could have happened?" muttered he; "what confounded fit of poltroonery has seized him? a fellow that never wanted pluck in his life! Is it possible that he can have failed now? And this to occur at the very moment they are beggared! Had they been rich, as they were a few months back, I'd have made the thing pay. Ay, by Jove! I 'd have 'coined my blood,' as the fellow says in the play, and written a swingeing check with red ink! And now I have had a bad quarrel, and nothing to come of it! And so to walk the high-roads in search of some one who can load a pistol." A stray peasant or two, jogging along to Florence, a postilion with return horses, a shabbily dressed curate, or a friar with a sack behind him, were all that he saw for miles of distance, and he returned once more to interrogate
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Produced by David Edwards, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.) [Illustration: "The Toad Woman stopped fanning and looked at her." Page 125.] ADVENTURES IN Shadow-Land. CONTAINING Eva's Adventures in Shadow-Land. By MARY D. NAUMAN. AND The Merman and The Figure-Head. By CLARA F. GUERNSEY. TWO VOLUMES IN ONE. _WITH ILLUSTRATIONS._ PHILADELPHIA J. B. LIPPINCOTT & CO. 1874. Entered according to Act of Congress, in the year 1873, by J. B. LIPPINCOTT & CO., In the office of the Librarian of Congress, at Washington. Lippincott's Press, Philadelphia. EVA'S ADVENTURES IN SHADOW-LAND. TO MY FRIEND E. W. CONTENTS. CHAPTER I. PAGE What Eva saw in the Pond 9 CHAPTER II. Eva's First Adventure 15 CHAPTER III. The Gift of the Fountain 23 CHAPTER IV. The First Moonrise 30 CHAPTER V. What Aster was 36 CHAPTER VI. The Beginning of the Search 45 CHAPTER VII. Aster's Misfortunes 52 CHAPTER VIII. What Aster did 63 CHAPTER IX. The Door in the Wall 73 CHAPTER X. The Valley of Rest 80 CHAPTER XI. The Magic Boat 92 CHAPTER XII. Down the Brook 104 CHAPTER XIII. The Enchanted River 119 CHAPTER XIV. The Green Frog 130 CHAPTER XV. In the Grotto 145 CHAPTER XVI. Aster's Story 151 CHAPTER XVII. The Last of Shadow-Land 162 EVA'S ADVENTURES IN SHADOW-LAND. CHAPTER I. _WHAT EVA SAW IN THE POND._ She had been reading fairy-tales, after her lessons were done, all the morning; and now that dinner was over, her father gone to his office, the baby asleep, and her mother sitting quietly sewing in the cool parlor, Eva thought that she would go down across the field to the old mill-pond; and sit in the grass, and make a fairy-tale for herself. There was nothing that Eva liked better than to go and sit in the tall grass; grass so tall that when the child, in her white dress, looped on her plump white shoulders with blue ribbons, her bright golden curls brushed back from her fair brow, and her blue eyes sparkling, sat down in it, you could not see her until you were near her, and then it was just as if you had found a picture of a little girl in a frame, or rather a nest of soft, green grass. All through this tall, wavy grass, down to the very edge of the pond, grew many flowers,--violets, and buttercups, and dandelions, like little golden suns. And as Eva sat there in the grass, she filled her lap with the purple and yellow flowers; and all around her the bees buzzed as though they wished to light upon the flowers in her lap; on which, at last,--so quietly did she sit,--two black-and-golden butterflies alighted; while a great brown beetle, with long black feelers, climbed up a tall grass-stalk in front of her, which, bending slightly under his weight, swung to and fro in the gentle breeze which barely stirred Eva's golden curls; and the field-crickets chirped, and even a snail put his horns out of his shell to look at the little girl, sitting so quietly in the grass among the flowers, for Eva was gentle, and neither bee, nor butterfly, beetle, cricket, or snail were afraid of her. And this is what Eva called making a fairy-tale for herself. But sitting so quietly and watching the insects, and hearing their low hum around her, at last
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Produced by Meredith Bach, Eric Skeet and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) EMPIRES AND EMPERORS OF RUSSIA, CHINA, KOREA, AND JAPAN EMPIRES AND EMPERORS OF RUSSIA, CHINA, KOREA, AND JAPAN NOTES AND RECOLLECTIONS BY MONSIGNOR COUNT VAY DE VAYA AND LUSKOD _WITH ILLUSTRATIONS_ NEW YORK E. P. DUTTON AND COMPANY 1906 [Illustration: _Monsignor The Count Vay de Vaya and Luskod._] PREFACE As the name of the author of this book may not be so well known to some English readers as it is on the Continent, I have, at his request, undertaken to write a few lines of introduction and preface. Count Vay de Vaya and Luskod is a member of one of the oldest and most distinguished families of Hungary. Ever since his ancestor took part with King Stephen in the foundation of the Hungarian Kingdom, nine hundred years ago, the members of his family, in succeeding generations, have been eminent in the service of that state. The Count studied at various European universities, and was destined for the diplomatic service, but early in life he decided to take Holy Orders and devote himself to the work of the Church. In this capacity he attended the Diamond Jubilee of Queen Victoria in 1897 as one of the envoys of Pope Leo XIII. The chief enterprise of his life, however, has been to study the work of the Roman Catholic Church in all parts of the world--her missions, charitable institutions, schools, and organizations of all kinds. Few men have travelled so far and into such remote quarters as the Count Vay de Vaya has, with this object. His position has secured for him access to the leading and most accomplished circles wherever he has been, and his linguistic attainments, as well as his wide personal experience of men and affairs in every quarter of the globe, give him an almost unique opportunity of describing and commenting on the countries which he has visited--their people, rulers, and institutions. Seldom has any region been subjected to such complete and revolutionary changes as have the countries which he describes in the following pages. Russia has been compelled to relax that grip on the Far East which seemed to be permanently tightening and closing: at home she has been subjected to a social upheaval which at one time threatened the existing form of government and the throne itself. And for the first time we have witnessed the triumph of an Asiatic race over one of the leading Powers of Europe. The substance of this volume was written in 1902 and the following year, before any of these events had occurred, or were dreamed of, and this may cause some of the details of the record to be a little out of date historically; but the change, far from diminishing, has, on the whole, probably increased its value to all thoughtful readers. A few passages of comment and forecast have been added since the occurrence of the war, but in the main the narrative remains as it was originally written. Japan, Korea, Manchuria, and the Siberian Railway have been described over and over again, both during and since the war, but descriptions of them on the eve of the outbreak may come with some freshness and enable readers to compare what was yesterday with what is today. And what has been changed in the "Unchanging East" bears but a very small proportion to what remains the same in spite of wars and revolutions. I hope, therefore, that these first impressions of countries which, in name at any rate, are far more familiar to the British public than they were four or five years ago, may prove of great interest to many readers in England and America. The chapters on _The Tsar of all the Russias_, _The Reception at the Summer Palace_, _The Audience of the Emperor of Korea_, and _The Mikado and the Empress_, appeared in "Pearson's Magazine," and thanks are due to the Editor for kind permission to reprint them. The chapters on _Manchuria under Russian Rule_ first appeared in the "Revue des deux Mondes," and those on _Japan and China in the Twentieth Century_ in the "Deutsche Rundschau
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Produced by Al Haines. [Illustration: Cover art] [Illustration: _Her child eyes were still upon him and seemed to ask for something yet. And, at this, he bent and kissed her gently, as he would have kissed a child, and did not guess that, at the touch of his lips, Sidonia's woman's soul was born_. (See page 196.)] "IF YOUTH BUT KNEW!" BY AGNES & EGERTON CASTLE AUTHORS OF "ROSE OF THE WORLD," "FRENCH NAN," ETC., ETC. "_Si jeunesse savait..._ _Si vieillesse pouvait!_" (_Old French Song_) WITH ILLUSTRATIONS BY LANCELOT SPEED New York THE MACMILLAN COMPANY 1906 _All rights reserved_ COPYRIGHT, 1906, BY THE MACMILLAN COMPANY. Set up and electrotyped. Published April, 1906. Norwood Press J. S. Cushing & Co.--Berwick & Smith Co. Norwood, Mass., U.S.A. *CONTENTS* CHAPTER I. The Vagabond II. The Forest House III. Green Adventure IV. Parting of the Ways V. The Invitation of the Road VI. The Burg VII. Guests of Chance VIII. Roses of Trianon IX. Home-Coming X. The Burgrave's Welcome XI. Tangled Tales XII. The Burgrave's Farewell XIII. The *Oubliette* XIV. Love among the Ruins XV. *Furens quid Femina Possit* XVI. 'Twixt Cup and Lip XVII. The Skirt of War XVIII. The Raid XIX. The Melody in the Violets XX. The True Reading of a Letter XXI. At the Mock Versailles XXII. The *Cabinet Noir* XXIII. The King's Mail XXIV. Portents XXV. The Perverseness of Words XXVI. The Ways of Little Courts XXVII. The Song of the Woods XXVIII. A Treacherous Haven XXIX. The Homing Bird XXX. Dawn Music *LIST OF ILLUSTRATIONS* Her child eyes were still upon him and seemed to ask for something yet. And, at this, he bent and kissed her gently, as he would have kissed a child... _Frontispiece_ "The something that lived on, the miserable carcass, the old man--call it myself, if you will" But, as the oncomer drew nearer, the glimmer of hope died in the discontented gentleman's heart As she bent, offering him the green goblet of wine, her heavy plait fell against his shoulder Wellenshausen "Look, look, do you see?... There are two men coming up the road with a pack-horse!" "The high-born, my mistress, had not expected you before to-morrow," said the butler with a deep bow Meanwhile, up in his chamber, the Burgrave sat in sodden brooding Steven almost called aloud, as he heard their heavy plunge into the ambushed waters Sidonia stood, shaking and pruning herself like a bird, her hair glinting in the light "Spread your dark wings, obscene birds!... the scent of Death is in the air. In a little while you may gorge!... caw--caw!" "Hurl down the Guard, and the field is ours!... Hurl down the Guard, aha!" "She always loved violets. These have no scent,... but hers--oh, they were sweet!" They spread him beside the Jurist in the moonlight--with a certain effect of symmetry ... the great bag on his back, undiminished, save for two warrants and one private missive What she was saying was sufficiently remarkable: "Your Majesty mistakes" "Positively, a bird from the tyrant's aviary," he cried. "A foreign, French bird!" His child-wife!... The watchman was chanting the tale of the first morning hour The End TO "MARIE-LOUISE" *FOREWORD* _"Is it not," remarks Fiddler Hans the wanderer, somewhere in these pages, "instructive to see how the ruler of Westphalia passes his time while the
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Produced by Heather Clark, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Bold text is surrounded by =equal signs= and italic text is surrounded by _underscores_. GARDENING FOR LITTLE GIRLS PRACTICAL ARTS FOR LITTLE GIRLS A Series Uniform with this Volume _Each book, illustrated, 75 cents net_ COOKERY FOR LITTLE GIRLS SEWING FOR LITTLE GIRLS WORK AND PLAY FOR LITTLE GIRLS HOUSEKEEPING FOR LITTLE GIRLS GARDENING FOR LITTLE GIRLS [Illustration: PUZZLE PICTURE,--FIND THE LITTLE GIRL] GARDENING FOR LITTLE GIRLS BY OLIVE HYDE FOSTER AUTHOR OF "COOKERY FOR LITTLE GIRLS" "SEWING FOR LITTLE GIRLS" "HOUSEKEEPING FOR LITTLE GIRLS" [Illustration] NEW YORK DUFFIELD & COMPANY 1917 Copyright, 1916 by HOUSE AND GARDEN Copyright, 1916, by HOUSEWIVES MAGAZINE Copyright, 1917, by ST. NICHOLAS The Century Co. Copyright, 1917, by COUNTRYSIDE MAGAZINE The Independent Co. Copyright, 1917, by OLIVE HYDE FOSTER _DEDICATED TO Junior and Allan, Two of the dearest children that ever showed love for the soil._ Preface Children take naturally to gardening, and few occupations count so much for their development,--mental, moral and physical. Where children's garden clubs and community gardens have been tried, the little folks have shown an aptitude surprising to their elders, and under exactly the same natural, climatic conditions, the children have often obtained astonishingly greater results. Moreover, in the poor districts many a family table, previously unattractive and lacking in nourishment, has been made attractive as well as nutritious, with their fresh green vegetables and flowers. Ideas of industry and thrift, too, are at the same time inculcated without words, and habits formed that affect their character for life. A well-known New York City Public School superintendent once said to me that she had a flower bed every year in the children's gardens, where a troublesome boy could always be controlled by giving to him the honor of its care and keeping. The love of nature, whether inborn or acquired, is one of the greatest sources of pleasure, and any scientific knowledge connected with it of inestimable satisfaction. Carlyle's lament was, "Would that some one had taught me in childhood the names of the stars and the grasses." It is with the hope of helping both mothers and children that this little book has been most lovingly prepared. CONTENTS CHAPTER PAGE I FIRST STEPS TOWARD A GARDEN 1 II PLANNING AND PLANTING THE FLOWER BEDS 9 III FLOWERS THAT MUST BE RENEWED EVERY YEAR (ANNUALS) 19 IV FLOWERS THAT LIVE THROUGH TWO YEARS 30 V FLOWERS THAT COME UP EVERY YEAR BY THEMSELVES (PERENNIALS) 37 VI FLOWERS THAT SPRING FROM A STOREHOUSE (BULBS AND TUBERS) 48 VII THAT QUEEN--THE ROSE 58 VIII VINES, TENDER AND HARDY 71 IX SHRUBS WE LOVE TO SEE 78 X VEGETABLE GROWING FOR THE HOME TABLE 82 XI YOUR GARDEN'S FRIENDS AND FOES 94 XII A MORNING-GLORY PLAYHOUSE 102 XIII THE WORK OF A CHILDREN'S GARDEN CLUB 107 XIV THE CARE OF HOUSE PLANTS 115 XV GIFTS THAT WILL PLEASE A FLOWER LOVER 130 XVI THE GENTLEWOMAN'S ART--ARRANGING FLOWERS 137 ILLUSTRATIONS PUZZLE PICTURE,--FIND THE LITTLE GIRL, _Frontispiece_ FACING PAGE FIRST WORK IN THE SPRING 14 KIM AND COLUMBINE 40 TAKING CARE OF TABLE FERNS 56 CLEANING UP AROUND THE SHRUBS 78
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Produced by Steven desJardins, David Garcia and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: BATTLE OF HEXHAM MARGARET--STRIKE NOT ON THY ALLEGIANCE ACT II. SCENE III PAINTED BY HOWARD PUBLISHD BY LONGMAN & CO ENGRAVD BY STOW] THE BATTLE OF HEXHAM; OR, DAYS OF OLD; A PLAY, IN THREE ACTS; BY GEORGE COLMAN, THE YOUNGER. AS PERFORMED AT THE THEATRE ROYAL, HAYMARKET. PRINTED UNDER THE AUTHORITY OF THE MANAGERS FROM THE PROMPT BOOK. WITH REMARKS BY MRS. INCHBALD. * * * * * LONDON: PRINTED FOR LONGMAN, HURST, REES, AND ORME, PATERNOSTER ROW. WILLIAM SAVAGE, PRINTER, LONDON. REMARKS. Mr. Colman acquaints his readers, in his Preface to this play, dated 1808, that it was written near twenty years ago: then, stating, as an apology to his jocose accusers, this reason for having made Shakespeare the model for his dialogue--that plays, which exhibit incidents of former ages, should have the language of the characters conform to their dress--he adds--"To copy Shakspeare, in the general _tournure_ of his phraseology, is a mechanical task, which may be accomplished with a common share of industry and observation:--and this I have attempted (for the reason assigned); endeavouring, at the same time, to avoid a servile quaintness, which would disgust. To aspire to a resemblance of his boundless powers, would have been the labour of a coxcomb;--and had I been vain enough to have essayed it, I should have placed myself in a situation similar to that of the strolling actor, who advertised his performance of a part"--"In imitation of the inimitable Garrick." "The Battle of Hexham" has been one of the author's most popular works; and has, perhaps, to charge its present loss of influence with the public, to those historical events of modern times, which have steeled the heart against all minor scenes of woe, and deprived of their wonted interest the sorrows of Queen Margaret and her child. There is a short, but well known narrative, written by one Clery, an humble valet de chambre--which, for pathetic claims, in behalf of suffering majesty and infant royalty, may bid defiance to all that history has before recorded, or poets feigned, to melt the soul to sympathy. Nor can anxiety be now awakened in consequence of a past battle at Hexham, between a few thousand men, merely disputing which of two cousins should be their king, when, at this present period, hundreds of thousands yearly combat and die, in a cause of far less doubtful importance. The loyal speeches of Gondibert, in this play, his zeal in the cause of his sovereign, every reader will admire--yet one difficulty occurs to abate this admiration--Did Gondibert know who his sovereign _was_? This question seems to be involved in that same degree of darkness, in which half the destructive battles which ever took place have been fought. The adverse parties at Hexham had each a sovereign. Edward the Fourth was the lawful king of the York adherents, as Henry the Sixth was of those of Lancaster; and Edward had at least birthright on his side, being the lineal descendant of the elder brother of Henry the Fourth, and, as such, next heir to Richard the Second, setting aside the usurper.--But, possibly, the degraded state of Henry the Sixth was the strongest tie, which bound this valiant soldier to his supposed allegiance;--for there are politicians so compassionate towards the afflicted, or so envious of the prosperous, they will not cordially acknowledge a monarch until he is dethroned.--Even the people of England never would allow the Bourbon family to be the lawful kings of France, till within these last fifteen years[1]. The youthful reader will delight in the conjugal ardour of Adeline; whilst the prudent matron will conceive--that, had she loved her blooming offspring, as she professes, it had been better to have remained at home for their protection, than to have wandered in camps and forests, dressed in vile disguise, solely for the joy of seeing their father.--But prudence is a virtue, which would destroy the best heroine that ever was invented. A mediocrity of discretion even, dispersed among certain characters of a drama, might cast a gloom over the whole fable, divest every incident
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Produced by Louise Hope, Taavi Kalju and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) [This e-text includes characters that require UTF-8 (Unicode) file encoding: œ : “oe” ligature Ȝȝ, ƿ, ſ, ǽ : yogh, wynn, long s, accented æ (only in notes) These characters, as well as a single Greek phrase, occur only in the notes, not in the poem itself. If any of the characters do not display properly, or if the apostrophes and quotation marks in this paragraph appear as garbage, make sure your text reader’s “character set” or “file encoding” is set to Unicode (UTF-8). You may also need to change the default font. As a last resort, use the Latin-1 version of the file instead. The original book (EETS E.S. 4, 1868, ed. Skeat) exists in at least two forms. See Errata section at the end of the e-text for details. In the main text, footnotes are grouped at the end of text sections. Most headnotes have similarly been moved to the nearest break in the text. Sidenotes keep their original starting point, but are collected into full sentences. _Typography:_ Large initial capitals are shown with a single leading + to avoid “breaking” the text: +Herknet to me, gode men Wiues, maydnes, and alle men... Italicized letters representing expanded contractions are shown in br{ac}es. All other italics are shown conventionally with _lines_; this includes italicized _w_, used by the editor for wynn ƿ. If you find the braces distracting you may delete them globally; they are not used for any other purpose. A few French passages in the Preface use a trailing tilde ~, as in the word “q~”. In the original, the ~ was attached to the preceding letter, but not directly above it. Superscript letters are shown with a caret ^. Square brackets are in the original except those in standard formulas such as [Footnote] or [Transcriber’s Note].] THE LAY OF HAVELOK THE DANE. Early English Text Society. Extra Series. No. IV. 1868. Dublin: William McGee, 18, Nassau Street. Edinburgh: T. G. Stevenson, 22, South Frederick Street. Glasgow: Ogle & Co., 1, Royal Exchange Square. Berlin: Asher & Co., Unter den Linden, 20. New York: C. Scribner & Co.; Leypoldt & Holt. Philadelphia: J. B. Lippincott & Co. Boston, U.S.: Dutton & Co. +The Lay of+ +HAVELOK THE DANE:+ Composed in the Reign of Edward I, about A.D. 1280. Formerly Edited by Sir F. Madden for the Roxburghe Club, And now Re-Edited from the Unique Ms. Laud Misc. 108, in the Bodleian Library, Oxford; by the REV. WALTER W. SKEAT, M.A., Author of “A Mœso-Gothic Glossary,” Editor of “Piers Plowman,” “William of Palerne,” &c. [Illustration: Seal of Great Grimsby] LONDON: Published For The Early English Text Society, By N. Trübner & Co., 60, Paternoster Row. MDCCCLXVIII. +Extra Series,+ IV. John Childs and Son, Printers. CONTENTS. TITLEPAGE. The engraving represents the seal of Great Grimsby, described in § 19 of the Preface, p. xxi. PREFACE. § 1. The former edition of 1828. § 2. The present edition. § 3. Plan of this edition. § 4. Notices of the story by Early Writers: the longer French Version. § 5. The shorter French Version. § 6. Peter de Langtoft (1307). § 7. Rauf de Boun (1310). § 8. A Brief Genealogy, Herald’s Coll. MS. (ab. 1310). § 9. Metrical Chronicle (ab. 1313). § 10. Robert of Brunne (1338); ed. Hearne. § 11. Robert of Brunne; Lambeth MS. § 12. French Prose “Brute” (1332). § 13. English Prose “Brute,” MS.
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Produced by Dagny; John Bickers STORIES BY ENGLISH AUTHORS ITALY CONTENTS A FAITHFUL RETAINER James Payn BIANCA W. E. Norris GONERIL A. Mary F. Robinson THE BRIGAND'S BRIDE Laurence Oliphant MRS. GENERAL TALBOYS Anthony Trollope A FAITHFUL RETAINER, By James Payn When I lived in the country,--which was a long time ago,--our nearest neighbours were the Luscombes. They were very great personages in the country indeed, and the family were greatly "respected"; though not, so far as I could discern, for any particular reason, except from their having been there for several generations. People are supposed to improve, like wine, from keeping--even if they are rather "ordinary" at starting; and the Luscombes, at the time I knew them, were considered quite a "vintage" family. They had begun in Charles II.'s time, and dated their descent from greatness in the female line. That they had managed to keep a great estate not very much impaired so long was certainly a proof of great cleverness, since there had been many spend-thrifts among them; but fortunately there had been a miser or two, who had restored the average, and their fortunes. Mr. Roger Luscombe, the present proprietor, was neither the one nor the other, but he was inclined to frugality, and no wonder; a burnt child dreads the fire, even though he may have had nothing to do with lighting it himself, and his father had kicked down a good many thousands with the help of "the bones" (as dice were called in his day) and "the devil's books" (which was the name for cards with those that disapproved of them) and race-horses; there was plenty left, but it made the old gentleman careful and especially solicitous to keep it. There was no stint, however, of any kind at the Court, which to me, who lived in the little vicarage of Dalton with my father, seemed a palace. It was indeed a very fine place, with statues in the hall and pictures in the gallery and peacocks on the terrace. Lady Jane, the daughter of a wealthy peer, who had almost put things on their old footing with her ample dowry, was a very great lady, and had been used, I was told, to an even more splendid home; but to me, who had no mother, she was simply the kindest and most gracious woman I had ever known. My connection with the Luscombes arose from their only son Richard being my father's pupil. We were both brought up at home, but for very different reasons. In my case it was from economy: the living was small and our family was large, though, as it happened, I had no brothers. Richard was too precious to his parents to be trusted to the tender mercies of a public school. He was in delicate health, not so much natural to him as caused by an excess of care--coddling. Though he and I were very good friends, unless when we were quarreling, it must be owned that he was a spoiled boy. There is a good deal of nonsense talked of young gentlemen who are brought up from their cradles in an atmosphere of flattery _not_ being spoiled; but unless they are angels--which is a very exceptional case--it cannot be otherwise. Richard Luscombe was a good fellow in many ways; liberal with his money (indeed, apt to be lavish), and kind-hearted, but self-willed, effeminate, and impulsive. He had also--which was a source of great alarm and grief to his father--a marked taste for speculation. After the age of "alley tors and commoneys," of albert-rock and hard-bake, in which we both gambled frightfully, I could afford him no opportunities of gratifying this passion; but if he could get a little money "on" anything, there was nothing that pleased him better--not that he cared for the money, but for the delight of winning it. The next moment he would give it away to a beggar. Numbers of good people look upon gambling with even greater horror than it deserves, because they cannot understand this; the attraction of risk, and the wild joy of "pulling off" something when the chances are against one, are unknown to them. It is the same with the love of liquor. Richard Luscombe had not a spark of that (his father left him one of the best cellars in England, but he never touches even a glass of claret after dinner; "I should as soon think," he says, "of eating when I am not hungry"); but he dearly liked what he called a "spec." Never shall I forget the first time he realised anything that could be termed a stake. When he was about sixteen, he and I had driven over to some little country races a few miles away from Dalton, without, I fear, announcing our intention of so doing. Fresh air was good for "our dear Richard," and since pedestrian exercise (which he also hated) exhausted him, he had
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Produced by John Bickers, and Dagny EVE AND DAVID (Lost Illusions Part III) By Honore De Balzac Translated By Ellen Marriage PREPARER'S NOTE Eve and David is part three of a trilogy. Eve and David's story begins in part one, Two Poets. Part one also introduces Eve's brother, Lucien. Part two, A Distinguished Provincial at Paris, centers on Lucien's life in Paris. For part three the action once more returns to Eve and David in Angouleme. In many references parts one and three are combined under the title Lost Illusions and A Distinguished Provincial at Paris is given its individual title. Following this trilogy Lucien's story is continued in another book, Scenes from a Courtesan's Life. EVE AND DAVID Lucien had gone to Paris; and David Sechard, with the courage and intelligence of the ox which painters give the Evangelist for accompanying symbol, set himself to make the large fortune for which he had wished that evening down by the Charente, when he sat with Eve by the weir, and she gave him her hand and her heart. He wanted to make the money quickly, and less for himself than for Eve's sake and Lucien's. He would place his wife amid the elegant and comfortable surroundings that were hers by right, and his strong arm should sustain her brother's ambitions--this was the programme that he saw before his eyes in letters of fire. Journalism and politics, the immense development of the book trade, of literature and of the sciences; the increase of public interest in matters touching the various industries in the country; in fact, the whole social tendency of the epoch following the establishment of the Restoration produced an enormous increase in the demand for paper. The supply required was almost ten times as large as the quantity in which the celebrated Ouvrard speculated at the outset of the Revolution. Then Ouvrard could buy up first the entire stock of paper and then the manufacturers; but in the year 1821 there were so many paper-mills in France, that no one could hope to repeat his success; and David had neither audacity enough nor capital enough for such speculation. Machinery for producing paper in any length was just coming into use in England. It was one of the most urgent needs of the time, therefore, that the paper trade should keep pace with the requirements of the French system of civil government, a system by which the right of discussion was to be extended to every man, and the whole fabric based upon continual expression of individual opinion; a grave misfortune, for the nation that deliberates is but little wont to act. So, strange coincidence! while Lucien was drawn into the great machinery of journalism, where he was like to leave his honor and his intelligence torn to shreds, David Sechard, at the back of his printing-house, foresaw all the practical consequences of the increased activity of the periodical press. He saw the direction in which the spirit of the age was tending, and sought to find means to the required end. He saw also that there was a fortune awaiting the discoverer of cheap paper, and the event has justified his clearsightedness. Within the last fifteen years, the Patent Office has received more than a hundred applications from persons claiming to have discovered cheap substances to be employed in the manufacture of paper. David felt more than ever convinced that this would be no brilliant triumph, it is true, but a useful and immensely profitable discovery; and after his brother-in-law went to Paris, he became more and more absorbed in the problem which he had set himself to solve. The expenses of his marriage and of Lucien's journey to Paris had exhausted all his resources; he confronted the extreme of poverty at the very outset of married life. He had kept one thousand francs for the working expenses of the business, and owed a like sum, for which he had given a bill to Postel the druggist. So here was a double problem for this deep thinker; he must invent a method of making cheap paper, and that quickly; he must make the discovery, in fact, in order to apply the proceeds to the needs of the household and of the business. What words can describe the brain that can forget the cruel preoccupations caused by hidden want, by the daily needs of a family and the daily drudgery of a printer's business, which requires such minute, painstaking care; and soar, with the enthusiasm and intoxication of the man of science, into the regions of the unknown in quest of a secret which daily eludes the most subtle experiment? And the inventor, alas! as will shortly be seen, has plenty of woes to endure
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Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net _THE CONTEMPORARY SCIENCE SERIES._ EDITED BY HAVELOCK ELLIS. THE INDUSTRIES OF ANIMALS. THE INDUSTRIES OF ANIMALS. BY FREDERIC HOUSSAY. WITH 44 ILLUSTRATIONS. LONDON: WALTER SCOTT, LTD., 24 WARWICK LANE, PATERNOSTER ROW. 1893. NOTE. The English edition of this book has been revised throughout and enlarged, with the author's co-operation. Numerous bibliographical references have also been added. The illustrations, when not otherwise stated, are in most cases adapted from Brehm's _Thierleben_. CONTENTS. CHAPTER I. INTRODUCTION The naturalists of yesterday and the naturalists of to-day--Natural history and the natural sciences--The theory of Evolution--The chief industries of Man--The chief industries of Animals--Intelligence and instinct--Instinctive actions originate in reflective actions--The plan of study of the various industries. CHAPTER II. HUNTING--FISHING--WARS AND EXPEDITIONS The Carnivora more skilful hunters than the Herbivora--Different methods of hunting--Hunting in ambush--The baited ambush--Hunting in the dwelling or in the burrow--Coursing--Struggles that terminate the hunt--Hunting with projectiles--Particular circumstances put to profit--Methods for utilising the captured game--War and brigandage--Expeditions to acquire slaves--Wars of the ants. CHAPTER III. METHODS OF DEFENCE Flight--Feint--Resistance in common by social animals--Sentinels. CHAPTER IV. PROVISIONS AND DOMESTIC ANIMALS Provisions laid up for a short period--Provisions laid up for a long period--Animals who construct barns--Physiological reserves--Stages between physiological reserves and provisions--Animals who submit food to special treatment in order to facilitate transport--Care bestowed on harvested provisions--Agricultural ants--Gardening ants--Domestic animals of ants--Degrees of civilisation in the same species of ants--Aphis-pens and paddocks--Slavery among ants. CHAPTER V. PROVISION FOR REARING THE YOUNG The preservation of the individual and the preservation of the species--Foods manufactured by the parents for their young--Species which obtain for their larvae foods manufactured by others--Carcasses of animals stored up--Provision of paralysed living animals--The cause of the paralysis--The sureness of instinct--Similar cases in which the specific instinct is less powerful and individual initiative greater--Genera less skilful in the art of paralysing victims. CHAPTER VI. DWELLINGS Animals naturally provided with dwellings--Animals who increase their natural protection by the addition of foreign bodies--Animals who establish their home in the natural or artificial dwellings of others--Classification of artificial shelters--Hollowed dwellings--Rudimentary burrows--Carefully-disposed burrows--Burrows with barns adjoined--Dwellings hollowed out in wood--Woven dwellings--Rudiments of this industry--Dwellings formed of coarsely-entangled materials--Dwellings woven of flexible substances--Dwellings woven with greater art--The art of sewing among birds--Modifications of dwellings according to season and climate--Built dwellings--Paper nests--Gelatine nests--Constructions built of earth--Solitary masons--Masons working in association--Individual skill and reflection--Dwellings built of hard materials united by mortar--The dams of beavers. CHAPTER VII. THE DEFENCE AND SANITATION OF DWELLINGS General precautions against possible danger--Separation of females while brooding--Hygienic measures of Bees--Prudence of Bees--Fortifications of Bees--Precautions against inquisitiveness--Lighting up the nests. CHAPTER VIII. CONCLUSION Degree of perfection in industry independent of zoological superiority--Mental faculties of the lower animals of like nature to Man's. APPENDIX INDEX THE INDUSTRIES OF ANIMALS. CHAPTER I. INTRODUCTION. THE NATURALISTS OF YESTERDAY AND THE NATURALISTS OF TO-DAY--NATURAL HISTORY AND THE NATURAL SCIENCES--THE THEORY OF EVOLUTION--THE CHIEF INDUSTRIES OF MAN--THE CHIEF INDUSTRIES OF ANIMALS--INTELLIGENCE AND INSTINCT--INSTINCTIVE ACTIONS ORIGINATE IN REFLECTIVE ACTIONS--THE PLAN OF STUDY OF THE VARIOUS INDUSTRIES. _The naturalists of yesterday and the naturalists of to-day._--The study of animals, plants, rocks, and of natural objects generally, was formerly called "natural history"; but this term is tending to disappear from our vocabulary and to give place to the term "natural sciences." What is the reason of this change, and to what does it correspond? for it is rare for a word to be modified in so short a time if the thing designated has not itself varied. Exterior forms have certainly changed, and the naturalist of yesterday makes upon us the impression of a legendary being. I refer to the person described in George Sand's romances, marching vigorously over hills and valleys in search of a rare insect, which he pricked with delight, or of a plant difficult to reach, which he triumphantly dried and fixed on a leaf of paper bearing the date of the discovery and the name of the locality. A herbarium became a sort of journal, recalling to its fortunate possessor all the wanderings of the happy chase, all the delightful sounds and sights of the country. Every naturalist concealed within him a lover of idylls or eclogues. Assuredly all the preliminary studies which resulted from these excursions were necessary; we owe gratitude to our predecessors, and we profit from their labours, sometimes regretting the loss of the picturesque fashion in which their researches were carried out. The naturalist of to-day usually lives more in the laboratory than in the country. Occasional expeditions to the coast or dredgings are the only links that attach him to nature; the scalpel and the microtome have replaced the collector's pins, and the magnifying glass gives place to the microscope. When the observer begins to pursue his studies in the laboratory he no longer cares to pass the threshold. He has still so much to learn concerning the most common creatures that it seems useless to him to waste his time in seeking those that are rarer, unless he takes into account the unquestionable pleasure of rambling through woods or along coasts;--but such a consideration does not belong to the scientific domain. A change of conditions of this nature does not suffice to create a science. To take away from a study all that rendered it pleasant and easy, and to make it the property of a small coterie, when it was formerly accessible to all, is not sufficient to render it scientific. It is a fatality rather than a triumph to have undergone such a change. The change is an effect rather than a cause. When little or nothing was known it was necessary to begin by examining the phenomena which first met the eyes of the observer, such as the customs of animals and the characters which distinguished them from each other. Their differences and resemblances were studied; they were formed into groups, classed and arranged in an order recalling as much as possible their natural relations. In classifying it is impossible to consider all the facts or the result would be chaos; it is necessary to choose the characters and to give preponderance to certain of them. This sorting of characters has been executed with the sagacity of genius by the illustrious naturalists of the last century and the beginning of the present. But the frames which they have traced are fixed and rigid; nature with her infinite plasticity escapes from them. We render a great homage to the classifiers when we say that they have confined the facts as closely as it is possible to
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E-text prepared by Delphine Lettau and Joseph E. Loewenstein, M.D. Transcriber's note: In 1834, at age 19, Anthony Trollope became a junior clerk in the British postal service. He did not get on well with his superiors, and his career looked like a dead end. In 1841 he accepted an assignment in Ireland as an inspector, remaining there for ten years. It was there that his civil service career began to flourish. It was there, also, that he began writing novels. Several of Trollope's early novels were set in Ireland, including _The Macdermots of Ballycloran_, his first published novel, and _Castle Richmond_. Readers of those early Irish novels can easily perceive Trollope's great affection for and sympathy with the Irish people, especially the poor. In 1882 Ireland was in the midst of great troubles, including boycotts and the near breakdown of law and order. In May of that year Lord Frederick Cavendish, the newly-appointed Chief Secretary for Ireland, and Thomas Burke, a prominent civil servant, were assassinated in Dublin. The news stirred Trollope, despite his poor health, to travel to Ireland to see for himself the state of things. Upon his return to England he began writing _The Landleaguers_. He made a second journey to Ireland in August, 1882, to seek more material for his book. He returned to England exhausted, but he continued writing. He had almost completed the book when he suffered a stroke on November 3, 1882. He never recovered, and he died on December 6
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Produced by Curtis A. Weyant, Charles Franks and the Online Distributed Proofreading Team. CATHERINE BOOTH A SKETCH _Reprinted from The Warriors' Library_ BY COLONEL MILDRED DUFF WITH A PREFACE BY GENERAL BRAMWELL BOOTH PREFACE Colonel Duff has, at my request, written the following very interesting and touching account of my dear Mother; and she has done so in the hope that those who read it will be helped to follow in the footsteps of that wonderful servant of God. But how can they do so? Was not Mrs. Booth, you ask, an exceptional woman? Had she not great gifts and very remarkable powers, and was she not trained in a very special way to do the work to which God called her? How, then, can ordinary people follow in her steps? Let me tell you. Mrs. Booth walked with God. When she was only a timid girl, helping her mother in the household, she continually sought after Him; and when, in later years, she became known by multitudes, and was written of in the newspapers, and greatly beloved by the good in many lands, there was no difference in her life in that matter. She was not content with being Mrs. General Booth of The Salvation Army, and with being looked upon as a great and good woman, giving her life to bless others. No! she listened daily for God's voice in her own heart, sought after His will, and leaned continually for strength and grace upon her Saviour. You can be like her in that. Mrs. Booth was a soul-winner. A little while before her spirit passed into the presence of God, and when she knew that death was quite near to her, she said: 'Tell the Soldiers that the great consolation for a Salvationist on his dying bed is to feel that he has been a soul-winner.' Wherever she went--in the houses of strangers as well as of friends, in the Meetings, great and small, when she was welcomed and when she was not, whether alone or with others--she laboured to lead souls to Christ. I have known her at one time spend as much trouble to win one as at another time to win fifty. You can follow her example in that. Mrs. Booth always declared herself and took sides with right. Whatever was happening around her, people always knew which side she was on. She spoke out for the right, the good, and the true, even when doing so involved very disagreeable experiences and the bearing of much unkindness. She hated the spirit which can look on at what is wicked and false or cruel, and say, 'Oh, that is not my affair!' You can follow her example in this also. Mrs. Booth laboured all her life to improve her gifts. She thought; she prayed; she worked; she read--above all, she read her Bible. It was her companion as a child, as a young follower of Christ, and then as a Leader in The Army. Those miserable words which some of us hear so often about some bad or unfinished work--'Oh, that will do'--were seldom heard from her lips. She was always striving, striving, striving to do better, and yet better, and again better still. All this also you can do. Mrs. Booth was full of sympathy. No one who was in need or in sorrow, or who was suffering, could meet her without finding out that, she was in sympathy with them. Her heart was tender with the love of Christ, and so she was deeply touched by the sin and sorrow around her just as He was. Even the miseries of the dumb animals moved her to efforts on their behalf. This sympathy made Mrs. Booth quick to see and appreciate the toil and self-denial of others, and ever grateful for any kindness shown to her or to The Army or to those in need of any kind. The very humblest and youngest of those who read this little book can be like her in all this. Mrs. Booth endured to the end. She never turned back. She was faithful. Her life and work would have been spoilt if she had given up the fight. She was often sorely tempted. She was slandered and misrepresented by enemies, betrayed by false friends, and often deeply wounded by those who professed to love her, though they deserted the Flag. But she held fast. You can be like her in that. You may make many mistakes, suffer many defeats, but you can still keep going on, and it is to those who go on to the very end, whether in weakness or in strength, that Jesus will give the crown of life. Mrs. Booth trusted
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Produced by A. Elizabeth Warren STALKY & CO. By Rudyard Kipling “Let us now praise famous men”-- Men of little showing-- For their work continueth, And their work continueth, Greater than their knowing. Western wind and open surge Tore us from our mothers; Flung us on a naked shore (Twelve bleak houses by the shore! Seven summers by the shore!) ‘Mid two hundred brothers. There we met with famous men Set in office o’er us. And they beat on us with rods-- Faithfully with many rods-- Daily beat us on with rods-- For the love they bore us! Out of Egypt unto Troy-- Over Himalaya-- Far and sure our bands have gone-- Hy-Brasil or Babylon, Islands of the Southern Run, And cities of Cathaia! And we all praise famous men-- Ancients of the College; For they taught us common sense--- Tried to teach us common sense-- Truth and God’s Own Common Sense Which is more than knowledge! Each degree of Latitude Strung about Creation Seeth one (or more) of us, (Of one muster all of us-- Of one master all of us--) Keen in his vocation. This we learned from famous men Knowing not its uses When they showed in daily work Man must finish off his work-- Right or wrong, his daily work-- And without excuses. Servants of the staff and chain, Mine and fuse and grapnel-- Some before the face of Kings, Stand before the face of Kings; Bearing gifts to divers Kings-- Gifts of Case and Shrapnel. This we learned from famous men Teaching in our borders. Who declare’d it was best, Safest, easiest and best-- Expeditious, wise and best-- To obey your orders. Some beneath the further stars Bear the greater burden. Set to serve the lands they rule, (Save he serve no man may rule) Serve and love the lands they rule; Seeking praise nor guerdon. This we learned from famous men Knowing not we learned it. Only, as the years went by-- Lonely, as the years went by-- Far from help as years went by Plainer we discerned it. Wherefore praise we famous men From whose bays we borrow-- They that put aside Today-- All the joys of their Today-- And with toil of their Today Bought for us Tomorrow! Bless and praise we famous men Men of little showing! For their work continueth And their work continueth Broad and deep continueth Great beyond their knowing! Copyright, 1899. by Rudyard Kipling CONTENTS I. IN AMBUSH II. SLAVES OF THE LAMP--PART I. III. AN UNSAVORY INTERLUDE IV. THE IMPRESSIONISTS V. THE MORAL REFORMERS VI. A LITTLE PREP. VII. THE FLAG OF THEIR COUNTRY VIII. THE LAST TERM IX. SLAVES OF THE LAMP--PART II. “IN AMBUSH.” In summer all right-minded boys built huts in the furze-hill behind the College--little lairs whittled out of the heart of the prickly bushes, full of stumps, odd root-ends, and spikes, but, since they were strictly forbidden, palaces of delight. And for the fifth summer in succession, Stalky, McTurk, and Beetle (this was before they reached the dignity of a study) had built like beavers a place of retreat and meditation, where they smoked. Now, there was nothing in their characters as known to Mr. Prout, their house-master, at all commanding respect; nor did Foxy, the subtle red-haired school Sergeant, trust them. His business was to wear tennis-shoes, carry binoculars, and swoop hawklike upon evil boys. Had he taken the field alone, that hut would have been raided, for Foxy knew the manners of his quarry; but Providence moved Mr. Prout, whose school-name, derived from the size of his feet, was Hoo
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I*** E-text prepared by Richard J. Shiffer and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 28020-h.htm or 28020-h.zip: (http://www.gutenberg.net/dirs/2/8/0/2/28020/28020-h/28020-h.htm) or (http://www.gutenberg.net/dirs/2/8/0/2/28020/28020-h.zip) Transcriber's note: Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies. Many occurrences of mismatched single and double quotes remain as they were in the original. Text that has been changed to correct an obvious error is noted at the end of this ebook. HISTORY OF WOMAN SUFFRAGE. Edited by ELIZABETH CADY STANTON, SUSAN B. ANTHONY, AND MATILDA JOSLYN GAGE. Illustrated with Steel Engravings. In Three Volumes. VOL. I. 1848-1861. "GOVERNMENTS DERIVE THEIR JUST POWERS FROM THE CONSENT OF THE GOVERNED." [Illustration: FRANCES WRIGHT (with autograph).] Second Edition. Susan B. Anthony. Rochester, N. Y.: Charles Mann. London: 25 Henrietta Street, Covent Garden. Paris. G. Fischbacher, 33 Rue De Seine. 1889. Copyright, 1881, by Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage. Copyright, 1887, by Susan B. Anthony. THESE VOLUMES ARE AFFECTIONATELY INSCRIBED TO THE Memory of MARY WOLLSTONECRAFT, FRANCES WRIGHT, LUCRETIA MOTT, HARRIET MARTINEAU, LYDIA MARIA CHILD, MARGARET FULLER, SARAH AND ANGELINA GRIMKE, JOSEPHINE S. GRIFFING, MARTHA C. WRIGHT, HARRIOT K. HUNT, M.D., MARIANA W. JOHNSON, ALICE AND PHEBE CAREY, ANN PRESTON, M.D., LYDIA MOTT, ELIZA W. FARNHAM, LYDIA F. FOWLER, M.D., PAULINA WRIGHT DAVIS, Whose Earnest Lives and Fearless Words, in Demanding Political Rights for Women, have been, in the Preparation of these Pages, a Constant Inspiration TO The Editors. PREFACE. In preparing this work, our object has been to put into permanent shape the few scattered reports of the Woman Suffrage Movement still to be found, and to make it an arsenal of facts for those who are beginning to inquire into the demands and arguments of the leaders of this reform. Although the continued discussion of the political rights of woman during the last thirty years, forms a most important link in the chain of influences tending to her emancipation, no attempt at its history has been made. In giving the inception and progress of this agitation, we who have undertaken the task have been moved by the consideration that many of oar co-workers have already fallen asleep, and that in a few years all who could tell the story will have passed away. In collecting material for these volumes, most of those of whom we solicited facts have expressed themselves deeply interested in our undertaking, and have gladly contributed all they could, feeling that those identified with this reform were better qualified to prepare a faithful history with greater patience and pleasure, than those of another generation possibly could. A few have replied, "It is too early to write the history of this movement; wait until our object is attained; the actors themselves can not write an impartial history; they have had their discords, divisions, personal hostilities, that unfit them for the work." Viewing the enfranchisement of woman as the most important demand of the century, we have felt no temptation to linger over individual differences. These occur in all associations, and may be regarded in this case as an evidence of the growing self-assertion and individualism in woman. Woven with the threads of this history, we have given some personal reminiscences and brief biographical sketches. To the few who, through ill-timed humility, have refused to contribute any of their early experiences we would suggest, that as each brick in a magnificent structure might have had no special value alone on the road-side, yet, in combination with many others, its size, position, quality, becomes of vital consequence; so with the actors in any great reform, though they may be of little value in themselves; as a part of a great movement they may be worthy of mention--even important to the completion of an historical record. To be historians of a reform in which we have been among the chief actors, has its points of embarrassment as well as advantage. Those who fight the battle can best give what all readers like to know--the impelling motives to action; the struggle in the face of opposition; the vexation under ridicule; and the despair in
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E-text prepared by David Ceponis Note: A compilation of all five volumes of this work is also available individually in the Project Gutenberg library. See http://www.gutenberg.org/etext/10706 The original German version of this work, Roemische Geschichte, Viertes Buch: Die Revolution, is in the Project Gutenberg E-Library as E-book #3063. See http://www.gutenberg.org/etext/3063 THE HISTORY OF ROME, BOOK IV The Revolution by THEODOR MOMMSEN Translated with the Sanction of the Author by William Purdie Dickson, D.D., LL.D. Professor of Divinity in the University of Glasgow Preparer's Note This work contains many literal citations of and references to words, sounds, and alphabetic symbols drawn from many languages, including Gothic and Phoenician, but chiefly Latin and Greek. This English language Gutenberg edition, constrained within the scope of 7-bit ASCII code, adopts the following orthographic conventions: 1) Words and phrases regarded as "foreign imports", italicized in the original text published in 1903; but which in the intervening century have become "naturalized" into English; words such as "de jure", "en masse", etc. are not given any special typographic distinction. 2) Except for Greek, all literally cited non-English words that do not refer to texts cited as academic references, words that in the source manuscript appear italicized, are rendered with a single preceding, and a single following dash; thus, -xxxx-. 3) Greek words, first transliterated into Roman alphabetic equivalents, are rendered with a preceding and a following double-dash; thus, --xxxx--. Note that in some cases the root word itself is a compound form such as xxx-xxxx, and is rendered as --xxx-xxx-- 4) Simple non-ideographic references to vocalic sounds, single letters, or alphabeic dipthongs; and prefixes, suffixes, and syllabic references are represented by a single preceding dash; thus, -x, or -xxx. 5) The following refers particularly to the complex discussion of alphabetic evolution in Ch. XIV: Measuring And Writing). Ideographic references, meaning pointers to the form of representation itself rather than to its content, are represented as -"id:xxxx"-. "id:" stands for "ideograph", and indicates that the reader should form a mental picture based on the "xxxx" following the colon. "xxxx" may represent a single symbol, a word, or an attempt at a picture composed of ASCII characters. E. g. --"id:GAMMA gamma"-- indicates an uppercase Greek gamma-form Followed by the form in lowercase. Some such exotic parsing as this is necessary to explain alphabetic development because a single symbol may have been used for a number of sounds in a number of languages, or even for a number of sounds in the same language at different times. Thus, -"id:GAMMA gamma" might very well refer to a Phoenician construct that in appearance resembles the form that eventually stabilized as an uppercase Greek "gamma" juxtaposed to another one of lowercase. Also, a construct such as --"id:E" indicates a symbol that in graphic form most closely resembles an ASCII uppercase "E", but, in fact, is actually drawn more crudely. 6) The numerous subheading references, of the form "XX. XX. Topic" found in the appended section of endnotes are to be taken as "proximate" rather than topical indicators. That is, the information contained in the endnote indicates primarily the location in the main text of the closest indexing "handle", a subheading, which may or may not echo congruent subject matter. The reason for this is that in the translation from an original paged manuscript to an unpaged "cyberscroll", page numbers are lost. In this edition subheadings are the only remaining indexing "handles" of sub-chapter scale. Unfortunately, in some stretches of text these subheadings may be as sparse as merely one in three pages. Therefore, it would seem to make best sense to save the reader time and temper by adopting a shortest path method to indicate the desired reference. 7) Dr. Mommsen has given his dates in terms of Roman usage, A.U.C.; that is, from the founding of Rome, conventionally taken to be 753 B. C. To the end of each volume is appended a table of conversion between the two systems. CONTENTS BOOK IV: The Revolution CHAPTER I. The Subject Countries Down to the Times of the Gracchi II. The Reform Movement and Tiberius Gracchus III. The Revolution and Gaius Gracchus IV. The Rule of the Restoration V. The Peoples of the North VI. The Attempt of Marius at Revolution and the Attempt of Drusus at Reform VII. The Revolt of the Italian Subjects, and the Sulpician Revolution VIII. The East and King Mithradates IX. Cinna and Sulla X. The Sullan Constitution XI. The Commonwealth and Its Economy XII. Nationality, Religion, and Education XIII. Literature and Art BOOK FOURTH The Revolution "-Aber sie treiben's toll; Ich furcht', es breche." Nicht jeden Wochenschluss Macht Gott die Zeche-. Goethe. Chapter I The Subject Countries Down to the Times of the Gracchi The Subjects With the abolition of the Macedonian monarchy the supremacy of Rome not only became an established fact from the Pillars of Hercules to the mouths of the Nile and the Orontes, but, as if it were the final decree of fate, it weighed on the nations with all the pressure of an inevitable necessity, and seemed to leave them merely the choice of perishing in hopeless resistance or in hopeless endurance. If history were not entitled to insist that the earnest reader should accompany her through good and evil days, through landscapes of winter as well as of spring, the historian might be tempted to shun the cheerless task of tracing the manifold and yet monotonous turns of this struggle between superior power and utter weakness, both in the Spanish provinces already annexed to the Roman empire and in the African, Hellenic, and Asiatic territories which were still treated as clients of Rome. But, however unimportant and subordinate the individual conflicts may appear, they have collectively a deep historical significance; and, in particular, the state of things in Italy at this period only becomes intelligible in the light of the reaction which the provinces exercised over the mother-country. Spain Except in the territories which may be regarded as natural appendages of Italy--in which, however, the natives were still far from being completely subdued, and, not greatly to the credit of Rome, Ligurians, Sardinians, and Corsicans were continually furnishing occasion for "village triumphs"--the formal sovereignty of Rome at the commencement of this period was established only in the two Spanish provinces, which embraced the larger eastern and southern portions of the peninsula beyond the Pyrenees. We have already(1) attempted to describe the state of matters in the peninsula. Iberians and Celts, Phoenicians, Hellenes, and Romans were there confusedly intermingled. The most diverse kinds and stages of civilization subsisted there simultaneously and at various points crossed each other, the ancient Iberian culture side by side with utter barbarism, the civilized relations of Phoenician and Greek mercantile cities side by side with an incipient process of Latinizing, which was especially promote by the numerous Italians employed in the silver mines and by the large standing garrison. In this respect the Roman township of Italica (near Seville) and the Latin colony of Carteia (on the bay Of Gibraltar) deserve mention--the latter being the first transmarine urban community of Latin tongue and Italian constitution. Italica was founded by the elder Scipio, before he left Spain (548), for his veterans who were inclined to remain in the peninsula--probably, however, not as a burgess-community, but merely as a market-place.(2) Carteia was founded in 583 and owed its existence to the multitude of camp-children--the offspring of Roman soldiers and Spanish slaves--who grew up as slaves de jure but as free Italians de facto, and were now manumitted on behalf of the state and constituted, along with the old inhabitants of Carteia, into a Latin colony. For nearly thirty years after the organizing of the province of the Ebro by Tiberius Sempronius Gracchus (575, 576)(3) the Spanish provinces, on the whole, enjoyed the blessings of peace undisturbed, although mention is made of one or two expeditions against the Celtiberians and Lusitanians. Lusitanian War But more serious events occurred in 600. The Lusitanians, under the leadership of a chief called Punicus, invaded the Roman territory, defeated the two Roman governors who had united to oppose them, and slew a great number of their troops. The Vettones (between the Tagus and the Upper Douro) were thereby induced to make common cause with the Lusitanians; and these, thus reinforced, were enabled to extend their excursions as far as the Mediterranean, and to pillage even the territory of the Bastulo-Phoenicians not far from the Roman capital New Carthage (Cartagena). The Romans at home took the matter seriously enough to resolve on sending a consul to Spain, a step which had not been taken since 559; and, in order to accelerate the despatch of aid, they even made the new consuls enter on office two months and a half before the legal time. For this reason the day for the consuls entering on office was shifted from the 15th of March to the 1st of January; and thus was established the beginning of the year, which we still make use of at the present day. But, before the consul Quintus Fulvius Nobilior with his army arrived, a very serious encounter took place on the right bank of the Tagus between the praetor Lucius Mummius, governor of Further Spain, and the Lusitanians, now led after the fall of Punicus by his successor Caesarus (601). Fortune was at first favourable to the Romans; the Lusitanian army was broken and their camp was taken. But the Romans, partly already fatigued by their march and partly broken up in the disorder of the pursuit, were at length completely beaten by their already vanquished antagonists, and lost their own camp in addition to that of the enemy, as well as 9000 dead. Celtiberian War The flame of war now blazed up far and wide. The Lusitanians on the left bank of the Tagus, led by Caucaenus, threw themselves on the Celtici subject to the Romans (in Alentejo), and took away their town Conistorgis. The Lusitanians sent the standards taken from Mummius to the Celtiberians at once as an announcement of victory and as a warning; and among these, too, there was no want of ferment. Two small Celtiberian tribes in the neighbourhood of the powerful Arevacae (about the sources of the Douro and Tagus), the Belli and the Titthi, had resolved to settle together in Segeda, one of their towns. While they were occupied in building the walls, the Romans ordered them to desist, because the Sempronian regulations prohibited the subject communities from founding towns at their own discretion; and they at the same time required the contribution of money and men which was due by treaty but for a considerable period had not been demanded. The Spaniards refused to obey either command, alleging that they were engaged merely in enlarging, not in founding, a city, and that the contribution had not been merely suspended, but remitted by the Romans. Thereupon Nobilior appeared in Hither Spain with an army of nearly 30,000 men, including some Numidian horsemen and ten elephants. The walls of the new town of Segeda still stood unfinished: most of the inhabitants submitted. But the most resolute men fled with their wives and children to the powerful Arevacae, and summoned these to make common cause with them against the Romans. The Arevacae, emboldened by the victory of the Lusitanians over Mummius, consented, and chose Carus, one of the Segedan refugees, as their general. On the third day after his election the valiant leader had fallen, but the Roman army was defeated and nearly 6000 Roman burgesses were slain; the 23rd day of August, the festival of the Volcanalia, was thenceforth held in sad remembrance by the Romans. The fall of their general, however, induced the Arevacae to retreat into their strongest town Numantia (Guarray, a Spanish league to the north of Soria on the Douro), whither Nobilior followed them. Under the walls of the town a second engagement took place, in which the Romans at first by means of their elephants drove the Spaniards back into the town; but while doing so they were thrown into confusion in consequence of one of the animals being wounded, and sustained a second defeat at the hands of the enemy again issuing from the walls. This and other misfortunes-- such as the destruction of a corps of Roman cavalry despatched to call forth the contingents--imparted to the affairs of the Romans in the Hither province so unfavourable an aspect that the fortress of Ocilis, where the Romans had their chest and their stores, passed over to the enemy, and the Arevacae were in a position to think, although without success, of dictating peace to the Romans. These disadvantages, however, were in some measure counterbalanced by the successes which Mummius achieved in the southern province. Weakened though his army was by the disaster which it had suffered, he yet succeeded with it in defeating the Lusitanians who had imprudently dispersed themselves on the right bank of the Tagus; and passing over to the left bank, where the Lusitanians had overrun the whole Roman territory, and had even made a foray into Africa, he cleared the southern province of the enemy. Marcellus To the northern province in the following year (602) the senate sent considerable reinforcements and a new commander-in-chief in the place of the incapable Nobilior, the consul Marcus Claudius Marcellus, who had already, when praetor in 586, distinguished himself in Spain, and had since that time given proof of his talents as a general in two consulships. His skilful leadership, and still more his clemency, speedily changed the position of affairs: Ocilis at once surrendered to him; and even the Arevacae, confirmed by Marcellus in the hope that peace would be granted to them on payment of a moderate fine, concluded an armistice and sent envoys to Rome. Marcellus could thus proceed to the southern province, where the Vettones and Lusitanians had professed submission to the praetor Marcus Atilius so long as he remained within their bounds, but after his departure had immediately revolted afresh and chastised the allies of Rome. The arrival of the consul restored tranquillity, and, while he spent the winter in Corduba, hostilities were suspended throughout the peninsula. Meanwhile the question of peace with the Arevacae was discussed at Rome. It is a significant indication of the relations subsisting among the Spaniards themselves, that the emissaries of the Roman party subsisting among the Arevacae were the chief occasion of the rejection of the proposals of peace at Rome, by representing that, if the Romans were not willing to sacrifice the Spaniards friendly to their interests, they had no alternative save either to send a consul with a corresponding army every year to the peninsula or to make an emphatic example now. In consequence of this, the ambassadors of the Arevacae were dismissed without a decisive answer, and it was resolved that the war should be prosecuted with vigour. Marcellus accordingly found himself compelled in the following spring (603) to resume the war against the Arevacae. But--either, as was asserted, from his unwillingness to leave to his successor, who was to be expected soon, the glory of terminating the war, or, as is perhaps more probable, from his believing like Gracchus that a humane treatment of the Spaniards was the first thing requisite for a lasting peace--the Roman general after holding a secret conference with the most influential men of the Arevacae concluded a treaty under the walls of Numantia, by which the Arevacae surrendered to the Romans at discretion, but were reinstated in their former rights according to treaty on their undertaking to pay money and furnish hostages. Lucullus When the new commander-in-chief, the consul Lucius Lucullus, arrived at head-quarters, he found the war which he had come to conduct already terminated by a formally concluded peace, and his hopes of bringing home honour and more especially money from Spain were apparently frustrated. But there was a means of surmounting this difficulty. Lucullus of his own accord attacked the western neighbours of the Arevacae, the Vaccaei, a Celtiberian nation still independent which was living on the best understanding with the Romans. The question of the Spaniards as to what fault they had committed was answered by a sudden attack on the town of Cauca (Coca, eight Spanish leagues to the west of Segovia); and, while the terrified town believed that it had purchased a capitulation by heavy sacrifices of money, Roman troops marched in and enslaved or slaughtered the inhabitants without any pretext at all. After this heroic feat, which is said to have cost the lives of some 20,000 defenceless men,
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E-text prepared by sp1nd, Matthew Wheaton, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 42140-h.htm or 42140-h.zip: (http://www.gutenberg.org/files/42140/42140-h/42140-h.htm) or (http://www.gutenberg.org/files/42140/42140-h.zip) Images of the original pages are available through Internet Archive. See http://archive.org/details/greuzeocad00mackuoft Masterpieces in Colour Edited by--T. Leman Hare GREUZE 1725-1805 * * * * * * "MASTERPIECES IN COLOUR" SERIES ARTIST. AUTHOR. BELLINI. GEORGE HAY. BOTTICELLI. HENRY B. BINNS. BOUCHER. C. HALDANE MACFALL. BURNE-JONES. A. LYS BALDRY. CARLO DOLCI. GEORGE HAY. CHARDIN. PAUL G. KONODY. CONSTABLE. C. LEWIS HIND. COROT. SIDNEY ALLNUTT. DA VINCI. M. W. BROCKWELL. DELACROIX. PAUL G. KONODY. DUERER. H. E. A. FURST. FRA ANGELICO. JAMES MASON. FRA FILIPPO LIPPI. PAUL G. KONODY. FRAGONARD. C. HALDANE MACFALL. FRANZ HALS. EDGCUMBE STALEY. GAINSBOROUGH. MAX ROTHSCHILD. GREUZE. ALYS EYRE MACKLIN. HOGARTH. C. LEWIS HIND. HOLBEIN. S. L. BENSUSAN. HOLMAN HUNT. MARY E. COLERIDGE. INGRES. A. J. FINBERG. LAWRENCE. S. L. BENSUSAN. LE BRUN, VIGEE. C. HALDANE MACFALL. LEIGHTON. A. LYS BALDRY. LUINI. JAMES MASON. MANTEGNA. MRS. ARTHUR BELL. MEMLINC. W. H. J. & J. C. WEALE. MILLAIS. A. LYS BALDRY. MILLET. PERCY M. TURNER. MURILLO. S. L. BENSUSAN. PERUGINO. SELWYN BRINTON. RAEBURN. JAMES L. CAW. RAPHAEL. PAUL G. KONODY. REMBRANDT. JOSEF ISRAELS. REYNOLDS. S. L. BENSUSAN. ROMNEY. C. LEWIS HIND. ROSSETTI. LUCIEN PISSARRO. RUBENS. S. L. BENSUSAN. SARGENT. T. MARTIN WOOD. TINTORETTO. S. L. BENSUSAN. TITIAN. S. L. BENSUSAN. TURNER. C. LEWIS HIND. VAN DYCK. PERCY M. TURNER. VAN EYCK. J. CYRIL M. WEALE. VELAZQUEZ. S. L. BENSUSAN. WATTEAU. C. LEWIS HIND. WATTS. W. LOFTUS HARE. WHISTLER. T. MARTIN WOOD. _Others in Preparation._ * * * * * * [Illustration: PLATE I.--L'ACCORDEE DU VILLAGE. (Frontispiece) This picture, at first entitled "A Father handing over the Marriage-portion of his Daughter," then "The Village Bride," is the best of Greuze's subject pictures. The scene is more or less naturally arranged, and informed with the tender homely sentiment inspired by the subject; and the bride, with her fresh young face and modest attitude, is a delicious figure. It was exhibited in the Salon of 1761, and now hangs in the Louvre.] GREUZE by ALYS EYRE MACKLIN Illustrated with Eight Reproductions in Colour [Illustration: IN SEMPITERNUM.] London: T. C. & E. C. Jack New York: Frederick A. Stokes Co. CONTENTS Chap. Page I. Early Days and First Success 11 II. The Times in which Greuze Lived 20 III. Greuze's Moral Pictures 27 IV. The Pictures by which we know Greuze 35 V. The Vanity of Greuze 44 VI. "The Broken Pitcher" and other well-known Pictures 52 VII. Ruin and Death 62 VIII. The Art of Greuze 71 LIST OF ILLUSTRATIONS Plate I. L'Accordee du Village Frontispiece In the Louvre Page II. L'Innocence tenant deux Pigeons 14 In the Wallace Collection III. La Malediction paternelle 24 In the Louvre IV. Portrait d'Homme 34 In the Louvre V. L'Oiseau Mort 40 In the Louvre VI. Les Deux Soeurs 50 In the Louvre VII. La Cruche Cassee 60 In the Louvre VIII. La Laitiere 70 In the Louvre CHAPTER I EARLY DAYS AND FIRST SUCCESS Few names suggest so much beauty as that of Greuze. "Greuze"--"a Greuze"--you have only to hear the word and there rises before your mental vision a radiant procession of maidens each lovelier than the last, with the blue of a spring sky in their shining eyes, rosy blood flushing delicate cheeks, soft silken hair escaping in gold-touched curls at temples where the blue veins show, lips like dewy carnations, rounded necks and curving bosoms that suggest all the sweets of June. A veritable "garden of girls" in the first fresh bloom of budding womanhood; and they come to you not so much as painted pictures as delicate visions breathed on canvas from which they might at any moment tremble into pulsing life. Yet the Greuze to whom we owe this exquisite series was first known as the painter of pictures of a very different kind. Before speaking of these let us begin at the beginning, by seeing when and under what conditions the child who was to become the poet-painter of a certain type of womanhood first saw the world he was destined to enrich. Born at Tournus, a little town near Macon in France, on August 21, 1725, the early life of Jean Baptiste Greuze curiously resembles in its broad lines those of many other well-known artists. His parents were humble people who lived in the tiny house at Tournus, now decorated with a commemorative plaque; the father an overman slater; and the godparents, who play such an important part in the life of the French child, respectively a slater and a baker. The father seems to have been ambitious, for he resolved to take his son into an evidently expanding business, not as a workman, but as architect. At the usual early age, however, the child's vocation declared itself. It was in vain the father, alarmed by symptoms that threatened to disarrange his plans, took materials from him and then whipped him for making pictures all over the walls--anywhere, everywhere. The boy cared for nothing but drawing of a kind that did not fall in with the cherished architectural idea, and after many struggles he won the day by giving his father for a birthday present a pen-and-ink drawing of the head of St. James, well enough done to be at first mistaken for an engraving. This had been copied at nights when he was supposed to be asleep, and touched and convinced, the father finally gave in and sent him off to Lyons to learn the business in the studio of the painter Grandon. [Illustration: PLATE II.--L'INNOCENCE TENANT DEUX PIGEONS "L'Innocence tenant deux Pigeons," or "Innocence holding two Pigeons," is a typical example of the eyes Greuze never tired of painting, large innocent orbs with a sparkle that suggests the morning sun on flowers wet with dew. The moist half-open lips you also find in most of his girl-heads. The lovely colour scheme is particularly happy even for Greuze. The original is in the Wallace Collection, London.] The term "learn the business" is used advisedly. Grandon's studio was more a manufactory of pictures than anything else, and was just as bad a school as a young artist could well have. Pictures were copied, recopied, and adapted, turned out for all the world as Jean Baptiste's godmother turned the loaves out of her oven; and while the boy learnt the use of colours, and some drawing, he also learnt that facility which is the deadly enemy of art, artifice rather than invention, to copy rather than to create--weaknesses which beset him ever afterwards. It was natural that, when manhood was arrived at, Greuze should yield to the inevitable law that draws exceptional talent to great centres. When he was about twenty he left Lyons, and with very little capital but his abilities, his blonde beauty, and a large stock of self-satisfaction, he set out gaily to make his fortune in Paris. The story of the first ten years there is also the conventional one of early artist days, the old tale of stress and struggle, of bitter disappointments alternating with brilliant hopes and small achievements. Young Greuze was too personal and faulty in his work to please the Academy, not strong enough yet to convince any advanced movement there might be, and he divided ten trying years between a little study at the Academy and a great deal of painting the pot-boilers he had learnt to make at Lyons. At last his work attracted the attention and gained for him the friendship of two well-known artists, Sylvestre, and Pigalle, the King's sculptor, and they were instrumental in his being able to exhibit in the Academy of 1755, when he was thirty years old, the picture which brought him his first success, "Un Pere qui lit la Bible a ses Enfants." This picture shows the living room of a raftered cottage, with the old father sitting at a table round which are gathered his six sons and daughters. One of his large, horny hands is on the open Bible before him, the other holds the spectacles he has taken off as he stops to explain the passage he has been reading. The children listen respectfully, some attentively, the others with an air of being absorbed in their own reflections, while the mother, sitting near, stops her spinning to tell the baby on the floor not to tease the dog. It is not well painted. Except that it shows a picturesque interior and expresses the sentiment of piety in the home it is intended to convey, it has but little merit, is, indeed, so mediocre that you wonder why, far from bringing fame to the young man, it should have been noticed at all. To understand its success, and the still greater success of similar pictures which followed, you must glance at the epoch of its production. CHAPTER II THE TIMES IN WHICH GREUZE LIVED It was that period of the eighteenth century before the Revolution when society was at its worst, the paints and powders that covered its face, the scents which over-perfumed its body, its manners artificial as the antics of marionettes, being emblematic of its state of mind. Society was, in short, so corrupt it could not become any more so, and at length, weary of the search for a new sensation, there was nothing for it but a sudden rebound to some sort of morality. Opportunist philosophers appeared quickly on the scene, and began to preach the pleasant doctrine that man was born very good, full of honesty and good feeling, running over with generosity and all the virtues, and if he did not keep so, it was because the miserable conventions of society had drawn him from the original perfection of his state. To find virtue you must look among those of humble estate, the poor who thought of nothing but their work and the bringing up of their large families. Away, then, from social life and its corruptions, return to the simple ways of the lowly and needy--thus and thus only could France be regenerated! The aristocratic victims of their caste drank all this in eagerly, and their exaggerated efforts to follow the new cult of simplicity made the bitter-tongued Voltaire describe them as "mad with the desire to walk on their hands and feet, so as to imitate as nearly as possible their virtuous ancestors of the woods." Diderot, whose sudden burning enthusiasms and throbbing eloquence would have carried away his hearers in spite of themselves if they had not been only too eager to listen, was the great apostle of the new doctrine, and, always in extremes, he boldly dragged his moral theories into even the realm of art. "To render virtue charming and vice odious ought to be the object of every honest man who wields a pen, a paint-brush, or the sculptor's chisel," he declared. The vivid intelligence of Greuze seized the position, and sure of at least attracting attention if nothing else, he set to work to paint some scene which would fall in with the prevalent "debauch of morals," as some one called it. Thus, "Le Pere qui lit la Bible a ses Enfants" appeared at that psychological moment which does so much to ensure success. Further, it came as a refreshing change to a public weary of the pleasant insipidities of Boucher, of a long-continued series of pale pastorals showing the doubtful pleasures of light love. It was, moreover, a novelty, for no one had painted such subjects before in France. [Illustration: PLATE III.--LA MALEDICTION PATERNELLE "La Malediction paternelle," or "The Father's Curse," is in the Louvre, and is one of the best known of Greuze's moral pictures. It is one of his worst productions. Observe the theatrical attitudes and gestures, the too carefully arranged draperies, etc., of the actors in this exaggerated scene, which in real life would pass in formless disorder and rough confusion.] And so more than the expected happened. From the day of its exhibition till the Salon was closed, it was surrounded by admiring crowds, and every one said, "Who is this
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Produced by Gordon Keener FIAT MONEY INFLATION IN FRANCE How It Came, What It Brought, and How It Ended by Andrew Dickson White, LL.D., Ph.D., D.C.L. Late President and Professor of History at Cornell University; Sometime United States Minister to Russia and Ambassador to Germany; Author of "A History of the Warfare of Science with Theology," etc. INTRODUCTION As far back as just before our Civil War I made, in France and elsewhere, a large collection of documents which had appeared during the French Revolution, including newspapers, reports, speeches, pamphlets, illustrative material of every sort, and, especially, specimens of nearly all the Revolutionary issues of paper money,--from notes of ten thousand _livres_ to those of one _sou_. Upon this material, mainly, was based a course of lectures then given to my students, first at the University of Michigan and later at Cornell University, and among these lectures, one on "Paper Money Inflation in France." This was given simply because it showed one important line of facts in that great struggle; and I recall, as if it were yesterday, my feeling of regret at being obliged to bestow so much care and labor upon a subject to all appearance so utterly devoid of practical value. I am sure that it never occurred, either to my Michigan students or to myself, that it could ever have any bearing on our own country. It certainly never entered into our minds that any such folly as that exhibited in those French documents of the eighteenth century could ever find supporters in the United States of the nineteenth. Some years later, when there began to be demands for large issues of paper money in the United States, I wrought some of the facts thus collected into a speech in the Senate of the State of New York, showing the need of especial care in such dealings with financial necessities. In 1876, during the "greenback craze," General Garfield and Mr. S. B. Crittenden, both members of the House of Representatives at that time, asked me to read a paper on the same general subject before an audience of Senators and Representatives of both parties in Washington. This I did, and also gave it later before an assemblage of men of business at the Union League Club in New York. Various editions of the paper were afterward published, among them, two or three for campaign purposes, in the hope that they might be of use in showing to what folly, cruelty, wrong and rain the passion for "fiat money" may lead. Other editions were issued at a later period, in view of the principle involved in the proposed unlimited coinage of silver in the United States, which was, at bottom, the idea which led to that fearful wreck of public and private prosperity in France. For these editions there was an added reason in the fact that the utterances of sundry politicians at that time pointed clearly to issues of paper money practically unlimited. These men were logical enough to see that it would be inconsistent to stop at the unlimited issue of silver dollars which cost really something when they could issue unlimited paper dollars which virtually cost nothing. In thus exhibiting facts which Bishop Butler would have recognized as confirming his theory of "The Possible Insanity of States," it is but just to acknowledge that the French proposal was vastly more sane than that made in our own country. Those French issues of paper rested not merely "on the will of a free people," but on one-third of the entire landed property of France; on the very choicest of real property in city and country--the confiscated estates of the Church and of the fugitive aristocracy--and on the power to use the paper thus issued in purchasing this real property at very low prices. I have taken all pains to be exact, revising the whole paper in the light of the most recent publications and giving my authority for every important statement, and now leave the whole matter with my readers. At the request of a Canadian friend, who has expressed a strong wish that this work be brought down to date, I have again restudied the subject in the light of various works which have appeared since my earlier research,--especially Levasseur's "Histoire des classes ouvrieres et de l'industrie en France,"--one of the really great books of the twentieth century;--Dewarmin's superb "Cent Ans de numismatique Francaise" and sundry special treatises. The result has been that large additions have been made regarding some important topics, and that various other parts of my earlier work have been made more clear by better arrangement and supplementary information. ANDREW D. WHITE. Cornell University, September, 1912. FOREWORD BY MR. JOHN MACKAY I am greatly indebted to the generosity of Mr. Andrew D. White, the distinguished American scholar, author and diplomatist, for permission to print and to circulate privately a small edition of his exceedingly valuable account of the great currency-making experiment of the French Revolutionary Government. The work has been revised and considerably enlarged by Mr. White for the purpose of the present issue. The story of "Fiat Money Inflation in France" is one of great interest to legislators, to economic students, and to all business and thinking men. It records the most gigantic attempt ever made in the history of the world by a government to create an inconvertible paper currency, and to maintain its circulation at various levels of value. It also records what is perhaps the greatest of all governmental efforts--with the possible exception of Diocletian's
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net. [Illustration: _LEO'S FIRST APPEARANCE_] LEO THE CIRCUS BOY; or LIFE UNDER THE GREAT WHITE CANVAS BY CAPTAIN RALPH BONEHILL, Author of "The Young Oarsmen of Lakeview," "The Rival Bicyclists," "Gun and Sled," etc., etc. CHICAGO: _M. A. Donohue_ & Co. _Copyright_, 1897. _BY_ _W. L. Allison_ Co. CONTENTS - CHAPTER I.--A ROW AND ITS RESULT. - CHAPTER II.--CAPTURING A RUNAWAY LION. - CHAPTER III.--LEO LEAVES THE FARM. - CHAPTER IV.--LEO JOINS THE GREATEST SHOW ON EARTH. - CHAPTER V.--A LEAP OF GREAT PERIL. - CHAPTER VI.--LEO ASSERTS HIS RIGHTS. - CHAPTER VII.--LEO GAINS HIS LIBERTY. - CHAPTER VIII.--AMONG THE CLOUDS IN A THUNDERSTORM. - CHAPTER IX.--THE MAD ELEPHANT. - CHAPTER X.--CAPTURING THE ELEPHANT. - CHAPTER XI.--A CRIMINAL COMPACT. - CHAPTER XII.--THE STOLEN CIRCUS TICKETS. - CHAPTER XIII.--LEO MAKES A CHANGE. - CHAPTER XIV.--LEO MAKES A NEW FRIEND. - CHAPTER XV.--AN ACT NOT ON THE BILLS. - CHAPTER XVI.--AN UNPLEASANT POSITION. - CHAPTER XVII.--CARL SHOWS HIS BRAVERY. - CHAPTER XVIII.--A WONDERFUL TRICK EXPLAINED. - CHAPTER XIX.--WAMPOLE'S NEW SCHEME
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net Standard Library Edition AMERICAN STATESMEN EDITED BY JOHN T. MORSE, JR. IN THIRTY-TWO VOLUMES VOL. XVIII. DOMESTIC POLITICS: THE TARIFF AND SLAVERY MARTIN VAN BUREN [Illustration: M. Van Buren] American Statesmen STANDARD LIBRARY EDITION [Illustration: The Home of Martin Van Buren] HOUGHTON, MIFFLIN & CO. American Statesmen MARTIN VAN BUREN BY EDWARD M. SHEPARD [Illustration] BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1899 Copyright, 1888 and 1899, BY EDWARD M. SHEPARD. Copyright, 1899, BY HOUGHTON, MIFFLIN & CO. _All rights reserved._ PREFACE TO THE REVISED EDITION Since 1888, when this Life was originally published, the history of American Politics has been greatly enriched. The painstaking and candid labors of Mr. Fiske, Mr. Adams, Mr. Rhodes, and others have gone far to render unnecessary the _caveat_ I then entered against the unfairness, or at least the narrowness, of the temper with which Van Buren, or the school to which he belonged, had thus far been treated in American literature, and which had prejudicially misled me before I began my work. Such a _caveat_ is no longer necessary. Even now, when the political creed of which Jefferson, Van Buren, and Tilden have been chief apostles in our land, seems to suffer some degree of eclipse,--only temporary, it may well be believed, but nevertheless real,--those who, like myself, have undertaken to present the careers of great Americans who held this faith need not fear injustice or prejudice in the field of American literature. In this revised edition I have made a few corrections and added a few notes; but the generous treatment which has been given to the book has confirmed my belief that historic truth requires no material change. A passage from the diary of Charles Jared Ingersoll (Life by William M. Meigs, 1897) tempts me, in this most conspicuous place of the book, to emphasize my observation upon one injustice often done to Van Buren. Referring, on May 6, 1844, to his letter, then just published, against the annexation of Texas, Mr. Ingersoll declared that, in view of the fact that nearly all of Van Buren's admirers and most of the Democratic press were committed to the annexation, Van Buren had committed a great blunder and become _felo de se_. The assumption here is that Van Buren was a politician of the type so painfully familiar to us, whose sole and conscienceless effort is to find out what is to be popular for the time, in order, for their own profit, to take that side. That Van Buren was politic there can be no doubt. But he was politic after the fashion of a statesman and not of a demagogue. He disliked to commit himself upon issues which had not been fully discussed, which were not ripe for practical solution by popular vote, and which did not yet need to be decided. Mr. Ingersoll should have known that the direct and simple explanation was the true one,--that Van Buren knew the risk and meant to take it. His letter against the annexation of Texas, written when he knew that it would probably defeat him for the presidency, was but one of several acts performed by him at critical periods, wherein he deliberately took what seemed the unpopular side in order to be true to his sense of political and patriotic duty. The crucial tests of this kind through which he successfully passed must, beyond any doubt, put him in the very first rank of those American statesmen who have had the rare union of political foresight and moral courage. EDWARD M. SHEPARD. January, 1899. CONTENTS CHAP. PAGE I. AMERICAN POLITICS WHEN VAN BUREN'S CAREER BEGAN.-- JEFFERSON'S INFLUENCE 1 II. EARLY YEARS.--PROFESSIONAL LIFE 14 III. STATE SENATOR: ATTORNEY-GENERAL: MEMBER OF THE CONSTITUTIONAL CONVENTION 38 IV. UNITED STATES SENATOR.--REESTABLISHMENT OF PARTIES.--PARTY LEADERSHIP 88 V. DEMOCRATIC VICTORY IN 1828.--GOVERNOR 153 VI. SECRETARY OF STATE.--DEFINITE FORMATION OF THE DEMOCRATIC CREED 177 VII. MINISTER TO ENGLAND.--VICE-PRESIDENT.--ELECTION TO THE PRESIDENCY 223 VIII. CRISIS OF 1837 282 IX. PRESIDENT.--SUB-TREASURY BILL 325 X. PRESIDENT.--CANADIAN INSURRECTION.--TEXAS.--SEMINOLE WAR.--DEFEAT FOR REELECTION 350 XI. EX-PRESIDENT.--SLAVERY.--TEXAS ANNEXATION.--DEFEAT BY THE SOUTH.--FREE SOIL CAMPAIGN.--LAST YEARS 398 XII. VAN BUREN'S CHARACTER AND PLACE
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Produced by Mary Munarin and David Widger [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.] THE CONFESSIONS OF HARRY LORREQUER, Vol. 3 [By Charles James Lever (1806-1872)] Dublin MDCCCXXXIX. Volume 3. (Chapter XVIII-XXIII) Contents: CHAPTER XVIII Detachment Duty--An Assize Town CHAPTER XIX The Assize Town CHAPTER XX A Day in Dublin CHAPTER XXI A Night at Howth CHAPTER XXII The Journey CHAPTER XXIII Calais CHAPTER XVIII. DETACHMENT DUTY--AN ASSIZE TOWN. As there appeared to be but little prospect of poor Fitzgerald ever requiring any explanation from me as to the events of that morning, for he feared to venture from his room, lest he might be recognised and prosecuted for abduction, I thought it better to keep my own secret also; and it was therefore with a feeling of any thing but regret, that I received an order which, under other circumstances, would have rendered me miserable--to march on detachment duty. To any one at all conversant with the life we lead in the army, I need not say how unpleasant such a change usually is. To surrender your capital mess, with all its well-appointed equipments--your jovial brother officers--hourly flirtations with the whole female population--never a deficient one in a garrison town--not to speak of your matches at trotting, coursing, and pigeon-shooting, and a hundred other delectable modes of getting over the ground through life, till it please your ungrateful country and the Horse Guards to make you a major-general--to surrender all these, I say, for the noise, dust, and damp disagreeables of a country inn, with bacon to eat, whiskey to drink, and the priest, or the constabulary chief, to get drunk with--I speak of Ireland here--and your only affair, par amours, being the occasional ogling of the apothecary's daughter opposite, as often as she visits the shop, in the soi disant occupation of measuring out garden seeds and senna. These are indeed, the exchanges with a difference, for which there is no compensation; and, for my own part, I never went upon such duty, that I did not exclaim with the honest Irishman, when the mail went over him, "Oh, Lord! what is this for?"--firmly believing that in the earthly purgatory of such duties, I was reaping the heavy retribution attendant on past offences. Besides, from being rather a crack man in my corps, I thought it somewhat hard that my turn for such duty should come round about twice as often as that of my brother officers; but so it is--I never knew a fellow a little smarter than his neighbours, that was not pounced upon by his colonel for a victim. Now, however, I looked at these matters in a very different light. To leave head-quarters was to escape being questioned; while there was scarcely any post to which I could be sent, where something strange or adventurous might not turn up, and serve me to erase the memory of the past, and turn the attention of my companions in any quarter rather than towards myself. My orders on the present occasion were to march to Clonmel; from whence I was to proceed a short distance to the house of a magistrate, upon whose information, transmitted to the Chief Secretary, the present assistance of a military party had been obtained; and not without every appearance of reason. The assizes of the town were about to be held, and many capital offences stood for trial in the calendar; and as it was strongly rumoured that, in the event of certain convictions being obtained, a rescue would be attempted, a general attack upon the town seemed a too natural consequence; and if so, the house of so obnoxious a person as him I have
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Produced by Robert Cicconetti, Meredith Bach, and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: "_Suddenly he rushed at her and caught her by the arm_"] THE INTERNATIONAL ADVENTURE LIBRARY THREE OWLS EDITION THE CONFESSIONS OF ARSENE LUPIN An Adventure Story BY MAURICE LEBLANC Author of "Arsene Lupin" W. R. CALDWELL & CO. NEW YORK _Copyright, 1912, 1913, by_ Maurice Leblanc _All rights reserved, including that of translation into foreign languages, including the Scandinavian_ CONTENTS CHAPTER PAGE I. TWO HUNDRED THOUSAND FRANCS REWARD! 1 II. THE WEDDING-RING 36 III. THE SIGN OF THE SHADOW 66 IV. THE INFERNAL TRAP 101 V. THE RED SILK SCARF 138 VI. SHADOWED BY DEATH 177 VII. A TRAGEDY IN THE FOREST OF MORGUES 210 VIII. LUPIN'S MARRIAGE 228 IX. THE INVISIBLE PRISONER 266 X. EDITH SWAN-NECK 291 THE CONFESSIONS OF ARSENE LUPIN THE CONFESSIONS OF ARSENE LUPIN I TWO HUNDRED THOUSAND FRANCS REWARD!... "Lupin," I said, "tell me something about yourself." "Why, what would you have me tell you? Everybody knows my life!" replied Lupin, who lay drowsing on the sofa in my study. "Nobody knows it!" I protested. "People know from your letters in the newspapers that you were mixed up in this case, that you started that case. But the part which you played in it all, the plain facts of the story, the upshot of the mystery: these are things of which they know nothing." "Pooh! A heap of uninteresting twaddle!" "What! Your present of fifty thousand francs to Nicolas Dugrival's wife! Do you call that uninteresting? And what about the way in which you solved the puzzle of the three pictures?" Lupin laughed: "Yes, that was a queer puzzle, certainly. I can suggest a title for you if you like: what do you say to _The Sign of the Shadow_?" "And your successes in society and with the fair sex?" I continued. "The dashing Arsene's love-affairs!... And the clue to your good actions? Those chapters in your life to which you have so often alluded under the names of _The Wedding-ring_, _Shadowed by Death_, and so on!... Why delay these confidences and confessions, my dear Lupin?... Come, do what I ask you!..." It was at the time when Lupin, though already famous, had not yet fought his biggest battles; the time that preceded the great adventures of _The Hollow Needle_ and _813_. He had not yet dreamt of annexing the accumulated treasures of the French Royal House[A] nor of changing the map of Europe under the Kaiser's nose[B]: he contented himself with milder surprises and humbler profits, making his daily effort, doing evil from day to day and doing a little good as well, naturally and for the love of the thing, like a whimsical and compassionate Don Quixote. [A] _The Hollow Needle._ By Maurice Leblanc. Translated by Alexander Teixeira de Mattos (Eveleigh Nash). [B] _813._ By Maurice Leblanc. Translated by Alexander Teixeira de Mattos (Mills & Boon). He was silent; and I insisted: "Lupin, I wish you would!" To my astonishment, he replied: "Take a sheet of paper, old fellow, and a pencil." I obeyed with alacrity, delighted at the thought that he at last meant to dictate to me some of those pages which he knows how to clothe with such vigour and fancy, pages which I, unfortunately, am obliged to spoil with tedious explanations and boring developments. "Are you ready?" he asked. "Quite." "Write down, 20, 1, 11, 5, 14, 15." "What?" "Write it down, I tell you." He was now sitting up, with his eyes turned to the open window and his fingers rolling a Turkish cigarette. He continued: "Write down, 21, 14, 14, 5...." He stopped. Then he went on: "3, 5, 19, 19..." And, after a pause: "5, 18,
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E-text prepared by D Alexander and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 32253-h.htm or 32253-h.zip: (http://www.gutenberg.org/files/32253/32253-h/32253-h.htm) or (http://www.gutenberg.org/files/32253/32253-h.zip) Images of the original pages are available through Internet Archive. See http://www.archive.org/details/frontierboysinsi00roosrich THE FRONTIER BOYS IN THE SIERRAS Or The Lost Mine by CAPT. WYN ROOSEVELT Illustrated by S. Schneider New York A. L. Chatterton Company Publishers +-------------------------------------+ | | | By the same Author | | | | FRONTIER BOYS ON THE OVERLAND TRAIL | | FRONTIER BOYS IN COLORADO | | FRONTIER BOYS IN THE ROCKIES | | FRONTIER BOYS IN THE GRAND CANYON | | FRONTIER BOYS IN MEXICO | | FRONTIER BOYS ON THE COAST | | FRONTIER BOYS IN HAWAII | | FRONTIER BOYS IN THE SIERRAS | | FRONTIER BOYS IN THE SADDLE | | | +-------------------------------------+ Copyright 1909 Chatterton-Peck Co. [Illustration: "THE MEXICAN HAD GOT ALMOST WITHIN STRIKING DISTANCE."--P. 179.] CONTENTS CHAPTER PAGE I. IN THE CHANNEL 9 II. FAREWELL TO HAWAII 17 III. JEEMS' STORY 25 IV. THE LOST MINE 33 V. WORKING THE SHIP 41 VI. DANGEROUS WORK 49 VII. WHAT THEY SAW 57 VIII. A RACE 66 IX. THE ENGINEER 75 X. THE RUSSIAN 85 XI. A CONSPIRACY 94 XII. THE GREEN GHOSTS 103 XIII. TOM'S BAD LUCK 112 XIV. THE TRIAL 121 XV. "THE MARIA CROTHERS" 130 XVI. AN EXCITING CHARGE 140 XVII. A CHASE 148 XVIII. THE DIAGRAM 157 XIX. THE CAMP IN THE VALLEY 167 XX. A SURPRISE 176 XXI. THE GREASER 185 XXII. HAIL 192 XXIII. A HOLIDAY 202 XXIV. BIG GUS AND HIS GANG 209 XXV. A NEW FORT 215 XXVI. A NIGHT ATTACK 222 XXVII. THE RETREAT 229 XXVIII. A NEW START 237 XXIX. THE SEARCH 244 XXX. THE LOST MINE AGAIN 251 The Frontier Boys in the Sierras CHAPTER I IN THE CHANNEL "By Jove, Jim!" exclaimed Jo Darlington, "but this sea is something fierce! For one I will be mighty glad when we get clear of the Hawaiian channels and out into the open." "It is lively going," yelled Jim, above the roar of the wind, as he and his brother Jo were standing together on the bridge of their ship, "but I guess the _Sea Eagle_ will weather it, if we don't run into another vessel in the dark. How about it, Captain?" The captain, who was the rather bent figure of an old man, was clothed in a heavy woolen jacket, buttoned across his chest. He stopped and regarded Jim fixedly in the semi-light on the bridge. "What's that, Skipper?" he roared hoarsely, "weather this? Why, this ain't no sea, and the _Sea Eagle_ is a staunch boat. Why, lad, you must be joking." "I was," replied Jim, laughing. "I just want to reassure brother Jo,--that was all." "Somebody ought to go and cheer up Tom and Jeems Howell," remarked Jo, in order to give himself some sea standing in the eyes of Captain Kerns. "They are as sick as puppies down in the cabin." "Don't blame 'em much," cried Jim, "this motion would upset a shark's liver." If you have read "The Frontier Boys in Hawaii," you will be well acquainted with these conversationalists on the good sea-going yacht, the _Sea Eagle_, but if not, you will have to be introduced, "Mr. Reader, this is Skipper James Darlington." "Happy to make your acquaintance, hope you are a good sailor?" "Mr. Reader, allow me to present Captain Kerns." Captain Kerns merely grunts, and, kind Mr. Reader, you must overlook his lack of formality, because the captain is an old salt and his manners are a little briny. In way of further explanation, I may say that the Frontier Boys are just returning from a trip to Hawaii in which they have explored the wonderful crater of Haleapala on the Island of Maui, and their ship the _Sea Eagle_, whose capture is another story, is pointing her prow eastward through the rough channel that separates Hawaii and Maui. They are en route to the coast of California, and as soon as they land they have planned to make an exploring expedition into the wilds of The Sierra Nevadas, in search of a lost mine, rumors of which have come to their ears. Besides the three Frontier Boys and their comrade Juarez, there is their friend Jeems Howell, a shepherd and philosopher, from a small island off the coast of California; Captain Kerns, a retired ship's master who was persuaded to come along merely to supervise; Jim, the oldest of the three brothers, being the acting commander, though generally referred to as skipper. And besides these, there is old Pete, an ancient mariner, the engineer, and a sturdy boy below who does a good deal of the stoking. Besides these _dramatis personae_, there is a general chorus of Mermen and Mermaids, sharks, porpoises, sea serpents _et al._; as Jo Darlington would say, it was the sharks that _et all_. But this is no reflection upon the appetites of the boys, which was invariably good, if we may except Tom Darlington and Jeems Howell just at the present moment. Now, on with the voyage: as the principals have been introduced and are ready, they can come to close grips with the ocean and all its dangers, so that the referee, being the writer, has made his exit through the ropes, allowing a free field and no favor. It is a tough beginning as far as sea way goes. The hour is close upon midnight in mid-channel, and that is no dream even on so staunch a little craft as the _Sea Eagle_. "That time she lapped the starboard boat into the water," yelled Jim. "Hold steady now, lads." Then up rose the ship on the other roll to larboard; over, over, over she went; would she never stop? Then with a straining of all her timbers, that had all the effort of severe muscular tension, she did stop, then back she rolled on the other tack which was equally as sharp, the brass balls on top of her masts pointing from star to star, describing, it seemed, almost a semi-circle. To make it more interesting the _Sea Eagle_ would then dip under a huge wave and the water would swish and roll aft along the main deck. The wind whistled and hummed through the taut ropes, and altogether it was a lively night, even if the sturdy old captain did discount its terrors. Occasionally Jim and Jo would slide across the bridge and bring up against the side; but as a rule they kept their sea legs in good shape. "Hold on, Juarez," cried Jim, as he saw a dark form emerge from the companionway, "here comes a big wave." But with the roar of the sea and the wind Juarez did not hear the warning, and had just started across the deck when under went the _Sea Eagle_, and a tremendous wave swept aft, submerging the bulwarks. It caught Juarez off his feet and swirled him toward the side. He would not have lived a minute in those rearing, plunging seas. As he was swept over, he caught frantically at an iron stanchion and barely gripped it, and before he could make an effort to help himself he was submerged in the water, the sea tugging at him as though it were an hungry animal. Hardy as Juarez was, he could not help but feel a thrill of terror; it seemed as if the waves desperately clutched at him. Jim was filled with horror when he saw Juarez apparently carried overboard. He shook off the captain's grip; the latter thought that Jim was going to spring over after his friend, which act he knew would result in two lives being thrown away. So he leaped to the main deck. Then he saw Juarez struggling to get aboard before the next wave came. He sprang to his help and with a powerful pull yanked him in. They braced themselves against the attack of a second wave that swept the deck and then they were "high and dry" on the bridge, drenched to the skin, but entirely safe, and none the worse for their impromptu bath. "That was a close call, Juarez," said Jo sympathetically. "Another call like that and I won't be tu hum," replied Juarez with a grin. "Next time take a look for'ard, lad," said the captain, who had joined the group in the shelter of the deck house; "we could never have picked you up on a dark night like this." Then he went back to his station on the bridge. The hardy old sailor would never have dreamed of making much ado about any accident no matter how serious. If the party came through alive, that was sufficient to show that it was not very bad. The Frontier Boys, too, had absorbed a good deal of that philosophy in the course of many dangers which they had so fortunately outlived. When daylight came, the _Sea Eagle_ had battered her way through the rough channel, its waters tortured by rapid currents and terrific cross seas, and was now pitching along the windward coast of the big Island of Hawaii, with its twin volcanic summits nearly fourteen thousand feet in height. It was not smooth going yet by any means, but better than during the night. "Get up, Tom, and look at the scenery." It was Jim's cheerful voice, addressed to Tom, who lay pale and rather wan in his bunk. "I've got no use for scenery," growled Tom, "unless I can get close enough to it to put my foot on it. I want something solid." "How would a beefsteak do, Tom?" It was Jo, who was looking over Jim's shoulder. At the mention of food, Tom seemed endowed with sudden energy and reached down, and grabbing up a shoe, hurled it at the two in the doorway. They ducked and the missile barely grazed the beard of the old captain, who was coming aft, and then it went overboard. "By Thundas!" he exclaimed, opening his eyes wide with surprise, "who kicked that?" "Tom threw it, sir," said Jim with a burst of laughter he could not control, at sight of the captain's astonished visage, "but he meant it for us, because we were guying him." "I'll forgive him on account of his intentions," grinned the captain. "I only wish he had swatted you." Tom was much relieved to hear this expression of opinion on the part of the captain, of whom he stood in considerable awe. From fright to relief was such a revulsion of feeling that Tom forgot to be sea-sick, and he began to mend from that moment, so that he was able to be present for duty when breakfast was served. "I thought you were sick abed," remarked Jim, opening his eyes with surprise. "I was," replied Tom, "until I threw up that shoe, now I feel fine and fit to eat a square meal." CHAPTER II FAREWELL TO HAWAII Jeems Howell was the only one of the hardy Frontier group who was unable to be present at breakfast that fine morning. "How are you feeling, Jeems," inquired Jo, looking in upon the sufferer a little later. "Don't you think that you could eat a little something if you were propped up with pillows?" "No, no, lad," said Jeems sadly. "I feel that I ain't long for this world." "I don't know what you call it then," remarked the incorrigible Jo, "you are six feet four and that seems to me to be pretty long for this world or any other." Jeems laughed so heartily at this that he too began forthwith to recuperate. Then he got out on the land side of the deck and, though the sun was of a sufficient warmth to satisfy the most exacting, he kept a heavy shawl wrapped around his shoulders. "Durned old woman," growled the captain when he caught sight of the figure seated between the cabin and the rail. "He ought to be for'ard scrubbing deck." However, Skipper Jim was more lenient, and only laughed at the captain's severity, for he knew that the old fellow's bark was much worse than his bite. In fact, no work was being done aboard ship that morning, for all hands were given a chance for a long last look at Hawaii. Never again were they to behold a more beautiful scene than the panorama that traveled steadily along with the _Sea Eagle_ that morning. The soft radiance flooded the deeply azure sea, and the tropic island of vivid and varied green. The four boys stood leaning lazily on the ship's rail, gazing in silence at the view that was passing before them. Their sombreros shaded their eyes, but the glare from the water shone upon their faces of healthy bronze, and they did not seem to mind it in the least. The old captain sat upon the bridge in his old armchair, with his old comrade, the tortoise-shell cat, dozing and blinking at his feet, a true picture of furry felicity. So the crew of the _Sea Eagle_ passed in review this coast of Hawaii, with black precipices, that rose in a continuous line of palisades from out the sea, with no white beach shelving down. The great green surges, with the force of the Pacific behind them, rolled against the perpendicular walls, the dark surfaces of which were veined at frequent intervals by the silvery lines of the waterfalls, or graced by the vines which fell in straight lines, or were looped in varied shapes. Beyond these cliffs there rose the splendid <DW72>s, with here and there groves of royal palms and slender cocoa trees, fit temples for the gods of ancient Hawaii who were supposed to dwell in streams and groves and mountains. Still higher up the mountain side grew the forests of creamy koa, inlaid among the dark-leaved kukui. At times the skirts of the clouds, heavy with moisture, dragged along the lower <DW72>s, and a soft gloom would diffuse itself over the landscape. Then the sun would roll the mists aside for the moment, and the light would fall upon tropical vales, hills and mountain <DW72>s, with all the vividness of the early spring and yet with the full, rich splendor of summer. No wonder the Frontier Boys were silent as they gazed upon this scene of varied and unusual beauty, so different from the wild and barren grandeur of the mountain ranges in their own country, and the arid deserts they had traveled over. "I'd hate to fall overboard here," exclaimed Tom, "it looks all-fired deep." "The captain says that along these island coasts," remarked Juarez, "is some of the deepest seas in the world." "Say, Jeems," cried Juarez to the invalid, "wade out here and see how deep it is." "If you really want to know I'll tell you," responded Jeems, the philosopher. "Off this coast it's between five and seven thousand feet." "Whew!" whistled Jim, "over a mile, how is that for down?" "It makes me shiver to think of it," exclaimed Tom. "Hello, boys!" cried Jeems, "there is a big fire over on the other side of the Island." "I should say!" commented Jim earnestly. "Look at that smoke rolling up." "It must be a forest fire," put in Jo. "Reminds me of our Colorado experiences." "I tell you what, boys, let's make a landing and take a look at it," cried Juarez. "There's a fine harbor ahead of us!" Old Captain Kerns was taking a deep interest in the conversation, as was evident, as he looked down from the quarter deck at the boys. "What's that you lads were saying, about a big fire somewheres?" he inquired. "I hope it hain't aboard ship." "No, no, Captain," replied Jim reassuringly, "we meant that big smoke over on the other side of the island. Juarez wants to make a landing, so as we can see it to better advantage. We don't want to miss any excitement." "You lads are always so eager," replied the captain. "Why don't you wait until you get back here sometime?" "It will be burned out long before we get back," said Jo. "Well," said the captain slowly, "that smoke has been there for nigh onto a thousand years, and is liable to be there for some time yet. That's the volcano of Kiluaea." How the captain roared then; for an instant the boys were dumfounded, then they gave themselves up to hilarious mirth. "That's certainly one on us boys," cried Jim. "We can't tell a volcano when we see it. We ought to have stayed on the old
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Produced by Richard Tonsing, Brian Coe and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE MEMOIRS OF THE DUKE DE ST. SIMON Newly translated and edited by FRANCIS ARKWRIGHT. _In six volumes, demy 8vo, handsomely bound in cloth gilt, with illustrations in photogravure, 10/6 net each volume._ NAPOLEON IN EXILE AT ELBA (1814-1815) By NORWOOD YOUNG, Author of "The Growth of Napoleon," etc.; with a chapter on the Iconography by A. M. Broadley. _Demy 8vo, cloth gilt, with frontispiece and 50 illustrations_ (from the collection of A. M. Broadley), _21/- net_. NAPOLEON IN EXILE AT ST. HELENA (1815-1821) By NORWOOD YOUNG, Author of "Napoleon in Exile at Elba," "The Story of Rome," etc. _In two volumes, demy 8vo, cloth gilt, with two frontispieces and one hundred illustrations_ (from the collection of A. M. Broadley), _32/- net_. JULIETTE DROUET'S LOVE-LETTERS TO VICTOR HUGO Edited with a Biography of Juliette Drouet by LOUIS GUIMBAUD; translated by Lady THEODORA DAVIDSON. _Demy 8vo, cloth gilt, with many illustrations, 10/6 net._ THE NEW FRANCE
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Produced by Tom Cosmas, Cathy Maxam and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber Note Emphasized text displayed as: _Italic_ and =Bold=. Whole and fractional numbers as: 1-1/2 THE NURSERY-BOOK A COMPLETE GUIDE TO THE Multiplication and Pollination of Plants _By L. H. BAILEY_
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Produced by David Edwards, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) +-------------------------------------------------+ |Transcriber's note: | | | |Obvious typographic errors have been corrected. | | | |The Publisher updated some of the text of the | |Book List by hand, indicating those which were | |out of print. | |The original text has been retained. | | | +-------------------------------------------------+ ECHOES FROM THE ORIENT A BROAD OUTLINE OF THEOSOPHICAL DOCTRINES BY WILLIAM Q. JUDGE [OCCULTUS] SECOND POINT LOMA EDITION THE THEOSOPHICAL PUBLISHING COMPANY POINT LOMA, CALIFORNIA 1910 Entered according to Act of Congress, in the year 1890, in the Office of the Librarian of Congress, at Washington, D. C. BY WILLIAM Q. JUDGE. [Illustration: Logo] THE ARYAN THEOSOPHICAL PRESS Point Loma, California DEDICATED TO HELENA PETROVNA BLAVATSKY WITH LOVE AND GRATITUDE BY THE AUTHOR TO THE READER Echoes from the Orient was written by Mr. Judge sixteen years ago (1890) as a series of papers for a well known periodical. The author wrote under the name of "_Occultus_," as it was intended that his personality should be hidden until the series was completed. The value of these papers as a popular presentation of Theosophical teaching was at once seen and
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Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: [See page 18 "I USED TO RUN OUT AND GET BEHIND, WITH BUNTY, AND TAKE HER BOOKS"] MR. RABBIT'S WEDDING [Illustration: HOLLOW TREE STORIES BY ALBERT BIGELOW PAINE ILLUSTRATED BY J. M. CONDE] HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON HOLLOW TREE STORIES BY ALBERT BIGELOW PAINE 12mo, Cloth. Fully Illustrated MR. TURTLE'S FLYING ADVENTURE MR. CROW AND THE WHITEWASH MR. RABBIT'S WEDDING HOW MR. DOG GOT EVEN HOW MR. RABBIT LOST HIS TAIL MR. RABBIT'S BIG DINNER MAKING UP WITH MR. DOG MR. 'POSSUM'S GREAT BALLOON TRIP WHEN JACK RABBIT WAS A LITTLE BOY * * * * * HOLLOW TREE AND DEEP WOODS BOOK Illustrated. 8vo. HOLLOW TREE SNOWED-IN BOOK Illustrated. 8vo. * * * * * HARPER & BROTHERS, NEW YORK MR. RABBIT'S WEDDING Copyright, 1915, 1916, 1917, by Harper & Brothers Printed in the United States of America Published October, 1917 CONTENTS. PAGE LITTLE JACK RABBIT AND BUNTY BUN 11 COUSIN REDFIELD AND THE MOLASSES 31 MR. BEAR'S EARLY SPRING CALL 51 MR. JACK RABBIT BRINGS A FRIEND 71 MR. RABBIT'S WEDDING 95 LITTLE JACK RABBIT AND BUNTY BUN JACK RABBIT TELLS ABOUT HIS SCHOOL-DAYS, AND WHY HE HAS ALWAYS THOUGHT IT BEST TO LIVE ALONE THE Little Lady has been poring over a first reader, because she has started to school now, and there are lessons almost every evening. Then by and by she closes the book and comes over to where the Story Teller is looking into the big open fire. The Little Lady looks into the fire, too, and thinks. Then pretty soon she climbs into the Story Teller's lap and leans back, and looks into the fire and thinks some more. "Did the Hollow Tree people ever go to school?" she says. "I s'pose they did, though, or they wouldn't know how to read and write, and send invitations and things." The Story Teller knocks the ashes out of his pipe and lays it on the little stand beside him. "Why, yes indeed, they went to school," he says. "Didn't I ever tell you about that?" "You couldn't have," says the Little Lady, "because I never thought about its happening, myself, until just now." "Well, then," says the Story Teller, "I'll tell you something that Mr. Jack Rabbit told about, one night in the Hollow Tree, when he had been having supper with the '<DW53> and 'Possum and the Old Black Crow, and they were all sitting before the fire, just as we are sitting now. It isn't really much about school, but it shows that Jack Rabbit went to one, and explains something else, too." Mr. Crow had cooked all his best things that evening, and everything had tasted even better than usual. Mr. 'Possum said he didn't really feel as if he could move from his chair when supper was over, but that he wanted to do the right thing, and would watch the fire and poke it while the others were clearing the table, so that it would be nice and bright for them when they were ready to enjoy it. So then the Crow and the '<DW53> and Jack Rabbit flew about and did up the work, while Mr. 'Possum put on a fresh stick, then lit his pipe, and leaned back and stretched out his feet, and said it surely was nice to have a fine, cozy home like theirs, and that he was always happy when he was doing things for people who appreciated it, like those present. [Illustration: MR. RABBIT SAID HE CERTAINLY DID APPRECIATE BEING INVITED TO THE HOLLOW TREE] Mr. Rabbit said he certainly did appreciate being invited to the Hollow Tree, living, as he did, alone, an old bachelor, with nobody to share his home; and then pretty soon the work was all done up, and Jack Rabbit and the others drew up their chairs, too, and lit their pipes, and for a while nobody said anything, but just smoked and felt happy. Mr. 'Possum was first to say something. He leaned over and knocked the ashes out of his pipe, then leaned back and crossed his feet, and said he'd been thinking about Mr. Rabbit's lonely life, and wondering why it was that, with his fondness for society and such a good home, he had stayed a bachelor so long. Then the Crow and the '<DW53> said so, too, and asked Jack Rabbit why it was. Mr. Rabbit said it was quite a sad story, and perhaps not very interesting, as it had all happened so long ago, when he was quite small. "My folks lived then in the Heavy Thickets, over beyond the Wide Grasslands," he said; "it was a very nice place, with a good school, kept by a stiff-kneed rabbit named Whack--J. Hickory Whack--which seemed to fit him. I was the only child in our family that year, and I suppose I was spoiled. I remember my folks let me run and play a good deal, instead of making me study my lessons, so that Hickory Whack did not like me much, though he was afraid to be as severe as he was with most of the others, my folks being quite well off and I an only child. Of course, the other scholars didn't like that, and I don't blame them now, though I didn't care then whether they liked it or not. I didn't care for anything, except to go capering about the woods, gathering flowers and trying to make up poetry, when I should have been doing my examples. I didn't like school or J. Hickory Whack, and every morning I hated to start, until, one day, a new family moved into our neighborhood. They were named Bun, and one of them was a little girl named Bunty--Bunty Bun." When Mr. Rabbit got that far in his story he stopped a minute and sighed, and filled his pipe again, and took out his handkerchief, and said he guessed a little speck of ashes had got into his eye. Then he said: "The Buns lived close to us, and the children went the same way to school as I did. Bunty was little and fat, and was generally behind, and I stayed behind with her, after the first morning. She seemed a very well-behaved little Miss Rabbit, and was quite plump, as I say, and used to have plump little books, which I used to carry for her and think how nice it would be if I could always go on carrying them and helping Bunty Bun over the mud-holes and ditches." Mr. Rabbit got another speck of ashes in his eye, and had to wipe it several times and blow his nose hard. Then he said: "She wore a little red cape and a pretty linsey dress, and her ears were quite slim and silky, and used to stand straight up, except when she was sad over anything. Then they used to lop down quite flat; when I saw them that way it made me sad, too. But when she was pleased and happy, they set straight up and she seemed to laugh all over. "I forgot all about not liking school. I used to watch until I saw the Bun children coming, and then run out and get behind, with Bunty, and take her books, and wish there was a good deal farther to go. When it got to be spring and flowers began to bloom, I would gather every one I saw for Bunty Bun, and once I made up a poem for her. I remember it still. It said: "Oh, Bunty Bun, The spring's begun, The violet's are in bloom. Oh, Bunty Bun, I'll pick you one, All full of sweet perfume. "The sun is bright, Our hearts are light, And we will skip and run. Prick up your ears, And dry your tears, Dear bunny, Bunty Bun." Mr. Rabbit said he didn't suppose it was the best poetry, but that it had meant so much to him then that he couldn't judge it now, and, anyway, it was no matter any more. The other children used to tease them a good deal, Mr. Rabbit said, but that he and Bunty had not minded it so very much, only, of course, he wouldn't have had them see his poem for anything. The trouble began when Bunty Bun decided to have a flower-garden. [Illustration: "FLOWERS THAT SHE WANTED ME TO DIG UP FOR HER"] "She used to see new flowers along the way to and from school that she wanted me to dig up for her so she could set them out in her garden. I liked to do it better than anything, too, only not _going_ to school, because the ground was pretty soft and sticky, and it made my hands so dirty, and Hickory Whack was particular about the children having clean hands. I used to hide the flower plants under the corner of the school-house every morning, and hurry in and wash my hands before school took up, and the others used to watch me and giggle, for they knew what all that dirt came from. Our school was just one room, and there were rows of nails by the door to hang our things on, and there was a bench with the washbasin and the water-pail on it, the basin and the pail side by side. It was a misfortune for me that they were put so close together that way. But never mind--it is a long time ago. "One morning in April when it was quite chilly Bunty Bun saw several pretty plants on the way to school that she wanted me to dig up for her, root and all, for her garden. I said it would be better to get them on the way home that night, but Bunty said some one might come along and take them and that she wouldn't lose those nice plants for anything. So I got down on my knees and dug and dug with my hands in the cold, sticky dirt, until I got the roots all up for her, and my hands were quite numb and a sight to look at. Then we hurried on to school, for it was getting late. "When we got to the door I pushed the flower plants under the edge of the house, and we went in, Bunty ahead of me. School had just taken up, and all the scholars were in their seats except us. Bunty Bun went over to the girls' side to hang up her things, and I stuck my hat on a nail on our side, and stepped as quick as I could to the bench where the
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Produced by Nick Hodson of London, England The Lost Million By William Le Queux Published by George Newnes, Limited, London. This edition dated 1915. The Lost Million, by William Le Queux. ________________________________________________________________________ ________________________________________________________________________ THE LOST MILLION, BY WILLIAM LE QUEUX. CHAPTER ONE. DESCRIBES A MAN AND HIS SECRET. "See! It's--it's in my kit-bag, over there! The thing--the Thing at which the whole world will stand aghast!" The thin, white-faced, grey-bearded man lying on his back in bed roused himself with difficulty, and with skinny finger pointed at his strong but battered old leather bag lying in the corner of the small hotel bedroom. "The keys--on my chain--Mr Kemball--" he gasped faintly, his face slowly flushing. "Open it, quick!--ah no! you can't deceive me, my dear fellow. I'm dying! I heard what the doctor told you--though he only whispered. But, Mr Kemball, although you are a young man, I--I'm going to trust you with a--with a strange responsibility. I--I trust you because you were so very kind to me on board. They all shunned me--all save you! They didn't know my real name,"--and the old man chuckled bitterly to himself--"and they were not likely to!" "You were unwell on the voyage, Mr Arnold, and it was surely my duty to--" "Duty! What duty do you owe to me?--a perfect stranger--an adventurer for aught you know!" cried the old fellow with whom I had formed such a curious friendship. "No, Mr Kemball, you have acted as a real man, as a friend--one of the few friends one meets in this hard, workaday world," and he clutched wildly at his throat, while his sunken cheeks slowly assumed a hectic flush. "Unlock the bag--get it out--before-- before I lose my senses," he added. I took from the dressing-table the bunch of keys attached to his steel watch-chain, and was crossing the room towards the bag when he exclaimed-- "Listen, Mr Kemball! I'm a dying man. Will you make a solemn promise to me? Will you grant me one last earnest request? In half an hour-- perhaps before--I shall be lying here dead. But I'm still alive--a man who has seen much, who knows strange things--a man who has lived through much, and who has stood by and seen men die around him like flies. God! If I dare only tell you half--but--" "Well, Mr Arnold," I asked quietly, returning to the bedside and looking into the pinched grey face, "how do you wish me to act?" "I have already written it here--I wrote it on board ship, after my first seizure," he said, slowly drawing a crumpled and bulky envelope from beneath his pillow and handing it to me with trembling fingers. "Will you promise not to open it until after I have been placed in the grave, and to act as I have requested?" "Most certainly, Mr Arnold," was my reply. "A promise given to one who is about to pass to the Beyond is sacred." His thin fingers gripped my hand in silent acknowledgment. He did not speak, but the expression in his eyes told of his profound thankfulness. I placed the letter in my breast-pocket. Something seemed to be enclosed within. "Go and open the bag," he whispered, after a brief silence. I did so, and within, to my great surprise, found two huge bundles of fifty and hundred pound Bank of England notes, each packet several inches thick and tied with faded pink tape. He beckoned me to bring them to him, and when I again stood near the bed, he selected one note, and then said-- "I wish you to destroy all of them--burn them there in the grate--so that I can watch you," and he gave vent to a harsh, unnatural laugh, a hideous laugh of despair. I looked at him in hesitation. The poor old fellow was surely mad. In my hands I held notes to the value of an enormous sum. And yet he wished to ruthlessly destroy them! He noticed my hesitation, and in a quick, impatient tone, asked whether I would not carry out his wishes, at the same time handing me the note he had taken, telling me that it was to pay for his interment. "As you desire," I said, with some reluctance. "But is it just--with so much distress here, in London--to deliberately destroy money like this?" "I have a reason, Mr Kemball, a very strong reason," he answered in a low tone. So I was compelled to untie the bundles, and, separating the notes, placed them in the grate and commenced a fire, which I fed on and on, until the last note had been consumed, and there remained only a grate full of blackened tinder. I confess that I found myself wishing that I had the numbers of some of the notes, in order to reclaim their equivalent from the Bank. The old man's wild eyes, full of unnatural fire, watched the flames die down, and as they did so he gave a sigh of distinct relief. Then, with difficulty, he turned to me and, putting out his hand, said-- "In the bag--at the bottom--you will find a sealed cylinder of metal." I searched as he directed, and drew forth a heavy ancient cylinder of bronze, about a foot and a half long and three inches in diameter. The top had, I saw, been welded down, but a long time ago, because of the green corrosion about it. When I had carried it across to him, he looked me straight in the face with those deep-set glassy eyes, which haunted
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Produced by Douglas B. Killings HESIOD, THE HOMERIC HYMNS, AND HOMERICA This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessible to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here omitted. PREFACE This volume contains practically all that remains of the post-Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. W.H.D. Rouse; otherwise I have depended on the apparatus criticus of the several editions, especially that of Rzach (1902). The arrangement adopt
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Produced by David Widger HUMBOLDT By Robert G. Ingersoll HUMBOLDT THE UNIVERSE IS GOVERNED BY LAW. GREAT men seem to be a part of the infinite--brothers of the mountains and the seas. Humboldt was one of these. He was one of those serene men, in some respects like our own Franklin, whose names have all the lustre of a star. He was one of the few, great enough to rise above the superstition and prejudice of his time, and to know that experience, observation, and reason are the only basis of knowledge. He became one of the greatest of men in spite of having been born rich and noble--in spite of position. I say in spite of these things, because wealth and position are generally the enemies of genius, and the destroyers of talent. It is often said of this or that man, that he is a self-made man--that he was born of the poorest and humblest parents, and that with every obstacle to overcome he became great. This is a mistake. Poverty is generally an advantage. Most of the intellectual giants of the world have been nursed at the sad and loving breast of poverty. Most of those who have climbed highest on the shining ladder of fame commenced at the lowest round. They were reared in the straw-thatched cottages of Europe; in the log-houses of America; in the factories of the great cities; in the midst of toil; in the smoke and din of labor, and on the verge of want. They were rocked by the feet of mothers whose hands, at the same time, were busy with the needle or the wheel. It is hard for the
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Produced by Chris Curnow, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THROUGH THE TELESCOPE AGENTS AMERICA THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE, NEW YORK CANADA THE MACMILLAN COMPANY OF CANADA, LTD. 27 RICHMOND STREET, TORONTO INDIA MACMILLAN & COMPANY, LTD. 12 BANK STREET, BOMBAY 7 NEW CHINA BAZAAR STREET, CALCUTTA [Illustration: PLATE I. The 40-inch Refractor of the Yerkes Observatory.] THROUGH THE TELESCOPE BY JAMES BAIKIE, F.R.A.S. WITH 32 FULL-PAGE ILLUSTRATIONS FROM PHOTOGRAPHS AND 26 SMALLER FIGURES IN THE TEXT [Illustration] LONDON ADAM AND CHARLES BLACK 1906 TO C. N. B. AND H. E. B. PREFACE The main object of the following chapters is to give a brief and simple description of the most important and interesting facts concerning the heavenly bodies, and to suggest to the general reader how much of the ground thus covered lies open to his personal survey on very easy conditions. Many people who are more or less interested in astronomy are deterred from making practical acquaintance with the wonders of the heavens by the idea that these are only disclosed to the possessors of large and costly instruments. In reality there is probably no science which offers to those whose opportunities and means of observation are restricted greater stores of knowledge and pleasure than astronomy; and the possibility of that quickening of interest which can only be gained by practical study is, in these days, denied to very few indeed. Accordingly, I have endeavoured, while recounting the great triumphs of astronomical discovery, to give some practical help to those who are inclined to the study of the heavens, but do not know how to begin. My excuse for venturing on such a task must be that, in the course of nearly twenty years of observation with telescopes of all sorts and sizes, I have made most of the mistakes against which others need to be warned. The book has no pretensions to being a complete manual; it is merely descriptive of things seen and learned. Nor has it any claim to originality. On the contrary, one of its chief purposes has been to gather into short compass the results of the work of others. I have therefore to acknowledge my indebtedness to other writers, and notably to Miss Agnes Clerke, Professor Young, Professor Newcomb, the late Rev. T. W. Webb, and Mr. W. F. Denning. I have also found much help in the _Monthly Notices_ and _Memoirs_ of the Royal Astronomical Society, and the _Journal_ and _Memoirs_ of the British Astronomical Association. The illustrations have been mainly chosen with the view of representing to the general reader some of the results of the best modern observers and instruments; but I have ventured to reproduce a few specimens of more commonplace work done with small telescopes. I desire to offer my cordial thanks to those who have so kindly granted me permission to reproduce illustrations from their published works, or have lent photographs or drawings for reproduction--to Miss Agnes Clerke for Plates XXV.-XXVIII. and XXX.-XXXII. inclusive; to Mrs. Maunder for Plate VIII.; to M. Loewy, Director of the Paris Observatory, for Plates XI.-XIV. and Plate XVII.; to Professor E. B. Frost, Director of the Yerkes Observatory, for Plates I., VII., XV., and XVI.; to M. Deslandres, of the Meudon Observatory, for Plate IX., and the gift of several of his own solar memoirs; to the Astronomer Royal for England, Sir W. Mahony Christie, for Plate V.; to Mr. H. MacEwen for the drawings of Venus, Plate X.; to the Rev. T. E. R. Phillips for those of Mars and Jupiter, Plates XX. and XXII.; to Professor Barnard for that of Saturn, Plate XXIV., reproduced by permission from the _Monthly Notices_ of the Royal Astronomical Society; to Mr. W. E. Wilson for Plates XXIX. and XXXII.; to Mr. John Murray for Plates XVIII. and XIX.; to the proprietors of _Knowledge_ for Plate VI.; to Mr. Denning and Messrs. Taylor and Francis for Plate III. and Figs. 6 and 20; to the British Astronomical Association for the chart of Mars, Plate XXI., reproduced from the _Memoirs_; and to Messrs. T. Cooke and Sons for Plate II. For those who wish to see for themselves some of the wonders and beauties of the starry heavens the two Appendices furnish a few specimens chosen from an innumerable company; while readers who have no desire to engage in practical work are invited to skip Chapters I. and II. CONTENTS CHAPTER PAGE I. THE TELESCOPE--HISTORICAL 1 II. THE TELESCOPE--PRACTICAL 14 III. THE SUN 47 IV. THE SUN'S SURROUNDINGS 68 V. MERCURY 81 VI. VENUS 89 VII. THE MOON 100 VIII. MARS 130 IX. THE ASTEROIDS 148 X. JUPITER 154 XI. SATURN 172 XII. URANUS AND NEPTUNE 190 XIII. COMETS AND METEORS 203 XIV. THE STARRY HEAVENS 230 XV. CLUSTERS AND NEBULÆ 256
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Produced by Robert Cicconetti, Veronika Redfern and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MABEL. A NOVEL, BY EMMA WARBURTON. _IN THREE VOLUMES._ VOL. I. LONDON: THOMAS CAUTLEY NEWBY, PUBLISHER, 30, WELBECK STREET, CAVENDISH SQUARE. 1854. TO MISS EMMA TYLNEY LONG, THIS WORK IS INSCRIBED AS A SLIGHT BUT SINCERE EXPRESSION OF GRATEFUL ESTEEM. MABEL. CHAPTER I. Oh, timely, happy, timely wise, Hearts that with rising morn arise, Eyes that the beam celestial view, Which evermore makes all things new. New every morning is the love, Our waking and uprising prove, Through sleep and darkness safely brought, Restored to life, and power, and thought. KEEBLE. One morning, early in the month of August, a few years since, the sun rose lazily and luxuriously over the hills that bounded the little village of Aston, which lay in one of the prettiest valleys of Gloucestershire. The golden beams of that glorious luminary falling first upon the ivy-covered tower of the little church, seemed, to the eye of fancy, to linger with pleasure round the sacred edifice, as if glad to recognize the altar of Him, who, from the beginning, had fixed his daily course through the bright circle of the heavens, then pouring a flood of brilliancy on the simple rectory, danced over the hills, and played with the many windows of the old Manor House, which, situated at a short distance from the church, formed one of the most striking objects of the village. Only here and there a thick volume of smoke rose from the cottages scattered over the valley, while the only living object visible was a young man, who thus early walked down the steep and winding path, which led from the rectory, and strolled leisurely forward, as if attracted by the beauties of the early morning. The slow pace with which he moved seemed to betoken either indolence or fatigue, while his dress, which was of the latest fashion, slightly contrasted with the ancient-looking simplicity of the place. Captain Clair, for such was his name, had quitted his regiment, then in India, and returned to England, with the hope of recruiting his health, which had been considerably impaired by his residence abroad. On the preceding evening, he had arrived at the rectory, upon a visit to his uncle, who wished him to try the bracing air of Gloucestershire as a change from town, where he had been lingering for some little time since his return to England. In person, the young officer was slight and well made, with a becoming military air; his countenance light and fresh, spite of Indian suns, and, on the whole, prepossessing, though not untinged by certain worldly characters, as if he had entered perhaps too thoughtlessly on a world of sin and temptation. There is, however, something still and holy in the early morning, when the sin and folly of nature has slept, or seemed to sleep, and life again awakes with fresh energy to labor. The dew from heaven has not fallen upon the herb alone, it seems to rest upon the spirit of man which rises full of renewed strength to that toil before which it sank heavily at eve; and as Captain Clair felt the breeze rising with its dewy incense to heaven, his mind seemed to receive fresh impetus, and his thoughts a higher tone. Languidly as he pursued his way, his eye drank in the beauties of a new country, with all the fervour of a poetical imagination. On the right and left of the village, as he entered it, were high hills, covered with brushwood, a few cottages, with their simple gardens, lay in the hollow, and the church, standing nearly alone, was built a little above these, having the hill on the left immediately behind it. There was great beauty in that simple church, with that thickly covered hill above, and nothing near to disturb its solemnity. Further on, the hills opened, and gave a view of the whole country beyond, presenting a scene of loveliness very common in our fertile island. A small but beautiful river wound through the valley, carrying life and fertility along its banks. Wide spreading oaks and tall beeches, with the graceful birch and chestnut trees bending their lower branches nearly to the green turf beneath, enclosed the grounds of the Manor House, which, built on a
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE AN ILLUSTRATED WEEKLY.] * * * * * VOL. II.--NO. 58. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, December 1, 1880. Copyright, 1880, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: TOBY STRIKES A BARGAIN--DRAWN BY W. A. ROGERS.] TOBY TYLER; OR, TEN WEEKS WITH A CIRCUS. BY JAMES OTIS. CHAPTER I. TOBY'S INTRODUCTION TO THE CIRCUS. "Couldn't you give more'n six pea-nuts for a cent?" was a question asked by a very small boy with big, staring eyes, of a candy vender at a circus booth. And as he spoke he looked wistfully at the quantity of nuts piled high up on the basket, and then at the six, each of which now looked so small as he held them in his hand. "Couldn't do it," was the reply of the proprietor of the booth, as he put the boy's penny carefully away in the drawer. The little fellow looked for another moment at his purchase, and then carefully cracked the largest one. A shade, and a very deep shade it was, of disappointment that passed over his face, and then looking up anxiously, he asked, "Don't you swap 'em when they're bad?" The man's face looked as if a smile had been a stranger to it for a long time; but one did pay it a visit just then, and he tossed the boy two nuts, and asked him a question at the same time. "What is your name?" The big brown eyes looked up for an instant, as if to learn whether the question was asked in good faith, and then their owner said, as he carefully picked apart another nut, "Toby Tyler." "Well, that's a queer name." "Yes, I s'pose so, myself; but, you see, I don't expect that's the name that belongs to me. But the fellers call me so, an' so does Uncle Dan'l." "Who is Uncle Daniel?" was the next question. In the absence of any more profitable customer the man seemed disposed to get as much amusement out of the boy as possible. "He hain't my uncle at all; I only call him so because all the boys do, an' I live with him." "Where's your father and mother?" "I don't know," said Toby, rather carelessly. "I don't know much about 'em, an' Uncle Dan'l says they don't know much about me. Here's another bad nut; goin' to give me two more?" The two nuts were given him, and he said, as he put them in his pocket, and turned over and over again those which he held in his hand, "I shouldn't wonder if all of these was bad. Sposen you give me two for each one of 'em before I crack 'em, an' then they won't be spoiled so you can't sell 'em again." As this offer of barter was made, the man looked amused, and he asked, as he counted out the number which Toby desired, "If I give you these, I suppose you'll want me to give you two more for each one, and you'll keep that kind of a trade going until you get my whole stock?" "I won't open my head if every one of 'em's bad." "All right; you can keep what you've got, and I'll give you these besides; but I don't want you to buy any more, for I don't want to do that kind of business." Toby took the nuts offered, not in the least abashed, and seated himself on a convenient stone to eat them, and at the same time to see all that was going on around him. The coming of a circus to the little town of Guilford was an event, and Toby had hardly thought of anything else since the highly posters had first been put up. It was yet quite early in the morning, and the tents were just being erected by the men. Toby had followed, with eager eyes, everything that looked as if it belonged to the circus, from the time the first wagon had entered the town, until the street parade had been made, and everything was being prepared for the afternoon's performance. The man who had made the losing trade in pea-nuts seemed disposed to question the boy still further, probably owing to the fact that trade was dull, and he had nothing better to do. "Who is this Uncle Daniel you say you live with--is he a farmer?" "No; he's a Deacon, an' he raps me over the head with the hymn-book whenever I go to sleep in meetin', an' he says I eat four times as much as I earn. I blame him for hittin' so hard when I go to sleep, but I s'pose he's right about my eatin'. You see," and here his tone grew both confidential and mournful, "I am an awful eater, an' I can't seem to help it. Somehow I'm hungry all the time. I don't seem ever to get enough till carrot-time comes, an' then I can get all I want without troubling anybody." "Didn't you ever have enough to eat?" "I s'pose I did, but you see Uncle Dan'l he found me one mornin' on his hay, an' he says I was cryin' for something to eat then, an' I've kept it up ever since. I tried to get him to give me money enough to go into the circus with; but he said a cent was all he could
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Produced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net THE LAND OF SONG BOOK II. _FOR LOWER GRAMMAR GRADES_ SELECTED BY KATHARINE H. SHUTE EDITED BY LARKIN DUNTON, LL.D. HEAD MASTER OF THE BOSTON NORMAL SCHOOL [Illustration] SILVER, BURDETT & COMPANY NEW YORK BOSTON CHICAGO 1899 COPYRIGHT, 1899, BY SILVER, BURDETT & COMPANY. BOSTON: C. J. PETERS & SON, TYPOGRAPHERS. Plimpton Press H. M. PLIMPTON & CO., PRINTERS & BINDERS, NORWOOD, MASS., U.S.A. _COMPILERS' PREFACE._ The inestimable value of literature in supplying healthful recreation, in opening the mind to larger views of life, and in creating ideals that shall mold the spiritual nature, is conceded now by every one who has intelligently considered the problems of education. But the basis upon which literature shall be selected and arranged is still a matter of discussion. Chronology, race-correspondence, correlation, and ethical training should all be recognized incidentally; but the main purpose of the teacher of literature is to send children on into life with a genuine love for good reading. To accomplish this, three things should be true of the reading offered: first, it should be _literature_; second, it should be literature of some scope, not merely some small phase of literature, such as the fables or the poetry of one of the less eminent poets; and third, it should appeal to children's natural interests. Children's interests, varied as they seem, center in the marvelous and the preternatural; in the natural world; and in human life, especially child life and the romantic and heroic aspects of mature life. In the selections made for each grade, we have recognized these different interests. To grade poetry perfectly for different ages is an impossibility; much of the greatest verse is for all ages--that is one reason why it _is_ great. A child of five will lisp the numbers of Horatius with delight; and Scott's _Lullaby of an Infant Chief_, with its romantic color and its exquisite human tenderness, is dear to childhood, to manhood, and to old age. But the Land of Song is a great undiscovered country to the little child; by some road or other he must find his way into it; and these volumes simply attempt to point out a path through which he may be led into its happy fields. Our earnest thanks are due to the following publishers for permission to use copyrighted poems: to Houghton, Mifflin & Co. for poems by Longfellow, Whittier, Emerson, Holmes, Lowell, Aldrich, Bayard Taylor, James T. Fields, Phoebe Cary, Lucy Larcom, Celia Thaxter, and Sarah Orne Jewett; to D. Appleton & Co. for a large number of Bryant's poems; to Charles Scribner's Sons for two poems by Stevenson, from _Underwoods_, and _A Child's Garden of Verse_; to J. B. Lippincott & Co. for two poems by Thomas Buchanan Read; and to Henry T. Coates & Co. for a poem by Charles Fenno Hoffman. The present volume is intended for the fourth, fifth, and sixth school years, or lower grammar grades. It is the second of three books prepared for use in the grades below the high school. As no collection of this size can supply as much poetry as may be used to advantage, and as many desirable poems by American writers have necessarily been omitted, we have noted at the end of this volume lists of poems which it would be well to add to the material given here, that our children may realize the scope and beauty of the poetry of their own
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Produced by Anne Soulard, Naomi Parkhurst, Charles Franks and the Online Distributed Proofreading Team. HTML version by Al Haines. THE PRINCE OF INDIA OR WHY CONSTANTINOPLE FELL BY LEW. WALLACE VOL. II. _Rise, too, ye Shapes and Shadows of the Past Rise from your long forgotten grazes at last Let us behold your faces, let us hear The words you uttered in those days of fear Revisit your familiar haunts again The scenes of triumph and the scenes of pain And leave the footprints of your bleeding feet Once more upon the pavement of the street_ LONGFELLOW CONTENTS BOOK IV THE PALACE OF BLACHERNE (_Continued_) CHAPTER XI. THE PRINCESS HEARS FROM THE WORLD XII. LAEL TELLS OF HER TWO FATHERS XIII. THE HAMARI TURNS BOATMAN XIV. THE PRINCESS HAS A CREED XV. THE PRINCE OF INDIA PREACHES GOD TO THE GREEKS XVI. HOW THE NEW FAITH WAS RECEIVED XVII. LAEL AND THE SWORD OF SOLOMON XVIII. THE FESTIVAL OF FLOWERS XIX. THE PRINCE BUILDS CASTLES FOR HIS GUL BAHAR XX. THE SILHOUETTE OF A CRIME XXI. SERGIUS LEARNS A NEW LESSON XXII. THE PRINCE OF INDIA SEEKS MAHOMMED XXIII. SERGIUS AND NILO TAKE UP THE HUNT XXIV. THE IMPERIAL CISTERN GIVES UP ITS SECRET BOOK V MIRZA I. A COLD WIND FROM ADRIANOPLE II. A FIRE FROM THE HEGUMEN'S TOMB III. MIRZA DOES AN ERRAND FOR MAHOMMED IV. THE EMIR IN ITALY V. THE PRINCESS IRENE IN TOWN VI. COUNT CORTI IN SANCTA SOPHIA VII. COUNT CORTI TO MAHOMMED VIII. OUR LORD'S CREED IX. COUNT CORTI TO MAHOMMED X. SERGIUS TO THE LION BOOK VI CONSTANTINE I. THE SWORD OF SOLOMON II. MAHOMMED AND COUNT CORTI MAKE A WAGER III. THE BLOODY HARVEST IV. EUROPE ANSWERS THE CRY FOR HELP V. COUNT CORTI RECEIVES A FAVOR VI. MAHOMMED AT THE GATE ST. ROMAIN VII. THE GREAT GUN SPEAKS VIII. MAHOMMED TRIES HIS GUNS AGAIN IX. THE MADONNA TO THE RESCUE X. THE NIGHT BEFORE THE ASSAULT XI. COUNT CORTI IN DILEMMA XII. THE ASSAULT XIII. MAHOMMED IN SANCTA SOPHIA BOOK IV THE PALACE OF BLACHERNE (_Continued_) CHAPTER XI THE PRINCESS HEARS FROM THE WORLD The sun shone clear and hot, and the guests in the garden were glad to rest in the shaded places of promenade along the brooksides and under the beeches and soaring pines of the avenues. Far up the extended hollow there was a basin first to receive the water from the conduit supposed to tap the aqueduct leading down from the forest of Belgrade. The noise of the little cataract there was strong enough to draw a quota of visitors. From the front gate to the basin, from the basin to the summit of the promontory, the company in lingering groups amused each other detailing what of fortune good and bad the year had brought them. The main features of such meetings are always alike. There were games by the children, lovers in retired places, and old people plying each other with reminiscences. The faculty of enjoyment changes but never expires. An array of men chosen for the purpose sallied from the basement of the palace carrying baskets of bread, fruits in season, and wine of the country in water-skins. Dispersing themselves through the garden, they waited on the guests, and made distribution without stint or discrimination. The heartiness of their welcome may be imagined; while the thoughtful reader will see in the liberality thus characterizing her hospitality one of the secrets of the Princess's popularity with the poor along the Bosphorus. Nor that merely. A little reflection will lead up to an explanation of her preference for the Homeric residence by Therapia. The commonalty, especially the unfortunate amongst them, were a kind of constituency of hers, and she loved living where she could most readily communicate with them. This was the hour she chose to go out and personally visit her guests. Descending from the portico, she led her household attendants into the garden. She alone appeared unveiled. The happiness of the many amongst whom she immediately stepped touched every spring of enjoyment in her being; her eyes were bright, her cheeks rosy,
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) ESSAYS _OTHER WORKS BY Mr. A. C. BENSON_ _In Verse_ POEMS, 1893 LYRICS, 1895 _In Prose_ MEMOIRS OF ARTHUR HAMILTON, 1886 ARCHBISHOP LAUD: A STUDY, 1887 MEN OF MIGHT (in conjunction with H. F. W. TATHAM), 1890 ESSAYS BY ARTHUR CHRISTOPHER BENSON OF ETON COLLEGE _Post aliquot, mea regna videns, mirabor aristas!_ LONDON WILLIAM HEINEMANN 1896 _All rights reserved_ _To_ HENRY JAMES THIS VOLUME IS DEDICATED BY HIS AFFECTIONATE FRIEND THE AUTHOR PREFACE It would be easy, if need were, to devise a theory of coherence for the Essays here selected for re-publication, but the truth is that they are fortuitous. The only claim that I can consistently make, is that I have always chosen, for biographical and critical study, figures whose personality or writings have seemed to me to possess some subtle, evasive charm, or delicate originality of purpose or view. Mystery, inexplicable reticence, haughty austerity, have a fascination in life and literature, that is sometimes denied to sanguine strength and easy volubility. I am well aware that vitality and majesty are the primary qualities to demand both in life and literature
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Produced by David Widger INDEX FOR WORKS OF RUTH OGDEN By Ruth Ogden Compiled by David Widger CONTENTS ## TATTINE ## COURAGE ## HIS LITTLE ROYAL HIGHNESS ## A LOYAL LITTLE RED-COAT ## A LITTLE QUEEN OF HEARTS ## LITTLE HOMESPUN TABLES OF CONTENTS OF VOLUMES TATTINE A1816 by Ruth Ogden [Mrs. Charles W. Ide] Contents CHAPTER I. TROUBLE NO. 1 CHAPTER II. A MAPLE-WAX MORNING CHAPTER III. A SET OF SETTERS CHAPTER IV. MORE TROUBLES CHAPTER V. THE KIRKS AT HOME CHAPTER VI. “IT IS THEIR NATURE TO.” COURAGE A Story Wherein Every One Comes To The Conclusion That The Courage In Question Proved A Courage Worth Having By Ruth Ogden Illustrated by Frederick C. Gordon With Twenty Original Illustrations 1891 CONTENTS COURAGE CHAPTER I.—NAMED AT LAST. CHAPTER II.—ON THE WATCH. CHAPTER III.—LARRY COMES. CHAPTER IV.—MISS JULIA. CHAPTER V.—SYLVIA. CHAPTER VI.—ABOARD THE LIGHTER. CHAPTER VII.—“THE QUEEREST LITTLE PLACE.” CHAPTER VIII.—COURAGE DOES IT. L'ENVOI HIS LITTLE ROYAL HIGHNESS A51979 By Ruth Ogden Illustrated by W. Rainsey 1887 CONTENTS I.—CORONATION DAY II.—THE KING HOLDS AND INTERVIEW WITH SISTER JULIA III.—THE FAIRFAXES CALL ON THE MURRAYS IV. A SURPRI
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Produced by David King and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive.) Transcriber’s Note: This version of the text cannot represent certain typographical effects. Italics are delimited with the underscore character as _italic_. Footnotes have been moved to follow the articles in which they are referenced. The British Journal of Dermatology, April, 1905 THE BRITISH JOURNAL OF DERMATOLOGY. APRIL, 1905. XANTHO-ERYTHRODERMIA PERSTANS. By H. RADCLIFFE-CROCKER. The above provisional clinical title was suggested to me by my coadjutor at University College Hospital, Mr. George Pernet, for a well-defined affection of the skin, of which I have met with ten instances during the last three years, all but one of them in private practice. I am not aware that the disease in question has been described before, unless it can be brought under Brocq’s “erythrodermies pityriasiques en plaques disseminées,” with which it will be closely compared when the cases themselves have been considered. A case which I showed at the Dermatological Society of London in October, 1904, when Drs. Hallopeau, Gastou, Jacquet and Pautrier were present, was not regarded by them as a case of Brocq’s disease, with which they were presumably familiar, but as an entirely new affection in their experience. The following description is drawn up from nine of the cases, all males, which, in the main features, closely resemble each other. The remaining case, a lady, had some important differences which will be discussed later. So far, all the cases have been adults, though some of them were young. The lesions are evolved in patches
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Produced by KD Weeks, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber's Note This version of the text is unable to reproduce certain typographic features. Italics are delimited with the '_' character as _italic_. Bold font is delimited with the '=' character as =bold=. Words printed using "small capitals" are shifted to all upper-case. The illustrations were each presented with a full page caption, and were separated from the text by blank pages. In this text, these illustrations were moved to fall at paragraph breaks and appear as, for example: [Illustration: SUNNINGDALE _The tenth hole_] Please consult the transcriber's notes at the end of this text for any additional issues. THE GOLF COURSES OF THE BRITISH ISLES [Illustration: ST. ANDREWS _Looking back from the twelfth green_] THE GOLF COURSES OF THE BRITISH ISLES BY BERNARD DARWIN ILLUSTRATED BY HARRY ROUNTREE LONDON DUCKWORTH & CO. 3 HENRIETTA STREET, COVENT GARDEN _All rights reserved_ _Published 1910_ CONTENTS CHAPTER PAGE I. LONDON COURSES (1) 1 II. LONDON COURSES (2) 23 III. KENT AND SUSSEX 44 IV. THE WEST AND SOUTH-WEST 68 V. EAST ANGLIA 93 VI. THE COURSES OF CHESHIRE AND LANCASHIRE 111 VII. YORKSHIRE AND THE MIDLANDS 130 VIII. OXFORD AND CAMBRIDGE 147 IX. A LONDON COURSE 158 X. ST. ANDREWS, FIFE, AND FORFARSHIRE 165 XI. THE COURSES OF THE EAST LOTHIAN AND EDINBURGH 181 XII. WEST OF SCOTLAND: PRESTWICK AND TROON 202 XIII. IRELAND 215 XIV. WALES 231 INDEX 250 LIST OF ILLUSTRATIONS ST. ANDREWS _Frontispiece._ SUNNINGDALE _To face p._ 4 WALTON HEATH " 12 WOKING " 18 MID-SURREY " 24 STOKE POGES " 28 CASSIOBURY PARK " 30 SANDY LODGE " 32 NORTHWOOD " 34 ROMFORD " 36 BLACKHEATH " 38 WIMBLEDON COMMON " 40 MITCHAM COMMON " 42 SANDWICH " 44 SANDWICH ("HADES") " 46 DEAL " 50 PRINCE'S " 54 LITTLESTONE " 56 RYE " 58 EASTBOURNE " 62 ASHDOWN FOREST " 64 WESTWARD HO! " 70 BUDE " 78 BURNHAM " 80 BROADSTONE " 84 BOURNEMOUTH " 88 BEMBRIDGE " 90 FELIXSTOWE " 94 CROMER " 98 SHERINGHAM " 100 BRANCASTER " 102 HUNSTANTON " 106 SKEGNESS " 108 HOYLAKE (1) " 112 HOYLAKE (2) " 116 FORMBY " 120 WALLASEY " 122 LYTHAM AND ST. ANNE'S " 124 TRAFFORD PARK " 126 GANTON " 130 FIXBY " 134 HOLLINWELL " 138 SANDWELL PARK " 142 HANDSWORTH " 144 FRILFORD HEATH " 148 WORLINGTON " 154 ST. ANDREWS "
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Produced by Marc D'Hooghe at http://www.freeliterature.org THE WILL TO DOUBT AN ESSAY IN PHILOSOPHY FOR THE GENERAL THINKER BY ALFRED H. LLOYD Truth hath neither visible form nor body; it is without habitation or name; like the Son of Man it hath not where to lay its head. LONDON SWAN SONNENSCHEIN & CO., Lim. 25 HIGH STREET, BLOOMSBURY, W.C. 1907 PREFACE. The chapters that follow comprise what might be called an introduction to philosophy, but such a description of them would probably be misleading, for they are addressed quite as much to the general reader, or rather to the general thinker, as to the prospective student of technical philosophy. They are the attempt of a University teacher of philosophy to meet what is a real emergency of the day, namely, the doubt that is appearing in so many departments of life, that is affecting so many people, and that is fraught with so many dangers, and in attempting this they would also at least help to bridge the chasm between academic sophistication and practical life, self-consciousness and positive activity. With peculiar truth at the present time the University can justify itself only by serving real life, and it can serve real life, not merely by bringing its pure science down to, or up to, the health and the industrial pursuits of the people, but also by explaining, which is even to say by applying, as science is "applied," or by animating the general scepticism of the time. That this scepticism is often charged to the peculiar training of the University hardly needs to be said, but except for its making such an undertaking as the present essay only the more appropriate the charge itself is strangely humorous. One might also accuse the University of making atoms and germs, or, by its magic theories, of generating electricity or disease. Scepticism is a world-wide, life-wide fact; even like heat or electricity, it is a natural force or agent--unless forsooth one must exclude all the attitudes of mind from what in the fullest and deepest sense is natural; scepticism, in short, is a real phase of whatever is real, and its explanation is an academic responsibility. Its explanation, however, like the explanation of everything real or natural, can be complete only when, as already suggested here, its application and animation have been achieved, or when it has been shown to be properly and effectively an object of will. So, just as we have the various applied sciences, in this essay there is offered an applied philosophy of doubt, a philosophy that would show doubt to have a real part in effective action, and that with the showing would make both the doubting and the acting so much the more effective. But it may be said that effective acting depends, not on doubt, but rather on belief, on confidence or "credit." This will prove to be true, excepting in what it denies. To be commonplace, to write down here and now what is at once the truism and the paradox of this book, a vital, practical belief must always live by doubting. Was it Schopenhauer who declared that man walks only by saving himself at every step from a fall? The meaning of this book is much the same, although no pessimism is either intended or necessarily implied in such a declaration. Doubt is no mere negative of belief; rather it is a very vital part of belief, it has a place in the believer's experience and volition; the doubters in society, be they trained at the University or not, and those practical creatures in society who have kept the faith, who believe and who do, are naturally and deeply in sympathy. And this essay seeks to deepen their natural sympathy. Here, then, is my simple thesis. Doubt is essential to real belief. Perhaps this means that all vital problems are bound in a real life to be perennial, and certainly it cannot mean that in its support I may be expected by my readers to give a solution of every special problem that might be raised, an answer to every question about knowledge or morality, about religion or politics or industry, that might be asked. Problems and questions, of course the natural children, not of doubt, but of doubt and belief, may be as worthy and as practical as solutions. Some of them may be even better put than answered. But be this as it may, the present essay must be taken for what it is, not for something else. It is, then, for reasons not less practical than theoretical, an attempt to face and, so far as may be, to solve the very general problem of doubt itself, or say simply--if this be simple--the problem of whatever in general is problematic; and, this done, to suggest what may be the right attitude for doubters and believers towards each other and towards life and the world which is life's natural sphere; emphatically it is not the announcement of a programme for life in any of its departments. The substance of chapters
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Produced by Dagny; John Bickers DONA PERFECTA by B. PEREZ GALDOS Translated from the Spanish by Mary J. Serrano INTRODUCTION The very acute and lively Spanish critic who signs himself Clarin, and is known personally as Don Leopoldo Alas, says the present Spanish novel has no yesterday, but only a day-before-yesterday. It does not derive from the romantic novel which immediately preceded that: the novel, large or little, as it was with Cervantes, Hurtado de Mendoza, Quevedo, and the masters of picaresque fiction. Clarin dates its renascence from the political revolution of 1868, which gave Spanish literature the freedom necessary to the fiction that studies to reflect modern life, actual ideas, and current aspirations; and though its authors were few at first, "they have never been adventurous spirits, friends of Utopia, revolutionists, or impatient progressists and reformers." He thinks that the most daring, the most advanced, of the new Spanish novelists, and the best by far, is Don Benito Perez Galdos. I should myself have made my little exception in favor of Don Armando Palacio Valdes, but Clarin speaks with infinitely more authority, and I am certainly ready to submit when he goes on to say that Galdos is not a social or literary insurgent; that he has no political or religious prejudices; that he shuns extremes, and is charmed with prudence; that his novels do not attack the Catholic dogmas--though they deal so severely with Catholic bigotry--but the customs and ideas cherished by secular fanaticism to the injury of the Church. Because this is so evident, our critic holds, his novels are "found in the bosom of families in every corner of Spain." Their popularity among all classes in Catholic and prejudiced Spain, and not among free-thinking students merely, bears testimony to the fact that his aim and motive are understood and appreciated, although his stories are apparently so often anti-Catholic. I Dona Perfecta is, first of all, a story, and a great story, but it is certainly also a story that must appear at times potently, and even bitterly, anti-Catholic. Yet it would be a pity and an error to read it with the preoccupation that it was an anti-Catholic tract, for really it is not that. If the persons were changed in name and place, and modified in passion to fit a cooler air, it might equally seem an anti-Presbyterian or anti-Baptist tract; for what it shows in the light of their own hatefulness and cruelty are perversions of any religion, any creed. It is not, however, a tract at all; it deals in artistic largeness with the passion of bigotry, as it deals with the passion of love, the passion of ambition, the passion of revenge. But Galdos is Spanish and Catholic, and for him the bigotry wears a Spanish and Catholic face. That is all. Up to a certain time, I believe, Galdos wrote romantic or idealistic novels, and one of these I have read, and it tired me very much. It was called "Marianela," and it surprised me the more because I was already acquainted with his later work, which is all realistic. But one does not turn realist in a single night, and although the change in Galdos was rapid it was not quite a lightning change; perhaps because it was not merely an outward change, but artistically a change of heart. His acceptance in his quality of realist was much more instant than his conversion, and vastly wider; for we are told by the critic whom I have been quoting that Galdos's earlier efforts, which he called _Episodios Nacionales_, never had the vogue which his realistic novels have enjoyed. These were, indeed, tendencious, if I may Anglicize a very necessary word from the Spanish _tendencioso_. That is, they dealt with very obvious problems, and had very distinct and poignant significations, at least in the case of "Dona Perfecta," "Leon Roch," and "Gloria." In still later novels, Emilia Pardo-Bazan thinks, he has comprehended that "the novel of to-day must take note of the ambient truth, and realize the beautiful with freedom and independence." This valiant lady, in the campaign for realism which she made under the title of "La Cuestion Palpitante"--one of the best and strongest books on the subject--counts him first among Spanish realists, as Clarin counts him first among Spanish novelists. "With a certain fundamental humanity," she says, "a certain magisterial simplicity in his creations, with the natural tendency of his clear intelligence toward the truth, and with the frankness of his observation, the great novelist was always disposed to pass over to realism with arms and munitions; but his aesthetic inclinations were idealistic, and only in his latest works has he adopted the method of the modern novel, fathomed more and more the human heart, and broken once for all with the picturesque and with the typical personages, to embrace the earth we tread." For her, as I confess for me, "Dona Perfecta" is not realistic enough--realistic as it is; for realism at its best is not tendencious. It does not seek to grapple with human problems, but is richly content with portraying human experiences; and I think Senora Pardo-Bazan is right in regarding "Dona Perfecta" as transitional, and of a period when the author had not yet assimilated in its fullest meaning the faith he had imbibed. II Yet it is a great novel, as I said; and perhaps because it is transitional it will please the greater number who never really arrive anywhere, and who like to find themselves in good company _en route_. It is so far like life that it is full of significations which pass beyond the persons and actions involved, and envelop the reader, as if he too were a character of the book, or rather as if its persons were men and women of this thinking, feeling, and breathing world, and he must recognize their experiences as veritable facts. From the first moment to the last it is like some passage of actual events in which you cannot withhold your compassion, your abhorrence, your admiration, any more than if they took place within your personal knowledge. Where they transcend all facts of your personal knowledge, you do not accuse them of improbability, for you feel their potentiality in yourself, and easily account for them in the alien circumstance. I am not saying that the story has no faults; it has several. There are tags of romanticism fluttering about it here and there; and at times the author permits himself certain old-fashioned literary airs and poses and artifices, which you simply wonder at. It is in spite of these, and with all these defects, that it is so great and beautiful a book. III What seems to be so very admirable in the management of the story is the author's success in keeping his own counsel. This may seem a very easy thing; but, if the reader will think over the novelists of his acquaintance, he will find that it is at least very uncommon. They mostly give themselves away almost from the beginning, either by their anxiety to hide what is coming, or their vanity in hinting what great things they have in store for the reader. Galdos does neither the one nor the other. He makes it his business to tell the story as it grows; to let the characters unfold themselves in speech and action; to permit the events to happen unheralded. He does not prophesy their course, he does not forecast the weather even for twenty-four hours; the atmosphere becomes slowly, slowly, but with occasional lifts and reliefs, of such a brooding breathlessness, of such a deepening density, that you feel the wild passion-storm nearer and nearer at hand, till it bursts at last; and then you are astonished that you had not foreseen it yourself from the first moment. Next to this excellent method, which I count the supreme characteristic of the book merely because it represents the whole, and the other facts are in the nature of parts, is the masterly conception of the characters. They are each typical of a certain side of human nature, as most of our personal friends and enemies are; but not exclusively of this side or that. They are each of mixed motives, mixed qualities; none of them is quite a monster; though those who are badly mixed do such monstrous things. Pepe Rey, who is such a good fellow--so kind, and brave, and upright, and generous, so fine a mind, and so high a soul--is tactless and imprudent; he even condescends to the thought of intrigue; and though he rejects his plots at last, his nature has once harbored deceit. Don Inocencio, the priest, whose control of Dona Perfecta's conscience has vitiated the very springs of goodness in her, is by no means bad, aside from his purposes. He loves his sister and her son tenderly, and wishes to provide for them by the marriage which Pepe's presence threatens to prevent. The nephew, though selfish and little, has moments of almost being a good fellow; the sister, though she is really such a lamb of meekness, becomes a cat, and scratches Don Inocencio dreadfully when he weakens in his design against Pepe. Rosario, one of the sweetest and purest images of girlhood that I know in fiction, abandons herself with equal passion to the love she feels for her cousin Pepe, and to the love she feels for her mother, Dona Perfecta. She is ready to fly with him, and yet she betrays him to her mother's pitiless hate. But it is Dona Perfecta herself who is the transcendent figure, the most powerful creation of the book. In her, bigotry and its fellow-vice, hypocrisy, have done their perfect work, until she comes near to being a devil, and really does some devil's deeds. Yet even she is not without some extenuating traits. Her bigotry springs from her conscience, and she is truly devoted to her daughter's eternal welfare; she is of such a native frankness that at a certain point she tears aside her mask of dissimulation and lets Pepe see all the ugliness of her perverted soul. She is wonderfully managed. At what moment does she begin to hate him, and to wish to undo her own work in making a match between him and her daughter? I could defy anyone to say. All one knows is that at one moment she adores her brother's son, and at another she abhors him, and has already subtly entered upon her efforts to thwart the affection she has invited in him for her daughter. Caballuco, what shall I say of Caballuco? He seems altogether bad, but the author lets one imagine that this cruel, this ruthless brute must have somewhere about him traits of lovableness, of leniency, though he never lets one see them. His gratitude to Dona Perfecta, even his murderous devotion, is not altogether bad; and he is certainly worse than nature made him, when wrought upon by her fury and the suggestion of Don Inocencio. The scene where they work him up to rebellion and assassination is a compendium of the history of intolerance; as the mean little conceited city of Orbajosas is the microcosm of bigoted and reactionary Spain. IV I have called, or half-called, this book tendencious; but in a certain larger view it is not so. It is the eternal interest of passion working upon passion, not the temporary interest of condition antagonizing condition, which renders "Dona Perfecta" so poignantly interesting, and which makes its tragedy immense. But there is hope as well as despair in such a tragedy. There is the strange support of a bereavement in it, the consolation of feeling that for those who have suffered unto death, nothing can harm them more; that even for those who have inflicted their suffering this peace will soon come. "Is Perez Galdos a pessimist?" asks the critic Clarin. "No, certainly; but if he is not, why does he paint us sorrows that seem inconsolable? Is it from love of paradox? Is it to show that his genius, which can do so much, can paint the shadow lovelier than the light? Nothing of this. Nothing that is not serious, honest, and noble, is to be found in this novelist. Are they pessimistic, those ballads of the North, that always end with vague resonances of woe? Are they pessimists, those singers of our own land, who surprise us with tears in the midst of laughter? Is Nature pessimistic, who is so sad at nightfall that it seems as if day were dying forever?... The sadness of art, like that of nature, is a form of hope. Why is Christianity so artistic? Because it is the religion of sadness." W. D. HOWELLS. DONA PERFECTA CHAPTER I VILLAHORRENDA! FIVE MINUTES! When the down train No. 65--of what line it is unnecessary to say--stopped at the little station between kilometres 171 and 172, almost all the second-and third-class passengers remained in the cars, yawning or asleep, for the penetrating cold of the early morning did not invite to a walk on the unsheltered platform. The only first-class passenger on the train alighted quickly, and addressing a group of the employes asked them if this was the Villahorrenda station. "We are in Villahorrenda," answered the conductor whose voice was drowned by the cackling of the hens which were at that moment being lifted into the freight car. "I forgot to call you, Senor de Rey. I think they are waiting for you at the station with the beasts." "Why, how terribly cold it is here!" said the traveller, drawing his cloak more closely about him. "Is there no place in the station where I could rest for a while, and get warm, before undertaking a journey on horseback through this frozen country?" Before he had finished speaking the conductor, called away by the urgent duties of his position, went off, leaving our unknown cavalier's question unanswered. The latter saw that another employe was coming toward him, holding a lantern in his right hand, that swung back and forth as he walked, casting the light on the platform of the station in a series of zigzags, like those described by the shower from a watering-pot. "Is there a restaurant or a bedroom in the station of Villahorrenda?" said the traveller to the man with the lantern. "There is nothing here," answered the latter brusquely, running toward the men who were putting the freight on board the cars, and assuaging them with such a volley of oaths, blasphemies, and abusive epithets that the very chickens, scandalized by his brutality, protested against it from their baskets. "The best thing I can do is to get away from this place as quickly as possible," said the gentlemen to himself. "The conductor said that the beasts were here." Just as he had come to this conclusion he felt a thin hand pulling him gently and respectfully by the cloak. He turned round and saw a figure enveloped in a gray cloak, and out of whose voluminous folds peeped the shrivelled and astute countenance of a Castilian peasant. He looked at the ungainly figure, which reminded one of the black poplar among trees; he observed the shrewd eyes that shone from beneath the wide brim of the old velvet hat; the sinewy brown hand that grasped a green switch, and the broad foot that, with every movement, made the iron spur jingle. "Are you Senor Don Jose de Rey?" asked the peasant, raising his hand to his hat. "Yes; and you, I take it," answered the traveller joyfully, "are Dona Perfecta's servant, who have come to the station to meet me and show me the way to Orbajosa?" "The same. Whenever you are ready to start. The pony runs like the wind. And Senor Don Jose, I am sure, is a good rider. For what comes by race--" "Which is the way out?" asked the traveller, with impatience. "Come, let us start, senor--What is your name?" "My name is Pedro Lucas," answered the man of the gray cloak, again making a motion to take off his hat; "but they call me Uncle Licurgo. Where is the young gentleman's baggage?" "There it is--there under the cloak. There are three pieces--two portmanteaus and a box of books for Senor Don Cayetano. Here is the check." A moment later cavalier and squire found themselves behind the barracks called a depot, and facing a road which, starting at this point, disappeared among the neighboring hills, on whose naked <DW72>s could be vaguely distinguished the miserable hamlet of Villahorrenda. There were three animals to carry the men and the luggage. A not ill-looking nag was destined for the cavalier; Uncle Licurgo was to ride a venerable hack, somewhat loose in the joints, but sure-footed; and the mule, which was to be led by a stout country boy of active limbs and fiery blood, was to carry the luggage. Before the caravan had put itself in motion the train had started, and was now creeping along the road with the lazy deliberation of a way train, awakening, as it receded in the distance, deep subterranean echoes. As it entered the tunnel at kilometre 172, the steam issued from the steam whistle with a shriek that resounded through the air. From the dark mouth of the tunnel came volumes of whitish smoke, a succession of shrill screams like the blasts of a trumpet followed, and at the sound of its stentorian voice villages, towns, the whole surrounding country awoke. Here a cock
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Produced by Roberta Staehlin, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) [Illustration] MISS ELLIS'S MISSION. BY MARY P. W. SMITH. BOSTON: AMERICAN UNITARIAN ASSOCIATION. 1886. _Copyright, 1886_, BY AMERICAN UNITARIAN ASSOCIATION. University Press: JOHN WILSON AND SON, CAMBRIDGE. TO POST-OFFICE MISSION WORKERS, WEST AND EAST, AND TO EARNEST PEOPLE EVERYWHERE. "_It was a very contemptible barley-loaf she had to offer, compared with your fine, white, wheaten cake of youth and riches and strength and learning; but remember she offered her best freely, willingly, faithfully; and when once a thing is offered, it is no longer the little barley-loaf in the lad's hand, but the miraculous satisfying Bread of Heaven in the hand of the Lord of the Harvest, more than sufficient for the hungry multitude._" * * * * * "_'And so there is an end of poor Miss Toosey and her Mission!'... Wait a bit! There is no waste in nature, science teaches us; neither is there any in grace, says faith. We cannot always see the results, but they are there as surely in grace as in nature._" MISS TOOSEY'S MISSION. MISS ELLIS'S MISSION. This little sketch of Miss Ellis's life and work owes its first suggestion to Rev. J. Ll. Jones, of Chicago, who soon after her death wrote: "Why not try for a little memorial of her, to be accompanied with some of the most touching and searching extracts from the letters both received and written by her, and make it into a little booklet for the instruction of Post Office Mission Workers?... Can you not make it something as touching as 'Miss Toosey,' and far more practical,--that is, for our own little household of faith?... We do not want it primarily as a missionary tool, but as a wee fragment of the spiritual history of the world,--something that will lift and touch the soul of everybody.... In short, give us an enlightened Miss Toosey; her mission being as much stronger as Sallie Ellis was more rational and mature than the original 'Miss Toosey'!" No one knowing Miss Ellis could read the touching little story of "Miss Toosey's Mission" without being struck by a resemblance in the characters, though a resemblance with a marked difference. As one said, "I never saw her going up the church aisle Sundays, with her audiphone, her little satchel, her bundle of books and papers, and her hymn-book, without thinking of Miss Toosey." In both lives a seemingly powerless and insignificant personality, through the force of a great yearning to do a bit of God's work in the world, achieved its longing far beyond its fondest dreams. As I read the many letters from all over the country that have come since Miss Ellis's death, as I realize how the spiritual force that burned in the soul of this small, feeble, seemingly helpless woman reached out afar and touched many lives for their enduring ennoblement, her life, so meagre and cramped in its outward aspect, so vivid and intense within and on paper, seems to me not without a touch of romance. To perpetuate a little longer the influence of that life is the object of this sketch. * * * * * SALLIE ELLIS was born in Cincinnati, March 13, 1835. The old-fashioned name Sallie, at that time popular in the South and West, was given her in honor of an aunt. She disliked sailing under the false colors of "Sarah." In letters she usually signed herself "S. Ellis," because, as she explained to one correspondent, "I do not know myself as _Sarah_, and Sallie is not dignified enough in writing to strangers; so I usually prefer plain S." Late in life, however, for reasons of dignity, she sometimes felt forced to adopt Sarah as what she called her "official signature." Her father, Mr. Rowland Ellis, was born in Boston, but while yet young removed to Cincinnati, where he still lives in a vigorous and honored old age. Although his mother, in all her later years at least, was a devoted attendant upon Theodore Parker's services, Mr. Ellis in early life was a Baptist. But when the Unitarian Church was founded at Cincinnati, in 1830, his name appears among the organizers, of whom he is almost the sole survivor. Of that church he has always been a devoted supporter and constant attendant. He was a leading banker of the West, and Sallie
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CROMER*** credit Transcribed from the 1800 John Parslee edition by David Price, email [email protected] [Picture: The sea shore at Cromer] _OBSERVATIONS_ UPON THE TOWN OF CROMER, CONSIDERED AS A WATERING PLACE, AND THE Picturesque Scenery IN ITS NEIGHBOURHOOD. * * * * * BY EDMUND BARTELL, JUN. * * * * * [Picture: Decorative graphic] PRINTED BY AND FOR JOHN PARSLEE, _And Sold by T. Hurst_, _No._ 32, _Pater-noster Row_, _London_; _J. Freeman_, _London-Lane_, _Norwich_. _and B. Rust_, _Cromer_. 1800. Preface. BATHING places being generally resorted to during the summer season, for the different pursuits either of health or pleasure, I have often wondered that some little account of such as are not so much esteemed as Weymouth, Brighthelmstone and Ramsgate, should not be published; and more particularly where the situation of the place itself, and the scenery of the country around, are not entirely destitute of beauty. These considerations, added to a residence on the spot, first induced me, for my private amusement, to consider Cromer and the scenery in its neighbourhood in a picturesque point of view. My profession, that of a Surgeon, leading me daily to one or other of the scenes here described, is certainly an advantage, as the features of landscape appear extremely different accordingly as they are affected by difference of weather, of lights and shadows, and of morning and evening suns. In watering places where there are neither public rooms nor assemblies, walking and riding become the chief sources of amusement; and for invalids it is more particularly necessary to divert the attention, by pointing put those things which are esteemed most worthy of observation. Few people are altogether insensible to the beauties of a fine country,--few things to a contemplative mind are capable of giving that satisfaction which the beauties of nature will afford. By the same rule, also, gentlemen's seats, which are often the repositories of the works of art, produce ample speculation for the artist and virtuoso. In visiting small, and I may be allowed to say, obscure watering-places, retirement seems to be the principal object. Where bathing only is the inducement, the place and its neighbourhood is of very little consequence, provided it is convenient and near the sea; but where the mind and body are capable of being sufficiently active to be amused abroad, or to those whose aim is pleasure, a country affording that amusement by its variety, is certainly to be preferred; and to such as are fond of the study of landscape, variety and some degree of beauty are absolutely necessary. As every little excursion will begin and end at Cromer, each will be formed into a separate section. I have before said that this undertaking was at first intended solely for my own amusement, and with that idea I had sketched several views, but after I had come to a determination to hazard its entrance into the world, I found it necessary to confine myself to one only, on account of the additional price they would have put upon the publication. After the excellent things which have been produced in this way, by the Rev. Mr. Gilpin, there is certainly great temerity in attempting, even for private amusement, any thing which bears the most distant resemblance to such elegant productions. From which consideration, I cannot here omit to solicit the indulgence of the public for the ensuing pages, which are intended only as humble imitators, not as daring rivals of that excellent master. CONTENTS. _Section the First_. THE situation of the town of Cromer. The parish church a beautiful specimen of architecture, in the time of Henry the fourth. The beauty of its proportions injured by the necessary manner in which it has been repaired. Accident of a bay falling from the steeple. Anecdote of Robert Bacon. Free School. Inns. The Fishery the chief support of the lower class of inhabitants,--also, a great source of picturesque amusement. Boat upset. Mercantile trade. Dearness of Coals,--the reason of it. Cromer an eligible situation for retirement. A description of the bathing machines, cliffs, and beach. Sea-shore a constant amusement to the artist. Picturesque effects of the storm and the calm compared. Sea-fowls.
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Produced by Therese Wright, Larry B. Harrison and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE LAST WORDS OF DISTINGUISHED MEN AND WOMEN THE LAST WORDS (REAL AND TRADITIONAL) OF DISTINGUISHED MEN AND WOMEN COLLECTED FROM VARIOUS SOURCES BY FREDERIC ROWLAND MARVIN The tongues of dying men Enforce attention like deep harmony; Where words are scarce they're seldom spent in vain, For they breathe truth that breathe their words in pain. --_Shakspeare_ NEW YORK CHICAGO TORONTO FLEMING H. REVELL COMPANY 1901 Copyright 1901 by FREDERIC ROWLAND MARVIN (June) To my Wife this Book is most Lovingly Dedicated Neither is there anything of which I am so inquisitive, and delight to inform myself, as the manner of men's deaths, their words, looks, and bearing; nor any places in history I am so intent upon; and it is manifest enough, by my crowding in examples of this kind, that I have a particular fancy for that subject. If I were a writer of books, I would compile a register, with a comment, of the various deaths of men: he who should teach men to die, would at the same time teach them to live.--MONTAIGNE. Last Words of Distinguished Men and Women. ADAM (Alexander, Dr., headmaster at the High School in Edinburgh, and the author of "Roman Antiquities"), 1741-1809. "_It grows dark, boys. You may go._" "It grows dark, boys. You may go." (Thus the master gently said, Just before, in accents low, Circling friends moaned, "He is dead.") Unto him, a setting sun Tells the school's dismissal hour, Deeming not that he alone Deals with evening's dark'ning power. All his thought is with the boys, Taught by him in light to grow; Light withdrawn, and hushed the noise, Fall the passwords, "You may go." Go, boys, go, and take your rest; Weary is the book-worn brain: Day sinks idly in the west, Tired of glory, tired of gain. Careless are the shades that creep O'er the twilight, to and fro; Dusk is lost in shadows deep: _It grows dark, boys. You may go._ _Mary B. Dodge._ ABD-ER-RAHMAN III. (surnamed An-Nasir-Lideen-Illah or Lidinillah, that is to say, "the defender of the religion of God," eighth Sultan and first Caliph of Cordova. Under Abd-er-Rahman III. the Mohammedan empire in Spain attained the height of its glory), 886-961. "_Fifty years have passed since I became Caliph. Riches, honors, pleasures--I have enjoyed all. In this long time of seeming happiness I have numbered the days on which I have been happy. Fourteen._" Though these sad words correctly express the spirit of the man who is reported to have spoken them, they are purely traditional. ADAMS (John, second President of the United States), 1735-1826. "_Independence forever!_" He died on the Fourth of July, the anniversary of the Declaration of Independence; and it is thought that his last words were suggested by the noise of the celebration. Some say his last words were, "Jefferson survives;" if so, he was mistaken, for Jefferson passed away at an earlier hour the same day. ADAMS (John Quincy, sixth President of the United States), 1767-1848. "_It is the last of earth! I am content!_" On the twenty-first of February, 1848, while in his seat in the Capitol, he was struck with paralysis, and died two days later. ADDISON (Joseph, poet and essayist), 1672-1719. "_See in what peace a Christian can die!_" These words were addressed to Lord Warwick, an accomplished but dissolute youth, to whom Addison was nearly related. ADRIAN or HADRIAN (Publius AElius, the Roman Emperor), 76-138. "_O my poor soul, whither art thou going?_" Adrian wrote both in Greek and Latin. Among his Latin poems (preserved by Spart
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Produced by David Edwards, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) A TRAMP'S NOTE-BOOK BY MORLEY ROBERTS AUTHOR OF "RACHEL MARE," "BIANCA'S CAPRICE," "THE PROMOTION OF THE ADMIRAL." LONDON F. V. WHITE & CO. LTD. 14 BEDFORD STREET, STRAND, W.C. 1904 CONTENTS PAGE A WATCH-NIGHT SERVICE IN SAN FRANCISCO 1 SOME PORTUGUESE SKETCHES 16 A PONDICHERRY BOY 40 A GRADUATE BEYOND SEAS 51 MY FRIEND EL TORO 61 BOOKS IN THE GREAT WEST 71 A VISIT TO R. L. STEVENSON 79 IN CAPETOWN 88 VELDT, PLAIN AND PRAIRIE 95 NEAR MAFEKING 101 BY THE FRASER RIVER 110 OLD AND NEW DAYS IN BRITISH COLUMBIA 118 A TALK WITH KRUGER 128 TROUT FISHING IN BRITISH COLUMBIA AND CALIFORNIA 136 ROUND THE WORLD IN HASTE 142 BLUE JAYS AND ALMONDS 162 IN CORSICA 167 ON THE MATTERHORN 176 AN INTERNATIONAL SOCIALIST CONGRESS 186 AT LAS PALMAS 194 THE TERRACINA ROAD 204 A SNOW-GRIND 216 ACROSS THE BIDASSOA 230 ON A VOLCANIC PEAK 238 SHEEP AND SHEEP HERDING 244 RAILROAD WARS 256 AMERICAN SHIPMASTERS 263 TRAMPS 267 TEXAS ANIMALS 275 IN A SAILORS' HOME 282 THE GLORY OF THE MORNING 293 A Tramp's Note-Book A WATCH-NIGHT SERVICE IN SAN FRANCISCO How much bitter experience a man keeps to himself, let the experienced say, for they only know. For my own part I am conscious that it rarely occurs to me to mention some things which happened either in England or out of it, and that if I do, it is only to pass them over casually as mere facts that had no profound effect upon me. But the importance of any hardship cannot be estimated at once; it has either psychological or physiological sequelae, or both. The attack of malaria passes, but in long years after it returns anew and devouring the red blood, it breaks down a man's cheerfulness; a night in a miasmic forest may make him for ever a slave in a dismal swamp of pessimism. It is so with starvation, and all things physical. It is so with things mental, with degradations, with desolation; the scars and more than scars remain: there is outward healing, it may be, but we often flinch at mere remembrance. But time is the vehicle of philosophy; as the years pass we learn that in all our misfortunes was something not without value. And what was of worth grows more precious as our harsher memories fade. Then we may bear to speak of the days in which we were more than outcasts; when we recognised ourselves as such, and in strange calm and with a broken spirit made no claim on Society. For this is to be an outcast indeed. I came to San Francisco in the winter of 1885 and remained in that city for some six months. What happened to me on broad lines I have written in the last chapter of _The Western Avernus_. But nowadays I know that in that chapter I have told nothing. It is a bare recital of events with no more than indications of deeper miseries, and some day it may chance to be rewritten in full. That I was of poor health was nothing, that I could obtain no employment was little, that I came to depend on help was more. But the mental side underlying was the worst, for the iron entered into my soul. I lost energy. I went dreaming. I was divorced from humanity. America is a hard place, for it has been made by hard men. People who would not be crushed in the East have gone to the West. The Puritan element has little softness in it, and in some places even now gives rise to phenomena of an excessive and religious brutality which tortures without pity, without sympathy. But not only is the Puritan hard; all other elements in America are hard too. The rougher emigrant, the unconquerable rebel, the natural adventurer, the desperado seeking a lawless realm, men who were iron and men with the fierce courage which carries its vices with its virtues, have made the United States. The rude individualist of Europe who felt the slow pressure of social atoms which precedes their welding, the beginning of socialism, is the father of America. He has little pity, little tolerance, little charity. In what States in America is there any poor law? Only an emigration agent, hungry for steamship percentages, will declare there are no poor there now. The survival of the fit is the survival of the strong; every man for himself and the devil take the hindmost might replace the legend on the silver dollar and the golden eagle, without any American denying it in his heart. But if America as a whole is the dumping ground and Eldorado combined of the harder extruded elements of Europe, the same law of selection holds good there as well. With every degree of West longitude the fibre of the American grows harder. The Dustman Destiny sifting his cinders has his biggest mesh over the Pacific States. If charity and sympathy be to seek in the East, it is at a greater discount on the <DW72>. The only poor-house is the House of Correction. Perhaps San Francisco is one of the hardest, if not _the_ hardest city in the world. Speaking from my own experience, and out of the experience gathered from a thousand miserable bedfellows in the streets, I can say I think it is, not even excepting Portland in Oregon. But let it be borne in mind that this is the verdict of the unsuccessful. Had I been lucky it might have seemed different. I came into the city with a quarter of a dollar, two bits, or one shilling and a halfpenny in my possession. Starvation and sleeping on boards when I was by no means well broke me down and at the same time embittered me. On the third day I saw some of my equal outcasts inspecting a bill on a telegraph pole in Kearny Street, and on reading it I found it a religious advertisement of some services to be held in a street running out of Kearny, I believe in Upper California Street. At the bottom of the bill was a notice that men out of work and starving who attended the meeting would be given a meal. Having been starving only some twenty-four hours I sneered and walked on. My agnosticism was bitter in those days, bitter and polemic. But I got no work. The streets were full of idle men. They stood in melancholy groups at corners, sheltering from the rain. I knew no one but a few of my equals. I could get no ship; the city was full of sailors. I starved another twenty-four hours, and I went to the service. I said I went for the warmth of the room, for I was ill-clad and wet. I found the place half full of out-o'-works, and sat down by the door. The preacher was a man of a type especially disagreeable to me; he looked like a business man who had cultivated an aspect of goodness and benevolence and piety on business principles. Without being able to say he was a hypocrite, he struck me as being one. He was not bad-looking, and about thirty-five; he had a band of adoring girls and women about him. I was desolate and disliked him and went away. But I returned. I went up to him and told him brutally that I disbelieved in him and in everything he believed in, explaining that I wanted nothing on false pretences. My attitude surprised him, but he was kind (still with that insufferable air of being a really first-class good man), and he bade me have something to eat. I took it and went, feeling that I had no place on the earth. But a little later I met an old friend from British Columbia. He was by way of being a religious man, and he had a hankering to convert me. Failing personally, he cast about for some other means, and selected this very preacher as his instrument. Having asked me to eat with him at a ten-cent hash house, he inveigled me to an evening service, and for the warmth I went with him. I became curious about these religious types, and attended a series of services. I was interested half in a morbid way, half psychologically. Scott, my friend, found me hard, but my interest made him hope. He took me, not at all unwilling, to hear a well-known revivalist who combined religion with anecdotes. He told stories well, and filled a church every night for ten days. During these days I heard him attentively, as I might have listened to any well-told lecture on any pseudo-science. But my intellect was unconvinced, my conscience untouched, and Scott gave me up. I attended a number of services by myself; I was lonely, poor, hopeless, living an inward life. The subjective became real at times, the objective faded. I had a little occasional work, and expected some money to reach me early in the year. But I had no energy, I divided my time between the Free Library and churches. And it drew on to Christmas. It was a miserable time of rain, and Christmas Day found me hopeless of a meal. But by chance I came across a man whom I had fed, and he returned my hospitality by dining me for fifteen cents at the "What Cheer House," a well-known poor restaurant in San Francisco. Then followed some days of more than semi-starvation, and I grew rather light-headed. The last day of the year dawned and I spent it foodless, friendless, solitary. But after a long evening's aimless wandering about the city I came back to California Street, and at ten o'clock went to the Watch-Night Service in the room of the first preacher I had heard. The hall was a big square one, capable of seating some three hundred people. There was a raised platform at the end; a broad passage way all round the room had seats on both sides of it, and made a small square of seats in the centre. I sat down in the middle of this middle square, and the room was soon nearly full. The service began with a hymn. I neither sang nor rose, and I noticed numbers who did not. In peculiar isolation of mind my heart warmed to these, and I was conscious of rising hostility for the creatures of praise. There was one strong young fellow about three places from me who remained seated. Glancing behind the backs of those who were standing between us I caught his eye, which met mine casually and perhaps lightened a little. He had a rather fine face, intelligent, possibly at better times humorous. I was not so solitary. A man singing on my left offered me a share of his hymn-book. I declined courteously. The woman on my right asked me to share hers. That I declined too. Some asked the young fellow to rise, but he refused quietly. Yet I noticed some of those who had remained seated gave in to solicitations or to the sound or to some memory, and rose. Yet many still remained. They were all men, and most of them young. After the hymn followed prayer by the minister, who was surrounded on the dais by some dozen girls. I noticed that few were very good-looking; but in their faces was religious fervour. Yet they kept their eyes on the man. The prayer was long, intolerably and trickily eloquent and rhetorical, very self-conscious. The man posed before the throne. But I listened to every word, half absorbed though I was in myself. He was followed in prayer by ambitious and emotional people in the seats. One woman prayed for those who would not bow the knee. Once more a hymn followed, "Bringing home the sheaves." The air is not without merit, and has a good lilt and swing. I noted it tempted me to sing it, for I knew the tune well, and in the volume of voices was an emotional attraction. I repressed the inclination even to move my lips. But some others rose and joined in. My fellow on the left did not. The sermon followed, and I felt as if I had escaped a humiliation. What the preacher said I cannot remember, nor is it of any importance. He was not an intellectual man, nor had he many gifts beyond his rather sleek manner and a soft manageable voice. He was obviously proud of that, and reckoned it an instrument of success. It became as monotonous to me as the slow oily swell of a tropic sea in calm. I would have preferred a Boanerges, a bitter John Knox. The intent of his sermon was the usual one at such periods; this was the end of the year, the beginning was at hand. Naturally he addressed himself to those who were not of his flock; it seemed to me, as it doubtless seemed to others, that he spoke to me directly. The custom of mankind to divide time into years has had an effect on us, and we cannot help feeling it. Childhood does not understand how artificial the portioning of time is; the New Year affects us even when we recognise the fact. It required no florid eloquence of the preacher to convince me of past folly and weakness; but it was that weakness that made me weak now in my allowing his insistence on the New Year to affect me. I was weak, lonely, foolish. Oh, I acknowledged I wanted help! But could I get help here? It was past eleven when they rose to sing another hymn. Many who had not sung before sang now. Some of the girls from the platform came down and offered us hymn-books. A few took them half-shamefacedly; some declined with thanks; some ignored the extended book. And after two hymns were sung and some more prayers said, it was half-past eleven. They announced five minutes for silent meditation. Looking round, I saw my friend on the left sitting with folded arms. He was obviously in no need of five minutes. In the Free Library I had renewed much of my ancient scientific reading, and I used it now to control some slight emotional weakness, and to explain it to myself. Half-starved, nay more than half-starved, as I was, such weakness was likely; I was amenable to suggestion. I asked myself a dozen crucial questions, and was bitterly amused to know how the preacher would evade answering them if put to him. Such a creature could not succeed, as all great teachers have done, in subduing the intellect by the force of his own personality. But all the same the hour, the time, and the song followed by silence, and the silence by song, affected me and affected many. What had I to look forward to when I went
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Produced by Chris Curnow, Joseph Cooper, Barbara Kosker and the Online Distributed Proofreading Team at http://www.pgdp.net CAVALRY OF THE CLOUDS [Illustration: "CONTACT" CAPTAIN ALAN BOTT, M. C. OF THE BRITISH ROYAL FLYING CORPS] CAVALRY OF THE CLOUDS BY "CONTACT" (CAPT. ALAN BOTT, M.C.) _With an introduction by_ MAJOR-GENERAL W. S. BRANCKER (Deputy Director-General of Military Aeronautics) [Illustration] GARDEN CITY - NEW YORK DOUBLEDAY, PAGE & COMPANY 1918 Copyright, 1917, by Doubleday, Page & Company _All rights reserved, including that of translation into foreign languages, including the Scandinavian_ DEDICATED TO THE FALLEN OF UMPTY SQUADRON, R.F.C. JUNE-DECEMBER 1916 PREFACE Of the part played by machines of war in this war of machinery the wider public has but a vague knowledge. Least of all does it study the specialised functions of army aircraft. Very many people show mild interest in the daily reports of so many German aeroplanes destroyed, so many driven down, so many of ours missing, and enraged interest in the reports of bomb raids on British towns; but of aerial observation, the main _raison d'etre_ of flying at the front, they own to nebulous ideas. As an extreme case of this haziness over matters aeronautic I will quote the lay question, asked often and in all seriousness: "Can an aeroplane stand still in the air?" Another surprising point of view is illustrated by the home-on-leave experience of a pilot belonging to my present squadron. His lunch companion--a charming lady--said she supposed he lived mostly on cold food while in France. "Oh no," replied the pilot, "it's much the same as yours, only plainer and tougher." "Then you do come down for meals," deduced the lady. Only those who have flown on active service can fully relish the comic savour of a surmise that the Flying Corps in France remain in the air all day amid all weathers, presumably picnicking, between flights, off sandwiches, cold chicken, pork pies, and mineral waters. These be far-fetched examples, but they serve to emphasise a general misconception of the conditions under which the flying services carry out their work at the big war. I hope that this my book, written for the most part at odd moments during a few months of training in England, will suggest to civilian readers a rough impression of such conditions. To Flying Officers who honour me by comparing the descriptions with their own experiences, I offer apology for whatever they may regard as "hot air," while submitting in excuse that the narratives are founded on unexaggerated fact, as any one who served with Umpty Squadron through the Battle of the Somme can bear witness. I have expressed a hope that the chapters and letters will suggest a rough impression of work done by R.F.C. pilots and observers in France. A complete impression they could not suggest, any more than the work of a Brigade-Major could be regarded as representative of that of the General Staff. The Flying-Corps-in-the-Field is an organisation great in numbers and varied in functions. Many separate duties are allotted to it, and each separate squadron, according to its type of machine, confines itself to two or three of these tasks. The book, then, deals only with the squadron to which I belonged last year, and it does not pretend to be descriptive of the Flying Corps as a whole. Ours was a crack squadron in its day, and, as General Brancker has mentioned in his Introduction, it held a melancholy record in the number of its losses. Umpty's Squadron's casualties during August, September, and October of 1916 still constitute a record for the casualties of any one flying squadron during any three months since the war began. Once eleven of our machines were posted as "missing" in the space of two days--another circumstance which has fortunately never yet been equalled in R.F.C. history. It was a squadron that possessed excellent pilots, excellent achievements, and the herewith testimonial in a letter found on a captured German airman, with reference to the machine of which we then had
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Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: Cover] [Transcriber's Note: Bold text is surrounded by =equal signs= and italic text is surrounded by _underscores_.] OVER THE SEAS FOR UNCLE SAM [Illustration: "Only the hits count!"] OVER THE SEAS FOR UNCLE SAM BY ELAINE STERNE _Author of "The Road of Ambition," "Sunny Jim" Stories, Etc._ "We're ready _now_!"--Navy slogan. NEW YORK BRITTON PUBLISHING COMPANY Copyright, 1918 BRITTON PUBLISHING COMPANY, INC. Made in U. S. A. All rights reserved. _To the Honorable Josephus Daniels Secretary of the Navy, whose devotion to the interests of the men in the American Navy has been an inspiration to them no less than to the nation as a whole._ CONTENTS PAGE THE WHEREFORE OF MY LITTLE BOOK 11 SUNK BY A SUBMARINE 21 WAR CLOUDS GATHER 35 THE STUFF HEROES ARE MADE OF 49 DEPTH BOMBS AND DESTROYERS 61 IN TRAINING 73 ZEPS AND TORPEDOES 91 "THE LEATHER NECKS" 107 THE WAY WITH THE FRENCHIES 119 A YANKEE STANDS BY 135 A TASTE OF HELL 147 THE WANDERLUST AND THE WAR 161 UNDER THE RED CROSS BANNER 175 "ABANDON SHIP!" 191 PRISONERS OF WAR 209 FRITZ GETS TAGGED 221 THE FLOWER OF FRANCE 233 THE WHEREFORE OF MY LITTLE BOOK We have learned some things in war times that we did not know in days of peace. We have made the amazing discovery that our own fathers and brothers and husbands and lovers are potential heroes. We knew they were brave and strong and eager to defend us if need be. We knew that they went to work in the morning and returned at night just so that we might live in comfort; but we never dreamed that the day would come when we would see them marching off to war--a war that would take them far from their own shores. We never dreamed that, like the knights of old, they would ride away on a quest as holy as that of the Crusaders. As for army and navy life--it had always been a sealed book to us, a realm into which one was born, a heritage that passed from father to son. We heard of life at the army post. We saw a uniform now and then, but not until our own men donned khaki and blue did we of the outside world learn of the traditions of the army and of the navy, which dated back to the days of our nation's birth. We did not know that each regiment had its own glorious story of achievement--a story which all raw recruits were eager to live up to--a story of undaunted fighting in the very face of death that won for it its sobriquet. Because the army lay at our very door, we came to know it better, to learn its proud lesson more swiftly, but little by little the navy, through the lips of our men, unlocked its traditions, tenderly fostered, which had fired its new sons to go forth and fight to the finish rather than yield an inch. As a first lieutenant in the Girls' National Honor Guard, I was appointed in May, 1917, for active duty in hospital relief work. It was then that I came to know Miss Mary duBose, Chief Nurse of the United States Naval Hospital, whose co-operation at every turn has helped this little volume to come into being. The boys of the navy are her children. She watches over them with the brooding tenderness of a mother. Praise of their achievements she receives with flashing pride. With her entire heart and soul she is wrapped up in her work. Through her shines the spirit of the service--the tireless devotion to duty. I had never before been inside a naval hospital. I had a vague idea that it would be a great machine, rather overcrowded, to be sure, in war times, but running on oiled hinges--completely soulless. I found instead a huge building, which, in spite of its size, breathed a warm hominess. Its halls and wards are spotless. Through the great windows the sun pours in on the patients, as cheery a lot of boys as you would care to see. There are always great clusters of flowers in the wards--bright spots of color--there are always games spread out on the beds. There is always the rise of young voices--laughter--calls. And moving among the patients are the nurses--little white-clad figures with the red cross above their heart. Some of them appear frail and flower-like, some of them very young, but all impress one with their quiet strength and efficiency. I have spoken to a great many of them. They are enthusiastic and eager. They praise highly the splendid work done abroad by their sisters, but they are serious about the work to be done here as well. Their tasks are carried on with no flaunting of banners, but they are in active service just the same, nursing our boys to health every hour of the day--giving sons back to their mothers--husbands to their wives. It is a corps to be proud of and a great volume of credit should be laid at the feet of Mrs. Leneh Higbee, the national head of the Naval Nurse Corps. It was Mrs. Higbee who built up the Corps--who has given her life's work to keeping up the standard of that organization--of making it a corps whose personnel and professional standing in efficiency cannot be surpassed in the world to-day. As my visits to the hospital became more frequent, I began, bit by bit, to gather a story here and there, from the men who lay ill--stories of unconscious heroism--deeds they had performed as part of a day's work on the high seas. They did not want praise for what they had done. They are an independent lot--our sailors--proud of their branch of service. "No drafted men in the navy," they tell you with a straightening of their shoulders. And from the officers I learned of that deeper love--that worship of the sea--of the vessel placed in their hands to command. From them I heard for the first time of the value of a discipline iron-bound--rigid--a discipline that brooks no argument. There were stories of men who had hoped and dreamed all their lives of a certain cruise, only to find themselves transferred to the other end of the world. Did they utter a word of complaint? Not they! "Orders are orders"--that was enough for them! And because those of us who send our men to sea are burning to know the tales they have to tell, I have made this little collection--the men's own stories, told in the ward to other round-eyed youths who gathered about the bed to hear, full of eager questions, prompting when the story moved too slowly. What you read here are their stories--stories of whole-souled youths
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Produced by Heather Clark, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Bold text is surrounded by =equal signs= and italic text is surrounded by _underscores_. GARDENING FOR LITTLE GIRLS PRACTICAL ARTS FOR LITTLE GIRLS A Series Uniform with this Volume _Each book, illustrated, 75 cents net_ COOKERY FOR LITTLE GIRLS SEWING FOR LITTLE GIRLS WORK AND PLAY FOR LITTLE GIRLS HOUSEKEEPING FOR LITTLE GIRLS GARDENING FOR LITTLE GIRLS [Illustration: PUZZLE PICTURE,--FIND THE LITTLE GIRL] GARDENING FOR LITTLE GIRLS BY OLIVE HYDE FOSTER AUTHOR OF "COOKERY FOR LITTLE GIRLS" "SEWING FOR LITTLE GIRLS" "HOUSEKEEPING FOR LITTLE GIRLS" [Illustration] NEW YORK DUFFIELD & COMPANY 1917 Copyright, 1916 by HOUSE AND GARDEN Copyright, 1916, by HOUSEWIVES MAGAZINE Copyright, 1917, by ST. NICHOLAS The Century Co. Copyright, 1917, by COUNTRYSIDE MAGAZINE The Independent Co. Copyright, 1917, by OLIVE HYDE FOSTER _DEDICATED TO Junior and Allan, Two of the dearest children that ever showed love for the soil._ Preface Children take naturally to gardening, and few occupations count so much for their development,--mental, moral and physical
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Produced by Anna Hall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) _NEW SIX SHILLING NOVELS._ THE BLUE LAGOON. By H. DE VERE STACPOOLE. EVE'S APPLE. By ALPHONSE COURLANDER. PARADISE COURT. By J. S. FLETCHER. THE TRAITOR'S WIFE. By W. H. WILLIAMSON. MAROZIA. By A. G. HALES. LONDON: T. FISHER UNWIN. THE WOMAN WHO VOWED (THE DEMETRIAN) BY ELLISON HARDING [Illustration] LONDON T. FISHER UNWIN ADELPHI TERRACE MCMVIII CONTENTS CHAPTER PAGE I. A Goddess and a Comic Song 7 II. Harvesting and Harmony 21 III. The Cult of Demeter 37 IV. Anna of Ann 53 V. Irene 63 VI. Neaera 77 VII. A Tragic Denouement 94 VIII. How the Cult was Founded 101 IX. How It Might be Undermined 119 X. An Unexpected Solution 127 XI. The Plot Thickens 135 XII. Neaera's Idea of Diplomacy 144 XIII. Neaera Makes New Arrangements 150 XIV. "I Consented" 162 XV. The High Priest of Demeter 171 XVI. Anna's Secret 183 XVII. Designs on Anna of Ann 190 XVIII. A Dream 200 XIX. The Legislature Meets 207 XX. On Flavors and Finance 219 XXI. The Investigating Committee 226 XXII. "Treasons, Stratagems, and Spoils" 238 XXIII. A Libel 249 XXIV. Neaera Again 259 XXV. The Libel Investigated 266 XXVI. The Election 285 XXVII. The Joint Session 293 XXVIII. Lydia to the Rescue 302 Conclusion 315 THE DEMETRIAN CHAPTER I A GODDESS AND A COMIC SONG I remember awakening with a start, conscious of a face bending over me that was beautiful and strange. I was quite unable to account for myself, and my surprise was heightened by the singular dress of the woman I saw. It was Greek--not of modern but of ancient Greece. What had happened? Had I been acting in a Greek play and been stunned by an accident to the scenery? No; the grass upon which I was lying was damp, and a sharp twinge between the shoulders told me I had been there already too long. What, then, was the meaning of this classic dress? I raised myself on one arm; and the young woman who had been kneeling beside me arose also. I was dazed, and shaded my eyes from the sun on the horizon--whether setting or rising I could not tell. I fixed my eyes upon the feet of my companion; they were curiously shod in soft leather, for cleanliness rather than for protection; tightly laced from the toe to the ankle and half way up the leg--half-moccasin and half-cothurnus. I fixed my eyes upon them and slowly became quite sure that I was alive and awake, but seemed still dazed and unwilling to look up. Presently she spoke. "Are you ill?" she asked. "I don't think so," answered I, as I lifted my eyes to hers. When our eyes met I jumped to my feet with an alertness so fresh and fruitful that I seemed to myself to have risen anew from the Fountain of Youth. A miracle had happened. I was dead and had come to life again--and apparently this time in the Olympian world. "Here!" I exclaimed; "or Athene! Cytherea, or Artemis!" Then quickly the look of sympathetic concern that I had just seen in her eyes vanished. A ripple of laughter passed over her face like the first touch of a breeze on a becalmed sea; for a moment she seemed to restrain it, but her merriment awakened mine, and on perceiving it she abandoned all restraint and burst into a laugh that was musical, bewitching, and contagious. We stood there a full minute, both of us laughing, though I did not understand why. She soon explained. "Where on earth do you come from, Xenos, and where--_where_ did you get _those_ things?" She pointed to my pantaloons as she spoke. Then I discovered how ridiculous I appeared. "And why have they cut all the hair off your face and left that ugly little stubble?" I put my hand to my chin and felt there a beard of several days' growth. "It must prick dreadfully," she said; and coming up to me she daintily passed a soft, rosy finger over my cheek. I caught her hand and kissed it. She jumped away from me like a fawn. "Take care, young man," she said, reprovingly but not reproachfully; "though I don't suppose you are very young, for I see some gray in your hair." I don't suppose I liked being reminded of my years, but I was altogether too much absorbed in the richness of her beauty and health to be concerned about myself. And the subtle combination of freedom and reserve in her manner conveyed to me an indescribable charm. At one moment it tempted me to trespass, but at the next I became aware that such an attempt would meet with humiliating resistance; for she was tall and strong. Her one rapid movement away from me proved her agility. She was perfectly able to take care of herself. Her consciousness of this had enabled her to meet my first advance with unruffled good humor, but I felt sure that persistence on my part would elicit repulsion and perhaps scorn. We stood a moment smiling at each other; then she said: "Come, you must take off those dreadful things; why, you are wet through"--and she passed her hand over my back--"and you must tell me what you are and where you come from. But you are chilled now and need something warm, so come to the Hall and you can tell me as we go." As she spoke she swung to her head a basket I had not before observed; it was heavy, for she straightened herself to support it; and the weight, until she balanced it, brought out the muscles of her neck. She put her arms akimbo and showed the way. "Well," she said, as we walked together side by side, "when are you going to begin?" "How and where shall I begin?" answered I. "You forget that I too have questions to ask; I am bewildered. Who and what are you? In what country am I? Where did you get that beautiful dress?" I stepped a little away from her to observe the beauty of her form. "We try to make all our garments beautiful," she answered, simply; "but this is the common dress of all--or rather the dress commonly worn in the country. We dress a little differently in town--but what do you find peculiar in my attire? What else could I wear out in the fields?" I looked at the drapery, which did not hang lower than the knee; at the girdle that barely indicated the waist; at the chiton gathered by a brooch on one shoulder, leaving bare the whole length of her richly moulded arm. "I would not have you wear anything
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Produced by Judith Boss PELLUCIDAR By Edgar Rice Burroughs CONTENTS CHAPTER PROLOGUE I LOST ON PELLUCIDAR II TRAVELING WITH TERROR III SHOOTING THE CHUTES--AND AFTER IV FRIENDSHIP AND TREACHERY V SURPRISES VI A PENDENT WORLD VII FROM PLIGHT TO PLIGHT VIII CAPTIVE IX HOOJA'S CUTTHROATS APPEAR X THE RAID ON THE CAVE-PRISON XI ESCAPE XII KIDNAPED! XIII RACING FOR LIFE XIV GORE AND DREAMS XV CONQUEST AND PEACE PROLOGUE Several years had elapsed since I had found the opportunity to do any big-game hunting; for at last I had my plans almost perfected for a return to my old stamping-grounds in northern Africa, where in other days I had had excellent sport in pursuit of the king of beasts. The date of my departure had been set; I was to leave in two weeks. No schoolboy counting the lagging hours that must pass before the beginning of "long vacation" released him to the delirious joys of the summer camp could have been filled with greater impatience or keener anticipation. And then came a letter that started me for Africa twelve days ahead of my schedule. Often am I in receipt of letters from strangers who have found something in a story of mine to commend or to condemn. My interest in this department of my correspondence is ever fresh. I opened this particular letter with all the zest of pleasurable anticipation with which I had opened so many others. The post-mark (Algiers) had aroused my interest and curiosity, especially at this time, since it was Algiers that was presently to witness the termination of my coming sea voyage in search of sport and adventure. Before the reading of that letter was completed lions and lion-hunting had fled my thoughts, and I was in a state of excitement bordering upon frenzy. It--well, read it yourself, and see if you, too, do not find food for frantic conjecture, for tantalizing doubts, and for a great hope. Here it is: DEAR SIR: I think that I have run across one of the most remarkable coincidences in modern literature. But let me start at the beginning: I am, by profession, a wanderer upon the face of the earth. I have no trade--nor any other occupation. My father bequeathed me a competency; some remoter ancestors lust to roam. I have combined the two and invested them carefully and without extravagance. I became interested in your story, At the Earth's Core, not so much because of the probability of the tale as of a great and abiding wonder that people should be paid real money for writing such impossible trash. You will pardon my candor, but it is necessary that you understand my mental attitude toward this particular story--that you may credit that which follows. Shortly thereafter I started for the Sahara in search of a rather rare species of antelope that is to be found only occasionally within a limited area at a certain season of the year. My chase led me far from the haunts of man. It was a fruitless search, however, in so far as antelope is concerned; but one night as I lay courting sleep at the edge of a little cluster of date-palms that surround an ancient well in the midst of the arid, shifting sands, I suddenly became conscious of a strange sound coming apparently from the earth beneath my head. It was an intermittent ticking! No reptile or insect with which I am familiar reproduces any such notes. I lay for an hour--listening intently. At last my curiosity got the better of me. I arose, lighted my lamp and commenced to investigate. My bedding lay upon a rug stretched directly upon the warm sand. The noise appeared to be coming from beneath the rug. I raised it, but found nothing--yet, at intervals, the sound continued. I dug into the sand with the point of my hunting-knife. A few inches below the surface of the sand I encountered a solid substance that had the feel of wood beneath the sharp steel. Excavating about it, I unearthed a small wooden box. From this receptacle issued the strange sound that I
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This book was produced from scanned images of public domain material from the Google Print project.) THE FRIAR'S DAUGHTER A Story of the American Occupation of the Philippines. By CHARLES LINCOLN PHIFER Author of "The White Sea," "The Giant Hand," "Diaz the Dictator," Etc., Etc. 40 Cents Each. 10 for $3.00. 100 for $22.00. 1909: Published by C. L. PHIFER Girard, Kansas CHARACTERS. Judge Benjamin Daft, American Governor. Admiral Rainey, Conqueror of the Philippines. Camillo Saguanaldo, Insurgent General and President. Bishop Lonzello, the Friar. Ambrosia Lonzello, the Friar's Daughter. Rodriguez Violeta, the Papal Nuncio. Mrs. Rizal, widow of a Filipino Patriot
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Produced by ellinora, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) PETER PARAGON A Tale of Youth BY JOHN PALMER [Illustration: Decoration] NEW YORK DODD, MEAD & COMPANY 1915 COPYRIGHT, 1915 BY DODD, MEAD AND COMPANY TO MILDRED PETER PARAGON I Peter might justly have complained that his birth was too calmly received. For Peter's mother accepted him without demur. Women who nurse themselves more thoroughly than they nurse their babies will incredulously hear that Mrs. Paragon made little difference in her life on Peter's account until within four hours of his coming. Nevertheless Peter was a healthy baby, shapeless and mottled. Mrs. Paragon was tall and fair, with regular features and eyes set well apart. They looked at you candidly, and you were aware of their friendly interest. They perfectly expressed the simplicity and peace of her character. She was mild and immovable; with a strength that was felt by all who dealt with her, though she rarely asserted it. She had the slow, deep life of a mother. Mr. Paragon was at all points contrasted. He was short, and already at this time he was stout. He had had no teaching; but he was not an ignorant man. He was naturally of an active mind; and he had read extensively the literature that suited his habit of reflection. Mr. Paragon was the son of a small tradesman, and had by the death of his parents been thrown upon the London streets. After ten years he had emerged as a managing clerk. Had Mr. Paragon been well treated he might have reached his fortieth year sunny and charitable, with a cheerful faith in people and institutions. But living a celibate life, insufficiently fed, shabbily clothed, and never doubting his mental superiority to prosperous employers, he had naturally adopted extremely bitter views of the world. Surmounting a shelf of Mr. Paragon's favourite books was a plaster bust of Bradlaugh. The shelf itself included Tom Paine's _Rights of Man_, Godwin's _Political Justice_, and the works of Voltaire in forty English volumes. Mr. Paragon talked the language of Godwin's philosophic day. Priests, kings, aristocracies, and governments were his familiar bogies. He went every Sunday to a Labour church where extracts from Shelley and Samuel Butler were read by the calendar; and he was a successful orator of a powerful group of rebels among the railwaymen. Mr. Paragon was more Falstaff than Cassius to the eye. There was something a little ludicrous in Mr. Paragon, with legs well apart, hands deep in his trousers, demonstrating that religion was a device of government for the deception of simple men, and that property was theft. Mrs. Paragon loved her husband, and ignored his opinions. He on his side found rest after the bitterness of his early years in the shelter of her wisdom. His anarchism became more and more an intellectual indulgence. Gradually the edge was taken from his temper. He began to enjoy his grievances now that they no longer pinched him. His charity, in a way that charity has, extended with his circumference. He was earning £4 a week, and he had in his wife a housekeeper who could make £4 cover the work of £6. Mrs. Paragon did not, like many of her friends, overtask an incompetent drudge at £10 a year. She saved her money, and halved her labour. Ends met; and things were decently in order. Mr. Paragon was happy; insured against reasonable disaster; with sufficient energy and spirit left at the end of a day's work to take himself seriously as a citizen and a man. There were times when Mr. Paragon took himself very seriously indeed. On the evening of the day when Mr. Samuel, curate of the parish, called to urge Mrs. Paragon to have Peter christened, Mr. Paragon talked so incisively that only his wife could have guessed how little he intended. "No priests," he said. "That's final." He looked in fierce dispute at Mrs. Paragon; but meeting her calm eyes, looked hastily away at Peter, who was sleeping by the fire in a clothes basket. Mrs. Paragon was dishing up the evening meal; and Mr. Paragon saw that a reasonably large pie-dish had appeared from the oven,
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This ebook was transcribed by Les Bowler. CASSELL'S NATIONAL LIBRARY. * * * * * WANDERINGS IN SOUTH AMERICA. BY CHARLES WATERTON. _WITH AN INTRODUCTION_ _BY_ _NORMAN MOORE_, _M.D._ [Picture: Medallion] CASSELL & COMPANY, LIMITED: _LONDON, PARIS & MELBOURNE_. 1891. INTRODUCTION. Plutarch, the most famous biographer of ancient times, is of opinion that the uses of telling the history of the men of past ages are to teach wisdom, and to show us by their example how best to spend life. His method is to relate the history of a Greek statesman or soldier, then the history of a Roman whose opportunities of fame resembled those of the Greek, and finally to compare the two. He points out how in the same straits the one hero had shown wisdom, the other imprudence; and that he who had on one occasion fallen short of greatness had on another displayed the highest degree of manly virtue or of genius. If Plutarch's method of teaching should ever be followed by an English biographer, he will surely place side by side and compare two English naturalists, Gilbert White and Charles Waterton. White was a clergyman of the Church of England, educated at Oxford. Waterton was a Roman Catholic country gentleman, who received his education in a Jesuit college. White spent his life in the south of England, and never travelled. Waterton lived in the north of England, and spent more than ten years in the Forests of Guiana. With all these points of difference, the two naturalists were men of the same kind, and whose lives both teach the same lesson. They are examples to show that if a man will but look carefully round him in the country his every-day walk may supply him with
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Produced by Annie R. McGuire. This book was produced from scanned images of public domain material from the Internet Archive. [Illustration: Book Cover] THE FURTHER ADVENTURES OF MR. VERDANT GREEN FRONTISPIECE. (See page 30.) [Illustration: CUTHBERT BEDE, INVT. KT. DELT. E. EVANS, SC] MR. VERDANT GREEN FURNISHES THE SUBJECT FOR A STRIKING FRONTISPIECE. THE FURTHER ADVENTURES OF MR. VERDANT GREEN, An Oxford Under-Graduate. BEING A CONTINUATION OF "THE ADVENTURES OF MR. VERDANT GREEN, AN OXFORD FRESHMAN." BY CUTHBERT BEDE, B.A. With numerous Illustrations, DESIGNED AND DRAWN ON THE WOOD BY THE AUTHOR. "A COLLEGE JOKE TO CURE THE DUMPS." SWIFT. SECOND EDITION. H. INGRAM & CO. MILFORD HOUSE, MILFORD LANE, STRAND, LONDON; AND BY ALL BOOKSELLERS. 1854. CONTENTS. PAGE CHAPTER I. Mr. Verdant Green recommences his existence as an Oxford Undergraduate 1 CHAPTER II. Mr. Verdant Green does as he has been done by 5 CHAPTER III. Mr. Verdant Green endeavours
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Produced by Bryan Ness, Graeme Mackreth and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) PAX MUNDI. PAX MUNDI A CONCISE ACCOUNT OF THE PROGRESS OF THE MOVEMENT FOR PEACE BY MEANS OF ARBITRATION, NEUTRALIZATION, INTERNATIONAL LAW AND DISARMAMENT BY K.P. ARNOLDSON _Member of the Second Chamber of the Swedish Riksdag_ AUTHORIZED ENGLISH EDITION WITH AN INTRODUCTION BY THE BISHOP OF DURHAM [Illustration] London SWAN SONNENSCHEIN & CO. PATERNOSTER SQUARE 1892 BUTLER & TANNER, THE SELWOOD PRINTING WORKS, FROME, AND LONDON. CONTENTS. PAGE INTRODUCTION 1 ARBITRATION 8 NEUTRALITY 40 FURTHER DEVELOPMENTS 82 THE PROSPECTS 138 APPENDIX 165 PREFATORY NOTE. This little work, written by one who has long been known as a consistent and able advocate of the views herein maintained, has been translated by a lady who has already rendered great services to the cause, in the belief that it will be found useful by the increasing number of those who are interested in the movement for the substitution of Law for War in international affairs. J.F.G. INTRODUCTION TO THE ENGLISH EDITION. It is natural that the advocates of international Peace should sometimes grow discouraged and impatient through what they are tempted to consider the slow progress of their cause. Sudden outbursts of popular feeling, selfish plans for national aggrandisement, unremoved causes of antipathy between neighbours, lead them to overlook the general tendency of circumstances and opinions which, when it is regarded on a large scale, is sufficient to justify their loftiest hopes. It is this general tendency of thought and fact, corresponding to the maturer growth of peoples, which brings to us the certain assurance that the Angelic Hymn which welcomed the Birth of Christ advances, slowly it may be as men count slowness, but at least unmistakably, towards fulfilment. There are pauses and interruptions in the movement; but, on the whole, no one who patiently regards the course of human history can doubt that we are drawing nearer from generation to generation to a practical sense of that brotherhood and that solidarity of men--both words are necessary--which find their foundation and their crown in the message of the Gospel. Under this aspect the Essay of Mr. Arnoldson is of great value, as giving a calm and comprehensive view of the progress of the course of Peace during the last century, and of the influences which are likely to accelerate its progress in the near future. Mr. Arnoldson, who, as a member of the Swedish Parliament, is a practical statesman, indulges in no illusions. The fulness with which he dwells on the political problems of Scandinavia shows that he is not inclined to forget practical questions under the attraction of splendid theories. He marks the chief dangers which threaten the peace of Europe, without the least sign of dissembling their gravity. And looking steadily upon them, he remains bold in hope; for confidence in a great cause does not come from disregarding or disparaging the difficulties by which it is beset, but from the reasonable conviction that there are forces at work which are adequate to overcome them. We believe that it is so in the case of a policy of Peace; and the facts to which Mr. Arnoldson directs attention amply justify the belief. It is of great significance that since 1794 there have been "at least sixty-seven instances in which disputes of a menacing character have been averted by arbitration"; and perhaps the unquestioning acceptance by England of the Genevan award will hereafter be reckoned as one of her noblest services to the world. It is no less important that since the principle of arbitration was solemnly recognised by the Congress of Paris in 1856, arbitral clauses have been introduced into many treaties, while the question of establishing a universal system of international arbitration has been entertained and discussed sympathetically by many parliaments. At the same time Mr. Arnoldson justly insists on the steady increase of the power of neutrals. Without accepting the possibility of "
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THE BATTLE LINE*** E-text prepared by Roger Frank, D Alexander, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 30969-h.htm or 30969-h.zip: (http://www.gutenberg.org/files/30969/30969-h/30969-h.htm) or (http://www.gutenberg.org/files/30969/30969-h.zip) THE BIG FIVE MOTORCYCLE BOYS ON THE BATTLE LINE Or With the Allies in France by RALPH MARLOW Author of "The Big Five Motorcycle Boys Under Fire," "The Big Five Motorcycle Boys at the Front," "The Big Five Motorcycle Boys' Swift Road Chase," "The Big Five Motorcycle Boys in Tennessee Wilds," "The Big Five Motorcycle Boys Through by Wireless," "The Big Five Motorcycle Boys on Florida Trails." A. L. Burt Company New York. Copyright, 1916 By A. L. Burt Company THE BIG FIVE MOTORCYCLE BOYS ON THE BATTLE LINE [Illustration: THERE WAS A SUDDEN SPITEFUL CRACK FROM THE REAR, AND JOSH DUCKED HIS HEAD INVOLUNTARILY. The Big Five Motorcycle Boys on the Battle Line. Page 35.] THE BIG FIVE MOTORCYCLE BOYS ON THE BATTLE LINE. CHAPTER I. ON THE STREETS OF ANTWERP. "Good-bye, Elmer, and you, too, Rooster!" "It's too bad we have to hurry home, and break up the Big Five Motorcycle Boys' combination, just when we've been having such royal good times over in the country of the Great War!"
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