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{"datasets_id": 2528, "wiki_id": "Q1068831", "sp": 2, "sc": 0, "ep": 10, "ec": 148} | 2,528 | Q1068831 | 2 | 0 | 10 | 148 | Illinois Route 93 | Route description & History | Illinois Route 93 Route description IL 93 is a rural, two-lane undivided surface road for its entire length. It begins at IL 91 just west of Elmira. It travels east and curves north slightly, passing through southern Elmira. Route 93 continues west through slight hills for the majority of its length, passing only township and county roads. After a curve south, it ends at an intersection with IL 40 west of Bradford. History SBI Route 93 originally ran from Galva to Bradford, with a southern spur to Toulon. In the early 1930s, U.S. Route 34 replaced Illinois 93 from west |
{"datasets_id": 2528, "wiki_id": "Q1068831", "sp": 10, "sc": 148, "ep": 10, "ec": 288} | 2,528 | Q1068831 | 10 | 148 | 10 | 288 | Illinois Route 93 | History | of Galva to west of Elmira. In 1936, Illinois Route 91 replaced the remaining segment west of Elmira to the spur, and then south to Toulon. |
{"datasets_id": 2529, "wiki_id": "Q18152507", "sp": 2, "sc": 0, "ep": 6, "ec": 591} | 2,529 | Q18152507 | 2 | 0 | 6 | 591 | Illinois Traction Building | History | Illinois Traction Building History The Illinois Traction System was established by William B. McKinley in the 1890s and 1900s. McKinley began his system by purchasing and electrifying local streetcar lines. In 1902, the system opened its first interurban line between Champaign and St. Joseph, and by 1911 it linked most major cities in Central Illinois, as well as St. Louis, Missouri. The company built the Illinois Traction Building in 1913 to replace its previous Champaign station; the new building had a central location and office space for the company. In 1928, the Illinois Traction System became part of the Illinois |
{"datasets_id": 2529, "wiki_id": "Q18152507", "sp": 6, "sc": 591, "ep": 10, "ec": 165} | 2,529 | Q18152507 | 6 | 591 | 10 | 165 | Illinois Traction Building | History & Architecture | Terminal Railroad; its utility division became the Illinois Power and Light Company and maintained offices in the Traction Building. Streetcar service to the building ended in 1936, when a new owner replaced the lines with bus service; while interurban trains continued to serve Champaign, they stopped at a different station. The building continued to house the utility company, which became known as the Illinois Power Company, until it moved to a different building in 1985. Architecture Architect Joseph Royer designed the Illinois Traction Building in a contemporary commercial style. The building was a departure from Royer's previous work, which was |
{"datasets_id": 2529, "wiki_id": "Q18152507", "sp": 10, "sc": 165, "ep": 10, "ec": 651} | 2,529 | Q18152507 | 10 | 165 | 10 | 651 | Illinois Traction Building | Architecture | primarily done in rustic or massive styles such as Romanesque. The three-story building is built from red brick and has terra cotta detailing. Four piers divide the three-bay front facade; the two side bays are slightly bowed. Terra cotta medallions top each pier, and scrolled shields on the piers mark the top of the first floor. The windows on each floor feature terra cotta sills and lintels. The building's original terra cotta cornice has been replaced by a white brick pediment. |
{"datasets_id": 2530, "wiki_id": "Q280722", "sp": 2, "sc": 0, "ep": 6, "ec": 663} | 2,530 | Q280722 | 2 | 0 | 6 | 663 | Ilya Ulyanov | Life | Ilya Ulyanov Life Ilya Ulyanov was born in Astrakhan to father, Nikolai Vasilievich Ulyanov (or Ulyanin; 1765–1838), a port-city tailor and a former serf who came from Sergachsky District, Nizhny Novgorod Governorate. He received his freedom from a landowner, Stepan Mikhailovich Brekhov. Ilya's mother, Anna Alexeyevna Smirnova (1793–1871), was the daughter of a rich city-dweller Alexei Lukyanovich Smirnov, a son of Lukyan Smirnov. Nikolai married the 30-year-old Anna in 1823. Ilya had three sisters and a brother.
Ilya Ulyanov graduated from Kazan University's Department of Physics and Mathematics in 1854. In the 1850s and 1860s, he taught mathematics and physics at |
{"datasets_id": 2530, "wiki_id": "Q280722", "sp": 6, "sc": 663, "ep": 6, "ec": 1322} | 2,530 | Q280722 | 6 | 663 | 6 | 1,322 | Ilya Ulyanov | Life | Penza Institute for the Dvoryane, and later at a gymnasium and a school for women in Nizhny Novgorod. Around that time, he married Maria Alexandrovna Ulyanova. While in Penza, Ulyanov conducted meteorological observations, on the basis of which he would write a couple of scientific works called On the Benefits of Meteorological Observations and Some Conclusions on Their Use for Penza (О пользе метеорологических наблюдений и некоторые выводы из них для Пензы) and On Thunderstorm and Lightning rods (О грозе и громоотводах).
In 1869, Ulyanov was appointed inspector of public schools in the Simbirsk guberniya (in 1874-1886 he was their director). |
{"datasets_id": 2530, "wiki_id": "Q280722", "sp": 6, "sc": 1322, "ep": 6, "ec": 2003} | 2,530 | Q280722 | 6 | 1,322 | 6 | 2,003 | Ilya Ulyanov | Life | In 1882, Ulyanov was promoted to the rank of Active State Councillor, which gave him a privilege of hereditary nobility and accompanied with the award of the Order of Saint Vladimir, 3rd Class.
Ilya Ulyanov was a well-educated man with excellent organizational and teaching skills. Some Soviet historians believed that his pedagogical views had been formed under the influence of the revolutionary ideas of Nikolai Chernyshevsky and Nikolai Dobrolyubov. Ulyanov contributed immensely to elaboration of theory and practice of elementary education. He was an advocate of equal rights for education regardless of gender, nationality and social status. In 1871, Ulyanov opened |
{"datasets_id": 2530, "wiki_id": "Q280722", "sp": 6, "sc": 2003, "ep": 6, "ec": 2417} | 2,530 | Q280722 | 6 | 2,003 | 6 | 2,417 | Ilya Ulyanov | Life | the first Chuvash school in Simbirsk, which would later be transformed into Chuvash teacher's seminar. He also established national schools for Mordvins and Tatars. Furthermore, Ulyanov organized and presided over many teacher's congresses and other events of the similar kind.
In 1886, Ulyanov died suddenly of a brain haemorrhage while in Simbirsk, which was later renamed Ulyanovsk in honor of his son. |
{"datasets_id": 2531, "wiki_id": "Q696084", "sp": 2, "sc": 0, "ep": 6, "ec": 65} | 2,531 | Q696084 | 2 | 0 | 6 | 65 | Ilztal | Geography | Ilztal Geography Ilztal lies about 20 km east of Graz and 10 km southeast of Weiz. |
{"datasets_id": 2532, "wiki_id": "Q6002339", "sp": 2, "sc": 0, "ep": 6, "ec": 536} | 2,532 | Q6002339 | 2 | 0 | 6 | 536 | Images (Brotherhood of Man album) | Background | Images (Brotherhood of Man album) Background This was the group's second album release in 1977 (although the previous album had been recorded in 1976) and was led by the single, "Angelo". The single was released in June 1977 and became one of the group's biggest hits, reaching No.1 in the UK and spending 10 weeks in the top 10.
The album was released on Pye Records in late October 1977 and also featured the follow-up single, "Highwayman". The second single failed to enter the UK charts, but did feature on the "breakers" section for two weeks in November 1977. In this |
{"datasets_id": 2532, "wiki_id": "Q6002339", "sp": 6, "sc": 536, "ep": 6, "ec": 1178} | 2,532 | Q6002339 | 6 | 536 | 6 | 1,178 | Images (Brotherhood of Man album) | Background | month, the group appeared on TV's Royal Variety Performance before the Queen, but rather than promote their latest single, they elected to perform "Angelo". "Highwayman" fared better however in the Netherlands and Belgium where it reached #15 and #18 respectively. Unlike previous albums where different songs were released in different countries, these were the only two singles released from this album anywhere. Images failed to chart in the UK despite its release being surrounded by No.1 singles "Angelo" and "Figaro". In some European countries, another song "Circus" had been featured as the B-side to "Angelo" and was included on the |
{"datasets_id": 2532, "wiki_id": "Q6002339", "sp": 6, "sc": 1178, "ep": 6, "ec": 1781} | 2,532 | Q6002339 | 6 | 1,178 | 6 | 1,781 | Images (Brotherhood of Man album) | Background | album, replacing "The Night of My Life". The B-side to "Highwayman", "Star" (also included on the album), was retitled in some territories as "Superstar". As well as the two singles from this album, three songs; "All Night", "Star" and "You Can Say That Again" were issued as B-sides.
This album saw the group adopt a more pop and in particular, ABBA-like sound, which was often commented on in the media at the time. Contemporary reviews of the album drew on the comparison, with Brotherhood of Man usually being seen as inferior. Unlike previous albums, all lead vocals were handled by female |
{"datasets_id": 2532, "wiki_id": "Q6002339", "sp": 6, "sc": 1781, "ep": 6, "ec": 2405} | 2,532 | Q6002339 | 6 | 1,781 | 6 | 2,405 | Images (Brotherhood of Man album) | Background | members Sandra Stevens and Nicky Stevens. This was a definite shift away from the more soul-like productions of earlier albums such as Love and Kisses. The album, like the others was produced by manager and co-songwriter, Tony Hiller. All twelve tracks were written by group members Martin Lee and Lee Sheriden alongside Hiller. The subject matter for some of the songs was curious in that it features three songs about female infidelity ("Safety First", "Highwayman" and "The Night of My Life"), while two feature stories of elopement ("Angelo" and "Tonight's the Night").
The front cover image was taken by Royal |
{"datasets_id": 2532, "wiki_id": "Q6002339", "sp": 6, "sc": 2405, "ep": 6, "ec": 2565} | 2,532 | Q6002339 | 6 | 2,405 | 6 | 2,565 | Images (Brotherhood of Man album) | Background | photographer Patrick Lichfield.
Images was released on Compact disc for the first time in a double-pack with Oh Boy! in May 2009 by Cherry Red Records. |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 2, "sc": 0, "ep": 4, "ec": 645} | 2,533 | Q609318 | 2 | 0 | 4 | 645 | Imagination (magazine) | Imagination (magazine) Imagination was an American fantasy and science fiction magazine first published in October 1950 by Raymond Palmer's Clark Publishing Company. The magazine was sold almost immediately to Greenleaf Publishing Company, owned by William Hamling, who published and edited it from the third issue, February 1951, for the rest of the magazine's life. Hamling launched a sister magazine, Imaginative Tales, in 1954; both ceased publication at the end of 1958 in the aftermath of major changes in US magazine distribution due to the liquidation of American News Company.
The magazine was more successful than most of the numerous science fiction |
|
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 4, "sc": 645, "ep": 4, "ec": 1288} | 2,533 | Q609318 | 4 | 645 | 4 | 1,288 | Imagination (magazine) | titles launched in the late 1940s and early 1950s, lasting a total of 63 issues. Despite this success, the magazine had a reputation for low-quality space opera and adventure fiction, and modern literary historians refer to it in dismissive terms. Hamling consciously adopted an editorial policy oriented toward entertainment, asserting in an early issue that "science fiction was never meant to be an educational tour de force". Few of the stories from Imagination have received recognition, but it did publish Robert Sheckley's first professional sale, "Final Examination", in the May 1952 issue, and also printed fiction by Philip K. Dick, |
|
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 4, "sc": 1288, "ep": 8, "ec": 524} | 2,533 | Q609318 | 4 | 1,288 | 8 | 524 | Imagination (magazine) | History | Robert A. Heinlein and John Wyndham. History American science fiction magazines first appeared in the 1920s with the appearance of Amazing Stories, a pulp magazine published by Hugo Gernsback. The beginnings of science fiction as a separately marketed genre can be traced to this time, and by the end of the 1930s the field was undergoing its first boom, but World War II and its attendant paper shortages led to the demise of several titles. By the late 1940s the market began to recover again. From a low of eight active magazines in 1946, the field expanded to 20 in |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 8, "sc": 524, "ep": 8, "ec": 1128} | 2,533 | Q609318 | 8 | 524 | 8 | 1,128 | Imagination (magazine) | History | 1950, and a further 22 had commenced publication by 1954. Imagination was launched in the middle of this publishing boom.
The groundwork was laid in 1947, when Clark Publishing, the company that would publish the first issue of Imagination, was incorporated in Evanston, Illinois, by Raymond Palmer. He worked for Ziff-Davis as the editor of Amazing Stories and did not leave until the end of 1949, but he launched two magazines under the Clark name before that date: Fate, in the spring of 1948, and Other Worlds, the first issue of which was dated November 1949. Both of these magazines listed |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 8, "sc": 1128, "ep": 8, "ec": 1739} | 2,533 | Q609318 | 8 | 1,128 | 8 | 1,739 | Imagination (magazine) | History | their editor as "Robert N. Webster", a pseudonym Palmer adopted while he was still at Ziff-Davis because of the conflict of interest. The second issue of Other Worlds reported that Webster and Palmer were going to edit together; by the third issue, dated March 1950, the pretense had been dropped and although there was no masthead listing the editor, the editorial was simply signed "Rap" (for "Raymond A. Palmer"). At the 1949 World Science Fiction Convention in Cincinnati, held over the weekend of 3–5 September, Palmer announced that he had left Ziff-Davis and described his plans for Clark Publishing. He |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 8, "sc": 1739, "ep": 8, "ec": 2353} | 2,533 | Q609318 | 8 | 1,739 | 8 | 2,353 | Imagination (magazine) | History | also met and hired Bea Mahaffey, a 21-year-old science fiction fan attending her first convention, as his assistant editor.
With Fate and Other Worlds launched, Palmer began to plan for a new magazine, to be called Imagination. Material for the first two issues had been assembled by mid-1950, but in the early summer Palmer fell down his basement stairs and was left paralyzed from the waist down. While he was hospitalized, much of the work of editing both Other Worlds and Imagination was done by Mahaffey, who coped well, despite her inexperience. An assistant, Marge Budwig Saunder, was hired to read |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 8, "sc": 2353, "ep": 8, "ec": 3034} | 2,533 | Q609318 | 8 | 2,353 | 8 | 3,034 | Imagination (magazine) | History | the slush pile and help out. The magazine's first issue, dated October 1950 on a planned bi-monthly schedule, appeared on news stands 1 August 1950. However, in September that year, Ziff-Davis made the decision to move to New York from Chicago; Palmer promptly contacted William Hamling, who did not want to relocate and suggested that Hamling take over Imagination. Like Palmer, Hamling had made preparations to leave Ziff-Davis by establishing a separate publishing company, Greenleaf Publishing, and in November 1950 Hamling left Ziff-Davis and became Imagination's editor and publisher.
In 1954 Hamling started a companion magazine, Imaginative Tales; in addition, his |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 8, "sc": 3034, "ep": 8, "ec": 3674} | 2,533 | Q609318 | 8 | 3,034 | 8 | 3,674 | Imagination (magazine) | History | company Greenleaf Publishing was the publisher of Rogue, a men's magazine modelled after Playboy. In 1957 the liquidation of American News Company, a major distributor, meant that many magazines had to scramble to find new distributors. Independent distributors often required that the magazines be monthly, and that they be in a larger format than the digest-size common in science fiction magazines. The larger format required higher revenue to be profitable, but in many cases it proved impossible to attract the additional advertising income that would have kept the magazines afloat. By the end of 1958, many titles had disappeared as |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 8, "sc": 3674, "ep": 8, "ec": 4308} | 2,533 | Q609318 | 8 | 3,674 | 8 | 4,308 | Imagination (magazine) | History | a result, with Imagination one of the victims; Hamling closed down both Imagination and its sister magazine to invest the money in Rogue instead. The last issue of Imagination was October 1958, the 63rd issue, while Imaginative Tales, retitled Space Travel, ceased with the November 1958 issue. There was no indication in either magazine that the end had come, though the last issue of Imagination omitted its letter, book review and pen-pal columns, all of which had appeared regularly in prior issues.
Circulation figures were not required to be published annually until the 1960s, so the actual circulation figures are not |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 8, "sc": 4308, "ep": 12, "ec": 347} | 2,533 | Q609318 | 8 | 4,308 | 12 | 347 | Imagination (magazine) | History & Contents and reception | known. For comparison, the more successful Magazine of Fantasy and Science Fiction, which had been launched the previous year, is known to have had a circulation of just under 60,000 copies for its first issue, dated Fall 1949. Contents and reception The cover story for the first issue was "The Soul Stealers" by Chester S. Geier, a regular in the Ziff-Davis magazines Amazing Stories and Fantastic Adventures. The story was a science fantasy tale of Leeta, a beautiful woman from another dimension stealing the souls of men to try to save her father. The cover illustration, by Hannes Bok, showed |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 12, "sc": 347, "ep": 12, "ec": 1026} | 2,533 | Q609318 | 12 | 347 | 12 | 1,026 | Imagination (magazine) | Contents and reception | Leeta on her flying steed. Other contributors included Rog Phillips, another prolific magazine author, and Kris Neville, whose first story had been published only the year before. Neville's work appeared regularly in the first few years of the magazine; other prolific contributors included Dwight V. Swain, Daniel F. Galouye and Milton Lesser. Edmond Hamilton's work also appeared frequently towards the end of the magazine's life. The magazine often contained a long novel as the lead attraction.
In addition to less well-known regulars, some more prominent writers occasionally appeared. Ray Bradbury's "The Fire Balloons" was published in the April 1951 issue, under |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 12, "sc": 1026, "ep": 12, "ec": 1715} | 2,533 | Q609318 | 12 | 1,026 | 12 | 1,715 | Imagination (magazine) | Contents and reception | the title "'…In This Sign'"; the story was later incorporated into Bradbury's fixups, The Martian Chronicles and The Illustrated Man. Robert Sheckley's first story, "Final Examination", appeared in the May 1952 issue. Other well-known authors who were published in Imagination include Poul Anderson, John Wyndham (as "John Beynon"), James Blish, Philip K. Dick, Harlan Ellison, Robert A. Heinlein, Frederik Pohl and Robert Silverberg.
Imagination is generally thought of by historians of science fiction as one of the weaker magazines of the 1950s, despite its relative longevity. Donald Tuck, in his Encyclopedia of Science Fiction and Fantasy, dismissed the novels it published, |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 12, "sc": 1715, "ep": 12, "ec": 2371} | 2,533 | Q609318 | 12 | 1,715 | 12 | 2,371 | Imagination (magazine) | Contents and reception | saying, "not many were noteworthy, most being in the interplanetary/space opera/adventure field", and Brian Stableford, a science fiction writer and critic, described it as dealing "primarily in routine space opera." James Blish, writing under the pseudonym "William Atheling, Jr.", which he used for some of his critical writing, remarked that it was a "widely unread" magazine. Hamling's editorial policy was consciously slanted against intellectualism. In the November 1951 issue he commented that "science fiction was never meant to be an educational tour de force. The so-called adult story is nothing more than an attempt to show the reader how dumb |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 12, "sc": 2371, "ep": 12, "ec": 2976} | 2,533 | Q609318 | 12 | 2,371 | 12 | 2,976 | Imagination (magazine) | Contents and reception | he is and how smart the editor is." Imagination's approach, he said, was to publish entertainment: "What we need is a little relaxation. And entertaining reading is one way to get it." Some readers agreed with Hamling; a 1952 issue of Rhodomagnetic Digest, a fanzine, contains approving commentary on Hamling's editorial by Gregg Calkins, a fan of the period.
Starting with the April 1951 issue, a regular column on science fiction fandom began, titled "Fandora's Box". It was written by Mari Wolf, an active fan, for five years, and was taken over by Robert Bloch from June 1956 through the end. |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 12, "sc": 2976, "ep": 12, "ec": 3541} | 2,533 | Q609318 | 12 | 2,976 | 12 | 3,541 | Imagination (magazine) | Contents and reception | The column had an excellent reputation, and was one of the few such columns in the professional magazines. Every issue carried an editorial, and a letter column appeared in every issue but the very last. A book review column began in June 1953, and appeared in every issue except the last one. It was initially by Mark Reinsberg, and was taken over by Henry Bott in May 1954 after two months in which both reviewers contributed to the column. A "Cosmic Pen Club" column, where fans could post requests for pen-pals, began in February 1957; as with the book reviews |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 12, "sc": 3541, "ep": 12, "ec": 4171} | 2,533 | Q609318 | 12 | 3,541 | 12 | 4,171 | Imagination (magazine) | Contents and reception | it appeared regularly, excepting only the last issue. Beginning in September 1951, the inside front cover was often used for an "Introducing the Author" feature, with short pieces by and about a writer or artist who appeared in the issue. These included photographs of the authors in question, a feature not typically found in other magazines. Among the better-known authors featured were Heinlein, Evan Hunter and Philip K. Dick. "Introducing the Author" skipped four issues from October 1954 to January 1955, and ceased altogether with the April 1956 issue. One issue, May 1953, included pictures from that year's World Science |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 12, "sc": 4171, "ep": 16, "ec": 444} | 2,533 | Q609318 | 12 | 4,171 | 16 | 444 | Imagination (magazine) | Contents and reception & Bibliographic details | Fiction in Chicago, rather than a feature about an author. The most frequently appearing cover artists were Harold W. McCauley, Lloyd Rognan, Malcolm Smith and William Terry. Bibliographic details Imagination was digest size (7.5 × 5.5 inches or 19.1 × 14.0 cm) for its first 17 issues, and then shrank slightly to a short digest size (7.25 × 5.5 inches or 18.4 × 14.0 cm) for the rest of its run, a further 46 issues. The volume number rose by one at the start of each calendar year, regardless of the number of issues. Volume 1, 1950, contained only two issues; subsequent volumes contained five to twelve issues, depending on frequency of |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 16, "sc": 444, "ep": 16, "ec": 1050} | 2,533 | Q609318 | 16 | 444 | 16 | 1,050 | Imagination (magazine) | Bibliographic details | publication. The overall issue number was printed on the spine (an unusual practice) along with the volume number. The first issue had a publication date of October 1950, and the schedule was bimonthly through the September 1952 issue except that June 1951 was followed by September 1951. The next four issues were dated October 1952, December 1952, January 1953 and February 1953, and then a monthly run began with April 1953 that lasted without a break until the July 1955 issue. The next issue was October 1955, which inaugurated another bimonthly period that ran with perfect regularity until the last |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 16, "sc": 1050, "ep": 16, "ec": 1662} | 2,533 | Q609318 | 16 | 1,050 | 16 | 1,662 | Imagination (magazine) | Bibliographic details | issue, October 1958. The price remained at 35 cents throughout.
The title of the magazine was initially "Imagination: Stories of Science and Fantasy"; it changed with the October 1955 issue to "Imagination: Science Fiction", though this change was only on the cover and spine and was never reflected on the masthead.
The first 28 issues were 166 pages long. The page count dropped to 134 with the April 1954 issue and stayed at that length for the remainder of the run. The cover layout initially strongly resembled that of Other Worlds but was changed with the fifth issue, June 1951, to have a |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 16, "sc": 1662, "ep": 16, "ec": 2250} | 2,533 | Q609318 | 16 | 1,662 | 16 | 2,250 | Imagination (magazine) | Bibliographic details | white background banner for the title. This format was retained for the rest of the magazine's life, with occasional slight variations such as using a different color for the banner background. The spine also changed from a colored spine with pale lettering, which was similar to the spine style used by Other Worlds, to a white spine with red or blue lettering.
The publisher was Clark Publishing Company for the first two issues. The editor for those issues was Raymond Palmer, but as he was hospitalized much of the work was done by Bea Mahaffey. As a result, these two issues |
{"datasets_id": 2533, "wiki_id": "Q609318", "sp": 16, "sc": 2250, "ep": 16, "ec": 2465} | 2,533 | Q609318 | 16 | 2,250 | 16 | 2,465 | Imagination (magazine) | Bibliographic details | are sometimes indexed with Mahaffey as editor. With the third issue, Greenleaf Publishing Company became the publisher and William Hamling took over as editor, a position he retained throughout the magazine's life. |
{"datasets_id": 2534, "wiki_id": "Q6003379", "sp": 2, "sc": 0, "ep": 6, "ec": 553} | 2,534 | Q6003379 | 2 | 0 | 6 | 553 | Imar the Servitor | Plot | Imar the Servitor Plot Imar the Servitor rescues an American tourist who has lost his way in the desert and the two men become friends. Before he leaves, the American gives his friend a picture of his fiancée. When the tourist returns home, he discovers that his girlfriend has married a horseman, both of whom have journeyed to the Arabian desert. Imar's master attacks the trader's wife. Her husband then accuses her of infidelity and starts to beat her. Imar recognizes her from the picture given to him by his American friend and rescues her. They both traverse the desert |
{"datasets_id": 2534, "wiki_id": "Q6003379", "sp": 6, "sc": 553, "ep": 6, "ec": 696} | 2,534 | Q6003379 | 6 | 553 | 6 | 696 | Imar the Servitor | Plot | and meet her former fiancé, who has been sent for. Her husband and Imar's master are slain, leaving the three friends free of any retribution. |
{"datasets_id": 2535, "wiki_id": "Q16643279", "sp": 2, "sc": 0, "ep": 10, "ec": 189} | 2,535 | Q16643279 | 2 | 0 | 10 | 189 | Imed Louati | CS Sfaxien & Hangzhou Greentown | Imed Louati CS Sfaxien Louati started his football career with Tunisian Ligue Professionnelle 1 club CS Sfaxien in 2012. On 1 September 2012, he made his senior debut in a league match against EGS Gafsa, coming on as a substitute for Fakhreddine Ben Youssef in the 82nd minute. He was described by Philippe Troussier, who was the manager of CS Sfaxien in 2014, as a hot prospect for the future. Hangzhou Greentown On 8 January 2015, CS Sfaxien announced Louati would loan to Chinese Super League side Hangzhou Greentown for six months, rejoining Philippe Troussier. Hangzhou Greentown confirmed the loan |
{"datasets_id": 2535, "wiki_id": "Q16643279", "sp": 10, "sc": 189, "ep": 18, "ec": 148} | 2,535 | Q16643279 | 10 | 189 | 18 | 148 | Imed Louati | Hangzhou Greentown & Dalkurd FF & Vejle Boldklub | deal on 28 January. Hangzhou Greentown made the move permanent in June 2015; however, after Troussier was sacked by the club, Louati was loaned to K League Challenge side Gyeongnam FC in July 2015. Dalkurd FF Louati spend the fall of 2016 in Swedish second tier club Dalkurd FF. He scored three goals in five matches before he got injured and had to see the rest of the 2016-season from the stands. Vejle Boldklub On the 9th of February the Danish club Vejle Boldklub announced that Imed Louati had travelled to Turkey with the squad to participate in a training |
{"datasets_id": 2535, "wiki_id": "Q16643279", "sp": 18, "sc": 148, "ep": 22, "ec": 94} | 2,535 | Q16643279 | 18 | 148 | 22 | 94 | Imed Louati | Vejle Boldklub & Hobro IK | camp prior to the last part of the 2016/2017-season. The club announced that a free transfer would be announced during the training camp.
He scorede 10 league goals and became topscorer in Vejle Boldklub in the 2017/2018-season in which the club won promotion to Superligaen.
Vejle got relegated in the following season and announced on 10 July 2019, that Louati's contract had been terminated by mutual consent after playing 61 games in total for the club and scored 17 goals. Hobro IK On 13 September 2019, Louati signed a two-year contract with Hobro IK in the Danish Superliga. |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 2, "sc": 0, "ep": 4, "ec": 656} | 2,536 | Q16239649 | 2 | 0 | 4 | 656 | Imperial examination in Chinese mythology | Imperial examination in Chinese mythology The imperial examination was a civil service examination system in Imperial China designed to select the best potential candidates to serve as administrative officials, for the purpose of recruiting them for the state's bureaucracy. With the avowed purpose of testing and selecting candidates for merit, the examination system markedly influenced various aspects of society and culture in Imperial China, including Chinese mythology.
The imperial civil service examinations were designed as objective measures to evaluate the educational attainment and merit of the examinees, as part of the process by which to make selections and appointments to |
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{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 4, "sc": 656, "ep": 4, "ec": 1375} | 2,536 | Q16239649 | 4 | 656 | 4 | 1,375 | Imperial examination in Chinese mythology | various offices within the structure of the government of the Chinese empire, or, sometimes, during periods of Chinese national disunion, of offices within the various states. During more recent historical times, successful candidates could receive the jinshi (chin-shih), and other degrees, generally followed by assignment to specific offices, with higher level degrees and competitive ranking within the degrees tending to lead to higher ranking placements in the imperial government service. The examination system developed largely in response to religious and philosophical ideas about ideal social order. Also, traditional Chinese religion and philosophy responded to concerns about the examination system. Both |
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{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 4, "sc": 1375, "ep": 8, "ec": 384} | 2,536 | Q16239649 | 4 | 1,375 | 8 | 384 | Imperial examination in Chinese mythology | Sacred origins | processes were intimately bound together with a literary system and other traditions which had a relative continuity of several thousand years. The actual examination process developed together with various related philosophical, religious, and narrative concepts to produce a distinct mythological motif. Sacred origins A common mythological motif provides a religious type of sacredness to later social institutions by projecting their origins back to a time when deities and culture heroes were credited with having divinely or miraculously created them, thus giving them an aura of greater-than-human qualities, and a justification for their existence and structural qualities with an implication that |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 8, "sc": 384, "ep": 12, "ec": 301} | 2,536 | Q16239649 | 8 | 384 | 12 | 301 | Imperial examination in Chinese mythology | Sacred origins & Origin myth: Shun's succession | these are things which mere mortals should not question (as well as avoiding giving credit for their institution to a preceding rival dynasty). This applies particularly to the Chinese system of examinations to recruit government officials and to the related institutions of governmentally sponsored and controlled education. Origin myth: Shun's succession The first instance tantamount to an idea of imperial examination is mentioned in the Shang shu ("Yao dian" 堯典), long before a whole bureaucracy of testing was developed. The text describes Emperor Yao's intent of examining abilities of his successor. Yao, one of the Three Sovereigns and Five Emperors |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 12, "sc": 301, "ep": 12, "ec": 882} | 2,536 | Q16239649 | 12 | 301 | 12 | 882 | Imperial examination in Chinese mythology | Origin myth: Shun's succession | (traditional dates of rule approximately 2852-2070 BC), saw commencement of the Great Flood. As he grew old in age, the Emperor Yao perceived that he would not live long enough to see the end of the flood. Therefore, he began to seek a successor, someone worthy enough and capable enough to rescue the people from this great calamity. Yao did not turn to the patriarchal system of choosing one of his sons. Yao wished to find the most talented and worthy person in the kingdom. Yao offered his throne to Four Mountains, but Four Mountains declined. Instead, they recommended Shun. |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 12, "sc": 882, "ep": 12, "ec": 1461} | 2,536 | Q16239649 | 12 | 882 | 12 | 1,461 | Imperial examination in Chinese mythology | Origin myth: Shun's succession | At the time, Shun is said to have been at home displaying filial piety. Despite this evidence of his virtue, and the recommendation of Four Mountains, Yao decided that in order to recruit a replacement for the highest of the civil service offices, that of emperor himself, it would only be prudent to instigate a series of tests. The tests included marrying Shun to his two daughters, Fairy Radiance (Ehuang) and Maiden Bloom (Nüying), to see whether Shun could maintain family harmony at home, and ended by sending him down from the mountains to the plains below where Shun had |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 12, "sc": 1461, "ep": 12, "ec": 2062} | 2,536 | Q16239649 | 12 | 1,461 | 12 | 2,062 | Imperial examination in Chinese mythology | Origin myth: Shun's succession | to face fierce winds, thunder, and rain during the course of some test of unexplained mystery. Candidate Shun successfully passed this series of imperial examinations and was recruited as emperor, serving, it is said, as co-emperor, until the death of Yao. Shun and Yao both became mythological cultural heroes, due, in part, to their fight against the flood, and helping the people to lead better lives. The story of how Yao chose Shun by seeking and testing for the most virtuous and meritorious person in the whole empire became a mainstay of Confucian discourse, with Yao and Shun being glorified |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 12, "sc": 2062, "ep": 16, "ec": 182} | 2,536 | Q16239649 | 12 | 2,062 | 16 | 182 | Imperial examination in Chinese mythology | Origin myth: Shun's succession & Triennial examination tradition | as epitomes of virtue. A likewise pattern, glorifying merit on the expense of the family ties, is described in succession of Shun by Yu the Great. Also, in later mythology and folk religion, the stories of the examinations of the dead in Heaven or Hell show certain parallels, in the way Chinese folk religion typically depicts the non-mundane world and the world of humans to mirror each other. Triennial examination tradition Shun is also credited with a universal gathering of his nobles and subjecting them to imperial examination every 3 years, in order to decide about promotions, demotions, or retaining |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 16, "sc": 182, "ep": 20, "ec": 569} | 2,536 | Q16239649 | 16 | 182 | 20 | 569 | Imperial examination in Chinese mythology | Triennial examination tradition & Music Bureau | of the current status in the governance structure. Music Bureau During the later dynastic history of China, there existed a government Music Bureau (most notably during a certain during part of the Han dynasty, during the Tang dynasty, and perhaps similarly in the Qin dynasty): this was an institution involving the setting of standards and competitive evaluations thereby. In mythology, this involves one of the motifs which provide a religious-type of sacrality to the institution. The Music Bureau, or Ministry of Music was actually not a music academy in the modern sense: its function included the collection and composition of |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 20, "sc": 569, "ep": 20, "ec": 1230} | 2,536 | Q16239649 | 20 | 569 | 20 | 1,230 | Imperial examination in Chinese mythology | Music Bureau | music and poetry for royal court functions of entertainment and religious rites, but its functionality was much more. The tradition behind the Shijing poetry anthology was that the reason that poems (and presumably accompanying musical scores and choreography, now lost) were collected, polished, and brought to court for presentation to the emperor was to inform him of the thoughts, feelings, and conditions of the various peoples in different parts of the empire. That tradition that Confucius himself served as the editor-in-chief of the Shijing provided great prestige to this concept, together with several explicit comments commending the results in the |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 20, "sc": 1230, "ep": 20, "ec": 1869} | 2,536 | Q16239649 | 20 | 1,230 | 20 | 1,869 | Imperial examination in Chinese mythology | Music Bureau | Confucian classics. The Han dynasty Music Bureau was also explicitly avowed to serve a similar function. This was not the only educational function attributed to the Music Bureau: even going back to the early mythological tradition, the original Ministry of Music was founded by the demi-god Emperor Shun, in order to teach propriety and harmony to his heirs apparent. Thus, a certain moral function was built into the tradition from its origins.
In mythology, the original Ministry of Music was founded by the demi-god Emperor Shun, in order to teach propriety and harmony to his heirs apparent. Thus, the mythological foundation |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 20, "sc": 1869, "ep": 24, "ec": 160} | 2,536 | Q16239649 | 20 | 1,869 | 24 | 160 | Imperial examination in Chinese mythology | Music Bureau & Zhou selection of the worthy and the capable | (sometimes considered to be the legendary historical foundation) of the Chinese educational system) and the original archetype later cited by scholar-officials responsible in historical times for public administration institutional design was told in the story of Shun, and how he arranged his government, including a Music Ministry (Wu, 255-256). The work of the Music Bureau was eventually incorporated into the testing curriculum of the imperial examination system. Zhou selection of the worthy and the capable The existence of the Zhou dynasty is a historically-proven fact, as are the literary phenomena associated with this dynasty. However, much of the material about |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 24, "sc": 160, "ep": 28, "ec": 446} | 2,536 | Q16239649 | 24 | 160 | 28 | 446 | Imperial examination in Chinese mythology | Zhou selection of the worthy and the capable & Myth versus history | it is also known to be mythological, and some remains indeterminate. The rites and records known from the Zhou era do include a prototypical imperial examination system. Myth versus history Traditional Chinese-source scholarship regarding ancient China typically involves a dual tradition: a historicizing tradition that results in scholarship such as K. C. Wu's, which removes the unicorns from the writings of Confucius by implying that this was merely an artifact of his final senile descent towards death, saying that when this prime example of a mythological beast appeared in the works of Confucius, it caused him to "lay down his |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 28, "sc": 446, "ep": 28, "ec": 1042} | 2,536 | Q16239649 | 28 | 446 | 28 | 1,042 | Imperial examination in Chinese mythology | Myth versus history | pen and write no more" and that "[h]e died two years later" (Wu, 6); and to go on to similarly strip other mythological elements out of the ancient writings in order to provide a history of the rise of the Zhou dynasty which lacks much from the preserved accounts (that is, it preserves the historical—especially that confirmed by the oracle bones and other archeology—and rejects the embedded mythology); and, also there is the mythologizing and popular culture versions such as that the Ji family that founded the Zhou dynasty was the result of Jiang Yuan's supernatural conception of Houji or |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 28, "sc": 1042, "ep": 28, "ec": 1611} | 2,536 | Q16239649 | 28 | 1,042 | 28 | 1,611 | Imperial examination in Chinese mythology | Myth versus history | the Fengshen Yanyi version that allows the rise of Zhou to revolve around the interactions of the goddess Nüwa, a fox spirit with nine tails that is a thousand years old, a nine-headed pheasant, a jade pipa (a musical instrument capable of assuming human form), and so on. King Wen of Zhou (the name and title "king", wang, were posthumously conferred) was also known as the Literate Duke of Zhou, and he is credited in the dual tradition as the founder of many Chinese institutions, including the Biyong academy with a teaching staff of 3 elders plus 5 various others |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 28, "sc": 1611, "ep": 32, "ec": 495} | 2,536 | Q16239649 | 28 | 1,611 | 32 | 495 | Imperial examination in Chinese mythology | Myth versus history & Confucian rationalism | and a system of universal recruitment into service based upon merit which involved examinations, posthumously regarded as "imperial" (Wu, 256). Confucian rationalism From a certain viewpoint, the examination system represented the most rationalistic aspect of the Confucian system. The system of testing was designed according to the principle of a society ruled by men of merit, and to achieve this by objectively measuring various candidates knowledge and intelligence. However, in actual operation, the system also aspects of religious and irrational beliefs more complex than this (Yang, C. K., 265-266). The idea of Fate is a mythological motif which had a |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 32, "sc": 495, "ep": 36, "ec": 273} | 2,536 | Q16239649 | 32 | 495 | 36 | 273 | Imperial examination in Chinese mythology | Confucian rationalism & Zhong Kui | significant role in the cultural context of the examination system involving cosmic forces which predestine certain results of human affairs: particularly that individual success or failure is subject to the will of Heaven, and that the results of taking the imperial examinations could be influenced by the intervention of various deities (Yang C. K, 265-268). Zhong Kui Zhong Kui, also spelled Chung-kuei, was a deity associated with the examination system, who achieved a major posthumous promotion during the Tang dynasty. The story is that a certain scholar took the tests, and, despite his most excellent performance, which should have won |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 36, "sc": 273, "ep": 40, "ec": 219} | 2,536 | Q16239649 | 36 | 273 | 40 | 219 | Imperial examination in Chinese mythology | Zhong Kui & Naming taboo | him first place, he was unfairly deprived of the first place prize by a corrupt official: in response, the scholar killed himself, the act of suicide condemning him to be a ghost. Many people afraid of traveling on roads and paths that may be haunted by evil spirits have worshiped Zhong Kui as an efficacious protective deity (Christie, 60, and picture, 58). Naming taboo Some individuals were discriminated against because of their names, due to a naming taboo. For example, because the Tang dynasty poet Li He's father's name sounded like the jin, in jinshi, he was discouraged from taking |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 40, "sc": 219, "ep": 44, "ec": 428} | 2,536 | Q16239649 | 40 | 219 | 44 | 428 | Imperial examination in Chinese mythology | Naming taboo & Symbology | the tests (Hinton, 286). The claim was that if Li He was called a jinshi, it would be against the rule of etiquette that a son not be called by his father's name. Symbology The symbology of the imperial examinations and that of imperial appointment to high office are much the same, as would be expected from the close relationship which they share with each other, especially in late imperial times. Wolfram Eberhard (article under title "Official", 214-216) lists a number in his Dictionary of Chinese Symbols, including eggplant (or aubergine) (茄子, qiézi), because the fruit together with its calyx |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 44, "sc": 428, "ep": 44, "ec": 1020} | 2,536 | Q16239649 | 44 | 428 | 44 | 1,020 | Imperial examination in Chinese mythology | Symbology | looks like a man wearing a type of cap (冠, guān, which is homonymous with guān, meaning "an official") -- the caps or hats were awarded to promoted officials and so symbolic of official office (Eberhard, under "Aubergine"). Also, beans, or dried bean curd ("bean curd" referring to tofu) also were used in illustrations and other symbology to represent officialdom due to the similarity in sound between dòu gān (豆乾, dried bean curd) and dà guān (大官, high official, as Eberhard discusses under "Bean"). Also, Eberhard defines the combined images of the maple (楓, fēng) and a monkey (猴, hóu), |
{"datasets_id": 2536, "wiki_id": "Q16239649", "sp": 44, "sc": 1020, "ep": 44, "ec": 1132} | 2,536 | Q16239649 | 44 | 1,020 | 44 | 1,132 | Imperial examination in Chinese mythology | Symbology | or a monkey and a horse (馬, mǎ) as related to official government service. Also, there is the scholar (士, shì). |
{"datasets_id": 2537, "wiki_id": "Q6009079", "sp": 2, "sc": 0, "ep": 6, "ec": 85} | 2,537 | Q6009079 | 2 | 0 | 6 | 85 | In Between Evolution | Cover art | In Between Evolution Cover art The album cover art was designed by Cameron Tomsett, a Canadian artist from Kingston. |
{"datasets_id": 2538, "wiki_id": "Q1096763", "sp": 2, "sc": 0, "ep": 6, "ec": 473} | 2,538 | Q1096763 | 2 | 0 | 6 | 473 | In Heaven (album) | Reception | In Heaven (album) Reception According to its agency, it sold 165,000 copies within 3 days of release and surpassed 450,000 sales mark.
The album peaked at number one on Gaon Weekly Album Chart for the week starting on 2 October 2011 and was the best-selling album on Gaon Monthly Album Chart for September with 100,433 sales and second for October with 81,867 sales.
The title track "In Heaven" debuted on Billboard's Korea K-Pop Hot 100 at number 10 for the week of 22 September 2011. |
{"datasets_id": 2539, "wiki_id": "Q6010124", "sp": 2, "sc": 0, "ep": 6, "ec": 77} | 2,539 | Q6010124 | 2 | 0 | 6 | 77 | In My Head It Works | Personnel | In My Head It Works Personnel All tracks written and performed by Buchanan/del Rio/Moorcroft/Aitken/del Rio |
{"datasets_id": 2540, "wiki_id": "Q16847894", "sp": 2, "sc": 0, "ep": 14, "ec": 46} | 2,540 | Q16847894 | 2 | 0 | 14 | 46 | In the Woods Festival | History & The Quarry & Laurel Lounge | In the Woods Festival History The inspiration behind the festival came when Laurel Collective drummer Charlie Andrew and guitarist Olly Puglisi were walking Mulberry (Charlie's dog) through the woods and had the idea of putting on a DIY festival with their band and their friends. In August 2006 the first event took place with 4 acts and one stage. The Quarry The Quarry is the main stage and is located in a disused clay quarry which
forms a natural amphitheatre amongst the trees and serves as the main performance area. Laurel Lounge The Laurel Lounge is the second stage which is |
{"datasets_id": 2540, "wiki_id": "Q16847894", "sp": 14, "sc": 46, "ep": 26, "ec": 366} | 2,540 | Q16847894 | 14 | 46 | 26 | 366 | In the Woods Festival | Laurel Lounge & Spoken Word Stage & 2016 & 2014 | set amongst laurel trees and plays to host to the more acoustic acts of the festival. Spoken Word Stage The Spoken Word Stage, located in a woodland grove and amplified through individual wireless headphones, is the venue for a programme of poetry, storytelling and comedy curated by the singer and songwriter Richard Navarro. 2016 The Quarry
Benjamin Francis Leftwich
The Invisible ft. Sivu, ESKA, Rosie Lowe, Georgia, Ade Omotayo & LCV choir
The Cribs
Weaves
Sevdaliza
Bad Sounds
Will Joseph Cook
Elderbrook
Shame
Roseau
Wovoka Gentle
Willie J Healey
Bruce O Yates
Laurel Lounge
Laurel Collective
Jorja Smith
Francobollo
Trim
Let’s Eat Grandma
Jennifer Evans
Strong Asian Mothers
Adam Betts
Dreller
ILK
Matt Woods 2014 The Quarry
Laura Marling
Toddla T
Glass Animals
Kate Tempest
Years & Years
Francobollo
Pomrad
Nao
Kyan
Shopping
Febueder
Laurel Lounge
Marika Hackman
Slaves
Soak
Jack |
{"datasets_id": 2540, "wiki_id": "Q16847894", "sp": 26, "sc": 366, "ep": 42, "ec": 292} | 2,540 | Q16847894 | 26 | 366 | 42 | 292 | In the Woods Festival | 2014 & 2013 & 2012 & 2011 & 2010 | Garratt
Gengahr
Trudie Dawn Smith
Ichi
Laura J Martin
Juffage
Rachael Lander 2013 The Quarry
Lianne La Havas
Ghostpoet
Drenge
Findlay
Young Fathers
Sivu
Superfood
Landshapes
Khushi
Benin City
Phox
Emperor Yes
Laurel Lounge
Kwabs
Fimber Bravo
Marika Hackman
Maxixe
Soccer 96
Nick Mulvey
Hello Skinny
Rosie Lowe
Fun Adults
Barnacles 2012 'The Quarry
Alt-J (∆)
Laurel Collective
Dog Is Dead
AlunaGeorge
Kwes
Peter and Kerry
Raisa K
Fiction
Laurel Lounge
Stealing Sheep
Nordic Giants
Eska
Tanya Auclair
Beaty Heart
SiVU
Maia
Nathan Holme
Spoken Word (new for 2012)
Charlie Dupre, The Freewheelin' Troubadour, Juha Virtanen, Richard Dadd, Indigo Williams, Dorothy Lehane/Richard Navarro 2011 The Quarry
Micachu and the Shapes
Laurel Collective
Post War Years
Man Like Me
Pete and the Pirates
DELS
Three Trapped Tigers
Clout!
Laurel Lounge
Anaïs Mitchell
Lucy Rose
Lianne La Havas
Alt-J (∆)
Peter and Kerry
Oliver Coates + Moates and Thrones
Elan Tamara
L.A. Salami
Dogtanion 2010 The Quarry
Anna Calvi
Laurel Collective
Connan Mockasin
Poino
Vadoinmessico
John & Jehn
Lail Arad
David's Lyre
Laurel Lounge
The Invisible
Lime Headed |
{"datasets_id": 2540, "wiki_id": "Q16847894", "sp": 42, "sc": 292, "ep": 46, "ec": 460} | 2,540 | Q16847894 | 42 | 292 | 46 | 460 | In the Woods Festival | 2010 & 2009 | Dog
Lulu & The Lampshades
Honeytrap
Mariners Children
Tristram
Raven 2009 The Quarry
The Invisible
Anna Calvi
Laurel Collective
Micachu and the Shapes
Pete and the Pirates
Connan Mockasin
Screaming Tea Party
Alessi's Ark
Laurel Lounge
Olivia Chaney
Honeytrap
Josie Lloyd
Lail Arad
Russel Joslin
Oli Wennink
Inner City Pirates |
{"datasets_id": 2541, "wiki_id": "Q784574", "sp": 2, "sc": 0, "ep": 4, "ec": 623} | 2,541 | Q784574 | 2 | 0 | 4 | 623 | Inconnu Independent Art Group | Inconnu Independent Art Group Inconnu Art Group (later the Inconnu Independent Art Group) is the name of a Hungarian group of maverick fine artists from the communist and postcommunist eras. The original members were Bokros Péter, Molnár Tamás, Csécsei Mihály, Mészáros Bánk, Letenyei József, Sipos Mihály, Kopács Kovács Miklós, and Morva Ibolya. The foundation date of the group is unknown, but as Péter Bokros remembers (in 2005), they started their common activities in 1978, Cegléd, but the name "inconnu" came later.
They took part in (often illegal) exhibitions and performances in the eighties; and were considered as an important part of |
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{"datasets_id": 2541, "wiki_id": "Q784574", "sp": 4, "sc": 623, "ep": 8, "ec": 298} | 2,541 | Q784574 | 4 | 623 | 8 | 298 | Inconnu Independent Art Group | Post-Communism | the Hungarian democratic opposition both in Hungary and in abroad. From 1979 they were subject to serious manhunt by the Hungarian authorities, and they were continuously followed and eyed by secret agents. Post-Communism After 1994 some members became active again and continued – in their words – their "anti-communist" drive, now against the (post-communist socialist) governments (led by Hungarian Socialist Party, MSzP). Other members created independent art and to explore the "rubberized horror of global powers". |
{"datasets_id": 2542, "wiki_id": "Q965979", "sp": 2, "sc": 0, "ep": 6, "ec": 513} | 2,542 | Q965979 | 2 | 0 | 6 | 513 | Indaletius | Veneration | Indaletius Veneration In 1084, emissaries of Sancho Ramírez, King of Aragon and Navarre translated Indaletius’ relics to San Juan de la Peña near Jaca against the will of the Christian communities in Seville and Urci. Some of his relics still rest in an urn in the main altar of the cathedral of Jaca.
Other relics associated with Indaletius are claimed to have been placed below the altar of the Cathedral of Almería and at the Conciliar Seminary of San Indalecio de Almería (Seminario Conciliar de San Indalecio de Almería). |
{"datasets_id": 2543, "wiki_id": "Q6015765", "sp": 2, "sc": 0, "ep": 6, "ec": 60} | 2,543 | Q6015765 | 2 | 0 | 6 | 60 | Indecision (Steven Page song) | Music video | Indecision (Steven Page song) Music video The music video for "Indecision" debuted on October 9, 2010. |
{"datasets_id": 2544, "wiki_id": "Q6019910", "sp": 2, "sc": 0, "ep": 4, "ec": 112} | 2,544 | Q6019910 | 2 | 0 | 4 | 112 | Indian Bay (Newfoundland and Labrador) | Indian Bay (Newfoundland and Labrador) Indian Bay is a natural bay off the island of Newfoundland in the province of Newfoundland and Labrador, Canada. |
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{"datasets_id": 2545, "wiki_id": "Q6020745", "sp": 2, "sc": 0, "ep": 10, "ec": 141} | 2,545 | Q6020745 | 2 | 0 | 10 | 141 | Indian Island (Humboldt Bay) | Geography & Early history | Indian Island (Humboldt Bay) Geography The island is the largest of three islands located between the Samoa and Eureka Channels within Humboldt Bay and primarily consists of tidal marsh. Over time, human habitation on the island changed its topography, in part due to a process known as shell mounding, which increased the elevation of the island as Wiyot continually placed shells remaining from subsistence fishery management in the same location over a period of centuries. Early history The indigenous Wiyot lived in Tolowot village on Duluwat Island long enough to alter the topography by the accumulation of shell fragments in |
{"datasets_id": 2545, "wiki_id": "Q6020745", "sp": 10, "sc": 141, "ep": 10, "ec": 806} | 2,545 | Q6020745 | 10 | 141 | 10 | 806 | Indian Island (Humboldt Bay) | Early history | middens, and the island became tall enough to be visible on the horizon from several miles away.
A non-degree student and employee of the University of California Llewellyn Lemont Loud (1879-1946) conducted archaeological excavations of the island in 1918 that showed evidence of habitation since around 900 CE. The group of artifacts he excavated and described became known as the Gunther Pattern or Gunther Phase which encompasses the final phase of native dominance lasting until historic times and describes a style of Native American projectile points, grave goods and other archaeological remains which identify a second migration within California |
{"datasets_id": 2545, "wiki_id": "Q6020745", "sp": 10, "sc": 806, "ep": 18, "ec": 158} | 2,545 | Q6020745 | 10 | 806 | 18 | 158 | Indian Island (Humboldt Bay) | Early history & 1860 massacre & European settlement | around 300 CE. The first major evidence of this came from Gunther Island Site 67 on Indian Island. 1860 massacre On February 26, 1860, about one hundred Wiyot people, mainly women and children, were massacred during a World Renewal Ceremony. The massacre was carried out by European immigrants who have settled in the area since 1850 as part of the California Gold Rush. There were few survivors. European settlement Robert Gunther acquired the island in 1860, three days before the massacre, giving it the name it had for much of recent history. Gunther diked the island and |
{"datasets_id": 2545, "wiki_id": "Q6020745", "sp": 18, "sc": 158, "ep": 22, "ec": 453} | 2,545 | Q6020745 | 18 | 158 | 22 | 453 | Indian Island (Humboldt Bay) | European settlement & Modern era | ran dairy cattle there for nearly 40 years.
In the 1870s a shipyard repair facility was constructed. The shipyard operated until the 1980s. Modern era In 1971 Caltrans built a series of bridges (known collectively as the Samoa Bridge), which cross Humboldt Bay and now directly connect the city of Eureka with the peninsula. Two of these bridges have footings on Indian Island.
Every year since 1992, the Wiyot people and supporters come to the island on the last Saturday in February to heal the community, and remember the human lives lost at the time of the Massacre. Every year participation |
{"datasets_id": 2545, "wiki_id": "Q6020745", "sp": 22, "sc": 453, "ep": 22, "ec": 1080} | 2,545 | Q6020745 | 22 | 453 | 22 | 1,080 | Indian Island (Humboldt Bay) | Modern era | has increased at the vigil on a nearby island.
In June 2004, 67 acres (270,000 m²) of land was repatriated back into Wiyot hands. The city of Eureka, California, transferred the area towards the Wiyot's goal to see the Wiyot dance the World Renewal ceremony again on the island.
The city of Eureka and the Wiyot Tribe have installed temporary erosion control system to mitigate erosion on the site. Contamination from the shipyard activities will need to be cleaned up prior to the development of a new Wiyot dance facility.
On December 5, 2018, the Eureka City Council voted unanimously to return the |
{"datasets_id": 2545, "wiki_id": "Q6020745", "sp": 22, "sc": 1080, "ep": 22, "ec": 1254} | 2,545 | Q6020745 | 22 | 1,080 | 22 | 1,254 | Indian Island (Humboldt Bay) | Modern era | rest of the land to the Wiyot people. On October 21, 2019, the city deeded all its land on the island to the Wiyot people, which means that the Wiyot own most of the island. |
{"datasets_id": 2546, "wiki_id": "Q14705339", "sp": 2, "sc": 0, "ep": 6, "ec": 530} | 2,546 | Q14705339 | 2 | 0 | 6 | 530 | Indian Stream Schoolhouse | Description and history | Indian Stream Schoolhouse Description and history The Indian Stream Schoolhouse stands in southern Pittsburg, on the west side of Tabor Road, just west of its junction with United States Route 3, amid a small cluster of houses. The eponymous Indian Stream flows south toward the Connecticut River a short way to the east. The school is a 1-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Its roof is topped by a small square open belfry. The main facade is symmetrical, with a center entrance flanked by sash windows with shallow corniced lintels. |
{"datasets_id": 2546, "wiki_id": "Q14705339", "sp": 6, "sc": 530, "ep": 6, "ec": 1103} | 2,546 | Q14705339 | 6 | 530 | 6 | 1,103 | Indian Stream Schoolhouse | Description and history | A pair of similar windows appear in the attic level. The building corners have pilaster-like raised corner boards, and there are decorative jigsawn brackets at the corners of the eaves.
The schoolhouse was built in 1897 and operated as a school until 1939. It was originally built and furnished for just a few hundred dollars, and was one of nine district schools in the town in 1900. After it closed, it stood vacant and fell into disrepair until the early 21st century. The schoolhouse was restored by a group of former students and other community members, |
{"datasets_id": 2546, "wiki_id": "Q14705339", "sp": 6, "sc": 1103, "ep": 6, "ec": 1291} | 2,546 | Q14705339 | 6 | 1,103 | 6 | 1,291 | Indian Stream Schoolhouse | Description and history | and still includes many of the original furnishings. Financial records from its early years still exist, such as documentation for $12 paid on June 30, 1908 for painting the schoolhouse. |
{"datasets_id": 2547, "wiki_id": "Q6022033", "sp": 2, "sc": 0, "ep": 10, "ec": 33} | 2,547 | Q6022033 | 2 | 0 | 10 | 33 | Indian cricket team in England in 1982 | Prudential Trophy & External sources | Indian cricket team in England in 1982 Prudential Trophy The 1982 edition of the Prudential Trophy was a One Day International (ODI) cricket tournament held in England. In the two ODIs between England and India, the former won both the games. External sources CricketArchive – tour itineraries |
{"datasets_id": 2548, "wiki_id": "Q7654710", "sp": 2, "sc": 0, "ep": 6, "ec": 615} | 2,548 | Q7654710 | 2 | 0 | 6 | 615 | Indian immigrants in Sweden | Demographics | Indian immigrants in Sweden Demographics During the period of 2001 to 2010, a total of 7,870 Indian students came for higher studies in Sweden taking advantage of the high quality tuition-free education system. According to Statistics Sweden, as of 2016, there are a total 25,719 India-born immigrants living in Sweden. Most of these people of Indian origin are Maharashtrians, Punjabis, Bengalis, Gujaratis, and South Indians. Some Indians sought and obtained political asylum after 1984. Some Indians have come to Sweden from Uganda in the 1970s
According to Statistics Sweden, India is among the most common countries of birth for international |
{"datasets_id": 2548, "wiki_id": "Q7654710", "sp": 6, "sc": 615, "ep": 6, "ec": 1004} | 2,548 | Q7654710 | 6 | 615 | 6 | 1,004 | Indian immigrants in Sweden | Demographics | adoptions in Sweden. As of 2016, there are 1,017 India-born children and young adults aged 0-21 who are adopted in Sweden.
According to the Institute of Labor Economics, as of 2014, India-born immigrants residing in Sweden have a labor force participation rate of approximately 54%. Their employment population ratio is about 49%. They also have an unemployment rate of around 6%. |
{"datasets_id": 2549, "wiki_id": "Q6023076", "sp": 2, "sc": 0, "ep": 4, "ec": 686} | 2,549 | Q6023076 | 2 | 0 | 4 | 686 | Indiana Black Expo | Indiana Black Expo Indiana Black Expo is a non for-profit organization headquartered in Indianapolis, Indiana that is responsible for overseeing the state's two largest cultural events: the Indiana Black Expo Summer Celebration, and the Circle City Classic.
The Indiana Black Expo Summer Celebration is the largest ethnic–cultural event in the United States. This ten-day event, held in the Indiana Convention Center as well as various places around Indianapolis, draws African Americans to Indianapolis from both around the state and around the country. First organized in 1970, the Black Expo has provided networking, educational, career, and cultural opportunities for its guests. Participation |
|
{"datasets_id": 2549, "wiki_id": "Q6023076", "sp": 4, "sc": 686, "ep": 4, "ec": 1048} | 2,549 | Q6023076 | 4 | 686 | 4 | 1,048 | Indiana Black Expo | at the 2006 Summer Celebration reached record highs, with over 350,000 in attendance.
Since 1983, Indiana Black Expo has hosted the Circle City Classic, a two-day event held the first weekend in October which includes a parade as well as its main attraction, a college football game held between two historically black colleges and universities (HBCUs). |
|
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 2, "sc": 0, "ep": 10, "ec": 414} | 2,550 | Q1147349 | 2 | 0 | 10 | 414 | Indra Sahdan Daud | Youth career & Home United | Indra Sahdan Daud Youth career Indra rose to prominence when he captained Singapore in winning the 1995 Lion City Cup. His breakthrough performances led him to be labelled the "next Fandi Ahmad". Home United He debuted as a 16-year-old with Police FC (later renamed Home United) in the inaugural S.League where he was used as a back-up player. Indra subsequently decided to move to Geylang United in 1997, spending four seasons with the 1996 champions.
Indra signed a five-year contract with Home United from the 2001 season. Along with his football commitments with Home United, Indra signed on with the Singapore |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 10, "sc": 414, "ep": 10, "ec": 1015} | 2,550 | Q1147349 | 10 | 414 | 10 | 1,015 | Indra Sahdan Daud | Home United | Police Force as a police officer. He struck up a prolific partnership with Egmar Goncalves as Home United won one S.League title and three Singapore Cups. Recognition of his potential came as he won the S.League Young Player of the Year award in 2000 and 2001. He demonstrated his knack for scoring against top teams such as Uruguay, Japan, Denmark and Manchester United. During Manchester United's pre-season Far East tour in 2001, he scored Team Singapore's only goal in their 1–8 defeat at the National Stadium on 24 July.
He became the first local player to reach a milestone 100 domestic |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 10, "sc": 1015, "ep": 10, "ec": 1633} | 2,550 | Q1147349 | 10 | 1,015 | 10 | 1,633 | Indra Sahdan Daud | Home United | goals in Home United's 4–0 win over Balestier Khalsa on 21 June 2003 Despite reported interest from Sheffield Wednesday and Ipswich Town in August 2003, a move to England did not materialise. However, he tasted success with Home United achieving a S.League and Singapore Cup double that year. Along with teammate Sutee Suksomkit, he was sent for a 2-week training stint with Chelsea's reserve team in December 2003 as part of a deal with club sponsor Emirates Airline.
In 2005, Indra rejected an offer of US$5,000 (S$8,520) per month from Malaysia Super League club Perak, choosing to extend his contract with |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 10, "sc": 1633, "ep": 14, "ec": 152} | 2,550 | Q1147349 | 10 | 1,633 | 14 | 152 | Indra Sahdan Daud | Home United & Trial with Real Salt Lake | Home United til the end of the 2008 season. With the new deal, he became Singapore highest-paid local player with an annual wage in excess of S$100,000. He also renewed his contract with the Police Force for another five years.
He damaged the anterior cruciate ligament in his left knee during international duty in May 2006 that ruled him out for the remainder of the season. Trial with Real Salt Lake Indra underwent a trial with the American MLS club Real Salt Lake in Miami, Florida from 14 to 24 Feb 2008. He scored two goals in four starts. The Home |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 14, "sc": 152, "ep": 14, "ec": 758} | 2,550 | Q1147349 | 14 | 152 | 14 | 758 | Indra Sahdan Daud | Trial with Real Salt Lake | United striker was then invited to join Real Salt Lake on their two weeks pre-season tour to Rosario, Argentina, beginning on 1 March, for three exhibition matches. Prior to the trip to Argentina Indra's friend, Dave Roberts, who helped arrange the trial was quoted to describe his chances of getting the contract as "very good", after his conversation with the club's general manager, Garth Lagerway. However Indra suffered a knee injury in Argentina and was not offered a contract by coach Jason Kreis. Had the transfer gone through, he would have become Singapore's only third footballer to be playing |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 14, "sc": 758, "ep": 18, "ec": 500} | 2,550 | Q1147349 | 14 | 758 | 18 | 500 | Indra Sahdan Daud | Trial with Real Salt Lake & Sengkang Punggol | professionally outside of Asia, following Fandi Ahmad and V. Sundramoorthy. Sengkang Punggol In 2008, Indra was having problems scoring for Home United with just 10 goals in the league all season. After the 2008 AFF Championship, Indra's contract with Home United expired at the end of 2008. He went for trials with two V.League clubs and one First Division club. He rejected a contract offer from Vietnamese club Hoa Phat, citing issues with the accommodation and food. He returned to Singapore but was left in limbo as Home United had signed his replacement, and that he would have to resign |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 18, "sc": 500, "ep": 22, "ec": 96} | 2,550 | Q1147349 | 18 | 500 | 22 | 96 | Indra Sahdan Daud | Sengkang Punggol & SAFFC | from the Singapore Police Force if he was to join another S.League club. He eventually quit his police job and joined Sengkang Punggol for the 2009 season. Indra was temporarily handed the armband as regular captain Aide Iskandar was promoted to caretaker coach. He made his debut for Sengkang Punggol in a 2–2 draw against Super Reds. He suffered his first career dismissal after he elbowed an Albirex Niigata (S) player only 10 minutes into the game. Albirex Niigata eventually won 2–1. SAFFC Indra was signed by Singapore Armed Forces in 2010. He reached a milestone 200 domestic goals in |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 22, "sc": 96, "ep": 26, "ec": 474} | 2,550 | Q1147349 | 22 | 96 | 26 | 474 | Indra Sahdan Daud | SAFFC & Back to the Protectors | March 2011 with two goals in the club's 5–0 win over Woodlands Wellington. Back to the Protectors After he was released by Singapore Armed Forces at the end of 2011, Indra signed with National Football League amateur side Keppel Monaco for the 2012 season. Home United head coach Lee Lim-Saeng was however, soon convinced by his pre-season performances and "his intelligence on and off the ball" to sign him for a second spell with the Protectors in February 2012. Due to his advanced years and loss of pace, he was deployed as a second striker and in midfield. He retired |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 26, "sc": 474, "ep": 42, "ec": 129} | 2,550 | Q1147349 | 26 | 474 | 42 | 129 | Indra Sahdan Daud | Back to the Protectors & Tampines Rovers & Geylang International & Eunos Crescent & International career | at the end of the 2014 season. Tampines Rovers On 15 February 2015, Indra came out of retirement and joined Tampines Rovers. On 17 April, Indra scored his first goal for the stags in a 2-3 loss to former club Warriors FC. Geylang International After leaving Tampines Rovers, Indra rejoined Geylang International for the 2016 season. Eunos Crescent It was announced that Indra would join 2016 Singapore National Football League champions Eunos Crescent for the 2017 NFL season. International career Indra made his debut for the Singapore national team in a World Cup qualifier against Kuwait on 26 April 1997.
Considered |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 42, "sc": 129, "ep": 42, "ec": 728} | 2,550 | Q1147349 | 42 | 129 | 42 | 728 | Indra Sahdan Daud | International career | one of the best strikers to play for Singapore over the last decade, Indra has a knack for finding the net in big games, scoring goals against higher-ranked nations like Uruguay and Japan.
Indra was part of the Singapore squad for the 2004 AFF Championship. Despite failing to strike up a partnership with Agu Casmir, he ended up scoring the opener in the home leg of the 2004 AFF Championship as Singapore won the tournament. It was their second ASEAN title after 1998, in which Indra missed after he was dropped from the national squad for skipping training.
While playing for the |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 42, "sc": 728, "ep": 42, "ec": 1307} | 2,550 | Q1147349 | 42 | 728 | 42 | 1,307 | Indra Sahdan Daud | International career | national team against Malaysia in May 2006, Indra suffered a knee injury which sidelined him for the rest of the league season. He made his return to the national team for the 2006 King's Cup in December and the 2007 AFF Championship in early 2007. The Lions won their second consecutive ASEAN title.
With national team captain, Aide Iskandar dropped from the national side for the friendly against UAE, Indra took over the armband and led the side to a 1–1 draw. Just hours before the kick off of the 2010 World Cup 2010 qualifier against Tajikistan on 9 November 2007, |
{"datasets_id": 2550, "wiki_id": "Q1147349", "sp": 42, "sc": 1307, "ep": 42, "ec": 1928} | 2,550 | Q1147349 | 42 | 1,307 | 42 | 1,928 | Indra Sahdan Daud | International career | Aide Iskandar sensationally retired from international football. Indra was appointed the new captain.
Indra is an inductee of the FIFA Century Club.
Following the appointment of Bernd Stange as national head coach, Indra was recalled to the national team after a three-year absence following his apparent international retirement in 2010 to face Myanmar in an away friendly on 4 June 2013. He started the match as captain, earning his 110th cap as the team won 2–0. Three days later, he scored his 31st international goal in a 5–2 win over Laos. His return to the national team was cut short four matches |
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