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Josiah Chorley
Life
which he called "Chorleyana, or a Register commemorating some of the most remarkable passages of Clod's providence towards me from my nativity, by Josiah Chorley." The first part of this "Register" was written at Glasgow in 1671-2. He later received the degree of M.A. Chorley succeeded John Collinges as one of the ministers of the Presbyterian congregation at Norwich. The baptismal register of the congregation begins in September 1691 with an entry by Chorley. Chorley's ministry in Norwich was marked by his zeal in catechetical instruction, which gave rise to his very curious compendium of the Bible in verse. In January
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Josiah Chorley
Life & Works
1719 he was succeeded by John Brook from Yarmouth (afterwards of York, where he died in 1735). Chorley baptised a child of Brook's on 3 September 1719, and is believed to have died soon after. He is said to have bequeathed a large sum of money, to be divided between the Presbyterian minister and the poor at Preston, but nothing is now known of this endowment. Works Chorley published A Metrical Index to the Bible, (1711). This aid to the memorising of the contents of chapters is dedicated Deo Trin-Uni O.M. Ecclesiæq; vere Catholicæ. At the end is A Poetical
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Josiah Chorley
Works & Family
Meditation. A second edition in 1714 was improved by suggestions from Samuel Say, then independent minister at Lowestoft. A reprint of the 2nd edition, with woodcuts designed by John Thurston, and notes by the printer, John Johnson, appeared in 1818. It incorrectly gave Chorley's name as Joseph. Family Chorley has been confused with his son (according to Browne, his nephew) Richard, who was educated in the academies of Frankland at Rathmell Academy (entered 3 April 1697) and John Chorlton at Manchester (entered 16 March 1699), and ministered at Filby near Yarmouth (till 1722) and Framlingham (till 1731). He afterwards lost
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Josiah Chorley
Family
his sight, and (about 1757) ceased to identify himself with dissent. His daughter, who lived in Norwich, was for a time insane.
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Josiah Edward Paul
Early life
Josiah Edward Paul Early life Josiah Edward Paul was born in or around June 1853, registered in Tetbury His father was Josiah Tippetts Paul, a solicitor. His father's first marriage was to Charlotte Howes on 21 September 1827 at Eastan Grey, Nr. Malmesbury, Wiltshire, with whom he had two daughters, Clara Frances Paul born in 1831 and Charlotte Augusta Maria Paul born in 1840, both in Tetbury. His father's second marriage was to his mother, Mary Anne Jane White, who was twenty-one years his father's junior. Josiah Tippetts and Mary married in Marylebone 2 May 1848. Josiah Edward had four
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Josiah Edward Paul
Early life
siblings: Alfred Henry Paul (born in 1849), Ada Mary Paul (born in 1850, died in 1858), Amy Gertrude Paul (born in or around 1858) and Lionel Frederick Paul (born in or around 1859, died in 1885). By the time Josiah was fourteen, his father lived at The Close, Tetbury. Josiah was educated at Rugby School from the age of fourteen, and left in 1872. From Rugby he went to Royal Indian Engineering College at Cooper's Hill (referred to as Wilson Indian Engineering College). His Great Grandfather was Josiah Paul Tippetts, born in or around 1748 in Dursley, and he married Mary
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Josiah Edward Paul
Early life & Rugby union career
Clark on 21 May 1771 in St Mary the Virgin Tetbury. Josiah Paul Tippetts changed his name to Josiah Paul Paul upon inheriting Highgrove house (the current home of Prince Charles) from his Uncle John Paul. Rugby union career Josiah played rugby football at the home of the sport at Rugby School. At Cooper's Hill he was able to continue playing rugby football in the college's representative side that had a first-class fixture list and a very strong reputation. Josiah was one of nine internationally capped players to have attended the college in the 1870s. He made his international debut
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Josiah Edward Paul
Rugby union career & Career and later life
and only appearance for England on 8 March 1875 at Edinburgh in the Scotland vs England match. Career and later life After his training at Cooper's Hill Josiah joined the Madras Public Works Department (PWD) on 1 October 1875. He became assistant to the chief engineer and under secretary to the government for irrigation (India branch), in 1880. In June 1886 he became an executive engineer, and retired in December 1900. During his life, Josiah married twice. In 1882 he married Charlotte Dowson in Thetford They lived at Nicholas Street, Thetford in 1883, when their son Edward William was born. Josiah
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Josiah Edward Paul
Career and later life
later married Helen Mary Harries in Tunbridge Wells, on 29 July 1896. He had a son named Edward William Paul with Charlotte in 1883 in Thetford. He then went on to marry Helen Mary Harries in Tonbridge Suffolk in 1896. In 1911, Josiah and his wife Helen resided at 11, Royal Crescent, Cheltenham, Gloucestershire.
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Journal of Critical Care
History
Journal of Critical Care History The journal was established in 1986. The first editor was David R. Dantzker and the original publisher was Grune & Stratton. In 2007 the Journal of Critical Care absorbed Seminars in Anesthesia, Perioperative Medicine and Pain which was previously titled Seminars in Anesthesia.
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Jovan Kirovski
Club career
Jovan Kirovski Club career Born in Escondido, California, Kirovski, is the son of Macedonian immigrants, He joined Manchester United's youth team in 1992, becoming the first American to sign with the club. He led the reserve team in scoring in 1996, but was not able to break into the first team because of work permit regulations. After that season, he signed with Borussia Dortmund in the German Bundesliga. Kirovski spent the next four seasons in Germany. He played in Dortmund's 1996–97 UEFA Champions League campaign, becoming the first (and currently only) American to win the competition. He earned significant playing
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Jovan Kirovski
Club career
time during the 1998–99 season, when Borussia loaned him out to second division club Fortuna Köln. In 2000, Kirovski signed with Portuguese club Sporting CP After a season there, he went back to England, signing with Football League First Division club Crystal Palace. In 2002, Kirovski signed with Birmingham City, but after one and a half seasons, he signed with the Los Angeles Galaxy. In his first season in MLS, Kirovski scored eight goals. In 2005, the Galaxy traded him to the Colorado Rapids for a first round pick in the 2007 MLS SuperDraft. After spending the 2008 season with the San
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Jovan Kirovski
Club career
Jose Earthquakes, he rejoined the Galaxy in a November 2008 trade. Kirovski enjoyed a successful stint with the Galaxy, winning an MLS Cup in 2011 with the club. On January 23, 2012, Kirovski retired from soccer but remained on the coaching staff for the LA Galaxy as an assistant coach. A member of Bruce Arena's coaching staff, Kirovski helped the team repeat as MLS Cup champions in 2012. Kirovski was appointed by the LA Galaxy as the club's Technical Director on January 10, 2013. As Technical Director, Kirovski was instrumental in the creation of the club's USL affiliate LA Galaxy II
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Jovan Kirovski
Club career
which was established in January 2014. Kirovski served as the point man in the Galaxy's pursuit and eventual signing of Mexican forward Giovani dos Santos in August 2015. He also aided the Galaxy in their signing of Jelle Van Damme a year later. Kirovski served as the lead in the Galaxy's signing of 2017 team Most Valuable Player Romain Alessandrini as well as the addition of Mexican international Jonathan dos Santos. The Galaxy's Technical Director led the team's pursuit of Swedish soccer legend Zlatan Ibrahimovic, who joined the club officially in March. Kirovski stated that it was his rich
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Jovan Kirovski
Club career & International career
global network that helped make the deal complete. "My job is constant— like the stock market, I have to know value of how much people pay— Sweden, France. I know what he can make in MLS, China, Germany. I know that and I am up-to-date with the market. You have to know the world markets in terms of how much people earn and the values of certain players. "The key to what I do is my network, built up over my whole career. That’s the key part." International career Kirovski made his debut for the United States national team at the age
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Jovan Kirovski
International career & Coaching career
of 18 on October 19, 1994, against Saudi Arabia, and played at the 1996 Olympics and the 1999 and 2003 editions of the FIFA Confederations Cup. Kirovski earned 62 caps in total with the US. Coaching career Kirovski joined Los Angeles Galaxy as assistant coach immediately upon his retirement in January 2012. In January 2013, the Galaxy appointed him as the club's technical director.
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Joy Kwesiga
Background and education
Joy Kwesiga Background and education She was born in Kabale District, Western Region of Uganda in 1943. She is the daughter of Andrew Mafigiri, a member of the Anglican Church laity, and Esteri Mafigiri, a housewife. She attended Kabale Girls' Junior Boarding School for her elementary school. She then transferred to Gayaza High School for her O-Level and A-Level education. In 1964, she entered the University of East Africa at Makerere, graduating in 1968 with a Bachelor of Arts degree in geography. In 1979, she completed the postgraduate diploma program in public administration at the Uganda Institute of Public Administration
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Joy Kwesiga
Background and education & Career
(now the Uganda Management Institute). Her Master of Arts in higher education and Doctor of Philosophy in education and gender issues were obtained from the University of London in 1987 and 1993, respectively. Career Following her graduation from the University of East Africa in 1967, she stayed on, working as an executive secretary in the university administration. By 1994, she had risen to serve as the deputy registrar for postgraduate studies. Between 1995 and 1998, she served as the head of the Department of Women and Gender Studies at Makerere University. From 1998 until 2001, she was the dean of
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Joy Kwesiga
Career
the Faculty of Social Sciences at Makerere University. In 2001, she was appointed vice chancellor of Kabale University.
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Joyce J. Scott
Biography
Joyce J. Scott Biography Joyce Jane Scott was born in Baltimore in 1948, the daughter of noted quilt maker Elizabeth Talford Scott and Charlie Scott Jr. She has described herself as "a true Baltimore babe and Sandtown girl" and has lived in a row house in the Sandtown neighborhood for more than four decades. Her mother encouraged her creativity and Scott began drawing at the Coppin Demonstration School, a public education institution, and later attended Lemmel Middle School and Eastern High School in Baltimore. She graduated with Bachelor of Fine Arts from the Maryland Institute College of Art in
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Joyce J. Scott
Biography
1970, and then earned a Masters of Fine Arts from the Instituto Allende in Mexico. Later, Scott pursued further education at Rochester Institute of Technology in New York and Haystack Mountain School of Crafts in Maine. Scott's own mother was an artist who taught Scott appliqué quilting techniques and encouraged her to pursue her career as an artist. One of her earliest artistic endeavors was sewing doll clothes. Scott is also influenced by craft traditions in her extended family of "quilters, woodworkers, basketweavers, chair caners, planters and blacksmiths," where people developed skills in more than one craft so that they could
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Joyce J. Scott
Biography
survive. Her love of music and deep sense of spirituality solidified in her upbringing in the Pentecostal faith with its rich tradition in gospel music. Scott's African influences are manifested in her use of intricate and elaborate decoration. By using techniques similar to West African Yoruba beadwork crowns and regalia, she reconfigures beads into a sculptural format. According to scholar Leslie King-Hammond, African arts and tradition functioned to transform every day objects into beautiful decorations. Scott's practice includes performance in addition to sculpture. Her unapologetically critical and humorous personality is often employed in her performances to critique issues such as
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Joyce J. Scott
Biography & I-con-nobody/I-con-o-graphy
feminism, sexism, and racism. Like her jewelry and quilt works, her performance also often addresses storytelling and memory. Scott's works are held by the Baltimore Museum of Art, Detroit Institute of Arts, Mildred Lane Kemper Art Museum in St. Louis, Missouri, the Mint Museum of Art in Charlotte, North Carolina, the Spencer Museum of Art at the University of Kansas, the Smithsonian American Art Museum, and the Museum of Fine Arts, Houston, Texas. I-con-nobody/I-con-o-graphy Held at the Corcoran Gallery of Art in 1991, this was Scott's first major solo exhibition. "The title implied the telling of truths, both the straightforward and
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Joyce J. Scott
I-con-nobody/I-con-o-graphy & Believe I've Been Sanctified
symbolic kinds. Iconography, the symbols that explain images, and, concomitantly, society, were used by Scott to reveal the hidden motivations behind human interactions." On exhibition were 29 beaded sculptural works and several large fiber-and-fabric wall collages. Included were selections (partly inspired by her mother's stories and work as a nanny) from Scott's Mammy/Nanny series (1986-1991) in which she used glass beads and leather to create racial and value distinctions. Believe I've Been Sanctified This was Scott's first work of public art. In 1991, she was chosen along with nineteen other artists to participate in a new citywide project organized by
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Joyce J. Scott
Believe I've Been Sanctified
the Spoleto Festival USA in Charleston. The exhibition was called "Places with a Past: New Site-Specific Art in Charleston" and each artist was invited to select an outdoor site and create a piece that conveyed their sense of the city's community history. Scott chose four Corinthian columns that were the last remaining remnants of the old Charleston Museum. She was told by the people at the African American historical society that "they never wanted us in there anyway" and was inspired. Using found objects and beading, Scott turned the columns into weeping willows to represent tears. Beneath them she constructed
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Joyce J. Scott
Believe I've Been Sanctified & Images Concealed
a funeral pyre from 500 logs and a figure dying, or a Phoenix, to represent "the end of slavery or the beginning of a new era, Reconstruction." Images Concealed In 1995 Scott responded to the Yale University for the Museum of African Art exhibition Face of the Gods: Art and Altar of Africa and African Americans with an installation titled Images Concealed at the San Francisco Art Institute. Curator Jean-Edith Weiffenbach noted that Scott, "challenged by that exhibition's revelations of the impact of African traditions on Western art, belief systems, and social customs [...] fashioned a reply that uses a
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Joyce J. Scott
Images Concealed & Kickin' it With the Old Masters
contemporary hybrid of craft vocabularies from several cultures in an allegorical language that confronts stereotypes as well as issues of representation and perception." Kickin' it With the Old Masters Kickin' It with the Old Masters was an art exhibition held at the Baltimore Museum of Art (BMA) in January–May 2000 in collaboration with Maryland Institute College of Art (MICA). "At the entrance to the exhibition space sat Rodin's Thinker, an icon of Western art; above the statue's head Scott suspended a beaded figure hung by the neck by chains and covered with racial epithets." The juxtaposition was not to incite
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Joyce J. Scott
Kickin' it With the Old Masters & Harriet Tubman and Other Truths
racial accusations but to establish an interaction with aesthetics and social constructs. Harriet Tubman and Other Truths Her largest exhibition to date opened October 20, 2017, and was on view through April 1, 2018 at Grounds for Sculpture. The exhibit, an homage to Harriet Tubman, the abolitionist who led many enslaved people to freedom, was ere organized with guest curator Lowery Stokes Sims for the exhibit, which was seen as a catalyst for transforming the public space created by J. Seward Johnson, the sculptor and philanthropist. This exhibition was guest curated by both Lowery Stokes Sims and Patterson Sims.
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Juan (Jan) Rodriguez
Biography
Juan (Jan) Rodriguez Biography He was born in the Captaincy General of Santo Domingo (now the Dominican Republic) to an African woman and a Portuguese sailor, in an era in which a tenth of the Dominican population was born in Portugal, which at that time was in dynastic union with the Spanish Crown (see Iberian Union). Raised in a culturally diverse environment in the Spanish settlement of Santo Domingo, Rodrigues was known for his linguistic talents and was hired by the Dutch captain Thijs Volckenz Mossel of the Jonge Tobias to serve as the translator on a trading voyage to the
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Juan (Jan) Rodriguez
Biography
Native American island of Mannahattan. Arriving in 1613, Rodrigues soon came to learn the Algonquian language of the Lenape people and married into the local community. When Mossel's ship returned to the Netherlands, Rodrigues stayed behind with his Native American family and set up his own trading post with goods given to him by Mossel, consisting of eighty hatchets, some knives, a musket and a sword. He spent the winter without the support of anchored ship, at a Dutch fur trading post on Lower Manhattan that had been set up by Hendrick Christiaensen in 1613. This small settlement, and others, along
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Juan (Jan) Rodriguez
Biography & Report of Adriaen Block
the North River were part of a private enterprise. It was not until 1621 that the Dutch Republic firmly established its claim to New Netherland and offered a patent for a trade monopoly in the region. In 1624, a group of settlers established a small colony on Governors Island. Together with a contingent of colonizers coming from the Netherlands that same year, the traders established in the tiny settlement of New Amsterdam, only 11 years old. Report of Adriaen Block In the early spring of 1613, fur trader Adriaen Block complained bitterly that a competitor, Thijs Volckenz Mossel, commander of
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Juan (Jan) Rodriguez
Report of Adriaen Block
the Jonge Tobias, had tried to "spoil the trade" by offering three times more for a beaver than Block did. In his report against Mossel, which he submitted to the Amsterdam Notary upon his return to Holland, Block topped off his list of accusations against Mossel with his outrage that crewman Rodrigues had become a permanent fixture in the Manhattan frontier, trading and living alone among the natives. When the said Mossel sailed away from the river with his ship, Rodrigues, born in Sto. Domingo, who had arrived there with the ship of said Mossel, stayed ashore at the same place.
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Juan (Jan) Rodriguez
Report of Adriaen Block
They had given Rodrigues eighty hatchets, some knives, a musket and a sword. According to Block, Mossel denied that Rodrigues was working on his behalf. Rodrigues had taken it upon himself to gain friendship with the natives, set up a trading post, and live comfortably on Manhattan Island. Mossel declared that this Spaniard [Rodrigues] had run away from the ship and gone ashore against his intent and will and that he had given him the said goods in payment of his wages and therefore had nothing more to do with him. Block closed his report by writing that he knew of no other crewman
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Juan (Jan) Rodriguez
Report of Adriaen Block
who stayed behind but Rodrigues. The natives, who preferred the goods and ironware sold by Rodrigues over their own, seemed to have accepted him as the island's first merchant. By the autumn of 1613, three Dutch ships had arrived: De Tijger, captained by Block; the Fortuyn, captained by Hendrick Christiaensen; and the Nachtegaal, captained by Mossel. This time it was Christiaensen who wrote about Rodrigues. His log states that Rodrigues came aboard the Nachtegaal, presented himself as a freeman, and offered to work for Christiaensen trading furs. The historical record leaves us with few details about the remainder of the life
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Juan (Jan) Rodriguez
Report of Adriaen Block & Juan Rodríguez Way
of Jan Rodrigues. A mural created by Creative Arts Workshops for Kids in 2009, in sponsorship with the Harlem River Park Task Force, Harlem Community Development Corporation and New York State Department of Transportation, depicts an image of Jan Rodrigues as he might have appeared in 1613. Juan Rodríguez Way In October 2012, the New York City Council enacted legislation to name Broadway from 159th Street to 218th Street in Manhattan after Juan Rodríguez. The neighborhoods of Washington Heights and Inwood in Upper Manhattan have a substantial Dominican community. The first street sign was put up in a celebration with a
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Juan (Jan) Rodriguez
Juan Rodríguez Way & Fiction
small ceremony at 167th Street and Broadway on May 15, 2013. Fiction Writer John Keene published a brief, fictional version of Juan Rodríguez's (Jan Rodrigues's) story, entitled "Mannahatta", focusing on the trader's decision to flee the Dutch, in the Winter/Spring 2014 issue of the literary journal TriQuarterly. A revised version of the story appears in his 2015 collection Counternarratives, published by New Directions.
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Juan Bautista Ravanals
Juan Bautista Ravanals Juan Bautista Ravanals (1678-?) was a Spanish engraver. He was born at Valencia. He studied under Evaristo Muñoz. He engraved an equestrian portrait of King Phillip V of Spain and a genealogical tree of the Royal family; a portrait of Father Gregorio Ridaura, a print of San Rodrigo, a second portrait of Philip V., some plates for the first edition of a mathematical work by Tosca, the frontispiece for a book called Centro de la Fe Ortodoxa, which represents the apparition of Our Lady del Pilar to St. Francis and some of his disciples, and illustrations for
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Juan Bautista Ravanals
another book of Devotion, in which St. Thomas Aquinas and other saints figure.
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Juan Fernando Hermosa
First years & Crimes
Juan Fernando Hermosa First years Hermosa was born on February 28, 1976, in the city of Clemente Baquerizo, Los Ríos Province. He was adopted by Olivo Hermosa Fonseca and Zoila Amada Suárez Mejía, who took him to live in a populous neighborhood north of Quito. Juan was often looked after by his deaf adoptive mother, who also suffered from arthritis, while his adoptive father travelled around the Sucumbíos Province, where he owned properties. Crimes At 15 years of age, he began leading a gang of ten youngsters of the same age, frequenting the videogame shops in the La Marín sector,
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Juan Fernando Hermosa
Crimes & Murders
in downtown Quito. He often went to bars and clubs in the area known as Puente del Guambra, near the Central University. Murders While leaving a discothèque with friends on November 22, 1991, the group took a taxi from the San Remo brand, and after reaching 10 de Agosto Avenue, Hermosa pulled out a 9mm pistol obtained through a guard, shooting the driver in the head and killing him instantly. One of his friends then drove the vehicle to the southeast of the city and dispose of the body in a guardaya, in the Los Chillos Valley, where the body
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Juan Fernando Hermosa
Murders
was found by police the next day. A week later, Hermosa went with other members of his gang to a hairdresser where he usually fixed his hair, operated by a transvestite named Charlie, south of the city. Charlie invited them to drink at home, where they started an argument which ended in Hermosa shooting Charlie five times before she could ask for help. Hermosa's crimes totaled 22 murders, occurring in only four months, claiming the lives of 8 taxi drivers, 11 homosexuals, a truck driver and his acquaintance, as well as two others, earning him the nickname "Niño del Terror". The
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Juan Fernando Hermosa
Murders & Capture
victims were shot to death with the 9mm pistol, the crimes occurring during the weekends, which caused a panic among the taxi drivers and homosexuals who lived in northern Quito. Capture The mayor Fausto Terán Bustillos was put in command of a squad formed by the Grupo de Intervención y Rescate (GIR) of the National Police, which was in charge of investigating Niño del Terror's crimes. Police managed to catch a group of young criminals in the city center who tried to rob a place, revealing information about the identity of whoever was behind the killings. On January 9, 1992,
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Juan Fernando Hermosa
Capture
they located the Hermosa residence, located between América and Diguja Streets, and through an operation which begun on January 16 at 3 o'clock AM. The contingent was located on the exterior of the presumed murderer's house, and the police entered the home through a skylight that determined that it was facing the suspect's room, who was sleeping in his mother's room. The mistake of the police alerted Hermosa, who began shooting at close range with his 9mm pistol, starting a shootout between him and the police. A group of gendarmes who were on the street began throwing grenades, causing an
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Juan Fernando Hermosa
Capture
explosion that ended up knocking down the wall of the house on top of two policemen. Hermosa's mother died during the confrontation, shot 11 times, while Juan himself was captured 15 minutes later without receiving a scratch, while trying to escape through the back window. A contingent of 10 agents transferred Hermosa to the García Moreno prison that same morning, where they were surprised to learn that the suspect was a minor, declared by his own words: "I want to make it clear that my name is Juan Fernando Hermosa Suárez and that on February 28, I will be 16 years
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Juan Fernando Hermosa
Capture & Condemnation, escape and recapture
old". He claimed in his statements that he had no intent of killing, as he had asked his victims to be quiet and that nothing would happen to them, but by ignorning that warning, they ended their lives. Hermosa said that on one occasion he was threatened with a .22 caliber revolver, and on another occasion a taxi driver had tried to attack him with a wheel wrench, so he had to kill them with his gun. Condemnation, escape and recapture He was sentenced to the maximum penalty that the law allowed for a minor, which is 4 years imprisonment
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Juan Fernando Hermosa
Condemnation, escape and recapture & Death
at the Virgilio Guerrero Rehabilitation Center, after confessing to his crimes. However, he became a juvenile leader in prison in the first 16 months, even managing to obtain a pistol through his girlfriend Yadira, with which he killed a policeman attempting to stop him by shooting him five times, before escaping from prison with ten young boys in 1993. He fled to Colombia, where he contracted tonsillitis. He was recaptured and released after serving his sentence in 1996. Death After his release, he went to live with his father in Nueva Loja, Sucumbíos. On the day of his 20th birthday,
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Juan Fernando Hermosa
Death & Documentary
he was found dead on the banks of the Aguarico River. It was revealed by police that 5 hooded individuals were responsible for the murder, managing to identify Hermosa through documents in his wallet, as his face was disfigured and with signs of torture, cut with machetes and riddled with bullets. Documentary In 2011, the documentary Tras las sombras del niño del terror, directed, produced and written by Vladimir and Marco Soasti, premiered.
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Juan Incháustegui
Biography
Juan Incháustegui Biography Born in Cuzco, studied Electrical Engineering at the National University of Engineering and participated in the High Direction program from the University of Piura. In the period from 1981 to 1984, he was General Manager of Electroperú S.A and in the nineties, he joined Cementos Pacasmayo as director. He was Executive Director and Vice President of TECSUP. He was a member of the Board of Directors of the University of Engineering and Technology. He joined the Hochschild Group in 1986 and remained as director until January 2015. He was a member of the Board of Innóvate Peru Program
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Juan Incháustegui
Biography & Political career
of the Ministry of Production. Political career In March of 1984, President Fernando Belaúnde Terry appointed him Minister of Energy and Mines, position in which he remained until July 1985. In the municipal elections of 1989, he applied to the Provincial Government of Lima for FREDEMO, being in second place with 26.79% of the votes. He applied to the Senate in 1990 for FREDEMO, being elected with 87,451 votes. His parliamentary work was interrupted by the self-coup by Alberto Fujimori on 5 April 1992, which led to the dissolution of the Congress of the Republic. For the general elections of 1995 he ran
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Juan Incháustegui
Political career
for First Vice President in the list headed by Raúl Diez Canseco; however, they only received 1.64% of the votes. In November 2000, the temporary president, Valentín Paniagua, appointed him Minister of the Presidency.9 In January 2001, he resigned his post and was appointed Minister of Industry, Tourism, Integration and International Trade Negotiations, office in which he remained until July 2001. He received the Order of the Sun in 1985.
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Juan Laporte
Amateur career & Professional career
Juan Laporte Amateur career Juan Laporte won the 1976 112 lb New York Golden Gloves Sub-Novice Championship. He defeated Long Island's Ricky Brown in the finals. Laporte was defeated by Joseph Nieto of the Police Athletic Leagues Lynch Center in the 1977 118 lb Open Championship. Laporte trained at the Lunar Boys Club in Brooklyn, New York. He had an amateur record of 29-6, according to the March 1983 Ring Magazine. Professional career Juan Laporte moved to New York at a young age, where he grew up into a pretty well known contender, but one that many boxing critics didn't consider to
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Juan Laporte
Professional career
be material to become a world champion earlier in his career. Laporte built a number of wins, combined with 1 loss, including a 7-round knockout of Jean Lapointe. But he still was an unknown when given his first chance at a world championship on December 1980 in San Antonio, Texas. He met legendary Mexican world Featherweight champion Salvador Sánchez there. Laporte made Sanchez work hard and won a handful of rounds. He lost to Sanchez by a 15-round unanimous decision. Laporte then fought future world champion Rocky Lockridge in 1981 at Las Vegas, scoring a second-round knockout to become the United States Featherweight
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Juan Laporte
Professional career
champion. Given a second title shot, this time by the WBA, Laporte met the also legendary World featherweight champion Eusebio Pedroza in 1982, losing a close and controversial split decision. The fight was so close that WBC president José Sulaimán decided to give Laporte a rematch vs Sanchez for the World Boxing Council's world title. This rematch wasn't going to happen, because Sanchez died in a car accident the morning of August 12, in Mexico City. Then, the WBC decided to put Laporte vs. Colombian Mario Miranda for the vacant world title in a fight held at the Madison Square Garden. Laporte
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Juan Laporte
Professional career
dropped Miranda in the eighth round and Miranda quit on his stool before the start of the 11th. Juan Laporte, the tough kid from New York who couldn't figure to become a world champ versus the legendary champions of the day, had become a world champion. Laporte defended his title twice, vs. Ruben Castillo and Johnny De La Rosa, both 12 rounds decision wins, then lost it to another Puerto Rican world champion, the legendary Wilfredo Gómez. In 1985, he went to Ireland, where he lost a ten-round decision to future world champion Barry McGuigan. In 1986, Laporte fought Julio César Chávez at
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Juan Laporte
Professional career
the Madison Square Garden, and many thought Laporte deserved the 12-round decision that night, but he lost a unanimous decision in a contest for Chavez's WBC world Jr. Lightweight title. His career went on and off after that day, and in 1989, his son died in a drowning accident. Laporte buried his title belt along with his son. Upon hearing this, Sulaiman sent him a new world title belt to show him support and respect from the boxing community. Laporte lost another disputed decision, this time to former world Jr Welterweight champion Billy Costello in 1999 and then finally retired from boxing.
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Juan Laporte
Life after boxing
Life after boxing He has retired to his native country Puerto Rico and dedicates his time to train children of all ages in his spare time.
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Juan Manuel Sánchez Gordillo
Robin Hood raids
Juan Manuel Sánchez Gordillo Robin Hood raids In mid August 2012, Sánchez Gordillo attracted considerable media attention both within Spain and internationally due to his role in raids on supermarkets in nearby towns, Seville and Cádiz, where food was stolen and handed out to poor families and to Food banks. The items stolen were part of a list chiefly made of rice, sugar, pasta, milk, olive oil and flour. Sánchez Gordillo did not personally remove food, but was outside in the car parks while members of his union conducted the raids. Several of these members have been arrested and later
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Juan Manuel Sánchez Gordillo
Robin Hood raids
released, though Sánchez Gordillo himself has immunity from prosecution. Sánchez Gordillo has however said he is happy to waive his immunity and go to jail for his cause, in fact he said he expected to be jailed in order to make his message spread further. English speaking media have widely reported that Sánchez Gordillo is seen as a hero and a "national celebrity" within Spain, comparing him to Robin Hood. A dissenting voice came from Jonathan Blitzer of the New York Times, who suggested he may fail to live up to the hype and be more like a Don
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Juan Manuel Sánchez Gordillo
Robin Hood raids & 2012 anti austerity march
Quixote. Sánchez Gordillo has also been called a modern Robin Hood and "the revolutionary of Andalusia" by several Spanish newspapers, including the center-left El País. Gordillo has been criticised by several Spanish citizens and officials, including Alfonso Alonso, a spokesman for the governing People's Party in Spain's national parliament, who said "One can’t be Robin Hood and at the same time earning a salary as the sheriff of Nottingham". 2012 anti austerity march On 16 August, Gordillo set off on a three-week march to Madrid; on the way he planned to occupy banks and to persuade local authorities to default on
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Juan Manuel Sánchez Gordillo
2012 anti austerity march & 2013 sentence
their debts and refuse to implement austerity. So far this has included a brief occupation of a Unicaja branch in Mancha Real. 2013 sentence In November 2013 a Spanish court sentenced Sánchez Gordillo and four others to seven months in prison for occupying unused military land they wanted to be loaned to farmers hard hit by the economic crisis.
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Juan Rodríguez Juárez
Juan Rodríguez Juárez Juan Rodríguez Juárez (b. 1675 - d. 1728) was an artist in the Viceroyalty of New Spain. He was a member of a Spanish family long noted for their accomplishments in the world of painting. His brother was Nicolás Rodríguez Juárez (1667 - 1734), who was like himself, an established painter in New Spain. He was the son of Antonio Rodríguez (1636–91), a notable Spanish painter. His maternal grandfather José Juárez (1617 - 1661) and maternal great great grandfather Luis Juárez (1585 - 1639) were also notable painters in Spanish history and prominent in the Baroque era.
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Juan Rodríguez Juárez
As with most artists in New Spain during the late Baroque period, Juan Rodríguez Juárez produced religious art. He also followed the trend of painting portraits of high officials, such as Viceroy Linares and the local nobility. These works followed European models, with symbols of rank and titles either displayed unattached in the outer portions or worked into another element of the paintings such as curtains. Rodríguez Juárez painted "an extraordinary self-portrait, symptomatic of the changing role of the artist in the colony in the eighteenth century." A set of early casta paintings (ca. 1715) is attributed to him; they
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are in a private collection at Breamore House, Hampshire, England. Separate canvases show Mexican racial mixtures in a hierarchical order, with Spanish-Indian mixtures coming first, followed by Spanish-African mixtures, then further permutations of racially mixed couples and offspring. They are as follows: Spaniard and India produce a Mestizo; Spaniard and Mestiza produce a Castizo; Castizo and Spanish woman produce Spaniard. Spaniard and Negra produce a Mulato; Spaniard and Mulata produce a Morisca; Spaniard and Morisca produce an Albino. From Mulato and Mestiza produce a Torna atrás. From Negro and India, Lobo ("wolf"); From Indio and Loba produce a crinkly haired
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(grifo) "Hold-Yourself-In-Midair" (tente en el air); From Lobo and India produce a Torna atrás ("throw back"); From Mestizo and India produce a Coyote; Mexican Indians; Otomí Indians en route to the fair; Barbarian Indians (Indios Bárbaros).
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Juan Valdez Café
History
Juan Valdez Café History The founding of Juan Valdez Café fulfilled the aspirations of Colombian coffee makers, who for decades advocated for the creation of a national brand. During the 1960s and 1970s, the Colombian Coffee Federation opened some outlets in Argentina and Spain, but those were closed before 1985. However, as early as 2000, the situation was different: market prices for green coffee beans were low, and coffee had become popular everywhere, allowing for the rapid growth of coffeehouses. This opportunity was seized by Colombia's Federación Nacional de Cafeteros de Colombia in September 2002, when they established Juan Valdez Café
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Juan Valdez Café
History
as their official coffeehouse brand. The first location was opened in Bogotá, followed in Medellín and Cali, and later in other cities. The first international location was opened in the United States, and the company is currently in expansion. The National Federation of Coffee Growers of Colombia established the Juan Valdez cafés as part of a marketing campaign to promote fair trade coffee. Consumers automatically support the farmers when they patronize the store. In Colombia, the coffee industry accounts for over 8% of the GDP, employing directly and indirectly more than a million people and farms spanning over half the number
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Juan Valdez Café
History
of towns in the whole country. The federation, established in 1927, is owned and controlled by 500,000 farmers who grow their coffee on small farms, as opposed to plantations. The issue of fair prices for coffee farmers became even more important in 2000 when coffee prices steadily dropped from $1.30 a pound in January to 75 cents a pound by December because of increased production, according to the International Coffee Organization. Since 1960, the federation has spent $600 million building the Juan Valdez brand. However, its advertising campaign went dark in 2001 as coffee prices hit all-time lows. The federation plans
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Juan Valdez Café
History & Store locations
to spend $75 million in the next five years to reposition itself as an upscale specialty-coffee region with a diverse line of coffee. Juan Valdez is the only international coffeehouse authorized to officially sell Colombian coffee. In September 2007 it was given protected designation of origin granted by the European Union after an international dispute won by the Colombian National Federation of Coffee Growers on intellectual property, and the lawsuit brought against a Costa Rica-based company using the Juan Valdez slogan (Juan Valdez drinks Costa Rican coffee). Store locations As of 2014, Juan Valdez has 300 company-owned, joint-venture and licensed outlets
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Juan Valdez Café
Store locations
in the world. International expansion, which began in 2005, brought new locations to Aruba, Guayaquil, La Paz, Madrid, Miami, New York City, San José, Costa Rica, Panama City, Lima, Quito, Santiago and Washington D.C.. Despite recent closures in the United States and Spain, the company aims to continue its expansion worldwide through a franchising scheme. The company has plans to keep expanding in Ecuador, Chile, San José, Costa Rica, Panama and the United States, as well as opening in new markets such as Mexico, Peru, Venezuela and the Middle East. However, the chain is still underrepresented in many countries compared
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Juan Valdez Café
Store locations
to other world wide coffee chains. In June 2017, Juan Valdez Cafe franchise opened its store in Cooper City.
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Judith Man
Life
Judith Man Judith Man (fl. 1640) was an English translator. Her 1640 Epitome of the History of Faire Argenis and Polyarchus was a translation of Nicolas Coeffeteau's 1623 Histoire de Poliarque et d'Argénis, itself an abridged translation of John Barclay's Latin book Argenis. Life Judith Man is likely to have been a relative of Peter Man, solicitor to Thomas Wentworth, 1st Earl of Strafford. She says that she was eighteen years old at Christmas 1639, when she made her translation, and a member of the Strafford household. An English Protestant, she had travelled in France with her parents as a
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Judith Man
Life
child. Man dedicated her translation to Wentworth's eldest daughter, Anne. Her preface justified translation as an appropriate activity for a woman, combining diversion and self-improvement. Only two extant copies of the translation survive, at the Huntington Library and the Bodleian Library. Nothing is known of her later life.
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Judith Turnbull
Swimming career
Judith Turnbull Swimming career Turnbull became a National champion at the ASA National British Championships when she won the 220 yards medley title in 1966. She represented England in the 440 yards medley event, at the 1966 British Empire and Commonwealth Games in Kingston, Jamaica.
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Judson W. Sherman
Early life and career
Judson W. Sherman Early life and career Judson W. Sherman was born in New York in 1808. He completed a preparatory education, and settled in Angelica, New York. Sherman became involved in politics and government, first as a Democratic republican, and later as a Whig. He attended several state and county conventions as a delegate, and held several local offices in Angelica. From 1831 to 1837 he served Allegany County Clerk. In addition, he later served as Deputy New York State Treasurer in the 1850s. He ran unsuccessfully for the U.S. House of Representatives in 1842 and 1852. Sherman was elected
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Judson W. Sherman
Early life and career & Military service & Death and burial
as a Republican to the Thirty-fifth Congress and served one term (March 4, 1857 – March 3, 1859). Military service In September 1861 Sherman joined the Union Army for the American Civil War, receiving appointment as a commissary of subsistence officer with the rank of captain and serving until resigning his commission on November 9, 1861. Death and burial Sherman died in Angelica on November 12, 1881. He was interred at Until the Day Dawn Cemetery in Angelica.
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Judy Mowatt
Early life & Career
Judy Mowatt Early life Mowatt was born in Gordon Town, St. Andrew Parish, Jamaica. At the age of 13, she became a member of a dance troupe which toured Jamaica and other islands in the Caribbean. Her initial ambition was to become a registered nurse. Her earliest musical influences were Aretha Franklin, Otis Redding, Curtis Mayfield, Dionne Warwick, Bob Marley, Marcia Griffiths, The Staple Singers and The Soulettes. A coincidental meeting with two teenage girls who were earlier in her dance troupe led to the formation of the Gaylettes, in 1967. Career Mowatt was associated with Bunny Livingston/Wailer in the
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Judy Mowatt
Career
early 1970s, and wrote some of the tracks he recorded. At that time, for legal reasons, she used the names Juliann and Jean Watt. On The Wailers album Burnin' (1973), two songs written by their singer Bunny Wailer were credited to Judy Mowatt under the pseudonym Jean Watt: "Hallelujah Time" and "Pass It On". Furthermore, the B Side of Concrete Jungle, "Reincarnated Soul", also credited to Jean Watt and sung by Bunny Wailer. This song – with the name changed to "Reincarnated Souls" – was included two years later on Bunny Wailer's first solo album Blackheart Man (1976). In 1974, she
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Judy Mowatt
Career
got her big break by joining Bob Marley's backing vocal trio the "I Threes". Her Black Woman album (Ashandan, 1979) came out the same year as I Three member Marcia Griffiths's album At Studio One. It is considered by many critics to be the greatest reggae album by a female artist. It was also the first reggae album recorded by a woman acting as her own producer. She became the first female singer nominated for a Grammy Award in the category of reggae music when her Working Wonders album was nominated in 1985. Formerly a member of the Rastafari movement, in the late
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Judy Mowatt
Career
1990s she converted to Christianity and now sings Gospel music. In 1999 the Jamaican government made her an Officer of the Order of Distinction for "services to music".
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Juergen von Huendeberg
Early Years, Nazi Regime and World War II
Juergen von Huendeberg Juergen von Huendeberg (aka Hans-Otto Maximilian von Huendeberg, HOMJ von Huendeberg, or simply “Iwan”), was a German painter often associated with the abstract art of the post-war years. Early Years, Nazi Regime and World War II Juergen von Huendeberg was born April 10, 1922 in Dresden, into a family of Baltic Germans. Since early childhood, he lived in Munich, where he studied architecture and philosophy at the Munich University, two years at the Academy of Fine Arts Munich (1945–1947) and some time under Werner Gilles and Adolf Schinnerer. During the Nazi regime, as a young man, he
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Juergen von Huendeberg
Early Years, Nazi Regime and World War II
was briefly attracted to the Hitler Youth but soon became disenchanted with them. Later he became friends with Kurt Huber, who nevertheless encouraged him not to actively join his resistance movement, knowing full well of the danger. As a person without a German passport, von Huendeberg was first not allowed to join in the war efforts; when later all German residents were required to join, a woman friend of his helped him remain undetected. This friend, a doctor much older than he was, also introduced him to morphine to help with his migraines; struggling with the use
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Juergen von Huendeberg
Early Years, Nazi Regime and World War II & Post-War Period
of opioids, prescription medicine and alcohol was to remain a lifelong effort of his. Post-War Period Von Huendeberg's very early paintings were along the lines of Magic Realism, a form of New Objectivity, an art movement that arose in Germany in the early 1920s as an outgrowth of, and in opposition to, expressionism. Soon, however, von Huendeberg's work became almost exclusively abstract. The qualifier “almost” is significant; there was no technique or form of expression that von Huendeberg ever excluded. In 1949, he became connected with ZEN 49, a group of German artists who strove to create new forms
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Juergen von Huendeberg
Post-War Period
of expression for abstract art. The word Zen was to reflect their rejection of materiality and a focus on meditation; 49 refers to the year they were founded, four years after World War II. Von Huendeberg was friends with and exhibited with some of their members, for example Rupprecht Geiger and Brigitte Meier-Denninghoff in the Studio for New Art (Studio fuer Neue Kunst) in Wuppertal. Von Huendeberg never became an outright member of the group, a sign even back then of his almost renegade refusal to be anyone but himself, to be a member of
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Juergen von Huendeberg
Post-War Period
any group but humanity. Significantly, he also never became a German citizen, proud to his death of the fact that he never had any citizenship (his parents, after being displaced after World War I, held the Nansen passport. This connection to peaceful internationalism was always important to him). Art critic Franz Roh, one of whose books features a painting by von Huendeberg on the front cover, once spoke of visual art immediately after World War II as containing “the demonic, praised by Goethe as most deep [which] hints at our existential loneliness vis-a-vis the universe – or in
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Juergen von Huendeberg
Post-War Period & Abstract Art: Colour Without Form
the face of a truly inner and productive way of life.” Von Huendeberg's art, which often features dark, almost ominous colours pierced by small patches of deep, shining light, was sometimes interpreted as depressing; Roh's description as “demonic”, which hints, as well, to von Huendeberg's mystic qualities, may be more apt. Abstract Art: Colour Without Form Von Huendeberg made much use of the colour gold. Art critic John Anthony Thwaites pointed to von Huendeberg's Russian-Baltic heritage and the golden background used in Russian icons. Art historian Ivo Kranzfelder describes how in his oil paintings, von Huendeberg created
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Juergen von Huendeberg
Abstract Art: Colour Without Form
a feeling of space by juxtaposing broad planes of colour in almost perspectival arrangements. This depth was underscored by experimenting with adding structure through the use of materials such as sackcloth and sand, thickly textured paint and even incorporating paint tube caps into the painting. The topic of "colour without form" was always on his mind. Collages were a natural extension of these techniques. Just as his paintings often have a sculpted feeling, his collages always evoke the pictorial. A collage consisting of chains and jewels decorating Jesus on the cross points back to the
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Juergen von Huendeberg
Abstract Art: Colour Without Form & Agnosticism and Psychoanalysis
iconic. Agnosticism and Psychoanalysis Deeply mystic in his art, von Huendeberg was, however, staunchly rational about religion, a fierce agnostic firmly rooted in the tradition of humanism and the Enlightenment. Partly, his agnostic stand was connected to his interest in and involvement with psychoanalysis. His friendships with various prominent Munich psychoanalysts were an important source of inspiration to him. Von Huendeberg's combination of mysticism and commitment to the rational, paired with his unbridled irreverence, a constant drive to explore new ideas, a steadfast refusal to be categorized, as well as playful irony in close companionship with serious
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Juergen von Huendeberg
Agnosticism and Psychoanalysis & The Success Years
craftsmanship, confused and irritated more than one critic. The Success Years Von Huendeberg enjoyed success for quite some years. His were the first two abstract paintings bought by the House of Art (Haus der Kunst), Munich's main museum for modern art. 1956 he received a cultural scholarship from the German Industry Association, 1957 he was invited to the Premio Lissone, 1962 he won the Seerosen-Preis (Lotus Prize) together with Edgar Ende and three other artists. His paintings were shown in Italy, Canada, the US and New Zealand. There were numerous exhibitions in Germany, including one with
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Juergen von Huendeberg
The Success Years & Disenchantment With The Visual Arts Scene and Other Artistic Endeavours
a close artist friend, Helmut Berninger. Disenchantment With The Visual Arts Scene and Other Artistic Endeavours From the mid-1960s on, von Huendeberg lost interest in exhibitions and the visual arts scene and his public life as an artist concentrated on experimental theatre, film and music. Nevertheless, he still worked as a painter, for example when experimenting with etchings with fellow artist Otto Mirtl. The fumes from performing this in an unventilated chamber, combined with his liberal use of alcohol, almost killed him, leaving him in a liver coma for three weeks, which he miraculously survived. Shortly before
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Juergen von Huendeberg
Disenchantment With The Visual Arts Scene and Other Artistic Endeavours
his hospitalization, he starred in a slide/theatre play as Oblomov, a Russian nobleman full of fabulous ideas but lacking the ability to make any decisions whatsoever. This play, adapted by one of his many protégés, the then young and unknown Franz Xaver Kroetz, mirrored much of who von Huendeberg was – a brilliant artist who at times was incapable of leaving the house for years on end, haunted by depression and addiction. For years, von Huendeberg also worked closely with avantgarde theatre artists Alexeij Sagerer and Cornelie Mueller and had friendships with film personalities such as Rainer
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Juergen von Huendeberg
Disenchantment With The Visual Arts Scene and Other Artistic Endeavours & More Than Just a Post-War Curiosity
Werner Fassbinder and Klaus Kinski. More Than Just a Post-War Curiosity In art circles, Juergen von Huendeberg is usually discussed in connection with the avantgarde of the 1950s and 1960s. But as art historian Ivo Kranzfelder states, it would be a great mistake to see him only as a historical phenomenon. While his charcoal drawings and oil paintings from this time are important, his erotic drawings and watercolours, experimentations with markers and spray paint and hundreds of acrylic gouaches where he doggedly pursued the exploration of spherical shapes and even his landscape sketches and portraits show a never
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Juergen von Huendeberg
More Than Just a Post-War Curiosity & Personal Data
ending variety and growth in his artistic expression. Shortly before his death, he only seemingly returned to his roots, painting in oil once again generous geometric shapes, mostly in earth tones, always illuminating his paintings with his trademark brilliant light effects. However, this return was an evolution, on a higher level of Goethe's spiral of growth that von Huendeberg liked to cite frequently. Personal Data Von Huendeberg died on August 21, 1996 of pancreatic cancer, meeting his death with the same conscious, curious and nonchalant eyes that saw and depicted all of his life. He was married
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Juergen von Huendeberg
Personal Data
to Elisabeth, née Hennighaussen, a music librarian. They had three children, Nikolaus (1953–1954), Isabella (born 1955) and Clarissa (born 1961).
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Jules Limbeck
Career
Jules Limbeck Career He played in various European championships in frontline positions in mid-1920, appeared in the Hungarian Újpest FC, Ferencvárosi TC, in Belgium, and FK Austria Wien. In 1930 he coached the Turkish Galatasaray S.K. and brought them to the championship. In France, he worked with the Olympique Lyonnais, Racing, Amiens SC (1934-1935). In 1936 he arrived in the Soviet Union, and spent some time working with the city teams Zaporizhia and Dnipropetrovsk including Stal Dnipropetrovsk, then the order of the All-Union Committee for Physical Culture and Sports of the USSR it was sent to Tbilisi. Limbeck stayed there until March
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Jules Limbeck
Career
1937 and worked as chief coach of Dinamo Tbilisi, which reached the finals of the USSR, then he organized a children's football school. In 1937 he was head coach of Lokomotiv Moscow.
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Julia Nussenbaum
Julia Nussenbaum Julia Nussenbaum (1913 – April 18, 1937) was a violinist who studied at the Juilliard School in New York. She initially performed professionally as a classical musician, but was persuaded to move to night club playing by Mischa Rosenbaum. She then performed under the name of Tania Lubova and/or Tania Lee Lova. She was murdered by Rosenbaum, 31, who had become her manager/ director in a West 43rd Street, Manhattan, New York rehearsal studio, in 1937. Rosenbaum was a married man when he became infatuated with Nussenbaum, although he had been separated from his wife for two
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Julia Nussenbaum
years. On the day prior to the slaying Rosenbaum telephoned Nussenbaum and arranged a meeting, to which she reluctantly agreed. Prior to their rendezvous at the studio Rosenbaum became intoxicated drinking red wine. Rosenbaum found a hammer at the Hotel Normandie which he brought with him to the meeting. He claimed that Nussenbaum struck him on the arm and shoulder with a stick before he hit her on the forehead, causing injuries from which she subsequently died. Rosenbaum hid her unconscious body behind a soundproof curtain, where she was found some hours later by Moya Engels, a dancer. She was taken
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Julia Nussenbaum
to hospital, where she died six hours after admittance. Nussenbaum's Aunt, Mae Stock Rich, later told the papers that Nussenbaum had been threatened by Rosenbaum on numerous occasions, and that her father had been to see him and warned him to desist. However, Rosenbaum was still annoying her, hence her reluctance to meet with him on the fatal day. Although initially charged with first degree murder, Rosenbaum pleaded guilty to second degree murder on June 7, 1937. Judge Saul S. Streit accepted the plea on the recommendation of New York City District Attorney William C. Dodge. Samuel Leibowitz, the famous defense lawyer employed
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Julia Nussenbaum
by Rossenbaum's brother, Zachary, had already stated that he planned to use the 'homewrecker' defence that had proved successful in earlier cases, although Nussenbaum's family was adamant that she had not known that Rosenbaum was married. In agreeing to the plea, Dodge believed it wise to uphold the reputation of Nussenbaum and to forgo the $800 daily expense New York would save by not having an extended trial. Rosenbaum said that he regretted killing Nussenbaum. He intended to become supervisor of prison theatrical productions after his June 21, 1937 sentencing. He was sentenced to 35 years to life. Judge
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Julia Nussenbaum
Streit stated, "I can't see why he brought that hammer there, or why he struck her from eight to twelve blows with it. I think there is sufficient evidence here for a jury to have found him guilty of murder in the first degree."