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{"datasets_id": 2908, "wiki_id": "Q11182956", "sp": 6, "sc": 595, "ep": 6, "ec": 1284} | 2,908 | Q11182956 | 6 | 595 | 6 | 1,284 | K. N. Ezhuthachan | Early life | joined Madras University as Lecturer and simultaneously worked for his PhD in the same University. After completing his PhD on Bhashakautaleeyam, Ezhuthachan joined University of Calicut as a Lecturer. He also served as a Senior Research Officer at Kerala State Institute of Languages, Research Fellow of Dravidian Linguistics Association and Visiting Professor at University of Calicut.
K. N. Ezhuthachan had worked for the formation of institutions like Thaaliyola grantha library: a library for old Palm-leaf manuscript, Which was established in 1971 under Malayalam Departement of the University of Calicut. And Vallathol educational trust, A trust formed in 1977 in memory of |
{"datasets_id": 2908, "wiki_id": "Q11182956", "sp": 6, "sc": 1284, "ep": 14, "ec": 169} | 2,908 | Q11182956 | 6 | 1,284 | 14 | 169 | K. N. Ezhuthachan | Early life & Literary career & K. N. Ezhuthachan Smaraka puraskaram | Vallathol Narayana Menon. Literary career Dr.K. N. Ezhuthachan was the author of many books in Malayalam, including short stories, poems, and essays. His book, The history of the grammatical theories in Malayalam published in 1975, is considered to be a seminal work in the field of Malayalam grammar. He has also authored a research thesis on
Thunchath Ezhuthachan's Adhyathma Ramayanam and scholarly article about Kilippattu. K. N. Ezhuthachan Smaraka puraskaram K. N. Ezhuthachan Smaraka puraskaram is an award given by organisation Samskara pattambi in memory of K. N. Ezhuthachan. It was first given in 2014 to Sunil P. Ilayidom. |
{"datasets_id": 2908, "wiki_id": "Q11182956", "sp": 14, "sc": 169, "ep": 14, "ec": 357} | 2,908 | Q11182956 | 14 | 169 | 14 | 357 | K. N. Ezhuthachan | K. N. Ezhuthachan Smaraka puraskaram | Malayalam short story writer T. P. Venugopalan received K. N. Ezhuthachan Smaraka puraskaram in the year 2016 for his work Kunnumpuram kaarnival(A compilation of Malayalam short stories). |
{"datasets_id": 2909, "wiki_id": "Q6324092", "sp": 2, "sc": 0, "ep": 4, "ec": 613} | 2,909 | Q6324092 | 2 | 0 | 4 | 613 | K. T. Rajenthra Bhalaji | K. T. Rajenthra Bhalaji ThiruK. T. Rajenthra Balaji is an Indian politician and incumbent member of the Tamil Nadu Legislative Assembly from the Sivakasi constituency. He represents the Anna Dravida Munnetra Kazhagam party. He is the present Tamil Nadu Minister for Milk and Dairy Development.
Balaji was appointed Minister for Information and Special Programme Implementation by Jayalalithaa in a cabinet reshuffle of November 2011. He is a minister in the present government and is known for his bold comments against DMK party and opposition leader MK stalin.He is also known for his funny speech and has a huge fan followers |
|
{"datasets_id": 2909, "wiki_id": "Q6324092", "sp": 4, "sc": 613, "ep": 8, "ec": 595} | 2,909 | Q6324092 | 4 | 613 | 8 | 595 | K. T. Rajenthra Bhalaji | Controversies | in social media. Controversies On september 25 2019, KT Rajenthra Balaji has fueled a controversy after calling Congress MP Manickam Tagore as an 'ungrateful dog' and asked people to beat him with slippers when he comes seeking vote in Nanguneri.In another scathing remark he further called him a pig and asked people to shoot Manickam Tagore with rubber bullets if he ever went there.
KT Rajenthra Bhalaji on May 13, 2019 created controversy when he said actor-politician Kamal Haasan's tongue should be chopped off for saying that terrorism does not have any religion. He also said Kamal Hassan's party Makkal Needhi |
{"datasets_id": 2909, "wiki_id": "Q6324092", "sp": 8, "sc": 595, "ep": 8, "ec": 1019} | 2,909 | Q6324092 | 8 | 595 | 8 | 1,019 | K. T. Rajenthra Bhalaji | Controversies | Maiam should be banned and the Election Commission should take action. Makkal Needhi Maiam general secretary A Arunachalam said KT Rajendra Bhalaji should be removed from his post as he lacks political ethics and personal dignity.
On 9th of march 2019, he claimed prime minister Narendra Modi as the father of his party AIADMK on the demise of late J. Jayalalithaa who he and his party members called their mother. |
{"datasets_id": 2910, "wiki_id": "Q6327567", "sp": 2, "sc": 0, "ep": 6, "ec": 554} | 2,910 | Q6327567 | 2 | 0 | 6 | 554 | KCZZ | History | KCZZ History Prior to its current format, the station was, during the mid-1990s (as KCAZ), the home of Radio AAHS, a format that featured children's programming and music. After Radio AAHS discontinued operations in January 1998, Children's Broadcasting Corporation, the station's owner, needed programming for the ten CBC-owned and operated Radio AAHS stations until it could find buyers. In February 1998, KCAZ, along with the other nine CBC stations, became an outlet for "Beat Radio", which broadcast electronic dance music 12 hours a day until late October 1998. |
{"datasets_id": 2911, "wiki_id": "Q6328854", "sp": 2, "sc": 0, "ep": 6, "ec": 542} | 2,911 | Q6328854 | 2 | 0 | 6 | 542 | KFAI | History | KFAI History The station first went on the air with a 10-watt signal on May 1, 1978, after drawn-out deliberations with the Federal Communications Commission, which was licensing a few low-power FM stations at the time. The first home was in the belfry of the Walker Community Church in South Minneapolis. In 1984, the primary transmitter was moved from the roof of the Seward Co-op to the top of the Foshay Tower in downtown Minneapolis and upgraded to 125 watts. The studios moved from the church two years later, when it moved to the second floor of |
{"datasets_id": 2911, "wiki_id": "Q6328854", "sp": 6, "sc": 542, "ep": 6, "ec": 1128} | 2,911 | Q6328854 | 6 | 542 | 6 | 1,128 | KFAI | History | a Butler Drug store on Lake Street. In 1991, studios were built especially for Fresh Air Radio at Cedar-Riverside near the University of Minnesota, where it remains today. The 170-watt West St. Paul translator station went up in 1994.
In March 2007, KFAI's main transmitter moved to IDS Center, after the new owner of Foshay Tower evicted all current tenants of the building as part of a redevelopment plan to turn it into a hotel . Since November 6, 2007, the station has been operating under an FCC Construction Permit with an upgraded effective radiated power of 900 Watts |
{"datasets_id": 2911, "wiki_id": "Q6328854", "sp": 6, "sc": 1128, "ep": 6, "ec": 1754} | 2,911 | Q6328854 | 6 | 1,128 | 6 | 1,754 | KFAI | History | and an IDS Center tower height of 247 meters (811 feet) above ground level. This upgrade allows the station to have a stronger signal from the IDS Center which extends the station's coverage deeper into St. Paul and the southeast suburbs.
Due to KFAI's limited signal power, programming is targeted to the Twin Cities communities. Three other IPR stations exist in Minneapolis-St. Paul: KBEM-FM (jazz), KMOJ (urban), and KUOM (college/eclectic). KVSC, another college station in St. Cloud, Minnesota, can also be received by some area residents. The station had major plans for expansion into HD radio by the end of |
{"datasets_id": 2911, "wiki_id": "Q6328854", "sp": 6, "sc": 1754, "ep": 6, "ec": 2427} | 2,911 | Q6328854 | 6 | 1,754 | 6 | 2,427 | KFAI | History | 2008. As part of this expansion, on November 16, 2008, the station switched over to a new 900-watt transmitter and directional antenna for its 90.3 FM signal, significantly increasing the broadcast coverage area.
In mid-2010, KFAI changed its weekday programming schedule to institute an all-news format from 6-10 a.m. The change included the scheduling of The Takeaway, a three-hour syndicated show from Public Radio International (PRI). Some long-time listeners and programmers were upset with the change, charging the station with abandoning its volunteer programming model. The Takeaway was dropped two years later, after PRI announced the decision to reduce |
{"datasets_id": 2911, "wiki_id": "Q6328854", "sp": 6, "sc": 2427, "ep": 10, "ec": 565} | 2,911 | Q6328854 | 6 | 2,427 | 10 | 565 | KFAI | History & Programming | it to a one-hour show. Programming KFAI's programming is highly eclectic and uses block programming, so that, for example, one might find a country music program followed by an hour of news about LGBT issues, or a reggae program followed by an hour of spoken word readings or an hour of Hmong programming. Although programs almost always occupy the same blocks from week to week, programs often have little or nothing to do with what precedes or follows them, and the station prides itself on being a "different radio station every hour".
Some of the station's programming is carried on other |
{"datasets_id": 2911, "wiki_id": "Q6328854", "sp": 10, "sc": 565, "ep": 14, "ec": 136} | 2,911 | Q6328854 | 10 | 565 | 14 | 136 | KFAI | Programming & Social media | radio stations. The show Crap from the Past, by Ron Gerber, airs on several stations in Arizona, plus one in New Zealand (in addition to a few Internet radio streams). KFAI offers archives of locally produced shows, and many of the station's various hosts and programmers also offer their own archived broadcasts at other sources. Social media KFAI has been active in the social network scene including YouTube, on Twitter with 2 accounts,
and Facebook
. |
{"datasets_id": 2912, "wiki_id": "Q6330545", "sp": 2, "sc": 0, "ep": 6, "ec": 198} | 2,912 | Q6330545 | 2 | 0 | 6 | 198 | KIBZ | Construction permit | KIBZ Construction permit On January 23, 2012, KIBZ was granted a Federal Communications Commission (FCC) construction permit to move to a new transmitter site, increase ERP to 40,000 watts and decrease HAAT to 116.1 meters. |
{"datasets_id": 2913, "wiki_id": "Q14706025", "sp": 2, "sc": 0, "ep": 6, "ec": 603} | 2,913 | Q14706025 | 2 | 0 | 6 | 603 | KPEK | History | KPEK History 100.3 went on the air in 1974 as KPAR-FM.
In 1979 the station became KKJY with an easy listening format made up of mostly instrumental music branded as "K-Joy". K-Joy lasted for about 15 years and shifted to smooth jazz around 1993.
In late 1994, KKJY switched from Smooth jazz to 70s oldies. The callsign changed to KHTZ branded as "K-Hits". This format lasted under two years by which time the station was sold to Trumper Communications in 1996.
100.3 became "The Peak" which launched in September 1996 as KPEK with a modern adult contemporary format built on the popularity of |
{"datasets_id": 2913, "wiki_id": "Q14706025", "sp": 6, "sc": 603, "ep": 6, "ec": 1173} | 2,913 | Q14706025 | 6 | 603 | 6 | 1,173 | KPEK | History | artists such as Hootie & the Blowfish, Counting Crows and Alanis Morissette. Gene & Julie were the stations first morning program who would help to grow the stations audience before moving to a bigger market in 1999. KPEK was purchased by Clear Channel Communications in 1999. By 2000, The Peak's format had skewed towards alternative rock after its sister station KTEG "The Edge" moved on to heavier rock. Their slogan at that time was "music for the rest of us" and would be one of the top rated stations in Albuquerque. But by early 2001 two of its competitors would |
{"datasets_id": 2913, "wiki_id": "Q14706025", "sp": 6, "sc": 1173, "ep": 6, "ec": 1712} | 2,913 | Q14706025 | 6 | 1,173 | 6 | 1,712 | KPEK | History | challenge the station creating a fierce battle in the alternative format as well as a sister station on 104.1 adding an AAA format by 2002. By 2003 KPEK would bring on Tony & Jackie who had been heard on local top 40 stations KKSS, KCHQ, and KKOB-FM in past years. The Peak would also shift to a Hot AC format returning it to a pop-based format rather than a rock-based one. The stations slogan throughout the rest of the decade was "80's, 90's and now". The Peak had often featured a large selection of 80's music that it termed "Tainted |
{"datasets_id": 2913, "wiki_id": "Q14706025", "sp": 6, "sc": 1712, "ep": 6, "ec": 1910} | 2,913 | Q14706025 | 6 | 1,712 | 6 | 1,910 | KPEK | History | 80's" for much of the first 15 years of the stations run. By 2010 the station began to focus more on the "90's til now" with less 80's although a small amount of 80's music has still been featured. |
{"datasets_id": 2914, "wiki_id": "Q6337504", "sp": 2, "sc": 0, "ep": 6, "ec": 215} | 2,914 | Q6337504 | 2 | 0 | 6 | 215 | KSBS-FM | History of call letters | KSBS-FM History of call letters The call letters KSBS were earlier assigned to an FM station in Kansas City, Kansas, which began broadcasting October 5, 1947. It operated on 105.9 MHz and was licensed to Sunflower Broadcasting System Incorporated. |
{"datasets_id": 2915, "wiki_id": "Q6339230", "sp": 2, "sc": 0, "ep": 6, "ec": 269} | 2,915 | Q6339230 | 2 | 0 | 6 | 269 | KTUM | History | KTUM History This station received its original construction permit from the Federal Communications Commission on November 6, 2000. The new station was assigned the KTUM call sign by the FCC on November 20, 2000. KTUM received its license to cover from the FCC on February 25, 2004. |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 2, "sc": 0, "ep": 6, "ec": 551} | 2,916 | Q6327940 | 2 | 0 | 6 | 551 | KVCN | Station history | KVCN Station history 106.7 signed on in 1987 as KBOM with a Spanish Contemporary music format. In 1990 it would be home to an Oldies format for northern New Mexico branded as "K-Bomb" with slogans such as Oldies Blast From the Past. The name referenced the city of license Los Alamos as being the birthplace of the atomic bomb. In 2000, it would be purchased by American General Media (AGM) along with Santa Fe area stations 107.5, 94.7, 1260 and 1400 from Withers Broadcasting Co. for $7 million. (The rest of the cluster would eventually be sold to Hutton Broadcasting). |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 551, "ep": 6, "ec": 1133} | 2,916 | Q6327940 | 6 | 551 | 6 | 1,133 | KVCN | Station history | AGM already had its own oldies station on KABG, however the K-Bomb format would relocate to the 94.7 frequency in Santa Fe, although AGM would bring a permanent end to it in 2002.
In early 2001, AGM would launch "The Planet" on 106.7 as KKPL with a modern rock format that used the slogan World Class Modern Rock. However, soon after its debut, Citadel Communications, a major player in the Albuquerque/Santa Fe radio market, would change two of its stations to rock formats, including a similar format on 103.3 FM as well as a classic rock station to compete against Clear |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 1133, "ep": 6, "ec": 1771} | 2,916 | Q6327940 | 6 | 1,133 | 6 | 1,771 | KVCN | Station history | Channel, which had owned most of the market rock radio stations at the time. This would put KKPL in competition with about six other area rock stations for advertising revenue. Longtime KTEG morning host "Buck" was among the local personalities at this short-lived station.
Therefore, in late September 2001, after only nine months on the air, AGM had thrown in the towel and changed 106.7 to a Spanish language music format as "Radio Sol" with call letters KZNM. Initially, "Sol" had emulated the long running format on local public radio station KANW-FM 89.1, which features New Mexico-based Spanish-language music artists. The |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 1771, "ep": 6, "ec": 2408} | 2,916 | Q6327940 | 6 | 1,771 | 6 | 2,408 | KVCN | Station history | commercial effort did not succeed and the format on KZNM would eventually shift to Spanish oldies in 2004. KZNM was consistently the lowest Arbitron rated FM station in the Albuquerque radio market and failed to make several ratings books.
106.7 FM's broadcast was upgraded to 44,000 watts effective radiated power in early 2007; it previously broadcast at 15,000 watts.
In March 2007, it switched to Regional Mexican as "La Ley", but in November 2007, AGM moved its other Regional Mexican station KLVO "Radio Lobo" from 97.7 FM to 106.7 FM.
"Radio Lobo", meanwhile, was launched in early 1995 on 97.7 FM and had |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 2408, "ep": 6, "ec": 2993} | 2,916 | Q6327940 | 6 | 2,408 | 6 | 2,993 | KVCN | Station history | been the top Arbitron rated Spanish-language radio station in Albuquerque for many years, but its competitor, Univision-owned KJFA ("La Jefa"), had turned up efforts to compete with Lobo in early 2007. It had moved to a stronger signal and added the Piolin morning program, which has resulted in better ratings and creating a more competitive battle in the format. 106.7 has a similar coverage area as KJFA, but uses less than half the power as the 100 kW signal on 105.1. The new signal, along with other programming changes, proved to be ineffective for KLVO, as KJFA would go on to |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 2993, "ep": 6, "ec": 3587} | 2,916 | Q6327940 | 6 | 2,993 | 6 | 3,587 | KVCN | Station history | become the top Regional Mexican music station and often the top rated Spanish-language radio station in the market. KLVO's ratings would continue to sink to dramatic lows by the end of the 2000s, falling far behind KJFA and other area Spanish-language radio stations. The format was dropped on January 31, 2011, after about 16 years on the air. However, it has since been revived on the original 97.7 frequency.
On January 31, 2011, AGM moved its Mainstream Top 40 station branded as "OMG! Radio" and KDLW call letters from 97.7 to 106.7. ("OMG!" was launched on August 24, 2009 on the |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 3587, "ep": 6, "ec": 4178} | 2,916 | Q6327940 | 6 | 3,587 | 6 | 4,178 | KVCN | Station history | 97.7 FM frequency with a mainstream top 40 format, shifting away from an underperforming rhythmic top 40 format that was previously airing on that station for more than a year and a half.) The move occurred because of the signal clarity of 106.7, which has a more clear signal in most of the Albuquerque area than 97.7, as well as extending its reach to areas in northern New Mexico, including Santa Fe. The broadcast on 97.7 ended on February 17, 2011, when 97.7 flipped to a Contemporary Christian format as "Shine 97.7".
"OMG!" competed against KKOB-FM, and since May 2012, KLQT, |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 4178, "ep": 6, "ec": 4807} | 2,916 | Q6327940 | 6 | 4,178 | 6 | 4,807 | KVCN | Station history | for listeners, creating a three way market race in the format.
Personalities on "OMG!" included Jeff and Jamie in the morning, as well as Stephanie in middays, Justin Case in afternoons, and Vanilla John at night.
On April 1, 2013, at 8 AM, the rhythmic/urban format previously airing on 106.3 moved up to the 106.7 frequency along with the KAGM callsign, displacing the "OMG!" Mainstream CHR format (which moved to 106.3 and rebranded as "Z 106.3"), and rebranded as "Power 106.7".
On April 4, 2014, former KKSS airstaff members DJ Lopez, Johnny V, and MQ all joined KAGM, replacing the former airstaff |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 4807, "ep": 6, "ec": 5384} | 2,916 | Q6327940 | 6 | 4,807 | 6 | 5,384 | KVCN | Station history | and Program Director Phillip "Picazzo" Stevens. KAGM morning show Double J In The Morning and his co-host Lyndsie Lohan stayed with the station. DJ Lopez was the PD and midday host at KAGM, as well as PD at sister stations KDLW and KARS, while Johnny V and MQ reprised their respective shifts at KAGM. They were also joined by Julian Robles of KJFA, who joined AGM's KLVO. Around the same time, the station had also gone from "Today and Back in the Day" to returning to the current-based rhythmic contemporary format and slogan "Where Hip-Hop Lives" amidst the recent launches |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 5384, "ep": 6, "ec": 5991} | 2,916 | Q6327940 | 6 | 5,384 | 6 | 5,991 | KVCN | Station history | of "old school" formats on iHeartMedia's Hot 95.1 and Univision's Yo! 101.3 putting the station in direct competition with KKSS again, as well as iHeartMedia's 100.9 The Beat. DJ Lopez resigned from KAGM in June 2015 and AGM brought back Stevens to program KAGM and KDLW after terminating him a year earlier.
On December 15, 2015, the entire airstaff of KAGM (except Stevens) was let go, leading to rumors of a format change. On December 28, at Noon, KAGM rebranded as "Wild 106.7". While continuing with the Rhythmic format, KAGM shifted from a hip-hop/R&B focus to a more dance-pop lean. However, |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 5991, "ep": 6, "ec": 6613} | 2,916 | Q6327940 | 6 | 5,991 | 6 | 6,613 | KVCN | Station history | the change backfired for KAGM, as the station slipped dramatically in the ratings, and within 9 months, KAGM was ranked near last in the market, leading to the dismissal of Stevens the following September.
On October 3, 2016, at Midnight, after playing "End of the Road" by Boyz II Men, KAGM changed their format to modern adult contemporary, branded as "106.7 The River". The first song on "The River" was "Hold Back the River" by James Bay.
On June 14, 2017, AGM announced that they would acquire Univision's entire Albuquerque cluster. To satisfy ownership limit laws set by the Federal Communications |
{"datasets_id": 2916, "wiki_id": "Q6327940", "sp": 6, "sc": 6613, "ep": 6, "ec": 7008} | 2,916 | Q6327940 | 6 | 6,613 | 6 | 7,008 | KVCN | Station history | Commission, AGM would sell KAGM to VCY America, who would convert the station to non-commercial status and flip it to religious programming. The sale price was $900,000; the sale was approved by the FCC on August 23, 2017 and consummated on September 1, 2017.
On September 1, 2017, the station changed its call sign to KVCN. The following day, the station changed to a religious format. |
{"datasets_id": 2917, "wiki_id": "Q6340321", "sp": 2, "sc": 0, "ep": 6, "ec": 611} | 2,917 | Q6340321 | 2 | 0 | 6 | 611 | KVUE | History | KVUE History The station first signed on the air on September 12, 1971, and was originally operated by Center Broadcasting Co. of Center, Texas (owned by Tolbert Foster). The station was the market's first full-time ABC affiliate; prior to KVUE's sign-on, the network's programming had previously been limited to off-hours clearances on KTBC (channel 7), though most of the market could pick up San Antonio's KSAT-TV with a decent antenna. Unlike most network affiliates in then two-station markets, KHFI-TV (channel 42, now KXAN-TV on channel 36) did not take on a secondary affiliation with ABC when that station signed on |
{"datasets_id": 2917, "wiki_id": "Q6340321", "sp": 6, "sc": 611, "ep": 6, "ec": 1267} | 2,917 | Q6340321 | 6 | 611 | 6 | 1,267 | KVUE | History | in February 1965.
Universal Communications, the broadcasting arm of The Detroit News, purchased KVUE from Center Broadcasting in 1978. The station was acquired by the Gannett Company in 1986 as part of its purchase of The Detroit News. In 1999, Gannett swapped KVUE to Belo Corporation in exchange for KXTV in Sacramento. Previously, Belo had established a Texas-based cable news channel, Texas Cable News (TXCN), a partnership amongst the company's Texas station properties, including KHOU-TV in Houston, WFAA-TV in Dallas and KENS-TV in San Antonio. With the addition of KVUE, TXCN could provide news and information from the four largest cities |
{"datasets_id": 2917, "wiki_id": "Q6340321", "sp": 6, "sc": 1267, "ep": 6, "ec": 1880} | 2,917 | Q6340321 | 6 | 1,267 | 6 | 1,880 | KVUE | History | in Texas. On June 13, 2013, Gannett announced that it would acquire Belo for $1.5 billion. The sale was completed on December 23, which once again put KVUE under Gannett ownership and reunited the station with several of its sister stations for the first time in 14 years, as well as becoming a sister station to KXTV in Sacramento for the first time.
In 2014, KVUE won a Peabody Award for a documentary entitled The Cost of Troubled Minds, about Texas' underinvestment in addressing mental health care. Specifically honored were film-makers Andy Pierrotti, Derek Rasor, Matt Olsen, Patti C. Smith, Frank |
{"datasets_id": 2917, "wiki_id": "Q6340321", "sp": 6, "sc": 1880, "ep": 10, "ec": 382} | 2,917 | Q6340321 | 6 | 1,880 | 10 | 382 | KVUE | History & Analog-to-digital conversion | Volpicella and Michelle Chism.
On June 29, 2015, the Gannett Company split in two, with one side specializing in print media and the other side specializing in broadcast and digital media. KVUE was retained by the latter company, named Tegna. Analog-to-digital conversion KVUE shut down its analog signal on February 17, 2009, as part of the FCC-mandated transition to digital television for full-power stations (which Congress had moved the previous month to June 12). The station's digital signal remained on its pre-transition UHF channel 33, using PSIP to display KVUE's virtual channel as 24 on digital television receivers.
KVUE is the only |
{"datasets_id": 2917, "wiki_id": "Q6340321", "sp": 10, "sc": 382, "ep": 14, "ec": 251} | 2,917 | Q6340321 | 10 | 382 | 14 | 251 | KVUE | Analog-to-digital conversion & Programming | former Belo-owned ABC affiliate to broadcast its over-the-air signal in 720p (ABC's default HD format). Programming Syndicated programming seen on KVUE includes Entertainment Tonight, Live with Kelly and Ryan, and The Ellen DeGeneres Show. KVUE also broadcast Dr. Red Duke's syndicated medical reports throughout the Austin metro area for much of the 1980s and 1990s. |
{"datasets_id": 2918, "wiki_id": "Q20746261", "sp": 2, "sc": 0, "ep": 6, "ec": 200} | 2,918 | Q20746261 | 2 | 0 | 6 | 200 | Kagamba | Location | Kagamba Location Kagamba is located approximately 15 kilometres (9 mi) west of Ntungamo, on the Ntungamo-Rukungiri road. The coordinates of the town are 0°49'05.0"S, 30°09'36.0"E (Latitude:-0.8181; Longitude:30.1600). |
{"datasets_id": 2919, "wiki_id": "Q2883526", "sp": 2, "sc": 0, "ep": 6, "ec": 565} | 2,919 | Q2883526 | 2 | 0 | 6 | 565 | Kairo (band) | Career | Kairo (band) Career Kairo was conceptualized by Toño Berumen as an all-male trio boy band in 1993. Kairo's first single was "En los espejos de un café" based on the Italian group 883's hit "Nord sud ovest est". The song gained great popularity and was followed by the release of the first album,Signo del tiempo (meaning Sign of the times). Other singles from the album included "Háblame de tí", "Pérdoname" and "Te amaré".
The follow-up album was Gaudium, released in 1995 and resulting in singles "No nos rendimos", "Si te vas" and "Dile que la amo". But was "Ponme La Multa" |
{"datasets_id": 2919, "wiki_id": "Q2883526", "sp": 6, "sc": 565, "ep": 6, "ec": 1112} | 2,919 | Q2883526 | 6 | 565 | 6 | 1,112 | Kairo (band) | Career | the biggest hit of the album (alongside "Dile que la amo"), "Ponme La Multa" was released in May, 1995 and became a strong hit in Mexico and many other countries; the music video was about three friends who fall in love with a female highway patrol agent, this video had strong rotation in the whole year. Kairo was nominated for a Lo Nuestro Award for Pop New Artist of the Year at the 7th Lo Nuestro Awards.
In 1996, Cara a cara was released, including songs from the two previous albums like "En los espejos de un café", "Te amare" and |
{"datasets_id": 2919, "wiki_id": "Q2883526", "sp": 6, "sc": 1112, "ep": 6, "ec": 1744} | 2,919 | Q2883526 | 6 | 1,112 | 6 | 1,744 | Kairo (band) | Career | "Ponme la multa (Fammi la multa)". The album was shared with the a rival band of the same genre called Magneto.
In 1997, the album Éxitos was released which was basically a compilation of songs from Signo del tiempo and Gaudium, with the unreleased "Mi querida Isabel" added. The album also included energy and dance remixes of three of their previous hits.
Meanwhile, Verástegui had left the band for an acting career. He continued a music career, releasing his only solo album, Eduardo Verástegui in 2001 in Miami through the Universal Latino record label.
In 1997, the album Libres was released with Soto |
{"datasets_id": 2919, "wiki_id": "Q2883526", "sp": 6, "sc": 1744, "ep": 6, "ec": 2344} | 2,919 | Q2883526 | 6 | 1,744 | 6 | 2,344 | Kairo (band) | Career | having replaced Verástegui. Soto had been a winner of the Mister México competition. Libres was distributed for free in certain areas. "Siempre me acuerdo de tí", "Vuelve conmigo (ven)" and "Locos por tí" were released as singles. After Libres, the departure of Forat and Zorrilla was announced. Forat was replaced by the ex-Tierra Cero member Paulo César Quevedo and Zorilla by the model Roberto Assad Martínez.
Kairo released one last album entitled Pasiones in 1998 with "Bailando en tu habitación" in 1998 being their last single. The band was ended after appearing in the 1999 Telethon. |
{"datasets_id": 2920, "wiki_id": "Q6010776", "sp": 2, "sc": 0, "ep": 4, "ec": 109} | 2,920 | Q6010776 | 2 | 0 | 4 | 109 | Kalelibelen | Kalelibelen Kalelibelen was a town in ancient Pamphylia.
Its site is located near Belenobası, in Asiatic Turkey. |
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{"datasets_id": 2921, "wiki_id": "Q6357025", "sp": 2, "sc": 0, "ep": 8, "ec": 271} | 2,921 | Q6357025 | 2 | 0 | 8 | 271 | Kames Castle | History | Kames Castle Kames Castle is located on the shore of Kames Bay near Port Bannatyne, on the Isle of Bute, Scotland. It consists of a 16th-century tower house, extended by the addition of a range of cottages. The castle is set in 20 acres (81,000 m²) of planted grounds, including a 2-acre (8,100 m²) 18th-century walled garden. History The lands of Kames were granted to the Bannatyne family by Robert the Bruce in the 14th century. Although of 14th-century appearance, the present tower house is thought to date from the 16th century. The last Bannatyne owner was Sir William Macleod Bannatyne (1743–1833), |
{"datasets_id": 2921, "wiki_id": "Q6357025", "sp": 8, "sc": 271, "ep": 8, "ec": 868} | 2,921 | Q6357025 | 8 | 271 | 8 | 868 | Kames Castle | History | a distinguished lawyer and judge in Edinburgh, who took the title Lord Bannatyne on promotion to the College of Justice in 1799. In the later 18th and early 19th century he laid out the walled garden and constructed a mansion adjoining the tower house.
Kames was the birthplace and early home of the critic and essayist John Sterling (1806–1844). Thomas Carlyle in his biography of Sterling refers to the castle as "a kind of dilapidated baronial residence to which a small farm was then attached". Lord Bannatyne sold the estate around 1810, to James Hamilton WS, preferring his social |
{"datasets_id": 2921, "wiki_id": "Q6357025", "sp": 8, "sc": 868, "ep": 8, "ec": 1466} | 2,921 | Q6357025 | 8 | 868 | 8 | 1,466 | Kames Castle | History | life in Edinburgh. Kames Castle became part of the Marquess of Bute's estate in 1863. Some alterations to the tower house were undertaken in the later 19th century. Around 1900 the mansion was demolished and replaced with a series of cottages around a courtyard, with the intention of creating a hunting lodge.
In the mid to late 20th century, Kames was used as a children's holiday home, run by the Scottish Council for Spastics. It is now privately owned, with a number of cottages available as holiday lets. The castle, cottages, walled garden and other estate buildings are category B |
{"datasets_id": 2921, "wiki_id": "Q6357025", "sp": 8, "sc": 1466, "ep": 8, "ec": 1484} | 2,921 | Q6357025 | 8 | 1,466 | 8 | 1,484 | Kames Castle | History | listed buildings. |
{"datasets_id": 2922, "wiki_id": "Q646858", "sp": 2, "sc": 0, "ep": 10, "ec": 33} | 2,922 | Q646858 | 2 | 0 | 10 | 33 | Kameyama, Mie | History & Economy | Kameyama, Mie History Kameyama developed as the castle town of Kameyama Castle, which belonged to the Ise-Kameyama Domain under the Tokugawa shogunate. In the early 17th century, the castle town was Kameyama-juku, the forty-sixth post station of Tōkaidō. Seki-juku and Sakashita-juku on the Tōkaidō, also fall within its borders.
During the establishment of municipalities in the early Meiji period, Kamayama-juku was organized into the town of Kameyama within Suzuka District. It was elevated to city status on October 1, 1954.
On January 11, 2005, the town of Seki (also from Suzuka District) was merged into Kameyama. Economy Candles are a traditional product |
{"datasets_id": 2922, "wiki_id": "Q646858", "sp": 10, "sc": 33, "ep": 10, "ec": 159} | 2,922 | Q646858 | 10 | 33 | 10 | 159 | Kameyama, Mie | Economy | of the city. Sharp Corporation has been operating one of the world's largest LCD factories in the city since January 8, 2004. |
{"datasets_id": 2923, "wiki_id": "Q12583052", "sp": 2, "sc": 0, "ep": 6, "ec": 605} | 2,923 | Q12583052 | 2 | 0 | 6 | 605 | Kang Eun-gyo | Life | Kang Eun-gyo Life Kang Eungyo was born on December 13, 1945 in Hongwon, Hamgyeongnam-do. She was raised in Seoul, and graduated from Gyeonggi Girls’ Middle School and Gyeonggi Girls’ High School. She went on to earn her bachelor's degree in English Literature and Ph.D. in Korean Literature from Yonsei University. Kang has a daughter. She made her literary debut with the publication of "Night of the Pilgrims" (Sullyejaui bam), which earned her the 1968 New Writer Prize, sponsored by the journal World of Thoughts (Sasanggye). She was a member of the coterie that published The Seventies (Chilsimnyeondae) along with Kim |
{"datasets_id": 2923, "wiki_id": "Q12583052", "sp": 6, "sc": 605, "ep": 10, "ec": 115} | 2,923 | Q12583052 | 6 | 605 | 10 | 115 | Kang Eun-gyo | Life & Work | Hyeong-yeong, Yoon Sang-gyu, Lim Jeong-nam, and Jung Hui-seong. She is at present a professor of Korean Literature at Dong-a University. House of Nothingness (Heomujip), Diary of a Pauper (Binjailgi), House of Noises (Sorijib), Red River (Bulgeun gang), Song of the Wind (Baram norae), Song of Sadness (Seulpeun norae), and Letter in the Wall (Byeoksogui pyeonji) are her most significant poetry collections. Kang was also the recipient of the Korean Writer’s Prize and the Contemporary Literature (Hyundae Munhak) Award. Work In her early career Kang utilized nihilism as a point of departure from which to blueprint a future of free thought |
{"datasets_id": 2923, "wiki_id": "Q12583052", "sp": 10, "sc": 115, "ep": 10, "ec": 754} | 2,923 | Q12583052 | 10 | 115 | 10 | 754 | Kang Eun-gyo | Work | and equality between men. In response to the government’s violations of human rights and fundamental liberties during the late 1960s, the poet struggled to map a new path opposed to persecution and oppression; her works contained a measure of hope at the same time despairing at the then social and political situation. This focus resulted in Kang's name being associated with the "people's poetry" movement.
Kang was also in the camp of 'lyrical' (as opposed to 'ontological) poets like Heu Young-ja, Chung Jin-kyu, Lee Keun-bae, Kim Huran, Oh Tak-bon, Yoo An-jin, Park E-dou, Ra Tae-joo, Lee Soo-ik, Song Soo-kwon, Oh Sae-young, |
{"datasets_id": 2923, "wiki_id": "Q12583052", "sp": 10, "sc": 754, "ep": 10, "ec": 1447} | 2,923 | Q12583052 | 10 | 754 | 10 | 1,447 | Kang Eun-gyo | Work | Lee Geon-cheong, Kim Jong-hae, Shin Dalja, Lim Young-jo, Lee Sung-sun, Moon Chung-hee, Kim Hyeong-young, Cho Jeong-kwon, Hong Shin-seon, Sin Dae-chul, Kim Jong-hae, Kim Jong-chul, Lee Garim, Kim Seung-hee, Lee Jun-gwan, Lee kee-chul, Cho Chang-whan, and Yoon Suk-san
Kang's poem "Blades of Grass" (Pullip) demonstrated her concern and affection for the powerful forces of life that shape communities and override any human machinations, including governments. Her later work, less dark and tragic than her previous poetry, contains optimism for the future while it still acknowledges the problems of the social conditions of the time. "Blades of Grass, Arise" (Ireoseora pura), one of |
{"datasets_id": 2923, "wiki_id": "Q12583052", "sp": 10, "sc": 1447, "ep": 10, "ec": 2037} | 2,923 | Q12583052 | 10 | 1,447 | 10 | 2,037 | Kang Eun-gyo | Work | her most famous poems, uses the vitality and resiliency of grass as a metaphor for the powerful will of life that exists in all mankind. In "I Await You Again Today" (Oneuldo neoreul gidarinda), the commonplace, ordinary “you” gains a new significance; “you” becomes an entity that has a brilliance in and of itself. Her later works, with their soulful attention to the glory of life and earnest quest for its meaning, place her in the school of poetry known as 'People’s Poetry'. Yet, as Kang's early poetry appropriated and altered the nihilistic school of thought, her later poetry also |
{"datasets_id": 2923, "wiki_id": "Q12583052", "sp": 10, "sc": 2037, "ep": 14, "ec": 12} | 2,923 | Q12583052 | 10 | 2,037 | 14 | 12 | Kang Eun-gyo | Work & Works in Translation | changed the standards of the "People's Poetry" school. While much of the rest of "people’s poetry" has been criticized for only offering simplistic, normative perspectives of social reality, Kang’s poetry achieved a remarkable balance between the tangible and the abstract, the real and the ideal. Works in Translation None to date |
{"datasets_id": 2924, "wiki_id": "Q2452278", "sp": 2, "sc": 0, "ep": 6, "ec": 331} | 2,924 | Q2452278 | 2 | 0 | 6 | 331 | Kangrali (BK) | Demographics | Kangrali (BK) Demographics As of 2011 India census, Kangrali (BK) had a population of 10,084. Males constitute 51% of the population and females 49%. Kangrali (BK) has an average literacy rate of 67%, higher than the national average of 59.5%: male literacy is 76%, and female literacy is 57%. In Kangrali (BK), 14% of the population is under 6 years of age. |
{"datasets_id": 2925, "wiki_id": "Q16221424", "sp": 2, "sc": 0, "ep": 6, "ec": 548} | 2,925 | Q16221424 | 2 | 0 | 6 | 548 | Kanika Maheshwari | Early life | Kanika Maheshwari Early life Kanica is Indian Television’s actor and has made memorable appearances as varied characters of the years. She was born in Aligarh from where her family moved to New Delhi, she is the only child of her parents. Kanika has always been a family person. After her graduation, she learned the fine art of Vaastu Shastra and Color Therapy before dabbling into acting. At the academy she learned performing arts and experimented her talents, she was encouraged by her teachers and mentors to find her place in Mumbai and create a niche for herself in the |
{"datasets_id": 2925, "wiki_id": "Q16221424", "sp": 6, "sc": 548, "ep": 10, "ec": 93} | 2,925 | Q16221424 | 6 | 548 | 10 | 93 | Kanika Maheshwari | Early life & Personal life | industry.
Kanica did just that with her streak of award winning roles and shows over the years. Known for her hard work, punctuality and persistence – her cheerful spirit brings new shades to evlays. Personal life Kanica married businessman Ankur Ghai in January 2012. She gave birth to a boy in April 2015. |
{"datasets_id": 2926, "wiki_id": "Q24007350", "sp": 2, "sc": 0, "ep": 6, "ec": 554} | 2,926 | Q24007350 | 2 | 0 | 6 | 554 | Kanisha Malhotra | In the media | Kanisha Malhotra In the media Kanisha bagged her first Bollywood feature in 2011 named Second Marriage Dot Com which released in August 2012. She later moved to Mumbai in 2013 and appeared in many television shows. Her debut was from MTV webbed Balaji Telefilms in 2013 and later she played character of Ratna Nidhi in Jai Jai Jai Bajrang Bali, Sagar Arts. Kanisha did number of episodics including CID, Pyaar Tune Kya Kiya, Channel V distractions, Gumrah. In 2015 she signed feature film Udanchoo. Later that year, she appeared in Zee TV show Maharakshak: Devi and Star Plus' Yeh Hai |
{"datasets_id": 2926, "wiki_id": "Q24007350", "sp": 6, "sc": 554, "ep": 6, "ec": 745} | 2,926 | Q24007350 | 6 | 554 | 6 | 745 | Kanisha Malhotra | In the media | Mohabbatein. In 2016 January Kanisha moved to direction and assisted director Ram Gopal Varma on Veerappan. Post that she appeared in the show Agar Tum Saath Ho andnd P.O.W. - Bandi Yuddh Ke |
{"datasets_id": 2927, "wiki_id": "Q6403228", "sp": 2, "sc": 0, "ep": 4, "ec": 248} | 2,927 | Q6403228 | 2 | 0 | 4 | 248 | Kantar | Kantar A kantar is the official Egyptian weight unit for measuring cotton. It corresponds to the US hundredweight, and is roughly equal to 99.05 pounds, or 45.02 kilograms. It is equal to either 157 kilograms of seed cotton or 50 kilograms of lint cotton. |
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{"datasets_id": 2928, "wiki_id": "Q10809938", "sp": 2, "sc": 0, "ep": 6, "ec": 496} | 2,928 | Q10809938 | 2 | 0 | 6 | 496 | Kanzan Egen | Biography | Kanzan Egen Biography Kanzan Egen was born in Shinano Province on January 7, 1277. He initially studied Rinzai Zen Buddhism under Nanpo Jōmyō, who received dharma-transmission from China and later under Nanpo Jōmyō's student, Shūhō Myōchō. After Shūhō Myōchō confirmed Kanzan Egen's enlightenment, Kanzan went to Mino Province and dwelt in the Ibuki Mountains for intensive training.
During this time, Emperor Hanazono recalled Kanzan to the capitol to help found a new temple which became Myōshin-ji Temple. |
{"datasets_id": 2929, "wiki_id": "Q24851712", "sp": 2, "sc": 0, "ep": 6, "ec": 79} | 2,929 | Q24851712 | 2 | 0 | 6 | 79 | Kao Fu-yao | Education | Kao Fu-yao Education Kao obtained his bachelor's degree in law from National Chung Hsing University. |
{"datasets_id": 2930, "wiki_id": "Q6367078", "sp": 2, "sc": 0, "ep": 10, "ec": 575} | 2,930 | Q6367078 | 2 | 0 | 10 | 575 | Kappa Publishing Group | History & Subsidiaries | Kappa Publishing Group History In January 2012, Kappa announced that they had acquired Modern Publishing. Subsidiaries It has a number of subsidiary companies, such as London Publishing or GAMES Publications. It original owner, H.L. Herbert ("Larry") founded his puzzle business, Official Publications in Manhattan with titles including Teen Word-Finds, Superb Word-Finds, Variety Word-Finds and countless crossword puzzle, crosspatch and fill-it-in titles. Sons Anthony Herbert (Editorial Director) and Paul Herbert (Sales) helped the business grow to the success it became. Edward Tobias was the Editor. Prior to Mr. Herbert, Sr.'s passing in the 1980s, he sold the business to Nick Karabots, |
{"datasets_id": 2930, "wiki_id": "Q6367078", "sp": 10, "sc": 575, "ep": 14, "ec": 269} | 2,930 | Q6367078 | 10 | 575 | 14 | 269 | Kappa Publishing Group | Subsidiaries & Lawsuit | who owned the printer where the titles were being printed. The business was then moved to Ft. Washington, PA. Top word-find contributors in the early 80's included Rich Latta and Frank J. D'Agostino. Lawsuit In December 2005, Kappa Publishing settled a class-action lawsuit in which they were accused of sending junk faxes. The settlement was for $1.5 million to 13,500 potential class members, $560,000 in attorneys' fees and expenses and $65,000 for administrative expenses. |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 2, "sc": 0, "ep": 4, "ec": 585} | 2,931 | Q63382820 | 2 | 0 | 4 | 585 | Kardaki Temple | Kardaki Temple Kardaki Temple is an Archaic Doric temple in Corfu, Greece, built around 500 BC in the ancient city of Korkyra (or Corcyra), in what is known today as the location Kardaki in the hill of Analipsi in Corfu. The temple features several architectural peculiarities that point to a Doric origin. The temple at Kardaki is unusual because it has no frieze, following perhaps architectural tendencies of Sicilian temples. It is considered to be the only Greek temple of Doric architecture that does not have a frieze. The spacing of the temple columns has been described as "abnormally wide". |
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{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 4, "sc": 585, "ep": 8, "ec": 214} | 2,931 | Q63382820 | 4 | 585 | 8 | 214 | Kardaki Temple | Location | The temple also lacked both porch and adyton, and the lack of a triglyph and metope frieze may be indicative of Ionian influence. The temple at Kardaki is considered an important and to a certain degree mysterious topic on the subject of early ancient Greek architecture. Its association with the worship of Apollo or Poseidon has not been established. Location The temple lies on the grounds of Mon Repos, a former residence of the Greek royal family built on the site of Palaiopolis, the original site of ancient Korkyra. The temple lies close to and to the southeast of the |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 8, "sc": 214, "ep": 12, "ec": 424} | 2,931 | Q63382820 | 8 | 214 | 12 | 424 | Kardaki Temple | Location & Discovery | Temple of Hera (Heraion), which in turn is approximately 700 m. to the southeast of the Temple of Artemis. The site is known as Kardaki, or "Cada[c]chio" in Italian. Discovery The temple was discovered accidentally in 1822, during the British protectorate, by British engineers performing excavations to free the flow of the natural water emanating from the spring at Kardaki; the British navy depended on the water of the spring for its supplies, and, at the time, the flow of water was impeded by soil accumulation around the spring. As the engineers were removing the soil, they discovered a Doric |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 12, "sc": 424, "ep": 12, "ec": 1020} | 2,931 | Q63382820 | 12 | 424 | 12 | 1,020 | Kardaki Temple | Discovery | column lying on the ground. The engineers then unearthed the rest of the temple, and they also discovered pottery in the shape of female heads and a leg. These terracota artefacts are thought to be either votive offerings or toys left at the tomb of a child. Following its discovery, the temple disappeared from view again, after a landslide from Analipsi hill covered it with soil.
In 1825, it was excavated again, and William Railton documented the site and published the results in his paper Antiquities of Athens and other Places in Greece, Sicily etc. Railton's work was published |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 12, "sc": 1020, "ep": 16, "ec": 136} | 2,931 | Q63382820 | 12 | 1,020 | 16 | 136 | Kardaki Temple | Discovery & Early studies | in a later edition of a famous work by Stuart and Revett. In 1830, Railton also illustrated a book titled The Newly Discovered Temple of Cadachio, in the Island of Corfu. The eastern boundary of the temple has collapsed and slid into the surrounding sea and has been underwater for a long time.
The temple at Kardaki, is considered an important and to a certain degree mysterious topic on the subject of early ancient Greek architecture. Early studies For over 80 years after Railton's study there were no further archaeological examinations of the temple. In 1909 the site was visited by |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 16, "sc": 136, "ep": 16, "ec": 789} | 2,931 | Q63382820 | 16 | 136 | 16 | 789 | Kardaki Temple | Early studies | the archaeologist William Bell Dinsmoor, who subsequently published his findings in a brief paper. In 1912–1914, German archaeologist Wilhelm Dörpfeld obtained permission from the King of Greece to excavate the area of the temple. Dörpfeld published his results in two brief notes without illustrations in the Archäologischer Anzeiger. Franklin P. Johnson expanded on Dörpfeld's findings by adding pictures and further details, which he published in 1936 in his paper "The Kardaki Temple" with the aim "that this unique structure may be better known and to make some suggestions toward determining its proper place in the field of Greek architecture." |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 18, "sc": 0, "ep": 20, "ec": 609} | 2,931 | Q63382820 | 18 | 0 | 20 | 609 | Kardaki Temple | Architecture | Architecture According to Johnson, the architect of the temple followed the architectural traditions of Corfu and Corinth. Johnson also writes that, by omitting the frieze, the architect consciously diverged from established norms, and by doing so he showed his considerable talent. The absence of a frieze results in a lighter entablature which enables the number of supporting columns to be reduced, thus the spacing of the columns is increased. It is considered to be the only Greek temple of Doric architecture that does not have a frieze. The spacing of the temple columns has been described as "abnormally wide". The |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 20, "sc": 609, "ep": 20, "ec": 1205} | 2,931 | Q63382820 | 20 | 609 | 20 | 1,205 | Kardaki Temple | Architecture | dimensions of the temple are 11.91m by 25.5m with 6 columns by 12 columns respectively. Its association with the worship of Apollo or Poseidon has not been established.
The cella did not include either a porch or an adyton and the lack of a frieze may be indicative of Ionian influence. The porch may also have disappeared due to a landslide. Many of the tiles on the roof of the temple bore inscriptions of names, likely of chief magistrates who were contemporary to its construction or renovation periods. The names on the tiles included: Aristomenes, Thersia, and Damon. The temple's |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 20, "sc": 1205, "ep": 24, "ec": 292} | 2,931 | Q63382820 | 20 | 1,205 | 24 | 292 | Kardaki Temple | Architecture & Inscription | architectural style is hexastyle-peripteral. The period of the temple is estimated between 500 B.C. to the middle of the fifth century B.C. Kardaki Temple is the only archaic temple in Greece known to lack an epinaos, an omission similarly observed elsewhere in two temples at Selinus and Assos. Inscription An inscription exists at a museum in Verona which appears to refer to the Kardaki Temple. The inscription, in Doric Greek, details works undertaken by the state of Korkyra (ancient Corfu) for the maintenance and repair of the Temple. It also accounts for the costs of the works and the prices |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 24, "sc": 292, "ep": 24, "ec": 909} | 2,931 | Q63382820 | 24 | 292 | 24 | 909 | Kardaki Temple | Inscription | of materials such as tin, lead and brass and the costs of transportation, labour, and excavation. Other costs included the acquisition of a brazen serpent, the construction and erection of an obelisk, and the construction of a retaining wall by a craftsman called Metrodorus.
The inscription provides the official approval of the magistrates of the Corcyrean republic for carrying out these works. The inscription also mentions that the roof of the temple was removed and states that the water channels have to be diverted so that they do not damage the retaining wall. From these writings, it is shown that |
{"datasets_id": 2931, "wiki_id": "Q63382820", "sp": 24, "sc": 909, "ep": 24, "ec": 1291} | 2,931 | Q63382820 | 24 | 909 | 24 | 1,291 | Kardaki Temple | Inscription | the location of the temple near a sacred site of a natural spring was also the cause of constant problems with water damage and continuing repair. In the inscription there is also mention of nitre, which has been interpreted as meaning natron. Colonel Whitmore, the discoverer of the temple, had commented that he had noticed traces of a substance on the altar that resembled soda. |
{"datasets_id": 2932, "wiki_id": "Q30123931", "sp": 2, "sc": 0, "ep": 4, "ec": 592} | 2,932 | Q30123931 | 2 | 0 | 4 | 592 | Karita Coffey | Karita Coffey Karita Coffey (born 1947) is a Comanche ceramist, noted especially for producing ceramic replicas of traditional craft objects. She lived in Lawton, Oklahoma before beginning her artistic training at the Institute of American Indian Arts. She received her graduate degree from the University of Oklahoma and later taught at the Institute for many years before retiring to work on her sculpture. Coffey's work is informed by aspects of African art and the art of the Australian Aborigines as well as by her own heritage. Her work is represented in the collection of the National Museum of the |
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{"datasets_id": 2932, "wiki_id": "Q30123931", "sp": 4, "sc": 592, "ep": 4, "ec": 609} | 2,932 | Q30123931 | 4 | 592 | 4 | 609 | Karita Coffey | American Indian. |
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{"datasets_id": 2933, "wiki_id": "Q3376171", "sp": 2, "sc": 0, "ep": 4, "ec": 565} | 2,933 | Q3376171 | 2 | 0 | 4 | 565 | Karl Akre | Karl Akre Karl Edvard Pedersen Akre (26 March 1840 – 14 March 1912) was a Norwegian educator and politician for the Liberal Party.
He was born in Alta, and graduated as a teacher from Tromsø Seminary in 1862. He started working as a teacher in Kjelvik, but moved to Vadsø in 1865. At the primary school there, he advanced from second teacher to first teacher in 1884 and headmaster in 1911.
With minor interruptions he was a member of Vadsø city council from 1869 to 1910, and also chaired the school board. He was elected to the Parliament of Norway in 1885, |
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{"datasets_id": 2933, "wiki_id": "Q3376171", "sp": 4, "sc": 565, "ep": 4, "ec": 1238} | 2,933 | Q3376171 | 4 | 565 | 4 | 1,238 | Karl Akre | representing the urban constituency of Hammerfest, Vardø og Vadsø. He served only one three-year term 1886–1889.
Akre was a co-founder of the newspaper Finmarkens Amtstidende in 1871. His orthography was ahead of its time, and reminiscent of the 1907 standard of Riksmål (Dano-Norwegian). He was also a supporter of Landsmål, and founded the Landsmål publication Finnmarkingen together with Ananias J. Brune in July 1875. This was the northernmost Landsmål publication in Norway, however it only lasted for two issues. Later, in 1877, Akre publicly supported the Finnish language newspaper for the minority in Finnmark, Ruijan Suomenkielinen Lehti. Akre had been a |
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{"datasets_id": 2933, "wiki_id": "Q3376171", "sp": 4, "sc": 1238, "ep": 4, "ec": 1509} | 2,933 | Q3376171 | 4 | 1,238 | 4 | 1,509 | Karl Akre | teacher for Kven people in Alta, and was one of the few Norwegians who publicly supported the newspaper's existence. Akre was also a temperance activist, presiding over the meeting that founded the DNGTO (a splinter of IOGT) in June 1888. He died in March 1912 in Vadsø. |
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{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 2, "sc": 0, "ep": 10, "ec": 39} | 2,934 | Q60060 | 2 | 0 | 10 | 39 | Karl von Frisch | Early life & Career | Karl von Frisch Early life Karl von Frisch was the son of the surgeon and urologist Anton von Frisch (1849-1917), by his marriage to Marie Exner. Karl was the youngest of four sons, all of whom became university professors.
Karl studied in Vienna under Hans Leo Przibram and in Munich under Richard von Hertwig, initially in the field of medicine, but later turned to the natural sciences. He received his doctorate in 1910 and in the same year started work as an assistant in the zoology department of the University of Munich. Career In 1912 he became a lecturer in zoology |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 10, "sc": 39, "ep": 10, "ec": 683} | 2,934 | Q60060 | 10 | 39 | 10 | 683 | Karl von Frisch | Career | and comparative anatomy there; and in 1919 was promoted to a professorship. His research on honeybees was continued by his student Ingeborg Beling. In 1921 he went to Rostock University as a professor of zoology and director of an institute. In 1923 he accepted the offer of a chair at Breslau University, returning in 1925 to Munich University, where he became the head of the institute of zoology.
Von Frisch attracted negative attention from the Nazi regime, among other things for employing Jewish assistants, including many women, and for practicing "Jewish science". Eventually Frisch was forced into retirement, but the decision |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 10, "sc": 683, "ep": 18, "ec": 115} | 2,934 | Q60060 | 10 | 683 | 18 | 115 | Karl von Frisch | Career & Personal life & Research | was reversed because of his research on nosema infections in bees.
The institute of zoology was destroyed in the Second World War, and in 1946 Frisch went to work at the University of Graz, remaining there until 1950, when he returned to the reopened Munich institute. He retired in 1958 but continued his research. Personal life Karl von Frisch married Margarete, née Mohr, who died in 1964. Their son, Otto von Frisch, was director of the Brunswick natural history museum between 1977 and 1995. Research Frisch studied aspects of animal behaviour, including animal navigation, in the Carniolan honey bee (Apis mellifera |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 18, "sc": 115, "ep": 22, "ec": 551} | 2,934 | Q60060 | 18 | 115 | 22 | 551 | Karl von Frisch | Research & Bee perception | carnica), a subspecies of the European honey bee. Bee perception Frisch discovered that bees can distinguish various blossoming plants by their scent, and that each bee is "flower constant". Surprisingly, their sensitivity to a "sweet" taste is only slightly stronger than in humans. He thought it possible that a bee's spatial sense of smell arises from the firm coupling of its olfactory sense with its tactile sense.
Frisch was the first to demonstrate (in 1914) that honey bees had color vision, which he accomplished by using classical conditioning. He trained bees to feed on a dish of sugar water set |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 22, "sc": 551, "ep": 22, "ec": 1055} | 2,934 | Q60060 | 22 | 551 | 22 | 1,055 | Karl von Frisch | Bee perception | on a colored card. He then set the colored card in the middle of a set of gray-toned cards. If the bees see the colored card as a shade of gray, then they will confuse the red card with at least one of the gray-toned cards; bees arriving to feed will visit more than one card in the array. On the other hand, if they have color vision, then the bees visit only the red card, as it is visually distinct from the other cards. A bee's color perception is comparable to that of humans, but with a shift away |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 22, "sc": 1055, "ep": 22, "ec": 1723} | 2,934 | Q60060 | 22 | 1,055 | 22 | 1,723 | Karl von Frisch | Bee perception | from the red toward the ultraviolet part of the spectrum. For that reason bees cannot distinguish red from black (colorless), but they can distinguish the colors white, yellow, blue and violet. Color pigments which reflect UV radiation expand the spectrum of colors which can be differentiated. For example, several blossoms which may appear to humans to be of the same yellow color will appear to bees as having different colors (multicolored patterns) because of their different proportions of ultraviolet.
Frisch's investigation of a bee's powers of orientation were significant. He discovered that bees can recognize the desired compass direction in three |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 22, "sc": 1723, "ep": 22, "ec": 2291} | 2,934 | Q60060 | 22 | 1,723 | 22 | 2,291 | Karl von Frisch | Bee perception | different ways: by the sun, by the polarization pattern of the blue sky, and by the earth's magnetic field, whereby the sun is used as the main compass, with the alternatives reserved for the conditions arising under cloudy skies or within a dark beehive.
Light scattered in a blue sky forms a characteristic pattern of partially polarized light which is dependent on the position of the sun and invisible to human eyes. With a UV receptor in each of the lens units of a compound eye, and a UV filter oriented differently in each of these units, a bee is able |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 22, "sc": 2291, "ep": 22, "ec": 2892} | 2,934 | Q60060 | 22 | 2,291 | 22 | 2,892 | Karl von Frisch | Bee perception | to detect this polarization pattern. A small piece of blue sky is enough for a bee to recognize the pattern changes occurring over the course of a day. This provides not only directional but also temporal information.
Frisch proved that variations in the position of the sun over the course of a day provided bees with an orientation tool. They use this capability to obtain information about the progression of the day deep inside a dark beehive comparable to what is known from the position of the sun. This makes it possible for the bees to convey always up-to-date directional information |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 22, "sc": 2892, "ep": 22, "ec": 3530} | 2,934 | Q60060 | 22 | 2,892 | 22 | 3,530 | Karl von Frisch | Bee perception | during their waggle dance, without having to make a comparison with the sun during long dance phases. This provides them not only with alternative directional information, but also with additional temporal information.
Bees have an internal clock with three different synchronization or timekeeping mechanisms. If a bee knows the direction to a feeding place found during a morning excursion, it can also find the same location, as well as the precise time at which this source provides food, in the afternoon, based on the position of the sun.
Based on the magnetic field, the alignment of the plane of a honeycomb under |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 22, "sc": 3530, "ep": 26, "ec": 123} | 2,934 | Q60060 | 22 | 3,530 | 26 | 123 | Karl von Frisch | Bee perception & Dances as language | construction (e.g., the new honeycomb of a swarm) will be the same as that of the home hive of the swarm, according to Frisch. By experiment, even deformed combs bent into a circle can be produced.
The vertical alignment of the honeycomb is attributed by Frisch to the ability of bees to identify what is vertical with the help of their head used as a pendulum together with a ring of sensory cells in the neck. Dances as language Knowledge about feeding places can be relayed from bee to bee. The means of communication is a special dance of which there |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 26, "sc": 123, "ep": 30, "ec": 575} | 2,934 | Q60060 | 26 | 123 | 30 | 575 | Karl von Frisch | Dances as language & Round dance | are two forms: Round dance The "round dance" provides the information that there is a feeding place in the vicinity of the beehive at a distance between 50 and 100 meters, without the particular direction being given. By means of close contact among the bees it also supplies information about the type of food (blossom scent).
The foraging bee ... begins to perform a kind of "round dance". On the part of the comb where she is sitting she starts whirling around in a narrow circle, constantly changing her direction, turning now right, now left, dancing clockwise and anti-clockwise, in quick |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 30, "sc": 575, "ep": 34, "ec": 26} | 2,934 | Q60060 | 30 | 575 | 34 | 26 | Karl von Frisch | Round dance & Waggle dance | succession, describing between one and two circles in each direction. This dance is performed among the thickest bustle of the hive. What makes it so particularly striking and attractive is the way it infects the surrounding bees; those sitting next to the dancer start tripping after her, always trying to keep their outstretched feelers on close contact with the tip of her abdomen. ... They take part in each of her manoeuvrings so that the dancer herself, in her mad wheeling movements, appears to carry behind her a perpetual comet's tail of bees. Waggle dance The "waggle dance" is used |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 34, "sc": 26, "ep": 34, "ec": 622} | 2,934 | Q60060 | 34 | 26 | 34 | 622 | Karl von Frisch | Waggle dance | to relay information about more distant food sources. In order to do this, the dancing bee moves forward a certain distance on the vertically hanging honeycomb in the hive, then traces a half circle to return to her starting point, whereupon the dance begins again. On the straight stretch, the bee "waggles" with her posterior. The direction of the straight stretch contains the information about the direction of the food source, the angle between the straight stretch and the vertical being precisely the angle which the direction of flight has to the position of the sun. The distance to the |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 34, "sc": 622, "ep": 34, "ec": 1213} | 2,934 | Q60060 | 34 | 622 | 34 | 1,213 | Karl von Frisch | Waggle dance | food source is relayed by the time taken to traverse the straight stretch, one second indicating a distance of approximately one kilometer (so the speed of the dance is inversely related to the actual distance). The other bees take in the information by keeping in close contact with the dancing bee and reconstructing its movements. They also receive information via their sense of smell about what is to be found at the food source (type of food, pollen, propolis, water) as well as its specific characteristics. The orientation functions so well that the bees can find a food source with |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 34, "sc": 1213, "ep": 38, "ec": 249} | 2,934 | Q60060 | 34 | 1,213 | 38 | 249 | Karl von Frisch | Waggle dance & "Dialects" | the help of the waggle dance even if there are hindrances they must detour around like an intervening mountain.
As to a sense of hearing, Frisch could not identify this perceptive faculty, but it was assumed that vibrations could be sensed and used for communication during the waggle dance. Confirmation was later provided by Dr. Jürgen Tautz, a bee researcher at Würzburg University's Biocenter. "Dialects" The linguistic findings described above were based on Frisch's work primarily with the Carnica variety of bees. Investigations with other varieties led to the discovery that language elements were variety-specific, so that how distance and direction |
{"datasets_id": 2934, "wiki_id": "Q60060", "sp": 38, "sc": 249, "ep": 42, "ec": 339} | 2,934 | Q60060 | 38 | 249 | 42 | 339 | Karl von Frisch | "Dialects" & Other work | information is relayed varies greatly. Other work Frisch's honey bee work included the study of the pheromones that are emitted by the queen bee and her daughters, which maintain the hive's very complex social order. Outside the hive, the pheromones cause the male bees, or drones, to become attracted to a queen and mate with her. Inside the hive, the drones are not affected by the odor. |
{"datasets_id": 2935, "wiki_id": "Q16207664", "sp": 2, "sc": 0, "ep": 6, "ec": 547} | 2,935 | Q16207664 | 2 | 0 | 6 | 547 | Karla Estrada | Early life and career | Karla Estrada Early life and career Karla Estrada was born on November 21, 1974 in Tacloban. After her birth, her father left after being deceived to believe that Karla died at birth.
According to an episode in Maalaala Mo Kaya featuring accounts on her life, Estrada was born to a rich family but was forced to move to Tacloban after her grandfather, who was responsible for most of the livelihood of the family, died. Estrada aspired to become an actress since childhood and joined singing competitions. She was discovered by a talent manager in a music hub in Quezon City |
{"datasets_id": 2935, "wiki_id": "Q16207664", "sp": 6, "sc": 547, "ep": 10, "ec": 515} | 2,935 | Q16207664 | 6 | 547 | 10 | 515 | Karla Estrada | Early life and career & Personal life | which led to her appearance in That’s Entertainment. Personal life Estrada is the mother of Daniel Padilla whom she had at the age of 20; her son's father is, Rommel Padilla. Estrada brought Daniel to see Rommel Padilla in prison three years later. She had three children, Jose Carlito whom she had at the age of 21, Margaret and Carmella from different father.
At age 18, Estrada looked for her father who later apologized for not knowing that her birth was successful. In 2016, she stated that she is on good terms with her father, describing herself as his "carbon copy". |
{"datasets_id": 2936, "wiki_id": "Q6372550", "sp": 2, "sc": 0, "ep": 6, "ec": 623} | 2,936 | Q6372550 | 2 | 0 | 6 | 623 | Karlos Vemola | Background | Karlos Vemola Background Karel Vémola (Jr.) began training in Greco-Roman wrestling at the age of 6 under the leadership of his father Karel Vémola and Vojtěch Smolák in Olomouc Sokol of which he is still a member.
Karlos Vémola is a four-time Czech Republic National Youth Greco-Roman Wrestling Champion, one-time Czech Republic Youth National Freestyle Wrestling Champion and also one-time winner of the Czech Republic Wrestling Team Championship as a youth team member of the Krnov wrestling team.
After his parents divorced he moved with his mother from Hanakia to the Bohemia. He resided in the Litice nad Orlicí and he started |
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