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{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 2, "sc": 0, "ep": 6, "ec": 638} | 1,602 | Q1253690 | 2 | 0 | 6 | 638 | Eddie Prévost | Early years | Eddie Prévost Early years Of Huguenot heritage, Prévost's silk weaving ancestors moved to Spitalfields in the late 17th century. Brought up by single parent mother (Lilian Elizabeth) in war-damaged London Borough of Bermondsey. He won a state scholarship to Addey and Stanhope Grammar School, Deptford, London, where to-be drummers Trevor Tomkins and Jon Hiseman also studied. Music tuition, however, was limited to singing and general classical music appreciation. Enrolled in the Boy Scouts Association (19th Bermondsey Troop) to join marching band. As a teenager began to get involved with the emerging youth culture music; skiffle, before being introduced to a |
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After leaving school at sixteen Prévost was employed in various clerical positions whilst continuing his musical interests. Although, by now immersed in the music of bebop, his playing technique was insufficient for purpose. New Orleans style jazz ('trad') offered scope for his growing musical prowess. He played in various bands mostly in the East End of London.
It |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 6, "sc": 1281, "ep": 10, "ec": 198} | 1,602 | Q1253690 | 6 | 1,281 | 10 | 198 | Eddie Prévost | Early years & AMM | was during a tenure with one of these bands he met trumpeter David Ware, who also shared a passion for the hard-bop jazz music. In their early twenties they later formed a modern jazz quintet which ultimately included Lou Gare, who had recently moved to London from Rugby and was a student at Ealing College of Art and a member of the Mike Westbrook Jazz Orchestra. AMM AMM was co-founded in 1965 by Lou Gare, Eddie Prévost and Keith Rowe. They were shortly joined by Lawrence Sheaff. All had a jazz background. They were, however, soon augmented by composer Cornelius |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 10, "sc": 198, "ep": 14, "ec": 200} | 1,602 | Q1253690 | 10 | 198 | 14 | 200 | Eddie Prévost | AMM & AMM philosophy | Cardew. Thereafter, Cardew, Gare, Prévost and Rowe remained as basis of the ensemble until the group fractured in 1972. Other more formally trained musicians were to enter the ranks of AMM after Cardew's departure. Those to make significant contributions were cellist Rohan de Saram and, in particular, pianist John Tilbury. The latter was a friend and early associate of Cardew and later became his biographer. AMM philosophy In contrast to many other improvising ensembles, the core aesthetic of the ensemble is one of enquiry. There was no attempt to create a spontaneous music reflecting, or emulating, other forms. The AMM |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 14, "sc": 200, "ep": 14, "ec": 914} | 1,602 | Q1253690 | 14 | 200 | 14 | 914 | Eddie Prévost | AMM philosophy | sound-world emerged from what Cardew referred to as "searching for sounds". For Prévost, the following would become the core formulation which he would explore during his subsequent musical career and explain and develop in various writings (see bibliography) and workshop activities.
We are "searching" for sounds and for the responses that attach to them, rather than thinking them up, preparing them and producing them.
In the 1980s, in response to various workshops and lectures, Prévost first formulated the twin analytical propositions of heurism and dialogue as defining concepts for an emergent musical philosophy, whilst acknowledging Cardew's construction (above). This line was explored |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 14, "sc": 914, "ep": 14, "ec": 1563} | 1,602 | Q1253690 | 14 | 914 | 14 | 1,563 | Eddie Prévost | AMM philosophy | and constantly redefined much through the London workshop experience, as his articles and his books show. (see below: The London Workshop). His 2011 book — The First Concert: an Adaptive Appraisal of a Meta Music — is described as a view "mediated through the developing critical discourse of adaptionism; a perspective grounded in Darwinian conceptions of human nature. Music herein is examined for its cognitive and generative qualities to see how our evolved biological and emergent cultural legacy reflects our needs and dreams. This survey visits ethnomusicology, folk music, jazz, contemporary music and "world music" as well as focusing upon |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 14, "sc": 1563, "ep": 18, "ec": 153} | 1,602 | Q1253690 | 14 | 1,563 | 18 | 153 | Eddie Prévost | AMM philosophy & History with AMM | various forms of improvisation — observing their effect upon human relations and aspirations. However, there are also analytical and ultimately positive suggestions towards future metamusical practices. These mirror and potentially meet the aspirations of a growing community who wish to engage with the world — with all its history and chance conditionals — by applying a free-will in making music that is creative and collegiate." (back cover of First Concert) History with AMM When, in the early 1970s, Cardew and Rowe began to devote their time and energy to espousing the political doctrine of an English Maoist party a fracture |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 18, "sc": 153, "ep": 18, "ec": 779} | 1,602 | Q1253690 | 18 | 153 | 18 | 779 | Eddie Prévost | History with AMM | occurred in the ensemble leaving the rump of Lou Gare and Eddie Prévost, who continued in a duo form making various concerts and festival appearances and leaving a legacy of two recordings. At the end of the decade a rapprochement was attempted and for a short while the quartet began playing together again. It did not last. Lou Gare departed and moved from London to Devon. While Cardew's commitment to politics made his complete withdrawal inevitable. It was during this period Prévost took an Honours Degree at Hatfield Polytechnic, exploring and developing his interests in history(especially East Asian) and philosophy. |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 18, "sc": 779, "ep": 22, "ec": 85} | 1,602 | Q1253690 | 18 | 779 | 22 | 85 | Eddie Prévost | History with AMM & Percussion | Musically, this left Rowe and Prévost playing together. Their recording for German ECM label "It had been an ordinary enough day in Pueblo, Colorado" is the single example of their duet period. By the late 1970s a reawakened association with John Tilbury was cemented into his permanent place in AMM. He is featured on all subsequent AMM performances and recordings (as is Prévost). In 2002 a more lasting schism occurred leading to Rowe departing from AMM and leaving Tilbury to continue with Prévost. Percussion The investigative dynamic of AMM leads a musician to seek out new material. It is the |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 22, "sc": 85, "ep": 26, "ec": 169} | 1,602 | Q1253690 | 22 | 85 | 26 | 169 | Eddie Prévost | Percussion & Drumming | fabric and constitution of stuff that is considered as more important than any historical or cultural heritage. It is Prévost's constant exploration's that has produced the range of sounds associated with his work, particularly within AMM and its extension to the many workshop ensembles. This philosophy leads to what Seymour Wright has so aptly described as the "awkward wealth" of investigation.(citation) It is a position of constant examination and artistic redress. Drumming Drumming with AMM was principally replaced by discreet percussion work which by and large relied on sound and texture rather than rhythm. At the time of the Gare/Prévost |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 26, "sc": 169, "ep": 26, "ec": 812} | 1,602 | Q1253690 | 26 | 169 | 26 | 812 | Eddie Prévost | Drumming | period this position was reviewed. However, it was plain the AMM aesthetic, characteristic of the early formative period, was to have its effect. The "searching" method prevailed. And, whereas a saxophone and drums duet led to a more jazz-like expectation (amplified by Gare's reversion to a more rolling and modal post-Rollins kind of approach). Prévost's playing was noted to have acquired some unusual qualities. This lead one reviewer (Melody Maker) to remark in 1972: "His free drumming flows superbly making use of his formidable technique. It's as though there has never been an Elvin Jones or Max Roach."
Drumming however, was |
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{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 26, "sc": 1429, "ep": 30, "ec": 555} | 1,602 | Q1253690 | 26 | 1,429 | 30 | 555 | Eddie Prévost | Drumming & The London workshop | Evan Parker, John Butcher, Jason Yarde and Bertrand Denzler respectively. The London workshop Over the years Prévost has conducted many improvised music workshops. However, as a result of a seminar he conducted at The Guelph Jazz Festival, Canada in 1999, Prévost began to formulate a framework for a workshop based upon a more thorough working of AMM principles and practice. He wrote:
"I had, of course, already had long previous experience of improvisation and experimental music mostly through my participation in AMM and working closely with the composers Cornelius Cardew and Christian Wolff. From this experience I had begun a working |
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In November 1999 I made it known that a free improvisation workshop would start weekly in a room at London’s Community Music Centre, near London Bridge. Originally, under the auspices of the London Musicians’ Collective, [...] these premises were found and minimal lines of communication to possible interested parties were opened. The first Friday evening (not thought to be an auspicious evening of the week because people ‘went out’ to have a good time) duly arrived. The room was available precisely because no one ever hired it on a Friday! I waited.
Edwin Prévost, The First Concert: |
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Since then the workshop has continued weekly. It has a strong collegiate atmosphere. Those who participate are themselves formulating and refining a programme of enquiry and empathy. The working premise is one of 'searching for sounds' (Cardew). The emphasis is upon discovery and not on presentation. It is a place to risk failure and develop an open and continuing processive relationship with the materials at hand and other people. As hoped and anticipated, Prévost's continual presence is no longer required. In his occasional absences senior colleagues (in particular Seymour Wright and |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 30, "sc": 2461, "ep": 30, "ec": 3132} | 1,602 | Q1253690 | 30 | 2,461 | 30 | 3,132 | Eddie Prévost | The London workshop | Ross Lambert) more than adequately move the project along. To date there have been over five hundred people who have attended the weekly workshop in London, representing over twenty different nationalities. This activity is further augmented by occasional forums for discussion and London's Cafe OTO programmes ensembles drawn from the London workshop every month. There have also been occasional extended periods of collective workshop musical experimentation. And, in 2010 there was a residential workshop held in Mwnci Studios on the Dolwillym Estate, west Wales. (see various other texts: including Philip Clark's Wire piece)] There are now workshops based upon this |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 30, "sc": 3132, "ep": 34, "ec": 490} | 1,602 | Q1253690 | 30 | 3,132 | 34 | 490 | Eddie Prévost | The London workshop & Intermediate and experimental compositions | general premise functioning in Hungary, Greece, Slovenia, Japan, Brazil and Mexico. Mostly started by alumni of the original workshop in London. Intermediate and experimental compositions Cardew's 'Treatise' etc. Cardew's introduction to AMM in 1966 owes something to his search for musicians to perform his (then unfinished)193 pages long graphic score, 'Treatise'. The AMM musicians (at the time Lou Gare, Eddie Prévost, Keith Rowe and Lawrence Sheaff) seemed perfect candidates to embrace this bold work of imagination. And, with others (including later AMM member John Tilbury) all participated in the premier performance at the Commonwealth Institute on 8 April 1966 (check |
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{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 34, "sc": 1152, "ep": 38, "ec": 56} | 1,602 | Q1253690 | 34 | 1,152 | 38 | 56 | Eddie Prévost | Intermediate and experimental compositions & Matchless Recordings and Publishing | conjunction with an AMM improvisation. Some concert promoters were, it seems, more interested in these pieces being played than the principal musical output of AMM. Hence, Prévost's ambivalence about the inclusion of such material in concert programmes. The creative search for primary performance material was diverted, in such works, in keeping with the demands of the notation or compositional scheme. This inevitably prevented the musician from (to use Cardew's own words) "being at the heart of the experiment". (Cardew, 'Towards an Ethic of Improvisation; CC R p. 127). Matchless Recordings and Publishing In 1979 Prévost began the recording imprint of Matchless |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 38, "sc": 56, "ep": 38, "ec": 664} | 1,602 | Q1253690 | 38 | 56 | 38 | 664 | Eddie Prévost | Matchless Recordings and Publishing | Recordings and Publishing. Although there had been some interest by commercial labels to take on the new improvising music of the late 1960s onwards, it proved not to be satisfactory or long-lasting. Together with a number of similar initiatives, e.g. Incus Records in Britain and ICP (?) in the Netherlands, Prévost sought to take control of their own work. In the early years this was slow and painstaking work. Some years little was produced and few small sales accrued. Gradually however, Matchless recordings began to be the documenting and disseminating base for a developing body of work. Most of the |
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In 1995, following the same principal for internal control over the output, production and dissemination of material, the publishing imprint Copula was inaugurated. The first publication was Prevost's No Sound is Innocent. Later followed by Minute Particulars in 2004.
2006 saw the publication of Cornelius Cardew: A Reader (edited by Prévost) which was a collection of Cardew's published writings accompanied by commentaries by a number of musicians associated and inspired by Cardew. This volume was an essential companion |
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Eddie Prévost is the cousin of the ex-docker shop-steward and left-wing political activist also named Eddie Prevost. Discography with AMM see AMM Other recordings 1969
SILVER PYRAMID
Music Now Ensemble performing Eddie Prévost’s text/visual piece Silver Pyramid including Lou Gare, Cornelius Cardew, Eddie Prévost Keith Rowe and others many of whom became part of The Scratch Orchestra. Recorded at |
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Matchless Recordings MRCD40
1976
NOW-HERE-THIS-THEN
Eddie Prévost Band
Gold/Hawkins/Mattos/Prévost
Spotlite SPJ 505
1977
LIVE VOLS 1 & 2
Eddie Prévost Band
Gold/Hawkins/Mattos/Prévost
Matchless Recordings MRLP1 & 2
re-released on a single CD in 1993 MRCD01/02
1983
CONTINUUM
Eddie Prévost Quartet
Mattos/Prévost/Stabbins/Weston
Matchless Recordings MRLP07
new CD version MRCD07 released in 1999 with additional material from 1985
HANDSCAPES
Akemi Kunishoshi-Kuhn Trio
Akemi Kuniyoshi-Kuhn piano/Marcio Mattos double bass/Eddie Prévost drums
1984
SUPERSESSION
Guy/Parker/Prévost/Rowe
Matchless Recordings MRCD17
1985
MILLER’S TALES
Steve Miller Trio
Steve Miller piano/Tony Moore double bass/Eddie Prévost drums
meets Lol Coxhill
Matchless Recordings MRDLP09
RESOUNDINGS
Peter McPhail saxophones/flute/Tony Moore double bass/Eddie Prévost drums
Matchless Recordings MRLP08
new CD version MRCD08 released |
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FLAYED/CRUX
Prévost/Organum
Silent Records SR8704
re-released as a CD in 1995 by Matchless Recordings MRCD27
STEVE MILLER TRIO MEETS ELTON DEAN
Elton Dean saxello, Steve Miller piano, Tony Moore double bass, Eddie Prévost drums
Reel Recordings RR007
1989
PREMONITIONS
free jazz quartet
Harrison Smith saxophones,b.cla./fl./ Paul Rutherford trombone
Tony Moore cello/Eddie Prévost drums
Matchless Recordings MRCD18.
1990
GOD
God
Pathological PPP106
SPHYX
Organum: Chrisyoph Heemann, David Jackman, Jim O’Roirke, Eddie Prévost, Dinah Jane Rowe
Robot Records RR -30
1990/92
THIRD DAY STRAIGHT MADE PUBLIC
Jim O’Rourke guitar /Eddie Prévost percussion
Complacency CPCD9302
1992
BEYOND THE PALE
E(xperimental) A(udio) R(esearch)
Sonic Boom/Kevin Martin/Kevin Shields/Eddie Prévost
Big Cat Records ABB96CD
MEMORIES FOR THE FUTURE
free jazz quartet
Harrison Smith saxophones,b.cla./fl./ Paul Rutherford trombone
Tony Moore |
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Matchless Recordings MRCD76 (released 2009)
1993/95
PHENOMEMA 256
E(xperimental) A(udio) R(esearch
Sonic Boom/Eddie Prévost/Kevin Martin/Tom Prentice/Scott riley/Peter Bain/Alf Hardy
Space Age Recordings
Orbit 005LP
1994
BAND ON THE WALL
Marilyn Crispell piano / Eddie Prévost drums
Matchless Recordings MRCD25
ALPHA LEMUR ECHO TWO
Jim O’Rourke, Eddie Prévost, Michael Prime
Mycophile SPOR 05
1996
LOCI OF CHANGE - Sounds and Sensibility
Solo percussion
Matchless Recordings MRCD32
1997
MILLENNIUM MUSIC - A Meta Musical Portrait
E(xperimetal) A(udio) R(esearch)
Kember/Prévost/Prentice/Bain
Atavistic ALP72CD
MOST MATERIALL
Evan Parker saxophones / Eddie Prévost percussion
Matchless Recordings MRCD33 (double)
TOUCH
- The Weight, Measure and Feel of Things
Eddie Prévost Trio
Tom Chant soprano saxophone / John Edwards double bass / Eddie Prévost drums
Matchless Recordings MRCD34.
EN.TROPO.LOGY
Simon Picard tenor saxophone/John |
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Eddie Prévost drums and percussion
For 4 Ears CD1036 (released 2000)
THE KONER EXPERIMENT
Experimental Audio Research Sonc Boom, Kevin Martin, Eddie Prevost, Kevin Shields, Thomas Koner and Andy Mellwig
Mille Plateaux 36
1998
CONCERT, v.
Eddie Prévost drums & Veryan Weston piano
Matchless Recordings MRCD37
THE ISSUE AT HAND
Such
Yoshikazu Iwamoto shakuhachi/John Tilbury piano/ Eddie Prévost percussion
Matchless Recordings MRCD38 (double)
2000
ORE
Derek Bailey and Eddie Prévost
Arrival Records ARC001
2000
Entropology - The Science of Sonic Poetry with John Wolf Brennan & Simon Picard
FOR4EARS Records CD 1036
2001
THE VIRTUE IN IF
Eddie Prévost Trio Tom Chant soprano saxophone / John Edwards double bass / Eddie |
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Matchless Recordings MRCD34.
ALL ANGELS CONCERTS
Eddie Prévost solo percussion track on a double CD compilation of concerts held at ALL Angels church, London as part of an ongoing series organised by Rhodri Davies and Mark Wastell
SEVENTH OF MAY 2001
A double CD that contains the performance of 7 May 2001 at freedom of the city festival, London on 7 May 2001. Contains an Eddie Prevost solo and the Eddie Prévost Trio
Matchless Recordings MRCD47
MATERIAL CONSEQUENCES
Eddie Prevost solo .percussion
Matchless Recordings MRCD48
2001/2002
CHRISTIAN WOLFF
early piano music
John Tilbury, Christian Wolff, Eddie Prévost
A double CD featuring the early piano music |
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Matchless Recordings MRCD51
2002
UNDISTILLED
Sakada Mattin, Rosy Parlane, Eddie Prévost
Three sets recorded at Audit, London Worm Rotterdam and Baggage reclaim, London in 2002
Matchless Recordings MRCD49
NONE (-T)
9! Nathaniel Catchpole, Jamie Coleman, Alex James, Ross Lambert, John Lely, Sebastian Lexer, Marianthi Papalexandri, Eddie Prévost, Seymour Wright
Matchless Recordings MRCD54
FREEDOM OF THE CITY
Anton Lukoszevieze and Eddie Prévost
Recorded and videoed at freedom of the city festival 2002.
Published in a compilation DVD to accompany: Blocks of Consciousness |
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2003
SAKADA
Rhodri Davies, Eddie Prévost, Mattin, Margarida Garcia, Mark Wastell
Recorded at freedom of the city festival, London 3 May 2003
SAKADA: ASKATUTA
Xabier Erkizia, Mattin, Eddie Prévost
Recorded at a concert given at Arteleku (Donostia-San Sebastián) Spain 22 August 2003
Therhizomelabel rech 14
A BRIGHT NOWHERE
Conditions Nathaniel Catchpole, Jamie Coleman, John Edwards, Alex James, Eddie Prévost
Matchless Recordings MRCD55
THE BLACKBIRD’S WHISTLE
Eddie Prevost Trio, Tom Chant, John Edwards, Eddie Prévost
Matchless Recordings MRCD56
IMPONDERABLE EVIDENCE
Evan Parker and Eddie Prévost
Matchless Recordings MRCD57
2004
DISCRETE MOMENTS
John Tilbury and Eddie Prévost
Matchless Recordings MRCD58
ACOUSTIC TRIO
John Coxon, Eddie Prévost, Ashley |
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Treader tdr004
2005
INTERWORKS
John Butcher and Eddie Prévost
Matchless Recordings MRCD66
PST
PrévostSchiaffiniTilbury Live in Rome
Edwin Prévost percussion, Giancarlo Schiaffini trombone, John Tilbury piano
Audiorium AUD 04512
2006
ENTELECHY
Eddie Prévost tam-tam solo
Matchless Recordings MRCD67
SO ARE WE, SO ARE WE
Alan Wilkinson baritone and alto saxophones. Eddie Prévost drums
Matchless Recordings MRCD68
ALONG CAME JOE
Alan Wilkinson baritone and alto saxophones, Joe Williamson double bass. Eddie Prévost drums.
Matchless Recordings MRCD69
2007
A CHURCH IS ONLY SACRED TO BELIEVERS
Nicholas Christian electric bass, Matt Milton violin, Eddie Prévost percussion, Bechir Saade bass clarinet
AL Maslakh Recordings 10
2008
GAMUT
Eddie Prévost Toto toms and Seymour Wright alto saxophone.
Matchless Recordings MRCD72
BLACKHEATH
Alexander von Schlippenbach and Eddie Prévost drums
Matchless Recordings mrcd73
2009
INVENIO ERGO/SUM
Ross |
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Matchless Recordings MRCD75 (double)
2010
PENUMBRAE
Jennifer Allum violin and Eddie Prévost bowed percussion
Matchless Recordings MRCD79
FTARRI COLLECTION 2
Second track (of two) features: Eddie Prévost percussion and Sachiko M sinewaves
Recorded at Ftarri doubtmusic Festival, SuperDeluxe, Tokyo September 19, 2010
2011
ALL TOLD — Meetings with Remarkable Saxophonists Volume 1
Evan Parker tenor saxophone, John Edwards double bass, Eddie Prévost drums
Matchless Recordings MRCD81
IMPOSSIBILITY IN ITS PUREST FORM
Sebastian Lexer piano+, Eddie Prévost percussion, Seymour Wright alto saxophone
Matchless Recordings MRCD83
ALL BUT — Meetings with Remarkable Saxophonists Volume 2
John Butcher tenor and soprano saxophones, Guillaume Viltard double bass, Eddie Prévost drums
Matchless |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 46, "sc": 11363, "ep": 46, "ec": 12433} | 1,602 | Q1253690 | 46 | 11,363 | 46 | 12,433 | Eddie Prévost | Other recordings | Recordings MRCD83
ALL TOGETHER — Meetings with Remarkable Saxophonists Volume 3
Jason Yarde alto and soprano saxophones, Oli Hayhurst double bass, Eddie Prévost drums
Matchless Recordings MRCD86
ALL-IN-ALL (en tout et pour tout) — Meetings with Remarkable Saxophonists Volume 4
Bertrand Denzler tenor saxophone, John Edwards double bass, Eddie Prévost drums
Matchless Recordings MRCD88
2012
WORKSHOP CONCERT — at Cafe Oto on Monday 21 May 2012
Jennifer Alum violin,Ute Kangiesser cello, Grundik Kasyansky theramin/electronics, Dimitra Lazaridou-Chatzigoga zither,Eddie Prévost percussion, Daichi Yoshikawa electronics
Matchless Recordings MRCD87
TRI-BOROUGH TRIPTYCH — three duets
Sebastian Lexer piano+, Evan Parker saxophones, Eddie Prévost percussion
Matchless Recordings MRCD89
ALL CHANGE
Tom Chant tenor and soprano saxophones, John Edwards double bass, |
{"datasets_id": 1602, "wiki_id": "Q1253690", "sp": 46, "sc": 12433, "ep": 46, "ec": 12498} | 1,602 | Q1253690 | 46 | 12,433 | 46 | 12,498 | Eddie Prévost | Other recordings | Eddie Prévost drums
Matchless Recordings MRCD92 |
{"datasets_id": 1603, "wiki_id": "Q3089421", "sp": 2, "sc": 0, "ep": 8, "ec": 316} | 1,603 | Q3089421 | 2 | 0 | 8 | 316 | Eddy Brothers | Biography | Eddy Brothers The Eddy Brothers were William and Horatio Eddy, two American mediums best known in the 1870s, who claimed psychic powers.
While the two brothers’ names became iconic, they had other siblings, including sisters, that also exhibited psychic abilities and performed shows with them. Biography The brothers were sons of Zephaniah Eddy and his wife Julia Maccombs, natives of Vermont. It was claimed that their family could be traced back to the Salem witch trials, and that they had a long history of psychic ability. Growing up on a small farm near Chittenden, Vermont, both brothers claimed to have exhibited |
{"datasets_id": 1603, "wiki_id": "Q3089421", "sp": 8, "sc": 316, "ep": 8, "ec": 956} | 1,603 | Q3089421 | 8 | 316 | 8 | 956 | Eddy Brothers | Biography | strong psychic abilities from an early age. Both the sons took up mediumship and held séances, they claimed to perform ectoplasm materializations and communicate with spirit guides. William would work in a séance cabinet on occasion and his brother Horatio would sit outside a cloth screen where they would claim spirits would play musical instruments behind the screen.
In 1870, William and Horatio were living with their widowed mother Julia in Chittenden. There, the Eddy family opened a small inn, called the Green Tavern. In addition to lodging travelers, the Green Tavern was also the spot of regularly scheduled séances that |
{"datasets_id": 1603, "wiki_id": "Q3089421", "sp": 8, "sc": 956, "ep": 12, "ec": 49} | 1,603 | Q3089421 | 8 | 956 | 12 | 49 | Eddy Brothers | Biography & Tricks | the brothers put on for visitors from around the world.
A typical séance of the Eddy Brothers would have the audience gathered in the "circle" room at the tavern. One of the brothers would enter a special spirit box at the front of the room (essentially just a small room with a chair in it) and lapse into a deep trance, at which point the show would start. It was alleged that instruments would start playing music on their own, various noises could be heard and strange lights would be seen. Tricks The Eddy brothers séance trick was exposed by the |
{"datasets_id": 1603, "wiki_id": "Q3089421", "sp": 12, "sc": 49, "ep": 12, "ec": 611} | 1,603 | Q3089421 | 12 | 49 | 12 | 611 | Eddy Brothers | Tricks | magician Chung Ling Soo. The trick involved a curtain that was put across the room, with musical instruments placed on a table inside the curtain space. Two members of the audience would be selected and enter the curtain. Horatio would grasp the audience sitter's left arm and the other sitter would grasp his right arm. To the audience outside the curtain, various musical instruments would be seen floating in the air above the top of the curtain and tapping the trio on the head. A hand would also come through the curtain and write a message on a slate held |
{"datasets_id": 1603, "wiki_id": "Q3089421", "sp": 12, "sc": 611, "ep": 12, "ec": 1224} | 1,603 | Q3089421 | 12 | 611 | 12 | 1,224 | Eddy Brothers | Tricks | by William who was sitting outside the curtain. The trick was performed by Horatio evading control and releasing his hand. He would do this by various methods such as using a fake hand made from a piece of heavy sheet lead which he would place in his left hand and grasp the audience sitter's arm. Horatio would quietly remove his real hand with the leaden hand remaining behind, giving the sense of touch that an actual hand was there. With his hands free Horatio would manipulate the instruments and perform the alleged supernatural phenomena.
The psychical researcher Hereward Carrington also revealed |
{"datasets_id": 1603, "wiki_id": "Q3089421", "sp": 12, "sc": 1224, "ep": 12, "ec": 1389} | 1,603 | Q3089421 | 12 | 1,224 | 12 | 1,389 | Eddy Brothers | Tricks | the sleight of hand tricks the Eddy brothers had used. Carrington described their tricks as "absurdly simple" and was surprised that people had been fooled by them. |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 2, "sc": 0, "ep": 6, "ec": 568} | 1,604 | Q590448 | 2 | 0 | 6 | 568 | Edgar Gonzalez (infielder) | Tampa Bay Devil Rays | Edgar Gonzalez (infielder) Tampa Bay Devil Rays In 2000 Gonzalez batted .270 with seven doubles, seven triples, 16 RBIs and nine stolen bases in a combined 61 games with the Rookie-Level Princeton Devil Rays and the Short-Season Hudson Valley Renegades.
Gonzalez led the New York–Penn League in 2001 in total bases with 146, and hits with 92. He was second in batting average and games, third in slugging percentage, fourth in runs and extra-base hits and fifth in doubles. He played 73 games in '01.
He played a career-high 134 games with the Class-A Charleston RiverDogs in 2002. 128 of those games |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 6, "sc": 568, "ep": 10, "ec": 87} | 1,604 | Q590448 | 6 | 568 | 10 | 87 | Edgar Gonzalez (infielder) | Tampa Bay Devil Rays & Texas Rangers | at third base with just one game played at second base. He finished the season hitting .275 with 123 hits, 28 doubles, eight home runs and 62 RBIs in 447 at bats
Playing mostly at third base, Gonzalez spent the 2003 season with the Class-A Advanced Bakersfield Blaze. He had a 12-game hitting streak from July 20 to August 12 in which he hit .340 with seven RBIs. In 100 games he hit .298 with 32 doubles, six home runs and 62 RBIs. Texas Rangers On December 15, 2003 Gonzalez was drafted by the Texas Rangers from the Tampa Bay Devil |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 10, "sc": 87, "ep": 14, "ec": 192} | 1,604 | Q590448 | 10 | 87 | 14 | 192 | Edgar Gonzalez (infielder) | Texas Rangers & Washington Nationals | Rays in the 2003 Rule 5 draft. Gonzalez saw his first action at Double-A in 2004, playing with the Frisco RoughRiders of the Texas League in 2004. He put together a 16-game hitting streak from May 4–20, boosting his batting average from .190 to .327 during that stretch. He batted .299 with five homers and 26 RBIs in 52 home games. Washington Nationals Gonzalez was drafted by the Washington Nationals from the Texas Rangers in the 2004 Rule 5 draft, making it the second time he was chosen by a team from the draft. He opened the 2005 season at |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 14, "sc": 192, "ep": 18, "ec": 294} | 1,604 | Q590448 | 14 | 192 | 18 | 294 | Edgar Gonzalez (infielder) | Washington Nationals & Florida Marlins | the Double-A Harrisburg Senators and played 101 games at Double-A before an August promotion to the Triple-A New Orleans Zephyrs. He picked up his first hit at Triple-A on August 16 against the Omaha Royals.
On March 31, 2006 Gonzalez was released by the Washington Nationals. Florida Marlins After signing with Florida on April 4, Gonzalez opened the season with the Class-A Advanced Jupiter Hammerheads. He was promoted to the Double-A Carolina Mudcats after hitting .293 with Jupiter. He had hits in 18 of his first 24 games at Carolina, batting .341 in May. He hit at a .349 clip out |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 18, "sc": 294, "ep": 22, "ec": 237} | 1,604 | Q590448 | 18 | 294 | 22 | 237 | Edgar Gonzalez (infielder) | Florida Marlins & St. Louis Cardinals | of the second slot in the line-up while with Carolina. He was transferred to the Triple-A Albuquerque Isotopes on July 19. He picked up his first hit on July 21 at New Orleans and continued with a 10-game hitting streak that lasted through August 1. Gonzalez hit .392 during his 46 games at Triple-A. St. Louis Cardinals On January 30, 2007 Gonzalez signed as a Free Agent with the St. Louis Cardinals. He spent the entire '07 season with the Triple-A Memphis Redbirds of the Pacific Coast League batting .308 with 34 doubles, eight home runs, 53 RBIs and 15 |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 22, "sc": 237, "ep": 26, "ec": 564} | 1,604 | Q590448 | 22 | 237 | 26 | 564 | Edgar Gonzalez (infielder) | St. Louis Cardinals & San Diego Padres | stolen bases in 126 games. San Diego Padres Gonzalez made his Major League debut in May, 2008 and spent the remainder of the season with San Diego. He joined his younger brother Adrian on the Major League club, becoming the sixth set of brothers in club history and fourth pair to play together. He finished among National League rookie leaders in batting average, home runs, RBI, multiple-hit games, runs, hits, total bases, doubles, walks, on-base percentage, slugging percentage and extra-base hits. He made 72 appearances at second base, 66 starts, four at third base, two starts, three at shortstop, one |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 26, "sc": 564, "ep": 26, "ec": 1136} | 1,604 | Q590448 | 26 | 564 | 26 | 1,136 | Edgar Gonzalez (infielder) | San Diego Padres | start, two in left field, one start, and three in right field, one start. Gonzalez posted a .984 fielding percentage overall, making five errors in 310 total chances. His contract purchased from the Triple-A Portland Beavers on May 12 and he made his Major League debut that night against the Chicago Cubs, collecting his first hit, an RBI single. He was only the sixth player in franchise history with an RBI hit in first career plate appearance and first since Kevin Higgins in 1993. Gonzalez made his debut at 29 years, 333 days old making him the second oldest player |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 26, "sc": 1136, "ep": 30, "ec": 52} | 1,604 | Q590448 | 26 | 1,136 | 30 | 52 | Edgar Gonzalez (infielder) | San Diego Padres & Yomiuri Giants | to make his debut for the Padres, the first being Akinori Otsuka at 32 years, 84 days old. Nine June doubles tied him for second in the National League during the month in that category.
In 2009 Gonzalez failed to follow up his superb rookie season. He hit .216 with 33 hits, eight doubles, two triples, four home runs and 18 RBIs. On July 18, he was struck in the head by a fastball from Colorado Rockies' pitcher Jason Hammel. This caused Gonzalez to miss seven weeks with concussion-like symptoms. Yomiuri Giants On January 8, 2010, Gonzalez signed with the Yomiuri |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 30, "sc": 52, "ep": 46, "ec": 168} | 1,604 | Q590448 | 30 | 52 | 46 | 168 | Edgar Gonzalez (infielder) | Yomiuri Giants & San Francisco Giants & Chicago Cubs & Coaching Career & International career | Giants of the Nippon Professional Baseball(NPB). San Francisco Giants On February 10, 2011, the San Francisco Giants signed Gonzalez to a minor league contract. The deal did not include an invite to spring training. Chicago Cubs Gonzalez signed a minor league contract with the Chicago Cubs on January 6, 2012. He became a free agent after the 2014 season. Coaching Career Gonzalez was named as the manager for the GCL Yankees for the 2019 season. International career Gonzalez selected for the Mexico national baseball team in the 2009 World Baseball Classic and 2013 World Baseball Classic.
Gonzalez managed the Mexico national |
{"datasets_id": 1604, "wiki_id": "Q590448", "sp": 46, "sc": 168, "ep": 50, "ec": 240} | 1,604 | Q590448 | 46 | 168 | 50 | 240 | Edgar Gonzalez (infielder) | International career & Personal life | baseball team in the 2017 World Baseball Classic Qualification in 2016, 2016 exhibition series against Japan, and 2017 World Baseball Classic in 2017. Personal life Gonzalez is the older brother of first baseman Adrián González, who last played in Major League Baseball for the New York Mets. Their father was a member of the Mexican national baseball team. He married Ana Cristina Lujan Gonzalez in 2003. |
{"datasets_id": 1605, "wiki_id": "Q5337295", "sp": 2, "sc": 0, "ep": 6, "ec": 591} | 1,605 | Q5337295 | 2 | 0 | 6 | 591 | Edgar Huff | Marine Corps service | Edgar Huff Marine Corps service Huff, a native of Gadsden, Alabama, enlisted in the Marine Corps on September 24, 1942, as one of the first African-Americans to do so. Huff received his recruit training with the 51st Composite Defense Battalion, Montford Point Camp, New River, North Carolina. Following graduation, he joined the 155mm gun battery of the 51st Composite Defense Battalion and served as a gun commander.
In early 1943, he was assigned duty under instruction at drill instructors school, and upon completion of his course, was assigned duty as a drill instructor in March 1943. At that time, Montford |
{"datasets_id": 1605, "wiki_id": "Q5337295", "sp": 6, "sc": 591, "ep": 6, "ec": 1201} | 1,605 | Q5337295 | 6 | 591 | 6 | 1,201 | Edgar Huff | Marine Corps service | Point Camp was the receiving point for all blacks entering the Marine Corps, and by November 1944, Huff had been assigned duty as field sergeant major of all recruit training at the Montford Point Camp.
In November 1944, he was promoted to first sergeant and assigned duty with the 5th Depot Company, departing for the Western Pacific area, serving as first sergeant with this unit on Saipan, Okinawa, and in North China. The 5th Depot Company furnished logistic support for Marine divisions in that area. Gilbert Johnson, the only other black sergeant major besides Huff to serve during World War II, |
{"datasets_id": 1605, "wiki_id": "Q5337295", "sp": 6, "sc": 1201, "ep": 6, "ec": 1823} | 1,605 | Q5337295 | 6 | 1,201 | 6 | 1,823 | Edgar Huff | Marine Corps service | was Huff's brother-in-law. They were married to twin sisters.
Following World War II, he served as Non-Commissioned Officer in Charge of Recruit Training at Montford Point Camp until May 1949. He was then assigned duty as guard and infantry chief, Marine Barracks, Naval Ammunition Depot, Earle, New Jersey, until May 1951, at which time he assumed duty with the famed 1st Marine Division in Korea. There, he saw combat as a company gunnery sergeant with the 2nd Battalion 1st Marines, and participated in operations in the "Punch Bowl" area, eastern front, and in the spring-summer offensive on the West Central |
{"datasets_id": 1605, "wiki_id": "Q5337295", "sp": 6, "sc": 1823, "ep": 6, "ec": 2463} | 1,605 | Q5337295 | 6 | 1,823 | 6 | 2,463 | Edgar Huff | Marine Corps service | front.
Upon his return to the United States in August 1952, he was assigned to the 2nd Marine Division, serving as First Sergeant, Weapons Company, 2nd Battalion 8th Marines. In March 1955, he was assigned duty as Guard Chief, Marine Barracks, Naval Air Station, Fort Lyautey, French Morocco.
Huff was promoted to first sergeant in the new rank structure on December 30, 1955, and to the rank of sergeant major the next day. From that date, he served at the following Marine Corps installations: Post Sergeant Major, Marine Barracks, Port Lyautey, French Morocco; with the 2nd Force Service Regiment; Landing Force Training |
{"datasets_id": 1605, "wiki_id": "Q5337295", "sp": 6, "sc": 2463, "ep": 6, "ec": 3107} | 1,605 | Q5337295 | 6 | 2,463 | 6 | 3,107 | Edgar Huff | Marine Corps service | Unit, Little Creek, Virginia; the 3rd Marine Division, Fleet Marine Force, Okinawa; the 3rd Force Service Regiment; the 1st Infantry Training Regiment, Camp Geiger, Camp Lejeune, North Carolina; Base Sergeant Major, Marine Corps Base Camp Pendleton, California; the 1st Military Police Battalion, Force Logistic Command, and with the III Marine Amphibious Force, Republic of Vietnam (May 1967 – June 1968); and with the 2nd Marine Aircraft Wing (July 1968 – October 1970).
Huff served a second tour of duty in the Republic of Vietnam, as sergeant major with the III Marine Amphibious Force from October 1970 until October 1971. He then |
{"datasets_id": 1605, "wiki_id": "Q5337295", "sp": 6, "sc": 3107, "ep": 6, "ec": 3375} | 1,605 | Q5337295 | 6 | 3,107 | 6 | 3,375 | Edgar Huff | Marine Corps service | served as sergeant major of the Marine Corps Air Station New River, Jacksonville, North Carolina, until his retirement on September 30, 1972.
Huff died on May 2, 1994, at Camp Lejeune Naval Hospital.
He is featured in the book Bloods by Wallace Terry. |
{"datasets_id": 1606, "wiki_id": "Q5337453", "sp": 2, "sc": 0, "ep": 6, "ec": 360} | 1,606 | Q5337453 | 2 | 0 | 6 | 360 | Edgar Schiferli | International career | Edgar Schiferli International career Schiferli was part of the Netherlands squad who were runners-up at the Denmark European Cup in 1996. Prior to the Cricket World Cup he spent three months in South Africa, honing his cricketing skills, and played during the 2002 Six Nations Challenge in Namibia.
In 2009 he won the award for best player in the 2009 ICC World Cup Qualifying competition. |
{"datasets_id": 1607, "wiki_id": "Q5337479", "sp": 2, "sc": 0, "ep": 10, "ec": 84} | 1,607 | Q5337479 | 2 | 0 | 10 | 84 | Edgar Sullins Vaught | Education and career & Federal judicial service | Edgar Sullins Vaught Education and career Born in Cedar Springs, an unincorporated community located at the boundary of Smyth County and Wythe County, Virginia, Vaught attended Emory and Henry College in Emory, Virginia, and received a Bachelor of Science degree from Carson and Newman College (now Carson–Newman University) in Jefferson City, Tennessee in 1899, before reading law to enter the bar in 1906. He was in private practice in Oklahoma City, Oklahoma Territory (State of Oklahoma from November 16, 1907) from 1906 to 1928. Federal judicial service Vaught received a recess appointment from President Calvin Coolidge on May 31, 1928, |
{"datasets_id": 1607, "wiki_id": "Q5337479", "sp": 10, "sc": 84, "ep": 10, "ec": 546} | 1,607 | Q5337479 | 10 | 84 | 10 | 546 | Edgar Sullins Vaught | Federal judicial service | to a seat on the United States District Court for the Western District of Oklahoma vacated by Judge John Hazelton Cotteral. He was nominated to the same position by President Coolidge on December 6, 1928. He was confirmed by the United States Senate on January 8, 1929, and received his commission the same day. He served as Chief Judge from 1949 to 1956. He assumed senior status on April 22, 1956. His service terminated on December 5, 1959, due to his death. |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 2, "sc": 0, "ep": 8, "ec": 361} | 1,608 | Q55886184 | 2 | 0 | 8 | 361 | Edgerton, Colorado | Stage station and hotel | Edgerton, Colorado Edgerton was a settlement at the confluence of Monument Creek and West Monument Creek and eight miles north of present-day Colorado Springs. It was across from Black Forest. Stage station and hotel In the 1860s, Edgerton Hotel was established as the first stage station north of Old Colorado City on the route to Denver. The stage coach horses were swapped for fresh horses at the station. The station and two-story Edgerton Hotel along old Camp Creek Road were run by Leafy Teachout and her son Harlow. The site of the hotel, stables, and stone barn are in a |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 8, "sc": 361, "ep": 12, "ec": 475} | 1,608 | Q55886184 | 8 | 361 | 12 | 475 | Edgerton, Colorado | Stage station and hotel & Native Americans | meadow along the Santa Fe Regional Trail. There are some ruins of the stone foundations. Native Americans Of the Native Americans who were in the area, the Ute people were friendly. They sold beads to settlers and would sometimes get a free meal of biscuits. The Cheyenne and Arapaho were hostile to the settlers, who make their houses to be like fortresses–make of stone and wooden walls as much as three-feet-thick. Some had narrow slots just wide enough to use to shoot a rifle from inside the house. Families would huddle together during uprisings. In 1868, there were raids by |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 12, "sc": 475, "ep": 20, "ec": 98} | 1,608 | Q55886184 | 12 | 475 | 20 | 98 | Edgerton, Colorado | Native Americans & Railroad station and early village years & Village growth | Native Americans, who stole 150 horses from Harlow Teachout, and two young boys were killed in another raid. Railroad station and early village years The Denver and Rio Grande Railroad was constructed east of Monument Creek and a railroad post office was opened in 1870 at Edgerton. In 1872, David Edgerton homesteaded 160 acres and established a ranch. The village grew around his ranch and was called Edgerton after him. In 1881, a post office and the VC Lewis Hotel were established. Village growth Residents were engaged in the lumber industry. Academy School District 20 was organized in 1886 by |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 20, "sc": 98, "ep": 20, "ec": 696} | 1,608 | Q55886184 | 20 | 98 | 20 | 696 | Edgerton, Colorado | Village growth | residents of Douglass, Pine, and Woodmen Valleys over a 36-squre-mile area in 1874. (Pine and Douglass Valleys are immediately northwest of the Edgerton town site. Students from Woodmen Valley rode horses to school.) Classes were held in houses until 1886 when the Edgerton School opened near the railroad stop for Edgerton. Located on a mesa above the mouth of West Monument Creek, it was the first schoolhouse for the district. It generally taught grades one through six, but sometimes up to grade eight. Two lakes, one of which was called Ice Lake, were built by five pioneers in the mid-1880s. |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 20, "sc": 696, "ep": 20, "ec": 1281} | 1,608 | Q55886184 | 20 | 696 | 20 | 1,281 | Edgerton, Colorado | Village growth | Their business was the Cascade Ice Company. During the winter they harvested blocks of ice from the lakes and sold the ice to keep food cool before there was refrigeration. The ice was loaded onto insulated railroad cars to be transported for sale elsewhere. There are ruins of the dams used to create the lakes, but there is no evidence of the original "ice lakes". The town also had a general store.
The town's residents were upset after the Kearney Ranch murders of Mrs. Kearney and her six-year-old grandson, James Hand in 1886. Their bodies were found after they had been |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 20, "sc": 1281, "ep": 24, "ec": 152} | 1,608 | Q55886184 | 20 | 1,281 | 24 | 152 | Edgerton, Colorado | Village growth & Transition | brutally murdered and signs that a meal that was about to be served. There were three place settings, but the identity of the additional person was not known, but believed to be the murderer and someone known to the family.
There were 50 residents of the settlement in 1890 and 350 people living there by 1902. Many of the residents suffered from tuberculosis, and they came to the area seeking treatment. Transition The hotel closed when the new and faster means of transportation meant few customers. It became a farm and ranch house, and then the property was leased |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 24, "sc": 152, "ep": 24, "ec": 707} | 1,608 | Q55886184 | 24 | 152 | 24 | 707 | Edgerton, Colorado | Transition | as pasture land, and the building burned down in 1941. The railroad post office closed in 1902 and it was moved to Pikeview. The Edgerton School closed in 1915 with the opening of the Woodmen Valley School, which was the only school in the district until 1957. When the highway, now Interstate 25, was built in the 1920s, there were even fewer visitors and it eventually ceased to exist as a village.
The school site is now part of the Air Force Academy near the South Gate. It is along the Santa Fe Regional Trail that connects to the Pikes Peak |
{"datasets_id": 1608, "wiki_id": "Q55886184", "sp": 24, "sc": 707, "ep": 24, "ec": 743} | 1,608 | Q55886184 | 24 | 707 | 24 | 743 | Edgerton, Colorado | Transition | Greenway at the Ice Lake trailhead. |
{"datasets_id": 1609, "wiki_id": "Q19662608", "sp": 2, "sc": 0, "ep": 8, "ec": 545} | 1,609 | Q19662608 | 2 | 0 | 8 | 545 | Edmé-Antoine Durand | Life | Edmé-Antoine Durand Edmé-Antoine Durand (1768-1835) was a French diplomat and art collector. Life The son of a rich businessman, Durand acquired a wide variety of objects, both locally on his travels (especially in central Italy) and also by buying items from existing private collections in France (he acquired several antiquities from Malmaison on the death of Joséphine de Beauharnais, for example).
He auctioned off most of his print collection in 1821 and in 1824 he suggested to Charles X of France that the Louvre Museum buy almost his entire collection of Greek vases and other antiquities, totally several thousand objects and |
{"datasets_id": 1609, "wiki_id": "Q19662608", "sp": 8, "sc": 545, "ep": 8, "ec": 908} | 1,609 | Q19662608 | 8 | 545 | 8 | 908 | Edmé-Antoine Durand | Life | including over 7,000 bronzes. Charles authorized the purchase, which was formalized on 2 March 1825. Durand still owned several hundred vases and a large number of prints on his death - they were auctioned off posthumously in Paris in February 1836 and purchased for the most part by the British Museum on the advice of the Danish antiquary Peter Oluf Brøndsted. |
{"datasets_id": 1610, "wiki_id": "Q2026119", "sp": 2, "sc": 0, "ep": 4, "ec": 691} | 1,610 | Q2026119 | 2 | 0 | 4 | 691 | Edme-Louis Daubenton | Edme-Louis Daubenton Edme-Louis Daubenton (12 August 1730 – 12 December 1785) was a French naturalist.
Daubenton was the cousin of another French naturalist, Louis Jean-Marie Daubenton. Georges-Louis Leclerc, the Comte de Buffon engaged Edme-Louis Daubenton to supervise the coloured illustrations for the monumental Histoire Naturelle (1749–89). The Planches enluminée started to appear in 1765 and finally counted 1,008 plates, all engraved by François-Nicolas Martinet (1731–1800), and all painted by hand. The Parisian publisher Panckoucke published a version without text between 1765 and 1783. More than 80 artists took part in the realization of the original paintings. 973 plates relate to birds; |
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{"datasets_id": 1610, "wiki_id": "Q2026119", "sp": 4, "sc": 691, "ep": 4, "ec": 1231} | 1,610 | Q2026119 | 4 | 691 | 4 | 1,231 | Edme-Louis Daubenton | others illustrate especially butterflies but also other insects, corals, etc. The illustrations were not very successful, but they allow a rather good determination of the species illustrated, some of them now extinct. As Buffon did not follow the system of biological nomenclature developed by Carl von Linné in 1783, Pieter Boddaert (1730–1796) published a table of the correspondence of the names used with their Linnean binomial names.
Edme-Louis Daubenton's tombstone is in the church of Saint-Pierre in Avon, Seine-et-Marne. |
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{"datasets_id": 1611, "wiki_id": "Q433684", "sp": 2, "sc": 0, "ep": 6, "ec": 86} | 1,611 | Q433684 | 2 | 0 | 6 | 86 | Edmond Cloetens | Note | Edmond Cloetens Note Some sources list his name as Emile Cloetens, while most sources have Edmond Cloetens. |
{"datasets_id": 1612, "wiki_id": "Q3047794", "sp": 2, "sc": 0, "ep": 8, "ec": 246} | 1,612 | Q3047794 | 2 | 0 | 8 | 246 | Edmond Debeaumarché | Biography | Edmond Debeaumarché Edmond Debeaumarché (15 December 1906 – 28 March 1959) was a French postal worker who joined the French Resistance during World War II. For his service Debeaumarché was highly decorated. In 1960 Debeaumarché received the posthumous distinction of being depicted on a postage stamp in the series Heroes of the Resistance. Biography Debeaumarché was born on 15 December 1906 in Dijon, and first wanted to become a pilot, but his eyesight was too weak and he joined the French postal service, PTT. He was mobilized in September 1939 as a sergeant in the French Air Force and after |
{"datasets_id": 1612, "wiki_id": "Q3047794", "sp": 8, "sc": 246, "ep": 8, "ec": 920} | 1,612 | Q3047794 | 8 | 246 | 8 | 920 | Edmond Debeaumarché | Biography | June 1940 joined the French Resistance.
Debeaumarché was in charge of the transportation of mail, a position he used to smuggle mail for the resistance. From the summer of 1943 on, he was on the staff of the Action-PTT, a clandestine organisation within the French postal service, and worked with Ernest Pruvost, its national leader, and directly under Simone Michel-Lévy, establishing postal communications with London. When Michel-Levy was arrested in November 1943, Debeaumarché took over as head of the Action-PTT. Traveling throughout France he created networks of resistance, and organized the sabotage of the enemy's telecommunications (the plans Potard and |
{"datasets_id": 1612, "wiki_id": "Q3047794", "sp": 8, "sc": 920, "ep": 8, "ec": 1549} | 1,612 | Q3047794 | 8 | 920 | 8 | 1,549 | Edmond Debeaumarché | Biography | Violet—the latter involved cutting telephone cables before D-Day). In addition, he managed to procure the codebooks of the three secret codes used by Joseph Darnand and the Milice and used them to decipher copies of telegrams obtained from the central telegraph office in Paris. The deciphered texts were then passed on to Allied intelligence.
He was arrested on 3 August 1944 at the Gare Montparnasse, and questioned harshly by the Gestapo at the Rue des Saussaies. He lost consciousness under the beatings but did not divulge any names; he was subsequently held at Fresnes Prison. Debeaumarché was one of the so-called |
{"datasets_id": 1612, "wiki_id": "Q3047794", "sp": 8, "sc": 1549, "ep": 8, "ec": 2187} | 1,612 | Q3047794 | 8 | 1,549 | 8 | 2,187 | Edmond Debeaumarché | Biography | "77,000" (named for the prisoners' numbers, between 76,000 and 78,000), Fresnes prisoners who were transported by train from Pantin to Buchenwald on 15 August 1944. He was moved to the underground factory of Mittelbau-Dora which produced V-1 flying bombs and V-2 rockets, and posing as an electrical engineer was put to work in the manufacture of the V-1. Maurice Naegelé, a Kapo in the tunnel assembly section, gained the trust of Debeaumarché by relating details of the resistance movement in France. In fact Naegelé had been an agent of the Gestapo, before his deportation. Naegelé denounced Debeaumarché to SS-Oberscharführer Sander, |
{"datasets_id": 1612, "wiki_id": "Q3047794", "sp": 8, "sc": 2187, "ep": 8, "ec": 2811} | 1,612 | Q3047794 | 8 | 2,187 | 8 | 2,811 | Edmond Debeaumarché | Biography | head of surveillance at Mittelbau-Dora. Debeaumarché was arrested with others (including Naegelé) on the night of 3–4 November 1944. They were taken to the Niedersachswerfen SD headquarters, where Naegelé attempted to beat confessions out of the other prisoners. Debeaumarché was sentenced to death on 11 November 1944, but the sentence was not carried out. Instead Debeaumarché was held in solitary confinement, accused of anti-Nazi plotting. In April 1945 he was moved to Bergen-Belsen, where he was liberated during the advance of Allied troops on 15 April 1945 and repatriated to France. On 1 May 1945 he marched down |
{"datasets_id": 1612, "wiki_id": "Q3047794", "sp": 8, "sc": 2811, "ep": 8, "ec": 3270} | 1,612 | Q3047794 | 8 | 2,811 | 8 | 3,270 | Edmond Debeaumarché | Biography | the Champs-Élysées alongside fellow Buchenwald-captive Pierre Dejussieu-Pontcarral.
After the war, he was a member of the Assemblée consultative provisoire and had a number of high administrative functions with the PTT. He served as president of the Union Nationale des Associations de Déportés, Internés et Familles de disparus. He died on 28 March 1959 in Suresnes, and was honored with a service in Les Invalides; his remains were buried in Dijon. |
{"datasets_id": 1613, "wiki_id": "Q432777", "sp": 2, "sc": 0, "ep": 10, "ec": 479} | 1,613 | Q432777 | 2 | 0 | 10 | 479 | Edmund Heller | Early life & Contributions | Edmund Heller Early life While at Stanford University, he collected specimens in the Colorado and Mojave Deserts in 1896-7 before graduating with a degree in zoology in 1901. Contributions In 1907, Heller was with Carl Ethan Akeley on the Field Columbian Museum's African expedition. On his return, he was appointed Curator of Mammals at the Museum of Vertebrate Zoology of the University of California and participated in the 1908 Alexander Alaska Expedition.
In 1909, Heller began working with the Smithsonian Institution when he was chosen as naturalist for large mammals on the Smithsonian-Roosevelt African Expedition under the command of Colonel Theodore |
{"datasets_id": 1613, "wiki_id": "Q432777", "sp": 10, "sc": 479, "ep": 10, "ec": 1159} | 1,613 | Q432777 | 10 | 479 | 10 | 1,159 | Edmund Heller | Contributions | Roosevelt. He worked closely with John Alden Loring who worked as naturalist for the small mammals on the Expedition and they collaborated on their field notes. On his return from the expedition, he co-authored Life Histories of African Game Animals with Roosevelt. Heller also accompanied the Rainey African Expedition of 1911-1912 for the Smithsonian and led the Smithsonian Cape-to-Cairo Expedition of 1919-1920.
Heller also participated in explorations in Alaska with the Biological Survey, in Peru with Yale University and the National Geographic Society, in China with the American Museum of Natural History, and in Russia with Paul J. Rainey, official photographer |
{"datasets_id": 1613, "wiki_id": "Q432777", "sp": 10, "sc": 1159, "ep": 10, "ec": 1760} | 1,613 | Q432777 | 10 | 1,159 | 10 | 1,760 | Edmund Heller | Contributions | to the Czech army in Siberia.
From 1926 to 1928, he was curator of mammals at the Field Museum of Natural History in Chicago. Edmund Heller was the director of the Washington Park Zoo in Milwaukee (from 1928 to 1935) and the Fleishhacker Zoo in San Francisco (from 1935 to 1939).
He was also the president of the AZA from 1935 to 1939. At the beginning of the 20th century he led many expeditions to Africa and in 1914 he wrote the book Life-histories of African Game Animals in collaboration with Theodore Roosevelt.
Species and subspecies which were named in honor of Heller |
{"datasets_id": 1613, "wiki_id": "Q432777", "sp": 10, "sc": 1760, "ep": 10, "ec": 2042} | 1,613 | Q432777 | 10 | 1,760 | 10 | 2,042 | Edmund Heller | Contributions | include the Southern Pacific rattlesnake (Crotalus helleri), Heller's coral snake (Micrurus lemniscatus helleri), a skink (Panaspis helleri), the red-necked keelback (Rhabdophis subminiatus helleri), the Taita thrush (Turdus helleri), and the puna thistletail (Schizoeaca helleri). |
{"datasets_id": 1614, "wiki_id": "Q5339649", "sp": 2, "sc": 0, "ep": 6, "ec": 460} | 1,614 | Q5339649 | 2 | 0 | 6 | 460 | Edmund Lowey | Early life | Edmund Lowey Early life Edmund was born in 1938 in Ballasalla and was educated at Castle Rushen and then worked for the Ronaldsway Aircraft Company from 1964, until 1975. He then stood for the Manx Labour Party in the House of Keys election of 1975 and was elected as one of the MHKs for Rushen. He continued in this position until his elevation to the Council in 1982. He held several ministerial posts under Sir Miles Walker and was also a Vice Chairman of the Manx Labour Party. |
{"datasets_id": 1615, "wiki_id": "Q5339750", "sp": 2, "sc": 0, "ep": 6, "ec": 557} | 1,615 | Q5339750 | 2 | 0 | 6 | 557 | Edmund Port | Education and career | Edmund Port Education and career Born in Syracuse, New York, Port received a Bachelor of Laws from Syracuse University College of Law in 1929. He was in private practice of law in Syracuse from 1929 to 1932. He was hospitalized and convalescing due to tuberculosis from 1932 to 1934. He returned to private practice in Syracuse from 1934 to 1953. He was an Attorney and District Compensation Officer for the Works Progress Administration and the Civilian Conservation Corps in Syracuse from 1935 to 1938. He was a rent attorney of the Office of Price Administration in Syracuse from 1942 to |
{"datasets_id": 1615, "wiki_id": "Q5339750", "sp": 6, "sc": 557, "ep": 10, "ec": 251} | 1,615 | Q5339750 | 6 | 557 | 10 | 251 | Edmund Port | Education and career & Federal judicial service | 1943. He was an Assistant United States Attorney of the Northern District of New York from 1943 to 1951. He was the United States Attorney for the Northern District of New York from 1951 to 1953. He was in private practice of law in Auburn, New York from 1953 to 1964. Federal judicial service Port was nominated by President Lyndon B. Johnson on April 30, 1964, to a seat on the United States District Court for the Northern District of New York vacated by Judge Stephen W. Brennan. He was confirmed by the United States Senate on July 1, 1964, |
{"datasets_id": 1615, "wiki_id": "Q5339750", "sp": 10, "sc": 251, "ep": 10, "ec": 434} | 1,615 | Q5339750 | 10 | 251 | 10 | 434 | Edmund Port | Federal judicial service | and received his commission on July 2, 1964. He assumed senior status on February 7, 1976. His service was terminated on March 2, 1986, due to his death in New Smyrna Beach, Florida. |
{"datasets_id": 1616, "wiki_id": "Q5340326", "sp": 2, "sc": 0, "ep": 8, "ec": 233} | 1,616 | Q5340326 | 2 | 0 | 8 | 233 | Edson Prado | Personal information | Edson Prado Edson Prado is a Brazilian professional bodybuilder and personal trainer. His wife, Jane, is a professional fitness competitor.
In 2006, he appeared on WWE Raw, in a taped vignette in which he helped Triple H train in preparation for his WWE Championship match against John Cena at Wrestlemania 22. Personal information When Prado was 16 years old, he met a friend that was into weight lifting. This exact friend took Prado to the gym for the first time and he continued to go to this gym for many years. After 19 years, the two realized that they would |
{"datasets_id": 1616, "wiki_id": "Q5340326", "sp": 8, "sc": 233, "ep": 8, "ec": 339} | 1,616 | Q5340326 | 8 | 233 | 8 | 339 | Edson Prado | Personal information | have been able to compete in body building. At the time, Prado's family did not approve of him competing. |
{"datasets_id": 1617, "wiki_id": "Q123311", "sp": 2, "sc": 0, "ep": 4, "ec": 607} | 1,617 | Q123311 | 2 | 0 | 4 | 607 | Eduard Herzog | Eduard Herzog Eduard Herzog (August 1, 1841 – March 26, 1924) was a Swiss Catholic theologian and cleric who was a native of Schongau, Canton Lucerne. He was the first Christian Catholic bishop of Switzerland.
He studied theology under Karl Joseph von Hefele (1809-1893) at the University of Tübingen, and in 1866 continued his studies at the University of Freiburg. During the following year he received his ordination, and in 1868 began teaching classes at the school of theology in Lucerne. During the Franco-Prussian War he served as a field minister in the Bernese Jura during the summer of 1870.
In |
|
{"datasets_id": 1617, "wiki_id": "Q123311", "sp": 4, "sc": 607, "ep": 4, "ec": 1237} | 1,617 | Q123311 | 4 | 607 | 4 | 1,237 | Eduard Herzog | reaction to the First Vatican Council's decision regarding papal infallibility, he expressed his opinions of opposition at the Old Catholic Congress at Cologne in September-1872. Shortly afterwards he served as an "Old Catholic" parish priest in Krefeld, and in March-1873 started serving as priest in Olten. In 1876 he became pastor at the Church of St. Peter and Paul in Bern, as well as professor at the newly established Old Catholic Faculty of the University of Bern.
In June 1876 he was appointed the first Christian Catholic Church bishop of Switzerland, and on September 18, 1876 was consecrated at Rheinfelden by |
|
{"datasets_id": 1617, "wiki_id": "Q123311", "sp": 4, "sc": 1237, "ep": 4, "ec": 1369} | 1,617 | Q123311 | 4 | 1,237 | 4 | 1,369 | Eduard Herzog | Joseph Hubert Reinkens (1821-1896). Later that year, he was officially excommunicated by Pope Pius IX.
Herzog died in Bern. |
|
{"datasets_id": 1618, "wiki_id": "Q22018784", "sp": 2, "sc": 0, "ep": 6, "ec": 101} | 1,618 | Q22018784 | 2 | 0 | 6 | 101 | Eduard Karplus | Personal life | Eduard Karplus Personal life Karplus was married to Harriet Green (1909-2004). He died in Belmont, Massachusetts, in August 1979. |
{"datasets_id": 1619, "wiki_id": "Q85051", "sp": 2, "sc": 0, "ep": 6, "ec": 574} | 1,619 | Q85051 | 2 | 0 | 6 | 574 | Eduard von Winterstein | Biography | Eduard von Winterstein Biography Von Winterstein was born in Vienna on 1 August 1871 to landowner Hugo von Wangenheim and his second wife, Hungarian-born actress Aloysia "Luise" von Wangenheim-Dub. His predecessors were the Barons of Wangenheim. He took acting lessons from his mother, who had played at the Burgtheater in Vienna. Winterstein came to Gera in 1889 and acted in theaters along with his mother and sister Clementine, where he had "undeservedly forgotten" experiences. He acted in the play Ersten Held und Liebhaber in 1893. The same year, he played the title role in Egmont at the opening of a |
{"datasets_id": 1619, "wiki_id": "Q85051", "sp": 6, "sc": 574, "ep": 6, "ec": 1149} | 1,619 | Q85051 | 6 | 574 | 6 | 1,149 | Eduard von Winterstein | Biography | theater in Annaberg on 2 April 1893. "I was re-born in Annaberg and became like a completely different person. In this small town I had really become an actor. [...] So the Anna Berger time was one of the best in my profession." he wrote in his autobiography. At this theater he met the actress Minna Menger, whom he married in 1894. They had a son, Gustav von Wangenheim (1895–1975), who went on to become an actor. The Theater in Annaberg-Buchholz is named Eduard von Winterstein Theater today.
From 1895, he played at the Schiller Theater which had signed him for |
{"datasets_id": 1619, "wiki_id": "Q85051", "sp": 6, "sc": 1149, "ep": 6, "ec": 1784} | 1,619 | Q85051 | 6 | 1,149 | 6 | 1,784 | Eduard von Winterstein | Biography | a three-year contract and from 1898 at the Deutsches Theater in Berlin under Otto Brahm. He married Hedwig Pauly (1866–1965) in 1899. Next he worked at the Lessing theater and acted in Gorky's The Lower Depths at Max Reinhardt's Kleines Theater. Later he worked under Max Reinhardt. When he moved up Winterstein enthusiastically commented about the country with the following words:
Berlin! It was at that time much more than today, the long-awaited paradise, after each German actor strove with all their might... Here in the big city flourished a lively theater life. The theater almanac from 1895 lists twenty-four theaters |
{"datasets_id": 1619, "wiki_id": "Q85051", "sp": 6, "sc": 1784, "ep": 6, "ec": 2370} | 1,619 | Q85051 | 6 | 1,784 | 6 | 2,370 | Eduard von Winterstein | Biography | for Berlin. [...] I had found temporary accommodation with relatives with my family in the Großbeerenstraße... I was happy that I was just in Berlin to debut in this role (as Tellheim in Minna von Barnhelm)."
He taught acting from 1905 to 1920 at a theater school founded by Max Reinhardt. From 1913, Winterstein also started acting in films. In the period after the Second World War, he worked with the ensemble of the Deutsches Theater. There he played the role of Nathan approximately four hundred times. He won the Best male actor award at the Film Festival in Karlovy Vary |
{"datasets_id": 1619, "wiki_id": "Q85051", "sp": 6, "sc": 2370, "ep": 6, "ec": 3001} | 1,619 | Q85051 | 6 | 2,370 | 6 | 3,001 | Eduard von Winterstein | Biography | for his portrayal of the title role in Die Sonnenbrucks (1951). He soon became a popular German film actor and was cast to play the roles of energetic elders as generals, judges, landlords and directors. He won the national award thrice — for his acting in Georg C. Klaren-directed Semmelweis - Retter der Mütter (1950), Wolfgang Staudte-directed Der Untertan (film) (1951) and Martin Hellberg-directed Emilia Galotti (1958 film). Unlike the theater, however, Winterstein's appearances were limited in the film mostly on a few scenes. He appeared in 150 films and was the part of various intercom panel discussions, including even |
{"datasets_id": 1619, "wiki_id": "Q85051", "sp": 6, "sc": 3001, "ep": 6, "ec": 3651} | 1,619 | Q85051 | 6 | 3,001 | 6 | 3,651 | Eduard von Winterstein | Biography | in old age the ring story from Nathan the Wise for the East German recording label Eterna. His last film was Der schweigende Stern (1960).
Winterstein deliberately chose a life in East Germany, a fact of which the country's cultural policy took advantage. After his death, Neues Deutschland gave him a special, with the title "The Better Choice". Its final passage reads:
I have experienced a lot of changes: under three emperors, the first world war, the pseudo-democracy of the Second Empire, the Weimar Republic, the terrible twelve years of National Socialism and that induced the complete collapse of the German Empire, |
{"datasets_id": 1619, "wiki_id": "Q85051", "sp": 6, "sc": 3651, "ep": 6, "ec": 3912} | 1,619 | Q85051 | 6 | 3,651 | 6 | 3,912 | Eduard von Winterstein | Biography | until I take sigh of relief from free will and will join the new progressive spirit and am now proud to call a citizen of the German Democratic Republic and this is insight and reason for choosing the better.
A street in Potsdam is named in his honour. |
{"datasets_id": 1620, "wiki_id": "Q2082809", "sp": 2, "sc": 0, "ep": 6, "ec": 494} | 1,620 | Q2082809 | 2 | 0 | 6 | 494 | Eduardo Commisso | Career | Eduardo Commisso Career Commisso began playing for his home town club Independiente in 1968. He made 208 league appearances for the club and a further 23 in international tournaments. During his time as an Independiente player the club won two league titles, four consecutive Copa Libertadores and the Copa Intercontinental 1973.
In 1975, he joined Hércules CF where he played 40 times, scoring 3 goals. In 1978, he returned to Argentina and had brief stints with Chacarita Juniors and Estudiantes de La Plata. |
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