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[ "Ron \\Pigpen\\\" McKernan\"", "Personal life", "what year was he born", "I don't know.", "Are there any other interesting aspects about this article?", "He developed a close friendship with fellow keyboardist Tom Constanten based on their mutual aversion to psychedelics and" ]

[ "Upper Egypt is an album by American keyboardist and composer Wayne Horvitz' band Zony Mash recorded in 1999 and released on the independent Knitting Factory label.\n\nReception\nThe Allmusic review by Sean Westergaard awarded the album 4 stars stating \"Upper Egypt demonstrates what can happen when four talented individuals act with one mind: a great record\".\n\nTrack listing\nAll compositions by Wayne Horvitz except as indicated\n \"Upper Egypt\" (Pharoah Sanders) -4:24 \n \"Spice Rack\" - 5:09 \n \"The End of Time\" - 5:20 \n \"Big Shoe\" (Bill Frisell) - 6:24 \n \"FYI\" - 4:22 \n \"Forever\" - 5:13 \n \"Goes Round and Round\" - 5:08 \n \"I'm Sorry\" (Timothy Young) - 5:51 \n \"Snakebite\" (Fred Chalenor, Wayne Horvitz, Andy Roth, Timothy Young) - 5:30 \n \"Second Time Around\" - 4:34 \n \"The Blue Rose\" - 5:28 \nRecorded at Litho in Seattle, Washington in July 1999\n\nPersonnel\nWayne Horvitz - Hammond B-3 organ, Nord Lead, DX-7, Roland JD-800, Wurlitzer electric piano\nTimothy Young - guitar\nKeith Lowe - electric bass\nAndy Roth - drums\n\nReferences\n\nKnitting Factory Records albums\nWayne Horvitz albums\n1999 albums", "Rogue Anthem is an American Christian punk and Christian rock band, and they primarily play punk rock. This band was started, in 2012, with members vocalist, Bill B., lead guitarist, Neill B., guitarist, Carter, bassist and keyboardist, Vulcho, and drummer, Tanner. Their former lead vocalist and rhythm guitarist, Myke Augustat died in 2012. The band's first release, with Thumper Punk Records, What to Believe, a studio album, released in 2012.\n\nBackground\nRogue Anthem is a Christian punk and Christian rock band from the United States. The band members are vocalist, Bill B., lead guitarist, Neill B., guitarist, Carter, bassist and keyboardist, Vulcho, and drummer, Tanner.\n\nMusic history\nThe band commenced as a musical entity in 2012, with their first release, What to Believe, a studio album, that was released on November 14, 2012 by Thumper Punk Records.\n\nMembers\nCurrent members\n Bill B. - vocals, \n Neill B. – lead guitar\n Carter – guitar\n Vulcho – bass, keys\n Tanner – drums\n\nDiscography\nStudio albums\n What to Believe (November 14, 2012, Thumper Punk)\n\nReferences\n\nExternal links\nOfficial website\n\nMusical groups established in 2012\n2012 establishments in the United States", "Clinton Bradley David Bell (born March 18, 1983 in Davison, Michigan), known professionally as Bradley Bell, is an American keyboardist, pianist, synthesist, and backing vocalist, best known for being the keyboardist of post-hardcore band Chiodos, and also for being the keyboardist of pop punk band Cinematic Sunrise until their demise, and the keyboardist of experimental band The Sound of Animals Fighting. He was also in a pop punk band called Still No Sign, where he was the lead vocalist. Chiodos guitarist Pat McManaman was also in this band.\n\nMusical career\n\nStill No Sign and Cinematic Sunrise (2000–2009) \nBell was the lead vocalist, along with members Pat McManaman, and two other members named Matt and Chad, of a pop punk band called Still No Sign. The band released one EP, literally entitled The EP, but disbanded in 2001 so Bell and McManaman could move on to Chiodos.\n\nBell was the keyboardist of pop punk band Cinematic Sunrise, along with Craig Owens, Underminded frontman Nick Martin, and the Agency Group manager Dave Shapiro. He was featured on their first and only EP, A Coloring Storybook and Long Playing Record. During the band's last six shows, Bell was absent from all of them, presumably because of bad terms between him and Owens.\n\nChiodos (2001–present) \nBell is the only keyboardist to ever be in post-hardcore band Chiodos, previously known as the Chiodos Bros. Bell has been featured on every release by the band so far, except for their debut EP, The Chiodos Bros. In an interview with Double Dance, Bell was asked about the origin of the title and the concept behind Chiodos' most recent release, Illuminaudio. In response, Bell stated that\n\nBell was also asked about the chemistry of the band after the departure of vocalist Craig Owens and the arrival of Brandon Bolmer. He answered that\n\nHe also said that he would like to keep touring and do overseas touring as well.\n\nIn another interview question about Owens with Review Rinse Repeat, Bell was asked about what exactly made Chiodos remove Owens. Bell answered with\n\nLater in the interview, he was asked about the decision to attempt to keep Brandon Bolmer's position as lead vocalist a secret. He answered that Chiodos was\n\nDiscography \nwith Still No Sign\nThe EP (Self-released, 2001)\n\nwith Chiodos\nThe Best Way to Ruin Your Life (Self-released, 2002)\nThe Heartless Control Everything (Self-released, 2003)\nAll's Well That Ends Well (Equal Vision Records, 2005)\nBone Palace Ballet (Equal Vision Records, 2007)\nIlluminaudio (Equal Vision Records, 2010)\nDevil (Razor & Tie, 2014) \n\nwith Cinematic Sunrise\nA Coloring Storybook and Long Playing Record (Equal Vision Records, 2008)\n\nReferences \n\n1983 births\nLiving people\nPeople from Davison, Michigan\nMusicians from Michigan\nChiodos members\nThe Sound of Animals Fighting members\nCinematic Sunrise members\n21st-century American keyboardists" ]

[ "Ron \\Pigpen\\\" McKernan\"", "Personal life", "what year was he born", "I don't know.", "Are there any other interesting aspects about this article?", "He developed a close friendship with fellow keyboardist Tom Constanten based on their mutual aversion to psychedelics and", "What happen with the keyboardist", "eventually served as best man at Constanten's first wedding." ]

[ "Get Married 2 is a 2009 Indonesian romantic comedy directed by Hanung Bramantyo and starring Nirina Zubir and Nino Fernandez. A sequel to the 2007 hit Get Married, it details the efforts of Mae and Rendy to have children.\n\nAlthough Bramantyo initially did not intend to make a sequel, he was convinced after reading the treatment by Cassandra Massardi. The film, in which most of the original cast returned, was released on 18 September and viewed by 1.2 million persons. Critical reception was mixed, although the film did receive an award at the 2010 Bandung Film Festival. Another sequel, Get Married 3, was released in 2011.\n\nPlot\nAfter four years of marriage, Mae (Nirina Zubir) and Rendy (Nino Fernandez) are childless. Meanwhile, her best friends Eman (Aming), Guntoro (Deddy Mahendra Desta) and Beni (Ringgo Agus Rahman) have already married and had children. This makes Mae feel pressured to quickly have a child and stresses her greatly. When Rendy forgets to come to a dinner celebrating their wedding anniversary, Mae is fed up and moves in with her parents, who try and convince her to leave Rendy.\n\nMae decides to try and work out her issues with Rendy, and the two begin working incessantly towards having a child. When that is unsuccessful, Mae decides that her tomboyish appearance is causing Rendy to be infertile. As such, she decides to surprise him by visiting his office after putting on make-up. However, she sees Rendy together with another woman, Vivi (Marissa Nasution) and walks out, saying that she wants a divorce. Rendy asks his mother (Ira Wibowo) to bring Mae back. However, both families fight, leaving Mae and Rendy separated.\n\nMae feels distraught without Rendy and often cries when she thinks nobody is watching. Eman, Guntoro, and Beni unsuccessfully try to cheer her up. Mae, trying to live independently, takes a job as a valet but faints at work; she discovers that she is pregnant. Rendy, not allowed to come near her, tasks the trio with watching over her. As Mae is very demanding and watching over her is very time consuming, Eman, Guntoro, and Beni are almost divorced by their wives. Mae furtively begins meeting with Rendy, as her parents still want her to divorce him. She discovers that he has not been having an affair, and they reunite. Mae later gives birth to triplets, as both families look on happily.\n\nProduction\nThe film was directed by Hanung Bramantyo, a Yogyakarta-born director who had recently directed numerous Islamic-themed films, including the blockbuster Ayat-Ayat Cinta (Verses of Love) the previous year. Bramantyo's betrothed, Zaskia Adya Mecca, worked part-time as a casting director. Bramantyo later stated that he was interested in comedies about marriage, generally considered a serious subject in Indonesia, as \"nobody understood marriage\", from the President to a pedicab driver.\n\nGet Married 2 was a sequel to Bramantyo's 2007 film, Get Married, which detailed how Mae and Rendy fell in love. The film had been a critical and commercial success, being viewed by 1.4 million people and winning Bramantyo a Citra Award for Best Director at the 2007 Indonesian Film Festival. Initially, Bramantyo did not want to make a sequel. However, when he read Cassandra Massardi's treatment, he agreed. Most of the main cast from the first film – Nirina Zubir, Ringgo Agus Rahman, Aming, and Deddy Mahendra Desta – reprised their original roles. However, the Indo actor Nino Fernandez replaced Richard Kevin as Rendy.\n\nThe rock band Slank was contracted to provide the soundtrack. Although the band had previously had negative experiences when acting in Generasi Biru (The Blue Generation; 2009), they agreed to work on Get Married 2 as they were not required to act. They recorded a total of twelve songs for the film, including two new ones.\n\nRelease and reception\nGet Married 2 was released on 18 September 2009, four days after Bramantyo's marriage with Mecca and towards the Eid ul-Fitr holidays. It was one of four Indonesian films released before the holidays, the others being Ketika Cinta Bertasbih 2 (When Love Prays 2), Preman in Love and the animated Meraih Mimpi (Chasing Dreams). Get Married 2 was a commercial success, being viewed by 1.2 million persons; it was the fourth best-selling Indonesian film of 2009, behind Ketika Cinta Bertasbih, Ketika Cinta Bertasbih 2, and Garuda di Dadaku (Garuda on My Chest). The film won Best Poster at the 2010 Bandung Film Festival.\n\nThe reviewer for the Bali Post found the film enjoyable and praised the cast's performances. The review in Suara Pembaruan found the film very similar to the first, and complained that the comedy trio of Rahman, Aming, and Desta – major characters in the first film – were underdeveloped in the sequel.\n\nGet Married 2 was followed by Get Married 3, directed by Monty Tiwa and released in 2011. It followed Mae and Rendy's struggle to raise their triplets, with both families attempting to exert control. In the third instalment, a Pribumi actor, Fedi Nuril, played Rendy.\n\nReferences\n\nBibliography\n\nExternal links\n\n2009 romantic comedy films\n2009 films\nFilms directed by Hanung Bramantyo\nIndonesian films\nIndonesian sequel films\nIndonesian romantic comedy films", "Yuri Ponomaryov (; 24 March 1932 – 13 April 2005) was a Russian cosmonaut.\n\nHe married fellow cosmonaut Valentina Ponomaryova in 1972 and the couple had two children before divorcing. As with Valentina, Yuri did not get to fly into space although he did serve on the Soyuz 18 backup crew.\n\nReferences\n\n1932 births\n2005 deaths\nRussian cosmonauts\nSoviet cosmonauts", "Lamman Rucker (born October 6, 1971) is an American actor. Rucker began his career on the daytime soap operas As the World Turns and All My Children, before roles in \"((The Temptations Miniseries))\", Tyler Perry's films Why Did I Get Married?, Why Did I Get Married Too?, and Meet the Browns, and its television adaptation. In 2016, he began starring as Jacob Greenleaf in the Oprah Winfrey Network drama series, Greenleaf. Rucker is married to Kelly Davis Rucker, a graduate of Hampton University. Rucker also had a recurring guest spot on the 4th and final season of the hit UPN sitcom, Half & Half.\n\nEarly life\nRucker was born in Pittsburgh, Pennsylvania, the son of Malaya (née Ray) and Eric Rucker. He has partial ancestry from Barbados. Rucker spent his formative years in the greater Washington, DC, Maryland area. He hails from a very dedicated and supportive immediate and extended family. He first had an interest in acting after he was placed in many child pageants. His first acting role was as Martin Luther King in the 4th grade. He was in the drama club in 7th grade and then attended high school at the Duke Ellington School of the Arts in Washington, D.C. Rucker studied at Carnegie-Mellon University and Duquesne University.\n\nOn August 29, 2019, he shared personal life experiences that he credits for his success with the Hampton University football team.\n\nCareer\nHis major role came in 2002 when he assumed the role of attorney T. Marshall Travers on the CBS daytime soap opera As the World Turns opposite Tamara Tunie. He left the series the following year and portrayed Garret Williams on ABC soap opera All My Children in 2005. He also had the recurring roles on the UPN sitcoms All of Us and Half & Half.\n\nRucker is best known for his roles in the Tyler Perry's films. He co-starred in Why Did I Get Married? (2007) and Why Did I Get Married Too? (2010). He played Will Brown in 2008 film Meet The Browns. He later had a starring role on Perry's sitcom Meet the Browns reprising his role as Will from 2009 to 2011. The following year after Meet the Browns, Rucker was cast in the male lead role opposite Anne Heche in the NBC comedy series Save Me, but left after pilot episode. He later had roles in a number of small movies and TV movies. Rucker also had regular role opposite Mena Suvari in the short-lived WE tv drama series, South of Hell.\n\nIn 2015, Rucker was cast as one of leads in the Oprah Winfrey Network drama series, Greenleaf. He plays Jacob Greenleaf, the eldest son of Lynn Whitfield' and Keith David's characters.\n\nFilmography\n\nFilm\n\nTelevision\n\nReferences\n\nExternal links\n \n\n1971 births\nLiving people\nMale actors from Pennsylvania\nAfrican-American male actors\nAmerican people of Barbadian descent\nAmerican male film actors\nAmerican male soap opera actors\nAmerican male television actors\nCarnegie Mellon University alumni\nDuquesne University alumni\n21st-century American male actors" ]

[ "Ron \\Pigpen\\\" McKernan\"", "Personal life", "what year was he born", "I don't know.", "Are there any other interesting aspects about this article?", "He developed a close friendship with fellow keyboardist Tom Constanten based on their mutual aversion to psychedelics and", "What happen with the keyboardist", "eventually served as best man at Constanten's first wedding.", "When did he get married", "I don't know." ]

[ "Jackson Rogow (born October 5, 1991) is an American actor. He is best known for starring in the Cartoon Network live action series Dude, What Would Happen?\n\nCareer\nRogow was on Dude, What Would Happen on Cartoon Network until it was cancelled in 2011. Rogow was also on the Lego Top Secret Project after The Yoda Chronicles on Cartoon Network.\n\nPersonal life\nRogow resides in Bel Air, Los Angeles, California.\n\nFilmography\n\nReferences\n\nExternal links \n\nLiving people\n1991 births\nPeople from Kissimmee, Florida\nPeople from Bel Air, Los Angeles\nLos Angeles County High School for the Arts alumni\nAmerican male television actors", "Remember When: The Anthology is a DVD featuring a collection of live performances by Harry Chapin. It features commentary by his children Joshua and Jennifer, as well as his widow Sandy in between some performances. There are eleven performances by Harry, and one by his daughter, Jennifer (I Wonder What Would Happen to This World).\n\nTrack listing\n \"Taxi\"\n \"Mr. Tanner\"\n \"I Wanna Learn a Love Song\"\n \"Remember When the Music\"\n \"W.O.L.D.\"\n \"Story of a Life\"\n \"Cat's in the Cradle\"\n \"Circle\"\n\nDVD Bonus Features\n \"Song for Myself\" – 4:56\n \"Dancin' Boy\" – 4:47\n \"Better Place to Be\" – 13:10\n \"I Wonder What Would Happen to This World\" – 4:25 (Performed by Jen Chapin)\n\nHarry Chapin video albums\n2005 video albums\nLive video albums\n2005 live albums", "Giovanni Veronesi (born 1962) is an Italian film screenwriter, actor and director. Born in Prato, he is the brother of the writer Sandro Veronesi.\n\nHe started his career writing scripts for directors such as Francesco Nuti, Leonardo Pieraccioni, Massimo Ceccherini and Carlo Verdone. He debuted as film director with Maramao in 1987, before reaching commercial success with What Will Happen to Us (2004). He is known for his Manual of Love romantic comedy trilogy: Manual of Love (2005), Manual of Love 2 (2007) and The Ages of Love (2011).\n\nHis partner is actress Valeria Solarino, whom Veronesi directed in What Will Happen to Us.\n\nFilmography\n\nFilm director\nMaramao (1987)\nFor Love, Only for Love (1993)\nSilenzio... si nasce (1996)\nThe Barber of Rio (1996)\nViola Kisses Everybody (1998)\nGunslinger's Revenge (1998)\nWitches to the North (2001)\nWhat Will Happen to Us (2004)\nManual of Love (2005)\nManual of Love 2 (2007)\nItalians (2009)\nParents and Children: Shake Well Before Using (2010)\nThe Ages of Love (2011)\nThe Fifth Wheel (2013)\nA Woman as a Friend (2014)\nNo Country for Young Men (2017)\nThe King's Musketeers (2018)\nTutti per 1 - 1 per tutti (2020)\n\nScreenwriter\nAll the Fault of Paradise (1985)\nStregati (1987)\nMaramao (1987)\nCaruso Pascoski, Son of a Pole (1988)\nWomen in Skirts (1991)\nVacanze di Natale '91 (1991)\nAnni 90 (1992)\nAmami (1992)\nFor Love, Only for Love (1993)\nOcchioPinocchio (1994)\nMen Men Men (1995)\nThe Graduates (1995)\nSilenzio... si nasce (1996)\n3 (1996)\nThe Barber of Rio (1996)\nThe Cyclone (1996)\nCinque giorni di tempesta (1997)\nFireworks (1997)\nViola Kisses Everybody (1998)\nGunslinger's Revenge (1998)\nLucignolo (1999)\nThe Fish in Love (1999)\nA Chinese in a Coma (2000)\nPicasso's Face (2000)\nWitches to the North (2001)\nThe Prince and the Pirate (2001)\nMy Life with Stars and Stripes (2003)\nSuddenly Paradise (2003)\nWhat Will Happen to Us (2004)\nManual of Love (2005)\nI Love You in Every Language in the World (2005)\nManual of Love 2 (2007)\nIl professor Cenerentolo (2015)\nThe King's Musketeers (2018)\nTutti per 1 - 1 per tutti (2020)\nSi vive una volta sola (2021)\n\nActor\nA School Outing (1983)\nCaruso Pascoski, Son of a Pole (1988)\nPicasso's Face (2000)\nFughe da fermo (2001)\n\nExternal links\n\n \n\n1962 births\nLiving people\nPeople from Prato\nItalian film directors\nItalian screenwriters\nItalian male screenwriters\nDavid di Donatello winners" ]

[ "Ron \\Pigpen\\\" McKernan\"", "Personal life", "what year was he born", "I don't know.", "Are there any other interesting aspects about this article?", "He developed a close friendship with fellow keyboardist Tom Constanten based on their mutual aversion to psychedelics and", "What happen with the keyboardist", "eventually served as best man at Constanten's first wedding.", "When did he get married", "I don't know.", "What happen in his personal life", "In the early years of the Grateful Dead, McKernan was easily recognisable by his biker image, making him a minor celebrity." ]

[ "David Mann ( — ) was a California graphic artist whose paintings celebrated culture, and choppers. Called \"the biker world's artist-in-residence,\" his images are ubiquitous in biker clubhouses and garages, on motorcycle gas tanks, tattoos, and on T-shirts and other memorabilia associated with biker culture. Choppers have been built based on the bikes first imagined in a David Mann painting.\n\nIn the words of an anthropologist studying biker culture in New Zealand, \"Mann’s paintings set ‘outlaw’ Harley chopper motorcycles against surreal backgrounds, and distorted skylines, colourful images that celebrated the chopper motorcycle and the freedom of the open road ... Many of his images captured the ‘Easyrider’ ethos – speed, the open road, long flowing hair – freedom.\" Most of his works were for the motorcycle industry, especially for motorcycle magazines.\n\nBiography \nA native of Kansas City, Missouri, Mann began drawing and painting at an early age. His first passion was custom cars and his first job was as an automobile painter. After High School, he left Kansas City and settled in California where he became interested in motorcycles. He became immersed in biker culture and motorcycles supplanted cars and pin-up girls in his artwork.\n\nIn 1963, Mann brought some of his artwork to the Kansas City Custom Car Show. There biker/artist Tom Fugle took an interest in his artwork, and with Mann's permission, showed a photo of the painting \"Hollywood Run\" to Ed \"Big Daddy\" Roth, an artist and custom car painter, who was then the publisher of one of the first custom motorcycle magazines, Choppers. Roth loved the painting and commissioned 10 (or as many as 14 or 20, according to different sources) original posters, which were made available in the back pages of Easyriders for many years. In 1965, Mann joined Fugle's El Forastero Motorcycle Club, becoming one of the founding members of the Kansas City Charter. In 1971 he answered an advertisement for a \"motorcycle artist\" in the back of a new motorcycle magazine called Easyriders.\n\nAfter 1972 his artwork began appearing regularly in the magazine, and Mann's relationship with Easyriders would continue for the rest of his life. His art was reproduced as the magazine’s center spread beginning in 1973 and continued to be the publication's centerpiece until he was forced to retire in 2003 due to his failing health. A collection of Mann's work was published in 1993 and updated in 2004.\n\nIn 2004 Mann was inducted into the motorcycle Hall of Fame by artist Billy Lane.\n\nMann died a day after his 64th birthday. Just before his death a custom motorcycle was commissioned in his honor from Orange County Choppers, to be featured in an episode of the reality television series American Chopper. The \"David Mann Bike\" featured custom artwork in Mann's style, but Mann died before it was completed. The vehicle served as a posthumous tribute to the artist, and his work was featured on the show. The episode was dedicated to Mann as well as Indian Larry, who had died a month earlier.\n\nHis ashes were to be interred in the gas tank of a Harley Sportster XLCH painted in his trademark \"David Mann Red.\" Mann is survived by his wife and three children.\n\nThe David Mann Chopper Fest is a custom motorcycle show themed after Mann's style and attitude. It has been held annually in Ventura, California since 2004.\n\nWork \nOne of Mann's frequent motifs was a motorcycle and its rider paired with a complementary or contrasting figure. The simplest form is the iconic image of two bikes on the road side by side, and out of this grew different permutations that spanned 30 years. There are three main variations.\n\nThe first is a biker alongside a kindred figure, such as a trucker or other archetypal, biker-sympathetic character, or else a biker shadowed by a ghostly, mythic figure from the past, such as a medieval knight, Wild West gunfighter or trapper. The two will have several matching clothing items, or have an identical facial appearance in order to ensure the viewer does not fail to appreciate that the biker is a modern incarnation of the mythic persona.\n\nSecondly, the biker would be seen alongside a social antagonist, such as hostile but foolish police officers, square motorists, or an upper-class caricature of The Man who is irritated by his wife's, daughter's or son's obvious admiration for and longing to ride away with the biker.\n\nThe third variation has a female figure, sometimes supernatural and watching over the biker from the sky, perhaps looming in the rider's memories, or else a real woman motorcycle passenger or woman in the background watching the biker ride away.\n\nMann painted three works where women are shown riding. One has a male and a female rider side by side on a road, and another has two women riding side by side on trikes at night, both with nothing remarkable happening.\nStill another is a portrait of the Devil Dolls Motorcycle Club, the first all-female outlaw biker club in the United States, using the Golden Gate Bridge as a backdrop. In the other, a confused and frightened looking woman is shown attempting to ride a motorcycle, but she is out of control and being thrown off.\n\nA subset of Mann's work, apart from these variations, is more surrealist and often leaves out choppers and bikers entirely. Instead, the motifs are usually skulls, flames, nude women and tattoos, often playing with the figurative image which is tattooed on the skin coming to life.\n\nOne of the messages contained in Mann's overall body of work is an unresolved tension between, on one side, the biker artist's (painter, chopper builder, performance artist) craving for attention and recognition for biker art and the biker lifestyle in the mainstream world of middle-class straights and squares; and, on the other side, a rejection of that very same world based on the biker preference for biker values over mainstream values, and the need to show the squares and their opinions have no power over the biker. The biker/artist is aloof, yet bristles when ignored or disparaged and seeks ways of getting the right kind of attention.\n\nA further contrast is apparent in the repeated theme of the honor and nobility of the biker, depicting bikers as modern knights or similar mythic heroes, and the appearance of members of Mann's El Forastero Motorcycle Club in many of his paintings, a club whose members have been found guilty for the crimes motorcycle theft and for \"transporting and distributing methamphetamine\" after it was discovered the club members pooled money to buy narcotics at their organized events.\n\nHe is the eponym of an episode of Sacred Steel Bikes on Discovery Channel.\n\nSee also \n DIY Culture\n Lowbrow (art movement)\n\nReferences\n\nExternal links \n \n\n1940 births\n2004 deaths\nArtists from Kansas City, Missouri\nMotorcycling mass media people\nAmerican illustrators\n20th-century American painters\nAmerican male painters\n21st-century American painters", "Biker metal (also known as biker punk) is a fusion genre that combines elements of punk rock, heavy metal, rock and roll and blues, that was pioneered in the late-1970s to early-1980s in England and the United States, by Motörhead, Plasmatics, Anti-Nowhere League and Girlschool.\n\nCharacteristics\nBiker metal has been described as being influenced by punk rock, rock and roll, heavy metal and blues. Sleazegrinder, a writer at Classic Rock, described biker metal as \"glam metal gone Mad Max\".\n\nBiker metal is characterized by its mid-tempo approach to metal, its \"gritty and American\" sound, and its alignment with biker culture as a whole. The genre has been contrasted with slower and more operatic forms of metal, such as Judas Priest's work in the early 2000s. Similarly, biker metal eschews the speed and virtuosity that rose to prominence in the 1980s.\n\nBands such as Black Moth, Orange Goblin, The Obsessed, Earthride and Black Label Society have been described as fusing the style with doom metal, whereas Clutch have been described as merging elements of biker metal and Southern rock into their stoner rock sound. Black Sabbath's song \"Paranoid\" has been considered a classic of the genre. \n\nBiker metal has proven influential to genres ranging from speed metal to hardcore punk and crust punk, and was integeral to the development extreme metal. Giuseppe Sbrana of Botswanan heavy metal band Skinflint has stated that biker metal bands were heavily influential on the aesthetic of African heavy metal bands.\n\nTerminology\nThe association with biker culture has been present for most of heavy metal and punk rock's lifetime: Thin Lizzy were photographed frequently with motorcycles stretching as far back as 1973; Joan Jett appeared on the cover of Outlaw Biker Magazine; Judas Priest used a biker image beginning in the mid-1970s, however also borrowed heavily from sadomasochism; and the common dressing style of metalheads is closely tied to those in biker gangs. Spin hails Motörhead frontman Lemmy as the first to bring motorcycle culture into punk rock and heavy metal, likely through the influence of earlier rock bands such as Steppenwolf, Lynyrd Skynyrd and Grateful Dead. An early use of the term \"heavy metal\" was even present in Steppenwolf's 1968 song \"Born to Be Wild\", in reference to a motorcycle.\n\nSee also\n List of biker metal bands\n\nReferences\n\n1970s in music\n1980s in music\nBritish styles of music\nBritish rock music genres\n20th-century music genres\nAmerican styles of music\nHeavy metal genres\nPunk rock genres\nFusion music genres", "Biker Boy is a fictional superhero character created and portrayed by Zach Cone. Biker Boy promotes bicycling as an alternative to walking and driving, and primarily aims to increase the use of helmets, among both children and adults. Biker Boy is based in Greater Boston, Massachusetts, where he frequents local biking areas to spread awareness for bicycle safety.\n\nCharacter\nBiker Boy is a fictional superhero who protects and serves the bicycling community. He was invented by Zach Cone, who did not initially intend to play the character as well. \"I began telling stories to the kids about superheroes\", Cone states in an interview with The Boston Globe. \" That's when I made up this character, Biker Boy, whose bike has magical powers that tells him if someone's in trouble. The kids loved it. They thought it was real and that I was Biker Boy, even though I told them I wasn't.\" Biker Boy has also recorded voice announcement's for Boston's MBTA train and bus services, promoting bicycling as an alternative method of transportation. The recording was a part of a larger initiative by mayor Thomas Menino to make Boston a more bike-friendly city. Biker Boy has been consistently noted for his red cape.\n\nZach Cone\nZach Cone (born July 26, 1983), is a certified pre-kindergarten teacher. He attended Brookline High School in Brookline, Massachusetts, where he realized he could sleep longer by biking to school. Cone began teaching pre-school while he was in college, often telling the students superhero stories. He invented Biker Boy originally as an external character, but the students thought he was talking about himself, hence Cone eventually assuming the role of Biker Boy himself. Cone states on the development of his character, \"Six months ago I drove cross-country with some friends. We brought our bikes so we could ride as much as possible. That's when I realized Boston has a lot of work to do to be a bike friendly city and I decided to be part of the solution.\"\n\nWhen asked, \"How are you the solution to Boston's bicycle problem?\" Cone, as Biker Boy, immediately responded \"I talk to people politely. There's too much anger in the first place. And I encourage them to wear helmets.\"\n\nReferences\n\nPublic service announcement characters\nMale characters in advertising\nCycling safety\nPublic service announcements\nHealthcare in Boston\nMascots introduced in 2010\nFictional bikers" ]

[ "Ron \\Pigpen\\\" McKernan\"", "Personal life", "what year was he born", "I don't know.", "Are there any other interesting aspects about this article?", "He developed a close friendship with fellow keyboardist Tom Constanten based on their mutual aversion to psychedelics and", "What happen with the keyboardist", "eventually served as best man at Constanten's first wedding.", "When did he get married", "I don't know.", "What happen in his personal life", "In the early years of the Grateful Dead, McKernan was easily recognisable by his biker image, making him a minor celebrity.", "What was his biker image", "In 1969, the band's record company, Warner Bros., ran a \"Pigpen Look-Alike Contest\"." ]

[ "\"Won't Get Fooled Again\" is a 1971 song by The Who.\n\nWon't Get Fooled Again may also refer to:\n Won't Get Fooled Again (EP), a 1988 EP by The Who that includes the song\n \"Won't Get Fooled Again\" (Criminal Minds episode)\n \"Won't Get Fooled Again\" (Farscape episode)\n \"Won't Get Fooled Again\" (Instant Star episode)\n\nSee also \n \"Won't Get Fueled Again\", an episode of CSI: Miami\n Don't Get Fooled Again, a chapter of the manga One Piece", "This list includes of all the 96 fighter aces of World War II from Finland. For other countries see List of World War II aces by country\n\nFinnish fighter aces\n\nWith specific aircraft types\n\nFokker D.XXI\n\nBelow are all the Finnish aces who have won victories with the Fokker D.XXI\n\nGloster Gladiator\n\nBelow are all the Finnish aces who have won victories with the Gloster Gladiator.\n\nFiat G.50\n\nBelow are all the Finnish aces who have won victories with the Fiat G.50 Freccia\n\nMorane-Saulnier MS.406\n\nBelow are all the Finnish aces who have won victories with the Morane-Saulnier MS.406\n\nBrewster Buffalo\n\nBelow are all the Finnish aces who have won victories with the Brewster Buffalo\n\nCurtiss Hawk 75\n\nBelow are all the Finnish aces who have won victories with the Curtiss Hawk 75\n\nMesserschmitt Bf 109\n\nBelow are all the Finnish aces who have won victories with the Messerschmitt Bf 109\n\nNotes\n\nReferences\n\nStenman, Kari and Keskinen, Kalevi: Aircraft of the Aces 23 - Finnish Aces of World War 2, Osprey Publishing, 1998, \nStenman, Kari, Keskinen, Kalevi, and Niska, Klaus: Hävittäjä-Ässät - Suomen Ilmavoimien Historia 11, Apali, 1994, \n\nFinland\nWorld War II flying aces", "The men's triples competition began on 4 October 2010. and finished on 10 October 2010. The gold medal was won by South Africa who won the final over Australia after a tie-break. The bronze medal was won by England, who only lost one match all tournament.\n\nResults\n\nQualifying – round robin\n\nSection A\n\nSection B\n\nJersey won 5 sets with a shot difference of -43 to finish ahead of Papua New Guinea who won 5 sets with a shot difference of -79.\n\nKnockout stages\n\nSee also\nLawn bowls at the 2010 Commonwealth Games\n\nReferences\n\n2010 in bowls\nLawn bowls at the 2010 Commonwealth Games" ]

[ "Pendulum (drum and bass band)", "2009-11: Immersion" ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim", "The term \"allohistory\" may refer to:\n\nAlternate history, a form of historical fiction that speculates what would have happened had history gone differently\nCounterfactual history, this speculation used in a real-world setting\nUchronia, a form of historical fantasy that posits a fictional \"what may have happened\" (as in The Lord of the Rings)" ]

[ "Pendulum (drum and bass band)", "2009-11: Immersion", "What happened in 2009?", "Pendulum once again toured Europe in 2009." ]

[ "iKON 2018 Continue Tour is the first world tour by South Korean boy band iKON, in support of second studio album Return. The tour is set to visit South Korea, Taiwan, Thailand, Malaysia, Singapore, Philippines, Hong Kong, Indonesia and Australia, with more countries to be announced. The tour began on August 18, 2018 in Seoul at KSPO Dome\n\nBackground\nOn July 2, it was announced by YG Entertainment that iKON will held an Asia tour and will visit eight cities. It marks the group second Asia tour after their 2016 iKoncert 2016: Showtime Tour, during the time they did two years intensive touring mostly in Japan as they gathered around 800,000 fans. A series of teasers were released in July, revealed members thoughts on the upcoming world tour and reveling the concept of the tour is A Road with No End, which indicates iKON's future path.\n\nOn August, iKON announced that the tour will visit Australia for the first time, with two shows in Sydney and Melbourne.\n\nConcerts dates\n\nReferences\n\n2018 concert tours\n2019 concert tours\nConcert tours of Asia\nIKon concert tours", "As was the custom since 1930, the 1952 Tour de France was contested by national and regional teams. The three major cycling countries in 1952, Italy, Belgium and France, each sent a team of 12 cyclists. Other countries sent teams of 8 cyclists: Switzerland, Luxembourg (together with Australia), Netherlands and Spain. The French regional cyclists were divided into four teams of 12 cyclists: Paris, North East–Center, South East and West–South West. The last team of eight cyclists was made up out of cyclists from the French North African colonies. In the end, Luxembourg only sent 6 cyclists, so all together this made 122 cyclists.\n\nThere were 57 French (of whom 6 were Algerian), 13 Italian, 12 Belgian, 8 Dutch, 8 Spanish, 8 Swiss, 5 Luxembourgian and 1 Australian cyclist. The winners of the last two editions, Swiss cyclists Hugo Koblet and Ferdinand Kübler, were injured and did not enter the race, neither did French cyclist Louison Bobet.\n\nOn the last press conference before the race, Jacques Goddet did a poll amongst journalists, to see who they considered the main favourite. Coppi received 29 votes in that poll, followed by Géminiani and Bartali, both 26 votes.\n\nStart list\n\nBy team\n\nBy rider\n\nBy nationality\n\nReferences\n\n1952 Tour de France\n1952", "Aerosmith World Tour 2007 (or The Tour Heard 'Round the World) was a concert tour by American hard rock band Aerosmith that saw the band performing outside North America or Japan for the first time in about eight years (since the Nine Lives Tour), and in some countries, the first time in 14 years (since the Get a Grip Tour). As part of the tour, the band also visited some countries for the first time ever, including India, the United Arab Emirates, Latvia, and Estonia.\n\nThe concert tour began in the spring of 2007 in South America, where the band performed to sold-out stadium crowds. In the Summer of 2007, the band performed throughout Eurasia, including performances at several major rock festivals. The band also played a select few concerts in Canada and California at the end of July. In September 2007, the band performed eight dates in Northeastern North America, and concluded the tour with a private show in Hawaii.\n\nEven though the tour was a brief 36 performances, the band performed in a total of 19 countries. The tour was a large success, as Aerosmith was ranked #14 for the highest-grossing touring acts of 2007.\n\nSet list \n \"Love in an Elevator\"\n \"Same Old Song and Dance\"\n \"Cryin'\"\n \"Eat the Rich\"\n \"Jaded\"\n \"I Don't Want to Miss a Thing\"\n \"What It Takes\"\n \"Baby, Please Don't Go\"\n \"Hangman Jury\"\n \"Seasons of Wither\"\n \"S.O.S. (Too Bad)\"\n \"Dream On\"\n \"Livin' on the Edge\"\n \"Stop Messin' Around\"\n \"Sweet Emotion\"\n \"Draw the Line\"\n \"Walk This Way\"\n\nTour dates\n\nReferences\n\nAerosmith concert tours\n2007 concert tours" ]

[ "Pendulum (drum and bass band)", "2009-11: Immersion", "What happened in 2009?", "Pendulum once again toured Europe in 2009.", "What countries did they tour?", "I don't know." ]

[ "Somewhere on a Beach Tour was the eleventh headlining concert tour by American country music artist Dierks Bentley, in support of his eighth studio album Black (2016). It began on April 21, 2016, in Dublin, Ireland and ended on October 29 of that year in Roanoke, Virginia.\n\nBackground\nThe tour was first announced in January 2016. Bentley will first play four shows in Europe then begin the North American leg of the tour. Select shows are a part of Live Nation's Country Megaticket and went on sale January 29, 2016. Dates for the second North American leg was announced in July 2016.\n\nOpening acts\n\nRandy Houser\nCam\nTucker Beathard\nDrake White\n\nSetlist\n\n\"Up on the Ridge\"\n\"Free and Easy (Down the Road I Go)\"\n\"Tip It On Back\"\n\"Am I the Only One\"\n\"5-1-5-0\"\n\"Say You Do\"\n\"What the Hell Did I Say\"\n\"I Hold On\"\n\"Every Mile a Memory\"\n\"Black\"\n\"Feel that Fire\"\n\"Riser\"\n\"Take it Easy\" \n\"Come a Little Closer\"\n\"Freedom\"\n\"Somewhere on a Beach\"\n\"What Was I Thinkin'\"\n\"The Runnin' Kind\" \n\"Lot of Leavin' Left to Do\"\n\"Sideways\"\n\"I'll Be the Moon\"\n\"Drunk on a Plane\"\n\nTour dates\n\nList of festivals\n\nReferences\n\n2016 concert tours\nDierks Bentley concert tours", "Up Front was an American hardcore band from New York, United States. They were an influential part of the late 1980s New York hardcore and Connecticut straight edge scenes. They played many of their early shows at the now famous Anthrax Club in Norwalk, Connecticut. In 1987 they appeared on the X Marks The Spot compilation 7-inch, one of the first documents of the burgeoning Connecticut straight edge scene.\n\nIn 1988, they released their Spirit LP, and a summer tour followed in 1989 with Unit Pride, Insted and Gorilla Biscuits. Up Front remained active through 1992, releasing the Daybreak 7 inch in 1990, touring the US again in the summer of 1991, and completing their first tour of Europe in the winter of 1991–1992.\n\nThey initially broke up after recording the Changes 7-inch in 1992, but reformed in the spring of 1994 to record the What Fire Does 7-inch followed with their second tour of Europe that summer.\n\nAfter a brief hiatus Up Front wrote and recorded the Movement CD in 1997. After a handful of US shows, a tour of Japan in 1998, and their third summer tour of Europe in 1999 followed.\n\nOther than three \"reunion\" shows in the summer/fall of 2005, and one \"reunion\" show with a return to the Daybreak lineup in November 2009 at the A Time We'll Remember Fest, the band has remained dormant since 1999.\n\nBand members\nSteve Keeley - vocals\nJon Field - guitar\nRich Ryder - guitar\nJeff Terranova - bass\nTim Schmoyer - drums\n\nFormer members\nDan Pettit - drums (1987)\nJim Eaton - drums (1988–1989)\nRoger Lambert - vocals (1989)\nAri Katz - drums (1989)\n\nDiscography\nX Marks the Spot - 7 inch, 1988\nSpirit - CD, 1988\nDaybreak - 7 inch, 1990\nChanges - 7 inch, 1992\nWhat Fire Does - 7 inch, 1994\nDoin' It Live on WNYU - 7 inch, 1997\nMovement - CD, 1997\nSplit w/ Building - 7 inch, 1999\nFive by Seven - CD, 2004\n\nExternal links\nOfficial website\nBandcamp page\nSmorgasbord Records\nNew Age Records\nUp Front - BandToBand.com\n\nStraight edge groups\nHardcore punk groups from New York (state)", "The What's Love? Tour is the eighth concert tour by American-born Swiss singer, Tina Turner. The tour supported Turner's autobiographical film and its soundtrack entitled What's Love Got to Do with It (1993). The tour primarily visited North America along with a few shows in Europe and Australasia.\n\nBackground\nIn 1990, Turner mentioned her record-breaking, 1990 tour, would be her last. Initially, Turner was to have a one-year break before resuming the tour in North America. The tour continuation was placed on hold as Turner decided to focus on acquiring movie roles. As time progressed, Turner changed her focus to the production of her semi-autobiographical film. In an interview with People, Turner stated, \n\nTurner's last tour of North America was in 1987 during her Break Every Rule World Tour, which saw poor ticket sales for a majority of shows. Turner later confessed that she did not tour her previous record due to lack of sales in that region, as many spectators still had a hard time disconnecting her from The Revue. After numerous sold-out stadium performances in Europe, Turner wanted to do an intimate tour. The tour consisted of the same music and costumes as her previous set. Turner included new material from the soundtrack, along with different variations on her well-known hits. Originally destined as a North America only tour, Turner decided to add a few dates in Europe for summer music festivals and Australia where she appeared at the New South Wales Rugby League Grand Final, as their anthem was \"The Best\". In Australia, Turner also performed the after-race concert following the 1993 Australian Grand Prix in Adelaide where she was joined on stage by the race winner, triple World Drivers' Champion Ayrton Senna.\n\nBroadcasts and recordings\nThe tour was chronicled at the Blockbuster Pavilion in San Bernardino, California. Released in September 1994, \"What's Love: Live\" included a special performance of \"Why Must We Wait Until Tonight\". It was directed by David Mallett and produced by Paul Flattery. Additionally, the concert was recorded in Sydney, New South Wales, Australia at the Sydney Entertainment Centre as a special for local television.\n\nOpening act\nLindsey Buckingham (North America) (select dates)\nChris Isaak (North America) (select dates)\nJohn Mellencamp (Switzerland)\nJoe Cocker (Switzerland)\n\nSetlist\nThe following setlist was obtained from the concert held on July 28, 1993, at the Thames River Music Center in Groton, Connecticut. It does not represent all concerts for the duration of the tour. \nAct 1\n\"Steamy Windows\"\n\"Typical Male\"\n\"Foreign Affair\"\n\"Undercover Agent for the Blues\"\n\"Private Dancer\"\n\"We Don't Need Another Hero\"\n\"I Can't Stand the Rain\"\n\"Nutbush City Limits\"\nAct 2\n\"Addicted to Love\"\n\"The Best\"\n\"I Don't Wanna Fight\"\n\"Let's Stay Together\"\n\"What's Love Got to Do with It\"\n\"Proud Mary\"\nEncore\n\"What You Get Is What You See\"\n\"Better Be Good to Me\"\nNotes\n\"Legs\" was added to the setlist on September 10, 1993. The song was performed in lieu of \"What You Get Is What You See\". \nDuring select shows in North America (specifically the New England region),Turner performed \"Disco Inferno\" in lieu of \"What You Get Is What You See\"\n\"Show Some Respect\" was performed during the Australasia leg of the tour. The song was performed in lieu of \"Legs\". \nDuring the performance at Radio City Music Hall in New York City (July 17, 1993), Turner performed \"I Might Have Been Queen\" and \"Shake a Tail Feather\"\nDuring the concert filming at the Blockbuster Pavilion in San Bernardino, California, Turner performed \"Why Must We Wait Until Tonight\" for promotional reasons. The song would not appear in the setlist until the performance at the Sydney Entertainment Centre in Sydney, New South Wales (October 20, 1993) for local television stations.\n\nTour dates\n\nMusic Festivals and other miscellaneous performances\nThis concert was a part of \"Summerfest\"\nThis concert was a part of the \"Y100 20th Birthday Party\"\nThis concert was a part of \"Rock Over Danube\"\nThese concerts were a part of \"Rock Over Germany '93\"\nThis concert was a part of the \"Australian Grand Prix\"\n\nBox office score data\n\nTour band\nJames Ralston – electric guitar, vocals\nJohn Miles – electric guitar, vocals\nBob Feit – bass guitar\nJack Bruno – drums\nTimmy Cappello – percussion, synthesizer, tenor saxophone, harmonica, vocals\nOllie Marland – synthesizer, vocals\nKenny Moore – piano, vocals\nSharon Owens – dancer, vocals\nKaren Owens – dancer, vocals\n\nExternal links\nInternational Tina Turner Fan Club – Tour – What's Love 1993\n\nReferences\n\n1993 concert tours\nTina Turner concert tours" ]

[ "Pendulum (drum and bass band)", "2009-11: Immersion", "What happened in 2009?", "Pendulum once again toured Europe in 2009.", "What countries did they tour?", "I don't know.", "What did they do after their tour of Europe?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts", "This article is about the demographic features of the population of Saint Mary's, including population density, internet access, crime rate, and other aspects of the population.\n\nPopulation \nAccording to the 2011 census the population of Saint Mary was 7,341.\n\nOther demographics statistics (2011)\n\nCensus Data (2011)\n\nIndividual\n\nHousehold \nThere are 2,512 households in Saint Mary Parish.\n\nSee also\nDemographics of Antigua and Barbuda\n\nReferences\n\nAntigua and Barbuda Christians\nDemographics of Antigua and Barbuda" ]

[ "Pendulum (drum and bass band)", "2009-11: Immersion", "What happened in 2009?", "Pendulum once again toured Europe in 2009.", "What countries did they tour?", "I don't know.", "What did they do after their tour of Europe?", "I don't know.", "Are there any other interesting aspects about this article?", "In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks" ]

[ "This is a list of singles that charted in the top ten of the Billboard Hot 100 during 1994.\n\nJanet Jackson scored four top ten hits during the year with \"Again\", \"Because of Love\", \"Any Time, Any Place\", and \"You Want This\", the most among all other artists.\n\nTop-ten singles\n\n1993 peaks\n\n1995 peaks\n\nSee also\n 1994 in music\n List of Hot 100 number-one singles of 1994 (U.S.)\n Billboard Year-End Hot 100 singles of 1994\n\nReferences\n\nGeneral sources\n\nJoel Whitburn Presents the Billboard Hot 100 Charts: The Nineties ()\nAdditional information obtained can be verified within Billboard's online archive services and print editions of the magazine.\n\nUnited States Hot 100 top ten\n1994", "\"If There's Any Justice\" is a song by written by Michael Noble, C. Michael Spriggs and Tony Colton, and recorded by American country music artist Lee Greenwood. It was released in August 1987 as the second single and title track from the album If There's Any Justice. The song reached number 9 on the Billboard Hot Country Singles & Tracks chart.\n\nChart performance\n\nReferences\n\n1987 singles\n1987 songs\nLee Greenwood songs\nSong recordings produced by Jimmy Bowen\nMCA Records singles\nSongs written by Tony Colton", "\"And On and On\" is a song by American singer Janet Jackson from her second remix album Janet Remixed (1995). As the B-side to \"Any Time, Any Place\", \"And On and On\" peaked at number one on the US Billboard Hot R&B/Hip-Hop Songs chart and number two on the Billboard Hot 100. It also reached number one as a B-side on the Cash Box chart in the summer of 1994.\n\nRelease\n\"And On and On\" was released in May 1994 as an unreleased track on the cassette and CD singles of \"Any Time, Any Place\".\n\nReception\nLarry Flick of Billboard compared \"And On and On\" to Grace Jones's \"Pull Up to the Bumper\" and Sly and the Family Stone's \"Family Affair\". Flick also said he preferred the remix of \"And On and On\" instead of Jackson's \"Throb\".\n\nChart performance\n\"And on and On\" charted both as a B-side to \"Any Time, Any Place\" and as a separate single. On Billboard, \"Any Time, Any Place/And On and On\" peaked at number one on the Hot R&B/Hip-Hop Songs and number two on the Hot 100. As a separate single, \"And On and On\" reached number 12 on the Billboard R&B/Hip-Hop Airplay chart and number 17 on Billboards Rhythmic chart. At the end of 1994, \"And On and On\" reached number 53 on the year-end Hot R&B Singles Airplay chart.\n\nSimilarly, \"And On and On\" peaked at number one on Cash Box as a B-side. With \"Any Time, Any Place\", the song peaked on the Top 100 R&B singles in June 1994 and the Top 100 Pop singles in July 1994.\n\nAwards and nominations\n\"And on and On\" was nominated for R&B/Soul Song of the Year alongside \"Any Time, Any Place\" at the 1995 Soul Train Lady of Soul Awards.\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nSee also\nList of Cash Box Top 100 number-one singles of 1994\n\nReferences\n\n1993 songs\n1994 singles\nJanet Jackson songs\nSong recordings produced by Jimmy Jam and Terry Lewis\nSongs written by Janet Jackson\nSongs written by Jimmy Jam and Terry Lewis\nVirgin Records singles" ]

[ "Pendulum (drum and bass band)", "2009-11: Immersion", "What happened in 2009?", "Pendulum once again toured Europe in 2009.", "What countries did they tour?", "I don't know.", "What did they do after their tour of Europe?", "I don't know.", "Are there any other interesting aspects about this article?", "In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks", "Where there any hot singles?", "\", he would have released a song entitled \"Ransom\"," ]

[ "This is a list of songs recorded by Northern Irish rock band Therapy?.\n\nRare released songs \nThe following is a table of rare released songs meeting the following criteria:\n\n Songs on any official record release (record company or otherwise), and any collaborations by Therapy? with other artists, are included here, except for songs on the official 15 albums (Baby Teeth to Cleave), the 2 compilation albums (So Much for the Ten Year Plan and Music Through a Cheap Transistor), the 2 live albums (We're Here to the End and Communion: Live at the Union Chapel), or The Gemil Box.\n\n Songs provided on the official website for free download are not included here.\n Songs only released on bootlegs are not included here.\nThe columns Title, Released, Where and Notes list each song title, the year the song was released, on which release it can be found and any notes accompanying the song.\n\nOfficial website free MP3 downloads \n\nThe following is a table of Official Website Free MP3 Downloads meeting the following criteria;\n\n Songs released exclusively free via the official website (or mailing list) and unavailable elsewhere are included here.\n Songs on any official release are not included here.\nThe columns Title, Recorded, Source, MP3 kbit/s and Notes list each song title, the year the song was recorded, the audio source, the bit-rate of the download and any notes accompanying the song.\n\nRare unreleased songs \n\nThe following is a table of rare non-released songs meeting the following criteria:\n\n Noteworthy songs released on bootlegs are included here.\n Noteworthy songs not available yet in any form are included here.\n Noteworthy songs released via streaming (not download) on official sites are included here.\n Songs on any official release are not included here.\nThe columns Title, Recorded, Source, Available and Notes list each song title, the year the song was recorded, the audio source, the availability of the song and any notes accompanying the song.\n\nUnofficial bootleg releases \n\n\"Have a Merry Fucking Christmas\" (7\")\n\"Next to You / Invisible Sun\" (7\", turquoise)\n\"Live at the Astoria\" (12\") (London '92)\n\"I Want My Money Back\" (London '92)\n\"Who Did This?\" (Berlin '93)\n\"No Love Lost\" (Hultsfred '93, Roskilde '93, Feile '93, Aalborg '92)\n\"Fistful of Power\" (Donington '94)\n\"Isolation\" (Wolverhampton '94)\n\"Absolutely Barking\" (Donington '94, London '94)\n\"Clash Therapy\" (Stockholm '94)\n\"Not Lunacy\" (Stockholm '94)\n\"Shock Treatment\" (Florence '94)\n\"Iron Man\" (Florence '94)\n\"Europe 1994\" (Donington '94, Glasgow '94, London '94)\n\"Live in England 94\" (Donington '94, London '92)\n\"Good Fuckin' Night\" (Glasgow '94)\n\"Dead Laughing\" (Arnhem '95)\n\"The Black Sessions\" (Paris '95)\n\"Infernal Gum\" (B-Sides)\n\nExternal links \n Official website\n Official discography\n\nTherapy", "Katie Waissel is the debut studio album by British singer-songwriter Katie Waissel, released on 14 March 2011.\n\nBackground\nThe song \"The Ugly Truth\" premiered four days before the release of Katie Waissel. The day before the release of the album, she performed the song \"The Ugly Truth\" on The Alan Titchmarsh Show. The entire album is composed of songs recorded during her time on Green Eyed World, when she was signed to Chamberlain Records, this release concluding her two-record contract. Several of the songs can be heard as background music or as Katie performing them on Green Eyed World. Waissel spoke on the album:\n\n“I’m so excited that this album is ready for a release. I co-wrote these songs so they mean a lot to me. To have the opportunity to share them with everyone is a dream come true for me.”\n\nOther songs recorded with Chamberlain Records that have not featured on any release by Waissel but are available online are: a cover of \"Love Me Tender\", \"Love, Life and Money\", \"Crystal Lagoon\", \"Ray of Light\", \"Whole Lotta Love\", \"Rock Steady!\", and \"Maybe\". Katie Waissel did not chart on the UK Albums Chart, or see a full physical release. Since the album's release, Waissel has formed a four-member rock band named \"Red Velvet\", who are expected to release their own debut album.\n\nTrack listing\n\nNotes\n a \"Moving Mountains\" was also previously included on The Private Life of David Reed's self-titled debut album, with Waissel under the alias of \"Lola Fontaine\".\n\n b Acoustic version of \"He's In Love\"\n\nReferences\n\n2011 debut albums\nKatie Waissel albums", "World Famous Classics: 1993–1998 is the first of three greatest hits albums by hip hop group The Beatnuts. It was released by Sony BMG in 1999 two weeks after the release of The Beatnuts' most commercially successful album, A Musical Massacre. It contains songs from The Beatnuts' first three albums, as well as its two EPs. The album does not feature any exclusive songs. World Famous Classics did not chart upon release, and is currently out of print.\n\nTrack listing\n\nReferences\n\nThe Beatnuts albums\n1999 greatest hits albums" ]

[ "Pendulum (drum and bass band)", "2009-11: Immersion", "What happened in 2009?", "Pendulum once again toured Europe in 2009.", "What countries did they tour?", "I don't know.", "What did they do after their tour of Europe?", "I don't know.", "Are there any other interesting aspects about this article?", "In January 2011, Pendulum released a Deluxe Edition of Immersion via iTunes which contained the album's original 15 tracks", "Where there any hot singles?", "\", he would have released a song entitled \"Ransom\",", "Did he release any other songs?", "\"Crush\" was released as the fourth single in January 2011." ]

[ "Cupid? is the first album by Canadian rock band Stabilo with a major record label and their first with their new modified name (originally \"Stabilo Boss\"). It contains seven songs, including the hit \"Everybody\". The songs \"Stone\", \"Any Other Girl\" and \"Enemy\" were new songs recorded specifically for the album. \"Paperboy\", \"Everybody\", \"One More Pill\" and \"?\" were re-recordings of older material.\n\nTrack listing\n\"Paperboy\" – 3:26\n\"Everybody\" – 3:35\n\"Stone\" – 3:53\n\"Any Other Girl\" – 4:44\n\"One More Pill\" – 3:49\n\"?\" – 4:27\n\"Enemy\" – 3:42\n\nStabilo (band) albums\n2004 albums\nCupid in music", "\"(If There Was) Any Other Way\" is a song by Canadian singer Celine Dion. It was included on her first English-language album, Unison (1990). \"(If There Was) Any Other Way\" was released by Columbia Records as the album's lead single in Canada on 26 March 1990. The next year, it was issued as the second single in other countries. The song was written by Paul Bliss, while production was handled by Christopher Neil.\n\nAfter its release, \"(If There Was) Any Other Way\" received positive reviews from music critics. The song peaked at number 23 in Canada and number 35 on the US Billboard Hot 100. Additionally, it became a success on the adult contemporary charts, reaching number eight in the United States and number 12 in Canada. Two accompanying music videos for the song were filmed. Dion performed \"(If There Was) Any Other Way\" during her Unison Tour (1990–91).\n\nBackground and release\nIn 1990, Dion was preparing to issue her first English-language album, Unison. After releasing various French-language albums in Canada and France in the '80s, she recorded new English songs in London, Los Angeles and New York. At first, Unison was released in Canada, and \"(If There Was) Any Other Way\" was chosen as its lead single. Written by British musician, Paul Bliss, and produced by British record producer, Christopher Neil, it was issued on 26 March 1990.\n\nOne year later on 18 March 1991, \"(If There Was) Any Other Way\" was released as the second single in the United States after \"Where Does My Heart Beat Now\". For the US market the single was remixed by Walter Afanasieff. This US version features a different audio mix from the Canadian single version and the album version: reverb has been applied throughout (most noticeably to Dion's vocal track), the guitars have been rebalanced so that they are less audible in some places in the song and more prominent in others, the drum track features \"rimshot\" effects during the chorus, additional synthesizer lines have been overdubbed onto the existing keyboard track (most noticeably in the bar before the instrumental break), and the fadeout has been slightly extended in length. It was also used in the American music video of the song that year. Additionally \"(If There Was) Any Other Way\" was remixed by Daniel Abraham, a French record producer living in New York. His dance remixes appeared on a promotional US single.\n\n\"(If There Was) Any Other Way\" was also released as a single in selected European countries, Australia, and Japan in June 1991.\n\nCritical reception\nAllMusic's senior editor Stephen Thomas Erlewine picked the song as an album standout along with \"Where Does My Heart Beat Now\". Larry Flick from Billboard noted that Dion \"continues to soar\" with a \"spirited, up-tempo\" song. He complimented the \"crystalline production and shimmering backup vocal support combined with a passionate lead performance\". Dave Sholin from the Gavin Report wrote about the song: \"Nothing like witnessing the growth and development of a genuine artist. Celine definitely falls into that category, capturing the hearts of Americans the way she's been doing in her native Canada for the past several years. Switching from torch song to snappy rhythm affords listeners an opportunity to hear another side of this wonderful talent\". Music & Media noted that \"talented Canadian chanteuse enters the Whitney Houston racket\" and described it as \"satisfying AC pop.\" Christopher Smith from TalkAboutPopMusic described it as a \"pop-soft rock mid tempo number\".\n\nCommercial performance\nIn Canada \"(If There Was) Any Other Way\" entered the RPM Top Singles chart on 31 March 1990 and peaked at number twenty-three on 9 June 1990. The song also entered the RPM Adult Contemporary chart on 24 March 1990 and reached number twelve there. In the United States \"(If There Was) Any Other Way\" debuted on the Billboard Hot 100 chart, dated 6 April 1991, and peaked at number thirty-five on 1 June 1991. The track also entered Billboards Adult Contemporary chart dated 30 March 1991, reaching number eight.\n\nMusic video\nThere were two music videos made for the song. The first one was directed by Derek Case and released in March 1990 for the Canadian market. The second one was filmed for the US market in Los Angeles, California, and Vancouver, British Columbia, Canada. It was directed by Dominic Orlando and premiered in March 1991. The two videos were included separately on Dion's 1991 home video Unison, depending on the Canadian or US release.\n\nLive performances\nDion performed \"(If There Was) Any Other Way\" on a few Canadian television shows in 1990. She also sang it on the Canadian/US variety show, Super Dave and performed it in Norway in 1991. It was included in her Unison Tour as well.\n\nTrack listings and formatsAustralian 7\", cassette, CD / Canadian 7\" single\"(If There Was) Any Other Way\" – 3:59\n\"(If There Was) Any Other Way\" (Instrumental) – 3:59Canadian cassette / European 3\", 7\" / Japanese 3\" single\"(If There Was) Any Other Way\" – 3:59\n\"I'm Loving Every Moment With You\" – 4:08European 12\", CD single\"(If There Was) Any Other Way\" – 3:59\n\"I'm Loving Every Moment With You\" – 4:08\n\"If We Could Start Over\" – 4:23US 7\" single\"(If There Was) Any Other Way\" – 3:59\n\"Where Does My Heart Beat Now\" – 4:33US cassette single\"(If There Was) Any Other Way\" (Walter Afanasieff Remix) – 4:13\n\"Where Does My Heart Beat Now\" – 4:33US promotional CD single'\n\"(If There Was) Any Other Way\" (Daniel Abraham's 7\" Remix) – 3:54\n\"(If There Was) Any Other Way\" (Daniel Abraham's 12\" Remix) – 5:39\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCredits and personnel\nRecording\nRecorded at West Side Studios, London\n\nPersonnel\nCeline Dion – lead and backing vocals\nChristopher Neil – producer, backing vocals\nPhil Palmer – guitars\nPaul Bliss – songwriter, drums, keyboard programming, backing vocals\nSimon Hurrell – engineer\nWalter Afanasieff – additional producer, keyboards, percussion (Remix only)\nDaniel Abraham – additional producer (Dance Remix only)\n\nRelease history\n\nReferences\n\nExternal links\n\n1990 singles\n1990 songs\nCeline Dion songs\nColumbia Records singles\nDance-pop songs\nEpic Records singles\nSong recordings produced by Christopher Neil", "The following songs recorded by American singer Britney Spears were not released commercially. Some songs have been given to other recording artists for recording. The list encompasses studio-quality recording by Spears that were not commercially or promotionally released by a reputable label, documented demo versions of songs not released in any form, early demo versions of released songs where there is a substantial difference to the released versions (such as completely different melody), and officially commissioned and Spears-related professional remix not chosen for release.\n\nSpears has written and recorded material that has never been officially released. Several unreleased songs had been planned for inclusion on her studio albums ...Baby One More Time (1999), Britney (2001), In the Zone (2003), Blackout (2007), Circus (2008), Femme Fatale (2011), and Glory (2016), but were ultimately rejected. There are many registered tracks included under the unreleased section that have not been commercially released, but have gained media attention or were confirmed by Spears herself. Many of her unreleased songs have been registered (usually by her company Britney Spears Music) with professional bodies such as the United States Copyright Office, Broadcast Music Incorporated (BMI), and American Society of Composers, Authors and Publishers (ASCAP).\n\nSpears's unreleased material includes songs recorded by her and demo versions, some co-written by artists such as Justin Timberlake and Lady Gaga. In 1997, she recorded \"Today\", originally meant for Toni Braxton. Snippets of \"Rebellion\" and \"Little Me\" were released on Spears's official website in 2006. She has also co-written and recorded songs that were later given to other artists, such as her sister Jamie Lynn Spears, Selena Gomez, and Korean singer BoA. A collection of songs that leaked on October 6, 2011 received the name of \"Britmas\".\n\nUnreleased songs\n\nReferences\n\n Unreleased\nLists of unreleased songs by recording artists" ]

[ "Andrew Johnson", "Move to Tennessee" ]

[ "Found A Place is the fifth studio album by FFH. The album peaked at #154 on the Billboard 200.\n\nTrack listing\n\"When I Praise\" (Jeromy Deibler) - 3:48\n\"Found a Place\" (Michael Boggs) - 3:36\n\"Why Do I\" (Jeromy Deibler) - 4:37\n\"Lord Move, or Move Me\" (Jeromy Deibler) - 5:00\n\"Daniel\" (Michael Boggs) - 3:16\n\"Your Love is Life to Me\" (Jeromy Deibler, Tony Wood) - 3:36\n\"Because of Who You Are\" (Jeromy Deibler) - 3:30\n\"Be My Glory\" (Dukes Jason Cristoffer) - 3:02\n\"I'm Not Afraid to Love You\" (Jeromy Deibler, Tony Wood) - 4:03\n\"It's Been a Long Time\" (Jeromy Deibler) - 4:03\n\"Every Now and Then\" (Jeromy Deibler, Michael Boggs) - 4:36\n\nPersonnel \n\nFFH\n Jeromy Deibler – vocals\n Jennifer Deibler – vocals\n Brian Smith – vocals\n Michael Boggs – vocals, acoustic guitar\n\nMusicians\n Jeffrey Roach – keyboards (1)\n Bryon Hagan – keyboards (2-11)\n Glenn Pearce – electric guitars (1-7, 9, 10, 11), acoustic guitar (3)\n Jerry McPherson – additional electric guitar (1), electric guitars (8)\n David Cleveland – acoustic guitar (6)\n Matt Pierson – bass (1, 8)\n Craig Young – bass (2-7, 9, 10, 11)\n Scott Williamson – drums, percussion (1-10)\n Steve Brewster – additional drums (8)\n Eric Darken – percussion (11)\n Dave Williamson – string arrangements (4)\n Carl Gorodetzky – string contractor (4)\n The Nashville String Machine – strings (4)\n John Catchings – cello (11)\n\nHandclaps on \"Be My Glory\"\n Christine Amerman, Katie Kelsey, Brittany Mitchell, Jameson Reeder, Allyson Smith and FFH.\n\nProduction \n Producer – Scott Williamson\n Executive Producers – Robert Beeson and Bob Wohler\n Engineers – Jullian Kindred, Randy Poole and Salvo.\n Vocals and Overdubs recorded by Scott Williamson\n Additional Engineers – Kent Hooper and Doug Sarrett\n Assistant Engineers – Robert \"Void\" Caprio, Alex Chan, Grant Cibula, Mike Elsner, Scott Giles, Grant Greene, Rick Hackley, Carissa Kaberline, Alan Litten and Chris Mara.\n Recorded at Bulldog Studio (Franklin, TN); Uno Mas Studio (Brentwood, TN); Quad Studios (Nashville, TN).\n Tracks 1–4, 7, 9 & 10 mixed by Tom Laune at Bridgeway Studios (Nashville, TN).\n Tracks 5, 6, 8 & 11 mixed by Salvo at Recording Arts (Nashville, TN).\n Mastered by Hank Williams at MasterMix (Nashville, TN).\n A&R Administration – Michelle Pearson \n Artist Development – Jordyn Thomas \n Art Direction – Nina Williams \n Design – Michelle Kapp at Axis Media.\n Photography – Tony Baker \n Stylist – Chad Curry \n Hair and Makeup – Melissa Schleicher\n\nReferences\n\nExternal links \nFFH\nEssential Records\n\nFFH (band) albums\n2000 albums\nEssential Records (Christian) albums", "Elizabeth Searcy (1877-1965) was an American artist from Memphis, TN. Known for her commissioned portraits of President Roosevelt, she also painted different views of the White House and of Roosevelt's birthplace.\n\nBiography \nSearcy was born in Memphis in 1877. She attended Miss Higbee's School and went to Philadelphia to study art. She specialized in etchings and watercolors. Searcy was also an art instructor at St. Mary's Hall in Burlington, New Jersey. Searcy developed a relationship with Eleanor Roosevelt, for whom she did commissioned work that was then given as gifts to President Roosevelt. Eventually, Searcy would move back to Memphis, TN where she died in 1965.\n\nMuseum collections \nSearcy's artwork is included in the permanent collections of the Memphis Brooks Museum of Art, the Metropolitan Museum of Art and the Johnson Collection in Spartanburg, South Carolina.\n\nReferences \n\n19th-century American women artists\n20th-century American women artists\n1877 births\n1965 deaths\nPeople from Memphis, Tennessee" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know." ]

[ "Alvin Lee In Tennessee is a studio album by Alvin Lee released in 2004.\n\nTrack listing\n \"Let's Boogie\" – 3:33\n \"Rock & Roll Girls\" – 3:38\n \"Take My Time\" – 4:45\n \"I'm Gonna Make It\" – 6:10\n \"Something's Gonna Get You\" – 4:47\n \"Why Did You Do It\" – 4:47\n \"Getting Nowhere Fast\" – 4:40\n \"How Do You Do It\" – 5:00\n \"Let's Get It On\" – 5:25\n \"Tell Me Why\" – 5:52\n \"I'm Going Home\" – 6:13\n\nPersonnel \nAlvin Lee - guitar, vocals\nScotty Moore - guitar\nD.J. Fontana - drums\nPete Pritchard - double bass\nWillie Rainsford - piano\nTim Hinkley - Hammond organ\n\nInfo \nRepertoire Records (UK) Limited\nCD No: REPUK 1029\nEAN: 4009910102923\n\nReferences\n\nAlvin Lee albums\n2004 albums\nRepertoire Records albums\n\nbg:Alvin Lee In Tennessee", "The Columbia Mules were a Minor League Baseball team that played in the Class D Alabama–Tennessee League in 1921. They were located in Columbia, Tennessee, and were named in reference to Columbia being known as the \"Mule Capital of the World\" and holding \"Mule Day\" celebrations since 1840. Their home games were played at Pillow Park\n\nColumbia was previously represented by an unnamed team in the Tennessee–Alabama League from 1903 to 1904. The Mules lost their season opener against the Tri-Cities Triplets, 4–2, on May 16, 1921. They ended the season with a 42–46 (.477) record, placing third out of four teams. They did not qualify for the championship playoffs as they did not win either half of the league' split season.\n\nThe city did not field another team until a different Columbia Mules played in the Big South League in 1996.\n\nSeason results\n\nReferences\n\nExternal links\nStatistics from Baseball-Reference\nStatistics from Stats Crew\n\n1921 establishments in Tennessee\n1921 disestablishments in Tennessee\nBaseball teams established in 1921\nBaseball teams disestablished in 1921\nDefunct Alabama-Tennessee League teams\nDefunct baseball teams in Tennessee\nProfessional baseball teams in Tennessee\nSports in Tennessee" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know.", "What did he do in Tennessee?", "He then worked as a tailor in Columbia, Tennessee," ]

[ "Michael John Brown (born 11 July 1939 in Walsall) is an English football scout who currently works for Aston Villa.\n\nBrown began his career as a full-back for Hull City, before moving on to Lincoln City. Soon after, Brown moved on to Cambridge City.\n\nSoon after, he was offered a full-time coaching position at Oxford United. After six years as a coach, and following the departure of Gerry Summers to Gillingham, Brown was offered the manager's job at Oxford, a position he held for a further four years. Despite having limited success with the Us, Brown impressed enough to be offered a job at West Bromwich Albion as Ron Atkinson's assistant. When Atkinson was signed by Manchester United in 1981, he was followed by Brown soon after. The two had a successful spell together at Old Trafford, winning two FA Cups in 1983 and 1985, as well as reaching the final of the League Cup in 1983. In addition, the team never finished below fourth in the league in Brown's time there.\n\nHowever, in November 1986, Atkinson was dismissed by United. His replacement, Alex Ferguson, brought his own assistant manager with him, and Brown was no longer required at the club. In 1989, he was signed by Phil Neal as his assistant at Bolton Wanderers. He remained at Bolton for a further three years, until Neal lost his job with the Trotters and Brown followed him out of the exit door. That summer, he took up a coaching post in Pahang, Malaysia, with the Pahang FA.\n\nBrown did not stay in Malaysia for very long, and soon returned to England as Coventry City's chief scout. He then took up a similar position at Blackburn Rovers in 1997, but only stayed for one season before moving back to Manchester United as Chief Scout. He stayed at United for eight years, before he was forcibly retired by the club, whose policy at the time required all staff over the age of 65 to retire. West Brom re-signed Brown in the summer of 2005, and he stayed there for almost two years before linking up with the former Manchester United captain, Roy Keane, at Sunderland, joining fellow United old-boys Neil Bailey, Raimond van der Gouw and Michael Clegg.\n\nReferences\n\nCambridge City F.C. players\nAssociation football fullbacks\nBolton Wanderers F.C. non-playing staff\nHull City A.F.C. players\nLincoln City F.C. players\nManchester United F.C. non-playing staff\nOxford United F.C. managers\nEnglish Football League players\n1939 births\nLiving people\nSunderland A.F.C. non-playing staff\nSportspeople from Walsall\nEnglish football managers\nEnglish footballers", "Curtis \"Curt\" Melvin Harnett, (born May 14, 1965) is a Canadian racing cyclist. He began cycling as a way to stay in shape for hockey. He competed in four Olympic Games, winning three medals, one silver and two bronze.\n\nHarnett also has three medals from the Commonwealth Games and three medals from the Pan American Games. He held the world record for the 200 metre time trial for 11 years, bested in 2006 by Dutchman Theo Bos. After retiring from cycling in 1996, he attended the Sydney and Athens Olympic Games as a commentator for CBC Sports.\n\nHe was inducted into Canada's Sports Hall of Fame in 2005. Harnett was introduced into the Lehigh Valley Velodrome Cycling Hall of Fame. He was the chef de mission for Team Canada at the 2015 Pan American Games and the 2016 Summer Olympics. In 2018, Harnett was made a Member of the Order of Canada.\n\nQuotes \n \"It's time to get a haircut and get a real job.\" – After competing in his final Olympic Games. Harnett was noted for his distinctive long, very curly blond hair and even did a TV commercial for a shampoo.\n\nReferences\n\nExternal links \nWebsite\n\n1965 births\nLiving people\nCanadian male cyclists\nCycling announcers\nCyclists from Ontario\nCyclists at the 1984 Summer Olympics\nCyclists at the 1988 Summer Olympics\nCyclists at the 1992 Summer Olympics\nCyclists at the 1996 Summer Olympics\nCyclists at the 1987 Pan American Games\nMedalists at the 1984 Summer Olympics\nMedalists at the 1992 Summer Olympics\nMedalists at the 1996 Summer Olympics\nMembers of the Order of Canada\nOlympic bronze medalists for Canada\nOlympic cyclists of Canada\nOlympic medalists in cycling\nOlympic silver medalists for Canada\nSportspeople from Toronto\nCommonwealth Games silver medallists for Canada\nPan American Games gold medalists for Canada\nPan American Games bronze medalists for Canada\nCommonwealth Games medallists in cycling\nPan American Games medalists in cycling\nCyclists at the 1990 Commonwealth Games\nCyclists at the 1994 Commonwealth Games\nMedalists at the 1987 Pan American Games" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know.", "What did he do in Tennessee?", "He then worked as a tailor in Columbia, Tennessee,", "Did he stay at the job long?", "In Greeneville, Johnson established a successful tailoring business in the front of his home." ]

[ "Conrad \"Connie\" Saylor (June 3, 1940 – February 4, 1993 ) was a journeyman NASCAR racecar driver.\n\nCareer\nSaylor did one-off events in the Winston Cup Series during the 1980s and early 1990s, and also raced in ARCA and late model sportsman series. His most well-known moment came in the 1981 Twin 125s, qualifying races for the Daytona 500, in which he spun off turn two and flipped, sliding down the backstretch on his roof for about 1,000 feet. He was uninjured in the crash, and did not qualify for the race. He won a consolation race at Daytona in 1984.\n\nIn Winston Cup racing, he picked up his best finish in his debut race, in 1978, eighth .\n\nPersonal life\nConnie was married to Shirley Nowlin and had two children, Tracy and Tim Saylor. He started a mining and industrial tire and wheel business in Johnson city, Tennessee, in 1977, which is still in operation by his family.\n\nSaylor was from Johnson City, Tennessee, . As verified by his family, he died at the age of 52 from cancer. .\n\nMotorsports career results\n\nNASCAR\n(key) (Bold – Pole position awarded by qualifying time. Italics – Pole position earned by points standings or practice time. * – Most laps led.)\n\nWinston Cup Series\n\nDaytona 500\n\nBusch Series\n\nARCA Permatex SuperCar Series\n(key) (Bold – Pole position awarded by qualifying time. Italics – Pole position earned by points standings or practice time. * – Most laps led.)\n\nReferences\n\nExternal links\n \n\n1940 births\n1993 deaths\nARCA Menards Series drivers\nDeaths from cancer in Tennessee\nNASCAR drivers\nPeople from Johnson City, Tennessee\nRacing drivers from Tennessee", "William Neal Browder (born July 20, 1944) is an American country music singer-songwriter, known professionally as T. G. Sheppard. He had 14 number-one hits on the US country charts between 1974 and 1986, including eight consecutive number ones between 1980 and 1982.\n\nEarly life\nBrowder was born in Humboldt, Tennessee, United States. He dropped out of high school at age 15 and ran away from home to become involved in the music industry in Memphis, Tennessee.\n\nCareer\nWilliam Browder, as he was then known, first recorded for Atco Records as Brian Stacy in 1966. Browder worked as an executive at RCA during the early 1970s, but in 1974, signed with Melodyland (later Hitsville) Records, a short-lived country label owned by Motown Records. He used the stage name T.G. Sheppard to avoid jeopardizing his job with RCA, due to his recording material with a different label. According to Browder, \"The T.G. in my stage name is really and truly just initials. A lot of people through the years have had fun putting what they want the initials to stand for, but they really don't mean anything, they are just initials.\"\n\nHe recorded the song \"Devil in the Bottle\", which became a No. 1 hit on Billboard's Hot Country Singles chart and also became a Top 60 Pop hit in 1975. The follow-up, \"Tryin' to Beat the Morning Home\", also went to No. 1 and cracked the Top 100 during the summer of 1975. Several subsequent releases during 1975–77 made the Top 10 like \"Motels and Memories\" and \"Show Me A Man\".\n\nIn 1977, Sheppard signed with Warner Bros. Records. Starting with that summer's \"When Can We Do This Again\", he had a series of fifteen consecutive Top 10 releases, including 10 No. 1 songs. The biggest included \"Last Cheater's Waltz\" (1979); \"I'll Be Coming Back for More\" and \"Do You Wanna Go to Heaven\" (1980); \"I Loved 'Em Every One\" and \"Party Time\" (1981); \"Only One You\", \"Finally\", and \"War Is Hell (On the Homefront Too)\" (1982). Another major hit came in 1984: \"Slow Burn\". \"I Loved 'Em Every One\" also reached the top forty on the U.S. Billboard Hot 100. In 1984 he recorded, as a duet with Judy Collins, the title track of Home Again, her final album for Elektra Records.\n\nIn 1985, he moved from Warner Bros. to Columbia Records. After just missing the top 20 with \"Fooled Around and Fell in Love\" (a remake of the Elvin Bishop hit), he returned to the top 10, with his biggest success during this time frame coming with 1986's \"Strong Heart\" (the last of his No. 1 hits, as it turned out). Three more songs peaked at No. 2 in 1987: \"Half Past Forever (Till I'm Blue in the Heart)\", \"You're My First Lady\", and \"One for the Money\".\n\nSheppard's success continued until about 1988, when rootsy neo-traditionalist artists began to eclipse more polished pop-country artists. In 1995, he took a two-year hiatus from the road to perform exclusively for eight months a year at T.G. Sheppard's Theater in the Smokies, a state-of-the-art theater in the heart of the Great Smoky Mountains. When the theater was sold in 1997, he returned to the road. He continued to tour and play throughout the 1990s, but did not sign a new record contract, and did not release any new material until 1997. His 2002 live release, T.G. Sheppard: Live at Billy Bob's, found Sheppard performing his classic hits for an enthusiastic crowd at the famed honky tonk in Fort Worth, Texas. Sheppard released Timeless in 2004, an album that had him singing songs from the big band era. In the mid to late 1980s he was an associate sponsor on the No. 25 Folgers Chevrolet driven on the NASCAR Cup Series by Tim Richmond and Ken Schrader. In 1990 the Folgers sponsorship moved to Roush racing and driver Mark Martin.\n\nT.G. Sheppard currently tours throughout the year and, after a two-decade hiatus, he released a new single \"I Wanna Live Like Elvis\" in January 2019 with a new album set to be released at a later date.\n\nSheppard was a friend of Elvis Presley’s and hosts his own show on Sirius XM’s Elvis Radio. Sheppard's show was created to replace new broadcasts of disc jockey and Presley friend George Klein’s show after Klein's death in 2019.\n\nPersonal life\nSheppard is married to singer-songwriter Kelly Lang and resides in Hendersonville, Tennessee. Sheppard owned a small chain of now-defunct restaurants under the name of \"T.G.'s North of the Border Cafe and Cantina\" in Tennessee. The restaurant had locations in Gatlinburg and Chattanooga.\n\nFilmography\n\nDiscography\n\nReferences\n\nExternal links\n Official website\n\n1944 births\nLiving people\nSinger-songwriters from Tennessee\nAmerican country singer-songwriters\nPeople from Humboldt, Tennessee\nWarner Records artists\nCurb Records artists\nColumbia Records artists\nCountry musicians from Tennessee" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know.", "What did he do in Tennessee?", "He then worked as a tailor in Columbia, Tennessee,", "Did he stay at the job long?", "In Greeneville, Johnson established a successful tailoring business in the front of his home.", "Did he do anything during his time in Tennessee?", "In 1827, at the age of 18, he married 16-year-old Eliza McCardle, the daughter of a local shoemaker." ]

[ "The American Homecoming Act or Amerasian Homecoming Act, was an Act of Congress giving preferential immigration status to children in Vietnam born of U.S. fathers. The American Homecoming Act was written in 1987, passed in 1988, and implemented in 1989. The act increased Vietnamese Amerasian immigration to the U.S. because it allowed applicants to establish a mixed race identity by appearance alone. Additionally, the American Homecoming Act allowed the Amerasian children and their immediate relatives to receive refugee benefits. About 23,000 Amerasians and 67,000 of their relatives entered the United States under this act. While the American Homecoming Act was the most successful program in moving Vietnamese Amerasian children to the United States, the act was not the first attempt by the U.S. government. Additionally the act experienced flaws and controversies over the refugees it did and did not include since the act only allowed Vietnamese Amerasian children, as opposed to other South East Asian nations in which the United States also had forces in the war.\n\nBackground\n\nIn April 1975, the U.S.-backed government of South Vietnam fell to North Vietnamese forces. Refugees from Vietnam started to arrive in the United States under U.S. government programs. In 1982, the U.S. Congress passed the Amerasian Immigration Act (PL 97-359). The law prioritized U.S. immigration to children fathered by U.S. citizens including from Korea, Laos, Cambodia, Vietnam, and Thailand. However, the law did not provide immigration to mothers or half-siblings, only to Amerasian children. Amerasians would generally have to coordinate with their American fathers in order to obtain a visa. This provided a challenge for many since some fathers did not know they had children or the fathers may not have wanted to claim the children. If the Amerasian children did not have documentation from the American father, then they could be examined for “American” physical features by a group of doctors. Additionally, since the U.S. and Vietnam's governments did not have diplomatic relations, the law could not be applied to Vietnamese Amerasian children. Essentially the Amerasian Immigration Act did little for Amerasian children and even less for Vietnamese Amerasian children.\n\nAs a way to address Vietnamese Amerasian children, the U.S. government permitted another route for Vietnamese-born children of American soldiers to the United States. The children would be classified as immigrants, but would also be eligible to receive refugee benefits. The U.S. and Vietnam governments established the Orderly Departure Program (ODP). The program is housed in the United Nations High Commission for Refugees (UNHCR). The ODP created a system where South Vietnamese soldiers and others connected to the U.S. war effort could emigrate from Vietnam to the United States. Initially the Amerasian children had to have documentation from their American fathers to be issued a visa, however the program eventually expanded to individuals that did not have firm documentation. The Orderly Departure Program moved around 6,000 Amerasians and 11,000 relatives to the United States.\n\nEnactment\n\nOn August 6, 1987, Rep. Robert J. Mrazek [D-NY-3] introduced the Amerasian Homecoming Bill (H.R. 3171). The bill was co-sponsored by 204 U.S. representatives (154 Democrats, 49 Republicans, and 1 Independent). In 1988, the U.S. Congress passed the Amerasian Homecoming Act (PL 100-200). The law took effect on March 21, 1988, and allowed Vietnamese Amerasians born January 1, 1962, through January 1, 1976, to apply for immigrant visas until March 21, 1990. Additionally the legislation removed immigration quotas and reduced legal barriers for Vietnamese Amerasians’ immigration. As a result of the act around 20,000 Amerasian children left Vietnam. Prior to the Amerasian Homecoming Act, many Amerasian children faced prejudice in Vietnam sometimes referred to as bui doi (“the dust of life” or “trash”). However, after the act many of these children would be called “golden children” since not only could the Amerasian children move to the United States, but so could their families. The act allowed the spouse, child, mother, or the next of kin of the Amerasian child to emigrate. The act was significant, because it allowed applicants to establish a mixed race identity by appearance alone.\n\nImmigration process\n\nThe American Homecoming Act operated through the Orderly Departure Program in the respective U.S. embassies. U.S. Embassy officials would conduct interviews for Amerasians children and their families. The interviews were intended to prove whether or not the child's father was a U.S. military personnel. Under the American Homecoming Act, Vietnamese Amerasian children did not have to have documentation from their American fathers; however if they did, their case would be processed quicker. The approval rating for Amerasian applicants was approximately 95 percent.\n\nThe approved applicants and their families would go through a medical exam. The medical exam was less extensive than other immigration medical exams. If they passed, the U.S. would notify Vietnamese authorities and would process them for departure. The Amerasians would then be sent to the Philippines for a 6-month English language (ESL) and cultural orientation (CO) program. Once the Amerasians arrived in the United States they would be resettled by private voluntary agencies contracted with the U.S. State Department. Some Amerasians gave accounts that some “fake families” approached them as a way to immigrate to the United States. The U.S. Attorney General in conversation with the U.S. Secretary of State submitted program reports to the U.S. Congress every three years.\n\nControversies\n\nWhile the American Homecoming Act was the most successful measure by the United States to encourage Amerasian immigration, the act faced controversies. A primary issue was the act only applied to Amerasian children born in Vietnam. The American Homecoming Act excluded Japan, Korea, the Philippines, Laos, Cambodia, and Thailand. While Amerasian children from outside Vietnam could immigrate to the United States, they could do so only if their fathers claimed them. Most fathers did not recognize their children, especially if they were born to sex workers.\n\nIn 1993, a class action lawsuit was filed in the International Court of Complaints to establish Filipino Amerasian children's rights to assistance. The court ruled against the children, stating they were the products of sexual services provided to U.S. service personnel. Since prostitution is illegal, there could be no legal claim for the Filipino Amerasian children. Amerasian advocacy groups are actively attempting to gain recognition for Amerasian children through legal and legislative measures.\n\nThere were other concerns facing the American Homecoming Act by the Vietnamese immigrants. Some accounts include a Vietnamese woman who attempted to claim American citizenship for her Amerasian son, but the father denied the relationship and responsibility by calling her a prostitute. Since sex workers were largely excluded, many children were unable to participate in the program. In the 1970s, the U.S. cut refugee cash assistance and medical aid to only eight months. Many Amerasian children account for their struggles in public school and very few attended higher education. Amerasian children who stayed in their respective countries found difficulties. Many of the children faced prejudice since their fair skin or very dark skin, blue eyes, or curly black hair would quickly identify them as Amerasian. Additionally the children faced judgment from the new socialist Vietnamese officials and other neighbors since their features positioned them as reminders of the “old enemy.”\n\nReferences\n\nUnited States federal immigration and nationality legislation", "Matthew 11:17 is the seventeenth verse in the eleventh chapter of the Gospel of Matthew in the New Testament.\n\nContent\nIn the original Greek according to Westcott-Hort for this verse is:\nκαὶ λέγουσιν, Ηὐλήσαμεν ὑμῖν, καὶ οὐκ ὠρχήσασθε· ἐθρηνήσαμεν ὑμῖν, καὶ οὐκ ἐκόψασθε. \n\nIn the King James Version of the Bible the text reads:\nAnd saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented.\n\nThe New International Version translates the passage as:\n\"'We played the flute for you, and you did not dance; we sang a dirge and you did not mourn.'\n\nAnalysis\nWitham states that Christ here is represented by the children that piped, while St. John by those that mourned, since Christ did not refuse to eat and converse with sinners.\n\nCommentary from the Church Fathers\nSaint Remigius: \" And straightway He answers Himself, saying, It is like unto children sitting in the market-place, crying unto their fellows, and saying, We have played music to you, and ye have not danced; we have mourned, and ye have not lamented.\"\n\nHilary of Poitiers: \" By the children are meant the Prophets, who preached as children in singleness of meaning, and in the midst of the synagogue, that is in the market-place, reprove them, that when they played to those to whom they had devoted the service of their body, they had not obeyed their words, as the movement of the dancers are regulated by the measures of the music. For the Prophets invited them to make confession by song to God, as it is contained in the song of Moses, of Isaiah, or of David.\"\n\nJerome: \" They say therefore, We have flayed music to you, and ye have not danced; i. e. We have called on you to work good works to our songs, and ye would not. We have lamented and called you to repentance, and this ye would not, rejecting both preaching, as well of exhortation to virtue, as of repentance for sin.\"\n\nSaint Remigius: \" What is that He says, To their fellows? Were the unbelieving Jews then fellows of the Prophets? He speaks thus only because they were sprung of one stock.\"\n\nJerome: \" The children are they of whom Isaiah speaks, Behold I, and the children whom the Lord has given me. (Is. 8:18) These children then sit in the market-place, where are many things for sale, and say,\"\n\nChrysostom: \" We have played music to you, and ye have not danced; that is, I have showed you an unrestricted life, and ye are not convinced; We have mourned unto you, and ye have not lamented; that is, John lived a hard life, and ye heeded him not. Yet does not he speak one thing, and I another, but both speak the same thing, because both have one and the same object. For John came neither eating nor drinking, and they say, He hath a dæmon. The Son of man came &c.\"\n\nSee also\nWeddings and Funerals\n\nReferences\n\nExternal links\nOther translations of Matthew 11:17 at BibleHub\n\n011:17" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know.", "What did he do in Tennessee?", "He then worked as a tailor in Columbia, Tennessee,", "Did he stay at the job long?", "In Greeneville, Johnson established a successful tailoring business in the front of his home.", "Did he do anything during his time in Tennessee?", "In 1827, at the age of 18, he married 16-year-old Eliza McCardle, the daughter of a local shoemaker.", "Did they have children?", "The Johnsons were married for almost 50 years and had five children: Martha (1828), Charles (1830), Mary (1832), Robert (1834), and Andrew Jr. (1852)." ]

[ "Greasley v Cooke [1980] 3 All ER 710 is an English land law case concerning proprietary estoppel.\n\nFacts\nKenneth and Hedley Greasley owned a house on 32 George Street, Riddings in Derbyshire. Doris Cooke moved in in 1938 as a maid for Hedley, and became Kenneth’s partner, and both had assured her she would have a 'home for life'. When Kenneth died, he left nothing. Cooke stayed there after 1975, and had received no payment since 1948. The new owners of the house wanted to remove her. She did not look for another job, and stayed in the house looking after Kenneth and Clarice. Cooke claimed proprietary estoppel, and to stay in the house. The claimants did not show for the proceedings.\n\nJudgment\nLord Denning MR held that Ms Cooke did not have to prove reliance, and would assume she had acted to her detriment. His decision went as follows.\n\n{{Cquote|The first point is on the burden of proof. Mr. Weeks referred us to many cases, such as Reynell v. Sprye (1852) 1 De G. M. & G. 660, 708; Smith v. Chadwick (1882) 20 Ch.D. 27 , 44 and Brikom Investments Ltd. v. Carr [1979] Q.B. 467 , 482–483 where I said that when a person makes a representation intending that another should act on it:\n\n“It is no answer for the maker to say: ‘You would have gone on with the transaction anyway.’ That must be mere speculation. No one can be sure what he would, or would not, have done in a hypothetical state of affairs which never took place. … Once it is shown that a representation was calculated to influence the judgment of a reasonable man, the presumption is that he was so influenced.”\n\nSo here. These statements to Miss Cooke were calculated to influence her — so as to put her mind at rest — so that she should not worry about being turned out. No one can say what she would have done if Kenneth and Hedley had not made those statements. It is quite possible that she would have said to herself:\n\n“I am not married to Kenneth. I am on my own. What will happen to me if anything happens to him? I had better look out for another job now: rather than stay here where I have no security.”\n\nSo, instead of looking for another job, she stayed on in the house looking after Kenneth and Clarice. There is a presumption that she did so, relying on the assurances given to her by Kenneth and Hedley. The burden is not on her, but on them, to prove that she did not rely on their assurances. They did not prove it, nor did their representatives. So she is presumed to have relied on them. So on the burden of proof it seems to me that the judge was in error.\n\nThe second point is about the need for some expenditure of money — some detriment — before a person can acquire any interest in a house or any right to stay in it as long as he wishes. It so happens that in many of these cases of proprietary estoppel there has been expenditure of money. But that is not a necessary element. I see that in Snell's Principles of Equity, 27th ed. (1973), p. 565, it is said: “A must have incurred expenditure or otherwise have prejudiced himself.” But I do not think that that is necessary. It is sufficient if the party, to whom the assurance is given, acts on the faith of it — in such circumstances that it would be unjust and inequitable for the party making the assurance to go back on it: see Moorgate Mercantile Co. Ltd. v. Twitchings [1976] Q.B. 225 and 'Crabb v Arun District Council [1976] Ch. 179 , 188. Applying those principles here it can be seen that the assurances given by Kenneth and Hedley to Doris Cooke — leading her to believe that she would be allowed to stay in the house as long as she wished — raised an equity in her favour. There was no need for her to prove that she acted on the faith of those assurances. It is to be presumed that she did so. There is no need for her to prove that she acted to her detriment or to her prejudice. Suffice it that she stayed on the house — looking after Kenneth and Clarice — when otherwise she might have left and got a job elsewhere. The equity having thus been raised in her favour, it is for the courts of equity to decide in what way that equity should be satisfied. In this case it should be by allowing her to stay on in the house as long as she wishes.}}\n\nSee also\n\nEnglish contract law\nEnglish land lawInwards v Baker [1965] 2 QB 29.Willmott v Barber'' (1880) 15 Ch D 96, Fry J said proprietary estoppel requires a mistake about rights, reliance, defendant has knowledge of his own right, know of the claimant's mistaken belief and have encouraged reliance\n\nNotes\n\nReferences\n\nEnglish contract case law\nCourt of Appeal (England and Wales) cases\n1980 in British law\n1980 in case law", "Job's Wife is a play by Philip Begho, written in verse. It was the winner of the Association of Nigerian Authors (ANA) Drama Prize in 2002. It is an interpretation of the biblical Book of Job.\n\nPlot\nJob himself never appears onstage, the crucial character being his wife who is hardly mentioned in the Bible except for her spurious advice to Job. We meet her packing to leave him and dissociate herself from his misfortunes. It is evident that she believes he suffers for his sins and has become separated from God, so she is free to start a new life on her own. Her maid Reibah tries to stop her with the only means she can come up with – the lie that a powerful healer is coming, only for her conscience to trouble her afterwards. She is soothed by Nali, who promises to do her own bit to delay Job's wife; Nali has a vague belief that Reibah's lie has a kernel of truth, that in one way or another, time will bring healing.\n\nThus Nali works at cross-purposes rather than helping her mistress in the way she wants to be helped, as well as her ridiculous speech about how she will accompany her.\n\nWhen the mysterious Healer actually does appear, the supernatural is dramatically tamed by Job's wife's indignation that he wasn't announced by a servant, and that he should have knocked; she naturally presumes he is the one Reibah spoke of. The Healer eases Job's suffering offstage, but his real business is with the wife's hypocrisy, brought out as he questions the reason for her behaviour.\n\nWhat he gradually teaches her and the audience is balanced with the mutual incomprehension and comic exchanges between mistress and Nali, who can't see the Healer, and yet speaks the truth about him even as the woman concludes the girl is mad. When the Healer condemns the harm Job's friends have done, she defends them, showing that their error is also hers, in weakening Job and depleting his moral courage and faith. He explains to her that suffering is purposeful and meant to teach, but not necessarily the sufferer, who sometimes far from being guilty, is sometimes one “found worthy to bear the suffering that instructs his fellows and for this service his reward is sure.”\n\nThe Healer gets the wife to turn her attention to what Job's suffering has taught her about herself, for rather than deepening in compassion and love, she became a hypocrite, deceiving herself about her real motives, which have more to do with the loss of Job's prosperity. What she must learn is introduced in bits, for Job's wife has a positive self-image and resists seeing her guilt and Job's innocence.\n\nSee also\nPhilip Begho\n\nNotes\n\nReferences\nBegho, Philip. Job’s Wife, Lagos: Monarch Books 2002,\n\nExternal links\nJob’s Wife in the garden\n\nNigerian plays\nJob (biblical figure)\nNigerian poetry\nPlays based on the Bible" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know.", "What did he do in Tennessee?", "He then worked as a tailor in Columbia, Tennessee,", "Did he stay at the job long?", "In Greeneville, Johnson established a successful tailoring business in the front of his home.", "Did he do anything during his time in Tennessee?", "In 1827, at the age of 18, he married 16-year-old Eliza McCardle, the daughter of a local shoemaker.", "Did they have children?", "The Johnsons were married for almost 50 years and had five children: Martha (1828), Charles (1830), Mary (1832), Robert (1834), and Andrew Jr. (1852).", "Did she have a job?", "I don't know." ]

[ "A tailor is a tradesperson who makes, repairs, or alters clothing professionally, especially suits and men's clothing.\n\nAlthough the term dates to the thirteenth century , tailor took on its modern sense in the late eighteenth century, and now properly refers to makers of men's and women's suits, coats, trousers, and similar garments, commonly of wool, linen, or silk.\n\nThe term so used thus refers to a set of specific hand and machine sewing and pressing techniques that are unique to the construction of traditional jackets. Small and medium size retail tailors often provide their services internationally, with individual tailors and cutters travelling to various cities, allowing the customers to be met locally, measured on one trip, fitted on another and thereafter supplied with (a) garment(s) without the inconvenience of themselves travelling overseas. Even small tailoring businesses without an international following will sometimes travel from one city to another within their home country, and quite a number will visit customers at the customers' places of work or homes.\n\nTraditional tailoring is called \"bespoke tailoring\" in the United Kingdom, where the heart of the trade is London's Savile Row tailoring, and \"custom tailoring\" in the United States and Hong Kong. This is unlike made to measure which starts by using pre-existing patterns within which relatively few individual style preferences can be satisfied. A true bespoke garment or suit is completely original and unique to each customer. However, the term 'bespoke' is widely used by makers of garments not within the strict original definition of the term and the legal battle to prevent what was once regarded as a misuse of the description has now been lost.\n\nFamous fictional tailors include the tailor in The Tailor of Gloucester, The Emperor's New Clothes and The Valiant Little Tailor. A more recent example is John le Carré's The Tailor of Panama.\n\nTypes\n\nAs the tailoring trade has evolved, so too have the methods of tailoring. There are a number of distinctive business models which modern tailors may practise. While some may practise many, there are others who will practise only one or two. Moreover, many tailoring houses, particularly in parts of Western Europe (including the UK) have distinctive individual styles for which they are well known by the better informed users of tailoring services.\n\nLocal tailoring\nLocal tailoring is as the name implies. Typically the tailor is met locally and the garment produced locally. This method enables the tailor to take professional measurements, assess posture and body shape to make unique details to the garment. Clients get to choose fabrics from samples, after this the tailor drafts a pattern; to which the tailor than marks it out with French/tailor's chalk. Local tailors will typically have a showroom or shopfront, although sometimes the tailor would come to the clients preferred building or hotel. Hong Kong Tailors and London are the most famous for high quality bespoke tailoring. It typically takes some two or three fittings and about 50 to 70 working hours to handmake one suit. However, in England (as in Italy and France), the best of bespoke suits may involve a wait of several weeks from first fitting to final supply, whereas the process in the Far East is often very much faster.\n\nMade to Measure tailoring\n\nMade to Measure tailoring involves ordering a garment from an out-of-town tailor enabling cheaper labour to be used. In practice this can now be done on a global scale via e-commerce websites. Unlike local tailoring, customers must take their own measurements, fabric selection must be made from a photo and if further alterations are required the garment must be shipped. Today, the most common platform for made to measure tailoring is via online tailors. Typically, instead of drafting a pattern from scratch, made to measure alters an existing pre made pattern to customer specifications.\n\nOnline tailors sometimes offer to pay for needed alterations at a local tailor. Another new option is the concept where a free suit mock-up is made to the provided measurements and shipped to the customer first. The suit mock-up can be tried on and worn to see where any adjustments are wanted. The final suit is then tailored to the new specifications provided by the suit mock-up fitting.\n\nEven though Made to Measure tailoring, in the sartorial world, is considered salesmanship instead of tailoring, it still is in the category of tailor because it includes a client getting his garment tailored to his specifications.\n\nTraveling tailor\nUnlike tailors who do distance tailoring, traveling tailors provide a more personal service to their customers and give the customers an opportunity to see the fabric samples and meet the tailor in person. Traveling tailors travel between cities and station in a local luxury hotel for a short period of time to meet and provide the same tailoring services they would provide in their local store. In the hotel, the customer will be able to select the fabric from samples and the tailor will take the measurements himself. The order then will be shipped to the customer within 3–4 weeks. Unlike local tailoring, if further alterations are required the garment must be shipped. Today, most traveling tailors are from Hong Kong, traveling to the United States, the United Kingdom, France, Australia and Japan.\n\nRegional styles and cuts\n\nJust as there are various methods of tailoring, there are also styles that differ regionally. This is due to different climates and cultures in the world, causing \"house style\" cuts of the trade.\n\nBritish cut\nThe British cut of tailoring can be defined by various ways of inner construction. Since the United Kingdom has a cooler climate than (for example) the Mediterranean, the cut of the British is more heavy, with a more military influence. This style of canvassing has 3 layers, a wool or camel-hair canvas for the body, a horsehair chest piece for the breast area, and a flannel domette for a more masculine pronounced bulk. The shoulders of the British are more padded. The fabrics used by the British are in the range of 9-13 oz due to the colder climate. This style of cut can be credited to Henry Poole & Co, and H. Huntsman & Sons. The British are also credited in creating their ever-so-popular trademark, the Drape Cut.\n\nItalian cut\nLike the British cut, the Italian cut is defined by its inner construction. Since Italy lies in southern Europe and has a warm climate, the Italian tailors developed a cut that was light and cooler to coincide with the conditions. What they developed is called the Italian/European cut. This cut is more light, with fabrics ranging from 7-9 oz. This way of doing canvas has a range of 1-2 layers, a linen body canvas, and a light horsehair canvas. The Italian shoulder is more natural, and sometimes has a “shirt sleeve” with a roping head. The cut is also slimmer than the British, with a more casual setting. The tailors credited with these cuts are Brioni and Rubinacci.\n\nAmerican cut\nThe American cut of tailoring is a mix of the Italian and the British ways. The American cut is more baggy and full, with a natural shoulder that is lightly padded. American tailoring usually involves doing light canvas, where only the canvas and the flannel domette are used. The most well-known cut developed by the Americans is the Ivy League cut. The tailors credited with this cut remain anonymous.\n\nSee also\n\n\"The Butcher and the Tailor's Wife\"\n\nReferences\n\n Deckert, Barbara: Sewing for Plus Sizes: Design, Fit and Construction for Ample Apparel, Taunton, 1999, Appendix B: How to Find, Select, and Work With a Custom Clothier, pp. 142–143.'Meru'(Merollu_plural)(Telugu language of Telangana in A.P.)\n\nExternal links\n\n The Custom Tailors and Designers Association of America (CTDA)\n The Professional Association of Custom Clothiers (PACC)\n\n 01\nArtisans\nClothing industry\nFashion occupations\nSewing\n\nes:Sastre", "Behind Show Windows () is a 1955 Soviet comedy film directed by Samson Samsonov.\n\nPlot \nThe head of the finished dress section, Mikhail Krylov, did not get along with the director of the garment factory, Anna Andreevna. He does not like tailoring products. But the situation changes drastically when some crooks try to harm Mikhail and Anna in turn decides to help him.\n\nStarring \n Oleg Anofriev as Slava Sidorkin (as Oleg Anufriyev)\n Viktor Arkasov\n Olga Bgan\n Ivan Dmitriev as Mikhail Ivanovich Krylov\n Mikaela Drozdovskaya as Yulya Petrova\n Svetlana Druzhinina as Sonya Bozhko\n Vyacheslav Gostinsky as\n Anatoliy Kuznetsov as Lieutenant\n Nadezhda Medvedeva as Anna Andreevna\n Valentina Leonteva as Diktor TV (uncredited)\n\nReferences\n\nExternal links \n \n\n1955 films\nSoviet films\n1950s Russian-language films" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know.", "What did he do in Tennessee?", "He then worked as a tailor in Columbia, Tennessee,", "Did he stay at the job long?", "In Greeneville, Johnson established a successful tailoring business in the front of his home.", "Did he do anything during his time in Tennessee?", "In 1827, at the age of 18, he married 16-year-old Eliza McCardle, the daughter of a local shoemaker.", "Did they have children?", "The Johnsons were married for almost 50 years and had five children: Martha (1828), Charles (1830), Mary (1832), Robert (1834), and Andrew Jr. (1852).", "Did she have a job?", "I don't know.", "How did he get into politics after tailoring?", "he had private debates on the issues of the day with customers who held opposing views. He also took part in debates at Greeneville College." ]

[ "Anything Can Happen is a 1952 comedy-drama film.\n\nAnything Can Happen may also refer to:\n\n Anything Can Happen (album), by Leon Russell, 1994\n \"Anything Can Happen\", a 2019 song by Saint Jhn \n Edhuvum Nadakkum ('Anything Can Happen'), a season of the Tamil TV series Marmadesam\n \"Anything Can Happen in the Next Half Hour\", or \"Anything Can Happen\", a 2007 song by Enter Shikari\n Anything Can Happen in the Next Half Hour (EP), 2004\n\nSee also\n \"Anything Could Happen\", a 2012 song by Ellie Goulding \n Anything Might Happen, 1934 British crime film\n Special Effects: Anything Can Happen, a 1996 American documentary film\n \"Anything Can Happen on Halloween\", a song from the 1986 film The Worst Witch \n Anything Can Happen in the Theatre, a musical revue of works by Maury Yeston\n \"The Anything Can Happen Recurrence\", an episode of The Big Bang Theory (season 7)\n The Anupam Kher Show - Kucch Bhi Ho Sakta Hai ('The Anupam Kher Show — Anything Can Happen') an Indian TV show", "The 1984 United States Senate election in Tennessee took place on November 6, 1984, as a part of the Senate class 2 election.\n\nSituation\n\nPopular three-term Republican incumbent Howard Baker, who had served as United States Senate Majority Leader since 1981 (Minority Leader from 1977 to 1981) decided not to seek re-election in order to concentrate on a planned bid for 1988 Republican presidential nomination (which did not happen, as he later accepted a White House Chief of Staff position under President Ronald Reagan). This made the seat open.\n\nDemocratic nomination\n\nDemocrats nominated Representative and future Vice President of the United States Al Gore, whose father, Albert Gore, Sr., had once held Tennessee's other Senate seat.\n\nDemocratic\n\nRepublican primary\n\nCandidates:\n State Senator Victor Ashe\n Jack McNeil\n Hubert David Patty\n\nIn primary, held on August 2, Ashe easily emerged as a winner:\n\n Ashe - 145,744 (86.47%)\n McNeil - 17,970 (10.66%)\n Patty - 4,777 (2.83%)\n Write-in - 49 (0.03%)\n\nGeneral election\n\nAlthough the Senate election coincided with the landslide re-election of President Reagan, who carried Tennessee by a wide margin, this time his victory did not have any coattails, as it did in 1980, and Democrats picked up three Republican seats. One of the Democratic gains was in Tennessee, where conservative Democrat Gore won in a landslide:\n\nSee also \n 1984 United States Senate elections\n\nReferences\n\n1984\nTennessee\nUnited States Senate\nAl Gore" ]

[ "Andrew Johnson", "Move to Tennessee", "Why did he move to TN?", "I don't know.", "What did he do in Tennessee?", "He then worked as a tailor in Columbia, Tennessee,", "Did he stay at the job long?", "In Greeneville, Johnson established a successful tailoring business in the front of his home.", "Did he do anything during his time in Tennessee?", "In 1827, at the age of 18, he married 16-year-old Eliza McCardle, the daughter of a local shoemaker.", "Did they have children?", "The Johnsons were married for almost 50 years and had five children: Martha (1828), Charles (1830), Mary (1832), Robert (1834), and Andrew Jr. (1852).", "Did she have a job?", "I don't know.", "How did he get into politics after tailoring?", "he had private debates on the issues of the day with customers who held opposing views. He also took part in debates at Greeneville College.", "Did anything else of note happen during this time in Tennessee?", "Johnson's tailoring business prospered during the early years of the marriage, enabling him to hire help and giving him the funds to invest profitably in real estate." ]

[ "Henry Kahn (March 31, 1860 – August 14, 1934) was an American businessman and tailor who lived in Indianapolis, Indiana and founded the Kahn Tailoring Company.\n\nEarly life\nHenry Kahn was born in Bloomington, Indiana on March 31, 1860, to Isaac (1829–1887) and Bella (née Hirsch) Kahn (c. 1840–1886). Isaac emigrated from France in 1844 and settled in Bloomington, where he married Bella in 1856. Bella was the daughter of French immigrants who arrived in Louisiana prior to 1850 and eventually settled in Cincinnati, Ohio. Henry had two sisters, Clementine (1858–1914) and Cora (1868–1898). Isaac Kahn was a businessman and owned several clothing stores in Bloomington. In 1866, the Kahns moved to Indianapolis where Henry attended public schools before studying at Butler University.\n\nCareer\nKahn entered the clothing business in 1886 when he opened a small tailoring shop on East Washington Street in downtown Indianapolis. In 1903, he founded the Kahn Tailoring Company and by 1913 Kahn had grown his business to include a retail building located at 7 North Meridian Street and a four-story manufacturing plant at 800 North Capitol Avenue. Kahn Tailoring Company eventually grew to become the largest manufacturer of men's and women's suits in the United States, with two thousand dealers and twelve retail stores located across the country. Kahn was also a major supplier of military uniforms to the United States during World War I and World War II.\n\nKahn Tailoring Company became the largest employer of Jewish immigrants in Indianapolis by working with the Industrial Removal Office (IRO) in New York City. The local IRO office in Indianapolis assisted newly arrived Jewish immigrants in locating jobs. The company offered support to its employees through its social welfare department that organized social gatherings, a baseball team, and a factory orchestra.\n\nAfter his death in 1934, the Kahn Tailoring Company was managed by his son-in law. In 1954, it merged with the Globe Tailoring Company of Cincinnati, Ohio and sold its manufacturing facility on Capitol Avenue. By 1970, there were no more Kahn stores in Indianapolis.\n\nPersonal life\n\nHenry married Sarah F. Lang (November 18, 1862 – June 30, 1952) in 1886. They had a daughter, Claribel.\n\nIn 1908, Kahn built a home at 101 E. 27th Street in Indianapolis. He later sold the home to the State of Indiana, where it served as the Indiana Governor's Mansion from 1919-1945. When the Governor's Mansion was moved to 4343 N. Meridian Street, the house was sold to the nearby Marott Hotel and was slated to serve as an exclusive clubhouse. However, due to prohibitive costs this plan was not carried out, and the house was demolished in 1962.\n\nKahn died on August 14, 1934 at the Marott Hotel in Indianapolis.\n\nReferences \n\n1860 births\n1934 deaths\nBusinesspeople from Indianapolis\nAmerican fashion businesspeople\nAmerican tailors\nPeople from Bloomington, Indiana\nButler University alumni\n20th-century American businesspeople\n19th-century American businesspeople\nAmerican people of French descent", "Mikhail L. Voronin (; born July 10, 1938 in Kiev, Ukrainian SSR – April 14, 2012) was a soviet Ukrainian fashion designer and manufacturer of clothing and was a multiple winner of international competitions of tailoring skills. He was the founder of the brand \"Michael Voronin\". Voronin (in Cyrillic letters Воронін) stylized as VORONIN Concern, a network of franchised companies specializing in tailoring and marketing of men's clothing. The brand name \"Michael Voronin\" clothing is sold internationally and the fashion house has taken part in fashion shows worldwide.\n\nEarly life\nVoronin (variant Mykhailo Voronin) started tailoring when he was just 14 and designed since 1964. In 1972, he graduated from Kiev Technological Institute of Light Industry.\n\nCareer\nDuring Soviet times, Voronin worked at a Kyiv knitting factory. Voronin was a successful businessman, academician and innovator and entrepreneur of a unique method of tailoring menswear without fittings, called the zhyletno-maketnoho method, for which he received a patent in 1970. The 1980s led him to establish his own business. In 1985, he established the company \"Мода і час\" (Fashion Hour). In 1991, he launched \"Михайло Воронін\" or \"Michael Voronin\" in Vienna and Paris. Since 1994, the brand is owner of the chain \"Zhelan\".\n\nMany celebrities have worn the brand. In 2002, a giant tuxedo the height of a three-story building was designed and created by Voronin and was listed in the Guinness Book of Records.\n\nReferences\n\nExternal links\n Official website\n\n1938 births\n2012 deaths\nUkrainian fashion designers\nBusinesspeople from Kyiv\nMenswear designers\nBurials at Baikove Cemetery" ]

[ "Criss Angel", "Television specials and promotional appearances (2002-2005)" ]

[ "\"Good as Gold\" is a special mini-episode of the British science fiction television series Doctor Who that was first broadcast on CBBC (as part of Blue Peter) on 24 May 2012. It was written via a competition (Script to Screen) in which junior schools were asked to write a script including the Eleventh Doctor (Matt Smith) and an enemy of his. The competition was won by the children of Ashdene School. The mini-episode also featured Karen Gillan as Amy Pond.\n\nThe first Doctor Who Script to Screen special was \"Death Is the Only Answer\", which was broadcast as part of Doctor Who Confidential.\n\nPlot\n\nAmy reminds The Doctor he needs to have an adventure once in a while, the Doctor complies and sets the TARDIS to its \"adventure setting\". After a series of malfunctions, the ship lands in the middle of the London 2012 Olympic Games, where they are visited by a panicked Olympic runner, who claims he is being chased. His pursuer is revealed as a Weeping Angel, who is seeking to seize the Olympic Flame and rob the planet of the good will and spirit it symbolises. The Doctor vanquishes the Angel with the sonic screwdriver, and the runner resumes his mission. Before he leaves, he gives The Doctor his gold medal. As The Doctor prepares to embark on another adventure with Amy, the Weeping Angel begins to reform.\n\nReception\n\nRobert Gonzalez of io9 stated that Steven Moffat chose the winning script \"wisely\" though he did find the premise of \"a weeping angel that can chase somebody while being watched by thousands of Olympic Game spectators a little dubious\". Kevin Fitzpatrick of ScreenCrush described the episode as \"hokey\" though enjoyed the indication that the Weeping Angels would return in the following series. Susana Polo writing for \"girl geek\" website The Mary Sue described it as \"funny and cute\" and stated that it \"definitely should not be part of a serious effort to fit it into [Doctor Who] canon\". Louisa Mellor of Den of Geek affirmed that the short episode should be viewed \"in the spirit in which it was intended, i.e. some fun for primary school kids who love Doctor Who, the Olympics, and presumably, making their teachers happy\".\n\nReferences\n\n2012 British television episodes\nEleventh Doctor episodes\nDoctor Who mini-episodes", "Steel Angel Kurumi is a 1999 to 2001 Japanese anime series that was released in conjunction with a manga series of the same name. Consisting of two television series and two original video animation (OVA) series, Steel Angel Kurumi was directed by Naohito Takahashi with scripts from Naruhisa Arakawa and produced by Oriental Light and Magic. Pony Canyon provided the music production and distributionfor the series. The first television series consists of 24 episodes and was broadcast on the private satellite network WOWOW from October 5, 1999 to April 4, 2000. It was followed by a four-episode OVA series titled Steel Angel Kurumi Encore which was released between January 7, 2000 and March 1, 2000. The second television series, set 75 years after the first series, was broadcast on the Japanese networks TV Kanagawa, Chiba TV, Teletama, and SUN-TV from April 12, 2001 to June 28, 2001 for a total of 12 episodes. A second three-episode OVA series, titled Steel Angel Kurumi Zero, was released between April 18, 2001 and June 20, 2001.\n\nEpisodes\n\nTelevision series\n\nSteel Angel Kurumi\n\nSteel Angel Kurumi 2\n\nOriginal video animations\n\nSteel Angel Kurumi Encore\n\nSteel Angel Kurumi Zero\n\nReferences \n\nSteel Angel Kurumi" ]

[ "Criss Angel", "Television specials and promotional appearances (2002-2005)", "what was the first television special Angel was part of?", "Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern" ]

[ "Adamseplene (The Adam's Apples) is a Trondheim-based review and musical group that was established in 1997. It consists of Ivar Nergaard, Klaus Joacim Sonstad, and Hans Petter Nilsen.\n\nHistory\nThe group's first show was called Om mens og menn (About Menstruation and Men). The show premiered at Trindheim's Veita Scene concert venue in May 1998. It was a success, and it played for an additional two months in Trondheim that fall. In 1999, the group released the album .no on the record label Norske Gram. For this, the trio was the trio was expanded with three musicians: Sola Jonsen (from DumDum Boys), Truls Waagø (from the Trondheim Symphony Orchestra), and Jostein Ansnes (from Dadafon).\n\nIn March 2000, Adamseplene premiered the show Full Pupp (Full Ti(l)t), which was also a success in the Trondheim area. In 2001 the show was made into a six-episode television series that was broadcast on NRK that fall: Adamseplene: Full pupp. The group also appeared on NRK radio.\n\nIn the fall of 2006, the group performed the show Alle tiders julebord (The Christmas Table of All Time) at the Trøndelag Theater.\n\nReferences\n\nRevues\n1997 establishments in Norway\nCulture in Trondheim", "Für alle Fälle Stefanie is a German medical drama television series created by Werner Krämer that aired on Sat.1 from 15 May 1995 to 29 August 2005. It was produced by Novafilm Fernsehproduktion. Für alle Fälle Stefanie follows the professional and personal life of nurse Stefanie Engel, then Stephanie Wilde and for a short time Fanny 'Stephanie' Stephan. The show was a giant success for the network and had around seven, in later years, five million viewers on a weekly basis. It won the Goldene Kamera award in 1997 and the Bavarian TV Award in 1996.\n\nProduction\n\nDevelopment\nThe show premiered in 1995 and soon became a hit for the network. In the beginning, the show's working title was Stefanie - Schwester mit Herz, which was later used for a rerun of the early seasons. Kathrin Waligura leaves the show after the first two seasons as the show's title role Stefanie Engel. Her successor, Stephanie Wilde played by Claudia Schmutzler, was introduced in the last episodes of the second season and took over as the show's lead in season three. Schmutzler became the identification of the show and was wildly popular. She carried Für alle Fälle Stefanie through its best years and decided to leave in early 1999. Julia Hentschel took over as Fanny Stephan who was soon nicknamed Stephanie. However, under Hentschel the show started to do poorly in ratings. The network offered Schmutzler a new contract, which allowed her many amenities. The show was brought back to new success and stayed a strong performer through the end of season ten. The season finale featured Stephanie Wilde's death and resulted in Schmutzler leaving the show for a second time. It followed a reboot attempt with the start of the 11th season, which saw the return of Kathrin Waligura as the original Stefanie. She was now a doctor and changed the tone of the show. Much of the show's cast was changed with the focus on the doctors rather than the nurses as it has been in the previous years. The production changed the show's title into Stefanie - Eine Frau startet durch. The show couldn't reach to former success, only having three million viewers left at the peak. Sat.1 decided to cancel the show. The series finale, intended to be a season finale, aired in March 2004 as the last season ended its rerun with a few new episodes in the morning hours.\n\nBroadcasting\nIt premiered on Monday nights at 8:00 pm at a time where Sat.1 tried to challenge Das Erste's Tagesschau. The attempt failed and Sat.1 later returned to start their primetime at 8:15 pm after the Tagesschau was over. The third season premiered on a new night, Thursdays at 9:15 pm. The show regularly won its time slot. In April 1999, the show started suffering in ratings after Schmutzler left the show. As ratings fell under five million viewers, Schmutzler was brought back. The show recovered and was back to its former success in the end of 2000. The 10th season premiered on 8 July 2004 as a spinoff in its new time slot at 8:15 pm on Thursday nights. The ratings dropped to a new low and Sat.1 put the season on a break in September 2004, then returning in its old time slot in December. However, as ratings didn't recover the network put the show on another hiatus while announcing that the 11th season is the series finale. The last episodes of the final season were then part of a rerun with the series finale airing on 10 March 2005 at 11:00 am.\n\nExternal links\n \n\nGerman medical television series\n1995 German television series debuts\n2005 German television series endings\nGerman-language television shows\nSat.1 original programming" ]

[ "Criss Angel", "Television specials and promotional appearances (2002-2005)", "what was the first television special Angel was part of?", "Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern", "Was the show a success?", "I don't know." ]

[ "I'm Swiss (and other Treasonous Statements) is the seventh HBO special by comedian Bill Maher. \nThe title is derived from a statement Maher made during the show in which, as a result of the embarrassment he feels as an American during the George W. Bush Administration, he tells people that he is actually Swiss.\n\nIt was filmed on March 26, 2005 at The Arlene Schnitzer Concert Hall in Portland, Oregon; it was released on DVD November 1, 2005. His set included material covering George W. Bush, drug laws, gay marriage, 9/11, health and religion. There is also a segment where Maher 'translates' rap lyrics to a more profound, caucasian dialect in what he calls 'Master P's Theatre'.\n\nReferences\nhttp://www.billmaher.com\n\nHBO network specials\n2000s American television specials\n2005 television specials\nStand-up comedy concert films\n2005 in Oregon", "Garfield Gets a Life is a 1991 animated television special based on the Garfield comic strip written by Jim Davis. It features Lorenzo Music as the voice of Garfield. The special was first broadcast May 8, 1991 on CBS. It was nominated for Outstanding Animated Program at the 43rd Primetime Emmy Awards. It was the final in the series of twelve Garfield television specials, in spite of the success of Garfield and Friends as CBS cancelled new animated specials in 1990. It is the only CBS Garfield special directed by John Sparey instead of Phil Roman, although the latter served as producer.\n\nUnlike the other Garfield specials, despite the title, Garfield Gets a Life focuses mainly on Jon rather than the titular fat cat. Odie only appears twice in this special. It has been released on both VHS and DVD home video.\n\nThe songs \"Monday Morning Blues (Blues for Mr. G)\" (performed by B.B. King) and \"Shake Your Paw\" (performed by The Temptations) were released on the 1991 album Am I Cool or What?. An instrumental version of the opening theme, under the title \"Spare Time\" (performed by David Benoit), was also released on the album.\n\nPlot \nOn a dull Monday morning, Jon realizes how uneventful his life is and sets out to change it. He goes out to various locales to meet girls, but is turned down by every one. At home, Jon sees an advertisement on TV for the Lorenzo School for the Personality Impaired and chooses to attend. There, he meets a girl named Mona, and the two like each other and go to Jon's house. There, Garfield is worried about Jon being in a relationship and goes to tell him. Mona begins sneezing and Jon learns that she is allergic to cats. Jon chooses to stay with Garfield, but he agrees to stay friends with Mona, and the two go out to dinner as Garfield follows them.\n\nCast \n Lorenzo Music - Garfield\n Thom Huge - Jon Arbuckle\n Gregg Berger - Odie / Stinky / Announcer\n Julie Payne - Library Girl / Receptionist\n Frank Welker - Lorenzo / Gunner\n June Foray - Mona / Librarian\n Kim Campbell - Woman at Laundromat\n Kevin Campbell - Man #1\n\nUncredited \n Gregg Berger - Man #2\n Thom Huge - Ranger\n Frank Welker - Station Announcer\n\nReferences\n\nExternal links \n \n \n\nGarfield television specials\n1990s American television specials\n1990s animated television specials\n1990s American animated films\n1991 television specials\n1991 in American television\nFilm Roman television specials\nAmerican animated short films\nAmerican films\n1990s animated short films\n1991 animated films\n1991 films\nTelevision shows written by Jim Davis (cartoonist)" ]

[ "Criss Angel", "Television specials and promotional appearances (2002-2005)", "what was the first television special Angel was part of?", "Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern", "Was the show a success?", "I don't know.", "what other television specials was he on?", "SciFi Channel aired the one-hour special Supernatural starring Angel." ]

[ "The fifth season of Supernatural, an American dark fantasy television series created by Eric Kripke, premiered September 10, 2009, and concluded on May 13, 2010, on The CW. Season five regular cast members include Jared Padalecki, Jensen Ackles and Misha Collins, who was promoted to series regular this season. After the conclusion of this season, series creator Eric Kripke stepped down as showrunner. The fifth season was released on DVD and Blu-ray in region 1 on September 7, 2010. The season follows Sam and Dean as they set out to take down Lucifer, whom Sam had inadvertently released from Hell at the end of the previous season.\n\nMark Pellegrino plays the role of Lucifer. Paris Hilton guest stars in the episode \"Fallen Idols\", in which she plays Leshi, a god that takes the form of various well-known faces including herself. The season also features the return of Jo and her mother Ellen Harvelle, as well as hunter Rufus Turner, the Trickster and the prophet Chuck Shurley.\n\nCast\n\nStarring\n Jared Padalecki as Sam Winchester / Lucifer\n Jensen Ackles as Dean Winchester\n Misha Collins as Castiel\n\nSpecial guest star\n Paris Hilton as Herself / Leshi\n\nGuest stars\n\nEpisodes\n\nIn this table, the number in the first column refers to the episode's number within the entire series, whereas the number in the second column indicates the episode's number within that particular season. \"U.S. viewers in millions\" refers to how many Americans who watched the episode live or on the day of broadcast.\n\nReception\nThe fifth season received critical acclaim, and is widely regarded as one of the show's best seasons. The review aggregator website Rotten Tomatoes reported a 90% approval rating for Supernatural'''s fifth season, with an average rating of 7.83/10 based on 10 reviews. The critics consensus reads, \"Supernatural'' continues to benefit from its charismatic leads and a solid script, creating a story that is almost supernaturally addictive.\"\n\nControversy\nThe episode \"Hammer of the Gods\" was controversial among Indian and Hindu audiences, as it depicted Kali and Ganesh in a negative light.\n\nNotes\n\nReferences\n\nExternal links \n\n \n \n \n\nSupernatural 05\n2009 American television seasons\n2010 American television seasons\nHinduism in pop culture-related controversies", "The ninth season of Supernatural, an American dark fantasy television series created by Eric Kripke, premiered on October 8, 2013, concluded on May 20, 2014, and contained 23 episodes. This is the second season with Jeremy Carver as showrunner. The season was released on DVD and Blu-ray in region 1 on September 9, 2014, in region 2 on June 8, 2015, and in region 4 on October 8, 2014. The ninth season had an average viewership of 2.19 million U.S. viewers.\n\nCast\n\nStarring\n Jared Padalecki as Sam Winchester / Gadreel\n Jensen Ackles as Dean Winchester\n Misha Collins as Castiel\n\nSpecial guest stars\n DJ Qualls as Garth Fitzgerald IV\n Jim Beaver as Bobby Singer\n Leslie Jordan as the voice of Yorkie\n Nicole \"Snooki\" Polizzi as Herself / Crossroads Demon\n\nGuest stars\n\nEpisodes\n\nProduction\nOn February 11, 2013, CW president Mark Pedowitz confirmed an early renewal of Supernatural for its ninth season, with the season premiere debuting on Tuesday, October 8, 2013. It was later confirmed, on February 25, 2013, that Misha Collins would return as a regular cast member, after being a special guest member for the previous two seasons. It was also announced that he would direct an episode in season 9.\n\nA new character named Ennis was introduced in episode twenty of this season, which would serve as a backdoor pilot for Supernatural: Bloodlines. On May 8, 2014 it was announced that the spin-off had not been picked up by the CW Network.\n\nReception\nThe review aggregator website Rotten Tomatoes gives the 9th season a 100% approval rating based on 12 reviews, with an average score of 8.3/10. The critics consensus reads, \"Even in its ninth season, Supernatural continues to thrill and fright as it moves the Winchester brothers in surprising new directions.\"\n\nNotes\n\nReferences\n\nExternal links\n\nSupernatural 09\n2013 American television seasons\n2014 American television seasons" ]

[ "Criss Angel", "Television specials and promotional appearances (2002-2005)", "what was the first television special Angel was part of?", "Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern", "Was the show a success?", "I don't know.", "what other television specials was he on?", "SciFi Channel aired the one-hour special Supernatural starring Angel.", "How many seasons was supernatural?", "I don't know." ]

[ "The discography of Unkle, a British electronic group, consists of five studio albums, two compilation albums, two live albums, two remix albums, five mix albums, two mixtapes, eight extended plays (EPs), sixteen singles, twelve promotional singles and fifteen music videos.\n\nAlbums\n\nStudio albums\n\n I Where Did the Night Fall was re-issued in 2011 under the title Where Did the Night Fall: Another Night Out. The re-issue peaked at number 141 on the UK Albums Chart.\n\nCompilation albums\n\nRemix albums\n\nMix albums\n\n II For the releases of Do Androids Dream of Essential Beats? and Where the Wild Things Are, Unkle were credited as \"UNKLE Soundsystem\".\n\nMixtapes\n\nExtended plays\n\nSingles\n\nPromotional singles\n\nOther album appearances\n\nGuest appearances\n\nRemixes for other artists\n\nMusic videos\n\nReferences\n\nExternal links\n Official website\n \n \n \n\nDiscographies of British artists\nElectronic music discographies", "The Jamaican-American music project Major Lazer has released four studio albums, one compilation album, four remix albums, six extended plays, five mixtapes, forty-two singles and six promotional singles.\n\nAlbums\n\nStudio albums\n\nCompilation albums\n\nRemix albums\n\nMixtapes\n2009: Major Lazer Essential Mix \n2010: Lazerproof \n2010: Major Lazer Summer Mix \n2013: Major Lazer Workout Mix\n2014: Major Lazer's Walshy Fire Presents: Jesse Royal – Royally Speaking\n\nExtended plays\n\nSingles\n\nAs lead artist\n\nNotes\n A \"Jah No Partial\" did not chart on the Ultratop chart, but peaked at number 59 on the Flemish Ultratip chart.\n B \"Scare Me\" did not chart on the Ultratop chart, but peaked at number 37 on the Wallonia Ultratip chart.\n C \"Keep Cool (Life Is What)\" did not chart on the Ultratop chart, but peaked at number 38 on the Flemish Ultratip chart.\n D \"Aerosol Can\" did not chart on the Ultratop chart, but peaked at number 32 on the Flemish Ultratip chart.\n E \"Miss You\" did not chart on the Ultratop chart, but peaked at number 15 on the Flemish Ultratip chart.\n F \"Que Calor\" did not enter the Billboard Hot 100, but peaked at number 23 on the Bubbling Under Hot 100 chart.\n G \"Que Calor\" did not chart on the Ultratop chart, but peaked at number 11 on the Flemish Ultratip chart.\n\nAs featured artist\n\nPromotional singles\n\nOther charted songs\n\nGuest appearances\n\nRemixes\n\nNotes\n\nReferences\n\nDiscography\nDiplo\nElectronic music discographies\nDiscographies of American artists\nDiscographies of Jamaican artists" ]

[ "Criss Angel", "Television specials and promotional appearances (2002-2005)", "what was the first television special Angel was part of?", "Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern", "Was the show a success?", "I don't know.", "what other television specials was he on?", "SciFi Channel aired the one-hour special Supernatural starring Angel.", "How many seasons was supernatural?", "I don't know.", "what promotional appearances did he make?", "Angel performed at the release of the new branding for Miller Lite beer" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Interesting Times: The Secret of My Success is a 2002 Chinese documentary film by director Duan Jinchuan about China's contemporary politics of democracy and the realities of the one child policy. The director shows how this policy is being implemented in Fanshen, a rural village in Northeast China.\n\nThis film is part of the 2002 series 'Interesting Times' showing different aspects of modern life in China:\nThe secret of my success - shows how Chinese politics are implemented in the countryside.\nThe war of love Directors: Duan Jinchuan & Jiang Yue - is a portrait of a marriage broker.\nXiao’s long march Director: Wu Gong - about the People's Liberation Army.\nThis happy life Director: Jiang Yue - aims to define the concept of political education in China.\n\nAwards\nIDFA Award for best Mid-Length Documentary (2002)\n\nReferences\n\nExternal links\n \n Interesting times: the secrets of my success documentary online\n\nChinese documentary films\n2002 films\n2002 documentary films\nChinese films\nOne-child policy" ]

[ "Criss Angel", "Television specials and promotional appearances (2002-2005)", "what was the first television special Angel was part of?", "Angel performed in the ABC Family television special named Criss Angel Mindfreak: Postmodern", "Was the show a success?", "I don't know.", "what other television specials was he on?", "SciFi Channel aired the one-hour special Supernatural starring Angel.", "How many seasons was supernatural?", "I don't know.", "what promotional appearances did he make?", "Angel performed at the release of the new branding for Miller Lite beer", "Is there any other interesting aspects about this article?", "During this period Angel also earned money selling signed merchandise, making up to $50,000 a day." ]

[ "Le Cousin is a 1997 French film directed by Alain Corneau.\n\nPlot \nThe film deals with the relationship of the police and an informant in the drug scene.\n\nAwards and nominations\nLe Cousin was nominated for 5 César Awards but did not win in any category.\n\nReferences\n\nExternal links\n\n1997 films\n1997 crime films\nFilms about drugs\nFilms directed by Alain Corneau\nFrench crime films\nFrench films\nFrench-language films", "The 23rd Fangoria Chainsaw Awards is an award ceremony presented for horror films that were released in 2020. The nominees were announced on January 20, 2021. The film The Invisible Man won five of its five nominations, including Best Wide Release, as well as the write-in poll of Best Kill. Color Out Of Space and Possessor each took two awards. His House did not win any of its seven nominations. The ceremony was exclusively livestreamed for the first time on the SHUDDER horror streaming service.\n\nWinners and nominees\n\nReferences\n\nFangoria Chainsaw Awards" ]

[ "Joe Nieuwendyk", "Dallas Stars" ]

[ "The 2001–02 Dallas Stars season was the Stars' ninth season in Dallas, 35th overall of the franchise. The Stars did not follow up their success from the previous year, only picking up 90 points for 36 wins against 28 losses for 4th place in the division and 10th in the Conference.\n\nOffseason\n\nRegular season\nDecember 26, 2001: In a 2-0 shutout over the Dallas Stars, Patrick Roy became the first goalie to win 500 games in a career.\n\nFinal standings\n\nSchedule and results\n\nPlayoffs\nDespite having 90 points, the Stars failed to make the playoffs.\n\nPlayer statistics\n\nRegular season\nScoring\n\nGoaltending\n\nPlayoffs\nScoring\n\nGoaltending\n\nAwards and records\n\nTransactions\n\nDraft picks\nDallas's draft picks at the 2001 NHL Entry Draft held at the National Car Rental Center in Sunrise, Florida.\n\nFarm teams\n\nSee also\n2001–02 NHL season\n\nReferences\n\nExternal links\n\nDall\nDall\nDallas Stars seasons", "Ivan Sergeevich Vishnevskiy (born February 18, 1988) is a Russian professional ice hockey defenceman. He is currently a free agent having last played for HK Poprad in the Slovak Extraliga.\n\nHe most recently played with Spartak Moscow of the Kontinental Hockey League (KHL). Vishnevskiy previously played in the National Hockey League (NHL) with the Dallas Stars, the organization that drafted him in the first round, 27th overall, in the 2006 NHL Entry Draft. He has also been a member of both the Atlanta Thrashers and Chicago Blackhawks organizations, though he failed to make an NHL-level appearance with either.\n\nPlaying career\n\nAmateur\nVishnevskiy was selected 27th overall in the first round of the 2006 NHL Entry Draft by the Dallas Stars, selected out of the Quebec Major Junior Hockey League (QMJHL)'s Rouyn-Noranda Huskies. He was originally the Huskies' second pick in the 2005 CHL Import Draft, later being selected for the 2006 Top Prospects game. On July 18, 2007, Vishnevskiy was signed by the Dallas Stars to a three-year, entry level contract.\n\nProfessional\nAfter playing an additional season of major junior with the Huskies, Vishnevskiy made his professional debut in the 2008–09 season with the Peoria Rivermen of the American Hockey League (AHL). With the Stars already mathematically eliminated from qualification to the 2009 Stanley Cup playoffs, Vishnevskiy was recalled from loan with the Rivermen and made his NHL debut with the Stars against the Minnesota Wild on April 7, 2009. Two days later, he posted his first career NHL point, an assist, in a victory against the Colorado Avalanche. He played in three games with the Stars before he was reassigned to join the Rivermen for the team's run in the 2009 Calder Cup playoffs.\n\nVishnevskiy was assigned to the Stars' new AHL affiliate, the Texas Stars, to begin the 2009–10 season. He appeared in two games with Dallas, later gaining infamous League-wide attention when he mistakingly lost control of the puck to score into his own net with the goaltender pulled against the San Jose Sharks on December 21, 2009. After being reassigned to the AHL, he was leading all Texas defencemen with eight goals when on February 9, 2010, he was traded to the Atlanta Thrashers, along with a fourth-round draft pick (Ivan Telegin) in 2010, in exchange for goaltender Kari Lehtonen. Vishnevskiy was then subsequently assigned to the Thrashers' AHL affiliate, the Chicago Wolves, for the remainder of the season.\n\nIn the 2010–11 off-season, Vishnevskiy's tenure with Atlanta was short-lived when he was traded, along with a second-round draft pick in 2011, to the newly crowned Stanley Cup champions, the Chicago Blackhawks, in exchange for Andrew Ladd on July 1, 2010.\n\nAssigned to the Blackhawks' AHL affiliate, the Rockford IceHogs, for the entirety of the 2010–11 season, Vishnevskiy then signed a one-year contract with Atlant Mytishchi of the KHL on May 17, 2011.\n\nCareer statistics\n\nRegular season and playoffs\n\nReferences\n\nExternal links\n\nIvan Vishnevskiy's profile at Russian Prospects.com\n\n1988 births\nAtlant Moscow Oblast players\nAvtomobilist Yekaterinburg players\nChicago Wolves players\nDallas Stars draft picks\nDallas Stars players\nLiving people\nNational Hockey League first round draft picks\nSportspeople from Barnaul\nPeoria Rivermen (AHL) players\nRockford IceHogs (AHL) players\nRouyn-Noranda Huskies players\nRussian ice hockey defencemen\nSalavat Yulaev Ufa players\nHC Spartak Moscow players\nTexas Stars players\nTorpedo Nizhny Novgorod players\nTraktor Chelyabinsk players\nHK Poprad players" ]

[ "Joe Nieuwendyk", "Dallas Stars", "when did he join the dallas stars", "1995-96 season." ]

[ "Ugo Tosetto (born August 1, 1953 in Cittadella) is a retired Italian professional football player.\n\nCareer\nTosetto began playing football with lower-level sides SPAL, Solbiatese and Monza. He scored 27 goals for Monza in the two seasons he played for them, first leading them to promotion to Serie B and then narrowly missing out on promotion to Serie A. He was bought by Milan after that season, where he would make his Serie A debut against Fiorentina on 11 September 1977. He did not score any league goals in the season he played for the club, his only Milan goal was the one he scored in the 1977–78 European Cup Winners' Cup game against Real Betis. In total, Tosetto played 2 seasons (42 games, no goals) in the Serie A for A.C. Milan and Avellino.\n\nReferences\n\n1953 births\nLiving people\nItalian footballers\nSerie A players\nS.P.A.L. players\nA.C. Monza players\nA.C. Milan players\nU.S. Avellino 1912 players\nL.R. Vicenza players\nModena F.C. players\nBenevento Calcio players\nRimini F.C. 1912 players\nA.S.D. SolbiaSommese Calcio players\n\nAssociation football midfielders", "Juan Kely Guerrón Vasquez (born 21 October 1983) is an Ecuadorian footballer currently playing for Deportivo Quito in the Ecuadorian Segunda Categoría.\n\nClub career\nGuerrón started playing football professionally with ESPOLI in 2002. He played 33 games for them but did not score any goals. In 2004, he was signed by El Nacional, where he did not play many games. He managed to play 9 games in total for Nacional.\n\nAfter an unsuccessful season with the military club, he signed for nearby city rivals, LDU Quito. Guerrón played more games for Liga than he did for Nacional but he still was limited for the bench. After Liga, he played for Macará, Olmedo, and Deportivo Cuenca. In Cuenca, he scored his first goal in a 3-4 win against El Nacional.\n\nPersonal life\nGuerron is the half-brother of Raúl Guerrón and Copa Libertadores 2008 best player and champion Joffre Guerrón, who has represented Ecuador national football team.\n\nReferences\n\nFEF Player Card\n\n1983 births\nLiving people\nAssociation football fullbacks\nEcuadorian footballers\nC.D. ESPOLI footballers\nC.D. El Nacional footballers\nL.D.U. Quito footballers\nC.S.D. Macará footballers\nC.D. Olmedo footballers\nC.D. Cuenca footballers\nL.D.U. Loja footballers\nImbabura S.C. footballers\nS.D. Quito footballers" ]

[ "Joe Nieuwendyk", "Dallas Stars", "when did he join the dallas stars", "1995-96 season.", "How many goals did he score for them", "Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars" ]

[ "Christopher Carrick (8 October 1882 – June 1927) was an English footballer who played for Middlesbrough, West Ham United, Tottenham Hotspur, Reading, Bradford Park Avenue and Glentoran as an outside-left. He was described as \"a sturdy little winger, quick off the mark with the rare gift of taking chances\".\n\nBorn in Stockton, Carrick played for Middlesbrough, scoring six goals in 26 Football League matches over three seasons. He was signed by West Ham United manager Syd King for the 1904–05 season, part of an influx of new players that also included Boro teammate Frank Piercy. He made his debut on 8 October 1904 in a 2–0 home win against Swindon Town. On 28 January 1905 he scored his first goals for West Ham with a hat-trick in a 6–2 home win against Luton Town. He played only 18 games, scoring six goals, before he came to the attention of Tottenham Hotspur, moving to them in the summer of 1905. Signed to replace John Kirwan who had moved to Chelsea, Carrick did not play regularly for Tottenham until the middle of the 1905–06 season. In March 1906 Tottenham travelled to play away games at Bristol Rovers and at Plymouth Argyle. On returning to London Carrick and a teammate were suspended by Tottenham for \"ignoring training rules\". He did not play for them again and was transferred to Reading before moving to Bradford Park Avenue for the 1907–08 season. In 1908 he moved to Ireland to play for Glentoran. \nHe died in Middlesbrough in June 1927, aged 44, following a long illness.\n\nReferences\n\n1882 births\n1927 deaths\nDate of death missing\nSportspeople from Stockton-on-Tees\nFootballers from County Durham\nEnglish footballers\nAssociation football outside forwards\nMiddlesbrough F.C. players\nWest Ham United F.C. players\nTottenham Hotspur F.C. players\nReading F.C. players\nBradford (Park Avenue) A.F.C. players\nGlentoran F.C. players\nEnglish Football League players\nSouthern Football League players\nLeague of Ireland players", "Tom Amberry (November 13, 1922 – March 18, 2017) was an American podiatrist who is best known for holding the Guinness world record for most consecutive free throws made, having made 2,750 of them in a row in a span of 12 hours over the course of November 15, 1993 at the age of 71. Amberry held the record for two and a half years before it was surpassed in April 1996 by Ted St. Martin. After setting his record, he worked with several teams, including the Chicago Bulls to help the players with their free throw shooting.\n\nAfter graduating college he decided to forgo a two-year contract to play with the then-Minneapolis Lakers, choosing to attend podiatry school instead. His medical office was located on Atlantic Avenue in Long Beach, California.\n\nReferences\n\nExternal links\nArticle about Amberry\nAmberry's page at basketball's best\nAmberry's official website\nFeldman, Jay (1994). Routine Perfection: How did Tom Amberry set the world free throw record? Focus, focus, focus Sports Illustrated. Retrieved 22 April 2013\n\n1922 births\n2017 deaths\nChicago Bulls coaches\nPeople from Grand Forks, North Dakota\nAmerican podiatrists" ]

[ "Joe Nieuwendyk", "Dallas Stars", "when did he join the dallas stars", "1995-96 season.", "How many goals did he score for them", "Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars", "How long did he play for them", "on March 19, 2002, he was traded to the Devils," ]

[ "William Stanley Beveridge (July 1, 1909 - February 13, 1995) was a Canadian ice hockey goaltender who played nine seasons in the National Hockey League for the Detroit Cougars, Ottawa Senators, St. Louis Eagles, Montreal Maroons and New York Rangers.\n\nPlaying career\nThe Ottawa Senators first signed Beveridge, but he broke in as an NHL rookie on loan to the Detroit Cougars in 1929–1930. His season with Detroit was not successful and he was returned to the Senators after the season.\n\nHe first received playing time for the Senators during the 1930–31 season, playing 8 games. The Senators were not a good team that year and his goals against average (GAA) was 3.69.\n\nWhen Ottawa suspended operations for the 1931–32 season, Beveridge found himself in the minors with Providence. He led the Canadian-American league in wins that year.\n\nOttawa resumed play in the NHL for 1932–33 and Beveridge was back with the Senators as a backup to Alex Connell. After Alex Connell injured his knee in a December game against Chicago, Beveridge had a chance to play regularly. He got three shutouts in his first eight games but did not keep the job when Connell returned. When Connell struggled, Beveridge was able to play more.\n\nHe played one more year for the Senators and went with the rest of the players to play in St. Louis for the Eagles. When the Eagles folded, the players were dispersed in a draft where he was picked up by the Montreal Canadiens. However, he never played for the Canadiens, being sold to the Maroons, again to substitute for Alex Connell when he retired.\n\nIn 1935–36, the Maroons obtained Lorne Chabot from Chicago. Beveridge couldn't get back in the line-up after Chabot took over goaltending duties. However, Chabot (who was 35) retired after the season seemingly giving Beveridge another chance.\n\nIn 1936–37, Alex Connell returned to the Maroons, and Beveridge was his back-up yet again. Connell struggled and then Beveridge replaced Connell for a third-time. This time Beveridge played well and the Maroons finished third in the Canadian Division, making the playoffs. They would go on to defeat the Boston Bruins in the playoffs. In the next series though the Rangers were led by former Maroon goalie Dave Kerr who shut them out twice. That would be the Maroons' final playoffs and Beveridge's only NHL playoff experience.\n\nHe played for minor league teams until the 1942–43 season when he received a call-up to the New York Rangers for a last hurrah. He played in 17 games and recorded a shutout. After the season, he joined the Canadian Army.\n\nAfter his service, he finished his playing days playing senior league hockey for the Ottawa Commandos (as the amateur Ottawa Senators were named during World War II) of the Quebec Senior Hockey League (QSHL).\n\nAfter hockey\nAfter retiring from hockey for good in 1945, Beveridge became a coach at Carleton University. He also became a city councillor.\n\nAs one of the last surviving Ottawa Senators, he was present at the opening game in 1992 for the new Senators. He lived to see Don Beaupre get the first shutout for a Senators goalie in 50 years during the 1994–95 season, before he died on February 13, 1995. He is interred in Beechwood Cemetery in Ottawa.\n\nCareer statistics\n\nRegular season and playoffs\n\nReferences\n\nExternal links\n \n\n1909 births\n1995 deaths\nBuffalo Bisons (AHL) players\nCanadian ice hockey goaltenders\nCleveland Barons (1937–1973) players\nDetroit Cougars players\nIce hockey people from Ontario\nMontreal Maroons players\nNew Haven Eagles players\nNew York Rangers players\nOttawa Senators (1917) players\nOttawa Senators (original) players\nProvidence Reds players\nSt. Louis Eagles players\nSportspeople from Ottawa\nSyracuse Stars (AHL) players\nCanadian expatriate ice hockey players in the United States", "Gene Eniar Englund (October 21, 1917 – November 5, 1995) was an American professional basketball player. He played in the National Basketball Association (NBA) for one season, , and split the season playing for the Boston Celtics and Tri-Cities Blackhawks. Although he played professionally, Englund is best remembered for being a star college basketball player for Wisconsin, where as a senior in 1940–41 he led the Badgers to win the NCAA national championship.\n\nEarly life\nEnglund was born in Kenosha, Wisconsin. He attended Kenosha High School in Kenosha where he graduated in 1936. When deciding where to play college basketball, he decided to stick close to home and enrolled at the University of Wisconsin (now University of Wisconsin–Madison).\n\nCollege\nAs a , 205-lb (93 kg) forward and center, Englund was a large player for the late 1930s and early 1940s. He broke out during his senior season in 1940–41 when he was team captain. He scored 162 points in Big Ten Conference games, which set a new conference scoring record at the time, and was also named the Big Ten MVP. Additionally, he (alongside star teammate John Kotz) led Wisconsin to the school's first and only men's basketball national championship when they defeated Washington State, 39–34. At the end of the season Englund was named a consensus Second Team All-American.\n\nProfessional career\nWhen Englund graduated from college in the spring of 1941, the major professional basketball league was the National Basketball League (NBL). From the 1941–42 season through the 1943–44 one, and again from 1946 to 1949, he played for the NBL's Oshkosh All-Stars (in 1943–44 he also played for the American Basketball League's Brooklyn Indians). Englund won the NBL Championship as a rookie in 1941–42, leading his team in scoring while making seven field goals and three free throws en route to 17 points. The All-Stars also lost the NBL championships in 1942–43 and 1945–46 while Englund played for them. Although he was never a superstar in the league, he did manage to finish third all-time in NBL points scored when the league merged with the Basketball Association of America (BAA) in 1949, resulting in the formation of the present-day NBA. Most of the way into the 1948–49 season with Oshkosh, then-coach Lon Darling resigned and Englund took over as a player-coach for the remainder of the year. He compiled a 3–1 regular season record and a 3–4 playoffs record as coach.\n\nAt age 32 in 1949–50, Englund was well past his basketball playing prime. He lasted only one season in the NBA, splitting the year with first the Boston Celtics and then the Tri-Cities Blackhawks. After playing in 24 games for the Celtics while averaging 8.2 points per game, he was traded on January 29, 1950 for John Mahnken. Englund finished the year out by appearing in 22 games for Tri-Cities and averaged 7.5 points per game.\n\nLater life\nAfter his playing career was over, Englund became an official for the Big Ten and NBA. He died on November 5, 1995 in Winnebago, Wisconsin.\n\nNBA career statistics\n\nRegular season\n\nPlayoffs\n\nReferences\n\nExternal links\n\nNBL stats\n\n1917 births\n1995 deaths\nAll-American college men's basketball players\nAmerican Basketball League (1925–1955) players\nAmerican men's basketball players\nBasketball coaches from Wisconsin\nBasketball players at the 1941 NCAA Final Four\nBasketball players from Wisconsin\nBoston Celtics players\nCenters (basketball)\nForwards (basketball)\nNational Basketball Association referees\nOshkosh All-Stars coaches\nOshkosh All-Stars players\nPlayer-coaches\nSportspeople from Kenosha, Wisconsin\nSportspeople from Oshkosh, Wisconsin\nTri-Cities Blackhawks players\nUndrafted National Basketball Association players\nWisconsin Badgers men's basketball players\nMary D. Bradford High School alumni" ]

[ "Joe Nieuwendyk", "Dallas Stars", "when did he join the dallas stars", "1995-96 season.", "How many goals did he score for them", "Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars", "How long did he play for them", "on March 19, 2002, he was traded to the Devils,", "did the stars go to the playoffs when he was playing for them", "Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however." ]

[ "Arthur Gordon Bruce (May 9, 1919 – July 15, 1997) was a Canadian professional ice hockey forward who played 28 games in the National Hockey League for the Boston Bruins. He was born in Ottawa, Ontario.\n\nDuring the 1940-41 season Boston Bruce was called up from the minors to play 7 regular season games. He was with the team during the playoffs, but did not play, so the Boston Bruins did not include his name on the Stanley Cup.\n\nAs a member of the Sudbury Wolves he helped Canada win the 1938 World Championships in Prague, Czechoslovakia by scoring 3 goals and 2 assist in 7 games.\n\nCareer statistics\n\nRegular season and playoffs\n\nInternational\n\nExternal links\n \nObituary at LostHockey.com\n\n1919 births\n1997 deaths\nBoston Bruins players\nCanadian ice hockey forwards\nHershey Bears players\nIce hockey people from Ontario\nSportspeople from Ottawa\nStanley Cup champions\nCanadian expatriates in the United States", "\n\nTelevision\n\n2020s\n\n2010s\n\n2000s\n\n1990s\n\n1980s\n\nNote \nKeith Magnuson only did color commentary during the 1982 playoffs.\n\n1970s\n\nNote \nAs mentioned to up above, Brad Palmer served as the intermission host, while working for WFLD-TV 32 in 1975-76. When the NHL '76 TV series did playoff games, Marv Albert split play-by-play duties with an announcer from one of the participating teams. For instance, on April 18, 1976 (Montreal at Chicago), it was Palmer who split the play-by-play duties with Albert. Albert did play-by-play for the first and third periods while did Palmer the second. Lloyd Pettit of course, was unavailable as he was doing radio (as it turned out for the last time) on WMAQ.\n\nDan Kelly provided play-by-play for the Black Hawks during the 1978 playoffs. Kelly had become available because St. Louis missed the playoffs. Chicago Tribune beat writer Bob Verdi was the analyst.\n\n1960s\n\n1950s\n\n1940s\n\nNote \nFrom 1946–49, Joe Wilson called a limited schedule of Sunday home games.\n\nRadio\n\n2020s\n\n2010s\n\n2000s\n\n1990s\n\n1980s\n\n1970s\n\n1960s\n\n1950s\n\n1940s\n\n1930s\n\nNotes \nBud Kelly frequently filled in for Andy MacWilliams due to MacWilliams suffering from a throat condition.\nKeith Magnuson joined the broadcast team after he resigned as head coach. \nLou Angotti was fired prior to the 1978–79 season, however he was brought back in December 1978.\nAlthough the Blackhawks didn't have a permanent television color commentator from 1967 to 1975, Pettit and West were occasionally joined by WGN personalities including Arne Harris and Lou Boudreau.\nON TV some times showed sports vision games on the ON TV channel and in 1984 sports vision was on TV before the cable and satellite channel started.\nPrior to the 2006–07 season, if the game was shown on television, it was simulcast on radio, with the same announcers doing both broadcasts.\nIn the spring of 1982, Gene Hart announced a Blackhawks/ Vancouver Canucks playoff game on WBBS-TV Chicago alongside Keith Magnuson. WBBS carried the game as Hart announced that the channel would become SportsVision on May 13 that year during a station ID\n\nReferences\n\nChicago Blackhawks\n \nbroadcasters\nSportsChannel\nFox Sports Networks\nNBC Sports Regional Networks" ]

[ "Joe Nieuwendyk", "Dallas Stars", "when did he join the dallas stars", "1995-96 season.", "How many goals did he score for them", "Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars", "How long did he play for them", "on March 19, 2002, he was traded to the Devils,", "did the stars go to the playoffs when he was playing for them", "Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however.", "how did he play during the playoffs?", "I don't know." ]

[ "John Nyamekye (born 7 July 1994) is a Ghanaian professional footballer who plays as a midfielder for Ghanaian Premier League side Elmina Sharks. He previously playing for Dormaa-based team Aduana Stars and Bechem United.\n\nCareer\n\nBechem United \nNyamekye started his career with Bechem United in 2015. He played there till 2019, when he secured a move to Aduana Stars.\n\nAduana Stars \nNyamekye joined Aduana Stars in January 2020 during the 2019–20 Ghana Premier League season. He made his debut on 19 February 2020, playing the full 90 minutes in goalless draw against Ashanti Gold. He did not make any extra appearance after that as the league was cancelled as a result of the COVID-19 pandemic in June 2020. In November 2020, he was named in the club's squad list for the 2020–21 season as the league was set to restart in November 2020, However, in March 2021 after featuring in 2 league matches he left the club during the second transfer period to join Elmina Sharks.\n\nElmina Sharks \nIn March 2021, Nyamekye joined Elmina Sharks during the second round of the transfer period after starting the season with Aduana Stars. He made his debut on 4 April 2021, coming on in the 62nd minute for Augustine Owusu in a 1–0 victory over rivals Cape Coast Ebusua Dwarfs.\n\nReferences\n\nExternal links \n \n\n1994 births\nLiving people\nPlace of birth missing (living people)\nGhanaian footballers\nAssociation football midfielders\nBechem United F.C. players\nAduana Stars F.C. players\nElmina Sharks F.C. players\nGhana Premier League players", "\"Sweet Memory\" is a 1983 song by English pop/new wave band The Belle Stars, released as their eighth single overall. Unlike its predecessor, Sign of the Times, it did not make it into the top 10. However, it did manage to get into the top 30, peaking at #22.\n\nBackground\nSweet Memory is a song that conveys how much hatred the singer and the lover used to show each other, and how the lover should stop wasting his love by cheating on other people. The singer explains how she brings back terrible memories when thinking about how much hatred her and her lover portrayed.\n\nBridge\nThe bridge of the song features many different vocal styles sung by Jennie Matthias. First, she sings vocal hiccups, then does grunting, and, towards the end of the bridge, does a scream.\n\nMusic video\nThe music video for the song features the band performing live. It was produced by Pete Collins.\n\nTrack listings\nGermany Vinyl 7\" Single (6 13880)\n \"Sweet Memory\"\n \"Sign of the Times\"\n\nUK Vinyl 7\" Single (BUY 174)\n \"Sweet Memory\"\n \"April Fool\"\n\nSpain Vinyl 12\" Maxi-Single (VIC-97)\n \"Sweet Memory\" (Extended Remix)\n \"April Fool\"\n \"The Entertainer\" (Extended Version)\n \"Indian Summer\" (Extended Remix)\n\nUK Vinyl 12\" Single (BUY-IT 174)\n \"Sweet Memory\" (Extended Remix)\n \"April Fool\"\n\nReferences\n\n1983 singles\nThe Belle Stars songs\n1983 songs\nStiff Records singles" ]

[ "Joe Nieuwendyk", "Dallas Stars", "when did he join the dallas stars", "1995-96 season.", "How many goals did he score for them", "Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars", "How long did he play for them", "on March 19, 2002, he was traded to the Devils,", "did the stars go to the playoffs when he was playing for them", "Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however.", "how did he play during the playoffs?", "I don't know.", "How much did he make playing for the stars", "11.3 million over five years." ]

[ "Tony Munyonga (born 31 January 1999) is a Zimbabwean cricketer. He made his first-class debut for Rising Stars in the 2017–18 Logan Cup on 12 November 2017.\n\nHe made his List A debut for Rising Stars in the 2017–18 Pro50 Championship on 17 April 2018. The Rising Stars won the tournament, and Munyonga was named the player of the series. He made his Twenty20 debut for Mashonaland Eagles in the 2018–19 Stanbic Bank 20 Series on 17 March 2019.\n\nIn April 2019, he was named in Zimbabwe's One Day International (ODI) squad for their series against the United Arab Emirates, but he did not play. In September 2019, he was named in Zimbabwe's Twenty20 International (T20I) squad for the 2019–20 Bangladesh Tri-Nation Series. He made his T20I debut for Zimbabwe, against Bangladesh, on 13 September 2019.\n\nIn December 2020, he was selected to play for the Mountaineers in the 2020–21 Logan Cup.\n\nReferences\n\nExternal links\n \n\n1999 births\nLiving people\nZimbabwean cricketers\nZimbabwe Twenty20 International cricketers\nMashonaland Eagles cricketers\nRising Stars cricketers\nPlace of birth missing (living people)", "Bob Kurtz is an American sportscaster, currently broadcasting games for the Minnesota Wild hockey team. He has previously been a play-by-play announcer for the Boston Red Sox, Minnesota Twins, Minnesota North Stars, Minnesota Golden Gophers, and Michigan State Spartans.\n\nKurtz's broadcasting career began at his alma mater Michigan State University, where he called Spartans hockey, football, baseball and basketball from 1974 to 1979. In 1979 he joined KMSP-TV, where he called Minnesota Twins games from 1979–1986 and Minnesota North Stars games from 1979–1984. He was also the North Stars play by play announcer on KXLI-TV during the 1987–88 NHL season. From 1988–1989, he was the sports director at KSTP radio, where he also called University of Minnesota hockey, football and basketball.\n\nKurtz spent 11 years at the New England Sports Network. He was the network's studio host for Red Sox games from 1989–1992 before becoming the play-by-play announcer replacing the legendary Ned Martin. He also did by play by play for the Paw Sox. He remained with NESN until joining the Minnesota Wild in 2000. While at NESN, he also called Boston Bruins hockey, Boston University Terriers hockey, the Hockey East Game of the Week and the American Hockey League.\n\nKurtz returned to Minnesota in 2000 when he was hired to become the first radio play by play announcer for the Minnesota Wild. He was reunited with Tom Reid, who he previously worked with while calling games for the North Stars as well as University of Minnesota and Michigan State hockey broadcasts.\n\nWhen the Twins' first PA announcer, Bob Casey, died before the start of the 2005, Kurtz was appointed interim PA announcer for the 2005 season. Wild PA announcer Adam Abrams replaced Kurtz as PA announcer for the 2006 season.\n\nKurtz returned to broadcasting for the Twins in 2011 as a part-time radio play-by-play announcer to go along with his work with the Wild.\n\nReferences \n\nLiving people\nBoston Bruins announcers\nBoston Red Sox announcers\nCollege basketball announcers in the United States\nCollege football announcers\nMajor League Baseball broadcasters\nMichigan State University alumni\nMinnesota North Stars announcers\nMinnesota Twins announcers\nMinnesota Wild announcers\nMajor League Baseball public address announcers\nNational Hockey League broadcasters\nAmerican Hockey League broadcasters\nCollege hockey announcers in the United States\nYear of birth missing (living people)\nMajor Indoor Soccer League (1978–1992) commentators" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins" ]

[ "This article lists the CDs and DVDs featuring the Doodlebops, a Canadian television children's television series show for children. \"Rock & Bop with The Doodlebops\", (Disney Records USA), was released in 2006. Other CDs and DVDs were released later.\n\nCDs\n\nGet On The Bus (2007) \n Tick Tock\n I Can Dance\n She's A Superstar\n You're The Best\n Hold Your Horses\n More Fun\n It's Up To You\n Different Things\n Get On Board\n Jump Up\n When You're Good at Something\n You Betcha\n My Hero\n My Ukulele\n Let's Get Loud\n What You've Got\n Your Favorite Color\n You Are My Friend\n Who Can It Be\n Rockin' the World\n Get On The Bus II\n\nRock & Bop with The Doodlebops (2006) \n We're The Doodlebops\n The Pledge\n Wobbly Whoopsy\n Look in a Book\n I Want to Be Bigger\n Get On The Bus\n Hey Moe\n The Bird Song\n Count to Ten\n Queen for a Day\n Getting Along\n Gibble Gobble\n My Friend\n Write A Letter\n Tap Tap Tap\n Faces\n When the Lights Go Out\n Cauliflower\n Keep Trying\n Together Forever\n Thank You\n\nPlayhouse Disney: Imagine & Learn With Music features two Doodlebop songs; \"Wobbly Whoopsy\" & \"Together Forever\".\n\nDVDs\n\nMusic and Fun (Vol. 1) \n Tap Tap Tap\n Queen For a day Deedee\n High and Low\n Bonus features: Musical instruments flash cards, \"We're the Doodlebops\" music video\n Includes a CD with:\n We're the Doodlebops\n The Pledge\n Get on the Bus\n High and Low\n Tap Tap Tap\n Queen For a Deedee\n\nLet's Move! (Vol. 2) \n Wobbly Whoopsy\n The Move Groove\n Jumpin' Judy\n Bonus features: \"Wobbly Whoopsy\" music video, 2 Bus dance scenes\n Includes a CD with:\n We're the Doodlebops\n The Pledge\n Get on the Bus\n Wobbly Whoopsy\n Jumpin' Judy\n On The Move\n\nLet's Have Some Fun! (Vol. 3) \n Gibble Gobble Nabber Gabber\n Cauliflower Power\n Junk Funk\n Roar Like A Dinosaur (Bonus Episode)\n Bonus feature: Knock knock jokes\n\nAbracadeedee It's Magic (Vol. 4) \n Glad Sad Bumpy Grumpy\n Fast And Slow Moe\n Abracadeedee\n What Did You See Today? (Bonus Episode)\n Bonus feature: \"Abracadeedee\" music video\n\nTwist, Turn, Dance and Learn (Vol. 5) \n Look In a Book\n What When Why\n Strudel Doodle\n All Together Now (Bonus Episode)\n Bonus feature: \"All Together Now\" music video\n\nRock And Bop with the Doodlebops (Released: August 1, 2006) \n All Together Now\n High and Low\n What Did You See Today?\n Junk Funk\n Bonus features\n \"We're the Doodlebops\" music video\n \"Wobbly Whoopsy\" music video\n \"Abracadeedee\" music video\n 4 Sing-alongs\n 4 Knock knock jokes\n\nDance & Hop with the Doodlebops (Released: August 1, 2006) \n Tap Tap Tap\n Jumpin' Judy\n The Move Groove\n Wobbly Whoopsy\n Bonus features\n \"We're the Doodlebops\" music video\n \"Wobbly Whoopsy\" music video\n \"Abracadeedee\" music video\n 4 Sing-alongs\n Knock knock jokes\n\nSuperstars (Released: Jan 23, 2007 ) \n Doodlebops Photo Op\n Count On Me\n Cauliflower Power\n What, When, Why?\n\nGet Up & Groove (Releases April 24, 2007) \n Fast And Slow Moe\n Step By Step\n Flat Sitis\n The Bad Day\n\nDiscographies of Canadian artists\nFilm and television discographies\nPop music group discographies", "\"Pray / Get into a Groove\" is a song by the J-pop group Every Little Thing, released as their fourteenth single on January 1, 2000. The single was released with Avex Music Creative, Inc.\n\nTrack listing\n Pray (Words & music - Mitsuru Igarashi) \n Get into a Groove (Words & music - Mitsuru Igarashi) \n Pray (Ramdoubler's remix)\n Get into a Groove (HAL's remix)\n Pray (instrumental)\n Get into a Groove (instrumental)\n\nChart positions\n\nExternal links\n \"Pray / Get into a Groove\" information at Avex Network.\n \"Pray / Get into a Groove\" information at Oricon.\n\n2000 singles\nEvery Little Thing (band) songs\nSongs written by Mitsuru Igarashi\nAvex Trax singles" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums." ]

[ "Patrick Ryan Clark (born August 31, 1977) is an American Christian musician. He released an album, Translation, with Foreverything Records, in 2006. His subsequent release, an extended play, Search and Rescue, was released in 2008, by Foreverything Records. The first studio album, Where Would I Be, was released by Word Records in association with Warner Bros. Records and alongside Curb Records, in 2011. This album saw, two singles released, \"What Was I Fighting For\" and \"Mercy\", chart on various Billboard magazine Christian songs charts. His most recent release, Lifted Up, an extended play, was released in 2013, from Word Records in tandem with Curb Records. The extended play got one single, \"God Is Able\", to chart on two Billboard magazine Christian songs charts.\n\nEarly life\nClark was born as Patrick Ryan Clark, on August 31, 1977, in the city of Norman, Oklahoma. He relocated to Dallas, Texas to start his music career.\n\nMusic career\nHe started his music recording career in 2004, with his first album, Translation, and it was released on September 7, 2006, from Foreverything Records. His second release, an extended play, Search and Rescue, was released from Foreverything Records, in 2008. The first studio album, Where Would I Be, was released on August 23, 2011, just eight days before his 34th birthday, from Word Records in association with Warner Bros. Records and alongside Curb Records. This release had two singles, \"What Was I Fighting For\" and \"Mercy\", chart on the Billboard magazine charts. The song, \"What Was I Fighting For\", reached a peak position of No. 26, on the Christian AC Indicator chart. Its second single, \"Mercy\", charted on the Billboard magazine Christian Songs chart, at No. 50. This song was profiled in a New Release Tuesday's Behind the Song feature. His subsequent release, an extended play, Lifted Up, was released by Word Records in tandem with Curb Records, on March 26, 2013. The extended play got one single, \"God Is Able, to chart on two Billboard magazine charts, on the Christian Songs at No. 47., while it placed at a peak of No. 10 on the Christian Soft AC chart.\n\nPersonal life\nClark is married to Gretchen, where they used to reside in Dallas, Texas, yet have since moved back to Norman, Oklahoma.\n\nDiscography\nAlbums\n Translation (September 7, 2006, Foreverythingmusic)\n Where Would I Be (August 23, 2011, Word/Warner Bros./Curb)\nEPs\n Search and Rescue (2008, Foreverythingmusic)\n Lifted Up (March 26, 2013, Word/Curb)\nSingles\n \"What Was I Fighting For\" (2011) Christian AC Indicator No. 26\n \"Mercy\" (2011) Christian Songs No. 50\n \"God Is Able\" (2013) Christian Songs No. 47 and Christian Soft AC No. 10\n\nReferences\n\nExternal links\n Facebook page\n\n1977 births\nLiving people\nAmerican performers of Christian music\nMusicians from Oklahoma\nMusicians from Texas\nSongwriters from Oklahoma\nSongwriters from Texas", "\"What's Up\" is a song by South Korean idol group Myname. It was released on November 21, 2012, as its second Japanese single under YM3D. It is a pop song written by Hiro, Keith Harris, Elijah Kelley, and George Pajon, Jr, and the quintet's first original Japanese-language single.\n\n\"What's Up\" was released in three editions: Web Edition, and Limited Editions A and B. It peaked at number 14 on Japan's weekly national Oricon Singles Chart, selling over 22,000 physical copies by the end of its chart run. In order to promote the single, the group held two concerts entitled Myname 1st Live \"What's Up\". The song was included in the group's debut Japanese album We Are Myname (2013).\n\nComposition\n\"What's Up\" was written by Hiro, Keith Harris, Elijah Kelley, and George Pajon, Jr. A pop song, it is Myname's first original Japanese-language single.\n\nRelease and promotion\n\n\"What's Up\" was first announced on August 27, 2012, with a scheduled release date of November 21. Leading up to its release, a music video teaser for the Japanese version of \"Hello & Goodbye\" was uploaded on YouTube on October 12, with the full video released five days later. The music video for \"What's Up\" was released on October 24. The video was filmed on a building rooftop in view Tokyo, including the Tokyo Tower. The title track was made available on online music store Recochoku on November 14. The song was used as the ending theme song for Fuji Television's music variety show Hey! Hey! Hey! Music Champ from October to December, as well as for Nagoya TV's King Kong no Aru Koto Nai Koto for November.\n\n\"What's Up\" was released in three editions: Web Edition; Limited Edition A with bonus DVD content that includes the music video and making film of \"What's Up\"; and Limited Edition B with bonus DVD content that includes the music video and bonus material of the Japanese version of \"Hello & Goodbye\". Myname held a release event at LaQua in Tokyo Dome City three days after the single's release. The event drew in 1,500 attendees. The quintet also performed two shows entitled Myname 1st Live \"What's Up\" as promotion. The concerts took place on December 15 at Zepp Namba and on December 17 at Zepp Tokyo. \"What's Up\" was included in the group's debut Japanese studio album We Are Myname (2013).\n\nCommercial performance\nOn the issue dated December 3, 2012, \"What's Up\" debuted at number nine on Japan's national Oricon Singles Chart, selling 19,366 copies in its first week of release. According to Oricon, the single charted for three weeks and sold 22,741 copies in the country by the end of its run. The song also ranked at number 85 on the Billboard Japan Hot 100 chart.\n\nTrack listing\n\nCharts\n\nReferences\n\nExternal links\n \n\n2012 singles\n2012 songs\nJapanese-language songs\nMyname songs\nSongs written by George Pajon\nSongs written by Hiro (music producer)\nSongs written by Keith Harris (record producer)" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement." ]

[ "Făt-Frumos with the Golden Hair (Făt-Frumos cu părul de aur) or The Foundling Prince is a Romanian fairy tale collected by Petre Ispirescu in Legende sau basmele românilor.\n\nSynopsis\n\nA hermit lived alone. One day, a box floated down the river to him. It contained a beautiful boy child, Făt-Frumos, and a letter saying that his mother was a king's daughter who had erred and done this out of fear of her parents. A grape vine sprung up in his hut, and with its fruit, he was able to feed the child. When he was grown, the hermit died, telling him that a lion would come to dig his grave, and that he should take the horse reins in the attic, which, if he shook, would bring him a horse. He did as his foster father said. The horse gave him clothing, and he rode off. At the horse's direction, he took service with three fairies. The horse told him that every seven years, their bathroom had a flow of gold that would turn anyone's hair gold; it also had a chest with three magnificent suits of clothing. One day, the fairies went to a party but directed him to summon them back if the gold started to flow. It did. The horse directed him to bathe in it himself and take the clothes. He did, and they escaped the fairies. \n\nHe hid his hair and got a job working for a gardener for a king. One day, the king's oldest daughter arranged for herself and her sisters to bring melons to the king: hers was overripe, her next sister's was ripe, the youngest's was just about ripe. His councilors explained that the oldest should have been married already, the next was ready for marriage, and even the youngest daughter was nearly ready. Suitors came for them, and the oldest was married to a prince. The wedding procession set out from the castle; only the youngest princess stayed behind. Făt-Frumos loosed his hair, put on the suit like a flowering meadow, and rode his horse over the garden. It did much damage, but the princess was enchanted with him. The gardener was angry, but the princess gave him gold and told him not to beat the boy. When the second sister married, the youngest princess stayed behind, the boy loosed his hair, wore a suit like the starry night and rode his horse, ruining the garden; the youngest princess bribed the gardener with two handfuls of gold not to beat him. The king had a feast at his hunting lodge; again the youngest princess did not go, and Făt-Frumos loosed his hair, wore a suit with the sun, the moon, and stars, and ruined the garden so badly that weeks did not restore it. The youngest princess bribed the gardener with three handfuls of gold.\n\nThe king saw how his youngest daughter was always sad. His councilors suggested that all the princes and nobles should walk under the gate, and whoever the princess dropped a golden apple to would be her husband. They all walked, but she did not drop the apple. Then all the servants, last of all the bald undergardner, as Făt-Frumos appeared. She dropped the apple to him. The king refused, but after three times, she had dropped the apple to him every time. They married quietly and the king gave them a hut in a distant corner of his courtyard.\n\nThe princes who had wooed her were offended and banded together to attack her father. His sons-in-law raised armies to come to his aid. Făt-Frumos said he would do the same, but his father-in-law jeered at him, finally let him come only as a water carrier. But out of sight, Făt-Frumos changed into the clothes he had stolen from the fairies and came to the king's aid. The forces attacked three times, and the third, Făt-Frumos was wounded. The king gave him a handkerchief to bind his wounds.\n\nThe king began to go blind. It was learned that only the milk of red wild goats would cure him. His sons-in-law set out to find it. Făt-Frumos found the goats and got the milk, and offered to sell some to his brothers-in-law if they would let him brand them as his slaves. They agreed, thinking they could escape, but only Făt-Frumos's milk restored the king's sight.\n\nAt the banquet, Făt-Frumos revealed that he had branded the other two kings as his slaves and was the hero who had helped the king's army. The king demanded that he reappear as he appeared then. When Făt-Frumos did so, he gave up his throne to Făt-Frumos. The first thing Făt-Frumos did was free his brothers in law.\n\nTranslations\nThe tale was also translated from the original Romanian into English with the title The Hermit's Foundling with the Golden Hair and Prince Charming, the Golden-Haired.\n\nSee also\nThe Magician's Horse\nIron John\nThe Hairy Man\nLittle Johnny Sheep-Dung\n\nReferences\n\nExternal links\n\nRomanian fairy tales", "The Hole We're In is a 2010 novel by Gabrielle Zevin about a family who are caught in a complex bureaucratic tangle when a credit card company sends New Yorker Vincent Pomeroy bills for a man of the same name who lives in Texas. When Pomeroy insisted he did not incur the charges for the Texan man, the company informs him that their policy requires him to take the other Vincent Pomeroy to court and get a judgement of identity theft. Without an external court judgement, the company has no procedure for eliminating these types of charges. However, the company did have a procedure for having the Texan man's bills sent to the New York address for him to make regular payments.\n\nReception\nA review by \"Bookslut\" on LitHub calls the novel \"...a bit like watching the slowest train wreck imaginable\", because you can \"...sense the family's impending doom\" of the bureaucratic trap they are ensnared in.\n\nReferences\n\n2010 American novels\nBureaucracy in fiction\nNovels set in New York (state)" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "Did they like him?", "After the session, the Van Halen brothers asked Anthony to join their band." ]

[ "Didi Beck is a German electric bass and double bass player. He plays in the rockabilly band, the Boppin'B. An accomplished upright bass slap bass player, he teaches slap bass and has written an instruction book on slapping, and a made a video entitled How to Learn the Rockabilly Slap Bass Starring Didi Beck. His rapid, virtuosic slapping technique can be heard online.\n\nReferences\n\nExternal links\nBoppin'B website\n\nYear of birth missing (living people)\nLiving people\nGerman double-bassists\nSlap bassists (double bass)\n21st-century double-bassists", "Alex Webster (born October 25, 1969) is an American bass player, who is best known as a member of the death metal band Cannibal Corpse. He is one of two remaining members of the original lineup of the band, along with drummer Paul Mazurkiewicz. He is also the bassist for the band Blotted Science and the supergroup Conquering Dystopia. Before Cannibal Corpse was formed, he was part of Beyond Death.\n\nMusical biography \nWebster was born in Akron, New York. He has stated \"I just always liked music since I was a little kid. Music was always a soundtrack in my head to things going on in my life. I always wanted to play. I wanted to play drums when I was about three. I made a drum out of an old butter container and hit it with tinker toys. I was going to make music. Most people who are musicians didn't have to have anyone tell them to do it. I would never push music on someone, because it is something that doesn't need to be pushed. If you're going to make music, you're going to make it.\"\n\nWebster was originally of the band Beyond Death, with ex-Cannibal Corpse guitarist Jack Owen, back in 1987. Both met up with Chris Barnes, Bob Rusay and Paul Mazurkiewicz, all of whom were in the band Tirant Sin. He was the one to come up with the band's name, Cannibal Corpse. In an interview he said that he thought it was a very catchy name for a band. He has a reputation for being friendly to his fans, often asking questions, and genuinely caring what his fans think, regularly answering questions on the band's forum. Alex also recorded bass for Hate Eternal, Erik Rutan's death metal band. Erik is the producer for Cannibal Corpse's albums that were released between 2006 and 2012, Kill, Evisceration Plague, and Torture. In 2005, Alex was contacted by guitarist Ron Jarzombek about a possible collaboration which became Blotted Science, an all-instrumental extreme metal project. They released their debut album, The Machinations of Dementia, in the fall of 2007.\n\nWhen asked about his favorite Cannibal Corpse song, Webster answered: \"I don't know, it would be hard to choose one that's the \"best\", but one of my favorites is \"From Skin to Liquid\", mainly because it was so different for us. It showed we didn't necessarily have to be playing at warp drive and have gory lyrics to be heavy.\"\n\nBass playing \n\nWebster is recognized as an extremely experienced and talented metal bass player. He can play at exceptionally fast speeds, and does a signature 3-finger walk (a \"galloping\" finger motion). He revealed in a making-of DVD for Cannibal Corpse's album The Wretched Spawn that he initially started playing guitar but changed to bass because he felt he could master the instrument more quickly. Unlike usual heavy metal bassists that play at high speeds, Webster is able to play his instrument without the use of a pick, while still retaining a clean clear tone, which helps maintain clarity in the complex and very fast lines he plays in conjunction with the heavily distorted guitars of Cannibal Corpse.\n\n\"When I was six years old I took some acoustic guitar lessons. It didn't really work out because I was six and didn't really want to learn \"Mary Had a Little Lamb,\" and those were the kind of songs I was being taught. I wanted to play Elvis. I liked all the old 50s music. My dad had a bunch of old 50s records because that's when he was a teenager. Those were what I listened to, because when you're six you don't have the money to go buy stuff, so I just listened to his records. Nobody was going to teach me how to play the guitar like that, out in the country where I lived. I just gave it up until I was 13 or 14. I met a kid in school who played bass in the high school jazz band. He wanted to make some extra money and it was five bucks a lesson. He did a good job too. His name was Mike Hudson. I don't know if he plays anymore. I lost touch with him. He's the one that got me started. I always wanted to play in a band, and to learn how to play lead guitar was going to take like five years. But I really liked the sound of the bass. I liked AC/DC and figured I could do that. I thought I could learn Cliff Williams' bass parts faster than I could learn to play Angus Young's guitar parts. It was motivation, because I wanted to be in a band. I never wanted to sit around and play music by myself. I wanted to play with other people, and the fastest route to that was playing an instrument that wasn't a lead instrument, and bass was that. Now I've learned to make it a lot more difficult. I've made my job a lot harder than it probably needs to be. But it's just fun. In the beginning my concern was playing in a band.\"\n\n\"I took some lessons from a friend of mine when I first started. He was in the school jazz band and he taught me the basics. I didn't take lessons for about a year, but I started again when I was a senior in high school. I've had about four different teachers throughout the years, but I never took lessons for more than a few months. I did, however, gain a lot from them and I've tried to learn as much on my own as I can. Anything I can learn about music or bass playing, I'll try to learn. I mean, the more you learn and the more you apply to your playing, it just makes you a better musician.\"\n\n\"I liked the bass player from AC/DC. I really loved the stuff he did. Peter Baltes from Accept was another. I liked the really good guys too, but that seemed out of reach at the beginning. Geddy Lee from Rush and Steve Harris were like gods to me. Billy Sheehan was from Buffalo, and we all knew about Billy before the rest of the country did. Billy has been a legend in Buffalo for a long, long time. He's still one of my favorites. By the time I was listening to Cliff Burton I was getting a little better. I had been playing a year or so before I started listening to Metallica. I thought he was great. I always thought he could have been a little louder on those albums though. That's the thing. In thrash metal or any other kind of metal where the bass is playing exactly what the guitar is playing, automatically the bass went down in the mix. If you notice those older bands like Accept, the bass is doing something that's a little bit different from the guitar. It's more with the kick drum instead of playing the riff the guitar is doing. In thrash metal and then death metal, the bass player always wound up playing what the guitar player was doing most of the time. It's been a decade long fight for us to be heard in the mix.\"\n\n\"I'd like to do some instructional material, but I'm still not sure if I'll try and do a DVD or book though. It will probably be easier to do a DVD, actually. Hopefully I'll be able to come up with some stuff that's worth releasing. I definitely won't put anything out until I'm sure it's of really high quality, and full of lots of good information. Also, you might have heard about the possibility of us doing a tab book. Well, we still haven't found a publisher for that.\"\n\n\"I practice the most when I have something I'm working on that's difficult, like one of Pat's songs for example. I usually won't practice for more than 3 or 4 hours a day unless I'm really inspired, or I have some kind of deadline.\"\n\nBesides playing bass, Alex has also contributed to lyric and music writing on many occasions for the band, some examples being \"Fucked with a Knife,\" \"Puncture Wound Massacre,\" \"I Will Kill You,\" \"Devoured by Vermin,\" \"Unleashing the Bloodthirsty,\" \"Scavenger consuming death,\" \"Scourge of iron\" and \"Murder Worship\".\n\nWebster is also known for his bass guitar solos/fills in such songs as \"Addicted to Vaginal Skin\", \"Mangled\", \"The Undead Will Feast\", \"Crushing the Despised\", \"Fucked with a Knife\", \"Hammer Smashed Face\", \"The Discipline of Revenge\", \"Put Them To Death\", \"She Was Asking For It\", \"Staring Through The Eyes of the Dead\", \"Bloodlands\", \"They Deserve to Die\", \"Rabid\", and \"The Strangulation Chair\".\n\nFrom 2013 to 2015 Webster wrote a monthly tuition column for the UK's Bass Guitar Magazine.\n\nEquipment \nWebster currently uses Spector 'Alex Webster Signature Edition' (based on Euro 5lx basses), DR Strings, and His signature Hammer Smashed Bass pickups by Seymour Duncan paired with a Darkglass Electronics tone capsule preamp wired for 18 volt operation. All of his signature basses have been set up by scooter at granville guitars and are wired using 4 single stack knobs for reliability on a heavy tour rotation (1 volume with both pick ups hardwired and 3 tone controls) Before his signature model, he used Modulus Quantum 5 and Spector Euro 5lx basses. He also used a white 1987 Fender Precision bass on the albums Eaten Back to Life and Butchered at Birth, an Ibanez Sabre SB900 on the album Tomb of the Mutilated, an Ibanez Soundgear SR1500 on The Bleeding and both a 1971 Precision Bass as well as a Spector NS Series 5-string bass on Vile. In the past, he used an Ampeg SVT200T with an Ampeg 8x10 cabinet, then switched to the SVT-4PRO head. Later, he signed an endorsement deal with SWR and used 2 SWR SM-1500 and 2 SWR Megoliath 8x10 cabinets. Currently he is using Aguilar DB 751 and DB810 cabinets. Not much of an effects user, however on the album Torture he stated that he began using a Darkglass Microtubes B3K switched to a B7kU (2016) overdrive pedal and commented that it's the heaviest tone he has achieved yet. He also uses a Radial Bassbone and a Boss TU-2 Chromatic Tuner, and a Seymour Duncan Bass Studio Compressor.\n\nPersonal life\n\nPersonality\nWebster is prominently featured in the heavy metal documentary Metal: A Headbanger's Journey where he comes off as musically knowledgeable and well-spoken.\n\n\"Cannibal Corpse's bassist Alex Webster exudes a quiet, intellectual and particularly amiable persona which seems so at odds with the music that he is a driving force behind that one is immediately reminded of the old adage about not judging books by their covers.\"- Sinister Online\n\nWhen asked about what he likes to do in his spare time outside of Cannibal Corpse, Webster commented: \"working out, I’ve been doing some martial arts stuff for a while now, so I just like to run, I like to go mountain biking\"\n\n\"I'm not very proud of myself if I lose my temper. That's something I would love to be able to change. I've worked on it throughout my life and hope to eventually have it conquered and react as peacefully as Gandhi in the worst situation.\"\n\n\"Forrest Gump, that was OK actually, but I prefer... I'll tell you what one of my favourite all-time movies was, as far as horror. I like The Shining and I like Jacob's Ladder. I don't know if you'd call Jacob's Ladder horror anyway, but I really liked that movie. I like, Jesus there's a lot of them... I like the Evil Dead stuff, just total splatter action and Nekromantik from Germany. I have a very bad copy of Necromantik 2 and it's all in German and you can barely watch it. You can't even see the picture, really, but I saw Necromantik 1 and it's classic. I was just in a bar in Paris where they were playing Necromantik while you were just hanging about in the bar – yes!\" \"I just like the really low budget splatter. It's fun. And I like high budget psychological horror like Jacob's Ladder and The Shining. Everything's entertaining for different reasons. Here's kinda the way I see it: you can appreciate a lot of different things for what they are. Like, we're obviously a much different type of death metal band from, say, My Dying Bride or something like that, but there's no reason you can't appreciate both of them for what they are. I like Anathema and My Dying Bride. I also like Morbid Angel and Vader, and I also like us and Autopsy – of course I like us! I'm in the band! You know what I mean. It's good for what it is. When I see a movie like Evil Dead I don't expect it to be like The Shining, just like a person who likes Cannibal Corpse. They shouldn't expect us to be like Anathema. You know what I'm saying? But they can like us for being... the Evil Dead of death metal! [laughs] And they can like those other bands for being more psychological or whatnot.\" Alex is agnostic.\n\nHonors\nThe fossil marine worm species Websteroprion armstrongi is named for Webster; the researchers who named it — both heavy-metal fans — stated that \"Alex Webster just seemed like the perfect fit for a giant worm with saw-like jaws\".\n\nFavorites\n\"Films: Phantasm, Fargo, The Reflecting Skin, Burnt Offerings, The Shining, Goodfellas, Casino, Braveheart, Saving Private Ryan, The Exorcist, Full Metal Jacket, The Warriors, City of God, Romper Stomper, The Lord of the Rings film trilogy, Freddy Got Fingered, The Road Warrior, and tons more...\"\n\nTelevision: \"Most of the original programming on HBO; I also watch the news a lot.\"\n\nBooks: 1984 by George Orwell, Murder Machine by Gene Mustain and Jerry Capeci, The Westies by T.J. English, The Lord of the Rings and The Silmarillion by Tolkien, Gulag by Anne Applebaum, etc...\"\n\nWhen asked about his favorite song on the Morbid Angel album Altars of Madness, Webster answered: \"that whole album is so amazing, it's hard to choose. Maybe \"Chapel of Ghouls\", \"Immortal Rites\", or \"Visions from the Darkside\".\"\n\nIn a 2006 interview, he commented that his favorite albums of the previous five years are Spawn of Possession's Cabinet, Necrophagist's Epitaph, Aeon's Bleeding the False, Hate Eternal's I, Monarch, and Spastic Ink's Ink Compatible.\n\nHis five all-time favorite albums are (in descending order) Accept's Restless and Wild, Morbid Angel's Altars of Madness, Metallica's Master of Puppets, Iron Maiden's Powerslave and Slayer's Reign in Blood.\n\nMusical tastes\nAlex Webster is a big Slayer fan. \"I got into them back in the mid 80's. I learned about them through word of mouth from some other metal heads at my school. They were the best of the evil thrash bands at the time. I can't really stress how much I and the other Cannibal guys listened to Slayer. They were a massive influence on us.\" He said that his favorite song lyric would be \"anything by Slayer..\" He also said if any band could cover a Cannibal Corpse song, it would be Slayer.\n\nReferences \n\n1969 births\nLiving people\nAmerican rock bass guitarists\nAmerican agnostics\nAmerican heavy metal bass guitarists\nAmerican male bass guitarists\nPeople from Akron, New York\nDeath metal musicians\nCannibal Corpse members\nAmerican male guitarists\nGuitarists from New York (state)\n20th-century American guitarists\nBlotted Science members\nConquering Dystopia members" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "Did they like him?", "After the session, the Van Halen brothers asked Anthony to join their band.", "where did he learn how to be a bass player?", "I don't know." ]

[ "Van Halen was an American rock band, formed in Pasadena, California in 1972, by the Dutch-born American brothers and guitarist Eddie Van Halen, drummer Alex Van Halen, singer David Lee Roth and bassist Michael Anthony. The band's discography consists of 12 studio albums, two live albums, two compilation albums, and 56 singles.\n\nThe band signed a contract with Warner Bros. Records in 1977, and in the following year released the album Van Halen. Over the next few years, the band alternated album releases, one per year between 1979 and 1982, and touring to increasing commercial and critical acclaim, becoming one of the world's most successful and influential rock bands. In 1984, Van Halen released 1984, which peaked at No. 2 on the Billboard 200 and had the band's sole No. 1 hit on the Billboard Hot 100, \"Jump\". After the tour promoting that album, Roth left the band due to artistic and personal tensions with Eddie.\n\nTo replace Roth, Eddie picked Sammy Hagar, formerly of Montrose and at that time a very successful solo artist. Van Halen's first album with Hagar, 1986's 5150, was the band's first No. 1 on the Billboard 200. The three studio albums that succeeded, OU812, For Unlawful Carnal Knowledge and Balance, also topped the charts. In 1996, Hagar left Van Halen amidst similar tension with the Van Halen brothers.\n\nRoth rejoined briefly and recorded two songs with the band for the 1996 compilation Best Of – Volume I, but Van Halen eventually settled on Gary Cherone, frontman of the then defunct Boston-based band Extreme. Cherone's sole release with the band was Van Halen III, released in 1998 to mixed reviews and diminishing sales, being the only Van Halen studio album not to get a platinum RIAA certification. Van Halen's last release for Warner was the 2004 compilation Best of Both Worlds, which featured three new songs with Hagar. In 2011, the band left the label and signed with Interscope Records.\n\nIn February 2012, Van Halen released its 12th studio album and first for Interscope, A Different Kind of Truth, featuring Roth on the vocals and Eddie's son Wolfgang Van Halen on bass guitar. The album debuted at number two on the Billboard 200, and became the band's highest-charting album on the UK Albums Chart with a sixth spot.\n\n, Van Halen has sold 75 million albums worldwide and have gotten 13 No. 1 hits on the Billboard Mainstream Rock chart. During the 1980s, they along with the band Heart had more Billboard Hot 100 hits, 15, than any other hard rock or heavy metal band. According to the RIAA, Van Halen is the 19th best-selling music group/artist of all time with sales of over 56 million albums in the US, and is one of five rock bands that have had two albums (Van Halen and 1984) sell more than ten million copies in the US.\n\nAlbums\n\nStudio albums\n\nLive albums\n\nCompilation albums\n\nSingles\n\nNotes\n 1^ UK and NL position for 1980 re-release\n A^ released in Japan\n B^ released in some European territories\n C^ released in Europe and Japan\n D^ released in the Netherlands\n\nVideos\n\nReferences\n\nExternal links\n \n\nDiscography\nDiscographies of American artists\nRock music group discographies\nHeavy metal group discographies", "Wolfgang William Van Halen (, born March 16, 1991) is an American musician. The son of guitarist Eddie Van Halen, he was the bassist for the rock band Van Halen from 2006 to 2020.\nHe also performed with the heavy metal band Tremonti from 2012 to 2016. Following the death of his father in 2020, he began to focus on his solo project Mammoth WVH, where he performs all instruments and vocals.\n\nCareer\n\nEarly life\nVan Halen had an indirect effect on his father's career from the very beginning of his life. The instrumental \"316\" (from the album For Unlawful Carnal Knowledge) refers to his birthday. For a 13-year period ending in 2004, Eddie Van Halen collaborated with Peavey on a line of guitars, the Wolfgang series, named after his son. In 2008, his father named a custom guitar after him, the Fender EVH Wolfgang.\n\nWolfgang started his musical career as a drummer. He often watched his father rehearse, and at times would try to play his uncle Alex's drum kit, whereupon the latter would give him a few lessons. Wolfgang started playing drums at the age of nine, mostly self-taught with only few lessons from his uncle, and got his first drum set from his father as a present for his tenth birthday. Some time later he moved on to guitar and bass. He can also play keyboards and \"figure things out by ear\". Wolfgang later began actively participating in Van Halen, the band. He also made guest appearances during some dates of Van Halen's 2004 tour, appearing during his father's extended guitar solo spot and playing \"316\" with him.\n\nVan Halen\nIn late 2006, in an interview with Guitar World, Eddie Van Halen confirmed that his son would replace Michael Anthony as Van Halen's bassist. Wolfgang first toured with Van Halen in his new capacity in 2007. In August 2010, Van Halen announced that they would record a new album, with Wolfgang playing bass.\n\nIn early 2008, Van Halen appeared on the cover of the April issue of Guitar World with his father, in the magazine's first father-son issue.\n\nHe recorded his only studio album with Van Halen, A Different Kind of Truth, in 2011. The album was released on February 7, 2012.\n\nTremonti\nOn September 10, 2012, Alter Bridge and Creed guitarist Mark Tremonti announced that Van Halen would be filling in for Brian Marshall as bassist for the first tour of Tremonti's eponymous band. Tremonti's first album, All I Was, was released on July 17 of that year. Van Halen became an official member of Tremonti in 2013, replacing previous bassist Brian Marshall. He appears on the band's 2015 studio album Cauterize and its 2016 follow-up Dust.\n\nRecent work\nSevendust guitarist Clint Lowery revealed in a June 2019 tweet on Twitter that Wolfgang would play on his solo debut. \"[Wolfgang] will be playing drums, maybe some bass,\" he says. \"I'll do the rest. Just not good enough on the kit myself to pull it off in [the] studio.\"\n\nMusical style\nVan Halen started playing the bass as his father started asking if he wanted to play with him. Van Halen first viewed bass as \"an easier version of guitar, but as soon as I started playing it I realized how wrong that was\", but stated that his experience with a guitar made it easier for him to deal with the instrument. His style was described by Eddie as a \"rhythm bassist, like I'm a rhythm guitarist and a bassist put together.\" When he first began playing bass, his inspirations were Les Claypool of Primus and Justin Chancellor of Tool. He also enjoys Chris Wolstenholme of Muse, John Entwistle of The Who, Jack Bruce of Cream \"and all of the classic players\".\n\nWolfgang's musical style mainly consists of the hard rock, alternative rock, and heavy metal genres. However, he has also released a few pop songs under the Mammoth WVH name, namely \"Think It Over\" and \"Distance\".\n\nPersonal life\nNamed in homage to the classical composer Wolfgang Amadeus Mozart, he is the only child of Dutch-Indonesian American guitarist Eddie Van Halen and American actress Valerie Bertinelli, and the nephew of Dutch-Indonesian American drummer Alex Van Halen. Bertinelli is said to have given her only child such an elaborate name rather than a usual one (aka “Bob Van Halen”). Wolfgang has said that he did not know his father was a famous musician until he \"started picking up CDs and saw his father's [Eddie's] picture on them\".\n\nFollowing the completion of the 2007–2008 Van Halen tour, Wolfgang returned to school. Planning to graduate by the summer of 2009, he would graduate in 2010. Van Halen appears as the bassist for Van Halen in Guitar Hero: Van Halen, even replacing Michael Anthony in the band's past incarnation. Wolfgang remained in Van Halen until 2020 when the band disbanded following his father's death.\n\nDiscography\nwith Van Halen\n A Different Kind of Truth (2012)\n Tokyo Dome Live in Concert (2015)\n\nwith Tremonti\n Cauterize (2015)\n Dust (2016)\n\nwith Mammoth WVH\n Mammoth WVH (2021)\n\nas a featured musician\n The Strange Case Of... by Halestorm (2012)\n God Bless the Renegades by Clint Lowery (2020)\n\nReferences\n\nExternal links\n\nOfficial Mammoth WVH Website\nOfficial Mammoth WVH Twitter\nOfficial Van Halen Website\nOfficial Wolfgang Van Halen Twitter\n\n1991 births\nLiving people\nAmerican male guitarists\nAmerican rock bass guitarists\nAmerican male bass guitarists\nMusicians from Santa Monica, California\nVan Halen members\nGuitarists from California\nTremonti (band) members\n21st-century American guitarists\n21st-century American bass guitarists\nAmerican people of Dutch-Indonesian descent\nAmerican people of Javanese descent\nAmerican people of Italian descent\nAmerican people of English descent" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "Did they like him?", "After the session, the Van Halen brothers asked Anthony to join their band.", "where did he learn how to be a bass player?", "I don't know.", "what other bands did he play with before Van Halen?", "His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake." ]

[ "Judson Lawrence Daley (March 14, 1884 – January 26, 1967) was a professional baseball outfielder and manager. He played two seasons in Major League Baseball with the Brooklyn Dodgers. Daley was 5 feet, 8 inches tall and weighed 172 pounds.\n\nCareer\nDaley was born in South Coventry, Connecticut, in 1884. He started his professional baseball career with the Southern Association's Shreveport Pirates in 1906. Besides one short stint in the National League, Daley played in the Southern Association until 1915. He spent the early part of his career with the Shreveport Pirates, Mobile Sea Gulls, and Montgomery Climbers.\n\nDaley did not have a batting average above .270 in a season until 1910, when he batted .298. He led the league in at bats that year and also finished second in hits to the future major league star, Shoeless Joe Jackson. The following season, he raised his average to .306 and finished second in hits again, this time to Del Pratt. He joined the Brooklyn Dodgers late in the season, and in 19 games, he batted .231. Daley was also with the Dodgers in early 1912. He batted .256 for them before making his last MLB appearance in July.\n\nDaley then spent the next few years back in the Southern Association. He moved to the Eastern League in 1916, where he stayed until the end of his career in 1920. During his last two seasons, he also managed his team, the Waterbury Nattatucks/Brasscos.\n\nIn 1,679 minor league games over 15 years, Daley batted .279 and had 1,710 hits. Later in life, he worked for Goodyear. He died in Gadsden, Alabama, in 1967.\n\nReferences\n\nExternal links\n\n1884 births\n1967 deaths\nMajor League Baseball outfielders\nBrooklyn Dodgers players\nShreveport Pirates (baseball) players\nMobile Sea Gulls players\nMontgomery Climbers players\nMontgomery Billikens players\nNashville Vols players\nNew Orleans Pelicans (baseball) players\nMontgomery Rebels players\nChattanooga Lookouts players\nLittle Rock Travelers players\nLynn Pipers players\nLawrence Barristers players\nWaterbury Nattatucks players\nWaterbury Brasscos players\nMinor league baseball managers\nBaseball players from Connecticut", "is a Japanese former Nippon Professional Baseball second baseman and shortstop. He played for the Tokyo/Lotte Orions from 1965 until 1978 and the Seibu Lions from 1979 until his retirement in 1984.\n\nOver his career, he won five Best Nine Awards and three Golden Glove Awards. He led the NPB in batting average twice and was an All-Star eleven times. With 2081 hits, he is a member of the Meikyukai and is ranked 37th in terms of NPB players by total career hits.\n\nEarly life \nBefore playing professional baseball, Yamazaki grew up in Ageo and attended high school there. He participated in the 1964 Japanese High School Baseball Championship as a shortstop. Out of high school, he drew comparisons to Shigeo Nagashima due to his home run-hitting ability. Unrelated to his baseball ability, Yamazaki was a participant in the 1964 Summer Olympics torch relay.\n\nPlaying career\n\nTokyo/Lotte Orions \nHe joined the Tokyo Orions in 1965. His contract fee coming out of high school was reportedly very high and may have helped lead to the formation of the NPB draft later that year.\n\nYamazaki made his debut on April 10 against the Toei Flyers and had his first hit in the NPB the next day. That year, he recorded 36 hits and recorded a .190 batting average. His second season was cut short due to a broken jaw, leaving him with eight hits and a .123 average. 1967 marked the first time he hit above the Mendoza Line, recording 76 hits. He improved upon that the next season, hitting .255 with 107 hits, 14 of those being home runs. He was a regular at shortstop and set the record for most putouts in a game for the position on September 1 against the Nankai Hawks. He switched to second base the following season. 1969 could be called Yamazaki's breakout season. He hit .301 with 149 hits and 14 home runs. He was selected as an All-Star and Pacific League Best Nine Award winner for the first time. 1970 saw a slight decrease in offensive production for Yamazaki, going to a .247 average with 117 hits, but he still was an All-Star and Best Nine selection and recorded 25 home runs, tied for the most he would hit in a season. In 1971, Yamazaki was selected for a Best Nine Award but did not make the All-Star team. His stats did improve a bit, going to a .280 average with 123 hits. On August 14, Yamazaki hit for the cycle against the Toei Flyers, the second Orions player to accomplish the feat. 1972 saw Yamazuki obtain a .242 average and 107 hits. On the defensive side, he set a new Pacific League record, with 272 consecutive putout attempts without an error.\n\n1973 saw yet another stat decrease, going to a .239 average and 90 hits. He yet again made the All-Star team. He was another Best Nine selection in 1974, hitting .278 with 126 hits. 1975 and 1976 were both All-Star seasons, hitting .270 and .273 with 116 and 114 hits, respectively. In 1977, he was not only an All-Star (hitting .257 with 116 hits), but he was selected for the relatively new Golden Glove Award. In his final year with the Orions in 1978, he hit .290 with 126 hits, but failed to qualify for any awards for the first time since 1968.\n\nSeibu Lions \nYamazaki was traded to the Seibu Lions, not far from his hometown of Ageo, for the 1979 season. His first season for his new team saw him go .332 with 95 hits, missing a few games in the season and failing to obtain any awards for the second year in a row. 1980 was the only season where Yamazaki won All-Star, Best Nine, and Gold Glove honors. He hit .294 with 140 hits that season. He hit more than 20 home runs for the first time since 1971, obtaining 25. On August 7, against the Kintetsu Buffaloes, he hit two home runs in one inning. 1981 saw him as a Gold Glove and an All-Star recipient, with a .271 average and 124 hits. His 97 runs scored led the league. 1982 was a seemingly quieter year, he had 102 hits with a .246 average and no awards. In 1983, he led the league in plate appearances, at-bats, and runs on his way to his eleventh and final All-Star appearance. He had a .287 average and recorded a career-high 148 wins. On September 1, he hit two home runs in one inning yet again, this time against the Nippon-Ham Fighters. 17 days later, against his former team, he recorded his 2,000th hit, becoming the 18th player to achieve the feat in Japanese baseball history. In his final season, he had a .228 average and 61 hits. He retired after that season.\n\nPost-playing career \nWhen he retired, Yamazaki became a member of the Meikyukai and has been involved in events of the club. He has since become a baseball writer and commentator.\n\nReferences\n\nExternal links \nHiroyuki Yamazaki at Baseball Reference\nCareer stats at Nippon Professional Baseball\n\n1946 births\nLiving people\nBaseball people from Saitama Prefecture\nLotte Orions players\nSeibu Lions players" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "Did they like him?", "After the session, the Van Halen brothers asked Anthony to join their band.", "where did he learn how to be a bass player?", "I don't know.", "what other bands did he play with before Van Halen?", "His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake.", "did he have hits early in his career?", "Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs." ]

[ "\"Go Insane\" is the title track of Lindsey Buckingham's second solo album. Released as a single on July 3, 1984, it became Buckingham's second top 40 hit (after \"Trouble\", three years earlier). \"Go Insane\" is also Buckingham's most recent U.S. solo hit (peaking at #23 in the Billboard Hot 100 chart); on the other hand, it did not chart in the United Kingdom.\n\nLyrics\nWhen asked about the lyrics of \"Go Insane\", he explained:\n\nIn later years, Buckingham has stated that the song, \"Go Insane\", was actually written about his 7-year-old (at that time) post-break up relationship with former lover, Stevie Nicks.\n“We were disintegrating as couples, by virtue of that, we were suffering as people. So in order to get work done, I had to go through this elaborate exercise in denial – leaving whole areas of baggage on the other side of the room, compartmentalize feelings... no time to get closure, to work things out... working in a very highly charged and ambivalent environment. So the go insane thing – would just be whenever I let my guard down and got back to all the things I hadn’t dealt with, it was almost like going insane – like I always do. Took a long, long time, working in an artificial environment on a personal level. So many things not worked through for a long, long time.\" – Lindsey Buckingham \n\n“Stevie, at some point her persona onstage was latched onto and she was in a sense called away by a larger world and separated on her own from me.”- Lindsey Buckingham\n\nPersonnel\n Lindsey Buckingham – vocals, guitars, keyboards, percussion, Fairlight CMI, LinnDrum\n Bryant Simpson – bass guitar\n\nChart history\n\nOther versions\nAt concerts, notably on The Dance, he did an acoustic fingerstyle version of \"Go Insane\", which featured just him and a nylon-string guitar.\nDuring the 2008 Gift of Screws tour, as well as Fleetwood Mac's 2009 Unleashed tour, he played the original version of the song. He returned to performing the solo acoustic version on his 2011 Seeds We Sow tour.\n\nReferences\n\nExternal links\n Lyrics, Interpretation, and Tabs\n \n\n1984 singles\nSongs written by Lindsey Buckingham\nLindsey Buckingham songs\n1984 songs\nReprise Records singles\nWarner Music Group singles", "We All Need a Reason to Believe is the second studio album by American pop punk band Valencia. It was produced by Ariel Rechtshaid, who has done projects for We Are Scientists and Plain White T's. An early review from AbsolutePunk writer Drew Beringer stated the release proved Valencia is \"a band that can breathe new life into pop-punk\".\n\nThe album title comes from lyrics in the second track, \"Holiday\".\n\nRelease\nIn early April 2008, the band appeared at the Bamboozle Left festival. On April 8, the band posted a rough mix of \"Holiday\" online. It was mentioned that the track would feature on the band's next album, which was planned for release in late summer/early fall. In July, the band supported All Time Low on their headlining US tour. We All Need a Reason to Believe was made available for streaming on August 19 through the band's Myspace profile, before being released on August 26 through major label Columbia Records. In October and November, the band supported Bayside on their headlining US tour. On November 21, the band released a music video for \"Where Did You Go?\". In January and February 2009, the band went on a headlining tour of the US with support from Houston Calls. In February and March, the band toured Australia as part of the Soundwave festival. On April 30, a music video was released for \"The Good Life\". The band appeared at The Bamboozle festival in early May. Between late June and late August, the band performed on the Warped Tour.\n\nTrack listing\n \"Better Be Prepared\" — 3:09\n \"Holiday\" — 2:58\n \"Where Did You Go?\" (featuring Rachel Minton of Zolof the Rock & Roll Destroyer) — 3:21\n \"Head in Hands\" — 2:56\n \"Carry On\" — 3:41\n \"All at Once\" — 3:27\n \"Safe to Say\" — 3:21\n \"Listen Up\" (featuring Kenny Vasoli of The Starting Line) — 3:39 \n \"I Can't See Myself\" — 3:39\n \"The Good Life\" — 4:02\n \"Free\" — 4:18\n\nBonus track\n \"Running Away\" – 3:30\n\nWe All Need a Reason to B-Side\n \"When Words Fail, This Music Speaks\" — 2:41\n \"Working\" — 2:32\n \"Running Away\" — 3:33\n \"A Better Place to Land\" — 3:26\n\nPersonnel\n Shane Henderson — vocals\n JD Perry — guitar\n Maxim Soria — drums\n George Ciukurescu — bass\n Brendan Walter — guitar\n Kenny Vasoli (The Starting Line) — guest vocals on \"Listen Up\"\n Rachel Minton (Zolof the Rock & Roll Destroyer) — guest vocals on \"Where Did You Go?\"\n Dana Nielsen — engineer\n\nReferences\n\n2008 albums\nValencia (band) albums\nColumbia Records albums" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "Did they like him?", "After the session, the Van Halen brothers asked Anthony to join their band.", "where did he learn how to be a bass player?", "I don't know.", "what other bands did he play with before Van Halen?", "His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake.", "did he have hits early in his career?", "Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs.", "did he go on tour at all during this time?", "I don't know." ]

[ "\"Humans Being\" is a song recorded and contributed by the rock band Van Halen for the film, Twister. The song marks the last recording to feature vocalist Sammy Hagar before his departure from the band in June 1996.\n\nBackground \n\"Humans Being\" was included on both the Twister soundtrack – along with an instrumental by Eddie and Alex, \"Respect the Wind\" – and the band's Best Of – Volume I compilation, although the version used in the video for the soundtrack release is an edit with 3:28 of the 5:10 length of the album version, removing several solo sections, a bridge, and shortening the ending. The band played it live during the III Tour and the Van Halen Summer Tour 2004.\n\nComposition\nIn January 1996, as the band rested following the end of The Balance \"Ambulance\" Tour in November 1995, manager Ray Danniels suggested to Eddie Van Halen and his brother Alex to write songs for the movie, Twister. Singer Sammy Hagar was reluctant to work on the tracks as his pregnant wife Kari was expected to deliver their child in April, and he felt the Van Halens should fix their medical ailments – Eddie was walking around with a cane on painkillers because of a hip injury caused by avascular necrosis, and Alex had a neck brace on due to a vertebra problem stemming from various injuries over the years. Eventually the singer relented as Danniels talked about the financial benefits of the songs.\n\n\"Humans Being\", which was written with Alex as Sammy wrote a ballad with Eddie, \"Between Us Two\", was originally named by the singer as \"The Silent Extreme\" but Alex eventually gave it the new title. The song's lyrics proved a major source of contention. Alex called the film's director, Jan De Bont, to ask him how closely he wanted the lyrics to be related to the movie's context, to which De Bont replied \"Oh, please don't write about tornadoes. I don't want this to be a narrative for the movie.\"\nHagar obliged, and then asked De Bont for some footage of Twister. Considering that film dealt with \"the infatuation people have with fear and how it can suck you in\", he decided to write lyrics about how \"sometimes you're afraid to fall in love with a chick, but she sucks you in anyway.\" De Bont and Budd Carr also sent Hagar a folder with terms used by storm chasers as the singer felt he could add lyrics with terms such as \"suck zone\". The brothers still disliked Hagar's first lyrics (\"Sky turning black/knuckles turning white/headed for the suck zone\"), and he had to come up with new ones.\n\nHagar wanted to record his vocals from Hawaii, where he and his wife had arranged for a natural delivery of the baby. The band refused, wanting him to work with them at Eddie's 5150 Studios in Los Angeles. After three trips to California, Hagar eventually decided to move with his wife back to his San Francisco home to keep her near. After the first recordings of both songs, Hagar was about to leave for Hawaii when Eddie announced that they wanted to ditch \"Between Us Two\" and instead extend \"Humans Being\". Hagar wrote two verses with producer Bruce Fairbairn and recorded them in about an hour and a half before departing for his flight. When a second track ended up being required, attempts to bring Sammy back and rework \"Between Us Two\" were unsuccessful, so Alex and Eddie instead recorded an instrumental titled \"Respect the Wind\".\n\nReception\nBillboard praised the \"tasty riffs and vocal acrobatics\" of the song, but allmusic described it as \"one of Van Halen's worst tracks\", panning its inclusion on Best of Volume I. Chuck Klosterman of Vulture.com ranked it the 15th-best Van Halen song.\n\nThe song reached #1 on the Billboard Mainstream Rock Tracks chart for two weeks, becoming their 11th chart-topper. It won a 1996 Metal Edge Readers' Choice Award for \"Best Song from a Movie Soundtrack.\"\n\nPersonnel\nEddie Van Halen – guitars, backing vocals\nAlex Van Halen – drums\nSammy Hagar – lead vocals\nMichael Anthony – bass guitar, backing vocals\n\nReferences\n\n1996 songs\nVan Halen songs\nMusic videos directed by Rocky Schenck\nSongs written by Michael Anthony (musician)\nSongs written by Sammy Hagar\nSongs written by Alex Van Halen\nSongs written by Eddie Van Halen", "Michael Anthony Sobolewski (born June 20, 1954) is an American musician who was the bassist and backing vocalist for the hard rock band Van Halen from 1974 to 2006. He performed on Van Halen's first 11 albums and was their longest-tenured bassist. Following his 2006 departure, Anthony has collaborated with fellow former Van Halen bandmate Sammy Hagar for the supergroups Chickenfoot and Sammy Hagar and the Circle. In addition to his music career, he markets a line of hot sauces named Mad Anthony and related products. Anthony was inducted to the Rock and Roll Hall of Fame as a member of Van Halen in 2007.\n\nEarly years \nAnthony got his interest in music from his father, who played trumpet. Anthony began by playing trumpet.\n\nAnthony was partly raised in Chicago. The family moved to California twice in Anthony's early years, settling in 1966 in Arcadia, California (Arcadia being located next to Pasadena, where Alex and Edward Van Halen, with whom Anthony would later play in the band Van Halen, were raised). Anthony attended Dana Junior High School, in Arcadia, California, from 1967 to 1969. Anthony was in the marching band at the school. He ran track in junior high and also showed promise in baseball, as a catcher, but by the time he started high school he had ceased doing athletics to concentrate on music.\n\nAnthony graduated from Arcadia High in 1972.\n\nMusic career\n\n(1967–1974) Early musical endeavors \n\nAnthony took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums. Anthony's friend Mike Hershey gave him a Fender Mustang electric guitar that Anthony converted by removing the two highest strings and playing it as a bass guitar. Eventually, his father bought him a Victoria copy of a Fender Precision Bass and a Gibson amplifier. Anthony mostly modelled his bass playing after Jack Bruce of Cream, but also admired Led Zeppelin's John Paul Jones and Harvey Brooks of Electric Flag. His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake. Although Anthony is naturally left-handed, he plays right-handed.\n\nSnake, a three-piece group featuring Anthony on lead vocals and bass guitar, was the last band in which Anthony played before joining Van Halen. Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs. They played several of the same types of gigs as did the Van Halen brothers' band Mammoth. Snake once opened for Mammoth during a show at Pasadena High School. Mammoth's PA failed that night, so Anthony lent them Snake's PA.\n\nWhile attending Pasadena City College, majoring in music, Anthony met Eddie Van Halen, who also took classes there. During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens auditioned Anthony as a replacement. Anthony was impressed by their skill during subsequent jam sessions even though he had heard the brothers play before. After the session, the Van Halen brothers asked Anthony to join their band. One story claims that he first consulted Snake guitarist Tony Caggiano, who advised Anthony to join up with the guitar prodigy and his brother. However, according to Anthony's web site, he immediately accepted. This has become the accepted version of events.\n\nAnthony had planned to attend college in Santa Barbara after he graduated from Pasadena City College, but instead he dropped out of PCC just before he earned enough credits for a degree so that he could devote all his time to Van Halen.\n\n(1974–1996) Van Halen \n\nIn 1974, Eddie Van Halen, Alex Van Halen, David Lee Roth and Anthony became known as Van Halen, dropping the name Mammoth when they discovered another local band using that moniker. After successfully navigating the Los Angeles & West Hollywood club scene and a 29 track demo produced by Kiss's Gene Simmons, Van Halen was signed to Warner Bros. in 1977 and released their self-titled debut album on February 10, 1978. Anthony was a 20% member (manager Noel Monk being the 5th) of all debts and profits, including merchandise, until midway through the 1984 tour, when tensions rose to the point that Roth and the Van Halen brothers insisted that he sign away all future songwriting credit and royalties, retroactive with the current 1984 LP. Noel Monk later wrote of the event, \"If I were Mike, I would have told them to 'fuck off' and not played that night, to show them my worth. Instead Mike didn't say a word and signed away millions of dollars, as the three stood over him, lying on the floor.\"\n\nThe band released a total of ten studio albums from 1978 - 1995, a live album in 1993, as well as two greatest hits compilations during Anthony's tenure with the band.\n\nAnthony produced a 1988 demo for his brother (Robert Lee Sobolewski) Bobby Leigh's band Asylum Suite, which was formed in 1984 and featured singer Michael Thomas Fiore.\n\n(1996–2003) Diminishing role with Van Halen and side projects \n\nAs early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen, despite claims to the contrary. Anthony continued working with the band although the rumors persisted until his actual departure following the 2004 reunion tour with Hagar.\n\nAnthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums. Anthony played bass on three songs, with Eddie playing the bass parts for the remainder. Anthony is credited as a songwriter for the album along with the rest of the band. Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter. He participated in the band's three reunion efforts with David Lee Roth in 1996, 2000 and 2001 (with the latter resulting in early versions of A Different Kind of Truth tracks). Anthony's name was also credited in a few band newsletters and appeared in band interviews during this time. Sometime after this, Anthony disappeared from public view until the 2004 reunion.\n\nAnthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of both the Waboritas and Los Tres Gusanos, two of Hagar's bands. During 2002's Roth/Hagar tour (otherwise known as the \"Sans Halen\" or \"Sam and Dave\" tour), both Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together.\n\nIn 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the supergroup Planet Us and Anthony began making more frequent performances at Hagar concerts. Planet Us recorded two songs, including \"Psycho Vertigo\", which was intended for the original Spider-Man soundtrack but ultimately did not make the album. That and the other Planet Us song written for the band, \"Peephole\", were later released on the 2008 Hagar solo album Cosmic Universal Fashion.\n\n(2003–2005) Van Halen reunion \nInitially when Eddie and Alex asked Hagar to rejoin at the end of 2003 for a 2004 tour, the plan was to not invite Anthony back. Hagar, however, refused to perform if Anthony did not rejoin, and Anthony agreed to play but on a reduced royalties contract. The contract drawn up was for the duration of the tour only.\n\nIn 2004, Van Halen released the compilation album The Best of Both Worlds which included three new songs. Anthony did not participate in the writing of nor did he play bass on the new songs and was not credited on the album for the new material, although he did sing backup vocals on all of them.\n\nAnthony now states in media interviews that he has not spoken to the Van Halen brothers since the 2004 tour, except to Alex at the funeral of Van Halen drum tech Greg Emerson. He has also speculated that since the brothers were not pleased with Hagar's commercial ventures such as the Cabo Wabo product line, their similar displeasure with Anthony's hot sauce brand may have caused the rift that ultimately separated Hagar and Anthony from the band.\n\n(2006–present) Departure from Van Halen and formation of Chickenfoot \nAnthony spent the summer of 2006 touring as a member of the Other Half during a segment of the Sammy Hagar and the Waboritas tour. The Other Half featured Anthony and Hagar performing classic Van Halen songs from both the Roth and Hagar periods.\n\nOn September 8, 2006, Eddie Van Halen announced that his son Wolfgang was replacing Anthony as Van Halen's bass player. On February 2, 2007, Van Halen announced that they were reuniting for a tour with original vocalist David Lee Roth. Their tour began on September 27, 2007. Anthony commented that he heard about his replacement \"on the Internet\" and added, \"I'm a little miffed that they're calling it a Van Halen reunion. If I was dead and they needed someone to play, that's one thing, but to me this is not a reunion.\" At the tour press conference David Lee Roth stated, \"This is not a reunion, this is a revision.\"\n\nAnthony joined Hagar on live national television on February 25, 2007, during a pre-race performance for the California NASCAR race on Fox television. Anthony jumped onstage and joined Hagar during a performance of \"I Can't Drive 55.\"\n\nAnthony and Hagar were the only members, former or current, to appear at Van Halen's induction into the Rock and Roll Hall of Fame on March 12, 2007. Eddie Van Halen was in rehab at the time, and Alex Van Halen and David Lee Roth declined to appear.\n\nAnthony is a founding member, bassist and backing vocalist for the band Chickenfoot with Sammy Hagar, Red Hot Chili Peppers drummer Chad Smith and guitarist Joe Satriani. The band released their first studio album in Europe on June 5, 2009, followed by the North American release on June 9. Chickenfoot released their sophomore effort, Chickenfoot III, on September 27, 2011.\n\nAnthony is a member of Sammy Hagar and the Circle, a supergroup that formed in 2014 and features Hagar as well as guitarist Vic Johnson and drummer Jason Bonham.\n\nPersonal life\nAnthony met Sue Hendry when both attended Arcadia High School. They married in 1981. They have two daughters: Elisha (born 1985) and Taylor (born 1992). Anthony and his family reside in Newport Beach, California. He can be seen during televised car shows, often being interviewed regarding his love and knowledge for classic motorcycles and cars.\n\nAnthony mostly stayed on the sidelines of the rockstar \"party hard\" lifestyle, though he was often seen and photographed with a cigarette and a Jack Daniel's (whiskey logo) bass guitar.\n\nDiscography\n\nwith Van Halen\nVan Halen (1978)\nVan Halen II (1979)\nWomen and Children First (1980)\nFair Warning (1981)\nDiver Down (1982)\n1984 (1984)\n5150 (1986)\nOU812 (1988)\nFor Unlawful Carnal Knowledge (1991)\nBalance (1995)\nVan Halen III (1998)\n\nwith Chickenfoot\nChickenfoot (2009)\nChickenfoot III (2011)\n\nwith the Circle\nSpace Between (2019)\n Lockdown 2020 (2021)\n\nCommercial ventures\nAnthony maintains a personal website titled \"Mad Anthony's Cafe\" where he markets and sells a number of signature products including hot sauce, BBQ sauce, and hot mustard. His line of commercial foods is the result of a collaboration with a San Diego, California restaurant noted for its hot sauces. His hot sauce brand, \"Mad Anthony,\" has been noted on local news segments and on the Food Network for being \"high-end\" due to the quality of its ingredients and manufacturing process. The site also provides information on Anthony's Schecter Guitar Research bass guitar series. Chickenfoot bandmate Sammy Hagar carries the bassist's hot sauces at his Sammy's Beach Bar & Grill locations.\n\nReferences\n\nReferences\n\nExternal links\nOfficial Web site\nVan Halen Store\nVan Halen News Desk\n\nPeople from the San Gabriel Valley\nPlanet Us members\n1954 births\nAmerican heavy metal bass guitarists\nAmerican male bass guitarists\nLiving people\nVan Halen members\nChickenfoot members\nAmerican people of Polish descent\nAmerican rock bass guitarists\nPasadena City College alumni\n20th-century American bass guitarists\n21st-century American guitarists\nSammy Hagar and the Circle members" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "Did they like him?", "After the session, the Van Halen brothers asked Anthony to join their band.", "where did he learn how to be a bass player?", "I don't know.", "what other bands did he play with before Van Halen?", "His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake.", "did he have hits early in his career?", "Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs.", "did he go on tour at all during this time?", "I don't know.", "why did he decide to leave the band he was with and join Van Halens?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement." ]

[ "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]

[ "Michael Anthony (musician)", "(1967-1974) Musical career begins", "when did he get into music?", "He took an interest in guitar as a teenager, but picked up the bass instead since most of his other friends already played guitar or drums.", "what was his first release?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "Did they like him?", "After the session, the Van Halen brothers asked Anthony to join their band.", "where did he learn how to be a bass player?", "I don't know.", "what other bands did he play with before Van Halen?", "His first band was called Poverty's Children. Other bands he played in included Black Opal, Balls, and Snake.", "did he have hits early in his career?", "Snake played covers of ZZ Top, Lynyrd Skynyrd, and Foghat, along with some original songs.", "did he go on tour at all during this time?", "I don't know.", "why did he decide to leave the band he was with and join Van Halens?", "During this time, bass player Mark Stone parted ways with Mammoth and the Van Halens decided to audition Anthony as a replacement.", "is there anything else interesting?", "One story claims that he said he had to think about it and consulted Snake guitarist Tony Caggiano who advised Anthony to join Van Halen." ]

[ "The proportional rule is a division rule for solving bankruptcy problems. According to this rule, each claimant should receive an amount proportional to their claim. In the context of taxation, it corresponds to a proportional tax.\n\nFormal definition \nThere is a certain amount of money to divide, denoted by (=Estate or Endowment). There are n claimants. Each claimant i has a claim denoted by . Usually, , that is, the estate is insufficient to satisfy all the claims.\n\nThe proportional rule says that each claimant i should receive , where r is a constant chosen such that . In other words, each agent gets .\n\nExamples \nExamples with two claimants:\n . That is: if the estate is worth 100 and the claims are 60 and 90, then , so the first claimant gets 40 and the second claimant gets 60.\n , and similarly .\n\nExamples with three claimants:\n .\n .\n .\n\nCharacterizations \nThe proportional rule has several characterizations. It is the only rule satisfying the following sets of axioms:\n\n Self-duality and composition-up;\n Self-duality and composition-down;\n No advantageous transfer;\n Resource linearity;\nNo advantageous merging and no advantageous splitting.\n\nTruncated-proportional rule \nThere is a variant called truncated-claims proportional rule, in which each claim larger than E is truncted to E, and then the proportional rule is activated. That is, it equals , where . The results are the same for the two-claimant problems above, but for the three-claimant problems we get:\n\n , since all claims are truncated to 100;\n , since the claims vector is truncated to (100,200,200).\n , since here the claims are not truncated.\n\nAdjusted-proportional rule \nThe adjusted proportional rule first gives, to each agent i, their minimal right, which is the amount not claimed by the other agents. Formally, . Note that implies .\n\nThen, it revises the claim of agent i to , and the estate to . Note that that .\n\nFinally, it activates the truncated-claims proportional rule, that is, it returns , where .\n\nWith two claimants, the revised claims are always equal, so the remainder is divided equally. Examples:\n\n . The minimal rights are . The remaining claims are and the remaining estate is ; it is divided equally among the claimants.\n . The minimal rights are . The remaining claims are and the remaining estate is .\n . The minimal rights are . The remaining claims are and the remaining estate is .\n\nWith three or more claimants, the revised claims may be different. In all the above three-claimant examples, the minimal rights are and thus the outcome is equal to TPROP, for example, .\n\nSee also \n Proportional division\n Proportional representation\n\nReferences \n\nBankruptcy theory", "In England and Wales, a claims management company is a business that offers claims management services to the public. Claims management services consist of advice or services in respect of claims for compensation, restitution, repayment or any other remedy for loss or damage, or in respect of some other obligation. Claims management services cover litigation, or claims under regulation schemes or voluntary arrangements.\n\nHistory\nThe abolition of legal aid for personal injury claims, the introduction of conditional fee agreements and the appearance of and growth in claims management companies led to a rapid expansion of litigation from the mid-1990s. This led to public concern at the development of a \"compensation culture\". The collapse of claims management company the Accident Group in 2003 increased disquiet with the system. Such companies used aggressive sales techniques and exaggerated claims, profiting from exorbitant commissions on after the event insurance policies. It was estimated that there were about 1,000 such companies in the UK in 2003. However, there was still evidence that many meritorious claims were discouraged by the difficulties and costs of litigation. These concerns, especially around the operation of conditional fee agreements, led to regulation of the market by Part 2 of the Compensation Act 2006. The activities regulated are those common to the market and which had caused concern:\n\nAdvertising for cases;\nAdvising a claimant in respect of claims;\nCertain large-scale referral activities;\nInvestigating the circumstances, merits or foundation of a claim, with a view to litigation;\nRepresenting a claimant to any body, in writing or orally;\n— in respect of claims:\nFor personal injuries;\nUnder the Criminal Injuries Compensation Scheme;\nFor certain benefits arising from industrial injuries;\nIn relation to employment law;\nFor housing disrepair;\nIn relation to financial products or services.\n\nRegulation\nIn England and Wales, as of 23 April 2007, an individual or a corporation may not, unless exempt or otherwise in receipt of a waiver, provide claims management services by way of business unless authorised by the Claims Management Services Regulator.\nIt is a crime for an unauthorised person to provide or offer claims management services, or to pretend to be authorised. Offenders are punishable, on summary conviction, by a fine of up to level 5 on the standard scale or 51 weeks' imprisonment. If convicted on indictment in the Crown Court, offenders can be sentenced to an unlimited fine or two years' imprisonment. Where a corporate crime is committed, the offender can only be fined and not imprisoned. The claims regulator also covers the processing and evaluation of complaints against claims management companies.\n\nSolicitors, barristers, advocates and some other lawyers are exempt, as are:\nPersons regulated by the Financial Services and Markets Act 2000;\nCharities and not for profit bodies;\nMotor Insurers' Bureau;\nMedical Protection Society, Medical Defence Union, and Medical and Dental Defence Union of Scotland; and\nTrade Unions.\n\nIncidental referrals to lawyers are also exempt as are services in respect of counterclaims, or claims for contribution or indemnity.\n\nClaims Management Services Regulator\nThe Claims Management Services Regulator was created by section 11 of the Compensation Act 2006. The post of Regulator is occupied by the Secretary of State for Justice to authorise and regulate claims management companies and:\nSet and monitor standards of competence and professional conduct;\nPromote good practice, in particular as to the provision of information about charges and other matters to users;\nPromote practices likely to facilitate competition;\nEnsure that arrangements are made for the protection of users, including complaints handling.\n\nThe rules and procedure for authorisation are defined in the Compensation (Claims Management Services) Regulations 2006. The Regulator may investigate unauthorised trading and seek an injunction to prevent it or bring a criminal prosecution. It is a crime to obstruct the Regulator, punishable on summary conviction by a fine of up to level 5 on the standard scale.\n\nA person may appeal a decision of the Regulator about authorisation to the Claims Management Services Tribunal and there is a further route of appeal to the Court of Appeal.\n\nWhen section 161 of the Legal Services Act 2007 comes into force, claims management services and the Regulator will fall under the supervision of the Office for Legal Complaints and its ombudsman scheme. It has been suggested that the first complaints will not be handled until 2010.\n\nClaims Management Services Tribunal\nThe Claims Management Services Tribunal was created by section 12 of the Compensation Act 2006 to hear:\nappeals from persons against a decision of the Regulator about authorisation; and\nafter section 13(2) of the 2006 Act comes into force, references from the Claims Management Services Regulator in respect of complaints or questions about the professional conduct of a claims management company.\n\nIn January 2010 the Tribunal was abolished and its functions transferred to the First-tier Tribunal.\n\nTransfer of Regulation to the FCA\nOn 1 April 2019, regulation of claims management companies was transferred to the Financial Conduct Authority. Claims management companies previously regulated by the Claims Management Services Regulator, and that wished to continue trading, had to register for temporary permission by 31 March 2019.\n\nReferences\n\nBibliography\nBetter Regulation Task Force (2004) Better Routes to Redress, Cabinet Office\nDepartment of Constitutional Affairs (2004) Making Simple CFAs a Reality, CP22/04\nOffice of Public Sector Information (2006) Explanatory Notes to Compensation Act 2006, TSO\n\nExternal links\n\nUnited Kingdom tort law\nUnited Kingdom administrative law\nEnglish law\nLegal organisations based in England and Wales" ]

[ "Ban Ki-moon", "First term as Secretary-General" ]

[ "Jorge Alfonso Alejandro Del Castillo Gálvez (born 2 July 1950) is a Peruvian lawyer and politician. In his career, he has served in the now abolished Peruvian Chamber of Deputies between 1990 and 1992, in the unicameral Congress of the Republic for six non-consecutive terms, between 1995 and 2011 and again from 2016 to 2019, five of which are consecutive terms, and as Mayor of Lima and the District of Barranco during the 1980s.\n\nAn adept negotiator, he is also a prominent member of the Peruvian Aprista Party, serving in two occasions as the party's Secretary-General. As the right-hand man to the late former President Alan García, he served as his defense attorney during the first corruption and illicit enrichment allegations made in his first post-presidency, and finally as his first Prime Minister in his second presidency.\n\nEarly life and education\nBorn in 1950 in the Barranco District in Lima, Jorge Del Castillo pursued his elementary, middle and high school education at the Colegio San Luis of Barranco. Upon graduation, he enrolled in National University of San Marcos, studying law from 1968 to 1974. In 1994, he earned a Master's degree in Constitutional law from the Pontifical Catholic University of Peru Graduate School. Also, he holds a degree in High Direction from the University of Piura.\n\nHe became a member of the Peruvian Aprista Party while he was a law student at the National University of San Marcos, serving in the College Youth Wing.\n\nPolitical career\n\n1980s \nA prominent member of the Peruvian Aprista Party, Del Castillo was first elected to public office as a Councilman of the District of Barranco in 1981. In the 1983 municipal elections, he was elected Mayor of the same district. He held the position until 1985, when President Alan García appointed him Prefect (appointed department governor) of Lima. \n\nHe rose to political prominence after being elected Mayor of Lima in late-1986, defeating various popular candidates such as former christian democrat Mayor from the 1960s, Luis Bedoya Reyes and incumbent Marxist Mayor Alfonso Barrantes Lingán. As Mayor, he did very little in the case of infrastructure and rehabilitation of roads, although he claimed that he couldn't do much because of the rise of terrorism.\n\n1990s \nIn 1990, he was elected to the Chamber of Deputies, serving until 1992, when President Alberto Fujimori dissolved Congress in a self-coup. During his short term in Congress, he defended APRA leader Alan García from the accusations against him involving corruption and unjust enrichment. \n\nDel Castillo returned to politics in 1995, when he was elected to Congress representing Lima. He was reelected for office in 2000, 2001, and 2006. In 2004, he was ratified as Secretary General of the Party for a second term (this time as Institutional Secretary General of the Party), serving until 2006, when he resigned after being named by newly elected President Alan García as his inaugural Prime Minister.\n\nAfter his ousting as a Deputy, he helped García escape from Peru and find refuge in Colombia. With García in exile, Del Castillo became one of the most respected leaders of the Party, and was elected Secretary General in 1999.\n\n2000s\n\nFor the general elections of 2000, he was a candidate for the 1st Vice Presidency of the Republic on the presidential roster of Abel Salinas Izaguirre for the APRA, however the candidacy was not successful and he was in the 4th place of the preferences.\n\nDuring his work in the legislature, he showed his opposition to the Fujimori dictatorship and participated in the “March of the Four Suyos” on July 28, 2000, the same day that Alberto Fujimori assumed his third government.\n\nIn November of the same year, after the fall of the Fujimori government, his legislative position was reduced until 2001 when new general elections were called.\n\nIn the 2001 general elections, he was reelected Congressman by APRA for the 2001-2006 parliamentary term.\n\nDuring his work, he was 2nd Vice President of the Congress of the Republic during the period 2001-2002; President of the Subcommission for Constitutional Reform of the Economic Regime (2001-2002), President of the Working Group on the Law of Political Parties (2002-2003) and President of the Special Commission for Investment of the Congress of the Republic in the 2004- legislatures 2005 and 2005-2006.\n\nIn 2004, he was ratified as Secretary General of the Party for a second term (this time as Institutional Secretary General of the Party), serving until 2006, when he resigned after being named by newly elected President Alan García as his inaugural Prime Minister. He served as Political Secretary General between 2010 and 2017, concurrently with the Institutional Secretary General, former Ayacucho Governor Omar Quesada.\n\nDel Castillo was sworn in as García's Prime Minister on July 28, 2006, swearing for Víctor Raúl Haya de la Torre and \"APRA martyrs blood\". During his premiership, he gave political and economic stability to the country, generating confidence with Congress, making agreements with various unions and successfully managing social conflicts within the country. \n\nAfter the \"Petroaudios\" scandal revealed Del Castillo's involvement, he tendered his resignation with the whole cabinet on October 10, 2008, to President Alan García, marking his political downfall.\n\n2010s\nDel Castillo served in Congress until 2011, after failing to achieve a fifth consecutive reelection. He served as Political Secretary General between 2010 and 2017, concurrently with the Institutional Secretary General, former Ayacucho Governor Omar Quesada.\n\nIn the 2016 general election, Del Castillo was reelected for a fifth term in Congress, returning after 5 years of absence under the Popular Alliance. By law, he cannot run again for reelection since the approval of the third clause of the 2018 constitutional referendum, which states the prohibition of immediate reelection for congressman.\n\nHis final tenure in office ended with the dissolution of Congress by Martín Vizcarra. He served a total of 19 years in Congress.\n\nOffices\n\nPublic\n District Councilman of Barranco (1981-1983)\n Mayor of the District of Barranco (1984-1986)\n Prefect of the Department of Lima (1985-1986)\n Metropolitan Mayor of Lima (1987-1989)\n Chairman of Association of Municipalities of Peru (1987-1989)\n Member of the Chamber of Deputies (1990-1992)\n Member of Congress (1995-2000) (2000-2001) (2001-2006) (2006-2011) (2p16-2018)\n Second Vice President of Congress (2001-2002)\n President of the Council of Ministers (2006-2008)\n\nParty\n Secretary General of the District Executive Committee - Barranco (1982)\n Chairman of the National Political Commission (1993-1995)\n Secretary General of the National Executive Committee (1999-2004) (2004-2006)\n Candidate for the First Vice Presidency of the Republic of Peru (2000)\n Candidate for the Second Vice Presidency of the Republic of Peru (2001)\n Political Secretary General of the National Executive Committee (2010-)\n\nSee also\n2008 Peru oil scandal\n\nReferences\n\nExternal links\nOfficial Congress Profile Congress of the Republic of Peru\nPeruvian Aprista Party Official Site\n\nPeople from Lima\n1950 births\nMayors of Lima\nLiving people\nPrime Ministers of Peru\nAmerican Popular Revolutionary Alliance politicians\nMembers of the Congress of the Republic of Peru\nNational University of San Marcos alumni\nPontifical Catholic University of Peru alumni\nUniversity of Piura alumni", "A United Nations Secretary-General selection was held in 1961 to replace Dag Hammarskjöld after he was killed in a plane crash. After initial Soviet attempts to replace the Secretary-General with a troika, it was agreed that an Acting Secretary-General would be appointed for the remainder of Hammarskjöld's term. Within two weeks, U Thant of Burma emerged as the only candidate who was acceptable to both the Soviet Union and the United States. However, the superpowers spent another four weeks arguing over the number of Assistant Secretaries-General, before finally resolving their dispute by allowing Thant to decide for himself. Thant was then voted in unanimously for a term ending on 10 April 1963.\n\nThant's term was extended in 1962 to a full five years, and he was drafted for a second term in 1966 ending on 31 December 1971. Thant served a total of 10 years and 2 months in office, making him the longest-serving Secretary-General in history. Future candidates would be subject to a two-term limit, with each term running for exactly 5 years.\n\nBackground \n\nSecretary-General Dag Hammarskjöld had been actively engaged in the Congo Crisis, flying frequently to the war zone to supervise the U.N. peacekeeping mission. On 18 September 1961, Hammarskjöld flew to Ndola in Northern Rhodesia to meet with rebel leader Moïse Tshombe of the State of Katanga. After circling the airfield twice, the airplane crashed, killing Hammarskjöld and all but one of the other occupants. The airplane crash set off a succession crisis at the United Nations, as Hammarskjöld's death required the Security Council to vote on a successor.\n\nSuccession crisis \n\nThe Soviet Union had been pushing to replace the Secretary-General with a troika, the three men to be named by each of the Three Worlds of the Cold War. The Soviets recommended that three of the thirteen Under Secretaries-General be promoted to the troika: Georgi P. Arkadev of the Soviet Union, Ralph Bunche of the United States, and Chakravarthi V. Narasimhan of India. However, U.S. President John F. Kennedy objected that a troika had three horses but only one driver. U.S. Secretary of State Dean Rusk admitted on 22 September 1961 that \"an immediate agreement cannot be expected\" and suggested filling the Secretary-Generalship on a temporary basis.\n\nThe question of finding a replacement for Hammarskjöld raised several constitutional questions, as the U.N. Charter made no provision for succession to the office of Secretary-General. The United States and the United Kingdom argued that the General Assembly could act on its own to provide for the rest of Hammarskjöld's term. Several European countries suggested that the officeholder could not hold the title of Acting Secretary-General, as the selection of anyone called \"Secretary-General\" would require action by the Security Council. The Soviet Union, India, Ireland, and the Scandinavian countries argued that the Security Council must act to select a replacement for Hammarskjöld.\n\nCandidates\n\nNegotiations \n\nMongi Slim of Tunisia was elected President of the General Assembly on 21 September 1961. The United States came up with a plan for Slim to carry out the duties of Secretary-General, while he would delegate his own duties to one of the Vice-Presidents of the General Assembly. However, Slim insisted that the General Assembly would not act until the candidates had first been submitted to the Security Council. Nathan Barnes of Liberia, as President of the Security Council, attempted to arrange for Great Power consultations on the topic. However, the Soviet Union refused to attend any meeting that included Ambassador Tsiang Tingfu of Nationalist China, on the grounds that the Chinese seat at the United Nations actually belonged to Communist China.\n\nAfter the rejection of Great Power consultations, the two superpowers negotiated bilaterally on the Secretary-Generalship. Soviet ambassador Valerian Zorin met with U.S. ambassador Adlai Stevenson II on 29 September 1961, and the superpowers moved closer to agreement over the next week. The Soviet Union agreed to select a single Acting Secretary-General, and the United States dropped Mongi Slim in favor of U Thant. The Arab countries were also willing to accept Thant, even though Burma had diplomatic relations with Israel. The principal opposition to Thant came from Western Europe, Latin America, and the French-speaking countries of Africa.\n\nTerms of office \n\nAlthough the superpowers had quickly agreed on Hammarskjöld's successor, they deadlocked on the details of the appointment. The Soviet Union wanted to name an Acting Secretary-General, who must first declare that he would take actions \"in agreement\" with the Under Secretaries-General. The United States maintained that the Security Council must appoint a permanent Secretary-General, and only the General Assembly could name an interim Secretary-General. The United States also insisted that the Secretary-General must have freedom of action.\n\nThe main point of disagreement was over the number of Under Secretaries-General. The Soviet Union originally insisted on three Assistants with provision for compulsory consultation, while the United States wanted five Assistants with optional consultation. The Soviet Union then proposed four Assistants, one each from the United States, the Soviet Union, Africa, and Latin America. The United States again demanded five Assistants, including one from Western Europe, whereupon the Soviet Union countered with six or seven, including one from Eastern Europe. British ambassador Patrick Dean received instructions from London to accept seven and reject four, and he convinced U.S. ambassador Stevenson to accept seven \"as a last resort.\" However, the U.S. State Department issued instructions that five was the only acceptable number.\n\nThe deadlock was finally broken on 1 November 1961 when Stevenson suggested that Thant be allowed to decide for himself how many Assistants he would have. Thant also prepared a declaration that did not commit in advance to naming five or seven Under-Secretaries.\n\nVote \n\nThe Security Council met in closed session on 3 November 1961, unanimously adopting Resolution 168 to recommend U Thant to the General Assembly. A resolution was presented that afternoon by Ceylon, Liberia, and the United Arab Republic, all of them non-permanent members of the Security Council. The United States and the Soviet Union could not sponsor the resolution, as the other permanent members would have joined as co-sponsors, and the Soviet Union did not accept the participation of Nationalist China.\n\nThe General Assembly voted that afternoon by secret ballot to accept the Security Council's recommendation. In a unanimous vote of 103-0-0, the General Assembly appointed U Thant as Acting Secretary-General of the United Nations for a term ending on 10 April 1963.\n\n1962 selection \n\nU.S. Ambassador Adlai Stevenson announced in May 1962 that he would vote for Thant's re-election. Thant subsequently played a major role in resolving the Cuban Missile Crisis in October 1962. A second term was assured when Soviet Premier Nikita Khrushchev made several favorable references to Thant in letters to U.S. President John F. Kennedy. However, some of the other members of the Security Council were annoyed that the Soviet Union and the United States had decided on a second term without consulting the other Council members.\n\nOn 30 November 1962, the Security Council met in secret session and adopted a communiqué recommending that Thant be appointed to a term ending 3 November 1966. Soviet Ambassador Valerian Zorin reiterated that a troika was \"the only one [arrangement] consonant with reality.\" Nevertheless, the Soviet Union would vote for Thant in recognition of his \"positive action\" during the \"dangerous crisis in the Caribbean.\" For personal reasons, Thant wished to have his second term extend five years from his own selection, rather than five years from the expiration of Hammarskjöld's term as the United States had wanted. No formal resolution was adopted by the Security Council, and Thant would henceforth consider his first five years in office to be a single term.\n\nThe General Assembly followed with a vote of 109-0-0 with one absence. Thant was promoted from Acting Secretary-General to Secretary-General, and his term in office was extended until 3 November 1966.\n\n1966 selection \n\nIn 1966, Thant was assured of running unopposed with the support of both superpowers. The only question was whether he would accept a full five-year term. The prospect of a smooth re-selection was clouded on 1 September 1966, when Thant released a statement saying, \"I have decided not to offer myself for a second term as Secretary General.\" Thant offered to stay on until the end of the General Assembly session on 2 December 1966 while a successor was selected.\n\nHowever, no other candidates were nominated to succeed Thant, and it was expected that he would accept a draft. On 23 November 1966, Thant explained to U.S. Ambassador Arthur Goldberg that he could only reverse his decision if the Council gave him something to save \"face\". The face-saving statement came on 1 December 1966, when Thant met with the President of the Security Council and all of the permanent members except for Nationalist China. They promised him wider latitude to initiate action, assuring him that he would not be a \"glorified clerk.\"\n\nOn 2 December 1966, the Security Council unanimously adopted Resolution 229 to recommend Thant for another term. The General Assembly voted 120-0-1 to re-appoint Thant as Secretary-General of the United Nations for a term ending on 31 December 1971.\n\n1971 selection \n\nOn 18 January 1971, Thant announced that he had \"no intention whatsoever\" to serve another term. Unlike the 1966 selection, several candidates entered the race after Thant's declaration, beginning with Max Jakobson of Finland on 20 January 1971. However, the prospect of another draft loomed over the race, especially from the Soviet Union, France, and the Third World countries. Thant declared in September 1971 that his decision was \"final and categorical,\" and he would not serve \"even for two months\" past the end of his term. Thant's health also took a turn for the worse, as he was treated at Leroy Hospital for a bleeding ulcer in November 1971.\n\nNevertheless, the Soviet Union attempted to draft Thant at the first consultation of the permanent members on 6 December 1971. Soviet Ambassador Yakov Malik brushed aside concerns about Thant's health, saying that he should be given two weeks of vacation. The United States and the United Kingdom argued that Thant should be allowed to retire, and U.S. Secretary of State William P. Rogers instructed Ambassador George H. W. Bush to veto Thant if necessary.\n\nThant's name did not appear on the ballot in 1971, and he stepped down when his last term in office ran out on 31 December 1971. Concerns about his health proved well-founded, as Thant died of cancer on 25 November 1974.\n\nNotes\n\nReferences \n\n \n \n \n\nUnited Nations Secretariat\nSecretaries-General of the United Nations" ]

[ "Ban Ki-moon", "First term as Secretary-General", "What did he doing during his term as secretary general?", "he refused to condemn the death penalty imposed on Saddam Hussein by the Iraqi High Tribunal," ]

[ "\"Llangollen Market\" is a song from early 19th century Wales. It is known to have been performed at an eisteddfod at Llangollen in 1858.\n\nThe text of the song survives in a manuscript held by the National Museum of Wales, which came into the possession of singer Mary Davies, a co-founder of the Welsh Folk-Song Society.\n\nThe song tells the tale of a young man from the Llangollen area going off to war and leaving behind his broken-hearted girlfriend. Originally written in English, the song has been translated into Welsh and recorded by several artists such as Siân James, Siobhan Owen, Calennig and Siwsann George.\n\nLyrics\nIt’s far beyond the mountains that look so distant here,\nTo fight his country’s battles, last Mayday went my dear;\nAh, well shall I remember with bitter sighs the day,\nWhy, Owen, did you leave me? At home why did I stay?\n\nAh, cruel was my father that did my flight restrain,\nAnd I was cruel-hearted that did at home remain,\nWith you, my love, contented, I’d journey far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nWhile thinking of my Owen, my eyes with tears do fill,\nAnd then my mother chides me because my wheel stands still,\nBut how can I think of spinning when my Owen’s far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nTo market at Llangollen each morning do I go,\nBut how to strike a bargain no longer do I know;\nMy father chides at evening, my mother all the day;\nWhy, Owen, did you leave me, at home why did I stay?\n\nOh, would it please kind heaven to shield my love from harm,\nTo clasp him to my bosom would every care disarm,\nBut alas, I fear, 'tis distant - that happy, happy day;\nWhy, Owen, did you leave me, at home why did stay?\n\nReferences\n\nWelsh folk songs", "\"Why Did You Do That?\" is a song recorded by American singer Lady Gaga for the 2018 film A Star Is Born and released on the soundtrack of the same name. It was written by Gaga with Diane Warren, Mark Nilan Jr., Nick Monson and Paul \"DJWS\" Blair, and produced by all but Warren. The song appears in the film during a sequence when Gaga's character, Ally, performs on Saturday Night Live, watched by her husband Jackson (played by co-star Bradley Cooper). Later Jackson berates Ally for selling out with the song's trite lyrics, but she defends it. \"Why Did You Do That?\" was written to evoke both a retro and a modern feel, and was recorded while Gaga was on her Joanne World Tour.\n\nThe song is interspersed with the sound of a xylophone and a repetitive chorus and post-chorus. After its release, the track received a great deal of attention for its lyrics, which some critics and fans felt were a critique of pop music. The songwriters defended the track, saying it was specifically written to emphasize that Ally's career was on the rise as Jackson's was declining.\n\nRecording and composition\n\n\"Why Did You Do That?\" was written by Gaga with Diane Warren, Mark Nilan Jr., Nick Monson and Paul \"DJWS\" Blair; all but Warren produced it. The singer had first collaborated with Warren on the 2015 sexual assault-themed song, \"Til It Happens to You\". Wanting to create a \"cool and fun Gaga song\", Warren wrote the lyrics of \"Why Did You Do That?\" against a backing track. Gaga wanted a \"retro/modern feel\" to the song and wanted Warren to get out of her comfort zone of writing alone. Monson had worked with Gaga on her third studio album, Artpop (2013), and was called in to write songs for A Star Is Born in early March 2017. Around two and a half years before, Paul \"DJWS\" Blair asked Mark Nilan Jr. to come to The Village West studio in Los Angeles and do a songwriting session with Gaga and Warren, resulting in the initial version of \"Why Did You Do That?\".\n\nCooper and Gaga began working with producers on the songs for A Star Is Born in a recording studio in Los Angeles. Once Gaga embarked on her Joanne World Tour (2017–2018), they created a recording studio on the tour bus. Every night after her show Gaga would return to the studio bus and record the tracks. Further recording was carried out at Woodrow Wilson in Hollywood, California, and Shangri-La Studios in Malibu, California. \"Why Did You Do That?\" was mixed by Tom Elmhirst at Electric Lady Studios in New York and was mastered by Randy Merrill at Sterling Sound Studios. The song opens with Ally singing the lines, \"Why do you look so good in those jeans? / Why'd you come around me with an ass like that?\" Warren had thought about the line and Gaga agreed to include it as the opening lyric. The composition is interspersed with xylophone music and the word \"damn\" in the mix. The chorus is repetitive with Gaga singing the words, \"Why did you do that, do that, do that, do that, do that to me?\" against a house beat.\n\nWarren clarified that the intention was not to write a \"bad\" pop song, but something that was fun and less serious, showing Ally's change into a pop artist. She added: \"I love that [Ally] defended her music. It doesn't have to be what he thinks music should be – music can be everything. It can be a serious song, it can be a pop song, it can be a song about an ass.\" Blair also defended the lyrics in an interview with The Washington Post, saying that it was written to specifically portray Ally's career \"taking off\", and hence it had to be \"more bubbly and mainstream\". He felt whatever the song Jackson would have resented it since he was upset at Ally's success and his failing career. Gaga on the other hand was vague about whether \"Why Did You Do That?\" is a bad song saying: \"When we see her on Saturday Night Live and she’s singing a song about why do you look so good in those jeans, it’s almost the antithesis of where we started,\" Gaga said. \"That is relatively shallow.\"\n\nUse in film\nIn A Star Is Born, \"Why Did You Do That?\" is performed by Lady Gaga's character Ally on an Alec Baldwin-hosted episode of Saturday Night Live. The performance represents Ally's transformation from a simple singer-songwriter into a \"full-fledged radio pop star\". Cooper's character, Ally's husband rock musician Jackson Maine, watches her perform it. This drives him to start drinking again. According to Refinery29, Jackson's disbelief and disappointment stems from his feeling that Ally is \"selling out\". Later, when Ally receives a Grammy Award nomination, a drunken Jackson berates her for \"letting go of the person he thought she was happiest being\". Ally defends the song and they quarrel.\n\nFor the dance sequence during the song, Gaga enlisted her long-time choreographer Richy Jackson, who choreographed all the performances in the film. The singer wanted the choreography to be \"jerky\". Jackson described the choreography he created for the song as having \"pop/R&B style with a 90s feel to it\". Since Ally's style and movements are not supposed to be like Gaga's, Jackson created an individual aesthetic for Ally as she performs \"Why Did You Do That?\" and the other uptempo songs like \"Heal Me\" and \"Hair Body Face\".\n\nCritical response and analysis\nAfter the soundtrack was released, \"Why Did You Do That?\" divided critics. Many reviewers assumed it was purposefully written with trite lyrics, to underscore Jackson's point of view about pop music compared to his country-rock songs. Critics found Jackson's dismissal of \"pop music\" to be caused by the character's short-sightedness and inability to go beyond his own rock music. Others believed that the \"bad\" song led the character reverting to his \"rampant alcoholism\".\n\nBrittany Spanos of Rolling Stone felt that the first time Gaga performs the song in the film it \"is meant to be jarring on many levels\" since it is the first time the audience sees Ally as a pop star. Spanos believes \"Why Did You Do That?\" presents \"an argument against pop, which inherently feels like an argument against Lady Gaga herself, one of the biggest advocates for the delectably catchy dance-pop Ally embodies\". However, she does find the song \"intoxicating\" and \"actually pretty great\", comparing it to Gaga's early work from The Fame (2008) era, \"a vampy flirt with a penchant for a hook you won't forget for years\". Alejandra Salazar of Refinery29 described the track as a \"campy, over-the-top pop track with ridiculous lyrics about texting and praying, and also about butts\". Salazar wondered whether the song was purposely \"engineered to be not-so-good\", to portray rock music as a more authentic genre in the film.\n\nWriting for The Daily Dot, Brenden Gallagher noted that \"Why Did You Do That?\" was not submitted by Warner Bros. for the Academy Award for Best Original Song, although it was popular among fans for its lyrics. Gallagher listed a number of Internet memes based on the song. Hazel Cillis of Jezebel contends that although \"Shallow\" and \"I'll Never Love Again\" \"might be the Oscar bait\" of Cooper's movie, \"Why Did You Do That\" is a \"mindless pop song that embodies all that Ally has become in the movie\".\n\nNate Jones of New York magazine characterized \"Why Did You Do That?\" as \"the song about butts\", noting how the song's opening line had become a central point of discussion of the film's portrayal of pop music against rock. Jones felt the general perception about the track \"often boils down to how you feel about [it] – is it terrible, is it a bop, or is it a terrible song that's also a bop?\" He found a number of \"ear-candy\" elements in the composition which grabbed the audience's attention, especially after the line about buttocks. Writing for The New York Times, Kyle Buchanan confessed to having the lyrics stuck in his head. He added that the track can sound shocking initially since \"it forgoes the timelessness of 'Shallow' and its ilk in favor of what feels like pop disposability\", but noted its rising popularity on social media. Dianne Warren noted the track has its \"revenge, because it sticks in your brain. And then you end up saying, 'Why did you do that, do that, do that'.\"\n\nCredits and personnel\nCredits adapted from the liner notes of A Star Is Born.\n\nManagement\n Recorded at Saturday Night Live set in NBC Studios, Woodrow Wilson Studios (Hollywood, California), The Village West (Los Angeles, California) and Shangri-La Studios (Malibu, California)\n Mixed at Electric Lady Studios (New York City)\n Mastered at Sterling Sound Studios (New York City)\n\nPersonnel\n\n Lady Gaga – primary vocals, songwriter, record producer\n Diane Warren – songwriter\n Mark Nilan Jr. – songwriter, producer, keyboards, programming\n Nick Monson – songwriter, producer, keyboards, programming\n Paul \"DJWS\" Blair – songwriter, producer\n Benjamin Rice – recording\n Alex Williams – recording assistant\n Rob Bisel – recording assistant\n Tom Elmhirst – mixing\n Brandon Bost – mixing engineer\n Randy Merrill – audio mastering\n Tim Stewart – guitar\n\nCharts\n\nReferences\n\n2018 songs\nLady Gaga songs\nSong recordings produced by Lady Gaga\nSongs written by Diane Warren\nSongs written by DJ White Shadow\nSongs written by Lady Gaga\nSongs written by Nick Monson\nSongs written for films" ]

[ "Ban Ki-moon", "First term as Secretary-General", "What did he doing during his term as secretary general?", "he refused to condemn the death penalty imposed on Saddam Hussein by the Iraqi High Tribunal,", "why did he do that?", "remarking, \"The issue of capital punishment is for each and every member State to decide\"." ]

[ "Jennifer Nuzzo is an American epidemiologist, an Associate Professor in the Department of Environmental Health and Engineering and the Department of Epidemiology at the Johns Hopkins Bloomberg School of Public Health and a Senior Scholar at the Johns Hopkins Center for Health Security. She is also a Senior Fellow for Global Health at the Council on Foreign Relations.\n\nEarly life and education\nNuzzo earned a Bachelor of Science from Rutgers University in 1999. She received a Master of Science from the Harvard T.H. Chan School of Public Health in 2001 and a Doctor of Public Health from the Johns Hopkins Bloomberg School of Public Health in 2014.\n\nCareer\nNuzzo co-lead the development of the Global Health Security Index, an assessment of global health security capabilities in 195 countries, performed by the Nuclear Threat Initiative (NTI) and the Johns Hopkins Center for Health Security together with The Economist Intelligence Unit (EIU). She is the director and principal investigator of the Outbreak Observatory, a research project working to document infectious disease outbreaks and how governments respond to them. Nuzzo serves as an associate editor of the Health Security journal.\n\nShe has often appeared in the media discussing how health systems respond to outbreaks, and has helped bring attention to dangers of delaying vaccination, the spread of the Ebola virus, and the 2019–2020 coronavirus pandemic.\n\nCriticism\nNuzzo was criticized for comments on the George Floyd protests in which large numbers of people broke social distancing and lockdown rules during the COVID-19 shutdown; she said that to not protest against racism would cause greater public health risks than the virus.\n\nSee also\n National Biosurveillance Strategy\n\nReferences\n\n21st-century American women\nAmerican epidemiologists\nAmerican women epidemiologists\nHarvard School of Public Health alumni\nJohns Hopkins Bloomberg School of Public Health alumni\nJohns Hopkins University faculty\nLiving people\nRutgers University alumni\nYear of birth missing (living people)", "Daniela Drummond-Barbosa is a Brazilian-American geneticist who is a Professor of Biochemistry and Molecular Biology at the Johns Hopkins Bloomberg School of Public Health. Her research considers stem cell regulation.\n\nEarly life and education \nDrummond-Barbosa grew up in Belo Horizonte in Brazil. She earned her undergraduate degree in biological sciences at the Federal University of Minas Gerais in 1991. She moved to New Haven, Connecticut for her graduate studies, where she worked with Daniel DiMaio on the interactions between platelet-derived growth factor receptors and the bovine papillomavirus E5 protein. She joined the laboratory of Allan C. Spradling at the Carnegie Institution for Science for her postdoctoral research. Here she first identified that stem cells and their derivatives responded to diet.\n\nResearch and career \nDrummond-Barbosa continued to study the regulation of stem cells as she started her independent career at Vanderbilt University. She focused on how germline stem cells are regulated by diet and the control of meiotic maturation in Drosophila. In 2009 Drummond-Barbosa was appointed to Johns Hopkins Bloomberg School of Public Health. Her research considers how adult stem cells sense and respond to external and systemic environments. She has focused on the ovarian stem cells of Drosophila and how they respond to diet, concentrating on hormones, insulin and adipose tissue.\n\nAwards \n 1990 Conselho Nacional de Pesquisas Scientific Initiation Fellowship\n 1997 National Institutes of Health National Research Service Award\n 2006 Vanderbilt University Chancellor's Award for Research\n 2007 American Cancer Society Research Scholar\n 2014 Elected Fellow of the American Association for the Advancement of Science\n 2017 Johns Hopkins University Shikani/El Hibri Prize for Discovery & Innovation\n\nSelected publications\n\nReferences \n\nLiving people\nYear of birth missing (living people)\nPeople from Belo Horizonte\nJohns Hopkins Bloomberg School of Public Health faculty" ]

[ "Ban Ki-moon", "First term as Secretary-General", "What did he doing during his term as secretary general?", "he refused to condemn the death penalty imposed on Saddam Hussein by the Iraqi High Tribunal,", "why did he do that?", "remarking, \"The issue of capital punishment is for each and every member State to decide\".", "How did the public respond to that?", "Ban has received strong criticism from the UN Office of Internal Oversight Services (OIOS)," ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Ban Ki-moon", "First term as Secretary-General", "What did he doing during his term as secretary general?", "he refused to condemn the death penalty imposed on Saddam Hussein by the Iraqi High Tribunal,", "why did he do that?", "remarking, \"The issue of capital punishment is for each and every member State to decide\".", "How did the public respond to that?", "Ban has received strong criticism from the UN Office of Internal Oversight Services (OIOS),", "Are there any other interesting aspects about this article?", "Ban was born on 13 June 1944 in the small farming village of Haengchi, Wonnam Township (-myeon), in Eumseong County," ]

[ "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules", "Transcendent truths are those unaffected by time or space. They define the world, but are not defined by the world. An example of a transcendent truth is \"God is good\", or \"there is no God\". Either way, how one looks at things contained by time and space is a result of the transcendent truth. One is true; both cannot be true at the same time.\n\nWorld views are made up of transcendent truths, things we believe are true before we question whether or not anything else is true.\n\nTheories of truth" ]

[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)" ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "\"What Would Steve Do?\" is the second single released by Mumm-Ra on Columbia Records, which was released on February 19, 2007. It is a re-recorded version of the self-release they did in April 2006. It reached #40 in the UK Singles Chart, making it their highest charting single.\n\nTrack listings\nAll songs written by Mumm-Ra.\n\nCD\n\"What Would Steve Do?\"\n\"Cute As\"\n\"Without You\"\n\n7\"\n\"What Would Steve Do?\"\n\"What Would Steve Do? (Floorboard Mix)\"\n\nGatefold 7\"\n\"What Would Steve Do?\"\n\"Cute As\"\n\nReferences\n\n2007 singles\nMumm-Ra (band) songs\n2006 songs\nColumbia Records singles" ]

[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What did he do in 1988?", "In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble." ]

[ "Liane Mozère (4 January 1939 - 17 October 2013) was a Chinese-French sociologist and feminist.\n\nLife\n\nBorn in China, Liane Mozère was educated at an American school in Beijing. When she was 10, her family escaped Mao's China and settled in Paris. Mozère participated in the May 1968 events in France and joined the group associated with Gilles Deleuze and Félix Guattari around La Borde clinic. Her PhD was on creches. Late in her life she was appointed professor of sociology at Paul Verlaine University – Metz.\n\nWorks\n Le Printemps des Crèches, 1992\n 'In early childhood: What's language about?', Educational Philosophy and Theory 39 (3): 291-299 (2007)\n\nReferences\n\nExternal links\n À la mémoire de Liane Mozère (1939-2013). Vivre et penser\n\n1939 births\n2013 deaths\nFrench sociologists\nFrench women sociologists\nFrench feminists", "The Avril Lavigne replacement conspiracy theory is a conspiracy theory and urban legend stating that Canadian singer Avril Lavigne died in 2003, shortly after the release of her successful debut studio album, Let Go, and was replaced by a body double named Melissa Vandella. Evidence used to support the theory include changes in Lavigne's appearance between 2003 and the present, supposed subliminal messaging in her follow-up effort, Under My Skin, and a photoshoot in which Lavigne has the name \"Melissa\" written on her hand.\n\nThe origins of the theory can be traced back to the 2011 Brazilian blog \"Avril Está Morta\" (\"Avril is Dead\"), which led to conversations on internet forums sharing supposed evidence of Lavigne's replacement. The theory gained more traction in May 2017, when a Twitter user posted a thread recounting the theory. Lavigne herself has denied the theory on multiple occasions.\n\nOrigins \n\nThe origins of the replacement theory can be dated back to 2011, with a Brazilian blog titled \"Avril Está Morta\", or \"Avril Is Dead\", although some sources say that the rumor dates back as far as 2005. The theory alleges that the pressures of fame, combined with the death of Lavigne's grandfather, sent her into a deep depression after the release of her 2002 debut album, Let Go, and that the singer died by suicide shortly after.\n\nAccording to the conspiracy theory, a look-alike named \"Melissa\" was originally hired to distract paparazzi, protecting a reclusive Lavigne. It alleges that Lavigne befriended \"Melissa\", that shortly before the singer's supposed death her body double was taught how to sing and perform like the musician, that after Lavigne's death her record company buried the news and replaced her with \"Melissa Vandella\" for a continued profit, and that \"Melissa\" recorded all of Lavigne's future work. Much of the evidence cited in support of the conspiracy theory is the purported appearance and disappearance of various moles and other skin blemishes in pictures of Lavigne over time, as well as a promotional photoshoot in which she has the name \"Melissa\" written on her hand.\n\nThe conspiracy theory soon gained traction on internet forums such as ATRL and Godlike Productions, where self-proclaimed \"Avril Rangers\" shared evidence. One ATRL post in 2012 suggested that the original Avril may actually be alive, using a picture of what appeared to be the singer buying cheese at a time when \"new Avril\" was supposedly battling Lyme disease. In addition to the changes in her appearance, the theory alleges that the title and artwork for \"Avril's\" second album, Under My Skin, as well as the lyrics of songs like \"My Happy Ending\" and \"Together\", are subliminal messaging. The original blog further suggests that Melissa feels guilt over \"participating in this farce\", leading to the subliminal messaging.\n\nRise in popularity \nThe theory began to gain traction in the United States in October 2015, when BuzzFeed reporter Ryan Broderick tweeted about Avril Este Morta. In a BuzzFeed post, Broderick cleared up his tweet on the matter, mentioning that the opening line of the original blog post admits that the theory is a hoax, and that \"This blog was created to show how conspiracy theories can look true.\"\n\nThe death hoax saw increased prevalence in May 2017, when a high school student posted a Twitter thread alleging that Lavigne had died and been replaced in late 2003. The thread, which was retweeted a quarter of a million times, cited discrepancies in the singer's face, fashion style, and handwriting as evidence of her death and replacement. The Twitter thread largely corresponds with the earlier \"Avril Está Morta\" conspiracy, with one major difference: this time, Under My Skin was created using pre-existing recordings of the real Lavigne.\n\nThe Twitter thread inspired an internet meme in which users would say that a celebrity or fictional character died and was replaced, showing two pictures of the figure in question and titling it \"a conspiracy theory thread\".\n\nResponse \nThe first time Lavigne addressed the rumors was in a November 2017 Facebook live stream Q&A, when a fan asked whether she was dead, to which Lavigne responded, \"No, I'm not dead. I'm here.\" She went on to say that the theory was spawned because \"people are just bored and need something to talk about\". The question was broached again in a November 2018 interview with Australia's KIIS 106.5. When asked about the theory, the singer responded, \"Some people think that I'm not the real me, which is so weird! Like, why would they even think that?\" Radio hosts Kyle and Jackie O said that Lavigne \"never actually flat out denied\" that she had been replaced, and suggested that technological difficulties during the interview were a suspicious coincidence. In a 2019 interview with Entertainment Weekly, Lavigne addressed the theory directly, calling it a \"dumb internet rumor\" and saying that she was \"flabbergasted that people bought into it\".\n\nIn 2013, a separate death hoax alleged that Lavigne died in a snowboarding accident at Whistler Blackcomb ski resort.\n\nSee also \n Paul is dead, a similar theory involving Paul McCartney\n Melania Trump replacement conspiracy theory\n\nReferences \n\nDeath conspiracy theories\nWomen and death\nConspiracy theories in Brazil\nConspiracy theories in the United States\n2010s in mass media\nAvril Lavigne" ]

[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What did he do in 1988?", "In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.", "what was her theory about?", "that both phenomenology and feminism ground their theories in \"lived experience\"." ]

[ "In qualitative phenomenological research, lived experience refers to a representation of the experiences and choices of a given person, and the knowledge that they gain from these experiences and choices. It is a category of qualitative research together with those that focus on society and culture and those that focus on language and communication.\n\nIn the philosophy of Wilhelm Dilthey, the human sciences are based on lived experience, which makes them fundamentally different from the natural sciences, which are considered to be based on scientific experiences. The concept can also be approached from the view that since every experience has both objective and subjective components, it is important for a researcher to understand all aspects of it.\n\nIn phenomenological research, lived experiences are the main object of study, but the goal of such research is not to understand individuals' lived experiences as facts, but to determine the understandable meaning of such experiences. In addition lived experience is not about reflecting on an experience while living through it but is recollective, where experience is reflected on after it has passed or lived through. The concept has been criticised as solipsistic and redundant.\n\nSee also\n Anecdotal evidence\n\nReferences\n\nPhenomenological methodology\nQualitative research", "\"Metaphors of a Magnifico\" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published in 1918, so it is in the public domain. The poem experiments with perspective.\n\nIt explores the difference between detached reportage in its various foci: twenty men, a single bridge, a village; \ntwenty villages; or one man, one bridge, one village, on one hand and immediate lived experience – the boots, the boards, the first\nwhite wall of the village rising through the first fruit trees on the other. Stevens' preference for immediate lived experience addressed in his scornful treatment of William Carlos Williams in \"Nuances of a Theme by Williams\", is what commentators have in mind when they\nspeak of his sensualism. Magnifico may be one of those men crossing\nthe bridge, shifting from viewing himself and the world from various\nexternal perspectives to the first-person viewpoint (\"Of what was it I\nwas thinking\"?). What explicitly will not declare itself is subjective experience, and yet it declares itself through the action of the poem. The meanings that enable objective description of the world do not declare\nthemselves, and yet the poem ends with them in a reduction that is an usurpation of the subjective.\n\nButtel cites the poem to support his claim that Stevens has the Cubists' ability to see different perspectives of an object simultaneously: \"One must assimilate the multiplicity here\", he writes about the various bridge crossings, \"just as the viewer of Duchamp's painting must assimilate the fragmentation and multiplicity of the nude descending the staircase\".\n\nSee also his poems \"The Snow Man\" and \"Gubbinal\" for related experiments in perspective.\n\nNotes\n\nReferences \n Buttel, H. Wallace Stevens: The Making of Harmonium. 1967: Princeton University Press.\n\n1918 poems\nAmerican poems\nPoetry by Wallace Stevens" ]

[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What did he do in 1988?", "In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.", "what was her theory about?", "that both phenomenology and feminism ground their theories in \"lived experience\".", "what is lived experience?", "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity\"." ]

[ "A Keynesian beauty contest is a concept developed by John Maynard Keynes and introduced in Chapter 12 of his work, The General Theory of Employment, Interest and Money (1936), to explain price fluctuations in equity markets. It describes a beauty contest where judges are rewarded for selecting the most popular faces among all judges, rather than those they may personally find the most attractive.\n\nOverview\nKeynes described the action of rational agents in a market using an analogy based on a fictional newspaper contest, in which entrants are asked to choose the six most attractive faces from a hundred photographs. Those who picked the most popular faces are then eligible for a prize.\n\nA naive strategy would be to choose the face that, in the opinion of the entrant, is the most handsome. A more sophisticated contest entrant, wishing to maximize the chances of winning a prize, would think about what the majority perception of attractiveness is, and then make a selection based on some inference from their knowledge of public perceptions. This can be carried one step further to take into account the fact that other entrants would each have their own opinion of what public perceptions are. Thus the strategy can be extended to the next order and the next and so on, at each level attempting to predict the eventual outcome of the process based on the reasoning of other rational agents.\n\n\"It is not a case of choosing those [faces] that, to the best of one's judgment, are really the prettiest, nor even those that average opinion genuinely thinks the prettiest. We have reached the third degree where we devote our intelligences to anticipating what average opinion expects the average opinion to be. And there are some, I believe, who practice the fourth, fifth and higher degrees.\" (Keynes, General Theory of Employment, Interest and Money, 1936).\n\nKeynes believed that similar behavior was at work within the stock market. This would have investors pricing shares not based on what they think an asset's fundamental value is, or even on what investors think other investors believe about the asset's value, but on what they think other investors believe is the average opinion about the value of the asset, or even higher-order assessments.\n\nExample contests\n\nIn 2011, National Public Radio's Planet Money tested the theory by having its listeners select the cutest of three animal videos. The listeners were broken into two groups. One selected the animal they thought was cutest, and the other selected the one they thought most participants would think was the cutest. The results showed significant differences between the groups. Fifty percent of the first group selected a video with a kitten, compared to seventy-six percent of the second selecting the same kitten video. Individuals in the second group were generally able to disregard their own preferences and accurately make a decision based on the expected preferences of others. The results were considered to be consistent with Keynes' theory.\n\nSee also\nTactical voting\nComparative advantage\nFocal point (game theory)\nGuess 2/3 of the average\nFamily Feud\n\nNotes\n\nReferences\n\nExternal links\nThe State of Long-Term Expectation, Ch 12. General Theory of Employment Interest and Money\n\nBehavioral finance\nGame theory\nKeynesian economics\nSocial science experiments", "In today's society every individual is overwhelmed by different types of media. Studying the decision making process has led to the Theories of Media Exposure.\n\nSpecific Theories\n\nUses and Gratifications Theory\n\nOne of the most popular theories, Uses and Gratifications Theory, is based on users actively attempting to satisfy their media needs. Elihu Katz is often credited with being one of the original creators of this theory. This theory states that an individual will choose the media or form of media that will satisfy their desires most completely. There are a number of different desires involved with this theory, such as a desire for information or social interaction. When seeking to fulfill these desires, an individual will need to make a decision. This decision making process if the primary interest for the theorists. When comparing social networking websites, it is simply a matter of preference at the time. However the decision making process becomes more convoluted when deciding between watching a movie, playing a game online, or reading a newspaper. The same fundamental principle applies however, the person will make the decision based on what brings the most gratification.\n\nSocial Learning Theory\n\nSocial Learning Theory, similar to Uses and Gratifications Theory, is based on the gratification of an individual, but differs in that it is based more on behaviour rather than decision making. Albert Bandura is said to be the forerunner of this theory. Each individual will make decisions based on anticipation. There is a heavy reliance on previous experience knowing what leads to gratification and what will not. If one receives joy from watching comedies, then an individual will seek out comedies in the future. If horror films leave a person with nightmares then they will most likely attempt to avoid them. This theory also states that the experience of others can be used in the decision making process. If a family member recommends a book then an individual is more likely to pick up the book and read it themselves. This theory does address more thoroughly media avoidance than does Uses and Gratifications Theory.\n\nCultivation Theory \nCultivation theory was proposed by George Gerbner in the 1960s. This theory focuses on how the amount of television that is taken in impacts the watcher. Gerbner argued that the more television taken in by the viewer, the more their views of the world reflect what they are shown through the media. He compared his studies between two groups of people who were similar when it came to demographics, but the main difference between the groups was that one regularly watched television and the other did not. This theory focuses on the long-term effects of television and how the messages being portrayed can cultivate in people's lives. Gerbner believed that television has the ability to impact how people think about certain concepts but he did not believe that television has the ability to alter the concepts that people believe in. He states that people have preconceived notions about certain concepts and that they utilize the content viewed on television to build on these notions and confirm the truth of them. Criticisms \nGerbner's theory of cultivation has been criticized for being too simplistic. Certain critics believe that the major issue with this theory is that Gerbner does not take content differences into account. He also focused his studies mainly on the fictional side of television which is leaving out a large portion of the content shown on television. Another criticism related to this one is that it is somewhat inapplicable in the 21st century. Since this theory was originally adapted in the 1960s, the content that was shown while he conducted his studies differ greatly from the content shown in the year 2020.\n\nReferences\n\nExternal links\nUses and Gratifications Theory Video\nSocial Learning Theory Video\n\nMass media theories" ]

[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What did he do in 1988?", "In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.", "what was her theory about?", "that both phenomenology and feminism ground their theories in \"lived experience\".", "what is lived experience?", "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity\".", "what did people think of this theory?", "I don't know." ]

[ "Wish fulfillment is the satisfaction of a desire through an involuntary thought process. Wish fulfillment can occur in dreams or in daydreams, in the symptoms of neurosis, or in the hallucinations of psychosis. This satisfaction is often indirect and requires interpretation to recognize.\n\nSigmund Freud coined the term () in 1900 in an early text titled The Interpretation of Dreams. According to Freud, wish fulfillment occurs when unconscious desires are repressed by the ego and superego. This repression often stems from guilt and taboos imposed by society. Dreams are attempts by the unconscious to resolve some repressed conflict.\n\nFreud resisted subjecting his theories to scientific testing and verification, as did his followers. Freud rejected evidence against his theory in what his critics describe as an unscientific fashion. A patient of his once said she had a dream in which she spent time with her mother-in-law, and complained that wish fulfillment did not explain this dream, as she found her mother-in-law quite unpleasant; Freud responded her real wish must have been to disprove his theory. Freud's ideas about dream interpretation have been dropped as counterfactual or untestable by evidence-based psychologists in disciplines such as cognitive psychology.\n\nReferences\n\nBelief\nDream\nExistentialist concepts\nExistential therapy\nMagical thinking\nMotivation\nFreudian psychology", "Noy Holland (born December 3, 1960) is an American writer.\n\nBiography\nHolland received her Masters in Fine Arts from the University of Florida in 1994.\n\nHolland is a Professor in the MFA Program for Poets & Writers at the University of Massachusetts Amherst. She has also taught at Phillips Academy and the University of Florida. She directs the Writers in the Schools Project in Amherst, Massachusetts.\n\nShe received a fellowship from the National Endowment for the Arts in 2003. She has also received fellowships from the University of Florida, the Bread Loaf Writers' Conference, and the Massachusetts Cultural Council.\n\nHer writing has appeared in The American Voice, Ploughshares, Story Quarterly, Glimmer Train, The Quarterly, Conjunctions, Black Warrior Review, Open City, Noon, and other publications.\n\nHolland's most recent book is I Was Trying to Describe What It Feels Like: New and Selected Stories, published in January 2017 by Counterpoint. She is also the author of Bird (Counterpoint), The Spectacle of the Body (Knopf), What Begins with Bird (Fiction Collective Two), and Swim for the Little One First (Fiction Collective Two).\n\nHer husband is the writer Sam Michel.\n\nBibliography\n\nNovels \n\n Bird (Counterpoint, 2015)\n\nShort story collections \n\n The Spectacle of the Body (Knopf, 1994)\n What Begins with Bird (Fiction Collective Two, 2005)\n Swim for the Little One First (Fiction Collective Two, 2012)\n I Was Trying to Describe What It Feels Like: New and Selected Stories (Counterpoint, 2017). Collection of 44 stories (14 from previous collections).\n\nReferences\n\nExternal links\nReview of The Spectacle of the Body in The New York Times.\n Noy Holland at Ploughshares\n Noy Holland at the National Endowment for the Arts\n Michael Kimball interviews Noy Holland in Avatar Review\n Fade Theory Review of What Begins With Bird\n Orbit by Noy Holland\n\n1960 births\nLiving people\nUniversity of Florida faculty\nUniversity of Florida alumni\nWriters from Massachusetts\nAmerican women short story writers\nUniversity of Massachusetts Amherst faculty\nAmerican short story writers\nAmerican women academics\n21st-century American women" ]

[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What did he do in 1988?", "In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.", "what was her theory about?", "that both phenomenology and feminism ground their theories in \"lived experience\".", "what is lived experience?", "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity\".", "what did people think of this theory?", "I don't know.", "what else did she describe in her theory?", "Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Judith Butler", "\"Performative Acts and Gender Constitution\" (1988)", "What did he do in 1988?", "In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.", "what was her theory about?", "that both phenomenology and feminism ground their theories in \"lived experience\".", "what is lived experience?", "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity\".", "what did people think of this theory?", "I don't know.", "what else did she describe in her theory?", "Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts.", "Are there any other interesting aspects about this article?", "She brings many similarities, including the idea of each individual functioning as an actor of their gender." ]

[ "Gambian English is the variety of English spoken in The Gambia. Gambian English has fewer speakers than any other variety of West African English (WAE), and shares similarities with Sierra Leonean English. The differences between Gambian English and other dialects of African English are mostly lexical and pronunciative. Gambian English has been influenced by various indigenous Gambian languages.\n\nPronunciation\n\nReferences \n\nGambian culture\nLanguages of the Gambia\n\nDialects of English", "Weejasperaspididae (\"Shields of Wee Jasper\") is a family of three extinct acanthothoracid placoderms indigenous to the Early Devonian of Victoria and New South Wales, Australia.\n\nDescription\nThe Weejasperaspids are known from median dorsal plates with distinctive, blade-like crests in the median-posterior portion, and ossified eye capsules.\n\nEvolutionary relationships\nThe main reasons why the weejasperaspids are not considered to be closely related to other non-acanthothoracid placoderms, as opposed to the palaeacanthaspids, are that their skull anatomies and plate histologies are generalized, and do not bear any similarities to any specific non-acanthothoracid group, and that the patterns of ornamentation on their dermal plates are unique to this family.\n\nThe placoderm Brindabellaspis stensioi was once regarded as a weejasperaspid because of the similarities between its dermal plates to the other weejasperaspids. Even before it was split off into its own order, it stood out from the others because of its long, pointed snout. French paleontologist Phillipe Janvier placed B. stensioi in its own order, Brindabellaspida, because of how the internal anatomy of the braincase resembled more like those of osteostracans or galeaspids than those of other placoderms.\n\nExternal links \nMikko's Phylogeny Archive\n\nReferences \n Janvier, Philippe. Early Vertebrates Oxford, New York: Oxford University Press, 1998. \n Long, John A. The Rise of Fishes: 500 Million Years of Evolution Baltimore: The Johns Hopkins University Press, 1996. \n\nAcanthothoracids\nPlacoderms of Australia\nPlacoderm families\nEarly Devonian first appearances\nEarly Devonian extinctions" ]

[ "Mike Piazza", "Childhood" ]

[ "Michael W. Connolly (born October 31, 1945) was the Iowa State Senator from the 14th District. He served in the Iowa Senate 1989 – 2008 and was an assistant majority leader.\n\nEducation\nHe received his B.A. and M.A. from Loras College.\n\nCareer\nConnolly spent 30 years in the public service, 10 of which were spent in the Iowa House and 20 years in the Iowa Senate. Connolly served on several committees in the Iowa Senate - the Appropriations committee; the Education committee; the Ways and Means committee; the Ethics committee, where he was vice chair; the Government Oversight committee, where he was vice chair; the State Government committee, where he was chair and the Transportation committee, where he was chair. He served in the Iowa House of Representatives 1979 – 1989.\n\nConnolly ran unopposed for re-election in 2004, receiving 21,685 votes. He was not a candidate for reelection in 2008.\n\nReferences\n\nExternal links\nIowa General Assembly - Senator Mike Connolly official government website\nProject Vote Smart - Michael W. 'Mike' Connolly profile\nFollow the Money - Mike Connolly\n2006 2004 2002 2000 1998 campaign contributions\nIowa Senate Democrats - Mike Connolly profile\n\nIowa state senators\nMembers of the Iowa House of Representatives\n1945 births\nLiving people\nLoras College alumni\nPoliticians from Dubuque, Iowa\nIowa Democrats", "Michael \"Mike\" Collier Connell is an American musician best known as the leader, guitarist and primary songwriter of The Connells, an American band from Raleigh, North Carolina. They play a guitar-oriented, melodic jangle pop type of rock music with introspective lyrics that reflect themes and history of the American South.\n\nOrigins\nMike and his identical twin, John, were born on March 15, 1959. In 1984, Mike Connell formed the band that bears his and younger brother David's surname, born on May 27, 1961.\n\nHistory\nThe Connell brothers moved around in their early years, as their father was in medical school and getting a degree in cancer research at Duke University. Mike was born in Georgia, and David was born in the Raleigh area, while their dad was working under a family practice physician. Later, the family ended up back in Macon, Georgia, where Mike Connell and his twin brother, John, graduated high school from First Presbyterian Day School in 1977. David, two years younger, graduated later from a different school in North Carolina.\n\nIn 1978, while attending Mercer University in Macon, Georgia, Mike Connell met fellow students Clark Eason and Wade Stooksberry (also a 1977 First Presbyterian Day School graduate). According to Stooksberry in an interview on March 6, 2008, in 1979 Eason, Connell, Stooksberry and Sammy Deet (drums) started playing publicly in a band called \"Clark Eason and the Greaseguns\" at nightclubs and parties in Macon. Connell and Eason were on guitar, and Eason and Stooksberry shared vocals. They wore suits and skinny ties tucked into their dress shirts, as was the style at the time. They performed mostly 1950s music and Beatles songs. After a year, Mike Connell transferred to a college in North Carolina. Tripp Crumbley took over Connell's guitar role in the band. Connell then occasionally made guest appearances with \"Clark Eason and the Greaseguns\" while visiting his father in Macon, until that band broke up in 1980.\n\nMike Connell graduated from the University of North Carolina Chapel Hill with a bachelor's degree in 1981, and received his Juris Doctor (Law) degree also from UNC Chapel Hill in 1985. He was admitted to the North Carolina Bar in 1986. Mike now practices law (as does his twin brother, John) at a firm in North Carolina, specializing in workers' compensation law.\n\nThe Connell family moved to Raleigh, where their mother was from, just in time for David to go to Broughton High School for his senior year, and to graduate in 1979. Afterwards, David went at least one year to Mercer University, where they had family connections.\n\nThe Connells\nThe Connells began to come together as a group in the spring of 1984. Mike was in his second year of law school and his brother David in his last semester of college, both at the University of North Carolina at Chapel Hill. The brothers, David playing bass and Mike on guitar, rented a practice space and began working up several of Mike's songs with a friend, John Schultz playing drums. John was a junior at UNC and was from Raleigh, where the Connell brothers' home base now was located. The band tried a few singers that spring before settling on Doug MacMillan, a childhood friend of Schultz's and a swimmer at East Carolina University. George Huntley, who was a childhood friend of both brothers Mike and David, became a member of the band in 1984; on second guitar, keyboards, and vocals.\n\nReferences\n\nExternal links \n The Connells Official Website\n OneSimpleBand.Net Fan Site\n The Connells MySpace Site\n\n1959 births\nLiving people\nAmerican rock musicians\nDuke University alumni\nMusicians from Raleigh, North Carolina\nAmerican pop rock musicians\nAmerican male singer-songwriters\nSinger-songwriters from North Carolina" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania," ]

[ "The Saint Thomas Christians of Kerala, in south-west India, have unique naming conventions. Also known as Syrian Malabar Nasranis, they trace their origins to the evangelistic activity of Thomas the Apostle in the 1st century. Their naming conventions differ from both members of other religions in India and Christians in other regions.\n\nSaint Thomas Christian names are biblical in origin and passed on from one generation to the next. Hence male names are usually patronymic and female names are usually matronymic. That is, usually a person's name will include the names of their parents and grandparents, or that of a close blood relative. These names will not include the names of saints, other religious figures, political leaders or foreign names . Family names are also included . Unlike Indian Christians of other denominations, foreign family names are absolutely irrelevant for Saint Thomas Christians as they embraced Christianity long before the arrival of European missionaries in India. So a Nasrani can easily be identified by name, from among other Christians. Even today, this pattern of giving name is visible in almost all Syrian Christian denominations.\n\nHistory\nBefore the arrival of the Portuguese in May 1498, Saint Thomas Christians of Kerala were known to belong to the Margam, a word when translated is ‘The Way’.\n\nIn 1599, Catholic Archbishop Alexio-de-Menezes called a synod at Udayamperoor, in which Christians in and near the kingdom of Cochin attended. Here he decreed that St. Thomas Christians should abandon their ancient naming conventions. They were specifically told not to use the name Easow because it was holy. But, the Saint Thomas Christians ignored this command and had continued with their ancient customs. Even today they do follow this method of naming. Even the Nasranis that did convert to Catholicism (Syrian Catholics) still use the \"old margam\" names. The Latin names are shunned\n\nDuring the 20th century some names were created by joining two or more syllables. For example, Abey (AB), Aji (AG), Bibi (BB), Biji (BG) and so on. Today, several Syrian Christians name their children by Indian names like Deepak, Rahul, Neethu, Asha etc. But by the 21st century more biblical names began to reappear. Thus names like, Isaac, Joshua, David, Saul, Ezekiel, Timothy, appeared on the scene. Generally they still follow the system detailed below.\n\nStandard form of a name\nA name will include the baptismal name (generally the person is known by that name ) and the name of the father. The practice of appending the first name of father to the child's name instead of family name is also followed by Hindus of South India. Examples are given below.\n\nMale names\nTheir names traditionally have a threefold structure.\nFamily or house name – Father’s name – Baptismal name\nThe first two are usually abbreviated to initials.\n\nAnother form is that the name will include the baptismal name (generally the person is called by that name) and the name of his father. The practice of appending the first name of father to the child's name instead of family name is also followed by Hindus of South India. Examples are given below.\n\nAs an example, the name, Thomas Mathew is similar to Shimon bar Jona. which means Shimon son of Jona. In the same way, Thomas Mathew means Thomas son of Mathew. Thomas Mathew is to be addressed as Thomas and not by his father's name.\nHere the correct spelling is ‘’’Mathew’’’ and not ‘’’Matthew’’’ as in English.\n\nAnother form of name is Ryan Thomas Mathew where Ryan is a name chosen by the parents and they usually call him by that name, Thomas is the biblical and baptismal name and Mathew is his father's name.\n\nTheir bishop receives a new name on consecration. This also has a threefold structure.\nHis baptismal name (Sometimes in Syriac form) – the title Mar (in East syriac form) or Mor ( in west Syriac form) – an Episcopal title ( a Biblical name or the name of a Christian father).\n\nFemale names\nAs an example, the name, Rachel Mathew, means Rachel daughter of Mathew. After marriage, father's name is replaced by the husband's name. Rachel Mathew is to be addressed as Rachel and not by her father's name.\n\nAnother naming pattern is Anita Rachel Mathew where Anita is a formal given name chosen by the parents, Rachel is the biblical and baptismal name and Mathew is father's name. The given first names can be of any origin and many Syrian Christians give Indian names like Neethu, Deepa etc. to their children.\n\nUse of initials\nWhen initials are used, abbreviations of the family name or house name (name of the plot where the parents of the child live at the time of birth) and the father's name are given before the given name. For example, the name P.M. Thomas means Palakkappilly (family name), Mathew's (father's name) son, Thomas (given name). His sister's name will be P.M. Rachel.\n\nOther forms\nWhen family name or house name need to be used, it comes first followed by the given name. As an example, A.M. Thomas is, Arimboor Mathew Thomas.\n\nHypocoristic\nHypocoristic (Pet names) are often used in a familiar and friendly manner in informal situations. In more formal situations, the given name is to be used instead. This alludes to the fact that using a person's pet name betokens familiarity.\nPet names for Syrian Christians can be Hindu, Assyrian, Persian or Biblical in origin.\n\nOrder in giving names\n\nFor boys\nMale names are patronymic.\nThe first born is given the name of his paternal grandfather.\nThe second born is given the name of his maternal grandfather.\nThe third born is given the name of one of his uncles.\n\nUsually, Christians in Kerala get baptized by a male or female relative, depending on the baby's gender. When baptized they are given a \"church name\" this church name is usually a typical Christian name. The parents of the baby will also give the child a regular name, these can be common Indian names. It is up to the parents if they want to use the child's church name as their official name, on their birth certificate. Let's say for example there is a boy and his church name is, \"Luke\" but his other name is \"Sanju\" (last name is Joseph) this child's parents can choose to either put his birth name, \"Sanju\" as his official name or, put his church name \"Luke\" as his official name. If they chose option 1, putting Sanju as his official name, he would officially be known as Sanju. When he gets married his family would take his church name Luke as their last name, if he chooses that. If his parents choose option 2, using his church name as his official name, then his friends and family would refer to him as Sanju but at a job interview or at school, people would call him Luke. His wife and family would get the last name Luke.\n\n1.) Sanju Joseph\n\n2.) Luke (Sanju) Joseph\n\nFor girls\nFemale names are matronymic.\nThe first born is given the name of her paternal grandmother.\nThe second born is given the name of her maternal grandmother.\nThe third born is given the name of one of her aunts.\n\nMost Christians in Kerala are baptized so they receive a church name and they have a regular name. It is up to the girl's parents to choose what they do. For example, if a girl's name was Riya, (last name is John) but her church name was Elizabeth, 1.) her parents can choose to put her first name as Riya and use Elizabeth unofficially. 2.) They can put Elizabeth as her official name but friends and family would refer to her as Riya, however at job interviews, school, etc. they would refer to her as Elizabeth. 3.) They can put Riya as her first name and use Elizabeth as her official middle name. Boys cannot do this because their middle name is their family name.\n\n1.) Riya John\n\n2.) Elizabeth (Riya) John\n\n3.) Riya Elizabeth John\n\nChanges\nThe last name (father's name) changes with each generation. The family name would also change if members who move out of their consanguineal family homes with the changing ownership of property upon the death of the patriarch decides to adopt a new name. However, several families claim that they are ancient and their family names have remained unchanged for centuries.\n\nThe Syrian Christians who have migrated to Western nations tend to choose surnames which can either be the family name or the father's name will be used as a surname.\n\nCommon names\nThe mother tongue of Nasranis is Malayalam. So the names given in the following lists are in phonetic spelling. But the first one, given under ‘’Other names,’’ shows how that name is usually written in English. The two lists include the names of a few common names that are in use, and they are not comprehensive. To know the correct pronunciation of these names, see Malayalam script or Tiberian vocalization.\n\nMale names\n\nFemale names\n\nAll the above names are sometimes expanded by adding koch, kunju, kutty and mol before or after each name.\n\nNames are sometimes selected from the Malayalam language, and are used as pet names, like \nChinnamma, Kunjamma, Pennamma, Ponnamma, Thankamma.\n\nTable of kinship terms\n\nSee also\nMalayalam script\nTiberian vocalization\nHebrew name\n\nReferences\n\nSaint Thomas Christians\nNaming conventions", "A Yorùbá name is a name that is part of a naming tradition that is primarily used by the Yoruba people and Yoruba language-speaking individuals in Benin, Togo, and Nigeria.\n\nNaming ceremonies\nOriginally, male Yorùbá children were named on the ninth day after their birth, while the female child was named on the seventh day. However, nowadays, both genders are named on the seventh day. The names of the children are traditionally found by divination performed by a group of Babalawo - traditional Ifá priests, but in recent times names can also come from those of ranking members of the family, including the father, mother, grandparents, or next of kin. Both the mother and father and other elderly relatives can give their own favorite names to the child or children. That is why Yorùbás of yore usually have a long list of names. Baby names often come from the grandparents and great grandparents of the child to be named. The name traditionally divined by the Babaláwo indicates the Òrìṣà that guides the child and whether the child is a reincarnated ancestor and the destiny of the child and the spiritual entities that will assist the child in achieving it. There is first a private ceremony for just the parents where the names are given along with taboos for the child and parents and suggestions on what the child will need to be successful. Some days after that a public ceremony with feasting and entertainment is held and family and friends are all invited to celebrate the arrival of the child.\n\nComposition and Importance of Names\nYorùbá names are often carefully considered during the week prior to the naming ceremony, as great care is placed upon selecting a name that would not reflect any sort of negativity or disrepute. In other words, selecting a name that previously belonged to a thief or criminal for a Yorùbá child is not considered as a wise idea, as it (according to Yorùbá philosophy) could result in the child growing up to become a thief or criminal. The Yorùbá believe that previous bearers of a name have an impact on the influence of the name in a child's life. \n\nYorùbá names are traditionally classified into five categories:\n\n Orúko Àmútọ̀runwá 'Destiny Names', (\"names assumed to be brought from heaven\" or derived from a religious background). Examples are: Àìná, Ìgè, Òjó, Yétúndé, Abọ́sẹ̀dé, Táíwò, Kẹ́hìndé, Ìdòwú, Àlàbá, Bàbátúndé, Àjàyí, Abíọ́nà, Dàda, Ìdògbé, Yéwándé, Olúgbódi, et cetera. \n\n Orúkọ Àbísọ 'Acquired Names', (literally \"given on earth\" or granted by next of kin). These include: Ọmọ́táyọ̀, Ìbílọlá, Adéyínká, Ọláwùnmí, Ọládọ̀tun, Ìbídàpọ̀, Ọlárìndé, Adérónkẹ́, Ajíbọ́lá, Ìbíyẹmí, Morẹ́nikẹ́, Mojísọ́lá, Fọláwiyọ́, Ayọ̀ọ́délé, Àríyọ̀, Oyèlẹ́yẹ, Ọmọ́tọ́lá, Ọmọlará, Fadérẹra, and hundreds of others. \n Orúkọ Oríkì 'Panegyrical'. These names include: Àyìnlá, Àlàó, Àjọkẹ́, Àbẹ̀bí, Ìshọ̀lá, Àlàkẹ́, Àyọ̀ká, Ìyàndá, Àlàmú, Àlàní, Àkànmú, Àkànní, Àgbékẹ́, Àníkẹ́, Àjìún, Àmọ̀kẹ́, Àlàbí, Àbẹ̀kẹ́, Àmọ̀pé, Àjílé, Àwẹ̀ró, Àdìó, Àdìgún, Àṣàbí, Àdùfẹ́, Àbẹ̀fẹ́, Àbẹ̀jẹ́ and so on.\n\n Orúkọ Àbíkú. An Àbíkú is a child who cycles repeatedly, and within a short time frame, between life and death, thereby causing grief to the parents. The Yorùbá have a corpus of especial names for the Àbíkú. Some of this are appealing, while some are derogatory. Examples include: Málọmọ́, Kòsọ́kọ́, Dúrósinmí, Ikúkọ̀yí, Bíòbákú, Kòkúmọ́, Ikúdáìísí, Olúwadáìísí, Ìgbẹ́kọ̀yí, Àńdùú, Àńwòó, Káṣìmáawòó, Dúrótìmí, Dúróoríkẹ̀ẹ́, Ọmọ́túndé, Dúrójayé, Ikúmápàyí, Kalẹ̀jayé, Kòsọ́kọ́, Ajá, and so on.\n Orukọ Ìnagijẹ 'epithetic names'. Examples include: Eyínfúnjowó, Ajíláràn-án, Ajíṣafẹ́, Ọ̀pẹ́lẹ́ńgẹ́, Aríkúyẹrí, Agbọ́tikúyọ̀, Awẹ́lẹ́wà, Ìbàdì-àrán, Jẹ́jẹ́, Báòkú, Àkẹ́jù, Amọ́lẹ́gbẹ́, Agùntáṣọọ́lò, etc. \n\nTwo of the most common destiny names among the Yoruba are Táíwò (or Táyé) and Kẹ́hìndé, which are given primarily to twins.\nIt is believed that the first of the twins is Táíwò (or Táyé), \"tọ́-ayé-wò\" meaning, (One who tastes the world) whose intention in coming out first is to perceive whether or not the environment that they are about to enter is a good one for his or her superior to be in. When he or she is satisfied, he or she somehow informs the other twin, Kéhìndé (now anglicised to Kenny, \"kẹ́hìn-dé\" meaning the one who comes last) to come out. \n\nAnother with a traditional religious example is Ifáṣolá- Ifá grants wealth. Likely given to a child that is to be trained as a Babaláwo and it is predicted that the practice of Ifá will make the child wealthy and successful.\n\nModern Christian parents use the form of traditional names but substitute the Òrìṣà name with Olú or Olúwa, meaning Lord or My Lord, which indicates the Christian concept of God and Jesus Christ. For example: Olúwatiṣé - (The Lord has done it) - the parents prayed for a child and were granted one by God, often replaces the more traditional Ifátiṣe, which recognizes the Divination system/Òrìṣà Ifá.\n\nMuslim parents tend to give their children Islamic names. These names converted to fit into Yorùbá phonetics during pronunciation. Rofiah becomes Ràfíátù, Is'haq becomes Ísíákà, Usman becomes Sùnmọ́nù, Idris becomes Dìísù, Khadijah becomes Àdíjá, Aisha becomes Aishat, Ismail becomes Súnmẹ́là, Qudrah becomes Kúdírá or Kúdí, Imran becomes Múráínà, Dhikrullah becomes Síkírù, and so on. \n\nAn acquired name may signify the position of the family in the society (e.g. \"Adéwale\", a typical royal family name). It may also signify the traditional vocation of the family (e.g. \"Àgbẹ̀dẹ\", the blacksmith or the prefix \"Ògún,\" the patron god of blacksmiths and hunters).\n\nYoruba also have Oriki, a kind of praise recital used to emphasize the achievements of the ancestors of the various families. Oriki could be a single word name like \"Àdùnní\", or it could be verses recounting the ancestry of the person and their feats. Though not typically part of a standard name, the Oríkì is often used alongside one and is usually generally known to a person's acquaintances. Many individuals can even be recognized by the people of another town or even clan by using the oríkì of his or her ancestral line.\n\nChoosing a name in modern times is often a difficult task because there is no complete list of Yoruba names. However, a new online project by a Nigerian linguist has been initiated to document all Yoruba names in multimedia format.\n\nPopular Yoruba given names\nIn Yorubaland, there are a series of names which are popularly given to babies during naming ceremonies by their parents. These are the most common names for Yoruba people. A number of them are listed below.\n\nOluwadoyinsolami\n\nSee also\n\n Most Popular Yoruba Names\n Yoruba Name Documentation Project\n\nReferences\n\n Akoto Yoruba Ode – Oni (Modern Yoruba Orthography) By Olufemi Abati. 2000. Unique Publishers ltd. Ibadan Nigeria. .\n\nExternal links \n YorubaName.com: A Multimedia Dictionary of Yorùbá Names \n Yoruba\n Yoruba For Kids Abroad - Interactive for Yoruba Language Software for Yoruba Children \n http://www.behindthename.com/names/usage/yoruba\n http://www.edeyoruba.com/\n http://www.babynamescube.com/yoruba-baby-names\n http://ngr.ng/yoruba-names-yoruba-children-names\n https://web.archive.org/web/20150914110614/http://www.nigeriasite.com:80/yoruba.html\n\nName\nName\n \nNames by culture\n|}" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania,", "what were the names of his parents?", "Vince and Veronica," ]

[ "Benjamin Smyth (20 June 1838 – 5 October 1906) was an English first-class cricketer who played one first-class match for Kent County Cricket Club in 1858.\n\nSmyth was born in Calcutta in British India but seems to have lived most of his life in Stockwell, close to The Oval, the home of Surrey County Cricket Club. He was educated at Wimbledon Common. Five of his six siblings were also born in India and it is possible that his father was a member of the Indian Civil Service.\n\nLittle is known of Smyth's life, although it is believed that he was a member of Surrey County Cricket Club. It is not known how he came to play for Kent in the only cricket match in which he has been identified - a match against Sussex at Hove in which he scored a single run and did not bowl.\n\nIt is unclear how Smyth made his living - possibly as a solicitor, although by 1891 he was considered to be independently wealthy. He appears to have married but there is no record of whether he had any children. Smyth died at Clapham in 1906 aged 68.\n\nReferences\n\nEnglish cricketers\nKent cricketers\n1838 births\n1906 deaths", "A sibling is a gender neutral word for a relative that shares at least one parent with the subject. A male sibling is a brother and a female sibling is a sister. A person with no siblings is an only child.\n\nWhile some circumstances can cause siblings to be raised separately (such as foster care) most societies have siblings grow up together. This causes the development of strong emotional bonds, with siblinghood often considered a unique form of relationship in of itself. The emotional bond between siblings is often complicated and is influenced by factors such as parental treatment, birth order, personality, and personal experiences outside the family.\n\nMedically, a full sibling is a first-degree relative and a half sibling is a second-degree relative as they are related by 50% and 25% respectively.\n\nDefinitions\n\nThe word sibling was reintroduced in 1903 in an article in Biometrika, as a translation for the German Geschwister, having not been used since 1425.\n\nSiblings or full siblings ([full] sisters or brothers) share the same biological parents. Full siblings are also the most common type of siblings. Twins are siblings that are born at the same time. Often, twins with a close relationship will develop a twin language from infanthood, a language only shared and understood between the two. Studies suggest that identical twins appear to display more twin talk than fraternal twins. At about 3 years of age, twin talk usually ends. Twins generally share a greater bond due to growing up together and being the same age.\n\nHalf-siblings (half-sisters or half-brothers) are people who share one parent. They may share the same mother but different fathers (in which case they are known as uterine siblings or maternal half-siblings), or they may have the same father but different mothers (in which case, they are known as agnate siblings or paternal half-siblings. In law, the term consanguine is used in place of agnate). In law (and especially inheritance law), half-siblings have often been accorded treatment unequal to that of full siblings. Old English common law at one time incorporated inequalities into the laws of intestate succession, with half-siblings taking only half as much property of their intestate siblings' estates as siblings of full-blood. Unequal treatment of this type has been wholly abolished in England, but still exists in the U.S. state of Florida.\n\nThree-quarter siblings share one parent, while the unshared parents are first-degree relatives to each other, for example if a man has children with two women who are sisters, or a woman has children with a man and his son. In the first case, the children are half-siblings as well as first cousins; in the second, the children are half-siblings as well as an avuncular pair. They are genetically closer than half siblings but less genetically close than full siblings, a degree of genetic relationship that is rare in humans and little-studied.\n\nDiblings, a portmanteau of donor sibling, or donor-conceived sibling, or donor-sperm sibling, are biologically connected through donated eggs or sperm. Diblings are biologically siblings though not legally for the purposes of family rights and inheritance. The anonymity of donation is seen to add complication to the process of courtship.\n\nNon blood relations\nRelated through affinity:\n Stepsiblings (stepbrothers or stepsisters) are the children of one's stepparent from a previous relationship.\n Adoptive siblings are raised by a person who is the adoptive parent of one and the adoptive or biological parent of the other. \n Siblings-in-law are the siblings of one's spouse, the spouse of one's sibling, or the spouse of one's spouse's sibling. The spouse of one's spouse's sibling may also be called a co-sibling.\n\nNot related:\n siblings are children who are raised in the same foster home: foster children of one's parent(s), or the children or foster children of one's foster parent.\n God siblings are the children of the godfather or godmother or the godchildren of the father or mother.\n Milk siblings are children who have been nursed by the same woman. This relationship exists in cultures with milk kinship and in Islamic law.\n Cross-siblings are individuals who share one or more half-siblings; if one person has at least one maternal half-sibling and at least one paternal half-sibling, the maternal and paternal half-siblings are cross-siblings to each other.\n\nConsanguinity and genetics\nConsanguinity is the measure of how closely people are related. Genetic relatedness measures how many genes a person shares. As all humans share over 99% of the same genes, consanguinity only matters for the small fraction of genes which vary between different persons. Inheritance of genes has a random element to it, and these two concepts are different. Consanguinity decreases by half for every generation of reproductive separation through their most recent common ancestor. Siblings are 50% related by consanguinity as they are separated from each other by two generation (sibling to parent to sibling) and they share two parents as common ancestors ().\n\nA fraternal twin is a sibling and therefore is related by 50% consanguinity. Fraternal twins are no more genetically similar than regular siblings. As identical twins come from the same zygote, their most recent common ancestor is each other. They are genetically identical and 100% consanguineous as they are separated by zero generations (). Twin studies have been conducted by scientists to examine the roles that genetics and environment play in the development of various traits. Such studies examine how often identical twins possess the same behavioral trait and compare it to how often fraternal twins possess the same trait. In other studies twins are raised in separate families, and studies compare the passing on of a behavioral trait by the family environment and the possession of a common trait between identical twins. This kind of study has revealed that for personality traits which are known to be heritable, genetics play a substantial role throughout life and an even larger role during early years.\n\nHalf siblings are 25% related by consanguinity as they share one parent and separated from each other by two generations (). There is a very small chance that two half-siblings might not share any genes, if they didn't inherit any of the same chromosomes from their shared parent. This is possible for full siblings as well, though even more unlikely. But because of how homologous chromosomes swap genes (due to chromosomal crossover during meiosis) during the development of an egg or sperm cell, however, the odds of this ever actually occurring are practically non-existent.\n\nA person may share more than the standard consanguinity with their sibling if their parents are related (the coefficient of inbreeding is greater than zero). Interestingly half siblings can be related by as \"three quarters siblings\" (related by 3/8) if their unshared parents have a consanguinity of 50%. This means the unshared parents are either siblings, making the half siblings cousins, or parent and child, making them half aunt-uncle and niece-nephew.\n\nBirth order\n\nBirth order is a person's rank by age among his or her siblings. Typically, researchers classify siblings as \"eldest\", \"middle child\", and \"youngest\" or simply distinguish between \"firstborn\" and \"later-born\" children.\n\nBirth order is commonly believed in pop psychology and popular culture to have a profound and lasting effect on psychological development and personality. For example, firstborns are seen as conservative and high achieving, middle children as natural mediators, and youngest children as charming and outgoing. Despite its lasting presence in the public domain, studies have failed to consistently produce clear, valid, and compelling findings. Therefore, it has earned the title of a pseudo-psychology amongst the scientific psychological community.\n\nHistory\nThe theorizing and study of birth order can be traced back to Francis Galton's (1822–1911) theory of birth order and eminence and Alfred Adler's (1870–1937) theory of birth order and personality characteristics.\n\nGalton \nIn his book English Men of Science: Their Nature and Nurture (1874), Galton noted that prominent composers and scientists are over-represented as first-borns. He theorized three main reasons as to why first-borns are generally more eminent:\n Primogeniture laws: first-borns have access to their parents' financial resources to continue their education.\n First-borns are given more responsibility than their younger siblings and are treated more as companions by their parents.\n First-borns are given more attention and nourishment in families with limited financial resources.\n\nAdler\n First Borns: Fulfilling family roles of leadership and authority, obedient of protocol and hierarchy. Seek out and prefer order, structure and adherence to norms and rules. They partake in goal-striving behaviour as their lives are centred around achievement and accomplishment themes. They fear the loss of their position in the top of the hierarchy.\n Middle Children: Feel like outcasts of families as they lack primacy of the first child and the \"attention garnering recency\" of the youngest. These children often go to great lengths to de-identify themselves with their siblings, in an attempt to make a different and individualized identity for themselves as they feel like they were \"squeezed out\" of their families.\n Youngest Children: Feel disadvantaged compared to older siblings, are often perceived as less capable or experienced and are therefore indulged and spoiled. Because of this, they are skilled in coaxing/charming others to do things for them or provide. This contributes to the image of them being popular and outgoing, as they engage in attention-seeking behaviour to meet their needs.\n\nContemporary findings \nToday, the flaws and inconsistencies in birth order research eliminate its validity. It is very difficult to control solely for factors related to birth order, and therefore most studies produce ambiguous results. Embedded into theories of birth order is a debate of nature versus nurture. It has been disproved that there is something innate in the position one is born into, and therefore creating a preset role. Birth order has no genetic basis.\n\nThe social interaction that occurs as a result of birth order however is the most notable. Older siblings often become role models of behaviour, and younger siblings become learners and supervisees. Older siblings are at a developmental advantage both cognitively and socially. The role of birth order also depends greatly and varies greatly on family context. Family size, sibling identification, age gap, modeling, parenting techniques, gender, class, race, and temperament are all confounding variables that can influence behaviour and therefore perceived behaviour of specific birth categories. The research on birth order does have stronger correlations, however, in areas such as intelligence and physical features, but are likely caused by other factors other than the actual position of birth. Some research has found that firstborn children have slightly higher IQs on average than later born children. However, other research finds no such effect. It has been found that first-borns score three points higher compared to second borns and that children born earlier in a family are on average, taller and weigh more than those born later. However, it is impossible to generalize birth order characteristics and apply them universally to all individuals in that subgroup.\n\nContemporary explanations for IQ findings\n\nResource dilution model \n(Blake, 1981) provide three potential reasons for the higher scoring of older siblings on IQ tests:\n Parental resources are finite, first-born children get full and primary access to these resources.\n As the number of a children in a family goes up, the more resources must be shared.\n These parental resources have an important impact on a child's educational success.\n\nConfluence model \nRobert Zajonc proposed that the intellectual environment within a family is ever-changing due to three factors, and therefore more permissive of first-born children's intellectual advancement:\n Firstborns do not need to share parental attention and have their parents' complete absorption. More siblings in the family limit the attention devoted to each of them.\n Firstborns are exposed to more adult language. Later-borns are exposed to the less-mature speech of their older siblings.\n Firstborns and older siblings must answer questions and explain things to younger siblings, acting as tutors. This advances their cognitive processing of information and language skills.\n\nIn 1996, interest in the science behind birth order was re-sparked when Frank Sulloway’s book Born To Rebel was published. In this book, Sulloway argues that firstborns are more conscientious, more socially dominant, less agreeable, and less open to new ideas compared to later-borns. While being seemingly empirical and academic, as many studies are cited throughout the book, it is still often criticized as a biased and incomplete account of the whole picture of siblings and birth order. Because it is a novel, the research and theories proposed throughout were not criticized and peer-reviewed by other academics before its release.\nLiterature reviews that have examined many studies and attempted to control for confounding variables tend to find minimal effects for birth order on personality.\nIn her review of the scientific literature, Judith Rich Harris suggests that birth order effects may exist within the context of the family of origin, but that they are not enduring aspects of personality.\n\nIn practice, systematic birth order research is a challenge because it is difficult to control for all of the variables that are statistically related to birth order. For example, large families are generally lower in socioeconomic status than small families, so third-born children are more likely than first-born children to come from poorer families. Spacing of children, parenting style, and gender are additional variables to consider.\n\nRegressive behavior at birth\n\nThe arrival of a new baby is especially stressful for firstborns and for siblings between 3 and 5 years old. Regressive behavior and aggressive behavior, such as handling the baby roughly, can also occur. All of these symptoms are considered to be typical and developmentally appropriate for children between the ages of 3–5. While some can be prevented, the remainder can be improved within a few months. Regressive behavior may include demand for a bottle, thumb sucking, requests to wear diapers (even if toilet-trained), or requests to carry a security blanket.\n\nRegressive behaviors are the child's way of demanding the parents' love and attention.\n\nThe American Academy of Pediatrics suggests that instead of protesting or telling children to act their age, parents should simply grant their requests without becoming upset. The affected children will soon return to their normal routine when they realize that they now have just as important a place in the family as the new sibling. Most of the behaviors can be improved within a few months.\n\nThe University of Michigan Health System advises that most occurrences of regressive behavior are mild and to be expected; however, it recommends parents to contact a pediatrician or child psychologist if the older child tries to hurt the baby, if regressive behavior does not improve within 2 or 3 months, or if the parents have other questions or concerns.\n\nRivalry\n\n\"Sibling rivalry\" is a type of competition or animosity among brothers and sisters. It appears to be particularly intense when children are very close in age or of the same gender. Sibling rivalry can involve aggression; however, it is not the same as sibling abuse where one child victimizes another.\n\nSibling rivalry usually starts right after, or before, the arrival of the second child. While siblings will still love each other, it is not uncommon for them to bicker and be malicious to each other. Children are sensitive from the age of 1 year to differences in parental treatment and by 3 years they have a sophisticated grasp of family rules and can evaluate themselves in relation to their siblings. Sibling rivalry often continues throughout childhood and can be very frustrating and stressful to parents. One study found that the age group 10–15 reported the highest level of competition between siblings. Sibling rivalry can continue into adulthood and sibling relationships can change dramatically over the years. Approximately one-third of adults describe their relationship with siblings as rivalrous or distant. However, rivalry often lessens over time and at least 80% of siblings over age 60 enjoy close ties.\n\nEach child in a family competes to define who they are as persons and want to show that they are separate from their siblings. Sibling rivalry increases when children feel they are getting unequal amounts of their parents' attention, where there is stress in the parents' and children's lives, and where fighting is accepted by the family as a way to resolve conflicts. Sigmund Freud saw the sibling relationship as an extension of the Oedipus complex, where brothers were in competition for their mother's attention and sisters for their father's. Evolutionary psychologists explain sibling rivalry in terms of parental investment and kin selection: a parent is inclined to spread resources equally among all children in the family, but a child wants most of the resources for him or herself.\n\nRelationships\n\nJealousy\n\nJealousy is not a single emotion. The basic emotions expressed in jealous interactions are fear, anger, relief, sadness, and anxiety. Jealousy occurs in a social triangle of relationships which do not require a third person. The social triangle involves the relationships between the jealous individual and the parent, the relationship between the parent and the rival, and the relationship between jealous individual and the rival.\n\nNewborn\nFirst-borns' attachment to their parents is directly related to their jealous behaviour. In a study by Volling, four classes of children were identified based on their different responses of jealousy to new infant siblings and parent interactions.\nRegulated Exploration Children: 60% of children fall into this category. These children closely watch their parents interact with their newborn sibling, approach them positively and sometimes join the interaction. They show fewer behaviour problems in the months following the new birth and do not display problematic behaviours during the parent-infant interaction. These children are considered secure as they act how a child would be expected to act in a familiar home setting with their parents present as secure bases to explore the environment.\nApproach-Avoidant Children: 30% of children fall into this category. These children observe parent-infant interaction closely and are less likely to approach the infant and the parent. They are anxious to explore the new environment as they tend to seek little comfort from their parents.\nAnxious-Clingy Children: 6% of children fell into this category. These children have an intense interest in parent-infant interaction and a strong desire to seek proximity and contact with the parent, and sometimes intrude on parent-child interaction.\nDisruptive Children: 2.7% of children fall into this category. These children are emotionally reactive and aggressive. They have difficulty regulating their negative emotions and may be likely to externalize it as negative behaviour around the newborn.\n\nParental effect\nChildren are more jealous of the interactions between newborns and their mothers than they are with newborns and their fathers. This is logical as up until the birth of the infant, the first-born child had the mother as his or her primary care-giver all to his or herself. Some research has suggested that children display less jealous reactions over father-newborn interactions because fathers tend to punish negative emotion and are less tolerant than mothers of clinginess and visible distress, although this is hard to generalize.\n\nChildren that have parents with a better marital relationship are better at regulating their jealous emotions. Children are more likely to express jealousy when their parents are directing their attention to the sibling as opposed to when the parents are solely interacting with them. Parents who are involved in good marital communication help their children cope adaptively with jealousy. They do this by modelling problem-solving and conflict resolution for their children. Children are also less likely to have jealous feelings when they live in a home in which everyone in the family shares and expresses love and happiness.\n\nImplicit theories\nImplicit theories about relationships are associated with the ways children think of strategies to deal with a new situation. \nChildren can fall into two categories of implicit theorizing. They may be malleable theorists and believe that they can affect change on situations and people. Alternatively, they may be fixed theorists, believing situations and people are not changeable. These implicit beliefs determine both the intensity of their jealous feelings, and how long those jealous feelings last.\nMalleable Theorists display engaging behaviours, like interacting with the parent or sibling in an attempt to improve the situation. They tend to have more intense and longer-lasting feelings of jealousy because they spend more time ruminating on the situation and constructing ways to make it better.\nFixed Theorists display non-engaging behaviours, for example retreating to their room because they believe none of their actions will affect or improve the situation. They tend to have less intense and shorter lasting feelings of jealousy than malleable theorists.\n\nDifferent ages\nOlder children tend to be less jealous than their younger sibling. This is due to their ability to mentally process the social situation in a way that gives them more positive, empathetic feelings toward their younger sibling. Older children are better able to cope with their jealous feelings toward their younger sibling due to their understanding of the necessary relationship between the parent and younger sibling. Older children are also better at self-regulating their emotions and are less dependent on their caregivers for external regulation as opposed to their younger siblings.\nYounger siblings' feelings of jealousy are overpowered by feelings of anger. The quality of the relationship between the younger child and the older child is also a factor in jealousy, as the better the relationship the less jealous feelings occurred and vice versa.\n\nConflict\nSibling conflict is pervasive and often shrugged off as an accepted part of sibling dynamics. In spite of the broad variety of conflict that siblings are often involved in, sibling conflicts can be grouped into two broader categories. The first category is conflict about equality or fairness. It is not uncommon to see siblings who think that their sibling is favored by their teachers, peers, or especially their parents. In fact it is not uncommon to see siblings who both think that their parents favor the other sibling. Perceived inequalities in the division of resources such as who got a larger dessert also fall into this category of conflict. This form of conflict seems to be more prevalent in the younger sibling.\n\nThe second category of conflict involves an invasion of a child's perceived personal domain by their sibling. An example of this type of conflict is when a child enters their sibling's room when they are not welcome, or when a child crosses over into their sibling's side of the car in a long road trip. These types of fights seem to be more important to older siblings due to their larger desire for independence.\n\nWarmth\n\nSibling warmth is a term for the degree of affection and companionship shared by siblings. Sibling warmth seems to have an effect on siblings. Higher sibling warmth is related to better social skill and higher perceived social competence. Even in cases where there is a high level of sibling conflict if there is also a high level of sibling warmth then social skills and competence remain unaffected.\n\nNegative effects of conflict\n\nThe saying that people \"fight like siblings\" shows just how charged sibling conflict can be and how well recognized sibling squabbles are. In spite of how widely acknowledged these squabbles can be, sibling conflict can have several impacts on the sibling pair. It has been shown that increased levels of sibling conflict are related to higher levels of anxiety and depression in siblings, along with lower levels of self-worth and lower levels of academic competence. In addition, sibling warmth is not a protective factor for the negative effects of anxiety, depression, lack of self-worth and lower levels of academic competence. This means that sibling warmth does not counteract these negative effects. Sibling conflict is also linked to an increase in more risky behavior including: smoking cigarettes, skipping days of school, contact with the police, and other behaviors in Caucasian sibling pairs with the exception of firstborns with younger brothers. Except for the elder brother in this pair sibling conflict is positively correlated with risky behavior, thus sibling conflict may be a risk factor for behavioral problems. \nA study on what the topic of the fight was (invasion of personal domain or inequality) also shows that the topic of the fight may have a result on the effects of the conflict. This study showed that sibling conflict over personal domain were related to lower levels of self-esteem, and sibling conflict over perceived inequalities seem to be more related to depressive symptoms. However, the study also showed that greater depressive and anxious symptoms were also related to more frequent sibling conflict and more intense sibling conflict.\n\nParental management techniques of conflict\n\nTechniques used by parents to manage their children's conflicts include parental non-intervention, child-centered parental intervention strategies, and more rarely the encouragement of physical conflict between siblings. Parental non-intervention included techniques in which the parent ignores the siblings' conflict and lets them work it out between themselves without outside guidance. In some cases, this technique is chosen to avoid situations in which the parent decides which sibling is in the right and may favor one sibling over the other, however, by following this technique the parent may sacrifice the opportunity to instruct their children on how to deal with conflict. Child-centered parental interventions include techniques in which the parent mediates the argument between the two children and helps them come to an agreement. Using this technique, parents may help model how the children can deal with conflicts in the future; however, parents should avoid dictating the outcome to the children, and make sure that they are mediating the argument making suggestions, allowing the children to decide the outcome. This may be especially important when some of the children have autism. Techniques in which parents encourage physical aggression between siblings may be chosen by the parents to help children deal with aggression in the future, however, this technique does not appear to be effective as it is linked to greater conflict levels between children. Parental non-intervention is also linked to higher levels of sibling conflict, and lower levels of sibling warmth. It appears that child-centered parental interventions have the best effect on sibling's relationship with a link to greater levels of sibling warmth and lower levels of sibling conflict.\n\nLong-term effects of presence\n\nStudies on social skill and personality differences between only children and children with siblings suggest that overall the presence of a sibling does not have any effect on the child as an adult.\n\nGender roles among children and parents\n\nThere have always been some differences between siblings, especially different sex siblings. Often, different sex sibling may consider things to be unfair because their brother or sister is allowed to do certain things because of their gender, while they get to do something less fun or just different. McHale and her colleague conducted a longitudinal study using middle-childhood aged children and observed the way in which the parents contributed to stereotypical attitudes in their kids. In their study the experimenters analysed two different types of families, one with the same sex siblings, and the other with different sex siblings, as well as the children's birth order. The experiment was conducted using phone interviews, in which the experimenters would ask the children about the activities they performed throughout their day outside of school. The experimenters found that in the homes where there were mixed gender kids, and the father held traditional values, the kids also held traditional values and therefore also played gender based roles in the home. In contrast, in homes where the father did not hold traditional values, the house chores were divided more equally among his kids. However, if fathers had two male children, the younger male tended to help more with household chores, but as he reached his teenage years the younger child stopped being as helpful around the house. However, education may be a confounder affecting both the father's attitude and the siblings' behavior, and the mother's attitudes did not have a noticeable impact.\n\nWestermarck effect\nAnthropologist Edvard Westermarck found that children who are brought up together as siblings are desensitized to sexual attraction to one another later in life. This is known as the Westermarck Effect. It can be seen in biological and adoptive families, but also in other situations where children are brought up in close contact, such as the Israeli kibbutz system and the Chinese shim-pua marriage.\n\nSee also\n\n Immediate family\n List of sibling groups\n Sibling relationship\n Siblings Day\n Sladdbarn\n Step-sibling\n Multiple birth\n List of twins\n Triplet\n Twin\n Other symmetric relations\n Cousin\n Friend\n Sibling-in-law\n Significant other (SO; boyfriend or girlfriend)\n Spouse\n\nReferences\n\nFurther reading\n\nExternal links\n\n \nFamily\nKinship and descent" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania,", "what were the names of his parents?", "Vince and Veronica,", "how many siblings did he have?", "is the second-oldest son" ]

[ "Fred Lookout (November 1865 – August 28, 1949) was a leader of the Osage Nation of Native Americans.\n\nLookout was born near what's now Independence, Kansas, and raised by his paternal grandmother, as his mother died when he was still an infant. He was selected by the Osage's government agent to attend the Carlisle Indian Industrial School, which he did from 1879 to 1884; in 1884 he returned to the reservation upon the death of his father, and refused to return to the school. He married Julia Pryor and settled as a farmer near Pawhuska.\n\nLookout entered tribal politics in 1908, winning election as assistant principal chief; he didn't run for reelection in 1910. In 1914, he was appointed principal chief by U.S. Secretary of the Interior Walter L. Fisher, replacing Bacon Rind, who was removed amidst a scandal involving oil leases. He lost his reelection attempt later that year, but won a two-year term as principal chief in 1916. Thereafter, he served on the tribal council from 1920 to 1922, and then served a remarkably long third stint as principal chief, from 1926 to his death in 1949.\n\nReferences\n \n\nOsage people\nNative American leaders\n1865 births\n1949 deaths\nCarlisle Indian Industrial School alumni\nPeople from Independence, Kansas", "Allen Hill was an American physician from Dubuque County in the Iowa District of what was first the Michigan Territory, then the Wisconsin Territory, and eventually the Iowa Territory. He was elected to the last legislature of the old Michigan Territory to represent his district; but did not attend.\n\nBackground \nHill is recorded as settling with his family in the region around Dubuque, at that time a primitive but booming mining and smelting settlement, in 1833, and was one of only two physicians in the region when a cholera epidemic swept through that summer.\n\nPublic office \nIn 1835, those parts of Michigan Territory who were not set to become part of the new State of Michigan were invited to elect members to a seventh and last Michigan Territorial Council. The citizens of Dubuque County (the north half of the Iowa District) in October elected Hill and John Parker, but due to concerns about the irregularity of their election they did not attend what came to be called the \"Rump Council\" when it met (briefly) in January 1836. Parker would later publish a statement that his failure to appear \"was very satisfactory, to those who elected me at the time\", since a proclamation had apparently been issued moving up the meeting date to one which neither Hill nor Parker would be able to attend. Parker was a Democrat, but Hill's affiliation is unknown.\n\nReferences \n\nMembers of the Michigan Territorial Legislature\nPhysicians from Iowa\nPeople from Dubuque County, Iowa\n19th-century American politicians\n19th-century American physicians" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania,", "what were the names of his parents?", "Vince and Veronica,", "how many siblings did he have?", "is the second-oldest son", "what school did he attend?", "Phoenixville Area High School." ]

[ "William F. Johnson (September 28, 1861 – July 17, 1942) was an American Major League Baseball outfielder. He played all or parts of five seasons in the majors.\n\nNicknamed \"Lefty\" and \"Sleepy Bill\", Johnson made his debut with the Philadelphia Keystones of the Union Association in , playing just one game in left field and going 0-for-4. He did not play in the majors again until , when he played in 11 games for the Indianapolis Hoosiers. He played all 11 games in right field, batting just .190. He was one of 19 different players to appear in right field that season for the Hoosiers.\n\nOnce again, Johnson spent two seasons out of the majors, returning in for the American Association's Baltimore Orioles. After batting .295 in 24 games that season, he would be one of the Orioles' primary outfielders in , playing at least 24 games at all three positions while batting .271 with 79 RBI. However, after the Orioles moved to the National League in , Johnson got off to a slow start. He went just 2-for-15 in his first four games and was let go, ending his major league career.\n\nExternal links\n\n1861 births\n1942 deaths\n19th-century baseball players\nMajor League Baseball outfielders\nBaltimore Orioles (AA) players\nBaltimore Orioles (NL) players\nIndianapolis Hoosiers (NL) players\nPhiladelphia Keystones players\nHartford Dark Blues (minor league) players\nBaseball players from New Jersey", "Joseph Start (October 14, 1842 – March 27, 1927), nicknamed \"Old Reliable\" or \"Rocks\", was one of the most durable regulars of baseball's earliest era, and one of the top first basemen of his time. He began his playing career in 1859, before the formation of organized leagues and before ballplayers received payment for their services. He continued to play regularly until 1886, when he was 43. Start's career spanned countless innovations that transformed the game in fundamental ways, but he adjusted and continued to play at a high level for almost three decades. Baseball historian Bill Ryczek said that Start \"was the last of the pre–Civil War players to hang up his cleats.\"\n\nAmateur era\n\nThe New York City-born Start played first base for the amateur Enterprise Club of Brooklyn in 1859, before the advent of salaried ballplaying. The following year he joined the powerful Atlantic Club of Brooklyn, with whom he would remain through the 1870 season. The Atlantics were undefeated in 1864 and 1865. During this decade, unofficial payment for exceptional players became common and the practice was eventually legitimized.\n\nStart made a pivotal contribution to one of the most celebrated games of the late Amateur Era. The all-salaried Cincinnati Red Stockings had 81 consecutive wins across two seasons when they faced off against the Atlantics on June 14, 1870, at Brooklyn's Capitoline Grounds. After nine innings, the game was tied 5-5. The umpire ordered the teams to continue playing until the game was decided. In the top of the 11th, Cincinnati scored twice to take the lead, 7-5. In the bottom of the 11th, Atlantics third baseman Charlie Smith singled. Start then hit a booming triple, driving in Smith. Catcher Bob Ferguson drove in Start with a single to tie the game 7-7. Ferguson scored the winning run on a throwing error by Cincinnati shortstop George Wright on a hard-hit grounder by George Hall, ending the Red Stockings' legendary winning streak.\n\nIn an 1895 post-retirement interview with sportswriter Tim Murnane, Start revealed a little-known secret: “We wanted to stop playing when the score was five each, but [Cincinnati team leader] Harry Wright wouldn’t have it. You see, the Atlantics were playing on the co-operative plan, and another game meant $300 or $400 for each man.” Murnane confessed: “This was the first time I ever knew why the Brooklyn men left the field after the ninth inning, and I was present at the game.”\n\nProfessional era\n\nIn 1871, Start joined the new—and fully professional—National Association (NA), playing for the New York Mutuals and, at age 28, hitting a career-high .360, second highest on the team. He also hit the team's only home run that season. In 1873 he served as the Mutuals' field leader (a pre-managerial position) for 25 games.\n\nThe NA failed after five years. When the National League (NL) was formed in 1876, the Mutuals joined, and Start remained with the team. However, the Mutuals were a poor team in 1876, and after refusing to finish their season schedule because of a financial shortfall, they were expelled from the NL. The following year Start joined the Hartford Dark Blues, and in 1878 moved over to the Chicago White Stockings. 1878 was possibly Start's best season with the bat. He led the league with 100 hits and 125 total bases. He came close to the league lead with 12 doubles, 5 triples, and one home run. His 58 runs that year were second in the league. These statistics came in only 285 at bats, and at the age of 35, long after most players have begun to decline. \n\nFrom 1879 until 1885, when he was 42, Start held down first base for the Providence Grays and continued to hit well; he also served as team captain, a role that provided field leadership before the establishment of team managers. Start's 1879 Providence team won the NL flag, and in 1884 they won what is considered the first inter-league championship, beating the New York Metropolitans of the American Association.\n\nAfter Providence left the NL following the 1885 season, in 1886 Start signed with the Washington Nationals for what proved to be his final season. He only played 31 games for the Nationals, did not hit well, and retired from professional play. After this final sub-par season, his lifetime Major League batting average dipped below .300, to .299. For the final nine seasons of Start's career, he was the oldest player on any major league roster. Start played the final game of his professional career on July 9, 1886.\n\nOver his full major league career Start amassed 1,418 hits, 854 runs, and 544 RBI in NL and NA play. He logged a .299 batting average, a .322 on-base percentage, and a .367 slugging percentage. These totals do not include his first twelve pre-league years, during which cumulative player statistics were not recorded. In addition, since Start's lifetime totals were achieved in much shorter seasons than today's professionals play, they tend to under-represent his sustained quality as a ballplayer.\n\nLegacy\n\nBill Ryczek wrote: \"There have been a number of 20th-century players who had long careers, but the game that Tommy John played during his [1963] rookie year was very much like the game he played during his final season in 1989. When 16-year-old Joe Start began playing in 1859, pitchers threw underhand with a stiff wrist from behind a line 45 feet from home plate, a fly ball caught on one bounce was an out, and gloves were unheard of, as were professional ballplayers. During his final season, pitchers threw over-hand or sidearm with velocity that was unimaginable in 1859. The one-bounce out was 20 years in the grave, and most players wore fielding gloves. All of the top players were professionals, and baseball had become big business, far removed from the amateur affair of 1859. Despite the dramatic changes in the game of baseball, Joe Start remained a steady, productive player, adapting to the changes as quickly as they appeared. He was a regular until his final year.\"\n\nWriting at 19cBaseball.com, early game historian Eric Miklich asserted that \"Start was reported to be an excellent fielder and may have been the first first baseman to play off of the bag when not receiving a throw, enabling him to increase the area of the infield that he covered. At that time first basemen played close to or on top of the base, waiting to take throws from the infielders.\"\n\nAlthough born in an era when baseball was an amateur leisure pursuit, had no press coverage, and was little-known outside of New York City, Start lived long enough to see the worldwide popularity of slugger Babe Ruth's exploits during the 1920s.\n\nPost-baseball life\n\nAfter his retirement from the game, Start returned to Rhode Island and operated the Hillside Hotel, near Pawtuxet, and later the Lakewood Inn, in Warwick. His wife, Angeline, died in February, 1927, and Start died one month later, in Providence, Rhode Island, at age 84.\n\nExternal links\n\nReferences\n\nMajor League Baseball first basemen\nBrooklyn Enterprise players\nBrooklyn Atlantics (NABBP) players\nHartford Dark Blues players\nNew York Mutuals players\nChicago White Stockings players\nProvidence Grays players\nNew York Mutuals managers\nBaseball players from New York (state)\nBaseball player-managers\n19th-century baseball players\n1842 births\n1927 deaths" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania,", "what were the names of his parents?", "Vince and Veronica,", "how many siblings did he have?", "is the second-oldest son", "what school did he attend?", "Phoenixville Area High School.", "when did he start playing baseball?", "began encouraging his son to build his arm strength at the age of five." ]

[ "George Ross Goobey (23 May 1911 – 19 March 1999) was a British fund manager, famous for being the first to see that pension funds should buy equities.\n\nHe was born in East London, and trained as an actuary as his family could not afford to send him to university.\n\nIn 1947, aged 36, he was appointed as fund manager for Imperial Tobacco's pension fund. At this time the yield on British government bonds, or gilts, was less than the yield on equities, even though the economy was growing. However pension funds did not generally invest in equities. He persuaded the fund to switch virtually all of its investments into the equity market, which was very profitable.\n\nHe married in 1937, to Gladys Menzies and they had a daughter and a son, Alastair Ross Goobey.\n\nReferences\n Obituary,The Independent \n Speech to 1956 Conference of the Association of Superannuation & Pension Funds \n Pensions Association Ross Goobey archive \n\n1911 births\n1999 deaths\nBritish money managers", "Flagship Uberalles was a racehorse, a half brother to the 1994 and 1995 Queen Mother Champion Chase winner Viking Flagship, who raced between 1997 and 2005.\n\nHe started his racing career as a Flat horse in Ireland and was trained by Dermot Weld and made his race course debut in April 1997. He finished 5th on his 2 only starts for him, both in maiden flat races.\n\nHe then joined the yard of Patrick Flynn and was immediately sent hurdling, where he won his first 2 races before running creditably in Grade 1 company. He had one more start under the care of Flynn, before joining the yard of Paul Nicholls. He had 15 starts under Nicholls, where he reached the very top with victories in races such as the Arkle Challenge Trophy and Tingle Creek Chase among others. In his final start for Nicholls in April 2000, he was pulled up.\n\nHe then changed trainers again, and was sent to the yard Noel Chance, where he won the Tingle Creek Chase again on his first start for the trainer. He went on to have 3 more starts for Noel Chance, where he was unable to get his head in front again, before being sent to the yard of Philip Hobbs. \nOn his first start under him in December 2001, he again won the Tingle Creek Chase. It was under the care of Philip Hobbs that he had the biggest success of his career as he won the race that had eluded him up till then, the Queen Mother Champion Chase. He had 14 starts under Hobbs in total and towards the end of his racing career, he was struggling, and ended his racing career in March 2005, finishing 18th in the Grand Annual Chase at the Cheltenham Festival. He now enjoys his retirement alongside the likes of Istabraq, Baracouda & First Gold at J P McManus's Martinston Stud in Ireland.\n\nAs well as having 5 different trainers, Flagship Uberalles also had 3 different owners, starting with A P Brady, then E Gutner & M Krysztofiak, before being bought by JP McManus.\n\nExternal links\n Flagship Uberalles All Time Results\n\nRacehorses bred in Ireland\nRacehorses trained in Ireland\nRacehorses trained in the United Kingdom\nCheltenham Festival winners\n1994 racehorse births\nThoroughbred family 1-x\n2020 racehorse deaths" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania,", "what were the names of his parents?", "Vince and Veronica,", "how many siblings did he have?", "is the second-oldest son", "what school did he attend?", "Phoenixville Area High School.", "when did he start playing baseball?", "began encouraging his son to build his arm strength at the age of five.", "who trained him as he was growing up?", "Piazza received personal instruction in his backyard batting cage from Ted Williams." ]

[ "Larry Johnson (born in Albuquerque, New Mexico) is an American author and former employee of the Alcor Life Extension Foundation (Alcor), a cryonics company for whom he once served as a paramedic. He received notoriety with the release of the August 13, 2003 issue of Sports Illustrated. Sports Illustrated sportswriter Tom Verducci, along with Johnson's input, published an article about “What Really Happened to Ted Williams?\" Immediately following the Sports Illustrated article, Johnson agreed to an interview with Diane Sawyer of Good Morning America.\n\nAlcor has accused Johnson of engaging in profiteering and attempting to sensationalize his experiences at Alcor as a means of making money. In 2003, CNN correspondent Gary Tuchman noted: \"Johnson certainly doesn't mind using his connections as an ex-employee to make a buck. Johnson has started a Web site, where for a so-called donation of at least $20, graphic photographs were displayed, photographs, he said, documenting the fate of Ted Williams. Johnson won't talk on camera about Ted Williams, but his attorney acknowledges Sports Illustrated was not told about his client's money making plans.\"\nDuring the fall of 2003, while Director of Clinical Services for Alcor, Johnson did an interview in Cryonics Magazine.\n\nOn September 28, 2003, an article was published in the Phoenix, Arizona newspaper East Valley Tribune with the headline \"Scottsdale company’s role in death probe.” This article reports that Larry Johnson speaks of a 1992 death of a North Hollywood, California man whose remains are frozen at Alcor. According to Johnson he has audio taped evidence that personally recorded, of an Alcor employee who may have hastened the death of one of their members. Johnson later stated that the police were not interested in pursuing an investigation. The nurse who pronounced the 1992 death has denied Johnson's claim that there was any hastening of death. The nurse's description of the events surrounding that death contradict Alcor's published case report. The nurse claims his patient died in the bedroom, while Alcor's case report and Larry Johnson's version of the story agree the patient died in a \"makeshift operating room\" in the garage. In October 2009, \"Alcor's CEO at the time, (1992) Carlos Mondragon, told ABC News that the allegation that the patient's death was hastened was brought directly to him, and that his response was to cut Alcor's ties with the employee accused of administering the injection.\"\n\nDuring the Fall of 2009, Johnson released a book called, FROZEN: My Journey into the World of Cryonics, Deception, and Death. This book has received heavy criticism from those working in the field of cryonics.\n\nAlcor Litigation\nMr. Johnson retracted no specific allegations about Alcor in his statement associated with a legal settlement over his book. No judge, nor jury, has ruled on the veracity of the contents of the book. The NY court has ruled against Alcor's claims of conversion and exposure of trade secrets, and in May 2014, the case was dismissed in favor of the publisher and authors in New York Supreme Court.\n\nSee also\n Cryonics Wikipedia discusses cryonics\n\nFurther reading\n Alcor director disputes Larry Johnsons claims\n Cryonics Magazine - Interview with Larry Johnson (Page 14)\n Is Sports Illustrated Out to Get John Henry Williams?\n Baseball great Ted Williams dies.\n Sends chills up his spine.\n Missing: Samples of Ted Williams' DNA.\n Former Exec: Ted Williams' Corpse Beheaded.\n Ted Williams Frozen In Two Pieces.\n Ex-employee: Alcor threatened to dispose of Ted's body.\n\nReferences\n\nYear of birth missing (living people)\nLiving people\nAmerican chief operating officers\nPeople from Albuquerque, New Mexico", "\"Landmarks\" is the 23rd episode of the sixth season of the CBS sitcom How I Met Your Mother and the 135th episode overall. It aired on May 9, 2011.\n\nPlot\n\nMarshall presents his case for preserving the Arcadian at a meeting of the Landmark Preservation Commission (LPC), where the fate of the Arcadian would be decided once and for all. When Ted is called up to present his opinion, Future Ted explains how difficult it was for him to come to his decision.\n\nEver since Zoey had explained how she had grown up in the Arcadian, Ted had sided with her, hoping to keep their relationship strong. However, Barney learns from his boss Arthur Hobbs that not only will Ted be fired if the project does not go through, but Barney will also be fired for having suggested Ted as the architect in the first place. When Ted hears of this, he refuses to budge, but Robin explains that no matter what happens to the Arcadian, his relationship with Zoey will end badly: Zoey will feel betrayed if the Arcadian is not accepted as a landmark, otherwise Ted will blame Zoey for ruining his own dreams.\n\nTed soon has a dream with Barney dressed up as the original architect of the Arcadian. He convinces Ted that the Arcadian must go, as being able to design a building in New York would undoubtedly help his career and future. The next day at the LPC meeting, Ted ultimately says he does not wish for the Arcadian to be preserved. This prompts Zoey to present voice recordings of Ted saying how he was in support of the Arcadian's preservation, particularly mentioning its ornate stonework of a lion head.\n\nWith the LPC poised to give a decision the next morning, Ted is saddened to realize they will vote to preserve the Arcadian, causing him and Barney to lose their jobs. However, Lily comes up with a plan to have the Arcadian demolished. They go to Hobbs to explain their plan, but Hobbs is upset about losing everything, including his dog Tugboat, to his divorce. Marshall hugs Hobbs to comfort him, resolving their feud, and Lily then explains her plan on the condition that Ted and Barney keep their jobs, but Future Ted says that he cannot mention the specifics for legal reasons.\n\nThe next day, the LPC explain although they had been persuaded by Ted's description of the lion head stonework to preserve the Arcadian, the lion head had vanished the night before (the group got two construction workers to remove it), thus prompting them to ultimately decide not to preserve the Arcadian. Realizing what has happened, Zoey angrily confronts Ted; when he says sometimes things have to fall apart to make way for better things, she silently storms out on him, ending their relationship.\n\nLater that night, Ted calls Barney so Barney can complain about Zoey. However, Barney admits that Zoey may have been right about the lion head, which he had mounted on a wall in his room.\n\nReception\n\nThe A.V. Club's Donna Bowman gave the episode a B+ rating.\nThis is the least viewed episode of the entire series, and only earned 6.41 million viewers.\n\nReferences\n\nExternal links\n\nHow I Met Your Mother (season 6) episodes\n2011 American television episodes" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania,", "what were the names of his parents?", "Vince and Veronica,", "how many siblings did he have?", "is the second-oldest son", "what school did he attend?", "Phoenixville Area High School.", "when did he start playing baseball?", "began encouraging his son to build his arm strength at the age of five.", "who trained him as he was growing up?", "Piazza received personal instruction in his backyard batting cage from Ted Williams.", "what opinion did Ted Williams have of him?", "The Hall of Famer praised his talent," ]

[ "Rich Dad Poor Dad is a 1997 book written by Robert Kiyosaki and Sharon Lechter. It advocates the importance of financial literacy (financial education), financial independence and building wealth through investing in assets, real estate investing, starting and owning businesses, as well as increasing one's financial intelligence (financial IQ).\n\nRich Dad Poor Dad is written in the style of a set of parables, ostensibly based on Kiyosaki's life. The titular \"rich dad\" is his friend's father who accumulated wealth due to entrepreneurship and savvy investing, while the \"poor dad\" is claimed to be Kiyosaki's own father who he says worked hard all his life but never obtained financial security.\n\nReception\n\nPraise and support \nRich Dad Poor Dad has sold over 32 million copies in more than 51 languages across more than 109 countries, been on the New York Times bestsellers list for over six years, launched a series of books and related products; and received positive reviews from some critics. American talk show host and media mogul Oprah Winfrey endorsed the book on her show. Another celebrity supporter is actor Will Smith, who said he taught his son about the financial responsibility by reading the book. PBS Public Television station KOCE, aired a 55-minute presentation of Kiyosaki titled \"A Guide to Wealth\" in 2006 which essentially summarises his Rich Dad Poor Dad book. PBS also honoured him with an excellence in education award in 2005. Donald Trump did a literary collaboration with Kiyosaki in 2006 called Why We Want You To Be Rich, Two Men One Message and a second book called Midas Touch: Why Some Entrepreneurs Get Rich — And Why Most Don't in 2011.\n\nAmerican fashion entrepreneur and investor Daymond John has called the book one of his favorites.\n\nCriticism \nJohn T. Reed, a critic of Robert Kiyosaki, says, \"Rich Dad, Poor Dad contains much wrong advice, much bad advice, and virtually no good advice.\" He also states, \"Rich Dad, Poor Dad is one of the dumbest financial advice books I have ever read. It contains many factual errors and numerous extremely unlikely accounts of events that supposedly occurred.\" Kiyosaki provided a rebuttal to some of Reed's statements.\n\nSlate reviewer Rob Walker called the book full of nonsense, and said that Kiyosaki's claims were often vague, the narrative \"fablelike\", and that much of the book was \"self-help boilerplate\", noting the predictable common features of such books were present in Rich Dad, Poor Dad. He also criticizes Kiyosaki's conclusions about Americans, American culture, and Kiyosaki's methods.\n\nPublishing success \nThe book was originally self-published in 1997 before being picked up commercially to become a New York Times bestseller. It has since sold over 32 million copies and become a household name. In his audio-book Choose to be Rich, Kiyosaki said that every publisher turned him down, and Barnes & Noble refused to stock the book initially. He places his focus upon talk shows and radio show appearances, of which The Oprah Winfrey Show had the biggest influence on book sales. In April 2017 a 20th Anniversary edition was published and in a preface to this 20th Anniversary edition Kiyosaki asserts that an estimated 40 million copies of the book had been sold globally.\n\nReferences\n\nBibliography \nRich Dad Poor Dad: What the Rich Teach Their Kids About Money That the Poor and Middle Class Do Not!, by Robert Kiyosaki and Sharon Lechter. Warner Business Books, 2000.\n\nExternal links \n Robert Kiyosaki's official website\n Rich Dad Poor Dad Book Review With Summary\n \"How Rich Dad Poor dad Book download Free\n\n1997 non-fiction books\nBiographies about businesspeople\nBooks about companies\nBooks by Robert Kiyosaki\nFinance books\nPersonal finance\nPersonal finance education\nSelf-help books\nWarner Books books", "A Little Frog Is looking for His Father () is a 1964 Soviet stop-motion animated film by Roman Kachanov, produced by the Soyuzmultfilm studio.\n\nPlot summary\nThe Little Frog is looking for, but can not find a dad, who can protect him and play with him. He runs into various animals and asks them to become his dad. All these animals are larger than The Little Frog, and those animals did not want to become the frog's dad. But suddenly, The Little Frog sees a little grasshopper crying, who also has no father. So, The Little Frog says to The Little Grasshopper, \"Do not cry. I'll be Your Dad...\".\n\nCreators\n\nExternal links\n\nA Little Frog Is looking for His Father (en) at Animator.ru\nThe Film at The Russian Movie base (rus) at Kinopoisk.ru\n\nSoviet animated films\n1964 films\nRussian films\nRussian animated films\nSoyuzmultfilm\nFilms directed by Roman Abelevich Kachanov\nSoviet films\nSoviet animated short films" ]

[ "Mike Piazza", "Childhood", "where was mike born?", "Norristown, Pennsylvania,", "what were the names of his parents?", "Vince and Veronica,", "how many siblings did he have?", "is the second-oldest son", "what school did he attend?", "Phoenixville Area High School.", "when did he start playing baseball?", "began encouraging his son to build his arm strength at the age of five.", "who trained him as he was growing up?", "Piazza received personal instruction in his backyard batting cage from Ted Williams.", "what opinion did Ted Williams have of him?", "The Hall of Famer praised his talent,", "how did his dad encourage him?", "Vince Piazza threw hundreds of pitches nightly to his son, who shared his father's focus on baseball," ]

[ "Andre Terrell Jackson (born May 1, 1996) is an American professional baseball pitcher for the Los Angeles Dodgers of Major League Baseball (MLB)\n\nAmateur career\nJackson was selected by the Texas Rangers in the 32nd round of the 2014 Major League Baseball draft out of Cienega High School in Vail, Arizona, but did not sign and chose instead to attend college at the University of Utah. In 2015, Jackson's freshman year, he played as an outfielder, and hit .179 over 44 games. As a sophomore in 2016, he batted .299 with twenty RBIs over 34 games alongside pitching to a 6.41 ERA over 11 relief appearances. After the season, he underwent Tommy John surgery, and missed the 2017 season. Despite this, he was still selected by the Los Angeles Dodgers in the 12th round of the 2017 Major League Baseball draft as a pitcher.\n\nLos Angeles Dodgers\nJackson signed with the Dodgers and made his professional debut in 2018, splitting time between the Rookie-league Arizona League Dodgers and the Great Lakes Loons of the Class A Midwest League, going a combined 3–5 with a 4.10 ERA over 18 games (17 starts), striking out 76 batters over 68 innings. He returned to Great Lakes in 2019 before being promoted to the Rancho Cucamonga Quakes of the Class A-Advanced California League. Over 25 starts between the two clubs, he went 7–2 with a 3.06 ERA. He did not play a game in 2020 due to the cancellation of the minor league season.\n\nThe Dodgers added Jackson to their 40-man roster after the 2020 season. To begin the 2021 season, he was assigned to the Tulsa Drillers of the Double-A Central. In June, Jackson was selected to play in the All-Star Futures Game at Coors Field. After pitching to a 3-2 record with a 3.27 ERA over 15 games (13 starts) and innings with Tulsa, he was promoted to the Oklahoma City Dodgers of the Triple-A West in late July. Jackson was called up to the majors for the first time on August 16, 2021, and made his MLB debut that same night against the Pittsburgh Pirates. He pitched four scoreless innings in relief with five strikeouts, two hits, and four walks allowed. His first MLB strikeout was of Rodolfo Castro. He appeared in three total games for the Dodgers, pitching innings while allowing three runs on ten hits for a 2.31 ERA.\n\nReferences\n\nExternal links\n\n1996 births\nLiving people\nBaseball players from Arizona\nMajor League Baseball pitchers\nLos Angeles Dodgers players\nUtah Utes baseball players\nKelowna Falcons players\nGreat Lakes Loons players\nArizona League Dodgers players\nRancho Cucamonga Quakes players\nTulsa Drillers players\nOklahoma City Dodgers players", "Rodney Carter Miller (January 16, 1940 – November 8, 2013) was an American professional baseball player who played in one game in Major League Baseball for the Brooklyn Dodgers when he was 17 years old. Born in Portland, Oregon, he signed with Brooklyn after graduating from high school in Lynwood, California. A second baseman and third baseman by trade, he batted left-handed and threw right-handed, stood tall and weighed .\n\nMiller had spent 1957 in the Class C Illinois–Indiana–Iowa League before his recall to the Dodgers after rosters were expanded to 40 men post-September 1. In his one MLB game, on September 28, 1957, he pinch hit for Randy Jackson in the top of the ninth inning against relief pitcher Jack Meyer of the Philadelphia Phillies, and struck out. The game, played at Connie Mack Stadium, was won by the Dodgers 8–4. It was the second-to-last game in Brooklyn Dodger history. Weeks after the 1957 regular season ended on September 29, the team moved to Los Angeles for the campaign.\n\nAlthough the Dodgers' new home was minutes from Miller's high school alma mater, he never again appeared for them after 1957. Miller played three more years in the lower reaches of the Dodgers' farm system, leaving baseball after the 1960 campaign to join the United States Marine Corps, where he served for four years. He lived for 21 years in Reno, Nevada, before retiring to Cascade, Idaho, in 2009.\n\nReferences\n\nExternal links\n\n1940 births\n2013 deaths\nBaseball players from Portland, Oregon\nBrooklyn Dodgers players\nCedar Rapids Raiders players\nColumbus Foxes players\nGreat Falls Electrics players\nKokomo Dodgers players\nPeople from Cascade, Idaho\nPeople from Lynwood, California\nReno Silver Sox players\nSportspeople from Reno, Nevada\nThomasville Dodgers players\nUnited States Marines" ]

[ "Ian Botham", "Jubilee Test, India, February 1980" ]

[ "The Best of Della Reese is a \"best of\" album released by Jubilee Records in 1962. The album includes tracks from Della Reese's Jubilee years, recorded between 1954 and 1959.\n\nTrack listing\n\nSide A\n\"Stormy Weather\" (3:37)\n\"Pennies from Heaven[Live]\" (1:51)\n\"I'm Nobody's Baby\" (3:11)\n\"Happiness Is a Thing Called Joe [Live]\" (4:12)\n\"What Do You Know About Love?\" (3:09)\n\"I've Got My Love to Keep Me Warm\" (2:20)\n\nSide B\n\"All Alone\" (2:58)\n\"All of Me [Live]\" (1:58)\n\"Nobody Knows the Trouble I've Seen\" (4:41)\n\"In the Still of the Night\" (3:03)\n\"My Melancholy Baby\" (3:33)\n\"The Party's Over [Live]\" (2:48)\n\nReferences\n Jubilee at Soulful Kinda Music.\n\nDella Reese albums\n1962 greatest hits albums\nJubilee Records compilation albums", "In psychometrics, an anchor test is a common set of test items administered in combination with two or more alternative forms of the test with the aim of establishing the equivalence of the test scores on the alternative forms. The purpose of the anchor test is to provide a baseline for an equating analysis between different forms of a test.\n\nAnchor test is one type of psychological assessment tool to measure an individual's knowledge or cognitive ability by testing the same areas in different ways. In psychometrics, to develop assessment tools that are reliable for testing certain skills and abilities are what most Psychometricists are interested in. Anchor tests are not intended to test the subject's ability to take tests, interpret questions, or understand a concept that is unrelated to the test questions. Instead, it eliminates the incongruency between what the test is designed to assess and what it actually assesses. Subjects will be tested on the same knowledge and skills in multiple ways in an anchor test. Compared with traditional tests in both education and psychology, anchor tests are intended to find out what an individual is able to do rather than what an individual is unable to do. A study examined that higher anchor test to total test correlation leads to better equating . It thus implies that an anchor test with items of medium difficulty (miditest) may lead to better equating than an Anchor test of lesser difficulty (minitest).\n\nReferences\n\nPsychometrics\nComparison of assessments" ]

[ "Ian Botham", "Jubilee Test, India, February 1980", "What is the Jubilee test?", "It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay." ]

[ "The Saugeen Kame Terraces is a 431-hectare provincially significant Earth Science Area of Natural and Scientific Interest in Ontario, Canada. It is in Grey County (in what was once Egremont Township), bounding the eastern and southern shores of Wilder Lake, a kettle lake, and is part of the larger Singhampton Kame Moraine formation. It is a kame formation that is the result of glacial retreat sediment deposition about 14,000 years ago.\n\nReferences\n\nGeography of Grey County\nAreas of Natural and Scientific Interest\nKames", "The term significant other has different uses in psychology and in colloquial language. Colloquially \"significant other\" (or SO) is used as a gender-neutral term for a person's partner in an intimate relationship without disclosing or presuming anything about marital status, relationship status, gender identity, or sexual orientation. Synonyms with similar properties include: sweetheart, other half, better half, spouse, domestic partner, lover, soulmate, or life partner.\n\nIn the United States, the term is sometimes used in invitations, such as to weddings and office parties. This use of the term has become common in the UK in correspondence from hospitals, e.g., \"you may be accompanied for your appointment by a significant other.\"\n\nScientific use\nIts usage in psychology and sociology is very different from its colloquial use. In psychology, a significant other is any person who has great importance to an individual's life or well-being. In sociology, it describes any person or persons with a strong influence on an individual's self-concept. Although the influence of significant others on individuals was long theorized, the first actual measurements of the influence of significant others on individuals were made by Archie O. Haller, Edward L. Fink, and Joseph Woelfel at the University of Wisconsin.\n\nHaller, Fink, and Woelfel are associates of the Wisconsin model of status attainment. They surveyed 100 Wisconsin adolescents, measured their educational and occupational aspirations, and identified the set of other individuals who communicated with the students and served as examples for them. They then contacted the significant others directly and measured their expectations for the adolescent's educational and occupational attainments, and calculated the impact of these expectations on the aspirations of the students. Results of the research showed that the expectations of significant others were the single most potent influences on the students' own aspirations. This usage is synonymous with the term \"relevant other\" and can also be found in plural form, \"significant others\".\n\nIn social psychology, a significant other is an \"insulating person\", uncle/aunt, grandparent, guardian or teacher – the person who guides and takes care of a child during primary socialization. The significant other protects, rewards, and punishes the child as a way of aiding the child's development. This usually takes about six or seven years, after which the significant other is no longer needed, and the child moves on to a general \"other\" which is not a real person, but an abstract notion of what society deems good or bad.\n\nFirst use\nThe first known use of the terms \"significant other person\" and \"significant other people\" is by the U.S. psychiatrist Harry Stack Sullivan in the article 'Conceptions of Modern Psychiatry' in the journal: 'Psychiatry: Journal of the biology and pathology of interpersonal relations', published in 1940. The phrase was popularised in the United States by Armistead Maupin's 1987 book Significant Others, and in the UK by the 1989 TV series Only Fools and Horses, in which Derek Trotter uses the phrase a number of times when referring to his long-term partner Raquel Turner.\n\nSee also\n POSSLQ\n Spouse\n\nReferences\n\nMarriage, unions and partnerships\nSocial philosophy\nGender-neutral language" ]

[ "Ian Botham", "Jubilee Test, India, February 1980", "What is the Jubilee test?", "It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.", "What is significant about this?", "It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match." ]

[ "During World War II, 73 officers of the United States Army Medical Department were promoted to General Officer. All are listed below with their dates of rank, most notable duty assignment during the war, and their status as of late 1946. Notes also provide other notable achievements as well as any special commemorative actions taken by the United States Army to recognize their service.\n\nReferences", "This is a list of marathoners who are athletes notable for their achievements in the marathon. For a list of people notable in other fields who have also run marathons, see List of marathoners who are non-running specialists.\n\nLegend\n\nMen\n\nWomen\n\nReferences\n\nMarathon running\nMarathoners" ]

[ "Ian Botham", "Jubilee Test, India, February 1980", "What is the Jubilee test?", "It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.", "What is significant about this?", "It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match.", "Did he have any other notable achievements?", "England replied with 296, the highlight being Botham's 114 from just 144 balls;" ]

[ "What Happened may refer to:\n\n What Happened (Clinton book), 2017 book by Hillary Clinton\n What Happened (McClellan book), 2008 autobiography by Scott McClellan\n \"What Happened\", a song by Sublime from the album 40oz. to Freedom\n \"What Happened\", an episode of One Day at a Time (2017 TV series)\n\nSee also\nWhat's Happening (disambiguation)", "Kim Lamarre (born 20 May 1988) is a Canadian freestyle skier. She won Canada's first ever bronze medal in the women's slopestyle skiing event at the 2014 Winter Olympics. Lamarre said of her surprise bronze that \"This is surreal. I have no words to describe this feeling. I am so happy. I knew it was possible but I didn't put it as my main goal. I just wanted to make the finals and then land my run and see what happened.\" The medal came after compatriot and gold medal favourite Kaya Turski failed to qualify for the finals. Despite this Canada still managed two medals in the event after Dara Howell won the gold medal.\n\nPersonal life\nLamarre's grandmother, Ginette Seguin, represented Canada at the 1956 Winter Olympics and competed in alpine skiing. She was 18th in the slalom, 33rd in downhill and 36th in giant slalom.\n\nReferences\n\nExternal links\n\n1988 births\nCanadian female freestyle skiers\nLiving people\nSkiers from Quebec City\nFreestyle skiers at the 2014 Winter Olympics\nFreestyle skiers at the 2018 Winter Olympics\nOlympic freestyle skiers of Canada\nOlympic bronze medalists for Canada\nMedalists at the 2014 Winter Olympics\nOlympic medalists in freestyle skiing\nX Games athletes" ]

[ "Ian Botham", "Jubilee Test, India, February 1980", "What is the Jubilee test?", "It was the fiftieth anniversary of India's entry into Test cricket and so England played a single commemorative Test at the Wankhede Stadium in Bombay.", "What is significant about this?", "It turned into a personal triumph for Botham who became the first player in Test history to score a century and take ten wickets in the same match.", "Did he have any other notable achievements?", "England replied with 296, the highlight being Botham's 114 from just 144 balls;", "What else happened at this event?", "India's second innings was a disaster and they lost eight wickets by the close of play on the third day with only Kapil Dev offering any resistance." ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "Else-Marie is a compound given name, composed of Else and Marie. Notable people with the name include:\n\n Else Marie Jakobsen (1927–2012), Norwegian designer and textile artist\n Else-Marie Lindgren (born 1949), Swedish politician\n Else-Marie Ljungdahl (born 1942), Swedish sprint canoer\n\nCompound given names" ]

[ "Judith Miller", "Anthrax hoax victim" ]

[ "Anthrax hoaxes involving the use of white powder or labels to falsely suggest the use of anthrax are frequently reported in the United States and globally. Hoaxes have increased following the 2001 anthrax attacks, after which no genuine anthrax attacks have occurred. The FBI and U.S. postal inspectors have responded to thousands of \"white powder events\" and targets have included government offices, US embassies, banks and news organizations.\n\nHistory\nAnthrax hoaxes were sporadically reported in the 1990s, including a petri dish in an envelope labeled \"anthrachs\"[sic] sent to B'nai B'rith in Washington in 1997 that contained harmless Bacillus cereus, but a spate of anthrax threats followed the 1998 arrest of Larry Wayne Harris, a microbiologist and white supremacist. Harris released what he said was military-grade anthrax but was actually a harmless vaccine strain, but news coverage popularized the idea of anthrax among hoaxers. In response to these hoaxes, the CDC released guidance for public health authorities for handling bioterrorism threats.\n\nPost-2001\n\nIn the month following the 2001 anthrax attacks, hundreds of hoaxes were reported worldwide. Legislation was enacted in the UK in October 2001 so that anyone convicted of a hoax involving threats of biological, chemical, nuclear or radioactive contamination would face a seven-year prison sentence. The Anti-Hoax Terrorism Act 2001 was passed by the US House of Representatives but never enacted, and legislation making terrorism hoaxes a federal offence was finally passed as part of the Intelligence Reform and Terrorism Prevention Act of 2004.\n\nCases\nOne of the most prolific hoaxers was Clayton Waagner, an anti-abortion activist who mailed hundreds of anthrax hoax letters to abortion clinics in late 2001 and who was convicted in December 2003. A Sacramento man, Marc M. Keyser, admitted to sending around 120 packages marked as containing anthrax in October 2008, which he says was to highlight the lack of preparedness of the U.S. Department of Homeland Security and public for an anthrax attack. He was convicted in September 2009 of five counts of hoaxes and making threats and sentenced to four years in prison in late April 2010.\n\nIn November 2008, white powder was mailed to temples of The Church of Jesus Christ of Latter-day Saints (Mormons) in Los Angeles and Salt Lake City, causing both to be closed temporarily while the mailings were investigated. There was speculation the mailings were in protest of the support by the Church for Proposition 8.\n\nNotable recipients of anthrax hoax letters include journalist Judith Miller, author of Germs: Biological Weapons and America's Secret War, who received one at the New York Times offices in October 2001.\n\nReferences\n\nExternal links \n\nHoaxes\n2001 anthrax attacks\nAnthrax\nHoaxes in the United States\n2001 hoaxes", "Evelyn J. Lynn is a Republican Party member of the Florida Senate, representing the 7th District since 2003. Her district includes parts of Clay County, Marion County, Putnam County, and Volusia County, Florida. Previously she was a member of the Florida House of Representatives from 1995 through 2002.\n\nLynn received her Doctorate from the University of Florida, and resides in Ormond Beach, Florida.\n\nAnthrax hoax victim\nOn November 3, 2008, Lynn's office received an anthrax hoax letter mailed to her post office box address in Ormond Beach. Other similar letters were received at several offices of Rep. Tom Feeney. The envelopes were turned over to the F.B.I. for investigation.\n\nReferences\n\nExternal links \n\nFlorida State Legislature - Senator Evelyn J. Lynn\nProject Vote Smart - Senator Evelyn J. Lynn (FL) profile\nFollow the Money - Evelyn J Lynn\n2006 2004 2002 2000 1998 campaign contributions\n\nFlorida state senators\nMembers of the Florida House of Representatives\n1930 births\nFlorida Republicans\nLiving people\nUniversity of Florida alumni\nPeople from Ormond Beach, Florida\nWomen state legislators in Florida\nPeople from Astoria, Queens\n21st-century American women" ]

[ "Judith Miller", "Anthrax hoax victim", "who was the anthrax hoax victim?", "Miller opened an anthrax hoax letter mailed to her New York Times office." ]

[ "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy", "What Happened may refer to:\n\n What Happened (Clinton book), 2017 book by Hillary Clinton\n What Happened (McClellan book), 2008 autobiography by Scott McClellan\n \"What Happened\", a song by Sublime from the album 40oz. to Freedom\n \"What Happened\", an episode of One Day at a Time (2017 TV series)\n\nSee also\nWhat's Happening (disambiguation)" ]

[ "Judith Miller", "Anthrax hoax victim", "who was the anthrax hoax victim?", "Miller opened an anthrax hoax letter mailed to her New York Times office.", "then what happened?", "The 2001 anthrax attacks had begun occurring in the wake of the September 11 attacks in 2001," ]

[ "The slide attack is a form of cryptanalysis designed to deal with the prevailing idea that even weak ciphers can become very strong by increasing the number of rounds, which can ward off a differential attack. The slide attack works in such a way as to make the number of rounds in a cipher irrelevant. Rather than looking at the data-randomizing aspects of the block cipher, the slide attack works by analyzing the key schedule and exploiting weaknesses in it to break the cipher. The most common one is the keys repeating in a cyclic manner.\n\nThe attack was first described by David Wagner and Alex Biryukov. Bruce Schneier first suggested the term slide attack to them, and they used it in their 1999 paper describing the attack.\n\nThe only requirements for a slide attack to work on a cipher is that it can be broken down into multiple rounds of an identical F function. This probably means that it has a cyclic key schedule. The F function must be vulnerable to a known-plaintext attack. The slide attack is closely related to the related-key attack.\n\nThe idea of the slide attack has roots in a paper published by Edna Grossman and Bryant Tuckerman in an IBM Technical Report in 1977. Grossman and Tuckerman demonstrated the attack on a weak block cipher named New Data Seal (NDS). The attack relied on the fact that the cipher has identical subkeys in each round, so the cipher had a cyclic key schedule with a cycle of only one key, which makes it an early version of the slide attack. A summary of the report, including a description of the NDS block cipher and the attack, is given in Cipher Systems (Beker & Piper, 1982).\n\nThe actual attack \n\nFirst, to introduce some notation. In this section assume the cipher takes n bit blocks and has a key-schedule using as keys of any length.\n\nThe slide attack works by breaking the cipher up into identical permutation\nfunctions, F. This F function may consist of more than one round\nof the cipher; it is defined by the key-schedule. For example, if a cipher uses an alternating key schedule where it switches between a and for each round, the F function would consist of two rounds. Each of the will\nappear at least once in F.\n\nThe next step is to collect plaintext-ciphertext pairs. Depending on\nthe characteristics of the cipher fewer may suffice, but by the birthday problem no more than should be needed. These pairs, which denoted as are then used to find a slid pair which is denoted . A slid pair has the property that and that . Once a slid pair is identified, the cipher is broken because of the vulnerability to known-plaintext attacks. The key can easily be extracted from this pairing.\nThe slid pair can be thought to be what happens to a message after one application of the function F. It is ’slid’ over one encryption round and this is where the attack gets its\nname.\n\nThe process of finding a slid pair is somewhat different for each cipher\nbut follows the same basic scheme. One uses the fact that it is relatively\neasy to extract the key from just one iteration of F. Choose any pair of\nplaintext-ciphertext pairs, and check to see what the keys corresponding to and are. If these keys match, this is a slid pair; otherwise move on to the next pair.\n\nWith plaintext-ciphertext pairs one slid pair is expected, along with a small number of false-positives depending on the structure of the cipher. The false positives\ncan be eliminated by using the keys on a different message-ciphertext pair to see if the encryption is correct. The probability that the wrong key will correctly encipher two or more messages is very low for a good cipher.\n\nSometimes the structure of the cipher greatly reduces the number of\nplaintext-ciphertext pairs needed, and thus also a large amount of the work.\nThe clearest of these examples is the Feistel cipher using a cyclic key schedule.\nThe reason for this is given a the search is for a . This reduces the possible paired messages from \ndown to (since half the message is fixed) and so at most plaintext-ciphertext pairs are needed in order to find a slid pair.\n\nReferences \n \n (contains a summary of the paper by Grossman and Tuckerman)\n \n \n \n \n \n\nCryptographic attacks", "In cryptography, Ladder-DES is a block cipher designed in 1994 by Terry Ritter. It is a 4-round Feistel cipher with a block size of 128 bits, using DES as the round function. It has no actual key schedule, so the total key size is 4×56=224 bits.\n\nIn 1997, Eli Biham found two forms of cryptanalysis for Ladder-DES that depend on the birthday paradox; the key is deduced from the presence or absence of collisions, plaintexts that give equal intermediate values in the encryption process. He presented both a chosen-plaintext attack and a known-plaintext attack; each uses about 236 plaintexts and 290 work, but the known-plaintext attack requires much more memory.\n\nReferences\n \n \n\nBroken block ciphers\nData Encryption Standard\nFeistel ciphers" ]

[ "Judith Miller", "Anthrax hoax victim", "who was the anthrax hoax victim?", "Miller opened an anthrax hoax letter mailed to her New York Times office.", "then what happened?", "The 2001 anthrax attacks had begun occurring in the wake of the September 11 attacks in 2001,", "what more is known about the attack", "anthrax-laced letters sent to ABC News, CBS News, NBC News, and the New York Post, all in New York City," ]

[ "A United States Navy aircraft mishap board is an ad hoc or permanent panel assembled following an aircraft crash or accident and charged with the investigation of the causes of the incident and making recommendation for prevention of future incidents. \n\nAircraft mishap boards are typically composed of a minimum of four commissioned officers who were uninvolved in the incident, including a flight surgeon, a pilot rated on the type of aircraft involved in the incident, and at least two additional officers, one of whom is \"well-qualified in aircraft operations\" and one of whom is \"well-qualified in aircraft maintenance\". The board conducts investigations by interviewing witnesses to the incident, reviewing readings from the aircraft's surviving digital instruments, examining maintenance records of the aircraft, viewing the incident site, and examining any wreckage created. Foreign military officers seconded to the United States Navy may serve on an aircraft mishap board other than in the position of senior board officer.\n\nWhile many aircraft mishap boards are organized following a mishap, each U.S. Navy squadron has a standing aircraft mishap board.\n\nReferences\n\nUnited States Navy\nNaval aviation", "Mishap may refer to:\n\nAn accident\nThe Mishap, a 1960 Italian film\nMishap Creek, a stream in Alaska" ]

[ "Judith Miller", "Anthrax hoax victim", "who was the anthrax hoax victim?", "Miller opened an anthrax hoax letter mailed to her New York Times office.", "then what happened?", "The 2001 anthrax attacks had begun occurring in the wake of the September 11 attacks in 2001,", "what more is known about the attack", "anthrax-laced letters sent to ABC News, CBS News, NBC News, and the New York Post, all in New York City,", "did these attacks result in any serious mishap?", "Twenty-two people were infected; five died." ]

[ "The Cyclopedia Talislanta is a supplement published by Bard Games in 1988 for the fantasy role-playing game Talislanta.\n\nContents\nThe Cyclopedia Talislanta, by Stephan Michael Sechi and with cover art by P.D. Breeding-Black, is the fifth supplement about the world of Talislanta. Information includes\n places of interest in Talislanta \n new monsters, animals, and plants \n New character types\n new skills and abilities \n\nThere are full-color maps of sections of Talislanta which join together to create a full map of the continent.\n\nReception\nStewart Wieck reviewed The Cyclopedia Talislanta for White Wolf #14, rating it 4 overall, and stated that \"Ownership of this book is a necessity for gamers with campaigns set in Talislanta. Other gamers should take a look just to see what Talislanta offers.\"\n\nIn the May 1989 edition of Dragon (Issue #145), Jim Bambra applauded the \"excellent interior illustrations\", and the wide range of new material. He concluded \"GMs and players who already adventure in Talislanta or use it as a source of ideas will find plenty of interesting material within this books pages, as it adds more interesting detail and color to the setting.\"\n\nIn the July-August 1989 edition of Space Gamer (Vol. II No. 1), Craig Sheeley commented that \"The encyclopedia-style information is listed alphabetically, a minor drawback which spreads specific places in the same areas throughout this section. The section new character race types is brief and concise, as is the gamemaster section (which takes up two pages with new weapons, skills and information.)\"\n\nReferences\n\nTalislanta supplements", "The Official Secrets Act 1989 (c. 6) is an Act of the Parliament of the United Kingdom that repeals and replaces section 2 of the Official Secrets Act 1911, thereby removing the public interest defence created by that section.\n\nLord Bingham said that the white paper \"Reform of Section 2 of the Official Secrets Act 1911\" (Cm. 408) (June 1988) was the immediate precursor of this Act and that its recommendations bear directly on the interpretation of this Act.\n\nGeneral information\n\nCapacity\nThe offences under sections 1(3), 2(1), 3(1) and 4(1) can be committed only by persons who are or have been, and the offence under section 8(1) can be committed only by persons who are, Crown servants or government contractors.\n\nThe offences under the Act, that can be committed only by persons who, as the case may be, are or have been Crown servants, government contractors, or members of the security and intelligence services, can be committed only where the information, document or other article in question is or has been in the possession of the person in question by virtue of their position as such.\n\nThe offences under sections 5(2), 5(6), 6(2), 8(4), 8(5) and 8(6) can be committed by any person.\n\nRequirement that the disclosure be \"damaging\"\nSections 1(3), 2(1), 3(1), 5(3)(a) and 6(2) provide that the disclosures to which they apply are not an offence unless they are \"damaging\". Section 4(2) is similar.\n\nExtra-territorial jurisdiction\nOffences under any provision of the Act, other than sections 8(1) or 8(4) or 8(5), committed by any person in the United Kingdom, the Isle of Man, the Channel Islands, or in any colony, or committed by British citizens or Crown servants in any place, are cognisable as offences under the law of the United Kingdom.\n\nArrest and mode of trial\nIn England and Wales, offences under any provision of this Act other than sections 8(1) or 8(4) or 8(5) were formerly classified as arrestable offences, initially by virtue of sections 24(1)(c) and (2)(bb) of the Police and Criminal Evidence Act 1984, and then by virtue of sections 24(1)(c) and (2) of, and paragraph 18 of Schedule 1A to, that Act.\n\nThe offences under sections 8(1), (4) and (5) are triable only summarily; the others are triable either way.\n\nPrescribed bodies and persons\nSections 7(5), 8(9), 12 and 13(1) confer powers on the Secretary of State to \"prescribe\" bodies and persons for certain purposes. These powers have been exercised by the following instruments:\n The Official Secrets Act 1989 (Prescription) Order 1990 (S.I. 1990/200)\n The Official Secrets Act 1989 (Prescription) (Amendment) Order 1993 (S.I. 1993/847)\n The Official Secrets Act 1989 (Prescription) (Amendment) Order 2003 (S.I. 2003/1918)\n The Official Secrets Act 1989 (Prescription) (Amendment) Order 2007 (S.I. 2007/2148)\n\nProposed revisions\nThe Intelligence and Security Committee (ISC) annual report for 2005–2006 on UK intelligence services states:\n\nSpecific provisions of this Act\n\nSection 1 - Security and intelligence\nSection 1(1) creates an offence of disclosing information, documents or other articles relating to security or intelligence.\n\nIt can be committed by any person who is or has been a member of the security and intelligence services, or who is or has been a person notified that he is subject to the provisions of section 1(1).\n\nCases under this section:\n R v. Shayler [2002] UKHL 11, [2002] All ER 477 (21 March 2002)\n R v. Shayler [2001] EWCA Crim 1977, [2001] WLR 2206 (28 September 2001)\n\nSection 2 - Defence\nSection 2(1) creates an offence of disclosing information, documents or other articles relating to defence. This section applies only to Crown servants and government contractors.\n\nSection 3 - International relations\nSection 3(1)(a) creates an offence of disclosing information, documents or other articles relating to international relations. This includes confidential information, documents or other article from a State other than the United Kingdom or an international organisation. This section applies only to crown servants and government contractors.\n\nSection 4 - Crime and special investigation powers\nThis section relates to disclosure of information which would assist a criminal or the commission of a crime. This section applies only to crown servants and government contractors.\n\nSection 5 - Information resulting from unauthorised disclosures or entrusted in confidence\nThis section relates to further disclosure of information, documents or other articles protected from disclosure by the preceding sections of the Act. It allows, for example, the prosecution of newspapers or journalists who publish secret information leaked to them by a crown servant in contravention of section 3. This section applies to everyone.\n\nSection 6 - Information entrusted in confidence to other States or to international organisations\n\nSection 6 creates an offence of making a \"damaging disclosure\" which \"relates to security or intelligence, defence or international relations\" where that information was provided in confidence \"by or on behalf of the United Kingdom to another State or to an international organisation\" where that person obtained it without that State or organization's authorization, and where no other offence under the earlier sections of this Act applies. Lawful authority and prior authorized disclosure are defences against this offence.\n\nSection 7 - Authorised disclosures\nSections 7(1) to (3) provide that a disclosure is made with lawful authority if, and only if, the conditions specified therein are satisfied.\n\nSection 7(4) provides a defence.\n\nSections 7(5) and (6) define the expressions \"official authorisation\" and \"official restriction\".\n\nSection 8 - Safeguarding of information\nThis section makes it a crime for a crown servant or government contractor to retain information beyond their official need for it, and obligates them to properly protect secret information from accidental disclosure.\n\nSection 9 - Restriction on prosecutions\nSection 9(2) provides that no prosecution for an offence, in respect of any such information, document or other article as is mentioned in section 4(2), may be instituted, in England and Wales, except by or with the consent of the Director of Public Prosecutions, or in Northern Ireland, except by or with the consent of the Director of Public Prosecutions for Northern Ireland.\n\nSection 9(1) provides that no prosecution for any other offence under this Act may be instituted, in England and Wales, except by or with the consent of the Attorney General, or in Northern Ireland, except by or with the consent of the Advocate General for Northern Ireland.\n\nThe words \"Advocate General for Northern Ireland\", in section 9(1), were substituted for the words \"Attorney General for Northern Ireland\" by sections 28 and 87 of, and paragraph 32 of Schedule 7 to, the Justice (Northern Ireland) Act 2002, on 12 April 2010.\n\nSection 10 - Penalties\nThis section provides the penalties and mode of trial for offences under the Act.\n\nSection 10(2) provides that a person guilty of an offence under section 8(1) or 8(4) or 8(5) is liable on summary conviction to imprisonment for a term not exceeding three months, or to a fine not exceeding level 5 on the standard scale, or to both.\n\nSection 10(1) provides that a person guilty of any other offence under the Act is liable, on conviction on indictment to imprisonment for a term not exceeding two years, or to a fine, or to both, or, on summary conviction, to imprisonment for a term not exceeding six months, or to a fine not exceeding the statutory maximum, or to both.\n\nThe words \"51 weeks\" are prospectively substituted for the words \"three months\" in section 10(2) by paragraph 39 of Schedule 26 to the Criminal Justice Act 2003.\n\nSection 11 - Arrest, search and trial\n\nSection 11(1)\nSection 11(1) inserted section 24(2)(bb) into the Police and Criminal Evidence Act 1984. It also omitted the reference to the Official Secrets Act 1911 in section 24(2)(b) of that Act.\n\nIt was repealed on 1 October 2002.\n\nThe repeal was consequential on the replacement of section 24(2) of the Police and Criminal Evidence Act 1984 with a new Schedule 1A to that Act.\n\nSection 11(3)\nSection 11(3) extends section 9(1) of the Official Secrets Act 1911 (which relates to search warrants).\n\nSection 12 - Definition of Crown servant and government contractor\nSection 12(1) defines the expression \"Crown servant\" for the purposes of this Act.\n\nSections 12(2) and (3) define the expression \"government contractor\" for the purposes of this Act.\n\nSection 13 - Other interpretation provisions\nThis section defines the words and expressions \"disclose\", \"disclosure\", \"international organisation\", \"prescribed\" and \"State\" for the purposes of the Act.\n\nSection 14\nThis section provides the procedure for making orders under the Act.\n\nSection 15 - Acts done abroad and extent\nSection 15(1)(a) provides that any act done by a British citizen or Crown servant, which would be an offence under any provision of the Act other than sections 8(1) or 8(4) or 8(5) if done by him in the United Kingdom, is an offence under that provision.\n\nThis is intended to cover espionage (where someone travels to a foreign country and discloses secret information to a foreign power) and cases where someone travels to a foreign country and discloses secret information, perhaps to a newspaper.\n\nSection 15(1)(b) provides that any act done by any person in any of the Channel Islands, or in the Isle of Man, or in any colony, which would be an offence under any provision of the Act other than sections 8(1) or 8(4) or 8(5) if done by him in the United Kingdom, is an offence under that provision.\n\nSection 15(3) confers a power on The Queen to extend, by Order in Council, any provision of the Act, subject to any exceptions, adaptations or modifications specified in the Order, to any of the Channel Islands, or to the Isle of Man, or to any colony.\n\nThis power was exercised by the Official Secrets Act 1989 (Hong Kong) Order 1992 (S.I. 1992/1301).\n\nSection 16 - Citation, commencement, amendments, repeals and revocation\nSection 16(1) authorises the citation of this Act by a short title.\n\nSection 16(2) authorises the citation of this Act and the Official Secrets Acts 1911 to 1939 by a collective title.\n\nSection 16(5) provides that the repeals of parts of the Official Secrets Act 1911 and the Official Secrets Act 1920 in Schedule 2 do not extend to any of the territories mentioned in section 15(3), subject to any Order made under section 15(3). The said territories mentioned in section 15(3) are the Channel Islands, the Isle of Man and all colonies. Such an Order was made in relation to Hong Kong (see above).\n\nThis section also provides for consequential amendments, repeals, a revocation, and commencement.\n\nSee also\n Official Secrets Act\n Richard Tomlinson, former MI6 agent imprisoned in 1997 for breaking the 1989 Act, by attempting to publish a book detailing his career.\n Katharine Gun, former GCHQ translator arrested under the Act whose case was later dropped by the government.\n O'Connor - Keogh official secrets trial\n Al Jazeera bombing memo\n Espionage Act of 1917 (US law)\n Clive Ponting, a public servant whose acquittal under the Official Secrets Act 1911 and subsequent book is said to have led to tightening of the law\n\nReferences\n Halsbury's Statutes,\n John Griffin, \"The Official Secrets Act 1989\" (1989) 16 Journal of Law and Society 273\n\nExternal links\n The Official Secrets Act 1989, as amended, from the National Archives.\n The Official Secrets Act 1989, as originally enacted, from the National Archives.\n A Basic Guide To The Official Secrets Act 1989\n\nUnited Kingdom Acts of Parliament 1989\nClassified information in the United Kingdom" ]

[ "Judith Miller", "Anthrax hoax victim", "who was the anthrax hoax victim?", "Miller opened an anthrax hoax letter mailed to her New York Times office.", "then what happened?", "The 2001 anthrax attacks had begun occurring in the wake of the September 11 attacks in 2001,", "what more is known about the attack", "anthrax-laced letters sent to ABC News, CBS News, NBC News, and the New York Post, all in New York City,", "did these attacks result in any serious mishap?", "Twenty-two people were infected; five died.", "any interesting information in this section?", "In 2008, the government's investigation of these mailings focused on Bruce Ivins," ]

[ "Kloop is a media organization based in Kyrgyzstan known for its news website and journalism investigations. Founded in 2007, Kloop gained prominence in Kyrgyzstan three years later, when it investigated criminal activities of the son of the president of Kyrgyzstan. Today Kloop is one of the most popular news websites in Kyrgyzstan.\n\nHistory \nKloop was founded in 2007 by journalists Bektour Iskender and Rinat Tuhvatshin. From the beginning, Kloop worked with young journalists, who were trained at its own journalism school. In February 2010 Kloop's reporters investigated how Maxim Bakiyev, son of then Kyrgyz president Kurmanbek Bakiyev, gained illegal control over Kyrgyztelecom, the country's largest communications provider. After receiving threats for attempts to continue the investigation, Kloop gained more attention two months later for its coverage of the revolution, during which Bakiyev and his family were ousted and forced to live in exile.\n\nWork\n\nSamaragate investigation \nIn 2017 Kloop published an investigation about violations at that year's presidential election in Kyrgyzstan. Called Samaragate, the investigation focused on a mysterious Samara website that contained voter information and was hosted on a government server. According to the investigation, this website was used as a voter management system by the campaign of the elected president Sooronbay Jeenbekov to track and influence voters. The investigation was the result of Kloop's cooperation with Qurium, a digital forensic organization based in Sweden that helped track where the suspicious website was hosted\n\nAuthorities of Kyrgyzstan threatened to sue Kloop for this series of stories, but this threat was not carried out.\n\nSoon after publishing Samaragate, Kloop was invited to become the first Central Asian member of the global investigative journalism network run by Organized Crime and Corruption Reporting Project (OCCRP).\n\nPlunder and Patronage investigation \nIn 2019 Kloop joined forces with OCCRP and the Kyrgyz edition of Radio Liberty to release a series of investigations about the corruption at the Kyrgyz border. Published in November and December simultaneously by all three media organizations, this series revealed a story of an underground cargo empire run by a group of Chinese businessmen, and how they funnelled massive bribes to Kyrgyzstan's customs services. Journalists who worked on the story found evidence of at least $700 million that was laundered by the cargo empire as a result of this scheme.\n\nSafety concerns and legal challenges \nWhile working on the Plunder and Patronage series, journalists faced a number of risks, including a death threat to one of them. One of the main sources for the story, self-confessed money launderer Aierken Saimaiti, was murdered in Istanbul, Turkey, ten days before the first part of the investigation was published.\n\nThe investigation caused an outrage in Kyrgyzstan, where two anticorruption protests took place at the end of 2019 as a reaction to what had been revealed.\n\nIn December 2019 the family of Raimbek Matraimov, a powerful former Kyrgyz customs official who was described as one of the key people in the criminal scheme, filed a lawsuit against Kloop and Radio Liberty. Reporters Without Borders (RSF), an organization that advocates for the freedom of the press, called this lawsuit absurd and called a Kyrgyz court to dismiss it. The Matraimov family are seeking 780,000 euros in damages in connection with the investigation.\n\nDespite the ongoing legal battle, in June 2020 Kloop, OCCRP, and Radio Liberty published two more parts of the series, this time joined by investigative network Bellingcat. Besides publishing new stories, this time the consortium also published all the originals of the financial documents that were used in the investigation.\n\nAwards and accolades \nFor the Plunder and Patronage series, Kloop was a joint winner of Tom Renner Award by Investigative Reporters and Editors (IRE).\n\nSamaragate was chosen as one of the best investigative stories from the former Soviet Union by Global Investigative Journalism Network (GIJN) in 2017. A year later, in 2018, Kloop's investigation about a fake military expert from Kyrgyzstan made it to another annual list by GIJN, this time being mentioned as one of the year's best stories in Russian or Ukrainian.\n\nIn 2021 Kloop's investigation about femicide in Kyrgyzstan was a winner at the data journalism Sigma Awards.\n\nReferences \n\nNews agencies based in Kyrgyzstan", "Linda Medlar-Jones (born 1949) was a principal figure in a high-profile political sex scandal that triggered an exhaustive 2 ½ year, multimillion-dollar investigation by the U.S. Office of the Independent Counsel during the first term of U.S. President Bill Clinton. The principal target of the investigation was her former lover, Housing and Urban Development secretary Henry Gabriel Cisneros of San Antonio, Texas.\n\nThe illicit relationship between Medlar and Cisneros, who were both married at the time, began in 1987 while he was Mayor of San Antonio, and she was a volunteer Mayoral campaign staffer. Medlar, who according to court documents had a long history of mental illness, secretly recorded many of her telephone conversations with Cisneros. These recordings she later sold to the television program Inside Edition for the sum $15,000. In 1994, Medlar entered a lawsuit for $250,000 against Cisneros, accusing him of fraud, breach of contract, and failure to support her. This lawsuit was settled the following year for $49,000.\n\nCourt records reveal that Medlar had received a total of from Cisneros between 1988 and 1992, prior to his cabinet appointment. These payments continued after Cisneros' Senate confirmation, court documents indicating that she received a total of in 1993 alone.\n\nThe television broadcast of transcripts of the taped conversations, as well as a televised Inside Edition interview in which Medlar charged Secretary Cisneros with lying to the Federal Bureau of Investigation, prompted U.S. Attorney General Janet Reno to call for an independent investigation. As a result of the investigation, a Washington, D.C. grand jury handed down a 21 count indictment on December 11, 1997. In the 66 page indictment entitled the UNITED STATES OF AMERICA v. HENRY G. CISNEROS, LINDA D. MEDLAR, SYLVIA ARCE-GARCIA, and JOHN D. ROSALES, Independent Counsel David Barrett brought charges against HUD Secretary Cisneros, his former mistress Medlar, and two of Cisneros’ former employees. Medlar had previously been granted immunity in exchange for her testimony against Cisneros. This was in turn revoked due to false and misleading statements on her part during the criminal investigation.\nMedlar was sentenced to prison. Secretary Cisneros pleaded guilty to a misdemeanor and served no jail time.\n\nSecond run-in with the law\nTen years later, Medlar was convicted of bank fraud, in a scheme designed to provide her daughter with a home . She was sentenced to four years in prison, and did not appeal the sentence, saying, \"I guess there's a sense of relief that this is over with. I take full responsibility for it, but at the time I didn't know it was a crime.\"\n\nReferences\n\nExternal links\n\"What a Tangled Web We Weave\", American Politics Journal\n\"Cisneros Probe: An Indictment Many Years in the Making\", Washington Post.com\n\"Henry and Linda\", The Washington Post Magazine\nCollection of articles from the Washington Post about the Cisneros investigation\n\"THE RECKONING-Building Flawed American Dreams\", NY Times.com\n\nLiving people\n1949 births\n20th-century American women" ]

[ "Goldfrapp", "2003-04: Black Cherry" ]

[ "On Your Every Word is the second studio album released by Amy Holland in 1983. This was her last studio album, before she spent the rest of the 1980s recording songs for film soundtracks such as Scarface, Teen Wolf, Night of the Comet, St. Elmo's Fire, K-9, and much more. In one of the songs on the album, she sings a duet with David Pack on the song \"I Still Run to You\". There is a cover version of The Four Tops' song \"Shake Me, Wake Me (When It's Over)\" sung by Holland. Steve Lukather collaborates on the album and does a guitar solo during an instrumental break on the last song of the album, Rollin' By. In addition to the album's release, 1983 was the year when Holland and Michael McDonald got married. Holland did not release another studio album until 2008, when she released The Journey to Miracle River.\n\nTrack listing\n\n1983 albums\nAmy Holland albums\nCapitol Records albums", "Supernova is the only solo studio album by Lisa Lopes of TLC before her death in 2002.\n\nAlbum information\nThe album's original titles were \"Fantasy1.com\" and \"A New Star is Born\", but were eventually changed to \"Supernova\". The release date for the album was August 16, 2001, the day of her father's birthday, as well as her grandfather's death. This is alluded to in the lyrics of the song \"A New Star Is Born\". The release date of the album was ultimately pushed back several times. The United States release date was intended to be October 29, 2001, but the album's U.S release was cancelled due to poor sales overseas.\n\nThe first single, \"The Block Party\", was sent to radio in July 2001, becoming a top 20 hit in the UK, but it did not perform well in the Billboard Hot 100. The second single would have been \"Hot!\", as was made clear at the end of her music video. However, when the album release was canceled in the United States, all further singles were canceled. Though the album was canceled by Arista, Lopes tried selling the album on her website Eyenetics, but to no success. Since the album was not released in the United States, Lopes had already started to work on new material before her death in 2002.\n\nSeveral tracks from the album were remixed by Death Row Records for Lopes' planned N.I.N.A album. The album was cancelled after Lopes' death, but was leaked online in 2011. Songs from the album were re-released in a remixed form in 2009 as Eye Legacy.\n\nTrack listing \nCredits are adapted from the album's Liner Notes\n\nRelease history\n\nReferences\n\n2001 debut albums\nLisa Lopes albums\nArista Records albums" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003." ]

[ "Welcome Back is the debut studio album by South Korean male group iKON. The full album was initially planned to be released on November 2, 2015. However, on October 27, 2015, YG Entertainment announced that the release of the full album would be delayed. The album was released on December 24, 2015, along with additional music videos than previously planned. Additionally, two digital singles along with accompanying music videos were released on November 16.\n\niKON topped the Gaon Album chart with their Debut Half Album - Welcome Back from October 4, 2015 to October 10, 2015. Their first single, My Type was released on September 15 and became a huge success, selling about 1.6 million copies in Korea and becoming one of the best selling singles of 2015.\n\nBackground and development\nOn September 15, 2015, iKON's debut single \"My Type\" was released.\n\nOn October 1, 2015, iKON released the first half of Welcome Back, along with two music videos for their promotional singles \"Airplane\" and \"Rhythm Ta.\" Two additional singles, \"Apology\" and \"Anthem\" were released on November 16, 2015, as part of the rescheduling of the release of the full album. iKON's first studio full album was released on December 24, 2015, with the title tracks \"What's Wrong?\" and \"Dumb & Dumber\".\n\niKON's leader B.I was involved in the song composition for the majority of the tracks in the full album.\n\nCommercial performance\nWelcome Back Half Album charted at number one on the Gaon Album Chart selling 82,208 copies in its first month and 3,463 in the second month. The full album also charted at number one, with a total of 52,312 copies sold in the first month of release. In the year-end chart, the album reportedly sold a total of 117,483 copies.\n\nOn the Oricon Chart, the half album charted at 26 and the full album charted at 22. On January 13, 2016, the Japanese version of the album was released and 53,207 copies were sold in the first day, topping the Oricon daily chart. With a total of 61,508 copies sold in its first week of release, the Japanese album charted third on the Oricon chart. In October 2016, sales of the album had passed the 150,000 copies mark, and its Japanese version had passed the 90,000 copies mark.\n\n\"My Type\" was released along with a music video on 15 September 2015. Within 24 hours of its release, the music video surpassed 1.7 million views on YouTube. The group took their first music show win with the single on 26 September 2015 on MBC's Music Core, even though they had yet to make their first official live appearance. On 24 September, \"My Type\" achieved a 'triple crown' on the Gaon chart, having taken the number one spot on the digital, download, and streaming charts simultaneously for the 39th week of 2015. On 18 September, the single became number one on the music video chart of Chinese music streaming sites QQ Music and Youku. iKon also trended on Weibo, where they were reportedly searched 1.3 billion times. \"My Type\" was the 34th best selling song of 2015 by Gaon Music chart.\n\nTrack listing\n\nCharts\n\nHalf Album\n\nFull Album\n\nSales\n\nAwards\n\nMusic programs\n\nRelease history\n\nReferences\n\n2015 debut albums\nYG Entertainment albums\nKorean-language albums\nAlbums produced by Teddy Park\nIKon albums", "What Turns You On? (stylized What turns you on?) is a Japanese studio album by the South Korean rock band CNBLUE. It was released on August 28, 2013 as the group's fourth Japanese album and their second major album under Warner Music Japan.\n\nBackground\nThe album was announced on July 12, on the group's official website, along with the first details about it. On July 23, jacket covers of all editions of the album were revealed, along with a promotional photo. Track listing of the album was revealed on July 31, containing, in total, eleven songs.\n\nEditions\nThe album was released in four editions:\n\nLimited Edition A (WPZL-30682/3): The limited edition type A includes the CD with 12 songs and a DVD, including three live videos from the concert \"a-nation musicweek Charge Go! Weider in Jelly Rock Nation @ Yoyogi National Stadium First Gymnasium\", held on August 12, 2012, the music video of the song \"One More Time\" and making-of from the music video. This edition includes a bonus track, an English version of the song \"Robot\".\nLimited Edition B (WPZL-30684/5): The limited edition type B includes the CD with standard track list and a DVD, including the special concert \"Odaiba United States presents Kira Kira Winter Live\", held on December 25, 2012.\nRegular Edition (WPCL-11589): The regular edition of the album includes the CD itself with standard track list.\nFamilyMart and famima.com Limited Edition (WPCL-11590): The FamilyMart and famima.com edition includes the same contests of the regular edition but in a LP-sized package, including a poster of same size. This edition was only sold at FamilyMart stores and at famima.com online store.\n\nComposition\nThe album comes with eleven songs, three singles, three songs already released on the singles and five new songs.\nMost part of the songs included on the album were composed and written by the members Jung Yong-hwa and Lee Jong-hyun. Yong-hwa wrote and composed the songs \"Lady\", \"One More Time\", \"Change\", \"Don't Care\", \"Greedy Man\", \"Robot\" (both Japanese and English versions) and \"Let Me Know\", while Jong-hyun wrote and composed the songs \"Blind Love\", \"Crying Out\", \"I Can't Believe\" and \"Starlit Night\".\n\nSingles\nThree songs from the album were released as singles:\n\nThe first single, \"Robot\", was released on December 19, 2012. The song was originally written by the member Yong-hwa, with Japanese translation by Kosuke Oba. The physical single ranked number 2 on Oricons singles chart, selling 42,563 in its first week and charted for seven weeks. The song \"Starlit Night\", one of the b-sides included of the single, was included on the album as track #10. An English version of the song was included as bonus track of the limited edition type A.\n\nThe second single, \"Blind Love\", was released on April 24, 2013. The song was written by Jong-hyun and composed by Jong-hyun and Vinyl House. The physical single ranked number 4 on Oricons singles chart, selling 47,577 copies in its first week, charting for nine weeks. The song \"Greedy Man\", one of the b-sides of the single, was included on the album as track #6.\n\nThe third and final single of the album, \"Lady\", was released on July 31, 2013. The song was written by Yong-hwa with Kosube Oba and composed by Yong-hwa and Park Hyun-woo. The physical single ranked at number 4 on Oricons singles chart, selling 42,169 in its first week. The song \"Don't Care\", first b-side of the single, was included on the album as track #5.\n\nTrack listing\n\nChart performance\n\nOricon\n\nRelease history\n\nReferences\n\n2013 albums\nJapanese-language albums\nCNBLUE albums\nWarner Music Japan albums" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor." ]

[ "Kleista Ta Stomata (Greek: Κλειστά Τα Στόματα; English: Zipped Mouths) is the title of the 8th studio album by Greek Modern Laika singer Antonis Remos. The 11-track album was released in March 2011 by Heaven Music Grevr and is his first studio album of entirely new material since 2008.\n\nPromotion\nFor the promotion of the album, a CD-maxi was released on Christmas 2010 (3 months before the official release of the album), featuring the first two singles of the album \"Kommena Pia Ta Danika\" and \"Ine Stigmes\". The CD-maxi was titled \"2 Songs\". \nRemos also appeared on MAD Video Music Awards performing \"Kleista Ta Stomata\".\nAlthough seven radio singles were released on radios, only three official videos were made for the album, for the singles \"Kommena Pia Ta Danika\", \"Ine Stigmes\" and \"Kleista Ta Stomata\". For the third video clip footage from Remos appearance of MAD Video Music Awards 2011 was used.\n\nTrack listing\n Two pieces of the Night—I Nyhta Dyo Kommatia (Η νύχτα δυο κομμάτια)\n Loans are over now—Kommena pia ta daneika\n Paper moons—Feggaria hartina (Φεγγάρια χάρτινα)\n I didn't manage—Den katafera (Δεν κατάφερα)\n Now I survive—Tora epizo (Τώρα επιζώ)\n There Are Moments—Einai Stigmes (Είναι Στιγμές)\n Dare to leave—Kane na fugeis\n To leave—Να Φύγεις\n Zipped mouths—Kleista Ta Stomata (Κλειστά τα στόματα)\n Past—Parelthon (Παρελθόν)\n When you're here—Otan eisai edw (Όταν Είσαι Εδώ)\n Happy birthday—Xronia Polla (Χρόνια Πολλά)\n\nSingles\n Kommena Pia Ta Danika\nThis was the first single and video off the album. \n Ine Stigmes\nThe second single and video off the album.\n Kleista Ta Stomata\nThe third single off the album. For a video, Remos' appearance of MAD Video Music Awards 2011 was used.\n I Nichta Dio Kommatia\nThe fourth radio single. No video was made.\n Feggaria Hartina\nFifth single from the album. Again no video was made for the song.\n Tora Epizo\nThe dance track was promoted as the sixth single off the album. No video was filmed to promote the song.\n Parelthon\nBy popular demand, 'Parelthon' was made the seventh radio-single off the album on the beginning of 2012.\n\nCommercial Success\nInitially the album was released with the TV magazine Tiletheatis and sold 60,000 copies, a great success for the magazine. The following week the album was released on music stores, and there the album sold more than 36,000 copies with in a year, making it one of the best sellers of 2011 on the record shops. Based on those sales, the album was certified 3x Platinum in Greece.\n\nReferences\n\n2011 albums\nAntonis Remos albums", "Sex Love & Reggae is the fourth album by Jamaican reggae singer Gyptian. The album was released on 25 October 2013.\n\nSingles\n\n \"Wine Slow\" was released as the first single off the album in February 2013.\n \"Non Stop\" was released as the second single off the album on May 10, 2013.\n \"Vixen\" was released as the third single off the album on October 24, 2013.\n \"Wet Fete\" was released as the fourth single off the album on March 24, 2014.\n\nTrack listing\n\nGyptian albums\n2013 albums\nVP Records albums" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\"," ]

[ "The following is a discography for American singer-songwriter and record producer and arranger, Richard Marx. It includes the list of 11 studio albums (plus a Holiday album Christmas Spirit), 13 compilation albums, 3 live albums and 54 single releases, and along with chart rankings for each album and single and RIAA (and International) certifications for the albums.\n\nAlbums\n\nStudio albums\n\nNotes\nA^ Days In Avalon reached number 41 on Billboard Top Independent Albums\nB^ Christmas Spirit reached number 10 on Billboard Top Independent Albums Chart and number 21 on Billboard Top Holiday Albums\nC^ Beautiful Goodbye reached number 6 on Billboard Top Independent Albums\n\nCompilation albums\n\nNotes\nD^ Stories to Tell reached number 34 on Billboard Top Independent Albums Chart.\n\nPromotional albums\n\nLive albums\n\nExtended plays\n\nUnofficial albums\n Live in USA 1988/92 (1992)\n Live Music Hall Koln 1992 (1992)\n\nSingles\n\nNotes\n!^ The chart positions in the second US column are from Billboards Adult Contemporary Tracks Chart unless otherwise mentioned. The songs that did not chart on the A.C. Chart but did on Billboards Mainstream Rock Tracks Chart or Adult Top 40 Tracks have the peak positions from those charts listed here.\nE^ The chart positions in the second US column for \"Don't Mean Nothing\", \"Have Mercy\", \"Satisfied\", \"Nothing You Can Do About It\" and \"Too Late to Say Goodbye\" are for Billboards Mainstream Rock Tracks Chart as none of those songs charted on Billboards Adult Contemporary Tracks Chart.\nF^ \"Should've Known Better\" charted on both Billboards Mainstream Rock Tracks Chart and Adult Contemporary Tracks Chart. On Mainstream Rock Tracks it peaked at No. 7 and on Adult Contemporary Tracks it peaked at No. 20.\nG^ \"At The Beginning\" charted on Billboards Adult Contemporary Tracks chart at No. 2 and also charted on Radio & Records Adult Contemporary Chart at No. 1.\nH^ The chart position in the second US column for \"When You're Gone\" is for Billboards Adult Top 40 Tracks Chart as it did not chart on Billboards Adult Contemporary Tracks Chart.\nI^ \"Ready to Fly\" charted on both Billboards Adult Contemporary Tracks chart and Billboards Adult Top 40 Tracks Chart. On Adult Contemporary Tracks it peaked at No. 22 and on Adult Top 40 Tracks it peaked at No. 29.\nJ^ \"All You Need Is Love\" charted on Billboard''s Smooth Jazz Songs chart at No. 4.\n\nMusic videos\n\nOfficial YouTube lyric videos\n\nSingles composed for other artists\n\nReferences\n\nDiscography\nRock music discographies\nDiscographies of American artists", "Bless the Broken Road: The Duets Album is an album from contemporary Christian group Selah. It features the collaboration of other artists of the genre in each song. The album was released on August 8, 2006.\n\nTrack listing\n\nAwards \n\nAt the 38th GMA Dove Awards, the album won a Dove Awards for Inspirational Album of the Year. The title song was also nominated for Pop/Contemporary Recorded Song of the Year and Song of the Year, while the song \"Glory\" (featuring Nichole Nordeman) was nominated for Inspirational Recorded Song of the Year.\n\nChart performance \n\nThe album peaked at No. 43 on the Billboard 200 and No. 1 on Billboards Christian Albums where it remained for 39 weeks. The title song also peaked at No. 5 on Billboards Christian Songs.\n\nReferences \n\n2006 albums\nCurb Records albums\nSelah (band) albums" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\",", "Where did the album peak on the billboards?", "reached number 23 on the UK Singles Chart." ]

[ "Goldfrapp are an English electronic music duo that formed in London in 1999. The group gained prominence after their debut studio album Felt Mountain was shortlisted for the 2001 Mercury Prize in the United Kingdom. They have released five studio albums: Felt Mountain (2000), Black Cherry (2003), Supernature (2005), Seventh Tree (2008) and Head First (2010). The group's remix album, We Are Glitter was released in the United States in October 2006 and the compilation album The Singles was released internationally in February 2012.\n\nBlack Cherry was released through Mute Records in April 2003. Singles from the album included \"Train\", \"Strict Machine\" and \"Twist\". Black Cherry earned the group two awards, including an Ivor Novello Award (The Ivors Dance Award) for the song \"Strict Machine\". Supernature was released through the same label in August 2005. The album earned Goldfrapp two Grammy Award nominations in the dance category. Their fourth album, Seventh Tree, was released in February 2008. Singles included \"A&E\", \"Happiness\" and \"Caravan Girl\". The music video for \"Happiness\" earned Goldfrapp and director Dougal Wilson a nomination for Best Pop Video at the UK Music Video Awards. Head First was released in March 2010. The album earned the group two additional Grammy Award nominations.\n\nOther recognitions include the inclusion of Supernature on Rolling Stone magazine's \"Top 50 Albums of 2006\" list. Goldfrapp have also been recognized by the ASCAP/PRS Awards, BT Digital Music Awards, International Dance Music Awards, MTV Europe Music Awards and the Q Awards. Overall, Goldfrapp have received two awards from 15 nominations.\n\nAIM Independent Music Awards\nAIM is a trade body established in 1999 to provide a collective voice for the UK's independent music industry.\n\n|- \n| 2017\n| \"Anymore\"\n| Independent Track of the Year\n|\n\nASCAP/PRS Awards\nThe ASCAP/PRS Awards are presented annually by the American Society of Composers, Authors and Publishers (ASCAP) to British writer and publisher members of the PRS for Music (PRS) for significant performances of their works in the United States. Goldfrapp have received one award from one nomination.\n\nBest Art Vinyl\nThe Best Art Vinyl Awards are yearly awards established in 2005 by Art Vinyl Ltd to celebrate the best album artwork of the past year. \n{| class=\"wikitable\"\n|-\n!Year\n!width=\"250\"|Nominated work\n!width=\"325\"|Award\n!width=\"65\"|Result\n!Ref.\n|-\n| align=\"center\"|2005\n| Supernature\n| rowspan=2|Best Vinyl Art\n| \n| \n|-\n| align=\"center\"|2008\n| Seventh Tree\n| \n|\n\nBrit Awards\nThe Brit Awards are the British Phonographic Industry's (BPI) annual pop music awards. Goldfrapp have been nominated twice.\n\nBT Digital Music Awards\nCreated in 2001, the BT Digital Music Awards are awarded annually by the British telecommunications company BT. Goldfrapp have been nominated twice.\n\nD&AD Awards\nDesign and Art Direction (D&AD) is a British educational charity which exists to promote excellence in design and advertising.\n\n|-\n| 2004\n| \"Strict Machine\"\n| Animation\n| style=\"background:#BF8040\"| Wood Pencil\n|-\n| 2009\n| \"Happiness\"\n| Music Video \n| style=\"background:#8a8b89\"| Graphite Pencil\n\nDanceStar USA Awards\n\n!Ref.\n|-\n| 2004\n| Black Cherry\n| Best New Artist Album\n| \n|\n\nGLAAD Media Awards\n\nThe GLAAD Media Awards were created in 1990 by the Gay & Lesbian Alliance Against Defamation to \"recognize and honor media for their fair, accurate and inclusive representations of the LGBT community and the issues that affect their lives.\"\n\n|-\n| 2014\n| Tales of Us\n| Outstanding Music Artist\n|\n\nGay Music Chart Awards\n{| class=\"wikitable\"\n|-\n!Year\n!width=\"250\"|Nominated work\n!width=\"325\"|Award\n!width=\"65\"|Result\n!Ref.\n|-\n| align=\"center\"|2017\n| \"Systemagic\"\n| Best Queer Music Video\n| \n|\n\nGrammy Awards\nThe Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences of the United States for outstanding achievements in the record industry. Often considered the highest music honor, the awards were established in 1958. Goldfrapp have received four nominations.\n\nIbiza Music Video Festival\n\nIbiza Music Video Festival is a global and interactive music video festival.\n\n|-\n| 2017\n| \"Systemagic\"\n| Best Choreography \n|\n\nInternational Dance Music Awards\nThe International Dance Music Awards, which take place during the annual Winter Music Conference, recognize achievements in the electronic dance music industry. Goldfrapp have received three nominations.\n\nIvor Novello Awards\nThe Ivor Novello Awards, named after the Cardiff-born entertainer Ivor Novello, are awards for songwriting and composing. Goldfrapp have received two awards from two nominations.\n\nMercury Prize\nThe Mercury Prize is an annual music prize awarded for the best album from the United Kingdom and Ireland. Goldfrapp have been nominated once.\n\nMusic Week Awards\nFounded by British music magazine Music Week, the Music Week Awards are presented annually.\n\nMTV Europe Music Awards\nThe MTV Europe Music Awards were established in 1994 by MTV Europe to celebrate the most popular music videos in Europe. Goldfrapp have been nominated once.\n\nMuso Awards\nThe Muso Awards is a charity music award ceremony held in London, England, that began in September 2002. The awards are voted \"by musicians, for musicians\", and the ceremony features live performances by a variety of artists. The 2005 event was held at Koko, in Camden Town, very few winners were present to receive their awards.\n\n!Ref.\n|-\n| 2005\n| Alison Goldfrapp\n| Best Female Vocal\n| \n|\n\nPLUG Awards\nThe PLUG Awards are given in support of indie music.\n\n|-\n| 2007\n| We Are Glitter\n| Electronic/Dance Album of the Year\n|\n\nQ Awards\nThe Q Awards are the UK's annual pop music awards run by the music magazine Q magazine to honor musical excellence. Winners are voted by readers of Q.\n\n|-\n| 2001\n| rowspan=\"2\" | Themselves \n| Best New Act \n| \n|-\n| 2003\n| Q Innovation in Sound \n| \n|-\n| 2005\n| Supernature\n| Best Album\n| \n|-\n| 2008\n| \"Happiness\" \n| Best Video\n|\n\nPopjustice 20 Quid Music Prize\n\nThe Popjustice £20 Music Prize, also known as the Popjustice Twenty Quid Prize, is an annual prize awarded by music website Popjustice to recognise the best British pop single of the previous year. The prize was conceived by Popjustice founder Peter Robinson in 2003 as a reaction to what he perceived as the pompous and elitist nature of the existing Mercury Prize, which recognises the best album of the previous year, and in particular its exclusion of pop music acts in favour of those from more esoteric genres. The shortlist for the Popjustice prize is announced in September of each year and the winner named the following month, to coincide with the presentation of the Mercury Prize. Popjustice gives a token prize of £20 to the winner of its award, in contrast to the £20,000 given to the winner of the Mercury Prize.\n\n|-\n| 2005\n| \"Ooh La La\"\n| rowspan=\"3\" | Best British Pop Single\n| \n|-\n| 2006\n| \"Number 1\"\n| \n|-\n| 2008\n| \"A&E\"\n|\n\nUK Music Video Awards\nThe UK Music Video Awards recognize \"creativity and technical excellence\" in music videos made within the United Kingdom. Goldfrapp have been nominated once.\n\nMusic Producers Guild Awards\nThe Music Producers Guild Awards are awarded annually by the Music Producers Guild, a UK Music not-for-profit company run by volunteers from the membership.\n\nOther recognitions\n2006 – Rolling Stone magazine ranked Supernature number 32 on their \"Top 50 Albums of 2006\" list\n2009 – Seventh Tree was ranked at number 19 by Q in their list of \"50 Best Albums of 2008\"\n\nReferences\n\nExternal links\n\nOfficial website\n\nAwards\nGoldfrapp", "English electronic music duo Goldfrapp have released seven studio albums, two live albums, two compilation albums, four extended plays, 25 singles, eight promotional singles, one video album and 29 music videos. The band was formed in 1999 in London, and consists of Alison Goldfrapp (vocals, synthesiser) and Will Gregory (synthesiser).\n\nGoldfrapp's debut studio album Felt Mountain was released in September 2000. The album reached number 57 on the United Kingdom albums chart and was certified gold by the British Phonographic Industry (BPI). In 2001, it was shortlisted for the Mercury Prize in the UK. Black Cherry, their second album, was released in April 2003. The album and its singles experienced success on the UK Singles Chart and across nightclubs in North America, influencing the dance-oriented sound of future releases.\n\nIn August 2005, the duo released their third album Supernature. The album reached number two in the UK and has sold over one million copies worldwide. The album produced two number-one US Hot Dance Club Play singles, and was nominated for Best Electronic/Dance Album at the 49th Grammy Awards in 2007. Goldfrapp's fourth album Seventh Tree was followed in 2008. The album peaked at number two in the UK and reached the top 20 of several other national album charts, including in Australia, Austria, Belgium and Ireland. Head First, Goldfrapp's fifth studio album, was released in March 2010. It reached number six in the UK and produced three singles: \"Rocket\", \"Alive\" and \"Believer\". Goldfrapp's sixth studio album, Tales of Us, was released in September 2013, peaking at number four on the UK Albums Chart. Goldfrapp's seventh studio album Silver Eye, was released in March 2017, which produced four singles: \"Anymore\", \"Systemagic\", \"Everything Is Never Enough\" and \"Ocean\" featuring Dave Gahan.\n\nAlbums\n\nStudio albums\n\nLive albums\n\nCompilation albums\n\nExtended plays\n\nSingles\n\nPromotional singles\n\nGuest appearances\n\nRemixes\n\nVideography\n\nVideo albums\n\nMusic videos\n\nNotes\n\nReferences\n\nExternal links\n \n \n \n \n\nDiscographies of British artists\nElectronic music discographies\nPop music group discographies" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\",", "Where did the album peak on the billboards?", "reached number 23 on the UK Singles Chart.", "Was Goldfrapp nominated for any awards?", "\" won an Ivor Novello Award for \"Best Dance Single\"." ]

[ "Exo is a South Korean–Chinese boy band from Seoul, South Korea, formed in 2011. The band consists of nine members: Xiumin, Suho, Lay, Baekhyun, Chen, Chanyeol, D.O., Kai, and Sehun. As of November 2019, they have released seven studio albums and six extended plays (EP) in Korean, Mandarin, and Japanese. Exo achieved success with the release of their debut EP Mama in 2012. It won them many awards and nominations, including Best New Asian Artist and a nomination for Artist of the Year at the 2012 Mnet Asian Music Awards. They were also nominated for Rookie of the Year at the 2013 Korean Music awards and won the New Artist Award at the 2013 Seoul Music Awards.\n\nExo's first studio album XOXO was released in June 2013 and received various awards, including their first Daesang award. In South Korea's music industry, a Daesang award is the \"grand prize\" of an award ceremony. The album won Album of the Year at the 2013 Mnet Asian Music Awards and Disc Daesang at the 2014 Golden Disc Awards. \"Growl\", a single on the album, won Song of the Year at the 2013 Melon Music Awards. Exo have continued receiving awards and nominations in the years since, and as of January 2019, they have accumulated 23 Daesang awards from various award shows. These include several sets of consecutive wins for the same award: five consecutive Album of the Year wins at the Mnet Asian Music Awards, four consecutive Disc Daesang wins at the Golden Disc Awards, four consecutive Daesang wins at the Seoul Music Awards, and two consecutive Artist of the Year wins at the Melon Music Awards.\n\nExo have also won over 100 music program awards, which are awarded on weekly television shows in South Korea and China to the artist with the most popular and best performing song in the country that week. In 2017, Exo received a Prime Minister's Commendation award at the Korean Popular Culture & Arts Awards, which was given in recognition of public service or excellence in their field. With five wins at the time, Exo earned an entry in the 2018 Guinness World Records book for the \"Most Daesang (\"Grand Prize\") awards won at the Mnet Asian Music Awards\". Exo were also named by Forbes on their Korea Power Celebrity list as the most powerful celebrities in South Korea for 2015 and 2016, and within the top five for 2014, 2017 and 2018. Overall, Exo has received 178 awards from 310 nominations.\n\nAwards and nominations\n\nOther accolades\n\nState and cultural honors\n\nListicles\n\nWorld records\n\nSee also\n \n \n Byun Baek-hyun#Awards and nominations\n\nNotes\n\nReferences\n\nExo\nAwards", "The 38th Golden Raspberry Awards, or Razzies, was an awards ceremony that honored the worst the film industry had to offer in 2017. The Golden Raspberry Awards were awarded based on votes from members of the Golden Raspberry Foundation. The nominees were announced on January 22, 2018 and the winners were announced on March 3, 2018.\n\nWith its nominations for Worst Picture, Worst Director, Worst Screen Combo, and Worst Screenplay, The Emoji Movie became the first full-length animated motion picture to receive nominations for those specific categories at the Golden Raspberry Awards and to win all of these awards. A new award was also created, sponsored by Rotten Tomatoes, for \"The Razzie Nominee So Rotten You Loved It\", where the website readers voted for their favorite film which they thought was unfairly nominated, which was won by Baywatch. One of the film's stars, Dwayne Johnson, accepted the prize, albeit not in person. He did post a video online saying: \"We made Baywatch with the best of intentions, it didn't work out like that, but I humbly and graciously accept my Razzie. And I thank you, critics, and I thank you, fans.\"\n\nWith 10 nominations and no wins, Transformers: The Last Knight breaks the record for most nominations without a win, beating original record holder Grown Ups 2.\n\nFollowing the nomination announcement, the organization received backlash from audiences and critics with three nominations given to Mother!, which received a generally positive response from critics.\n\nWinners and nominees\n\nFilms with multiple wins and nominations\nThe following nine films received multiple nominations:\n\n* Films that shared at least one nomination with another.\n\nThe following films received multiple wins:\n\nBox office performance of nominated films\n\nSee also\n 90th Academy Awards\n 75th Golden Globe Awards\n 71st British Academy Film Awards\n 33rd Independent Spirit Awards\n 24th Screen Actors Guild Awards\n 23rd Critics' Choice Awards\n\nNotes\n\nReferences\n\nExternal links\n \n\nGolden Raspberry Awards ceremonies\nGolden Raspberry\nGolden Raspberry\nMarch 2018 events in the United States\nEvents in Los Angeles\n2018 in Los Angeles" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\",", "Where did the album peak on the billboards?", "reached number 23 on the UK Singles Chart.", "Was Goldfrapp nominated for any awards?", "\" won an Ivor Novello Award for \"Best Dance Single\".", "Where did they wins these awards at?", "the UK." ]

[ "Iz*One was a twelve-member South Korean and Japanese girl group formed in 2018 through Produce 48, a music competition reality show. The group achieved significant commercial success with its debut extended play Color*Iz (2018), released under Off the Record Entertainment, and won several new artist awards, including Best New Artist at the 20th Mnet Asian Music Awards, Rookie of the Year at the 33rd Golden Disc Awards, and the New Artist Award at the 28th Seoul Music Awards. The group's second EP, Heart*Iz (2019), was released to greater commercial success than its predecessor, and received Disc Bonsang nominations at the 34th Golden Disc Awards and the 29th Seoul Music Awards respectively. The EP's lead single, \"Violeta\", received a nomination for Song of the Year at the 21st Mnet Asian Music Awards.\n\nThe group earned its first ever daesang award nominations for its first studio album Bloom*Iz, released in February 2020. The album was nominated for Album of the Year at both the 12th Melon Music Awards and the 10th Gaon Chart Music Awards, while its lead single \"Fiesta\" was also nominated at both ceremonies for Best Dance – Female and Song of the Year – February respectively. Iz*One did not win any of the nominations but the group received its second Artist of the Year bonsang at the Melon Music Awards. Bloom*Iz garnered an additional Bonsang Award nomination at the 30th Seoul Music Awards. The group's follow-up EP, Oneiric Diary, released in June 2020, was also nominated alongside its predecessor at the Gaon Awards, for Album of the Year – 3rd Quarter. The group won its third Artist of the Year bonsang at the 3rd Fact Music Awards in December 2020.\n\nAwards and nominations\n\nNotes\n\nReferences \n\nIz*One\nAwards", "The Latin Grammy Award for Best Salsa Album is an honor presented annually by the Latin Academy of Recording Arts & Sciences at the Latin Grammy Awards, a ceremony that recognizes excellence and promotes a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. According to the category description guide for the 2012 Latin Grammy Awards, the award is for vocal or instrumental salsa albums containing at least 51 percent of newly recorded material. It is awarded to solo artists, duos or groups.\n\nThe accolade for Best Salsa Album was first presented to Cuban singer Celia Cruz at the 1st Latin Grammy Awards ceremony in 2000 for her album Celia Cruz and Friends: A Night of Salsa (1999). She also holds the record for the most wins in the category, with three. Gilberto Santa Rosa holds the record for most nominations, with nine. Puerto Rican musician Victor Manuelle holds the record for most nominations without a win, with six. Puerto Rican artists have received this award more than any other nationality.\n\nWinners and nominees\n\n2000s\n\n2010s\n\n2020s\n\nNotes \n Each year is linked to the article about the Latin Grammy Awards held that year.\n The name of the performer and the nominated album\n\nSee also\nGrammy Award for Best Salsa Album\nGrammy Award for Best Salsa/Merengue Album\n\nReferences \nGeneral\n\nSpecific\n\nExternal links\nOfficial site of the Latin Grammy Awards\n\n \nAwards established in 2000\nSalsa Album" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\",", "Where did the album peak on the billboards?", "reached number 23 on the UK Singles Chart.", "Was Goldfrapp nominated for any awards?", "\" won an Ivor Novello Award for \"Best Dance Single\".", "Where did they wins these awards at?", "the UK.", "Did the album win any other awards?", "The title track was released as the album's fourth single and reached number 28 in the UK." ]

[ "During World War II, 73 officers of the United States Army Medical Department were promoted to General Officer. All are listed below with their dates of rank, most notable duty assignment during the war, and their status as of late 1946. Notes also provide other notable achievements as well as any special commemorative actions taken by the United States Army to recognize their service.\n\nReferences", "The ARIA Music Award for Best Urban Album, was an award presented at the annual ARIA Music Awards, which recognises \"the many achievements of Aussie artists across all music genres\", since 1987. It was handed out by the Australian Recording Industry Association (ARIA), an organisation whose aim is \"to advance the interests of the Australian record industry.\" Best Urban Album was first presented as Best Urban Release in 2004, for an album or single released by a solo artist or group until 2010, where it changed to Best Urban Album.\n\nTo be eligible, the work must have been within the RnB, hip-hop, soul, funk, reggae and dancehall genres. In the case of a remixed or re-worked album, it was eligible provided that: it was not a final five nominee in any other category; contain 50% new lyrical and musical content; the artist(s) and production team meet the artist eligibility criteria; and the ARIA member entering the album must choose the artist or production team as the recipient of the award. The nominated album must qualify for inclusion in the ARIA Album Chart, and cannot be entered in any other genre categories. The accolade was voted for by a judging school, which comprises between 40 and 100 members of representatives experienced in this genre, and is given to an artist who is either from Australia or an Australian resident.\n\nThe award for Best Urban Album was first presented as Best Urban Release to Koolism in 2004, for his album Part 3 - Random Thoughts. Hilltop Hoods have received six wins from six nominations, more than any other artist, for The Hard Road in 2006, The Hard Road: Restrung in 2007, State of the Art in 2009, Drinking from the Sun in 2012 and Walking Under Stars in 2014. It was last presented in 2018, as Best Urban Release, to Hilltop Hoods featuring Adrian Eagle for \"Clark Griswold\". It was replaced by two categories, Best Hip Hop Release and Best Soul/R&B Release in 2019.\n\nWinners and nominees\nIn the following table, the winner is highlighted in a separate colour, and in boldface; the nominees are those that are not highlighted or in boldface.\n\nBest Urban Release (2004–2009)\n\nBest Urban Album (2010–2017)\n\nBest Urban Release (2018)\n\nReferences\n\nExternal links\nThe ARIA Awards Official website\n\nU\nHip hop awards" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\",", "Where did the album peak on the billboards?", "reached number 23 on the UK Singles Chart.", "Was Goldfrapp nominated for any awards?", "\" won an Ivor Novello Award for \"Best Dance Single\".", "Where did they wins these awards at?", "the UK.", "Did the album win any other awards?", "The title track was released as the album's fourth single and reached number 28 in the UK.", "Did the album have any other notable achievements?", "In 2004, \"Strict Machine\" won an Ivor Novello Award for \"Best Dance Single\"." ]

[ "Long Forgotten Songs: B-Sides & Covers 2000–2013 is a compilation album by American rock band Rise Against, released on September 10, 2013. The album comprises twenty-six lesser known Rise Against songs, primarily B-sides, covers and different versions of already existing songs by the band. The idea for the album came about when the members of Rise Against attempted to catalog their lesser known material, but came to the conclusion that there were some songs that they did not own copies of. Long Forgotten Songs peaked at number nineteen on the Billboard 200, and charted in several other countries. The album received generally favorable reviews; several critics said the covers were the best aspect of the album, and noted how many of the songs felt fully fleshed out despite being relegated to B-sides.\n\nBackground and composition\nWhile backstage at the 2013 Orion Music + More festival, the members of Rise Against attempted to catalog their lesser known B-sides and covers, but came to the conclusion that there were some songs that they did not own copies of. These songs were often included in Fat Music compilation albums or soundtrack albums. As lead singer Tim McIlrath put it: \"If the four of us don't have these songs, who really does?\" The band members thought that since there were enough lesser known songs to fill an entire album, it would be interesting to make a compilation album for these songs.\n\nMcIlrath described Long Forgotten Songs as \"a trip down memory lane\" for the band members and their fans. The album comprises twenty-six tracks that span nearly thirteen years, and includes various B-sides, covers, and different versions of existing Rise Against songs. Long Forgotten Songs is rooted in hardcore punk and melodic punk, with lyrical themes ranging from relationships to politics. Among the album's covers include Bob Dylan's \"Ballad of Hollis Brown\", Journey's \"Any Way You Want It\", Nirvana's \"Sliver\", and Bruce Springsteen's \"The Ghost of Tom Joad\". The cover of \"The Ghost of Tom Joad\" in particular is a live recording from 2012, with MC5's Wayne Kramer, the Gaslight Anthem's Brian Fallon, and Rage Against the Machine's Tom Morello.\n\nSome songs on Long Forgotten Songs were included as bonus tracks for previous Rise Against albums. For example, \"Lanterns\" was an iTunes bonus track for Endgame. Bassist Joe Principe explained how the song was a nod to the older sound of Rise Against, but its sound did not match the overall musical style of the album. He further explained that this was the reason why many of the songs on Long Forgotten Songs were chosen as B-sides; these songs did not fit the musical style or lyrical themes of the parent album.\n\nRelease and reception\n\nLong Forgotten Songs was released on September 10, 2013. People who purchased the album from Best Buy received two additional cover tracks: \"Fix Me\" by Black Flag, and Kick Out the Jams by MC5. In the United States, the album debuted at number nineteen on the Billboard 200, and spent two weeks on the chart. Also in the United States, the album peaked at number four on the Top Alternative Albums chart, number two on the Top Hard Rock Albums chart, and number four on the Top Rock Albums. In the United Kingdom, Long Forgotten Songs reached number seventy-three on the Official Albums Chart and number seven on the Official Rock & Metal Albums Chart. Elsewhere, the album peaked at number sixteen in Australia, number seven in Austria, number four in Canada, number seven in Germany, number sixty-five in Scotland, and number thirty-three in Switzerland.\n\nLong Forgotten Songs received generally favorable reviews. Revolver called the album \"a surprisingly cohesive treasure trove\", and highlighted the more unique cover songs such as \"Little Boxes\" and \"The Ghost of Tom Joad\".\nAllMusic and Metal Hammer wrote that although most B-side compilation albums are usually hit-or-miss, Long Forgotten Songs had enough fully fleshed out songs to warrant a purchase. Both publications also praised the covers, with AllMusic commenting how the covers give the listener insight into the bands that influenced Rise Against's music. Kerrang! wrote: \"This isn't just a bunch of orphan songs lassoed together as a cash in...it's as fan-pleasing as it is necessary, containing some of their best work to date\".\n\nTrack listing\n\nCharts\n\nReferences\n\n2013 compilation albums\nRise Against albums\nInterscope Records compilation albums\nB-side compilation albums", "\"Forever Man\" is a song from Eric Clapton's 1985 album Behind the Sun, released as the first single of the album. It reached number one on the Billboard Top Rock Tracks chart, becoming his second single to do so. In total, the single release sold more than 500,000 copies worldwide.\n\nComposition\nClapton had just signed a contract with Warner Bros. Records when he started recording Behind the Sun. When the album was completed, the record company rejected it because they felt it did not have enough singles. They commissioned three songs by composer Jerry Lynn Williams, one of which was \"Forever Man\". The song begins with a riff in which a bass, guitar and synth play. The song has an intro, verse, chorus, verse solo and final chorus structure and is in the key of D Minor.\n\nMusic video and appearance\nThe song produced Clapton's first music video, showing Clapton performing the song with his tour band Donald \"Duck\" Dunn (although Nathan East played on the album), Jamie Oldaker (although Jeff Porcaro played on the album), Michael Omartian, Tim Renwick (although Steve Lukather played on the album), Shaun Murphy and Marcella Detroit on a circular stage that in the center had a step where Clapton performs, the other members of the band being a step below. This video was directed by Godley and Creme.\n\n\"Forever Man\" was featured on the Eric Clapton, Steve Winwood double CD and DVD Live From Madison Square Garden and many other compilation albums including The Cream of Eric Clapton (1987), Complete Clapton (2007) and Forever Man (2015). The original music video was released, as the sound recording, on the VHS, CD, download and DVD compilation Clapton Chronicles: The Best of Eric Clapton in 1999.\n\nCommercial performance\nIn the United Kingdom, the single release entered the official music charts, compiled by the Official Charts Company at number 77 and peaked at position 51 the next week. In total, the \"Forever Man\" spent six weeks on the British single charts. While on chart in the United Kingdom, the single sold a total of 19,934 copies in six weeks. In the United States, \"Forever Man\" ranked at number 26 on Billboard magazine's Hot 100 singles chart and spent a total of twelve weeks on chart. In North America, it also became second number hit on the Mainstream Rock airplay chart. While charting on the single sales compilation, the single release sold a total of 193,932 records in the United States alone. In Canada, the single did not reach the RPM sales chart, but sold 3,382 copies in the country. In Australia, the single peaked at number 92, as the Kent Music Report published in 1993. \"Forever Man\" did also reached various national single charts in Belgium and the Netherlands. In Denmark and Japan, the single was certified with a gold disc to commemorate outstanding sales figures of the 1985 release. In total, the single sold more than 500,000 copies worldwide.\n\nCharts and certifications\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nBeatchuggers version\n\nIn 2000, the then 23-year-old Danish House producer Michael Linde – also known as Beatchuggers – \"fooled around\" with a sample of Clapton's original \"Forever Man\" recording, and decided to do a demo recording of the song in his style. The track, originally titled \"How Many Times\", was produced as a white label release by the indie Bim Bam Recordings. The disc was sent to London, where Clapton listened to the Beatchuggers version and became interested in the project. Back in Denmark, EMI–Medley's dance subsidiary, Flex, signed Michael Linde and was then set to release the recording as \"Forever Man (How Many Times)\" under the act name \"Beatchuggers Featuring Eric Clapton\". EMI–Medley director of international exploitation Ole Mortensen said that the record will be released in late October 2000 and that Clapton will be featured in the promotional music video.\n\nThe more dance-oriented version was released on October 23, 2000 as a digital download, as a CD maxi single and on 12 inch gramophone record with different B-sides of the same songs consisting of other mixes and lengths. The single is accompanied by a music video. Besides of Jacob Horney who played additional keyboards along with Nils Munk who played bass guitar on top of the original recording are no other musicians involved with the recording. Alan Mawdfley engineered the recording while the artists Fletch, Jan Eliasson and Lene Reidel remixed the B-sides for the single release. The cover artwork was created by Peter Stenbæk.\n\nReviews from the Schweizer Hitparade had been positive, where as AllMusic did not rate the single.\n\nWeekly charts\n\nReferences\n\n1985 singles\nEric Clapton songs\nMusic videos directed by Godley and Creme\nSongs written by Jerry Lynn Williams\nSong recordings produced by Phil Collins\nSong recordings produced by Lenny Waronker\nWarner Records singles\n1985 songs" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\",", "Where did the album peak on the billboards?", "reached number 23 on the UK Singles Chart.", "Was Goldfrapp nominated for any awards?", "\" won an Ivor Novello Award for \"Best Dance Single\".", "Where did they wins these awards at?", "the UK.", "Did the album win any other awards?", "The title track was released as the album's fourth single and reached number 28 in the UK.", "Did the album have any other notable achievements?", "In 2004, \"Strict Machine\" won an Ivor Novello Award for \"Best Dance Single\".", "How many songs in total did the album have?", "I don't know." ]

[ "Alison Margaret Elizabeth Goldfrapp (born 13 May 1966) is an English musician and record producer, best known as the vocalist of British electronic music duo Goldfrapp.\n\nEarly life\nGoldfrapp was born on 13 May 1966, in Enfield, London, the youngest of six children. Her mother, Isabella Barge, was a nurse. Her father, Nicholas Goldfrapp, had been an army officer, and worked in advertising. Goldfrapp's surname is of German origin, and she has German ancestry through her father. While Goldfrapp was growing up, her family moved frequently, eventually settling in Alton, Hampshire, where Goldfrapp attended the independent Alton Convent School. She sang in a choir at the school and has said that she loved being in a school with nuns. However she was forced to leave at age 11 after failing the senior exam, and attended the local comprehensive school, Amery Hill School. She moved into a squat in London aged 16. At 24 years old, she attended Middlesex University where she studied fine art and mixed media.\n\nCareer\n\nIn 1994, she featured on the Orbital album Snivilisation and recorded songs \"The Good\" and \"The Bad\" with trip reggae outfit Dreadzone, for their 'best of' album The Best of Dreadzone – The Good The Bad and the Dread. Performing with them live resulted in two songs on the limited edition Performance album released in 1994. In the same year Goldfrapp featured on trip hop artist Tricky's 1995 song \"Pumpkin\" and collaborated with Stefan Girardet on two songs on the soundtrack to the 1995 film The Confessional.\n\nGoldfrapp was introduced to composer Will Gregory in 1999 after he had listened to her vocal contribution for \"Pumpkin\", they then formed Goldfrapp and signed to Mute Records.\n\nIn 2000 she was a featured vocalist on the songs \"The Time Of The Turning\" and \"The Time of the Turning (Reprise)/The Weaver's Reel\" from the release OVO, Peter Gabriel's soundtrack album to the London Millennium Dome Show.\n\nThe pair began recording their debut album over a six-month period, beginning in September 1999, in a rented bungalow in the Wiltshire countryside. The band's debut album Felt Mountain was released in 2000 and featured Goldfrapp's synthesized vocals over cinematic soundscapes. Goldfrapp released their second album Black Cherry in 2003. The band recorded the album in Bath, England. This album focused more heavily on dance music and glam rock-inspired synths than its predecessor. Black Cherry peaked at number nineteen on the UK Albums Chart and sold 52,000 copies in the US. Supernature, Goldfrapp's third album, was released in 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. It has sold one million copies worldwide and earned the duo two nominations at the 2007 Grammy Awards for Best Electronic/Dance Album and Best Dance Recording for the song \"Ooh La La\". Seventh Tree, Goldfrapp's fourth album, was released in 2008 and debuted at number two on the UK Albums Chart. The album is a departure from the pop and electronic dance music featured on Supernature, featuring ambient and downtempo music. The band were inspired by an acoustic radio session they had performed, which led the duo to incorporate acoustic guitars into their music to create \"warm\" and \"delicate\" sounds.\n\nIn 2009, she was awarded an Honorary Doctor of Music degree by the University of Portsmouth.\n\nGoldfrapp have released seven albums, most recently Silver Eye in 2017. Hits include \"Strict Machine\", \"Ooh La La\", \"Lovely Head\" and \"A&E\". The multi-platinum selling band have been nominated for the Mercury Prize, multiple Grammy Awards and won an Ivor Novello for \"Strict Machine\".\n\nGoldfrapp scored the films My Summer of Love and Nowhere Boy.\n\nIn recent years, Goldfrapp has dedicated more time to her role as a photographer and director. She created and photographed the album artwork for Silver Eye and directed videos for singles \"Systemagic\", \"Everything Is Never Enough\" and \"Ocean\".\n\nIn September 2021, Goldfrapp were awarded the Ivor Novello 'Inspiration Award' which celebrates \"peer recognition for the excellence of Goldfrapp songwriting catalogue and in particular how it has inspired the creative talent of other creators\".\n\nArtistry\n\nVoice\n\nGoldfrapp has an expansive soprano vocal range. She is noted for her operatic abilities, particularly on the group's debut album Felt Mountain and prominently on the songs \"Utopia\" and \"Pilots\". Her delivery in a more contemporary voice has been described as \"breathy\", \"sultry\", \"ethereal\" and \"startling\".\n\nGoldfrapp has been commended for her vocal versatility, morphing her voice to fit various genres such as folk, pop, classical, dance, trip hop and electronica throughout her career. Goldfrapp has used a vocoder to modify her voice to fit the material she is singing, such as the song \"Lovely Head\". Vocally, Goldfrapp has been compared to Marlene Dietrich, Siouxsie Sioux, Björk, Kate Bush and Elizabeth Fraser of the Cocteau Twins.\n\nCompositions\nGoldfrapp produces and writes most of her material alongside bandmate Will Gregory. She draws inspiration from a range of artists and musical genres. As a teenager she listened to Kate Bush, T. Rex, Donna Summer, Joan Jett, Marc Bolan, David Cassidy, and Iggy Pop and The Stooges, and discovered Serge Gainsbourg while working in Belgium. While travelling through Europe in the early 1990s, she began listening to Polish disco music and cabaret music from the Weimar Republic. Other media, including film, have influenced Goldfrapp who cites Roman Polanski's 1966 psychological thriller Cul-de-sac, the 1973 cult film The Wicker Man and the James Bond franchise as influences. She draws inspiration from surrealism and nature, all of which appear in Goldfrapp's album artwork, which she designs in collaboration with Big Active. Goldfrapp believes that \"music is a visual experience\" and therefore visualises her lyrics before writing them. While writing, Goldfrapp uses her vocals to create melodies and drumbeats. Her songwriting is characterised by its use of animals to describe human emotions and status.\n\nPublic image\nWhile touring in 2004, sections of the group's stage show featured Goldfrapp in a white dress wearing a horse tail and dancers with deer heads, which were inspired by her interest in animals and mythology.\n\nThe artwork for Goldfrapp's album Seventh Tree featured her dressed as a Pierrot. Her new image, inspired by paganism, featured her dressed in white or natural-coloured flowing gowns with loose curly blonde hair.\n\nDuring 2010, Goldfrapp took on several new images to fit with their forthcoming album Head First. The music on this album was more '80s-influenced, reflected in the artwork featured on the album's first single, \"Rocket\", which features Goldfrapp in a pink jumpsuit. For their live shows, she wore spangly black leggings and a jacket covered in VHS tape which was blown about by two electric fans placed at front centre-stage. The shine of the plastic reflected the colourful stage lighting.\n\nGoldfrapp confirmed she was dating film editor Lisa Gunning in a February 2010 interview with The Sunday Times saying, \"I think of everything as being about a person and a relationship, and I am in a wonderful relationship with a wonderful person. It just happens to be with a lady... It's something I've thought about for a long time and it concurs with my philosophy on life and sexuality. I don't think it can or should be pigeonholed. I've thought about this since I was a teenager. I've always found it claustrophobic to think about having to put things into categories like that. My sexuality is the same as my music and my life. Why does it need a label?\" Goldfrapp's relationships before this were with men.\n\nIn 2013, Goldfrapp was invited by The Lowry, Salford to curate an exhibition as part of their ‘Performer as Curator’ annual series. The exhibition was a collection of photography and paintings inspired by ideas of metamorphosis and fairytales.\n\nIn November 2020, it was announced that Goldfrapp was dating architect Peter Culley. Goldfrapp is dyslexic.\n\nReferences\n\nExternal links\n\n Goldfrapp's official website\n \n \n \n\n1966 births\nLiving people\nAlumni of Middlesex University\nAmbient musicians\nElectroclash\nEnglish electronic musicians\nEnglish people of German descent\nEnglish pop pianists\nEnglish record producers\nEnglish women singer-songwriters\nEnglish sopranos\nBritish trip hop musicians\nGoldfrapp members\nIvor Novello Award winners\nLGBT composers\nLGBT musicians from England\nLGBT producers\nLGBT singers from the United Kingdom\nLGBT songwriters\nLGBT writers from England\nMusicians from Bath, Somerset\nMute Records artists\nPeople from Alton, Hampshire\nPeople from Enfield, London\nSingers from London\nSony BMG artists\nSynth-pop singers\nTambourine players\nWriters from London\nEnglish women in electronic music\n20th-century English women singers\n20th-century English singers\n21st-century English women singers\n21st-century English singers\nBritish women record producers\nPeople with dyslexia\nSquatters", "\"Everything Is Never Enough\" is a song performed by English group Goldfrapp, taken from their seventh studio album, Silver Eye (2017). It was released as the album's third single on 22 September 2017 by Mute Records. The song was written and produced by Alison Goldfrapp and William Owen Gregory, with additional production coming from Andy Savours. The song's lyrics encourage the listener to live in the present instead of the future. Critics drew comparisons between \"Everything Is Never Enough\" and Goldfrapp's prior work on their album Head First (2010).\n\nAn accompanying music video for \"Everything Is Never Enough\" was released on 7 September 2017 and features lead singer Alison Goldfrapp and a nude male dancer performing in a desert setting. It serves as a continuation to the ones for prior singles \"Anymore\" and \"Systemagic\".\n\nBackground and release \nThe radio edit (also known as the \"video mix\") of \"Everything Is Never Enough\" was released digitally as third single from Silver Eye on 22 September 2017. It was written and produced by members Alison Goldfrapp and William Owen Gregory with Andy Savours serving as an additional producer.\n\nA remix of \"Everything Is Never Enough\" produced by German DJ Chris Liebing was distributed to digital retailers on 6 October 2017 and titled \"Chris Liebing Burn Slow Remix\".\n\nComposition and lyrics \n\"Everything Is Never Enough\" has a duration of five minutes and six seconds, whereas the radio edit runs for three minutes and fifty seconds. Sean T. Collins from Pitchfork compared the single to the songs on Goldfrapp's fifth studio album, Head First (2010). Additionally, he claimed that songs like \"Everything Is Never Enough\" add individuality to the album as they \"avoid the genre-pastiche of their counterparts\" on Silver Eye.\n\nThe lyrics of \"Everything Is Never Enough\" describe living in the present instead of waiting for the future; Goldfrapp sings \"Living like there's no tomorrow / We are here in the future past\".\n\nCritical reception \nA group of critics from PopMatters reviewed the recording in their \"Singles Going Steady\" column, with the site's consensus reading: \"Goldfrapp expertly balances crisp sound quality and computer-softened vocals for a dreamy club feel and that makes the wasteland seem like a happening place.\" Ian Rushbury from the publication called the song \"lovely\" while Adriana Pontecorvo appreciated the \"incredibly catchy dance beat\". Chris Gerard, also from PopMatters, stated that the single \"takes us back to more traditional Goldfrapp territory\" and is an obvious candidate to be released as a commercial single.\n\nMusic video \nA music video for \"Everything Is Never Enough\" was released on 7 September 2017. Stylistically, it serves as a continuation to the music videos for \"Anymore\" and \"Systemagic\", the first two singles from Silver Eye. Tristan Kneschke from PopMatters compared to scenery in the music video to the one for Gary Numan's 2017 single \"My Name Is Ruin\".\n\nTrack listing and formats\n\nReferences\n\nExternal links \n \n\n2017 songs\nSongs written by Alison Goldfrapp\nSongs written by Will Gregory\nGoldfrapp songs" ]

[ "Goldfrapp", "2003-04: Black Cherry", "When did the album release?", "in April 2003.", "What type of music was on the album?", "The album focused more heavily on dance music and glam rock-inspired synths than its predecessor.", "Was there any singles off the album?", "first single released from the album was \"Train\",", "Where did the album peak on the billboards?", "reached number 23 on the UK Singles Chart.", "Was Goldfrapp nominated for any awards?", "\" won an Ivor Novello Award for \"Best Dance Single\".", "Where did they wins these awards at?", "the UK.", "Did the album win any other awards?", "The title track was released as the album's fourth single and reached number 28 in the UK.", "Did the album have any other notable achievements?", "In 2004, \"Strict Machine\" won an Ivor Novello Award for \"Best Dance Single\".", "How many songs in total did the album have?", "I don't know.", "Is there any other interesting facts about the album Goldfrapp?", "In 2003, Alison Goldfrapp modified her image, from a sophisticated Marlene Dietrich inspired look to that of a new wave diva." ]

[ "Succinylation is a posttranslational modification where a succinyl group (-CO-CH2-CH2-CO2H) is added to a lysine residue of a protein molecule. This modification is found in many proteins, including histones. The potential role of succinylation is under investigation, but as addition of succinyl group changes lysine's charge from +1 to −1 (at physiological pH) and introduces a relatively large structural moiety (100 Da), bigger than acetylation (42 Da) or methylation (14 Da), it is expected to lead to more significant changes in protein structure and function.\n\nBy analogy to acetylation, it has been suggested that succinyl-CoA is the cofactor of enzyme-mediated lysine succinylation.\n\nReferences\n\nExternal links\n Succinylation, Yet A Novel PTM Pathway for Biological Regulation, But Ready to Be Investigated\n Succinyl group at ChEBI\n The dawn of succinylation: a posttranslational modification.\n\nPost-translational modification", "Body Modification Ezine (BME) is an online magazine devoted to body modification, noted for its coverage of the extreme and fringes of body modification and erotic body play.\n\nHistory and content \nBME was started as a web site hosted at Internex Online on December 6, 1994, by Shannon Larratt and was the first body modification website.\n\nBME was expanded in 2000 by the addition of IAM.BMEzine, an online community, which hosts blogs specifically for members of the body-modification community.\n\nIn late 2005, BME added both a video sister site, BMEvideo and a body modification blog, Modblog.BMEzine.com.\n\nThe site often publishes hoax articles each year on April Fools' Day.\n\nBoth Shannon and Rachel Larratt have cameo appearances in the Kevin Smith feature Clerks II.\n\nOn May 14, 2008, Shannon Larratt posted onto ModBlog that he would no longer be an employee of BME.\n\nOn March 15, 2013, it was announced that the founder of the site, Shannon Larratt, had died.\n\nBME BBQs\nPatrons of the BME website and its IAM community have often gathered for barbecues where they can meet with one another. Historically, the largest of these BBQs, known as BMEFest, were held in or around Toronto, Ontario and generally on Canada Day with hundreds of participants. The festivities of BMEFest almost always include suspensions, fireworks, grilled food both vegan and otherwise, and there is usually a commemorative T-shirt for each event. It is generally free to attend but it is encouraged to sign up ahead of time and may be exclusive to a private group.\n\nCensorship \nThe BME site is blocked by many Internet filtering services intended to protect children (and workplaces), for reasons such as nudity, torture, and other adult content. It was banned by Germany's Bundesprüfstelle für jugendgefährdende Medien in 1999 as a \"danger to the youth\" because BME did not include age verification or an entrance page warning users of potential adult content. In December 2005, the German agency forced Google to remove the site from search results returned by www.google.de.\n\nShannon Larratt writes in Zentastic.com:\n When Germany came after BME for \"endangering the youth\" and demanded that I make changes to the site to comply with German law, my response was to simply not visit Germany again (and I'm a German citizen). When the US started to pressure us, we moved all of our servers and presence out of the country and backed off on plans to live in the US. No changes were ever made to the site, and no images were ever removed — if anything, the pressure made me push those areas even more.\n\nReferences\n\nBody modification\nOnline magazines published in Canada\nMagazines established in 1994\nMediaWiki websites\nObscenity controversies in literature" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)" ]

[ "Jackson Rogow (born October 5, 1991) is an American actor. He is best known for starring in the Cartoon Network live action series Dude, What Would Happen?\n\nCareer\nRogow was on Dude, What Would Happen on Cartoon Network until it was cancelled in 2011. Rogow was also on the Lego Top Secret Project after The Yoda Chronicles on Cartoon Network.\n\nPersonal life\nRogow resides in Bel Air, Los Angeles, California.\n\nFilmography\n\nReferences\n\nExternal links \n\nLiving people\n1991 births\nPeople from Kissimmee, Florida\nPeople from Bel Air, Los Angeles\nLos Angeles County High School for the Arts alumni\nAmerican male television actors", "James P. Flynn (born February 5, 1934) is an American teamster and film actor. He was a reputed member of the famous Winter Hill Gang. He has been in films including Good Will Hunting, The Cider House Rules and What's the Worst That Could Happen?.\n\nBiography\nJames P. Flynn was born in Somerville, Massachusetts.\n\nIn 1982, Flynn was wrongly identified as a shooter in the murder of Winter Hill Gang mob associate Brian \"Balloonhead\" Halloran and attempted murder of Michael Donahue. He was tried and acquitted for the murder in 1986 after being framed by John Connolly and James J. Bulger.\n\nFlynn was a part of Boston's International Brotherhood of Teamsters Local 25 labor union where he later ran the organization's movie production crew. He has also been the Teamster Union's transportation coordinator and transportation captain in the transportation department on numerous films, including The Departed, Fever Pitch and Jumanji.\n\nFlynn appeared in many films shot in the New England area. In show business he goes by the name 'James P. Flynn'. Flynn was cast as a judge in the Boston-based film Good Will Hunting in 1997. Later, he acted in the 1999 film The Cider House Rules and What's the Worst That Could Happen? in 2001. He was also a truck driver for movie production equipment during the filming of My Best Friend's Girl in 2008. Boston actor Tom Kemp remarked: \"[The film The Departed] wouldn't be a Boston movie without me, a Wahlberg, and Jimmy Flynn from the teamsters.\"\n\nFilmography\nGood Will Hunting (1997) as Judge George H. Malone\nThe Cider House Rules (1999) as Vernon\nWhat's the Worst That Could Happen? (2001) as the Fire Captain\n\nReferences\n\nExternal links \n\n1934 births\nLiving people\nMale actors from Boston\nWinter Hill Gang" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)", "What happen in 2002", "Forte joined the cast," ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)", "What happen in 2002", "Forte joined the cast,", "Are there any other interesting aspects about this article?", "I don't know." ]

[ "Jackson Rogow (born October 5, 1991) is an American actor. He is best known for starring in the Cartoon Network live action series Dude, What Would Happen?\n\nCareer\nRogow was on Dude, What Would Happen on Cartoon Network until it was cancelled in 2011. Rogow was also on the Lego Top Secret Project after The Yoda Chronicles on Cartoon Network.\n\nPersonal life\nRogow resides in Bel Air, Los Angeles, California.\n\nFilmography\n\nReferences\n\nExternal links \n\nLiving people\n1991 births\nPeople from Kissimmee, Florida\nPeople from Bel Air, Los Angeles\nLos Angeles County High School for the Arts alumni\nAmerican male television actors", "James P. Flynn (born February 5, 1934) is an American teamster and film actor. He was a reputed member of the famous Winter Hill Gang. He has been in films including Good Will Hunting, The Cider House Rules and What's the Worst That Could Happen?.\n\nBiography\nJames P. Flynn was born in Somerville, Massachusetts.\n\nIn 1982, Flynn was wrongly identified as a shooter in the murder of Winter Hill Gang mob associate Brian \"Balloonhead\" Halloran and attempted murder of Michael Donahue. He was tried and acquitted for the murder in 1986 after being framed by John Connolly and James J. Bulger.\n\nFlynn was a part of Boston's International Brotherhood of Teamsters Local 25 labor union where he later ran the organization's movie production crew. He has also been the Teamster Union's transportation coordinator and transportation captain in the transportation department on numerous films, including The Departed, Fever Pitch and Jumanji.\n\nFlynn appeared in many films shot in the New England area. In show business he goes by the name 'James P. Flynn'. Flynn was cast as a judge in the Boston-based film Good Will Hunting in 1997. Later, he acted in the 1999 film The Cider House Rules and What's the Worst That Could Happen? in 2001. He was also a truck driver for movie production equipment during the filming of My Best Friend's Girl in 2008. Boston actor Tom Kemp remarked: \"[The film The Departed] wouldn't be a Boston movie without me, a Wahlberg, and Jimmy Flynn from the teamsters.\"\n\nFilmography\nGood Will Hunting (1997) as Judge George H. Malone\nThe Cider House Rules (1999) as Vernon\nWhat's the Worst That Could Happen? (2001) as the Fire Captain\n\nReferences\n\nExternal links \n\n1934 births\nLiving people\nMale actors from Boston\nWinter Hill Gang" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)", "What happen in 2002", "Forte joined the cast,", "Are there any other interesting aspects about this article?", "I don't know.", "What happen in 2003", "He was promoted to repertory player after his first year." ]

[ "Fredrick Else (31 March 193320 July 2015) was an English footballer, who played as a goalkeeper. Else gained over 600 professional appearances in his career playing for three clubs, Preston North End, Blackburn Rovers and Barrow.\n\nClub career\nElse was born in Golborne near Wigan on 31 March 1933. Whilst on national service in the north-east he played for amateur club Axwell Park Colliery Welfare in the Derwent Valley League. He attracted the attention of Football League teams and signed as a junior for Preston North End in 1951, and as a professional in 1953. He made his debut for Preston against Manchester City in 1954, but was restricted to 14 appearances over his first three seasons. He eventually became first choice, displacing George Thompson, and played 238 times for North End. During this time Preston's most successful season came in 1957–58, when the club finished as runners up in Division One.\n\nThe 1960–61 season ended in relegation for Preston and Else was sold to neighbours Blackburn Rovers for £20,000. Else became a first choice for Blackburn straight away and played 221 times for the club. A collarbone injury in 1964–65 resulted in a period out of the game, though Else returned to regain the goalkeeper's jersey at Blackburn. Nonetheless the team were relegated the following season and Else was released. During the summer of 1966 Else signed with Barrow of the Fourth Division. Else became part of Barrow's most successful team, with the side winning promotion to the Third Division in his first season there. Else was Barrow's first choice keeper for the entire period that they were in the third division, and played 148 league matches for the club. He retired from football after Barrow's relegation in 1970 following a leg infection. His final season included a brief stint as caretaker manager at Barrow.\n\nHonours\n Football League Division One Runner-up 1957–1958\n Football League Division Four Promotion 1966–1967\n\nInternational career\nElse has been described by fans of the clubs that he played for as one of the best English goalkeepers never to win a full international cap. He did, however, make one appearance for the England B team in 1957 against Scotland B, as well as participating in a Football Association touring side of 1961.\n\nPersonal life and death\nElse met his wife Marjorie in 1949 in Douglas on the Isle of Man. They married when Else was 22 and Marjorie 20, on 29 October 1955, a Saturday morning. The wedding was held in Marjorie's home town of Blackpool and the date was chosen so that the couple could marry in the morning and Else could then travel either to Deepdale, to play for Preston North End's reserve team, or to Bloomfield Road where Preston's first team was due to be playing Blackpool F.C. In the event Else was selected for the reserves and the couple had to travel by bus to Preston.\n\nAfter retiring from football, Else remained in Barrow-in-Furness, becoming a geography and maths teacher at a local secondary school. He retired from teaching in 1999 and moved to Cyprus, though still attended some Barrow matches. Else died in Barrow-in-Furness on 20 July 2015, aged 82.\n\nReferences\n\n2015 deaths\n1933 births\nBarrow A.F.C. managers\nBarrow A.F.C. players\nBlackburn Rovers F.C. players\nPreston North End F.C. players\nPeople from Golborne\nEnglish footballers\nAssociation football goalkeepers\nSchoolteachers from Cumbria\nEnglish Football League players\nEngland B international footballers\nEnglish football managers", "Frederick M. Adamson (born 1816, died 1860, age 44) was an early settler in Victoria, Australia. He was the first settler to make botanical collections in the Melbourne area; between 1840 and 1856, he sent to the Kew herbarium a series of what William Hooker described as \"extensive and excellent collections\". Several of his specimens became syntypes for Eucalyptus macrorhyncha. Not much else is known about him, except that he was a member of the Philosophical Society of Victoria.\n\nReferences\n\nFurther reading\n \n\nBotanical collectors active in Australia\nSettlers of Melbourne\n19th-century Australian people\n1816 births\n1860 deaths" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)", "What happen in 2002", "Forte joined the cast,", "Are there any other interesting aspects about this article?", "I don't know.", "What happen in 2003", "He was promoted to repertory player after his first year.", "What else was he known for", "many \"10-to-1\" sketches: pieces deemed too odd that air at the bottom of the show, preceding its conclusion." ]

[ "How Did This Get Made? is a comedy podcast on the Earwolf network hosted by Paul Scheer, June Diane Raphael, and Jason Mantzoukas.\n\nGenerally, How Did This Get Made? is released every two weeks. During the show's off-week, a \".5\" episode is uploaded featuring Scheer announcing the next week's movie, as well as challenges for the fans. In addition to the shows and mini-shows, the How Did This Get Made? stream hosted the first three episodes of Bitch Sesh, the podcast of previous guests Casey Wilson and Danielle Schneider, in December 2015. It has also hosted episodes of its own spin-off podcast, the How Did This Get Made? Origin Stories, in which Blake Harris interviews people involved with the films covered by the main show. In December 2017, an episode was recorded for the Pee Cast Blast event, and released exclusively on Stitcher Premium.\n\nEvery episode has featured Paul Scheer as the host of the podcast. The only episode to date in which Scheer hosted remotely was The Smurfs, in which he Skyped in. Raphael has taken extended breaks from the podcast for both filming commitments and maternity leave. Mantzoukas has also missed episodes due to work, but has also Skyped in for various episodes. On the occasions that neither Raphael nor Mantzoukas are available for live appearances, Scheer calls in previous fan-favorite guests for what is known as a How Did This Get Made? All-Stars episode.\n\nList of episodes\n\nMini episodes\n\nReferences\n\nExternal links \n List of How Did This Get Made? episodes\n\nHow Did This Get Made\nHow Did This Get Made", "Necropolis () is an autobiographical novel by Boris Pahor about his Holocaust experience. It has been compared to works by Primo Levi, Imre Kertész, and Jorge Semprún.\n\nPlot summary\nThe story is told from the point of view of a Nazi concentration camp survivor who is visiting the Natzweiler-Struthof camp, twenty years after he was sent from there back to Dachau, Mittelbau-Dora, Harzungen, and finally Bergen-Belsen, which was liberated on 15 April 1945.\n\nInternational recognition\nThe Slovene philosopher Evgen Bavčar, living in France—Pahor's friend, whose mother worked in Trieste, like Pahor's mother did—predicted that as a Slovene writer Pahor would be recognized by Italy only after he was recognized by France and Germany. As explained in a 2010 documentary and in an interview with Pahor that was published in 2013 by Bukla Magazine, Italian publishers were not interested in publishing Pahor until French and German translations were published. Only after France and Germany recognized Pahor did his work finally begin to be published in Italy in 2007.\n\nPublication history\nThe work has been published in several languages in the decades since its first publication in 1967. As of 2013, the novel has been translated twice into English, first under the title Pilgrim Among the Shadows in 1995, and the second time under the title Necropolis in 2010. It has also been translated into French: Pèlerin parmi les ombres (1996), German: Nekropolis (2001, 2003), Catalan: Necròpolis (2004), Finnish: Nekropoli (2006), Italian: Necropoli (2008), Serbian: Necropola (2009), Spanish: Necrópolis (2010), Dutch: Nekropolis (2011), Croatian: Nekropola (2012), Portuguese: Necrópole (2013), Swedish: Nekropol (2013), and Esperanto: Pilgrimanto inter ombroj.\n\nAdaptation\nIn 2010, the novel was adapted for theater.\n\nSee also\nThe Holocaust in art and literature\nSlovenian literature\n\nNotes\n\nReferences\n\n1967 novels" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)", "What happen in 2002", "Forte joined the cast,", "Are there any other interesting aspects about this article?", "I don't know.", "What happen in 2003", "He was promoted to repertory player after his first year.", "What else was he known for", "many \"10-to-1\" sketches: pieces deemed too odd that air at the bottom of the show, preceding its conclusion.", "Did his work get recognized", "the sketches were spun off into a series of commercials sponsored by Pepsi premiering during Super Bowl XLIII" ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "Dust in the Wind is a 1986 film by Taiwanese filmmaker Hou Hsiao-hsien. It is based on co-screenwriter Wu Nien-jen's own experiences, and is the first part of a trilogy of collaborations with Wu, the others being A City of Sadness (1989) and The Puppetmaster (1993).\n\nSynopsis\nA love story about a young couple from a village in the northern-east part of Taiwan in the early 1980s. The boy, Wan, goes to Taipei to work after graduating from junior high school so he can earn money to send home. The girl, Huen, follows him the next year and they work hard to earn enough money to marry. Then Wan must spend three years in the Republic of China Army and the girl marries someone else. Although Wan regrets what happened he does not blame Huen.\n\nCast\n Wang Chien-wen as Wan (謝文遠 Xiè Wényuǎn)\n Xin Shufen as Huen (江素雲 Jiāng Sùyún)\n Li Tian-lu as Wan's grandfather\n Lawrence Ko as Mrs. Lin's son\n\nProduction\nThe film features Li Tian-lu in the role of the grandfather. Li became a central part of Hou's major films.\n\nExternal links \n \n\nTaiwanese films\n1980s Mandarin-language films\n1986 films\n1986 drama films\nFilms directed by Hou Hsiao-hsien\nFilms with screenplays by Wu Nien-jen\nCentral Motion Picture Corporation films\nFilms with screenplays by Chu T’ien-wen\nTaiwanese drama films" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)", "What happen in 2002", "Forte joined the cast,", "Are there any other interesting aspects about this article?", "I don't know.", "What happen in 2003", "He was promoted to repertory player after his first year.", "What else was he known for", "many \"10-to-1\" sketches: pieces deemed too odd that air at the bottom of the show, preceding its conclusion.", "Did his work get recognized", "the sketches were spun off into a series of commercials sponsored by Pepsi premiering during Super Bowl XLIII", "What else did he earn", "I don't know." ]

[ "Äteritsiputeritsipuolilautatsijänkä is a bog region in Savukoski, Lapland in Finland. Its name is 35 letters long and is the longest place name in Finland, and also the third longest, if names with spaces or hyphens are included, in Europe. It has also been the longest official place name in the European Union since 31 January 2020, when Brexit was completed, as the record was previously held by Llanfair­pwllgwyngyllgogerychwyrndrobwll­llan­tysiliogogogoch, a village in Wales, United Kingdom.\n\nOverview\nA pub in Salla was named Äteritsiputeritsipuolilautatsi-baari after this bog region. According to an anecdote, the owner of the pub tried two different names for it, but both had already been taken. Frustrated, he registered the pub under a name he knew no one else would be using. The pub also had the longest name of a registered commercial establishment in Finland. The bar was in practice known as Äteritsi-baari. The pub was closed in April 2006.\n\nThe etymology is not known, although the name has been confirmed as genuine. Other than jänkä \"bog\", lauta \"board\" and puoli \"half\", it does not mean anything in Finnish, and was probably never intended to be anything else than alliterative gibberish.\n\nReferences \n\nSavukoski\nBogs of Finland\nLandforms of Lapland (Finland)", "Benjamin F. Royal was a state senator in Alabama during the Reconstruction era. He was elected to the state senate in 1868, and was the first African American to serve in the chamber. He represented Bullock County and served for nine years. He served as a Republican, and had stated that \"he could as well be an infidel as to be anything else than a Republican\". He was a Union League organizer.\n\nHe was born to a white father and a mother who had been a slave.\n\nReferences\n\nYear of birth missing\nAlabama state senators\nReconstruction Era" ]

[ "Will Forte", "Saturday Night Live years (2002-2010)", "What happen in 2002", "Forte joined the cast,", "Are there any other interesting aspects about this article?", "I don't know.", "What happen in 2003", "He was promoted to repertory player after his first year.", "What else was he known for", "many \"10-to-1\" sketches: pieces deemed too odd that air at the bottom of the show, preceding its conclusion.", "Did his work get recognized", "the sketches were spun off into a series of commercials sponsored by Pepsi premiering during Super Bowl XLIII", "What else did he earn", "I don't know.", "Anything else that was important", "played a motivational coach alongside football star Peyton Manning." ]

[ "John Abdo is an American health and fitness coach, businessman, nutritionist, motivational speaker and a TV personality. He was a Strength & Conditioning Coach for numerous U.S. Olympic team athletes for the 1976, 1980, 1984, and 1988 Olympic Games. Abdo was inducted into the National Fitness Hall of Fame in 2007 for his work in the field of health and fitness. He has authored several books on fitness, motivation and health.\n\nReferences\n\nExternal links\n\nAmerican health and wellness writers\nAmerican nutritionists\nAmerican motivational speakers\nAmerican exercise instructors\nLiving people\nYear of birth missing (living people)", "Anne Sargeant, OAM (born 28 December 1957) is a retired Australian netball player and current sports commentator. Sargeant played in the Australian national team from 1978 to 1988, captaining the side for six years.\n\nAfter her retirement from competitive netball, Sargeant has had a successful career as a columnist, motivational speaker and sports commentator, and also runs a netball program for young players. Sargeant's representations have included the Australian Sports Commission, the NSW Australia Day Council, Children's Week, Board Member of McDonald's, School Sport 2000 Committee and Patron of the 1994 Year of the Coach. \n\nIn 2008 she was a commentator for Fox Sports - ANZ Championship coverage. Sargeant also has been a commentator at various Netball World Cup tournaments and returned to commentate the 2013 and 2014 ANZ Championship seasons. Sargeant is also current selector for the Australian National team.\n\nRecognition\n1987 – Athlete member of the Sport Australia Hall of Fame\n1988 – NSW Hall of Champions.\n1988 – Medal of the Order of Australia for service to netball.\n2000 – Australian Sports medal.\n2004 – Sydney's Greatest Ever Netballer.\n2008 – One of the first inductees into the Australian Netball Hall of Fame\n2015 – Legend member of the Sport Australia Hall of Fame\n\nReferences\n\nExternal links\nAnne Sargeant website.\n\n1957 births\nLiving people\nAustralian motivational speakers\nRecipients of the Medal of the Order of Australia\nSport Australia Hall of Fame inductees\nAustralia international netball players\nNetball players at the 1985 World Games\nNetball players from New South Wales\nAustralian netball players\nAustralian netball coaches\nEsso/Mobil Superleague coaches\nAustralian netball commentators\n1979 World Netball Championships players\n1983 World Netball Championships players\n1987 World Netball Championships players" ]

[ "Joy Division", "Sound" ]

[ "Lis Rhodes (born 1942) is a British artist and feminist filmmaker, known for her density, concentration, and poeticism in her visual works. She has been active in the UK since the early 1970s.\n\nEarly life and education\nRhodes was brought up in West England, was educated at North East London Polytechnic, and studied Film and Television at the Royal College of Art.\n\nCareer\nSince the early 1970s, Rhodes has created radical and controversial art that challenges her viewers to question perspective of film through her work. She wanted her audience to \"reconsider film as a medium of communication and presentation of image, language and sound.\"\n\nShe was cinema curator at the London Film-Makers' Co-op from 1975–76. In 1979, Rhodes co-founded the feminist film distribution network, Circles. She was a member of the exhibition committee for the 1979 Arts Council Film on Film event, and international retrospective of avant-garde cinema. Rhodes was Arts Advisor to the Greater London Council from 1982 to 1985, and since 1978 has lectured part-time at the Slade School of Fine Art, University College London.\n\nOne key innovative piece Rhodes created is Light Music (1975), which was exhibited at the Tate Modern from July 2012 – January 2013. Tate deemed it, \"An iconic work of expanded cinema that created a more central and participatory role for the viewer within a dynamic, immersive environment\". Her work was also included in the 2007 exhibition WACK! Art and the Feminist Revolution.\n\nIn 2012, Rhodes' solo exhibition, Dissonance and Disturbance was held at the Institute of Contemporary Arts, London. The ICA noted that Rhodes \"examines the relationships in her work - from film, composition and writing - to the notation of sound and image, and the language of political dissent.\"\n\nAccording to Rhodes, \"The view through the lens may be blurred or defined – focused or unfocusfocused or unfocused – depending on what you think you know; what you imagine you see; what you learn to look for: what you are told is visible\". Rhodes does not view her art as an isolated practice, but rather as a social function. She lives and works in London.\n\nPartial filmography\nDresden Dynamo (1972)\nLight Music (1975)\nLight Reading (1978)\nHang on a Minute series (1983–85)\nA Cold Draft (1988)\nIn the Kettle (2010)\nWhitehall (2012)\n\nNotes\n\nFurther reading\n Rogers, Holly and Jeremy Barham: The Music and Sound of Experimental Film, New York: Oxford University Press, 2017.\n\nExternal links\n \n\n1942 births\nLiving people\nBritish film directors\nFeminist filmmakers\nBritish experimental filmmakers\nAlumni of the Royal College of Art\nAlumni of the University of East London", "Gisela Fullà-Silvestre, who records as NOIA, is a Brooklyn-based musician and sound designer who has released two EPs.\n\nCareer \n\nGisela Fullà-Silvestre was born in Barcelona and graduated from Berklee School of Music with a degree in film scoring and sound design. She is based in Brooklyn.\n\nFullà-Silvestre released her debut EP, Habits, as NOIA in October 2016. Among its songs, \"Nostalgia del Futuro\" is about idealizing a future that can never arrive. Its video was directed by Laura Martinova in Barcelona's historic neighborhoods. Fullà-Silvestre released her second EP, (Catalan for \"chrysalis\"), on Cascine in May 2019. The four-track EP was among Stereogum favorites in 2019 and two of its tracks, \"Ausencias\" and \"Ciudad del Humo\", were among its top tracks of the week. \"Ciudad del Humo\" was released with a video. The album is based on feelings of \"heartbreak for what didn't happen\" and \"feeling trapped\" in New York City.\n\nReferences\n\nFurther reading\n\nExternal links \n\nLiving people\nYear of birth missing (living people)\nPeople from Barcelona\nMusicians from Brooklyn\nSound designers" ]

[ "Joy Division", "Sound", "What was her sound?", "generic and \"undistinguished punk-inflected hard-rock" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Joy Division", "Sound", "What was her sound?", "generic and \"undistinguished punk-inflected hard-rock", "Are there any other interesting aspects about this article?", "Critic Simon Reynolds observed how the band's originality only \"really became apparent as the songs got slower\"," ]

[ "Start with Why: How Great Leaders Inspire Everyone to Take Action is a book by Simon Sinek.\n\nOverview\nThe book starts with comparing the two main ways to influence human behaviour: manipulation and inspiration. Sinek argues that inspiration is the more powerful and sustainable of the two. The book primarily discusses the significance of leadership and purpose to succeed in life and business. Sinek highlights the importance of taking the risk and going against the status-quo to find solutions to global problems. He believes leadership holds the key to inspiring a nation to come together and advance a common interest to make a nation, or the planet, a more civilised place. He turns to Dr. Martin Luther King Jr, John F Kennedy, Steve Jobs and the entire Apple culture as examples of how a purpose can be created to inspire a culture together, away from the manipulative society we live in today.\n\nThe golden circle\n\nSinek says people are inspired by a sense of purpose (or \"Why\"), and that this should come first when communicating, before \"How\" and \"What\". Sinek calls this triad the golden circle, a diagram of a bullseye (or concentric circles or onion diagram) with \"Why\" in the innermost circle (representing people's motives or purposes), surrounded by a ring labelled \"How\" (representing people's processes or methods), enclosed in a ring labelled \"What\" (representing results or outcomes). He speculates about the biological factors behind this structure, such as the limbic system.\n\nReception \nLindsay McGregor and Neel Doshi, co-authors of the book Primed to Perform: How to Build the Highest Performing Cultures Through the Science of Total Motivation, came to a similar conclusion: \"Why we work determines how well we work.\"\n\nKen Krogue, in a blog post for Forbes, argued that it is far more important, especially for salespeople, to find the right person (which Krogue called \"starting with Who\") before \"starting with Why\":\n\nSales \nAccording to NPD BookScan's mid-June 2016 to mid-June 2017 ranking of printed book sales, Start with Why ranked (without disclosing the geographical region) as the \"bestselling leadership book\" of that period, selling 171,000 paperback copies.\n\nSee also\n Five Ws\n Onion model\n In the 1970s Terry Borton popularized the triad \"What?\", \"So what?\", and \"Now what?\"\n The Infinite Game\n\nReferences\n\nBusiness books\n2009 non-fiction books", "Ambra Battilana Gutierrez (born 15 May 1992) is an Italian model who was a finalist for Miss Italy, and has been featured in GQ Italy. She was formerly Miss Piedmont. She was widely covered by American media for her part in exposing sexual abuse allegations against Harvey Weinstein.\n\nEarly life \nAmbra Gutierrez was born in Turin, Italy to an Italian father and a Filipina mother.\n\nCareer\nIn 2010, when 18 and known as Ambra Battilana, she attended a bunga bunga party associated with Silvio Berlusconi after she was spotted in a beauty contest and told she would be guaranteed a job as a weather girl for attending. She later became one of the key witness in the legal proceeding against Berlusconi and reported her experience to Italian magistrates.\n\nGutierrez was widely covered by the news after she alleged that Harvey Weinstein sexually assaulted her in 2015 while they were reviewing her portfolio. She said she barely spoke English at the time. She filed a police report that night, and the next day wore a wire while speaking with Weinstein. In the recording, he repeatedly asks her to come into his room while Gutierrez says things like, \"I want to leave,\" \"I don’t want to,\" and \"I want to go downstairs.\" When she asked why he tried to assault her the day before, he said, \"Oh, please, I’m sorry, just come on in,\" continuing, \"I’m used to that. Come on. Please.\" When Gutierrez asks if he's used to groping people against their will, he responded with, \"Yes.\" When asked why he grabbed her breast against her will, he said, \"I won’t do it again.\" The recording has since been made public.\n\nDespite the audio confession, the District Attorney Cyrus Vance, Jr. decided not to press charges due to lack of evidence. In the following months, Gutierrez received widespread negative press in tabloids including several stories from \"anonymous sources\" in the New York Post following the incident after the recording was published. She stopped receiving modelling jobs. Gutierrez eventually signed a strict NDA with Weinstein, though she has stated she did not really understand what she was signing at the time, and was trying to protect herself and her family from Weinstein since no one believed her.\n\nActivism\nAmbra Gutierrez engages in humanitarian activities. She is a member of Model Alliance’s Leadership Council, this organization aims to help create a safe and fair work environment for other models and works with organizations like Humanility, and Safe Horizon.\n\nGutierrez was the first artist that supported the Me Too movement in Iran. She speaks about her story for Iranian women in a video created by an Iranian legal institute and an American media company.\n\nReferences \n\nItalian female models\nItalian people of Filipino descent\n1992 births\nLiving people\nPeople from Turin" ]

[ "Joy Division", "Sound", "What was her sound?", "generic and \"undistinguished punk-inflected hard-rock", "Are there any other interesting aspects about this article?", "Critic Simon Reynolds observed how the band's originality only \"really became apparent as the songs got slower\",", "why did she come to this conclusion?", "\"Hook's bass carried the melody," ]

[ "Cyber Diva is a female vocal released by Yamaha for Vocaloid 4. In March 2015 on Instagram, an entertainer named Jenny Shima claimed that she was the voice provider for CYBER DIVA. Mrs. Shima is an American singer, theater actress, and model.\n\nDevelopment\nThe earliest known information related to her dates back to the VY2 release in 2010, in an article a pair of English VY vocals were announced for future development. At the time the developers did not know if they would re-use past samples or go with a new vocal entirely. Cyber Diva was later confirmed to be the female from the pair or \"VY3\" during a livestream on Vocaloid related matters.\n\nShe was produced in light of research into common complaints towards past pre-V4 English Vocals. This included the frustrations that came with the mixed British and American phonetic system the Vocaloid engine used for its English vocals. It was also discovered that English vocals often did not produce the correct sound to match the phonetics in use, caused by accidents in the construction of the vocal either during the recording process or the vocal development process. Several candidates were tested as possible vocals for the new library. During this process it was noted there were many missing sounds or unusual sounds found they did not expect to be present. There were very clear and expressive sounds present in the constructed libraries. The \"Aspiration Problem\" that had plagued past English vocals were also addressed and fixed. As the problem was fixed, the issue of sounds not matching input symbols were also tweaked. They did not address the issue of expressive tones until they had recorded the right sounds for the right phonetic symbol.\n\nIn February 2013, the recording script was rewritten. The aspiration problem was fixed in the new script and the sounds were compacted to make it easier to control the phonetic data better. In March, two more singers were recorded using the new script. The new script was shorter than the past one and was more difficult for any singer to produce. However, the scripts new results sacrificed expression for clarity and mislabeling was gone. Further tweaks to the scripts were done as recordings went ahead.\n\nOnce the vocal was brought to a reasonable quality, the team working on her was given the choice between going with the current singers or finding a new one. CYBER DIVA was recorded in 6 pitch layers. She has 3 main pitches, with an additional 3 sets of vowel pitches, aka stationaries. They added 231 different triphones per pitch; more than any other English library released before.\n\nThe vocal was tested by two hired English teachers. They were hired was because over half the team were Japanese and sounds that sounded weird to the non-Japanese members did not sound off to them. Due to the mix of British and American sounds, CYBER DIVA did not always sound good when the sounds were mixed. She included the schwa sound; this is not included in all English vocals despite the fact that the phonetic still was used by the voice. A custom dictionary was made for her, this was worked upon in July. Due to its size, they then had to fix the library to make it load faster. The dictionary was finalized in October 2014.\n\nIt was also confirmed that knowledge gained from her development was used for Fukase's English vocal.\n\nAdditional Software\nShe was also released for Mobile Vocaloid Editor, as the first English vocal for a Vocaloid related app. However, despite this the app did not update the software to an English interface.\n\nOn July 2, 2018, it was announced that the VOCALOID SHOP would cease distribution of the VOCALOID4 editor, the VOCALOID4 editor for Cubase, and the VOCALOID4 starter packs. In addition, VY1v4, VY2v3, CYBER DIVA, and CYBER SONGMAN were confirmed to be taken off of the site as well. This was set to occur on July 12.\n\nOn July 12, VOCALOID5 was announced and released. It was available in two versions: Standard and Premium. The standard package included 4 standard vocals: Amy, Chris, Kaori, and Ken. The premium package included the 4 standard vocals and an updated version of VY1, VY2, CYBER DIVA II, and CYBER SONGMAN II.\n\nSee also\n List of Vocaloid products\n\nReferences\n\nVocaloids introduced in 2015", "Louise Taylor is an American folk singer-songwriter from Brattleboro, Vermont. An older brother gave her a guitar when she was twelve and at age 15 she left home, hitchhiking and busking her way around the United States. She started writing and performing her own songs, playing on street corners or wherever she could and eventually settled in Texas, near the Gulf of Mexico, at the age of 20. Her song \"Blue Norther\" chronicled her experiences working as a waitress in a cantina there, and her encounters with the local fishermen.\n\nTaylor continued hitchhiking around the United States for two more years before returning to Vermont where she eventually started studying voice at Bennington College with voice teacher, Frank Baker. In 1992, she released her first album, Looking for Rivers, a collection of ten originals with a folk and blues slant. Her songs appeared on several Fast Folk releases between 1993 and 1997.\n\nTaylor's sophomore release, Ruby Shoes, was produced by Will Ackerman, founder of the Windham Hill label, and in 1997 Signature Sounds released her third album, Ride. Her release, Velvet Town, was co-produced with friend Annie Gallup in 2003.\n\nHer district rhythmic style was developed while busking on the streets. Taylor credits Ray Bonneville and Chris Smither for helping her to expand her fingerpicking style.\n\nHer new album, Tangerine, produced by Peter Gallway and Annie Gallup, was released in May 2012.\n\nReferences\n\nDiscography\n Looking for Rivers (Blue Coyote Records, 1992)\n Ruby Shoes (Signature Sounds, 1996)\n Ride (Signature Sounds, 1997)\n Written in Red (Signature Sounds, 2000)\n Velvet Town (Signature Sounds, 2003)\n Tangerine (Signature Sounds, 2012)\n\nExternal links\n Official website\n\nAmerican women singers\nSongwriters from Vermont\nFast Folk artists\nAmerican folk musicians\nAmerican street performers\nPeople from Brattleboro, Vermont\nLiving people\nYear of birth missing (living people)\nSignature Sounds artists\n20th-century American women singers\n20th-century American singers\n21st-century American women singers\n21st-century American singers" ]