text
stringlengths
0
90
MATT: Final shout-outs. One, thank you to Ian
Phillips of Iron Tusk Painting, who has painted
the miniatures for this campaign.
(cheering)
MATT: He actually painted me and Marisha’s cake
toppers for our wedding, and whenever you manage
to see them in the campaign, you can know that
it’s his handiwork. Soon enough.
ASHLEY: Also, fun fact about Ian Phillips: I grew
up with him. He was one of my brother’s best
friends when we first moved out here to LA, and so
when that name was floating around, I was like,
wait a minute. And then we reconnected back on
Instagram. It’s such a crazy story. You know,
Critical Role brings it all back around.
(laughter)
MATT: I love it. So you can follow him,
@PaintingTusk on Twitter.
LIAM: I’ve had him paint 20 to 30– I’m kind of
addicted– 20 to 30 miniatures. They’re amazing.
He’s amazing at what he does.
MATT: And final thank-yous to Warner Bros and
Monolith Entertainment for letting us incorporate
the Shadow of War soundtrack into our Critical
Role soundtrack here on the air, so those will be
coming into the new campaign. And, super excited,
CD Projekt Red has been nice enough to allow us
use of the Witcher series soundtrack to also
incorporate into the campaign, which, honestly,
when we started playing at home, the Witcher
soundtrack was most of my music, and I couldn’t
use it when we started streaming, and so it’s been
a cool full-circle to be able to bring it back in.
Plus it brings a unique flavor that works with the
new campaign setting, so.
With that, I believe our announcements are done.
Thank you for bearing with us.
LAURA: Wait, we’re going to give– oh, that’s–
MARISHA: Afterwards.
SAM: There’s one more announcement.
MARISHA: Our announcement is our brand-new opening
title sequence. Which I think we’re ready for.
MATT: So, as we bring it down, guys, let’s go
ahead and prepare to dive in to the new year and
the new campaign for this episode of Critical
Role.
(yelling)
[80s music]
(laughter)
MATT: And welcome back.
TRAVIS: That was a new level.
MATT: We’ve definitely returned to the table.
Thank you, Sam. So.
MARISHA: Wait, super fast. We’ve got to go through
credits. Right? Okay. So normally we don’t do
this, and I did this once before when we released
our other opening title sequence. Yeah, 50th. So
we’re going to do this again. These are just
people who do so much and who do not get enough
love. I’m going to shout them out. Sean Becker,
who’s the unsung hero of Geek and Sundry, he’s the
executive producer. T.J. Rotell, he’s our