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Revival by Marius Petipa for the Imperial Ballet, with Drigo revising his score. First presented on at the Imperial Mariinsky Theatre. Revival by Nikolai Legat (based on Petipa's original choreography) for the Imperial Ballet, with Drigo revising and reorchestrating his original score. First presented on at the Imperial Mariinsky Theatre. Revival by Luigi Tornelli for the ballet of La Scala under the title Le Porte-bonheur. First presented at La Scala, Milan, Italy on 18 July 1908. Revival by Paul Chalmer and Ileana Citaristi for the Balletto del Teatro Filarmonico (a.k.a. the Arena Ballet). First presented on March 14, 1997, at the Teatro Verdi di Padova in Padua, Italy. Principal Dancers - Carla Fracci (as Niriti), Alessandro Molin (as Vayou, the Wind God), and Stephane Fournial (as Nouriddin). Notes
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This ballet took place in ancient India, and was a rather mediocre success upon its première. The principal attraction of the balletomanes and critics was Drigo's score, which caused a sensation, and even prompted Petipa to exclaim "I should have had the orchestra play on stage and the dancers perform in the pit!". The artist Alexander Benois told in his memoirs (titled Mémoirs) of his extreme delight with Drigo's score, which he said inspired a "short infatuation" in him as a young student at the Saint Petersburg State University - "It was Drigo's simple and charming music that had attracted both Valetchka (Walter Nouvelle - member of Mir iskusstva) and me to Petipa's 'The Talisman'. In fact we had been so delighted with it at the première that our noisy approval had attracted the attention, and seemed to shock, the then rather popular St. Petersburg General Governor Grösser ... he turned round (from his permanent seat in the front row stalls), affecting a severe expression, and
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shook his finger at us. My enthusiasm was so great, however, that I could not stop applauding and even felt compelled to exclaim "Mais puisque, Excellence, c'est un chef d'œuvre!" - upon which his Excellency deigned to bestow on me a fatherly smile."
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Petipa's revival of 1895 was a resounding success, and even proved to be more popular among the St. Petersburg public than his and Lev Ivanov's legendary revival of Swan Lake, which was presented for the first time earlier that same year. Nikolai Legat's revival of 1909, for which Drigo completely refurbished his original score, was very successful. The first performance was given in honor of the thirteenth wedding anniversary of Tsar Nicholas II and Empress Alexandra Feodorovna, who attended the première with the whole of the Imperial Family. The audience also included many members of the St. Petersburg nobility. Legat's revival remained in the repertory of the Imperial Ballet until just before the October revolution of 1917.
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In 1997, the choreographer Paul Chalmer staged a revival of The Talisman for the Arena Ballet of Verona, Italy. It was mounted in order to coincide with a conference held in honor of the 150th anniversary of Riccardo Drigo's birth, and was also performed in his hometown of Padua.
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The Talisman pas de deux In 1955 the Balletmaster Pyotr Gusev of the Kirov/Mariinsky Ballet (the former Imperial Ballet) compiled various pieces of music from Petipa's The Talisman and created what is known today as The Talisman Pas de Deux, which in recent times has been included in the repertory of many ballet companies around the world. The Talisman Pas de Deux includes music from another composer as well – the male variation was taken by Gusev from Cesare Pugni's score for Petipa's The Pharaoh's Daughter, which is still included in the Pas de Deux today. Libretto Prologue — In the clouds The gods and spirits descend to meet the Goddess Amravati, Queen of the heavens (Valse des esprits). She is in despair, and is asked why. She replies "It is today, in accordance with my immortal husband's wishes, that my daughter, the goddess Niriti, must descend to earth, and perhaps may never return."
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Music heralds the entrance of Niriti (Entrée de Niriti). She runs to embrace her mother, and is then informed that the time has come for her to visit the earth. "But why must I visit the earth?" Niriti asks. "To test your heart against the temptations of earthly love," replies Amravati, "and should you fail, you will forfeit your right to immortality." "Must I go alone?" asks Niriti. "No," replies the goddess; "I have chosen a fine companion for you." Vayou, the god of the wind, flies overhead, bringing a storm in his wake (Le vent de Vayou). He bows to the Queen and begs pardon for his tardiness; "A group of mortals dared to attempt to learn the secrets of the poles," he says, "for which I was forced to sink their ships."
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Queen Amravati hands Vayou her golden mace, which makes him ruler of the spirits and of all the elements. She then takes a star from her crown and gives it to Niriti. "This talisman shall protect you against all danger which may befall you." The Goddess adds, "However, should she lose it, you shall never return to the heavens again." "But," enquires Niriti, "surely the mace shall force the talisman to be returned to me." "No," replies Amravati, "a talisman lost by a maiden of the air must be freely returned to her by whatever mortal may come to possess it." Amravati bids her daughter farewell. Niriti and Vayou descend to the earth. Act I — The hut of the old weaver Kadoor
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Nal is working busily at his loom so that he may meet Nirilya, his betrothed. He is then distracted by a sun-beam which dazzles his eyes so that he decides to cover the window with his cloak. As he goes toward it his beloved Nirilya appears. He begs her to enter, but she refuses. Nal, annoyed, returns to his work. Nirilya creeps behind him and covers his eyes with her hands. Enter Kadoor, accompanied by his friends and relatives. The lovers are embarrassed. The weaver tells them that they have nothing to be ashamed of, for they are to be married on the following day. He reminds them of their friends who have come to wish them happiness. The young people begin dancing while the old weaver and some of his guests decorate the hut with flowers and garlands (Danse des amis de Nirilya et Nal).
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Towards the conclusion of their dances a handsome youth appears - Noureddin, the young Maharajah of Lahore. He has lost his way while hunting and asks for shelter for the night. Kadoor welcomes the visitor and places refreshments before him. Noureddin begs the young people to continue their dancing, so Nirilya and Nal perform a joyous dance to the delight of the young Maharajah (Danse orientale), who gives Nirilya a necklace and Nal a purse of gold. Then, feeling tired, Noureddin asks to be shown to his room. The guests leave and darkness falls. There is distant thunder and lightning. Enter Niriti and Vayou (Premières sensations). Niriti enquires where they are. Vayou asks her to remain while he goes to explore. Feeling tired from their travels, Niriti lies down and falls asleep.
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Noureddin comes out of his room, rubbing his eyes, having been disturbed by a strange noise. He catches sight of the sleeping Niriti, and is amazed by her beauty. Niriti awakens. Frightened by the stranger she attempts to flee, but Noureddin holds her firm and demands a kiss. Struggling violently, she calls to Vayou for help. Suddenly Vayou appears and seizes Niriti while brandishing the golden mace. There is a violent gust of wind and Niriti and Vayou disappear. During the escape, the talisman falls from Niriti's head. Noureddin searches vainly for Niriti and discovers the talisman. Convinced that he has met his true love, he swears to find the beautiful girl. Enter King Akdar and his daughter, the Princess Damayanti, attended by a magnificent retinue. The King expresses his delight at seeing Noureddin, as his daughter, to whom Noureddin is betrothed, had been troubled by his disappearance. The company now departs, and the King requests that Noureddin follow them.
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Niriti and Vayou reappear, followed by spirits of the earth. They search anxiously for the talisman, but in vain. Act II — The gardens of King Akdar's magnificent palace in Dehli Servants are completing the preparations for the feast which will prelude the wedding of the Princess Damayanti and Noureddin. Enter King Akdar and his daughter, who seat themselves upon the throne. They are attended by rajahs, bayadères, eunuchs and the Princess's attendants. Noureddin enters, followed by his bodyguard Djemil and several of his guards. The festival begins with various diversions (Danse nautch, Danse de l’hindoustan), with Noureddin and the Princess Damayanti performing a dance together in which the young Maharajah is haunted by visions of Niriti (Grand pas d’action). At the end the chief eunuch announces that the feast is ready in the great hall of the palace. Noureddin lingers behind. He cannot forget the beautiful girl he encountered in Kadoor's hut.
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Moonlight filters into the garden. As Noureddin begins to leave to attend the feast a rose-bush springs from the ground and bars his way. Other bushes appear and from each emerges a rose in human form. From the center rose-bush comes Niriti in the guise of the Goddess of the Flowers, and from each side appear the spirits of the earth. With bewitching glances they ask him to give up the talisman, but when Noureddin refuses they vanish. Niriti and her retinue of flowers perform dances to entice Noureddin into giving up the talisman (Grand ballabile — La Rose de Bengale), but to no avail. Niriti and her retinue disappear.
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Fanfares announcing King Akdar are heard. "Come!" cries the King, "the priests are waiting to perform the wedding ceremony.". Noureddin, unable to forget Niriti, confesses that he loves another and must refuse the Princess Damayanti's hand. The Princess then faints into the arms of her attendants and the enraged King draws his sword; his guards follows suit. At that moment Noureddin's guards place themselves in a posture defense to protect him. A terrible struggle is imminent when flames rise from the earth and separate the antagonists. Vayou has devised this to save Noureddin so that he may return Niriti her talisman. Niriti appears in the fountain and, unseen, wafts him a passionate kiss. Her heart has been melted by his indomitable love. Act III, tableau 1 — A bazaar on the banks of the river Ganges
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It is market-day and the bazaar is crowded with types of the numerous races of India. Noureddin enters with his troops on his way back to Lahore. He calls a halt and lies down to rest. The talisman can be seen glittering from his breast. At a sign from one of the slave-dealers dancing begins (Danse des montagnards de l’Himalaya, Pas Katchack). Enter Vayou and Niriti, who are disguised as a Brahim and his slave. Vayou presents Niriti to the crowd wrapped in a long veil (Danse sous le voile). Recognising Noureddin, they decide to steal the talisman, but Noureddin recognises Niriti, who tries to hide among the crowd. Noureddin pursues her but is stopped by Vayou, who reproaches him for annoying his slave. "Will you sell me your slave?" asks Noureddin. "Yes," replies the Brahmin, "in exchange for the talisman on your breast." Noureddin refuses. Vayou and the supposed slave depart.
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Noureddin is now suspicious that the talisman should be preferred to the wealth he could have offered and feels that there is some mystery connected to it. He wonders if the slave-owner's tongue might be loosened with wine and, calling his bodyguard Djemil, whispers his orders. Niriti and Vayou return. Noureddin goes to them and asks the Brahmin to taste a new European drink: perhaps it may help them come to an understanding. Vayou drinks and, finding the drink greatly to his taste, continually asks for his glass to be refilled. Thus, Vayou becomes increasingly communicative and confides that his slave is really the Goddess Amravati's daughter, and so long as Noureddin possesses the talisman, Niriti must remain on earth. To emphasize his word his Vayou strikes the table with his golden mace, which snaps in two. He continues to drink until he falls to the ground (Scène dansante — L’ivresse de Vayou).
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Noureddin orders the bodyguard Djemil to seize Niriti, who desperately calls for Vayou to help her. He awakes but, stupefied with wine, is helpless. Niriti is led away. Act III, tableau II — Some ancient ruins at night Niriti is brought in by the bodyguard Djemil and placed before Noureddin, who orders his men to keep strict watch. Niriti then beseeches Noureddin to restore her talisman. He replies that he cannot, for if he does she shall return to heaven, and he loves her too much to allow it (La danse à l’amour). She admits that he speaks the truth, but implores him to help her return to heaven and her mother.
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Noureddin refuses because he wishes for her to remain on earth and be his wife and queen, but Niriti refuses. Noureddin pleads on his knees, but again she refuses. He then reminds her that she is in his power and has no choice but to cede to his wishes. Niriti then plucks a dagger from Noureddin's belt and threatens to stab herself. He quickly wrests the weapon from her and, furious that she should hold his love for her so lightly, snatches the talisman from his breast and throws it at her feet. There is a deafening clap of thunder. Act III, tableau III — At the top of the stage is seen the heavens, at the bottom, the ancient ruins
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The Goddess Amravati awaits Niriti's return. Niriti, clasping her talisman, is about to ascend when she resolves to bid Noureddin farewell. Seeing his eyes filled with tears she is overcome with sadness herself. She begins to wonder whether celestial delights can equal the earthly happiness which Noureddin offers, and which she is about to sacrifice. She wavers, then drops the talisman and throws herself into Noureddin's arms. Apotheosis The talisman ascends to heaven. Seated on her throne, the Goddess Amravati is surrounded by gods and other heavenly spirits. Résumé of dances Prologue Valse des esprits Entrée de Niriti Le vent de Vayou Act I Danse des amis de Nirilya et Nal Danse orientale Premières sensations Act II Danse nautch Danse de l’hindoustan Grand pas d’action Andante Variation I Variation II Coda Grand ballabile — La Rose de Bengale Adage Valse des bijoux Pizzicato Grand coda
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Act III Danse des montagnards de l’Himalaya Pas Katchack Danse sous le voile Scène dansante — L’ivresse de Vayou La danse à l’amour Gallery Ballets by Marius Petipa 1889 ballet premieres Ballets by Riccardo Drigo Ballets by Konstantin Augustovich Tarnovsky Ballets premiered at the Mariinsky Theatre
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CHRO-TV, VHF analogue channel 5, is a CTV 2 owned-and-operated television station licensed to Pembroke, Ontario, Canada, serving the capital city of Ottawa as well as Anglo-Quebecers in the neighbouring city of Gatineau, Quebec. Owned by the Bell Media subsidiary of BCE Inc., it is part of a twinstick with Ottawa-licensed CTV owned-and-operated station CJOH-DT (channel 13). Both stations share studios—alongside Bell's Ottawa radio properties—at the Market Media Mall building on George Street in downtown Ottawa's ByWard Market, while CHRO-TV's transmitter is located on TV Tower Road near Pembroke. The station operates a digital-only rebroadcaster in Ottawa, CHRO-DT-43 (virtual channel 43, UHF channel 35), with transmitter in the city's Herbert Corners section.
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History The station first went on the air on August 19, 1961 as CHOV-TV, a CBC Television affiliate owned by Gordon Archibald Ottawa Valley Broadcasting, the owner of AM radio station CHOV. Workers of the station unionized and a labour dispute began. A financial crisis in 1976 led to the station going dark for six days in August of that year. Ottawa Valley sold the station to J. Conrad Lavigne in 1977. Lavigne adopted the CHRO-TV callsign, and opened a sales office for the station in Ottawa. Lavigne's company subsequently became part of the MCTV system in 1980. While most of the MCTV stations used "MCTV", rather than their call letters, as their on-air branding, CHRO continued to use its call sign, although it used the same logo and programming schedule as the other MCTV stations.
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In 1986, MCTV filed an application to expand the service by disaffiliating from the CBC and adding a transmitter and broadcasting facilities in Ottawa, although the application process instead resulted in Baton Broadcasting being given a license to launch a new independent station in Ottawa. Standard Broadcasting, the owners of existing Ottawa television station CJOH-TV, responded to the potential new competition by selling CJOH to Baton, who then surrendered the new independent license. As a result, Mid-Canada submitted a revived application in 1989, but the application was withdrawn after Northern Cable, the owner of the MCTV system, underwent an ownership change to be financed by selling off its broadcasting assets.
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In 1990, Baton Broadcasting acquired the MCTV stations. Because CHRO was carried by cable television companies in the Ottawa market, this was deemed an ownership conflict for Baton, which already owned Ottawa's CJOH, and would therefore have a de facto twinstick in competition with the CBC's CBOT-TV (channel 4). However, the station's carriage in Ottawa was also deemed essential to its survival, since Pembroke was too small a market to support the station on its own. Therefore, CHRO disaffiliated from the CBC, and became a CTV affiliate. The Canadian Radio-television and Telecommunications Commission (CRTC) also ordered strict controls on CHRO's programming, so that Baton could not gain unfair audience advantage in Ottawa by airing shows at different times on CHRO and CJOH. Baton eventually became the sole corporate proprietor of CTV. As The New RO
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In 1997, CHRO was one of several stations transferred to CHUM Limited in exchange for the ATV stations in Atlantic Canada. (Ironically, CHUM had been one of the applicants for the independent license that eventually went to Baton in the late 1980s; they would've launched a station similar to CITY-TV in Toronto, and even produced a pitch film. CITY itself would set up an Ottawa re-transmitter in 1996.) CHRO did not have an over-the-air transmitter in Ottawa until it came under CHUM's ownership. 10 months being acquired by CHUM, on September 7, 1998, CHRO was rebranded to "The New RO" and joined the NewNet system.
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During its first two years under NewNet affiliation, CHRO began moving their operations away from their original Pembroke studios. They initially operated from a small studio at 10 Kimway Avenue, near CJOH's broadcast facility on Merivale Road. In October 2000, the station moved to a brand-new media complex, dubbed the CHUM MarketMediaMall, in Ottawa's historic ByWard Market neighborhood at 87 George Street. In addition to a Speaker's Corner video booth, the facility also housed CHUM's Ottawa-area radio stations (CKKL-FM, CJMJ-FM, CFRA and CFGO).
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In February 2005, CHUM announced plans to consolidate the master control departments for CHRO, CKVR-DT, CFPL-DT, CHWI-DT and CKNX-TV at 299 Queen Street West in Toronto, and to consolidate the traffic and programming departments at CFPL in London, resulting in the loss of approximately 19 staff members from CHRO. On June 3, 2005, at approximately 10:30 a.m., the Pembroke master control signal came to an end, as the new consolidated master control took to air. As A-Channel Ottawa The station was renamed A-Channel on August 2, 2005, along with the rest of the NewNet system, and began using the same logo as the rest of the system as well.
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On July 12, 2006, CTV owner Bell Globemedia (now Bell Media) announced plans to purchase CHUM Limited for C$1.7 billion, with plans to divest itself of the A-Channel and Access Alberta stations. On the same date, CHRO cancelled its noon-hour lifestyles program and its 12:30 p.m. weekday newscast, citing low ratings and declining advertising revenues. Anchors James Hendricks and Dave Gross were also let go. A plan was announced to almost fully automate the station's news production system, which would see a few dozen staff members laid off by the start of the new year.
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On April 9, 2007, Rogers Media announced an agreement to purchase all of the A-Channel stations including CHRO, SexTV: The Channel, Canadian Learning Television and Access Alberta. The deal was contingent on full approval by the CRTC of the CTVglobemedia takeover of CHUM. With CRTC approval being contingent on the sale of the Citytv stations instead, Rogers bought the Citytv stations and CTV kept the A-Channel stations. The takeover transaction was completed on June 22.
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With the CHUM acquisition, CTV became the only English-language private television broadcaster offering Ottawa news coverage; it owns both CHRO and CJOH-TV, which compete only with the CBC's CBOT in offering local news. The CRTC's decision to allow the joint ownership of CJOH and CHRO appeared to contradict its own rationale for forcing CTV to sell the Citytv stations, specifically that a single company could not own two stations, in the same language, based in the same large urban centre – however, even before CTV confirmed it would keep CHRO, the twinstick was approved by the CRTC on the basis of CHRO's financial situation and the stations' prior common ownership (until 1997). As A Ottawa The station was rebranded as A on August 11, 2008, along with the rest of the A-Channel system. The A soft launch began earlier in June 2008 in CHRO-TV's press materials and local newscasts.
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Due to a major fire that destroyed the longtime studios of sister CTV station CJOH-TV on Merivale Road in Nepean on February 7, 2010, CJOH integrated its operations with CHRO into the latter station's studios at 87 George Street in Ottawa's ByWard Market (which was already occupied by CHRO). As a result, CJOH's newscasts began to be produced from the facility, becoming the first time since the studios had any nighttime newscasts since the cancellation of CHRO's A News broadcasts in 2009. As CTV Two/CTV 2 Ottawa On May 30, 2011, Bell Media announced that the A television system would be rebranded as CTV Two, with CHRO switching its branding from "A Ottawa" to "CTV Two Ottawa". The official relaunch to CTV Two took place on August 29, 2011. In addition, CHRO's morning show, A Morning was renamed CTV Morning Live. In addition, CHRO started broadcasting in high definition as part of the relaunched system on August 31, 2011.
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Past programming Ottawa Senators Hockey (20 regular-season games a year of the Canadian capital city's NHL team, which were usually, but not always, broadcast on Thursday evenings) – with Dean Brown as play-by-play announcer and Gord Wilson as commentator. Games were broadcast through the 2007–08 season, after which games were moved back exclusively to Sportsnet East, and later TSN5 (also owned by CHRO parent company Bell Media) Bob TV Majic 100 Top 20 Countdown Speaker's Corner Ottawa News operation CHRO presently broadcasts 22 hours of locally produced newscasts each week, all consisting of four hours each weekday and two hours on Saturdays of a local version of CTV's local morning news program franchise CTV Morning Live.
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Over the course of 1998, new graphics and presentation elements were added to the existing newscast that had been produced in Pembroke, and several reporters were forced out. By the summer, the only on-air staff in Pembroke were four anchors; the entire reporting staff was based in Ottawa. On September 7, coinciding with the change to The New RO, CHRO relaunched its news as NewsSixOttawa. The station dismissed Cathy Cox, who had been the lead anchor in Pembroke for seven years. The new Ottawa-based anchor team consisted of Caroline Redekopp and former CKVR anchor Robert Maxwell, with Ken Evraire on sports, former Weather Channel anchor Elissa Lansdell on weather and entertainment, and weekend anchor James Hendricks covering traffic and crime from the assignment desk. Cyndi Edwards hosted the New RO at Noon, which featured a mix of news, lifestyle and entertainment reports. Reporter Sandra Blaikie, who joined CHRO in 2000, took over from Caroline Redekopp after her departure in 2002.
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James Hendricks—by now the 11 p.m. anchor—replaced Robert Maxwell after his resignation in autumn 2003. Hendricks also continued to anchor the late news until Cory Atkins (late of CFRN-TV Edmonton) signed on to be the new 11 p.m. anchor in April 2004.
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In January 2007, CHRO began producing its newscasts with a new system called "Ross Overdrive" – an automated production system that replaced the need for a switcher, VTR operator, graphics operator and many other staffers. Some 25 staffers were affected by the change, which had been announced some six months earlier. On March 3, 2009, CTVglobemedia cancelled almost all of CHRO's local news programming except for A Morning, laying off 34 Ottawa employees. CTVglobemedia cited the current recession as a reason for cancelling the local news programming. In contrast, the A stations in Victoria, Barrie and London kept their evening newscasts but instead, had their morning shows cancelled; this was likely because CTV's CJOH-TV also owned by CTVglobemedia (now Bell Media) already produces higher-rated evening newscasts serving the Ottawa market.
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In order to comply with the station's CRTC-mandated local programming expectation of 23.5 hours per week, the morning show was extended to four hours a day on weekdays, with a two-hour Saturday edition added as well (CHRO also continues two one-hour weekend music video programs co-branded with local Bell Media Radio stations). Some high-profile CHRO personalities such as Sandra Blaikie, Tony Grace and Bill Welychka were moved to the extended morning show following the March 2009 layoffs. In December 2009, anchor Sandra Blaikie left the station to pursue other interests outside broadcasting, because of the uncertain future of local television in Canada. In September 2010, late evening anchor and national reporter Tony Grace left the station to assume the 6:00 p.m. anchor position at CKVR in Barrie. In August 2011, Bill Welychka was let go from CHRO. In early September 2011, national reporter Jennifer Madigan left the station as all CTV Two stations began using CTV National News
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resources for national and international stories.
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Technical information Subchannel Analogue-to-digital conversion On August 31, 2011, when Canadian television stations in CRTC-designated mandatory markets transitioned from analogue to digital broadcasts, CHRO's Ottawa transmitter, CHRO-TV-43, ceased analog transmissions and began broadcasting in digital on its former analogue allocation of UHF channel 43. CHRO's main transmitter in Pembroke is not yet required to switch to digital, since the CRTC did not designate Pembroke as a mandatory market. Spectrum reallocation As part of the 2016 United States wireless spectrum auction, channels 38 through 51 were removed from television broadcasting in the United States and Canada. CHRO-DT-43 was reassigned from channel 43 to channel 35. The change was completed on July 3, 2020. The station uses PSIP to still display its virtual channel as 43.1. Notes References External links CTV Morning Live Ottawa CTV Ottawa
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HRO-TV HRO-TV HRO-TV Television channels and stations established in 1961 Pembroke, Ontario National Hockey League over-the-air television broadcasters 1961 establishments in Ontario
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The Green Lama is a fictional pulp magazine hero of the 1940s, created by American author Kendell Foster Crossen. He is commonly portrayed as a powerful Buddhist Lama, dressing in green robes with a red scarf and using his powerful skill set to fight crime. Slightly different versions of the same character also appeared in comic books and on the radio. Unlike many contemporary characters from smaller publishers, The Green Lama character is not in the public domain, as the author "wisely retained all rights to his creation". Pulps Original pulps The Green Lama first appeared in a short novel entitled The Green Lama in the April 1940 issue of Double Detective magazine. The novel was written by Kendell Foster Crossen using the pseudonym of "Richard Foster". Writing in 1976, Crossen recalled that the character was created because the publishers of Double Detective, the Frank Munsey company, wanted a competitor for The Shadow, which was published by their rivals Street & Smith.
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The character, partially inspired by explorer Theos "the White Lama" Bernard, was originally conceived as "The Gray Lama", but tests of the cover art proved to be unsatisfactory, so the color was changed to green. The Green Lama proved to be successful (though not as successful as The Shadow), and Crossen continued to produce Green Lama stories for Double Detective regularly up until March 1943, for a total of 14 stories.
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Although appearing in a detective fiction magazine, the Green Lama tales can be considered science fiction or supernatural fantasy in that the Green Lama and other characters are possessed of superhuman powers and super-science weapons. The Green Lama is an alias of Jethro Dumont, a rich resident of New York City, born July 25, 1913, to millionaires John Pierre Dumont and Janet Lansing. He received his A.B. from Harvard University, M.A. from Oxford, and Ph.D. from the Sorbonne; he also attended Drepung College in Tibet. He inherited his father’s fortune, estimated at ten million dollars, when his parents were both killed in an accident while he was still at Harvard; he then spent ten years in Tibet studying to be a lama (a Buddhist Spiritual Teacher), acquiring many mystical powers in the process. He returned to America intending to spread the doctrines of Tibetan Buddhism (to relieve suffering by removing ignorance), but realized that he could accomplish more by fighting crime, since
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Americans were not ready to receive spiritual teachings. He never carried a gun, believing that "this would make me no better than those I fight". Dumont was also endowed with superhuman powers acquired through his scientific knowledge of radioactive salts. Dumont had two main alter egos: the crime-fighting Green Lama and the Buddhist priest Dr. Pali. Additional alter egos included the adventurer "Hugh Gilmore".
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Among the Green Lama's associates were a Tibetan lama named Tsarong, the college-educated reformed gangster Gary Brown, the post-debutante Evangl Stewart (who would go on to marry Gary), radiologist Dr. Harrison Valco, New York City police detective John Caraway, actor Ken Clayton, Montana-born actress Jean Farrell, and magician Theodor Harrin. The Green Lama was also frequently assisted by a mysterious woman known as "Magga", whose true identity was never revealed. Crossen's pseudonym "Richard Foster" was also established as a character and friend of Jethro Dumont. The first six stories have been reprinted in the pulp reprint fanzine High Adventure. Altus Press has reprinted the entire series in three volumes.
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Official continuity of Green Lama pulp stories 1923–1933 "The Case of the Final Column" by Adam Lance Garcia (flashbacks) "The Green Lama: Unbound" by Adam Lance Garcia (flashbacks) "Black Bat / The Green Lama: Homecoming" by Adam Lance Garcia "Shiva Endangered" by Kevin Noel Olson "Eye of the Beholder" by Adam Lance Garcia 1935 "Case of the Crimson Hand" by Kendell Foster Crossen "Croesus of Murder" by Kendell Foster Crossen 1936 "Babies for Sale" by Kendell Foster Crossen "Wave of Death" by Kendell Foster Crossen 1937 "The Man Who Wasn’t There" by Kendell Foster Crossen "Death’s Head Face" by Kendell Foster Crossen 1938 "The Green Lama: Horror in Clay" by Adam Lance Garcia "The Case of the Clown Who Laughed" by Kendell Foster Crossen "The Case of the Invisible Enemy" by Kendell Foster Crossen "The Case of the Mad Magi" by Kendell Foster Crossen "The Case of the Vanishing Ships" by Kendell Foster Crossen "The Case of the Fugitive Fingerprints" by Kendell Foster Crossen
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"The Green Lama: Scions" by Adam Lance Garcia "The Case of the Crooked Cane" by Kendell Foster Crossen "The Case of the Hollywood Ghost" by Kendell Foster Crossen 1939 "The Case of the Beardless Corpse" by Kendell Foster Crossen "The Case of the Final Column" by Adam Lance Garcia (Altus Press) "The Green Lama: Unbound" by Adam Lance Garcia "The Green Lama: Dæmon’s Kiss" by Adam Lance Garcia "The Green Lama: Crimson Circle" by Adam Lance Garcia
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Modern pulps In 2009, Airship 27 Productions and publisher Cornerstone Book Publishers began releasing a series of new pulp anthologies and novels. These new stories treat the original pulps as a vague history, though they slightly shift the time period from the early 1940s to the late 1930s and portray the Lama as younger and less experienced. While the books were produced without the Crossen Estate, neither the authors nor the publisher were aware of the estate's claim at the time. The book was produced in good faith under the belief that the character was in the Public Domain, with no intention to infringe on any unknown rights. One of the stories, set in 1939, sought to portray the origin of the Green Lama. The other stories, while perhaps preceding the pulps in narrative order, would likely be set in the 1940s, possibly preceding the first publication in April 1940.
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Volume 1 The first new Green Lama anthology was released on August 14, 2009. The anthology, edited by Ron Fortier, featured three new stories—two short stories, and one novella—written by Kevin Noel Olson, W. Peter Miller, and Adam L. Garcia, respectively. Olson's story, "Shiva Endangered", tells one of the Lama's first adventures in Tibet and introduces the McGuffin known as the Jade Tablet (a copy of the legendary Emerald Tablet) and explains the origins of the Lama's powers. Garcia's novella, "Horror in Clay", is set years later in New York, shortly after Crossen's story "Death's Head Face", and pits the Lama and friends against a golem, as well as continuing the narrative of the Jade Tablet and tying the Green Lama into the Cthulhu mythos. Finally, Miller's short, "The Studio Specter", is set in L.A., soon after the events of "Horror in Clay", and tells the story of a Phantom-like villain terrorizing a film studio.
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"Horror in Clay", the cover art by Mike Fyles, and Jay Piscopo's interior artwork from this volume were nominated for 2009 Pulp Factory Awards. Volume 2: Green Lama: Unbound The Green Lama's first full-length novel in nearly 70 years, Green Lama: Unbound, was released July 28, 2010. Written by Adam L. Garcia, it displayed interior and cover art by Mike Fyles. The novel takes place roughly six months after "Studio Specter" and shortly after the last original pulp story, "Beardless Corpse". Continuing the Jade Tablet storyline established in "Shiva Enangered" and "Horror in Clay", Unbound pitted the Green Lama against Lovecraft's Great Old Ones and Cthulhu, as well as featured—for the first time ever—details of Dumont's ten years in Tibet.
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In 2011, the book, Garcia, and Fyles were nominated for several awards including Best Novel, Best Interior Art, and Best Exterior Art in the Pulp Factory Awards; as well as Best Book, Best Cover Art, Best Interior, Best Pulp Revival, and Best Author in the 2011 Pulp Ark Awards. It won for Best Pulp Revival in the Pulp Ark Awards, and Best Pulp Novel and Best Interior Art in the Pulp Factory Awards. Airship 27 Green Lama: Mystic Warrior Airship 27 released Green Lama-Mystic Warrior in 2013, with two original stories from Volume One and two new stories. A second edition came out in 2014. The stories and authors in this volume are "Shiva Endangered" by Kevin Noel Olson, "The Menace of the Black Ring" by Nick Ahlhelm, "The Studio Specter" by W Peter Miller, and "The Case of the Hairless Ones" by Robert Craig, with cover art by Isaac L. Nacilla and interior illustrations by Neil Foster.
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Moonstone Publishers When it was established that the Green Lama was not in the public domain, Garcia moved his books to Moonstone. Along with new work, Garcia's stories "Horror in Clay" and "Unbound" were authorized to be reissued in expanded releases. Garcia has also produced short stories crossing over the Green Lama with other pulp heroes. Green Lama: Scions Taking place shortly after "Horror in Clay", Dumont and his associates fight a malevolent force that arrived in New York aboard a cruise ship filled with people murdered at their own hands. Green Lama: Daemon's Kiss A short story featured in Moonstone's "Of Monsters and Men" anthology, the Green Lama and his associates fight a succubus outside a rural hotel. Features original "widescreen" art by Mike Fyles.
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Green Lama: Crimson Circle A second novel, Green Lama: Crimson Circle, also by Garcia and Fyles, came out in 2015. The story is a sequel to the very first Green Lama pulp story, "Case of the Crimson Hand", while continuing the plot threads left hanging at the end of Unbound. The short comic "Green Lama and the Death Dealers" by Garcia and Fyles, bridges the gap between Unbound and Crimson Circle. A third novel is also written named Green Lama: Redemption.
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Altus Press In addition to reprinting the original pulp stories in 2011 and 2012, Altus Press included a new short story in their third volume, "Green Lama and the Case of the Final Column", by Garcia and Fyles that ties the original pulps and new pulps stories together. "The Final Column" is set immediately after "The Case of the Beardless Corpse", shortly before the events of Green Lama: Unbound, and lays the groundwork for several plot points in Unbound and the Crimson Circle. It also features Crossen's pseudonym "Richard Foster" as a principal character. Comic books Golden Age comics Prize Comics The Green Lama's first comic book appearance was in issue #7 of Crestwood Publications' Prize Comics (December 1940). The character continued to appear in the title for 27 issues (through 1943). All stories were written by Ken Crossen, with art by Mac Raboy and others. In Prize Comics #24, he teamed up with Black Owl, Dr. Frost, and Yank and Doodle to take down Frankenstein's Monster.
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This version of the character bears considerable similarities to his pulp counterpart, most notably his costume design, but was more of a sorcerer with the ability to travel through time, resurrect the dead and often battled Lucifer's minions. There were also minor changes to his supporting cast such as Jean "Parker" and the inclusion of a character known as Tashi Shog (a Tibetan liturgic wish meaning "May prosperity be"). According to Jess Nevins' Encyclopedia of Golden Age Superheroes, the Green Lama "fights Yellow Peril racketeers, the Nazi femme fatale Baroness von Elsa, the ghostly Pharod, snake cultists, the Nazi agent Harlequin, and especially the occultist Professor Voodoo, 'two legged beast of prey' who surpasses 'in cunning and cruelty all the forces of evil'".
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Spark Publications He then moved to his own title, The Green Lama (Spark Publications), published by Kendell Foster Crossen, which lasted for eight issues from December 1944 to March 1946. This iteration character of the Green Lama was somewhat different from his previous versions (for example, having the power of flight and wearing a skin-tight costume), although the scripts were still written by Kendell Foster Crossen, who had created the earlier pulp version of the character. Reprints of the Green Lama stories from the eight-issue Spark series are available in two hardcover archive volumes produced by Dark Horse Comics in 2008. Modern comics
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AC Comics Over the last 20 years, the publisher AC Comics has been virtually the only source for the original Golden Age material featuring the Green Lama, and intermittently used the character in their long-running, original series Femforce. In 2004, writer/artist James Ritchey III started production on a two-part graphic novella, entitled Green Lama: Man of Strength, revamping the version from the Spark Publications era. Billing the story in interviews as a "Superhero Mystical Murder Mystery involving Reincarnation", Ritchey never completed the art for part two, due to illness—so it was shelved for three years. Green Lama: Man of Strength #1 shipped through Diamond Distributors on April 5, 2008, after a requested a one-month delay from Diamond, due to their frowning upon smaller independents having two similar titles shipped simultaneously. The second issue came out in 2009.
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Dynamite Comics The Green Lama is currently one of several Golden Age characters appearing in the Dynamite Entertainment comic book series Project Superpowers, by writer Jim Krueger and artist Alex Ross. This version of the Green Lama is vaguely a continuation of his Spark Publications iteration, though his powers have evolved to be more nature-based. The character has been used without authorization of the Crossen Estate. Moonstone Moonstone Publishers are new publishers of back-up comic stories based on the pulp version of the character under its "Return of the Originals" banner. These shorts are written by Mike W. Barr. Moonstone has released in 2013 a new novel of the character, The Green Lama: Scions, written by Adam Lance Garcia. In other media Web comics and fiction Green Lama is one of several Golden Age comic characters to make an appearance in Tales of the Living Legends, a webcomic featuring Golden Age art and rewritten stories.
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The Green Lama plays a key role as a supporting character in the fiction blog, Flyover City. Radio More than three years after the demise of his comic book, the Green Lama was resurrected for a short-lived CBS radio series that ran for 11 episodes from June 5 to August 20, 1949, with the character's voice provided by Paul Frees. This version of the Green Lama was also written by creator Kendell Foster Crossen, along with several co-writers. Television CBS Television considered producing a television version of the Green Lama for the 1950 season. The proposal never got the green light. Aerial performance On January 6, 2012, the Green Lama came to life in an aerial performance at the Rubin Museum of Art as part of its "Hero, Villain, Yeti" exhibit. It was written by Adam Lance Garcia, based on his short story "Case of the Final Column", and performed by New-York-based Cirquetacular.
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Buddhist element The Green Lama stories display a sympathetic and relatively knowledgeable portrayal of Buddhism, both in the text of the stories and in numerous footnotes. From Crossen's own comments, in his foreword to Robert Weinberg's 1976 reprint of the first Green Lama story, it is clear that this was not proselytism on his part, but simply because he wanted to create a Tibetan Buddhist character and then read everything he could find on the subject. The most frequent reference to Buddhism in the stories is the use of the Sanskrit mantra "Om mani padme hum" (usually translated as "Om, the jewel on the lotus"), which would indeed be used by Tibetan monks. However, the majority of other references to Buddhism in the stories, while accurate, relate to the Theravada form of Buddhism rather than the Tibetan form, with frequent use of Pali words such as "Magga", "Nibbana", and "Dhamma", rather than the Sanskrit equivalents that would be used in Tibetan Buddhism.
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See also Peter Cannon, Thunderbolt – a similar concept also from the mid-20th century References External links Official Green Lama Website A Hero History of the Green Lama Double Detective cover scans The Green Lama radio programs in the public domain at Archive.org Green Lama serial at Tales of the Living Legends Male characters in literature Literary characters introduced in 1940 Buddhism in fiction Characters in pulp fiction Crestwood Publications characters Dynamite Entertainment characters Fantasy radio programs Golden Age superheroes Radio characters introduced in 1949 Radio superheroes Fictional Buddhist monks Buddhism in comics
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Asia League Ice Hockey (; ) or ALIH (AL) is an association which operates a professional ice hockey league based in North and East Asia, with teams from Japan, Russia, and South Korea. The league is headquartered in Japan. At the end of the playoffs every year the winner is awarded the Championship Trophy. The league was formed in 2003 due to declining popularity in the Japan Ice Hockey League and the folding of the Korean Ice Hockey League. It was formed with the goal of promoting hockey and developing players' skills. The league initially comprised five teams in two countries. It expanded to highs of four countries (2004–05 season) and nine teams (2005–06 season) and it comprised eight teams from three countries in the 2013–14 season. Prior to the 2014–15 season a team from Yuzhno-Sakhalinsk, HC Sakhalin, was affiliated to the league.
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The league draws most of its players from the home countries of its teams. However, the league allows each team a certain number of foreign imports on their roster. History
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2003–2008 The league was formed after the collapse of the Korean ice hockey league and dissolution of the Japanese league. It was started with the goal of promoting hockey in Asia as well as helping the various participating countries develop their hockey programs and increase their showing in the Olympics. The first season was a shortened season of only five teams, and played as a tournament rather than a regular season. Four Japanese teams and a Korean team participated. The tournament lasted just two months and each team played four games, two at home and two away, against each other. Due to the shortened tournament format, there were no playoffs and the winner was declared from the point tally. The Nippon Paper Cranes won the tournament with 39 points. and Joel Prpic from Kokudo was the assist and points leader with 25 assists and 33 points. Ryan Haruo Kuwabara, of the Cranes, was the scoring leader with 15 goals.
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The 2004–05 season was the first full season for the league, and was seen by some to be the inaugural season. Before the season began, there was already interest by the National Hockey League (NHL) in China's hockey program. In addition to the five teams which took part in the tournament the year before, the league added Golden Amur from Russia as well as Harbin and Qiqihar from China. The first season had a schedule of 42 games. Teams played each other six times during the season. In December 2004 there was speculation by the South Korean media that North Korea could potentially field a team in the league, but that never materialized. The league also had an all-star game which took place on 22 and 23 January 2005 in Kushiro. The league was broken up into two teams, the Blue Orion and Red Antares. Fans voted on their favorite players and coaches. The most popular vote was for the forward position on the Blue Orion which received over 45,000 votes. Masatoshi Ito received the most votes
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with 9741. The skill competition and game were both won by the Blue Orion. The regular season finished with the Nippon Paper Cranes and Kokudo both having 98 points. After applying the league's tie-breaking procedure, the Nippon Paper Cranes were ranked first. The Nippon Paper Cranes also won the points race holding the top three spots in goals scored with Masatoshi Ito taking top honours at 33 goals. Darcy Mitani, also from the Cranes, took top spot in assists with 44 and points with 69. The playoffs saw the top four teams advance. The Golden Amur were swept in three games by Kokudo and the Cranes beat the Oji Paper in a close series, three games to one. The final was between the Cranes and Kokudo. While the Cranes won the first game, Kokudo won three games straight and won the playoffs. Chris Yule of Kokudo acquired ten points in the playoffs to lead the league while Chris Lindberg of the Cranes led the league in goals scored with six. Several players from Kokudo and the Cranes all
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had five assists. The 2005 ALH Awards were held in Tokyo and announced in April. Among the awards Kikuchi Naoya a goaltender for Kokudo was voted Most Valuable Player (MVP) and Matsuda Keisuke of the Nikkō Ice Bucks was voted Young Guy of the Year.
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The 2005–06 season saw a number of changes to the make-up of Asia League. In the off-season, the Golden Amur withdrew from the league due to financial trouble. At the same time it was announced that Kangwon Land was showing interest in entering a team in the league. However, only a few weeks later, they withdrew their application because it was felt their team wasn't strong enough to enter the league. The league also revised the limits on the number of imports some teams were allowed to have. Halla and the Ice Bucks were both allowed to carry an additional import player while the two Chinese teams were permitted two more import players. It was announced in July 2005 that Anyang Halla Winia would change their name to Anyang Halla. In late July, the league announced that Kangwon Land had acquired some imports and strengthened the team. They had applied again and were expected to enter the league that season. As well another new team, the Nordic Vikings, was expected to join the league.
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The Nordic Vikings were a Swedish-Chinese joint venture that saw the team based in Beijing. As part of the venture, Swedish players were also sent to the two existing Chinese teams. This brought the league to its high point of nine teams. Even though there were more teams than in the previous season the league reduced the number of games from 42 to 38, which resulted in an uneven schedule. For example, the Korean teams played nine games against each other, while playing four games against the teams from Japan and China except the Nordic Vikings, whom they played five times. At the end of the regular season, the Nippon Paper Cranes had captured first place for a second year in a row with 95 points. While the Cranes had a very strong showing in the point rankings, the top goal scorer was Song Dong-hwan from Anyang Halla with 31. Derek Plante led in assists with 47 and overall points with 75. The top six teams advanced to the playoffs with the top two teams, the Cranes and Halla,
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receiving a bye to the semi-finals. In the first round, Kokudo swept the Ice Bucks while Oji Paper defeated the Vikings three games to one. In the second round Kokudo faced Halla, who were making their playoff debut. Kokudo won that series three games to one. On the other side, the Cranes faced off against Oji Paper and swept them in three games. The final was again the Cranes vs Kokudo and once again Kokudo emerged victorious, claiming the title for the second year in a row. Kokudo had three players claiming the three top points spots for the playoffs. Joel Prpic was the top goal scorer with nine, Kiyoshi Fujita had the most assists with 12 and Takahito Suzuki had the most points with 18. Kikuchi Naoya won MVP of the year for the second time and Young Guy of the Year went to Masahito Nishiwaki of the Cranes.
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Further changes were seen in the league in the 2006–07 season. After the last season The Nordic Vikings were looking for sponsors for the team. However, they failed to find sufficient sponsorship and left the league due to financial trouble. Harbin moved their home rink to Beijing and changed their name to Hosa to reflect this. Qiqihar acquired a new sponsor and changed their name to Changchun Fuao. Kokudo also changed their name to the Seibu Prince Rabbits. With eight teams, the league further reduced the number of games played to 34, which again resulted in an uneven play schedule. The Chinese-based teams, for example, played each other and the Korean teams each six times but only played the Japanese teams four times. The Paper Cranes easily won the regular season again finishing first with 86 points. With the previous year's goal leader not participating the scoring race went to Tim Smith of Kangwon Land. He led the league with 30 goals. Patrik Martinec of Halla led the league with
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53 assists and 71 points. The playoffs followed the same format as the year before and six teams advanced. Kangwon Land swept Halla in three games and Oji Paper beat the Ice Bucks three games to one. While it was inevitable with two Korean teams facing each other, it marks the first time a non-Japanese team won a playoff series in Asia League. The second round was over quickly as the Cranes and Rabbits who both had byes swept their opponents in three games each. For the third year in a row the final was between the Paper Cranes and the Rabbits. The Cranes took the series in four games. Joel Prpic won himself another scoring title as he led the playoffs in goals, 8, and points, 17. Kengo Itoh for the Cranes had the most assists with 13. At the awards ceremony Itoh also took the award for MVP of the Year while Jun Tonosaki received the award for Young Guy of the Year.
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The 2007–08 season started with a further reduction in teams. Harbin and Qiqihar combined into a single team and became owned and operated by the San Jose Sharks. They took the name of their new owner and became the China Sharks. Kangwon Land renamed to High1. With only seven teams, the league reduced the number of games played to its lowest at just 30 games. The league continued with an unbalanced schedule and the Korean and Chinese teams played each other more than the Japanese teams did. After three years of dominance, the Nippon Paper Cranes slipped to fourth place and the regular season was won by the Prince Rabbits. Alex Kim, playing for High1, recorded the most goals with 23 and most points with 51. Joel Prpic continued to find himself on top of the pack with 30 assists. With six of seven teams going to the playoffs, the Sharks were the only team that didn't find themselves in a playoff spot. The first round was over quickly as the Cranes swept Halla in three games and Oji did
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the same to the Ice Bucks. Nippon faced their rivals, the Rabbits, in the second round and defeated them three to one. High1 couldn't repeat their success from the previous year by winning a series and were swept by Oji in three games. For the first time, the final series was not between the Cranes and Rabbits. Oji continued to roll over their opponents and swept the Cranes, marking the only time a team in Asia League had swept its way through three rounds. Due to their dominance on the ice, the point race was also swept by Oji. Takeshi Saito led the playoffs with nine assists and 15 points, while Shane Endicott had the most goals with 6. Kunihiko Sakurai, also from Oji, won the MVP of the Year and Eum Hyun-seung, from High1, won the Young Guy of the Year award.
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Since 2008
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After several years of many changes to the teams, the 2008–09 season came with only one change. Oji Paper renamed themselves to Oji Eagles in July 2008. The league increased China's allowance to seven import players to help their competitiveness. Prior to the start of the regular season a series of exhibition games, dubbed "Anyang Cup 2008" was held in Anyang. Five of the seven teams in the league participated with the Ice Bucks and Rabbits sitting out. Oji won the exhibition tournament without losing a game. The league increased the number of games played to 36 and balanced the schedule by having all teams play each other an equal amount. Early in the season the Halla coach, Shim Eui-sik was suspended for refusal to play after a disputed goal against High1. Halla was forced to forfeit the game, but at the end of the regular season they had finished in first place with 76 points, becoming the first non-Japanese team to do so. Brock Radunske of Halla finished first in goals and points
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with 29 and 57 respectively. Kunihiko Sakurai, a previous MVP, finished on top with 40 assists in the regular season. The league reduced the number of teams making the playoffs and only five teams advanced. The first round saw a short three games series between the Cranes and High1. The Cranes swept High1 in two games. The second round found the regular season winners, Halla, facing the Cranes and Oji facing the Rabbits. Halla and the Cranes took it to seven games, but Halla lost on home ice. After the previous year's record setting playoff run, Oji found themselves swept by the Rabbits in four games. For the fourth time in five years the final was between the Rabbits and Cranes. The Cranes won for the second time. The Cranes swept the playoffs point race with Kengo Itoh taking the lead with 16 assists and 21 points. Masahito Nishiwaki led with 12 goals. Brock Radunske took the award for MVP of the Year marking the first time the award has gone to an import player. Young Guy of the
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Year went to Kim Ki-sung, also from Halla.
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After a season with little change to the make-up of the league, the 2009–10 saw further change. The San Jose Sharks ended their association with the Chinese team. They pulled out all coaches and players they had sent. The Chinese Ice Hockey Association took over the team and brought in new import players and coaches to replace those lost. The team also changed its name from China Sharks to China Dragon. Midway through the previous season the Seibu Prince Rabbits announced that due to financial difficulties they would withdraw from the league at the end of the 2008–09 season. They were unable to find a buyer and the team folded. However, another team from Japan joined the league in the off-season. The Tohoku Free Blades were able to hire enough players and imports to join the league in time for the beginning of the season. This again left the league with seven teams. The league left the number of games played at 36, marking the first time that the league didn't adjust the schedule from
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the previous year. The league also introduced a couple of rules changes. All face-offs will take place on one of the nine face-off dots as well teams will no longer be allowed to change after an icing. Anyang Halla repeated as the regular season champions finishing with 79 points and 23 wins. The team also set the record for the most goals by a team in a 36-game season with 180. Alex Kim and Tim Smith lead the points race. Both finished with 75 points on the season, with Kim taking the goal scoring race with 29 and Smith taking the assists race with 48. The League further reduced the number of teams making the playoffs to only four. As well they brought in referees from outside the league to assist in officiating. The two Korean teams faced each other in one semi-final guaranteeing for the first time that a Korean team would appear in the final. Halla defeated High1 in four games after a loss on home ice. The Cranes similarly defeated the Eagles in four games. The final was a close
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series, needing all five games and with four of the five games only being decided by a single goal. In the final game, Halla tied the game with 17 seconds remaining and in over-time the team captain, Kim Woo-jae scored to give Halla a victory and mark the first time a non-Japanese team had won the cup. In the play-offs Brock Radunske led with six goals and 13 points overall while Darcy Takeshi Mitani led with 8 assists. Patrik Martinec took regular season MVP honors, and Cho Min-ho, also from Halla, was named Young Guy of the Year.
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The 2010–11 season saw virtually no change to the structure of the season or league. All teams from the previous season remained in the league, and the number of games remained at 36. The regular season ran from 18 September 2010 to 20 February 2011. After two years of leading the league, Halla slipped to fourth place and Oji Eagles took the regular season honors with 76 points. Shunhei Kuji of Oji lead the league with 24 goals, while his teammate Yosuke Kon led with 45 assists. However, with a couple of second-place finishes, Go Tanaka of the Free Blades led the overall points race with 59. The League also maintained the number of play-off teams at four. Anyang faced Oji while Nippon faced Tohoku. Halla managed to take two of three in Japan and defeat Oji on home ice to advance. The Free Blades needed all five games to defeat the Cranes but the team came back with two straight wins to advance to the final for the first time in their short time in the league. However, a 9.0 magnitude
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earthquake near the Free Blades hometown forced the League to cancel the finals. Halla had already in Japan just an hour before the disaster struck the area. Fortunately, both teams survived, but the League felt the final could not go on. On 22 March 2011 the League declared that both Halla and the Free Blades would be declared co-champions. Though shortened, Masato Domeki of Oji led the playoffs with four goals, Bruce Mulherin led with six assists and fellow Free Blade Brad Farynuk had eights points overall.
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In the 2013–14 season, a new Seoul-based team, Daemyung Sangmu, joined the league, and prior to the 2014–15 season a team from Yuzhno-Sakhalinsk, HC Sakhalin, was affiliated to the league. Beginning in the 2020–21 season, the Yokohama Grits joined the league, becoming the first ALIH team to play in the Greater Tokyo Area since the Seibu Prince Rabbits folded in 2009. Records Since its foundation in 2004, 16 different clubs have played in the ALIH, and 12 of them have at least once qualified for the playoffs. The table below gives the final regular-season ranks for all teams, with the playoff performance encoded in colors. The teams are ordered by their best championship results. Game
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Each Asia League Ice Hockey regulation game is an ice hockey game played between two teams and is 60 minutes long. The game comprises three 20-minute periods separated by two 15-minute intermissions. While some teams have television broadcast contracts, they do not take television time-outs like the NHL. If the game is tied at the end of 60 minutes, the teams play an overtime period. Overtime is five minutes, with four skaters on each team. If the game remains tied after five minutes, then the teams partake in a three player shoot-out, until one team comes out ahead. Prior to the 2008–09 season these games ended in a tie with no shoot-out. In a playoff game the league doesn't use the shoot-out and instead the teams play continual overtime periods of 20 minutes until one team scores.
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Imports Asia League Ice Hockey was established primarily for the development of ice hockey in Asia. The league allows teams to hire a small number of imports to play on the team in order to even out strength as well as increase the level of competitiveness in the league. Initially, China was allowed the most imports while the experienced Japanese teams were allowed the fewest. In the early seasons, the China Dragon was provided with western players from the San Jose Sharks as part of the sponsorship deals, and the two Chinese teams were provided Swedish players when the Nordic Vikings were active in the league. Prior to the 2018–19 season, the players from Russia were treated as imports if playing for a non-Russian teams; since the 2018–19 season, each team can have two import players, while the players with Russian citizenship are no longer treated as imports.
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Several former National Hockey League players have played in the league, including Chris Allen, Greg Parks, Esa Tikkanen, Chris Lindberg, Tavis Hansen, Shjon Podein, Jason Podollan, Derek Plante, Steve McKenna, Jarrod Skalde, Joel Prpic, Tyson Nash, Jamie McLennan, Shane Endicott, Wade Flaherty, Kelly Fairchild, Brad Tiley, Ben Walter, Ricard Persson, Bryan Young, Claude Lemieux, Brad Fast, Ric Jackman and Cole Jarrett. Teams Early in its existence, the league hoped to quickly expand to 12 teams, but could not due to financial difficulties. In the 2019–20 season, the Asia League Ice Hockey consisted of seven teams; four teams from Japan, two teams from South Korea, and one from Russia. Timeline of teams Champions All-time record
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Season structure The Asia League Ice Hockey season is divided into three parts. The late summer and early autumn parts consist of training camps and exhibition play. After that, the regular season takes place, which lasts for several months depending on the schedule. Finally several teams advance to a post-season playoff. This is an elimination tournament where teams play a "best-of" format to advance through the rounds. The final remaining team is crowned the champion for the year.
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The regular season has been changed in almost every season that Asia League has been in operation. The first full season mirrors the two most recent seasons in which all teams play all other teams six times. With the number of teams changing from season to season in the first few years the league adjusted the schedule each year which often included an unbalanced schedule. Under the current schedule all teams make an away visit to each other team's home rink for a three-game series and also play a three-game series against that team at their own home rink. In order to minimize travel, teams traveling to other countries will stay there for two weeks and play two teams, except in the case of China who only has one team. Teams going to Japan will play against the Cranes and Eagles on the same trip as they are geographically close together, then in another trip play against the Free Blades and Ice Bucks.
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The league ranks the teams by points. A regulation time win is worth three points. If the teams are tied at the end of regulation, both teams receive one point. The team which is victorious either in the overtime period or overtime shoot-out receives an additional point. A regulation time loss is worth zero points. At the end of the regular season, the team which has the most points is awarded the title of regular season champion. The league in the past generally takes a several week break between the regular season and postseason. As with the regular season, the format of the playoffs has varied from year to year. In the 2009–10 season the top four teams advanced to the playoffs and play two best-of-five rounds. The league scheduled the end of the regular season and postseason around the Olympic break. In each round the higher ranked team from the regular season will receive a home-ice advantage and the series will begin play and have the majority of games play in their rink.
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Awards Asia League awards several awards each season in addition to The Championship Trophy. Prior to the 2008–09 season the awards were issued after the postseason but in that season they were issued during the break between the regular season and postseason. The league presents awards for: Most Valuable Player Young Guy of the Year Best Goaltender Best Offensive Defenceman Best Defensive Defenceman Best Offensive Forward Best Defensive Forward Best Playmaking Forward Best Hockey Town For most goals Most assists Most points Best save percentage for goaltenders All of the awards, except for Best Hockey Town, are sponsored by an organization or individual. References External links Official website (international) Official website Japan Ice Hockey Federation Chinese Ice Hockey Association Korea Ice Hockey Association
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1 1 1 1 Ice hockey leagues in Russia Sports leagues established in 2003 Professional sports leagues in Japan Professional sports leagues in South Korea Professional sports leagues in Russia Multi-national professional sports leagues
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Prem Nazir (born Abdul Khader; 7 April 1927 – 16 January 1989) was an Indian film actor known as one of Malayalam cinema's definitive leading men of his generation. He is widely regarded as one of the most influential actors in the history of Indian cinema. A popular cultural icon of Kerala, Nazir is often referred to as Nithyaharitha Nayakan ("Evergreen Hero"). Nazir began his career as a stage actor and made his film debut with the 1952 film Marumakal. He took on the stage name Prem Nazir on the sets of his second film, Visappinte Vili (1952).
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Nazir is noted for his performances in films such as Murappennu (1965), Udhyogastha (1967), Iruttinte Athmavu (1967), Kallichellamma (1969), Virunnukari (1969), Nadhi (1969), C.I.D. Nazir (1971), Anubhavangal Paalichakal (1971), Taxi Car (1972), Azhakulla Saleena (1973), Ariyappedatha Rahasyam (1981), Vida Parayum Munpe (1981), Padayottam (1982), and Dhwani (1988). Nazir won the Kerala State Film Award (Special Jury Award) for his role as Madhavan Kutty in Vida Parayum Munpe. The Government of India honoured him with the Padma Bhushan the third highest civilian honours respectively, for his contribution towards the arts. He died due to measles on 16 January 1989 at the age of 62.
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Nazir holds two Guinness World Records: for playing the lead role in a record 520 films and for playing opposite the same heroine in 130 films (with Sheela). He also holds two other acting records; for acting opposite eighty heroines and for acting in lead roles in 30 films which were released in a single year (1973 and 1977). Early life Nazir was born in Chirayinkeezhu in the princely state of Travancore (now part of Kerala), to Akkode Shahul Hamid and Asuma Beevi on 7 April 1926. He had two brothers - Prem Nawas (Abdul Wahab) - and Ashraf and six sisters - Sulekha, Arifa, Aneesa, Umaiba, Sunaisa and Suhara. His mother died when he was very young, and his father remarried a woman of the same name. He completed his formal education from Kadinamkulam Lower Primary School, Sri Chithiravilasam School, Trivandrum, SD College, Alappuzha, and St. Berchmans College, Changanassery. By the time he completed his education, he had become an experienced drama artist. Career Entry into cinema
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Prem Nazir had his acting debut as Shylock in the play The Merchant of Venice (1951), when he was a student at SB College, Changanacherry. He won the best actor award for this role in the play directed by Sheppard. His first film was Marumakal (1952), directed by S. K. Chari and produced by Paul Kallungal. He was credited as Abdul Khader in this film. He got his career break with Visappinte Vili (1952), his second film, made for K&K Combines (Udaya Studio) by Telugu director Mohan Rao. It was on the set of this movie he was renamed to Prem Nazir by Thikkurussi Sukumaran Nair. Prem Nazir started his career when drama was the most popular visual medium and film making at its infancy. He began acting for the Excel Productions (Udaya Studio) and most of his films were for the Udaya and Merryland Studios. 1950s: Rise to stardom
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With the arrival of Nazir, there was a new screen personality, a new debonair actor who could be a youth heart throb. Prem Nazir acquired the halo of a romantic hero and a loyal following. His tear-jerkers were very popular with female audiences and soon made him a darling of the masses. He became the first real star of Malayalam cinema. Another factor that assisted Prem Nazir's rise – as it had the rise of his contemporaries in other regional film industries – was the continuing reign of mythologicals and devotionals. Costumed musicals, filmed start-to-finish within the confines of a studio, contributed their own. All such films for a long period kept him before his fans, nourished his romantic image and provided him unlimited scope for rehearsing and refining his talent in playing diverse roles. Since the bulk of South Indian cinema was theatrical visually and aurally, Prem Nazir's stage background and his extraordinary command of Malayalam helped him win the hearts of his
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audience.
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1960s, 1970s: Golden years
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In the late 1950s, Nazir drew attention by playing movies with themes based on social and religious injustices in the society. From 1956 to 1976, Prem Nazir rode high at the crest of a tidal wave of popularity and also gave his best to Malayalam cinema. Nazir catapulted to the row of the finest actors of India with the film Iruttinte Athmavu (1967). Playing a demented youth – Velayadhan, Prem Nazir discovered his prowess as a dramatic actor of great intensity. Many critics have evaluated this role as his masterpiece, and as one of the finest onscreen performances ever. Written by M. T. Vasudevan Nair, the film provided Malayalam cinema with a new direction; that of the low-budget film. One could see a lot of the pre-occupations of the scenarist, who carried the touches of human relationships through all of his subsequent films whether as screenplay writer or director. In spite of its large number of studio shots and overall theatricality, the film was so culturally rich that many of
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the episodes would become archetypes for future Malayalam film makers dealing with family drama. It depicted the story of an imbecile (finely portrayed by Prem Nazir) in a joint family with remarkable sensitivity and seriousness of purpose.