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Thomas <b><u>Chatterton</u></b> [prompt on Thomas <u>Rowley</u> until read by asking “what was his real name?”]
<b><u>jotunn</u></b>&nbsp;(“YO-tun”) [or <b><u>jotnar</u></b> or frost <b><u>giant</u></b>s]
buckminster<b><u>fullerene</u></b>s [accept <b><u>buckyball</u></b>s]
<b><u>Myanmar</b></u> [or <b><u>Burma</b></u>; or <b><u>Bama</b></u>; or <b><u>Mranma</b></u>; or Republic of the Union of <b><u>Myanmar</b></u> or Pyiduanzu Thanmăda <b><u>Myăma</b></u> Nainngandaw; accept British <b><u>Burma</b></u>; accept Second or Third Anglo-<b><u>Burmese</b></u> Wars; accept <b><u>Konbaung</b></u> Dynasty or Third <b><u>Burmese</b></u> Empire until read; prompt on <u>British India</u>]
<b><u>Palmyra</u></b> [or <b><u>Tadmor</u></b>; accept <b><u>Palmyrene</u></b> Empire] (The replica was created after ISIS destroyed Palmyra.)
<b><u>Lebanon</u></b> [or Republic of <b><u>Lebanon</u></b>; or <b><u>Lebanese</u></b> Republic; or <b><u>Liban</u></b>; or <b><u>Lubnān</u></b>; or Al-Jumhūrīyah Al-<b><u>Lubnānīyah</u></b>] (The first poet is Vénus Khoury-Ghata. Khalil Hawi committed suicide following Israel’s 1982 invasion of Beirut, which is depicted in <em>Memory for Forgetfulness</em> by Mahmoud Darwish.)
<b><u>hexachord</u></b> [or <b><u><em>Ut, re, mi, fa, sol, la</em></u></b>; accept natural <b><u>hexachord</u></b>; accept <b><u>hexachord</u> </b>fantasia or fantasia on <b><u><em>Ut, re, mi, fa, sol, la</em></u></b>; reject “Do, re, mi, fa, sol, la”]
Tarsila do <b><u>Amaral</u></b> (“tar-SEE-lah doh ah-mah-ROW”) [or <b><u>Tarsila</u></b> do Amaral]
<b><u>Venice</u></b> [or <b><u>Venezia</u></b>; accept the <b><u>Venice</u></b> Biennale or <b><u>Venice</u></b> Biennial or Biennale di <b><u>Venezia</u></b>]
<b><u>Sardinia</u></b> [or <b><u>Sardenga</u></b>]
<b><u>Shakur</u></b> [accept Sanyika <b><u>Shakur</u></b> or Assata Olugbala <b><u>Shakur</u></b> or Afeni <b><u>Shakur</u></b> Davis or Tupac Amaru <b><u>Shakur</u></b>; accept <b><u><em>Assata</u></b>: An Autobiography</em> until “Assata” is read; accept “Monster” Kody <b><u>Scott</u></b>; accept Joanne Deborah <b><u>Byron</u></b> or Joanne <b><u>Chesimard</u></b>; accept Afeni Shakur <b><u>Davis</u></b> or Alice Faye <b><u>Williams</u></b>; accept Lesane Parish <b><u>Crooks</u></b>] (Zayd Malik Shakur was also in the car with Assata Shakur and Sundiata Acoli. Assata Shakur was the godmother of Tupac Shakur.)
ancient <b><u>Mesopotamian underworld</b></u> [accept <b><u>Akkadian</b></u>, <b><u>Sumerian</b></u>, or <b><u>Babylonian</b></u> in place of “Mesopotamian”; or <b><u>Kur</b></u>, <b><u>Irkalla</b></u>, <b><u>Kukku</b></u>, <b><u>Arali</b></u>, <b><u>Kigal</b></u>, or <b><u>Eretsu</b></u>; accept <b><u>kur</b></u>-nu-gi-a; prompt on <u>underworld</u>, <u>netherworld</u>, or <u>hell</u> by asking “which culture’s underworld/netherworld/hell?”] (The twins are Meslamta-ea and Lugal-irra; “An’s canal inspector” is Ennugi/Gugalanna; the proud goddess is Ishtar.)
<b><u>Yangtze</u></b> River [or <b><u>Cháng</u></b> Jiāng]
<b><u>Janissaries</u></b> [or <b><u>Janissary</u></b> Corps; or <b><u>Yeniçeri</u></b>]
Tadao <b><u>Ando</u></b> [or <b><u>Ando</u></b> Tadao]
Knights <b><u>Templar</b></u> [or <b><u>Templars</b></u>, or <b><u>Templar</b></u> Order; or the Order of <b><u>Solomon’s Temple</b></u>; or Poor Fellow-Soldiers of Christ and of the <b><u>Temple of Solomon</b></u>]
<b><u>backflow</u></b> [accept <b><u>backsiphonage</u></b> or <b><u>backpressure</u></b>]
Katsushika <b><u>Hokusai</b></u>
<b><u>sex change</u></b> [or <b><u>gender transition</u></b>; accept <b><u>becoming female</u></b> or <b><u>becoming male</u></b>; accept <b><u>not conforming to gender roles</u></b> or being <b><u>intersex</u></b> or otherwise <b><u>existing outside the gender binary</u></b>; prompt on <u>turning into an animal</u> until “Krishna” is read by asking “what other physical change was made?”; prompt on <u>reincarnation</u> by asking “what physical change accompanied that action?”]
<b><u>Chukchi</u></b> Sea OR <b><u>Beaufort</u></b>&nbsp;(“BOH-fert”) Sea
<b><u>hemoglobin</u></b> [or <b><u>Hb</u></b> or <b><u>Hgb</u></b>]
<b><u>bijective</u></b> [or <b><u>bijection</u></b>; or <b><u>one to one correspondence</u></b>; accept <b><u>injective and surjective</u></b> before mentioned; accept “one to one” in place of “injective”; accept “onto” in place of “surjective”; reject partial answers]
Thomas <b><u>Bayes</b></u> [accept <b><u>Bayesian</b></u> school]
<b><u>Caribbean</u></b> Sea [prompt on <u>Atlantic</u> Ocean]
<b><u>Quito</u></b> (“KEE-toh”) [or <b><u>Kitu</u></b>; accept <b><u>Quiteño</u></b>s, <b><u>Quito</u></b> School, Escuela <b><u>Quiteña</u></b>, <em>Virgin of <b><u>Quito</em></u></b>, <em>La Virgen de <b><u>Quito</em></u></b>, Real Audiencia de <b><u>Quito</u></b>, Royal Audience of <b><u>Quito</u></b>, Presidency of <b><u>Quito</u></b>, Presidencia de <b><u>Quito</u></b>, Kingdom of <b><u>Quito</u></b>, Reino de <b><u>Quito</u></b>, <b><u>Quitu</u></b> culture, <em>The New Lucian of <b><u>Quito</em></u></b>, or <em>El nuevo Luciano de <b><u>Quito</em></u></b>] (Bernardo de Legarda sculpted the <em>Virgin</em>.)
the <b><u>Anarchy</b></u>
<b><u><em>Theogony</b></u></em>
<b><u>index</b></u> of <b><u>refraction</b></u> [or <b><u>refractive index</b></u> or <b><u>IOR</b></u>; prompt on <u><em>n</u></em>]
<b><u>tyrant</u></b>s [or <b><u>tyrannos</u></b>; accept word forms like <b><u>tyranny</u></b> or <b><u>tyrannicide</u></b>; prompt on <u>king</u>s, <u>despot</u>s, <u>monarch</u>s, <u>dictator</u>s, <u>autocrat</u>s, or absolute <u>ruler</u>s; prompt on <u>unjust</u>, <u>wicked</u>, <u>evil</u>, or equivalents; reject other titles like “emperor”] (Strauss’s <em>On Tyranny</em> analyzes Xenophon’s dialogue <em>Hiero</em>.)
Josip Broz <b><u>Tito</b></u>
<b><u>canoe</u></b>s [prompt on <u>boat</u>s; reject “kayaks”]
Karol <b><u>Szymanowski</b></u>
<b><u>mirror</u></b>s
<b><u>wedge</u></b> sum [or <b><u>wedge</u></b> product; prompt on <u>sum</u>; prompt on <u>product</u>; reject “exterior product”]
<b><u><em>Cannibal Holocaust</b></u></em>
<b><u>colonization</b></u> of <b><u>Ireland</b></u> [or descriptions of the <b><u>colonization</b></u> of <b><u>Ireland</b></u> by the English, Scottish, Scots, or Protestants; accept <b><u>plantation</b></u> of <b><u>Ireland</b></u> until read; accept <b><u>granting land</b></u> in <b><u>Ireland</b></u>; accept <b><u>settlement</b></u> or equivalents in place of “settlement”; accept <b><u>Munster</b></u> or <b><u>Ulster</b></u> in place of “Ireland” until each is read; accept <b><u>Northern Ireland</b></u> in place of “Ireland”; reject “conquest of Ireland”]
“The <b><u>Uncanny</u></b>” [or “Das <b><u>Unheimliche</u></b>”] (The third sentence refers to “the double” and Otto Rank’s analysis of it.)
<b><u>Nahua</b></u>tl [accept <b><u>Nahuat</b></u> or <b><u>Nawat</b></u> or <b><u>Nahuan</b></u> languages; accept <b><u>Nāhua</b></u>tlahtōlli]
<b><u>tattoo</u></b>ing [or <b><u>body art</u></b>; or <b><u>dye</u></b>ing, <b><u>decorating</u></b>, or <b><u>paint</u></b>ing skin]
“<b><u>Modern Moral Philosophy</u></b>”
<b><u>Bambara</u></b> [or <b><u>Bamana</u></b>; accept Toni Cade <b><u>Bambara</u></b>]
<b><u>Coloman</u></b>, King of Hungary [or <b><u>Coloman</u></b> the Learned, the Book-Lover, or the Bookish; or Könyves <b><u>Kálmán</u></b>]
<b><u>variation</b></u>s [accept calculus of <b><u>variation</b></u>s or <b><u>variational</b></u> calculus; accept <b><u>variational</b></u> quantum eigensolver or <b><u>variational</b></u> method]
<b><u>Nicaragua</u></b> [or Republic of <b><u>Nicaragua</u></b> or República de <b><u>Nicaragua</u></b>]
Horatio <b><u>Nelson</u></b> [or Lord <b><u>Nelson</u></b>; or Horatio Nelson, 1st Viscount <b><u>Nelson</u></b>; or Duke of <b><u>Bronte</u></b>; accept <b><u>Nelson</u></b>’s Column, <b><u><em>Nelson</u></b>’s Ship in a Bottle</em>, <em>The Immortality of <b><u>Nelson</em></u></b>, Monument to Vice-Admiral Horatio <b><u>Nelson</u></b>, or <em>The Spiritual Form of <b><u>Nelson</u></b> Guiding Leviathan</em>]
<b><u>caste</u></b> discrimination [or <b><u>caste</u></b> system; accept <b><u>jajmani</u></b>, <b><u>jati</u></b>, <b><u>jadi</u></b>, or <b><u>varna</u></b>s in place of “caste”; accept descriptions of discrimination against <b><u>untouchable</u></b>s, <b><u>Harijan</u></b>s, “Other <b><u>Backward</u></b>s Classes,” “Educationally <b><u>Backward</u></b>s Classes,” or O<b><u>BC</u></b>s; accept discrimination against <b><u>Dalit</u></b>s until read; prompt on <u>affirmative action</u> by asking “to remedy what specific form of discrimination?”] (India’s “creamy layer” doctrine states that affirmative action programs must prevent overuse by the richest part of disadvantaged groups.)
<b><u>musical</u></b>s [or stage <b><u>musical</u></b>s; or <b><u>musical</u></b> theatre; accept <b><u>musical</u></b>s-within-a-musical; accept stage <b><u>revue</u></b>s; prompt on <u>play</u>s or <u>theatre</u> or <u>stage</u> works; prompt on <u>song</u>s by asking “for what larger works?”] (The song in the first sentence is “Franklin Shepard, Inc.” from <em>Merrily We Roll Along</em>.)
<b><u>291</u></b> [or Gallery <b><u>291</u></b>; accept <b><u>Photo-Secession</u></b> Gallery or Little Galleries of the <b><u>Photo-Secession</u></b>]
<b><u>Yoruba</b></u> mythology [or Ìran <b><u>Yorùbá</b></u>; or Ọmọ <b><u>Odùduwà</b></u>; or Ọmọ <b><u>Káàárọ̀-oòjíire</b></u>; accept <b><u>Isese</b></u>; accept <b><u>Edo</b></u> mythology or <b><u>Fon</b></u> mythology; accept <b><u>Santería</b></u> or <b><u>Candomblé</b></u>; prompt on <u>West African</u> mythology or <u>Nigerian</u> mythology by asking “which ethnic group?”] (Edo and Fon mythology are acceptable because of substantive overlaps in the content, so it can be considered one coherent myth system.)
<b><u>hang</u></b>ing [or <b><u>hang</u></b>ed; accept The <b><u>Hang</u></b>ed Man; prompt on public <u>execut</u>ion or being <u>execute</u>d or <u>lynch</u>ing or being <u>strung up</u> by asking “in what manner for which the card is named?”]
George <b><u>Crumb</u></b> [or George Henry <b><u>Crumb</u></b> Jr.] (That work is <em>Black Angels</em>.)
<b><u>Maurice</b></u> of Nassau [or <b><u>Maurice</b></u>, Prince of Nassau, <b><u>Maurice</b></u> of Orange, <b><u>Maurice</b></u>, Prince of Orange, or <b><u>Maurits</b></u> van Oranje; accept <b><u>Maurits</b></u> in place of “Maurice”]
<b><u>cycle</u></b>s [accept word forms such as <b><u>cyclic</u></b>; accept <b><u>circular</u></b> or <b><u>circuit</u></b>al or <b><u>loop</u></b>s]
fipple <b><u>flute</u></b> [or <b><u>whistle</u></b>; duct <b><u>flute</u></b>; or jive <b><u>flute</u></b>; accept lotus <b><u>flute</u></b>; accept piston <b><u>flute</u></b>; accept slide <b><u>whistle</u></b>; accept swanee <b><u>whistle</u></b>; accept tin <b><u>whistle</u></b>; accept penny <b><u>whistle</u></b>; accept Irish <b><u>whistle</u></b>; accept Scottish <b><u>whistle</u></b>; accept <b><u>recorder</u></b> or <b><u>flageolet</u></b> until read; prompt on <u>woodwind</u>s or <u>aerophone</u>s]
Roman <b><u>Catholic</u></b> Church [or <b><u>Catholic</u></b>ism] (The theologian in the first sentence is Jean-Marc Ela.)
<b><u>vibraphone</u></b> [accept <b><u>vibes</u></b>; accept <b><u>vibraharp</u></b>] (The musicians are Lionel Hampton and Milt Jackson.)
<b><u>Argos</u></b> (The two kings are Inachus and Danaus.)
<b><u>tent</u></b>s [or <b><u>house</u></b>s; accept <b><u><em>bayt</em></u></b>] (Asbāb and awtād are “pegs” and “cords,” respectively.)
<b><u>Strauss</u></b> [or Johann <b><u>Strauss</u></b> I; or Johann <b><u>Strauss</u></b> II; or Josef <b><u>Strauss</u></b>; or Eduard <b><u>Strauss</u></b>]
<b><u>corporation</u></b>s [or <b><u>corporate</u></b> persons; accept <b><u>corporate</u></b> free speech rights; accept piercing the <b><u>corporate</u></b> veil; prompt on <u>business</u>es or <u>firm</u>s or <u>companies</u> or <u>organization</u>s; prompt on legal or artificial <u>person</u>s] (Rehnquist’s dissent in <em>First National Bank of Boston v. Bellotti </em>questioned the doctrine of corporate personhood.)
<b><u>folate</u></b> [or <b><u>folic acid</u></b> or <b><u>vitamin B9</u></b> or <b><u>folacin</u></b>; accept <b><u>dihydrofolate</u></b> reductase or <b><u>tetrahydrofolate</u></b>; prompt on <u>DHF</u>R or <u>THF</u>]
<b><u>sudden enlightenment</u></b> [or <b><u>sudden awakening</u></b> or <b><u>dùnwù</u></b> or <b><u>tongo</u></b>; accept <b><u>subitism</u></b>; prompt on <u>enlightenment</u> or <u>awakening</u>]
<b><u>cybernetic</u></b>s [accept management <b><u>cybernetic</u></b>s] (The Ancient Greek word for “steersman” is <em>kybernetes</em>.)
<b><u>neume</u></b>s&nbsp;(“nyooms”) [accept <b><u>neumatic</u></b> notation]
<b><u>gastrointestinal stromal tumor</u></b>s [or <b><u>GIST</u></b>s] (DOG1 stands for “discovered-on-GIST-1.”)
CPU <b><u>instruction</u></b>s [accept x86 <b><u>instruction</u></b>s; accept <b><u>instruction</u></b> set architectures] (The five-stage system is the RISC pipeline.)
<b><u>electron microscopy</u></b> [or <b><u>EM</u></b>; accept cryogenic <b><u>electron microscopy</u></b> or cryo-<b><u>EM</u></b> or transmission <b><u>electron microscopy</u></b> or T<b><u>EM</u></b> or scanning <b><u>electron microscopy</u></b> or S<b><u>EM</u></b>; prompt on <u>microscopy</u>]
<b><u>ammonia</b></u> [or <b><u>NH3</b></u> until read; accept <b><u>ammonium</b></u> or <b><u>NH4+</b></u>] (The second sentence is about the comammox process of nitrification. DNRA is dissimilatory nitrate reduction to ammonium.)
<b><u>ribosomal RNA</b></u> [or <b><u>rRNA</b></u>; accept 16S <b><u>rRNA</b></u> or 18S <b><u>rRNA</b></u> or 5S <b><u>rRNA</b></u> or 5.8S <b><u>rRNA</b></u> or 23S <b><u>rRNA</b></u> or 28S <b><u>rRNA</b></u> or SSU <b><u>rRNA</b></u> or LSU <b><u>rRNA</b></u>; accept <b><u>small nuclear RNA</b></u> or <b><u>snRNA</b></u> until “Christmas” is read, but reject afterward; prompt on <u>RNA</u> or <u>ribonucleic acid</u>; prompt on <u>ribosome</u> or <u>small subunit</u> or <u>large subunit</u> by asking “what molecule is that made of?”]
<b><u><em>e-flux</b></u></em>
<b><u>Elam</u></b> [or <b><u>Elam</u></b>ites, <b><u>elam</u></b>tu, <b><u>Elymais</u></b>, <b><u>Haltamtip</u></b>, <b><u>Hatamti</u></b>, <b><u>ḫalatamti</u></b>, <b><u>NIM</u></b>, or <b><u>hūja</u></b>; accept <b><u>Awan</u></b>, <b><u>a-wa-an</u></b>, <b><u>Šimaški</u></b>, Proto-<b><u>Elam</u></b>ite, Linear <b><u>Elam</u></b>ite, or <b><u>Elam</u></b>ite cuneiform; accept <b><u>Susa</u></b>, <b><u>Susiana</u></b>, <b><u>Shush</u></b>a, <b><u>Šūšā</u></b>n, <b><u>Çūšā</u></b>, or <b><u>Sousiānḗ</u></b> until “Susa” is read; accept <b><u>Anshan</u></b> or <b><u>Anzan</u></b> until “Anshan” is read] (The BMAC was the Bactria-Margiana archaeological complex. Proto-Elamite may not actually be related to Linear Elamite.)
<b><u>hydrogenation</u></b> [or transfer <b><u>hydrogenation</u></b>; or asymmetric <b><u>hydrogenation</u></b>; prompt on hydrogen <u>transfer</u> before “transfer”; prompt on <u>reduction</u>; reject “dehydrogenation”]
Richard <b><u>Serra</b></u>
<b><u>reflection</u></b> [accept <b><u>reflection</u></b> coefficient or diffuse <b><u>reflection</u></b> or specular <b><u>reflection</u></b>]
Martin <b><u>Heidegger</u></b>’s <b><u>hut</u></b> [or <b><u>Die Hütte</u></b>; or equivalents of Martin <b><u>Heidegger</u></b>’s <b><u>chalet</u></b>, <b><u>cottage</u></b>, or <b><u>house</u></b>; prompt on <u>Todtnau</u>berg; prompt on <u>hut</u>, <u>chalet</u>, <u>cottage</u>, or <u>house</u>]
Jack <b><u>Halberstam</u></b> [or J. Jack <b><u>Halberstam</u></b>; accept Judith <b><u>Halberstam</u></b>, but inform the player that that is his deadname and he now goes by Jack] (His deadname is accepted because three of the four works mentioned here use only his deadname on the cover, and thus an innocent confusion on the part of a player is likely.)
<b><u>24</b></u>
<b><u>success</u></b> [accept <b><u>Success</u></b> Sequence; accept “The Catastrophe of <b><u>Success</u></b>”; accept “dizzy with <b><u>success</u></b>” or “dizzy from <b><u>success</u></b>”; accept <b><u><em>uspekh</em></u></b>; prompt on descriptive answers such as <u>escape</u> from child <u>poverty</u> by asking “what specific term for that outcome?”]
Giovanni Battista <b><u>Pergolesi</u></b> (“jo-VAHN-nee baht-TEES-tah pair-go-LAY-zee”)
<b><u>value-added</u></b> models [or <b><u>value-added</u></b> measurement, <b><u>value-added</u></b> analysis, or <b><u>value-added</u></b> assessment]
Mark <b><u>Granovetter</b></u>
<b><u>Bronzeville</u></b>, Chicago [accept “A <b><u>Bronzeville</u></b> Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon.”; accept <em>A Street in <b><u>Bronzeville</em></u></b>]
military <b><u>base</u></b> camp [or Army <b><u>base</u></b> camp; or naval <b><u>base</u></b>; or Marine <b><u>base</u></b>; or Air Force <b><u>base</u></b>; or Coast Guard <b><u>base</u></b>]
the <b><u>Intended</u></b> [accept descriptions of <b><u>Kurtz’s fiancée</u></b> or <b><u>betrothed</u></b>; reject “Kurtz’s wife”]
<b><u>Vanuatu</b></u> [or <b><u>New Hebrides</b></u>]
<em>A <b><u>Subtlety</u></b> </em>[accept <em>the</em> <b><u><em>Marvelous Sugar Baby</em></u></b>; or <em>A <b><u>Subtlety</u></b>, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant</em>]
<b><u>Yi</u></b> Sang [or <b><u>H</u></b>aegyeong <b><u>Kim</u></b>; prompt on <u>Kim</u>]
<b><u>phosphorylation</u></b> [accept word forms; prompt on <u>kinase</u> activity before “kinase” is read]
<b><u>astronomical</u></b> phenomena [accept <b><u>sky</u></b>; accept <b><u>Sun</u></b>; accept <b><u>Moon</u></b>; accept <b><u>star</u></b>s; accept <b><u>Pleiades</u></b>; accept clear equivalents such as <b><u>celestial</u></b> bodies; accept Nebra <b><u>sky</u></b> disc]
<b><u>brooch</u></b>es (“broaches”) [or <b><u>clasp</u></b>s; prompt on <u>fibula</u>e or <u>fibula</u>s; prompt on <u>clamp</u>s or <u>pin</u>s or <u>clip</u>s or <u>fastener</u>s]
Battle of <b><u>Chickamauga</b></u>
electric <b><u>susceptibility</u></b> [accept electric <b><u>susceptibility</u></b> tensor; prompt on <u><em>chi</u>-sub-e</em>; reject “magnetic susceptibility”; reject “magnetic susceptibility tensor”]
<b><u>Pergamon</u></b> [or <b><u>Pergamum</u></b>; accept <b><u>Pergamene</u></b> Kingdom; accept <b><u>Attalid</u></b> kingdom until read]
<b><u>varroa</u></b>&nbsp;(“vuh-ROH-uh”) mite [or <b><u><em>Varroa</u></b> destructor</em>]
<b><u>Hawaiian</u></b> language [or ‘Ōlelo <b><u>Hawai‘i</u></b>] (The word in the first sentence is <em>kaona</em>. The genre is Holehole bushi. The song is “Aloha ‘Oe.”)
protein <b><u>fold</u></b>ing [prompt on descriptions of forming the tertiary <u>structure</u> of a <u>protein</u>]
James C. <b><u>Scott</u></b> [or James Campbell <b><u>Scott</u></b>]
Thomas <b><u>Carlyle</u></b> (The novel is <em>Sartor Resartus</em>.)
<b><u>tree</u></b>s [accept <b><u>pine</u></b>s, <b><u>sequoia</u></b>s, <b><u>evergreen</u></b>s, or <b><u>conifer</u></b>s; accept <b><u><em>Pines</u></b> of Rome</em> or <b><u><em>Pini</u></b> di Roma</em>; accept <em>Rain <b><u>Tree</em></u></b> or <em>Ame no <b><u>ki</em></u></b>; accept <em>Rain <b><u>Tree</u></b> Sketch II</em> or <em>Ame no <b><u>ki</u></b> sobyō II</em>; prompt on <u>plant</u>s]
<b><u>delay</u></b> [or tape <b><u>delay</u></b> or <b><u>delay</u></b> line; accept <b><u>delay</u></b> pedal or <b><u>delay</u></b> unit; prompt on <u>loop</u>ing, <u>feedback</u>, <u>echo</u>, or automatic <u>double-tracking</u> or <u>doubling</u>; reject “decay”]