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NOTES & QUESTIONS |
1. |
Involuntary Public Figures. After losing his privacy suit against the |
New Yorker, Sidis sued it for libel for the false information in the story. |
Among his charges, he claimed that a reader of the article would think |
that he was a reprehensible character, disloyal to his country, a |
loathsome and filthy person in personal habits, suffered a mental |
breakdown, and was a fool, who lived in misery and poverty. The New |
Yorker settled this case out of court for a small amount of money, which |
Wallace estimates in her biography of Sidis at between $500 and $600. |
Sidis suffered from high blood pressure, and, approximately three |
months after receiving the settlement from the New Yorker, on July 17, |
1944, he died from a cerebral hemorrhage and pneumonia. He was 46 |
years old and had $652.81 in his bank account. |
The life of William Sidis illustrates a man profoundly disturbed by |
being thrust by his parents into the limelight as a child and by the |
media hounding him. He tried to spend his adult life fleeing from being |
the focus of any public attention. If he had been an involuntary public |
figure in the past, should this affect whether he should be able to retreat |
from the public eye in the future? Does it matter that he became a |
public figure as a child, that is, that he did not voluntarily choose this |
status as an adult? |
The Sidis case suggests the principle that once one is a public figure, |
one is always a public figure. Can people who were once famous ever |
retreat into obscurity? |
2. |
Who Was J.L. Manley? What Did He Try to Convey in His Article? |
The Sidis article was written by a “J.L. Manley.” In a biography of |
James Thurber, the famous American humorist, Burton Bernstein |
reveals that Thurber used Jared L. Manley as a pseudonym.4 Under this |
signature, Thurber wrote 24 profiles of onetime celebrities, including |
the Sidis piece. All pieces were based on the research of other reporters |
at the New Yorker, including the unnamed reporter who actually |
interviewed Sidis. |
In Thurber’s own account of his time at the New Yorker, he faulted |
the Sidis court on one matter: “[N]owhere was there any indication of |
what I thought had stood out all through my story, implicit though it |
was — my feeling that the piece would help to curb the great American |
thrusting of talented children into the glare of fame or notoriety, a |
procedure in so many cases disastrous to the later career and happiness |
of the exploited youngsters.”5 |
3. |
J.D. Salinger’s Letters. In 1998, Joyce Maynard wrote an |
autobiography, At Home in the World, that describes her romance with |
J.D. Salinger in the 1970s. J.D. Salinger, an acclaimed author who |
wrote The Catcher in the Rye, had long ago completely retreated from |
public life and adopted a highly secluded existence in New Hampshire. |
In 1999, Maynard auctioned the letters J.D. Salinger wrote to her. She |
received $156,500 for the letters from the auction at Sotheby’s. CNN |
reported at that time, “California philanthropist Peter Norton, who |
bought the letters, said he plans to return them to Salinger.” Should |
Salinger have a right to privacy in the disclosure of the letters? |
Copyright law does create a copyright interest in unpublished letters — |
which prevents not only the publication of the entire contents of the |
letters, but a paraphrase of the letters that is too close to the actual text |
of the letters. See Salinger v. Random House, Inc., 811 F.2d 90 (2d Cir. |
1987). Should privacy law provide Salinger with the right to sue over |
the writing of Maynard’s book? |
4. |
Girls Gone Wild. A company markets videotapes of young college |
women at spring break or Mardi Gras flashing and undressing. The |
women, often intoxicated, reveal their nudity in public and give their |
permission to use the video footage on the company’s videotapes, |
which are called “Girls Gone Wild.” Later on, when sober, some of the |
women regret their decision to be in the video. Have they waived all |
privacy rights to their nude images on the video if they sign a consent |
form? Or should they be entitled to have some time to reconsider? |
Should they not be able to sign away these rights even when sober? |
Others have sued claiming that they were just filmed in public without |
signing a consent form. Do they have a valid privacy claim even when |
they exposed themselves in public? |
5. |
Privacy Inalienability. Do we care whether or not Sidis knew he was |
talking to a reporter as opposed to a new neighbor? Can we assume that |
anyone who talks to a reporter has abandoned a privacy interest in the |
information that she shares with the journalist? More broadly, to what |
extent should privacy interests be tradable, waiveable, or otherwise |
alienable?6 |
6. |
Googleization. The Internet makes the preservation and dissemination |
of information much easier. Information about a person can be easily |
discovered by “Googling” them. Google will pull up dozens, |
sometimes hundreds of thousands, of information fragments about a |
person. It is becoming increasingly difficult for people to hide their |
personal information, which once would fade into obscurity but is now |
preserved forever on the Internet. Youthful indiscretions become |
permanent baggage. Consider the plight of one Michael, who was |
briefly imprisoned as a minor. The information comes up on a Google |
search, and Michael finds that it is inhibiting his ability to date, since |
many of the women he dates inquire about his time in prison. They |
have obviously Googled him: |
“When you meet someone,” Michael says, “you don’t say, ‘I had an affair one time,’ or ‘I |
was arrested for DUI once,’ or ‘I cheated on my taxes in 1984.’ ”... [W]hat Michael finds |
most disturbing are the sudden silences. “Instead of thinking, ‘Was I curt last week?’ or |
‘Did I insult this political party or that belief?’ I have to think about what happened when |
I was 17.”7 |
Is Sidis’s claim to privacy quaint by today’s standards? How do we |
protect privacy in a post-Google world? |
7. |
The Star Wars Kid and the Numa Numa Dance. An overweight, |
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