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Featuring a pig named Napoleon! Who wrote 'Animal Farm? | Work : Summaries & Interpretations : Animal Farm // George Orwell // www.k-1.com/Orwell
Symbolism / Interpretation
Summary
The story takes place on a farm somewhere in England. The story is told by an all-knowing narrator in the third person. The action of this novel starts when the oldest pig on the farm, Old Major, calls all animals to a secret meeting. He tells them about his dream of a revolution against the cruel Mr Jones. Three days later Major dies, but the speech gives the more intelligent animals a new outlook on life. The pigs, who are considered the most intelligent animals, instruct the other ones. During the period of preparation two pigs distinguish themselves, Napoleon and Snowball. Napoleon is big, and although he isn't a good speaker, he can assert himself. Snowball is a better speaker, he has a lot of ideas and he is very vivid. Together with another pig called Squealer, who is a very good speaker, they work out the theory of "Animalism". The rebellion starts some months later, when Mr Jones comes home drunk one night and forgets to feed the animals. They break out of the barns and run to the house, where the food is stored. When Mr Jones sees this he takes out his shotgun, but it is too late for him; all the animals fall over him and drive him off the farm. The animals destroy all whips, nose rings, reins, and all other instruments that have been used to suppress them. The same day the animals celebrate their victory with an extra ration of food. The pigs make up the seven commandments, and they write them above the door of the big barn.
They run thus:
Whatever goes upon two legs is an enemy.
Whatever goes upon four legs, or has wings is a friend.
No animal shall wear clothes.
No animal shall sleep in a bed.
No animal shall drink alcohol.
No animal shall kill another animal.
All animals are equal.
The animals also agree that no animal shall ever enter the farmhouse, and that no animal shall have contact with humans. This commandments are summarised in the simple phrase: "Four legs good, two legs bad". After some time, Jones comes back with some other men from the village to recapture the farm. The animals fight bravely, and they manage to defend the farm. Snowball and Boxer receive medals of honour for defending the farm so bravely. Also Napoleon, who had not fought at all, takes a medal. This is the reason why the two pigs, Snowball and Napoleon, often argue. When Snowball presents his idea to build a windmill, to produce electricity for the other animals, Napoleon calls nine strong dogs. The dogs drive Snowball from the farm, and Napoleon explains that Snowball was in fact co-operating with Mr Jones. He also explains that Snowball in reality never had a medal of honour, that Snowball was always trying to cover up that he was fighting on the side of Mr Jones. The animals then start building the windmill, and as time passes the working-time goes up, whereas the food rations decline. Although the "common" animals have not enough food, the pigs grow fatter and fatter. They tell the other animals that they need more food, for they are managing the whole farm. Some time later, the pigs explain to the other animals that they have to trade with the neighbouring farms. The common animals are very upset, because since the revolution there has been a resolution that no animal shall trade with a human. But the pigs ensure them that there never has been such a resolution, and that this was an evil lie of Snowball. Shortly after this decision the pigs move to the farmhouse. The other animals remember that there is a commandment that forbids sleeping in beds, and so they go to the big barn to look at the commandments. When they arrive there they can't believe their eyes, the fourth commandment has been changed to: "No animal shall sleep in bed with sheets". And the other commandments have also been changed: "No animal shall kill another animal without reason", and "No animal shall drink alcohol in excess". Some months later a heavy storm destroys the windmill, which is nearly finished. Napoleon accuses Snowball of destroying the mill, and he promises a reward to the animal that gets Snowball. The rebuilding of the mill takes two years. Again Jones attacks the farm, and although the animals defend it, the windmill is once again destroyed. The pigs decide to rebuild the mill again, and they cut down the food rations to a minimum. One day Boxer breaks down. He is sold to a butcher, but Napoleon tells the pigs that Boxer has been brought to a hospital where he has died. Three years later, the mill is finally completed. During this time Napoleon deepens the relations with the neighbouring farm, and one day Napoleon even invites the owners of this farm for an inspection. They sit inside the farmhouse and celebrate the efficiency of his farm, where the animals work very hard with a minimum of food. During this celebration, all the other animals meet at the window of the farm, and when they look inside they can't distinguish between man and animal.
Symbolism/Interpretation
The novel Animal Farm is a satire of the Russian revolution, and therefore full of symbolism. Generally, Orwell associates certain real characters with the characters of the book. Here is a list of the characters and things and their meaning:
Mr Jones: Mr Jones is one of Orwell's major (or at least most obvious) villain in Animal Farm. Orwell says that at one time Jones was actually a decent master to his animals. At this time the farm was thriving. But in recent years the farm had fallen on harder times and the opportunity was seen to revolt. The world-wide depression began in the United States when the stock market crashed in October of 1929. The depression spread throughout the world because American exports were so dependent on Europe. The U.S. was also a major contributor to the world market economy. Germany along with the rest of Europe was especially hard hit. The parallels between crop failure of the farm and the depression in the 1930s are clear. Only the leaders and the die-hard followers ate their fill during this time period. Mr Jones symbolises (in addition to the evils of capitalism) Czar Nicholas II, the leader before Stalin (Napoleon). Jones represents the old government, the last of the Czars. Orwell suggests that Jones was losing his "edge". In fact, he and his men had taken up the habit of drinking. Old Major reveals his feelings about Jones and his administration when he says, "Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving and the rest he keeps for himself." So Jones and the old government are successfully uprooted by the animals. Little do they know history will repeat itself with Napoleon and the pigs.
Old Major: Old Major is the first major character described by Orwell in Animal Farm. This "pure-bred" of pigs is the kind, grandfatherly philosopher of change - an obvious metaphor for Karl Marx. Old Major proposes a solution to the animals� desperate plight under the Jones "administration" when he inspires a rebellion of sorts among the animals. Of course the actual time of the revolt is untold. It could be the next day or several generations down the road. But Old Major's philosophy is only an ideal. After his death, three days after the barn-yard speech, the socialism he professes is drastically altered when Napoleon and the other pigs begin to dominate. It's interesting that Orwell does not mention Napoleon or Snowball at any time during the great speech of old Major. This shows how distant and out-of-touch they really were; the ideals Old Major proclaimed seemed to not even have been considered when they were establishing their new government after the successful revolt. It almost seems as though the pigs fed off old Major's inspiration and then used it to benefit themselves (an interesting twist of capitalism) instead of following through on the old Major's honest proposal. This could be Orwell's attempt to dig Stalin, whom many consider to be someone who totally ignored Marx's political and social theory. Using Old Major's apparent naivety, Orwell concludes that no society is perfect, no pure socialist civilisation can exist, and there is no way to escaping the evil grasp of capitalism. (More on this in the Napoleon section.) Unfortunately, when Napoleon and Squealer take over, old Major becomes more and more a distant fragment of the past in the minds of the farm animals.
Napoleon: Napoleon is Orwell's chief villain in Animal Farm. The name Napoleon is very appropriate since Napoleon, the dictator of France, was thought by many to be the Anti-Christ. Napoleon, the pig, is really the central character on the farm. Obviously a metaphor for Stalin, Comrade Napoleon represents the human frailties of any revolution. Orwell believed that although socialism is good as an ideal, it can never be successfully adopted due the to uncontrollable sins of human nature. For example, although Napoleon seems at first to be a good leader, he is eventually overcome by greed and soon becomes power-hungry. Of course, Stalin did, too, in Russia, leaving the original equality of socialism behind, giving himself all the power and living in luxury while the common peasant suffered. Thus, while his national and international status blossomed, the welfare of Russia remained unchanged. Orwell explains, "Somehow it seemed as though the farm had grown richer without making the animals themselves any richer--except, of course for the pigs and the dogs." The true side of Napoleon becomes evident after he slaughters so many animals for plotting against him. He even hires a pig to sample his food for him to make certain that no one is trying to poison him. Stalin, too, was a cruel dictator in Russia. After suspecting many people in his empire to be supporters of Trotsky (Orwell's Snowball), Stalin systematically murdered many. At the end of the book, Napoleon doesn't even pretend to lead a socialist state. After renaming it a Republic and instituting his own version of the commandments and the Beasts of England, Comrade Napoleon quickly becomes more or less a dictator who of course has never even been elected by the animals.
Squealer: Squealer is an intriguing character in Orwell's Animal Farm. He's first described as a manipulator and persuader. Orwell narrates, "He could turn black into white." Many critics correlate Squealer with the Pravda, the Russian newspaper of the 1930s. Propaganda was a key to many publications, and since there was no television or radio, the newspaper was the primary source of media information. So the monopoly of the Pravda was seized by Stalin and his new Bolshevik regime. In Animal Farm, Squealer, like the newspaper, is the link between Napoleon and other animals. When Squealer masks the evil intentions of the pigs, the intentions can be carried out with little resistance and without political disarray. Squealer is also thought by some to represent Goebbels, who was the minister of propaganda for Germany. This would seem inconsistent with Orwell's satire, however, which was supposed to metaphor characters in Russia.
Snowball: Orwell describes Snowball as a pig very similar to Napoleon at least in the early stages. Both pigs wanted a leadership position in the "new" economic and political system (which is actually contradictory to the whole supposed system of equality). But as time passes, both eventually realise that one of them will have to step down. Orwell says that the two were always arguing. "Snowball and Napoleon were by far the most active in the debates. But it was noticed that these two were never in agreement: whatever suggestion either of them made, the other could be counted to oppose it." Later, Orwell makes the case stronger. "These two disagreed at every point disagreement was possible." Soon the differences, like whether or not to build a windmill, become too great to deal with, so Napoleon decides that Snowball must be eliminated. It might seem that this was a spontaneous reaction, but a careful look tells otherwise. Napoleon was setting the stage for his own domination long before he really began "dishing it out" to Snowball. For example, he took the puppies away from their mothers in an effort to establish a private police force. These dogs would later be used to eliminate Snowball, his arch-rival. Snowball represents Leo Dawidowitsch Trotsky, the arch-rival of Stalin in Russia. The parallels between Trotsky and Snowball are uncanny. Trotsky too, was exiled, not from the farm, but to Mexico, where he spoke out against Stalin. Stalin was very weary of Trotsky and feared that Trotsky supporters might try to assassinate him. The dictator of Russia tried hard to kill Trotsky, for the fear of losing leadership was very great in the crazy man's mind. Trotsky also believed in communism, but he thought he could run Russia better than Stalin. Trotsky was murdered in Mexico by the Russian internal police, the NKVD - the precursor of the KGB. Trotsky was found with a pick axe in his head at his villa in Mexico.
Boxer: The name Boxer is cleverly used by Orwell as a metaphor for the Boxer Rebellion in China in the early twentieth century. It was this rebellion which signalled the beginning of communism in red China. This form of communism, much like the distorted Stalin view of socialism, is still present today in the oppressive socialist government in China. Boxer and Clover are used by Orwell to represent the proletariat, or unskilled labour class in Russian society. This lower class is naturally drawn to Stalin (Napoleon) because it seems as though they will benefit most from his new system. Since Boxer and the other low animals are not accustomed to the "good life," they can't really compare Napoleon's government with the life they had before under the czars (Jones). Also, since usually the lowest class has the lowest intelligence, it is not difficult to persuade them into thinking they are getting a good deal. The proletariat is also quite good at convincing themselves that communism is a good idea. Orwell supports this contention when he narrates, "Their most faithful disciples were the two carthorses, Boxer and Clover. Those two had great difficulty in thinking anything out for themselves, but having once accepted the pigs as their teachers, they absorbed everything that they were told, and passed it on to the other animals by simple arguments." Later, the importance of the proletariat is shown when Boxer suddenly falls and there is suddenly a drastic decrease in work productivity. But still he is taken for granted by the pigs, who send him away in a glue truck. Truly Boxer is the biggest poster-child for gullibility.
Pigs: Orwell uses the pigs to surround and support Napoleon. They symbolise the communist party loyalists and the friends of Stalin, as well as perhaps the Duma, or Russian parliament. The pigs, unlike other animals, live in luxury and enjoy the benefits of the society they help to control. The inequality and true hypocrisy of communism is expressed here by Orwell, who criticised Marx's oversimplified view of a socialist, "utopian" society. Obviously, George Orwell doesn't believe such a society can exist. Toward the end of the book, Orwell emphasises, "Somehow it seemed as though the farm had grown richer without making the animals themselves any richer except, of course, the pigs and the dogs."
Dogs: Orwell uses the dogs in his book, Animal Farm, to represent the KGB or perhaps more accurately, the bodyguards of Stalin. The dogs are the arch-defenders of Napoleon and the pigs, and although they don't speak, they are definitely a force the other animals have to reckon with. Orwell almost speaks of the dogs as mindless robots, so dedicated to Napoleon that they can't really speak for themselves. This contention is supported as Orwell describes Napoleon's early and suspicious removal of six puppies from their mother. The reader is left in the dark for a while, but is later enlightened when Orwell describes the chase of Snowball. Napoleon uses his "secret dogs" for the first time here; before Snowball has a chance to stand up and give a counter-argument to Napoleon's disapproval of the windmill, the dogs viciously attack the pig, forcing him to flee, never to return again. Orwell narrates, "Silent and terrified, the animals crept back into the barn. In a moment the dogs came bounding back. At first no one had been able to imagine where these creatures came from, but the problem was soon solved: they were the puppies whom Napoleon had taken away from their mothers and reared privately. Though not yet full-grown, they were huge dogs, and as fierce-looking as wolves. They kept close to Napoleon. It was noticed that they wagged their tails to him in the same way as the other dogs had been used to do to Mr Jones." The use of the dogs begins the evil use of force which helps Napoleon maintain power. Later, the dogs do even more dastardly things when they are instructed to kill the animals labelled "disloyal." Stalin, too, had his own special force of "helpers". Really there are followers loyal to any politician or government leader, but Stalin in particular needed a special police force to eliminate his opponents. This is how Trotsky was killed.
Mollie: Mollie is one of Orwell's minor characters, but she represents something very important. Mollie is one of the animals who is most opposed to the new government under Napoleon. She doesn't care much about the politics of the whole situation; she just wants to tie her hair with ribbons and eat sugar, things her social status won't allow. Many animals consider her a traitor when she is seen being petted by a human from a neighbouring farm. Soon Mollie is confronted by the "dedicated" animals, and she quietly leaves the farm. Mollie characterises the typical middle-class skilled worker who suffers from this new communism concept. No longer will she get her sugar (nice salary) because she is now just as low as the other animals, like Boxer and Clover. Orwell uses Mollie to characterise the people after any rebellion who aren't too receptive to new leaders and new economics. There are always those resistant to change. This continues to dispel the belief Orwell hated and according to which basically all animals act the same. The naivety of Marxism is criticised, socialism is not perfect, and it doesn't work for everyone.
Moses: Moses is perhaps Orwell's most intriguing character in Animal Farm. This raven, first described as the "especial pet" of Mr Jones, is the only animal who doesn't work. He's also the only character who doesn't listen to Old Major's speech of rebellion. Orwell narrates, "The pigs had an even harder struggle to counteract the lies put about by Moses, the tame raven. Moses, who was Mr Jones's especial pet, was a spy and a tale-bearer, but he was also a clever talker. He claimed to know of the existence of a mysterious country called Sugarcandy Mountain, to which all animals went when they died. It was situated somewhere up in the sky, a little distance beyond the clouds, Moses said. In Sugarcandy Mountain it was Sunday seven days a week, clover was in season all the year round, and lump sugar and linseed cake grew on the hedges. The animals hated Moses because he told tales and did no work but some of them believed in Sugarcandy Mountain, and the pigs had to argue very hard to persuade them that there was no such place." Moses represents Orwell's view of the Church. To Orwell, the Church is just used as a tool by dictatorships to keep the working class of people hopeful and productive. Orwell uses Moses to criticize Marx's belief that the Church will just go away after the rebellion. Jones first used Moses to keep the animals working, and he was successful in many ways before the rebellion. The pigs had a real hard time getting rid of Moses, since the lies about Heaven they thought would only lead the animals away from the equality of socialism. But as the pigs led by Napoleon become more and more like Mr Jones, Moses finds his place again. After being away for several years, he suddenly returns and picks up right where he left off. The pigs don't mind this time because the animals have already realised that the "equality" of the revolt is a farce. So Napoleon feeds Moses with beer, and the full circle is complete. Orwell seems to offer a very cynical and harsh view of the Church. This proves that Animal Farm is not simply an anti-communist work meant to lead people into capitalism and Christianity. Really Orwell found loop-holes and much hypocrisy in both systems. It's interesting that recently in Russia the government has begun to allow and support religion again. It almost seems that like the pigs, the Kremlin officials of today are trying to keep their people motivated, not in the ideology of communism, but in the "old-fashioned" hope of an after-life.
Muriel: Muriel is a knowledgeable goat who reads the commandments for Clover. Muriel represents the minority of working class people who are educated enough to decide things for themselves and find critical and hypocritical problems with their leaders. Unfortunately for the other animals, Muriel is not charismatic or inspired enough to take action and oppose Napoleon and his pigs.
Old Benjamin: Old Benjamin, an elderly donkey, is one of Orwell's most elusive and intriguing characters on Animal Farm. He is described as rather unchanged since the rebellion. He still does his work the same way, never becoming too excited or too disappointed about anything that has passed. Benjamin explains, "Donkeys live a long time. None of you has ever seen a dead donkey." Although there is no clear metaphoric relationship between Benjamin and Orwell's critique of communism, it makes sense that during any rebellion there are those who never totally embrace the revolution, those so cynical they no longer look to their leaders for help. Benjamin symbolises the older generation, the critics of any new rebellion. Really this old donkey is the only animal who seems as though he couldn't care less about Napoleon and Animal Farm. It's almost as if he can see into the future, knowing that the revolt is only a temporary change, and will flop in the end. Benjamin is the only animal who doesn't seem to have expected anything positive from the revolution. He almost seems on a whole different maturity level compared with the other animals. He is not sucked in by Napoleon's propaganda like the others. The only time he seems to care about the others at all is when Boxer is carried off in the glue truck. It's almost as if the old donkey finally comes out of his shell, his perfectly fitted demeanour, when he tries to warn the others of Boxer's fate. And the animals do try to rescue Boxer, but it's too late. Benjamin seems to be finally confronting Napoleon and revealing his knowledge of the pigs' hypocrisy, although before he had been completely independent. After the animals have forgotten Jones and their past lives, Benjamin still remembers everything. Orwell states, "Only old Benjamin professed to remember every detail of his long life and to know that things never had been, nor ever could be much better or much worse; hunger, hardship, and disappointment being, so he said, the unalterable law of life."
Rats & Rabbits: The rats and the rabbits, who are regarded as wild animals, somehow represent the socialist movement, the so-called "Menscheviki". In the very beginning of the book the animals vote if rats and rabbits should be comrades.
Pigeons: The pigeons symbolise Soviet propaganda, not to Russia, but to other countries, like Germany, England, France, and even the United States. Russia had created an iron curtain even before WWII. The Communist government raved about its achievements and its advanced technology, but it never allowed experts or scientists from outside the country to check on its validity. Orwell mentions the fact that the other farmers became suspicious and worried when their animals began to sing Beasts of England. Many Western governments have had similar problems with their people in this century. There was a huge "Red Scare" in the United States in the 1920s. In the 1950s in the United States, Joseph McCarthy was a legislative member of the government from Wisconsin. He accused hundreds of people of supporting the communist regime, from famous actors in Hollywood to middle-class ordinary people. The fear of communism became a phobia in America and anyone speaking out against the government was a suspect.
Farm buildings: The farm stands for the Kremlin. In the early days of the USSR there were sightseeing tours through the Kremlin. Later it became the residence of Stalin.
Windmill: The Windmill for example stands for the Russian industry, that has been built by the working-class. (Clover...)
Fredericks: Stands for Hitler. There has also been an arrangement and secret deals. (Allusion to Fritz.)
Foxwood: Foxwood farm represents England.
Pinchfield: Pinchfield symbolises Germany.
Destruction of the Windmill: This destruction is a symbol for the failure of the Five Year Plan.
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| George Orwell |
Name the 1972 musical starring David Essex as Jesus Christ? | Work : Summaries & Interpretations : Animal Farm // George Orwell // www.k-1.com/Orwell
Symbolism / Interpretation
Summary
The story takes place on a farm somewhere in England. The story is told by an all-knowing narrator in the third person. The action of this novel starts when the oldest pig on the farm, Old Major, calls all animals to a secret meeting. He tells them about his dream of a revolution against the cruel Mr Jones. Three days later Major dies, but the speech gives the more intelligent animals a new outlook on life. The pigs, who are considered the most intelligent animals, instruct the other ones. During the period of preparation two pigs distinguish themselves, Napoleon and Snowball. Napoleon is big, and although he isn't a good speaker, he can assert himself. Snowball is a better speaker, he has a lot of ideas and he is very vivid. Together with another pig called Squealer, who is a very good speaker, they work out the theory of "Animalism". The rebellion starts some months later, when Mr Jones comes home drunk one night and forgets to feed the animals. They break out of the barns and run to the house, where the food is stored. When Mr Jones sees this he takes out his shotgun, but it is too late for him; all the animals fall over him and drive him off the farm. The animals destroy all whips, nose rings, reins, and all other instruments that have been used to suppress them. The same day the animals celebrate their victory with an extra ration of food. The pigs make up the seven commandments, and they write them above the door of the big barn.
They run thus:
Whatever goes upon two legs is an enemy.
Whatever goes upon four legs, or has wings is a friend.
No animal shall wear clothes.
No animal shall sleep in a bed.
No animal shall drink alcohol.
No animal shall kill another animal.
All animals are equal.
The animals also agree that no animal shall ever enter the farmhouse, and that no animal shall have contact with humans. This commandments are summarised in the simple phrase: "Four legs good, two legs bad". After some time, Jones comes back with some other men from the village to recapture the farm. The animals fight bravely, and they manage to defend the farm. Snowball and Boxer receive medals of honour for defending the farm so bravely. Also Napoleon, who had not fought at all, takes a medal. This is the reason why the two pigs, Snowball and Napoleon, often argue. When Snowball presents his idea to build a windmill, to produce electricity for the other animals, Napoleon calls nine strong dogs. The dogs drive Snowball from the farm, and Napoleon explains that Snowball was in fact co-operating with Mr Jones. He also explains that Snowball in reality never had a medal of honour, that Snowball was always trying to cover up that he was fighting on the side of Mr Jones. The animals then start building the windmill, and as time passes the working-time goes up, whereas the food rations decline. Although the "common" animals have not enough food, the pigs grow fatter and fatter. They tell the other animals that they need more food, for they are managing the whole farm. Some time later, the pigs explain to the other animals that they have to trade with the neighbouring farms. The common animals are very upset, because since the revolution there has been a resolution that no animal shall trade with a human. But the pigs ensure them that there never has been such a resolution, and that this was an evil lie of Snowball. Shortly after this decision the pigs move to the farmhouse. The other animals remember that there is a commandment that forbids sleeping in beds, and so they go to the big barn to look at the commandments. When they arrive there they can't believe their eyes, the fourth commandment has been changed to: "No animal shall sleep in bed with sheets". And the other commandments have also been changed: "No animal shall kill another animal without reason", and "No animal shall drink alcohol in excess". Some months later a heavy storm destroys the windmill, which is nearly finished. Napoleon accuses Snowball of destroying the mill, and he promises a reward to the animal that gets Snowball. The rebuilding of the mill takes two years. Again Jones attacks the farm, and although the animals defend it, the windmill is once again destroyed. The pigs decide to rebuild the mill again, and they cut down the food rations to a minimum. One day Boxer breaks down. He is sold to a butcher, but Napoleon tells the pigs that Boxer has been brought to a hospital where he has died. Three years later, the mill is finally completed. During this time Napoleon deepens the relations with the neighbouring farm, and one day Napoleon even invites the owners of this farm for an inspection. They sit inside the farmhouse and celebrate the efficiency of his farm, where the animals work very hard with a minimum of food. During this celebration, all the other animals meet at the window of the farm, and when they look inside they can't distinguish between man and animal.
Symbolism/Interpretation
The novel Animal Farm is a satire of the Russian revolution, and therefore full of symbolism. Generally, Orwell associates certain real characters with the characters of the book. Here is a list of the characters and things and their meaning:
Mr Jones: Mr Jones is one of Orwell's major (or at least most obvious) villain in Animal Farm. Orwell says that at one time Jones was actually a decent master to his animals. At this time the farm was thriving. But in recent years the farm had fallen on harder times and the opportunity was seen to revolt. The world-wide depression began in the United States when the stock market crashed in October of 1929. The depression spread throughout the world because American exports were so dependent on Europe. The U.S. was also a major contributor to the world market economy. Germany along with the rest of Europe was especially hard hit. The parallels between crop failure of the farm and the depression in the 1930s are clear. Only the leaders and the die-hard followers ate their fill during this time period. Mr Jones symbolises (in addition to the evils of capitalism) Czar Nicholas II, the leader before Stalin (Napoleon). Jones represents the old government, the last of the Czars. Orwell suggests that Jones was losing his "edge". In fact, he and his men had taken up the habit of drinking. Old Major reveals his feelings about Jones and his administration when he says, "Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals. He sets them to work, he gives back to them the bare minimum that will prevent them from starving and the rest he keeps for himself." So Jones and the old government are successfully uprooted by the animals. Little do they know history will repeat itself with Napoleon and the pigs.
Old Major: Old Major is the first major character described by Orwell in Animal Farm. This "pure-bred" of pigs is the kind, grandfatherly philosopher of change - an obvious metaphor for Karl Marx. Old Major proposes a solution to the animals� desperate plight under the Jones "administration" when he inspires a rebellion of sorts among the animals. Of course the actual time of the revolt is untold. It could be the next day or several generations down the road. But Old Major's philosophy is only an ideal. After his death, three days after the barn-yard speech, the socialism he professes is drastically altered when Napoleon and the other pigs begin to dominate. It's interesting that Orwell does not mention Napoleon or Snowball at any time during the great speech of old Major. This shows how distant and out-of-touch they really were; the ideals Old Major proclaimed seemed to not even have been considered when they were establishing their new government after the successful revolt. It almost seems as though the pigs fed off old Major's inspiration and then used it to benefit themselves (an interesting twist of capitalism) instead of following through on the old Major's honest proposal. This could be Orwell's attempt to dig Stalin, whom many consider to be someone who totally ignored Marx's political and social theory. Using Old Major's apparent naivety, Orwell concludes that no society is perfect, no pure socialist civilisation can exist, and there is no way to escaping the evil grasp of capitalism. (More on this in the Napoleon section.) Unfortunately, when Napoleon and Squealer take over, old Major becomes more and more a distant fragment of the past in the minds of the farm animals.
Napoleon: Napoleon is Orwell's chief villain in Animal Farm. The name Napoleon is very appropriate since Napoleon, the dictator of France, was thought by many to be the Anti-Christ. Napoleon, the pig, is really the central character on the farm. Obviously a metaphor for Stalin, Comrade Napoleon represents the human frailties of any revolution. Orwell believed that although socialism is good as an ideal, it can never be successfully adopted due the to uncontrollable sins of human nature. For example, although Napoleon seems at first to be a good leader, he is eventually overcome by greed and soon becomes power-hungry. Of course, Stalin did, too, in Russia, leaving the original equality of socialism behind, giving himself all the power and living in luxury while the common peasant suffered. Thus, while his national and international status blossomed, the welfare of Russia remained unchanged. Orwell explains, "Somehow it seemed as though the farm had grown richer without making the animals themselves any richer--except, of course for the pigs and the dogs." The true side of Napoleon becomes evident after he slaughters so many animals for plotting against him. He even hires a pig to sample his food for him to make certain that no one is trying to poison him. Stalin, too, was a cruel dictator in Russia. After suspecting many people in his empire to be supporters of Trotsky (Orwell's Snowball), Stalin systematically murdered many. At the end of the book, Napoleon doesn't even pretend to lead a socialist state. After renaming it a Republic and instituting his own version of the commandments and the Beasts of England, Comrade Napoleon quickly becomes more or less a dictator who of course has never even been elected by the animals.
Squealer: Squealer is an intriguing character in Orwell's Animal Farm. He's first described as a manipulator and persuader. Orwell narrates, "He could turn black into white." Many critics correlate Squealer with the Pravda, the Russian newspaper of the 1930s. Propaganda was a key to many publications, and since there was no television or radio, the newspaper was the primary source of media information. So the monopoly of the Pravda was seized by Stalin and his new Bolshevik regime. In Animal Farm, Squealer, like the newspaper, is the link between Napoleon and other animals. When Squealer masks the evil intentions of the pigs, the intentions can be carried out with little resistance and without political disarray. Squealer is also thought by some to represent Goebbels, who was the minister of propaganda for Germany. This would seem inconsistent with Orwell's satire, however, which was supposed to metaphor characters in Russia.
Snowball: Orwell describes Snowball as a pig very similar to Napoleon at least in the early stages. Both pigs wanted a leadership position in the "new" economic and political system (which is actually contradictory to the whole supposed system of equality). But as time passes, both eventually realise that one of them will have to step down. Orwell says that the two were always arguing. "Snowball and Napoleon were by far the most active in the debates. But it was noticed that these two were never in agreement: whatever suggestion either of them made, the other could be counted to oppose it." Later, Orwell makes the case stronger. "These two disagreed at every point disagreement was possible." Soon the differences, like whether or not to build a windmill, become too great to deal with, so Napoleon decides that Snowball must be eliminated. It might seem that this was a spontaneous reaction, but a careful look tells otherwise. Napoleon was setting the stage for his own domination long before he really began "dishing it out" to Snowball. For example, he took the puppies away from their mothers in an effort to establish a private police force. These dogs would later be used to eliminate Snowball, his arch-rival. Snowball represents Leo Dawidowitsch Trotsky, the arch-rival of Stalin in Russia. The parallels between Trotsky and Snowball are uncanny. Trotsky too, was exiled, not from the farm, but to Mexico, where he spoke out against Stalin. Stalin was very weary of Trotsky and feared that Trotsky supporters might try to assassinate him. The dictator of Russia tried hard to kill Trotsky, for the fear of losing leadership was very great in the crazy man's mind. Trotsky also believed in communism, but he thought he could run Russia better than Stalin. Trotsky was murdered in Mexico by the Russian internal police, the NKVD - the precursor of the KGB. Trotsky was found with a pick axe in his head at his villa in Mexico.
Boxer: The name Boxer is cleverly used by Orwell as a metaphor for the Boxer Rebellion in China in the early twentieth century. It was this rebellion which signalled the beginning of communism in red China. This form of communism, much like the distorted Stalin view of socialism, is still present today in the oppressive socialist government in China. Boxer and Clover are used by Orwell to represent the proletariat, or unskilled labour class in Russian society. This lower class is naturally drawn to Stalin (Napoleon) because it seems as though they will benefit most from his new system. Since Boxer and the other low animals are not accustomed to the "good life," they can't really compare Napoleon's government with the life they had before under the czars (Jones). Also, since usually the lowest class has the lowest intelligence, it is not difficult to persuade them into thinking they are getting a good deal. The proletariat is also quite good at convincing themselves that communism is a good idea. Orwell supports this contention when he narrates, "Their most faithful disciples were the two carthorses, Boxer and Clover. Those two had great difficulty in thinking anything out for themselves, but having once accepted the pigs as their teachers, they absorbed everything that they were told, and passed it on to the other animals by simple arguments." Later, the importance of the proletariat is shown when Boxer suddenly falls and there is suddenly a drastic decrease in work productivity. But still he is taken for granted by the pigs, who send him away in a glue truck. Truly Boxer is the biggest poster-child for gullibility.
Pigs: Orwell uses the pigs to surround and support Napoleon. They symbolise the communist party loyalists and the friends of Stalin, as well as perhaps the Duma, or Russian parliament. The pigs, unlike other animals, live in luxury and enjoy the benefits of the society they help to control. The inequality and true hypocrisy of communism is expressed here by Orwell, who criticised Marx's oversimplified view of a socialist, "utopian" society. Obviously, George Orwell doesn't believe such a society can exist. Toward the end of the book, Orwell emphasises, "Somehow it seemed as though the farm had grown richer without making the animals themselves any richer except, of course, the pigs and the dogs."
Dogs: Orwell uses the dogs in his book, Animal Farm, to represent the KGB or perhaps more accurately, the bodyguards of Stalin. The dogs are the arch-defenders of Napoleon and the pigs, and although they don't speak, they are definitely a force the other animals have to reckon with. Orwell almost speaks of the dogs as mindless robots, so dedicated to Napoleon that they can't really speak for themselves. This contention is supported as Orwell describes Napoleon's early and suspicious removal of six puppies from their mother. The reader is left in the dark for a while, but is later enlightened when Orwell describes the chase of Snowball. Napoleon uses his "secret dogs" for the first time here; before Snowball has a chance to stand up and give a counter-argument to Napoleon's disapproval of the windmill, the dogs viciously attack the pig, forcing him to flee, never to return again. Orwell narrates, "Silent and terrified, the animals crept back into the barn. In a moment the dogs came bounding back. At first no one had been able to imagine where these creatures came from, but the problem was soon solved: they were the puppies whom Napoleon had taken away from their mothers and reared privately. Though not yet full-grown, they were huge dogs, and as fierce-looking as wolves. They kept close to Napoleon. It was noticed that they wagged their tails to him in the same way as the other dogs had been used to do to Mr Jones." The use of the dogs begins the evil use of force which helps Napoleon maintain power. Later, the dogs do even more dastardly things when they are instructed to kill the animals labelled "disloyal." Stalin, too, had his own special force of "helpers". Really there are followers loyal to any politician or government leader, but Stalin in particular needed a special police force to eliminate his opponents. This is how Trotsky was killed.
Mollie: Mollie is one of Orwell's minor characters, but she represents something very important. Mollie is one of the animals who is most opposed to the new government under Napoleon. She doesn't care much about the politics of the whole situation; she just wants to tie her hair with ribbons and eat sugar, things her social status won't allow. Many animals consider her a traitor when she is seen being petted by a human from a neighbouring farm. Soon Mollie is confronted by the "dedicated" animals, and she quietly leaves the farm. Mollie characterises the typical middle-class skilled worker who suffers from this new communism concept. No longer will she get her sugar (nice salary) because she is now just as low as the other animals, like Boxer and Clover. Orwell uses Mollie to characterise the people after any rebellion who aren't too receptive to new leaders and new economics. There are always those resistant to change. This continues to dispel the belief Orwell hated and according to which basically all animals act the same. The naivety of Marxism is criticised, socialism is not perfect, and it doesn't work for everyone.
Moses: Moses is perhaps Orwell's most intriguing character in Animal Farm. This raven, first described as the "especial pet" of Mr Jones, is the only animal who doesn't work. He's also the only character who doesn't listen to Old Major's speech of rebellion. Orwell narrates, "The pigs had an even harder struggle to counteract the lies put about by Moses, the tame raven. Moses, who was Mr Jones's especial pet, was a spy and a tale-bearer, but he was also a clever talker. He claimed to know of the existence of a mysterious country called Sugarcandy Mountain, to which all animals went when they died. It was situated somewhere up in the sky, a little distance beyond the clouds, Moses said. In Sugarcandy Mountain it was Sunday seven days a week, clover was in season all the year round, and lump sugar and linseed cake grew on the hedges. The animals hated Moses because he told tales and did no work but some of them believed in Sugarcandy Mountain, and the pigs had to argue very hard to persuade them that there was no such place." Moses represents Orwell's view of the Church. To Orwell, the Church is just used as a tool by dictatorships to keep the working class of people hopeful and productive. Orwell uses Moses to criticize Marx's belief that the Church will just go away after the rebellion. Jones first used Moses to keep the animals working, and he was successful in many ways before the rebellion. The pigs had a real hard time getting rid of Moses, since the lies about Heaven they thought would only lead the animals away from the equality of socialism. But as the pigs led by Napoleon become more and more like Mr Jones, Moses finds his place again. After being away for several years, he suddenly returns and picks up right where he left off. The pigs don't mind this time because the animals have already realised that the "equality" of the revolt is a farce. So Napoleon feeds Moses with beer, and the full circle is complete. Orwell seems to offer a very cynical and harsh view of the Church. This proves that Animal Farm is not simply an anti-communist work meant to lead people into capitalism and Christianity. Really Orwell found loop-holes and much hypocrisy in both systems. It's interesting that recently in Russia the government has begun to allow and support religion again. It almost seems that like the pigs, the Kremlin officials of today are trying to keep their people motivated, not in the ideology of communism, but in the "old-fashioned" hope of an after-life.
Muriel: Muriel is a knowledgeable goat who reads the commandments for Clover. Muriel represents the minority of working class people who are educated enough to decide things for themselves and find critical and hypocritical problems with their leaders. Unfortunately for the other animals, Muriel is not charismatic or inspired enough to take action and oppose Napoleon and his pigs.
Old Benjamin: Old Benjamin, an elderly donkey, is one of Orwell's most elusive and intriguing characters on Animal Farm. He is described as rather unchanged since the rebellion. He still does his work the same way, never becoming too excited or too disappointed about anything that has passed. Benjamin explains, "Donkeys live a long time. None of you has ever seen a dead donkey." Although there is no clear metaphoric relationship between Benjamin and Orwell's critique of communism, it makes sense that during any rebellion there are those who never totally embrace the revolution, those so cynical they no longer look to their leaders for help. Benjamin symbolises the older generation, the critics of any new rebellion. Really this old donkey is the only animal who seems as though he couldn't care less about Napoleon and Animal Farm. It's almost as if he can see into the future, knowing that the revolt is only a temporary change, and will flop in the end. Benjamin is the only animal who doesn't seem to have expected anything positive from the revolution. He almost seems on a whole different maturity level compared with the other animals. He is not sucked in by Napoleon's propaganda like the others. The only time he seems to care about the others at all is when Boxer is carried off in the glue truck. It's almost as if the old donkey finally comes out of his shell, his perfectly fitted demeanour, when he tries to warn the others of Boxer's fate. And the animals do try to rescue Boxer, but it's too late. Benjamin seems to be finally confronting Napoleon and revealing his knowledge of the pigs' hypocrisy, although before he had been completely independent. After the animals have forgotten Jones and their past lives, Benjamin still remembers everything. Orwell states, "Only old Benjamin professed to remember every detail of his long life and to know that things never had been, nor ever could be much better or much worse; hunger, hardship, and disappointment being, so he said, the unalterable law of life."
Rats & Rabbits: The rats and the rabbits, who are regarded as wild animals, somehow represent the socialist movement, the so-called "Menscheviki". In the very beginning of the book the animals vote if rats and rabbits should be comrades.
Pigeons: The pigeons symbolise Soviet propaganda, not to Russia, but to other countries, like Germany, England, France, and even the United States. Russia had created an iron curtain even before WWII. The Communist government raved about its achievements and its advanced technology, but it never allowed experts or scientists from outside the country to check on its validity. Orwell mentions the fact that the other farmers became suspicious and worried when their animals began to sing Beasts of England. Many Western governments have had similar problems with their people in this century. There was a huge "Red Scare" in the United States in the 1920s. In the 1950s in the United States, Joseph McCarthy was a legislative member of the government from Wisconsin. He accused hundreds of people of supporting the communist regime, from famous actors in Hollywood to middle-class ordinary people. The fear of communism became a phobia in America and anyone speaking out against the government was a suspect.
Farm buildings: The farm stands for the Kremlin. In the early days of the USSR there were sightseeing tours through the Kremlin. Later it became the residence of Stalin.
Windmill: The Windmill for example stands for the Russian industry, that has been built by the working-class. (Clover...)
Fredericks: Stands for Hitler. There has also been an arrangement and secret deals. (Allusion to Fritz.)
Foxwood: Foxwood farm represents England.
Pinchfield: Pinchfield symbolises Germany.
Destruction of the Windmill: This destruction is a symbol for the failure of the Five Year Plan.
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Who starred in the 1933 comedy satire film 'Duck Soup'? | Duck Soup (1933)
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Background
The Marx Brothers' greatest and funniest masterpiece - the classic comedy Duck Soup (1933) is a short, but brilliant satire and lampooning of blundering dictatorial leaders, Fascism and authoritarian government. The film, produced by Herman Mankiewicz, was prepared during the crisis period of the Depression. Some of its clever gags and routines were taken from Groucho's and Chico's early 1930s radio show Flywheel, Shyster & Flywheel. Working titles for the film included Oo La La, Firecrackers, Grasshoppers, and Cracked Ice.
It was the Marx Brothers' fifth film in a five-picture contract with Paramount Studios, before they went on to MGM. It was their last and best film with the studio. The film was directed by first-class veteran director Leo McCarey (who would go on to direct The Awful Truth (1937) , Love Affair (1939), Going My Way (1944), and An Affair to Remember (1957) - a remake of his 1939 film), and its screenplay was written by Bert Kalmar and Harry Ruby (with additional dialogue by Arthur Sheekman and Nat Perrin). Originally, it was to have been directed by Ernst Lubitsch. The film was devoid of any Academy Award nominations.
The outrageous film was both a critical and commercial failure at the time of its release - audiences were taken aback by such preposterous political disrespect, buffoonery and cynicism at a time of political and economic crisis, with Roosevelt's struggle against Depression in the US amidst the rising power of Hitler in Germany. (This film quote, spoken by Groucho, was especially detested: "And remember while you're out there risking life and limb through shot and shell, we'll be in here thinking what a sucker you are.") Insulted by the film, fascist Italian dictator Mussolini banned the film in his country. Fortunately, the film was rediscovered by a generation of 1960s college students, and by revival film festivals and museum showings. As a result, the film has attained immortal status. This was the last of the Marx Brothers films to feature all four of the brothers. Their next film (without Zeppo), for MGM and its producer Irving Thalberg, Hollywood's most prestigious studio, was their landmark film A Night at the Opera (1935) , with a more developed and polished plot-line.
The irrepressible comedians in this quintessential anarchic, satirical film simply but irreverently attack the pomposity of small-time governmental leaders (Firefly as President), the absurdity of government itself (the Cabinet meeting scene), governmental diplomacy (the Trentino-Firefly scenes), an arbitrary legal system (Chicolini's trial), and war fought over petty matters (the mobilization and war scenes). The non-stop, frenetic film is filled with a number of delightfully hilarious moments, gags, fast-moving acts, double entendres, comedy routines, puns, pure silliness, zany improvisations, quips and insult-spewed lines of dialogue - much of the comedy makes the obvious statement that war is indeed nonsensical and meaninglessly destructive, especially since the word 'upstart' was the insult word (Ambassador Trentino called Firefly an 'upstart') that led to war between the two countries. It also contains a few of their most famous sequences:
the lemonade seller confrontation
the mirror pantomime sequence
The mirror routine, contributed by McCarey, had been used by Charlie Chaplin in The Floorwalker (1916) and by Max Linder in Seven Year's Bad Luck (1921). It was later replicated in a Bugs Bunny cartoon, re-enacted by Harpo with Lucille Ball on a 1950's "I Love Lucy" show episode, and also appeared as part of the opening credits for the 60s TV series "The Patty Duke Show". Actor/director Woody Allen paid homage to the film in his Hannah and Her Sisters (1986) - with an excerpt from the musical number "The Country's Going to War." While attending an afternoon screening of Duck Soup at his local repertory movie theater, one of the film's characters - a depressed and neurotic NY Jew named Mickey Sachs (played by Allen himself), who is afraid of disease and dying - experiences a climactic epiphany that life was meant to be enjoyed, by narrating: "And I started to feel how can you even think of killing yourself? I mean, isn't it so stupid?..."
Unlike many of their other features, there are no romantic subplots (with Zeppo) and no musical interludes that stop the film's momentum - no harp solos for Harpo and no piano solos for Chico. There are, however, a couple of musical numbers that are perfectly integrated into the plot:
When the Clock on the Wall Strikes Ten
Groucho's song with the chorus - the Freedonia Hymn Just Wait 'Til I Get Through With It
the staged production number, The Country's Goin' to War (it was the only musical number in any of their films to feature all four of the brothers together)
Why the title Duck Soup? [Earlier in 1927, director Leo McCarey had made a two-reel Laurel and Hardy film with the same title - and he borrowed the title from there.] The film's title uses a familiar American phrase that means anything simple or easy, or alternately, a gullible sucker or pushover. Under the opening credits, four quacking ducks (the four Marx Brothers) are seen swimming and cooking in a kettle over a fire. Groucho reportedly provided the following recipe to explain the title: "Take two turkeys, one goose, four cabbages, but no duck, and mix them together. After one taste, you'll duck soup for the rest of your life."
The Story
The film opens with the flag of Freedonia (emblazoned with an "F") flying over the small village. The government of a "mythical kingdom" - the Balkan state of Freedonia, is suffering an emergency. It has gone bankrupt through mismanagement and is on the verge of revolution. The country's richest dowager millionairess, the wide and widowed benefactress Mrs. Gloria Teasdale (Margaret Dumont in a welcome return as the perfect foil for Groucho) has offered $20 million to sponsor and support the cash-poor government, but only if it is placed under new leadership:
The government has been mismanaged. I will lend the money, but only on condition that His Excellency withdraw and place the government in new hands.
The opening scene is the classic inaugural ceremony and lawn party for the conferring of the Presidency of the tin-pot republic to a newly-appointed leader, Rufus T. Firefly (Groucho Marx), characterized by a supportive Mrs. Teasdale as "a progressive, fearless fighter." She vows: "I will lend the money to Freedonia only if Firefly is appointed leader." Headlines in the Freedonia Gazette read: "FIREFLY APPOINTED NEW LEADER OF FREEDONIA." A sub-article reads: "Mammoth Reception Arranged to Welcome Nation's Leader Tonight - Selection of Rufus T. Firefly Greeted with Cheers of Freedonians."
In the coronation setting (a spoof of all such gala events), royal court guards at the entry announce the guests. Meanwhile, the representative of the neighboring Sylvania [the name of the country where Jeanette MacDonald ruled in Ernst Lubitsch's The Love Parade (1929)], Ambassador and rival suitor Trentino (Louis Calhern), schemes to win Mrs. Teasdale's hand in marriage by wooing the rich heiress (with the ultimate goal of annexing Freedonia to Sylvania). He has hired the seductive, sultry, and sinuous Latin temptress/dancer Vera Marcal (Raquel Torres), who wears a low-cut, revealing gown, to function as a secret agent and keep Firefly distracted [in a satire of all Mata Hari films]:
Trentino: I've given up the idea of a revolution. I have a better plan...I can gain control of Freedonia much easier by marrying Mrs. Teasdale.
Vera: Ha, ha, ha. Maybe that's not going to be so easy...From what I hear, you see, Mrs. Teasdale is rather sweet on this Rufus T. Firefly.
Trentino: Oh, well that's where you come in. I'm going to place him in your hands. And I don't have to tell you what to do or how to...
Firefly's secretary Bob Rolland (Zeppo Marx, in his LAST Marx Bros. film) arrives and assures Mrs. Teasdale, in song, that the absent statesman will appear "When the Clock on the Wall Strikes Ten." When the clock on the wall does strike ten, pretty dancing girls scatter rose petals and kneel in homage between an impressive lineup of helmeted, sword-bearing guards along the entrance way with swords uplifted. The assembled audience sings the national anthem "Hail, Hail Freedonia," but Firefly isn't anywhere in sight. After a long pause and a trumpeters' fanfare, the anthem is sung a second time and all the guests look toward the entrance, but Firefly still fails to enter.
Suddenly, in an upstairs bedroom, the ringing of an alarm clock is heard, and Firefly appears in bed with a nightshirt, nightcap, and cigar. He quickly removes his nightshirt to reveal a suit, and slides down an unlikely fireman's pole into the spacious ballroom hall. He takes his place in the line-up with his own honor guard at the end of the ceremonial line, joining them to wait for his own arrival and holding out his cigar with their swords. He asks one of the guards: "You expecting somebody?"
Mrs. Teasdale notices him and welcomes him (with understatement), and attempts to impose some degree of dignity upon the proceedings, but he assaults her with insults by skipping from non-sequitur association to another:
Mrs. Teasdale: Oh, your Excellency. We've been expecting you. As chairwoman of the reception committee, I extend the wishes of every man, woman, and child of Freedonia. [Notice the continuity error: Firefly's coat has changed from a formal black tuxedo coat with tails, to a gray coat with black edging.]
Firefly: Never mind that stuff. Take a card.
Mrs. Teasdale: Card? What will I do with the card?
Firefly: You can keep it. I've got fifty-one left. Now what were you saying?
Mrs. Teasdale: As chairwoman of the reception committee, I welcome you with open arms.
Firefly (snapping back): Is that so? How late do you stay open?
Mrs. Teasdale (with high regard): I've sponsored your appointment because I feel you are the most able statesman in all Freedonia.
Firefly (insulting her): Well, that covers a lot of ground. Say! You cover a lot of ground yourself. You'd better beat it. I hear they're gonna tear you down and put up an office building where you're standing. You can leave in a taxi. If you can't get a taxi, you can leave in a huff. If that's too soon, you can leave in a minute and a huff. You know, you haven't stopped talking since I came here. You must have been vaccinated with a phonograph needle.
She begs him to lead Freedonia to the same heights it occupied when her late husband Chester V. Teasdale was President: "The future of Freedonia rests on you. Promise me you will follow in the footsteps of my husband." Firefly looks straight into the camera, and in his first major line rudely insults his most ardent supporter:
How do you like that? I haven't been on the job five minutes and already she's making advances to me.
Then he engages the widowed Mrs. Teasdale in an insult-ridden conversation, but quickly covers up his insults and shamelessly flirts with her when he realizes she is a widow with money:
Firefly: Not that I care, but where is your husband?
Mrs. Teasdale: Why, he's dead.
Firefly: I'll bet he's just using that as an excuse.
Mrs. Teasdale: I was with him to the very end.
Firefly: Hmmph. No wonder he passed away.
Mrs. Teasdale: I held him in my arms and kissed him.
Firefly: Oh, I see. Then, it was murder. Will you marry me? Did he leave you any money? Answer the second question first.
Mrs. Teasdale: He left me his entire fortune.
Firefly: Is that so? Can't you see what I'm trying to tell you? I love you.
Mrs. Teasdale: Oh, your Excellency!
Firefly: You're not so bad yourself.
[Firefly's coat reverts back to the black tuxedo here.] When Firefly is introduced to the sleek, impeccably tailored Trentino, Ambassador from rival Sylvania, he immediately insults him a few times, calling him an "old skinflint":
Mrs. Teasdale: Oh, I want to present to you Ambassador Trentino of Sylvania. Having him with us today is indeed a great pleasure.
Trentino: Thank you, but I can't stay very long.
Firefly: That's even a greater pleasure. Now, how about lending this country $20,000,000 dollars, you old skinflint.
Trentino: $20,000,000 dollars is a lot of money. I'd have to take that up with my Minister of Finance.
Firefly: Well, in the meantime, could you let me have $12 dollars until payday?
Trentino: $12 dollars?
Firefly: Don't be scared. You'll get it back. I'll give you my personal note for 90 days. If it isn't paid by then, you can keep the note.
Trentino: Your Excellency? Haven't we seen each other somewhere before?
Firefly: I don't think so. I'm not sure I'm seeing you now. It must be something I ate.
Trentino (insulted): Look here Sir, are you trying to...?
Firefly: Don't look now, but there's one man too many in this room, and I think it's you.
Then, the new Freedonian President meets a "very charming lady," the seductive "famous dancer" Vera, still wearing a slinky evening gown displaying her bosom. Overwhelmed by her appearance, he shows off a number of his own ridiculous dance steps: "I danced before Napoleon. No, Napoleon danced before me. In fact, he danced two hundred years before me." When she seductively suggests dancing with him some time later, he tells her:
I could dance with you till the cows come home. On second thought, I'd rather dance with the cows when you came home.
Firefly dictates a letter to his dentist in the middle of the inauguration. Mrs. Teasdale congratulates him on his coronation and sovereignty: "The eyes of the world are upon you. Notables from every country are gathered here in your honor. This is a gala day for you." He replies: "Well, a gal a day is enough for me. I don't think I could handle any more."
In the song and dance number, "Just Wait 'Til I Get Through With It," Firefly specifies the rules and program planned for his preposterous administration. He threatens, as a repressive, dictatorial ruler, to abuse his power, to be rude, obnoxious, irresponsible, insulting, cynical, and power-mad, ruining the country. [The last verse featured a dirty joke and managed to evade the censors.] Between verses, he plays a "Yankee Doodle" fife and dances around among the guests:
These are the laws of my administration
No one's allowed to smoke
Or tell a dirty joke
And whistling is forbidden...
| Marx Brothers |
What character was played by Gary Cooper in 'High Noon'? | List of Comedy Classics - Greatest Comedy Films of All Time
Classic Movies Expert
By Shawn Dwyer
Whether sophisticated in manner or of the slapstick variety, there's always a classic comedy for any taste. The counterpoint to drama, comedies have always been with us no matter what the medium and they always will be. Sometimes they're absurd, other times bitingly satirical, but all are designed to make us laugh. Here are just a few of the very best classic comedies ever made.
Paramount Pictures
1. ‘Duck Soup’ – 1933
An absurd farce starring the Marx Brothers, Duck Soup has long been considered one of the greatest comedies ever made despite opening to mixed reviews and being a box office disappointment. The film featured Groucho as the newly appointed leader of the fictional country of Freedonia who is beset by burgeoning war with neighboring Sylvania and two spies (Chico and Harpo) trying to dig up dirt on the new regime. Hilarious from start to finish, Duck Soup features many memorable gags including the famed mirror scene, where Groucho and Harpo mimic each other’s exact movements, and Groucho changing uniforms in the final battle scene. Duck Soup was notable for being the last film with Zeppo – who went on to become a successful mechanical engineer and theater agent – and the last Marx Brothers production with Paramount Pictures.
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Sony Pictures Home Entertainment
2. ‘It Happened One Night’ – 1934
One of the great screwball comedies of all time and the first movie to win all five major Academy Awards, It Happened One Night has remained as fun to watch today as it did almost 80 years ago. Its starred Claudette Colbert as a runaway heiress who escapes potential marriage to a playboy and heads for New York by bus. She meets a down-and-out reporter (Clark Gable) who recognizes her and thinks he has the story of the year. They bicker and argue through one mishap after another until both fall in love. Cracking with sharp dialogue and unrelenting energy, It Happened One Night swept the Academy Awards with wins for Best Actor , Best Actress , Best Director , and Best Picture .
Turner Home Entertainment
3. ‘Bringing Up Baby’ – 1938
Another great screwball comedy, Bringing Up Baby featured two exceptional performances from stars Katharine Hepburn and Cary Grant . Hepburn starred as a free-spirited heiress who lures a stuffed-shirt paleontologist (Grant) to her home, only to trigger one hilarious mishap after another when a dog steals a valuable dinosaur bone. But the true fun begins when a leopard escapes a local zoo, which has the unintended consequence of bringing the diametrically opposed couple together. Wildly fun and full of crackling wit, Bringing Up Baby has to be placed near the top of the list of all time best comedies thanks to razor sharp performances from Hepburn and Grant, as well as deft direction from Howard Hawks . The film also marked the first of five classic collaborations between Hawks and Grant.
Warner Bros. Home Entertainment
4. ‘To Be or Not to Be’ – 1942
A rare political satire from the master of the sophisticated comedy, Ernst Lubitsch , To Be or Not to Be has been hailed as the director’s greatest film and certainly ranks high on the list of most underappreciated films. The movie starred Carole Lombard opposite Jack Benny, both of whom played a husband and wife team who perform anti-Nazi plays, only to find themselves impersonating them after the Nazis invade Poland. A creative mix of satire, comedy, and thriller, To Be or Not to Be was not a hit with audiences in 1942 due to moviegoers looking for escape from, not political commentary on the war. The film has since risen in stature, thanks in part to Lombard’s untimely death in a plane crash before its release.
5. ‘Some Like It Hot’ – 1959
Of all the films made by the great Billy Wilder, Some Like It Hot has often been named as one of his best. It starred Jack Lemmon and Tony Curtis as two Chicago jazz musicians who witness the famed St. Valentine’s Day Massacre, and go on the run from the mob in high heels and dresses. On their way to Florida, the make the acquaintance of a curvy blonde named Sugar (Marilyn Monroe) who’s trying to rid her life of booze and saxophone players. Naturally, both become smitten and clamor for her amorous attention. Despite its stature as one of the best comedies ever made – it’s No. 1 on the American Film Institute’s list of 100 Laughs – Some Like It Hot was overlooked for a Best Picture nomination in 1959, making it one of the most glaring snubs of all time.
Sony Pictures
6. ‘Dr. Strangelove’ – 1964
Made during the height of the Cold War, Dr. Strangelove was a brilliant satire that featured star Peter Sellers delivering one of the great multi-character performances . Directed by Stanley Kubrick , the film skewered the rather insane foreign policy of mutually assured destruction while playing on our fears of nuclear annihilation for laughs. After a psychotic American general (Sterling Hayden) obsessed with bodily fluids launches a fleet of nuclear bombers to attack the Soviet Union, a bookish president (Sellers), a xenophobic general (George C. Scott), a conniving Russian ambassador (Peter Bull), and the wheelchair-bound Dr. Strangelove himself (Sellers), hide out in an underground war room while trying to stop the bombs from being dropped. Meanwhile, a British attaché (Sellers again) tries in vain to prevent the psychotic general from making the situation worse. Featuring one hilarious sequence after another, Dr. Strangelove perfectly captured the fear and paranoia of the Cold War, and has lived on as one of the greatest satires ever made.
Warner Bros.
7. ‘Blazing Saddles’ – 1974
Yes, it’s vulgar and riddled with racial humor, but there’s no denying that Mel Brooks ’ spoof Western has remained one of the best comedies to emerge from the counterculture 1970s. Blazing Saddles starred Brooks favorite Gene Wilder as The Waco Kid, a drunken gunslinger who helps a black sheriff (Cleavon Little) protect a racist populace from a railroad trying to take over their town. The motley pair go up against the conniving Headley Lamarr (Harvey Korman), who tries to stir the populace into lynching the new sheriff. In satirizing both racism and the myths of the Old West, Brooks made a daring film that rankled some for its crude humor, but has been elevated by fans and historians as a comedy classic.
MGM Home Entertainment
8. ‘Annie Hall’ – 1977
Undoubtedly director Woody Allen’s best film, Annie Hall was a masterful blend of romantic comedy, slapstick, and sophisticated comedy of manners that defined a generation and won four Academy Awards, including Best Picture and Best Director . The film starred Allen at his neurotic best playing Alvy Singer, a Jewish comedy writer who woos the equally crazed Annie Hall (Diane Keaton). The two make quite a pair, as they navigate their growing romance amidst musings on philosophy, film, therapy, and Los Angeles. Brilliant beyond words, Annie Hall only gets better with repeat viewings, which is why it has remained near the top of just about anyone’s list for all-time best comedies.
Sony Pictures
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Which TV interviewer wrote 'Cricket Mad' and 'Football Daft'? | Michael Parkinson | Celebrity Net Worth
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Sir Michael Parkinson, CBE is an English broadcaster, journalist and author. He is best known for presenting his long-running television talk show, Parkinson, from 1971 to 1982 and from 1998 to 2007, as well as other talk shows and programmes both in the UK and internationally. He is also known as a...
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: Parky, The king of chat, Sir Michael Parkinson, The great British talkshow host, Sir Michael Parkinson, CBE
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Which playwright did Marilyn Monroe marry? | Michael Parkinson | Celebrity Net Worth
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Sir Michael Parkinson, CBE is an English broadcaster, journalist and author. He is best known for presenting his long-running television talk show, Parkinson, from 1971 to 1982 and from 1998 to 2007, as well as other talk shows and programmes both in the UK and internationally. He is also known as a...
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In which country will you find the Churchill; Pearce; Nelson and Mackenzie rivers? | What are 10 major rivers in Canada? | Reference.com
What are 10 major rivers in Canada?
A:
Quick Answer
Ten major rivers in Canada are the St. Lawrence, Columbia, Fraser, Mackenzie, Yukon, Saskatchewan, Nelson, Slave, Peace and Churchill Rivers. These rivers span the entire country, with two flowing through the United States as well.
Full Answer
The St. Lawrence River forms part of the border with the United States in the eastern portions of Canada. It connects the Great Lakes with the Atlantic Ocean. This river is approximately 1,900 miles long.
The Columbia River starts in the Canadian Rockies and travels down across the border of the United States to the Pacific Ocean. It is about 1,100 miles long, and travels through two mountain systems before flowing into the ocean. It is fast and provides hydroelectric power to the region.
The Mackenzie River is the longest river in Canada, and when combined with head streams, including the Peace River and the Slave River, is the second longest river system in North America. This river flows north to the Arctic Ocean. The river system is frozen for much of year, thawing only from May until October.
The Yukon River lies half in Canada, half in Alaska. During the gold rush in the late 1800s, this river was the main source of transportation for people and gold. Over 1,200 miles long, it also is frozen for a portion of the year.
The Saskatchewan River is about 340 miles long. It flows into Lake Winnipeg and is the main watershed for much of central Canada. It provides power through several hydroelectric plants built along its length.
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