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{"datasets_id": 2380, "wiki_id": "Q5735029", "sp": 12, "sc": 22, "ep": 16, "ec": 74} | 2,380 | Q5735029 | 12 | 22 | 16 | 74 | Herbert Menzies Marshall | Cricket career & Art career | who played mostly for Cambridge University, he made 15 appearances in first-class matches. He played for the Gentlemen in the Gentlemen v Players series in 1861 and 1862. His highest score was 76 not out, out of a team total of 151, for Cambridge University in the annual match against Oxford University in 1861. According to his Wisden obituary, he "was generally considered the best long stop of his day", his fielding to the "tremendously fast bowling" of his Cambridge team-mate Robert Lang being exceptional. Art career Marshall exhibited in London at the Royal Academy, Fine Art Society, Royal |
{"datasets_id": 2380, "wiki_id": "Q5735029", "sp": 16, "sc": 74, "ep": 16, "ec": 490} | 2,380 | Q5735029 | 16 | 74 | 16 | 490 | Herbert Menzies Marshall | Art career | Watercolour Society and elsewhere. He was a member of the Royal Watercolour Society (RWS) and Royal Society of Painters and Etchers. In 1914, he became professor of landscape painting at Queen’s College, London, where he remained until his death. Marshall became known for his cityscapes of London but also painted in other parts of England and Scotland, and on the continent in the Netherlands, France and Germany. |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 2, "sc": 0, "ep": 6, "ec": 574} | 2,381 | Q460061 | 2 | 0 | 6 | 574 | Herbert Read | Early life | Herbert Read Early life The son of a farmer, Read was born at Muscoates near Nunnington, about four miles south of Kirkbymoorside in the North Riding of Yorkshire. His studies at the University of Leeds were interrupted by the outbreak of the First World War, during which he served with the Green Howards in France. He was commissioned in January 1915, received the Military Cross in 1917 and the Distinguished Service Order in 1918, He reached the rank of captain.
During the war, Read founded the journal Arts & Letters with Frank Rutter, one of the first literary periodicals to publish |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 6, "sc": 574, "ep": 10, "ec": 563} | 2,381 | Q460061 | 6 | 574 | 10 | 563 | Herbert Read | Early life & Early work | work by T. S. Eliot. Early work Read's first volume of poetry was Songs of Chaos, self-published in 1915. His second collection, published in 1919, was called Naked Warriors, and drew on his experiences fighting in the trenches of the First World War. His work, which shows the influence of Imagism and of the Metaphysical poets, was mainly in free verse. His Collected Poems appeared in 1946. As a critic of literature, Read mainly concerned himself with the English Romantic poets (for example, The True Voice of Feeling: Studies in English Romantic Poetry, 1953) but was also a close observer |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 10, "sc": 563, "ep": 10, "ec": 1135} | 2,381 | Q460061 | 10 | 563 | 10 | 1,135 | Herbert Read | Early work | of imagism. He published a novel, The Green Child. He contributed to the Criterion (1922–39) and he was for many years a regular art critic for The Listener.
While W. B. Yeats chose many poets of the Great War generation for The Oxford Book of Modern Verse (1936), Read arguably stood out among his peers by virtue of the 17-page excerpt (nearly half of the entire work) of his The End of a War (Faber & Faber, 1933).
Read was also interested in the art of writing. He cared deeply about style and structure and summarized his views in English Prose Style |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 10, "sc": 1135, "ep": 14, "ec": 349} | 2,381 | Q460061 | 10 | 1,135 | 14 | 349 | Herbert Read | Early work & Art criticism | (1928), a primer on, and a philosophy of, good writing. The book is considered one of the best on the foundations of the English language, and how those foundations can be and have been used to write English with elegance and distinction. Art criticism Read was a champion of modern British artists such as Paul Nash, Ben Nicholson, Henry Moore and Barbara Hepworth. He became associated with Nash's contemporary arts group Unit One. Read was professor of fine arts at the University of Edinburgh (1931–33) and editor of the trend-setting The Burlington Magazine (1933–38). He was one of the organisers |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 14, "sc": 349, "ep": 14, "ec": 980} | 2,381 | Q460061 | 14 | 349 | 14 | 980 | Herbert Read | Art criticism | of the London International Surrealist Exhibition in 1936 and editor of the book Surrealism, published in 1936, which included contributions from André Breton, Hugh Sykes Davies, Paul Éluard, and Georges Hugnet. He also served as a trustee of the Tate Gallery and as a curator at the Victoria & Albert Museum (1922–39), as well as co-founding the Institute of Contemporary Arts with Roland Penrose in 1947. He was one of the earliest English writers to take notice of existentialism, and was strongly influenced by proto-existentialist thinker Max Stirner.
From 1953 to 1954 Read served as the Norton Professor at Harvard |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 14, "sc": 980, "ep": 18, "ec": 405} | 2,381 | Q460061 | 14 | 980 | 18 | 405 | Herbert Read | Art criticism & Poetry | University. For the academic year 1964–65 and again in 1965, he was a Fellow on the faculty at the Center for Advanced Studies of Wesleyan University. Poetry Read's conception of poetry was influenced by his mentors T. E. Hulme, F. S. Flint, Marianne Moore, W. C. Williams, believing 'true poetry was never speech but always a song', quoted with the rest of his definition 'What is a Poem ' in his 1926 essay of that name (in his Endword to his Collected Poems of 1966). Read's 'Phases of English Poetry ' was an evolutionary study seeking to answer metaphysical |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 18, "sc": 405, "ep": 22, "ec": 225} | 2,381 | Q460061 | 18 | 405 | 22 | 225 | Herbert Read | Poetry & Anarchism and philosophical outlook | rather than pragmatic questions.
Read's definitive guide to poetry however, was his ' Form in Modern Poetry' which he published in 1932. In 1951 A. S. Collins the literary critic said of Read: "In his poetry he burnt the white ecstasy of intellect, terse poetry of austere beauty retaining much of his earliest Imagist style." A style much evident in Read's earliest collection Eclogues 1914-18. Anarchism and philosophical outlook Politically, Read considered himself an anarchist, albeit in the English quietist tradition of Edward Carpenter and William Morris. Nevertheless, in 1953 he accepted a knighthood for "services to literature"; this caused Read |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 22, "sc": 225, "ep": 22, "ec": 860} | 2,381 | Q460061 | 22 | 225 | 22 | 860 | Herbert Read | Anarchism and philosophical outlook | to be ostracized by most of the anarchist movement. Read was actively opposed to the Franco regime in Spain,
and often campaigned on behalf of political prisoners in Spain.
Dividing Read's writings on politics from those on art and culture is difficult, because he saw art, culture and politics as a single congruent expression on human consciousness. His total work amounts to over 1,000 published titles.
Read's book To Hell With Culture deals specifically with his disdain for the term culture and expands on his anarchist view of the artist as artisan, as well as presenting a major analysis of the work of |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 22, "sc": 860, "ep": 22, "ec": 1467} | 2,381 | Q460061 | 22 | 860 | 22 | 1,467 | Herbert Read | Anarchism and philosophical outlook | Eric Gill. It was republished by Routledge in 2002.
In his philosophical outlook, Read was close to the European idealist traditions represented by Friedrich Schelling, Johann Gottlieb Fichte, and Samuel Taylor Coleridge, believing that reality as it is experienced by the human mind was as much a product of the human mind as any external or objective actuality. In other words, the mind is not a camera recording the reality it perceives through the eyes; it is also a projector throwing out its own reality. This meant that art was not, as many Marxists believed, simply a product of a bourgeois |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 22, "sc": 1467, "ep": 22, "ec": 2129} | 2,381 | Q460061 | 22 | 1,467 | 22 | 2,129 | Herbert Read | Anarchism and philosophical outlook | society, but a psychological process that had evolved simultaneously to the evolution of consciousness. Art was, therefore, a biological phenomenon, a view that frequently pitted Read against Marxist critics such as Anthony Blunt in the 1930s. Read, in this respect, was influenced by developments in German art psychology. His Idealist background also led Read towards an interest in psychoanalysis. Read became a pioneer in the English-speaking world in the use of psychoanalysis as a tool for art and literary criticism. Originally a Freudian, Read came to transfer his allegiance to the analytical psychology of Carl Jung, eventually becoming both publisher |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 22, "sc": 2129, "ep": 26, "ec": 233} | 2,381 | Q460061 | 22 | 2,129 | 26 | 233 | Herbert Read | Anarchism and philosophical outlook & Views on education | and editor-in-chief of Jung's collected works in English.
As early as 1949, Read took an interest in the writings of the French Existentialists, particularly those of Jean-Paul Sartre. Although Read never described himself as an existentialist, he did acknowledge that his theories often found support among those who did. Read perhaps was the closest England came to an existentialist theorist of the European tradition. Views on education Read developed a strong interest in the subject of education and particularly in art education. Read's anarchism was influenced by William Godwin, Peter Kropotkin and Max Stirner. Read "became deeply interested in children’s drawings |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 26, "sc": 233, "ep": 26, "ec": 872} | 2,381 | Q460061 | 26 | 233 | 26 | 872 | Herbert Read | Views on education | and paintings after having been invited to collect works for an exhibition of British art that would tour allied and neutral countries during the Second World War. As it was considered too risky to transport across the Atlantic works of established importance to the national heritage, it was proposed that children’s drawings and paintings should be sent instead. Read, in making his collection, was unexpectedly moved by the expressive power and emotional content of some of the younger artist’s works. The experience prompted his special attention to their cultural value, and his engagement of the theory of children’s creativity with |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 26, "sc": 872, "ep": 26, "ec": 1586} | 2,381 | Q460061 | 26 | 872 | 26 | 1,586 | Herbert Read | Views on education | seriousness matching his devotion to the avant-garde. This work both changed fundamentally his own life’s work throughout his remaining 25 years and provided art education with a rationale of unprecedented lucidity and persuasiveness. Key books and pamphlets resulted: Education through Art (Read, 1943); The Education of Free Men (Read, 1944); Culture and Education in a World Order (Read, 1948); The Grass Read, (1955); and Redemption of the Robot (1966)".
Read "elaborated a socio-cultural dimension of creative education, offering the notion of greater international understanding and cohesiveness rooted in principles of developing the fully balanced personality through art education. Read argued in |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 26, "sc": 1586, "ep": 26, "ec": 2249} | 2,381 | Q460061 | 26 | 1,586 | 26 | 2,249 | Herbert Read | Views on education | Education through Art that "every child, is said to be a potential neurotic capable of being saved from this prospect, if early, largely inborn, creative abilities were not repressed by conventional Education. Everyone is an artist of some kind whose special abilities, even if almost insignificant, must be encouraged as contributing to an infinite richness of collective life. Read’s newly expressed view of an essential "continuity" of child and adult creativity in everyone represented a synthesis’ the two opposed models of twentieth-century art education that had predominated until this point...Read did not offer a curriculum but a theoretical defence of |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 26, "sc": 2249, "ep": 30, "ec": 94} | 2,381 | Q460061 | 26 | 2,249 | 30 | 94 | Herbert Read | Views on education & Death and legacy | the genuine and true. His claims for genuineness and truth were based on the overwhelming evidence of characteristics revealed in his study of child art....From 1946 until his death in 1968 he was president of the Society for Education in Art (SEA), the renamed ATG, in which capacity he had a platform for addressing UNESCO....On the basis of such representation Read, with others, succeeded in establishing the International Society for Education through Art (INSEA) as an executive arm of UNESCO in 1954." Death and legacy Following his death in 1968, Read was arguably neglected due to the increasing predominance in |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 30, "sc": 94, "ep": 30, "ec": 710} | 2,381 | Q460061 | 30 | 94 | 30 | 710 | Herbert Read | Death and legacy | academia of theories of art, including Marxism, which discounted his ideas. Yet his work continued to have influence. It was through Read's writings on anarchism that Murray Bookchin was inspired in the mid-1960s to explore the connections between anarchism and ecology. In 1971, a collection of his writings on anarchism and politics was republished, Anarchy and Order, with an introduction by Howard Zinn. In the 1990s there was a revival of interest in him following a major exhibition in 1993 at Leeds City Art Gallery and the publication of a collection of his anarchist writings, A One-Man Manifesto and other |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 30, "sc": 710, "ep": 30, "ec": 1312} | 2,381 | Q460061 | 30 | 710 | 30 | 1,312 | Herbert Read | Death and legacy | writings for Freedom Press, edited by David Goodway. Since then more of his work has been republished and there was a Herbert Read Conference, at Tate Britain in June 2004. The library at the Cyprus College of Art is named after him, as is the art gallery at the University for the Creative Arts at Canterbury. Until the 1990s the Institute of Contemporary Arts in London staged an annual Herbert Read Lecture, which included well-known speakers such as Salman Rushdie.
On 11 November 1985, Read was among 16 Great War poets commemorated on a slate stone unveiled in Westminster Abbey's Poet's |
{"datasets_id": 2381, "wiki_id": "Q460061", "sp": 30, "sc": 1312, "ep": 30, "ec": 1778} | 2,381 | Q460061 | 30 | 1,312 | 30 | 1,778 | Herbert Read | Death and legacy | Corner. The inscription on the stone was written by a fellow Great War poet, Wilfred Owen. It reads: "My subject is War, and the pity of War. The Poetry is in the pity."
A 1937 reading by Read lasting seven minutes and titled The Surrealist Object can be heard on the audiobook CD Surrealism Reviewed, published in 2002.
He was the father of the well-known writer Piers Paul Read, the BBC documentary maker John Read, and the art historian Ben Read. |
{"datasets_id": 2382, "wiki_id": "Q65556811", "sp": 2, "sc": 0, "ep": 6, "ec": 94} | 2,382 | Q65556811 | 2 | 0 | 6 | 94 | Herbert Reeves | Athletics career | Herbert Reeves Athletics career He competed for England in the hammer and shot put at the 1934 British Empire Games in London. |
{"datasets_id": 2383, "wiki_id": "Q3785176", "sp": 2, "sc": 0, "ep": 6, "ec": 407} | 2,383 | Q3785176 | 2 | 0 | 6 | 407 | Here Come the Brides (album) | Release | Here Come the Brides (album) Release Upon release, Here Come the Brides chart at number 92 on the Billboard 200 selling 13,694 copies. The band announced the Honeymoon From Hell US tour to support the album with support from Amen and Living Things. They also played at festivals in Europe such as Download in the UK, Metaltown in Sweden and supported Alice Cooper for a couple of shows in Norway and Sweden. The album is currently out of print. |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 2, "sc": 0, "ep": 6, "ec": 541} | 2,384 | Q3134025 | 2 | 0 | 6 | 541 | Herk Harvey | Early life | Herk Harvey Early life Harvey was born in Windsor, Colorado, the son of Everett and Minnie R. Prewitt Harvey. He grew up in Waverly, Illinois and in Fort Collins and was a graduate of Fort Collins High School before serving in the U.S. Navy as a Quartermaster, 3rd Class, during World War II, during which time he was studying chemical engineering. "But when I got out," Harvey has said, "I decided that wasn't for me and so I went into the theater."
Harvey came to Lawrence, Kansas in 1945 to study at the University of Kansas, where he majored in theater |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 6, "sc": 541, "ep": 6, "ec": 1168} | 2,384 | Q3134025 | 6 | 541 | 6 | 1,168 | Herk Harvey | Early life | and acted in scores of college stage productions, including Hay Fever, The Skin of Our Teeth, Beggar on Horseback, Juno and the Paycock, A Midsummer Night's Dream, Joan of Lorraine, Blithe Spirit, Harvey, and Hamlet. During his years at KU, Harvey served as vice-president of the Dramatics Workshop and was a member of the Owl Society, an honorary organization for male juniors. He earned a bachelor of science degree in education from the KU speech and drama department in 1948 and subsequently became employed by that department as an instructor, while also a graduate student.
Harvey made his directorial debut with |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 6, "sc": 1168, "ep": 6, "ec": 1773} | 2,384 | Q3134025 | 6 | 1,168 | 6 | 1,773 | Herk Harvey | Early life | an "experimental" production of Irwin Shaw's Bury the Dead in 1949, and went on to direct several other plays and pageants at the university. He received his master of arts degree in speech and dramatics from KU in 1950. The subject of his master's thesis was his experience directing Bury the Dead for the KU stage. Besides his student appearances, Harvey gained acting experience through some work in summer stock, performing on the stages of the Topeka Civic Theater and Kansas City's Resident Theater. It was with the latter organization that Harvey portrayed Stanley Kowalski in a 1958 production of |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 6, "sc": 1773, "ep": 6, "ec": 2363} | 2,384 | Q3134025 | 6 | 1,773 | 6 | 2,363 | Herk Harvey | Early life | A Streetcar Named Desire.
On June 3, 1950, Harvey's 26th birthday, he married Bernice "Bea" Brady, a Wichita native with whom he had performed in numerous KU theater productions. Immediately following the marriage, Harvey did a graduate study in drama during the 1950 summer session at the University of Denver, and then studied at the University of Colorado for a doctorate. "I made it through summer school and then I decided to go back to Kansas," Harvey has said. He and his wife then returned to Lawrence and both landed jobs teaching theater, Harvey at KU and his wife at the |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 6, "sc": 2363, "ep": 10, "ec": 562} | 2,384 | Q3134025 | 6 | 2,363 | 10 | 562 | Herk Harvey | Early life & Centron Films | local high school. Centron Films While teaching and directing at the university, Harvey broke into the film business as an actor in some of the movies being made by Centron Corporation of Lawrence, an independent industrial and educational film production company. Founded in 1947 in Lawrence by Arthur H. Wolf and Russell A. Mosser, Centron would come to the forefront of the industrial and educational film companies in the United States. Harvey joined the staff in 1952 and went on to work for Centron as a film director, writer, and producer for over three decades, making a variety of short |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 10, "sc": 562, "ep": 10, "ec": 1204} | 2,384 | Q3134025 | 10 | 562 | 10 | 1,204 | Herk Harvey | Centron Films | industrial, educational, documentary, and government films. Centron competed with large companies on both coasts to become one of the top producers of industrial and educational films. Harvey was known for his high quality films, coming in on time and under budget. Harvey and his film crews were dispatched to far-flung locations around the globe to bring back images for geography and travel films. Harvey also worked with many well-known professional actors and entertainers in Centron films, such as Walter Pidgeon, Rowan and Martin, Dennis Day, Louis Nye, George Gobel, Billy Barty, Anita Bryant, Eddie Albert, Ed Ames, Jesse White, and |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 10, "sc": 1204, "ep": 10, "ec": 1898} | 2,384 | Q3134025 | 10 | 1,204 | 10 | 1,898 | Herk Harvey | Centron Films | Ricardo Montalban. The director won many national and international awards for his work, including the highest honors from the American Film Festival, C.I.N.E., and the Columbus Film Festival.
An article written by Harvey was published in the March 1956 issue of American Cinematographer magazine, concerning innovative special effects techniques that had been developed by the Centron crew during the production of an industrial film. Harvey also occasionally penned reviews of local theater productions for the Lawrence newspaper. In 1957, Harvey commissioned the construction of a custom-built house within a block of the Centron studios. The resultant home was hailed regionally as |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 10, "sc": 1898, "ep": 10, "ec": 2532} | 2,384 | Q3134025 | 10 | 1,898 | 10 | 2,532 | Herk Harvey | Centron Films | an exceptional display of modern suburban architecture and attracted thousands of spectators when opened for public inspection upon its completion. The home's hillside yard was criss-crossed with a winding network of stone walls and terraces, built by Harvey himself.
Harvey and his first wife Bea were divorced in 1960, due to the latter's infidelity, and shortly afterward Harvey met Pauline G. Pappas, who was one of the investors for Carnival of Souls. The two were married in 1967.
When a crew from ABC came to Lawrence in 1982 to shoot the controversial television movie on nuclear war, The Day After, they cast |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 10, "sc": 2532, "ep": 10, "ec": 3199} | 2,384 | Q3134025 | 10 | 2,532 | 10 | 3,199 | Herk Harvey | Centron Films | Harvey, along with a handful of other local thespians, in a small speaking role as a farmer. The film was broadcast to much international publicity and controversy in 1983.
In 1981, Arthur Wolf and Russell Mosser had sold Centron to the Coronet division of Esquire, Inc., though production operations continued in Lawrence until decade's end. After 33 years with the firm, Harvey retired from Centron in 1985. His last project for the company was a prize-winning series of educational travelogues shot in Korea.
After his retirement, Harvey continued in various activities, teaching film production at the University of Kansas, adjudicating films for |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 10, "sc": 3199, "ep": 14, "ec": 295} | 2,384 | Q3134025 | 10 | 3,199 | 14 | 295 | Herk Harvey | Centron Films & Carnival of Souls | the American Film Festival and the Kansas Film and Video Festival, and directing and acting in plays for the Lawrence Community Theater. He also had small speaking parts in the made-for-TV movies Murderer Ordained and Where Pigeons Go to Die, both of which were filmed on location in Kansas. Carnival of Souls Harvey is best known for his sole feature film, Carnival of Souls, a low budget 1962 horror film starring Candace Hilligoss. It was produced and directed by Harvey for an estimated $33,000. Harvey had witnessed the recent success of Elmer Rhoden Jr. and fellow industrial filmmaker Robert Altman |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 14, "sc": 295, "ep": 14, "ec": 929} | 2,384 | Q3134025 | 14 | 295 | 14 | 929 | Herk Harvey | Carnival of Souls | in producing low-budget feature films in nearby Kansas City, and began to secure backing from local investors in order to mount a similar project in Lawrence. While returning to Kansas after shooting a Centron film in California, Harvey developed the idea for Carnival of Souls after driving past the abandoned Saltair Pavilion in Salt Lake City, Utah. Hiring an unknown New York actress, Lee Strasberg-trained Hilligoss, and otherwise employing mostly local talent, Harvey shot Carnival of Souls in three weeks, on location in Lawrence and Salt Lake City, using a script penned by Centron associate John Clifford. Harvey also played |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 14, "sc": 929, "ep": 14, "ec": 1543} | 2,384 | Q3134025 | 14 | 929 | 14 | 1,543 | Herk Harvey | Carnival of Souls | an uncredited role as the film's most prominent "ghoul." Originally marketed as a B film and released by an upstart distribution company that quickly went bankrupt, Carnival of Souls never gained widespread public attention upon its original release but today has become hailed as a cult classic. Set to an organ score by Gene Moore, Carnival of Souls relies more on atmosphere than on special effects to create its mood of psychological horror. The film has a large cult following, built up primarily via late-night television screenings, and has been released on DVD by the Criterion Collection (complete with a |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 14, "sc": 1543, "ep": 14, "ec": 2195} | 2,384 | Q3134025 | 14 | 1,543 | 14 | 2,195 | Herk Harvey | Carnival of Souls | host of special features, including an hour of excerpts from Harvey's Centron productions). To this day, the movie is still discussed by film buffs and occasionally has screenings at Halloween and art film festivals.
Discouraged by the apparent failure of Carnival of Souls and busy with Centron assignments, Harvey never directed another feature, though he did make several aborted attempts. One was Flannagan's Smoke, a comedy script written by John Clifford concerning an escaped gas from a chemist's laboratory and its effect on the townspeople. Another was The Reluctant Witch, with a screenplay adapted by KU professor James E. Gunn from |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 14, "sc": 2195, "ep": 14, "ec": 2841} | 2,384 | Q3134025 | 14 | 2,195 | 14 | 2,841 | Herk Harvey | Carnival of Souls | his own science fiction short story of the same title. Unlike Carnival of Souls, this was actually to be a Centron production, as Harvey had persuaded the company to delve into feature films. Shooting did begin, in the late 1960s, but it was not long before budgetary problems and conflicts with the lead actor ultimately shut down the production of The Reluctant Witch. Some unedited footage still survives. Harvey also wrote an un-produced feature screenplay of his own, entitled Windwagon, which was a historical dramatization of the Kansas territorial period and "sailing wagon" innovations of the late nineteenth century.
Harvey did |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 14, "sc": 2841, "ep": 14, "ec": 3459} | 2,384 | Q3134025 | 14 | 2,841 | 14 | 3,459 | Herk Harvey | Carnival of Souls | live to see the belated recognition of Carnival of Souls, which began in earnest during the mid-1980s. The peak of this revival of interest was a nationally publicized cast and crew reunion in Lawrence in 1989, followed by the movie's first legal release on home video, which sparked a number of high-profile reviews and articles. Several years later, Harvey was diagnosed with pancreatic cancer. On April 3, 1996, weeks after the sound stage at KU's Oldfather Studios (home of the KU film school and formerly Centron's headquarters) was officially christened the "Herk Harvey Sound Stage" in a large ceremony, Harvey |
{"datasets_id": 2384, "wiki_id": "Q3134025", "sp": 14, "sc": 3459, "ep": 14, "ec": 3559} | 2,384 | Q3134025 | 14 | 3,459 | 14 | 3,559 | Herk Harvey | Carnival of Souls | died at his home in Lawrence.
The Academy Film Archive preserved Carnival of Souls in 2012. |
{"datasets_id": 2385, "wiki_id": "Q3886369", "sp": 2, "sc": 0, "ep": 10, "ec": 16} | 2,385 | Q3886369 | 2 | 0 | 10 | 16 | Hernando Village Airpark | History & Facilities and aircraft | Hernando Village Airpark History Hernando Village Airpark opened in 1988 by Diane and Bill Hawks of Mississippi. Their plan was to have a fly-in community, and, along with it, a place where pilots could taxi in along the grass strip runway and park their planes in a hangar on their own property. Two years later, they developed Green Village Residential Airpark by selling lots on 120 acres (0.49 km²) of their land just east of the airport in Hernando. The project encompasses a total of 150 acres (0.61 km²) with the airport and subdivision as of 1998. Facilities and aircraft Hernando Village |
{"datasets_id": 2385, "wiki_id": "Q3886369", "sp": 10, "sc": 16, "ep": 10, "ec": 588} | 2,385 | Q3886369 | 10 | 16 | 10 | 588 | Hernando Village Airpark | Facilities and aircraft | Airpark, Inc Airport covers an area of 40 acres (16 ha) at an elevation of 242 feet (74 m) above mean sea level. It has one runway designated 14/32 with a turf surface measuring 3,340 by 65 feet (1,018 x 20 m).
The Avgas and tie-down spaces are administered by the owner of Hernando Village Airpark.
For the 12-month period ending October 2, 2012, the airport had 2,970 aircraft operations, an average of 247 per month: 98% general aviation and 2% military. At that time there were 12 aircraft based at this airport: 92% single-engine and 8% multi-engine. |
{"datasets_id": 2386, "wiki_id": "Q5742855", "sp": 2, "sc": 0, "ep": 6, "ec": 78} | 2,386 | Q5742855 | 2 | 0 | 6 | 78 | Herobear and the Kid | Plot summary | Herobear and the Kid Plot summary Tyler's life is changed when he inherits a toy bear and a broken pocket watch. |
{"datasets_id": 2387, "wiki_id": "Q420301", "sp": 2, "sc": 0, "ep": 6, "ec": 610} | 2,387 | Q420301 | 2 | 0 | 6 | 610 | Hexabromocyclododecane | Toxicity | Hexabromocyclododecane Toxicity HBCD's toxicity and its harm to the environment are current source of concern. HBCD can be found in environmental samples such as birds, mammals, fish and other aquatic organisms as well as soil and sediment.
On this basis, on 28 October 2008 the European Chemicals Agency decided to include HBCD in the SVHC list, Substances of Very High Concern, within the Registration, Evaluation, Authorisation and Restriction of Chemicals framework. On 18 February 2011, HBCD was listed in the Annex XIV of REACH and hence is subject to Authorisation. HBCD can be used until the so-called “sunset date” (21 August |
{"datasets_id": 2387, "wiki_id": "Q420301", "sp": 6, "sc": 610, "ep": 6, "ec": 1328} | 2,387 | Q420301 | 6 | 610 | 6 | 1,328 | Hexabromocyclododecane | Toxicity | 2015). After that date, only authorised applications will be allowed in the EU.
HBCD has been found widely present in biological samples from remote areas and supporting evidences for its classification as Persistent, Bioaccumulative and Toxic (PBT) and undergoes long-range environmental transportation.
In July 2012, an EU harmonised classification and labelling for HBCD entered into force. HBCD has been classified as a category 2 for reproductive toxicity. Since August 2010 hexabromocyclododecanes are included in the EPA's List of Chemicals of Concern.
On May 2013 the Stockholm Convention on Persistent Organic Pollutants (POPs) decided to include HBCD in the Convention’s Annex A for |
{"datasets_id": 2387, "wiki_id": "Q420301", "sp": 6, "sc": 1328, "ep": 6, "ec": 2023} | 2,387 | Q420301 | 6 | 1,328 | 6 | 2,023 | Hexabromocyclododecane | Toxicity | elimination, with specific exemptions for expanded and extruded polystyrene in buildings needed to give countries time to phase-in safer substitutes. HBCD is listed for elimination, but with a specific exemption for expanded polystyrene (EPS) and extruded polystyrene (XPS) in buildings. Countries may choose to use this exemption for up to five years after the request for exemption is submitted. Japan was the first country to implement a ban on the import and production of HBCD effective in May 2014.
Because HBCD has 16 possible stereo-isomers with different biological activities, the substance poses a difficult problem for manufacture and regulation.
The HBCD commercial |
{"datasets_id": 2387, "wiki_id": "Q420301", "sp": 6, "sc": 2023, "ep": 6, "ec": 2700} | 2,387 | Q420301 | 6 | 2,023 | 6 | 2,700 | Hexabromocyclododecane | Toxicity | mixture is composed of three main diastereomers denoted as alpha (α-HBCD), beta (β-HBCD) and gamma (γ-HBCD) with traces of others. A series of four published in vivo mice studies were conducted between several federal and academic institutions to characterize the toxicokinetic profiles of individual HBCD stereoisomers. The predominant diastereomer in the HBCD mixture, γ-HBCD, undergoes rapid hepatic metabolism, fecal and urinary elimination, and biological conversion to other diastereomers with a short biological half-life of 1–4 days. After oral exposure to the γ-HBCD diastereomer, β-HBCD was detected in the liver and brain, and α-HBCD and β-HBCD was detected in the |
{"datasets_id": 2387, "wiki_id": "Q420301", "sp": 6, "sc": 2700, "ep": 6, "ec": 3476} | 2,387 | Q420301 | 6 | 2,700 | 6 | 3,476 | Hexabromocyclododecane | Toxicity | fat and feces with multiple novel metabolites identified - monohydroxy-pentabromocyclododecane, monohydroxy-pentabromocyclododecene, dihydroxy-pentabromocyclododecene, and dihydroxy-pentabromocyclododecadiene. In contrast, α-HBCD is more biologically persistent, resistant to metabolism, bioaccumulates in lipid-rich tissues after a 10-day repeated exposure study, and has a longer biological half-life of up to 21 days; only α-HBCD was detected in the liver, brain, fat and feces with no stereoisomerization to γ-HBCD or β-HBCD and low trace levels of four different hydroxylated metabolites were identified. Developing mice had higher HBCD tissue levels than adult mice after exposure to either α-HBCD or γ-HBCD indicating the potential for increased susceptibility of the |
{"datasets_id": 2387, "wiki_id": "Q420301", "sp": 6, "sc": 3476, "ep": 10, "ec": 438} | 2,387 | Q420301 | 6 | 3,476 | 10 | 438 | Hexabromocyclododecane | Toxicity & Environmental Concerns | developing young to HBCD effects. The reported toxicokinetic differences of individual HBCD diastereoisomers have important implications for the extrapolation of toxicological studies of the commercial HBCD mixture to the assessment of human risk. Environmental Concerns Due to its persistence, toxicity, and ecotoxicity, the Stockholm Convention on Persistent Organic Pollutants decided in May 2013 to list hexabromocyclododecane in Annex A to the Convention with specific exemptions for production and use in expanded polystyrene and extruded polystyrene in buildings. Countries may choose to use this exemption for up to five years after the request for exemption is submitted.
There is a large and |
{"datasets_id": 2387, "wiki_id": "Q420301", "sp": 10, "sc": 438, "ep": 10, "ec": 1020} | 2,387 | Q420301 | 10 | 438 | 10 | 1,020 | Hexabromocyclododecane | Environmental Concerns | still increasing stock of HBCD in the anthroposphere, mainly in EPS and XPS insulation boards.
A long term environmental monitoring programme run by the Fraunhofer Institute for Molecular Biology and Applied Ecology demonstrates a general trend that HBCD concentrations are decreasing over time. HBCD emissions into the environment are controlled under the voluntary industry emission management programme: the Voluntary Emissions Control Action Programme (VECAP). The VECAP annual report demonstrates continuous decrease of potential emissions of HBCD to the environment. |
{"datasets_id": 2388, "wiki_id": "Q28456222", "sp": 2, "sc": 0, "ep": 6, "ec": 693} | 2,388 | Q28456222 | 2 | 0 | 6 | 693 | Hexagonal fast Fourier transform | Background | Hexagonal fast Fourier transform Background It has been proven that the hexagonal grid serves as an optimal sampling lattice for isotropically band-limited two-dimensional signals and has a sampling efficiency which is 13.4% more when compared to the sampling efficiency obtained from rectangular sampling. Several other advantages of hexagonal sampling include consistent connectivity, higher symmetry, greater angular resolution, and equidistant neighbouring pixels. Sometimes, more than one of these advantages compound together, thereby increasing the efficiency by 50% in terms of computation and storage when compared to rectangular sampling. Despite of all these advantages of hexagonal sampling over the rectangular sampling, its |
{"datasets_id": 2388, "wiki_id": "Q28456222", "sp": 6, "sc": 693, "ep": 6, "ec": 1061} | 2,388 | Q28456222 | 6 | 693 | 6 | 1,061 | Hexagonal fast Fourier transform | Background | application has been limited because of its inability to result in the orthogonal rows and columns that can be transformed independently as is done with rectangular samples. For this reason, an efficient FFT with a separable Fourier kernel has been developed by utilizing the so-called array set addressing (ASA) scheme and is termed hexagonal fast Fourier transform. |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 2, "sc": 0, "ep": 8, "ec": 4} | 2,389 | Q649121 | 2 | 0 | 8 | 4 | Hexstatic | History & Hex | Hexstatic History The current Hexstatic duo of Stuart Warren Hill and Robin Brunson have been together since 1997. Before that time Stuart Hill had been producing visuals for the Big Chill Festival. and had a visuals company called SP Visuals with Pod Bluman. Brunson had been working in computer animation and producing and DJing for Skint records offshoot Undr 5's as Rareforce. Both wanted to combine their video talents with music. They gradually took over for the original Hex group which consisted of graphic design artists Robert Pepperell and Miles Visman and Coldcut members Matt Black and Jonathan More. Hex |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 10, "sc": 0, "ep": 10, "ec": 597} | 2,389 | Q649121 | 10 | 0 | 10 | 597 | Hexstatic | Hex | This first version, known simply as Hex, fused an interest in computer programming and animation with their talent for video design and knowledge of club culture to create a range of multimedia projects. In 1990, they produced music videos for artists such as The Fall and Queen Latifah as well as graphics for television stations. Also that year they created the first pop music video created entirely on home micro computers (Apple Macintosh, Amiga, etc.) for "Coldcut’s Christmas Break." In 1991, they released the video game "Top Banana" along with a 12" single mix of the game’s sound track. |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 10, "sc": 597, "ep": 14, "ec": 31} | 2,389 | Q649121 | 10 | 597 | 14 | 31 | Hexstatic | Hex & Natural rhythms trilogy | A year later they included the game along with rave visuals, techno and ambient music all on one CD-ROM billed as a "multi dimensional future entertainment product." The group continued to put out interactive CD-ROM and CD-I titles throughout the mid nineties. During this time they also performed live visuals for clubs and chillouts. Their final contribution came in 1997, when they helped create the CD-ROM version of Coldcut’s Let Us Play! album which featured tracks by its own offspring Hexstatic. Hex officially disbanded in 1999 due to internal tensions. Natural rhythms trilogy Prior to meeting Brunson at the |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 14, "sc": 31, "ep": 14, "ec": 661} | 2,389 | Q649121 | 14 | 31 | 14 | 661 | Hexstatic | Natural rhythms trilogy | Channel 5 launch party in 1997, Stuart Warren Hill had begun working on the Natural Rhythms Trilogy, a collaborative effort with Coldcut and Greenpeace. Stuart approached Greenpeace asking for use of their stock footage of wildlife and logging operations and in return Greenpeace could use the finished project in their campaigns and presentations. The first video was 1997’s Frog Jam, which created a rhythmic structure out of short clips of water dripping, frog leaping and tribal drumming and chanting. This was soon followed by Natural Rhythm and Timber. Natural Rhythm featured insects, birds and other wildlife as well as a |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 14, "sc": 661, "ep": 14, "ec": 1311} | 2,389 | Q649121 | 14 | 661 | 14 | 1,311 | Hexstatic | Natural rhythms trilogy | tribesman playing a flute like instrument. Each video employed increasingly more complex mixing and splicing techniques culminating with the award-winning Timber. Its tone is more plaintively political, opening with majestic images of the sunset over a forest of immensely beautiful trees then quickly shifting with a clap of thunder to a telegraph button punching out the dots and dashes of a Morse code SOS distress call. Images of powerful circular saws, chopping axes, and huge, buzzing chainsaws soon follow. The picture then distorts and images of the indigenous animals appear to the singing of a mournful native woman. The anti-deforestation |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 14, "sc": 1311, "ep": 18, "ec": 303} | 2,389 | Q649121 | 14 | 1,311 | 18 | 303 | Hexstatic | Natural rhythms trilogy & Studio releases and advancement of the AV genre | message is quite clear even before the industrial machinery makes its appearance towards the end of the track. Timber won the award for Best Editing Video Musique in France in 1998 and appeared on Coldcut’s 1997 release Let Us Play!. Studio releases and advancement of the AV genre Hexstatic released their first full-length CD in 2000. Entitled Rewind, it was packaged with a 2nd CD-ROM disc that contained videos for each of the albums 11 tracks. The music is similar to Coldcut and has an electro infused sound that reviewer Bob Bannister terms a combination of "South Bronx hip hop |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 303, "ep": 18, "ec": 932} | 2,389 | Q649121 | 18 | 303 | 18 | 932 | Hexstatic | Studio releases and advancement of the AV genre | [and] the avant-Eurodisco sound of Kraftwerk." The album was created over a two-year period on two 100 MHz Macs that were barely switched off during the production; one 30-second siren sound at the beginning of the track Machine Toy took three days to render. For the video track Deadly Media, Stuart Warren Hill recorded news broadcasts from around the world off of a satellite feed and cropped everything but the newscasters’ mouths to build a random cacophony of voices out of which the spliced-together phase "deadly media" emerges.
Solid Steel Presents Hexstatic - Listen and Learn was their next project. Released |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 932, "ep": 18, "ec": 1540} | 2,389 | Q649121 | 18 | 932 | 18 | 1,540 | Hexstatic | Studio releases and advancement of the AV genre | in 2003, it was a mix album produced by Robin Brunson of many of the tracks that influenced Hexstatic’s own sound. It featured time stretching techniques made possible by the newest CD mixing technology.
In contradiction to many DJ purists who only use vinyl, Hexstatic (and Hex before them) have consistently demonstrated a willingness and even a passion for bleeding edge technologies. In 2004, they consulted with Pioneer on the production of the first DVD turntable with tempo control, the DJV-X1. This machine has the ability to live mix audio and video in the same way one would a simple audio |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 1540, "ep": 18, "ec": 2186} | 2,389 | Q649121 | 18 | 1,540 | 18 | 2,186 | Hexstatic | Studio releases and advancement of the AV genre | disc.
For Master-View, Hexstatic continued to innovate by creating 3D anaglyph videos for six of the tracks on the DVD portion of the CD/DVD combo release. The single Salvador, which features footage of people dancing in the streets of Salvador, Brazil, was voted Best Music Video for 2004 at the Portobello Film Festival.
The band's involvement with current technological development has not lessened its infatuation with older technologies. As can be seen from the Speak & Spell game on the cover of Listen & Learn, the Sinclair ZX80 home computer on Rewind and the View-Master on Master-View, Hexstatic clearly have a penchant |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 2186, "ep": 18, "ec": 2746} | 2,389 | Q649121 | 18 | 2,186 | 18 | 2,746 | Hexstatic | Studio releases and advancement of the AV genre | for gadgets from the 70s and 80s. They have stated that the vector graphics they have used in some of their videos were inspired by the arcade game Battlezone. Of course the samples and computerized vocals of tracks like Telemetron and Bass Invader (a play on the Space Invaders game) as well as the use of an Atari 2600 and a Casio V-L Tone on L-Virata are also signifers of the retro tech aesthetic they cultivate.
A mix CD Pick'n'Mix: An Assortment To Suit All Tastes was released in April 2006. Sanctuary Records gave Robin Brunson access to its |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 2746, "ep": 18, "ec": 3354} | 2,389 | Q649121 | 18 | 2,746 | 18 | 3,354 | Hexstatic | Studio releases and advancement of the AV genre | large back catalogue of works, resulting in an eclectic mix of hip hop, rock and reggae from artists as diverse as Grandmaster Flash, The Kinks and the Harry J Allstars.
Hexstatic also released a bootleg CD/DVD set under the alias Exactshit (an anagram of Hexstatic). Featuring samples of popular hit songs, only 200 copies were made available at the Big Chill Music Festival 2003 and from the Ninja Tune online store. It has since been more broadly distributed through online file sharing.
When Robots Go Bad was their next studio album and saw the duo pursue a more pop-electro sound that |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 3354, "ep": 18, "ec": 4008} | 2,389 | Q649121 | 18 | 3,354 | 18 | 4,008 | Hexstatic | Studio releases and advancement of the AV genre | featured several vocalists including London based soul singer Sabirajade and Australian singer/rapper B+. It was released in 2007.
Hexstatic presents Videos, Remixes and Rarities, 2008, was a DVD and CD combo celebrating 10 years of the duos video and audio work. The DVD featured all of their best videos, some previously not available on DVD. The CD featured rare and unreleased tracks and remixes by Hexstatic.
Hexstatic present Trailer Trax was a solo digital release by Robin Brunson and was given away for free via Bandcamp in Dec 2010.
Holotronica is Stuart Warren-Hill's solo AV 3D project. The album was released August |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 4008, "ep": 18, "ec": 4665} | 2,389 | Q649121 | 18 | 4,008 | 18 | 4,665 | Hexstatic | Studio releases and advancement of the AV genre | 2014, a visual collaboration with Tom Wall of Blinkin Lab. Stuart then needed a way to show 3D visuals to a large audience when performing his album live. After considering the Pepper's Ghost technique, he soon realised this was not a touring solution.
Stuart then invented Holo-Gauze. A patented technology for holgraphic effects that supports stereoscopic 3D. The only gauze that can do this it is also ultra fine and highly reflective giving good screen gain and contrast and becoming invisible to the audience when correctly setup.
HOLOTRONICA is now based in Bristol and supplying Holo-Gauze, holographic solutions, bespoke 3D content |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 18, "sc": 4665, "ep": 22, "ec": 446} | 2,389 | Q649121 | 18 | 4,665 | 22 | 446 | Hexstatic | Studio releases and advancement of the AV genre & Live performances | and visuals all over the world and can list clients such as Lady Gaga, Beyonce, Samsung and Eric Prydz. Live performances Since their art crosses a lot of boundaries they have performed at art galleries and cinemas as well as festivals and smaller clubs. After viewing Timber, David Byrne asked Hexstatic to do the visuals for his performance at the 1998 Lisbon Expo. Since then they performed the first ever live AV gig at the Guggenheim in Bilbao as well as at the Pompidou Centre in Paris and the Getty Museum in Los Angeles. In September 2005, they projected video |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 22, "sc": 446, "ep": 22, "ec": 1069} | 2,389 | Q649121 | 22 | 446 | 22 | 1,069 | Hexstatic | Live performances | on a huge water screen over the River Thames in London as part of the Thames Festival. They also have performed at the huge Electraglide raves in Japan before 10,000 people.
They completed the world's first audio-visual album which was previewed at the onedotzero festival in London at the ICA. since then they have had a strong relationship and featured in many of the organisations events at home and abroad including Tokyo, Taipei and Stockholm.
Notably, they performed a series of unlicensed "guerrilla gigs" in the streets of London on 10 March 2006 as part of promoting their single Distorted Minds. |
{"datasets_id": 2389, "wiki_id": "Q649121", "sp": 22, "sc": 1069, "ep": 22, "ec": 1484} | 2,389 | Q649121 | 22 | 1,069 | 22 | 1,484 | Hexstatic | Live performances | They loaded up their equipment in a van and performed a 30 minute set projected on the wall of a local building in each of three sites that they had previously scouted out. The crowds of a couple hundred people each were generally well behaved and the brevity of the performances meant that Hexstatic were on their way to the next location before the police arrived. They escaped with only a single parking ticket. |
{"datasets_id": 2390, "wiki_id": "Q5749163", "sp": 2, "sc": 0, "ep": 6, "ec": 610} | 2,390 | Q5749163 | 2 | 0 | 6 | 610 | Hey, Jeannie! | Premise | Hey, Jeannie! Premise Carson, who is actually of English descent, plays 28-year-old Jeannie MacLennan, who like Andrew Carnegie, is originally from Dunfermline, Scotland. Upon signing to star in Hey, Jeannie!, Carson became the second highest paid entertainer in the United Kingdom, behind Vivien Leigh. Whereas Carnegie settled in Pittsburgh, Pennsylvania, Carson's character comes to New York to better herself financially. She takes a job as a waitress in a donut shop and lives with her sponsors, Al and Liz Murray, a brother and sister portrayed by Allen Jenkins (1900–1974) and Jane Dulo (1917–1994). Jenkins is cast as a cab |
{"datasets_id": 2390, "wiki_id": "Q5749163", "sp": 6, "sc": 610, "ep": 6, "ec": 1237} | 2,390 | Q5749163 | 6 | 610 | 6 | 1,237 | Hey, Jeannie! | Premise | driver in Brooklyn. Frequently the whole cast breaks out in song, performing such numbers as "Take Me Out to the Ball Game," "Side by Side", "Start All Over Again," and "The Lady's in Love with You."
In the 1958 episodes, the series was revamped, Carson was cast as a flight attendant, and Allen Jenkins and Jane Dulo were replaced. Jack Kirkwood (1894–1964) appeared as Charlie O'Connell, Jeannie's landlord, who particularly dislikes pets. Vera Vague (also known as Barbara Jo Allen) portrayed Mabel, the boss of the flight attendants. In one of the syndicated segments, Jeannie befriends Joe, a young Korean orphan, |
{"datasets_id": 2390, "wiki_id": "Q5749163", "sp": 6, "sc": 1237, "ep": 10, "ec": 411} | 2,390 | Q5749163 | 6 | 1,237 | 10 | 411 | Hey, Jeannie! | Premise & Guest stars | after she indicates that she is a baseball fan. When the flight lands, Joe, played by Warren Hsieh, follows Jeannie to her apartment, instead of the residence of his adoptive parents. Guest stars In another segment, Chuck Connors, who was at the time launching his own ABC western series, The Rifleman, portrays millionaire playboy Buck Matthews, who rents an entire plane for himself and invites Jeannie to join him on a tour of the nightclubs of New York.
In the series finale, Jeannie meets the Cheyenne chief, Mike Flying Eagle, played by Robert Warwick, on a flight from Washington, D.C., where |
{"datasets_id": 2390, "wiki_id": "Q5749163", "sp": 10, "sc": 411, "ep": 10, "ec": 1061} | 2,390 | Q5749163 | 10 | 411 | 10 | 1,061 | Hey, Jeannie! | Guest stars | he had been to seek federal aid for drought relief. He performs a rain dance, and Jeannie and the flight engineer, Herbert, portrayed by William Schallert, hire a light aircraft to salt the clouds with ice. This creates rain at last. The grateful Flying Eagle declares Jeannie his daughter, "Little Rain Cloud." But the Pawnee are irate because the downpour destroys their newly planted grain.
Other guest stars included Jack Albertson, Parley Baer, Charles Bronson, Virginia Christine, Tristram Coffin, Mike Connors (who plays a rodeo star Lash Connor), Hans Conreid, Brian Corcoran, Clegg Hoyt, Helen Kleeb, Richard Long, Jerry Paris, Lyle |
{"datasets_id": 2390, "wiki_id": "Q5749163", "sp": 10, "sc": 1061, "ep": 14, "ec": 573} | 2,390 | Q5749163 | 10 | 1,061 | 14 | 573 | Hey, Jeannie! | Guest stars & Scheduling | Talbot, Sammee Tong, Mary Treen, and Will Wright. Scheduling Hey, Jeannie! replaced another unsuccessful situation comedy, the 1955-1956 season's It's Always Jan starring Janis Paige, in CBS's Saturday 9:30-10:00 p.m time slot. Hey, Jeannie was a production of Dick Powell's Four Star Television and ran opposite Lawrence Welk's Dodge Dancing Party on ABC and Sid Caesar's Caesar's Hour on NBC.
ABC reran some ten Hey, Jeannie! episodes between June 30 and September 30, 1960, on Thursday at 9:00 p.m. under the title The Jeannie Carson Show as a summer replacement for the departing variety show The Pat Boone Chevy Showroom. |
{"datasets_id": 2391, "wiki_id": "Q5749765", "sp": 2, "sc": 0, "ep": 10, "ec": 396} | 2,391 | Q5749765 | 2 | 0 | 10 | 396 | Heyride | Restaurant rides & Austin ride-hail | Heyride Restaurant rides HeyRide was the name of an application that offered free or discounted rides to restaurants. It was developed at Startupbootcamp Berlin in the fall of 2015. Austin ride-hail HeyRide was the name of an Austin, Texas ride-hailing platform. The service was facilitated using a mobile app that connected travelers with available drivers, and automatically manages payments. It gained over 500 participants after launching in October 2012. The City of Austin opposed Heyride as a violation of the City Code. On Feb 14 2013 Ride-sharing startup SideCar LLC acquired Heyride. |
{"datasets_id": 2392, "wiki_id": "Q65082611", "sp": 2, "sc": 0, "ep": 6, "ec": 473} | 2,392 | Q65082611 | 2 | 0 | 6 | 473 | Higer Yujun | Overview | Higer Yujun Overview launched in 2011, the Higer Longwei midsize pickup was built on the same platform as the Isuzu D-Max. available with four engine options, including a 2.2 liter four-cylinder petrol engine, a 2.4 liter four-cylinder diesel engine, and two 2.8 liter four-cylinder turbo-diesel engines, all mated to a five-speed manual gearbox. The standard layout is rear wheel drive, and four-wheel drive is optional. Prices of the Higer Yujun starts at 71,800 yuan and ends at 92,800 yuan. |
{"datasets_id": 2393, "wiki_id": "Q17029598", "sp": 2, "sc": 0, "ep": 4, "ec": 668} | 2,393 | Q17029598 | 2 | 0 | 4 | 668 | High-altitude flatus expulsion | High-altitude flatus expulsion High-altitude flatus expulsion (HAFE) is a gastrointestinal syndrome which involves the spontaneous passage of increased quantities of rectal gases at high altitudes. First described by Joseph Hamel in c. 1820 and occasionally described afterward, a landmark study of this phenomenon was published in 1981 by Paul Auerbach and York Miller.
The phenomenon is based on the differential in atmospheric pressure, directly correlated with the observer's frequency of and level of experience in high-altitude metabolism. As the external pressure decreases, the difference in pressure between the gas within the body and the atmosphere outside is higher, and the urge |
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{"datasets_id": 2393, "wiki_id": "Q17029598", "sp": 4, "sc": 668, "ep": 4, "ec": 1098} | 2,393 | Q17029598 | 4 | 668 | 4 | 1,098 | High-altitude flatus expulsion | to expel gas to relieve the pressure is greater. Consistent with Boyle's law, controlling for dietary variance, the amount of gas produced is constant in mass, but the volume increases as the external pressure decreases.
The feeling of fullness or need to expel brought on by this differential in atmospheric pressure has been verified by studies involving military pilots subjected to pressure changes simulating flight. |
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{"datasets_id": 2394, "wiki_id": "Q60440761", "sp": 2, "sc": 0, "ep": 4, "ec": 548} | 2,394 | Q60440761 | 2 | 0 | 4 | 548 | High Cup Gill | High Cup Gill High Cup Gill (or High Cup Nick or just High Cup) is a short valley deeply incised into the Pennine scarp to the northeast of Appleby-in-Westmorland in Cumbria and within the North Pennines AONB in northern England. It is considered to be glacial in origin, ice having over-ridden the area during successive ice ages. To its southeast is Murton Fell whilst Dufton Fell is to the north.
The Ordnance Survey name the valley as High Cup Gill but it is often referred to by the name High Cup Nick, a name which properly refers in a more limited |
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{"datasets_id": 2394, "wiki_id": "Q60440761", "sp": 4, "sc": 548, "ep": 4, "ec": 1105} | 2,394 | Q60440761 | 4 | 548 | 4 | 1,105 | High Cup Gill | sense to the point at its northeastern limit where the headwaters of Highcup Gill Beck pass from the relatively flat terrain of High Cup Plain over the lip of High Cup Scar into the valley. 'Gill' is a word of Norse origin meaning narrow valley or ravine whilst 'beck' signifies a stream; both occur widely in the hills of northern England. As seen in the classic view southwest over the valley into the Vale of Eden from its head at High Cup Nick, it is considered one of the finest natural features in northern England.
High Cup Scar is formed by |
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{"datasets_id": 2394, "wiki_id": "Q60440761", "sp": 4, "sc": 1105, "ep": 4, "ec": 1693} | 2,394 | Q60440761 | 4 | 1,105 | 4 | 1,693 | High Cup Gill | a near-horizontal outcrop of the Whin Sill, a dolerite intrusion of late Carboniferous age which underlies much of the North Pennines and northeast England. Tumbled blocks of this rock are scattered down the scree slopes beneath the scar. A notable pinnacle of this rock on the northern side of the valley is known as Nichol or Nichol's Chair after a local cobbler who, for a bet, practised his craft perched on its summit. The country rock into which the sill is intruded is the Alston Formation, a part of the Yoredale Group of multiple layers of limestones, sandstones, siltstones and |
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{"datasets_id": 2394, "wiki_id": "Q60440761", "sp": 4, "sc": 1693, "ep": 4, "ec": 2296} | 2,394 | Q60440761 | 4 | 1,693 | 4 | 2,296 | High Cup Gill | mudstones. At the base of the gill, though largely obscured by the dolerite blocks are older rocks; the sedimentary rocks of the Ravenstonedale Group and beneath them, the metamorphosed slates and sandstones of the Skiddaw Group which date from the Ordovician period.
The Pennine Way skirts the valley on its northern side by a traditional route known as 'Narrow Gate' as it runs from Dufton east via Maize Beck and Cauldron Snout to Forest in Teesdale. This national trail briefly splits into two separate routes running on either bank of Maize Beck; it is the southerly of the two which leads |
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{"datasets_id": 2394, "wiki_id": "Q60440761", "sp": 4, "sc": 2296, "ep": 4, "ec": 2605} | 2,394 | Q60440761 | 4 | 2,296 | 4 | 2,605 | High Cup Gill | via High Cup Nick.
The whole of the valley is within an area mapped as open country under the Countryside and Rights of Way Act 2000 hence there is a general right for walkers to roam at will. This section of the Pennine Way is a bridleway therefore legally available to cyclists and horseriders too. |
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{"datasets_id": 2395, "wiki_id": "Q18160559", "sp": 2, "sc": 0, "ep": 6, "ec": 475} | 2,395 | Q18160559 | 2 | 0 | 6 | 475 | High Halstow NNR | Smuggling | High Halstow NNR Smuggling The wooded hill has been used by smugglers in the early 18th century. One documented tale was recorded in 1728. A couple of men from Medway crossed the English Channel in February 1726. The men smuggled over 400 pounds (180 kg) of tea from Ostend, as well as a few yards of calico and a few silk handkerchiefs on a small ship called The Sloweley. Once they landed on the Kent shore, they hid the goods in the woodland on Northward Hill before later moving it to Chalk church. |
{"datasets_id": 2396, "wiki_id": "Q44159", "sp": 2, "sc": 0, "ep": 6, "ec": 572} | 2,396 | Q44159 | 2 | 0 | 6 | 572 | High Standard Model 10 | History and design | High Standard Model 10 History and design The basic design of the Model 10 shotgun was developed in the late 1950s by Alfred Crouch, a Santa Monica, California police sergeant. Crouch's goal was to create the ultimate entry shotgun for SWAT and tactical units. His original design used a modified Remington semi-automatic shotgun.
In the mid 1960s, Crouch sold his design to the High Standard Manufacturing Company, who used their C1200 Supermatic shotgun as the basis for the first model, the 10A. The C1200 Supermatic was modified by replacing the stock, relocating the trigger assembly, and fitting a |
{"datasets_id": 2396, "wiki_id": "Q44159", "sp": 6, "sc": 572, "ep": 6, "ec": 1193} | 2,396 | Q44159 | 6 | 572 | 6 | 1,193 | High Standard Model 10 | History and design | three-piece plastic shell around the receiver and first half of the barrel. The rearward piece of the shell provided an attachment point for the rotatable shoulder stock. The lower piece of the shell provided the grip. Since the trigger assembly was moved forward to accommodate the bullpup design, a rod that connected the new and original trigger locations was used to allow minimal modifications to the original Flite King receiver.
Although the standard capacity of the Model 10 is 4 shells, there was a magazine tube extension available which would increase the capacity to 6 shells.
On the early |
{"datasets_id": 2396, "wiki_id": "Q44159", "sp": 6, "sc": 1193, "ep": 10, "ec": 170} | 2,396 | Q44159 | 6 | 1,193 | 10 | 170 | High Standard Model 10 | History and design & Service | model shotgun the 10A, the upper plastic section also housed the built-in flashlight and carrying handle.
The later model shotgun the 10B was improved with a left-hand charging handle, flip-up front sight, and utilized the new flashlight mount/carrying handle mounting block (which doubles as the carrying handle mount) as the rear sight. The "Kel-Lite" branded flashlight can be removed, as it is attached to the aforementioned mounting block. Service Originally, the Model 10 was sold to law enforcement only. The concept of this shotgun was quite interesting to many police agencies who adopted the Model 10 in the late |
{"datasets_id": 2396, "wiki_id": "Q44159", "sp": 10, "sc": 170, "ep": 10, "ec": 811} | 2,396 | Q44159 | 10 | 170 | 10 | 811 | High Standard Model 10 | Service | 1960s and early 1970s; however, most of the agencies found many shortcomings, and ultimately ceased using the Model 10.
The most common problem was the failure to cycle correctly. According to the instructions on the Model 10, only magnum or "high brass" shells were to be used.However, even with the correct shells, the action would sometimes fail to cycle reliably. Other problems that plagued the shotgun were the rough and unpredictable trigger feel, the strange rotatable shoulder stock, and the tendency of the recoil to cause the flashlight's batteries to become damaged.
Another problem was that the Model 10 could |
{"datasets_id": 2396, "wiki_id": "Q44159", "sp": 10, "sc": 811, "ep": 10, "ec": 1037} | 2,396 | Q44159 | 10 | 811 | 10 | 1,037 | High Standard Model 10 | Service | only be fired from the right arm, as the gun ejected spent cartridges from the right side of the unit with a high force. There is a warning on the right side of the shotgun reading "CAUTION - DO NOT SHOOT FROM LEFT SHOULDER." |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 2, "sc": 0, "ep": 10, "ec": 169} | 2,397 | Q5758242 | 2 | 0 | 10 | 169 | Higher School Certificate (New South Wales) | Available courses & HSC Syllabus Reform (2019) | Higher School Certificate (New South Wales) Available courses There are two main types of courses available in the HSC: Board Developed Courses and Board Endorsed Courses. Board Developed Courses have a syllabus and final exam set by NESA, and generally may be included in the calculation of the ATAR. Board Endorsed Courses are developed by the school, and may vary from school to school in regards to content and assessment. HSC Syllabus Reform (2019) A major HSC Syllabus reform was executed in 2019. The "new" syllabus involved the addition of "Science Extension" and "Investigating Science" as new courses available to |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 10, "sc": 169, "ep": 14, "ec": 360} | 2,397 | Q5758242 | 10 | 169 | 14 | 360 | Higher School Certificate (New South Wales) | HSC Syllabus Reform (2019) & English | students which commenced teaching in October 2018 for the cohort of 2019. The course "Senior Science" was discontinued as of October 2018. The reformed syllabus involved changes that are a move towards compulsory English, Physics, Chemistry, Biology, Investigating Science and Extension Science in the future. English Changes introduced to compulsory English discontinued the field of study "Discovery" as NESA discovered students would simply hire and pay off third party tutoring companies and/or private tutors in order to completely memorise and regurgitate essay information, in turn causing an imbalance in advantage towards the state of NSW. For the new syllabus, English |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 14, "sc": 360, "ep": 18, "ec": 482} | 2,397 | Q5758242 | 14 | 360 | 18 | 482 | Higher School Certificate (New South Wales) | English & Assessment | questions have now become more specific, prompting on-the-spot answers in turn rigorously testing students natural english writing ability and ability to analyse and interpret unseen questions, texts and information. Assessment A student's final mark in each subject is determined by a combination of in-school assessments conducted throughout the HSC component of a course, and externally administered final exam(s) typically held in October or November of that year. In addition to comprising half of a student's final assessment result in a subject, external exam results are also used to statistically moderate in-school assessment results between different schools.
These exams are administered by |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 18, "sc": 482, "ep": 22, "ec": 579} | 2,397 | Q5758242 | 18 | 482 | 22 | 579 | Higher School Certificate (New South Wales) | Assessment & Award | NESA, which is responsible for the overall oversight of the HSC. Award Upon successful completion of a satisfactory pattern of study students are awarded the Higher School Certificate by way of a testamur.
Whenever a student has completed a course they also receive feedback regarding their results in that course, which typically includes exam results, school assessment results and the performance band in which their performance lies.
Students who achieve excellent results of over 90 in 10 units of study in the HSC are awarded the Premier's Award by the New South Wales government. The most outstanding of these students may also |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 22, "sc": 579, "ep": 22, "ec": 1249} | 2,397 | Q5758242 | 22 | 579 | 22 | 1,249 | Higher School Certificate (New South Wales) | Award | be awarded the Australian Student Prize by the Commonwealth government. The T G Room award of the Mathematical Association of New South Wales is given to the student with the best score in the highest-level HSC mathematics examination.
HSC results may also be used to calculate the Australian Tertiary Admission Rank (ATAR). Similar ranking processes used previously were called the UAI (Universities Admission Index) and the TER (Tertiary Entrance Rank). The ATAR is a separate ranking calculated by another body, the Universities Admissions Centre (UAC), and is used for determining university entrance. Since 1998 the university entrance rank has been issued |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 22, "sc": 1249, "ep": 26, "ec": 556} | 2,397 | Q5758242 | 22 | 1,249 | 26 | 556 | Higher School Certificate (New South Wales) | Award & Vocational equivalent | separately from the HSC results in order to distinguish the two. Vocational equivalent The vocational equivalent to Year 12 will change from certificate II in 2015 to certificate III in 2020 by the Council of Australian Governments, mainly because Year 12 qualification has minimal hours greater than those of a level II qualification, where they correspond more closely to the hours of level III qualification. Although the completion of high school would lead to better labour market results, it is also
established that an scholarly pathway is not always suited for all and that some are unaccustomed to the institutionalised nature |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 26, "sc": 556, "ep": 26, "ec": 1174} | 2,397 | Q5758242 | 26 | 556 | 26 | 1,174 | Higher School Certificate (New South Wales) | Vocational equivalent | of schools. This has led to an understanding that there should be alternatives to Year 12 completion. As such, the idea of a vocational equivalent to Year 12 is a response to this. The construct of a vocational equivalent to completing a senior school certificate (denoted by the completion of Year 12) has been an attribute of government policy since the late 1990s, with a declaration stating:
"All students have access to the high quality education necessary to enable the completion of school education to Year 12 or its vocational equivalent and that provides clear and recognised pathways to employment |
{"datasets_id": 2397, "wiki_id": "Q5758242", "sp": 26, "sc": 1174, "ep": 30, "ec": 130} | 2,397 | Q5758242 | 26 | 1,174 | 30 | 130 | Higher School Certificate (New South Wales) | Vocational equivalent & Impact on Adolescents | and further education and training." Impact on Adolescents A NSW Health report found that 1 in 11 adolescents who committed suicide had experienced significant levels of HSC-related stress. |
{"datasets_id": 2398, "wiki_id": "Q2563164", "sp": 2, "sc": 0, "ep": 8, "ec": 232} | 2,398 | Q2563164 | 2 | 0 | 8 | 232 | Hihifo | Overview | Hihifo Hihifo is the main village on the island of Niuatoputapu in Tonga. Hihifo (which means 'west' in the Tongan language) is situated on the west side of Niuatoputapu and is the main centre for public and government facilities for the island residents, with a post office and police station. The other two villages on Niuatoputapu are Falehau and Vaipoa. Overview Hihifo was extensively damaged in the 2009 Samoa earthquake and tsunami with a number of fatalities. The tsunami followed an 8.0 Mw earthquake in the Samoan Islands region at 06:48:11 local time on September 29, 2009 (17:48:11 UTC). |
{"datasets_id": 2399, "wiki_id": "Q224156", "sp": 2, "sc": 0, "ep": 6, "ec": 650} | 2,399 | Q224156 | 2 | 0 | 6 | 650 | Hikikomori | Common traits | Hikikomori Common traits While many people feel the pressures of the outside world, hikikomori react by complete social withdrawal. In some more extreme cases, they isolate themselves in their bedrooms for months or years at a time. They usually have few or no friends. In interviews with current or recovering hikikomori, media reports and documentaries have captured the strong levels of psychological distress and angst felt by these individuals.
While hikikomori favour indoor activities, some venture outdoors occasionally. The withdrawal from society usually starts gradually. Affected people may appear unhappy, lose their friends, become insecure and shy, |
{"datasets_id": 2399, "wiki_id": "Q224156", "sp": 6, "sc": 650, "ep": 10, "ec": 587} | 2,399 | Q224156 | 6 | 650 | 10 | 587 | Hikikomori | Common traits & Prevalence | and talk less. Prevalence According to Japanese government figures released in 2010, there are 700,000 individuals living as hikikomori within Japan, with an average age of 31. Still, the numbers vary widely among experts. These include the hikikomori who are now in their 40s and have spent 20 years in isolation. This group is generally referred to as the "first-generation hikikomori.” There is concern about their reintegration into society in what is known as "the 2030 Problem,” when they are in their 60s and their parents begin to die. Additionally, the government estimates that 1.55 million people are |
{"datasets_id": 2399, "wiki_id": "Q224156", "sp": 10, "sc": 587, "ep": 10, "ec": 1229} | 2,399 | Q224156 | 10 | 587 | 10 | 1,229 | Hikikomori | Prevalence | on the verge of becoming hikikomori. Tamaki Saitō, who first coined the phrase, originally estimated that there may be over one million hikikomori in Japan, although this was not based on national survey data. Nonetheless, considering that hikikomori adolescents are hidden away and their parents are often reluctant to talk about the problem, it is extremely difficult to gauge the number accurately.
A 2015 Cabinet Office survey estimated that 541,000 recluses aged 15 to 39 existed. In 2019, another survey showed that there are roughly 613,000 people aged 40 to 64 that fall into the category of "adult hikikomori", which Japan's |
{"datasets_id": 2399, "wiki_id": "Q224156", "sp": 10, "sc": 1229, "ep": 14, "ec": 249} | 2,399 | Q224156 | 10 | 1,229 | 14 | 249 | Hikikomori | Prevalence & Psychiatric disorders | welfare minister Takumi Nemoto referred to as a "new social issue."
While hikikomori is mostly a Japanese phenomenon, cases have been found in the United States, Morocco, Oman, Spain, Italy, India, South Korea, Finland and France. Recent research using the same standardized definition of hikikomori has found evidence of it existing in other countries as wide-ranging as the United States and India. Psychiatric disorders Hikikomori is similar to the social withdrawal exhibited by some people with autism spectrum disorders, a group of disorders that include Asperger syndrome, PDD-NOS and "classic" autism. This has led some psychiatrists to suggest that hikikomori may |
{"datasets_id": 2399, "wiki_id": "Q224156", "sp": 14, "sc": 249, "ep": 14, "ec": 927} | 2,399 | Q224156 | 14 | 249 | 14 | 927 | Hikikomori | Psychiatric disorders | be affected by autism spectrum disorders and other disorders that affect social integration, but that their disorders are altered from their typical Western presentation because of the social and cultural pressures unique to Japan. Suwa & Hara (2007) discovered that 5 of 27 cases of hikikomori had a high-functioning pervasive developmental disorder (HPDD), and 12 more had other disorders or mental diseases (6 cases of personality disorders, 3 cases of obsessive-compulsive disorder, 2 cases of depression, 1 case of slight mental retardation). The researchers used a vignette to illustrate the difference between primary hikikomori (without any obvious mental disorder) and |
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