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{"datasets_id": 577, "wiki_id": "Q17006331", "sp": 12, "sc": 4165, "ep": 12, "ec": 4844} | 577 | Q17006331 | 12 | 4,165 | 12 | 4,844 | Artifact-centric business process model | Research and history | business processes and views, namely ACP, is defined and used to describe artifacts, services, business rules that control the processes, as well as views. They developed a bottom-up abstraction mechanism for process view construction to derive views from underlying process models according to view requirements. Consistency rules are also defined to preserve the consistency between constructed view and its underlying process. This work can be considered as one approach to the abstraction, i.e., generalization of artifact-centric business processes. The framework has also been extended to address modelling and change validation of inter-organizational business processes. |
{"datasets_id": 578, "wiki_id": "Q4801232", "sp": 2, "sc": 0, "ep": 6, "ec": 612} | 578 | Q4801232 | 2 | 0 | 6 | 612 | Artist Pension Trust | History | Artist Pension Trust History In 2004, a company named MutualArt launched the Artist Pension Trust as the first pension program for visual contemporary artists. It was founded by businessman Moti Shniberg, Hebrew University business professor, Dan Galai, and David A. Ross, former director of the Whitney Museum and the San Francisco Museum of Modern Art. APT started with eight regional trusts and subsequently launched a global trust, APT Global One, with a total of 628 artists.
After the first year, Artist Pension Trust owned the collection of approximately 65 artworks created by artists in the New York branch, including Jules |
{"datasets_id": 578, "wiki_id": "Q4801232", "sp": 6, "sc": 612, "ep": 10, "ec": 497} | 578 | Q4801232 | 6 | 612 | 10 | 497 | Artist Pension Trust | History & Storage Fee Changes | de Balincourt, William Cordova, Anthony Goicolea, and Aida Ruilova. Storage Fee Changes Artist Pension Trust announced that, beginning in September 2017, it would charge $6.50 per month for each work that members stored. The former CEO of the Mutual Art Group, which includes APT, defended the fee, arguing that the cost is much less than artists will have to pay elsewhere. He told Colin Gleadell of Artnet that “it’s not about raising money to balance our books; [it’s about getting] the work out of storage so that it can be seen and eventually sold. Some works have been in storage |
{"datasets_id": 578, "wiki_id": "Q4801232", "sp": 10, "sc": 497, "ep": 10, "ec": 1094} | 578 | Q4801232 | 10 | 497 | 10 | 1,094 | Artist Pension Trust | Storage Fee Changes | for ten years and that’s not good.” According to Brenner, the appeal of APT for some artists was the free storage facilities. In order to become a member, one originally had to agree to contribute to the storage expenses for oversize works when signing the contract, but the policy has never been enforced. In October 2017 seven former APT directors of the New York, London, Berlin, and Dubai Trusts and 21 APT officials— put their names on an open letter expressing solidarity with the aggrieved artists. The letter expresses “deep disappointment in the direction APT is moving,” saying that the |
{"datasets_id": 578, "wiki_id": "Q4801232", "sp": 10, "sc": 1094, "ep": 18, "ec": 7} | 578 | Q4801232 | 10 | 1,094 | 18 | 7 | Artist Pension Trust | Storage Fee Changes & Artwork distribution & Exhibitions | policy changes deviate from the original vision of the Trust as they understood it. Artwork distribution The artworks in the trust are gradually sold over the course of 20 years for the benefit of the artists. The funds from the net proceeds of each artwork sold are distributed in the following manner: 72% are distributed to the artists in the trust, with 40% to the individual artist and 32% among the artists in that trust based on the number of artworks they have deposited. The remaining 28% is used to cover the operational costs of the trusts. Exhibitions In June |
{"datasets_id": 578, "wiki_id": "Q4801232", "sp": 18, "sc": 7, "ep": 22, "ec": 419} | 578 | Q4801232 | 18 | 7 | 22 | 419 | Artist Pension Trust | Exhibitions & APT Institute | 2013, Venice Biennale, a major contemporary art exhibition that takes place once every two years (in odd years) in Venice, Italy, included 26 artists who are also a part of the global Artist Pension Trust. APT Institute In July 2013, Artist Pension Trust announced establishment of APT Institute, a non-profit organization whose task is to facilitate exhibitions and loans for curators, museums, and art organizations, as well as to promote contemporary art and artists worldwide. Recent loans arranged through the APT Institute include Jean Shin’s installation of neckties and a chain link fence named "Untied", which featured in the solo |
{"datasets_id": 578, "wiki_id": "Q4801232", "sp": 22, "sc": 419, "ep": 22, "ec": 680} | 578 | Q4801232 | 22 | 419 | 22 | 680 | Artist Pension Trust | APT Institute | show "Jean Shin: Common Threads", at the Smithsonian American Art Museum, and Sherif El Azma’s "Powerchord Skateboard", a two-screen DVD installation that was part of the Tate Modern’s recent show "Project Space: Objects in Mirror Are Closer Than They Appear". |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 2, "sc": 0, "ep": 10, "ec": 307} | 579 | Q5707413 | 2 | 0 | 10 | 307 | Arturo Porzecanski | Early life & Financial Industry Career | Arturo Porzecanski Early life Born and raised in Montevideo, Uruguay, of European Jewish immigrant parents, Porzecanski came to the United States in early 1968 and earned his B.A. degree in economics at Whittier College (1968-1971) and then his M.A. and Ph.D. in economics at the University of Pittsburgh (1971-1975). Financial Industry Career After a summer internship as a visiting economist at the International Monetary Fund (1973), and a year-and-a-half stint as a research economist at the Center for Latin American Monetary Studies in Mexico City (1975–76), he began his Wall Street career as an international economist and country risk analyst |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 10, "sc": 307, "ep": 14, "ec": 50} | 579 | Q5707413 | 10 | 307 | 14 | 50 | Arturo Porzecanski | Financial Industry Career & Academia | at the Morgan Guaranty Trust Co. of New York, one of the forerunners of today’s JP Morgan Chase (1977-1989). He went on to become the chief economist at Republic National Bank of New York (1989-1992); chief emerging-markets economist at Kidder, Peabody & Co. (1992-1993); chief economist for the Americas at ING Barings (1994-2000); and chief economist for emerging markets at ABN AMRO (2000-2005). He was recognized in 2005 for his outstanding professional accomplishments on Wall Street and named a “Legacy Laureate” by his alma mater, the University of Pittsburgh. Academia Porzecanski decided to open up a second act in his |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 14, "sc": 50, "ep": 14, "ec": 679} | 579 | Q5707413 | 14 | 50 | 14 | 679 | Arturo Porzecanski | Academia | professional career in 2005 by becoming a full-time university professor of international economics, a shift in professional direction that was part of a generational handover by pioneers in emerging-markets research who had also taken early retirement and started out on new career paths. Having taught on an adjunct basis at Columbia University and New York University, he was a visiting professor of economics at Williams College in Spring 2005. He was appointed to the faculty of the School of International Service at American University as of Fall 2005, first as Scholar of International Finance and then, as of Fall 2007, |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 14, "sc": 679, "ep": 18, "ec": 109} | 579 | Q5707413 | 14 | 679 | 18 | 109 | Arturo Porzecanski | Academia & Patient Advocacy | as Distinguished Economist-in-Residence. In 2012, he was also named Director of the International Economic Relations Program at SIS through August 2018. Besides devoting himself to teaching and policy-oriented research in his field, he has provided consulting services to legal and financial firms, as well as to U.S. government agencies and multilateral organizations. He has also been appointed a Dispute Resolution Arbitrator for the Financial Industry Regulatory Authority and was a Senior Associate (Non-resident) at the Center for Strategic and International Studies during 2007-2013. Patient Advocacy Since late 2005, Porzecanski has struggled with an exceedingly rare illness, Systemic Capillary Leak Syndrome |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 18, "sc": 109, "ep": 18, "ec": 741} | 579 | Q5707413 | 18 | 109 | 18 | 741 | Arturo Porzecanski | Patient Advocacy | (SCLS), which left him partially disabled and brought him near death several times. He became an international advocate for those affected by the disease, setting up a website for patients and doctors around the world to share information and provide support, and serving as its resident expert. He also persuaded the National Institutes of Health to carry out basic biomedical research on this syndrome. In early 2009, Porzecanski was profiled in the Health section of The Washington Post for this initiative and his determination to cope with this life- and limb-threatening illness. His leadership role as a patient advocate was |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 18, "sc": 741, "ep": 22, "ec": 106} | 579 | Q5707413 | 18 | 741 | 22 | 106 | Arturo Porzecanski | Patient Advocacy & Scholarship | recognized by Whittier College with an Outstanding Alumni Award for Community Impact. In 2016, the National Institutes of Health publicly acknowledged Porzecanski’s “indispensable” role in spreading awareness of SCLS and in enabling NIH scientific research on the deadly disease. In 2018, Porzecanski won a lawsuit against the Secretary of the U.S. Health and Human Services Department in U.S. federal court, which overturned a Medicare denial of treatment with intravenous immunoglobulin (IVIG), a therapy which has become the standard of care for SCLS patients. Scholarship Porzecanski has published widely in the fields of international finance and Latin American economics, with |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 22, "sc": 106, "ep": 22, "ec": 790} | 579 | Q5707413 | 22 | 106 | 22 | 790 | Arturo Porzecanski | Scholarship | scholarly articles in many edited volumes and in journals such as Business Economics, Chicago Journal of International Law, Development, Ethics & International Affairs, Fordham International Law Journal, International Finance, Journal of Banking and Finance, Journal of Developing Areas, Journal of Money, Credit and Banking, Law & Contemporary Problems, National Tax Journal and, World Economics. His only scholarly, sole-authored book, "Uruguay’s Tupamaros: The Urban Guerrilla", a contribution to political science, was published in the United States when he was a 23-year-old graduate student. He has been a life member of the Council on Foreign Relations since 1992, as well as |
{"datasets_id": 579, "wiki_id": "Q5707413", "sp": 22, "sc": 790, "ep": 22, "ec": 862} | 579 | Q5707413 | 22 | 790 | 22 | 862 | Arturo Porzecanski | Scholarship | a member of the Board of Directors of the Tinker Foundation since 2007. |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 2, "sc": 0, "ep": 6, "ec": 637} | 580 | Q2722732 | 2 | 0 | 6 | 637 | Arvin Sloane | Biography | Arvin Sloane Biography Arvin Sloane is the cold, calculating leader of SD-6, directing its operations against the U.S. government under the guise of being a secret organization within the government itself. He is eventually promoted to being a full member of "The Alliance", the organization that operates above each individual SD cell.
It is revealed through the course of the series that Sloane speaks Spanish, French, Japanese, Nepali, Mandarin, and Russian and reads Homeric Greek. It was revealed in the third season that Sloane has a life-threatening allergy to morphine.
Sloane is married to his long-time wife, Emily, for over 30 years. |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 6, "sc": 637, "ep": 6, "ec": 1256} | 580 | Q2722732 | 6 | 637 | 6 | 1,256 | Arvin Sloane | Biography | Early in his marriage Sloane was with the CIA, attached to the US Army Corps of Engineers, which is where he first encountered the works of Milo Rambaldi. Initially, Sloane dismissed Rambaldi and his works. That would change following the death of Arvin and Emily's infant daughter, Jacqueline. Wracked with grief, Sloane stumbled across some Rambaldi pages that he had stuck in a desk drawer and forgotten about. Reviewing the pages, Sloane was gripped by the possibilities inherent in what he saw there. This interest would rapidly grow into an obsession with all things Rambaldi.
At some point, Sloane had a |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 6, "sc": 1256, "ep": 6, "ec": 1798} | 580 | Q2722732 | 6 | 1,256 | 6 | 1,798 | Arvin Sloane | Biography | brief affair with Jack Bristow's wife, Irina Derevko (alias Laura). This resulted in the birth of the child who would become known as Nadia Santos. It is unclear exactly when this affair took place or exactly when Nadia was born. Sydney Bristow was born in 1975. It's stated in the series that Michael Vaughn's father kidnapped Nadia for her own safety when she was a young girl, and he was killed by Irina in 1979. It's also stated that Irina gave birth to Nadia in a Russian prison after she left Jack. Sydney is age 6 when Irina fakes her |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 6, "sc": 1798, "ep": 6, "ec": 2385} | 580 | Q2722732 | 6 | 1,798 | 6 | 2,385 | Arvin Sloane | Biography | death in late 1981, which means that Nadia must have been born in 1982. The timelines cannot be reconciled. Regardless of the exact timeline, Jack did not learn of this affair for over two decades. After Irina's apparent death, Jack was taken into federal custody and Sloane and Emily became Sydney's temporary guardians. Sydney believes that she didn't meet Sloane until she was recruited, as she reveals in season 2 episode Cipher that she has "big gaps in [her] memory" around the time of the death of her mother.
Some time after that, Sloane and a number of other CIA agents |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 6, "sc": 2385, "ep": 10, "ec": 283} | 580 | Q2722732 | 6 | 2,385 | 10 | 283 | Arvin Sloane | Biography & Season 1 | broke from the agency to attach themselves to the Alliance of Twelve. Sloane eventually became head of that section of the Alliance known as SD-6. When Sydney was 19 and a freshman in college, Sloane recruited her to join SD-6, convincing her that she was joining the CIA. Season 1 Partway through season 1, it is revealed that Emily was suffering from apparent terminal cancer. Emily learned that her husband had never truly left the world of intelligence. She made the mistake of telling Sydney what she knew and SD-6 soon caught wind of this fact. As a condition |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 10, "sc": 283, "ep": 14, "ec": 341} | 580 | Q2722732 | 10 | 283 | 14 | 341 | Arvin Sloane | Season 1 & Season 2 | of Sloane's being promoted to a full member of the Alliance he was ordered to kill his wife. Unable to bring himself to do this, Sloane set up an elaborate ruse, including the amputation of Emily's finger, to convince the Alliance that she was dead. Season 2 Concurrent with his engineering the downfall of The Alliance and SD-6, Sloane went underground, allying with Julian Sark and continuing his obsessive pursuit of Rambaldi artifacts. Emily collaborated secretly with the CIA to expose her husband's new crimes and consented to helping them capture Sloane by wearing a hidden wire but was coaxed |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 14, "sc": 341, "ep": 14, "ec": 925} | 580 | Q2722732 | 14 | 341 | 14 | 925 | Arvin Sloane | Season 2 | by Sloane, during this operation, swaying Emily from her cooperation with the CIA, thus allowing them to foil the CIA's original task. They attempted to flee together, with cover fire from Julian Sark and the help of Sydney's mother, Irina Derevko, (who was stealing a Rambaldi book) to Sloan's awaiting helicopter, but Emily was accidentally shot in the shoulder by the bullet meant for her husband and killed by Marcus Dixon, a former SD-6 agent now with the CIA. In retaliation, Sloane later arranged for Dixon's death by having a bomb placed in his vehicle one night while he and |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 14, "sc": 925, "ep": 18, "ec": 145} | 580 | Q2722732 | 14 | 925 | 18 | 145 | Arvin Sloane | Season 2 & Season 3 | his wife, Diane, were having dinner with Sydney & Vaughn. Dixon & Diane were supposed to be in the same vehicle but ended up driving separate vehicles that night. His wife, who had already gotten into her SUV and was driving away, was killed in the car bomb explosion. At the last minute, Dixon had turned around and was coming back to tell Sydney something, sparing him from seeing the actual explosion. Season 3 Between seasons 2 and 3 (the two-year gap where Sydney went missing), Sloane turned himself in to the U.S. government and, in exchange for a full |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 18, "sc": 145, "ep": 18, "ec": 820} | 580 | Q2722732 | 18 | 145 | 18 | 820 | Arvin Sloane | Season 3 | pardon, utilized all of his knowledge to help bring down various terrorist organizations. Sloane then moved to Zurich, Switzerland, setting up a humanitarian organization called Omnifam and apparently becoming a philanthropist, claiming that his research into Rambaldi's secrets led him to one word: peace. Sloane still occasionally worked for the CIA by utilizing his contacts with the Covenant and other organizations, but his motives still elicited suspicion within the government, and particularly from Sydney, who never forgave him for authorizing the murder of her fiancé during the SD-6 days.
In fact, besides the word "peace", the Rambaldi device known as Il |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 18, "sc": 820, "ep": 18, "ec": 1441} | 580 | Q2722732 | 18 | 820 | 18 | 1,441 | Arvin Sloane | Season 3 | Dire (The Telling) printed out the DNA pattern for a person Rambaldi called The Passenger. Sloane determined that The Passenger was his daughter with Irina Derevko, a woman named Nadia Santos who was an agent with Argentine intelligence. Sloane abducts her and injects her with a green "Rambaldi fluid" which makes her a "living conduit to Rambaldi". Nadia generates a complex algebraic equation that translates into a longitude and latitude for another Rambaldi artifact, The Sphere of Life. Sloane and Nadia briefly teamed up to recover the Sphere, but Nadia left her father when it appeared his Rambaldi obsession had |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 18, "sc": 1441, "ep": 22, "ec": 565} | 580 | Q2722732 | 18 | 1,441 | 22 | 565 | Arvin Sloane | Season 3 & Season 4 | become madness; she returned to Argentina. Season 4 Sloane is subsequently pardoned again and is recruited by the CIA to head up a new black ops division patterned after SD-6, called Authorized Personnel Only (APO). Sloane's first task was to hand-pick the agents he wanted to serve in the APO, choosing Sydney, Jack, Dixon and Vaughn. He later successfully convinced Nadia to join and added Marshall Flinkman and Eric Weiss.
Sloane's biggest challenge as the head of APO was in convincing Sydney, Vaughn, and Marcus that his intentions are genuine. Under orders by CIA superiors to keep close tabs on Sloane, |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 22, "sc": 565, "ep": 22, "ec": 1171} | 580 | Q2722732 | 22 | 565 | 22 | 1,171 | Arvin Sloane | Season 4 | the three agents have on several occasions sparked false alarms as to Sloane's loyalty. Meanwhile, Sloane and Jack have been following an agenda of their own, that appears to be related to the surviving sisters of Irina Derevko.
Late in season four it was revealed there was another man, dubbed "Arvin Clone" and virtually identical to Arvin Sloane in every way, was still tracking down Rambaldi artifacts in Sloane's name and committing numerous criminal acts in the process. "Arvin Clone" (real name Ned Bolger) is blamed for Irina's death by setting her up to appear as if she had contracted an |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 22, "sc": 1171, "ep": 22, "ec": 1815} | 580 | Q2722732 | 22 | 1,171 | 22 | 1,815 | Arvin Sloane | Season 4 | assassin to kill Sydney.
Toward the conclusion of the fourth season, Sloane confesses that through his work with Omnifam, he has seeded water supplies around the world with chemical contaminants designed to make humanity more peaceful. He abandons his post as APO director, apparently to join Elena Derevko's scheme to destroy civilization using the contaminated water in conjunction with the Mueller device. In reality, Sloane is infiltrating Elena's organization in order to stop her endgame but Dixon is seriously wounded when trying to stop Sloane. During the final mission to stop Elena, Sloane aids APO, but in doing so is forced |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 22, "sc": 1815, "ep": 26, "ec": 257} | 580 | Q2722732 | 22 | 1,815 | 26 | 257 | Arvin Sloane | Season 4 & Season 5 | to shoot Nadia (who has been transformed by the chemical contaminants into a killing machine and is strangling Sydney). As the season ends, Sloane is imprisoned by the CIA, but receives an unexpected visit from Sydney, who tells him she believes his motives were good as she arranges for him to visit with his daughter. Season 5 During the fifth season, Sloane finds himself at the mercy of turncoat CIA agent Gordon Dean, who runs an SD-6-like criminal organization called "The Shed" on behalf of a larger group called Prophet Five. Dean arranges for Sloane to be released from federal |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 257, "ep": 26, "ec": 841} | 580 | Q2722732 | 26 | 257 | 26 | 841 | Arvin Sloane | Season 5 | custody, opening the door for Sloane to be reinstated with APO (albeit at a lower rank), which will allow Sloane to search for a cure for Nadia's condition. Dean threatens to undo all this if Sloane doesn't agree to act as a mole within APO.
This arrangement is short-lived as Sloane ultimately refuses to jeopardize the safety of Sydney or the others any longer, and he betrays Dean. Dean is captured by APO, but Sloane soon finds himself becoming beholden to another (as yet unexplained) element of Prophet Five, who holds the key to curing Nadia. This is proven when Nadia |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 841, "ep": 26, "ec": 1419} | 580 | Q2722732 | 26 | 841 | 26 | 1,419 | Arvin Sloane | Season 5 | briefly regains consciousness. Under the promise of a more permanent cure, Sloane is ordered to kill Dean, which he does. Once again, Sloane is forced to act as a mole within APO on behalf of Prophet Five, with a vague promise of a cure for Nadia. When he attempts to use his new contact to locate Sydney after she is kidnapped, he is asked to make a choice between saving Sydney and saving Nadia.
Ultimately, Sloane continues to work with Prophet Five until they provide him with a cure for Nadia's condition. He administers it, and she is successfully cured. Sloane's |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 1419, "ep": 26, "ec": 1999} | 580 | Q2722732 | 26 | 1,419 | 26 | 1,999 | Arvin Sloane | Season 5 | relationship with Nadia was always hindered by his obsession with Rambaldi's work (frequently at the expense of her well-being). This tension between his love for Nadia and his fixation upon Rambaldi comes to a head when Nadia demands that he choose between her and Page 47. The severity of his dichotomy was evident as he tearfully begs Nadia, "Please, don't make me choose between the two most important things in my life." When Nadia casts Page 47 into the fireplace, Sloane's obsession takes hold and he throws her out of the way to save it, accidentally killing her when she |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 1999, "ep": 26, "ec": 2640} | 580 | Q2722732 | 26 | 1,999 | 26 | 2,640 | Arvin Sloane | Season 5 | falls through a glass table.
Following Nadia's death, Sloane realizes that his faith in Rambaldi was all he ever truly had, making the betrayal of his loved ones inevitable. Nadia's death, according to this interpretation, was a necessary sacrifice. Sloane then leaves APO to join Prophet Five and see Rambaldi's work to its conclusion. Sloane subsequently is haunted by an apparition of Nadia, who states she is only appearing because Sloane wants her to be there.
Sloane realized that once his expertise with Rambaldi was no longer necessary to Prophet Five, he would be 'removed' from their services permanently. To this |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 2640, "ep": 26, "ec": 3288} | 580 | Q2722732 | 26 | 2,640 | 26 | 3,288 | Arvin Sloane | Season 5 | end he convinced Julian Sark and Kelly Peyton to betray Prophet Five and ally with him, having Peyton execute all leaders of Prophet Five and having Sark eliminate APO with high explosives (killing Thomas Grace).
Sloane finally set about achieving his endgame, kidnapping Marshall Flinkman and Rachel Gibson to force them to hack into a satellite network to locate a cavern where he could utilize another Rambaldi artifact, an amulet, to uncover further details towards the fruition of his ultimate goal.
Finally, Sloane's endgame was achieved in Mongolia, in the Tomb of Rambaldi, where Sloane used The Horizon to create a strange |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 3288, "ep": 26, "ec": 3901} | 580 | Q2722732 | 26 | 3,288 | 26 | 3,901 | Arvin Sloane | Season 5 | hovering sphere from which a reddish liquid drained. However before the purpose of this sphere could be revealed, Sydney intervened, removing The Horizon from its setting and causing the sphere to dissipate. A stand-off ensued and Sloane shot Jack to distract Sydney long enough for Sark to recover The Horizon from her. However, Sloane himself was shot and killed in retaliation by Sydney, one bullet entering his head to confirm a kill.
As Sloane's body collapsed, he fell into a vat of the strange liquid created by The Horizon which imbued with him special gifts, apparently the ultimate revelation |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 3901, "ep": 26, "ec": 4529} | 580 | Q2722732 | 26 | 3,901 | 26 | 4,529 | Arvin Sloane | Season 5 | of Rambaldi, immortality. Sloane recovered from his bullet wounds and was revived fully intact but was confronted by a dying Jack Bristow. Sloane offered his old friend the chance to be saved in the same rejuvenating liquid but Jack refused. Instead, Jack trapped Sloane in the tomb forever by detonating a powerful explosive and sacrificing himself.
Sloane is currently trapped under large rocks in the tomb, several hundred feet underground and alone but he is alive and seemingly immortal. The Nadia apparition makes one final appearance before vanishing. It is implied that his fate is to spend eternity trapped in |
{"datasets_id": 580, "wiki_id": "Q2722732", "sp": 26, "sc": 4529, "ep": 30, "ec": 370} | 580 | Q2722732 | 26 | 4,529 | 30 | 370 | Arvin Sloane | Season 5 & Jacquelyn Sloane | this place. Jacquelyn Sloane Thirty years before season 4, Emily Sloane was pregnant with her and Arvin's daughter. They had considered other names, but eventually stuck with Jacquelyn. It is suggested that the baby died during birth. According to Arvin, it was a risky pregnancy and the baby had fought hard to stay with them, but in the end it was overwhelming and her heart was not strong enough. |
{"datasets_id": 581, "wiki_id": "Q3564922", "sp": 2, "sc": 0, "ep": 10, "ec": 244} | 581 | Q3564922 | 2 | 0 | 10 | 244 | As-Salam Palace | History & Layout and amenities | As-Salam Palace History Al-Salam Palace was taken over by coalition forces during the 2003 invasion of Iraq. The palace was significantly damaged during the "Shock and Awe" campaign, when it sustained several airstrike attacks. It is headquarters for the Joint Area Support Group. It has been known to coalition forces as "Camp Prosperity" and "Forward Operating Base Prosperity." Layout and amenities The palace has 200 rooms with approximately 1,000,000 square feet (93,000 m²) floor space. There are six floors, three of which are usable (others serve as 'false floors'); two large ball rooms. The palace is internally lined with marble floors |
{"datasets_id": 581, "wiki_id": "Q3564922", "sp": 10, "sc": 244, "ep": 10, "ec": 843} | 581 | Q3564922 | 10 | 244 | 10 | 843 | As-Salam Palace | Layout and amenities | with hundreds of thousands of hand-cut pieces, granite walls, and ceilings that also have hundreds of thousands of hand-carved and inlaid hand-painted flowers.
The palace is also surrounded by a sequence of square tiles bearing the initials of Saddam Hussein (S & H); the letters in Arabic are called "Saad" & "Haa." These tiles are obvious on the top side of the palace building. Iraqis report that the palace dome used to have a life-sized statue of Saddam.
The fireplaces, which are placed around the lake in front of the palace, are fresh air vents used to provide fresh air to |
{"datasets_id": 581, "wiki_id": "Q3564922", "sp": 10, "sc": 843, "ep": 14, "ec": 219} | 581 | Q3564922 | 10 | 843 | 14 | 219 | As-Salam Palace | Layout and amenities & Current use | the bunkers below the lake. These bunkers are now inaccessible, having been flooded and sealed off by the coalition.
In the basement of the palace is an entry to one of many concrete tunnels lying beneath the city of Baghdad. These tunnels are also ventilated and provide access to other palaces, governmental facilities and Baghdad International Airport. Current use From April 2009 to January 2010, FOB Prosperity was run by JASG-C 32d IBCT from Wisconsin. From 2012, the FOB is occupied by the Iraqi Government, who have taken over the operations due to the U.S. military draw down. |
{"datasets_id": 582, "wiki_id": "Q4803123", "sp": 2, "sc": 0, "ep": 6, "ec": 507} | 582 | Q4803123 | 2 | 0 | 6 | 507 | Asa Gillett House | Description and history | Asa Gillett House Description and history The Asa Gillett House stands on the east side of South Main Street, south of downtown West Hartford and a short way north of the Noah Webster House. The front of its property is lined by a low brownstone retaining wall. The house is a 2-1/2 story wood frame structure, five bays wide, with a large central chimney. The main entrance, centered on the front facade, is flanked by sidelight windows and pilasters, and topped by an entablature. The main block is extended by a single-story ell to the right, |
{"datasets_id": 582, "wiki_id": "Q4803123", "sp": 6, "sc": 507, "ep": 6, "ec": 1001} | 582 | Q4803123 | 6 | 507 | 6 | 1,001 | Asa Gillett House | Description and history | and a two-story ell to the rear.
The house was probably built in the mid-18th century by Asa Gillett, grandson of one of West Hartford's early proprietors. Joseph Gillett settled the area in 1694, and was one of the signatories to a petition for a western parish of Hartford, which the area was then part of. He was also a founding organizer of the new Congregational church. Asa Gillett was primarily a merchant, although other Gilletts were active in farming the surrounding land. |
{"datasets_id": 583, "wiki_id": "Q43378576", "sp": 2, "sc": 0, "ep": 8, "ec": 401} | 583 | Q43378576 | 2 | 0 | 8 | 401 | Asada no Yasu | Biography | Asada no Yasu Asada no Yasu (麻田陽春) was a poet in Japan's Nara period who composed both waka (poetry in Japanese) and kanshi (poetry in Chinese). Biography Asada no Yasu was active in the Nara period of Japanese history. His birth and death dates are unknown.
He was a member of the immigrant Tōhon clan (答本氏), and was originally named Tōhon no Yasu, but in the fifth month of Jinki 1 (724) was given the surname Asada and the hereditary title Muraji, and so became Asada no Muraji Yasu (麻田連陽春). At this time, he held the court rank of Senior Eighth |
{"datasets_id": 583, "wiki_id": "Q43378576", "sp": 8, "sc": 401, "ep": 12, "ec": 115} | 583 | Q43378576 | 8 | 401 | 12 | 115 | Asada no Yasu | Biography & Waka | Rank, Upper Grade.
It is known that by 730 he was working in Dazaifu under Ōtomo no Tabito, and had attained the Junior Sixth Rank, Lower Grade.
In the first month of 739 he was promoted to the Junior Fifth Rank, Lower Grade. According to the Kaifūsō, during the time he held this rank he became the governor of Iwami Province, and this was in his fifty-sixth year, but it is unclear when that was.
He probably lived until around 749. Waka Four of his tanka (the name used for waka in the standard 5-7-5-7-7 metre in the pre-Heian period) were included in |
{"datasets_id": 583, "wiki_id": "Q43378576", "sp": 12, "sc": 115, "ep": 16, "ec": 33} | 583 | Q43378576 | 12 | 115 | 16 | 33 | Asada no Yasu | Waka & Kanshi | the Man'yōshū. These poems were number 569 and 570 (book 4), and 884 and 885 (book 5). All of these poems were composed during his time at Dazaifu. Poems 884 and 885 are accompanied by responses from the poet Yamanoue no Okura, so it is clear he had some amount of literary engagement with that poet.
His socializing with both Tabito and Okura while they were in Tsukushi has led to speculation that he may have been involved in the compilation of an early form of what became book 5 of the Man'yōshū. Kanshi One of his kanshi was included in |
{"datasets_id": 583, "wiki_id": "Q43378576", "sp": 16, "sc": 33, "ep": 16, "ec": 297} | 583 | Q43378576 | 16 | 33 | 16 | 297 | Asada no Yasu | Kanshi | the Kaifūsō.
He wrote a response to a kanshi composed by Fujiwara no Nakamaro during the time the latter was governor of Ōmi Province (a position he was granted in the ninth month of 747), and this appears to have been composed toward the end of his life. |
{"datasets_id": 584, "wiki_id": "Q4803390", "sp": 2, "sc": 0, "ep": 4, "ec": 588} | 584 | Q4803390 | 2 | 0 | 4 | 588 | Asahiko Mihara | Asahiko Mihara Asahiko Mihara (三原 朝彦 Mihara Asahiko, born May 23, 1947) is a Japanese politician of the Liberal Democratic Party (LDP), a member of the House of Representatives in the Diet (national legislature). A native of Onga, Fukuoka, he attended Hitotsubashi University and Dag Hammarskjöld College in the United States, and received a master's degree from Carleton University in Canada. He was elected to the House of Representatives for the first time in 1986. He participated in the formation of the New Party Sakigake in 1993 but later returned to the LDP. He was defeated in the 2009 election |
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{"datasets_id": 584, "wiki_id": "Q4803390", "sp": 4, "sc": 588, "ep": 4, "ec": 1168} | 584 | Q4803390 | 4 | 588 | 4 | 1,168 | Asahiko Mihara | by DPJ candidate Rintaro Ogata.
Representative Mihara was re-elected in 2012 to the Fukuoka Prefectural 9th district. He is a member of the Party Ethics and Fundamental National Policies Committees as well as the Director of the Special Committee on Promotion of Science and Technology, and Innovation.
In 2004, Mihara received political donations of ¥ 300,000 from organizations related to the Unification Church.
Mihara is a member of the Diet groups of Nippon Kaigi, an openly revisionist lobby, and Shintō Seiji Renmei, a fundamentalist Shintō lobby. |
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{"datasets_id": 585, "wiki_id": "Q22117749", "sp": 2, "sc": 0, "ep": 4, "ec": 137} | 585 | Q22117749 | 2 | 0 | 4 | 137 | Asano Nagatake | Asano Nagatake Asano Nagatake (May 7, 1895 – January 3, 1969) was the 29th family head of the Asano clan, which ruled over Hiroshima Domain before 1871. |
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{"datasets_id": 586, "wiki_id": "Q2321177", "sp": 2, "sc": 0, "ep": 6, "ec": 589} | 586 | Q2321177 | 2 | 0 | 6 | 589 | Ascot, Queensland | History | Ascot, Queensland History Historically, the land was occupied by the Aboriginal Turrbal clan. The Turrbal called the area Yowoggerra, meaning Corroboree Place. The clan had camping grounds on the north side of the Brisbane River around the Breakfast Creek area. It was at Breakfast Creek that explorers Oxley and Cunningham met members of the clan in 1824. The clan was often called the ‘Duke of York’s clan’ by whites. In 1858 two Aborigines, Dalinkua and Dalpie from the Breakfast Creek area, wrote letters to The Moreton Bay Courier protesting against the treatment their people.
Convicts were used in |
{"datasets_id": 586, "wiki_id": "Q2321177", "sp": 6, "sc": 589, "ep": 6, "ec": 1214} | 586 | Q2321177 | 6 | 589 | 6 | 1,214 | Ascot, Queensland | History | the 1830s to clear land and build basic roads. Within a decade wealthy free settlers took land with a view of the Brisbane River. In 1855, pastoralist James Sutherland purchased a large portion of land in the Brisbane area, including Ascot and its surrounds. He built one of Ascot's surviving and historically listed homes, Windermere.
The Eagle Farm Racecourse was established in 1863. Horse racing was one of the earliest sports in Brisbane and the name "Ascot" was given to the suburb as a tongue-in cheek reference to Ascot, England, and its prestigious Ascot Racecourse. There were racing stables throughout the |
{"datasets_id": 586, "wiki_id": "Q2321177", "sp": 6, "sc": 1214, "ep": 6, "ec": 1884} | 586 | Q2321177 | 6 | 1,214 | 6 | 1,884 | Ascot, Queensland | History | suburb until the late 1920s.
During World War II, several buildings were used by General Douglas MacArthur and the Central Bureau, which had its headquarters at "Nyrambla", 21 Henry Street. In July 1942, MacArthur moved his headquarters to Queen Street in Brisbane city. The Central Bureau work of intercepting and decoding Japanese intelligence remained in Ascot.
Also used was the fire station at 77 Kitchener Road and several other locations in nearby Hamilton. In 1941 military authorities took over the racecourse, then known as Camp Ascot, to house thousands of American troops. Camp Ascot was home to several US units, including the 2nd battalion |
{"datasets_id": 586, "wiki_id": "Q2321177", "sp": 6, "sc": 1884, "ep": 10, "ec": 220} | 586 | Q2321177 | 6 | 1,884 | 10 | 220 | Ascot, Queensland | History & Transport | of the 131st Field Artillery Regiment and the 35th Fighter Group comprising the 39th, 40th and 41st Fighter Squadrons and Headquarters Squadron.
From the 1990s the old servants' quarters of "Nyrambla" were home to the late Australian actor Bille Brown (1952-2013), honorary ambassador for Queensland for his stage work in the Queensland Theatre Company in Brisbane and the Royal Shakespeare Company. Transport Due to the popularity of the horse races, in 1882 a railway line branch was extended from Eagle Junction Eagle Farm Racecourse in Ascot. In 1899 the first electric tram service was extended to Ascot. Trams which ran from |
{"datasets_id": 586, "wiki_id": "Q2321177", "sp": 10, "sc": 220, "ep": 14, "ec": 345} | 586 | Q2321177 | 10 | 220 | 14 | 345 | Ascot, Queensland | Transport & Schools | Hamilton along Racecourse Road, Lancaster Road and terminated in Alexandra Road continued until 1969.
Ascot railway station Doomben railway station provide access to Citytrain services. Schools Ascot has a kindergarten in Kitchener Road, a preschool in Barlow Street and a state primary school in Pringle Street. St Margaret's Anglican Girls' School is a prestigious private school in the neighbourhood that provides education from Pre-Prep to Year 12. Ascot State School, in Pringle Street, provides primary education from Prep to Year 6. |
{"datasets_id": 587, "wiki_id": "Q4804133", "sp": 2, "sc": 0, "ep": 6, "ec": 585} | 587 | Q4804133 | 2 | 0 | 6 | 585 | Asembo | Overview | Asembo Overview Asembo is a place in the region of Nyanza Province in Kenya at 0°10'48" south of the equator and 34°23'24" east of the Greenwich Prime Meridian.
Asembo Bay, also known as Kamito is a lakeside town with a population of about 100,000 people. Asembo Bay boasted of being the place to watch East African Safari Rally, and considering that this sport was watched in the African Great Lakes countries of Kenya, Uganda and Tanzania, these lakeside people must have been very privileged to be part of this worldwide sport. These lakeside people also enjoyed a Factual 1974 cinema every |
{"datasets_id": 587, "wiki_id": "Q4804133", "sp": 6, "sc": 585, "ep": 6, "ec": 1189} | 587 | Q4804133 | 6 | 585 | 6 | 1,189 | Asembo | Overview | 7th of the month, not to mention an excellent water transport that connected her to other countries in the region.
Above all it must be known that this was an initially a business hub, thanks to the original Indian business men and women who built massive infrastructure that are still visible today. Half of these buildings are gone due to the buildings built using iron sheets which only lasted for 20-25 years.
In fact Kamito, as the town is also known, originated from an Indian businesswoman a residence of the shopping centre known as Min mitu loosely translated mother of Mitu (or |
{"datasets_id": 587, "wiki_id": "Q4804133", "sp": 6, "sc": 1189, "ep": 6, "ec": 1784} | 587 | Q4804133 | 6 | 1,189 | 6 | 1,784 | Asembo | Overview | as per the locals, mito).
Asembo Bay name cannot be mentioned without mentioning the owner of the best address in town, plot number 1 and 2 owner Ogut Awalla and his son Samwel Oyugi Ogut(very prominent business men). But the main credit goes to the hardest working business man whose action speaks for itself in the center Ongong'a Sigar, Oyugi Misula, Sure - a very bright fisherman and talented wizard. Fishing being part of this town. A prominent Engineer Gwela Jakandang'o must take his credit here. A good teacher of the yesteryear Mr Onyango Ted of Asembo Bay Primary School must |
{"datasets_id": 587, "wiki_id": "Q4804133", "sp": 6, "sc": 1784, "ep": 6, "ec": 1806} | 587 | Q4804133 | 6 | 1,784 | 6 | 1,806 | Asembo | Overview | take his credit here. |
{"datasets_id": 588, "wiki_id": "Q177394", "sp": 2, "sc": 0, "ep": 6, "ec": 551} | 588 | Q177394 | 2 | 0 | 6 | 551 | Ashley Rickards | Early life and acting career | Ashley Rickards Early life and acting career Rickards was born in Sarasota, Florida. She grew up on a horse farm that catered for children with special needs. She attended a local Montessori school where, at age 13, she had her first taste of acting in an opera production. Rickards graduated from high school at age fifteen and is a member of Mensa. After attending a local talent showcase, organized by Lou Pearlman, Rickards traveled to Los Angeles where she eventually gathered a team of representatives. Upon graduating, Rickards began to appear in a number of minor roles, while child labor |
{"datasets_id": 588, "wiki_id": "Q177394", "sp": 6, "sc": 551, "ep": 6, "ec": 1139} | 588 | Q177394 | 6 | 551 | 6 | 1,139 | Ashley Rickards | Early life and acting career | laws restricted the number of hours she was able to work. After making a number of guest appearances and shorts, she landed the role of Samantha Walker, a runaway foster child, in the sixth season of The CW's One Tree Hill. Although not aware of the show before auditioning, Rickards found that she "learned so much from acting techniques to different ways of shooting things". Her character did not return the following season, while in the same year she had a bit part in her first feature film, Gamer.
Rickards spent much of 2009 attending auditions while a proposed lead role |
{"datasets_id": 588, "wiki_id": "Q177394", "sp": 6, "sc": 1139, "ep": 6, "ec": 1697} | 588 | Q177394 | 6 | 1,139 | 6 | 1,697 | Ashley Rickards | Early life and acting career | in the film Dirty Girl fell through. In 2010, she appeared opposite Jimmy Smits in an episode of the legal drama Outlaw while she also auditioned for the lead role in the MTV series Awkward. Initially rejected, her manager Adam Griffin sent the producers a tape Rickards had made for Fly Away "to show how she can do anything". The actress landed both roles and filmed the pilot for the MTV series prior to Fly Away, a feature where she played a girl with severe autism.
As the lead in Awkward, Rickards' profile began to rise and she was also given |
{"datasets_id": 588, "wiki_id": "Q177394", "sp": 6, "sc": 1697, "ep": 10, "ec": 83} | 588 | Q177394 | 6 | 1,697 | 10 | 83 | Ashley Rickards | Early life and acting career & Other activities | the opportunity to direct an episode. In 2012, she had a minor role in the moderately successful comedy Struck by Lightning and another coming-of-age film Sassy Pants. In 2014 Rickards moved into the horror genre with a lead role in At the Devil's Door and as a teenage daughter in A Haunted House 2. In 2015, she filmed the fifth and final season of Awkward. In August 2016 it was announced that Rickards would play Rosalind "Rosa" Dillon/The Top in the CW series The Flash. Other activities In 2011, Rickards helped to launch the Project Futures Somaly Mam Foundation, which |
{"datasets_id": 588, "wiki_id": "Q177394", "sp": 10, "sc": 83, "ep": 10, "ec": 441} | 588 | Q177394 | 10 | 83 | 10 | 441 | Ashley Rickards | Other activities | works to prevent and end human trafficking and sexual slavery in Southeast Asia. In March 2015, she published a book A Real Guide to Getting It Together Once and For All.
Over the course of her career, she has also appeared in various music videos such as The Fray's "How to Save a Life", The Format's "She Doesn't Get It" and M83's "Claudia Lewis". |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 2, "sc": 0, "ep": 10, "ec": 63} | 589 | Q726316 | 2 | 0 | 10 | 63 | Ashtanga vinyasa yoga | Approach & Method of instruction | Ashtanga vinyasa yoga Approach Ashtanga Yoga students are expected to memorize a sequence and to practice in the same room as others without being led by the teacher. The role of the teacher is to guide as well as provide adjustments or assist in postures. In other locations, led classes are taught twice per week in place of Mysore style classes, and the teacher will lead a group through the same series at the same time. The led classes were only introduced in Pattabhi Jois's senior years. Method of instruction According to Pattabhi Jois's grandson R. Sharath Jois, one must |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 10, "sc": 63, "ep": 10, "ec": 745} | 589 | Q726316 | 10 | 63 | 10 | 745 | Ashtanga vinyasa yoga | Method of instruction | master poses before being given permission to attempt others that follow. However, Manju Jois disagrees. According to Jois's son Manju Jois, students were occasionally allowed to practice in a non linear format.
In the 21st century, a "new generation" of Ashtanga vinyasa yoga teachers have adopted Sharath's new rules, teaching in a linear style without variations. Practice takes place in a strict Mysore environment under the guidance of a Sharath-approved teacher. How-to videos and workshops, detailed alignment instructions and strength-building exercises are not part of the method, neither for the practitioner nor for the teacher. However, most teachers who claim |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 10, "sc": 745, "ep": 18, "ec": 340} | 589 | Q726316 | 10 | 745 | 18 | 340 | Ashtanga vinyasa yoga | Method of instruction & Principles & Tristhana | to have been taught by Sharath teach the above methods, exercises, and postures. Principles Ashtanga vinyasa yoga emphasizes certain main components, namely tristhana ("three places of action or attention", or the more physical aspects of poses) and vinyasa (which Sharath Jois defines as a system of breathing and movement). Tristhana Tristhana means the three places of attention or action: breathing system (pranayama), posture (asana), and looking place (drishti). These are considered core concepts for ashtanga yoga practice, encompassing the three levels of purification: the body, nervous system and the mind; and are supposed to be "performed in conjunction with each |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 18, "sc": 340, "ep": 22, "ec": 54} | 589 | Q726316 | 18 | 340 | 22 | 54 | Ashtanga vinyasa yoga | Tristhana & Vinyasa | other".
The asanas in ashtanga yoga follow a set sequence as described above. Their stated purpose is to increase strength and flexibility of the body. Officially, the style has very little alignment instruction.
Breathing is ideally even and steady in the length of the inhale and exhale.
Drishti is the location where one focuses the eyes while practicing asana. In the ashtanga yoga method, there is a prescribed point of focus for every asana. There are nine dristhis: the nose, between the eyebrows, navel, thumb, hands, feet, up, right side and left side. Vinyasa Vinyasas are flowing sequences of movements to connect |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 22, "sc": 54, "ep": 26, "ec": 339} | 589 | Q726316 | 22 | 54 | 26 | 339 | Ashtanga vinyasa yoga | Vinyasa & Breath | each asana with the next. Modern vinyasa yoga in addition coordinates the breath with the vinyasa transition movements between asanas.
According to Sharath Jois, the purpose of vinyasas is to purify the blood, which is otherwise heated and supposedly contaminated by the practice of asanas. Breath Although Ashtanga yoga keeps a general principle of steady and even inhales and exhales, the specifics of breath during the asanas are debated.
In his book Yoga Mala, Pattabhi Jois recommends staying five to eight breaths in a posture, or staying for as long as possible in a posture. Breathing instructions given are to do rechaka |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 26, "sc": 339, "ep": 26, "ec": 921} | 589 | Q726316 | 26 | 339 | 26 | 921 | Ashtanga vinyasa yoga | Breath | and puraka, (exhale and inhale) as much as possible. "It is sufficient, however, to breathe in and out five to eight times in each posture." In an interview regarding the length of the breath, Pattabhi Jois instructs practitioners to (translated quote), "Inhale 10 to 15 seconds then exhale also 10 to 15 seconds". He goes on to clarify, "(As) your breath strength is possibly 10 second inhalations and exhalations, you do 10, 15 seconds possible, you do 15. One hundred possible, you perform 100. 5 is possible, you do 5". His son Manju Jois also recommends taking more breaths in |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 26, "sc": 921, "ep": 26, "ec": 1582} | 589 | Q726316 | 26 | 921 | 26 | 1,582 | Ashtanga vinyasa yoga | Breath | difficult postures.
Various influential figures have discussed the specific process of breathing in Ashtanga. Pattabhi Jois recommended breathing fully and deeply with the mouth closed, although he did not specifically name this as Ujjayi breathing. However, Manju Jois does, and refers to breathing called "dirgha rechaka puraka, meaning long, deep, slow exhalations and inhalations. It should be dirgha... long, and like music. The sound is very important. You have to do the Ujjayi pranayama". In late 2011, Sharath Jois stated that Ujjayi breathing as such was not done in the asana practice, but that asanas should be accompanied by deep breathing |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 26, "sc": 1582, "ep": 26, "ec": 2242} | 589 | Q726316 | 26 | 1,582 | 26 | 2,242 | Ashtanga vinyasa yoga | Breath | with sound. He reiterated this notion in a conference in 2013 stating, "You do normal breath, inhalation and exhalation with sound. Ujjayi breath is a type of prāṇāyāma. This is just normal breath with free flow".
As far as other types of pranayama in Ashtanga, the consensus seems to be they should be practiced after the asanas have been mastered. Pattabhi Jois originally taught pranayama to those practicing the second series, and later changed his mind, teaching pranayama after the third series.
Sharath Jois recently produced a series of videos teaching alternate nostril breathing to beginners. This pranayama practice was never taught |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 26, "sc": 2242, "ep": 30, "ec": 475} | 589 | Q726316 | 26 | 2,242 | 30 | 475 | Ashtanga vinyasa yoga | Breath & History | to beginners by his grandfather, and is one of the many changes Sharath has made to the Ashtanga Yoga method of instruction. History Pattabhi Jois claimed to have learned the system of Ashtanga from Tirumalai Krishnamacharya, who in turn claimed to have learned it from a supposed text called Yoga Kurunta by an otherwise unknown author, Vamama Rishi. This text was imparted to Krishnamacharya in the early 1900s by his Guru, Yogeshwara Ramamohana Brahmachari. Jois insists that the text described all of the āsanas and vinyāsas of the sequences of the Ashtanga system. However, the Yoga Kurunta text is said |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 30, "sc": 475, "ep": 30, "ec": 1129} | 589 | Q726316 | 30 | 475 | 30 | 1,129 | Ashtanga vinyasa yoga | History | to have been eaten by ants, so it is impossible to verify his assertions. Additionally, it is unusual that the text is not mentioned as a source in either of the books by Krishnamacharya, Yoga Makaranda (1934) and Yogāsanagalu (c. 1941).
According to Manju Jois, the sequences of Ashtanga yoga were created by Krishnamcharya. There is some evidence to support this in Yoga Makaranda, which lists nearly all the postures of the Pattabhi Jois Primary Series and several postures from the intermediate and advanced series, described with reference to vinyasa.
There is also evidence that the Ashtanga Yoga series incorporates exercises used |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 30, "sc": 1129, "ep": 34, "ec": 170} | 589 | Q726316 | 30 | 1,129 | 34 | 170 | Ashtanga vinyasa yoga | History & Etymology | by Indian wrestlers and British gymnasts. Recent academic research details documentary evidence that physical journals in the early 20th century were full of the postural shapes that were very similar to Krishnamacharya's asana system. In particular, the flowing Surya Namaskar, which later became the basis of Krishnamacharya's Mysore style, was in the 1930s considered as exercise, not part of yoga; Surya Namaskar and Krishnamacharya's yoga were taught separately, in adjacent halls of the Mysore palace. Etymology Jois elided any distinction between his sequences of asanas and the eight-limbed Ashtanga Yoga (Sanskrit अष्टांग asht-anga, "eight limbs") of Patanjali's Yoga Sutras. The |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 34, "sc": 170, "ep": 34, "ec": 797} | 589 | Q726316 | 34 | 170 | 34 | 797 | Ashtanga vinyasa yoga | Etymology | eight limbs of Patanjali's scheme are Yama, Niyama, Asana, Pranayama, Pratyahara, Dharana, Dhyana, and Samadhi. It was Jois's belief that asana, the third limb, must be practiced first, and only after that could one master the other seven limbs. However, the name Ashtanga in Jois's usage may, suggests yoga scholar Mark Singleton, derive from the old name of Surya Namaskar in the system of dand gymnastic exercises, which was Ashtang dand, after one of the original postures in the sequence, Ashtanga Namaskara (now replaced by Chaturanga Dandasana), in which 8 body parts all touch the ground, rather than Patanjali's yoga. |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 36, "sc": 0, "ep": 38, "ec": 633} | 589 | Q726316 | 36 | 0 | 38 | 633 | Ashtanga vinyasa yoga | Tradition | Tradition There is a lot of debate over the term "traditional" as applied to Ashtanga Yoga. The founder's students noted that Jois freely modified the sequence to suit the practitioner. Some of the differences include the addition or subtraction of postures in the sequences, changes to the vinyasa (full and half vinyasa), and specific practice prescriptions to specific people.
Several changes to the practice have been made since its conception. Nancy Gilgoff, an early student, describes many differences in the way she was taught ashtanga to the way it is taught now. According to her experiences, some of the differences include: |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 38, "sc": 633, "ep": 38, "ec": 1297} | 589 | Q726316 | 38 | 633 | 38 | 1,297 | Ashtanga vinyasa yoga | Tradition | Pattabhi Jois originally left out seven postures in the standing sequence, but later assigned Utthita Hasta Padangusthasana and Ardha Baddha Padmottanasana before the Intermediate Series was given; Utkatasana, Virabhadrasana A and B, Parivritta Trikonasana, and Parivritta Parsvakonasana were not in the series at this point; and Jois did not give her vinyasa between sides of the body poses or between variations of a pose (e.g., Janu Sirsasana A, B, and C were done together, then a vinyasa. Likewise Baddha Koṇāsana, Upavishta Konasana, and Supta Konasana were also grouped together without vinyasa between them, as were Ubhaya Padangusthasana and Urdhva Mukha |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 38, "sc": 1297, "ep": 38, "ec": 2044} | 589 | Q726316 | 38 | 1,297 | 38 | 2,044 | Ashtanga vinyasa yoga | Tradition | Paschimottanasana.
According to Gilgoff, Pattabhi Jois prescribed practicing twice a day, primary and intermediate, with no vinyasa between sides in Krounchasana, Bharadvajasana, Ardha Matsyendrasana, Eka Pada Sirsasana, Parighasana, and Gomukhasana in the intermediate series. Shalabhasana to Parsva Dhanurasana were done in a group, with a vinyasa only at the end. Ushtrasana through Kapotasana also were done all together. The same went for Eka Pada Sirsasana through Yoganidrasana. The closing sequence included only Mudrasana, Padmasana, and Tolasana until the completion of the Intermediate sequence, when the remainder of the closing sequence was assigned. Urdhva Dhanurasana and "drop-backs" were taught after Intermediate Series. |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 38, "sc": 2044, "ep": 42, "ec": 307} | 589 | Q726316 | 38 | 2,044 | 42 | 307 | Ashtanga vinyasa yoga | Tradition & Power Yoga spinoffs | She states that the original Intermediate series included Vrishchikasana after Karandavasana and ended with Gomukhasana. She also notes that Pattabhi Jois added Supta Urdhva Pada Vajrasana as well as the seven headstands when another yogi asked for more; these eight postures were not part of the Intermediate Series prior to this. Power Yoga spinoffs Power Yoga began in the 1990s with "nearly simultaneous invention" by two students of K. Pattabhi Jois, and similar forms led by other yoga teachers.
Beryl Bender Birch created what Yoga Journal calls "the original Power Yoga" in 1995.
Bryan Kest, who studied Ashtanga Yoga under K. Pattabhi |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 42, "sc": 307, "ep": 46, "ec": 183} | 589 | Q726316 | 42 | 307 | 46 | 183 | Ashtanga vinyasa yoga | Power Yoga spinoffs & Risk of injury | Jois, and Baron Baptiste, a Bikram Yoga enthusiast, separately put their own spins on the style, and branded it. Neither Baptiste's Power Yoga nor Kest's Power Yoga are synonymous with Ashtanga Yoga. In 1995, Pattabhi Jois wrote a letter to Yoga Journal expressing his disappointment at the association between his Ashtanga Yoga, and the newly coined style "power yoga", referring to it as "ignorant bodybuilding". Risk of injury In an article published by The Economist, it was reported that "a good number of Mr Jois's students seemed constantly to be limping around with injured knees or backs because they had |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 46, "sc": 183, "ep": 46, "ec": 820} | 589 | Q726316 | 46 | 183 | 46 | 820 | Ashtanga vinyasa yoga | Risk of injury | received his "adjustments", yanking them into Lotus, the splits or a backbend". Tim Miller, one of Jois's students, indicates that "the adjustments were fairly ferocious". Injuries related to Jois's Ashtanga Yoga have been the subject of discussion in a Huffington Post article.
In 2008, yoga researchers in Europe published a survey of practitioners of Ashtanga Yoga, indicating that 62 percent of the respondents had suffered at least one injury that lasted longer than one month. However, the survey lacked a control group (of similar people not subject to the treatment, such as people who had practised a different form of |
{"datasets_id": 589, "wiki_id": "Q726316", "sp": 46, "sc": 820, "ep": 46, "ec": 850} | 589 | Q726316 | 46 | 820 | 46 | 850 | Ashtanga vinyasa yoga | Risk of injury | yoga), limiting its validity. |
{"datasets_id": 590, "wiki_id": "Q28169459", "sp": 2, "sc": 0, "ep": 10, "ec": 23} | 590 | Q28169459 | 2 | 0 | 10 | 23 | Ashura Year Book Award | Selection process & In Picture | Ashura Year Book Award Selection process Members of an anonymous Council of Nominators are chosen for their expertise in the fields relevant to the award for which they will be nominating. After the nominators have chosen the candidates, the nominations are forwarded to a jury consisting of noted experts in each of the 15 categories. The jury then chooses the final recipients and sends these to the program’s Board for final approval. In Picture Hadi Laziri, Jame Daran |
{"datasets_id": 591, "wiki_id": "Q864740", "sp": 2, "sc": 0, "ep": 6, "ec": 545} | 591 | Q864740 | 2 | 0 | 6 | 545 | Asian emerald cuckoo | Description | Asian emerald cuckoo Description The Asian emerald cuckoo grows to a length of about 18 cm (7 in). The adult male has an iridescent dark green head, upper parts and upper breast, a white lower breast and a green barred belly. Bare skin round the eye is orange and the beak is orange/yellow tipped with black. The adult female has coppery-green upper parts, rusty brown crown and nape and green-barred underparts. Both sexes show a white band on the underwing when in flight. The underparts of the juvenile male lack the white lower breast and are more heavily barred. The voice |
{"datasets_id": 591, "wiki_id": "Q864740", "sp": 6, "sc": 545, "ep": 14, "ec": 223} | 591 | Q864740 | 6 | 545 | 14 | 223 | Asian emerald cuckoo | Description & Distribution and habitat & Ecology | is a “chweek” uttered while flying, and various whistled twitters. Distribution and habitat This cuckoo has a breeding range that extends from the Himalayas eastwards to Myanmar, China and northern Thailand. Further south it is a vagrant or migrant in northern India, Sri Lanka, Malaysia and Sumatra; it is not known to breed in these areas. It frequents forests and woodland margins. Ecology The Asian emerald cuckoo mainly forages in the upper levels of the canopy where it feeds on insects and other small invertebrates, including ants, caterpillars and bugs. It is a brood parasite, the females laying their eggs |
{"datasets_id": 591, "wiki_id": "Q864740", "sp": 14, "sc": 223, "ep": 18, "ec": 280} | 591 | Q864740 | 14 | 223 | 18 | 280 | Asian emerald cuckoo | Ecology & Status | in the nests of other birds, such as the crimson sunbird (Aethopyga siparaja) and the little spiderhunter (Arachnothera longirostra). Status C. maculatus has a very wide range but is generally an uncommon species. No particular threats have been recognised and the population is believed to be stable, so the International Union for Conservation of Nature has assessed its conservation status as being of "least concern". |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 2, "sc": 0, "ep": 6, "ec": 556} | 592 | Q127499 | 2 | 0 | 6 | 556 | Asier Illarramendi | Real Sociedad | Asier Illarramendi Real Sociedad A product of local Real Sociedad's youth system, Illarramendi was born in Mutriku, Gipuzkoa, and he spent the vast majority of his first four senior seasons with the B-team, contributing with 27 games and two goals in 2009–10 as the Basques returned to Segunda División B after one year out. On 19 June 2010, in the last day of the Segunda División campaign, as the first team had already sealed promotion to La Liga as champions, he made his first official appearance, in a 1–4 away loss against Elche CF.
On 23 January 2011, Illarramendi made his |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 6, "sc": 556, "ep": 10, "ec": 66} | 592 | Q127499 | 6 | 556 | 10 | 66 | Asier Illarramendi | Real Sociedad & Real Madrid | top division debut, in a 1–2 loss at Villarreal CF. The following month, he first appeared as a starter playing the full 90 minutes in another away defeat (1–4 against RCD Espanyol); the bulk of the season was spent, however, with the reserves in level three.
Illarramendi started in all of his 32 league appearances in 2012–13, as Real Sociedad finished fourth and qualified to the UEFA Champions League for the first time in ten years. At the LFP Awards, he was named Breakthrough Player and Best Midfielder. Real Madrid On 12 July 2013, Illarramendi signed a six-year contract with Real |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 10, "sc": 66, "ep": 10, "ec": 618} | 592 | Q127499 | 10 | 66 | 10 | 618 | Asier Illarramendi | Real Madrid | Madrid for a fee of €32.2 million, the highest amount paid by the club for a Spanish player. He made his official debut on 14 September by starting in a 2–2 away draw against Villarreal, and scored his first goal on 18 December in a 2–0 home win over CD Olímpic de Xàtiva for the season's Copa del Rey (also the aggregate score).
Illarramendi netted his first league goal for the Merengues on 22 February 2014, after his long-range effort against Elche was deflected and the hosts won it 3–0. His second came on 5 April, as he scored the first |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 10, "sc": 618, "ep": 10, "ec": 1193} | 592 | Q127499 | 10 | 618 | 10 | 1,193 | Asier Illarramendi | Real Madrid | in an eventual 4–0 success at former team Real Sociedad in the 44th minute; he was a regular in the domestic cup campaign, coming on as a late substitute for Ángel Di María in the 2–1 final defeat of FC Barcelona, adding 11 appearances – five starts – in the team's Champions League run but remaining on the bench as they clinched the trophy against Atlético Madrid in the final at the Estádio da Luz.
Illarramendi began his second year with a brief substitute appearance in the 2014 UEFA Super Cup triumph against compatriots Sevilla FC at the Cardiff City Stadium, |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 10, "sc": 1193, "ep": 14, "ec": 391} | 592 | Q127499 | 10 | 1,193 | 14 | 391 | Asier Illarramendi | Real Madrid & Return to Real Sociedad | and was also part of Real Madrid's squad which won the FIFA Club World Cup in Morocco, playing the entirety of the 4–0 semi-final over against Cruz Azul. Return to Real Sociedad On 26 August 2015, Illarramendi returned to Real Sociedad, signing a six-year deal– the transfer fee was not officially disclosed by the clubs, but was stated in the media as being between €15–17 million, around half of the figure paid in the opposite direction two years previously. He made his league debut in his second spell three days later, starting and being booked in a 0–0 home draw |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 14, "sc": 391, "ep": 18, "ec": 127} | 592 | Q127499 | 14 | 391 | 18 | 127 | Asier Illarramendi | Return to Real Sociedad & International career | against Sporting de Gijón. He recorded his first goal for the team in his second spell on 25 October, in a 4–0 win at Levante UD.
In the 2016–17 campaign, Illarramendi had the second-highest number of interceptions across Europe's five major leagues behind only Chelsea's N'Golo Kante. However, he was also noted for his poor disciplinary record, having racked up ten yellow cards by March 2017 including one in each of his four previous games. International career Illarramendi helped Spain reach the final of the 2007 FIFA U-17 World Cup, featuring in all games but one. He missed one of the |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 18, "sc": 127, "ep": 18, "ec": 748} | 592 | Q127499 | 18 | 127 | 18 | 748 | Asier Illarramendi | International career | penalties in the final shootout, which allowed Nigeria to lift the trophy.
Illarramendi played 16 times for the under-21s, in two years. He represented them at the 2013 UEFA European Championship in Israel, being first-choice as the nation won the competition and being selected in the team of the tournament.
Manager Julen Lopetegui first called up Illarramendi for the senior side in March 2017, ahead of a 2018 FIFA World Cup qualifier against Israel and a friendly with France. Additionally, he played for the Basque XI from 2013 onwards, scoring to open a 3–1 win over FIFA member Tunisia at the San |
{"datasets_id": 592, "wiki_id": "Q127499", "sp": 18, "sc": 748, "ep": 18, "ec": 1044} | 592 | Q127499 | 18 | 748 | 18 | 1,044 | Asier Illarramendi | International career | Mamés Stadium on 30 December 2016.
Illarramendi made his debut for Spain on 7 June 2017, playing the full 90 minutes in a 2–2 friendly draw to Colombia in Murcia. He scored his first goal on 9 October of that year, netting the game's only in Israel for the World Cup qualifying campaign. |
{"datasets_id": 593, "wiki_id": "Q65088752", "sp": 2, "sc": 0, "ep": 6, "ec": 360} | 593 | Q65088752 | 2 | 0 | 6 | 360 | Asleep (song) | History | Asleep (song) History This song was only performed live once on 1 October 1985, at Eden Court in Inverness, on the final day of their 1985 Scotland tour. It was only after a piano, that couldn't be moved off of the side of the stage, was discovered during soundcheck. Apparently, Morrissey was in the middle of the stage, on the ground, in a fetal position by the end of the song. |
{"datasets_id": 594, "wiki_id": "Q23467724", "sp": 2, "sc": 0, "ep": 6, "ec": 538} | 594 | Q23467724 | 2 | 0 | 6 | 538 | Assembly (events promoter) | History | Assembly (events promoter) History Assembly can trace its roots back to the 1981 Edinburgh Fringe when William Burdett-Coutts, who at the time was working at the Old Vic, intended to bring a show to the Fringe, The Madman and the Nun. However, he had left it too late to organise a venue. Fortunately, the Assembly Rooms on George Street had been vacated by the Festival Club, which had found it unprofitable to operate there. This meant there was space for Burdett-Coutts to host both his own show, and others. This was the foundation of the company which would become one |
{"datasets_id": 594, "wiki_id": "Q23467724", "sp": 6, "sc": 538, "ep": 10, "ec": 371} | 594 | Q23467724 | 6 | 538 | 10 | 371 | Assembly (events promoter) | History & Assembly Festival | of the "Big Four" Fringe venues, promoting shows at multiple venues across the city.
An early success was Alternative Cabaret, a show featuring Tony Allen, Jim Barclay, Andy de la Tour and Pauline Melville, which became one of the critical hits of 1981. Assembly Festival During August, as part of the Edinburgh Festival Fringe, and under the title "Assembly Festival", the company now operates seventeen theatre spaces, and eight bars. In 2015, the Assembly Festival programme consisted of 163 shows, including performances by Milton Jones, Adam Hills and Jason Byrne.
The company has been running events at the Fringe since the early |
{"datasets_id": 594, "wiki_id": "Q23467724", "sp": 10, "sc": 371, "ep": 10, "ec": 1022} | 594 | Q23467724 | 10 | 371 | 10 | 1,022 | Assembly (events promoter) | Assembly Festival | 1980s, originally at the Assembly Rooms, from which the name is derived. In recent years, the contract for operating the Assembly Rooms building during the Fringe has been awarded to the promoters behind The Stand Comedy Club, separating the company from its origins. However, from 2016, the company will again be operating the building.
In more recent times, the Assembly has been based in and around George Square, and has made particular use of the George Square Theatre, having rebranded it as Assembly George Square.
The entire Assembly Festival operation is three times the size of the Edinburgh International Festival and plays |
{"datasets_id": 594, "wiki_id": "Q23467724", "sp": 10, "sc": 1022, "ep": 14, "ec": 529} | 594 | Q23467724 | 10 | 1,022 | 14 | 529 | Assembly (events promoter) | Assembly Festival & Assembly Roxy | to audiences the equivalent of the BBC Proms. Assembly Roxy Assembly also run a year-round venue in Edinburgh in a converted church building near the main university campus. It is named the Assembly Roxy after the street on which it stands, Roxburgh Place. It hosts a small theatre, music and comedy programme, and also operates as a function suite for weddings and corporate events.
The current building dates to the early 20th century, when it was built to replace an old chapel on the site. That previous chapel - a "dark, oddly-shaped building" - had been taken over in 1856 by |
{"datasets_id": 594, "wiki_id": "Q23467724", "sp": 14, "sc": 529, "ep": 14, "ec": 1130} | 594 | Q23467724 | 14 | 529 | 14 | 1,130 | Assembly (events promoter) | Assembly Roxy | the congregation of Lady Glenorchy's Parish Church, who had moved there when their original church was demolished in the development of Waverley Station. In 1904, the minister, Reverend Thomas Burns, decided to rebuild the church to better meet the needs of the people. It was built in 2 stages - the hall, by Thomas Ross, in 1908-10 and the church, by Peter MacGregor Chalmers, in 1912-13. It cost £21,000 and opened in December 1913. As Lady Glenorchy South Church (to distinguish it from another church in Leith) it became one of the busiest churches in Edinburgh. The congregation diminished with |
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