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1 | Scene 210 | Kurisu | Think in terms of the current worldline. |
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1 | Scene 210 | Kurisu | Anyway, there's a bigger problem. |
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1 | Scene 210 | Kurisu | Will changing Urushibara-san's gender to male really bring the IBN 5100 back? |
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1 | Scene 210 | Kurisu | So you're gradually approaching the original worldline. |
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1 | Scene 210 | Kurisu | You know, I've been thinking. You really shouldn't be able to change the worldline so easily. |
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1 | Scene 210 | Kurisu | I mean, there are six billion people in the world. |
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1 | Scene 210 | Kurisu | It doesn't make sense that switching a single person's gender could cause such a huge change in the worldline. |
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1 | Scene 210 | Kurisu | 0.05% is pretty big. |
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1 | Scene 210 | Kurisu | What did Amane-san have to say about that? |
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1 | Scene 210 | Kurisu | Maybe the divergence meter actually measures your distance to the IBN 5100... |
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1 | Scene 211 | Kurisu | In any case, what you're saying is that all of the D-Mails we sent had an influence on the IBN 5100's location somehow? |
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1 | Scene 211 | Kurisu | Hmmm. So just cancel the D-Mails that activated Reading Steiner, and the IBN 5100 might come back to you. |
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1 | Scene 211 | Kurisu | Well, you tripped a romance flag, so... |
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1 | Scene 211 | Kurisu | Hmm... |
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1 | Scene 211 | Kurisu | ...Ah! |
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1 | Scene 211 | Kurisu | B-by the way, Okabe. Is there... someone you like? |
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1 | Scene 211 | Kurisu | Wh-why aren't you answering? |
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1 | Scene 211 | Kurisu | Oh... okay. |
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1 | Scene 211 | Kurisu | Ah, no, just wondering! There's no hidden meaning, okay!? |
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1 | Scene 211 | Kurisu | Is not! |
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1 | Scene 212 | Kurisu | A-anyway! You should go out with Urushibara-san! |
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1 | Scene 212 | Kurisu | Y-you don't like anyone else, right? Then answer her feelings, you dummy. |
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1 | Scene 212 | Kurisu | Just go out with her. |
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1 | Scene 212 | Kurisu | If there's nobody you like, then there's no reason not to, is there? |
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1 | Scene 212 | Kurisu | Get close and help her work through her feelings. Then she'll probably tell you what you need to know. |
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1 | Scene 212 | Kurisu | ...Only consider this as a last resort. |
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1 | Scene 212 | Kurisu | If you're willing to hurt Urushibara-san, you can always take the information by force. |
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1 | Scene 212 | Kurisu | She'll forget after the worldline changes, won't she? In that case, I think it's a valid option. |
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1 | Scene 212 | Kurisu | But only when compared to Mayuri's death. |
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1 | Scene 212 | Kurisu | ...I hate myself for suggesting this. |
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1 | Scene 213 | Kurisu | Stop staring. You're distracting me. How many times do I have to tell you? |
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1 | Scene 213 | Kurisu | Make it short. |
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1 | Scene 213 | Kurisu | Tell me why. If it's a date or something, then I refuse. |
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1 | Scene 213 | Kurisu | ... |
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1 | Scene 213 | Kurisu | What. |
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1 | Scene 213 | Kurisu | A-ahem. Actually, we have something to talk to you about, Urushibara-san. |
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1 | Scene 213 | Kurisu | Did you know? Male and female brains are very different. |
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1 | Scene 213 | Kurisu | Male brains are right-dominant. Female brains are left-dominant. |
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1 | Scene 213 | Kurisu | By the way, the right brain handles image processing, spacial processing, and comprehensive judgment. The left brain handles things like language, and calculation. |
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1 | Scene 213 | Kurisu | The right and left brains are connected by the corpus callosum, which is more developed in females. |
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1 | Scene 214 | Kurisu | You know how people say that girls are better at multitasking? That can be explained by the development of the corpus callosum. |
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1 | Scene 214 | Kurisu | Actually, these theories are kinda fringe. They're not really that credible. |
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1 | Scene 214 | Kurisu | So if you don't mind, I'd like to do an experiment. |
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1 | Scene 214 | Kurisu | I want to try mapping your brain patterns to see if they're more female or male. |
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1 | Scene 214 | Kurisu | Brainwave mapping. We just take a sample of your brainwaves. Anyway, you'll understand if you try it. Okay? Okay? It won't hurt a bit. |
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1 | Scene 214 | Kurisu | It'll be okay, I promise. It won't hurt a bit. Just come to the lab and we'll-- |
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1 | Scene 214 | Kurisu | Fwahn! Wh-what!? |
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1 | Scene 214 | Kurisu | I'm just treating her like a valuable test sub-- |
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1 | Scene 214 | Kurisu | Yeah, okay. So that's the thanks I get for going out of my way to help you. I'm gone. You're on your own now. |
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1 | Scene 214 | Kurisu | ...Oh, shut up. |
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1 | Scene 215 | Kurisu | ... |
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1 | Scene 215 | Kurisu | What is it? |
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1 | Scene 215 | Kurisu | Sup, you filthy normal? |
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1 | Scene 215 | Kurisu | No. Fill me in. |
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1 | Scene 215 | Kurisu | How am I supposed to listen from all the way over here? |
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1 | Scene 215 | Kurisu | Roger. |
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1 | Scene 215 | Kurisu | And? Why are you asking me? Just grant Urushibara-san's wish. |
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1 | Scene 215 | Kurisu | What's wrong with her? I mean, look how cute she is. |
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1 | Scene 215 | Kurisu | Her being a guy might just be your imagination. |
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1 | Scene 215 | Kurisu | From my perspective, she's always been a girl. |
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1 | Scene 216 | Kurisu | Just give up. Bye. |
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1 | Scene 216 | Kurisu | Well? |
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1 | Scene 216 | Kurisu | Did you agree to go out with her? Well, I can kind of guess based on Urushibara-san's reaction. |
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1 | Scene 216 | Kurisu | You told me to watch, didn't you? |
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1 | Scene 216 | Kurisu | Yeah? |
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1 | Scene 216 | Kurisu | Our insane mad scientist is dating a high school girl. That's not insane at all. |
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1 | Scene 216 | Kurisu | Sorry. I didn't mean to be snippy. I'm just a little irritated. |
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1 | Scene 216 | Kurisu | You made this choice to save Mayuri. So I'll change my way of thinking too. |
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1 | Scene 216 | Kurisu | Anyway, do you have any plans for your date tomorrow? |
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1 | Scene 216 | Kurisu | Well, do you? |
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1 | Scene 217 | Kurisu | And? |
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1 | Scene 217 | Kurisu | You're obviously a virgin, thank you ver-- |
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1 | Scene 217 | Kurisu | ...Hah!? |
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1 | Scene 217 | Kurisu | ...P-pretend you didn't just hear that. |
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1 | Scene 217 | Kurisu | S-sorry... |
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1 | Scene 217 | Kurisu | Ugh... |
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1 | Scene 217 | Kurisu | Shut up! What's wrong with being a virgin!? |
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1 | Scene 217 | Kurisu | ...Hah!? |
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1 | Scene 217 | Kurisu | Ah... awhawha... |
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1 | Scene 217 | Kurisu | L-let's get out of here! |
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1 | Scene 218 | Kurisu | What's important for a first date is to make a good impression. |
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1 | Scene 218 | Kurisu | An unclean appearance is out of the question. A haircut is especially important. Long hair looks dirty, so it's no good. |
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1 | Scene 218 | Kurisu | For clothes, you should wear something exactly the right size. Though it may be trendy, especially in Akiba, for young men to wear baggy clothes, it looks sloppy, so it's not good. |
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1 | Scene 218 | Kurisu | On the first date, conversation tends to break due to mutual nervousness. What's important is to play 'conversation catch'. |
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1 | Scene 218 | Kurisu | One-sided conversations aren't fun for the other side. Girls especially like to talk, so the guy should try to keep the conversation going. |
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1 | Scene 218 | Kurisu | Not just by listening. Throwing in appropriate responses is also necessary. Responsiveness gives the girl the impression that you're really listening to her. |
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1 | Scene 218 | Kurisu | Basically, you need to be the opposite of yourself. |
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1 | Scene 218 | Kurisu | Anyway, focus on acting normal for now. No more of that idiotic laughter. |
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1 | Scene 218 | Kurisu | You're too heavy-handed with girls. You talk too pompously. You fire off nonsensical delusions. |
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1 | Scene 218 | Kurisu | Who are you calling an American virgin? |
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1 | Scene 219 | Kurisu | Yeah, sure thing, virgin. |
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1 | Scene 219 | Kurisu | There's a saying. 'A fortress is judged by how many attacks it repulses; a soldier is judged by how many fortresses he takes.' |
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1 | Scene 219 | Kurisu | ...You're right. This is a dumb argument. |
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1 | Scene 219 | Kurisu | Anyway, this dating manual actually says some pretty interesting things. |
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1 | Scene 219 | Kurisu | Like 'when walking down the street, be sure to put yourself between your date and the road' or 'whatever you do, don't make the girl pay for anything'. Okay! For your date tomorrow, make sure you follow all of these rules. |
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1 | Scene 219 | Kurisu | And after that, there's... carry a clean handkerchief. Spread it out when the girl goes to sit on a park bench. |
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1 | Scene 219 | Kurisu | But that's what the book says. |
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1 | Scene 219 | Kurisu | When it's time to eat, avoid fast food of all kinds. Family restaurants are borderline acceptable. Anything else depends on your budget. |
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1 | Scene 219 | Kurisu | Arrive at the meeting place at least 15 minutes early. Tardiness is unacceptable. |
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1 | Scene 219 | Kurisu | Then you just need to decide where to take her. Movies, art galleries, strolling through town, and food are all safe. |