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[ [ "Carrie Burton Overton" ], [ "Introduction", "'''Carrie R. Burton Overton''' (July 20, 1888 – December 1975) was an American musician and stenographer.", "She was the first Black woman to enroll and study at the University of Wyoming, beginning in 1903." ], [ "Early life and education", "Carrie Burton was born in Wyoming Territory and raised in Laramie, the daughter of John R. Burton and Catherine Burton Price.", "Her stepfather Thomas Price was a former Buffalo Soldier.", "She had an older half-brother, Benny, who drowned when Carrie was 12 years old.", "Carrie Burton was the first Black female student to enroll at the University of Wyoming, in 1903, when she was fifteen years old.", "She earned a stenography certificate and studied piano.", "She attended Howard University beginning in 1908, with financial help from Jane Ivinson, a white philanthropist who organized a benefit concert for Burton.", "She earned a music diploma at Howard in 1913, and pursued further studies at the Juilliard School, where she earned a diploma in 1941.She earned a bachelor's degree in 1947 and a master's degree in 1948, both from Columbia University." ], [ "Career", "Overton worked as an administrative assistant at Howard University, In 1918, with support from the NAACP, she was offered a stenographer job at the U.S. Department of Agriculture, after a similar position at the Council of National Defense was offered, then withdrawn because of her race.", "She was a secretary who worked for Mary White Ovington of the NAACP, Julian D. Rainey at the Democratic National Committee, and John Haynes Holmes, pastor of the Community Church of New York.", "She was a member of the Business and Professional Women's Club of New York City, and of the Howard University Club of New York.Overton also played piano in New York clubs.", "In 1927, she gave a piano recital and New York's Landay Hall.", "\"Never has the writer heard a pianist of the Negro race offer the public a more dignified and enjoyable program,\" commented a reviewer in ''Musical Courier''.", "\"The young woman played from memory with poetic appreciation, much brilliancy and intellectual understanding.\"", "In 1931, she performed at a concert organized by Alma Vessels John for the Harlem Students' Association.", "In 1934, she played \"a program of Russian music\" at the Treble Clef Club in Washington, D.C. She composed an original musical work, now lost, which was performed at the Juilliard School in 1940." ], [ "Personal life", "Carrie Burton married a fellow Howard University alumnus, educator George W. B. Overton, in 1913.She died in 1975, at the age of 87, in New York City.", "Overton's papers and photographs are in the Archives of Labor History at Wayne State University." ], [ "References" ] ]

[ [ "Anna Nevius" ], [ "Introduction", "'''Anna Bruce Nevius''' is a retired American biostatistician who worked for many years in the Center for Veterinary Medicine of the US Food and Drug Administration, and chaired the Biopharmaceutical Section of the American Statistical Association." ], [ "Early life and education", "Nevius is originally from North Carolina, and graduated from high school in 1961 in Murphy, North Carolina.", "As a mathematics major at Carson–Newman College in Tennessee, she discovered her interest in statistics by taking a course in the subject in her senior year.She began a doctoral program in statistics at Kansas State University, but after marrying fellow statistics student S. Edward Nevius in 1968, she left with a master's degree to follow her husband to Alaska, where he was posted from 1968 to 1970 by the United States Public Health Service.", "In the early 1970s, she and her husband moved to Florida, where he earned a doctorate in statistics from Florida State University.From 1975 to 1978 she worked as an instructor and statistical consultant in mathematics and statistics at the University of Nebraska, where her husband had a tenure-track faculty position.", "After her husband moved to the Food and Drug Administration in 1979, she returned to graduate study at the University of Maryland, College Park,and completed a Ph.D. in applied statistics in 1984.Her dissertation, ''Techniques for Combining Contingency Tables: A Simulation Study'', was supervised by C. Mitchell Dayton." ], [ "Career and later life", "Nevius entered government service working for the Internal Revenue Service, but soon shifted to the Center for Veterinary Medicine, where she remained for the rest of her career.", "She chaired the Biopharmaceutical Section of the American Statistical Association for 2009.She retired three times and was rehired twice; after her second retirement, in 2022, and her husband's death at the end of 2022, she returned to the center again in 2023 as a rehired annuitant." ], [ "Recognition", "Nevius was elected as a Fellow of the American Statistical Association in 2012." ], [ "References" ] ]

[ [ "St. Petersburg FC" ], [ "Introduction", "'''St.", "Petersburg Football Club''' is a soccer club from St. Petersburg, Florida that plays in USL League Two." ], [ "History", "The club was founded in 2023 to play in USL League Two." ], [ "Colours", "The club's logo was designed to pay homage to the city of St. Petersburg and Pinellas County, featuring the colors pink to represent the Don CeSar hotel, blue to represent the Gulf of Mexico, and yellow for the sand found on many of the area's beaches." ], [ "Year-by-year", "YearTierLeagueRegular SeasonPlayoffsU.S.", "Open Cup20234USL League Two5th, South Florida did not qualifydid not qualify" ], [ "References" ] ]

[ [ "Cornelius Mweetwa" ], [ "Introduction", "'''Cornelius Mweetwa''' is a Zambian politician.", "He is the current Minister of Information and Media of Zambia and a member of parliament for Choma (constituency).", "He is a member of the United Party for National Development (UPND)." ], [ "References" ] ]

[ [ "Kiano Falcao" ], [ "Introduction", "'''Kiano Falcao Casamalhuapa''' (born April 11, 2006 in Bakersfield, California) is an American soccer player.", "Kiano Falcao currently plays for the Academy team at FC Cincinnati.", "He is #70 and plays left centerback.Kiano Falcao also currently plays for El Salvador U20 National Team.", "Kiano Falcao is one of the few international players to play for the Azulita.", "He previously helped El Salvador U17 National Team to the quarterfinals in Antigua, Guatemala in 2023." ], [ "References" ] ]

[ [ "Madera ambush" ], [ "Introduction", "On April 3, 2020, members of the La Línea faction of the Juárez Cartel led by El 32 ambushed members of Gente Nueva del Jaguar y sus Lobos, a faction of the Sinaloa Cartel led by El Jaguar, near Ciudad Madera, Chihuahua, Mexico.", "Nineteen people were killed in the ambush, and one was injured." ], [ "Prelude", "Confrontations between Gente Nueva and La Linea have been ongoing in northern Mexico for years, and in 2017, became controlled by Roberto Gonzalez Montes, known as El 32 in La Linea.", "Francisco Arvizu Marquez, dubbed El Jaguar, leads a Gente Nueva faction in the area.", "They most notably culminated in the LeBarón and Langford families massacre in November 2019.The massacre drew serious concern from the Mexican and American governments, and efforts began to crack down on La Linea.Eighteen others were killed in separate incidents in the Madera area on April 3." ], [ "Clashes", "The clashes occurred on a dirt road near Chuhuichupa, near La Norteña, around 6:35pm local time.", "A wounded eighteen year old man named Tomas Estrada Estrada from the Gente Nueva group stated that his group of around twenty people were ambushed by forty members of La Linea.", "According to Estrada, Gente Nueva was traveling under the command of El Jaguar's brother El Lobo at the time of the ambush.", "Eighteen people were killed in the immediate aftermath of the attack.", "Two injured fighters were taken to a hospital in Ciudad Cuauhtémoc, but one died on the way.", "When Mexican police arrived at the scene, eighteen guns were seized." ], [ "Aftermath", "On April 7, Chihuahua attorney general Cesar Augusto Peniche Espejel stated nine of the nineteen victims had been identified, although the brother and nephew of El Jaguar had not been identified yet.", "In an operation against La Linea by the Mexican government, three camps were destroyed.", "The toll was later updated, and El Jaguar's nephew Uriel Arvizu \"El Morito\" and El Jaguar's brother Jose Luis Arvizu Marquez \"El Lobo\" were both killed in the ambush.", "El Lobo was a senior leader in El Jaguar's faction of Gente Nueva." ], [ "References" ] ]

[ [ "Baphometic Bowl of Wisdom" ], [ "Introduction", "Baphometic Bowl of WisdomAfter the Freedom From Religion Foundation threatened to take the city of Belle Plaine, Minnesota to court for allowing the Belle Plaine Veterans Club to place a display of a black metal silhouette of a soldier with a rifle kneeling beside a two-foot Christian cross at the city-owned Veterans Memorial Park, the Satanic Temple announced plans to install a public monument at the park.", "The monument, entitled \"Baphometic Bowl of Wisdom\" by its designer, is a simple 23-inch black cube inscribed with inverted pentagrams holding an upturned helmet.", "Commissioned by the temple, it was a collaboration between sculptor Chris Andres and metalworker Adam Volpe.", "The cross memorial was removed in January 2017, but in response from protests and pressure to restore it, city officials designated a portion of the park as a limited public forum where any group, for a temporary period, could pay tribute to the fallen as they saw fit.", "Both the Belle Plaine Veterans Club and the Satanic Temple applied and were approved to erect monuments.", "In April 2017, the cross memorial was restored.", "The Satanic Temple planned to install its memorial in July 2017.As the plan drew more protests city officials decided to shut down the limited public forum, ordering the removal of cross memorial and withdrawing permission for the temple's monument.", "The temple's sued the city seeking $35,000 in damages stating they violated the group's First Amendment rights and breached its contract by rescinding its approval.", "The temple also said it has already paid to have the marker built.", "In 2021 the Satanic Temple has lost its court battle with the city of Belle Plaine.", "The judge found that Belle Plaine made a promise but said the temple didn't rely on it because the group had contacted an artist to make the monument before receiving a permit.", "and that the temple didn't make a \"compelling case\" that its reputation was hurt." ], [ "References" ] ]

[ [ "Inès (film)" ], [ "Introduction", "'''''Inès''''' is a Canadian coming-of-age drama film, directed by Renée Beaulieu and released in 2021.The film stars Rosalie Bonenfant as Inès, a woman who has just turned 20 years old, and whose mother Claudelle (Noémie Godin-Vigneau) has been in a coma for several years.", "Stuck in an unhealthy, codependent relationship with her father Christian (Roy Dupuis), she struggles to find a way to break free and chart a new course for her life.The cast also includes Martin Dubreuil, Alexandre Pronovost, Maxime Dumontier, Mélanie Pilon, Nikki Bohm, Laurence Champagne, Noémie Evangelho, George Hebert, Laurence Latreille, Jonathan Robert, Camille Poirier, David-Emmanuel Jauniaux, Philippe Robidoux, Dany Gange and Juliette Gariépy.The film premiered in the Borsos Competition program at the 2021 Whistler Film Festival, before going into commercial release in May 2022." ], [ "References" ], [ "External links", "*" ] ]

[ [ "2018 Connecticut State Comptroller election" ], [ "Introduction", "The '''2018 Connecticut State Comptroller election''' took place on November 6, 2018, to elect the next Connecticut State Comptroller.", "Two-term incumbent Democrat Kevin Lembo was reelected to a third term." ], [ "Democratic primary", "===Candidates=======Nominee====*Kevin Lembo, incumbent state comptroller" ], [ "Republican primary", "===Candidates=======Nominee====*Kurt Miller, first selectman of Seymour ====Lost in primary====*Mark Greenberg, businessman from Litchfield===Results===" ], [ "Third party candidates", "===Working Families===The Working Families Party endorsed Lembo, giving him access to a second ballot line.", ";Official designee*Kevin Lembo, incumbent state comptroller===Independent Party of Connecticut===The Independent Party of Connecticut endorsed Miller, giving him access to a second ballot line.", ";Official designee*Kurt Miller, first selectman of Seymour===Libertarian Party=======Nominee====*Paul Passarelli, CEO of Solar and Thermal Systems, Inc. and nominee for U.S.", "Senator in 2012===Green Party=======Nominee====*Edward Heflin, entrepreneur and candidate for state senator in 2016" ], [ "General election", "===Results===" ], [ "References" ] ]

[ [ "List of works by Sam Gilliam" ], [ "Introduction", "American artist Sam Gilliam (November 30, 1933 – June 25, 2022) produced thousands of paintings, sculptures, prints, and works of art in various mediums throughout his career.", "Below are chronological, though incomplete, lists of works by Gilliam.Gilliam's artistic practice encompassed and often blurred the lines between painting, sculpture, printmaking, and installation art.", "Many of Gilliam's key artistic achievements and styles are premised on combining elements of painting and sculpture in particular, including his ''Drape'' paintings on canvas that are often installed like free-hanging fabric sculptures, his ''Slice'' paintings on canvas displayed on sculptured stretcher bars that extend the paintings several inches off the wall, and his extensive series of painted wood and metal constructions.", "As such, it can be difficult to neatly categorize works by Gilliam into these distinct branches of visual art; these lists do not attempt to divide Gilliam's practice between sculpture and painting, instead sorting painted and sculptural works into categories according to the base material of the work (e.g., painted canvas, painted metal, etc.", "), along with the installation method (e.g., stretched, mounted, etc.).", "Works primarily created with printmaking techniques are listed separately.", "Non-extant works or works presumed to be destroyed - including several of Gilliam's site-responsive ''Drape'' installations - are also listed in a separate section at the end of these lists.", "Maquettes are listed directly below the work they were modeled for, regardless of medium.Descriptions of mediums and work dimensions are primarily sourced from the print or digital museum and gallery catalogues of Gilliam's exhibitions and public collection databases of museums and galleries that own his works.", "When discrepancies exist between a collection's description of an individual work's materials or size and a published catalogue's description of the materials or size, this article defers to the collection's description.", "Public collections are listed where known; works in unknown or private collections are listed without collections and may be owned by the artist's estate." ], [ "Painting and painted sculpture", "===Unstretched and unmounted painted canvas===Includes unstretched painted canvas and canvas alternatives (e.g., nylon, fabric, etc.", "), and unstretched canvas installed with physical objects, including sawhorses, metal beams, and stones.====1960s====* ''Bow Form Construction'' (1968); Acrylic and enamel on draped canvas; Overall: 119 7/16 × 332 5/16 in (303.4 × 844.1 cm) irreg.", "; Whitney Museum, New York* ''Carousel State'' (1968); Acrylic and aluminum powder on canvas; Overall: 119.13 × 846.22 in (302.6 × 2149.4 cm), 157 × 264 in (398.8 × 670.6 cm) irreg.", "; Metropolitan Museum of Art, New York* ''Double Merge (Carousel I and Carousel II)'' (1968); Acrylic on canvas; Left panel: 122 × 800 1/2 in (309.9 × 2033.3 cm), right panel: 118 5/8 × 862 1/2 in (301.3 × 2190.8 cm); Museum of Fine Arts, Houston, and Dia Art Foundation, New York (jointly owned)* ''Niagara'' (1968); Acrylic on canvas; 120 × 528 in (304.8 × 1341.1 cm)* ''Relative'' (1968); Acrylic on canvas; Overall: 120 × 528 in (304.8 × 1341.1 cm), installed: 120 × 162 in (304.8 × 411.48 cm) irreg.", "; National Gallery of Art, Washington, D.C.* ''Swing Sketch'' (1968); Acrylic on canvas with leather cord; 73 3/4 × 89 3/4 × 9 in (187.3 × 228 × 22.9 cm), dimensions vary with installation* ''10/27/69'' (1969); Acrylic on canvas; 140 × 185 × 16 in (355.6 × 469.9 × 40.6 cm); Museum of Modern Art, New York* ''Carousel Form II'' (1969); Acrylic on canvas; 120 × 900 in (303.8 × 720.1 cm); Speed Art Museum, Louisville, Kentucky* ''Combustion'' (1969); Acrylic on canvas; 133 1/2 × 151 1/4 × 15 in (339.1 × 384.2 × 38.1 cm), dimensions vary with installation* ''Cut'' (1969); Acrylic on raw canvas with rawhide; 68 × 97.5 × 6 in (172.7 × 247.7 × 15.2 cm)* ''Dakar I'' (1969); Acrylic on canvas; 113 × 59 × 14 in (287 × 149.9 × 35.6 cm); Philadelphia Museum of Art* ''Genghis'' (1969); Acrylic on raw canvas, rawhide, acrylic on wood ball; 62 × 120 × 9 in (157.5 × 304.8 × 22.9 cm)* ''Light Depth'' (1969); Acrylic on canvas; 120 × 900 in (304.8 × 2286 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.* ''Swing'' (1969); Acrylic and aluminum on canvas; 119 5/8 × 283 1/2 in (303.8 × 720.1 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.====1970s====* ''Arc II'' (1970); Acrylic on unstretched canvas; 47 × 90 in (119.4 × 228.6 cm); Museum of Fine Arts, Houston* ''Balance'' (1970); Acrylic on canvas with cowhide strips; 69 × 72 × 12 in (175.3 × 182.9 × 30.5 cm); Museum of Fine Arts, Boston* ''Basque 1 Range'' (1970); Acrylic and aluminum on canvas; 67 × 118 in (170.2 × 299.7 cm); Pérez Art Museum Miami* ''Carousel'' (1970); Acrylic on unstretched canvas; 118 × 805 in (199.72 × 2044.7 cm); Madison Museum of Contemporary Art, Madison, Wisconsin* ''Carousel Change'' (1970); Acrylic on canvas and leather; Installed: 140.1 × 283.4 in (356 × 720 cm); Tate, London* ''Change'' (1970); Acrylic on canvas; 75.98 × 118.11 in (193 × 300 cm); Mumok, Vienna, Austria* ''Cloud Kilimanjaro'' (1970); Acrylic on canvas; 65 × 65 × 16 in (165.1 × 165.1 × 40.6 cm); High Museum of Art, Atlanta* ''Dakar'' (1970); Acrylic on canvas; 109 × 98 in (276.86 × 248.92 cm) full canvas* ''Drape'' (1970); Acrylic on canvas; 90 × 68 × 14 in (228.6 × 172.72 × 35.56 cm)* ''Drape Work'' (formerly ''Untitled'') (1970); Acrylic on canvas; 108 × 108 in; Ogden Museum of Southern Art, New Orleans* ''Half Circle, Green'' (1970); Acrylic on canvas; 30 × 66 × 7 1/2 in (76.2 × 167.64 × 19 cm)* ''Idylls'' (1970); Acrylic, metallic paint, traces of crayon, and rawhide on canvas; 76 × 61 in (193 × 154.9 cm)* ''Leaf'' (1970); Acrylic on canvas; 121 3/4 × 186 × 12 1/2 in (309.25 × 472.44 × 31.75 cm); Dallas Museum of Art* ''Mazda'' (1970); Acrylic on canvas; Installed: 135 × 90 in (342.9 × 228.6 cm); Crystal Bridges Museum of American Art, Bentonville, Arkansas* ''One'' (1970); Acrylic on unstretched canvas; Installed: 92 × 67 in (233.7 × 170.2 cm), unfolded: 116 1/4 × 67 1/4 in (295.3 × 170.8 cm); Mary and Leigh Block Museum of Art, Evanston, Illinois* ''One On'' (1970); Acrylic on canvas; 123 × 93 × 13 in (312.4 × 236.2 × 33 cm), dimensions vary with installation* ''Quadrille'' (1970); Acrylic on cutout canvas with leather tongs; 86 × 86 in (218.44 × 218.44 cm)* ''Red Register'' (1970); Acrylic on canvas; 89 × 37 × 6 in (226.1 × 94 × 15.3 cm)* ''Rio'' (1970); Acrylic on canvas; Dimensions variable; Honolulu Museum of Art* ''Rite'' (1970); Acrylic on canvas; 100 × 74 × 20 in (254 × 188 × 50.8 cm), dimensions vary with installation* ''Simmering'' (1970); Acrylic on canvas and leather string; 85 × 53.27 in (215.9 × 135.3 cm); Tate, London* ''Street'' (1970); Acrylic on canvas; 104 × 73 × 16 in (264.2 × 185.4 × 40.6 cm); San Francisco Museum of Modern Art* ''Three Point'' (1970); Acrylic on canvas; 296 × 118 in (751.8 × 299.7 cm); Dayton Art Institute, Dayton, Ohio* ''Untitled'' (1970); Acrylic on canvas; 125 1/2 × 123 1/2 × 14 in (318.8 × 313.7 × 35.6 cm), dimensions vary with installation* ''Arch'' (1971); Acrylic with fabric dyes on canvas; When flat: 108 × 108 in (274.3 × 274.3 cm); Cincinnati Art Museum* ''Carousel Merge'' (1971); Acrylic on canvas; Installed: 120 × 900 in (304.8 × 2286 cm); Walker Art Center, Minneapolis* ''Carousel Merge 2'' (1971); Acrylic on canvas; 186 × 102 in (472.44 × 259.08 cm); Milwaukee Art Museum* ''Little Dude'' (1971); Acrylic on draped canvas; Flat: 66 × 66 in (167.6 × 167.6 cm), Installed: 57 × 55 in (144.5 × 139.7 cm) variable* ''Maya'' (1971); Acrylic on canvas; 92 × 50 × 9 in (233.68 × 127 × 22.86 cm)* ''Rondo'' (1971); Acrylic on canvas with oak beams; 103 × 144 × 78 in (261.6 × 365.8 × 198.1); Kunstmuseum Basel, Switzerland* ''Whisk'' (1971); 96 × 36 × 10 in (243.8 × 91.4 × 25.4 cm), dimensions vary with installation* ''Situation VI - Pisces 4'' (c 1972); Synthetic polymer paint on polypropylene fabric; Unfolded: 185 3/4 × 496 1/4 in (471.8 × 1260.5 cm); Williams College Museum of Art, Williamstown, Massachusetts* ''Flipping'' (1972); Acrylic on canvas; 80 × 66 × 6 in (203.2 × 167.64 × 15.24 cm)* ''Idle Twist'' (1972); Acrylic on canvas; Flat: 67 × 65 in (170.18 × 165.1 cm), installed: 48 × 60 × 12 in (121.92 × 152.4 × 30.48 cm), dimensions variable* ''Ruby Light'' (1972); Acrylic on canvas; 80 × 57 × 12 in (203.2 × 144.7 × 30.7 cm) approx., dimensions vary with installation; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.* ''Wall Circle I'' (1972); Acrylic on draped and folded canvas; 108 × 46 in (274.3 × 116.8 cm); Asheville Art Museum, Asheville, North Carolina* ''\"A\" and the Carpenter I'' (1973); Acrylic and canvas draped over wooden sawhorses; Installed: 96 × 132 in (243.84 × 335.28 cm) floor, dimensions vary with installation; Art Institute of Chicago* ''Crystal'' (1973); 92 3/4 × 29 3/4 × 7 1/2 in (235.6 × 75.6 × 19.1 cm), dimensions vary with installation* ''Fan Craze'' (1973); Acrylic on canvas; 61 × 58 5/8 × 9 1/2 in (154.9 × 148.9 × 24.1 cm), dimensions vary with installation* ''Gram'' (1973); Acrylic on canvas; Diameter: 60 in (152.4 cm), depth: 1/16 in (0.2 cm); Detroit Institute of Arts* ''Length Fanned'' (1973); Acrylic on canvas; 76 × 72 × 13 in (193 × 182.88 × 33.02 cm)* ''Red Cowl'' (1973); Acrylic on draped canvas; Flat: 103 3/4 × 43 in (263.5 × 109.2 cm), Installed: 96 × 43 in (243.8 × 109.2 cm) variable* ''Softly Still'' (1973); Acrylic, latex and dyes on polypropylene, ponderosa pine sawhorse; Painting: 182 × 119 in (462.3 × 302.3 cm), sawhorse: 30 1/4 × 36 × 13 in (76.8 × 91.4 × 33 cm); Allen Memorial Art Museum, Oberlin, Ohio* ''Stand'' (1973); Mixed media on canvas; 85 1/2 × 118 1/4 in (217.2 × 300 cm)* ''U.S.A.''", "(1973); Acrylic on canvas; 86 1/2 × 30 × 10 in (219.7 × 76.2 × 25.4 cm), dimensions vary with installation* ''Wall Circle III'' (1973); Acrylic on canvas with sewn felt and woven fabric swatches; Flat: 113 × 43 1/2 in (287.02 × 110.49 cm), installed: 83 × 24 1/2 × 8 in (210.82 × 62.23 × 20.32 cm), dimensions variable* ''Whole Lot of Shaking'' (1973); Acrylic on canvas; 59 4/5 × 63 1/10 in (152 × 160.5 cm); Museum Boijmans Van Beuningen, Rotterdam* ''Half Circle Red'' (1975); Acrylic on canvas; 78 × 33 × 6 in (198.1 × 83.8 × 15.2 cm); Saint Louis Art Museum* ''Art Ramp Angle Brown'' (1978); Acrylic and oil enamel on canvas and nylon; 35 7/8 × 242 1/2 in (91.0 × 616.0 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Eiler Blues'' (1978); Oil on stitched and unstretched awning canvas with grommets and objects; Installed: 300 × 84 × 192 in (118 × 33 × 75.5 cm) approx.", "; Madison Museum of Contemporary Art, Madison, Wisconsin* ''Untitled'' (1978); Acrylic on polypropylene canvas; 3 × 11 1/2 × 11 1/2 in (7.6 × 29.2 × 29.2 cm); Allen Memorial Art Museum, Oberlin, Ohio* ''Triple Variants'' (1979); Acrylic and oil with aluminum powder on canvas, aluminum beam, stones; Dimensions vary with installation; Richard B. Russell Federal Building, Atlanta (collection of General Services Administration):* Maquette: ''Campus Center View'' (1967-1977); Painted fiber and paper, wood, stone, fabric, and plastic assembled on wood base in plexiglass case; 18 7/8 × 38 1/8 × 29 1/8 in (47.9 × 96.7 × 74.0 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.====1980s========1990s====* ''Chinese'' (1990); Acrylic on shaped canvas; Dimensions variable; Washington and Lee University Museums, Lexington, Virginia* ''All Cats Are Grey at Night'' (1996); Acrylic on canvas; 65 × 44 × 8 in (165.1 × 111.76 × 20.32 cm), dimensions variable* ''Norfolk Keels'' (1998); Acrylic on canvas; Section A: 312 × 164 in (792.5 × 416.6 cm), section B: 301 × 115 in (764.5 × 292.1 cm), section C: 463 × 101 in (1176 × 256.5 cm), section D: 322 × 164 in (817.9 × 416.6 cm), section E: 336 × 82 in (853.4 × 208.3 cm), section F: 412 × 98 in (1046.5 × 248.9 cm); Chrysler Museum of Art, Norfolk, Virginia====2000s====* ''Chair Key'' (2002); Acrylic on cotton duck; 240 × 60 in (609.6 × 152.4 cm); Philander Smith College, Little Rock, Arkansas* ''The Illustrious Kites Made in Boxing Styles'' (2004); Acrylic on flag bunting; 600 × 180 in (1524 × 457.2 cm); Mint Museum, Charlotte, North Carolina* ''Rotunda Unwound'' (2005); Acrylic on IFR muslin; 108 × 44 × 36 in (274.32 × 111.76 × 91.44 cm); Currier Museum of Art, Manchester, New Hampshire* ''Alber's Chains'' (2008); Acrylic on nylon; Part 1: 242 × 94 1/4 in (614.68 × 239.4 cm), part 2: 94 1/4 × 47 3/4 in (239.4 × 121.29 cm), part 3: 94 1/4 × 242 in (239.4 × 614.68 cm); University of Michigan Museum of Art, Ann Arbor, Michigan* ''Dance Me, Dance You 2, #1-3'' (2009); Acrylic on polyester; Installed: 52 × 42 × 35 in (132.1 × 106.7 × 88.9 cm) three parts; Museum of Contemporary Art San Diego====2010s====* ''Tempo Series: #1'' (2009/2010); Acrylic on canvas; 70 × 38 × 11 in (177.8 × 96.5 × 27.9 cm) approx.", "* ''Tempo Series: #2'' (2009/2010); Acrylic on canvas; 72 × 36 × 11.5 in (182.8 × 91.44 × 29.2 cm) approx.", "* ''Tempo Series: #3'' (2009/2010); Acrylic on canvas; 67 × 32 × 13 in (170.1 × 81.28 × 33 cm) approx.", "* ''Tempo Series: #4'' (2009/2010); Acrylic on canvas; 60 × 36 × 10 in (152.4 × 91.44 × 24.4 cm) approx.", "* ''Tinkerbell's Bookcase'' (2010/2011); Acrylic on canvas; 72 × 46 × 10 in (182.8 × 116.8 × 25.4 cm)* ''Linger'' (2011); Acrylic on canvas; 54 × 60 × 8.5 in (137.1 × 152.4 × 21.6 cm)* ''Untitled'' (2011); Acrylic on polypropylene; 121 × 71 1/4 × 66 1/2 in (307.3 × 181 × 168.9 cm), dimensions vary with installation* ''Untitled'' (2011); Acrylic on polypropylene; 178 × 51 × 47.5 in (452.1 × 129.5 × 120.7 cm), dimensions vary with installation* ''Sac I'' (2012); Acrylic on nylon; 42 × 39 × 13 in (106.68 × 99 × 33 cm)* ''Sac II'' (2012); Acrylic on nylon; 22 × 22 × 9 in (55.88 × 55.88 × 22.86 cm)* ''Untitled'' (2018); Acrylic on Cerex nylon; 286 1/2 × 118 in (727.7 × 299.7 cm); Memorial Art Gallery, Rochester, New York* ''Untitled'' (2018); Acrylic on Cerex nylon; 304 × 114 1/2 in (772.2 × 290.8 cm); Memorial Art Gallery, Rochester, New York* ''Untitled'' (2018); Acrylic on Cerex nylon; 118 1/2 × 33 × 21 in (301 × 83.8 × 53.5 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 146 × 124 × 110 in (370.8 × 315 × 279.4 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 119 × 33 × 15 in (302.3 × 83.8 × 38.1 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 52 × 32 × 32 in (386.1 × 81.3 × 813 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 131 × 75 × 37 in (332.7 × 190.5 × 94 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 135 × 26 × 26 in (342.9 × 66 × 66 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 111 × 39 × 16 in (281.9 × 99.1 × 40.6 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 132 × 50 × 29 in (335.3 × 127 × 73.7 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 156 × 26 × 26 in (396.2 × 66 × 66 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 134 × 28 × 28 in (340.4 × 71.1 × 71.1 cm), dimensions vary with installation* ''Untitled'' (2018); Acrylic on Cerex nylon; 159 × 29 × 29 in (403.9 × 73.7 × 73.7 cm), dimensions vary with installation====2020s====* ''\"A\" and the Carpenter II'' (2022); Acrylic on polypropylene, wood, and leather string; Overall: 48 × 132 × 192 in (121.9 × 335.3 × 487.7 cm), sawhorse: 48 × 28 1/2 × 55 in (121.9 × 72.4 × 139.7 cm), dimensions vary with installation===Mounted or stretched painted canvas===Includes paintings on canvas with individual mixed media elements, including metal, fabric, and collage.====1960s====* ''Figure in Still-life Group (self-portrait)'' (1961); Oil on masonite; 22 1/8 × 27 7/8 in (56.2 × 70.8 cm); University of Louisville Art Collection; Louisville, Kentucky* ''First Season'' (1962); Oil on cotton canvas; 38 × 28 in (96.52 × 71.12 cm)* ''Diamas #9'' (1964); Acrylic on canvas; 80.25 × 80.50 in (203.84 × 204.47 cm)* ''Swing 64'' (1964); Acrylic on canvas; 35 3/4 × 36 1/8 in (90.8 × 91.76 cm)* ''Blue Let'' (1965); Acrylic on canvas; 71 3/8 × 47 1/8 × 3/4 in (181.3 × 119.7 × 1.9 cm)* ''Coronet'' (1965); Acrylic on canvas; 70 11/16 × 48 15/16 × 1 1/2 in (179.5 × 124.3 × 3.8 cm)* ''Dual Rod'' (1965); Acrylic on canvas; 47 7/8 × 47 9/16 × 1 1/2 in (121.6 × 120.8 × 3.8 cm)* ''Helles'' (1965); Acrylic on canvas; 71 3/4 × 71 5/16 × inches (182.2 × 181.1 × 3.8 cm)* ''Herald'' (1965); Acrylic on canvas; 72 × 72 in (182.9 × 182.9 cm)* ''Khufu'' (1965); Acrylic on canvas; 72 × 72 in (182.9 × 182.9 cm); Oklahoma City Museum of Art* ''Koa'' (1965); Acrylic on canvas; 24 × 24 in (60.96 × 60.96 cm); Phillips Collection, Washington, D.C.* ''Long Green'' (1965); Acrylic on canvas; 72 1/4 × 24 × 7/8 in (183.5 × 61 × 2.2 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.* ''Muse I'' (1965); Acrylic on canvas; 36 1/8 × 36 1/16 × 7/8 in (91.7 × 91.6 × 2.2 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.* ''Nok'' (1965); Acrylic on canvas; 70 5/8 × 83 1/8 × 1 1/2 in (179.4 × 211.1 × 3.8 cm)* ''Shoot Six'' (1965); Acrylic on canvas; 56 × 56 in (142.24 × 142.24 cm); National Gallery of Art, Washington, D.C.* ''Stems'' (1965); Acrylic on canvas; 69 × 50 × 1 1/2 in (175.3 × 127 × 3.8 cm)* ''Raw Meat'' (1965); Acrylic on canvas; 55.50 × 53.25 in (140.97 × 135.26 cm)* ''Tempo'' (1965); Acrylic on canvas; 56 × 56 in (142.24 × 142.24 cm)* ''Theme of Five I'' (1965); Acrylic on canvas; 70 × 83 × 1 1/2 in (177.8 × 210.8 × 3.8 cm)* ''Least Rivers'' (1966); Acrylic on canvas; 42.13 × 43.88 in (107 × 111.44 cm)* ''Light Fan'' (1966); Acrylic on canvas; 36 1/4 × 36 in (92.1 × 91.4 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Medley'' (1966); Acrylic on canvas; 81 × 80 in (205.7 × 203.2 cm); Baltimore Museum of Art* ''Sky Chord'' (1966); Acrylic on canvas; 86 1/4 × 86 in (219.1 × 218.4 cm); Oklahoma City Museum of Art* ''They Sail'' (1966); Acrylic on canvas; 56 × 24 in (142.24 × 60.96 cm); Phillips Collection, Washington, D.C.* ''Tumble II'' (1966); Acrylic on canvas; 78 1/2 × 78 5/8 in (199.39 × 199.71 cm)* ''Blue and Red (And Again)'' (1967); Acrylic on canvas; 90 × 40 in (228.6 × 101.6 cm); Rollins Museum of Art, Winter Park, Florida* ''Bounce'' (1967); Acrylic on canvas; 92 1/4 × 40 1/4 in (234.3 × 102.2 cm); Fralin Museum of Art, Charlottesville, Virginia* ''Clear'' (1967); Acrylic on canvas; 48 × 92 in (121.92 × 233.68 cm)* ''Cluster'' (1967); Acrylic, dye pigments, and bronze and aluminum powder on canvas; 86 × 22 1/2 × 2 in (218.4 × 57.1 × 5.1 cm)* ''Green Web'' (1967); Acrylic on canvas; 90 1/2 × 39 3/4 in (230.0 × 101.0 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Member'' (1967); Acrylic, due pigments, and aluminum powder on canvas; 90 × 43 3/4 × 1 in (228.6 × 111.1 × 5.1 cm)* ''Red Petals'' (1967); Acrylic on canvas; 88 × 93 in (223.52 × 236.22 cm); Phillips Collection, Washington, D.C.* ''Scope'' (1967); Acrylic on canvas; 89 3/8 × 48 1/4 × 2 1/2 in (227 × 122.6 × 6.4 cm)* ''Slide'' (1967); Acrylic on canvas; 94 × 88 in (238.76 × 223.52 cm)* ''Thrust'' (1967); Acrylic on canvas with beveled edge; 83 × 44 in (210.8 × 111.8 cm)* ''With Blue'' (1967); Aluminum with acrylic medium on canvas; 104 1/2 × 40 in (265.43 × 101.60 cm); George Washington University Art Collection, Washington, D.C.* ''Alphabet I, II, and III'' (1968); Acrylic on canvas; 70 × 90 in (177.8 × 228.6 cm); Fralin Museum of Art, Charlottesville, Virginia* ''April 4 (Part III)'' (1968); Acrylic on canvas; 114 × 21 × 4 in (289.6 × 53.3 × 10.2 cm); Studio Museum in Harlem, New York* ''Born Again (Homage)'' (1968); Magna and acrylic on canvas with aluminum powder; 119 × 176 in (302.26 × 447.04 cm); Virginia Museum of Fine Arts, Richmond, Virginia* ''In Seconds'' (1968); Acrylic on canvas; 107 × 131 in (271.78 × 332.74 cm)* ''Restore'' (1968); Magna and acrylic on canvas with aluminum powder; 108 3/4 × 152 3/4 in (276.2 × 388 cm); Speed Art Museum, Louisville, Kentucky* ''Rose Rising'' (1968); Acrylic on canvas; 97 × 132 × 3 7/8 in (246.4 × 335.3 × 9.8 cm)* ''Rouge'' (1968); Acrylic on canvas; 65 × 52 1/4 × 1 7/8 in (165.1 × 132.7 × 4.8 cm)* ''Snakebite'' (1968); Acrylic on canvas; 114 × 43 × 2 1/4 in (289.6 × 109.2 × 5.7 cm)* ''Through Expanses'' (1968); Acrylic on canvas; 111 × 87.4 in (282 × 222 cm); Kunstmuseum Basel, Switzerland* ''Along'' (1969); Acrylic on canvas; 111 × 144 × 2 in (281.9 × 365.8 × 5.1 cm)* ''Alphabet II'' (1969); Acrylic on canvas; 78 × 51 × 2 in (198.1 × 129.5 × 5.1 cm); Howard University Gallery of Art, Washington, D.C.* ''April 4'' (1969); Acrylic on canvas; 110 × 179 3/4 in (279.4 × 456.6 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Atmosphere I'' (1969); Acrylic on canvas; 105 3/4 × 195 3/4 × 3 7/8 in (268.6 × 497.2 × 9.8 cm)* ''Cape'' (1969); Acrylic on canvas; 110 × 110 in (558.8 × 558.8 cm); Kreeger Museum, Washington, D.C.* ''Dark Felled'' (1969); Acrylic on canvas; Sidwell Friends School, Washington, D.C.* ''Green April'' (1969); Acrylic on canvas; 98 × 271 × 3 7/8 in (248.9 × 688.5 × 9.85 cm); Kunstmuseum Basel, Switzerland* ''Minor Grids'' (1969); Acrylic on canvas; 70 × 30 in (177.80 × 76.20 cm); George Washington University Art Collection, Washington, D.C.* ''Misty'' (1969); Acrylic and dye pigments on canvas with beveled edge; 53 1/4 × 66 1/2 in (135.3 × 168.9 cm)* ''Out'' (1969); Acrylic on canvas; 113 1/2 × 152 1/2 × 2 in (288.3 × 387.4 × 5.1 cm)* ''Parallel'' (1969); Oil stained shaped canvas; 54 1/4 × 30 1/4 × 2 in (137.8 × 76.8 × 5.1 cm); Allen Memorial Art Museum, Oberlin, Ohio* ''Pink Flutter'' (1969); Acrylic on canvas; 107 × 86 in (271.8 × 218.44 cm); Chazen Museum of Art, Madison, Wisconsin* ''Red Glide'' (1969); Acrylic on canvas; 125 × 245 in (317.5 × 622.3 cm)* ''Red Stanza'' (1969); Acrylic on canvas; 54 3/4 × 118 3/8 × 1 7/8 in (139.1 × 300.7 × 4.8 cm)====1970s====* ''Back'' (1970); Acrylic on canvas; 103 × 144 × 3 7/8 in (261.6 × 365.8 × 9.8 cm)* ''Cape III'' (1970); Acrylic on canvas; Columbia Museum of Art, Columbia, South Carolina* ''Change'' (1970); Acrylic on canvas; 112 1/8 × 112 1/8 × 1 7/8 in (284.8 × 284.8 × 4.8 cm); Louisiana Museum of Modern Art, Humlebæk, Denmark* ''Elephanta'' (1970); Acrylic on canvas; 54 5/16 × 113 × 1 7/8 in (138 × 287 × 4.7 cm); Princeton University Art Museum, Princeton, New Jersey* ''Exist'' (1970); Acrylic on canvas; 51 × 79 × 2 in (129.5 × 200.7 × 5.1 cm)* ''Light Red Clay'' (1970); Acrylic on canvas; 45.1 × 50 × 2.2 in (114.6 × 127.0 × 5.7 cm)* ''Ray II'' (1970); Acrylic on canvas; 49 × 107 3/8 × 2 in (124.5 × 272.7 × 5.1 cm)* ''Ray VII'' (1970); Acrylic on canvas; 51 1/4 × 108 × 3 in (130.2 × 274.3 × 7.6 cm)* ''Red April'' (1970); Acrylic on canvas; 116 1/2 × 161 × 3 in (295.91 × 408.94 × 7.62 cm); University of Iowa Stanley Museum of Art, Iowa City, Iowa* ''Temple Fire'' (1970); Acrylic on canvas with beveled edge; 50 × 110 in (127 × 279.4 cm)* ''Untitled'' (1970); Acrylic on canvas with beveled edge; 55 × 110 in (139.7 × 279.4 cm)* ''Whirlirama'' (1970); Acrylic on canvas; 111 1/4 × 115 in (282.6 × 293.4 cm); Metropolitan Museum of Art, New York* ''Inlana'' (1969–1971); Oil and acrylic on canvas; 45 × 70 × 2 in (114.3 × 177.8 × 5.1 cm); Telfair Museums, Savannah, Georgia* ''April'' (1971); Acrylic on canvas; 60 × 60 × 2 1/2 in (152.4 × 152.4 × 6.3 cm); Phillips Collection, Washington, D.C.* ''Atmosphere IV'' (1971); Acrylic on canvas; 120 × 245 in (304.8 × 622.3 cm)* ''Bay'' (1971); Acrylic on canvas; 74 × 71 in (187.96 × 180.34 cm)* ''Blue Edge'' (1971); Acrylic on canvas; 71 7/8 × 71 3/4 in (182.6 × 182.2 cm); Baltimore Museum of Art* ''Blue Twirl'' (1971); Acrylic on canvas; 72 × 72 × 2 1/2 in (182.9 × 182.9 × 6.4 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.* ''Day Tripper'' (1971); Acrylic on canvas; 110 × 110 1/4 × 2 1/4 in (279.40 × 280.04 × 5.71 cm); Carnegie Museum of Art, Pittsburgh* ''Lady Day'' (1971); Acrylic on canvas; 120 × 245 in (304.8 × 622.3 cm)* ''Lady Day II'' (1971); Acrylic on canvas; 110 × 245 in (279.4 × 622.3 cm)* ''Repeat'' (1971); Acrylic on canvas; 72.0 × 71.9 × 3.0 in (182.9 × 182.6 × 7.6 cm)* ''After Glow'' (1972); Acrylic and dye pigments on canvas; 62 1/4 × 100 1/4 × 2 in.", "(188.6 × 254.6 × S.1 cm)* ''April 4'' (1972); Acrylic on canvas; 72 1/2 × 48 in (184.2 × 121.9 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.* ''Asking'' (1972); Acrylic on canvas; 81 × 75 in (205.7 × 190.5 cm); Hyde Collection, Glens Falls, New York* ''Bursting'' (1972); Acrylic on canvas; 77 × 73 × 2 in (195.6 × 185.4 × 5.1 cm)* ''Butterfly, Feeling'' (1972); 60 × 60 × 2 1/8 in (152.4 × 152.4 × 5.4 cm)* ''Certain'' (1972); Acrylic on canvas; 74 × 84 in (187.96 × 213.36 cm); National Gallery of Art, Washington, D.C.* ''Cordial I'' (1972); Oil on canvas; 76 × 73 in (193 × 185.4 cm); Nova Southeastern University Art Museum, Fort Lauderdale, Florida* ''Crosstown'' (1972); Acrylic on canvas; 69 3/4 × 85 × 2 1/2 in (177.2 × 215.9 × 6.4 cm)* ''Haystack'' (1972); Acrylic on canvas; 73 7/8 × 75 3/4 × 1 7/8 in (187.64 × 192.41 × 4.76 cm); Yale University Art Gallery, New Haven, Connecticut* ''May III'' (1972); Acrylic on canvas; 54 × 109.9 × 2.2 in (137.2 × 279.1 × 5.7 cm)* ''On Seven'' (1972); Oil on canvas; 14 × 115 in (35.56 × 292.10 cm); George Washington University Art Collection; Washington, D.C.* ''Scatter'' (1972); Acrylic on canvas; 60 × 60 in (152.4 × 152.4 cm); Indianapolis Museum of Art* ''Spring Thaw'' (1972); Acrylic on canvas with beveled edge; 72 × 72 inches (182.9 × 182.9 cm)* ''Starting I'' (1972); 40 1/2 × 71 1/2 × 2 in (102.9 × 181.6 × 5.1 cm)* ''Untitled'' (1972); 100 × 120 × 2 1/4 in (254 × 304.8 × 5.7 cm)* ''Wide Narrow'' (1972); Acrylic on canvas; 110 1/4 × 112 × 2 1/8 in (280.04 × 284.48 × 5.4 cm); Rose Art Museum, Waltham, Massachusetts* ''Yellow Edge'' (1972); Acrylic on canvas; 55 × 45 in (139.7 × 114.3 cm); National Gallery of Art, Washington, D.C.* ''Adolph Queequeg Slumber'' (1973); Oil and oil pastel on canvas; 29 1/4 × 58 1/4 in (74.29 × 147.95 cm)* ''Clear Arounds'' (1973); 52 × 48 × 3 in (132.1 × 121.9 × 7.6 cm)* ''Frost I'' (1973); Acrylic on canvas with beveled edge; 48 3/4 × 51 in (123.8 × 129.5 cm)* ''Frost II'' (1973); Acrylic on canvas; 49 × 51 × 2 in (124.5 × 104.1 × 5.1 cm); Dayton Art Institute, Dayton, Ohio* ''Green Lizzie'' (1973); Acrylic on canvas; 58 × 54 in (147.3 × 137.2 cm); McNay Art Museum, San Antonio* ''Last September IV'' (1973); Acrylic on canvas; 57 × 71 1/2 × 2 1/4 in (144.8 × 181.6 × 5.7 cm); North Carolina Museum of Art, Raleigh, North Carolina* ''Leah Lathers'' (1973); 51 × 49 × 1 1/2 in (129.5 × 124.5 × 3.8 cm)* ''A Little I'' (1973); Acrylic on canvas; 55 × 51 × 2 in (139.7 × 129.5 × 5.1 cm)* ''Skate Zing Orange'' (1973); Acrylic on canvas; 61 × 73 in (155 × 185.5 cm); Baltimore Museum of Art* ''Spread'' (1973); Acrylic on canvas; 69 × 113 1/2 × 1 3/4 in (175.3 × 288.3 × 4.4 cm)* ''Tinsel'' (1973); Acrylic on canvas; 51 × 48 in (129.5 × 121.9 cm)* ''Bacchus'' (1974–1975); Acrylic, oil and dye pigments on collaged, flat, mounted canvas; 51 × 96 in (129.54 × 243.84 cm)* ''Darted Again'' (1974–1975); Acrylic, oil and dye pigments on collaged, flat, mounted canvas; 51 × 96 in (129.54 × 243.84 cm); Miami-Dade County Department of Cultural Affairs, Miami* ''For Day One'' (1974–1975); Acrylic on canvas with collage; 49 × 49 in (124.46 × 124.46 cm); Speed Art Museum, Louisville, Kentucky* ''Over'' (1975-1975); Acrylic, oil, and dye pigments on collaged, flat, mounted canvas; Diameter: 45 1/2 in (115.57 cm)* ''Untitled'' (c. 1975); Acrylic on canvas; 30 × 30 in (76.2 × 76.2 cm); Brooklyn Museum, New York* ''Baptistry Senior II'' (1975); Acrylic and wood on canvas with collage; 57 × 45 in (144.78 × 114.3 cm)* ''Element'' (1975); Acrylic on canvas; 38 × 60 in (96.5 × 152.4 cm); University of Louisville Art Collection, Louisville, Kentucky* ''Spin/Arrest'' (1975); Oil on canvas; 75 × 60 in (190.5 × 152.4 cm); University of Maryland Global Campus Arts Program, Adelphi, Maryland* ''Untitled'' (1975); Acrylic on canvas with collage; 32 3/4 × 32 3/4 × 2 in (83.2 × 83.2 × 5.1 cm)* ''Double River'' (1976); Acrylic on canvas with collage; 90 1/2 × 181 × 3 in (229.9 × 459.7 × 7.6 cm)* ''For Brass'' (1976); Acrylic on canvas; 62 3/8 × 84 3/8 in (158.4 × 214.3 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.* ''Scrub'' (1976); Acrylic on canvas with collage; 72 × 132 in (182.88 × 335.28 cm); National Gallery of Art, Washington, D.C.* ''Weighed Anchor'' (1976); Acrylic on canvas with collage; 84 1/2 × 62 1/4 × 2 1/2 in (214.6 × 158.1 × 6.3 cm)* ''Abacus Sliding'' (1977); Polymer pigment on canvas; 90 1/4 × 120 1/2 × 1 3/4 in (229.2 × 306 × 4.4 cm); Denver Art Museum* ''Azure'' (1977); Acrylic with collage on canvas; 90 × 120 in (228.6 × 304.8 cm); Memphis Brooks Museum of Art, Memphis, Tennessee* ''Coffee Thyme'' (1977); Acrylic and cut canvas on canvas; 90 1/2 × 110 in (229.7 × 279.3 cm); Museum of Modern Art, New York* ''Earth Element'' (1977); Acrylic on canvas with collage; 60 × 84 1/2 × 2 3/8 in (152.4 × 214.6 × 6 cm)* ''Firefly Blacktop'' (1977); Oil and acrylic on canvas; 90 × 120 1/2 in (228.6 × 306 cm); High Museum of Art, Atlanta* ''Rail'' (1977); Acrylic and canvas on canvas; 90 3/4 × 180 3/4 in (230.5 × 459.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.* ''Station'' (1977); Acrylic collage on canvas on beveled stretcher; 30 × 30 in (76.2 × 76.2 cm)* ''Union'' (1977); Acrylic on canvas; 55 × 65 1/2 in (139.7 × 166.4 cm); Seattle Art Museum* ''Untitled (Black)'' (1978); Acrylic, yarn, and cut canvas on stained canvas; 89 3/4 × 120 1/2 in (228 × 306.1 cm); Whitney Museum, New York* ''Loving Lightly'' (1978–1979); Acrylic, mixed media, and collage on canvas; 40 × 70 in (101.6 × 177.8 cm); North Carolina Museum of Art, Raleigh, North Carolina* ''Cozy (diptych)'' (1979); Acrylic on canvas; Spelman College Museum of Fine Art, Atlanta* ''Leah's Renoir'' (1979); Acrylic on canvas with collage sections; 80 × 195 in.", "(203.2 × 495.3 cm); Metropolitan Museum of Art, New York* ''Luck'' (1979); Acrylic on canvas, diptych; Each panel: 80 × 45 in (203.2 × 114.3 cm); Oklahoma City Museum of Art* ''Mirror II'' (1979); Acrylic on shaped canvas; 80 × 80 in (203.2 × 203.2 cm); Phillips Collection, Washington, D.C.* ''Of Cities American'' (1979); Acrylic on canvas; 80 × 140 in (203.2 × 355.6 cm); Virginia Museum of Fine Arts, Richmond, Virginia* ''Open Cylinder'' (1979); Oil on canvas; Part A: 81 × 35 1/2 in (205.7 × 90.2 cm), part B: 80 3/4 × 46 in (205.1 × 116.7 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Tequila'' (1979); Acrylic and mixed media on canvas; 40 × 70 × 3 1/8 in (101.6 × 177.8 × 7.9 cm); Cincinnati Art Museum* ''Treasures Measures'' (1979); Acrylic on canvas collage; 40 1/3 × 70 1/2 in (102.5 × 179 cm); Art Gallery of Nova Scotia, Halifax, Nova Scotia====1980s====* ''Brown Reed'' (c. 1980); Oil on canvas; 78 × 30 in (198.12 × 76.2 cm); Virginia Museum of Fine Arts, Richmond, Virginia* ''Box Cars Grand'' (1980); Acrylic on cut and layered canvas; Dimensions vary with installation; Patrick V. McNamara Federal Building, Detroit (collection of General Services Administration)* ''Irish Spring Here'' (1980); Acrylic and rhoplex on canvas; 80 × 195 1/2 in (203.2 × 496.57 cm); Madison Museum of Contemporary Art, Madison, Wisconsin* ''Patchwork/Terry'' (1980); Acrylic on canvas; 40 × 34 1/2 × 3 in (101.6 × 87.6 × 7.6 cm); Georgia Museum of Art, Athens, Georgia* ''Purpled'' (1980), from the ''Chasers'' series; Acrylic on canvas; 80 × 90 × 4 3/4 in (203.2 × 228.6 × 12.07 cm); Virginia Museum of Fine Arts, Richmond, Virginia* ''To Repin, To Repin'' (1980), from the ''Chasers'' series; 79 × 90 7/8 × 3 1/2 in (200.7 × 230.8 × 8.9 cm); Telfair Museums, Savannah, Georgia* ''Robbin' Peter'' (1980); Acrylic on canvas; 80 × 90 in (203.2 × 228.6 cm); San Francisco Museum of Modern Art* ''White Sand Isolate'' (1980); Oil, acrylic, sand on shaped canvas; 80 × 118 in (203.20 × 299.72 cm); George Washington University Art Collection, Washington, D.C.* ''The Arc Maker I & II'' (1981); Acrylic on canvas with collage; Overall: 75 × 213 × 1 1/2 in (190.5 × 541 × 3.8 cm), large panels: 75 × 80 1/4 × 1 1/2 in (190.5 × 203.8 × 3.8 cm) each, narrow panels: 72 1/4 × 26 1/4 × 1 1/2 in (183.5 × 66.7 × 3.8 cm) each; Detroit Institute of Arts* ''Cartouche'' (1981); Acrylic on canvas with collage; 118 1/2 × 83 4/5 × 2 3/10 in (301 × 213 × 6 cm)* ''Double Rouge'' (1981); Acrylic on canvas; 56 × 73 in (142.24 × 185.42 cm); George Washington University Art Collection, Washington, D.C.* ''Elm'' (1981); Acrylic on canvas with collage; 70 × 171 1/4 × 1 1/2 in (178 × 435 × 4 cm)* ''Lion's Rock Arc'' (1981); Acrylic on canvas; 72 1/2 × 190 1/2 in (184.2 × 483.9 cm); Studio Museum in Harlem, New York* ''Master Builder Pieces and Eagles'' (1981); Acrylic on canvas, in four pieces; Overall: 160 × 75 in (406.4 × 190.5 cm), panel A: 75 × 81 in (190.5 × 205.7 cm), panel B: 75 × 25 in (190.5 × 63.5 cm), panel C: 72 × 40 in (182.9 × 101.6 cm), panel D: 73 × 14 in (185.4 × 35.6 cm); Studio Museum in Harlem, New York* ''Red & Black'' (formerly ''Raven #3 / B #4'', ''Raven #I / Solo #I'', ''Eagle 4/2 / Solo #II'', ''Raven #2 / Eagle 4/1'') (1981); Acrylic on canvas with collage; Panel A: 75 1/8 × 40 1/2 in, panel B: 72 × 13 1/4 in, panel C: 75 1/8 × 40 1/2 in, panel D: 72 × 13 1/4 in, panel E: 75 1/8 × 40 1/2 in, panel F: 72 × 13 1/4 in, panel G: 75 1/8 × 40 1/2 in, panel H: 72 × 13 1/4 in, panel I: 72 × 13 1/4 in, panel J: 75 1/8 × 40 1/2 in; Indianapolis Museum of Art* ''Rites of Passage'' (1981); Acrylic on canvas; 39 1/2 × 49 3/4 in (100.33 × 126.36 cm); Castellani Art Museum, Lewiston, New York* ''Composition Around Violet'' (1982); Acrylic and collage on canvas; 52.5 × 44.5 in (133.35 × 113.03 cm); Mint Museum, Charlotte, North Carolina* ''Composition for I-75'' (1982); Acrylic on shaped canvas; 80 × 80 in (203.2 × 203.2 cm); Spencer Museum of Art, Lawrence, Kansas* ''Composition for Louisville'' (1982); Acrylic on canvas; 80 × 80 in (203.2 × 203.2 cm); University of Louisville Art Collection, Louisville, Kentucky* ''The Muse #5'' (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)* ''The Muse #6'' (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)* ''Red Vase, Blue Element'' (1982); Acrylic on canvas; 80 × 80 in (203.2 × 203.2 cm); University of Louisville Art Collection, Louisville, Kentucky* ''Rendezvous of the Chauffeurs'' (1982); Acrylic on canvas; 54 × 83 in (137.2 × 210.8 cm); Dayton Art Institute, Dayton, Ohio* ''Screen'' (1982); Acrylic on canvas; 58 × 66 in (147.3 × 167.6 cm)* ''Tholos Revisited VI'' (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm); David C. Driskell Center, College Park, Maryland* ''Tholos Revisited VII'' (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)* ''Tholos Revisited VIII'' (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)* ''Tholos Revisited IX'' (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)* ''Tholos Revisited X'' (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)* ''Tholos Revisited XI'' (1982); Acrylic and canvas on canvas with metal; 39 3/4 × 33 × 2 3/4 in (101 × 84 × 7 cm)* ''To Braque for Mantelpieces'' (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/2 × 2 in (185.4 × 75 × 5.1 cm); Cleveland Museum of Art* ''To Braque and Flowing Birds'' (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/4 × 2 in (185.42 × 74.29 × 5.08 cm)* ''To Braque with Cartouché'' (1982); Acrylic on canvas with collage, enamel on aluminum; 73 × 29 1/4 × 2 in (185.42 × 74.29 × 5.08 cm)* ''To Miro - To Birds'' (1982); Acrylic on canvas with collage; 29 9/10 × 72 4/5 × 2 in (76 × 185 × 5 cm)* ''Black'' (1984); Acrylic polypropylene racked with paint and acrylic hardener on shaped canvas; 55 1/2 × 49 × 10 in (141 × 124.5 × 25.4 cm); Birmingham Museum of Art, Birmingham, Alabama====1990s====* ''Little Rock'' (1993); Acrylic on canvas; Tubman Museum, Macon, Georgia====2000s========2010s========2020s====* ''For John Lewis'' (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)* ''Any Minute Now'' (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)* ''Heroines, Beyoncé, Serena and Althea'' (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)* ''The Mississippi \"Shake Rag\"'' (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)* ''A New Generation'' (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)* ''Nikki Giovanni'' (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)* ''October 18'' (2020); Acrylic on canvas; 96 × 240 × 3 3/4 in (243.8 × 609.6 × 9.52 cm)* ''Purple Orpheus'' (2020); Acrylic on canvas; 72 × 96 × 3 3/4 in (182.9 × 243.8 × 9.52 cm)* ''They Dance and Sail Away'' (2020); Acrylic on canvas; 96 × 240 × 3 3/4 in (243.8 × 609.6 × 9.52 cm)* ''Waiting for \"Dutchman\"'' (2020); Acrylic on canvas; 96 × 96 × 3 3/4 (243.8 × 243.8 × 9.52 cm)* ''Aaron's Duchamp'' (2021); Acrylic, copper chop, aluminum granules, encaustic, paper collage element, sawdust and flocking; 96 × 96 × 4 in (243.8 × 243.8 × 10.8 cm)* ''April 5'' (2021); Acrylic, aluminum shavings, aluminum, wood, flocking, and sawdust on canvas; 96 × 240 × 4 1/2 in (243.8 × 609.6 × 11.4 cm)* ''Brew'' (2021); Acrylic on canvas; 48 × 48 × 3 1/4 in (121.9 × 121.9 × 8.3 cm)* ''Butterflies-Butterflies'' (2021); Acrylic, copper chop, aluminum granules, tin shot, encaustic medium, sawdust and clocking paper collage on canvas; 72 × 96 × 4 in (182.9 × 243.8 × 10.2 cm)* ''Composition for Now'' (2021); Acrylic on canvas, bevel-edge; 96 × 96 × 4 in (143.9 × 243.8 × 10.2 cm)* ''Foggy'' (2021); Acrylic, aluminum granules, copper chop, sawdust and flocking, encaustic medium, paper collage element on canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)* ''For \"The Friend\"'' (2021); Acrylic on beveled-edge canvas; 96 × 240 × 4 in (243.8 × 609.6 × 10.2 cm)* ''Gold Mine'' (2021); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)* ''Green Goes'' (2021); Acrylic on canvas, bevel-edge; 96 × 96 × 3 3/4 in (243.8 × 243.8 × 9.5 cm)* ''In Now'' (2021); Acrylic on canvas, bevel-edge; 48 × 72 × 4 in (121.9 × 182.9 × 10.2 cm)* ''Into the Night'' (2021); Acrylic, tin shot, aluminum granules, copper chop, wood, socks, paper, fabric, flocking, sawdust, and wax on canvas; 96 × 240 × 4 1/2 in (243.8 × 609.6 × 11.4 cm)* ''Like Snow'' (2021); Tin shot, paper collage element, acylic and latex on canvas, marine-ply bevel-edge stretcher; 72 × 72 × 3 3/4 in (182.9 × 182.9 × 9.5 cm)* ''Long White Moment'' (2021); Acrylic with sawdust, wax, mica flake, and aluminum on beveled-edge canvas; 96 × 240 × 4 in (243.8 × 609.6 × 10.2 cm)* ''A Lovely Blue And !''", "(2021); Acrylic and mixed media on canvas; 96 × 240 × 3.75 in (243.8 × 609.6 × 9.5 cm); Johns Hopkins University Bloomberg Center, Washington, D.C.* ''Oak, Net and This!''", "(2021); Acrylic with sawdust, flocking, and sand on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)* ''River Walk'' (2021); Acrylic, tin shot, and wood on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)* ''Spin and Splash'' (2021); Acrylic on canvas, bevel-edge; 72 × 72 × 3 3/4 in (182.9 × 182.9 × 9.5 cm)* ''Spring Is'' (2021); Acrylic on canvas, bevel-edge; 72 × 72 × 4 in (182.9 × 182.9 × 10.2 cm)* ''Spring This Time'' (2021); Acrylic on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 4572 × 10.2 cm)* ''Sweetheart'' (2021); Acrylic, aluminum granules, wood, flocking, and sawdust on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)* ''Team'' (2021); Acrylic on canvas, bevel-edge; 48 × 72 × 3 3/4 in (121.9 × 182.9 × 9.5 cm)* ''Turtle'' (2021); Acrylic, aluminum granules, wood, flocking, and sawdust on canvas; 96 × 96 × 3 1/2 in (243.8 × 243.8 × 8.9 cm)* ''What!''", "(2021); Acrylic with polypropylene on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 4572 × 10.2 cm)* ''Arne'' (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)* ''Beyoncé'' (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)* ''The Business'' (2022); Acrylic on beveled-edge canvas; 96 × 96 × 4 in (2438 × 243.8 × 10.2 cm)* ''Downpatrick Head'' (2022);* ''Irish, County Mayo'' (2022); Acrylic with copper chop on beveled-edge canvas; 72 × 60 × 4 in (182.9 × 152.4 × 10.2 cm)* ''Lilly'' (2022); Acrylic with sawdust, encaustic, and polypropylene beveled-edge canvas; 72 × 72 × 6 in (182.9 × 182.9 × 15.2 cm)* ''Nina's Buffalo'' (2022); Acrylic on beveled-edge canvas; 96 × 180 × 4 in (243.8 × 457.2 × 10.2 cm)* ''Up Sally'' (2022); Acrylic with sawdust, flocking, and sand on beveled-edge canvas; 96 × 96 × 4 in (243.8 × 243.8 × 10.2 cm)===Painted metal, plastic, wood, and mixed media===Includes works with painted canvas collaged or mounted to metal, plastic, or wood, as well as freestanding or wall-based 3-dimensional painted constructions of all sizes, stained wood sculptures, and mosaic tile work.", "One work on this list - ''Library Stars/Library Obelisk'' - comprises an unpainted, patinated metal sculpture.====1960s====* ''Jail Jungle I'' (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)* ''Jail Jungle II'' (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)* ''Jail Jungle III'' (1968); Mixed media; 78 × 38 × 9 in (198.1 × 96.5 × 22.9 cm)====1970s====* ''Composed (formerly Dark as I Am)'' (1968–1974); Acrylic, clothing, backpack, painter's tools, wooden closet pole on wood door; 87 × 47 × 3 1/2 in (221 × 119.4 × 8.9 cm)====1980s====* ''Round Work'' (1980); Painted metal, canvas; 50 × 35 × 10 in (127 × 88.9 × 25.4 cm); High Museum of Art, Atlanta* ''Sculpture with a D'' (1980–1983); Painted aluminum; 187 × 538 in (474.98 × 1366.52 cm); Davis station, Massachusetts Bay Transportation Authority, Boston* ''Pantheon II'' (1983); Acrylic on canvas and polyurethane enamel on aluminum; 81 × 58 1/4 in (205.8 × 148 cm); Blanton Museum of Art, Austin, Texas* ''Plantagenets Golden'' (1984); Acrylic on canvas and enamel on aluminum; 56 1/2 × 68 × 4 1/8 in (143.51 × 172.72 × 10.48 cm)* ''The Saint of Moritz Outside Mondrian'' (1984); Acrylic on canvas and metal; 59 × 63 1/2 × 5 in (149.9 × 161.3 × 12.7 cm), Menil Collection, Houston* ''On the Back of the Wind'' (1985); Acrylic on canvas on aluminum; 57 × 57 in (145 × 145 cm); Museum of Fine Arts, Budapest* ''Procession for a Princess'' (1986); Acrylic on canvas and acrylic and enamel on aluminum; 91 × 109 × 16 in (231.14 × 276.86 × 40.64 cm)* ''Solar Canopy'' (1986); Painted aluminum; York College, City University of New York* ''Streak of Lightning'' (1986); Acrylic, enamel, and metal on canvas; 68 × 89 in (172.7 × 226.1 cm)* ''Uguisu'' (1986); Acrylic on canvas on board plus aluminum sculptural pieces; 101 1/2 × 134 × 9 in (257.81 × 340.36 × 22.86 cm); George Washington University Art Collection, Washington, D.C.* ''New River Rises'' (1987); Acrylic on canvas and acrylic enamel on aluminum; Broward County Cultural Division, Broward County, Florida* ''Red Hot New Haven'' (1987); Acrylic on canvas and acrylic and enamel on aluminum; 72 7/8 × 52 3/4 × 9 3/4 in (185.1 × 134.0 × 24.8 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Ain't More Than Music'' (1988); Acrylic on canvas and acrylic and enamel on aluminum; 60 × 62 × 15 1/4 in (152.4 × 157.48 × 38.73 cm)* ''Buena Vista'' (1988); Acrylic on canvas mounted on panel with anodized aluminum frame; 26 5/16 × 26 3/8 in (66.8 × 67.1 cm); Museum of Fine Arts, Houston* ''Sparta'' (1988); Acrylic on canvas with epoxy enamel on aluminum; Diameter: 42 1/2 in (108 cm); Museum of Fine Arts, Boston* ''Untitled'' (1988); Acrylic on canvas and metal, mounted to plywood; 28 1/4 × 30 1/4 × 10 1/4 in (71.76 × 76.84 × 26.04 cm); Virginia Museum of Fine Arts, Richmond, Virginia* ''Fine as a Cobweb'' (1989); Acrylic on canvas and primed aluminum, with plywood support structure; 60 × 61 × 17 in (152.4 × 154.94 × 43.18 cm); Pennsylvania Academy of the Fine Arts, Philadelphia* ''The Generation Below Them'' (1989); Acrylic on canvas and primed aluminum and plywood; 80 × 96 × 13 in (203.2 × 243.84 × 33.02 cm); Chazen Museum of Art, Madison, Wisconsin* ''Waking Up'' (1989); Acrylic on canvas and enamel on aluminum with plywood support structure; 72 × 95 × 12 in (182.88 × 241.3 × 30.48 cm)====1990s====* ''The Petition'' (1990); Mixed media, assembled; 96 × 60 × 32 in (243.8 × 152.4 × 81.3 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''With Violet'' (1990); Acrylic on canvas and acrylic and enamel on aluminum; 54 × 66 × 14 in (137.2 × 167.6 × 35.6 cm)* ''Yellow Light Ellison'' (1990); Mixed media; Sidwell Friends School, Washington, D.C.* ''Jamaica Center Station Riders, Blue'' (1991); Painted aluminum; Jamaica Center–Parsons/Archer station, Metropolitan Transportation Authority, New York* ''Northwest Wind'' (1992); Acrylic on synthetic fabric mounted on wood; 30 × 63 in (76.2 × 160 cm); Studio Museum in Harlem, New York* ''The Awning Set'' (1992–1993); Mixed media; Studio Museum in Harlem, New York* ''Higher Windows'' (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 47 in (223.52 × 119.38 cm); Smith College Museum of Art, Northampton, Massachusetts* ''Uli Montage'' (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 44 in (223.52 × 111.76 cm); Smith College Museum of Art, Northampton, Massachusetts* ''You Come Flying'' (1992–1993); Acrylic on polypropylene on birch plywood construction; 88 × 45 in (223.52 × 114.3 cm); Smith College Museum of Art, Northampton, Massachusetts* ''Folded Cottage I'' (1993); Acrylic & collage on synthetic fabric on polypropylene; 38 × 9 1/4 in (96.5 × 23.5 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland* ''Folded Cottage III'' (1993); Acrylic & collage on synthetic fabric on polypropylene; 37 × 14 1/2 in (94 × 37 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland* ''Folded Cottage IV'' (1993); Acrylic & collage on synthetic fabric on polypropylene; 39 × 13 in (99.1 × 33 cm); Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland* ''Back-Lit Awning (Bikers Move Like Swallows)'' (1994); Acrylic on polypropylene and birch plywood construction with aluminum frames; 69 1/4 × 94 1/2 in (175.89 × 240.03 cm)* ''Level One'' (1994); Acrylic on board; 24 × 48 × 2 in (61 × 121.9 × 5.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.* ''Reading Across'' (1994); Mixed media on board; 48 × 48 in (121.9 × 121.9 cm)* ''Blankets of Fir'' (1995); Mixed media; 26 3/4 × 35 1/2 in (67.94 × 90.17 cm); James E. Lewis Museum of Art, Morgan State University, Baltimore* ''Scarcely Blue'' (1995); Acrylic on moveable wood panels; 31 × 47 × 3 in (78.74 × 119.38 × 7.62 cm); David C. Driskell Center, College Park, Maryland* ''Black and Golden Door'' (1996); Acrylic on birch plywood with aluminum construction and piano-hinged door; 35 3/4 × 35 7/8 × 1 1/2 in (90.8 × 91.1 × 3.8 cm); Crystal Bridges Museum of American Art, Bentonville, Arkansas* ''Easy Siders Series'' (1996); Mixed media on handmade paper and polypropylene mounted to birch plywood; 47 × 48 in (119.38 × 121.92 cm); Phillips Collection, Washington, D.C.* ''Gondola'' (1996); Acrylic on polypropylene and birch plywood construction with piano hinges; 68 × 105 × 21 7/8 in (172.72 × 266.7 × 55.56 cm)* ''Reds, Towering Stack'' (1996); 60 × 30 × 4 in (152.4 × 76.2 × 10.1 cm); Lauren Rogers Museum of Art, Laurel, Mississippi* ''Electric'' (1997); Acrylic on wood; 47 1/2 × 47 1/2 × 8 1/2 in (120.7 × 120.7 × 21.6 cm); Telfair Museums, Savannah, Georgia* ''Fishing Well'' (1997); Acrylic on birch; 94 × 48 1/2 in (238.8 × 123.2 cm); Memorial Art Gallery, Rochester, New York* ''Steps and Folds'' (1997); Acrylic on wood panel; 57 × 48 × 4 in (144.8 × 121.9 × 10.2 cm); DC Commission on the Arts and Humanities, Washington, D.C.* ''A and the Kitty'' (1998); Acrylic on birch plywood construction; 72 × 90 × 47 1/2 in (182.88 × 228.6 × 120.65 cm)* ''Beam'' (1998); Acrylic and paper on birch plywood with hinges; 96 × 24 × 10 in (243.8 × 60.9 × 25.4 cm); Kreeger Museum, Washington, D.C.* ''Color of Medals'' (1998); Acrylic, polypropylene, aluminum, and computer scanned images on plywood; 214 × 118 × 24 in (543.6 × 299.7 × 61 cm); United States Department of Veterans Affairs Regional Office, Philadelphia (collection of General Services Administration)* ''Daily Red'' (1998); Acrylic on wood and metal; 86 1/4 × 52 3/8 × 12 3/16 in (219 × 133 × 31 cm); Anacostia Community Museum, Smithsonian Institution, Washington, D.C.* ''Graining'' (1998); Acrylic and paper on birch plywood with hinges; 89 × 46 1/2 × 12 in (226 × 118.11 × 30.48 cm); Kreeger Museum, Washington, D.C.* ''Rainbows Near'' (1998); Acrylic on sculptured wood panels; 29 3/4 × 72 in (75.57 × 182.88 cm); National Gallery of Art, Washington, D.C.* ''The Real Blue'' (1998); Acrylic on birch plywood; 4 parts; University of Michigan School of Social Work Art Collection, Ann Arbor, Michigan* ''Red'' (1999); Acrylic on birch plywood construction with aluminum frame; 50 1/4 × 75 × 3 in (127.63 × 190.5 × 7.62 cm)* ''Water Tower II'' (1999); Acrylic on birch with piano hinge; 24 × 39 1/2 × 3 in (61 × 100.3 × 7.6 cm)* ''Wave and Canal'' (1999); Acrylic on birch; 43 × 36 1/2 in (109.22 × 92.71 cm)====2000s====* ''Library Stars/Library Obelisk'' (2000); Patinated copper; 19 5/8 × 5 5/8 ft, 2 in (597.4 × 170.7 × 5.1 cm); Juanita E. Thornton/Shepherd Park Neighborhood Library, Washington, D.C. (collection of DC Commission on the Arts and Humanities)* ''Ruby and Ossie'' (2000); Acrylic on plywood with metal hardware; 58 1/2 × 23 1/2 × 10 in (148.6 × 59.7 × 25.4 cm); Saint Louis Art Museum* ''Fire on Water V'' (2003); Acrylic on birch, with piano hinges, triptych; 14 × 27 1/4 in (35.56 × 69.21 cm)* ''On the Canal'' (2003); Acrylic on birch plywood construction; 72 × 16 1/2 × 4 in (182.88 × 41.91 × 10.16 cm)* ''On the Canal With Blue'' (2003); Acrylic on birch plywood construction; 72 × 16 1/2 × 4 in (182.88 × 41.91 × 10.16 cm)* ''On Yellow Wood'' (2003); Acrylic on birch plywood construction; 47 1/2 × 23 1/4 × 2 5/8 in (120.65 × 59.05 × 6.67 cm)* ''Red Slatt'' (2003); Acrylic on birch plywood construction; 47 1/2 × 23 1/4 × 2 5/8 in (120.65 × 59.05 × 6.67 cm)* ''Second Blue Slatt'' (2003); Acrylic on birch plywood construction; 34 3/4 × 22 1/4 × 2 5/8 in (88.26 × 56.51 × 6.67 cm)* ''Second Red Slatt'' (2003); Acrylic on birch plywood construction; 35 3/4 × 23 1/4 × 2 5/8 in (90.8 × 59.05 × 6.67 cm)* ''Birds Not Flying'' (2005); Acrylic on birch with piano hinges; 53.25 × 48.5 × 2.75 (135.26 × 123.19 × 6.99 cm); Mississippi Museum of Art, Jackson, Mississippi* ''Census'' (2007); Acrylic on birch plywood; 183 × 139 1/4 × 24 in (464.8 × 353.7 × 61 cm); United States Census Bureau Headquarters, Suitland, Maryland (collection of General Services Administration)* ''Seeds'' (2007); Acrylic on birch; 49 × 33 × 2 3/4 in* ''Element'' (2008); Acrylic on birch; 49 1/2 × 36 in (125.73 × 91.44 cm); Allentown Art Museum, Allentown, Pennsylvania* ''Repeating Green Slice'' (2008); Acrylic on birch; 49 3/4 × 36 × 3 1/4 in (126.36 × 91.44 × 8.25 cm)* ''River Falls'' (2008); Acrylic on birch; 44 × 50 × 3 1/2 in (111.76 × 127 × 8.89 cm)* ''Wide'' (2008); Acrylic on birch; 47 × 46 × 5 in (119.38 × 116.84 × 12.7 cm)* ''Blue'' (2009); Acrylic on birch plywood; 16 × 12 1/4 in (40.64 × 31.115 cm); Pennsylvania Academy of the Fine Arts, Philadelphia====2010s====* ''Melody'' (2010); Acrylic on birch; 83 × 32 in (210.8 × 81.3 cm)* ''Nite II'' (2010); Acrylic on birch; 30 × 17 1/2 in (76.2 × 44.45 cm)* ''Nite III'' (2010); Acrylic on birch; 30 × 17 1/2 in (76.2 × 44.45 cm)* ''From Model to Rainbow'' (2011); Glass mosaic mounted on Aerolam panels; 168 × 468 in (427 × 1188 cm); Takoma station, Washington Metropolitan Area Transit Authority* ''Screen for Models I, II, III'' (2012); Acrylic on birch; Panel I: 80 × 45 in (203.2 cm × 114.3 cm), panel II: 80 × 36 1/2 in (203.2 cm × 92.7 cm), panel III: 80 × 45 in (203.2 cm × 114.3 cm)* ''Yet Do I Marvel (Countee Cullen)'' (2016); Acrylic on birch; Overall: 96 × 258 × 4 1/2 in (243.8 × 655.3 × 11.4 cm), each panel: 96 × 48 × 4 1/2 in (243.8 × 121.9 × 11.4 cm); National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C.* ''Homage to the Square'' (2016–2017); Acrylic on wood, four parts; Overall: 122 × 122 × 3 3/8 in (310 × 310 × 9 cm)* ''Aaron'' (2017); Acrylic on wood, four parts; Overall: 98 1/4 × 98 1/4 × 3 1/2 in (250 × 250 × 9 cm)* ''First Half'' (2017); Acrylic on wood; 60 1/4 × 60 1/4 × 3 3/8 in (153 × 153 × 8.6 cm)* ''Into the Woods'' (2017); Acrylic on wood; 59 3/4 × 44 3/4 in (151.8 × 113.7 cm); Memorial Art Gallery, Rochester, New York====2020s====* ''Black Mozart/ ORNETTE'' (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)* ''Black 48\" Square'' (2020); Wood, aluminum, die-stain, lacquer; Ed.", "of 8 (variable); 48 × 48 in (121.9 × 121.9 × 5.7 cm)* ''Black 60\" Disc'' (2020); Wood, aluminum, die-stain, lacquer; Ed.", "of 3 (variable); 60 × 60 × 2 1/4 in (152.4 × 152.4 × 5.7 cm)* ''Blue 96\" Disc'' (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)* ''Color Abacus'' (2020); Wood, aluminum, die-stain, lacquer; Ed.", "of 4 (variable); 12 × 22 × 5 in (30.4 × 55.8 × 12.7 cm)* ''Five Pyramids'' (2020); Wood, aluminum, die-stain, lacquer; Five parts, each: 36 1/4 × 48 × 48 in (92 × 121.9 × 121.9 cm), overall dimensions vary with installation* ''Mastaba (In Two Parts)'' (2020); Wood, aluminum, die-stain, lacquer; 54 × 114 × 61 in (137.1 × 289.5 × 154.9 cm)* ''Pyramid'' (2020); Wood, aluminum, die-stain, lacquer; 110 × 122 × 122 in (279.4 × 309.8 × 309.8 cm)* ''Three White Pyramids'' (2020); Wood, aluminum, die-stain, lacquer; Ed.", "of 5 sculptures (variable); Three parts, each 36 1/4 × 48 × 48 in (92 × 121.9 × 121.9 cm), overall dimensions vary with installation* ''White Abacus'' (2020); Wood, aluminum, die-stain, lacquer; Ed.", "of 4 (variable); 12 × 22 × 5 in (30.4 × 55.8 × 12.7 cm)* ''White 48\" Disc'' (2020); Wood, aluminum, die-stain, lacquer; Ed.", "of 4 (variable); 48 × 48 in (121.9 × 121.9 × 5.7 cm)* ''White 96\" Disc'' (2020); Wood, aluminum, die-stain, lacquer; 96 × 96 × 2 1/4 in (243.8 × 243.8 × 5.7 cm)* ''The Amazing Kite'' (2021); Acrylic and mixed media on panel in beveled frame; 36 × 36 × 4 in (91.4 × 91.4 × 10.2 cm)* ''A Kind of Love'' (2021); Acrylic, sawdust, encaustic on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)* ''Exciting'' (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)* ''Lucky'' (2021); Acrylic with tin, copper, encaustic, sawdust, and aluminum on wood ply panel in beveled-edge frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)* ''Moon Tide'' (2021); Acrylic, sawdust, encaustic, on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)* ''Pretty Baby'' (2021); Acrylic and mixed media on panel in beveled frame; 36 × 36 × 4 in (91.4 × 91.4 × 10.2 cm)* ''Red Clouds'' (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × in (152.4 × 152.4 × 10.2 cm)* ''Something is Going On!''", "(2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)* ''A Sunday Kind of Love'' (2021); Acrylic, sawdust, encaustic on wood panel, mounted in wood frame; 60 × 60 × 40 in (152.4 × 152.4 × 10.2 cm)* ''X for X'' (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)* ''X Red Cloud'' (2021); Acrylic and mixed media on panel in beveled frame; 48 × 48 × 4 in (121.9 × 121.9 × 10.2 cm)* ''You Blue Moon'' (2021); Acrylic and mixed media on panel in beveled frame; 60 × 60 × 4 in (152.4 × 152.4 × 10.2 cm)* ''Untitled'' (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)* ''Untitled'' (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)* ''Untitled'' (2022); Acrylic and mixed media on wood panel in aluminum frame; 72 × 72 in (182.9 × 182.9 cm)* ''Untitled'' (2022); Acrylic and mixed media on wood panel in aluminum frame; 68 × 68 in (172.7 × 172.7 cm)* ''Untitled'' (2022); Acrylic and mixed media on wood panel in aluminum frame; 68 × 68 in (172.7 × 172.7 cm)===Paintings and drawings on paper===Includes framed or unframed, and mounted or unmounted paintings on paper====1960s====* ''Slowly Emerging'' (1960); Ink wash drawing; 16 1/4 × 13 3/4 in (41.27 × 34.92 cm)* ''Still Life'' (1960); Watercolor on paper; 5 5/8 × 9 3/8 in (14.29 × 23.81 cm)* ''Woman in Hat'' (1960); Watercolor on paper; 10 1/2 × 4 1/2 in (26.67 × 11.43 cm)* ''Bridge'' (1962); Watercolor on paper; 12 × 18 in (30.48 × 45.72 cm)* ''Chair Group'' (1962); Ink wash drawing; 16 5/8 × 13 7/8 in (42.23 × 35.24 cm)* ''Seated Woman'' (1962); Watercolor on paper; 14 7/8 × 10 7/8 in (37.78 × 27.62 cm)* ''Morning Study'' (1963); Ink wash drawing; 15 3/4 × 11 7/8 in (40 × 30.16 cm)* ''Park Invention I'' (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.22 cm)* ''Park Invention II'' (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.22 cm)* ''Park Invention III'' (1963); Watercolor on paper; 8 3/4 × 5 3/4 in (22.22 × 14.6 cm)* ''Stephanie'' (1963); Crayon drawing; 18 × 24 in (45.72 × 60.96 cm)* ''Untitled'' (1963); Watercolor on paper; 5 3/4 × 8 3/4 in (14.6 × 22.2 cm); Baltimore Museum of Art* ''Untitled'' (1964–1965); Watercolor on paper; 11 × 15 in (27.94 × 38.1 cm)* ''Untitled'' (1966); Watercolor on paper; 7 × 10 1/2 in (17.78 × 26.67 cm)* ''Untitled'' (1966); Watercolor on paper; 24 × 19 in (60.96 × 48.26 cm)* ''Untitled'' (c 1967); Watercolor on handmade paper; 21 1/16 × 25 in (53.5 × 63.5 cm); Allen Memorial Art Museum, Oberlin, Ohio* ''Green Slice'' (1967); Watercolor on Japanese paper; 38 × 23 in (96.52 × 58.42 cm); San Francisco Museum of Modern Art* ''Least Rivers'' (1967); Watercolor on Japanese paper; 38 × 23 in (96.52 × 58.42 cm); San Francisco Museum of Modern Art* ''Shift'' (1967); Stained and folded rice paper; 38 1/2 × 24 in (97.8 × 61 cm); Allen Memorial Art Museum, Oberlin, Ohio* ''Untitled'' (1967); Watercolor on paper; 18 1/4 × 23 3/4 in (46.4 × 60.3 cm)* ''Untitled'' (1967); Watercolor on rice paper; 9 3/4 × 9 3/4 in (24.76 × 24.76 cm)* ''Untitled (from Rock Creek series)'' (1967); Watercolor on paper; 5 3/8 × 8 1/2 in (13.7 × 21.6 cm)* ''Untitled (from Rock Creek series)'' (1967); Watercolor on paper; 8 1/2 × 5 1/2 in (21.6 × 14 cm)* ''Untitled (from Rock Creek series)'' (1967); Watercolor on paper; 8 1/2 × 5 3/8 in (21.6 × 13.7 cm)* ''Untitled (from Rock Creek series)'' (1967); Watercolor on paper; 8 1/2 × 5 in (21.6 × 12.7 cm)* ''Untitled (from Rock Creek series)'' (1967); Watercolor on paper; 8 1/2 × 5 in (21.6 × 12.7 cm)* ''Untitled (from Rock Creek series)'' (1967); Watercolor on paper; 8 1/2 × 5 1/2 in (21.6 × 14 cm)* ''Untitled (from Rock Creek series)'' (1967); Watercolor on paper; 5 1/2 × 8 1/2 in (14 × 21.6 cm)* ''Untitled'' (1968); Watercolor and acrylic on paper; 8 1/8 × 23 5/8 in (46.1 × 60.0 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Untitled'' (1968); Watercolor on paper; 23 3/4 × 18 1/8 in (60.3 × 46 cm); Hammer Museum, Los Angeles* ''Untitled'' (1968); Watercolor on paper; 23 3/4 × 18 1/8 in (60.3 × 46 cm)* ''Untitled'' (1968); Watercolor on fiberglass paper; 18 × 23 5/8 in (45.72 × 60 cm)* ''Untitled'' (1968); Watercolor on fiberglass paper; 23 5/8 × 18 in (60 × 45.72 cm)* ''Untitled'' (1968); Watercolor on fiberglass paper; 23 5/8 × 18 in (60 × 45.72 cm)* ''Untitled'' (1965–1969); Mixed media with watercolor on paper; 24 × 19 in (61 × 48.3 cm); Studio Museum in Harlem, New York* ''Combustion'' (1969); Ink drawing; 23 × 29 in (58.42 × 73.66 cm)* ''Watercolor, 4'' (1969); Watercolor and aluminum powder on fiberglass paper; 23 3/4 × 18 1/8 in (60.3 × 45.9 cm); Museum of Modern Art, New York* ''Untitled'' (1969); Watercolor stain and metallic pigment on paper; 18 × 23 1/2 in (45.7 × 59.7 cm); Birmingham Museum of Art, Birmingham, Alabama* ''Untitled'' (1969); Brush and black ink, acrylic, and metallic paint with string on Strathmore wove paper; 22 15/16 × 29 1/16 in (58.26 × 73.82 cm); National Gallery of Art, Washington, D.C.* ''Untitled'' (1969); Brush with black and red ink on wove paper; 22 15/16 × 29 1/16 in (58.26 × 73.82 cm), National Gallery of Art, Washington, D.C.* ''Untitled'' (1969); Watercolor on paper; 17 3/4 × 14 in (45.1 × 35.6 cm); Studio Museum in Harlem, New York* ''Untitled'' (1969); Dyes, opaque water-based paint and metallic powder on thick white wove paper; 22 × 28 1/2 in (55.9 × 72.4 cm); Harvard Art Museums, Cambridge, Massachusetts* ''Untitled'' (1969); Ink and wash on paper; 29 × 23 in (73.7 × 58.4 cm)* ''Untitled'' (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)* ''Untitled'' (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)* ''Untitled'' (1969); Ink and wash on paper; 23 × 29 in (58.4 × 73.7 cm)* ''Untitled Orange Abstraction'' (1969); Watercolor on folded paper; 16 × 13 1/2 in (40.64 × 34.29 cm); Pennsylvania Academy of the Fine Arts, Philadelphia* ''Untitled'' (c. late 1960s–c.", "late 1970s); Mixed media on paper; 23 1/2 × 18 in.", "(59.7 × 45.7 cm)====1970s====* ''Abstraction'' (1970); Colored inks, with touches of silver metallic paint, on fabric; 17 15/16 × 23 7/16 in (45.5 × 59.5 cm); Art Institute of Chicago* ''Frederick'' (1970); Watercolor on fiberglass paper; 13.5 × 10.5 in (34.29 × 26.67 cm); Lauren Rogers Museum of Art, Laurel, Mississippi* ''Untitled'' (1970); Watercolor on paper; 35 1/2 × 23 3/4 in (90.2 × 60.3 cm); North Carolina Museum of Art, Raleigh, North Carolina* ''Untitled'' (1970); Watercolor on fiberglass paper; 17 1/2 × 13 3/4 in (44.45 × 34.92 cm)* ''Untitled'' (1970); Acrylic on paper; 13 15/16 × 17 7/16 in (35.4 × 44.3 cm); Allen Memorial Art Museum, Oberlin, Ohio* ''Untitled'' (1970); Stained paper; 24.8 × 32.87 in (63 × 83.5 cm); Irish Museum of Modern Art, Dublin* ''Untitled'' (1970); Watercolor on paper; 13 3/4 × 17 1/2 in (34.9 × 44.5 cm)* ''Untitled'' (1970); Watercolor on paper; 28 7/8 × 22 3/4 in (73.3 × 57.8 cm)* ''Untitled'' (1971); Paint on paper; 13 1/2 × 13 1/2 in (34.29 × 34.29 cm) irreg.", "; George Washington University Art Collection, Washington, D.C.* ''Untitled'' (1971); Mixed media, watercolor, pastel, and crayon on paper; 24 1/2 × 32 1/4 in (62.23 × 81.92 cm); University of Michigan Museum of Art, Ann Arbor, Michigan* ''Untitled'' (1971); Watercolor on handmade paper with varnish; 20 3/8 × 26 1/2 in (51.8 × 67.3 cm); National Gallery of Art, Washington, D.C.* ''Untitled'' (1971); Watercolor, acrylic, and metallic paint on altered paper; 35 1/2 × 25 in (90.17 × 63.5 cm) irreg.", "; Minneapolis Institute of Art* ''Untitled'' (1971); Dye stain on mulberry paper; 20 5/8 × 26 3/8 in (52.4 × 67.1 cm); Museum of Modern Art, New York* ''(Untitled)'' (1971); Watercolor on paper; 13 7/8 × 18 in (35.2 × 45.6 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Untitled'' (1971); Watercolor on handmade paper; 25 1/2 × 20 in (64.8 × 50.8 cm); Williams College Museum of Art, Williamstown, Massachusetts* ''Untitled #9'' (1971); Watercolor on crumpled rice paper; 21 3/4 × 13 5/8 in (55.24 × 34.61 cm)* ''Untitled'' (1972); Watercolor on crumpled rice paper; 22 1/4 × 19 1/2 in (56.51 × 49.53 cm)* ''Untitled'' (1972); Watercolor on crumpled fiberglass paper; 13 1/2 × 17 1/4 in (34.29 × 43.81 cm)* ''Untitled'' (1971–1973); Watercolor and aluminum powder on crumpled nonwoven viscose rayon; 33 1/4 × 23 1/2 in (84.46 × 59.69 cm) irreg.", "; National Gallery of Art, Washington, D.C.* ''Untitled'' (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum* ''Untitled'' (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum* ''Untitled'' (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum* ''Untitled'' (1973); Acrylic on polypropylene; 60 × 93 in (152.4 × 236.2 cm); Seattle Art Museum* ''April 2'' (1974); Watercolor, acrylic, fabric dye on fiberglass paper; 29 1/16 × 38 1/4 in (73.82 × 97.15 cm)* ''Furnace '74'' (1974); Watercolor and acrylic with dyes on polypropylene paper; 30 × 42 1/2 in (76.2 × 108 cm); Georgia Museum of Art, Athens, Georgia* ''Mars I'' (1974); Acrylic on rice paper; 21 × 25 1/2 × 5/8 in (53.3 × 64.8 × 1.6 cm); Studio Museum in Harlem, New York* ''Mellow 3'' (1974); Acrylic on paper; 21 1/16 × 25 7/8 in (53.5 × 65.7 cm) irreg.", "; Cincinnati Art Museum* ''Only'' (1974); Acrylic, watercolor, fabric dye on crumpled rice paper; 19 3/4 × 23 3/4 in (50.16 × 60.32 cm)* ''Untitled'' (1974); Acrylic on paper; 29 1/4 × 41 1/4 in (74.3 × 104.8 cm); Georgia Museum of Art, Athens, Georgia* ''Untitled'' (1972–1975); Watercolor on paper; 14 1/4 × 12 5/8 × 1 in (36.2 × 32.1 × 2.5 cm); Eskenazi Museum of Art, Bloomington, Indiana* ''American Quilt No.", "20'' (1975); Handmade paper with fabrics and buttons; 16 3/4 × 21 3/8 in (42.54 × 54.29 cm)* ''American Quilt No.", "28'' (1975); Quilt collage and acrylic washes on handmade paper; 16 1/2 × 18 3/4 in (41.91 × 47.625 cm); Phillips Collection, Washington, D.C.* ''Hold'' (1975); Acrylic, watercolor, fabric dye on crumpled rice paper; 19 3/4 × 25 1/2 in (50.16 × 64.77 cm)* ''Strip II'' (c. 1976); Aniline dye on rice paper; 21 × 27 in (53.3 × 68.6 cm); Chrysler Museum of Art, Norfolk, Virginia* ''N°1 D'' (1977); Gouache on crumpled paper; 20.87 × 25.59 in (53 × 65 cm); Musée d'Art Moderne de Paris* ''Sparta'' (1977); Watercolor with acrylic on shaped Japanese paper; 10 1/4 × 18 3/4 × 3 in (26 × 47.6 × 7.6 cm); University Museum of Contemporary Art, University of Massachusetts Amherst====1980s====* ''Arrowhead'' (1980); Acrylic on handformed paper, artist's frame; 38 3/16 × 32 1/16 × 1 15/16 in (97 × 81.5 × 5 cm); Princeton University Art Museum, Princeton, New Jersey====1990s====* ''Untitled'' (1991); Oil on Japanese paper; 22 5/16 × 32 3/8 in (56.6 × 82.2 cm); Cleveland Museum of Art====2000s========2010s====* ''Fold XII'' (2014); Pigment-based ink on handmade paper; 27.75 × 45.75 in (70.48 × 116.2 cm); Tufts University Art Collection, Grafton, Massachusetts* ''B Series 10'' (2015); Pigment-based ink on handmade paper; 57.0 × 30.0 in (144.8 × 76.2 cm)* ''Panel III'' (2015); Pigment-based ink on handmade paper; 45.5 × 27.5 in (115.6 × 69.8 cm)* ''Solstice VII'' (2016); Watercolor on rice paper; 76.3 × 41.6 × 1.5 in (193.7 × 105.7 × 3.8 cm)* ''Untitled'' (2016); Watercolor on paper; 72 × 38 in (182.9 × 96.5 cm)* ''Untitled'' (2016); Watercolor on rice paper; 60.0 × 31.3 × 1.3 in (152.4 × 79.4 × 3.2 cm)* ''Untitled'' (2017); Watercolor on rice paper; 33.3 × 60.0 × 1.5 in (84.5 × 152.4 × 3.8 cm)* ''Untitled'' (2017); Watercolor on rice paper; 60.0 × 33.0 × 1.5 in (152.4 × 83.8 × 3.8 cm)* ''Construct'' (2018); Watercolor on handmade Japanese paper; 70 in × 34 in (177.8 cm × 86.36 cm); Phillips Collection, Washington, D.C.* ''Untitled'' (2019); Watercolor and acrylic on Washi; 76.4 × 42.1 × 1.5 (194.0 × 107.0 × 3.8 cm)* ''Untitled'' (2019); Watercolor and acrylic on Washi; 73 × 38 1/2 in (185.4 × 97.8 cm); Menil Collection, Houston* ''Untitled'' (2019); Watercolor on paper; 73 × 38 in (185.4 × 96.5 cm); Museum of Modern Art, New York* ''Untitled'' (2019); Watercolor on paper; 73 × 38 in (185.4 × 96.5 cm); Museum of Modern Art, New York====2020s====* ''Untitled'' (2020); Watercolor on washi; 39 1/2 × 71 1/2 in (100.3 × 181.6 cm)* ''Untitled'' (2020); Watercolor on washi; 71 1/2 × 39 1/2 in (181.6 × 100.3 cm)* ''Untitled'' (2020); Watercolor on washi; 71 1/2 × 39 1/2 in (181.6 × 100.3 cm)* ''Washi Paper - Blue'' (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)* ''Washi Paper - Blue V'' (2020); Acrylic on washi; 38 5/8 × 38 5/8 in (98.1 × 98.1 cm)* ''Washi Paper - Orange'' (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)* ''Washi Paper - Purple'' (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)* ''Washi Paper - Purple/Black'' (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)* ''Washi Paper - Red'' (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)* ''Washi Paper - Turquoise'' (2020); Acrylic on washi; 38 5/8 × 38 5/8 in (98.1 × 98.1 cm)* ''Washi Paper - Yellow'' (2020); Acrylic on washi; 79 × 79 in (200.6 × 200.6 cm)* ''Annie'' (2022); Watercolor on washi; 77 3/4 × 42 3/4 in (197.5 × 108.6 cm)" ], [ "Prints", "===Prints on paper, canvas, fabric, and veneer===Includes editioned prints made with any method or technique, prints in variable editions, monotype prints, and unique mixed media prints on paper, canvas, fabric, or veneer with paint or collage.====1970s====* ''Untitled'' (1971); Lithograph on paper; 24 × 32 in.", "(61 × 81.2 cm); Walker Art Center, Minneapolis* ''Wave'' (1971); Color lithograph on four pieces of foil mounted on wove paper; Variable edition; 26 × 19 3/4 in (66.04 × 50.17 cm); Detroit Institute of Arts; High Museum of Art, Atlanta; Indianapolis Museum of Art; Minneapolis Institute of Art; and National Gallery of Art, Washington, D.C.* ''Dance '72'' (1972); Screenprint on paper; 32 1/4 × 19 in (81.9 × 48.2 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Fire'' (1972); Lithograph on Japanese paper; Variable edition; 24 1/2 × 18 15/16 in (62.2 × 48.1 cm) irreg.", "; Art Institute of Chicago; Dayton Art Institute, Dayton, Ohio; Indianapolis Museum of Art; Minneapolis Institute of Art; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C. (4 versions, including horizontal and green variants); and Yale University Art Gallery, New Haven, Connecticut* ''Nile'' (1972); Lithograph; Variable edition; 24 15/16 × 17 13/16 in (63.3 × 45.3 cm) irreg.", "; Allen Memorial Art Museum, Oberlin, Ohio; Minneapolis Institute of Art; and Museum of Modern Art, New York* ''Untitled'' (1972); Silkscreen; Edition of 38; 41 1/4 × 29 5/8 in (104.77 × 75.25 cm)* ''Untitled'' (1972); Silkscreen; 24 1/2 × 17 1/2 in (62.23 × 44.45 cm)* ''Pink Horseshoes'' (1973); Silkscreen, monotopye on Arches paper; Edition of 42; 17 3/4 × 24 1/4 in (45.08 × 61.59 cm); Miami-Dade Public Library System, Miami* ''Equal Employment Opportunity is the Law'' (1973); Poster; 30 × 22 in (76.2 × 55.88 cm) framed; Miami-Dade Public Library System, Miami* ''T Shirt'', from the portfolio ''Equal Employment Opportunity is the Law'' (1973); Screenprint on paper; 22 × 30 in (55.8 × 76.2 cm); Miami-Dade Public Library System, Miami; and Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Top Bunk'' (1973); Color screenprint with flocking and metallic dust; 21 1/8 × 29 3/8 in (53.66 × 74.61 cm); Minneapolis Institute of Art* ''Anchor'' (1974); Screenprint, die-cutting, collage and stitching on paper; 22 1/2 × 20 5/8 in (57.2 × 52.3 cm); Akron Art Museum, Akron, Ohio* ''Chinaberry'' (1974); Color screenprint and vacuum formed screenprint; 20 1/16 × 26 1/2 in (51 × 67.3 cm); Cincinnati Art Museum* ''Dusk'' (1974); Screenprint on handmade paper with collage; West Virginia University Art Museum, Morgantown, West Virginia* ''A Fog in the Hollow'' (1974); Color screenprint and vacuum formed screenprint; Variable edition; 24 × 36 7/16 in (60.9 × 92.5 cm); Akron Art Museum, Akron, Ohio; and Cincinnati Art Museum* ''Lumia'' (1974); Screenprint on handmade paper; 19 1/8 × 23 3/8 in (48.5 × 59.4 cm); Akron Art Museum, Akron, Ohio* ''Meeker's Press'' (1974); Vacuum formed screenprint on handmade paper; Variable edition; 20 × 26 1/4 in (50.8 × 66.67 cm); Madison Museum of Contemporary Art, Madison, Wisconsin; and Chazen Museum of Art, Madison, Wisconsin* ''Phase'' (1974); Screenprint; 29 1/2 × 29 5/8 in (74.9 × 75.2 cm); Metropolitan Museum of Art, New York* ''Pulsar'' (1974); Screenprint with collage and stitching on paper; 10 1/2 × 10 1/2 in (26.7 × 26.7 cm); University of Michigan Museum of Art, Ann Arbor, Michigan* ''Sam Senior'' (1974); Serigraph on Morilla AP etching paper; 51 × 54 1/4 in (129.5 × 137.9 cm); Akron Art Museum, Akron, Ohio* ''Thursday'' (1974); Screenprint and dye with stitching on on handmade paper; 14 1/2 × 20 13/16 in (36.8 × 52.8 cm); Akron Art Museum, Akron, Ohio* ''Untitled'' (1974); Screenprint; 20 × 26 1/4 in (50.8 × 41.3 cm); Indianapolis Museum of Art* ''Wausau'' (1975); Color embossed collagraph with embedded shards on paper; Variable edition; Diameter: 21 3/4 in (55.2 cm); Hammer Museum, Los Angeles and Phillips Collection, Washington, D.C.* ''Wissahickon'' (1975); Color screenprint on wove paper; Edition of 30; 22 1/8 × 30 in (56.2 × 76.2 cm); Allen Memorial Art Museum, Oberlin, Ohio; Harvard Art Museums, Cambridge, Massachusetts; National Gallery of Art, Washington, D.C.; Philadelphia Museum of Art; and Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Bardstown'' (1976); Collagraph on handmade paper; Edition of 25 (variable); 22 1/4 × 22 1/8 in (56.5 × 56.2 cm); Museum of Fine Arts, Houston* ''Bowling Green'' (1976); Color collagraph with collage on multicolored, handmade paper; 22 1/4 × 22 5/8 in (56.52 × 57.47 cm); National Gallery of Art, Washington, D.C.* ''For \"200\"'' (1976); Silkscreen on rag paper; 18 1/2 × 19 3/4 in (46.99 × 50.16 cm); Academy Art Museum, Easton, Maryland; Memorial Art Gallery, Rochester, New York; Phillips Collection, Washington, D.C.* ''Glasgow'' (1976); Collograph on dyed handmade paper; 21 13/16 × 20 1/2 in (55.4 × 52 cm); Yale University Art Gallery, New Haven, Connecticut* ''Louisville'' (1976); Collograph of found objects pressed into hand made paper; 21 3/4 × 21 3/4 in (55.24 × 55.24 cm) framed; Miami-Dade Public Library System, Miami* ''Middleboro'' (1976); Collograph with embossing; Edition of 28 (variable); 22 × 22 in (55.9 × 55.9 cm); Memorial Art Gallery, Rochester, New York* ''G.D.S.''", "(1978); Screenprint on paper; 26 × 24 1/8 in (65.9 × 61.2 cm); Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Tee 2'' (1978); Screenprint with collage (cotton t-shirt) 33 3/4 × 25 7/8 in (85.7 × 65.7 cm); Museum of Fine Arts, Boston* ''Red Lady'' (1979); Relief printing and etching on double-couched Upper US Paper Mill handmade; 24 × 35 3/4 in (61 × 90.8 cm); Akron Art Museum, Akron, Ohio====1980s====* ''Cape'' (1980); Relief printing, embossing, and acrylic on paper; 20 3/4 × 36 in (52.7 × 91.4 cm); Yale University Art Gallery, New Haven, Connecticut* ''Elegy #6'' (1980); Monotype with embossing, relief printing, and handcoloring on hand-made paper; 23 1/2 × 35 5/8 in (59.7 × 90.5 cm); University of Michigan Museum of Art, Ann Arbor, Michigan* ''Much'' (1980); Screenprint; 23 × 26 1/4 in (58.42 × 66.67 cm); Phillips Collection, Washington, D.C.* ''Coffee Thyme II'' (1980); Lithograph, screenprint, etching, and embossing on paper; 31 1/8 × 40 9/16 in (79 × 103 cm); Princeton University Art Museum, Princeton, New Jersey* ''Coffee Thyme I'' (1979, published 1981); Color intaglio with lithography, rubber stamp and debossing on paper; 30 3/4 × 40 3/4 in (78 × 103.5 cm); Art Institute of Chicago* ''Coffee Thyme II (vanilla)'' (1981); Color intaglio with lithography, rubber stamp and debossing on paper; 31 1/16 × 40 7/8 in (78.8 × 103.8 cm); Art Institute of Chicago; and Studio Museum in Harlem, New York* ''Buoy Landscape'' suite (1982):* ''Buoy Landscape I'', from the suite ''Buoy Landscape'' (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.; and Walker Art Center, Minneapolis:* ''Buoy Landscape II'', from the suite ''Buoy Landscape'' (1982); Intaglio with screenprint on paper; 32 × 22 1/2 in (81.3 × 57.2 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.; and Walker Art Center, Minneapolis:* ''Buoy Landscape III'', from the suite ''Buoy Landscape'' (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.; and Walker Art Center, Minneapolis:* ''Buoy Landscape IV'', from the suite ''Buoy Landscape'' (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.; and Walker Art Center, Minneapolis:* ''Buoy Landscape V'', from the suite ''Buoy Landscape'' (1982); Intaglio with screenprint on paper; 32 × 23 in (81.3 × 58.4 cm); Minneapolis Institute of Art; Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.; and Walker Art Center, Minneapolis* ''Lattice'' suite (1982):* ''Lattice I'', from the suite ''Lattice'' (1982); Color intaglio with lithograph on paper; 31 1/4 × 44 in (79.4 × 111.8 cm); David C. Driskell Center, College Park, Maryland; Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.; and Walker Art Center, Minneapolis:* ''Lattice II'', from the suite ''Lattice'' (1982); Color intaglio with lithograph on paper; 47 3/4 × 31 3/4 in (121.28 cm × 80.64 cm); Art Institute of Chicago; and Walker Art Center, Minneapolis:* ''Lattice III'', from the suite ''Lattice'' (1982); Color intaglio with lithograph on paper; 47 3/4 × 31 3/4 in (121.28 cm × 80.64 cm); Art Institute of Chicago; and Walker Art Center, Minneapolis:* ''Lattice IV'', from the suite ''Lattice'' (1982); Color intaglio with lithograph on paper; 47 3/4 × 31 3/4 in (121.28 cm × 80.64 cm); Art Institute of Chicago; and Walker Art Center, Minneapolis* ''Harlem Nights'' (1983); Color offset lithograph and screenprint collage; 27 1/2 × 34 11/16 in (69.9 × 88.1 cm) irreg.", "; Philadelphia Museum of Art* ''July #15'' (1984); Embossed and printed collage on handmade colored paper with acrylic paint and stitching; 24 1/2 × 24 1/4 in (62.2 × 61.6 cm); Museum of Fine Arts, Boston* ''New Glarus'' (1984); Collage and collagraph; Edition of 4 (variable); 29 3/4 × 37 in (75.6 × 94 cm) irreg.", "; Whitney Museum, New York* ''Untitled'' (1984); Monotype and rope on handmade paper; 21 1/4 × 86 1/4 in (54 × 219.1 cm)* ''Untitled'' (1984); Collograph and acrylic on handmade paper; 28 3/4 × 39 3/4 in (73 × 101.1 cm); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.* ''Unicorn Papers, Series I #3'' (1985); Silkscreen, acrylic, and fabric on paper; 88 × 91 in (223.52 × 231.14 cm); University of Louisville Art Collection, Louisville, Kentucky* ''Butterfly Days'' (1986); Printed acetate and painted wood on printed, handmade couched paper with string embedded; 43 × 53 1/2 in (109.22 × 135.89 cm) approx.", "; Madison Museum of Contemporary Art, Madison Wisconsin* ''In Celebration'' (1987); 35-color screenprint on heavy wove paper; 32 1/16 × 40 3/16 in (81.4 × 102 cm); Fralin Museum of Art, Charlottesville, Virginia; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Memorial Art Gallery, Rochester, New York; National Gallery of Art, Washington, D.C.; and Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.* ''Purple Antelope Space Squeeze'' (1987); Etching, aquatint, collagraph, hand-painted collage, and embossing on handmade paper; Variable edition; 42 3/4 × 36 3/4 in (108.59 × 93.35 cm) variable; Birmingham Museum of Art, Alabama; Chazen Museum of Art, Madison, Wisconsin; Madison Museum of Contemporary Art, Madison, Wisconsin; Milwaukee Art Museum; and Phillips Collection, Washington, D.C.* ''Untitled (Philadelphia)'' (1987); Screenprint with collage and hand-coloring on white wove paper; 33 3/4 × 45 in (85.7 × 114.3 cm); Harvard Art Museums, Cambridge, Massachusetts* ''Neruda's The Celery Hats'' (1989); Monoprint, color woodcut, relief print, hand-painting and collage on paper in artist's frame with hand-painted wooden appendage; 46 1/2 × 52 × 6 in (118.1 × 132.1 × 15.2 cm); Eskenazi Museum of Art, Bloomington, Indiana====1990s====* ''Aviation 1'' (1990); Monoprint; 42 × 31 1/4 in (106.68 × 79.37 cm)* ''Aviation 8'' (1990); Monoprint; 49 × 38 1/4 in (124.46 × 97.15 cm)* ''Chehaw'' (1990); Monoprint with wood block printing, etching, stencil painting, and splash painting on paper; Variable edition; 44 × 29 1/2 in (111.8 × 74.9 cm); Chazen Museum of Art, Madison, Wisconsin; and Studio Museum in Harlem, New York* ''For Xavier'' (1990); Color screenprint on textured paper; 32 × 40 3/16 in (81.3 × 102.1 cm); Smith College Museum of Art, Northampton, Massachusetts* ''Epiphany 1'' (1991); Monoprint; 31 × 42 in (78.74 × 106.68 cm)* ''Running Naked'' (1991); Color woodcut and etching; 31 3/4 × 21 1/4 in (80.65 × 53.98 cm); Minneapolis Institute of Art* ''Running'' (1991); Monoprint; 31 3/4 × 23 1/4 in (80.64 × 59 cm)* ''Running Rouge 1'' (1991); Monoprint; 24 × 92 in (60.96 × 233.68)* ''Running Triptych'' (1991); Monoprint; 24 × 92 in (60.96 × 233.68)* ''Blazing'' (1992); Monoprint; 44 × 30 in (111.76 × 76.2 cm)* ''Fast Track'' (1992); Color etching and woodcut on handmade paper; 25 1/2 × 26 in (64.77 × 66 cm); Chazen Museum of Art, Madison, Wisconsin* ''Golden Windows'' (1991); Monoprint; 31 × 42 in (78.74 × 106.68 cm)* ''New Moon'' (1992); Color lithograph with hand additions and collage on paper; 30 × 22 3/8 in (76.2 × 56.8 cm); Eskenazi Museum of Art, Bloomington, Indiana* ''Tapestry'' series (1992–1993):* ''Tapestry 1'' (1992-1993); Monoprint on paper; 42 × 25 1/2 in (106.7 × 64.8 cm); Studio Museum in Harlem, New York:* ''Tapestry 4'' (1992-1993); Monoprint on paper; 42 × 25 in (106.7 × 63.5 cm); Studio Museum in Harlem, New York:* ''Tapestry 13'' (1992-1993); Monoprint on paper; 40 × 23 in (101.6 × 58.4 cm); Studio Museum in Harlem, New York:* ''Tapestry 15'' (1992-1993); Monoprint on paper; 39 × 26 in (99.1 × 66 cm); Studio Museum in Harlem, New York* ''Indigo'' (1993); Offset print; Edition of 100; 15 × 22 in (38.1 × 55.88 cm); David C. Driskell Center, College Park, Maryland* ''Pretty Boxes'' (1993); Color offset lithograph and screenprint on four joined sheets of wove Arches paper; 30 1/8 × 42 11/16 in (76.5 × 108.5 cm) irreg.", "; Harvard Art Museums, Cambridge, Massachusetts; and National Gallery of Art, Washington, D.C.* ''Tower'' series (1993):* ''Tower 7'' (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm):* ''Tower 9'' (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm):* ''Tower 21'' (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm):* ''Tower 27'' (1993); Monoprint; 31 3/4 × 39 1/2 in (80.64 × 100.33 cm)* ''Golden Neck'' (1993–1994); Screenprint, offset lithograph, and hand-applied acrylic with stitching; 43 5/16 × 30 in (110 × 76.2 cm) irreg.", "; Saint Louis Art Museum* ''Maquette for Golden Elements Inside Gold, 600 Yds.", "of Painted Fabric Constructed on Cable'' (1993–1994); Chromogenic prints, plastic and paper on board; 23 × 19 3/16 in (58.4 × 48.7 cm); Whitney Museum, New York* ''Double Dutch'' (1994); Offset print collage and thread on paper; Edition of 94; 14 × 50 in (35.56 × 127 cm); David C. Driskell Center, College Park, Maryland* ''Tre 94'' (1994); Serigraph collage, ink, and thread on paper; 36 × 23 in (91.44 × 58.42 cm); David C. Driskell Center, College Park, Maryland; and Palmer Museum of Art, State College, Pennsylvania* ''Hav-a-Tampa 15'' (1995); Screenprint and monoprint with stitching; 33 15/16 × 28 11/16 in (86.2 × 72.9 cm); Saint Louis Art Museum* ''Niagara on the Potomac'' (1995); Color screenprint on Rising wove paper; 23 1/16 × 40 in (58.58 × 101.6 cm); David C. Driskell Center, College Park, Maryland; and National Gallery of Art, Washington, D.C.* ''Untitled'' (1995); Monotype with collage on irregular hand-made paper; Washington and Lee University Museums, Lexington, Virginia* ''Untitled'' (c. 1996); Mixed media assemblage; 25 × 14 in (63.5 × 35.56 cm); Pennsylvania Academy of the Fine Arts; Philadelphia* ''As Kids Go'' (1996); Color lithograph with paper collage and acrylic on handmade paper; 23 × 33 in (58.4 × 83.8 cm); DePaul University Art Museum, Chicago; George Washington University Art Collection, Washington, D.C.; Howard University Gallery of Art, Washington, D.C.; and Yale University Art Gallery, New Haven, Connecticut* ''GDS /50'' (1996); Collage of collagraphs with acrylic, metal snaps, and machine-sewn thread on die-cut paper; Edition of 50 + 10 PPs; 28 × 24 in (71.1 × 61 cm); Whitney Museum, New York* ''Big'' (1992–1997); Monotype collage on Arches paper; 31 × 42 in (78.7 × 106.7 cm); Fine Arts Museums of San Francisco* ''Lightning Bolt!''", "(1997); Screenprint with paint; 26 7/8 × 26 1/2 in (68.3 × 67.3 cm); Saint Louis Art Museum* ''Manet'' (1998); Mixed media monoprint with handpainting, relief printing, screenprinting, cutouts, collage, and stitching on handmade paper; Variable edition; 18 1/2 × 23 1/2 in (47 × 59.7 cm); Chazen Museum of Art, Madison, Wisconsin; Detroit Institute of Arts; and Madison Museum of Contemporary Art, Madison, Wisconsin* ''Untitled'' (1998); Lithograph, handmade paper, collé; Variable edition of 60; 22 1/4 × 21 3/4 in (56.5 × 55.2 cm); David C. Driskell Center, College Park, Maryland; Mead Art Museum, Amherst, Massachusetts; and Palmer Museum of Art, State College, Pennsylvania* ''Untitled'', from the series ''Shooting Star'' (1998); Mixed media; 15 1/2 × 17 1/2 in (39.4 × 44.5 cm); Yale University Art Gallery, New Haven, Connecticut* ''Ben II'' (1999); Lithograph; 18 3/8 × 27 1/2 in (46.7 × 69.9 cm); Saint Louis Art Museum====2000s====* ''Journey Home'' (2002); Silkscreen print; 20 × 40 in (50.8 × 101.6 cm); Phillips Collection, Washington, D.C.* ''Bowling'' (2002); Relief on veneer and chine appliqué; 29 3/4 × 39 5/8 in (75.56 × 100.65 cm); Chazen Museum of Art, Madison, Wisconsin* ''Lilly's Print'' (2002); Relief on wood veneer; 30 × 30 in (76.2 × 76.2 cm); Chazen Museum of Art, Madison, Wisconsin* ''Lilly's Print (left)'' (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin* ''Lilly's Print (right)'' (2002); Two-color woodblock print on two pieces of wood veneer; 29 3/4 × 29 3/4 in (75.56 × 75.56 cm); Baltimore Museum of Art; and Chazen Museum of Art, Madison, Wisconsin* ''No Title'' (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin* ''No Title'' (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin* ''No Title'' (2002); Relief on wood veneer; 30 × 20 in (76.2 × 50.8 cm); Chazen Museum of Art, Madison, Wisconsin* ''Union Pacific'' (2002); Relief on wood veneer; 30 × 30 in (76.2 × 76.2 cm); Chazen Museum of Art, Madison, Wisconsin* ''Union Pacific'' (2002); Relief on wood veneer; 30 × 30 in (76.2 × 76.2 cm); Chazen Museum of Art, Madison, Wisconsin* ''ARS (ars longa, vita brevis)'' (2003); Color screenprint on wove paper; 28 15/16 × 20 in (73.5 × 50.8 cm); David C. Driskell Center, College Park, Maryland; Howard University Gallery of Art, Washington, D.C.; National Gallery of Art, Washington, D.C.; and Yale University Art Gallery, New Haven, Connecticut* ''5 a.m.'' (2004); Cut and sewn color relief prints on wove paper, fabric, and felt; Variable edition of 50; 22 1/4 × 15 1/2 in (56.5 × 39.4 cm); Cleveland Museum of Art* ''Castle Banner 1'' (2004); Monoprint collage; 60 × 40 in (152.4 × 101.6 cm); Chazen Museum of Art, Madison, Wisconsin* ''Castle Banner 5'' (2004); Monoprint collage; 48 1/2 × 36 1/2 in (123.19 × 92.71 cm); Chazen Museum of Art, Madison, Wisconsin* ''New Bridges'' (2004); Relief print; 30 × 22 1/2 in (76.2 × 57.15 cm); Allentown Art Museum, Allentown, Pennsylvania; David C. Driskell Center, College Park, Maryland; Pennsylvania Academy of the Fine Arts, Philadelphia; and Mount Holyoke College Art Museum, South Hadley, Massachusetts* ''Sam'' (2004); Relief print and collage on felt; 22 1/2 × 15 in (57.2 × 38.1 cm) irreg.", "; Yale University Art Gallery, New Haven, Connecticut* ''Untitled'' (2004), from the portfolio ''Master Artists/Master Printmakers: Portfolio I'' (2003–2004); Cut and sewn color relief prints on wove paper, fabric, and felt; 22 1/4 × 15 1/2 in (56.52 × 39.37 cm); National Gallery of Art, Washington, D.C.* ''Untitled (Blue)'' (2004), from the deluxe edition of the book ''Three Decades of American Printmaking: The Brandywine Workshop Collection'' (2004); Color offset lithograph; 10 15/16 × 8 7/16 in (27.8 × 21.4 cm); Philadelphia Museum of Art* ''Untitled (Red)'' (2004), from the deluxe edition of the book ''Three Decades of American Printmaking: The Brandywine Workshop Collection'' (2004); Color offset lithograph; 11 × 8 9/16 in (27.9 × 21.7 cm); Philadelphia Museum of Art* ''Untitled (Yellow)'' (2004), from the deluxe edition of the book ''Three Decades of American Printmaking: The Brandywine Workshop Collection'' (2004); Color offset lithograph; 10 15/16 × 8 7/16 in (27.8 × 21.4 cm); Philadelphia Museum of Art* ''Dogon'' series (2005):* ''Dogon I'', from the ''Dogon'' series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota:* ''Dogon II'', from the ''Dogon'' series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota:* ''Dogon III'', from the ''Dogon'' series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota:* ''Dogon IV'', from the ''Dogon'' series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota:* ''Dogon V'', from the ''Dogon'' series (2005); Screenprint; 30 1/2 × 22 1/2 in (77.47 × 57.15 cm); Plains Art Museum, Fargo, North Dakota* ''Soaring'' (2005); Serigraph; 23 3/5 × 16 2/5 in (59.94 × 41.66 cm); David C. Driskell Center, College Park, Maryland* ''Wind'' (2005); Screenprint and collage; Edition of 150; 14 1/2 × 21 in (36.8 × 53.3 cm); Allentown Art Museum, Allentown, Pennsylvania; David C. Driskell Center, College Park, Maryland; Howard University Gallery of Art, Washington, D.C.; and Yale University Art Gallery, New Haven, Connecticut* ''Barnet Stone Mythography'' portfolio (2007); Serigraph, etching, and lithography on paper (7 parts) in felt box with lithograph on lid; Box: 23 3/8 × 31 3/8 × 1 1/4 in (59.4 × 79.7 × 3.2 cm), prints variable; Mount Holyoke College Art Museum, South Hadley, Massachusetts; and Pennsylvania Academy of the Fine Arts, Philadelphia* ''Ferris Wheel'' (2007); Relief, digital print, and collage on fir and maple veneer; 48 1/2 × 73 in (123.19 × 185.42 cm); Chazen Museum of Art, Madison, Wisconsin* ''Destiny'' (2008); Offset print; Edition of 75; 28 3/4 × 17 1/2 in (73 × 44.45 cm); David C. Driskell Center, College Park, Maryland* ''New Movie 1'' (2008); Relief and digital print on fir veneer; 32 3/8 × 29 1/8 in (82.23 × 73.98 cm); Chazen Museum of Art, Madison, Wisconsin* ''New Movie 2'' (2008); Relief and digital print on fir veneer; 32 1/2 × 29 1/8 in (82.55 × 73.98 cm); Chazen Museum of Art, Madison, Wisconsin* ''New Movie 3'' (2008); Relief and digital print on fir veneer; 32 5/8 × 29 3/8 in (82.87 × 74.61 cm); Chazen Museum of Art, Madison, Wisconsin* ''New Movie 4'' (2008); Relief and digital print on fir veneer; 32 3/4 × 29 3/8 in (83.18 × 74.61 cm); Chazen Museum of Art, Madison, Wisconsin* ''Chakaia'' (2009); Serigraph on fabric; 25 × 30 in (63.5 × 76.2 cm); Rollins Museum of Art, Winter Park, Florida* ''Destiny'' (2009); Lithograph; 29 3/4 × 19 in (75.56 × 48.26 cm); Howard University Gallery of Art, Washington, D.C.* ''Museum Moment'' (2009); Silkscreen; Edition of 105; 32 × 40 in (81.28 × 101.6 cm); David C. Driskell Center, College Park, Maryland====2010s====* ''Cloudy Fingers'' (2010); Relief/digital print, acrylic on rice paper, framed; 33 × 39 × 5 1/5 in (83.82 × 99 × 13.97 cm)* ''Days'' (2010); Relief/digital print, acrylic on rice paper, framed; 52 1/4 × 47 × 6 in (132.71 × 119.38 × 15.24 cm)* ''For the Fog 14'' (2010); Ink with acrylic paint and polymer varnishes on paper, relief and digital print; 44 1/2 × 45 1/2 in (113.03 × 115.57 cm); Indianapolis Museum of Art* ''For the Fog A'' (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 26 × 50 in (66 × 127 cm)* ''For the Fog B'' (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 24 1/2 × 35 in (62.23 × 88.9 cm)* ''For the Fog C'' (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 44 × 34 in (111.76 × 86.36 cm)* ''For the Fog D'' (2010); Relief/digital print, cut and reassembled collage, acrylic, on handmade paper; 33 × 30 in (83.82 × 76.2 cm)* ''In the Fog'' (2010); Relief/digital print, collograph, acrylic, nylon thread, wood vener, cork veneer, collage; 30 1/2 × 41 1/4 in (77.47 × 112.39 cm); Chazen Museum of Art, Madison, Wisconsin; and Maier Museum of Art, Lynchburg, Virginia* ''Making Green'' (2010); Relief/digital print, acrylic on rice paper, framed; 29 3/4 × 33 1/4 × 5 1/2 in (75.56 × 84.45 × 13.97 cm)* ''Nova'' (2010); Relief/digital print, acrylic on rice paper, framed; 31 × 27 × 6 in (78.74 × 68.58 × 15.24 cm)* ''Printing on the World 3'' (2010); Oil based monotype, acrylic paint, powdered pigment; 30 × 22 in (76.2 × 55.88 cm)* ''Reflection to Little Miss Cole'' (2010); Relief/digital print, acrylic, mixed media collaged on paper; Mint Museum, Charlotte, North Carolina* ''Standing up Goya'' (2010); Relief/digital print, acrylic on rice paper, framed; 93 1/2 × 36 1/2 × 7 in (237.49 × 92.71 × 17.78 cm)* ''Untitled'' (2010); Mixed media and collage; Irregular dimensions; Madison Museum of Contemporary Art, Madison, Wisconsin* ''Phelps'' (2016); Monotype, with hand-coloring and collage, on handmade paper on canvas; Variable edition; 46 1/4 × 74 1/8 in (117.47 × 188.28 cm); Madison Museum of Contemporary Art, Madison, Wisconsin; and University of Michigan Museum of Art, Ann Arbor, Michigan* ''Frieze'' (2017); Monotypes in artist's frames; Eleven parts, overall dimensions variable; Georgetown Lombardi Comprehensive Cancer Center, Washington, D.C.* ''Walter/Josef'' (2018); Screenprint; 26.9 × 40 in (68.4 × 101.8 cm); Kunstmuseum Basel, Switzerland====2020s=======Sculptural prints===Includes prints on metal, wood, and plastic and 3-dimensional print constructions====Undated====* ''Pages and Echoes #2'' (n.d.); Acrylic paper collage on board; 18 3/4 × 24 1/2 × 3 1/4 in (47.62 × 62.23 × 8.25 cm); Virginia Museum of Fine Arts, Richmond, Virginia====1970s====* ''Cranes'' (1972); Color screenprint with machine stitching and metal coathanger; 30 5/8 × 17 in (77.8 × 43.2 cm); Yale University Art Gallery, New Haven, Connecticut* ''Pink Horse Shoes'' (1973); Serigraph, flocking, and glitter on Arches Cover Paper with clothes hanger; 23 × 14 1/4 in.", "(58.4 × 36.2 cm); Akron Art Museum, Akron, Ohio====1980s====* ''Dave Dove Liz'' (1986); Three-dimensional color monotype in wood box; 54 × 49 in (137.2 × 124.5 cm) × 2 in (5.1 cm) depth approx.", "* ''Untitled'' (1987); Lithograph, etching, screenprint collage with aluminum elements; 73 1/4 × 103 3/8 × 3 5/8 in (186.05 × 262.57 × 9.21 cm); Walker Art Center, Minneapolis* ''Untitled'' (1987); Color lithograph, screenprint, etching; cut and collaged to Gatorboard and foam core; enclosed in wooden box frame with anodized aluminum elements under Plexiglas; 41 × 40 1/4 × 3 5/8 in (104.14 × 102.24 × 9.21 cm); Minneapolis Institute of Art* ''Tulip Series: Blossoms'' (1989); Collage and pigment; Washington and Lee University Museums, Lexington, Virginia* ''Tulip Series: Petal'' (1989); Collage and pigment; 20 × 16 × 6 in (50.8 × 40.6 × 15.2 cm) approx.", "; Howard University Gallery of Art, Washington, D.C." ], [ "Temporary, destroyed, and non-extant works", "Gilliam created and exhibited works throughout his career that he would later dismantle and either sell as smaller pieces, destroy, or reconstitute into other works, and several of his commissioned installations have been dismantled or destroyed following renovations or construction.", "Works are included in this category regardless of their medium.", "These include temporary public installations that the artist is recorded to have reclaimed, site-specific installations, and destroyed works.===1960s===* ''Baroque Cascade'' (1969); Acrylic on canvas; Dimensions variable; Originally exhibited at ''Gilliam, Krebs, McGowin'' (1969), Corcoran Gallery of Art, Washington, D.C.===1970s===* ''Dark as I Am'' (1968–1973); Acrylic, clothing, backpack, painter's tools, wooden closet pole on wood, crayon on walls, sunglasses, boots, ladder, paint bucket; Dimensions variable; Originally exhibited in 1973 at Jefferson Place Gallery, Washington, D.C.; Later reconstituted to form ''Composed (formerly Dark as I Am)'' (1968–1974).", "* ''Autumn Surf'' (1973); Acrylic on polypropylene canvas, wood; Dimensions variable; Originally exhibited at ''Works in Spaces'' (1973), San Francisco Museum of Modern Art; Painted canvas was later reconstituted to form part of ''Niagara'' (1977–1978) and ''Autumn Surf East'' (1972–1990)* ''Seahorses'' (1975); Acrylic on canvas, 6 parts; Dimensions variable; Originally exhibited in 1975 on the exterior walls of the Philadelphia Museum of Art; Exhibited again in 1976, with 5 canvases instead of 6, on the exterior walls of the Brooklyn Museum, New York* ''Three Panels for Mr. Robeson'' (1975); Acrylic on canvas; Dimensions variable; Originally exhibited at the ''34th Corcoran Biennial Exhibition of Contemporary American Painting'' (1975), Corcoran Gallery of Art, Washington, D.C.* ''Custom Road Slide'' (1977); Acrylic on wood, polypropylene, and shale; Dimensions variable; Originally exhibited at Earl W. Brydges Artpark State Park, Lewiston, New York* ''Niagara'' (1977–1978); Acrylic on polypropylene, wood, pipe, rope, and rocks, including painted canvas previously exhibited as ''Autumn Surf'' (1973); 136 × 408 × 324 in (345.44 × 1036.32 × 822.96 cm), overall dimensions variable; Originally exhibited at ''Sam Gilliam: Indoor & Outdoor Paintings, 1967-1978'' (1978), University Museum of Contemporary Art, University of Massachusetts Amherst; Painted canvas was later reconstituted to form part of ''Niagara Extended'' (1982)===1980s===* ''Dupont Circle Grand'' (1980); Oil and acrylic on canvas, wood, metal beams; 35 × 40 ft (1066.8 × 1219.2 cm); Originally exhibited at Dupont Circle Metro station, Washington, D.C., as an initiative of the Washington Project for the Arts' Art Site program, in conjunction with the 11th International Sculpture Conference* ''Niagara Extended'' (1982); Acrylic on polypropylene, wood, pipe, rope, and rocks, including painted canvas previously exhibited as ''Niagara'' (1977–1978); Dimensions variable; Originally exhibited at ''Sam Gilliam'' (1982), Artspace Gallery, Coral Gables, Florida===1990s===* ''Autumn Surf East'' (1972–1990); Acrylic on polypropylene, including painted canvas previously exhibited as ''Autumn Surf'' (1973); 15 × 300 ft (4.57 × 91.44 m); Dimensions variable; Originally exhibited at Rockville Art Place (now VisArts), Rockville, Maryland* ''Ferris Wheel'' (1991); Woodcut prints and acrylic on canvas and aluminum; Dimensions variable; Originally exhibited at ''Sam Gilliam: Of Fireflies or Ferris Wheels'' (1991), Walker Hill Art Center, Seoul (organized by U.S. Information Agency); printed and painted canvas was later reconstituted to form ''Of Fireflies and Ferris Wheels: Monastery Parallel'' (1997)* ''Of Fireflies'' (1991); Woodcut prints and acrylic on canvas and wood; Originally exhibited at ''Sam Gilliam: Of Fireflies or Ferris Wheels'' (1991), Walker Hill Art Center, Seoul (organized by U.S. Information Agency); printed and painted canvas was later reconstituted to form ''Of Fireflies and Ferris Wheels: Monastery Parallel'' (1997)* ''Bikers Move Like Swallows II'' (1995); Acrylic, tobacco linen, and aluminum rings; Dimensions variable; Originally exhibited in 1990 at the ''44th Biennial Exhibition of Contemporary American Painting: Painting Outside Painting'' (1995–1996), Corcoran Gallery of Art, Washington, D.C.* ''Of Firelies and Ferris Wheels: Monastery Parallel'' (1997); Woodcut prints and acrylic on sewn polypropylene, wood, mirrors, including printed canvas previously exhibited as ''Of Fireflies'' (1991) and ''Ferris Wheel'' (1991); Dimensions variable; Originally exhibited in 1997 in the chapel gallery at Kunstmuseum Kloster Unser Lieben Frauen Magdeburg, Magdeburg, Germany* ''Untitled'' (1998); Acrylic on canvas, custom flotation devices; Dimensions variable; Originally exhibited at ''Sam Gilliam in 3D'' (1998–1999), Kreeger Museum, Washington, D.C.===2000s======2010s===* ''Closed Box #1'' (2010); Acrylic on nylon; Dimensions variable; Originally exhibited at ''Sam Gilliam: Close to Trees'' (2011), American University Museum, Washington, D.C.* ''Closed Box #2'' (2010); Acrylic on nylon; Dimensions variable; Originally exhibited at ''Sam Gilliam: Close to Trees'' (2011), American University Museum, Washington, D.C.* ''Close to Trees #1-11'' (1990–2011); Drapes suspended from ceiling, acrylic on polypropylene; Dimensions variable; Originally exhibited at ''Sam Gilliam: Close to Trees'' (2011), American University Museum, Washington, D.C.* ''Close to Trees Double'' (1990–2011); Drapes suspended from ceiling, acrylic on polypropylene; Dimensions variable; Originally exhibited at ''Sam Gilliam: Close to Trees'' (2011), American University Museum, Washington, D.C.* ''Wall Cascade'' (1990–2011); Acrylic on polypropylene; Dimensions variable; Originally exhibited at ''Sam Gilliam: Close to Trees'' (2011), American University Museum, Washington, D.C.* ''Wall Cascade with Mirror'' (1990–2011); Acrylic on polypropylene; Dimensions variable; Originally exhibited at ''Sam Gilliam: Close to Trees'' (2011), American University Museum, Washington, D.C.* ''Flour Mill'' (2011); Acrylic on suspended nylon panels; Dimensions variable; Originally exhibited at ''Sam Gilliam: Flour Mill'' (2011), Phillips Collection, Washington, D.C.* ''Yves Klein Blue'' (2017); Acrylic on Cerex nylon; Dimensions variable; Originally exhibited at ''Viva Arte Viva'', 57th Venice Biennale (2017)" ], [ "References", "===Citations======Cited references===* * * * * * * * * * * * * * * * * * * * *" ] ]

[ [ "Ginette Gaubert" ], [ "Introduction", "'''Ginette Gaubert''' (1904–1987) was a French model and film actress.", "She was a competitor in the 1930 Miss France competition.", "As an actress she mainly in supporting roles during the 1930s." ], [ "Selected filmography", "* ''Our Masters, the Servants'' (1930)* ''Love and Luck'' (1932)* ''Sailor's Song'' (1932)* ''To the Polls, Citizens'' (1932)* ''Nu comme un ver'' (1933)* ''The Testament of Dr. Mabuse'' (1933)* ''Le coq du régiment'' (1933)* ''The Imaginary Invalid'' (1934)* ''Last Hour'' (1934)* ''Chansons de Paris'' (1934)* ''Monsieur Sans-Gêne'' (1935)* ''Juanita'' (1935)* ''Carnival in Flanders'' (1935)* ''Bach the Detective'' (1936)* ''L'enfant du Danube'' (1936)* ''La peau d'un autre'' (1937)* ''L'escadrille de la chance'' (1938)* ''Rasputin'' (1938)* ''Entente cordiale'' (1939)* ''Monsieur Vincent'' (1947)" ], [ "References" ], [ "Bibliography", "* Goble, Alan.", "''The Complete Index to Literary Sources in Film''.", "Walter de Gruyter, 1999.", "* Kalat, David.", "''The Strange Case of Dr. Mabuse: A Study of the Twelve Films and Five Novels''.", "McFarland, 2005." ], [ "External links", "*" ] ]

[ [ "Homayoun Assadian" ], [ "Introduction", "'''Homayoun Assadian''' (,born February 14, 1959, Isfahan) is an Iranian director, screenwriter, assistant director, production consultant and photographer.", "He won the Best Short Film Award at BAFTA 2006 , Best Director at Hanoi Film Festival in 2017, and Best Director Award from the jury of Common Good Film Festival in 2012." ], [ "References" ], [ "External links", "**" ] ]

[ [ "Jack A. Bade" ], [ "Introduction", "'''Jack Albrecht Bade ''' (October 9, 1920 – May 2, 1963) was an American flying ace in the 18th Fighter Group during World War II." ], [ "Early life", "Bade was born on October 9, 1920, in Minneapolis, the only child born to Charles and Gladys Bade.", "Following his birth, his family moved to Elk River, Minnesota, where he grew up.", "After graduating from high school in 1938, he attended the University of Minnesota where he majored in engineering.", "For a brief time, he worked with Honeywell Corporation." ], [ "Military career", "On January 5, 1942, he enlisted in the Aviation Cadet Program of the United States Army Air Forces and on July 26, 1942, he was commissioned a second lieutenant and awarded pilot wings at Luke Field in Arizona.", "During this time, he made a cameo in the 1942 movie ''Thunderbirds''.===World War II===P-40s \"White 116\" and \"White 111\" were flown by the aces 1Lt Henry E. Matson and 1Lt Jack Bade, 44th FS, at the time part of AirSols, on GuadalcanalIn December 1942, following the completion of advanced fighter training, Bade was assigned as a P-40 Warhawk pilot with the 44th Fighter Squadron of the 18th Fighter Group in Solomon Islands, in December 1942.The 18th FG was part of the AirSols, which was combined, joint command of Allied air units in the Solomon Islands campaign of the war.", "On February 4, 1943, he scored his first aerial victory.", "On February 13, while taking part in the escort of Navy and Marine Corps bombers attacking enemy shipping near Shortland-Kahili area, he shot down a A6M Zero that was attempting to attack the bomber formation.", "However, he was quickly attacked by four Zeroes, resulting in damage to his P-40 including guns being jammed and Bade himself suffering from severe head injury.", "Despite this, after seeing ten Zeroes chasing four unescorted SBD Dauntlesses near Shortland, he flew directly towards the Zeroes and engaged in several aerial maneuvers in an attempt distract the Zeroes from chasing the SBDs.", "Bade's actions resulted in Zeroes running out of fuel and returning to the base, hence preventing them from chasing the SBDs.", "For his heroism in the mission, Bade was awarded the Distinguished Service Cross.After his recovery, Bade continued to fly more missions.", "On June 7 and June 16, 1944, he shot down his third and fourth enemy aircraft.", "On June 30, while protecting Allied ships near Rendova Island, he shot down a Nakajima E8N \"Dave\" floatplane, his fifth aerial victory and earned the title of flying ace.During the war, Bade was crediting in destroying five enemy aircraft and one probable while flying a total of 85 missions and 210 hours during the war.", "His exploits were featured in ''True Comics'' and ''Heroic Comics''.In late 1943, he returned to the United States where he served as an instructor pilot and later was assigned by Republic Aviation to coordinate the P-47 Thunderbolt inspection and flight test program in Evansville, Indiana.", "Following the end of World War II, Bade was discharged from military service in 1946, at the rank of major." ], [ "Later life", "On February 9, 1945, Bade married Geraldine Davis, née Ferguson (1924–2013).", "The couple had three sons and one daughter, and numerous grand and great-grandchildren.After his discharge from the military, Bade worked as a civilian test pilot with the Republic Aviation.", "In 1949, while flying a F-84 Thunderjet, he survived a 500-mph crash by bailing out at 12,000 feet.", "In 1956 and 1962, he was featured in the advertisements of Camel cigarettes and Chase Manhattan Bank.On May 2, 1963, while test flying a F-105 Thunderchief at speed of sound, he collided with another F-105 flown by test pilot Don Seaver, over Catskill Mountains in New York, killing both of them.", "Bade was buried at Long Island National Cemetery." ], [ "Awards and decorations", "United States Army Air Forces pilot badge Distinguished Service CrossDistinguished Flying CrossPurple HeartAir Medalwith one silver and three bronze oak leaf clustersAmerican Campaign MedalAsiatic-Pacific Campaign Medalwith four bronze campaign starsWorld War II Victory Medal===Distinguished Service Cross citation===left:Bade, Jack A.:Second Lieutenant, U.S. Army Air Forces:44th Fighter Squadron, 18th Fighter Group, Thirteenth Air Force:Date of Action: February 13, 1943:Citation:" ], [ "Aerial victory credits", "DateCredits4 February 1943113 February 194317 June 1943116 June 1943130 June 19431" ], [ "References" ] ]

[ [ "Sukhendu Debbarma" ], [ "Introduction", "'''Sukhendu Debbarma''' (born January 26, 1969) is a Tripuri-Indian historian, academic, author,human rights activist and professor in the Department of History at the Tripura University." ], [ "Published works", "'''''Books'''''* ''Origin and Growth of Christianity in Tripura (1996)'''''''Articles'''''* ''Genesis of Youth Unrest in Tripura: A Case Study in Youth at the Crossroads: A Study of North East India'', Shiela Bora & S.D.Goswami (ed), Guwahati, 2007, pp. 186–200.", "* ''Peace Accords in Tripura- Background and Analysis in Peace in India's North –East'', Biswas Prasenjit & C.Joshua Thomas (ed), Regency Publication, New Delhi, 2006, pp. 405–424.", "*''Shifting Cultivation A Case Study among the Borok People of Tripura'', in the Proceedings of the North East India History Association, XIX Session, Kohima 1998, Shillong, 1999, pp.", "199–205." ], [ "References" ] ]

[ [ "Space in My Heart" ], [ "Introduction", "\"'''Space in My Heart'''\" is a song by Spanish singer Enrique Iglesias and American singer Miranda Lambert.", "It is set to be released on February 22, 2024, as the third single, first in English, off Iglesias's upcoming album, Final (Vol.", "2)." ], [ "Background", "The single was officially announced by Iglesias and Lambert on social media on February 12, 2024.", "\"Space in My Heart\" was preceded by a Spanish-language version of the song sung only by Iglesias, entitled \"Espacio en Tu Corazón\".", "This version was released promotionally on March 28, 2022, as the theme song for the telenovela ''Corazón guerrero''." ], [ "Charts", "+ Weekly chart performance for \"Espacio en Tu Corazón\" Chart (2022) Peakposition" ], [ "References", "´" ] ]

[ [ "Eddie Mitchell" ], [ "Introduction", "'''Eddie Mitchell''' (1954/1955 – 17 February 2024) was an English sports executive." ], [ "Football career", "Mitchell owned Dorchester Town FC.", "He was also involved in Poole Town F.C..", "He was known as \"Marmite Mitch\".Mitchell was the owner and chairman of AFC Bournemouth between June 2009 and September 2013, and oversaw the beginning rise of the team which moved up from League Two to the Premier League.", "It was the first time this had happened since 1987.In September 2013, he stepped down as chair.", "His shares of the club were sold to Russian businessman Maxim Demin.", "Two weeks after he had sold the club, he was banned from spectating its games." ], [ "Business career", "Mitchell was a property developer and reportedly built more than 1,000 homes particularly in the Sandbanks area of Poole.", "In 2010 he paid for the restoration of Dean Court.", "More recently, Mitchell owned Elite Skills Arena, a company manufacturing high technology football training products used notably by Barcelona." ], [ "Personal life and death", "In 2018, his heart stopped beating.", "He was in a coma for 3 weeks and had an open heart surgery.", "Married with 2 sons and grandchildren, Mitchell died on 17 February 2024, at the age of 69.Those who paid tribute included former Bournemouth manager Harry Redknapp." ], [ "References" ] ]

[ [ "2024 Connecticut Sun season" ], [ "Introduction", "The '''2024 Connecticut Sun season''' will be the 26th season for the Connecticut Sun franchise of the Women's National Basketball Association.", "It will be the 22nd season for the franchise in Connecticut after relocating from Orlando.", "After both the Phoenix Mercury and Seattle Storm missed the playoffs for the first time since 2012 and 2015 respectively, the Sun will enter the season with the longest active playoffs streak for the WNBA, making the playoffs every year since 2017.The Regular season will tip off on Tuesday, May 14, 2024, in Connecticut versus the Indiana Fever." ], [ "Transactions", "===WNBA draft=== Round Pick Player Nationality School/Team/Country 1 10 2 19 2 22 3 34 ===Transactions===DateDetails February 1 Signed Rachel Banham February 2 Signed Rennia Davis to a Training Camp Contract Signed Kianna Smith to a Training Camp Contract Signed Sydney Wiese to a Training Camp Contract February 3 Acquired Moriah Jefferson from the Phoenix Mercury in exchange for Rebecca Allen.", "Signed Astou Ndour-Fall February 5 Re-signed Brionna Jones February 6 Re-signed DeWanna Bonner February 16 Signed Shey Peddy to a Training Camp Contract February 19 Signed Jocelyn Willoughby to a Training Camp Contract===Roster Changes=======Additions===='''Personnel''''''Signed/Trade''''''Former Team''' Rachel Banham Signed Minnesota Lynx Moriah Jefferson Signed Phoenix Mercury Astou Ndour-Fall Signed Chicago Sky====Subtractions===='''Personnel''''''Reason''''''New Team'''" ], [ "Roster", "===Depth Chart===Pos.StarterBench PG SG SF PF C" ], [ "Schedule", "===Preseason=== May ===Regular season=== 1 May 14 Indiana Mohegan Sun Arena 2 May 17 Washington Mohegan Sun Arena 3 May 20 @ Indiana Gainbridge Fieldhouse 4 May 23 Minnesota Mohegan Sun Arena 5 May 25 @ Chicago Wintrust Arena 6 May 28 Phoenix Mohegan Sun Arena 7 May 31 Dallas Mohegan Sun Arena 8 June 2 @ Atlanta Gateway Center Arena 9 June 4 Washington Mohegan Sun Arena 10 June 8 New York Mohegan Sun Arena 11 June 10 Indiana Mohegan Sun Arena 12 June 12 @ Chicago Wintrust Arena 13 June 15 @ Dallas College Park Center 14 June 18 Los Angeles Mohegan Sun Arena 15 June 21 @ Las Vegas Michelob Ultra Arena 16 June 23 @ Seattle Climate Pledge Arena 17 June 27 @ Washington Entertainment and Sports Arena 18 June 28 Atlanta Mohegan Sun Arena 19 July 1 @ Phoenix Footprint Center 20 July 4 @ Minnesota Target Center 21 July 7 Atlanta Mohegan Sun Arena 22 July 10 New York Mohegan Sun Arena 23 July 14 Phoenix Mohegan Sun Arena 24 July 16 @ New York Barclays Center 25 August 16 @ Dallas College Park Center 26 August 18 @ Atlanta Gateway Center Arena 27 August 20 Los Angeles Mohegan Sun Arena 28 August 23 Chicago Mohegan Sun Arena 29 August 24 @ New York Barclays Center 30 August 28 @ Indiana Gainbridge Fieldhouse 31 August 31 @ Washington Entertainment and Sports Arena 32 September 1 Seattle Mohegan Sun Arena 33 September 3 Seattle Mohegan Sun Arena 34 September 6 Las Vegas Mohegan Sun Arena 35 September 8 @ Los Angeles Crypto.com Arena 36 September 10 @ Los Angeles Crypto.com Arena 37 September 13 @ Phoenix Footprint Center 38 September 15 @ Las Vegas Michelob Ultra Arena 39 September 17 Minnesota Mohegan Sun Arena 40 September 19 Chicago Mohegan Sun Arena" ], [ "Standings" ], [ "Statistics", "===Regular season=== Player GP GS MPG FG% 3P% FT% RPG APG SPG BPG PPG ‡Waived/Released during the season†Traded during the season≠Acquired during the season" ], [ "Awards and honors", " Recipient Award Date awarded Ref." ], [ "References" ], [ "External links", "*" ] ]

[ [ "Flecha (footballer)" ], [ "Introduction", "'''Gilberto Alves de Souza''' (31 December 1946 – 23 February 2022), better known as '''Flecha''', was a Brazilian professional footballer who played as a right winger." ], [ "Career", "Right winger, Flecha stood out mainly playing for Grêmio, where he made 216 appearances and scored 48 goals.", "He also had great spells in Coritiba, America-RJ and Guarani." ], [ "International career", "Flecha was called up to the Brazilian national team in 1976 and 1977, when he played for America-RJ.", "He disputed five official matches, in addition to an unofficial game against the Federal District team, when he scored a goal." ], [ "Death", "Flecha passed away on 23 February 2022, in the city of Viamão, at the age of 75." ], [ "References" ], [ "External links", "* Flecha at ogol.com.br *" ] ]

[ [ "Guigarra" ], [ "Introduction", "'''''Guigarra''''' is a monotypic genus of freshwater fish from China, closely related to ''Garra''.Its only species is '''''Guigarra cailaoensis''''' which is found in the Cailao River, Fengshan County, Guangxi Zhuang Autonomous Region, China.", "The main feature of this species is that the lower lip is specialized into a suction cup structure, and it also has a well-developed upper lip." ], [ "References" ] ]

[ [ "The Imaginary Invalid (1934 film)" ], [ "Introduction", "'''''The Imaginary Invalid''''' (French: '''''Le malade imaginaire''''') is a 1934 French historical comedy film directed by Lucien Jaquelux and starring Robert Pizani, Ginette Gaubert and Nane Germon.", "It is an adaptation of the 1673 play ''The Imaginary Invalid'' by Molière, later turned into a 1952 West German film of the same title." ], [ "Synopsis", "A bedridden hypochondriac is exploited by his wife and physicians who run rings round him.", "Only his daughter really cares for him, and he is eventually convinced to allow her to marry the man she really wants rather than the match he had planned for her." ], [ "Cast", "* Robert Pizani as \tThomas Diafoirus* Ginette Gaubert as \tAngélique* Nane Germon as \tToinette* Dranem as \tArgan* Alfred Argus as \tBéralde* Jacqueline Cartier as \tLouison\t* Georges Colin as \tDocteur Diafoirus* Robert Darthez as \tCléante* Marguerite Ducouret as \tBélise* Anthony Gildès as \tMonsieur Bonnefoi* Raymond Ménage as \tMonsieur Purgon" ], [ "References" ], [ "Bibliography", "* Bessy, Maurice & Chirat, Raymond.", "''Histoire du cinéma français: 1935-1939''.", "Pygmalion, 1986.", "* Crisp, Colin.", "''Genre, Myth and Convention in the French Cinema, 1929-1939''.", "Indiana University Press, 2002.", "* Goble, Alan.", "''The Complete Index to Literary Sources in Film''.", "Walter de Gruyter, 1999.", "* Rège, Philippe.", "''Encyclopedia of French Film Directors, Volume 1''.", "Scarecrow Press, 2009." ], [ "External links", "*" ] ]

[ [ "Bosnia and Herzegovina–United Kingdom relations" ], [ "Introduction", "The United Kingdom and Bosnia Herzegovina on a map.Bosnia and Herzegovina and the United Kingdom established diplomatic relations on 13 April 1992.Both countries share common membership of the Council of Europe, and the OSCE." ], [ "Economic relations", "From 1 July 2008 until 30 December 2020, trade between Bosnia and Herzegovina, and the UK was governed by the Bosnia and Herzegovina–European Union Stabilisation and Association Process, while the United Kingdom was a member.", "Following the withdrawal of the United Kingdom from the European Union, the UK offered Bosnia and Herzegovina a continuity trade agreement based on the EU free trade agreement, however the agreement was signed by neither country.", "On 9 June 2021, Greg Hands stated that the UK government remained ready to conclude the trade agreement, while the Government of Bosnia and Herzegovina were considering their position on the trade agreement." ], [ "Diplomatic missions", "Embassy of Bosnia and Herzegovina, London* Bosnia and Herzegovina maintains an embassy in London.", "* The United Kingdom is accredited to Bosnia and Herzegovina through its embassy in Sarajevo, and an embassy office in Banja Luka." ], [ "See also", "*Foreign relations of Bosnia and Herzegovina*Foreign relations of the United Kingdom" ], [ "References" ] ]

[ [ "2024 North Queensland Cowboys season" ], [ "Introduction", "The '''2024 North Queensland Cowboys season''' will be the 30th in the club's history.", "Coached by Todd Payten and captained by Reuben Cotter and Tom Dearden, they will compete in the NRL's 2024 Telstra Premiership.", "Cotter and Dearden will captain the club for the first time, replacing Jason Taumalolo and Chad Townsend." ], [ "Season summary", "===Milestones======Squad===" ], [ "Squad movement", "===Gains=== Player Signed From Until End of NotesJake Clifford Hull F.C.|Tom Mikaele Warrington Wolves|Viliami Vailea New Zealand Warriors|===Losses=== Player Signed To Until End of NotesJake Bourke Townsville Blackhawks|Mitch DunnBrendan ElliotBen HamptonPeta Hiku Hull Kingston Rovers|Sylvester Namo Castleford Tigers|Riley Price Penrith Panthers|Taniela Sadrugu CA Brive|Gehamat Shibasaki Townsville Blackhawks|James Tamou Townsville Blackhawks|Ragarive Wavik Canterbury Bulldogs|" ], [ "Ladder" ], [ "Fixtures", "===Pre-season=== Date Round Opponent Venue Score Tries Goals AttendanceSaturday, 18 FebruaryTrial 1 Brisbane BroncosBB Print Stadium 20 – 46Finefeuiaki, Mullany, Purdue, ValemeiMullany (1/1), Purdue (1/1), Duffy (0/2) 5,332Sunday, 25 FebruaryTrial 2 Canberra RaidersSeiffert Oval '''Legend''': ===Regular season=== Date Round Opponent Venue Score Tries Goals AttendanceSunday, 10 MarchRound 1 DolphinsSuncorp Stadium Saturday, 16 MarchRound 2 Newcastle KnightsQCB Stadium Saturday, 23 MarchRound 3 St George Illawarra DragonsNetstrata Jubilee Stadium Friday, 29 MarchRound 4 Brisbane BroncosSuncorp Stadium Sunday, 7 AprilRound 5 Gold Coast TitansQCB Stadium Saturday, 13 AprilRound 6 Parramatta EelsCommBank Stadium Sunday, 21 AprilRound 7 Cronulla SharksPointsBet Stadium Saturday, 27 AprilRound 8 Penrith PanthersQCB Stadium Saturday, 4 MayRound 9 DolphinsQCB Stadium Sunday, 12 MayRound 10 Gold Coast TitansCbus Super Stadium Saturday, 18 MayRound 11 South Sydney RabbitohsSuncorp Stadium Friday, 24 MayRound 12 Wests TigersQCB Stadium Sunday, 2 JuneRound 13 Sydney RoostersAllianz Stadium Saturday, 8 JuneRound 14 NZ WarriorsQCB Stadium Friday, 14 JuneRound 15 Canberra RaidersGIO Stadium Round 16Bye|Sunday, 30 JuneRound 17 Penrith PanthersBlueBet Stadium Saturday, 6 JulyRound 18 Manly Sea EaglesQCB Stadium Round 19Bye|Sunday, 21 JulyRound 20 CanterburyQCB Stadium Saturday, 27 JulyRound 21 Cronulla SharksQCB Stadium Thursday, 1 AugustRound 22 Wests TigersLeichhardt Oval Saturday, 10 AugustRound 23 Brisbane BroncosQCB Stadium Saturday, 17 AugustRound 24 Canberra RaidersQCB Stadium Round 25Bye|Thursday, 29 AugustRound 26 Melbourne StormQCB Stadium Saturday, 7 SeptemberRound 27 CanterburyStadium Australia '''Legend''':" ], [ "Statistics" ], [ "Representatives", "The following players played a representative match in 2024." ], [ "Feeder Clubs", "===Queensland Cup===* Mackay Cutters* Northern Pride" ], [ "References" ] ]

[ [ "Emma Clausen" ], [ "Introduction", "'''Emma Clausen''' was a poet, translator of poetry, physician, and anarchist.", "She was born in 1867 in Germany, and immigrated to Canada and the United States.", "She was part of the anarchist circle in Detroit, Michigan, which included figures like Robert Reitzel.", "Her translation of ''The Ballad of Reading Gaol'' by Oscar Wilde into German as ''Im Gefängnis zu Reading: Eine Ballade von C 3 3'' was published in 1902 in the journal ''Der arme Teufel''.", "She is the first woman translator of ''The Ballad of Reading Gaol'' in any language.", "She published in 1906 a poem in ''Mother Earth''.", "Her book of poetry ''Im Vorübergehn: Gedichte'' was published in 1956." ], [ "References" ] ]

[ [ "Papua New Guinea at the 2024 World Aquatics Championships" ], [ "Introduction", "'''Papua New Guinea''' competed at the 2024 World Aquatics Championships in Doha, Qatar from 2 to 18 February." ], [ "Swimming", "Papua New Guinea entered 3 swimmers.", ";MenAthleteEventHeatSemifinalFinalTimeRankTimeRankTimeRank Thomas Chen100 metre breaststroke1:08.3964 Did not advance100 metre butterfly1:00.6661 Did not advance Josh Tarere 50 metre freestyle 24.64 75 Did not advance 100 metre freestyle 54.72 83 Did not advance;WomenAthleteEventHeatSemifinalFinalTimeRankTimeRankTimeRank Georgia-Leigh Vele 50 metre freestyle 28.15 68 Did not advance 100 metre freestyle 1:01.88 =57 Did not advance" ], [ "References" ] ]

[ [ "Austin Okigbo" ], [ "Introduction", "'''Austin C. Okigbo''' is an ethnomusicologist and Professor of Ethnomusicology at the University of Colorado Boulder.", "His writings have appeared in The Journal of the International Library of African Music, Ethnomusicology, Africa Today, Du Bois Review, and Journal of Folklore Research.", "He is the editor of the 2015 ''World of Music on the New African Musical Diasporas''.He is serving as the director of the American Music Research Center (AMRC) at CU Boulder." ], [ "Education", "He earned MA in music education from Westminster Choir College, where he accompanied with Joseph Flummerfelt and James Jordan, and completed performance tracks in vocal and choral conducting.", "He completed his PhD from Indiana University, Bloomington.", "Additionally, he holds degrees from the Pontifical Urban University in Rome in philosophy and theology." ], [ "Career", "In Nigeria, South Africa, and the US, Okigbo has led church and community choirs as well as high school and university ensembles, including the Indiana Jacob School of Music's International Vocal Ensemble.", "In addition, he has worked as a gumboot dance choreographer for the Squonk Opera, His other areas of interest include xylophones, the Zimbabwean Shona marimba, and West African drumming.He has studied the use of protest liturgy and religious music in the antiapartheid movements, church music as a forum for interaction between faith and culture in South Africa and Nigeria, and music and the global politics of HIV/AIDS.He is also involved in preserving cultural heritage, notably through projects such as ''Soundscapes of the People: A Musical Ethnography of Pueblo'', Colorado, aims to document Pueblo's history through its musical traditions.He is the author of \"''Music, Culture, and the Politics of Health: Ethnography of a South African AIDS Choi''r\" and has published articles in journals such as ''Africa Today'' and ''Ethnomusicology''." ], [ "Selected bibliography", "=== Books ===* * === Journals ===* * * * *" ], [ "References" ], [ "External link", "* Austin Okigbo faculty homepage* Austin Okigbo publications indexed by Google Scholar" ] ]

[ [ "The Schoolmistress" ], [ "Introduction", "'''The Schoolmistress''' may refer to:* The Schoolmistress (play), a farce by Arthur Wing Pinero* The Schoolmistress (1917 film), a Hungarian silent drama film * The Schoolmistress (1945 film), a Hungarian drama film* The Schoolmistress (painting), a 1784 painting by John Opie* The Schoolmistress (Wednesday Theatre), a 1967 Australian TV play based on the farce" ], [ "See also", "* Schoolmistress" ] ]

[ [ "Girl of the Ballet" ], [ "Introduction", "'''''Girl of the Ballet''''' is a 1942 Australian radio serial by Sumner Locke Elliott for the George Edwards Company.", "It was the story of \"an insignificant milliner who became the rage of Europe and America.", "Scandal nearly wrecked her career, she had a tragic marriage, and ended her days clinging desperately to the tarnished trappings of her vanished glory.", "The series was popular and was repeated in 1943, 1946 and 1949." ], [ "Cast", "*Nell Stirling*George Edwards as Anton Orsov and Nikko Surevski.", "*Maxwell Osbiston*Marion Johns*Eric Scott*Ailsa Grahame*Lorna Bingham*Beulah Mayhew" ], [ "''Lily Parker''", "Elliott later wrote a 1947 serial about ballet for Edwards called ''Lily Parker''.", "It was about \"a dancing team, Lily Parker and Eddie du Core, and the tragedy that caught up with Lily Parker.a ballet dancing couple.\"" ], [ "References" ] ]

[ [ "Praise (Elevation Worship song)" ], [ "Introduction", "\"'''Praise'''\" is a song performed by American contemporary worship band Elevation Worship featuring Brandon Lake, Chris Brown and Chandler Moore.", "On February 12, 2024, it impacted Christian radio stations in the United States as the third single from their eleventh live album, ''Can You Imagine?''", "(2023).", "The song was written by Brandon Lake, Chandler Moore, Chris Brown, Cody Carnes, Pat Barrett, and Steven Furtick.", "\"Praise\" peaked at No.", "5 on the US Hot Christian Songs chart." ], [ "Background", "It was released as the eighth and final track from their eleventh live album, ''Can You Imagine?''", "(2023), on May 19, 2023.On February 7, 2024, radio promoters 55 Promotion announced that the song would be serviced to Christian radio in the United States, the official add date for the single slated on February 12, 2024.", "\"Praise\" is the third single from ''Can You Imagine?", "'', following the releases of \"More Than Able\" and \"Trust in God\" which preceded the album." ], [ "Composition", "\"Praise\" is composed in the key of A with a tempo of 127 beats per minute, and a musical time signature of ." ], [ "Critical reception", "In a NewReleaseToday review, Jasmin Patterson described \"Praise\" as \"a high-energy \"take you to church\" moment.\"", "Timothy Yap of JubileeCast opined \"In a ballad-heavy album, it's good to see the trio break loose and have fun on what sounds like a very raw and authentic praise session.", "This is so nourishing for the soul.\"", "Writing for Air1, Lindsay Williams said: \"You know a song has no chance of being bad when Elevation Worship, Brandon Lake and Chandler Moore join forces.\"" ], [ "Commercial performance", "\"Praise\" debuted at No.", "22 on the US Hot Christian Songs chart dated June 3, 2023, concurrently charting at No.", "9 on the Christian Digital Song Sales chart.", "\"Praise\" debuted at No.", "48 on the US Christian Airplay chart dated September 30, 2023." ], [ "Music videos", "The official lyric video for \"Praise\" was issued by Elevation Worship through YouTube on May 19, 2023.Elevation Worship released the music video for \"Praise\" featuring Brandon Lake, Chris Brown, and Chandler Moore leading the song during an Elevation Church worship service, via YouTube on May 22, 2023." ], [ "Performances", "Elevation Worship performed \"Praise\" at the 54th GMA Dove Awards held on October 17, 2023." ], [ "Charts", "===Weekly charts===+ Weekly chart performance for \"Praise\" Chart (2023–2024) Peak position===Year-end charts===+ Year-end chart performance for \"Praise\" Chart (2023) Position US Christian Songs (''Billboard'') 12" ], [ "Release history", "+ Release dates and formats for \"Praise\" Region Date Format Label United States February 12, 2024 Christian radio Elevation Worship Records" ], [ "References" ], [ "External links", "*" ] ]

[ [ "Mohammad Hosseini (footballer, born 2000)" ], [ "Introduction", "'''Mohammad Hosseini''' (; born March 3, 2000, in Qom) is an footballer who plays as a midfielder who currently plays for Iranian club Saipa in the Persian Gulf Pro League." ], [ "Club career", "'''Hosseini''' has a history of playing in the Persian Gulf Pro League with the teams of Persepolis and Havadar S.C." ], [ "References" ], [ "External links", "* *" ] ]

[ [ "Bengala (footballer)" ], [ "Introduction", "'''Ítalo Fratezzi''' (24 May 1906 – 22 May 1980), better known as '''Bengala''', was a Brazilian professional footballer and manager, who played as a forward." ], [ "Career", "With a player career dedicated entirely to Cruzeiro EC, he arrived at the club at the time of Palestra Itália in 1925, and with the club he won the state championship four times, in addition to being top scorer in 1932.He played in 247 matches and scored 168 goals.", "He was also a volleyball and basketball athlete for the club, and coach on five occasions, being state champion in 1940 and 1944.The only club besides Cruzeiro in which he worked was Botafogo, from 1944 to 1946." ], [ "Honours", "===Player===;Cruzeiro*Campeonato Mineiro: 1928, 1929, 1930*Campeonato AMET: 1926;Individual*1932 Campeonato Mineiro top scorer: 12 goals===Manager===;Cruzeiro*Campeonato Mineiro: 1940, 1944" ], [ "References" ], [ "External links", "* Bengala at ogol.com.br" ] ]

[ [ "Baixaria" ], [ "Introduction", "'''''' () is a meal from the Brazilian state of Acre that consists of cuscuz, ground beef, and a runny fried egg.", "The dish is sometimes served with tomato, onion, and .", "The dish is popular throughout the state and is typically served at restaurants and markets at breakfast and dinner.", "It is well known for its heartiness." ], [ "Origin", " in Brazilian Portuguese is a term that refers to a disagreement or conflict between multiple people.", "In slang, the term is used to refer to a messy situation or messes, in general.While the origin of is unknown, there are several theories as to how it was created.", "According to journalist Alexandre Nunes, the name of the dish came from a vendor trying to convince drunk patrons that a group of well dressed strangers were referring to a dish rather than the arrival of the patrons when they said \"Here comes the (confusion, disorder)\".", "Another story explains that the dish has had various names, but the name stuck in the 1980s when journalist Wilson Barros wrote about a then new dish with this name.", "Another tale tells of a famished vaqueiro who inadvertently created the dish when he ordered a meal that had everything the restaurant had to offer and then later asked how much was the bill for the (mess) that he ate." ], [ "References" ] ]

[ [ "Andrew Leonard (commentator)" ], [ "Introduction", "Andrew Leonard is an Irish cricket commentator, presenter, and digital media expert known for his contributions to the world of cricket broadcasting.", "With a diverse background that includes digital, marketing and broadcasting roles at the ICC and Cricket Ireland, Leonard has established himself as a respected figure in cricket commentary and digital media." ], [ "Early Life and Career", "Andrew Leonard's love for cricket began early in his life, leading him to pursue various opportunities within the sport.", "He developed his skills as a player and gained a deep understanding of the game's nuances.", "Over time, Leonard transitioned into administrative roles within cricket organizations, setting the stage for his eventual move into cricket commentary and broadcasting." ], [ "Transition to Commentary and Broadcasting", "After dedicating much of his life to cricket and working behind the scenes with cricket organizations, Andrew Leonard made the leap into cricket commentary and broadcasting.", "Because of his love for the associate game, he started to commentate on it and that’s what caught the eyes of Nepali broadcasters who asked him to be a part of the commentary team for the Everest Premier League in 2018.“It was great to be a part of it.”- he replied when asked.", "Since then, he has been a huge follower and advocate for Nepal Cricket and their crazy cricket fans..His debut as a commentator during an international match between Ireland and Afghanistan marked the beginning of his career in broadcasting.", "Leonard's background in digital media and marketing, acquired during his time at the ICC and Cricket Ireland, provided him with valuable insights that enhanced his commentary and broadcasting skills." ], [ "Advocacy for Associate Cricket", "During his tenure at the ICC, Andrew Leonard became an advocate for increasing coverage of associate cricket matches.", "He recognized the importance of giving visibility to teams beyond the traditional cricketing powerhouses and worked to ensure that associate cricket received the attention it deserved.", "Leonard's efforts contributed to the expansion of coverage for associate cricket matches, helping to showcase the talent and passion present in cricket-playing nations around the world.", "Till date, He is advocating for many associate cricket to grow and prosper." ], [ "Recent Work and Collaborations", "Andrew Leonard's recent work as a cricket commentator includes coverage of matches between Zimbabwe and Ireland, among others.", "He has collaborated with various channels and platforms, such as the World Feed, Star Sports, and BBC Sport Online, providing expert commentary and analysis to cricket fans globally.The table below provides a comprehensive overview of Andrew Leonard's contributions to cricket commentary and broadcasting.", "It showcases the range of channels he has worked for, the teams and matches he has commented on, and the individuals he has collaborated with throughout his career.+List of Channels, host teams, and Commentators Andrew Leonard has collaborated with:ChannelsTeamsPeople/ CommentatorsTop Channels Leonard has worked on:World Feed - 21 occasionsStar Sports - 3 occasionsBBC Sport Online - 3 occasionsICC.tv - 3 occasionsCricket Ireland Live Youtube Channel - 2 occasionsSky Sports Mix - 2 occasionsDisney+ Hotstar India - 2 occasionsBT Sport 1 / HD - 1 occasionBT Sport 2 / HD - 1 occasionBT Sport ESPN / HD - 1 occasionJioCinema - 1 occasionCricket Ireland Live - 1 occasionCounties Leonard has commentated for:# Ireland: 13 occasions# Zimbabwe: 8 occasions# Nepal: 4 occasions# South Africa: 3 occasions# Scotland: 3 occasions# West Indies: 2 occasions# Netherlands: 2 occasions# India: 2 occasions# Munster Reds: 1 occasion# North-West Warriors: 1 occasion# Leinster Lightning: 1 occasion# Northern Knights: 1 occasion# United States: 1 occasion# Germany: 1 occasion# Jersey: 1 occasion* Darlington Matambanadzo: 7 occasion* Tino Mawoyo: 7 occasions* Stanley Chioza: 6 occasions* Ed Rainsford: 6 occasions* Alan Lewis: 5 occasions* Carlos Brathwaite: 4 occasions* Owais Shah: 3 occasions* Peter Della Penna: 3 occasions* Dirk Nannes: 3 occasions* Eugene Moleon: 3 occasions* Firdose Moonda: 2 occasions* Ian Bishop: 2 occasions* Andrew Blair White: 2 occasions* Peter Gillespie: 2 occasions* Alan Wilkins: 2 occasions* Samuel Badree: 2 occasions* Rohan Gavaskar: 2 occasions* Nikhil Uttamchandani: 2 occasions* Niall O'Brien: 2 occasions* Andy Flower: 2 occasionsLast Updated: February 19, 2024" ], [ "Personal Life", "Outside of his professional endeavors, Andrew Leonard remains actively involved in the cricketing community.", "His passion for cricket, combined with his expertise in digital media and broadcasting, has solidified his reputation as a leading voice in cricket commentary." ], [ "References", "** https://english.onlinekhabar.com/andrew-leonard-cricket-commentary.html" ] ]

[ [ "Jacques Montéran" ], [ "Introduction", "'''Jacques Montéran''' (1882–1947) was a French cinematographer.", "During the silent era he worked in the United States before returning to France.", "His son Roger Montéran also became a cinematographer." ], [ "Selected filmography", "* ''The Fairy and the Waif'' (1915)* ''The Common Law'' (1916)* ''The Foolish Virgin'' (1916)*''Shall We Forgive Her?''", "(1917)* ''The Marriage Market'' (1917)* ''Good-Bye, Bill'' (1918)* ''Come On In'' (1918)* ''Oh, You Women!''", "(1919)* ''The Fortune Teller'' (1920)* ''The Money Maniac'' (1921)* ''The Black Panther's Cub'' (1921)* ''The Orchid Dancer'' (1928)* ''Island of Love'' (1929)* ''The Man at Midnight'' (1931)* ''A Father Without Knowing It'' (1932)* ''Shadows of Paris'' (1932)* ''Aces of the Turf'' (1932)* ''Broken Wings'' (1933)* ''The Crime of Bouif'' (1933)* ''Roger la Honte'' (1933)* ''One Night's Secret'' (1934)* ''Last Hour'' (1934)* ''The Ideal Woman'' (1934)* ''Madame Angot's Daughter'' (1935)* ''The Flame'' (1936)" ], [ "References" ], [ "Bibliography", "* Edwards, Paul M. ''World War I on Film: English Language Releases through 2014''.", "McFarland, 2016.", "* Leteux, Christine .", "''Albert Capellani: Pioneer of the Silent Screen''.", "University Press of Kentucky, 2015.", "* Soister, John T. Nicolella, Henry & Joyce, Steve.", "''American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929''.", "McFarland, 2014." ], [ "External links", "*" ] ]

[ [ "Michael Tutsie" ], [ "Introduction", "'''Michael Tutsie''' (born February 21, 1998) is an American football safety for the Indianapolis Colts of the National Football League.", "He played college football at North Dakota State." ], [ "Early years", "Tutsie grew up in Indianapolis, Indiana, the son of a Marian University assistant football coach.", "He played football at Warren Central High School, Indianapolis.", "In 2016, his senior year, Tutsie was selected to the first-team all-state and all-country teams." ], [ "College career", "After redshirting in the 2017 season, Tutsie recorded 17 tackles and two interceptions in 12 games in 2018.He recorded 105 tackles and seven interceptions while starting in all 16 games in 2019, earning an honorable mention for the all-Missouri Valley Football Conference team.", "Tutsie started all 10 games and recorded 50 tackles in the 2020 season, which was played in spring 2021 due to the COVID-19 pandemic, and was named to the second-team all-MVFC team.", "In the 2021 season, he recorded 81 tackles and an interception while starting all 15 games, and was named to the first-team all-MVFC team, the Stats Perform all-America third team, and the HERO sports all-America first team.", "Tutsie returned for the 2022 season, starting all 15 games and recording 85 tackles and an interception, earning American Football Coaches Association FCS All-America Second Team and Associated Press FCS All-America Third Team honors, as well as repeating an appearance to the first-team all-MVFC team.", "In his time at North Dakota State, the Bison won FCS national championships in 2017, 2018, 2019, and 2021.Tutsie finished his career at North Dakota State fifth in tackles and second in solo tackles in school history." ], [ "Professional career", "After going undrafted in the 2023 NFL Draft, Tutsie was invited to participate in the Indianapolis Colts' minicamp.", "He signed with the Colts on June 15, 2023.He was waived/injured on August 9 and reverted to the Colts' injured reserve on August 11 after clearing waivers.", "Following an injury settlement, the Colts released Tutsie from IR on August 17.Tutsie signed a reserve/futures contract with the Colts on January 9, 2024." ], [ "References" ], [ "External links", "* Indianapolis Colts bio* North Dakota State Bison bio" ] ]

[ [ "Belorussia under Soviet Rule, 1917–1957" ], [ "Introduction", "__NOTOC__ '''''Belorussia under Soviet Rule, 1917–1957''''' is a book by Ivan S. Lubachko published in 1972, by University Press of Kentucky.", "The work is a history of the Byelorussian Soviet Socialist Republic, from the Russian Revolution in 1917 to the beginning of the Khruschev era in 1957." ], [ "Academic journal reviews", "* * * * * * * * *" ], [ "About the author", " Ivan S. Lubachko is an author and professor of history at Murray State University." ], [ "See also", "* The Russian Revolution: A New History* Russia: Revolution and Civil War, 1917—1921* The Whisperers: Private Life in Stalin's Russia* Russia in Revolution: An Empire in Crisis, 1890 to 1928" ], [ "References", "===Notes======Citations===" ], [ "External links", "* Belorussia Under Soviet Rule, 1917-1957, Google Books.", "* Belorussia Under Soviet Rule, 1917-1957, University Press of Kentucky." ] ]

[ [ "2024 West Coast Conference women's basketball tournament" ], [ "Introduction", "The '''2024 West Coast Conference women's basketball Tournament''' is the postseason women's basketball tournament for the West Coast Conference for the 2023–24 season.", "All tournament games will be played at Orleans Arena in the Las Vegas-area community of Paradise, Nevada, from March 7–12, 2024." ], [ "Seeds", "All ten conference teams participate in the tournament.", "Teams are seeded by record within the conference, with a tiebreaker system to seed teams with identical conference records.", "The tiebreakers operate in the following order:# Head-to-head record# Record against the top-seeded team not involved in the tie, going down through the standings until the tie is broken# NET rating after the final regular-season conference games on February 25SeedSchoolConf.", "recordTiebreaker(s)1Gonzaga 2 3 4 5 6 7 8 9" ], [ "Schedule and results", "GameTime Matchup ScoreTelevision First Round - Thursday, March 7112:00 pmNo.", "8 vs. No.", "9ESPN+ Second Round - Friday, March 8312:00 pmNo.", "5 vs.", "Winner of game 1ESPN+42:30 pmNo.", "6 vs. No.", "7 Quarterfinals – Saturday, March 951:00 pmNo.", "4 vs.", "Winner of game 2ESPN+63:30 pmNo.", "3 vs.", "Winner of game 3 Semifinals - Monday, March 11712:00 pmNo.", "1 Gonzaga vs.", "Winner of game 4ESPN+82:30 pmWinner of game 5 vs.", "Winner of game 6 Final – Tuesday, March 791:00 pmWinner of game 7 vs.", "Winner of game 8ESPN *Game times in PST.", "Rankings denote tournament seed.Reference:" ], [ "Bracket" ], [ "See also" ], [ "References" ] ]

[ [ "One Little Finger" ], [ "Introduction", "'''One Little Finger''' is a American nursery rhyme and a finger play song." ], [ "Lyrics", "There are most common versions of these lyrics.", "One of these lyrics are:There are alternative versions in these lyrics of the song." ], [ "See also", "* List of nursery rhymes" ] ]

[ [ "2023–24 SC Paderborn 07 season" ], [ "Introduction", "The '''2023–24 SC Paderborn 07 season''' is the club's 117th season in existence and the fourth consecutive season in thee 2.Bundesliga." ], [ "Players", "===Current squad======Out on loan===" ], [ "Competitions", "=== Overall record ====== 2.Bundesliga ======= League table ======== Results summary ======== Results by round ======== Matches ====The league fixtures were unveiled on 30 June 2023.=== DFB-Pokal ===" ], [ "References" ] ]

[ [ "Broken Wings (1933 film)" ], [ "Introduction", "'''''Broken Wings''''' (French: '''''Les ailes brisées''''') is a 1933 French drama film directed by André Berthomieu and starring Victor Francen, Alice Field and Abel Tarride.", "It is based on a play of the same title by Pierre Wolff, who also co-wrote the screenplay.", "The film's sets were designed by the art director Robert-Jules Garnier." ], [ "Cast", "* Victor Francen as \tFabrège* Léon Roger-Maxime as \tGeorges* Alice Field as Jacqueline* Abel Tarride as Pascal* Nicole Martel as Betty* Cousin as\tLe duc de Charente* Inka Krymer as \tDenise Lamblin* Georges Deneubourg as \tBaptiste* Blanche Denège as \tMadame Blanche Grasset" ], [ "References" ], [ "Bibliography", "* Crisp, Colin.", "''Genre, Myth and Convention in the French Cinema, 1929-1939''.", "Indiana University Press, 2002.", "* Goble, Alan.", "''The Complete Index to Literary Sources in Film''.", "Walter de Gruyter, 1999.", "* Rège, Philippe.", "''Encyclopedia of French Film Directors, Volume 1''.", "Scarecrow Press, 2009.", "* Smoodin, Eric.", "''Paris in the Dark: Going to the Movies in the City of Light, 1930–1950''.", "Duke University Press, 2020." ], [ "External links", "*" ] ]

[ [ "Frank Fitzgerald (American football)" ], [ "Introduction", "'''Frank Joseph Fitzgerald Sr.''' (August 15, 1919 – October 20, 2014) was an American football executive.", "He served as a general manager in the National Football League (NFL) for the Boston Yanks / New York Bulldogs / Yanks / Dallas Texans from 1948 to 1952.He later worked in the radio business and announced NFL Draft picks for the Houston / Tennessee Oilers / Titans." ], [ "Early life", "Several primary documents listed Fitzgerald's birth date to be August 15, 1919, in New York City; however, media sources frequently gave birth dates which would have had him been born in 1920 or 1921.In October 1940, he enlisted in World War II; at the time, he was listed as being unemployed.", "He served for the United States Air Force.", "In January 1942, Fitzgerald married in New York City to Adelaide Collins, the daughter of Ted Collins, Kate Smith's talent manager." ], [ "Executive career", "Ted Collins became the owner of the Boston Yanks of the National Football League (NFL) in 1944, and in 1946, he hired Fitzgerald to the team.", "Fitzgerald was the team's \"publicity man\" by 1947.He moved to Boston, Massachusetts, in mid-1948, and that year became the team's general manager, taking over the duties of Arthur Sampson.", "He was just 28 years old when he took over the team's management.", "That year, the team compiled a record of 3–9 and finished last in their division.The franchise was moved to New York in 1949 and became the New York Bulldogs, with Fitzgerald remaining as general manager.", "They totaled a record of 1–10–1 in 1949 and were renamed the New York Yanks in 1950.The team went 7–5 for a third-place divisional finish in 1950, but then went 1–9–2 the following year and again finished last.", "Collins sold the team in 1952 and they became the Dallas Texans; new owner Giles E. Miller retained Fitzgerald as general manager and also gave him the role of vice president, being considered the unanimous choice based on recommendations by Collins and NFL commissioner Bert Bell.", "However, one month later, Fitzgerald resigned; a reporter for the ''Dallas Times-Herald'' noted that \"he was presented with a Western hat, but it was apparent that the hat did not fit ... Frank was a big city man and wasn't any more sold on the Texans than the Texans were on him.\"", "Al Ennis succeeded him, with the Texans ultimately going 1–11 that year and folding, becoming the most recent NFL team to fold.Fitzgerald left football in 1953.He later recalled his experiences as a football executive: \"There was so much bidding over the players that the All-America Conference merged with the NFL in 1950.The Cleveland Browns, the old Baltimore Colts and the San Francisco 49ers went in.", "We combined some of the players and became the New York Yanks in 1950.I found myself making deals with men like Paul Brown and Art Rooney.", "Professional football was just beginning to gain ground.\"", "He also compared the modern NFL Draft to the old days: \"We had the first drafts In a room no bigger than a closet.", "Owners traded players on a handshake and their word was their contract.", "The first time Paul Brown of Cleveland asked one of the owners to sign a contract everyone was shocked and offended.\"", "He said that: \"We never had a war room – just a bunch of notes, and we'd go to a hotel room and make trades over a table.", "It was much easier.\"" ], [ "Later life", "After his NFL career, Fitzgerald received a job as a salesman for NBC Radio Network.", "He then produced syndicated radio shows until retiring in the 1980s.", "While in the NFL, he became friends with trainer Bobby Brown who later introduced him to Floyd Reese; Reese and Fitzgerald became friends.", "When Reese became an executive with the Houston Oilers (later Tennessee Oilers / Titans), he gave Fitzgerald a role in 1991 as the person who announced the teams NFL Draft selections to league officials.", "He continued serving in this role with his son, Frank Jr., through at least 2010.Fitzgerald died on October 20, 2014, at the age of 95.His son continued the practice of announcing the Titans' draft picks in 2015." ], [ "References" ] ]

[ [ "2024 UCLA Bruins baseball team" ], [ "Introduction", "The '''2024 UCLA Bruins baseball team''' represent the University of California, Los Angeles during the 2024 NCAA Division I baseball season.", "The Bruins play their home games at Jackie Robinson Stadium as a member of the Pac-12 Conference.", "They are led by head coach John Savage, in his 20th season at UCLA." ], [ "Previous season", "The Bruins finished with a record of 27–24–1, and 12–16–1 in conference play." ], [ "Personnel", "===Roster=== 2022 UCLA Bruins roster '''Pitchers'''* 8 – Cody Delvecchio – ''Sophomore''* 10 – Nate Leibold – ''Junior''* 16 – Jack O'Connor – ''Sophomore''* 19 – Landon Stump – ''Freshman''* 20 – Justin Lee – ''Freshman''* 25 – Josh Alger – ''Junior''* 28 – Cal Randall – ''Freshman''* 29 – Finn McIllroy – ''Sophomore''* 31 – Chris Aldrich – ''Redshirt Junior''* 32 – James Hepp – ''Junior''* 34 – Luke Rodriguez – ''Freshman''* 35 – Luke Jewett – ''Junior''* 37 – Will Goldberg – ''Freshman''* 38 – Owen Egan – ''Freshman''* 43 – Matthew Gobel – ''Freshman''* 45 – Chris Grothues – ''Sophomore''* 47 – Kaena Kiakona – ''Freshman''* 50 – Rashad Ruff – ''Graduate''* 51 – Caedon Kottinger – ''Senior''* 55 – Michael Barnett – ''Sophomore'''''Catchers'''* 17 – Jack Holman – ''Junior''* 30 – Quintt Landis – ''Graduate''* 33 – Blake Balsz – ''Freshman''* 40 – Cashel Duggar – ''Freshman'''''Infielders'''* 1 – Roch Cholowsky – ''Freshman''* 2 – Duce Gourson – ''Junior''* 3 – Cody Schrier – ''Junior''* 4 – Phoenix Call – ''Freshman''* 5 – Daylen Reyes – ''Senior''* 6 – Grant Gray – ''Freshman''* 7 – Roman Martin – ''Freshman''* 9 – Cameron Kim – ''Freshman''* 14 – AJ Salgado – ''Redshirt Junior''* 39 – Mulivai Levu – ''Freshman'' '''Outfielders'''* 11 – Payton Brennan – ''Sophomore''* 15 – Jarrod Hocking – ''Sophomore''* 18 – Carson Yates – ''Senior''* 21 – JonJon Vaughns – ''Senior''* 24 – Malakhi Knight – ''Junior''* 27 – Keenan Proctor – ''Sophomore''* 36 – Dean West – ''Freshman''* 44 – Toussaint Bythewood – ''Sophomore''* 48 – Aidan Espinoza – ''Freshman''===Coaches=== 2022 UCLA Bruins baseball coaching staff* John Savage – Head Coach – 20th season* Bryant Ward – Assistant Coach – 9th season* Niko Gallego – Assistant Coach – 10th season* David Berg – Assistant Coach – 6th seasonNote: Season counter accounts for all stints at UCLA." ], [ "Rankings" ], [ "References" ], [ "External links", "* UCLA Bruins baseball" ] ]

[ [ "2024 Saint Joseph's Hawks baseball team" ], [ "Introduction", "The '''2024 Saint Joseph's Hawks baseball team''' represents Saint Joseph's University during the 2024 NCAA Division I baseball season.", "The Hawks play their home games at Smithson Field as a member of the Atlantic 10 Conference.", "They are led by head coach Fritz Hamburg, in his sixteenth season with the program.Saint Joseph's enter the season as the defending Atlantic 10 regular season champions." ], [ "Background", "The 2023 was one of the most successful conference seasons in Saint Joseph's program history.", "Finishing with a record of 28–24–1 and an Atlantic 10 record of 17–7, Saint Joseph's won their first Atlantic 10 regular season title in program history.", "They were eliminated in the 2023 Atlantic 10 Conference baseball tournament after going 1–2, and did not receive an at-large berth to the 2023 NCAA Division I baseball tournament." ], [ "Preseason", "===Preseason Atlantic 10 awards and honors===Ethan Bell, Hayden Moore, and Cole Smith were named to the All-Atlantic 10 Preseason team.", "'''Preseason All-Atlantic 10 Team''' Player No.", "Position Class Ryan Cesarini 47 OF Junior Domenic Picone 41 SP Senior Ryan Desanto 33 SP Sophomore=== Coaches poll ===The coaches poll was released on February 14, 2024.Saint Joseph's was picked to finish third in the conference and received one first-place vote.", "Coaches' Poll 1 Saint Louis 125 (3) 2 George Mason 121 (2) '''3''' '''Saint Joseph's''' '''114 (1)''' 4 Davidson 113 (2) 5 VCU 97 (2) 6 Dayton 96 (1) 7 Rhode Island 77 (1) 8 Richmond 63 9 George Washington 51 10 Fordham 38 11 UMass 22 12 St. Bonaventure 19" ], [ "Personnel", "=== Starters === LineupPos.", "No.Player.", "Year '''C''' 14 Jakob Reed Senior '''1B''' 35 Brandon Drapeau Graduate '''2B''' 15 Max Hitman Senior '''3B''' 44 Owen Petrich Sophomore '''SS''' 5 Ryan Weingartner Sophomore '''LF''' 17 Luke Zimmerman Graduate '''CF''' 8 Conlan Wall Senior '''RF''' 13 Ryan Picollo Senior '''DH''' 43 Justin Igoe Senior Weekend Pitching Rotation Day No.Player.", "Year '''Friday''' 12 Will McCausland Sophomore '''Saturday''' '''Sunday'''" ], [ "Game log", " 2023 Saint Joseph's Hawks Baseball Game Log (1–0) Regular Season (1–0) February (1–0) Date Opponent Rank Site/stadium Score Win Loss Save TV Attendance Overall record A10 record February 16 * Smithson FieldMerion, PA '''W''' 6–5 '''Yablonski''' (1–0) Abbott (0–1) ''None'' ESPN+ 201 1–0 — February 17 Canisius* Smithson Field '''Cancelled (snow)''' 1–0 — February 18 Canisius* Smithson Field 1–0 — One Spartanburg, Inc.", "Baseball Classic February 23 at * Moss StadiumBoiling Springs, NC — February 24 at * The PlexClinton, SC — February 25 at * Harley ParkSpartanburg, SC — February 27 * Smithson Field — March (0–0) Date Opponent Rank Site/stadium Score Win Loss Save TV Attendance Overall record A10 record March 1 * Smithson Field — March 2 Bucknell* Smithson Field — March 3 Bucknell* Smithson Field — March 5 * Smithson Field — March 6 Fairfield* Smithson Field — March 8 at * Brooks FieldWilmington, NC — March 9 at UNCW* Brooks Field — March 10 at UNCW* Brooks Field — March 12 at * J. David Walker FieldBethlehem, PA March 15 * Smithson Field — March 16 Monmouth* Smithson Field — March 17 Monmouth* Smithson Field — March 20 * Smithson Field — March 22 at * Schoonover StadiumKent, OH — March 23 at Kent State* Schoonover Stadium — March 24 at Kent State* Schoonover Stadium — Liberty Bell Classic March 26 at * Kamine StadiumEaston, PA — March 28 at Henry Wilson Jr. FieldDavidson, NC March 29 at Davidson Henry Wilson Jr. Field March 30 at Davidson Henry Wilson Jr. Field April (0–0) Date Opponent Rank Site/stadium Score Win Loss Save TV Attendance Overall record A10 record Liberty Bell Classic April 2 vs. TBD* TBD — April 5 Saint Louis Smithson Field April 6 Saint Louis Smithson Field April 7 Saint Louis Smithson Field Liberty Bell Classic April 9 vs. TBD* TBD — April 10 * Smithson Field — April 12 at Bill Beck FieldKingston, RI April 13 at Rhode Island Bill Beck Field April 14 at Rhode Island Bill Beck Field April 17 at * Meiklejohn StadiumPhiladelphia, PA — April 19 Smithson Field April 20 St. Bonaventure Smithson Field April 21 St. Bonaventure Smithson Field April 23 at Delaware* Bob Hannah StadiumNewark, DE — April 26 at Earl Lorden FieldAmherst, MA April 27 at UMass Earl Lorden Field April 28 at UMass Earl Lorden Field April 30 at * Villanova BallparkPlymouth Meeting, PA — May (0–0) Date Opponent Rank Site/stadium Score Win Loss Save TV Attendance Overall record A10 record May 3 at Houlihan ParkThe Bronx, NY May 4 at Fordham Houlihan Park May 5 at Fordham Houlihan Park May 10 George Mason Smithson Field May 11 George Mason Smithson Field May 12 George Mason Smithson Field May 14 Villanova* Smithson Field — May 16 Smithson Field May 17 George Washington Smithson Field May 18 George Washington Smithson Field Post-Season Date Opponent Rank Site/stadium Score Win Loss Save TV Attendance Overall record A10T record May 21–25 vs. TBD Capital One ParkTysons, VA ESPN+ Denotes non–conference game • Schedule source • Rankings based on the teams' current ranking in the D1Baseball poll Saint Joseph's win • Saint Joseph's loss • Saint Joseph's tie • • '''Bold''' denotes Saint Joseph's player" ], [ "Rankings" ], [ "References" ], [ "External links", "* Saint Joseph's Baseball" ] ]

[ [ "The Boston Times" ], [ "Introduction", "'''''The Boston Times''''', also known as the '''''Boston Daily Times''''' and '''''Boston Sunday Times''''', was a newspaper published in Boston, Massachusetts from c. 1826–1933.At various periods in its history it operated as a daily newspaper and a weekly newspaper." ], [ "History", "Various sources give differing accounts over the origins of ''The Boston Times''.", "Sources are in agreement that the paper was founded by editor George Roberts.", "University of Wisconsin historian and journalism educator Willard Grosvenor Bleyer wrote that this newspaper began publication in February 1836.Likewise, historian Alexander Saxton stated that ''The Boston Times'', then known as ''Boston Daily Times'', was \"put into mass circulation in 1836\".", "However, contemporary published accounts date the paper to at least ten years earlier and it is likely that the paper began publication sometime in 1826 or slightly earlier.", "An 1826 Boston publication stated that ''The Boston Times'' was already being published under editor George Roberts; describing the newspaper as the first penny press in the city of Boston and the first newspaper in Boston to use a Hoe press.", "This also mirrors historical accounts written by the The Bostonian Society which indicate that the newspaper was publishing at this time out of a building on the south side of the Old State House.By the late 1830s, the ''Boston Daily Times'' had reached a circulation of 20,000.In 1837 Roberts lost control of the paper to other investors, but by 1840 he had acquired enough capital to once again own a controlling share of the paper.", "In 1845 Moses S. Beach joined Roberts as a managing partner of the paper.", "In 1850 Roberts appointed C. C. Hazewell managing editor of the paper.", "In 1872 the paper was purchased by a company owned by B. W. Thayer, R. C. Dunham, John M. Tuohy, J. O. Hayden, and George Williamson.Frank T. Robinson was managing editor of ''The Boston Times'' from 1879 to 1883.Hiram Irving Dillenback became assistant editor of the paper in October 1882.Dillenback and the paper's business manager, Edward C. Davis, purchased the paper in January 1883 at which point Dillenback became managing editor of the paper.In 1885 the paper was purchased by D.S.", "Knowlton at which point it was published with Knowlton as managing editor as a weekly newspaper known as the '''''Boston Sunday Times'''''.", "In 1898 the paper was purchased by Elmer C. Rice who became managing-editor.", "In 1903 Francis Frank A. Russegue, a longtime employee of '' The Boston Times'', became managing editor of the paper; a position he maintained until his death in March 1915.J.", "W. Denehy Jr. succeed Russegue as editor of the paper; a position he maintained until the paper ceased publication in 1933." ], [ "References" ] ]

[ [ "1951 Bloomsburg Huskies football team" ], [ "Introduction", "The '''1951 Bloomsburg Huskies football team''' represented Bloomsburg State Teachers College—now known as Bloomsburg University of Pennsylvania—as a member of the Pennsylvania State Teachers College Conference (PSTCC) during the 1951 college football season.", "Led by Robert B. Redman in his fifth and final season as head coach, the Huskies compiled an overall record of 8–0 with a mark of 7–0 in conference play, winning the PSTCC title.Redman was selected by the Associated Press (AP) as the teacher college coach of the year.", "In addition, the following Bloombsburg players were named to the 1951 AP All-Teacher College football team: senior Bob Lang at back (first team); sophomore John Nemetz at tackle (first team); Ardell Ziegenfuse at guard (second team); Tommy Spack at back (second team); Francis Bidelspach at guard (honorable mention); Tom Schukis at center (honorable mention); and George Lambrinos at back (honorable mention).After the season, three PSTCC schools indicated they would refuse to reschedule Bloombsburg based on its less rigid eligibility rules." ], [ "Schedule" ], [ "References" ] ]

[ [ "North Fork Touchet River" ], [ "Introduction", "The '''North Fork Touchet River''' is the primary headwater of the Touchet River, flowing through Columbia County, Washington.", "The river begins in the Blue Mountains in a ravine just east of Ski Bluewood.", "It flows north, past the Touchet Corral Sno-Park, in a narrow valley between Chase Mountain to the west and Middle Point Ridge to the east.", "It is joined by Spangler, Lewis and Jim Creeks from the right before receiving the Wolf Fork from the left.", "An unnamed tributary from the right forms Hompegg Falls just downstream of Spangler Creek.", "Below the Wolf Fork it flows northwest through a wider valley before joining the South Fork Touchet River at Baileysburg, south of Dayton, to form the main stem of the Touchet." ], [ "See also", "*List of rivers of Washington" ], [ "References" ] ]

[ [ "List of possessions of the abbey of Marmoutier de Tours" ], [ "Introduction", "The Crosse portal (Marmoutier Abbey).Until the French Revolution, the abbey of Marmoutier owned numerous estates in France, as well as in England.", "A list drawn up in the 17th century shows almost 200 dependencies, including five in England.", "The vast majority of these were priories, but the monks of Marmoutier also owned farms and mills close to their abbey, to ensure supplies." ], [ "The abbey's possessions in France", "=== Department of Aisne ===* priory of Saint-Nicolas de Roucy * priory of Saint-Thibaut.=== Department of Aube ===* Notre-Dame priory, Arcis-sur-Aube * Saint-Pierre-et-Saint-Paul priory in Dampierre * prieuré Sainte-Madeline d'Ortillon * prieuré Notre-Dame in Ramerupt.=== Department of Calvados ===* priory of Saint-Vigor de Perrières.=== Département du Cher ===* prieuré Saint-Julien de Bourges * priory of Saint-Martin-des-Champs de Bourges * priory of Saint-Palais=== Department of Côtes-d'Armor ===* prieuré Saint-Malo de Dinan * priory of Notre-Dame de Jugon-les-Lacs * priory of Saint-Martin de Lamballe * Abbey of Saint-Magloire de Léhon .=== Department of Eure ===* priory of Saint-Ouen de Gisors * Grange-l'Abbé de Vesly seigneury.=== Department of Eure-et-Loir ===* priory of Saint-Martin-en-Val de Chartres * priory of Saint-Martin-de-Chemars, Châteaudun * priory of Chuisnes * priory of Saint-Martin de Dangeau * priory of Saint-Thomas d'Épernon * priory of Saint-Nicolas de Fréteval * priory of Notre-Dame de Maintenon * priory of Meslay-le-Vidame * priory of Saint-Maurice de Montigny-le-Gannelon * priory of Saint-Nicolas du Puiset * priory of Saint-Ange-et-Torçay * priory of Saint-Hilaire-sur-Yerre.=== Department of Finistère ===* Île Tristan priory * Saint-Martin-des-Champs priory.=== Department of Gironde ===* Sainte-Madeleine de Bazas priory * priory of Saint-Denis de Saint-Denis-de-Pile.=== Department of Ille-et-Vilaine ===* Sainte-Madeleine-de-Bonnefontaine priory, Antrain * Notre-Dame de Becherel priory * Sainte-Trinité priory, Combourg * Sainte-Trinité priory, Fougères * prieuré Saint-Éxupère de Gahard * Saint-Pierre priory, Iffendic * prieuré Saint-Symphorien de Martigné-Ferchaud * priory of Saint-Sauveur de Saint-Sauveur-des-Landes * seigneury of Sens-de-Bretagne * priory of Saint-Croix de Vitré.=== Department of Indre-et-Loire ===* Domaine de la Roche-Baudouin at Athée-sur-Cher * Moulin du Lée, Cangey * Champigny-sur-Veude priory * Ferme de Couleur, Chanceaux-sur-Choisille * Lavaré Priory in Fondettes * Priory of Louroux * Prieuré de Saint-Venant de Luynes * Blondellerie farm in Monnaie * Bourdigal seigneury in Monnaie * Bourellerie farm in Monnaie * métairie des Champs in Monnaie * métairie de la Chèvrerie in Monnaie * métairie de Corçay in Monnaie * Saint-Jean de Monnaie chapel * seigneury of Sentier in Monthodon * domaine d'Oie-Blanche in Montlouis-sur-Loire * priory of Négron in Nazelles-Négron * fief of Neuville-sur-Brenne * seigneury of Vauléart in Nouzilly * Saint-Pierre church, Parçay-Meslay * Chizay farm, Parçay-Meslay * Meslay farm , Parçay-Meslay * seigneury of Parçay, Parçay-Meslay * Pécaudière farm, Parçay-Meslay* prieuré Saint-Loup de Rillé * Notre-Dame de Rivière priory* closerie de Montauran in Rochecorbon * Bezay farm, Saint-Cyr-sur-Loire * du Fresne farm, Saint-Cyr-sur-Loire * moulin de Garot, Saint-Cyr-sur-Loire * Haye-Bodin farm, Saint-Cyr-sur-Loire * moulin de Neuil, Saint-Cyr-sur-Loire * fief de Berneçay, Saint-Quentin-sur-Indrois* Domaine de Chahaigne, Semblançay* Semblançay priory* Hérissière farm in Sonzay * priory of Sonzay * priory of Tavant * Saint-Barthélemy chapel and farm in Tours * Chambrerie farm, Tours * Maison de Foncher, Tours * La Fontaine farm, Tours* Grange-Saint-Martin fiefdom, Tours * Lavanderie estate, Tours * Milletière farm, Tours* Sainte-Radegonde tithe, Tours * Rambourg estate, Tours * Domaine des Rochettes, Tours* Saint-Pierre-de-Rome house, Tours * Rougemont enclosure, Tours * Sapaillé farm, Tours* prieuré des Sept-Dormants in Tours * fief du Lavoir, Veigné.=== Department of Loir-et-Cher ===* Mesnil farm in Averdon* Saint-Julien priory in Chambon-sur-Cisse* Fouleret mill in Chambon-sur-Cisse * priory of Saint-Martin, Chouzy-sur-Cisse* priory of Saint-Nicolas-de-Villeberfort de Conan* priory of Saint-Martin de Lancé* priory Saint-Genest de Lavardin* priory of Saint Martin de Lavardin* priory of Notre-Dame de Mesland* priory of Notre-Dame de Morée* priory of Saint-Barthélemy d'Orchaise* seigneury of Pray* priory of Sainte-Gemmes* priory of Saint-Marc-du-Cor* priory of Marchais de Troo* Villerveau estate in Verdes.=== Department of Loire-Atlantique ===* prieuré Saint-Sauveur-de Béré de Châteaubriant * prieuré Notre-Dame de Donges * priory of Notre-Dame du Pellerin* priory of Saint-Martin de Machecoul * Sainte-Croix priory, Nantes * priory of Saint-Georges de Nort-sur-Erdre * Priory of Saint-Martin de Pontchâteau * prieuré Saint-Martin de Varades.=== Department of Loiret ===* Notre-Dame-de-Bonne-Nouvelle priory, Orléans.=== Department of Maine-et-Loire ===* prieuré Saint-Éloi-du-Verger d'Angers * prieuré Saint-Martin de Bocé * priory of Saint-Martin de Carbay* prieuré Saint-Quentin de Chalonnes-sur-Loire * Saint-Jean-Baptiste priory, Champtoceaux * Priory of Saint-Martin de Daumeray * prieuré Notre-Dame de Liré * Saint-Martin de Montjean-sur-Loire priory * Sainte-Madeleine priory, Pouancé * Mauny farm, Saint-Georges-sur-Loire * Saint-Quentin priory in Saint-Quentin-en-Mauges.=== Department of Manche ===* priory of Saint-Georges-de-Bohon * priory of Saint-Pierre d'Héauville * priory of Saint-Martin de Mortain.=== Department of Marne ===* priory of Châtillon-sur-Marne * priory of Saint-Maurice de Reims * prieuré Saint-Rémi de Ventelay.=== Department of Mayenne ===* priory of Saint-Sulpice de Ballée * prieuré Sainte-Julitte de Bouère * prieuré de Fontaine-Géhard de Châtillon-sur-Colmont * prieuré Saint-Martin de Laval * Saint-Loup priory, Saint-Loup-du-Dorat * priory of Villiers-Charlemagne.=== Department of Morbihan ===* Sainte-Julitte priory, Ambon * prieuré Saint-Martin de Josselin * priory of Malestroit * Saint-Nicolas priory in Ploërmel.=== Department of Oise ===* Notre-Dame priory, Auneuil * Neufontaine priory, Cuise-la-Motte * prieuré Saint-Sulpice de Pierrefonds=== Department of Orne ===* Saint-Martin priory in Saint-Martin-du-Vieux-Bellême.=== Department of Pas-de-Calais ===* prieuré Saint-Martin de Beaurainville * prieuré Notre-Dame de Maintenay * prieuré Saint-Martin d'Œuf-en-Ternois * prieuré Saint-Martin de Renty * prieuré Notre-Dame de Sarton.=== Department of Sarthe ===* Orière farm and mill in Beaumont-sur-Sarthe * Saint-Guingalois priory in Château-du-Loir* prieuré Saint-Martin de Louvigny * prieuré Saint-Nicolas de Sablé-sur-Sarthe * priory of Saint-Célerin * priory of Notre-Dame de Torcé-en-Vallée* prieuré Saint-Hippolyte de Vivoin.=== City of Paris ===* prieuré Notre-Dame-des-Champs * prieuré Saint-Germain de Villepreux.=== Department of Seine-et-Marne ===* Notre-Dame de Coutevroult priory* prieuré de La Celle-sur-Morin * prieuré Sainte-Céline de Meaux.=== Department of Yvelines ===* prieuré Saint-Georges de Bazainville * prieuré Saint-Martin de Mantes-la-Jolie * priory of Saint-Martin-de-Bréthencourt.=== Department of Somme ===* prieuré Saint-Denis d'Amiens * Notre-Dame de Biencourt priory.=== Department of Vendée ===* prieuré Saint-Nicolas de Brem-sur-Mer * Saint-Pierre-du-Puy-Belliard priory Chantonnay * priory of Commequiers * prieuré Saint-Jean-l'Évangéliste de Fontaines * prieuré Saint-Etienne de La Roche-sur-Yon * prieuré Saint-Saturnin de Sigournais * prieuré Notre-Dame des Treize-Vents.=== Department of Vienne ===* prieuré de Saint-Benoît d'Aizenay * prieuré Notre-Dame de Cernay.=== Possessions not geographically located ===Due to a lack of concordant sources or possible transcription errors in toponyms, the following possessions in France could not be precisely located.", "* prieuré Saint-Martin de Chemais * priory of Faxai in the diocese of Avranches * prieuré Saint-Nicolas de Trioul, in the diocese of Poitiers * Sainte-Madeleine du Vieilli priory, Rouen diocese * prieuré Sainte-Colombe de Bailly, in the diocese of Troyes * prieuré Notre-Dame de Croi, in the Évreux diocese * prieuré Saint-Germain d'Acquenay, in the diocese of Le Mans * priory of Mantillay, in the diocese of Le Mans * priory of Saint-Étienne d'Origny, in the diocese of Le Mans * priory of Donamez * priory of Rossé, in the Vendôme region." ], [ "The abbey's possessions in England", "* priory of Allerton Mauleverer, county of North Yorkshire ;* priory of d'Aston de Newport Pagnell, county of Buckinghamshire ;* priory of Cosham, Portsmouth, county of Hampshire ;* priory of La Sainte-Trinité, York, county of Yorkshire ;* priory of Witham, county of Essex." ], [ "Annexes", "=== Archives ===The archives départementales d'Indre-et-Loire (Indre-et-Loire departmental archives) hold a parchment-bound in-4° vellum register, comprising 46 sheets written on the acts of visits made by Jean de Mauléon to 90 priories dependent on his abbey from 1316 to 1325.Another register gives copies of the leases granted on the priories dependent on the abbey from 1719 to 1767." ], [ "Bibliography", "* * * *" ], [ "References" ], [ "See also", "* Marmoutier Abbey, Tours* Tours* France" ] ]

[ [ "Nicolai Sennels" ], [ "Introduction", "'''Nicolai Sennels''' (born 1976) is a Danish psychologist who founded Pegida Denmark in 2015.Sennels has for several years prior been noted for his views on Muslims and crime, including the assertion that inbreeding over several centuries has damaged the Muslim gene pool and that Muslims are raised to exert aggressive behaviour." ], [ "Activities and views", "Sennels was employed as a psychologist at Sønderbro, the secured facility for youth charged with crime in Copenhagen, until 2008.He published the book ''Blandt kriminelle muslimer'' (\"Among Criminal Muslims\") in 2009, based on conversations with up to 200 youths at the institution.", "He is also noted to have been a regular contributor to the counter-jihad blog ''Gates of Vienna'' at this time.In 2010, American forensic psychiatrist Michael Welner acknowledged that he in part drew from an interview with Sennels in the case of Omar Khadr, a fifteen-year-old Canadian expatriate living in Afghanistan, who was charged with the killing of U.S. Army medic Christopher Speer at an al-Qaeda safe house in Khost.", "Sennels' involvement was then described as the \"controversial work of a third-party psychologist,\" who \"drew conclusions about Muslims' integration into society after studying Muslim inmates at a juvenile facility in Copenhagen.\"", "He was also said to be \"a Danish psychologist who believes Muslims are raised to be aggressive and that inbreeding has damaged their genes.", "\"His statements about Islam and Muslims include assertions about genetic inferiority, such as that \"a rough estimate shows that close to half of all Muslims in the world are inbred,\" and that \"massive inbreeding within the Muslim culture during the last 1,400 years may have done catastrophic damage to their gene pool.\"", "He has also stated that \"if a Muslim does not react aggressively when criticized he is seen as weak, not worth trusting and he thus loses social status immediately,\" and that \"after 40 years of constantly growing problems caused by Muslim immigrants in Europe, it is now clear to everyone: integration of Muslims in Western societies cannot be done.", "\"Sennels was an unsuccessful candidate in the 2011 Danish general election for the Danish People's Party, and has been described as a \"harsh critic of Islam in general and of Muslims' immigration to Denmark and Europe, in particular.", "\"In response to being accused of Islamophobia, he instead advocates the term \"Islamonausea\", \"to describe a feeling of nausea, disgust, displeasure, discomfort or aversion that arises by itself when encountering Islam or Islamic culture, or whatever or whoever represents it.", "\"Sennels founded Pegida Denmark in January 2015, which held its first rally with 150 protesters.", "At the time he worked as a child psychologist in Copenhagen municipality, and there were calls to have him fired by a local politician and a union.", "Sennels stepped down as leader of the group, then named For Frihed, in December 2015 to reassume his membership in the Danish People's Party, which he had left just prior to establishing Pegida Denmark." ], [ "Personal life", "Sennels is a Buddhist who practices meditation and yoga, and he grew up in a left-wing hippie collective.", "His parents and himself established and lived in Buddhist centres under Lama Ole Nydahl, founder of Diamond Way Buddhism, but Sennels maintains that Nydahl only influenced his teaching of meditation, and that he had no influence on his views on Islam, although Nydahl himself is a known critic of Islam." ], [ "Bibliography", "* *" ], [ "References" ] ]

[ [ "1989–90 Virginia Cavaliers women's basketball team" ], [ "Introduction", "The '''1989–90 Virginia Cavaliers women's basketball team''' represented the University of Virginia during the 1989–90 NCAA Division I women's basketball season.", "The Cavaliers were led by 13th-year head coach Debbie Ryan, and played their home games at John Paul Jones Arena as members the Atlantic Coast Conference." ], [ "Roster" ], [ "Schedule", "Source: Regular season ACC tournament NCAA tournament" ], [ "Rankings" ], [ "References" ] ]

[ [ "2018–19 Batangas City Athletics season" ], [ "Introduction", "The '''2018–19 Batangas City Athletics season''' was the second season of the franchise in the Maharlika Pilipinas Basketball League (MPBL).After clinching the championship in the previous season, the Athletics started the season 4–6.They would then win 11 of the next 15 games to improve to 15–10 and enter the playoffs as the second seed in the South Division.", "Batangas City was challenged in the first two rounds, winning against Imus and Zamboanga in three games.", "In the Division Finals, the team met with the first-seeded Davao Occidental Tigers.", "Despite tying the series in game 2, the Athletics would lose in game 3, ending their title defense.The team played most of their home games in Batangas City Coliseum, with other venues including Batangas State University and De La Salle Lipa, the latter marking the first time the team played a game outside of Batangas City proper." ], [ "Regular season", "=== Standings ====== Schedule === 2018–19 Batangas City Athletics season schedule Game Date Opponent Score Location Record Recap 1 June 13 Quezon City '''W''' 95–90 Caloocan Sports Complex 1–0 2 June 27 Bataan '''L''' 67–81 Bataan People's Center 1–1 3 July 10 Makati '''W''' 72–65 '''Batangas City Coliseum''' 2–1 4 July 21 Valenzuela '''L''' 66–78 Caloocan Sports Complex 2–2 5 August 2 Cebu City '''L''' 66–72 '''Batangas City Coliseum''' 2–3 6 August 15 Pampanga '''L''' 75–80 Olivarez College 2–4 7 August 28 Bulacan '''L''' 54–63 Bulacan Capitol Gymnasium 2–5 8 September 6 Pasay '''W''' 60–57 Cuneta Astrodome 3–5 9 September 20 Caloocan '''W''' 81–69 '''Batangas City Coliseum''' 4–5 10 October 2 Laguna '''L''' 54–61 Cuneta Astrodome 4–6 11 October 11 Mandaluyong '''W''' 61–57 José Rizal University 5–6 12 October 18 Muntinlupa '''W''' 82–71 Lagao Gymnasium 6–6 13 October 30 San Juan '''W''' 85–78 '''Batangas City Coliseum''' 7–6 14 November 7 Rizal '''W''' 92–90 Ynares Center 8–6 15 November 19 Marikina '''W''' 62–52 Marist School 9–6 16 November 27 Zamboanga '''W''' 104–93 '''Batangas City Coliseum''' 10–6 17 December 6 Parañaque '''W''' 71–57 Imus City Sports Complex 11–6 18 December 19 Manila '''L''' 79–80 '''Batangas City Coliseum''' 11–7 19 January 5 Basilan '''L''' 89–94 Bulacan Capitol Gymnasium 11–8 20 January 15 Imus '''W''' 96–93 '''Batangas State University''' 12–8 21 January 22 Navotas '''L''' 98–101 San Andres Sports Complex 12–9 22 January 31 Pasig '''W''' 69–62 Caloocan Sports Complex 13–9 23 February 9 Davao Occidental '''L''' 70–71 '''Batangas City Coliseum''' 13–10 24 February 16 Bacoor City '''W''' 70–62 Strike Gymnasium 14–10 25 March 11 General Santos '''W''' 92–86 '''Batangas City Coliseum''' 15–10 '''Source: Schedule'''" ], [ "Playoffs", "=== Schedule === 2019 Batangas City Athletics playoffs schedule Round Game Date Opponent Score Location Series Recap Division Quarterfinals 1 March 19 Imus '''W''' 77–69 '''Batangas City Coliseum''' 2 March 21 Imus '''L''' 69–75 Muntinlupa Sports Complex 3 March 25 Imus '''W''' 92–65 '''Batangas City Coliseum''' Division Semifinals 1 March 27 Zamboanga '''L''' 72–58 Rizal Memorial Colleges 2 March 30 Zamboanga '''W''' 67–57 '''Batangas City Coliseum''' 3 April 2 Zamboanga '''W''' 80–72 '''Batangas City Coliseum''' Division Finals 1 April 4 Davao Occidental '''L''' 48–66 Davao City Recreation Center 2 April 6 Davao Occidental '''W''' 76–74 '''De La Salle Lipa''' 3 April 8 Davao Occidental '''L''' 51–66 Davao City Recreation Center '''Source: Schedule'''" ], [ "References" ] ]

[ [ "Sylvain Dispagne" ], [ "Introduction", "'''Sylvain Dispagne''' (born 8 February 1968) is a French former rugby union international.Born and raised in Saint-Girons, Ariège, Dispagne played his rugby for the town until starting his career at the top level with USA Perpignan at the age of 20.He then crossed to RC Narbonne and while there earned a place on the France squad for the 1994 tour of New Zealand, but remained uncapped.", "At his next club, Stade Toulousain, Dispagne played in four national championship-winning teams, also featuring in the 1995–96 Heineken Cup title.", "He was capped twice as a number eight for France in the 1996 Five Nations Championship, against Ireland and Wales.Dispagne retired from playing at the age of 34 and began coaching Pechbonnieu-based club EVG, overseeing their promotion to the Fédérale 1 in 2009.He has since left coaching and works in the electricity industry." ], [ "See also", "*List of France national rugby union players" ], [ "References" ], [ "External links", "*" ] ]

[ [ "The Way to Shadow Garden" ], [ "Introduction", "'''''The Way to Shadow Garden''''' is a 1955 American experimental film directed by Stan Brakhage." ], [ "Synopsis", "A man returns home at night.", "He blinds himself and picks up the lamp, creating shadows on the walls.", "The image switches to a negative, and the man staggers through a doorway and collapses.", "He wakes up in a garden full of flowers." ], [ "Production", "Brakhage moved from Denver to San Francisco in late 1953, living with poet Robert Duncan and artist Jess Collins.", "He discovered the Art in Cinema series organized by Frank Stauffacher at the San Francisco Museum of Modern Art.", "He took odd jobs to finance his filmmaking practice, shooting ''The Boy and the Sea'' and ''The Extraordinary Child''.While living in New York, Brakhage was introduced by James Tenney to the music of Edgard Varèse.Brakhage wanted to use a recording of Edgard Varèse's ''Ionisation'' for the film's soundtrack.", "He went to New York to approach Varèse about using it in the film, but his request was rejected because Varèse did not own the copyright to the recording.", "Brakhage ended up spending some time studying under Varèse and learning about \"the relationship between music and film\"." ], [ "Analysis", "Critic P. Adams Sitney characterized ''The Way to Shadow Garden'' as a trance film.", "It is influenced by the psychodramas of Maya Deren, such as ''Meshes of the Afternoon''.", "The film deals with the subjects of sexual anxiety, masturbation, loneliness, and suicide." ], [ "Home media", "The film was released on DVD as part of Kino International's ''Avant-Garde 2: Experimental Cinema 1928–1954'' box set, along with Brakhage's early films ''Interim'', ''Unglassed Windows Cast a Terrible Reflection'', and ''The Extraordinary Child''." ], [ "References" ], [ "External links", "* ''The Way to Shadow Garden'' at the Film-Makers' Cooperative*" ] ]

[ [ "Ren Heping" ], [ "Introduction", "'''Ren Heping''' (; 1900–1950) was a Chinese military officer and politician who served in the National Revolutionary Army and Legislative Yuan.Ren was a member of the fifth graduating class of Whampoa Military Academy.", "While a student, he joined the Kuomintang in 1926.Ren successively served the National Revolutionary Army as a platoon leader, company commander, and battalion commander.", "Within the Sichuan Provincial Security Department, Ren began at the rank of colonel and trained other members.", "He later became a deputy brigade commander and chief of staff.In 1941, Ren was appointed magistrate of Mingshan County.", "In September 1945, he became magistrate of Songpan County.", "Between June 1945 and March 1946, Ren was magistrate of Qijiang County.", "Concurrently, he was magistrate of Qionglai County from June 1945 to June 1949.In 1949, Ren look office as a supplemental member of the First Legislative Yuan, succeeding .", "Ren also served as liaison between Wang Lingji and Hu Zongnan.", "In June 1950, Ren was arrested by the Chengdu Municipal Security Department, and held in Qionglai.", "He was publicly executed on 15 December 1950, following a public trial." ], [ "References" ] ]

[ [ "Wowcube" ], [ "Introduction", "'''Wowcube''' is a game console or an electronic enigma structured like Rubik's Cube, also classified as an electronic puzzle; an example of a tactile user interface It consists of eight identical elements working as a single unit." ], [ "History", "In October 2016, the concept of the puzzle in form of cube was proposed, with further development of the first prototype in 2017 based on Arduino.", "In June 2017, early prototype was presented at a scientific conference ''CALL'' in UC Berkeley.In May 2018, the puzzle was presented to the general public at the Maker Faire exhibition in Santa Clara, California.In August 2021, distributors in 18 countries were purchased Wowcubes, with the highest demand in Japan.", "The manufacturer company pre-booked 155,000 units for a total of about $39 million (at $250 per unit retail price).", "On August 30, 2021, it was announced that Cubios had raised another $4.5 million in an A round, including $1.5 million from Xsolla, Hand of Midas Capital and another $3 million from other ventures and business angels.", "It was announced that the ordering process would begin in September.", "Overall, the startup was valued at $25 million.At the end of December 2021, it became known that the Securities and Exchange Commission allowed the developers to raise up to $5 million per year through investment crowdfunding: investors were offered 10% of Cubios (Wowcube's manufacturer) shares, and the securities could be purchased on the StartEngine platform.After the consoles introduction at CES 2023, it was announced that Wowcube sales would begin at $499 per unit.", "Hovewer, in 2021 device was cost $199 and $250 per unit." ], [ "Description", "=== Hardware ===The device is a 2×2×2 cube consisting of eight autonomus modules, together having 24 displays and capable of rotating relative to each other, much like a Rubik's cube.", "Magnetic connections provide a continuous flow of information between the autonomus modules, allowing for a seamless gameplay experience.", "Magnetic contacts could be attracted in any configuration because neodymium balls were inserted into spherical holders and rotated around their axis - this design was patented as scrolling magnetic contacts under the name UniSex.", "In the last version, the dimensions of the device are 70x70x70 mm, and the weight is 335 grams.", "Wowcube console uses FreeRTOS as its operating system and Pawn abstraction engine for P-code interpretation, which allows to run pre-completed game logic both on the console and in its emulator software.", "WOWCube SDK contains software emulator, that allows to run developed games on PC if there is no real console.", "Wowcube's software components are supplied under open licenses such as MIT, BSD and Apache license." ], [ "Awards and recognition", "* Red Dot 2021, Winner* Time 2021, Wowcube* CES 2021, Innovation Award Product" ], [ "See also", "* Combination puzzle (sequential move puzzle)* List of handheld game consoles* Pocket Cube* Steam Desk**" ], [ "External links", "* Profile on Wikibooks" ], [ "Further reading", "* ''Kohei Arai, Rahul Bhatia, Supriya Kapoor.''", "WOWcube Puzzle: A Transreality Object of Mixed Reality // Proceedings of the Future Technologies Conference (FTC) 2018 / Ilya V. Osipov, Evgeny Nikulichev.", "— Springer, 2018.— Т.", "2.— .", "* ''Ilya V. Osipov, Evgeny Nikulichev.''", "Review puzzles and construction sets falling under the category of augmented reality games // ITM Web of Conferences 18.— 2018b.", "— No.", "02003.== References ==" ] ]

[ [ "Paquita Zuidema" ], [ "Introduction", "'''Paquita Zuidema''' is a Dutch atmospheric and aerosol scientist who researches cloud processes, cloud radiative impacts, and aerosol-cloud interactions.", "She is a professor and chair of the department of atmospheric sciences at the Rosenstiel School of Marine, Atmospheric, and Earth Science at the University of Miami." ], [ "Life", "Zuidema was born in Holland, the daughter of cultural anthropologist R. Tom Zuidema.", "She lived in Peru from the ages of four to seven.", "She later learned English when her father began a teaching position in Illinois.", "She earned a B.S.", "in physics from the University of Illinois Urbana-Champaign in 1983.She completed a M.S.", "in civil engineering from the Massachusetts Institute of Technology in 1987.She earned a M.S.", "in physics (1989) and a M.S.", "in atmospheric sciences (1993) from the University of Washington.", "Zuidema received a Ph.D. in atmospheric planetary and atmospheric science from the University of Colorado Boulder in 1999.Zuimeda was first exposure to atmospheric sciences at age 29 when she encountered Atmospheric Radiation Measurement Climate Research Facility (ARM) data sets through her doctoral research.", "Thereafter I worked on the multi-angle imaging spectroradiometer (MISR) satellite project and at the Environmental Technology Laboratory in Boulder, Colorado Environmental Technology Lab in Boulder on Surface Heat Budget of the Arctic Ocean (SHEBA) data.", "Arriving at the University of Miami (UM) in 2005, she worked on Atlantic trade-wind cumulus and participated in the VAMOS Ocean-Cloud-Atmosphere-Land Study.", "She has focused on the biomass-burning aerosol and stratocumulus regime of the southeast Atlantic.", "She is active on the Atlantic panel of CLIVAR and is an associate editor for ''Atmospheric Chemistry and Physics''.", "Zuimeda is a professor and chair of the department of atmospheric sciences at the Rosenstiel School of Marine, Atmospheric, and Earth Science.Zumidema researches the characterization and understanding of cloud processes and cloud radiative impacts.", "This includes aerosol-cloud interactions, cloud mesoscale organization, and their variability at various time scales.", "She examines marine clouds, both low-latitude stratocumulus and cumulus, arctic mixed-phase, and tropical deep convection.", "Primarily an observationalist, she connects observations to modeling studies.", "She was a principal investigator for the Layered Atlantic Smoke Interactions with Smoke (LASIC) campaign on Ascension Island from 2016 to 2017.In 2024, she was elected a fellow of the American Meteorological Society." ], [ "References" ] ]

[ [ "Addison Sauickie" ], [ "Introduction", "'''Addison Sauickie''' (born January 6, 2006) is an American swimmer who won two medals at the 2024 World Championships." ], [ "Career", "Sauickie was born in 2006.She swam for Riverview High School in Sarasota, Florida.", "Sauickie helped the team win state championships in 2021, 2022, and 2023, and she won three state titles in the 200 y freestyle during those years.Sauickie competed at the 2023 World Junior Championships.", "She won the gold medal in the 200 m freestyle and the bronze medal in the 400 m freestyle.", "She swam in the final of the freestyle relay, winning a silver medal.", "She swam in the final of the freestyle relay, winning a gold medal.Sauickie competed at the 2024 World Championships.", "In the 400 m freestyle, she finished 11th in the heats and did not advance to the final.", "In the 200 m freestyle, she finished 12th in the semifinals and did not advance to the final.", "Sauickie then swam in the heats of the mixed medley relay, and the U.S. finished first in the final, earning her a gold medal.", "She swam in the heats of the freestyle relay, and the U.S. did not advance to the final.", "She swam in the heats of the mixed freestyle relay, and the U.S. finished third in the final, earning her a bronze medal." ], [ "References" ] ]

[ [ "Valtencir" ], [ "Introduction", "'''Valtencir Pereira Senra''' (11 November 1946 – 17 September 1978), simply known as '''Valtencir''' (sometimes spelled as '''Waltencir'''), was a Brazilian professional footballer who played as a defender." ], [ "Career", "Capable of playing both as a defender and as a left-back, Valtencir played most of his career at Botafogo, where he made 453 appearances and reached the Brazil national team, playing in a friendly against Argentina on 7 August 1968 and scoring a goal.", "He was champion of the Taça Brasil and two-time state champion.", "Some sources claim that he spent time in Venezuelan football in 1976, and in the same year he played for Colorado-PR, the team he played for until 1978." ], [ "Death", "Valtencir died on 17 September 1978, aged 31, at the Estádio Willie Davids, during the Colorado EC vs. Grêmio Maringá match, after suffering a complete cervical rupture following a knee from player Nivaldo.", "The knee was accidental and Nivaldo despaired over the move, having to be admitted to a sanatorium." ], [ "Honours", ";Botafogo*Taça Brasil: 1968*Campeonato Carioca: 1967, 1968*Taça Guanabara: 1967, 1968" ], [ "See also", "*List of association footballers who died after on-field incidents" ], [ "References" ], [ "External links", "*" ] ]

[ [ "1990 ACC women's basketball tournament" ], [ "Introduction", "The '''1990 Atlantic Coast Conference women's basketball tournament''' was the postseason women's basketball tournament for the Atlantic Coast Conference, held March 3–5, 1990, in Fayetteville, North Carolina, at the Civic Center." ], [ "Bracket" ], [ "Awards and honors", "'''Tournament MVP:''' Andrea Stinson, NC State'''All-Tournament teams:''':'''First Team''':* Andrea Stinson, NC State:* :* :* :* '''Second Team'''" ], [ "See also", "* 1990 ACC men's basketball tournament" ], [ "References" ] ]

[ [ "Calocera pallidospathulata" ], [ "Introduction", "'''''Calocera pallidospathulata''''' is a species of fungus in the family Dacrymycetaceae.", "In the UK, it has the recommended English name of '''pale stagshorn'''.", "Basidiocarps (fruit bodies) are gelatinous, pale yellow, and spathulate (widening towards the apex).", "It typically grows on logs and dead wood of both broadleaved trees and conifers.", "It is mainly found in Great Britain, but has also been recorded from continental Europe." ], [ "Taxonomy", "The species was originally described from Yorkshire, England in 1974 by British mycologist Derek Reid." ], [ "Description", "''Calocera pallidospathulata'' forms pale yellowish, gelatinous fruit bodies up to 1 cm tall, comprising a whitish or pallid stalk and a pale yellowish, fertile head that is typically thin, flattened, and spathulate (widening towards the apex).", "The fruit bodies typically grow gregariously, but do not coalesce.", "===Microscopic characters===Hyphae lack clamp connections.", "The basidia are two-spored and typical of the Dacrymycetaceae.", "The spores are weakly allantoid (sausage-shaped), 10 to 13 by 3.5 to 4 μm, thin-walled, becoming tardily 1 to 3-septate." ], [ "Habitat and distribution", "''Calocera pallidospathulata'' is a wood-rotting species, typically found on logs and dead wood of both broadleaved trees and conifers.", "It was originally described from England and is locally common in Great Britain, but has also been recorded from Belgium, the Netherlands and Norway.", "Since its initial discovery in Yorkshire, ''Calocera pallidospathulata'' has spread rapidly through much of England and into Wales and Scotland.", "Since the species is conspicuous, it seems probable that it is an invasive introduction from another continent, possibly North America." ], [ "References" ] ]

[ [ "Parsonsia praeruptis" ], [ "Introduction", "'''''Parsonsia praeruptis''''' is a non-twining, non-climbing ''Parsonsia,'' endemic to New Zealand and is a member of the dogbane family Apocynaceae.", "It is found only in the shrubland of the Surville Cliffs, North Cape Peninsula, where it scrambles through \"openly branched, prostrate windswept shrub(s)\".Possums attack buds, flowers and fruits of this species and where baiting for possums is not possible this plant is in decline because of possum browsing pressure." ], [ "Taxonomy", "''Parsonsia praeruptis'' was first described by P.J.", "de Lange and M.J.", "Heads in 1999." ], [ "Etymology", "The specific epithet, ''praeruptis''.", "derives from the Latin, ''praeruptus'', dative or ablative plural for ''hasty'', ''rash'' or ''precipitate''." ], [ "Conservation status", "Its status is \"Threatened Nationally Critical\"." ], [ "See also", "*Flora of New Zealand" ], [ "References" ], [ "External links", "* ''Parsonsia praeruptis'': Images & occurrence data from GBIF" ] ]

[ [ "Mohammad-Taqi Akbar-Nejad" ], [ "Introduction", "'''Mohammad-Taqi Akbar-Nejad''' (, born 31 December 1979) is an Iranian Shia cleric and reformist.", "He was a professor at Qom Seminary, arrested by the Intelligence Organization of the Islamic Revolutionary Guard Corps on 17 February 2024 for criticizing the Islamic Republic of Iran regime and insulting the Supreme Leader of Iran and was taken to an unknown location." ], [ "Quotes", "* Both the Islamic Revolution and the Islamic Republic are dead.", "* Khamenei is not our leader but the leader of the Yemenis and the Palestinians...", "He has not said that our people are a red line; our people must not confront such a crisis and the prices should not rise...", "I am not a priority for Khamenei.", "His priority is Yemen and Palestine.", "* Oh, isn't there anything for the benefit of our nation in Quran the Great, in the Nahj al-Balaghah, in the movement of Imam Hussein, in the peace of Imam Hassan, in the 250-year history of the Ahl al-Bayt?", "And anything that has no benefit for the people, even Islam, I am a disbeliever in it!", "* You (Iranian authorities) are not garrison (commanders), (but) you are responsible for the livelihood of a country of 80 million people.", "* Iranian_Revolution is the symbol of the denial of freedom and republic.", "* Gaza has become the priority of the state... the government does not want to solve the domestic problems... with this order, the downfall of the regime will be certain... Iranian's priority is not shawls and scarves but corruption and poverty." ], [ "References", "fa:محمدتقی اکبرنژاد" ] ]

[ [ "2023–24 Kent State Golden Flashes women's basketball team" ], [ "Introduction", "The '''2023–24 Kent State Golden Flashes women's basketball team''' represents Kent State University during the 2023–24 NCAA Division I women's basketball season.", "The Golden Flashes, led by eighth-year head coach Todd Starkey, play their home games at the MAC Center in Kent, Ohio as members of the Mid-American Conference." ], [ "Previous season", "The Golden Flashes finished the 2022–23 season 21–11, 12–6 in MAC play to finish in fourth place.", "In the MAC tournament, they defeated Northern Illinois in the quarterfinals, before falling to top-seeded and eventual tournament champions Toledo in the semifinals.", "They received an at-large bid into the WNIT, where they would lose to Syracuse in the first round." ], [ "Roster" ], [ "Schedule and results", " Exhibition Non-conference regular season MAC regular seasonMAC tournamentSources:" ], [ "References" ] ]

[ [ "Hervé Guiraud" ], [ "Introduction", "'''Hervé Guiraud''' (born 25 November 1966) is a French former rugby union international.Guiraud, born in Castelnaudary, came through the youth system of Rugby Olympique Castelnaudary.", "He played for RC Nîmes and RC Narbonne during his time in the top flight of French rugby.Following an unsuccessful 1996 Five Nations campaign, Guiraud was one of several new players called up by France for a home Test against Romania at Aurillac, where he played as the hooker in a 52-point win.", "This remained his only cap, but he was also on the tour of Argentina with the national team later that year." ], [ "See also", "*List of France national rugby union players" ], [ "References" ], [ "External links", "*" ] ]

[ [ "Make a Living (film)" ], [ "Introduction", "'''''Make a Living''''' (French: '''''Gagne ta vie''''') is a 1931 French comedy film directed by André Berthomieu and starring Victor Boucher, Dolly Davis and André Dubosc.", "The film's sets were designed by the art director Jean d'Eaubonne." ], [ "Synopsis", "A party-loving wastrel is cut off financially by his father, and suddenly has to earn his own living.", "He falls in love with a beautiful woman, and by a stroke of luck becomes wealthy." ], [ "Cast", "* Victor Boucher as Jacques Laumière* Dolly Davis as Paulette Martin* André Dubosc as \tMonsieur Laumière* Florelle as \tDans son propre rôle / Self* Robert Goupil as \tPhilippe* Louis Florencie as \tMonsieur Martin* Fred Marche as \tAldebert Gajac* Paulette Duvernet\t\t* Jean Sinoël\t* Nathalie de Sol* Pierre Labry\t* René Bergeron* Raymond Blot\t* Albert Broquin\t* Georges Deneubourg\t* Gabrielle Fontan\t\t* Jean Heuzé* Jane Loury* Stéphane Pizella\t\t* Robert Tourneur* Jean Valmont" ], [ "References" ], [ "Bibliography", "* Crisp, Colin.", "''Genre, Myth and Convention in the French Cinema, 1929-1939''.", "Indiana University Press, 2002.", "* Rège, Philippe.", "''Encyclopedia of French Film Directors, Volume 1''.", "Scarecrow Press, 2009." ], [ "External links", "*" ] ]

[ [ "Francisca Elisa Xavier" ], [ "Introduction", "'''Francisca Elisa Xavier, Baroness of Soledade''' (1 November 1786 – 12 October 1855) was a Brazilian plantation owner and noblewoman.", "She, along with her husband , were rich land owners in the Vale do Paraíba region of what is now the state of Rio de Janeiro.", "The largest slave revolt in the region, led by Manuel Congo and Mariana Crioula, occurred on the plantations they had owned.She married in 1804.Born in Paty do Alferes, she would later move to the city of Niterói after her husband's death.", "She died in 1855." ], [ "References" ], [ "Bibliography", "* RAPOSO, Ignacio.", "''Historia de Vassouras''.", "Vassouras: Fundação 1º de Maio, 1935.", "* SOUZA, Alan de Carvalho.", "''Terras e Escravos'': A desordem senhorial no Vale do Paraíba.", "Jundiaí, Paco Editorial: 2012." ], [ "See also", "*Manuel Congo*Mariana Crioula*Manuel Francisco Xavier" ] ]

[ [ "Valerie Jones Giltner" ], [ "Introduction", "'''Valerie Jones Giltner''' is an American politician who has served as a member of the Delaware House of Representatives from the 37th district since 2023.She is a Republican." ], [ "Biography", "Jones is from Georgetown, Delaware and graduated from Sussex Central High School.", "In her professional career, she became a nurse and healthcare consultant.On December 21, 2023, Jones Giltner won the special election to fill Ruth Briggs King's vacated seat.", "She took office the following day." ], [ "References" ] ]

[ [ "Sheena Toring" ], [ "Introduction", "'''Sheena Angela Toring''' (born May 8, 2001) is a Filipino volleyball player.", "She is currently playing for the NU Lady Bulldogs in the UAAP." ], [ "Career", "===Collegiate===Toring made her first game appearance with NU Lady Bulldogs in UAAP Season 84 women's where they end-up winning the title after 65 years of championship drought.This was followed by 2022 Shakey's Super League Collegiate Pre-Season Championship where they bagged another the championship title for their school.", "In UAAP Season 85, she suffered an injury in their first game of the finals against La Salle, so she wasn't able to play the rest of the finals.", "Toring returned to volleyball after an injury in Shakey's Super League, where she helped the NU Lady Bulldogs defend their championship title." ], [ "Awards", "=== Individual ===SeasonTournamentAwardRef2016UAAP Season 78 (Junior's)'''Best Blocker'''2022UAAP Season 84 (Women's)'''2nd Best Middle Blocker'''2022 SSLPre-Season '''2nd Best Middle Blocker'''=== Collegiate ===SeasonTournamentTitleRef2022 UAAP84 '''Champions'''2022 SSLPre-Season '''Champions'''2023 UAAP85 '''Runner-Up'''2023 SSLPre-Season '''Champions'''}" ], [ "References" ] ]

[ [ "Bree Hall" ], [ "Introduction", "'''Aubryanna \"Bree\" Hall''' is an American college basketball player for the South Carolina Gamecocks of the Southeastern Conference (SEC)." ], [ "High school career", "Hall played basketball for Wayne High School in Huber Heights, Ohio.", "As a senior, she averaged 25.6 points, 7.1 rebounds and 3.3 steals per game, earning McDonald's All-American and Ohio Ms. Basketball honors.", "Hall left as Wayne's all-time leading scorer, surpassing the boys' record held by Travis Trice.", "She received her first college offer from Dayton in eighth grade.", "Rated a five-star recruit by ESPN, she committed to play college basketball for South Carolina over offers from Kentucky, Mississippi State, NC State, Ohio State, Tennessee and Texas." ], [ "College career", "As a freshman at South Carolina, Hall averaged 2.7 points and 1.5 rebounds in 9.2 minutes per game, helping her team win the national championship.", "In her sophomore season, she became a key bench player, averaging five points and 1.9 rebounds per game, as South Carolina reached the Final Four of the 2023 NCAA tournament.", "As a junior, Hall entered the starting lineup, replacing Brea Beal." ], [ "References" ], [ "External links", "* South Carolina Gamecocks bio" ] ]

[ [ "Joy Guidry" ], [ "Introduction", "'''Joy Guidry''' (born 1995) is an American bassoonist and composer." ], [ "Early life", "Guidry was born in Houston and first became interested in music through her exposure to gospel music at church." ], [ "Career", "Guidry graduated from the Peabody Institute in 2018 with a bachelor's degree in bassoon performance, after which she participated in a fellowship at the Banff Centre for Arts and Creativity.", "She earned a diploma from Mannes School of Music the following year.", "In 2021, Guidry was awarded the Berlin Prize for Young Artists for her ''Radical Self-Love'' program.", "Her debut album, ''Radical Acceptance'', was released in February 2022.That year, she served on a panel of curators to select projects from new artists to be recorded on the American Composers Forum ''innova Recordings'' label.Guidry is currently pursuing a doctoral degree in music at University of California, San Diego.", "After touring with her dissertation project, ''AMEN'', a recording of the work will be released in May 2024.===Compositions=======''Y'all don't wanna listen''====In 2020, the National Sawdust Ensemble commissioned and premiered ''Y'all don't wanna listen'', a work by Guidry for cello, alto flute, and violin.====''A Prayer for Protection''====''A Prayer for Protection'', a work for seven double basses, was commissioned by the New World Symphony for 2021-2022 BLUE project bass fellows.====''This just don't make no sense''====Guidry's \"mini-opera\" for soprano, double bass, and oboe, ''This just don't make sense'' was commissioned by the Long Beach Opera for a virtual performance by the ensemble in November 2020.====''They know what they've done to us''====Titled after a 1968 quote from activist Fannie Lou Hamer, ''They Know What They've Done To Us'' was commissioned by the I&I Foundation and premiered at the 2022 Lucerne Festival, where it was performed by trumpet player Aaron Akugbo and pianist Zeynep Özsuca." ], [ "Personal life", "Guidry is Christian and identifies as queer.", "Her 2022 work ''Radical Acceptance'' explores her journey with bipolar disorder and post-traumatic stress disorder." ], [ "Discography", "===Albums===+List of albums, with selected details Title Details ''Radical Acceptance'' * Released: February 4, 2022* Format: Digital download, vinyl ''AMEN''* Release: May 10, 2024* Format: Digital download, vinyl* Label: Whited Sepulchre Records===Singles===+List of singles with selected details Title Year Album \"Almost There\" 2023 \"Day By Day\" 2023 ''AMEN''}" ], [ "References" ] ]

[ [ "2018 Connecticut elections" ], [ "Introduction", "The '''2018 Connecticut elections''' were held on Tuesday, November 6, 2018, to elect the following offices: Governor and Lieutenant Governor (on one ticket), Attorney General, Secretary of the State, Comptroller, Treasurer, U.S. Senate, U.S. House of Representatives, Connecticut State Senate, Connecticut State House of Representatives, and various others.", "Primary elections were held on August 14, 2018.The Democratic Party performed strongly in federal elections with incumbent Democrats winning re-election to all five Connecticut seats in the U.S. House of Representatives by more than 10 points, and incumbent U.S.", "Senator Chris Murphy winning re-election by 20 points.", "Democrats also performed strongly in the Connecticut General Assembly, gaining 12 seats in the State House of Representatives and 5 seats in the State Senate.", "However, this \"blue wave\" did not transfer to all state elections.", "Although typically considered a \"blue state\", no Democrat had won a gubernatorial election in the state by more than 5 points since 1986.This continued in 2018, with Democratic nominee Ned Lamont only winning the governorship by 3 points." ], [ "Federal", "===United States House of Representatives===Incumbent Democrats won re-election to all five Connecticut seats in the United States House of Representatives.DistrictDemocraticRepublicanOthersTotalResult Votes % Votes % Votes % Votes %District 1 166,155 60.61% 96,024 35.03% 11,961 4.36% 274,140 100.0% Democratic holdDistrict 2 167,659 57.99% 102,483 35.45% 18,972 6.56% 289,114 100.0% Democratic holdDistrict 3 163,211 60.40% 95,667 35.40% 11,361 4.20% 270,239 100.0% Democratic holdDistrict 4 168,726 61.21% 103,175 37.43% 3,750 1.36% 275,651 100.0% Democratic holdDistrict 5 142,901 52.80% 115,146 42.54% 12,617 4.66% 270,664 100.0% Democratic holdTotal 808,652 58.61% 512,495 37.14% 58,661 4.25% 1,379,808 100.0% ===United States Senate===Incumbent Democratic U.S.", "Senator Chris Murphy won re-election against Republican Matthew Corey." ], [ "State", "===Executive=======Governor====Two-term incumbent Democratic Governor Dannel Malloy and Lieutenant Governor Nancy Wyman were eligible for a third term but declined to run for re-election.", "Democratic nominees Ned Lamont and his running mate Susan Bysiewicz won the election against Republican nominees Bob Stefanowski and Joe Markley.====Attorney general====Two-term incumbent Democratic State Attorney General George Jepsen did not seek re-election.", "Democratic nominee and state representative William Tong defeated Republican nominee Susan Hatfield.====Secretary of state====Incumbent Democratic Secretary of the State Denise Merrill won re-election to a third term against Republican nominee Susan Chapman.====State Comptroller====Two-term incumbent Democratic State Comptroller Kevin Lembo won re-election to a third term against Republican nominee Kurt Miller.====State treasurer====Five-term incumbent Democratic State Treasurer Denise Nappier did not seek re-election.", "Democratic nominee Shawn Wooden defeated Republican nominee Thad Gray.===Legislative=======Connecticut State Senate====Democrats won 23 seats while Republicans won 13, expanding their majority by 5 seats.+ ↓ 23 13 '''Democratic''' '''Republican''' Parties Candidates Seats Popular Vote 2016 2018 +/- Strength Vote % Change Democratic 36 18 23 5 63.89% 725,644 53.10% 4.52% Republican 34 18 13 5 36.11% 593,346 43.42% 2.92% Independent Party 1 0 0 0.00% 26,513 1.94% 0.74% Working Families 0 0 0 0.00% 19,966 1.46% 0.57% Green 3 0 0 0.00% 1,077 0.08% 0.15%Total 74 36 36 0 100.00% 1,366,546 100.00% -====Connecticut House of Representatives====Democrats won 92 seats while Republicans won 59, expanding their majority by 12 seats.+ ↓ 92 59 '''Democratic''' '''Republican'''+ Parties Seats 2016 2018 +/- Strength Democratic 80 921260.93% Republican 71 59 12 39.07%Total151151151100.00%" ], [ "Notes" ], [ "References" ] ]

[ [ "Churachandpur-Khoupum protected forest" ], [ "Introduction", "The '''Churachandpur–Khoupum protected forest''' was declared by the Government of Manipur in India in 1966.It is believed to be largely coincidental with the Thangjing Hills range that bounds the Imphal Valley on the southwest.", "The protected forest designation was relatively unknown until November 2022, when the government issued a memorandum derecognising 38 tribal villages embedded in the forest area, mainly populated by Kuki-Zo people.", "Amidst the uproar caused by the announcement, a small village called K. Songjang was dramatically bulldozed in February 2023, with the claim that it had encroached into the protected forest.", "Tensions arising from this event are stated to be one of the causes of the long drawn 2023–2024 Manipur violence." ], [ "Context", "Manipur is a state embedded within the Patkai-Arakan Yomas, the eastern counterpart of the Himalayas that interject between the Indian plate and the Eurasian plate.The state consists of a central valley portion, occupying roughly , and the surrounding hill regions of .", "The total forest area of the state is 17,346 km2, forming 77.7% of the land area of the state.The protected-area network consisting of wildlife sanctuaries and national parts covers 1,132 sq km (roughly 5.07% of the area of the state).", "In addition, the state has 36 reserve forests (1,467 sq km) and 22 protected forests (4,171&nbps;sq km).", "The remaining area of 11,131 sq km is unclassified." ], [ "Establishment", "The Churachandpur–Khoupum Protected Forest was notified by the Government of Manipur on 17 September 1966 under Section 29 of the Indian Forest Act, 1927.Manipur was a union territory at that time, governed by a centrally-appointed Chief Commissioner, and guided by a Legislative Assembly consisting of 30 elected members and 3 nominated members.The protected forest covers 51.49 sq km land area, mainly comprising the Thangjing Hills range, which borders the central Imphal Valley on the southwest.Its geographical extent seems to cover the ridge and the slopes on the east and west, including the embedded valleys.", "It stretches from Songpi in the south to a little north of the Cachar–Bishnupur road.", "The highest peak on the ridge is Thangjing Hill (2109 m), which is held in reverence by the dominant Meitei community of the Imphal Valley.", "It is believed to be the abode of god Thangching, the presiding deity of the people of Moirang, and southwest guardian deity for all the Meitei.", "The devotees of the god conduct an annual pilgrimage to the top of the hill.According to the government record, there are 38 tribal villages embedded in the forest area, with about 1,000 people each.", "Each village has several subvillages as per the tribal custom.After the establishment of the protected forest, a settlement officer visited each village and issued settlement papers, defining the land area allocated to the village, which was then excluded from the protected area.Within the protected area, it is said that even the cutting of firewood is restricted." ], [ "Derecognition of villages", "On 7 November 2022, the state government issued an \"office memorandum\" cancelling the recognition of all the villages embedded in the protected forest.It stated that assistant (forest) settlement officers (ASOs), who were appointed enquiry officers in 1971 had passed orders excluding the various villages from the protected area.", "The government argued that their role was only to conduct an enquiry into the \"existing rights\" of the communities living in the protected forest; they weren't authorised to pass settlement orders.", "It said that it appointed a committee to examine the orders issued by the ASOs in June 2022, and cancelled them in December 2022, while also initiating fresh enquiries into the \"nature and extent of existing rights of people prior to the notification of protected forests\".", "All the villages were apparently issued \"show cause notices\" in May 2022 to submit relevant documents to support their claims of ownership.The Kuki Students Organisation, which also acts a community advocacy group, raised serious objections to the \"office memorandum\" of 7 November 2022.It questioned the very formation of the protected forest, claiming that the Government of Manipur \"does not have any proprietary rights\" over the area, as reportedly required by the Indian Forest Act, 1927.It asked the government to reverse its policy and start fresh proceedings to ascertain the rights of the government.The state legislator Paolienlal Haokip (MLA from Saikot) questioned how the state government could nullify orders passed by the ASOs who, he claimed, were the statutory authority to settle claims of pre-existing rights in the absence of an FSO (forest settlement officer).", "There was no special need for the state government to \"authorise\" them as claimed in the November 2022 notification." ], [ "Bulldozing of K. Songjang", "'''K.", "Songjang''' () is a small Kuki village of 16 families on the Cachar–Bishnupur Road (also called \"Old Cachar Road\"), which is said to have been a spin-out (or \"bifurcation\", ''machete'') of an older village called Kungpi Naosen.", "The village was sent a show cause notice on 10 August 2022 and a reminder notice on 30 January 2023.According to the village chief, this was the first he heard about the Churachandpur–Khoupum protected forest.", "After he sent a response on 6 February, he heard back within four days the decision of the forest officer informing him that the village was an encroachment into protected forest and that he should vacate it.", "In a press note, the forest department claimed that the village was established \"only in the year 2021\", which was apparently concluded by examining Google Maps imagery.On 20 February, a demolition team arrived with 6 JCB bulldozers and a large number of police and forest personnel.", "\"They threw stones at the poultry coops, took away the chickens, destroyed the pigsty, and towed away the squealing pigs,\" according to a former resident.", "The houses and a church were razed to the ground.", "A request for additional time to collect their belongings was denied.", "The villagers, who used to live on farming vegetables and fruits, have no livelihood after the demolition of the village.Commentators note that the villagers have deep roots in the area.", "The village chief said his parents arrived in the area in 1800s, lived through Japanese attacks during the World War II and the chief himself helped the government officials carry out a road survey in 1958.But the forest department said there was no record of a bifurcation of a village and even if that were the case, bifurcation was not allowed in a protected forest.Two writ petitions were filed in the Manipur High Court to contest the government claims about K. Songjang, one by the daughter of the village chief and another by the son of the former village chief of Kungpi Naosen.", "The court documents show the government having argued that the settlement order of Kungpi Naosen was now \"null and void\", on account of the November 2022 notification." ], [ "Notes" ], [ "References" ] ]

[ [ "Criminal Justice (Offences Relating to Information Systems) Act 2017" ], [ "Introduction", "The '''Criminal Justice (Offences Relating to Information Systems) Act 2017''' is an act of the Oireachtas dealing with cybercrime." ], [ "Previous legislation", "Previous laws dealing with computer crime in Ireland were the '''Criminal Damage Act 1991''' and '''Criminal Justice (Theft and Fraud Offences Act) 2001'''.", "Neither of these were specifically intended to deal with computer crime.Then Tánaiste and Minister for Justice Frances Fitzgerald brought forward the legislation in May 2017." ], [ "Offences", "The act introduces new offences relating to:*Unauthorised access to data systems*Interference with information systems or data on said systems*Interception of transmission of data to or from an information system*The use of tools to facilitate such offencesThe Act amends the Criminal Damage Act 1991, the Bail Act 1997 and Criminal Justice Act 2011." ], [ "See also", "*General Data Protection Regulation*NIS Directive" ], [ "References" ], [ "External links", "* Computer Crime in Ireland: a Critical Assessment of the Substantive Law - T. J. McIntyre - article originally appeared at 15(1) Irish Criminal Law Journal 13* Criminal Justice (Offences Relating to Information Systems) Act 2017* Bail Act, 1997* Criminal Damage Act, 1991* Criminal Justice Act 2011" ] ]

[ [ "Dinah Whipple" ], [ "Introduction", "'''Dinah Chase Whipple''' ( 1760- February 13, 1846 ) was an emancipated slave who was a leader in Portsmouth, New Hampshire's free Black community.", "She created New Hampshire's first school for Black children." ], [ "Biography", "Dinah Whipple was born around 1760 into slavery.", "She enslaved by Congregationalist minister Reverend Chase of New Castle, New Hampshire.", "She moved with him to Hampton, New Hampshire during the American Revolutionary War.", "Dinah Chase worked as a house servant.", "While there, she studied religion with Reverend Dr. Thayer.", "Whipple and her whole family were baptised in the Congregational Church.", "Con She was able to read and write, which was uncommon amongst women in the area at the time.On February 22, 1781, when she was freed by her owner, she moved to Portsmouth, New Hampshire and married Prince Whipple, a former soldier in the American Revolutionary War.", "They lived with the Whipples for several more years, possibly as paid servants.", "They had seven children together.", "One of their children died in 1791.Four years after marrying, Prince and Dinah moved with Prince's brother and sister-in-law, Cuffee and Rebecca Whipple, to a house on High Street.", "Around 1806, Dinah opened a school, likely in their house, the Ladies Charitable African School.", "The kind of school that it was is unclear.", "The school operated until 1832.In 1796, Prince Whipple died.", "Dinah Whipple continued to work, including taking in work from the church, but was unable to support herself entirely.", "Beginning in 1825, she received charitable assistance from North Church (Portsmouth, New Hampshire).", "In 1832, Whipple was forced from her house on High Street due to its deteriorating condition.", "As the wife of Prince's former enslaver died in that year as well, her heirs gave Dinah the use of a house on Pleasant street and a small annuity.", "Dinah lived there for fourteen years, sometimes with her grown children.Whipple died on February 13, 1846.North Church gave a gift to her daughter and paid for her funeral.", "Whipple was probably buried in the Old North Cemetery (Portsmouth, New Hampshire) with her husband, though there is no marker.", "Uncommon for a Black person at the time, Whipple was eulogized in the ''Portsmouth Journal of Literature and Politics'', which noted the \"Few, of any color, have lived a more upright, virtuous, and truly Christian life … enjoyed a more calm, tranquil and happy old age, and few have had a more peaceful and happy death.”The University of New Hampshire's Dinah Whipple STEAM Academy, \" an immersive educational program that explores science, technology, engineering, the arts and mathematics (STEAM), as well as the Black experience,\" is named in Whipple's honor." ], [ "References" ] ]

[ [ "George Riggs Gaither, Jr." ], [ "Introduction", "'''George Riggs Gaither Jr.''' (February 28, 1858 – October 17, 1921) was an American lawyer and politician in Maryland.", "His career spanned several roles, including serving as the Attorney General of Maryland and engaging in local governance in Baltimore." ], [ "Early Life and Education", "Born in Howard County, Maryland, George Riggs Gaither Jr. was the son of George Riggs Gaither Sr. Jr. and Rebecca Harrison Gaither.", "He was educated in Howard County schools before attending Princeton College, where he graduated in 1878.Gaither then pursued legal studies in Baltimore, completing his law degree in 1880." ], [ "Career", "Gaither's professional life was primarily in law and public service.", "After becoming a lawyer, he practiced in Baltimore City and was a partner with William Sheppard Bryan Jr.", "In the political realm, he switched from the Democratic to the Republican party in 1892.Gaither's tenure as Attorney General of Maryland began in 1899, and around 1900, he served as a Baltimore City Commissioner.", "He also held a position as a member and president of the Second Branch City Council in Baltimore.", "In the 1907 Maryland gubernatorial election, Gaither ran as the Republican candidate for governor of Maryland but was not elected." ], [ "Personal Life", "An Episcopalian, Gaither married Fannie Imogen Granger.", "The couple had children, including George R. Gaither III and a daughter.", "The family was based in Baltimore City, where Gaither was involved with Grace and St. Peter's Protestant Episcopal Church." ], [ "Death and Legacy", "Gaither died of pneumonia on October 17, 1921, in Catonsville, Baltimore County.", "He was interred in Green Mount Cemetery in Baltimore City.", "His contributions to Maryland's legal system and civic life are part of the state's historical record." ], [ "References" ] ]

[ [ "Mademoiselle's Chauffeur" ], [ "Introduction", "'''''Mademoiselle's Chauffeur''''' (French: '''''Le chauffeur de Mademoiselle''''') is a 1928 French silent comedy film directed by Henri Chomette and starring Dolly Davis, Jim Gérald and Alice Tissot.", "==Cast==\t* Dolly Davis as \tDolly* Jim Gérald as \tJim* Alice Tissot as\tMiss Clarence* Paul Ollivier as \tLe baron Paul* Albert Préjean as Jean* Marise Maia as \tMarie* Nicolas Redelsperger as \tJohn* Gaston Modot \t* Pâquerette\t\t* André Roanne" ], [ "References" ], [ "Bibliography", "* Connelly, Robert B.", "''The Silents: Silent Feature Films, 1910-36, Volume 40, Issue 2''.", "December Press, 1998.", "* Krautz, Alfred .", "''International Directory of Cinematographers Set and Costume Designers in Film: France''.", "Saur, 1983.", "* Rège, Philippe.", "''Encyclopedia of French Film Directors, Volume 1''.", "Scarecrow Press, 2009." ], [ "External links", "*" ] ]

[ [ "Dum and Dummer 2 (Key Glock and Young Dolph mixtape)" ], [ "Introduction", "'''''Dum and Dummer 2''''' is the second collaborative album by American rappers Young Dolph and Key Glock, and the sequel to their 2019 mixtape Dum and Dummer.", "It was released on March 26, 2021, through Young Dolph's label Paper Route Empire.", "The production on album was primarily handled by Bandplay.", "''Dum and Dummer'' 2 was preceded by five singles: \"Aspen\", \"Case Closed\", \"I'm the Type\", \" Sleep with the Roaches\", and \"Penguins\".", "The album received generally positive reviews from music critics and was a moderate commercial success." ], [ "Track listing", "Credits were adapted from Genius." ], [ "References" ] ]

[ [ "Ramadhani Brothers" ], [ "Introduction", "The '''Ramadhani Brothers''' are an acrobatic duo consisting of Fadhili Ramadhani and Ibrahim Jobu.", "The duo hail from Tanzania.They competed in ''Australia's Got Talent'' in 2022 and ''America's Got Talent'' in 2023.They won ''America's Got Talent: Fantasy League'' in 2024." ], [ "Early life" ], [ "Background", "===''America's Got Talent''======''America's Got Talent: Fantasy League''===" ], [ "References" ] ]

[ [ "Samoa at the 2024 World Aquatics Championships" ], [ "Introduction", "'''Samoa''' competed at the 2024 World Aquatics Championships in Doha, Qatar from 2 to 18 February." ], [ "Swimming", "Samoa entered 3 swimmers.", ";MenAthleteEventHeatSemifinalFinalTimeRankTimeRankTimeRank Kokoro Frost 50 metre butterfly25.8646 Did not advance 100 metre butterfly59.7559 Did not advance Johann Stickland 50 metre freestyle23.7556 Did not advance 100 metre freestyle 52.33 66 Did not advance;WomenAthleteEventHeatSemifinalFinalTimeRankTimeRankTimeRank Kaiya Brown 50 metre freestyle 28.30 69 Did not advance 100 metre freestyle 1:02.84 63 Did not advance}" ], [ "References" ] ]

[ [ "1948 NCAA basketball championship game" ], [ "Introduction", "The '''1948 NCAA University Division Basketball Championship Game''' was the finals of the 1948 NCAA basketball tournament and it determined the national champion for the 1947-48 NCAA men's basketball season.", "The game was played on March 23, 1948, at Madison Square Garden in New York City.", "It featured the Kentucky Wildcats of the Southeastern Conference, and the Baylor Bears of the Southwest Conference.This was Baylor's last appearance in the national championship game until 2021, where they defeated the Gonzaga Bulldogs to win the national championship." ], [ "Participating teams", "===Kentucky Wildcats===*East** Kentucky 76, Columbia 53*Final Four**Kentucky 60, Holy Cross 52===Baylor Bears===*West**Baylor 64, Washington 62*Final Four**Baylor 60, Kansas State 52" ], [ "Game summary", "Source:" ], [ "References" ] ]

[ [ "Frank R. Lautenberg Post Office and Courthouse" ], [ "Introduction", "The '''Frank R. Lautenberg Post Office and Courthouse''' is United States Post Office and courthouse of the United States District Court for the District of New Jersey located in the Government Center area of Downtown Newark, Essex County, New Jersey.", "The building's cornerstone was laid in 1933 and the building was completed as a New Deal project in 1935.The building was named for U.S.", "Senator Frank Lautenberg by an act of Congress in 2000." ], [ "See also", "*Martin Luther King Building and United States Courthouse" ], [ "References" ], [ "External links", "* Newark New Jersey Post Office & Courthouse* Frank R. Lautenberg U.S. Post Office and Courthouse in Newark, NJ, Federal Judicial Center" ] ]

[ [ "Ott Kangilaski" ], [ "Introduction", "'''Ott Kangilaski''' (pseudonym '''King Kong Kongivere''', June 14, 1911 – April 28, 1975) was an Estonian printmaker, cartoonist, and journalist." ], [ "Recognitions and awards", "*1944: Member of the Estonian Artists' Association*1945: Medal \"For Valiant Labor in the Great Patriotic War 1941–1945\"*1950: *1956: Medal \"For Labor Valor\"*1975:" ], [ "References" ] ]

[ [ "Dorothy Becker" ], [ "Introduction", "'''Dorothy Alden Becker Lineer''' (1900 – 1989) was an American surfer and competitive swimmer.", "Regarded as the first woman surfer from the mainland United States, she was better known as a swimmer during her era because surfing was a little-known sport on the mainland at the time.", "She was nicknamed the \"California Mermaid.", "\"Becker was born in Sitka, Alaska.", "Given a grim diagnisis by a doctor, her family moved her to Santa Cruz, California for a \"nature cure\" and set her on a strict regiment of exercise including swimming and diving." ], [ "Voyage to Hawaii", "Becker in Hawaii, 1915She sailed to Honolulu in 1915, at the age of 15, to compete against champion American swimmer Ruth Stacker, who held the record of 50 yards in 31 seconds.", "During the race, Stacker accidentally entered Becker's swim lane.", "Both swimmers became confused; the race took 35 ⅕ seconds, won by Becker.While in Hawaii Becker \"learned the trick of riding the surf boards\" with a board she borrowed from swimmer and surfer Duke Kahanamoku.", "At this time, few people other than Pacific Islanders had learned to surf.", "Becker took to the sport quickly, surprising onlookers by performing a headstand on the board.", "Photos of Becker's tricks were published in the ''Chicago Tribune''.", "The publicity introduced many Americans to the novel sport of \"Waikiki surf-riding.", "\"Returning from Hawaii, Becker brought her surfing skills back to her hometown of Santa Cruz, where a small surfing community already existed, started by Hawaiians in the 19th century.", "According to the ''Santa Cruz Sentinel'' she was first woman surfer from the mainland United States.In a letter to Bernarr Macfadden, Becker credits exercise with saving her life from illness.", "She says her well-developed muscles allow her to surf 75 yards while standing on her head.", "The letter is one of the earliest known references to a woman using resistance training to improve her sports performance." ], [ "Swimming accomplishments", "Becker was the first woman to be a member of several athletic organizations, including the first in the Pacific Division of the Amateur Athletic Union.", "She resigned from the Pacific Athletic association in 1916 because of a dispute over a racing foul.In a time when swimming garments for women were typically bulky, Becker defied convention by swimming in a form-fitting, knit suit.", "Her suit was similar to that of men of the era like Duke Kahanamoku.===Races won===EventTimeDateLocationOpponent(s)Notes50 yards30 ⅘ secondsMarch 27, 1921Neptune Beach6 women100 yard breast stroke1:39 ⅕ secondsJune 19, 1920Del Monte|" ], [ "Personal life", "She married George Lineer" ], [ "References" ] ]

[ [ "Scotti Family" ], [ "Introduction", "The '''Scotti''' is an aristocratic family centered around Piacenza in Northern Italy.", "The family is also known as also known as ''Douglas Scotti'' for claiming descendancy from the Scottish Clan Douglas." ], [ "History", "Stemma del Clan DouglasLegne holds that a knight from the Douglas Clan came from Scotland to fight the under Charlemagne and against the Lombards.", "After his service, he putatively settled in Piacenza.", "However little documentation affirms this legend.The first documentation of a Scotti is of Rainaldo in 1184 serving as a consul of the collegio dei mercanti (guild of merchants).", "The Guelph-leaning Scotti family was often in conflict or competition with the Ghibelline Piacentine family of the Anguissola.", "The Scotti were successful and had affiliations with merchants and bankers throughout Europe from Portugal to Flanders.Among the most prominent members of the family, Alberto Scotti became signore (Lord) of Piacenza roughly during 1280–1290.In 1302, he was one of the leaders of an alliance that exiled the Visconti Family from Milan, but continued conflicts led to his exile from Piacenza in 1304.Although the shifting fortunes had him return to control of Piacenza for periods during the following two decades, in 1317 he was captured and died in Crema in 1318.Alberto's son Francesco was able to regain Piacenza in 1335, but for less than a year, when he was expelled by the Visconti family.In 1414, the heirs of Giacomo Scotti were granted the title to the counties of Castell'Arquato, Fiorenzuola, and Vigoleno by the Holy Roman Emperor Sigismund, who also allowed them to name themselves the name of ''Scotti Douglas''.In the church of San Giovanni in Canale, Piacenza, is a burial monument of Scotti used since the 14th century.In 1475, Giovanni Maria Scotti, Count of Vigoleno, married Aloisia Gonzaga, daughter of Francesco I Gonzaga-Novellara.", "Other prominent members of the family include:*Brantino Scotti (14th century), jurist*Antonio Scotti (14th century) treasurer of Estorre Visconti, Lord of Monza;*Francesco Scotti (14th century), podestà of Bologna;*Alberto II Scotti (15th century), Lord of Fiorenzuola;*Caterina Scotti (?-1468) of Agazzano, Spouse of Rolando Pallavicino called \"il Magnifico\"*Pier Maria Scotti (1481–1521) Called \"conte Buso\", condottieri;*Gianbernardino Scotti (1478–1568), cardinal;*Ranuccio Scotti Douglas (1597–1659), Bishop of Fidenza*Domenico Maria Scotti Douglas, Count of Sarmato (1751–1854); Commissioned the palazzo Scotti in via San Siro a Piacenza *Luigi Scotti Douglas (1796–1880), general of the Kingdom of Two Sicilies*Paolo Scotti Douglas della Scala, Count of San Giorgio, Governor of Piacenza in 1854" ], [ "Note" ], [ "Bibliography", "******" ], [ "Sources", "* Guccio Nauesi: ''Istoria genealogica delle famiglie nobili toscane, et umbre'', Firenze 1671* Touring Club of Italy: ''Toscana, Umbria, Marche'', Milano 2002* Antonio Musarra: ''1284 La battaglia della Meloria'', Roma 2018*Mainly extracted from Italian Wikipedia with sources." ] ]

[ [ "1947 NCAA basketball championship game" ], [ "Introduction", "The '''1947 NCAA University Division Basketball Championship Game''' was the finals of the 1947 NCAA basketball tournament and it determined the national champion for the 1946-47 NCAA men's basketball season.", "The game was played on March 25, 1947, at Madison Square Garden in New York City.", "It featured the Oklahoma Sooners of the Big Six Conference, and the independent Holy Cross Crusaders." ], [ "Participating teams", "===Oklahoma Sooners===*West**Oklahoma 56, Oregon State 54*Final Four**Oklahoma 55, Texas 54 (rivalry)===Holy Cross Crusaders===*East**Holy Cross 55, Navy 47*Final Four**Holy Cross 60, CCNY 45" ], [ "Game summary", "Source:" ], [ "References" ] ]

[ [ "Arioso (Sibelius)" ], [ "Introduction", "'''''', Op.", "3, is an art song for vocal soloist (soprano or baritone) and accompaniment written in 1911 by the Finnish composer Jean Sibelius, who appears to have worked simultaneously on two versions of the song: one with strings and the other with piano.", "The piece, which is a setting of the Swedish-language poem (\"The Maiden's Seasons\") by Johan Ludvig Runeberg, Sibelius's favorite poet, premiered on 18 September 1913 in Helsinki with the Finnish soprano Ida Ekman as soloist, accompanied by her husband, , on piano.", "The next year in Turku on 30 March, the version of the piece for string orchestra was first performed, again with Ekman as soloist; her husband this time conducted the Turku Orchestral Society.Sibelius infamously gave an artificially low opus number in order to avoid a contractual dispute with his publisher, Breitkopf & Härtel.", "(Sibelius had sold both versions of to the Helsinki-based publisher , who then tried to sell the rights to Breitkopf & Härtel.", "When Breitkopf & Härtel protested, Sibelius fibbed, claiming that the song was an older piece that dated to 1890.)", "Apostle never published the version for strings, and in 1917 his holdings transferred to , who subsequently issued the first edition of this version in 1951." ], [ "Reception", "The British musicologist Robert Layton describes as possessing \"the grave air of melancholy that distinguishes the elegiac Grieg, and much the same intentness and conviction ... there is a touching directness of utterance about this music and more than a hint of the wide-ranging vocal writing\" that Sibelius would master subsequently with the tone poem ''Luonnotar'' (Op.", "70, 1913).", "The Sibelius biographer Andrew Barnett, too emphasizes the relation to the Norwegian master: \" is a very fine song, with a vein of Nordic melancholy and string textures that have often been compared to Grieg\"." ], [ "Notes, references, and sources", "===Notes======References======Sources===****" ], [ "External links", "*" ] ]

[ [ "Paolo Cortesi" ], [ "Introduction", "'''Paolo Cortesi''' or '''Cortese''', in Latin '''Paulus Cortesius''' or '''de Cortesii''' (1465–1510), was a Renaissance humanist from Rome.", "He is known for his Ciceronianism, his dispute over literary style with Angelo Poliziano in 1485 and his treatise on the cardinalate, ''De cardinalatu''." ], [ "Life", "Cortesi was born in Rome in the first half of 1465.His father, Antonio, was a papal abbreviator from San Gimignano, although his family was originally from Pavia.", "His mother, Tita, belonged to the Aldobrandini family of Florence.", "His father and elder brother Alessandro (1460–1490) oversaw his education.", "With Alessandro, he visited many famous Roman men of learning in his youth, including Giulio Pomponio Leto, Lucio Fazini and Bartolomeo Platina.His brother arranged for him to succeed the late Platina as a scribe in the papal chancery in October 1481, when he was in his seventeenth year.", "In his ''Liber notarum'', Johann Burchard records Cortesi as a papal scribe as late as 23 May 1497.In the 1490s, the Cortsi house was frequented by poets and men of letters.", "Among those that visited the home were Serafino Aquilano, Giovanni Lorenzi, , Pietro Gravina di Palermo, Leonardo Corvino, Michael Tarchaniota Marullus, Giacomo Corso and Bartolomeo Lampridio (uncle of ).On 7 April 1498, Pope Alexander VI named Cortesi an apostolic secretary.", "He resigned his post on 8 June 1503, retiring to a villa he had built on the ruins of an old castle in San Gimignano.", "He continued to receive a steady stream of visitors.", "He lived the rest of his life there and never visited Rome again.", "He nurtured hopes of being named a cardinal, but never was.", "He died in 1510, before 15 November.", "His heir was his brother Lattanzio." ], [ "Works", "''In quatuor libros Sententiarum''Sometime after 1481, Cortesi wrote the ''Historia vera Hippolyti de Bondelmontibus et Deianirae de Bardis'', a Latin prose adaptation of Leon Battista Alberti's ''Historietta amorosa fra Leonora de' Bardi e Ippolito Buondelmonti'', a telling of the legend of Dianora and Ippolito.Cortesi came to prominence in 1485 through a dispute with Angelo Poliziano.", "He sent Poliziano a collection of Latin letters with the intent to publish and asked the elder humanist his opinion of their quality.", "Poliziano advised against publication, since the letter's so slavishly imitated Cicero in style.", "Cortesi responded with a long, polemical letter in defence of his style.In 1490–1491, Cortesi wrote a dialogue, ''De hominibus doctis'' (On Learned Men), modelled on Cicero's ''Brutus'' and dedicated to Lorenzo de' Medici.", "It depicts Cortesi, Alessandro Farnese (the future Pope Paul III) and a certain Antonio (possibly Giovanni Antonio Sulpicio da Veroli) on the island of on Lake Bolsena.", "The main purpose of their discussion is to provide Cortesi an opportunity to write a literary history.", "He surveys 93 writers, including Chrysoloras, Dante, Boccaccio and Petrarch.", "He ignores contemporary Florentines and assesses all in terms of their adherence to Ciceronian norms.", "The theories expounded are those of his letter to Poliziano.", "Although it was used and cited repeatedly in manuscript, ''De hominibus doctis'' was not published until 1729.In 1504, Cortesi published at Rome ''In quatuor libros Sententiarum ... disputationes'', \"an attempt to elimintate the dissidence between theological wisdom and profane eloquence\".", "The apotheosis of the Ciceronianism expressed in the letter to Poliziano, it was dedicated to Pope Julius II.", "It was reprinted in 1513 by Jodocus Badius at Paris and by Johann Froben at Basel, and again at Basel in 1540 by Henricus Petrus.One of Cortesi's last works was ''De astrologia''.", "It is unpublished and is preserved in single manuscript.", "Giovanni Pontano cites it in his ''De rebus coelestibus'' and in ''Urania'' he indicates awareness of Cortesi's astronomical studies.Cortesi's last work and his magnum opus is ''De cardinalatu'', published posthumously in 1510 by Simeone Nardi of Siena.", "It is dedicated to Julius II and has three prefaces by Cortesi, by Raffaele Maffei and by the monk Severus of Piacenza.", "It consists of 34 chapters in three books.", "It is a mirror of princes for a prince of the Church.", "Although Cortesi had expressed a desire to write a secular mirror along the lines of Xenophon's ''Cyropaedia'', he may have been influenced to change his scope by his desire for a prelacy.In the first book, ''ethicus et contemplativus'', Cortesi outlines the virtues and knowledge necessary for a cardinal.", "In the second, ''oeconomicus'', he describes the manners and lifestyle appropriate to a cardinal with many anecdotes.", "He even gives architectural advice concerning cardinalatial palaces.", "In the third, ''politicus'', concerns the responsibilities of a cardinal's office, presenting many example problems and solutions.", "''De cardinalatu'' was well received in ecclesiastical circles.Besides his Latin writings, Cortesi wrote some works in vernacular Italian, including:*a vernacular sonnet sent to Piero di Lorenzo de' Medici in 1493*seven ''strambotti'' published in the ''Compendio de cose nove'' of in 1507*''Carmina vulgaria'', a collection of poems preserved in two manuscripts" ], [ "Notes" ], [ "Bibliography", "*******" ] ]

[ [ "Baxian, Shaanxi" ], [ "Introduction", "'''Baxian''' () is a town under the administration of Pingli County, Shaanxi, China.", ", it administers Baxian Residential Community and the following sixteen villages:* Shiping Village ()* Sanxingzhai Village ()* Renxigou Village ()* Hanhe Village ()* Longmen Village ()* Songshumiao Village ()* Huayuanling Village ()* Wuyaoshan Village ()* Baihaohe Village ()* Jinjihe Village ()* Songyang Village ()* Jiangxijie Village ()* Haofangping Village ()* Dianpingping Village ()* Longshan Village ()* Yahekou Village ()" ], [ "References" ] ]

[ [ "The Lady of Lebanon (novel)" ], [ "Introduction", "'''''The Lady of Lebanon''''' (French: '''''La Châtelaine du Liban''''') is a 1924 thriller novel by the French writer Pierre Benoit." ], [ "Film adaptations", "The novel has been made into films on three occasions.", "* ''The Lady of Lebanon'', a 1926 silent film directed by Marco de Gastyne* ''The Lady of Lebanon'', a 1934 film directed by Jean Epstein* ''The Lebanese Mission'', a 1956 film directed by Richard Pottier" ], [ "References" ], [ "Bibliography", "* Bell, P.M.H.", "''France and Britain, 1900-1940: Entente and Estrangement''.", "Routledge, 2014.", "* Goble, Alan.", "''The Complete Index to Literary Sources in Film''.", "Walter de Gruyter, 1999.", "* Zeldin, Theodore.", "''A History of French Passions 1848-1945, Volume 2''.", "Clarendon Press, 1993." ] ]

[ [ "1945 NCAA basketball championship game" ], [ "Introduction", "The '''1945 NCAA University Division Basketball Championship Game''' was the finals of the 1945 NCAA basketball tournament and it determined the national champion for the 1944-45 NCAA men's basketball season.", "The game was played on March 27, 1945, at Madison Square Garden in New York City.", "It featured the Oklahoma A&M Aggies of the Missouri Valley Conference, and the independent NYU Violets." ], [ "Participating teams", "===Oklahoma A&M Aggies===*West**Oklahoma A&M 62, Utah 37*Final Four**Oklahoma A&M 68, Arkansas 41===NYU Violets===*East**NYU 59, Navy 44*Final Four**NYU 70, Ohio State 65 (OT)" ], [ "Game summary", "Source:" ], [ "References" ] ]

[ [ "Jesús Alberto López" ], [ "Introduction", "'''Jesús Alberto López Ortiz''' (4 June 1994 – 29 July 2023), was a Costa Rican professional footballer who played as a midfielder." ], [ "Career", "Played as a central midfielder, \"Chucho\" López as he was known, was considered the main player of his club, Deportivo Cañas, and one of the great revelations of Costa Rican football." ], [ "Death", "On 29 July 2023 López decided to dive in the Cañas River in Guacanaste, to cool off from the heat.", "The footballer was devoured and his body torn apart by an American crocodile, after which his remains were taken to the horrified audience.", "The crocodile was later shot dead by local authorities, and his team's coach, Luis Carlos Montes, expressed regret over what happened.", "Jesús López's mother also died after being eaten by a crocodile in the same river, 15 years earlier.", "Deportivo Cañas fans paid tribute to the athlete in the match following the incident." ], [ "See also", "*List of association football players who died during their careers*Man-eater" ], [ "References" ] ]

[ [ "Balatro (video game)" ], [ "Introduction", "'''''Balatro''''' is a poker-themed roguelike deck-building video game developed by LocalThunk and published by Playstack.", "It was released on Microsoft Windows, PlayStation 4, PlayStation 5, Xbox One, Xbox Series X/S, and Nintendo Switch on February 20, 2024.In the game, players play poker hands to score points and defeat \"blinds\", while improving their deck and purchasing joker cards with passive effects." ], [ "References" ], [ "External links", "* Official website" ] ]

[ [ "Anelex" ], [ "Introduction", "'''Anelex Corporation''' (sometimes stylized '''ANelex''') was an American computer hardware company active from 1952 to 1967 and based primarily in Boston, Massachusetts.", "It was founded by E. Ross Anderson ( 1896–1968) and closely tied to '''Anderson-Nichols & Co.''', a manufacturing company based in Boston which Anderson had co-founded in 1922.Both were based out of the same building, with Anelex eventually absorbing Anderson-Nichols.Anelex focused primarily on computer equipment, chiefly line printers and hard disk drives.", "For a time they were the second-largest manufacturer of computer printers in the world, second only to IBM.", "They were also reportedly the fourth ever company to manufacture hard disk drives.", "In 1967, they were acquired in whole by Mohawk Data Sciences." ], [ "History", "Anelex Corporation was founded in 1951 by E. Ross Anderson ( 1896–1968), a business magistrate in Boston who had formerly co-founded Anderson-Nichols & Co., a diversified manufacturing concern, with Henry B. Nichols in 1922.Unlike Anderson-Nichols & Co., which was primarily focused on tool manufacturing, architectural engineering, and consulting, Anelex chiefly focused on selling its own computer equipment.", "The genesis of Anelex came when the United States federal government contracted Anderson-Nichols & Co. for a high-speed line printer.", "Anelex was then formed as a division of Anderson-Nichols, operating under the latter company for a year until it was spun off into a separate corporation in 1952.In 1960, Anelex went public, with Anderson-Nichols owning a 15-percent stake in the company until 1961.Both continued to be based out of the same building at 150 Causeway Street in Boston, which was demolished in late 1996.Shortly after their split from Anderson-Nichols, however, Anelex's administrative headquarters were relocated to Concord, New Hampshire.", "Anelex's floor space in Boston spanned nearly .Anelex's primary focus in the beginning of its existence was high-speed line printers for analog and digital mainframe computers.", "Its first trademarked product in this field was the Synchroprinter in June 1952, which had a printing speed of 15 lines of 40 characters per second.", "By 1962, Anelex was in their fifth generation of printer products, high-end models of which were capable of printing 2000 alphanumeric lines per minute.", "By the mid-1960s, they were the second-largest manufacturer of computer printers in the world, behind only IBM.", "The company acted as an OEM, supplying printers to 33 other computer companies across the globe in 1962.Anelex's steady expansion was helped along by several key expansions and acquisitions in the early 1960s.", "This included establishing a branch office in Minneapolis, Minnesota, in 1962; acquiring Franklin Electronics Corporation of Bridgeport, Pennsylvania—a start-up maker of high-speed line printers—in 1963; and acquiring the Unicraft Corporation of Newport, New Hampshire—a maker of precision instruments—in 1964.Anelex briefly manufactured single-purpose computers for military use in 1962 but had abandoned this field within a couple years.In late 1963, the company announced its first hard disk drive products, to be plug compatible with IBM's concurrent offerings.", "The initial trio of Anelex's disk drives included the Model 80, a six-platter disk pack system capable of storing 3.9 million characters of information; the Model 800, an eight-platter, non-disk-pack (non-interchangeable) system—four heads per platter—capable of storing up to 23 million characters; and the 4800, a multi-disk-pack system accommodating up to four eight-platter packs (24 platters total), capable of storing up to 95 million characters.", "Anelex delivered the first units of their disk drives by July 1964.They were reportedly the fourth ever company to manufacture hard disk drives, after IBM (the inventors of the HDD), Bryant Computer Products, and Data Products.Between August and October 1967, Anelex was acquired by Mohawk Data Sciences in a stock swap." ], [ "References" ] ]

[ [ "1943 NCAA basketball championship game" ], [ "Introduction", "The '''1943 NCAA University Division Basketball Championship Game''' was the finals of the 1943 NCAA basketball tournament and it determined the national champion for the 1942-43 NCAA men's basketball season.", "The game was played on March 30, 1943, at Madison Square Garden in New York City.", "It featured the Wyoming Cowboys of the Mountain States Conference, and the independent Georgetown Hoyas." ], [ "Participating teams", "===Wyoming Cowboys===*West**Wyoming 53, Oklahoma 50*Final Four**Wyoming 58, Texas 54===Georgetown Hoyas===*East**Georgetown 55, NYU 36*Final Four**Georgetown 53, DePaul 49" ], [ "Game summary", "Source:" ], [ "References" ] ]

[ [ "Texas (BigXthaPlug song)" ], [ "Introduction", "\"'''Texas'''\" is a song by American rapper BigXthaPlug, released on November 25, 2022, as the fourth single from his debut studio album ''Amar'' (2023).", "Produced by Aimonmyneck, Blondobeats and Blazerfxme, it is considered one of the first songs that helped BigXthaPlug gain recognition." ], [ "Background", "In an interview with ''Complex'', BigXthaPlug revealed his initial thoughts about the song: \"I actually didn't even like the song at first.", "I didn't like the beat.", "It was just something that my team felt would be good, like, 'Hey, this could spark up something.'", "I believed in them and we did it in and now here we are.\"" ], [ "Composition", "The song incorporates a \"mix of gospel, trap, country, and blues\" and finds BigXthaPlug rapping about what Texas is known for, including the cars and lifestyles." ], [ "Critical reception", "Max Bell of ''Spin'' wrote, '\"BigX displays some of his best writing on 'Texas,' casually condensing decades of Texas music and cultural history into forceful couplets.\"", "Bryson \"Boom\" Paul of ''The Source'' wrote, \"And with it's inescapable hook, tongue-in-cheek lyricism, and undeniable energy, 'Texas' is an anthem that will cement BigXThaPlug's legacy in music forever.\"" ], [ "Music video", "The music video was directed by Jerry Morka and released alongside the single.", "It sees BigXthaPlug flaunting his cowboy hat, swangers and diamond encrusted necklaces." ], [ "Certifications" ], [ "References" ] ]

[ [ "Ricky Henry (rugby league)" ], [ "Introduction", "'''Ricky Henry''' is a New Zealand professional rugby league football coach who is the head coach of the North Queensland Cowboys Women in the NRL Women's Premiership (NRLW) and the New Zealand women's national rugby league team.He previously worked with the New Zealand Warriors, as an assistant to their NRL team and head coach of their New South Wales Cup team." ], [ "Background", "Henry is of Māori descent from the Ngāpuhi and Ngāti Kahungunu iwis." ], [ "Playing career", "A Junior Kiwis and New Zealand Māori representative, Henry joined the Auckland Warriors in 1995, spending three years at the club without playing first grade.", "In 1997, he played in the Warriors' Super League Reserve Grade Grand Final loss to the Canterbury Bulldogs.", "In 1998, Henry joined the South Sydney Rabbitohs, playing reserve grade for two seasons." ], [ "Coaching career", "===New Zealand Warriors===From 2008 to 2011, Henry worked in a development coaching role with the New Zealand Warriors, which involved preparing NRL Under-20s players for the NRL.", "Prior to this he coached the Richmond Rovers in the Auckland Rugby League.In 2012, he was appointed head coach of the Auckland Vulcans, the Warriors' New South Wales Cup feeder club.", "Following the season, he was promoted to Warriors' NRL assistant coach under Matthew Elliott.", "He left the role at the end of the 2014 season following Elliott's departure.In 2016, Henry returned to the Warriors as NSW Cup assistant coach under Stacey Jones.", "In 2017, he took over from Jones as head coach, taking the side to the preliminary final.", "In 2018, he coached the Warriors' Jersey Flegg Cup side.", "In 2019, he was again the assisant coach for the NSW Cup side.===New Zealand Kiwi Ferns===On 20 September 2020, Henry was announced as head coach of the New Zealand women's national rugby league team.", "On 7 November 2020, he won his first game in charge of the side, a 28–8 win over Fetu Samoa at Mt Smart Stadium.In November 2022, Henry led the Kiwi Ferns to the final of the 2021 Women's Rugby League World Cup, which they lost to Australia 54–4.On 28 October 2023, the Kiwi Ferns defeated Australia 12–6 to win the Pacific Championships.", "It was their first win over Australia since 2016 and their first major trophy since the 2008 World Cup.===North Queensland Cowboys===On 20 February 2024, Henry was appointed head coach of the North Queensland Cowboys Women's team, signing a three-year contract." ], [ "References" ] ]

[ [ "Karasor (lake, Ekibastuz)" ], [ "Introduction", "'''Karasor''' (; ) is a salt lake in the Ekibastuz City Administration, Pavlodar Region, Kazakhstan.Karasor is the largest of the lakes in the area surrounding Ekibastuz.", "It is located to the northeast of the city and to the west of Kalkaman." ], [ "Geography", "Karasor is an endorheic lake in the Irtysh Basin.", "It stretches from southeast to northwest for roughly and is about wide.", "Smaller lake Tuzdysor (Тұздысор), with the Ekibastuz GRES-2 Power Station rising by its eastern shore, lies to the west of the northwestern corner, and Zhyngyldy, with the Ekibastuz GRES-1 Power Station by its northern shore, lies to the WSW of the southwestern lakeshore.", "Other lakes in the vicinity are Kudaikol, located to the southeast, and Shureksor to the north.The Bala Tundik river flows into Karasor.", "The lake is fed by snow and rain.", "Karasor usually freezes in November and thaws in April.", "The lakeshores are flat and the surrounding area is used for local livestock grazing.", "There are also some cultivated fields.Sentinel-2 image of Karasor with lake Tuzdysor in the upper and Zhyngyldy in the lower left corner.==See also== *List of lakes of Kazakhstan" ], [ "References" ], [ "External links", "** Озера и реки Казахстана (in Russian)" ] ]

[ [ "Aznaur Tavaev" ], [ "Introduction", "'''Aznaur Zalimkhanovich Tavaev''' (; born 24 November 1998) is a Russian freestyle wrestler who claimed the senior bronze medal at the 2023 Russian National Championships.", "He wrestles at the 74 kg category on the international circuit." ], [ "Background", "Tavaev was born on 24 November 1998 in Adil-Yangiyurt village, Dagestan, Russia.", "He started wrestling at age of eleven at the Spartak wrestling club under his father Zalimkhan." ], [ "Career", "In 2018, he had the junior European title at 65 kilos in Rome, Itlay.", "In 2019, he took the third place at the senior tournament Ali Aliev Memorial in Kaspiysk, Dagestan.", "In 2021, Aznaur won in the freestyle 74 kg event at the Golden Grand Prix Ivan Yarygin.", "He competed at the Russian National Championships, where he beat world champion Zagir Shakhiev in the bronze medal match." ], [ "Championships and achievements", "*2018 Junior European Championships — 1st;*2019 Ali Aliev Memorial — 3rd;*2021 Golden Grand Prix Ivan Yarygin — 1st;*2023 Russian National Championships — 3rd;" ], [ "References" ], [ "External links", "* * Profile on United World Wrestling* Profile on Wrestdag" ] ]

[ [ "Bianca Virnig" ], [ "Introduction", "'''Bianca Ward Virnig''' is an American politician who has served as a member of the Minnesota House of Representatives since 2024 after winning a special election.", "A member of the Democratic–Farmer–Labor Party, she represents District 52B." ], [ "References" ] ]

[ [ "Gérson dos Santos" ], [ "Introduction", "'''Gérson dos Santos''' (14 July 1922 – 5 June 2002), was a Brazilian professional footballer and manager, who played as a midfielder." ], [ "Career", "Gérson dos Santos began his career at Pitangui FC in Belo Horizonte.", "As a professional, he arrived at Palestra Itália (currently Cruzeiro EC) in 1942, where as a youth player, he was part of the three-time state champion squad in 1943–45.Still in 1945, he was transferred to Botafogo, where he marked his time by making 371 appearances and becoming state champion in 1948.Gérson formed the defensive system called the \"maginot line\" at Botafogo, alongside Oswaldo Baliza and Nilton Santos.", "He still returned to Cruzeiro, where he ended his career as a player." ], [ "International career", "For the Brazil national team, dos Santos was part of the winning squad of the 1952 Panamerican Championship, playing one match on the campaign.", "In 1954 he was called up again, participating in two matches of the 1954 FIFA World Cup qualification." ], [ "Managerial career", "As a coach, Gérson dos Santos began his career immediately after retiring in 1957 at Cruzeiro.", "He also had spells at Atlético Mineiro, Vila Nova and Remo." ], [ "Honours", ";Cruzeiro*Campeonato Mineiro: 1943, 1944, 1945;Botafogo*Campeonato Carioca: 1948;Brazil*Panamerican Championship: 1952" ], [ "References" ], [ "External links", "* Gérson dos Santos at ogol.com.br *" ] ]

[ [ "Be (Eunhyuk song)" ], [ "Introduction", "'''\"Be'''\" (stylized in all lower caps) is the debut solo single released by South Korean rapper and singer-songwriter, Eunhyuk.", "The single was released on October 20, 2021, as part of promotions for Super Junior-D&E's debut Korean studio album, ''Countdown''." ], [ "Composition", "\"Be\" is penned solely by Eunhyuk himself.", "The song portrays Eunhyuk's dreamy, younger self." ], [ "Music video", "The music video for \"Be\" was released on October 20, 2021, showing Eunhyuk dancing across different sets, and showing a dreamy sequence between the present Eunhyuk and his past self.", "On October 22, Eunhyuk released a behind-the-scenes video of \"Be\" music video through Super Junior's YouTube channel.On October 23, Eunhyuk released the music video for \"Red Muhly\" showing him driving and then dancing in an art gallery." ], [ "Live performances", "On October 22, a day after the release of the single, Eunhyuk promoted the song on ''Music Bank,'' followed by a live appearance in ''Inkigayo'' two days later." ], [ "Track listing" ], [ "Charts" ], [ "References" ] ]

[ [ "1948 Bloomsburg Huskies football team" ], [ "Introduction", "The '''1948 Bloomsburg Huskies football team''' represented Bloomsburg State Teachers College—now known as Bloomsburg University of Pennsylvania—as a member of the Pennsylvania State Teachers College Conference (PSTCC) during the 1948 college football season.", "Led by second-year head coach Robert B. Redman, the Huskies compiled an overall record of 9–0 with a mark of 6–0 in conference play, winning the PSTCC title." ], [ "Schedule" ], [ "References" ] ]