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Women's suffrage (the right to vote) in the United States started slowly, at state and local levels, during the 19th Century and early 20th Century, ending in 1920 with the passing of the Nineteenth Amendment to the United States Constitution, which provided: "The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any state on account of sex."
Beginnings
Lydia Chapin (Taft) (February 2, 1712 – November 9, 1778) was a starter of women's suffrage movement in Colonial America. She was the first woman legally allowed to vote in colonial America. After the death of her wealthy husband and elder son, the family was left without an adult Heir apparent. She was given this right by the town meeting of Uxbridge, Massachusetts in 1756. For the great majority of American women, voting rights for women were not granted until much later on.
History of the United States
Women's suffrage |
The Cook, the Thief, His Wife & Her Lover is a 1989 British independent movie starring Richard Bohringer, Alan Howard, Michael Gambon and Helen Mirren and directed by Peter Greenaway. This movie was originally tagged by the MPAA under an X rating, due to which commercial distribution of this movie was limited. The X rating was then surrendered, and this movie was released with no rating. It was later released onto video with two versions, one rated NC-17, and the other under an R rating.
Other websites
1989 drama movies
1989 romance movies
1980s crime drama movies
1980s romantic drama movies
Adultery in movies
British crime drama movies
British romantic drama movies
English-language movies
NC-17 rated movies
French crime movies
French romance movies
French drama movies
Dutch romance movies
Dutch drama movies
Movies directed by Peter Greenaway
Independent movies |
Hitzhofen is a municipality in the district of Eichstätt in Bavaria in Germany.
References
Eichstätt (district) |
Bar Harbor is a town on Mount Desert Island in Hancock County, Maine, United States. As of the 2010 census, its population is 5,235.
References
Towns in Maine |
Johan Olof Ramstedt (born 7 November 1852 -15 March 1935) was a Swedish politician. He was the Prime Minister of Sweden from April to August 1905.
References
1852 births
1935 deaths
Judges
Politicians from Stockholm
Prime Ministers of Sweden |
Elias I (also Hélie or Élie; c. 1060 - 11 July 1110), called de la Flèche or de Baugency, was the Count of Maine. He succeeded his cousin Hugh V, Count of Maine.
1110s deaths
11th-century births
French nobility |
Ronald George "Ron" Harvey, (born 9 June 1934) is a former senior Australian public servant and sport administrator. He was the third Director of the Australian Institute of Sport from 1987 until 1989. He was the Administrator of the Australian Indian Ocean Territories from 1997 through 1998.
References
1934 births
Living people
Administrators of the Australian Indian Ocean Territories
Politicians from Western Australia |
<p>The 3 options are name, batting order, and position. The user must pick which option he/she would like the values to be sorted. Currently, it prints the sorted batting order value because that's the last sorting order before I called echo. How do I make it so when the user picks an option, only the output of that option shows? And no output when nothing is selected?</p>
<p>Here is the HTML</p>
<pre><code><!DOCTYPE html>
<html>
<head>
<link rel="stylesheet" type="text/css" href="Assignment.css">
</head>
<body>
<main>
<form action="Assignment1.php" method="post">
<h2>Rays Lineup Display</h2>
<div id="data">
<p>Select Size</p>
<input type="radio" name="order" value="player_name">Player Name<br>
<input type="radio" name="order" value="pos">Position<br>
<input type="radio" name="order" value="bats">Batting Order<br>
</div>
<div id="buttons">
<label>&nbsp;</label>
<input type="submit" value="Submit"><br>
</div>
</form>
</main>
</body>
</html>
</code></pre>
<p>PHP File</p>
<pre><code> <!DOCTYPE html>
<html>
<head>
<link rel="stylesheet" type="text/css" href="Assignment.css">
</head>
<body>
<?php
$selection_list = array('pos', 'player_name', 'bats');
$players = array (
array('pos' => 'SS', 'player_name' => 'Beckham', 'bats' => 1),
array('pos' => 'C', 'player_name' => 'Casali', 'bats' => 8),
array('pos' => '2B', 'player_name' => 'Forsythe', 'bats' => 3),
array('pos' => '1B', 'player_name' => 'Loney', 'bats' => 7),
array('pos' => 'LF', 'player_name' => 'Jennings', 'bats' => 2),
array('pos' => 'CF', 'player_name' => 'KierMaier', 'bats' => 9),
array('pos' => '3B', 'player_name' => 'Longoria', 'bats' => 4),
array('pos' => 'RF', 'player_name' => 'Mahtook', 'bats' => 5),
array('pos' => 'DH', 'player_name' => 'Souza', 'bats' => 6),
);
function getSortFunction( $sortKey ) {
return function( $personA, $personB ) use ( $sortKey ) {
return ( $personA[$sortKey] < $personB[$sortKey] ) ? -1 : 1;
};
}
$order = filter_input(INPUT_POST,'order');
usort( $players, getSortFunction( 'pos' ) );
usort( $players, getSortFunction( 'player_name' ) );
usort( $players, getSortFunction( 'bats' ) );
echo '<pre>'; print_r($players); echo '<pre/>';
?>
</body>
</code></pre>
<p></p> |
Vierne is a surname. People with the surname include:
Jean-Jacques Vierne (1921-2003): director of French cinema
Louis Vierne (1870-1937): French composer
René Vierne (1878-1918): organist and French composer
Simone Vierne (1932- ): studious French
Surnames |
John Peter Bain (8 July 1984 – 24 May 2018), commonly known by his online aliases TotalBiscuit, The Cynical Brit, and TotalHalibut, was a British indie gaming commentator and game critic on YouTube. He was born in Spennymoor, County Durham.
Bain was known for his role in professional casting for games such as StarCraft II and PlanetSide 2, as well as for his regular gaming commentary videos. Bain voiced strong support for consumer protection in the gaming industry.
Bain announced that he had terminal bowel cancer in October 2015. He formally retired from YouTube in April 2018. He died on 24 May 2018 in Charlotte, North Carolina of the disease at the age of 33.
References
Other websites
1984 births
2018 deaths
Deaths from colorectal cancer
Internet celebrities
British YouTubers
Critics
Activists
British people |
<p>I am trying to install <em>videogular</em> using <em>bower</em> and I am getting the error:</p>
<pre><code>bower ENOTFOUND Package videogular not found
</code></pre>
<p><strong>Should I install in manually?</strong> </p> |
ഷ് ഗ് ഷമ്ശ്ഗ്
പം ല് കഷം
04034) രല
ഒന്നാം
ചൊല്ല്യൊത്തരങ്ദള്ും
പ്രാത്ഥനകളം
നാല അഞ്ച വയസ്സിനകം ത്മ
പ്പൈതങ്ങധുക്ക ഉ പകാരത്തിന്നായി
പട്ടക്കാര൯ വത്സ
ഉണ്ടാകിയതിനെറ
ചരിദാക്ചം
പപാത...
(011217:
42011: 4.1 1128 017൩൯0 2/188107% 72853
1040,
ല് ച് പന്ന.
ി
|
ര്്
മതസംഗതികളെ കുറിച്ച
ഒന്നാം ച്ൊല്ല്യൊത്തരം.
ി
ഒ ആമത ചൊദ്യം. പൈതലെ, നി,
ന്നെ സൃഷ്ടരിച്ത ആര എന്ന എന്നൊട പ്
റവാന് കഴിയുമൊ?
ഉത്തരം. ആകാശത്തെയും ഭൂമിയെയും,
സൃഭ്യിച്ച മഹാ ദൈവം.
൨ ചൊ. ദൈവം നിനക്കായികൊണ്ട,
മന്ത ചെയ്യൂന്നു ?
൭. അവ൯ രാവും പകലും എന്നെ മൊ
ജോം ക്രടാതെ രക്ഷിച്ച, ഏപ്പൊഴ്ചും ഇനി
കു നന ചെയ്യുന്നു.
൩ ചൊ. എന്നാല് നിനകു ഇത്ര നന്മ
ചെയ്യുന്ന “രഃ മഹാ ദൈവത്തിനായികൊ
ങ നീ എന്ത ചെയ്യേണം ?
ഉ. ആഭ്യം ഞാന് അവനെ അറിവാന്
പഠികെണം, അതിന്െറ ശെക്ഷം ഞാന് അ,
വനെ ഇക്കപ്പെട്ടത്തുവാന് സകല കാഷ്
വും ചെയ്യേനം.
രം ചൊ. ദൈവം തന്നെ അറിവാറാം
ര൭്നെ ഇകഷ്കപ്പെട്ടത്തുവാനും നമുകു എവി
ട്ടെപറഞ്ഞ മന്ത 2
്
ക്ക
തു. വെദപുസ്പകത്തില് അടങ്ങിയിരി
ക്കുന്ന അവെ ശുദ്ധമുമ്മ വാക്യത്തില്.
൫ ചൊ. ദൈവം ആര ആകന്ത ഏന്ന
നി പഠിച്ച അറിഞ്ഞിട്ടുണ്ടൊ ?
. ഉ. ഭൈവം ആത്മാവ ആകന്നു, നമുക
അവനെ കാണ്മാന് കഴിയുന്നതല്ല, എങ്കി
മും അവ൯ എല്ലാ കായ്യങ്ങളെ.യും കുണ്ടഠി
യുന്നു ; ഏല്ലാ കാജ്യയങ്ങളെയും ചെയ്താ൯
അവന കഴിയും.
൬ ചൊ. ഭമൈവത്തെ ഇക്ടപ്പെടത്തുവാ
൯ നി എന്ത ചെജ്യെണം ?
കൂ. ഞാന് ദൈവത്തൊട്യും മനുക്യരൊ
ക്കം ഇനിക്കുളള മുറ ചെയ്യണം.
൭ ചൊ. ദൈവത്തൊട നിനക്കുള്ള മു,
൭ കന്ത ആകുന്നു ?
. ൭. ദൈവത്തൊട ഇനിക്കുള്ള മുറ അ
വനെ ഭയപ്പെട്ട ബഫ്ുമാനിക്കയുംം അവ,
നെ സ്റ്റെഹിച്ച സെവികുയും, അവനൊട
പ്രാത്ഥികയുംം അവനെ സ്തുതിക്കയും ചെയ്യു,
ണത ആകുന്നു.
൮ ചൊ. മരുഷ്ഷ്യരൊട നിനക്കുമ്ള മുര
എന്ത ആകന്നു ?
ഉ.. മനുഷ്യരൊട ബനിക്കുമ്മ മുറ എ,
൭൯൦ ഓതാപ്പിയാകന്മാരെ അനുസരികിരി,
൫.
കയും, ഹൃപ്പൊഴ്ചം നെരുപറകയ്ുയം, ഏലാ
വരൊട്ടം നെരുമാഗുത്തൊടടം ദയയൊട്ടം
ക്രടി ഇരികുയും ചെയ്യുന്നത ആകന്നു.
൯ ചൊ. ദൈവത്തെ ഇക്ടല്പലെട്ടത്തു
വാന് ശ്രമിക്കുന്നതിനാല് എന്ത നന്മ കൂ.
ങ്ഓാകമെന്ന ന്ദി ഇച്ലിക്കുന്നു ?
ഉ. അപ്പ്പൊ ഞാ൯ ദൈവത്തിന്െറ
പൈതലും, ദൈവം എന്നെക്ും എനന്െര
പിതാവും എനെറ സ്റെഫിതനും ആകം.
൧ ചൊ. എന്നാല് നി ദൈവത്തെ ഒ
യപ്പെടാതെയും, അവനെ ന്റ്റൊഫിക്കാതെ
യും, അവനെ ഇക്ടപ്പെടുത്തുവാന് ശ്രമി
കാതെയും ഇരുന്നാൽ എന്ത?
ഉ. അപ്പപൊഴം ഞാന് ഒരു മുക്യതയുട്മ
പൈതൽ ആകം, മഹാ ദൈവം എന്നൊ
ഭ വലരെ കൊപിക്കയും ചെയ്യും.
൧൧ ചൊ. ദൈവത്തിനെറ കൊപ്പത്തെ
നി ഒയേപ്പെട്ടന്നത എന്തിനാ?
ഉ. അവന എന്െറ ശരീരത്തെ നശി
പ്പിപ്പാ൯ും, എന്റെറ ശരിരം നശിച്ച ശെ
കും എ൭൫൯൪െറ ആത്മാവിനെ ദ്ദാഖിപ്പിപ്പ
രം കഴിയുന്നതുകൊണ്ടു ആകന്നു.
൧൨. ചൊ. ൫൭ന൬നാല് ദൈവത്തെ കൊ
പുല്പടടര്മുവാ൯ നി വലതും ഒയികുലെ൦'
൬
ദ്യം ചെയ്യിട്ടില്ലയൊ?
ഉ. ഉണ്ട; ഞാന് ദൈവത്തിന വിരൊ
ധമായി പലപ്പൊഴും പാപം ചെയും അ
വരെറ കൊവപത്തിന ആളായിരിക്കുന്നു
എന്ന ഞാ൯ ശങ്കിക്കുന്നു,
൧൩. ചൊ. ദൈവത്തിന വിരൊധമാ
യി പാപം ചെയ്തു, എന്നുഛൂത എന്ത എന്ന
നിനക്കു തൊന്നുന്നു ?
. ഉ ദൈവത്തിന വിരൊധമായി പാ
പം ചെയ്തു, ഏന്നുള്ളത ദൈവം എന്നൊട
വിലക്കിയിരിക്കുന്നത വല്ലതും ചെയ്ത്രയൊ,
ദൈവം ഏന്നൊട കല്ലിച്ചിരിക്കുന്നത ചെ
യ്യാതെ ഇരിക്യൊ ആകുന്നു.
ര. ചൊ. എന്നാല് നിന്െറ പാപങ്ങ
ര ഉ ണ്ടാക്കിയിരിക്കുന്ന മൈവകൊവപത്തി
ല്നിന്ന രക്ഷപപെടുവാ൯ നി എന്ത ചെ
യെണം?
൭. ഞാന് എ6െറ പാപങ്ങമക്കായ്യൊ
ന്ദ സങ്കടപ്പെടെണം; കുഴിഞ്ഞിട്ടുള്ളതിനെ
എന്നൊട ക്കാമിക്കെണമെന്ന ഞാന് ഭൈ
'വ്വത്തൊട പ്രാത്ഥിചം അവനെ ഇനി മെ,
ലാല് എററവും നല്ലവണ്ണം സെവികെ
൬൩൦.
൪൫ ചൊ. അതിനായികൊണ്ടനി അ
ങ്ങ
ര്
എ
8
.
൭൭.
പെക്ഷികുന്നു എങ്കില് ഭൈവം നിന്നൊട.
ക്ഷമിക്കമൊ ?
, ൭. യെശു ക്രിസ്തു ചെയ്യിടടക്ളതും അവന്
കക്യമനുഭവിച്ചിട്ടക്കതും നിമിത്തമായി,
ദൈവത്തിനുമ്ള കരുണയില് ഞാ൯ ആ
ശ്രയിക്കുന്നു എങ്കില്, അവന് എന്നൊട ക്ഷമ,
മിക്കമെന്ന ഞാന് നിരൂപിക്കുന്നു.
൧൬ ചൊ. യ്യെശു ക്രിസ്ത ആര ആക
എന്ന നി അറിയുമൊ? 3
ഉ.. അവ൯ ദൈവത്തിയെറ സ്വന്ത ഖല
ത്ൂ൯ ആകുന്നു; അവന് നമുടെ പാപങ്ങളി.
രനിന്നും ദൈവകൊപചത്തില്നിന്നും ൯,
മ്മെ രക്ഷിപ്പാനായിള സ്വറ്റുത്തിരുനിന്ന
ഇറങ്ങി വന്നു.
൧൭ ചൊ. മനുക്ഷ്യരെ രക്ഷ്ിപ്പാനായിട്കു
ടരിസ്ത എന്ത ചെയ്യിരിക്കുന്നു ?
ഉ. അവന് ദൈവത്തിന്െറ കല്പനയെ.
താ൯ തന്നെ അനുസരിച്ചിരുന്നു, നാമും അ
തിനെ അനുസരിക്കെണാമെന്ന നാമ്മെ പ,
ിപ്പിച്ചിരിക്കുന്നു.
. ൭൮ ചൊ. എന്നാല് മനുഷ്യരെ രക്ഷി,
4) പ്പാ വെണ്ടി ക്രിസ്തു എന്ത കക്ടരമനുഭവി,
വിരിക്കുന്നു ?
ന നയ്യത്യ്യത്യ്്ത്ച്ച യ്ല്രി ഴ്ത്യ്്്യഘ്യ്ത്ത്്ത്ത്ത്ത്ുത്ത്യ്ന്ുത്തുത്തായു 1
വ.
രം മരിപ്പാ൯ യൊധ്ൃന്മാരമദയ പാപി:
കാക പകരം അവ൯ മരിച്ചു.
൧൯ ചൊ. യെശു കരിസ്മ ഇപ്പൊഴാ ഏ
വിടെ ആകന്നു ?
തു. അവ൯ പിന്നെയും ജിവിച്ചം ഭൈ
വ്വത്തെ സെവിക്കയും അവനെറ പുത്രനാ
യ ക്രിസ്മവിനെ സ്നെഫികയും ചെയ്യുന്ന എ
ല്ലാവകംമായിട്ട സ്വത്തില് ഒരു സ്ഥലം
സമ്പാദി പ്പാഠ൯ അവ്ടെ പൊയിരിക്ന്നു;
' ൨൦ ചൊ. ദൈവത്തെയും ക്രിസ്ൃവിനെ
യും സ്നെഹിപ്പാനും സെവിപ്പാനും റ
൪ തന്നെ കഴിയുമൊ?
- തു, ജള; അത എന്നാല് തന്നെ ത്;
കഴിയു ന തലം എന്നാലും ഞാന് അതിനാ:
യി ക്ഷെണ്ട അപെക്ഷിക്കുന്നു പഎങ്കിരം ഭൈ
വം ര:നന്െറ സ്വന്ത ആത്മാവിനെ കൊ”
ദ ഇനിക സ്ഹായിപ്പിക്കും.
' ൨.൦ ചൊം ഇന് യെശ്ശു ക്രിസ്തു മ്രേപ്പെമ
൭൦ എങ്കിലും വരുമൊ?
൭. ഡ്െശു ക്രിസ്തു ഇ ഇനിയും വരും, ൭
ന്നെയും ലൊൌക്തി ല്ല ഒ എല്ലാവരെയും ഞ
ങ്ങഠം ചെയ്യിട്ടുളള ത ന്െറ കണക്ക നൊക്കു.
൮.൯ വരുത്തുകയും ചെയ്യും. ല്
൨.൨... ൭ച്ചാം രേം കാംണകു- ൭൪ ക്കആആ
ച്ചി
പി)
[|
എ
ഗ്ലേന്ത സംഗതിക ?
ഉ. ദൈവത്തിന്െറ പൈതങ്ങളു.ം ഒു
കൃന്മാരും എല്ലാം അവരവരുടെ പ്രപ്ൃത്തി
കളിന് പ്രകാരം അനുഭവി കെണ്ടുന്നതിനം
൨൩ ചൊ. നി മുഷ്യതയുമ്ള പൈതല്
ആകുന്നു എങ്കിതം നിനകു എന്ത വരും?
. ഉ, ഞാ൯.മുക്ടൃതയുമ്മള പൈതരു ആക
നു എതിരു, മുക്ഷന്മാരായും മുഃഖിതന്മാനാ
യയൂമുള്ളവരുടെ ഇടയില് എന്നുമുമ്ള അഗ്നി
നരകത്തിലെക്ക എന്നെ അയക്കും,
൨ര. ചൊ. എന്നാല്. നി ടൈവത്തി
നെറ പൈതല് ആകന്നു എങ്കില് നി ഏ
ലിടെക പൊകം ?
ഉ. ഞാ൯ ദൈവത്തിന്െറ പൈതല്
ആകുന്നു എജിത, എന്നെ സ്വഴ്ത്തിലെക
കൊണ്ടുപൊകം; അവിടെ ഞാന് ദൈവ
ത്തൊട്ടം ക്രിസ്തുവിനൊട്ടും കരടെ ഏന്നെ
ക്കം പാകയും ചെയ്തും,
ആ ബ്ടം
മതേ
വെമത്തിനെറ
ത്ആദ്യ ഭാഗത്തിലുമ്ള
പെരുകംം.
ാ്യായ്യോയയാനായ്തു
൧ ചൊ ആദാം ആര ആയിരുന്നു ?
൭. ദൈവം ഉണ്ടാക്കിയ ഒന്നാമത്തെ മ
രുക്ഷ്യസ; അവ൯ നമുക ഏഎല്ലാവക്കും പി
താവ ആയിരുന്നു. :
൨. ചൊ. ഫവ ത്ര ആയിരുന്നു?
൭. ഒന്നാമത്തെ സ്റ്റി; അവധം നമുക്ക
റല്ലാവക്കും മാതാവ ആയിരുന്നു.
൩. ചൊ. കയി൯ ആര ആയിരുന്നു?
൭, ആദാമിനെറ മത്ത മകന് ; അവന്
തനെഠറ സഹൊദരനായ ഫബൈലിനെ
കൊന്നു.
രം ചൊ. ഫബെല് ഏക്കിനോയുളളവവ
ആയിരുന്നു ?
ഒ. കയിനെകാളു.ം എററവും നലവ൯;
അതകൊണ്ട കയി൯ അവനൊട പകച്ചു.
൭ ചൊ. ഫനൊഖ ആര ആയിരുനു ?
൭൫.. ദൈവത്തെ ഇക്ഷപ്പെടത്തിയവ൯.
൧൧
അവ൯ മരികാതെ സ്വദ്റ്ത്തിലെക്ക കൌ
ണ്ഠപൊകപ്പെട്ടു.
൭9 ചൊ. നൊഹ ആര ആയിരുന്നു ?
ഒ. ലൊകം മുങ്ങിയപ്പൊഠം രക്ഷപെട്ട
നല്ല മനുഷ്യ൯.
൭ ചൊ. യൊബ ആര ആയിരുന്നു ?
&. വെദനകളിലും നക്ടങ്ങളിലും മഹാ
ാമയുക്ള മനുഷ്യന്.
൮ ചൊ. അബ്രാഹാം ആര ത്ൃയിരുന്നു?
൭. വിശ്വാസികമയക്ക ഭൂക്ടരന്തകകാരന് ;
അവന് ദൈവത്തിനെറ സ്കെഫിതനും ത്ത
യിരുന്നു.
൯ ചൊ. ഇസ്റ്റാകു ആര ആയിരുന്ന ?
൫. അബ്രാഹാമിന ദൈവത്മിനെറ
ലാശത്ത പ്രകാരം ഉണ്ടായ പൃത്ര൯.
കാ ചൊ. സാറാ ആര ആയിരുനു ?
&. അബ്രാഹാമിരനെറ ഭായ; അവംം
ഇസ്റ്റാക്കിനെറ മാതാവും ആയിരുന്നു.
ക ചൊ. യാകൊബ ആര ആയിരുന്നു?
ഉ. ഇസ്റ്റാകകിനെറ ഇളയ മകന് ; അവ
൯ ഉപായം കൊണ്ട തന്െറ പിതാപി
നെറ അനുഗ്രഹത്തെ സ്ബാഭിച്ച.
൨. ചൊ. യിസ്ര്രാഎല് ഫന്നുഥജത ഫ:
റം
' ഉ. യാകൊബിന ദൈവം തന്നെ കൌ
ക്്ത്തിട്ടുളള വൃത്തന് പചെ൪.
ചയ. ചൊ. യൊസെഫ ആര ആയിരുന്നു?
൭. യിസ്പാഎലിന്െറ ഇക്ടയ പുത്രസ; എ
ന്നാല് അവരെറ സഹൊദരസ്മാര അവ
നൊട പകച്ച, അവനെ വിററുകളഞ്ഞു.
ര. ചൊ. പന്ത്രണ്ട വംശപിതാക്കന്മാ൪
- ആര ആയ് രുന്നു ?
൭. യാചൊബി ന്െറ പന്ത്രണ്ട ചു(്൫
മോർ അവര് യിസ്റ്രാഎല് ജനങ്ങളുടെ
ക ിതാഷഡാദ ആയിരുന്നു.
൧൫ ചൊ. പറഒ ആര ളി ?
൭.. ശിശുകമെ കൊല്ലിച്ച എജ്ടിപ്പ രാ
ഓവ; അവ൯ ചെങ്കടലില് മുങ്ങി ചത്തു.
2൧൬ ചൊ. മൊശെ ത്ആര ആയിരുന്നു ?
ഉ. യിസ്പ്ാഎല് ജനങ്ങമു.ടെ രക്ഷിതാ
വും ന്യായപ്രമാണങ്ങളെ കൊട്ടത്തവനും,
അവരെ വനത്തില് .ക്രടി കരട്ടി നിം
പെൊയവനും ആയിരുന്നു.
൭൭ ചൊ. അഫറൊന് ആര ആയിരു
ന്ന
൭. രൊശെയുടെ ജ്ടയെക്ടന്; അവന് യി
സ്ാഏലില് ഒന്നാമത്തെ മെല്ലട്ടകാരനായി
4൬ ആആ
മം
൧൮ ചൊ. പട്ടക്ാ൪ ആര ആയിരുന്നു ₹
൭. ദൈവത്തിന ബമികമ്മങ്ങളെ ക
ഴികുയും, അവസെറ മാശ്ലങ്ങളെ മനുക്ഷൃക്
പറഞ്ഞുകൊട്ടകുയും ചെയ്യ്രുന്നവര.
൯ ചൊ. യൊശുവാ ആര ആയിരുന്നുഃ
ഉ. മൊശെ മരിച്ചതിനെറ ശെഷംയി
സ്രാഎല് ജനങ്ങളെ. ഭരിച്ചവ൯; അവക
കൊട്ടക്കമെന്ന ദൈവം കല്ലിച്ച ഭൂമിയി
ലെകു അവ൯ അവരെ കൊണ്ടുവരികയും
ചെയ്യ.
വാ ചൊ ശിംശൊ൯ ആര ആയിരുന്ന
ഉ. മഹാ ആരൊധ്ൃമുമ്മവ൯; അവന്
തന്െറ ശത്രുക്കളില് ആയിരം ചെരെ ക്ക
രു താടി എല്ല കൊണ്ട കൊന്നു.
൨.൦ ചൊ. എലി ആര ത്മൃയിരുന്നു ?
ഉ.. അവ൯ നല്ലൊരു വൃദ്ധ൯ ആയിരു
നന. എങ്കിലും അവന് തന്െറ മകളെ. മുക്ടത
ചെയ്യാതെ ഇരിപ്പാന് സൂക്ഷികായികകെട
ണ്ട ദൈവം അവനൊട കൊപിച്ച, '
൨൨. ചൊ. ശമുയെല് ത്ൃര ആയിരുന്നു
ഉള പൈതല് ആയിരുന്നപ്പൊഗം ദൈ
ഖം ദിഘദ ഗി ആകിയവ൯,
' ൨൩. ചൊ.ം ദിഷ്മക്കിമാര ആര ആറി
൧൪
_ ഉ, വരുന്ന കായ്യത്ഭളെ മുന്മില് ക്കൂട്ടി
പഠവാനുംം ലൊകത്തി ല് തനെറ മനസ്സി
നെ അറിയിപ്പാനും, ദൈവം പഠിപ്പിചിട്ടു
്ള ജനങ്ങമ. ൽ
൨൪: ചൊ, ദാവീദ ആര ആയിരുന്നു?
ഉ. ദൈവത്തിമെറ സ്വന്ത ഹദയ പ്ര
കാരം ഉഭ്ഭമവ൯; അവന് ആട്ടിടയനായി
രിക്കമ്പൊഠം രാജാവാകപ്പേട്ടു.
൨൫ ചൊ, ഗൊലിയാഥ ആര ആയിരു
ന്നു?
. ഉ. ഒരു കവിണ കൊണ്ടും ഒരു കല്ല
കൊണ്ടും ഓാവിദഭ കൊന്ന മഹാ മല്ലന്.
.൨൬ ചൊ. അബ്ലാലൊം ആര ആയിരുന്നു?
൭. ദാവിദിനെറ ഭുക്ുത്ര൯ ; അവന് ത
നെറ പിതാവിനൊട മത്സരിച്ചു: അവന്
ഒരു വൃക്ഷത്തിന്മെല് രതൂങ്ങിയിരിക്കുമ്പൊഠം
കൊല്ലപ്പെട്ടു.
. ൨൭ ചൊ. ശലൊമൊനു ആര തൃയിരു
ന്നാ?
. ഉ. ദാവീദിന്െറ ഇഷ്ട പുത്ര൯ : അവ
൯ യിസ്റ്രാഎല്ക്കാരുടെ രാജാവും മറഃഷ്യ
'രില് മഹാ അറി വുഭ്ഭ വനും ആയിരുന്നു.
€ ൨൮ ചൊ. യൊശ'യാ ആര ആയിരുന്നു?
ഉ. ഏററവും ചെദുപ്പുക്കാരനായൊരു
കടം
“൧൫
രാജാവ; അവന് ഫുദയത്തില് അലി വുഭള്.
വനും ദൈവത്തെ ഭയപ്പേട്ടവനും ആയി
രുന്നു
൨൯ ചൌ. യശായാ ആര ത്തൃയിരുന്നു;
ഉ. മററുള്ള വരെക്കാളു.ം യെശു ക്രിസ്കവി
നെകറിച്ച അധികം സംസാദിച്ച മീഷദശി
൩൦ ചൊ. എലിയ ആര ആയിരുന?
ഉ. അഗ്നിതെരില് സ്വഗ്ലുത്തിലെക്ക കെ
ണ്ടുപൊകപ്പെട്ട ദീഷദശി.
൩൧ ചൊ. എലിശാ ആര ആയിരുന്നു
ഉ. പൈതങ്ങളാല് പരിഫസിക്കപ്പെ
ട്ട ദിഘദശി; ഘൊരനായുള്ളൊരു കയടി
ആയവരെ തികടണ്ു.
൩൨. ചൊ. ഗെഫാസ്സി ആര ആയില്
നു?
മു. ദിഷദശിയുടെ ഭത്ൃ൯; അവ൯ ഒ
രു കള്ളം പറകകൊണ്ട അവന ഒരുനാ
മൂ.ം പൊറുക്കാര്്ത കക്ടരൌഗം പിടിച്ചു.
൩൭9. ചൊ. യൊനാ ആര ആയ് രുന്നു ?
ഉ. മൂന്ന പകലും മൂന്ന രാവും ഒരു മ
ത്ൃൃതിന്െറ വയഠഠിൽ കിടന്ന ദിഘഭശിം
൨൭൪. ചൊ. ദാനിഎത തൃര ആയിരു.
ന്നു?
൭. താന് ദൈവത്തൊട പ്രാത്ഥിക്ുകൊ
ന
3 സിംഹങ്ങമു.ടെ ഗുഹയില് രക്ഷപ്പെട്ട
ദീഘദശി.
൨൫ ചൊ. ശദ്രാക്കും മെശാക്ും അഖബെ
ഭനെഗൊയും തര ആയിരുന്നു?
൭. വിഗ്രഹത്തെ വന്ദിപ്പാ൯ അനുസരി
ക്കാത്ത മ്ലൂന്ന യെഫ്രദന്മാ൪; അവ൪ അഗി
കണ്ഡത്തിലെകു ഇടപ്പേട്ടാറെ വെന്തതുമി
ലം
൭൨൬ ചൊ, നെബൃകദനെസ൪ ആര
ആയിരുന്നു ?
൭. ബാബെലൊന് ഭെശത്തെ അഹമ്മ
തിയുള്ള രാജാവ; അവന് ഭ്രാന്തനായി തി
ന. മുഗങ്ങളു.ടെ ഇടയി ലെകു ആട്ടിക്കള.യ
ലപ്പെട്ടം
പകം ഷ്യ ച തു
൭
[)
ഡി
നി
ി
വെദത്തിസെറ ഒട്ടക്കത്തെ
ഭാഗത്ത്ലുമ്ള ചെരുകം.
[ഞ്ഞി
ചൊ. യെശു ക്രിസ്ത ആര 2?
ഉ. ദൈവ്രിനെറ പൂത്രനും മന്ദ
രുടെ രക്ഷിതാവും ആകന്നു.
൨ ചൊ, കന്മൃക മറിയ ആര ആയി
രുന്നു?
ഉ, യെശു ക്രിസ്പവിെറ മാതാവ.
൭. ചൊ., ആശാരിയായ യൊസെഛ
ആര ആയിരുന്നു ?
ഉ. അവന് ക്രിസ്തവിനെറ മാതാവിനെ
വിവാഹം ചെയുവനാകകൊണ്ട അവ
൫൪െറ പിതാവ എന്ന ശ്രൂതി.
രം ചൊ. യെഫ്രുദന്മാര ആര ആയിരു
ന്ന? ം
൭. അയഘ്ര്യാഹാമിനെ റയും, ഇസ്റ്റാകിനെല
യും, യാഷൊബിനെറയും വംശം ആയിരു
നു; ദൈവം തന്െറ സ്വന്ത ജനങ്ങളായി
ഭ അവരെ തെരിഞ്ഞെട്ടകയും ചെയ്യ.
൫ ചൊ. പൃറജാതിക്കാര ആര ആയി
ന്നു ;
[.ം
വ്
കൂ. യ്ഹ്രദന്മാരല്ലാത്ത ദെശക്കാ൪ര് ഒകെ
യ്യും.
൯൬ ചൊ. കൈസര് ആര ആയിരുന്നു ?
൭. റൊമായ ലെ മഹാ രാജാവും ലെ
കഠ ഭരിച്ചവനും ആയിരുന്നു,
൭ ചൊ. എറൊദെസ എന്ന ന
ജാവ തര ആയിരുന്നു ? റ
ഉ. ചൊ. യ്വെഫ്രദ ദെശത്തെ രാജാവഃ
അവന് ക്രിന്ുവിനെ കൊല്ലെണമെന്ന
വെച്ച ഒരു പട്ടണത്തില് ഉള്ള ലി
പള “ഒക്കെയും കൊന്നു,
' ൮ ചൊ: യൊഫന്നാ൯ ' ബക്ചിസ്ു ആ
ര ആയിരുന്നു? ,
: ഉ. ക്രി വന്നു എന്ന ഡ്യെഹ്രദന്മാരൊ
'ട അറിയിച്ച ദി ഘദശി.
നന് ചൊ. മറെറ മലോടെസ ലി ആ
യിരുന്നു ?
ഉ. ഗലിലെയാ ദെശത്തെ രാജാവം, അ
'വന്൯ യൊഹന്നാ൯ ബം്ളിസ്പി നൈല യു
'യെ വെട്ടിക്കളഞ്ഞു,
൧൦ ചൊ. ക്രിസ്മൂവിരന പ
ത്ര ആയിരുന്നു
1. ഉ. തത്തഠി്ക “ഗുരു എന്നു വെച്ച അവ
കത നിന്ന പഠിചവര്ം ലി
ഞ്ഞ ത്തില്
൧൯
ഭക ചൊ. നതാനിഎല് ആര ആയിരുന്നു?
ഉ. ക്രിസ്തവിനെറ ഒരു ശക്യയനും വ്യാജ
ളില്ലാത്തവനും ആയിരുന്നു.
൧൨ ചൊ. നിക്കൊദിമുസ ആര ആയി
രുന്നു ?
ഉ. രാത്രിയില് യെശുവിന്െറ അട്ടക്ല്
വന്ന ചെടിയുട്ള ശിക്ഷ്യ൯.
, ൭൩. ചൊ. മശ്ശല്ല്ഛാരത്തി മറിയത്തൃ
ര ആയിരുന്നു ?
ഉ. ഒരു വചിയ പാപി; അവഠം അവ
മുടെ കണ്ണിൽ കൊണ്ട ക്രിസ്തുവിനൈറ പം
ദങ്ങളെ. കഴകി, അവളുടെ തലമൂടി കെട
ടു അവയെ തുടെകുയും ചെയ്യു
൧രം ചൊ. ലാസ്ഥസ തആആര ആയിരുന്നു?
ളു. ക്രിസ്തവിനെറ ഒരു സ്നെഹിതന൯ു ആ
വ൯ മരിച്ച നാല ദിവസം കഴിഞ്ഞ ശ്രെ
ഷം ക്രിസ്തു അവനെ ജിവിപ്പിച്ച.
൧൫ ചൊ. മാത്താ ത്ൃര തആയിരുന്നു?
ഉ.. ലാസറസിനെറ പെങ്ങ൦; അവ
യെശുവിന ഒരു വരുന്ന കഴിക്കയില് ആ
ധികം അദ്ധ്വാനല്ലെട്ടു.
. ൭൬ ചൊ. മാത്തായുടെ സഹൊദരി മ
റിയ ആര ആയിരുന്നു ? ?
നി [മ
൭൨.൦
ഒയെശുവിനന്െറ പ്രസംഗം കെശക്കയും ചെ
യു സ്ര.
൧൭ ചൊ. അപ്പൊസ്പൊലനമാര ആര
ആയിരുന്നു ? ദ
൭. തന്െറ സുവിശെഷത്തിന പ്രധാ
ന ശുശ്രൃഷക്കാരായിട്ട ക്രിസ്തു തെരിഞങെട്ു
ത്ത വന്ത്രണ്ട ശിക്ഷൃയന്മാര.
' ൧൮ ചൊ. ശിമൊ൯ പത്രൊസ ആരാ
യിരുന്നു?
തു.. ക്രിസ്തുവിനെ നിക്ഷെധിച്ച പറഞ്ഞ,
വിണ്ടും അനുതപിച്ച അപ്പ്പൊസ്യൊലന്.
൧ന് ചൊ. യൊഫന്നാ൯ ആര ആയി
രുന്നു?
൭. ക്രിസ്തുവിനെറ മാവിടത്തില് ചാരി
യ ജക്ടടനായ അപ്പപൊസ്പൊല൯.
൨.൦ ചൊ തൊമാസ ആര ആയിരുന്നു ?
൭. ക്രിസ്ത മരിച്ചവരില് നിന്ന ഉയി രത
ബൊധം വരുവാന് വിഷമിച്ച അപ്പൊ
സ്കൊലന്ന, [!
൭൨.൧ ചൊ. യ്വെഹ്രദാ ആര ആയിരു
നു 2
൭. ഒരു ചുംബനം കൊടെ ക്രിന)വി
നെ കാണ്ടിച്ചു കൊടുത്ത ദുക്യ ശിഷ്ഷ്യ൯. '
൭6% ശ്യ ക്യ 1 ചആ. ന ഏന്നു ം തി
[റ
൨.൧
൭. ക്രിസ്കവിനെ ശിക്കമകു വിധിച്ച വ
ലിയ മെല്ലട്ടകാര൯.
൨൩ ചൊ പൊന്തിയുസ പിലാത്തൊ
സ ആര ആയിരുന്നു ?
ഉ. യ്വ്ഹ്രദ രാജ്യത്തിലെ അധികാരി ;
അവ൯ കം കുരിശില് തലഥെപ്പര
൯ കല്ലിച്ചു
൨൪൦ വര് അരിമതെയ്കകാരനായ
യൊസെഫ ആര ആയിരുനുഃ ?
ഉ. ക്രിസ്തുവിനെ തരെ സ്വന്ത ശവ
ക്ഷഴിയിത അടക്കിയ ധനവാന്.
൨൫ ചൊ. നാല യ്;
ആര ആയിരുന്നു ?
ഉ. ക്രിസ്തുവിന്െറ ഭുനനം മുതല് മര
ണം വരെയുയദള വത്തമാനം ഏഴ്ചതിയ മ
അായിയും, മക്കൊസുംം ലൂക്കൊസും, -യൊ
ഫന്നാനും.
൨൬ ചൊ. അനനിയാസ എന്നവനും
സഫിറാ എന്നവമ്ടം ആര ആയിരുന്നു?
ഉ. ഒരു ഭൊഷ്ടു പറകകൊണ്ട മരിചിട്ട
ളള വുരുകാനും അവന്െറ ഭൂായ്യയുയം.
൨൭ ചൊ, സെഫാനൊസ ആന തയി
രുന്ത ?
൨൨.
ദം കല ചെയപ്പെട്ടവന്,
൨൮ ചൊ പെഘുസ ആര ആയിരുന്നു?
. ഉ. ആദിയില് അവന് ഒരു ഉപദ്രവി
ആയിരുന്നു,പിന്നെ അവന് ക്രിസ്ൂവി നെറ
ഒരു അപ്പൊസ്പൊലനായി തിന്നു.
൨൯ ചൊ, ദൊക്സ ആര ആയിരുന്നു?
൭. ദരിഭ്രന്മാകു വസ്സൂത്ഭമെ. ഉട്ടൊകിയ
ഒര ഉത്തമ സ്റ്റ; അവ മരിച്ചാറെ ജിവി
പ്പികപ്പെട്ടു..
൪൩൨൦ ചൊ, എദുമാസ ആര ആയിരു
ന്നു?
൭. ഒരു മുക്ട്൯, അവ൯ സുവിശെഷ
ത്തിന വിരൊധമായി സംസാരിക്ക കൊ
ണ്ട കണ്ണ കാണാതെയായി തിന്ന.
൩൧ ചൊ. അപ്പപൊല്ലൊസ ത്ൃര ആയി
രുന്നു? )
ഉ, സുവിശെഷത്തെ ശുഷ്മ്രാന്തിയൊട്ടം
സാമത്ല്ൃത്തൊടും പ്രസംഗിച്ചവന്,
0൨ ചൊ. ഇജയുതിക്കൊസ ത്ൃര ആയി
രുന്നു ?
൭. പ്രസംഗ സമയത്ത ഉറങ്ങി, താഴെ
വിണു മരിച്ച ഒരു യൌവനക്കാരന്.
൪൩൨൩. ചൊ. തിമൊഖഥെയുസ ആര ആയി
൩ മ് 1)
ച് ്ി
ഉ. തന്െറ ബാല്യം മുതല് വെദപുസ്പ
കും അറിഞ്ഞ യൌവനമുള്ള. ഒരു ശുശ്രൃക്ഷ
കാര൯.
൩൪. ചൊ. അശഗ്രിപ്പ ആര ആയിരുന്നു?
ഉ. ക്രിസ്തിയാനി ആകവാെ മിക്ുവാലൂം
അനുസരിച്ച ഒരു രാജാവ.
പ്രാത്ഥനകഠം.
കത്മാവി നെറ പ്രാത്ഥന.
പ്വ്രുൃത്തിലു വനായ ഞങ്ങളുടെ പി
താവെ, നിന്െറ നാമം ശുദ്ധമാകുപ്പെ
ടെണമെ; നിന്െറ രാജ്യം വരെണ
മെ; നിന്െറ ഇകഷ്യും സ്വദ്ത്തിലെ പൊ
ലെ ഭൂമിയിലും ചെയ്യപ്പെടെണമെ; ഞു
അള്ൂ.ടെ ദിവസമുള്ള അപ്പം ഇന്ന ഞങ്ങ
ക തരെണമെ; ഞങ്ങളുടെ നെരെ കററം
ചെയ്യന്നവരൊട ഞങ്ങഠം ക്ഷമിക്കുന്നത
പൊലെ, ഞങ്ങളുടെ കറഥങ്ങകെ. ഞങ്ങ
ലൊട്ടം ക്ഷമിക്കെനമെ ; ഞങ്ങളെ പരി
ക്ഷയിലെക അകപ്പെട്ടത്താതെ, ഞങ്ങള്െ.
ദൊകത്തിരുനിനന രക്ഷികകെണമെ; എ
ന്തകൊണ്ടെന്നാല് രാജ്യവും, ശക്തിയും, മ
ഫത്പലും എന്നെക്കും നിനക്കുള്ളതാകന്നു,
ക്കം. മം. ഞ്ഞ...
൨൪൦
. ചെറിയ: പൈതങ്ങാംക്കുമ്ള
പ്രാത്ഥനക്ംം. ത
ന ചി
പൈതലിരെറ രാപീചത്തെ. '
പ്രാത്ഥന.
(സപവ്വ ശക്തനും ആകാശത്തിലും ഭൂമിയി |
കും ഉ.ഒള സകല വസ്തുകുളെയും സ്ൃക്ട്ടിച്ച കു
ത്താവുമായ ദൈവമെ, നിരയെറ കല്ലന
യ്യാല് ഇരുഠ പൊകന്നു പകൽ വെളിച്ചം
വരികയും ചെയ്യുന്നു; നി നല്ലവനാകന്ന്
നി ഇടവിടാതെ നന്മ ചെയ്യുന്നും നീക
കിഞ്ഞ രാത്രിയില് എന്നെ ഇങ്ങിനെ
ക്ഷമി ചത കൊണ്ടും, ഇന്ന കാലത്ത ഞാ൯ ജ്
വനൊടെ നല്ലവണ്ണം ഇരിക്കന്നത കൊ
ണ്ടും ഞാന് നിനകു സ്പൊത്രം ചെയ്യന്നു.
കത്താവെം, രം. ദിവസം മുഴവനും എ
ന്നെ രൊഷം ക്രടാതെ രക്ഷ്ിക്കെണമെ
നിന്െറ പുത്രനായ യെശു ക്രിസ്യ നിമി
ത്തം ഞാന് എന്നും നിന്നെ സ്നെഹിച സെ
വിക്ുമാരാകെണടമെ. ആമെന്൯ം
പര് ഇം. ൪
ക;
ട്വ പം യത്പം ല് ചം
ടം
ളു്
[പൈതലിന അഞ്ച ആറ വയസ്സായ
“ ത കാലത്തെ പ്രാത്ഥനയൊട ക്രടെംരം
താഴെ വരുന്നത ക്രട്ടി ചൊല്ലെണം.]
ദൈവമെ, എവന്െഠ ശരീരത്തിനും എ,
൫൯൨ ആത്മാവിനും ആവശ്യമുമ്മ നല്ല വ
സ്ൂകഠം ഒകെയ്ും ഇനികു തരെണാമമ ; നി
സെറ ഇക്ടം ചെയ്താ൯ നിന്െറ പരിശു
ദ്ധാത്മാവ കൊണ്ട ഇനികു സഫായിക്കെ
ണമെ; നിന്നൊട വിരുദ്ധം ചെയ്യുന്നതി
ന എപ്പൊഴും ഇനികു ഭയം ഉണ്ടാകി, നി.
നെറ കൃവയൊടെ ഞാ൯ വസിച്ച മരിക്കു
മാറാകെണമെ. നിന്െറ ജകഷ്ട പുത്രന്
താ൯ ഒരുനാളും പാപം ചെയ്യിട്ടില്ല എങ്കി
മും, പാപപമുമ്മ ജിവനാക പകരം ഒരി
' കത ഭൂലൊകത്തിര വെച്ച മരിച്ചത കൌ
ണ്ടും, ഇപ്പൊ അവ൯ ആയവക വെണ്ടി
അപെക്ഷിപ്പാനായിട്ടും അവരെ രക്ഷി
പ്പാനായിട്ടും സ്വത്തില് വസിക്കുന്നത
കൊണ്ടും, കുത്താവെ, ഒപൈതലായ ൭
൫൯ പ്രാത്ഥനയെ കെട്ട, ഏനെഠറ കുററ
ങ്ങളെ. ഒക്കെയും ക്മാമികകെണമെ. അവ
ഉ൯റ നാമം എന്നെക്കും ഷ്്തികുപ്പെടുമോ
ക്ര൧. ചം ൧ ചത. കം പിട
ലം
൭,൬..
[പൈതലിന്െറ പ്രാത്ഥനയൊട ക്രടെ
കുത്താവിനെഠ നാളില് രാവിലെ ക്ര
ഒട്കുട്ടുണ്ടുന്ന
പ്രാത്ഥന.)
കാത്താവെ, മഹാ സന്തൊഷത്തൊട ക്ര
ടെ ഞാ൯ നിന്നെ വയിക്കുക അല്ലാതെ നി
നെറ രം ഭിവസത്തെ പാപ്പമായും മൂഡ
തയായും കഴിപ്പാ൯ എന്നെ വിടരുതെ.
എന്നെക്കും നിന്െറ ആരാധനയും സെ
വയും ഉള്ള സ്വഗ്ലത്തില് പാപ്പാ൯ ഞാന്
ഏററവും യൊഗ്യനായി വരെണ്ടെുന്നതിന
നിന്നെ നല്ലവണ്ണം അറിവാനും, മുമ്പില
ത്തെക്കാളു.ം അധികം നിന്നെ സെവിപ്പാ
നും എന്നെ പഠിപ്പികകെണമെ. ആമെന്,
പൈതലിസെറ വൈകുന്നെര
ത്തെ പ്രാത്ഥന.
സസചല കായ്യങ്ങക്ചെയും അറിയുന്ന കത്താ
വായ ദൈവമെ, നി എന്നെ പകലത്തെ
പൊലെ തന്നെ രാത്രിയും കാന്ടെന്നു; ഇന്നു
പ്രകല് ഞാന്, തെഠറ ചെയ്യിരിക്കുന്നത ഒ
ആകയും ക്ഷമിച്ച ഞാ൯ ഒഠങ്ങുന്നെരം ജു
൨൭
ന്ന രാത്രി മുഴുവനും എന്നെ കാത്ത രക്ഷി
കെണാമെന്ന ക്രിസ്മ നിമിത്തമായിട്ട ഞാന്
നിന്നൊട പ്രാല്്മിക്കുന്നു. നി സവശക്തി
യുംഎന്നെക്കും കൃപയുമുദമ്ള ദൈവം ആക
കൊണ്ട നിരെറ കാവലില് ഉ.ഠപ്പെട്ട കിട
പ്പാനും, നിന്െറ അനുഗ്രഹത്തില് ഉ പ്പെ
ട്ട എന്നെക്കം പാപ്പാനും ഞാ൯ ആഗ്രഹി
ക്കുന്നു. ആമെ൯. )
[്ചപൈതലിന അഞ്ച ആറ വയസ്സായാല്
വൈകന്നെരത്തെ പ്രാത്ഥനയില് രം
വരുന്നത ക്രട്ടി ചൊല്ലെണാം.] [
എന്നെ മാത്രമല്ല, എസെറ മാതാപിതാക്കു
ന്മാരെയും എരെറ ബന്ധുകളെെയും ക്രടെ
അനുഗ്രഫിക്കെണമെ; എല്ലാ സമയങ്ങളി
ലും എല്ലാ സ്ഥലങ്ങളിലും അവകു നന്മ ചെ
യ്യേണമെ; അവരെ എപ്പൊഴും സ്നെഹ
ത്തൊടെ ശുശ്രൃക്കിപ്പാ൯ ഇനിക്ക സഫാ
യികെണമെ; ആകാശവും ഭൂമിയും അവ
യിലുദ്ള സകല വസ്തകുളും നിനക്കുള്ളവ
യാകകൊണ്ട, നിരെറ കൃപാ സഹായ
യൃത്താല് ഞാ൯ നിന്െറ ഇഷ്ടം ചെയ്യം (൫
! ലൊകത്തിത നിന്െറ അനുഗ്രഹങ്ങം അ
ആളവിച്ച കുഴിഞ്ഞ ശെകും, -നിന്നൊടട ൦
൨.൮
അിരെറ പുത്രനായ യെശു ക്രിസ്പവിനൊ
കം ക്രടെ വസിപ്പാ൯ ഏനെറ ആത്മാവി
ന സ്വദ്ത്തില് ഒരു സ്ഥലം തരെണാമെ,
ത്മെന്.
[ചൈതദിന്െറ വൈകന്നെരത്തെ പ്രാ
ത്ഛനയൊട ക്രടെ കത്താവിന്െറ നാ
ളില് ക്രള്ളെണ്ടുന്ന പ്രാത്ഥന.
മഹാ കൃപയുഭക്ള ദൈവമെ; ഇന്ന ഞാ൯
കെടിട്ടമ്മ നല്ല കായ്യങ്ങളില് ഒന്നും ഞാ൯
ഒരികലും മറകാതിരിക്കുമാറാകെണമെഃ
ഞങ്ങളുടെ കത്താവും രക്ഷിതാവുമായ
യെശു ക്രിസ്മ ഒട്ടകത്തെ നാളില് ലൊക
ത്തൊട ന്ല്യായം വിസ്പുരിപ്പാ൯ വരുമ്പൊ
ഠം, അകായ്യങ്ങളെ കുറിച്ച ഒരു നല്ല കണ
ക്ക ബൊധിപ്പിപ്പാ൯ ഇനികു പ്രാം്ി ഉ.
ണ്ടാകെണ്ടുന്നതിന്ന എന്െറ നടപ്പി്നെന
ന്നാക്കുവാ൯ അവയെ എന്െറ ഫ്ുദയത്തി
ല് ധരിപ്പികകെണമെ. ആമെന്൯.
ഭക്ഷ്വനെത്തിന മുപ്വെ പൈത
ലിനെറ പ്രാത്ഥന.
കത്രാവെ, എന്നെ അഠയഗ്രഹ്ിച്ചം യെശു
9.൯
രിന നിമിത്തമായിട്ട നിന്നെ സെവി
പ്പാ രം ആഹാരം കൊണ്ടഹനനെൊത്തു
രൊധ്യല്പെടുത്തെണമെ. ആമെ൯.
ഭക്ഷണം കഴിഞ്ഞ ശെമ്മ.ം
പൈതലിസെറ പ്രാത്ഥന.
എനെറ ആയുസ്സു മുഴുവനും നാഠംതൊടറുടം
കൃക്ഷിപ്പാസ ഇനികു ആഫാരം ര.രുന്ന ദൈ
വര്ിന ഞാന് മനസ്സസൊടെ സ്ലൊത്രം ചെ
യുന്നു. ആമെന,.
ഭക്ഷയനെത്ത്ന മുമ്പെ ബ്വാല
കനെറ പ്രാത്ഥന,
_ കര്താവെം ഞാന് ഭക്ഷികയും കടികയും
ചെയ്യന്ന നല്ല വസ്ൃകുക്ചെ കൊണ്ട ഏന്നെ
ജിവനൊടെ പാല്പിച്ചം നിനെറ പൃത്ര
നൂം ഞങ്ങളുടെ രക്ഷിതാവുമായ യെശുഴ്രി
നിമിത്തമായിട്ട നിന്നെ ശുശ്രൂക്കിപ്പാ൯
ഇനികു പ്രാഫ്ിയുണ്ടാകെണമെന്ന ഞാ൯
നിന്നൊട അല്ലെക്ഷികുന്നു, ത്തൂമെ൯.
1
3
ബ.ഠ
ഭക്ഷനെം കഴിഞ്ഞെ പി
ബ്വൊലകനെറ പ്രാത്ഥന.
൩൨ ഗു്തീലുഛ പിതാവെ, നാഠാംതൊഠറും
ഇനികക ലഭികുന്ന ആഹാരത്തിന വെണ്ടി
യ്യും, നീ ഇനിക തരുന്ന എല്ലാ അനുഗ്ര
ഫത്തിന വണ്ടിയും ഞാന്. നിനക്കു സ്പ്ൊ
ത്രം ചെയ്യന്നു. ഞറ൯ ചെയ്യന്ന സ്പൊത്ര
ത്തെ ക്രസ്ത നിമിത്തമായിട്ടു ലട
ണാമെ. ത്മമെ൪ം
ആഞ്ഞ് ന.
മമ ഠാ
|
MACROPUS OCYDROMUS, Gould
Saul and he Leichter del, vb lits Moltimardal k halon Lp
MACROPUS OCYDROMUS, Goua.
West-Australian Great Kangaroo.
Heaps or A MALE AND A FEMALE, LIFE-SIZE.
Ir the letterpress annexed to the succeeding Plate, containing reduced figures of this species,
be referred to, sufficient reasons will be found for figuring life-sized heads of the two
sexes of the West-Australian Kangaroo. On comparing Macropus major and M. Ocydromus,
it will be seen that a very considerable difference exists between the two animals—the deep
vinous colouring of the entire body, deep brown hue of the nose, and the black mark at the
base of the cars, which are peculiar to the latter, being very striking, and rendering it con-
spicuously distinct from its near ally: the opinion that they are really different species is
moreover strengthened by the circumstance of the one being an inhabitant of the western,
and the other of the eastern parts of the great continent of Australia; and from what we
have seen in so many other instances of representative species, we might naturally expect
this would be the case.
For a more detailed account of the Macropus Ocydromus, the reader is referred to the
pages given with the entire figures of the animal.
MACROPUS OCYDROMUS, Gouid.
West-Australian Great Kangaroo.
Macropus ocydromus, Gould in Ann. and Mag. of Nat. Hist., vol. x. p. 1.—Gray, List of Spec. of Mamm. in Coll.
Brit. Mus., p. 86.
Yoon-gur, the male: Work, the female: of the Aborigines of Western Australia.
Sınon my account of the Great Grey Kangaroo (Macropus major) was printed, some additional examples
of the West-Australian animal, to which I had assigned the specific term ocydromus, have reached this
country; a carcful and accurate comparison of which induces the belief that my original opinion of its being
a distinct species is really correct, and that I was quite right in conferring upon it a distinctive appellation.
A very young individual which I now possess has not only a thicker and more woolly fur than the young
of Macropus major, but has a much more vinaceous colour pervading the whole of the body; and I find
that this peculiar woolly texture as well as the colour are retained to the extreme adult age, and that the
cheeks are of a nearly uniform vinous brown, while the cheeks of M. major are brown with a stripe of white.
The bases of the ears in ocydromas are of a rich hair-brown for the extent of about an inch, when that
colour abruptly terminates, and the remainder of the outside of the ear is white; the interior is also white,
and has the basal portion thickly clothed with long white hairs,—a style of colouring, so far as regards the
outer part of the ears, which is never found in specimens of the true Macropus major ; there is also a
lesser amount of white about the under surface of the body of ocydromus than in that of major, the vinous
tint pervading the lower part of the chest and a great part of the abdomen.
That a great similarity exists in the anatomy of the two animals there can be no doubt; but the same
may be said with regard to many other quadrupeds and birds which are considered distinct species. It
must be recollected that the Western and Eastern Australian species, both of quadrupeds and birds, differ
in almost every instance, and that but few cases occur of a species ranging across the entire continent—an
extent of three thousand miles, more or less. Time, and a greater acquaintance with the mammals of
Australia, will be necessary before we can say with certainty over what portion of the country this species
may range.
Upon looking over my MSS. of West-Australian animals, I find a note from the pen of the late Mr. Gilbert,
from which I learn that not only had he observed the difference in the colouring of the animals there
found, but hc had noticed that a still darker one inhabits the brushes, and that this darker-coloured
animal has a more woolly coat. This may be the same as the animal I have called Macropus melanops,
and is probably distinct from both the others, although I have placed that name as a synonym of M. major.
The following is Mr. Gilbert's note above referred to :—
“«“ Macropus.ocydromus.—You will receive herewith a very large male and two mature females, from dif-
ferent localities; the two latter showing the extremes of the dark and light variations of colouring. The
largest Kangaroo yet killed in the colony (the weight of which is well authenticated) was shot on the
Canning by Mr. Phillips, the Resident at King George’s Sound; it was ascertained to weigh 180 Ibs., its
unusual size having induced that gentleman to weigh it before any part was removed.”
The male has the face and forehead dull cinnamon-brown, becoming darker over the nose and forehead ;
cheeks without a white stripe; upper lip and chin beset with a number of long and short fine black hairs,
those on the edge of the upper lip being rigid; base of the ears and occiput dark vinous brown, the
remainder of the ears clothed externally with short grizzled hairs, the tips of which are white, and the base
brown, offering a strong contrast to the dark colouring of the lower part of the ear; internally the ears are
clothed with long white hairs; the vinous brown colouring of the occiput is continued down the back of
the neck and over the middle of the back, becoming lighter towards the tail; throat, fore part of the neck,
and chest brownish whitc; sides of the body, flanks, and under surface dull cinnamon-brown ; arms and
hands grizzled brown, externally becoming lighter on the inner surface and darker towards the extremities ;
thighs, legs, and feet similar; a deep vinous brown mark extends along the ridge of the tail, gradually
passing into black at the tip, the remainder of the tail cinnamon-brown.
The female is similar in colour, but lighter in every part.
The accompanying Plates represent the heads of an adult male and female of the size of life, and reduced
figures of the entire animals.
|
Who'll Stop the Rain is a 1978 American crime thriller drama movie directed by Karel Reisz and based on the 1974 novel Dog Soldiers by Robert Stone. It stars Nick Nolte, Tuesday Weld, Michael Moriarty, Anthony Zerbe and was distributed by United Artists.
Other websites
1970s crime drama movies
1978 crime movies
1978 drama movies
1978 thriller movies
American crime drama movies
American crime thriller movies
Chase movies
Movies based on books
Movies directed by Karel Reisz |
Tostones are a dish of sliced and fried plantains. It is commonly eaten in many countries in Latin America.
Preparation
Plantains that are green and not ripe are used. It is sliced into small flat pieces and then it is fried two times.
Origin
It is unknown where tostones came from. Many Caribbean and Latin American countries say they made tostones. The recipe is known under different names. They are called patacones in Panama, Colombia, Ecuador, Costa Rica and Peru, and they are called tostones in Cuba, Nicaragua, Puerto Rico, and Dominican Republic. In the Dominican Republic, they also go by the name platano frito or fritos verdes, and in Haiti they are also called bannann peze.
Related pages
Tajadas - Another fried plantain dish.
References
Panamanian culture
Puerto Rico
Guatemala
Dominican Republic
Honduran culture
Costa Rica
Venezuelan food
Cuban culture
Ecuador
Peruvian culture
Colombian food |
<p>What I am trying to do is copy files from one folder to another. However, the twist is i was to copy all files from one folder which begin with say 123 and anything can follow.</p>
<p>For example i have a folder with 3 files, 123__sdf.jpg, 123034.jpg and 321.jpg.
I only want to copy the first two but how do I select them only. Because this application is dynamic the files can change thats why i only want to be able to select all files which begin with 123.</p> |
is a Japanese town in the Itano District of Tokushima Prefecture on the island of Shikoku.
References
Other websites
Kitajima official website
Cities in Shikoku
Settlements in Tokushima Prefecture |
Massimo Corvo (born July 9, 1959 in Rome) is an Italian actor and voice actor. He is the voice of Gendo Ikari in the original Italian dub of Neon Genesis Evangelion.
References
1959 births
Italian voice actors
Actors from Rome
Living people |
The Batman Bridge crosses the Tamar River in northern Tasmania, about 30 km north of Launceston. It was opened on 18 May 1968 by the Premier of Tasmania, Eric Reece. When it was built it was one of the first cable-stayed truss bridges in the world. It provides access between the north east and north west of Tasmania. It was named after John Batman, a Tasmanian pioneer and the founder of the city of Melbourne.
Details
The bridge is held up by cables connected to a high A frame tower on the west bank. This tower is not straight, but leans out over the river. The bridge is in length. The main span over the river is and with a span on the western shore of . The eastern side is approached by four continuous viaduct spans. The bridge is above the high water level. The steel deck has room for two lanes of traffic and a walk way for people on both sides.
A frame
The bridge is built at the narrowest point on the Tamar River, at Whirlpool Reach. However, the east bank was found to be soft clay which would not support the bridge. The A frame tower on the west bank is built into the bedrock below the surface and supported by steel cables concreted into tunnels in the bedrock. The tower supports the whole weight of the river span of the bridge.
References
Other websites
Photos of Spidertech checking the cables
Bridges in Australia
Buildings and structures in Tasmania
Steel bridges
1968 establishments in Australia |
Reno is a city in the U.S. state of Texas.
Cities in Texas
Settlements in Tarrant County, Texas |
Louise I. Shelley is a professor at George Mason University in Virginia. She is also founder and director of the Terrorism, Transnational Crime and Corruption Center (TraCCC).
She graduated from Cornell University cum laude in Penology and Russian literature in 1972. While there, she co-founded the Risley Residential College. She served on the Cornell Board of Trustees. She got a M.A. from the University of Pennsylvania in Criminology in 1973. In 1973/74, she held a Columbia University, International Research and Exchanges Board (IREX) Fellowship used to study in the Sociology Department, Law School and the Russian Institute. In 1977, Shelley earned a Ph.D. in Sociology at the University of Pennsylvania.
She joined the American University as an Assistant Professor in 1977. She became a full professor in 1986. In 2007, she moved to George Mason University. Shelley has studied at Moscow State University as a Fulbright-Hayes Fellow.
She studied the prison system of Russia and other nations. She studies how criminals make their money hard to trace (money laundering).
Books
Human Security, Transnational Crime and Human Trafficking edited with Shiro Okubo New York and London, Routledge, 2011.
Human Trafficking: A Global Perspective New York and Cambridge: Cambridge University Press, 2010.
Organised Crime and Corruption in Georgia edited with Erik R. Scott and Anthony Latta, London and New York: Routledge, 2007.
Human Traffic and Transnational Crime: Eurasian and American Perspectives edited with Sally Stoecker Lanham, Md: Rowman and Littlefield, 2004.
Izucheniye organizovannoy prestupnosti: rossiisko-amerikanskii dialog, edited with Ninel Kuznetsova and Yu. G. Kozlov, Moscow: Olimp, 1997.
Policing Soviet Society: The Evolution of State Control, London: Routledge, 1996.
Social Changes, Crime and the Police, edited with Jozsef Vigh Reading: Harwood Press, 1995.
Crime and Control in Comparative Perspective, edited with H.G. Heiland and H. Katoh. Berlin: Walter de Gruyter, 1992.
Crime and Development (edited special issue), International Annals of Criminology, 1986, Vol. 24, Nos. 1 and 2.
Lawyers in Soviet Work Life, Law, Crime and Deviance Series, Rutgers University Press, 1984.
Crime and Modernization, The Impact of Industrialization and Urbanization on Crime, Southern Illinois University Press, first printing, March 1981, second printing, March 1982. Translated into Chinese, published Bejing: Public Publishing House, 1987.
Readings in Comparative Criminology, Southern Illinois University Press, 1981 (edited Collection).
History Without Jews'', B'nai B'rith, 1977.
Other websites
Official webpage
Bio at quarterly journal dispatches
American sociologists
Writers from Virginia
Year of birth missing (living people)
Living people |
Roaring Spring is a borough in Blair County, Pennsylvania, United States. It had 2,585 people living there at the 2010 census. It is part of the Altoona Metropolitan Statistical Area.
References
Boroughs in Pennsylvania |
<p>I am using ARKit ARSession; the first time around I use an ARSession, everything works perfectly. It is fully responsive. Then I pause the ARSession; set it to to NULL so that it gets dealloced and create a second time around sometime later. </p>
<p>The second time around it gets stuck with trackingState as ARTrackingStateLimited, with the reason being ARTrackingStateReasonInitializing. So the currentFrame does not change, it reamins the same however long I wait. If I reset with runWithConfiguration again, it returns me a new frame, but then the currentFrame is frozen, and again the trackingState is ARTrackingStateLimited, and reason as ARTrackingStateReasonInitializing. </p>
<p>Is there any reason why ARSession would fail to complete its initialization the second time around. It is exactly the same lighting conditions as the first pass; so it ought to be able to detect the same features. It is not a resource problem, because if there were a resource problem , ARKit would typically show a "Resource Constraints" diagnostic message.</p>
<pre><code>First Run...
[ 53 ] allocARSession 0x13fe50900
[ 54 ] assignARDelegate <DropPodStage: 0x13ff34450>
[ 55 ] runARSession 0x13fe50900
-- perfect run here ; ARKit is fully responsive;
[ 86 ] pauseARSession 0x13fe50900
[ 87 ] assignARDelegate (null)
[ 88 ] releaseARSession 0x13fe50900
Second Run...
[ 150 ] allocARSession 0x13fd7a3c0
[ 151 ] assignARDelegate <DropPodStage: 0x13fe63fa0>
[ 152 ] runARSession 0x13fd7a3c0
[ 161 ] ARSession: cameraDidChangeTrackingState
[ 162 ] cameraDidChangeTrackingState: ARTrackingStateLimited
[ 163 ] cameraDidChangeTrackingState: trackingStateReason: ARTrackingStateReasonInitializing
[ 164 ] AR frames frozen for 10 seconds, resetting
[ 165 ] resetARSession
[ 166 ] ARTrackingStateLimited
[ 167 ] trackingStateReason: ARTrackingStateReasonInitializing
[ 168 ] AR frames frozen for 10 seconds, resetting
[ 169 ] resetARSession
[ 170 ] ARTrackingStateLimited
[ 171 ] trackingStateReason: ARTrackingStateReasonInitializing
</code></pre>
<p>Thanks for any responses on this;</p> |
<p>Working on a problem in Flask/ Python. Had a few of these errors pop up and I've been able to squash them as they arise; however, this one I cannot seem to get to the bottom of.</p>
<p>I have a simple form which allows users to login.</p>
<p>But each time I load the page I am greeted with this error:</p>
<p><strong>jinja2.exceptions.UndefinedError: 'shop.forms.LoginForm object' has no attribute 'submit'</strong></p>
<p>Below is the code that I am working with, thanks in advance.</p>
<p>p.s. I have seen similar posts regarding the hidden_tag() attribute, but the fixes suggested are not working for this scenario.</p>
<h1>routes.py</h1>
<pre><code>import os
from flask import render_template, url_for, request, redirect, flash
from shop import app, db
from shop.models import Author, Book, User
from shop.forms import RegistrationForm, LoginForm
from flask_login import login_user, current_user, logout_user, login_required
@app.route("/login", methods=['GET', 'POST'])
def login():
form = LoginForm()
if request.method == 'POST':
user = User.query.filter_by(email=form.email.data).first()
if user is not None and user.verify_password(form.password.data):
login_user(user)
return redirect(url_for('home'))
return render_template('login.html', title='Login', form=form)
</code></pre>
<h1>forms.py</h1>
<pre><code>from flask_wtf import FlaskForm
from wtforms import StringField, PasswordField, SubmitField, BooleanField
from wtforms.validators import DataRequired, Length, Email, EqualTo
class LoginForm(FlaskForm):
email = StringField('Email', validators=[DataRequired(), Email()])
password = PasswordField('Password', validators=[DataRequired()])
sumbit = SubmitField('Login')
</code></pre>
<h1>login.html</h1>
<pre><code><!DOCTYPE html>
<html>
<head>
<title>Login</title>
</head>
<body>
{% extends "layout.html" %}
{% block content %}
<form method="POST" action="">
{{ form.csrf_token }}
<div class="">
{{ form.email.label }} {{ form.email}}
</div>
<div class="">
{{ form.password.label }} {{ form.password}}
</div>
<div class="">
{{ form.submit() }}
</div>
</form>
{% endblock content %}
</body>
</html>
</code></pre>
<p>EDIT: Removing the () from submit doesn't solve the issue. Just removes the instance of the button entirely from the template. See below:</p>
<p><a href="https://i.stack.imgur.com/drSR4.png" rel="nofollow noreferrer"><img src="https://i.stack.imgur.com/drSR4.png" alt="Screenshot of form on website."></a></p> |
Leutasch is a municipality of the district of Innsbruck-Land in the Austrian state of Tyrol.
References
Other websites
Settlements in Tyrol (state) |
<pre><code>class CreateCustomers < ActiveRecord::Migration
def change
create_table :customers do |t|
t.belongs_to :user
t.string :firstname
t.string :surname
t.timestamps
end
end
</code></pre>
<p>These are my models:</p>
<pre><code>class Customer < ActiveRecord::Base
belongs_to :user
end
class User < ActiveRecord::Base
has_many :customers
end
</code></pre>
<p>Found the <code>t.belongs_to :user</code> to add a foreign key in the database.
But when I check up my postgre database with pgadminIII, there is no foreign_key listed.
The migration adds the user_id as it should, but no foreign_key listed.</p>
<p>Any explanation for that?</p>
<p>best regards
denym</p>
<p>Edit: More information on the <code>t.belongs_to</code></p>
<pre><code>create_table :accounts do |t|
t.belongs_to :supplier
t.string :account_number
t.timestamps
end
</code></pre>
<p>This is one example of it. From the railsguide ebook chapter 2.</p> |
Risoul is a commune in the Hautes-Alpes department.
Population
Transport
Road
The D86 and D186 roads pass through the commune.
References
Communes in Hautes-Alpes |
<p>I am trying to add nodes in a linked list, passing the pointer of pointer, accessing the member (*list) -> next gives a segmentation fault. Can someone point out the mistake, thanks in advance. The code is</p>
<pre><code>void initializeList (node ** head, int data)
{
*head = malloc (sizeof (node));
(*head)-> member = data;
(*head)-> next = NULL;
}
void addNode(node ** list, int data)
{
node * newNode = NULL;
newNode = malloc (sizeof (node));
while (*list->next!= NULL)
{
*list= (*list) -> next;
}
newNode -> member = data;
newNode -> next = NULL;
(*list) -> next = newNode;
}
void main ()
{
node * head = NULL;
initializeList (&head, 5);
addNode(&head, 6);
}
</code></pre> |
<p>I want to show selectOneRadio with images above every radio button. I read that best solution set style as background image for every radio button</p>
<pre><code><p:selectOneRadio value="#{adminManageBroadcastController.selectedImage}" converter="#{broadcastImageConverter}">
<f:selectItems value="#{adminManageBroadcastController.fileUploadList}" var="image"
itemValue="#{image}"
style="background:url(#{image.url}); no-repeat !important;"/>
</p:selectOneRadio>
</code></pre>
<p>I know that data inside <code>fileUploadList</code> is correct. But instead of label I see hashCode (equals and hashcode were override). If I do that I haven't problem</p>
<pre><code> itemLabel="&lt;img src=&quot;#{image.url}&quot; width=&quot;20&quot; height=&quot;20&quot; alt=&quot;broadcast_img&quot;&gt;"
itemLabelEscaped="false"
</code></pre>
<p>Why image isn't display as label? </p> |
<p>I'm having trouble with setting up Middleman for the past few weeks for one of my class projects. My project use HTML 5 and will be developed for Android. The project is on github and I cloned it on Ubuntu, and I tried to enter command "middleman build", but I got output showing that the build failed. The output is below:</p>
<pre><code>[WARNING] MultiJson is using the default adapter (ok_json).We recommend loading a different JSON library to improve performance.
create www/res/icon/ios/icon-57.png
create www/res/screen/bada-wac/screen-type4.png
create www/res/icon/windows-phone/icon-173-tile.png
create www/icon.png
create www/res/icon/ios/icon-57-2x.png
create www/res/screen/ios/screen-iphone-portrait-2x.png
create www/res/screen/android/screen-ldpi-portrait.png
create www/res/screen/bada-wac/screen-type5.png
create www/res/screen/android/screen-ldpi-landscape.png
create www/res/screen/ios/screen-iphone-portrait-568h-2x.png
create www/res/icon/ios/icon-72.png
create www/res/icon/bada-wac/icon-80-type4.png
create www/res/screen/ios/screen-ipad-landscape.png
create www/res/screen/ios/screen-iphone-portrait.png
create www/res/screen/android/screen-hdpi-portrait.png
create www/res/screen/android/screen-mdpi-landscape.png
create www/res/screen/ios/screen-iphone-landscape-2x.png
create www/res/screen/android/screen-mdpi-portrait.png
create www/res/screen/bada/screen-portrait.png
create www/res/icon/tizen/icon-128.png
create www/res/icon/windows-phone/icon-62-tile.png
create www/res/icon/android/icon-72-hdpi.png
create www/res/icon/android/icon-36-ldpi.png
create www/res/screen/ios/screen-ipad-landscape-2x.png
create www/res/screen/ios/screen-ipad-portrait.png
create www/res/screen/bada-wac/screen-type3.png
create www/res/icon/ios/icon-72-2x.png
create www/res/icon/android/icon-96-xhdpi.png
create www/res/screen/blackberry/screen-225.png
create www/res/screen/ios/screen-ipad-portrait-2x.png
create www/res/screen/webos/screen-64.png
create www/res/screen/android/screen-xhdpi-portrait.png
create www/res/icon/bada-wac/icon-48-type5.png
create www/res/icon/bada/icon-128.png
create www/res/icon/windows-phone/icon-48.png
create www/res/icon/android/icon-48-mdpi.png
create www/res/screen/android/screen-hdpi-landscape.png
create www/res/screen/android/screen-xhdpi-landscape.png
create www/res/icon/webos/icon-64.png
create www/res/icon/bada-wac/icon-50-type3.png
create www/res/icon/blackberry/icon-80.png
create www/res/screen/ios/screen-iphone-landscape.png
create www/res/screen/windows-phone/screen-portrait.jpg
create www/app/models/user.js
create www/app/views/tutorial_view.js
create www/app/routes/application_route.js
create www/app/controllers/index_controller.js
create www/app/components/calendar.js
/var/lib/gems/1.8/gems/tilt-1.3.7/lib/tilt/template.rb:118:in `require': no such file to load -- json (LoadError)
(in /home/javaholic/schollaborate/source/app/templates/application.handlebars)
from /var/lib/gems/1.8/gems/tilt-1.3.7/lib/tilt/template.rb:118:in `require_template_library'
from /var/lib/gems/1.8/gems/sprockets-handlebars_template-1.0.0/lib/sprockets/handlebars_template.rb:29:in `initialize_engine'
from /var/lib/gems/1.8/gems/tilt-1.3.7/lib/tilt/template.rb:56:in `initialize'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/context.rb:196:in `new'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/context.rb:196:in `evaluate'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/context.rb:194:in `each'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/context.rb:194:in `evaluate'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:12:in `initialize'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:374:in `new'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:374:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:395:in `circular_call_protection'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:373:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:94:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/caching.rb:58:in `cache_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:93:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:287:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:61:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:111:in `resolve_dependencies'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:105:in `each'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:105:in `resolve_dependencies'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:97:in `build_required_assets'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:16:in `initialize'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:374:in `new'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:374:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:395:in `circular_call_protection'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:373:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:94:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/caching.rb:58:in `cache_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:93:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:287:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:61:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:111:in `resolve_dependencies'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:105:in `each'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:105:in `resolve_dependencies'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:97:in `build_required_assets'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/processed_asset.rb:16:in `initialize'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:374:in `new'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:374:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:395:in `circular_call_protection'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:373:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:94:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/caching.rb:58:in `cache_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:93:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:287:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:61:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/bundled_asset.rb:16:in `initialize'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:377:in `new'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:377:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:94:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/caching.rb:58:in `cache_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:93:in `build_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/base.rb:287:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/index.rb:61:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/environment.rb:75:in `find_asset'
from /var/lib/gems/1.8/gems/sprockets-2.10.0/lib/sprockets/server.rb:47:in `call'
from /var/lib/gems/1.8/gems/middleman-sprockets-3.1.4/lib/middleman-sprockets/extension.rb:244:in `call'
from /var/lib/gems/1.8/gems/rack-1.5.2/lib/rack/builder.rb:138:in `call'
from /var/lib/gems/1.8/gems/rack-1.5.2/lib/rack/urlmap.rb:65:in `call'
from /var/lib/gems/1.8/gems/rack-1.5.2/lib/rack/urlmap.rb:50:in `each'
from /var/lib/gems/1.8/gems/rack-1.5.2/lib/rack/urlmap.rb:50:in `call'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-more/extensions/minify_javascript.rb:42:in `call'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-more/extensions/minify_css.rb:48:in `call'
from /var/lib/gems/1.8/gems/rack-1.5.2/lib/rack/lint.rb:49:in `_call'
from /var/lib/gems/1.8/gems/rack-1.5.2/lib/rack/lint.rb:37:in `call'
from /var/lib/gems/1.8/gems/rack-1.5.2/lib/rack/builder.rb:138:in `call'
from /var/lib/gems/1.8/gems/rack-test-0.6.2/lib/rack/mock_session.rb:30:in `request'
from /var/lib/gems/1.8/gems/rack-test-0.6.2/lib/rack/test.rb:230:in `process_request'
from /var/lib/gems/1.8/gems/rack-test-0.6.2/lib/rack/test.rb:57:in `get'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli/build.rb:138:in `render_to_file'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli/build.rb:280:in `execute!'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli/build.rb:277:in `each'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli/build.rb:277:in `execute!'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli/build.rb:199:in `invoke!'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/actions.rb:95:in `action'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli/build.rb:64:in `build'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/command.rb:27:in `__send__'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/command.rb:27:in `run'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/invocation.rb:120:in `invoke_command'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor.rb:363:in `dispatch'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/base.rb:439:in `start'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli.rb:77:in `method_missing'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/command.rb:29:in `__send__'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/command.rb:29:in `run'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/command.rb:128:in `run'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/invocation.rb:120:in `invoke_command'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor.rb:363:in `dispatch'
from /var/lib/gems/1.8/gems/thor-0.18.1/lib/thor/base.rb:439:in `start'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/lib/middleman-core/cli.rb:22:in `start'
from /var/lib/gems/1.8/gems/middleman-core-3.1.6/bin/middleman:18
from /usr/local/bin/middleman:19:in `load'
from /usr/local/bin/middleman:19
</code></pre>
<p>The output that my teammate and I expected to see is that Middleman build all the web assets for phonegap and a successful build means there are no errors. So I should be able to do the ‘phonegap local run android’ and have it come up on either the emulator or the device. However, emulator did not show up and the output was this instead:</p>
<pre><code>[phonegap] adding the Android platform...
fs.js:427
return binding.open(pathModule._makeLong(path), stringToFlags(flags), mode);
^
Error: ENOENT, no such file or directory '/home/javaholic/schollaborate/www/config.xml'
at Object.fs.openSync (fs.js:427:18)
at Object.fs.readFileSync (fs.js:284:15)
at Object.module.exports.parseElementtreeSync (/usr/local/lib/node_modules/phonegap/node_modules/cordova/src/xml-helpers.js:107:27)
at Object.config_parser (/usr/local/lib/node_modules/phonegap/node_modules/cordova/src/config_parser.js:25:20)
at Object.platform (/usr/local/lib/node_modules/phonegap/node_modules/cordova/src/platform.js:64:15)
at LocalBuildCommand.module.exports.addPlatform (/usr/local/lib/node_modules/phonegap/lib/phonegap/local.build.js:153:13)
at LocalBuildCommand.execute (/usr/local/lib/node_modules/phonegap/lib/phonegap/local.build.js:95:32)
at LocalBuildCommand.run (/usr/local/lib/node_modules/phonegap/lib/phonegap/local.build.js:70:10)
at Object.build (/usr/local/lib/node_modules/phonegap/lib/phonegap/util/command.js:28:25)
at LocalRunCommand.execute (/usr/local/lib/node_modules/phonegap/lib/phonegap/local.run.js:68:25)
</code></pre>
<p>My phonegap version is 3.1. I have tried bundle install and tried command “bundle exec middleman build” instead, neither did work. I'm out of ideas on things to try, so any help/suggestions will be great. Thanks.</p> |
Allmyapps is an application store for Microsoft Windows. The service allows users to install, update and organize over 1,500 PC applications.
History
Allmyapps developed an application manager for Ubuntu. In 2010 Allmyapps receivied 1 million euro from Elaia Partners. The company started the first Windows application store as a beta version at LeWeb in December 2010, for which it won the Startup Pitch competition.
In December 2011, Allmyapps said that they had 2.5 million registered users.
On October 21, 2014, ironSource bought Allmyapps.
Features
Allmyapps works with the Windows 8, Windows 7, Windows Vista and Windows XP operating systems.
The service lets users start the installation of applications from its website and from its desktop client.
The desktop client can detect software already installed on the computer for updating them via the application store and to save the list online as a backup.
References
Software distribution platforms |
Leandro Mateus Barbosa (born November 28, 1982), also known as Leandrinho Barbosa, is a Brazilian professional basketball player for Minas of the Novo Basquete Brasil (NBB). He also represented the senior Brazilian national basketball team. He previously won the NBA Sixth Man of the Year Award, with the Suns in 2007, and an NBA championship with the Golden State Warriors, in 2015. In Brazil, he is also commonly known by his nickname "Leandrinho" ("Little Leandro") Barbosa, and in the USA he is nicknamed "The Brazilian Blur", referring to his playing speed. At a height of 1.92 m (6' 33⁄4") tall, he plays at the shooting guard position.
1982 births
Boston Celtics players
Brazilian Olympians
Competitors at the 2012 Summer Olympics
Competitors at the 2016 Summer Olympics
Golden State Warriors players
Indiana Pacers players
Living people
People from São Paulo
Phoenix Suns players
Toronto Raptors players
Washington Wizards players |
Drush is a free and open source software application that allows people to install and change drupal websites. The name "drush" means "drupal shell". People who install drush can do all these things using the command line, or terminal of a computer. This makes managing a website that uses drupal faster and more efficient. According to GitHub, drush has been downloaded more than 788,000 times as of March, 2016.
References
Free software
Web software |
<p>I was wondering when I should use the future builder. For example, if I want to make an http request and show the results in a list view, as soon as you open the view, should I have to use the future builder or just build a <code>ListViewBuilder</code> like:</p>
<pre><code>new ListView.builder(
itemCount: _features.length,
itemBuilder: (BuildContext context, int position) {
...stuff here...
}
</code></pre>
<p>Moreover, if I don't want to build a list view but some more complex stuff like circular charts, should I have to use the future builder?</p>
<p>Hope it's clear enough!</p> |
Abu Hider () is a Bangladeshi First class and List A cricketer. He is a Left-arm fast-medium Bowler and a Right-hand batsman.Abu Hider made his Twenty20 International debut against Zimbabwe on 2016.
References
Other websites
Abu Hider from ESPNcricinfo
Abu Hider from CricketArchive
Bangladeshi cricketers
Bangladeshi Muslims
1996 births
Living people |
<p>C# 7.2 introduces two new types: <code>Span<T></code> and <code>Memory<T></code> that have better performance over earlier C# types like <code>string[]</code>.</p>
<p>Question: What is the difference between <code>Span<T></code> and <code>Memory<T></code>? Why would I use one over the other?</p> |
Stafford railway station is a mainline railway station that serves the market town of Stafford in Staffordshire, England. It is situated on a the junction of the Trent Valley line branch of the West Coast Main Line and the Rugby–Birmingham–Stafford line.
The station is the second busiest in Staffordshire, the busiest being Stoke-on-Trent.
Services
Northbound
1tph to Liverpool Lime Street (fast). Operated by Avanti West Coast.
1tph to Crewe only. Operated by London Northwestern Railway.
2tph to Liverpool Lime Street (semi-fast). Operated by London Northwestern Railway.
2tph to Manchester Piccadilly. Operated by CrossCountry.
Other services which do not operate on a regular basis are also present at Stafford, including other Avanti West Coast services and Transport for Wales services.
Southbound
2tph to Birmingham New Street (semi-fast). Operated by London Northwestern Railway
1tph to London Euston (semi-fast). Operated by London Northwestern Railway.
1tph to London Euston only. Operated by Avanti West Coast.
1tph to Bournemouth via and . Operated by CrossCountry.
1tph to Bristol Temple Meads, with some trains continuing to or . Operated by CrossCountry.
1830s establishments in England
1837 establishments
Railway stations in England
Staffordshire |
<p>I'm currently working on a hit counter with some other statistics, like percentage of the visitors being logged in and so forth.</p>
<p>I've tried many different SQL queries so far, but currently I'm stuck with this:</p>
<pre><code>SELECT COUNT(*) AS totalhits,
COUNT(DISTINCT ip) AS visitors,
COUNT(user_id > 0) AS hitsloggedin,
COUNT(DISTINCT ip, user_id > 0) AS visitorsloggedin
FROM db.tblhits
</code></pre>
<p>Apparently this is wrong. I'm getting all rows counted in the third and fourth COUNT statement although there are rows where user_id is 0. The two first statements works just fine, though.</p>
<p>I'm sure someone is laughing his ass off now, but this is what I've tried with.</p>
<p>Any nudge in the right direction would be greatly appreciated!</p> |
Looft is a municipality of the district Steinburg, in Schleswig-Holstein, Germany.
Municipalities in Schleswig-Holstein
Steinburg (district) |
Maria Schneider (born Marie Christine Gélin, Paris, 27 March 1952 - 3 February 2011) was a French actress. She was in many movies. She played Jeanne in the 1972 erotic movie Last Tango in Paris opposite Marlon Brando. Schneider died in Paris from cancer at age fifty-eight.
References
Actors from Paris
French movie actors
1952 births
2011 deaths
Deaths from breast cancer
French television actors
Cancer deaths in France
Bisexual people |
TRICHODA SOL.
E LO O Mo
CHARACTER GENERICUS.
Vermis nudo oculo.inconspicuus, crinitus.
CHARACTER SPECIFICUS, ÚUc.
TRICHODA globularis undique radiata.
Nelson, inj. p. 101. t. 23. £ 13.15.
Lin. Syst. Nat. Gmel. p. 3889.
Joblot. microsc. 1. p. 2. p. 64. t. 7. f. 15.
Eichorn Zugabe f. 1-7,
Roes. hist. polyp. p. 500. t. 83. f. 2. 2?
Digna omnino notatu est hujus animalculi indoles
et conformatio ; qux diligentius infpecta non minus
mirabitur philosophus quam hydram e divisis sui
ipsius partibus plene renatam. Constare videtur
totum corpus e massa quasi medullari, homogenea,
globosa, radiis seu spinis subpellucidis undique den-
sissime obsita; oris officio fungente foramine par-
vulo in centro tuberculi seu papille. Torpido et
socordi ingenio, dies totos continuos manet siuc
motu aliquo visibili, nisi quod subobscure contra-
hatur, si extrinsecus acciderit aliquod irritamentum.
Non tamen obstare videtur summa hee inertia quo
c minus
DD -— a eml ZE "o mm a... == += “ua == AR Y "Y
minus monoculos minores predetur, precipue par-
vulum illum cui nomen A/onoculus Pediculus, qui
nonnunquam in ventre repertus est. Verisimile
autem cst diu manere posse monoculum incolumem,
€ digestionis (ut loqui solent medici) vi illesum ;
e corpore enim ‘Trichodw exemptns, licet multis
horis fuerit inclusus, waue celeriter in aquis natare
videtur atque solebat antequam. in carcerem esset
injectus. Si dividatur, vel potius divellatur Tri-
choda Sol acu seu instrumento aliquo idoneo, frag-
menta diversa, quamvis primo valde inaqualia,
unius vel duarum horarum spatio, formam pristi-
nam sphzrieam integri animalculi recupcrabunt, ra-
diis juxta veram proportionem sitis, ct totidem per-
fecta animalcula e frustulis istius quod divisum fue-
rt, monstrantibus. Nihil ad hoc experimentum
valere. videtur aciis tempcries, quod eque proba-
bitur hyberno ac zstivo tempore, Trichede Solis
magnitudo generalis est quasi apicis acicula vulga-
ri. Color subpcllucidus alborem habet quasi mar-
garite, Aquas plerumque puriorcs stagnantcs in-
colit, ct stipiti plautule alicujus aqnatice affigitur.
Primo descriptum fuisse videtur hoc animaleulum
ab Eichorno in opere cui titulus “ Zugabe,” $e.
A Müllero quoque descriptum et depictum cst im
precellenti libro de animalculis que /nfusoria di-
cuntur. In rarioribus habetur, mensibus Februario
& Martio precipue visum. Mense Februario anni
millesimi septingentesimi nonagesimi octavi, speciei
de qua nunc agitur plura specimina ipse cgomet in
frustula divulsi, que omnia fragmenta citius unius
hora: spatio totidem perfecta fiebant animalcula. Lx
Trichodis
Trichodis integris una monoculum pediculum ab-
sorpserat, qui simul atque e carcere liberatus, aquas
hilariter circumnatabat, illesus, ut videbatur, ct
omnis incommodi expers.
TI
mE
SUN TRICHODA.
SRS HD leet toh 2 2
GENERIC CHARACTER.
Animalcule inconspicuous to the naked eye,
beset with hair.
SPECIFIC CHARACTER, Gr,
Globular TRICHODA radiated on all sides,
Radiated TRICHODA.
Solar TRICHODA.
The animalcule which forms the subject of the
present plate is not more remarkable for the singu-
larity of its form than of its nature, and when ac-
curately examined, will be found to exhibit phzno-
mena cqually surprising with the reproduction of
the polype.
The whole body appears to consist of an uniform
medullary substance, beset on all sides with very
numerous transparent diverging rays or prickles,
while a small hole in the centre of a papillary pro-
tuberance forms the mouth.
It is an animalcule of an extremely inactive na-
ture, and occasionally remains for days together in
the same situation, and without any visible motion,
| except
except a very obscure contraction on being irritated
by auy external ohject.
Notwithstanding this habitual torpidity, it is,
apparently, of a predacious nature, and sometimes
seizes on and swallows the smaller Monoculi, and
especially that very small species the. Monoculus
Pediculus of Liunzus, which is occasionally found
in its body. It is probable however that this infect
remains a long time uninjured by the digestive
powers of the animaleule; since, on opening a Tri-
choda which has thus confined a Monoculus for
many hours, tlie insect appears unhurt, and, when
liberated, swims about with the fame celerity as
before its imprisonment. y
if the Trichoda Sol be divided, or rather torn
into several fragments by the point of a needle or
other instrument, the several pieces, tho' at first of
a very irregular form, will iu the fpace of an hour
or two aflume the complete spherical figure of the
animal before its division ; the rays or spines ap-
pearing in their true proportion and situation ; thus
constituting so many distinct animalcules. This
experiment seems to be very little influenced by the
weather, since in the coldest part of winter it will
be found to fuceeed ncarly as wellasin tlıe warmer
months.
The general size of this curious animaleule is that
of a pin's head, and its usual residence is in the
clearer kind of stagnant waters, where it common-
ly attaches itfelf to tlie stem or fibres of fome of thc
smaller aquatic plants. Its color is a semitranspa-
rent pearly white. It appears to have been first de-
scribed
scribed by Eichorn in his work entitled “ Zugabe”
Se. Mr. Müller has alfo described and figured it
in his excellent work on the Animalcula Infusoria.
It is numbered among tlıe rarer animalcules, and is
chietly to be found in the months of February aud
March. i
In February 1798 I divided several of these ani-
malcules in the manner above described; the re-
spective fragments of each of which, in less than an
hours space, assumed their complete form. One
specimen, before dilaceration, had enclosed a Mo-
noculus, which was no sooner liberated than it swam
about, apparently uninjured by its captor.
|
San Bernardino County is a very large county in southeastern California, with a population of over 2 million. Places within the county include the city of San Bernardino, California. In area it is larger than the state of Maryland.
1853 establishments in California |
A reactionary or reactionist is a person or organization that is against social progress and wants society to return to the old way of doing things.
The word reactionary comes from the word "reaction," which describes movement in the opposite direction. In this case, reactionary beliefs and actions are opposed to the direction of social progress.
Some parts of right-wing politics is based on reactionary thinking and a wish to return to the way things were. Being a reactionary should not be confused with being a conservative, which is someone who wishes to keep (conserve) things the way they are.
The words counter-revolutionary or anti-revolutionary are sometimes used instead of the word reactionary.
History
The word reactionary was first used during the French Revolution. The réactionnaires were people who wanted France to return to a monarchy.
20th century
In the 20th century, socialists and communists used the word reactionary to describe their enemies. In Marxist thinking, a reactionary is someone who supports causes like feudalism, capitalism, fascism, nationalism, or any other cause opposed to social reform and revolution.
21st century
Reactionary politics is still influential in politics. There are many people and political parties who have opinions that can be seen as reactionary because they want to go back to the old ways. For example, Donald Trump can be considered a reactionary politician.
References
Social sciences |
An election was held on 3 May 1979 to elect all 635 seats of the House of Commons of the United Kingdom. The Conservative Party won the election and Margaret Thatcher became Prime Minister. She was the first female Prime Minister of the UK.
The election happened because of a vote of no confidence in the James Callaghan passing by one vote in the House of Commons on the 28 March. This vote happened because Thatcher had brought it forward. It forced the election to happen.
References
1979
1970s elections in the United Kingdom
United Kingdom general elections |
<p>Can anyone tell me the advantage of using the classmap option within PHP Soapclient? Maybe with some practical examples?</p> |
Willem Elsschot (7 May 1882 - 31 May 1960), was a Belgian writer and poet.
His real name was Alphonsus Josephus de Ridder.
He was born in Antwerp. His parents ran a bakery.
He studied at the Atheneum of Antwerp, were he was inspired for literature by his teacher Pol de Mont. Later he went to the business high school of Antwerp and ran an advertising agency.
Bibliography (translated into English)
Villa des Roses (1913; translated in 1992 by Paul Vincent [])
Een ontgoocheling ("A Disappointment", 1921)
De verlossing ("Deliverance", 1921)
Lijmen (1924, translated as "Soft Soap" and collected in Three Novels, 1965)
Kaas ("Cheese", 1933, translated in 2002 by Paul Vincent [] - Review)
Tsjip (1934)
Verzen van vroeger ("Poems from the Past", 1934)
Pensioen ("Pension", 1937)
Het been (1938, translated as "The Leg" and collected in Three Novels)
De leeuwentemmer ("The Lion Tamer", 1940)
Het tankschip ("The Mammoth Tanker", 1942)
Het dwaallicht (1946, short story, translated as "Will o' the Wisp" and collected in Three Novels)
Verzameld werk ("Collected works", 1957)
Filmography
Villa des Roses
Lijmen/Het Been
Kaas
1882 births
1960 deaths
Belgian novelists
Belgian poets
Writers from Antwerp |
9 0 97
<a_
5
LA PROSESÓ PER MA CASA
V
i
©Hura© «lei BsaigBM© autor.
DEU, DENAU Y NORANTA.
LA C\SA DE MECA. (Segunda parte del Déu, dénauynoranta.
¡QUÉ NO SERÁ!... (Zarzuela.)
LASaSTRESETA.
RAQUEL. Drama en cuatro actos original y en verso.
ANGELITO (Zarzuela.) En colaboración con D. F. R.
ARDIDES DE BENITO. (Arreglada del francés.)
UN GRAPAET Y PRÓU.
LA PROSESÓ PER MA GASA.
LA PROSESO PER M CASA.
JUGUETE BILINGÜE EN UN ACTO Y EN VERSO,
4
ORIGINAL
DE DON EDUARDO ESCALANTE.
REPBESEKTABO
por primera vez eon éxito estraordieaario eat el tea-
tro «le la Princesa de falencia 5a noelae del 9 de
Mayo de i»6& , en el beneficio de Don Felipe Cars».
primer actor del género Cfréanico.
ttNfeuM
VALENCIA: 1868.
JtfAK MAB3ABTA. T SAStX , EDITOR,
lonja, 7. /
«&SM&S1&
Míiais
Dona Tita. M. . . . - . . Doña Concepción Andrade.
La Só Bienvenida » Amalia Mondéjar.
Pepeta. . . jfc». » Matilde Ruiz.
Sabina. . ^¡pi » A. Castro.
Cecilia . . » ZV. Rodrigo.
Gümersinda (no habla.) . _. . N. N.
Doloretes (niña.) N. N.
El Sinor Chüan. ..... Don Leandro Torróme.
El Siñor Ramon « Felipe Carsi.
Tóni » Hernán Cortés.
Gonzalo ....... '» N. Cabalóte.
Rodríguez » N. Ferris.
Píelet (niño.) » Cañizares.
Don Roque (no habla.) ... » N. N.
La propiedad dramática de esta obra pertenece á su autor , y nadie
podrá representarla sin su permiso.
La propiedad editorial de esta obra es de D. Juan Mariana y Sanz,
y nadie sin su permiso podrá reimprimirla.
Á LA SEÑORA DOÑA CARMEN VALPARDA DE LA ENCINA,
BARONESA VIUDA DE BENIMUSLÉM,
Í7&. ' *
Dedica, esta, oorita , como una débil muestra de gra-
titud y cariño , su reconocido y afmo.
m Q. S. P. B.
611259
Digitized by the Internet Archive
in 2012 with funding from
University of North Carolina at Chapel Hil
http://archive.org/details/laprosespermacas16015esca
_^<3e — ©|X3©- -*£*§■ — ^> — ©S» — C» — sgXBo -
ACTO ÚNICO.
EI teatro representa el interior de una habitación principal; un balcón a! fon-
do, que dá á la calle , y por el que se verá otro de la casa de enfrente , cubierto
con una colgadura de damasco carmesí. Dos puertas en primer término : la de la
derecha sirve de entrada en la habitación ; la de la izquierda supone conducir
al interior dp la casa : al mismo lado y en segundo término otra que dá á ¡a co-
cina: al lado de la puerta derecha una mesa y encima un reloj de pared , una
jaula , varios libros viejos y estampas , un catre , una percha y otros objetos
propios de un baratillo. A! levantarse el telón aparece Pepeta limpiando y or-
denando los muebles del mejor modo : el Sr. Ramon saliendo por la puerta de
la cocina.
ESCENA 1.a
Pepete y e9 sim©a» Maitaona
Ramon .
Pepeta.
llamón.
Pepeia.
Ramón,.
Pepeia.
Human .
¡Dona , vacha una manía!
sempre hu estás tot mudant
de son puesto.
Poquets títaros
té vosté así que digám:
¿cuánt els vá á traure de casa?
No caben en la para;
tin cuidao en lo rellónche,
que a vans casi T has trencat.
¿Qu' éll está sanser? ¡repárel!
Bueno, tú déixalo estar,
no mes li falten sine ródes.
¿Sine? casi res.
L' ha compra l
per catorse cuens y un cósi
que doní; pero d' éll trac
en apañarlo dos duros.
Pepeta. Ya pareix aso mes gran,
y está mes curios: al manco
els que vinguen esta esprá .
á veré la prosesó,
que hu troven mich aseat.
Ramon. Pues mira, chustetament
no vullc asi convidats;
próu ne tindrém en ta tia,
la neboda y el so Blay;
t' asegure que si venen
mareen no mos faltará:
de bóna gana pendria
els atifells de peixear...
Pepeta. Té vosté un chéni tan raro...
Ramon. Raro, perqué no m' agrá
que vinguen á incomodarme.
Pepeta. Si élls pasen mesos y añs
que per así no s' acósten.
Ramon. Pues ebustet, eixe es el cas;
ningú de la nostra estampa
s' enrecórda en un treball,
pero en habent una festa
ya els tens asi á tots ficats,
y si élls veren qu' esta casa
fora una casa mes gran,
ó ünguera dos balcons,
son parents, y mal que mal...
¿pero que así me s' emboquen
duentme sempre agregáis,
y tinga yo que muntarmen
pera voreu al terrat?
dos voltes m' ha susuit,
pero lo qu' es tres larán.
Pepeta. ¿Vosté no vá á casa d' ells.
1' obsequien y li fan cas?
Ramon. ¿Yo? sí; una vólta en la vida
y un' atra en lamórt.
Pepeta. Eogañ,
no fá molt que allí estiguceTn
y es quedarem á sopar.
La lliura y micha de freses
qu' els he dut pera esta esprá
no valen...
Ramon. ¿Freses? en grande;
y aixó ¿qui te hua manat?
Pepeta. Vosté pareix que li dólga
quedar be.
Ramon. Yo estic mirant
que si tú fent lo que vóls
seguixes al meu costat,
esta casa en cuatre dies
sinse remey pega un bac.
¿Per qué no em dona llisénsia
pa casarme, si tan mal
se trova?
Aixó es lo que tú
volgueres, pero no fas
conté per ara, ¿hu entens?
El dia manco pensat,
vorá vosté Toní...
Toni...
estic ya d' ell hasta el cap,
¡ojalá en pau mos deixara!
Tus ojos no lo verán.
Pues si la meua llisénsia
espereu...
Pepeta. Vach á posar
el cubertor. (Tomándolo de encima de una silla y
Descastada. poniéndolo en el balcón.)
Mire quina vista fá (Al balcón.)
tan rebonica el carrer.
Ramon. Guapo... me tinc qu' afaitar,
y á f é qu' ara no pareix;
barber manco puntual...
Pepeta. No deu vosté tindre queixa,
qu' ell sempre está así ficat.
Pero cuant el nesesite...
Ara ya no deu tardar.
Mariana la espardeñera
tota la porta ha enramat,
2
—10—
y munta así una oloreta
de matapusa... ya está
Tonet así, aixó es florete,
¡qué presumit, qué aseat!
ESCENA 2.a
Michos y Xoni por la puerta derecha con la bacía debajo
del brazo envuelta en un pañuelo.
Ramon. Ya tenim así á pintura;
¡vá fet un grande d' España!
Toni á Ramon. ¿Quín orache, li pareix?
sentina qu' es bañara
la prosesó.
Ramon. Yo de tú
no vine hasta les cuaranta.
Toni. ¿Quín hora es?
Ramon. Sine y micha.
Pepeta. No han tocat sine.
Toni. Pa qué parla,
Grasies, pomellet de roses. . . .
Ramon. Es lo mateix.
Toni. Vals mes plata. . .
¿Vosté no té así reí lonche?
¿pera qué no 'I pencha?...
Ramon. Afaitam,
y d' ahí damunt no me tingues
que tocar res.
Toni. Quina estampa...
Malec-Adel y Matilde;
¿será la de las crusadas?
Ell si lot no hu dotorecha...
Deixau, ¿no veus que s' enfada?
Yo he llechit eixa novela.
Es ciar, com en esta casa
tot hu recbistres y fas
lo que vols.
Así tens aigua.
Ramon.
Pepeta.
Toni.
Ramon.
Pepeta
(Sentándose.)
(A Ramon.)
(Cogiendo el que hay
encima de la mesa.)
(Disponiéndose a afeitar
a Ramon.)
(Dándole un jarro que ha-
brá encima de la mesa.)
Toni.
Ramon.
—11—
Este puro no vól correr.
¿Y el tires?
Pues si m' arrapa
la gola.
Cóm la pintém.
Mire, quien puede lo gasta.
¿Saps que vas fet un Marqués?
¡Qué guapa está, qué reguapa!
Calsér de cheról... en grande.
¿Y eixe pantaló es de llana?
Yosté pareix que me pase
revista de ropa y armas.
Eli si no hu critica lot...
Home, com te vech de gala
sinse uniforme... ¡veneno,
qué fórta vá la navaixa!
¿Fá mal?
Com si en un testét
li rascaren á ú la cara.
¿Eixe sombreret es nóu?
Sí siñor, es nóu; sincuanta
quinsets m' ha costat.
Molt bé,
después se queixen encara
de que tot está tan mal:
a fé que pera pintarla...
So Ramon, ¿yo li dec algo?
Ni ganes.
Pues ¿pa qué parla?
No obrirás tú barbería,
ni et posarás en ta casa.
Mes pronte de lo qu' es pensa;
pues com no vach á la chala,
ni chue, ni en cafetins
nengú m' ha vist de borrasca,
due millor Ilustre qu' alguns
y tino un duro en la caixa
de sobra.
Lo que tú tens
es molta térra en 1' Habana.
[Tirando el cigarro.)
[Mirando á Pepeta.)
—12—
¿Y vosté qué té?
¿Yo?
¿Sí?
molta roña en la bolchaca,
Pues conec á mes de cuatre
que ya prengueren rascármela.
¿Cóm?...
¡Redimóni!. . . Llevándose la mano al carrillo.
No res:
un barro que té en la galla.
Este un dia me degollar
condena!, ni en una escata
tan coent me deixariíu.
Salut. (Doblando el paño de afeitar.)
Ojalá et faltara;
te dec vinticuatre barbes,
no tinc menuls.
Bueno, al atra.
Pera hui ham desocupat;
ara vach, deixe aso en casa,
y á vore la prosesó
men torne así.
¡Quina ganga!
pues mira, pegues mal ür,
perqué no fas chens de falta.
Aixó hu diu vosté... ¡oy, atenga,
si ya no m' enrecordaba!
he trobat á doña Tita,
la que viu dalt de ma casa
y á vosté li compra tantes
noveles, y m' ha dit: vaya,
conque por casa Ramon
creo que esta tarde pasa
la procesión. — Sí señora,
li he dit: — si usted descansada
quiere verla desde allí
lo tendrá Ramon á gala-
¡Pero este manifeser!...
¿Pues qué yo no tinc criansa?
Eli quisa per cumpliment...
—13—
Ramon. Pero siñor, ¿qui li hu mana?
Toni. Si ella tal volta no vinga,
no hu ha fet sért.
Ramon. Si así es planta,
bó soe yo pa seremóoies,
y tindré que colocarla
en lo millor puesto: vamos,
lograrás que sinse llástima
te tanque al ultim la porta.
Toni. Home vosté s' ataranta:..
Ramon. En quín hora fa la volla
la prosesó per ma casa.
(Vase puerta izquierda.)
ESCENA 3.'
Toni y Pepeta.
Toni. ¡Si F amenasa cumplirá
que m' ha fet!
Pepeta. ¿Per qué tens por? ,
¿no reines tú en el mou cor?
Toni. ¿Y aixó no será mentira?
Pepeta. Sicatero, ¡cóm préñeles
lo molt que t' estic volenti
Toni. ¡Qui no pert F enteniment
ouint eixes parauletes!
Beneit siga el dia
y el punt y F hora
que se verem , Pepeta,
la primer vólta,
boca de roses;
d' aquell dia , lusero,
/cuánt m' enrecórde!
Pa sangrarte em digueren
que así vinguera;
te rigueres al vorem...
y ¡ay mare meua!
aní á puncharte,
y ans que yo te punchara
tú me punchares.
—14—
Ed la meua inosénsia
yo no creía,
qu' els teus ulls me pogueren
llevar la vida;
y al vóret, ¡sielos!
cara á cara em feriren
eiios luseros.
Tan guilopes ferides,
per mes que ordenen
els dotors, no les curen
ni les en ten en.
Sois fent aixina (Dando la bendición.)
es com dona el vicari
la medisina.
Te parlí ais cuatre dies,
y en molla sorna
me digueres... ¿tan pronte?
¡chóve, no córrega!
y ara es penetra
que tenies mes ganes...
Pepeía. ¿Yo?
Toni. ¡Sicatera!...
Pepeta. Es mentira.
Toni. Mentira,
¿y te tornes rocha?
Pepeta. ¡Quín valor, corn s' alaba!
Toni. ¡Pa qué mes gloria!
¿no meu declaren
eixes roses que pinten
les teues galtes?
Pepeta. Verilat es, no hu negué:
vach tindre llástima
al mirar qu et quedabes
com una caña;
no volguí, Toni,
que per mí te cantaren
el góri góri.
Toni. ¿Conque llástima á seques?
Pepeta. Aixina á un pronte...
mes después en lo tráete,
—is-
la vista, el rose...
Vamos, acaba.
Vach coneixer al ultim
que t' adoraba.
Desde entonses si' un dia
Hunt de mí pases,
cavilosa me torne,
suspire y calle,
y moltes vóltes
en lo cuarto me fique
y allí dins plore.
Al baleó fas lo manco
trenta viaches,
en los meus ulls encara
térbols de llágrimes,
y en cuant te guipe,
lo mateix qu' una tonta
me pose á riure.
Próp de tú á tot li encontré
mes alegría,
á les flórs mes aroma,
mes llura al dia,
al sel mes brillo...
ara parlam y digues
si aso es cariño.
Salamera chilana
que m' enamora,
cuant á Toni li parles
en veu tan dolsa,
tres cuarts de lluna
escollante estaría
sinse dir pruna.
De la seua planeta
nengú s' escapa,
y la nostra, si mires,
ben ciar señala
que tart ó pronte
t' han de dir... la siñora
de Antonio Robles.
Ojalá pronte es cumplirá.
—16—
Tóni. Ya es presís parlar claret
en ton pare, y te promet
que si huí maleix nos chira,
hasta después.
Pepeta. ¿Tardarás?
Toni. Per 1' aire volguera vindre.
Pepeta. Si éll un dia 1' han de tindre
ixcamne pronte del pás,
en dirliu tal vólta moga
uu cañaret en la casa;
vach dalt á vore la gróga
si vol qu' el moño li fasa.
(Vase puerta derecha.)
ESCENA 4.a
Doña Tita seguidla de Sabina , Guniersinda , Cecilia y «ion
Roque; el Sr. Ramon luego por la puerta izquierda.
Tita.
Pepeta.
Ramon.
Tita.
Ramon.
Tita.
Ramon.
Tita.
Ramon.
Señor Ramon.
Ixca, pare.
Mi señora doña Tita,
¡cuánto apresio esta visita!
(ne venen sent y la mare.)
Y la debe usté apreciar;
pues teniendo otro balcón
para verla procesión,
al de usted quisimos dar
la preferencia.
En buen hora;
pues señor, bien me párese,
y mi persona agrádese...
lo agrádese, sí señora.
Tomen ustedes asiento.
Mi hermano don Roque Baños.
¿El señor? por muchos años...
con lodo el acatamiento...
Mis niñas...
Mucho me agrada
su presencia, bien se vé
que todas tienen de usté
(Llamándolo vase por la
derecha.)
(Presentándolo.}
(Presentándolas.)
—17—
una sierta retirada...
yo les quisiera ofreser '
un balcón mas...
Tita. ¡Qué tontera!
Ramon. Quiero desir que quisiera. . .
Tita. Ya se deja usté entender.
Ramon. Pero no estarán muy mal,
conque si quieren salir. . .
Sabina. (Nos vamos aquí á lucir.)
Tita. Luego... pero, ¿y mi Coral?
Sabina. ¡Es verdad!
Cecilia. ¡Cielos!
Tita. ¡Ay Dios!
Ramon. ¿Qué sucede?
Tita. ¡Pobrecito!
que no veo á mi perrito.
Ramon. ¡No res, m* han dut hasta el gós.
(Subiendo al fondo.
ESCENA 5.a
Dichos j Pepeta por la derecha con dos chicos de la mano
y trayendo dehajo del brazo un perrito.
(Viendo el perrito.)
Pepeta. Buenas tardes.
Sabina. ¡Aquí está!
Pepeta. ¿Es de ustedes?
Tita. ¡Qué alegría!
Pepeta. Rascando estaba en la puerta.
Pare, ha dit la so Felisa,
que vecha aon pót colocar
estos chiquéis. (D. Roque y las tres sobrinas aso-
Ramon. Pero chica... mandóse al balcón.)
Pepeta. Dalt ya no caben de péus.
Ramon. Y así en cuant vinga la lia...
veches dins si en la finestra
poden estar de la cuina.
Tita. ¡Yírgen! (Dando un grito.)
Ramon . (¿Atra ne tenim?) ( Vase Pepeta por la puerta de la
Tita. /Qué horror! si se le echa encima, cocina con los niños.)
mírelo usted como tiembla. (Señalando al perro.)
3
—18—
¿Alguna botifarrita
que habrá comido?
No tal,
ciérrelo usted en seguida.
Caramba, ¿no vé allá dentro
el gato aquel?
¿La moixina?
¡si es una gata mas mansa!
Por piedad, lo arañaría:
ciérrela usted.
No hay peligro,
mas por ver á usté tranquila...
(ya mos ha caigut que fer
así en la tal doña Tita.)
(Señalando á la puerta
déla cocina.)
(Vase puerta izquierda.)
ESCENA 6.a
Dichos y después Rodriguez y Gonzalo.
Mamá, Rodríguez saluda. (Al balcón.)
¿El hermanito de Sira?
Sí señor: vá con Gonzalo. (Suponiendo responder á Ro-
iguez, que está en la calle.)
(A doña Tita.)
Pregunta por tí.
Tita. Sabina,
di si quieren descansar,
pues fuera descortesía...
y mas que el señor Ramon
no les negará una silla
siendo personas decentes.
Sabina. Yamos, mamá lo suplica,
suban ustedes.
Cecilia. Ya suben.
Tita. Ese lazo, Gumersinda.
Gumer. ¿Qué lazo?
Tita. El de la corbata,
lo llevas suelto. Cecilia,
ahuécate ese vestido,
¿cómo vas tan escurrida?
(Bajando a la escena.)
—19-
ESCENA 7.a
Macha* y Rodriguez y Gonzalo.
Servidor... (Saludando ambos a doña Tita.)
Caballerito.
A los pies de usted.
Gonzalo. . .
¿Está usted buena?
Bien, gracias.
A las niñas saludamos...
Yo por si ustedes desean
descansar un breve rato...
aunque el balcón es pequeño,
siempre hay un sitio...
Aceptamos
con gusto.
Esta casa no es
la mia, pero obligado
me está su dueño, y aquí
todos venimos á honrarlo.
Sabina, anoche en la música
me hizo usted pasar un rato...
¡Yo, Jesús! con las de Sanchez
estuvimos paseando.
¡Qué noche tan placentera,
Cecilia! como un relámpago
pasó fugaz.
¡Ay! losjbailes
dejan recuerdos tan gratos...
(Gonzalo y Sabina, Rodri-
guez y Cecilia forman
dos grupos.)
ESCENA 8.a
Dichos y el so Chuan por la derecha llevando de la
mano á Welet.
Buenas... ustes desimulen,
de piso me he enquivocado...
no: ustes desimulen.
(Quitándose la gorra.)
(A Nelet.)
(Bajando al proscenio.)
—20—
Si qu' es aquí, ahora que caigo.
Llévat la gorra: en lisensia...
¡Cuánt de señorío, catso!
¿Escribe usted algo, Rodriguez?
Nada, un drama en doce cuadros.
¡Será bonito!
Es histórico.
Nosotras hace quince años,
desde que murió mi esposo,
que no hemos ido al teatro.
Me lo pide Catalina.
¿La esposa del boticario?
¡Señora! un famoso actor
que hay eo Madrid.
Bien, lo aplaudo;
¡no en valde todos me dicen
que Rodriguez tiene tanto
talento! (Oyese una música 'por la calle.)
¿Música?
Música. .
L' anda de Sen Gayelano
que portarán á la iglesia.
Voy á ver...
¡Jesús, qué malo
es usted!
Carácter mió,
Sabina, yo soy muy franco.
¿Las rosas de tus megillas
dices que riegas con llanto?
¡Calla por piedad!
Cecilia,
huyamos del mundo, huyamos.
¿No está Ramon?
. ¿He?
(Subiendo al fondo.)
(A Gonzalo.)
(A Cecilia.)
(A Rodriguez
preguntaba por el amo
de casa.
No sé.
Aném, pare,
ixcám al baleó.
—21—
Chuan. Per manco
de dos dinés te pegaba
un calbót...
Nelet. Yullc vore els nanos.
Chuan. ¿No mires que yan persones
de fóra casa?
Tita. ¡Qué escándalo!
Sabina. ¡Mama...!
Tita. Reparar debían
que hay personas aquí bajo,
digo, y personas decentes.
Sabina. Pero...
Tila. Un rapaz mal criado,
que comiéndose un membrillo,
se le cayó de las manos;
de suerte que en el sombrero
de tu lio hizo un estrago.
¡Señor Ramon!... ¡qué gentuza!
Sabina. ¿Yá usté á mandarles recado?
Ramon. ¡Allá voy!
Tita. Oh, sí, es preciso.
{Bajando del balcón con un
membrillo en la mano.)
{Llamándolo.)
{Dentro.)
ESCENA 9.
Dichog, Ramon y Pejpeta, puerta de la eoeína.
Ramon.
Tita.
Ramon.
Tita.
Ramon.
Puede usté estar descansada;
ya la gata está serrada.
Suba usté al segundo piso
y advierta á esos inciviles,
que aquí bajo á un caballero
le han abollado el sombrero,
disparando proyectiles
de esta especie.
¡Qué bochorno!
(el fill de la panollera.)
esto es un codoñ al horno...
no es proyectil....
¡Bueno fuera!,
Lo habrán hecho sin pensar,
—22—
pero en fin yo les diré....
Nosotras, ya lo ve usté
no nos gusta incomodar.
Pepela, á la só Tomasa
li dius que en este codoñ
casi el seu chic li fá un boñ
á un siñor de fóra casa. (Vase Pepeta por la derecha.)
Estos señores, ¿ustet
los conoce? (A Doña Tita por Gonzalo y Rodriguez.)
¡Vaya! son
amigos.
Bien, bien.
Ramon....
(Este faltaba.)
Nelet,
bésali la má al padrí.
Déixelo estar....
Al instant. (Besándole Nelet la mano
Guapo, Deu qu' et fasa un sant. a Ramon.)
La prosesó desde así
en vórela s' ampeñat,
y em dú á tirons.
Deu que hu fasa,
pero vostés son de casa;
poden muntar al terral.
Si fora un terrat baixet....
mes com....
No tan alt sel fórche,
sine habitasions y un porche....
¡Mes all está el Micalet!
ni en una ullera ; es debaes.
No hu voria tan mal...
No,
si fera la prosesó
la vólta per les teulaes.
¿Toquen?
—23
ESCENA 10.
Dichos y Toni por la derecha , y después Pepeta, la
só Bienvenida y Dolores.
(Saliendo al balcón.)
(A Ramon.)
(A Nekt.)
Soc yo, estaba chunta
la porta.
Este malait
sabent lo que avans li he dit
tan satisfet com sen munta.
Pare, han dit que disimulen,
que no hu han fet en malisia;
la só Bienvenida munta.
¿La percalera?
Y la chica.
Oy, ya tens en qui chuar.
En graode. ¡María Santísima!
Pues , siñor, ya ham aplegat;
vosté tal vólla diría,
¿será capas de no vindre?
¿Yo?
Em lleve la mantellina
que fá una basca, ¡Ghesus!
Porte. (Quitándosela y doblándola Pepeía.)
Quina regalisia,
Ramon, pasar per sa casa
una festa tan Huida.
Molla, molta, sí siñora.
¿Y qué mos diu Bienvenida?
Que la esprá s' ha posat Hecha;
pero Doloretes, chica,
¿pues que tú al siñor Ramon
no li dius res?
¡Qué fadrína!
Digues, cria de vosté.
Té vergoña.
En tot el día
ha paral , ¿mare , anirém
á casa Ramon?...
(Toni entra del balcón ba-
jando á la escena.)
Toni.
Ramon.
Dolor etes
Bienven.
Toni.
—24-
¡Qué fina
es!
Ramon.
Bienven.
Ramon.
I) olor etes,
Toni.
Ramon.
Bienven.
Toni.
Bienven.
Ramon.
Toni.
Ramon.
Toni.
Ramon.
Chuan.
Ramon.
Chuan.
Ramon.
Bienven.
Toni.
Chuan.
Toni.
Ramon.
Molt.
Yo vullc una cosa.
Aixó nos diu.
No mos vinga
en cumpliments, so Ramon:
home, dóneli á la chica
pera qu' es compre una cosa
ahí baix en la sucrería.
¿Yo?... sí...
No li fasen cas.
(Pero este Lusbél qui '1 fica...)
Vulle un anchelet de sucre.
¡Els ha vist! ¡qué monería
de chiqueta!
(Vacha un mimo...)
¿Calles?
Vine así bonica, [Cogiéndola de la mano y lle-
dónali un bes á Ramon, vándosela a Ramon.)
y ell t' el comprará en seguida,
¡Qué ganes de incomodar!
Tin cuatre dines. (Dándole un beso y dos cuartos.)
Val micha
peseta.
En bolchaca d' atre, (Dándola de muy mala gana.)
este lladre com la tira...
Acompáñala, Pepeta. (Vase Pepeta con
Vamos, li tine una tirria... Doloretes por la derecha.)
¿Tú calles? (A Nelet que se pone á llorar.)
¿Qué té eixe chic?
¡Qu' ha de tindre!
Habent visita...
¿Es el seu fillól?
Pobret,
no plores; com á la chica
li han donat...
Pues...
Dóneli... (A Ramon.)
(Lo que yo te donaría . . .-)
—25—
¿No saps que tú eres de casa?
vine, anchelet.... de cornisa,
te donaré.... dos sireres.
Ckmn. (Eli, ni en un corbo s' enfita....)
(ANelet.)
(Vase puerta derecha.)
(A Toni.)
(Sube Toni al balcón y
llama a doña Tita.)
(Saludando á doña Tita.)
ESCENA 11.
Dichos menos Pepeta , Bamon , HTelet y Dolorea.
Son chics.
Ciar, en el baleó
está que ni una formiga
pót eixir, no sé yo en vindre
la prosesó..., ¿Es doña Tita?
¿La coneix?
¡Un pico! diguesli,
ahí dentro está Bienvenida.
Yo al entrar no reparí....
Señora, aunque usté no quiera.
¡Bienvenida, quien creyera
encontrar á usted aquí!
Conosgo mucho en la casa.
Su dueño nos ha mandado
esta mañana un recado
de atención....
(Sí, bónatrasa..
Bienvenida, esta semana
dispense usted, no he podido
mandarle lo consabido,
veré si puedo mañana;
por mas que una se desvela....
No atrasándose , es igual,
yo no soy tan puntual....
Hija, pero aquella tela
nos la cuenta usté muy cara.
Hágase usté la rason,
que es un varé....
¡De algodón,
y á diez reales la vara!
¿Con qué también ha llevado
(Saliendo al balcón.)
(Bajando la voz.)
—26—
á las chicas?
Tita. Aburrida
me tienen: jay Bienvenida,
cuándo tomarán estado!
Ya tienen edat tal cual.
De sobra.
Pues, á eso vamos..-.
¡Pero como atravesamos
una época tan fatal!
Ya vé usté, si no mejora,
yo por fin me he convencido,
que encontrarles un marido
es difícil por ahora;
tras de esfuerzos increibles
ni uno llega á pretender.
Bienven. Pruebe á que se dejen ver.
Tita. ¡Si las hago tan visibles!
y tanto como lo pruebo:
si aunque de cólera estalle
siempre estamos en la calle
y á todas partes las llevo.
¿Qué fiesta de ellas se priva?
¡si no hay función, ni paseo,
revista ni jubileo
donde yo no las exhiba!
¡Si por no faltar á nada,
nos sucede á dos por tres,
ir á un entierro, y después,
desde allí á una gran parada,
¿la Glorieta? ni por mas. . .
en verano allí son fijas;
antes que enciendan el gas,
ya tiene usté allí á mis hijas,
y á pesar de tanto afán...
Bienven. Ninguna se le acomoda.
Tita. Ellos en oliendo á boda...
Bienven. Tal ves cuando baje el pan...
Tita. ¿Vé usté esos dos? como hay Dios
al matrimonio se avienen,
pero los pobres no tienen
—27—
dos cuartos entre los dos.
Y el mas joven, yo lo siento,
es persona muy discreta.
Bienven. ¡De qué le sirve el talento!
Tita. Qué quiere usted, es poeta,
tiene ese gusto perverso.
Bienven. ¡No haria mal acomodo!
¿poeta es de esos que todo
lo que disen cae en verso?
ESCENA 12.
Dichos, Ramon por la puerta de la eoeina eon STelet.
Bamon.
Chuan.
Bamon.
Tita.
Bamon.
Bienven.
Toni.
Bamon.
Bienven.
Bamon.
Toni.
Tita.
Bamon.
Bienven.
Toni.
Com el seu chic ni han pócs;
un punt que m' ha descuidat,
mol sisiñor s' ha menchat
lliura y micha d' albercócs.
¡Guilopo!
¡Tanta visita!
bé sé yo qu' es una plaga,
perqué la bolchaca hu paga.
¿Se divierten, doña Tita?
¡Mucho!
Bien, eso me agrada. ,
S' ham posat así á charrar...
Ahora acaba de pasar
el carro de la enramada.
(De \ órelo tan pifíente
tinc febra.) ¿Y de qué se trata?
De lo buena que es la horchata
que hase el tio de ahí enfrente.
Pues señor, carros trunfales
van tres en la prosesion.
Aun es mejor el limón.
Los ácidos son fatales.
Y la vuelta es muy larguita.
¡La leche amerenquenada
sí que es buena, doña Tita!
A mi déme usté sebada.
(A Chuan que entra
del balcón.)
(Entrando del balcón.)
(A Tita y Bienvenida.)
(Torciendo el gesto.)
—28—
Mamón. (Animal, si aso es un troncho...)
Tita. ¿Y á Ramon?
Ramon. ¿Yo?... francamente,
con asúcar y aguardiente,
lo que me gusta es un poncho.
Tita. ¡Aguardiente! ¿está usted en sí?
ni olerlo puedo siquiera,
me irrita de una manera...
Bienven. Lo mismo me pasa á mí:
y las que estean tocadas
del vapor, si les preguntan...
yo en seguida bf... ¡me muntan
al rostro unas flameradas!..,
Ramon. Eso vá en gustos.
Bienven. Es ciar,
pero mire, so Ramon,
si usté nos quiere osequiar
después de la prosesion,
horchata atarrosadita
hase que suban, y en pas.
Toni. Y la horchata á doña Tita
es lo que le gusta mas.
Ramon. ¿Yo?... vaya... que... sí siñora...
Tita. Mis niñas querrán marchar...
Toni. (Será cosa de muntar
lo manco una chelaora.)
Ramon. Entonses yo consentir
no debo...
Toni. ¿Pues? verdat es;
en refrescando, después
donde quieran pueden ir.
Ramon. (La meua condenasió
este arrastrat ha de ser.)
Tita. Si las puedo convencer...
Toni. Diga que me empeño yo.
Tita. Usted su galantería
lleva al estremo conmigo.
Ramon. Sí señora, es desir... digo...
Toni. Ya hu dirá vosté atre dia.
(A Ramon.)
-29—
ESCENA 13.
Dichos y Pepeta con Doloretes por la derecha.
Pepeta. Pues dona, ¿cóm IV has trencat?
vamos, ya está así la chica.
Tita. ¿Es la de usted? (A Bienvenida.)
Bienven. Sí señora.
Tita. ¡Qué hermosa! ven, hija mia.
Ramon. (¡Consénsia de ral de plata!)
¿no han volgut manco de micha (A Pepeta.)
peseta?
Un sóu ha faltat.
¿Un sóu?
Tres quinsels volia.
¿Cómo te llaman? (A Moretes.)
Respón.
Pepeta.
Ramon.
Pepeta.
Tita.
Bienven.
Doloretes. Doloretes.
Toni.
¡Qué sabida
es!
Ahora ella dirá
delante de doña Tita
una relasion que sabe;
verá usté...
Bien, que la diga.
Roque .. . (Llamando . )
Sí, dígales que entren...
Yenid un momento, niñas.
¿Qué quieres, mamá? (Entrando todos del balcón.)
¡Mirad
quien está aquí!
¡Bienvenida!
Oiréis á esta pequeña
una relación lindísima
que vá á decir.
Doloretes. ¡Tinc vergoña!
Bienven. ¡Vamos, no seas asina!
Toni. Aném, díguesla, y después
te donarán...
Bienven.
Tita.
Bienven.
Tita.
Sabina.
Tita.
Sabina.
Tita.
—30—
Ramon. ¡Qué calina (Queriendo separarse
hase aquí dentro. . . del grupo.)
Toni. Hóme, esperes.
Bienven. Yo t' aniré apuntant, vinga;
tan chicoteta que soc
ha d' eixir al entaulat.
Doloretes. Eixa no vullc, aquell' atra
Bienven.
Doloretes,
Toni.
Bienven.
Chuan.
Toni.
Tita.
Pepeta.
Chuan.
Toni.
Doloretes,
Tita.
Toni.
Ramon.
Toni.
Tita.
Chuan.
Bienven.
Sabina.
Ramon.
Bienven.
Chuan.
Ramon.
Tens rao, es mes bonica.
La comedianta mayor,
la de los rubios cabellos,
la que mató á su marido
con la punta de los dedos.
¡Hóme, quín sentit li dona!
Callen, que se pót torbar.
¡Y quín modo d' acsionar!
¡Es molt mona!
¡Muy remona!
¡Tan menudeta com es!
¿Cuánt dirás tú eixe relato?
La deu tirar al treato.
No m' enrecórde de mes.
(Al oido de su madre.)
(A Nelet.)
(Al instarla su madre para
que continue.)
(Dándoselo.)
Dame un beso.
¿Y á Ramon?
(¡Si chafes tú estes rachóles!...) (Oyese el tabalet y
la dulzaina tocar la marcha característica de los enanos en
las procesiones.)
¡Ya venen les banderoles!
Ya está aquí la procesión. (Se dirigen todos en
tropel hacia el balcón, quedando el último el señor Ramon.)
Que pase la niña.
El chico...
Hoy este balcón se asóla.
Que me pisa usted la cola.
Miren qu' está asó bonico. .
No apiñe.
Som así tans...
Ben fet m' está, ya hu diguí;
ben fet.
(Al so Chuan.)
(Empujando.)
(A Chuan.)
—31—
Ni els caps d' els chagants (Subiendo encima de
podrém vore desde así. una silla.)
Achudem. (A Chuan, quitando de
encima de la mesa el reloj y dejándolo en el suelo.)
¡Mal esperil! (A Toni.)
Si es pera voreu millor... (Ilumina la escena la luz
de un relámpago oyéndose un trueno muy prolongado.)
¡Chesus María! (Santiguándose.)
¡Qué horror! (Id.)
¡La chica! (Entrando todos precipitadamente.)
¡Quín esclafit!
¡Quina aiguarrá!
¡Qué turbión!
¡El cubertor!
Ya lo quita.
¡Santa Bárbara bendita,
cierren pronto ese balcón!
¡Ya el orache lo desia!
No m' enquivocaba yo
al dir que la prosesó
esta esprá se bañaría.
Els nubolets hu anunsiaben.
Y tendremos que esperar...
Aun hemos de refrescar.
(Per si no sen recordaben..
(Pepeta lo entra.)
(Oyese otro trueno.)
.) (Aparte contándolos.)
(Llamándola.)
Cuatre, huit y déu.... Pepeta,
(Acercándose Pepeta y Toni.)
allárgat ahí al cantó
per déu gotets de á sisó,
que siga atarrosaela.
¿Quín conté trau? ¡déu no mes!
¿que Pepa y yo ham de mirar?
Tú, despedixte de entrar
en ma casa, ¿hu has entes?
Claro está, que otra ves pasa
el domingo por aquí. (A doña Tita.)
¡No habent fet la vólta huí!
Ahora ya tenemos casa
y balcón.
(El tapiaré.)
— 32—
Joni. Conque en últim resultat, (A Ramon.)
¿vol que per ofisialat
la traga? pues la trauré.
Curia será nostra ausénsia. (A Pepeía.)
Ramón. ¿Y hu farás?
Toni, A fé de Toni.
Pepeta. Pare....
Ramon. ¡Si sou el dimóni!
caseuse; os done llisénsia.
Pepeta. ¡Qué alegría!
Toni. Habem triunfal,
y en proba del raeu contento....
tengan ustés la bondat (Dirigiéndose a los demás.)
de entrar en ese aposento; (Indicando la primera
¡pues Ramon!... puerta de la izquierda.)
Pepeta. No el desinquetes; (Aparte á Toni.)
Toni. Quiere á todos obsequiar....
Ramon. Sí....
Toni. Y acaba de mandar
por chocolate y sorbetes.
Tita. Rehusar fuera un desaire.
Rienven. ¡Si es molt cumplit!
Chuan. ¡Molt rumbos!
Ramon. (Mare meua del Socos,
enpórteusel per el aire.)
Pepeta. ¡Sabent lo qu' es desficasia!...
Ramon. ¡Y no sel traga la mar!
Toni. Si es Toni qui hu vól pagar.
Ramon. Miren vostés quina grasia.
Toni. ¡Ans de un mes en tú me case!
Ramon. Y yo, si demá s' arrasa,
ó encara que no s' arrase,
busque una casa alion may pase
la prosesó per ma casa.
(Ramon hace un gesto
de desesperación.)
(Aparte y por Toni.)
(Reconviniendo á Toni.)
(A Pepeta.)
EETJEIW.
Valencia 1868.— Imp. de J. M. Ayoldi.
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א געשפּרעך איבערין פוילישען יונגעל
מַנחם מענרעל -- זאָג נאָר גֶעצֶעלֶע ; דוּא האָסְט דאָך אַ מאָהל אַיין אַיינְגַאנְג צו
דִיא לַייט, קֶענְסטוּ נַיט דֶעם יִמַחְשְׁמוֹנִיק װאָס האָט גֶעמַאכְט
רֶעם לוּחַ ' :
עצעלע --- וויא הֵייסְט ? אוּנ דוא קענְסְט אֵיהם דֶען נִיט ? וֶוע ער קען נִיט צַחְקִיאוֹ
לִיקֶען, רי וְפִיסִיס זִיהנְרֶעל ?
מנחם מענדעל = + ְצִיְגִיריס זוּהן ! אָךְ; איך מֶען אִיהם גוּט, נאָך אַז ער
פלעֶגְט זינגֶען גוֹאֲלַ בַייא אוּנָז אִין קְליי! זעל, אַזױ ? אִיז עֶר זִיך
גאָר פוּן אוּנְֶער תָבְרֶה!...
עצעלע -- מֶן הַסְתֵּם אִיז עֶר פוּן אוּנזֶערֶע לייט ;דַארִיבֶּער אִיו עֶר זִיךְ אַזוֹי גֶענֶיעט
א אַללֶע הַסִירִישֶע עֲנְיָנִים ! וָואס רֶען מֵיינְסְטוּ. : יֶענֶע עכְבְּרו שִׁים
וואלטען רֶעס שֵׁכֶל גֶעהַאט ט אַזֶעלְכֶע עֲנְינִִם אָנצוּשרייבּע ! אָסוּר !
זייא זענִין ִיך טַאקע פָּשוּטֶע בְּהֵמוֹת, זייא וֵוייסֶען טאקע מָעהר שש
נאָר טוּהן װאָס מֶע טאָר נִיטי אוּנ גֶענוּג, וויימֶער פְרֶעג זַיִיא בְּחֵרֶם,
װאָס מיר הָסִיר, ווֶער מיר רַייטְשׁ ?
פנחם מענדעל -- ווייס אִיךְּ װאָס דוּא רֶערְסְט ? קָארג יע בֶּעשְׁרַייבֶען
אוּנְגֶער חֶבְרָה, װאָס זֵייא זֶענִין נאָך פוּן רֶער מַאמֶעס בּוֹיך
הִפְקרִים חַצוּפִים 7 װַייס אִיךָ זייא ווֶערִין : שוין צוּזֶעצְט
שֶרייבֶּענְרִיג אַלְלע שָעָה אַ נֵייעס, זאָלל ;עס נאָר זַיין פוּ
אוּנְֶערֶ ן לייט ? -
געצעלע -יעט מְנֵהֵם ם מֶענְרֶעל, בּיִסט נאָך גאָר א קִינְד אָט בִּין אִיךְ זיך אַ מֶענְש
פִינ ם = נאָר דֶערוֹיף, אִיך אלל נאָך רֶע לט זײערֶע בִּיכְלֶעךְ
אוֹיף עָבְרֵי טַייטְשׁ (װאָרֶען פוּן קָשוֹן קוֹרֶשׁ ווֵייסְטוּ דאָך אַז מיר זענין
אַללֶע בייה גֶעהִיט) אונ וֶועלְכֶס צוּ לָאפְטְשֶעט גוּט דאָס דַארְף אִיך
צוּשְטֶעלֶען דֶעם רִבִּין. נאָ, פֶרֶעג זשע מִיךְ; אִיךְ האָבּ מִיר שׁוֹין גֶענוּג
מֵיינֶע צֵייהן אוֹיסְנֶעקְרִישֶעט אויף וַייעֶרֶע גֶעשֶׁעפְטֶען זאָג אִיך רִיר אַ
נִּמַעַט אַלְלע קוּמֶען אַרוֹיס פוּן אוּנְגֶער הָבְרָה ָא רַאֲיֶה -- דער
װאָס אִיו טַאקֶע אַ גֶעבוֹרֶעגֶער הוֹילֶער רַייטְשׁוּק , צי עֶר אִיז אַזוֹי פוּן
אַלְרֶע { רוּחוֹת גֶעװאָרֶען אַ טוּהֶער, האָבֶּען טאקע זֵיינֶע שְרַייבֶּעכְצֶען
א פָּנִים פוּן גיין שווַארְץ יאֶהר. . .
מנחם מענדעל -- נאָך דֵיינֶע דִבּוּרִים נאָך, האָט דֶער דְרֶעקְטֶער אַלַליין אַפָנִים
גֶעמוּזְט זַיין גאָר רֶער פֵּייֶערִיגֶער תָפִיר, ווֶערְלִיג מע זעהט פָוּן זיינֶע
ְׁרייֶּעכְֶ אַרוֹיס ? האַ?
געצעלע = רער רֶערַאקְטאָר ייט ? עָט בִּיסְט גאָר א נַאר -- דוּא מַיינְסְט ווייל
עֶר שְרַייבְּט אַ כַךְ וע ען אוּנְזער רָבְרֶה ? נאַר, נאַר אין אַ גְרוֹיסֶען
װאָרֶעק אִיו אַ סֵךְ א - דוּא פַרֶעג מִיךָ : זַיינֶע סֵך שְׁרֵייבֶּעכ
טאק - 454
א געשפרעף א בער | פוילישען יוננעל
צִין אִיז פוּן האַפּ - אַזוֹיא ויא אַ מִיטְטאָג פוּן דִיא בַּיירֶעל- שֶׁלֶע:
פֶּערְט : פוּן דאַגֶעט אַ שְטְיִֶעל פּוּטֶער, פוּן דאָרְט אַ גִסֶעל ;קעז, פוּן
דֶעם אַ לֶעבֶּעל בְּרוֹיט, פוּן יֶענֶעם איין אֵיי, פוּן דאָרָט אַ בִּיסֶעל
בּאָרְשְט אוּנ פוּן דאַנֶעט אַ שְטִיקעל ְלֵייש -- אוּנ בס הַכֹּל האָט
עֶס אַפָּנִים פוּן אַ נְגִירֶעשֶׁער פּאָמֶענִיצֶע - אַללֶעס גֶעפִינְט זִיךְּ דאָרְט
נאָר פאָרְט אַ פּאָמֶענִיצֶע !
מנחם מענדעל -- ויא הֵייסְט ? מֵן הַסְתַּם אַז עֶר האָט זִיךְ גֶענוּמֶען צוּ אַז
מְלָאכָה, קעהר עֶר זִיךְ אַפְּנִים א | אויך נִיט זיין קיין קטלאָ
הִנְיָא.
געצעלע -- אִי אָוקאַרְג מֶענְשֶׁען נֶעמֶען זִיךְ צוּ אַזוֹינֶע מְלָאכוֹת װאָס זֵייא וַייסֶען
אַפִּילוּ נִיט מִיט װאָס מֶע עסְט דאָס ? -- אָט קען אִיךּ דִיר וַוייזֶען א
קלֵיינֶעם מֶשָל פוּן אוּנזֶערֶע לייט עסְטוּ ׁוֹין פאַרְשְׁטָעהן אַרוּם אוּנ
אֵרוּם : אָט נֶעם אַשְׁטֵייגֶער זִיסָאלֶען, עֶר אִיז אַוַראַי עֶפֶּעס אַבֶּעלְפֶערְס
צי אַ שְנַיידֶערִיְקֶם אַ זוּהן אוּנ אִיו אַלֵיי אוֹיךְ אפְשֶׁר בָּיו. (80 יאָהר
גֶעוֶועזֶען אַ הַיִט אוּנ פְּלוּצִים האָט עֶר זִיךְ פֶערְלאָוְט אַ פּאָר פְּאוֹת מִיט
אַיין אוֹיסְגֶעוֶעקְט פּנְמייל אונ אָיו מִיט גֶעוואַלֶד אַרֵיין גֶעקְראָבֶען אִין
א וַוייסֶע זְשִׁיפִיצֶע אוּג מאַכְט דִיא שְׁפִיעל : מֵילֵא דֶער הַמוֹן עם
קווֶעלְט פוּן אִיהם גְלַיִיךְ וִויא פוּן עִפֶּעס רֶעכֶטְס, אָבֶּער דֶער מבִין זֶעהט
דאָך וִויא לעֶפַּעש אוֹיף אִיהם אִיז דִיא וֵוייסֶע ְשִיפִּיצֶע נאָך מָעהר וִויא
אוֹיף יְרוחָםן דִיא אָרֶעסְסֶער שאַלל ! -
מנחם מענדעל -- פאַר װאָסִזְשֶע ואָל דֶער מבִין נִיט גִיבֶּען צוּ פֶערְשְׁטֶעהן דעם
הָמון עִם װאָלְטֶען זֵייא דאָךְ ִּיסְלֶעף וַייס אַרוֹיסְגֶעזֶעהן אוּנ
װאָלְטֶען אָפְגֶעטְרֶעטֶען פוּן אִיהם וִויא מִיר אַ שְׁטֵייגֶער האָבֶּען
שוֹין אַ סַךְ פִּראָ סְטאַקֶעם אָפּ נֶערֶעט פוּן זִיסְאָלֶען -- אוּנ צוּם
סוֹף פאַרְמֶערֶען זִיך נאָך אַלֶע טאָג לִייֶענֶערְס אוֹיה דִיא יוּרֶעשֶע
גאַוֶעטֶען ? האַ ?'
נ עצעלע -- קאַרג האָט דֶער הֲמוּן עם גֶעלֶעקְט דִיא פִינְגֶער פוּן בֶּערִיל בּראָרֶערְס
לִיערֶער אוּנ נאָך הַיינְט אוֹיך. - נאָר דאַרֶף מֶען נאָך מָעהר פּוּסְטֶע
וִויא בֶּערִיל ְּראָרֶערְס לִיעדֶער זֶענִין ? פְּרִיטָא זֶעהֶען מיר דאָדּ! -
זֶעהסְטוּ, אַז עֶס האָט שוֹין אֶנְגֶעֲהוֹיבֶּען זִיךְ יאַוֶען פוּן הַיינְטִיגֶער
תָבְרֶה רֶעכְטָע שִׁירִים מִיט גֶערַאנקען, אַוֵרֵאי וֶועט מֶען מִיט דֶער צַייט
אַרוֹיס זְעהן דֶעם חלוּק אוּנ מֶע וֶוֹעטְ מִיט יענֶע לִיערער כַּפָּרוֹת שְלאָ:
גֶען. - דֶער וַוייל זֶענִין רִיא יורֶעשֶע גאַוֶעטֶען פִיעל מיט שְמאָכְטָע:
ליאַקֶעס פִּינָים רֶעדאַקְטאָר אוּנ פאַר װאָס ? טאַקע נאָר דֶער פאַר, ווייל
עֶר איז אַפֵּילוּ ניט גֶעֶעסֶען קיין מאָהל לֶעבֶּען אַ הָסִיר אוּנ וֵוייסְט
מנחם מענרעל -- עֶפֶּעס אִיז דאָס נִיט צוּ גְלוֹיבֶּען
געצעלע
פנחם מענרעל -- ווִיא הֵייסְט ? פוּן וַואנֶען וַייסְטוּ עם אַזױ
געצעלע -- פוּן וואַנֶען אִיך וֵוייס? אִיךְּ האָבּ נִיט אַיין מאָהל נאַר גֶערֶעט
-- םי
א געשפרעך איבערין פוילישען יונגעל
אַזױ װאָס גוּטֶער יוּד אִיז ויא מִיר ווייסֶען װאָס זייא רוּפֶען אָן עפּעם
צִיבוּלֶעזאַצֵיי * . |
-- נאָך אַ מאָהל, דאָס פּוֹילִישע
יוּנְגֶעל אִיו זִיךְ דַאכְט זִיךְ אויך פוּן רֶעם אֵיינֶענֶעם יַמַחִשְׁמוֹניקי
פוּן צִחְקִיאולִיקְלֶע ? האַ זנאָ, יאָ נאָ - נאָ, ער אִיז זִיךְ שוין
בַּייא דִיר דֶער ְַּיָה, אַ יאָ ז צוּם סוֹף שְטֶעהט בְּפֵרוּש אוֹיפִי
שער פֵינָים פולִישֶען יוּנְגֶעל, אַז דער רְרֶעקְטאָר האָט עס אוֹיס
! גֶעפַיינְט אוּנ אִין עְֶלִיֶע מְקוּמוֹת זֵיינָם צוּנֶעשְׁטֶעלְט נאָז מֵן
הַסָתֶּם אִיו עֶר זִיךְ יאָ עִפָּעם. עס הֵייכָט אַ. אַ. אַ. אַ. שְׁטִיקֶעל
מֶענְש וִויא זייא רוּפֶען עס אָן.
-- האַ האַ! גוּט װאָס דוּא וַייסְט - = אִיךְּ דִיר טַאקֶע דֶערְצֶעהלָעי
ריא גאַנְצֶע מַעֵשָׂה רֶערְפוּן.
ֶ
*יוי?
+-
צַחְקִיאוֹלַיְקֶען האָט ער פאַר מִיר שָעוּר גֶעוַיינְט, ויא אַזוֹיא רֶער רָעי
דאַקטאָר האָט אִיהם אַבִּירֶעט מִיטִן פולִישֶע ען יוּנְגֶעל, ער האָט דאָך
גאָר בִּסֵךְ הַכֹּל נִיט גֶעואָלְט רְרוּקֶען דאָס פּוילִישֶע יוּנְגֶעל אִין =
מְבַשֵרֹי, האָט ער מִיוי גֶעוִויִזֶען אֶפְשֶׁר צֶעהן בְּרִיף פֵינָים רֶעדאַקטאָ
וִויא אַזוֹיא עֶר האָט עס בּייא אִיהם אוֹיסְגֶענאַרְט אוּ: האָט אִיהב
פאָרְגֶעשְטֶעלְט גִילְרֶענֶע בָּאךְ ג, צוּם פוף האָט ער אִיהם הָא. קר צְוֵוייא
יאָהר גֶעפִּירְט דֶער מיט, אוּנ לא דַי עֶר האָט נאָך אַלין נֶעמוּוְטט בָּע:
שְוואַרְצֶען דאָם פָּנִים אוּנ אָפּ צאָהלֶען רֶעם דְרוּק - האָט אֶר א
גֶעמוּזט בֶּעשְטֶעהן דאַרוֹיף, אַז רֶער רֶעראַקטאָר מֶעג איבּער מֵא
= אִיבֶּערְקֶעהרֶען ראָס פּוֹילִישֶע וּנְגֶעל פוּן קאָפּ בִּיז פִיס ; שא נִיט
נִיט עֶר אִיהם ניט אֲפיל אַיין בִּינֶעל דֶערְפוּן,!. + .
מנחם מענ רעל-- װאָשֶע האָט.. עֶר דֶערְלֶעגְט דֶערְצוּ אַז דער דְרֶעקְטאָר האָט
געצעלע
ַיין אֵיינֶענְס צוּ גֶעוֶעצְט ? אִיז דאָךּ דֶערְפַאר דאָס בִּיכֶעל נְרָא?
סֶער גֶעװאָרען ?
-- אי ִּיסְט נאָך טַאקֶע גאָר אַ שׁוּטָה ! אֵיין מאָהל פַארְשְטָעה אֲלֵיין אַ
אַ בּוּך אִיז נִיט קֵיין ְלַאזֶעל מַשְׁקָה אַז יֶעגֶער ווֶעט דִיר צוּגיסֶען פוּן
זַיין גְלאָז מַאכְט עס נִיט אויס, וִוילְסְטוּ טְרִינָקְסטוּ ווילְסְטוּ נִיט לאָקְטו
אִיבֶּער, אנ אַ בּוּךְ אָבַּער אַז יֶעגֶער לֶענְט צוּ זֵיינְם בֶּעקוּמְט שׁוֹין דאָס
בּּך גאָר אֵיין אַנרֶער פָּנִיס, איין אַנְרֶער רִיכְטוּנְג װאָס דער מְהַבֵּר האָט
ראָס גאָר נִיט גֶעמיינְט. -- הַיינְט פַאר שֶׂטָעה, אַז יֶענֶער דֶערְנִיסְט דִיר
נאָך גאָר דַיין גלאָז וויין אַשְׁטֵיינֶער מִיט בּיער אָדֶער מִיט בּאָרשְט
יש יי
א געשפראך איבערין פוילישען יונגעל
אָדֶער גאָר מִיט הַייוְוֶען דַארוֹיף וָועסְטוּ שוין אַוֵרֵאי נִיט בֶּעשְטָעהן
? נאָ, הַיינְט אַז ער הָאט זַיין בּוך אַרוֹיסְגֶעגֶעבֶּען נאָך זיינֶע גֶעראַנ:
0 נאָך זיין שַׁכָל נאָך פאָלְקאָמֶען, װאָס נאָר אַזוי אִיווזֵיין צְוֶועקער*
רַייכְט אוּג ילכ וואָרְט בֶּערֵייטֶעט זִיךְ אוֹיף זֵיינֶעם, אוּנ פּלוצים
נאָך אַללֶעמֶען ן קוּמְט אֵינֶער, גאָר מִיט אַנְדֶערֶע גֶעדאַנְקֶען, מִיט אַנְדֶע:
רֶע מֵיינוּנְגֶען, מִיט גאָר אַיין אַנְדֶער צְוֶועק אוּנ רוּקְט אַיהם אַרַיין כּמעט
אִין יֶערֶען בְּלָאטֶעל זֵיינֶע צעְצלי זֵיינֶע שְפּיצְלִיךְ. װאָס ווען ריא
צוועמְצליך זאָללֶען אַפִילוּ אִין זייר הִינְזִיכְט זִיךְ זַיין גוּט, אִיז זִיךְ שׁוין
אוֹיךְ דֶעם מְחַבָּריס צְוֶועק פֶערְדאָרְבֶּען, ור אַז דיא צוּזֶעצְטְ מָליך
זֶענִין אַזױ גְרִין אַװױי אָהן מַעם, אַז זייא פֶעהֶענְרֶערֶען כִּמֶעעט דאָס
גאַנְצֶע פּוֹילִיש ע יוּנְגֶעל אוֹיף רֶער לִינְקֶער זַייט ! נאָ אט א נִיט
פְרֶעגֶען, װאָס אֵיהם אַאַרְט? יז
ישי
מנחם מענרעל-- וִויא הֵייסְט, מֶן הַסְתַּם איז זִיךְ רֶער דְרֶעקְטאָר נִיט מְשוּנֶע גאָר
אִין גאַנְצֶען ער זאָלל צוּנויף מִישֶען, קְשִׁיע מיט בּאַרֶען?
צִימֶעם - ? האַ ? -
געצעלע -- נאָך ערְגֶער פּן קשִׁיע מִיט בּאַרֶען-צִימֶעם! נאָך אַ מאָהל, אַ מֶענְשי
װאָס הֵייבְּט נִיט אָן צוּ וִויסֶען װאָס הֵייסְט חָסִיר, װאָס אִיז גוּטֶער ור ?
אוֹיף װאָס אִיז אָסְנאָוֶועט חֲסדוֹת אוּנ מיט װאָס שאַרְט הָפִירוּת אָרֶער
מַיט װאָס פאַרְרֶעכְט זֵייא דֶער ווֶערְט ? אַ מֶענְש, װאָס אִיז זִינְט עֶר
לֶעבְּט גֶעוֶועזֶען אַ בְּרִיֶה בִּפְנִי עַצ מו, עם הֵייסְט אַיןאֶפְגֶעואָנְרֶערְטֶער
פוּן אַרלע הישע סִּכְטוּבִים, פוּן אַללֶע חֶבְרָהישֶׁע עַנְינִים, פוּן אַללֶע
אט פָטֶען. - אַ מֶנֶש, וָואס האָט אויף זַיין לֶעבֶּען נִיט גֶעהָארְט
נִיט אי פאָלקס -- גֶעשְׁפְּרֶעך, נִיט אַיין רַאזְסוְּשְו ענִיע פִינִים הֲמוֹ{עם,
נִיט אֵיין גע ר מיינוּנְג. -- װאָס אִיז נִיט בַּעֲקַאנְט מִיט זַיין
פאַלְקְט-לֶעבֶּענְס:וַוייוֶע בֵל א אוּנ מִיטִין ן פוֹילִישֶׁען לֶעבֶּען בִּפָּרֵט; אַ
מֶענְש, װאָס דוּרֶךְ זֵיינֶע בֶּעזאָנְרֶערֶע פֶּערְהָאלְטְניֶע אִיו גאָר נִיט אוּמ.
שׁמַאנְד צוּפִיהלֶען דֶעם חסיר'ס בּרֶענן, רֶעם מִתְנַגֵריס תְּקִיפוֹת, דעם
נְגִירִיס רֶעסְפּאָט, רֶעם בַּעל. :הַבַּיִת אַיינְפַאכְקייט, דעם בעל מְלָאבְהיס:
פְּראטֶענְזיֶע, דֶעם מִשָׂרַת הָפְקֵרוֹת, בֶּעם וַייבֶּערְשֶׁען זֶע בּסֶט אוּנְטֶער
װאָרְפוּנג אוּנ דער דִיענְסְט. :מוירים אֵייפֶער. אַ מֶענְש, װאָס קען
גאָר נִיט ליא שְפַּרַאכֶע אוֹיף וֶועלְכֶער רֶער פּוֹילִישָער הָסִיר גִיסְט אוֹיס
זיין װאָסְטאָרָג, זַיין הֲנוּפָה, זַיין עֲזוּת. זיין טוֹיגֶענִיכְטֶם, זַיין פַאלְש
הִתְלַהֲבוֹת אוּג זַיינֶע טוּנ; קעלע הַסְכָּמוֹת { אויפִין לֶעבֶּען ; אויף וֶעלְכֶער
רֶער סְבּאָרְשׂטְשִׁיק גִיסּט אויס זַיינֶע אוּנְמֶען ליב מֶערְרֶערַיֶעְן : --
דֶער מִקַבֵּל זַיין זֶעלְבְסְט - פֶערְגִיכְטוּנג, - דֶער שְוֶוער זֵיין אָפֶּעקוּנם*
א געשפּראך איבער'ן פוילישען יו
טוָא; -- דֶער אֵיירֶעם זַיין הַכָּעָה. - דֶער אלְבְאַרִפְטָאקרַאט- זי
פְרַייהֵייט. - דֶער מּוֹתַר - זַיין גֶענִיטְשַׁאפְט. - רֶער מַאנְןוַיין פַארֵא-
אָנמְמְוָא, אוּג דָאס װַייבּ -- אִיהר רַאבְּסְטְווָא ו - מִיט אֵיינֶעם ווָארְט
אַ מֶענְש, וָּאס וֵוייסְט נִיט דִיא סַאטירֶע. דָאס ערֶענְסְטְקֵייט, דֶעם
וויטֶץ, ראָם וָארְטְשְפִיעל, דיא קאלַאבּוּרֶען דִיא אֶסְטְרָאאוּמַיַע אוּנ
אַללֶע וויהָארְקֶעם נִיט פִינִים פַאלְק, נִיט פון זַיין שפָּרַאךְ אוּנ נֶעמְט זִיךְ
אוּנְטֶער אַַיין צוּטִיצֶען רִיא צוּנְג אִינים וישע יוּנְגֶעל אוּנ רֵאזְסוּ!
ְשׁיִע ן אִיבֶּערִין פּוֹילִישֶען לֶעבֶּען
מנחם מענדעל-- אִיךְ וָואלְט אוּנְמִיסְטֶען א בעל גֶעוֶעוֶען זָאלְסְט מִיר וַייזֶען אַ
געצעלע
פָּאר שְׁטִיקְלֶעךְ פוּן זֵיינֶע צוּזֶעמְצְלֶךְ רִיא שיא חֶלֶע בֶּען, לאט
אִיךְ אוֹיךְ עֶפֶּעס וִויסֶען.
-- מָאהל דִיר, אִיךְ קֶען דִיר וַוייזֶען אַזוֹינֶע שְׁטִיקְלֶעךְ אַ סֵך וֶועלְכֶע
צִחְקִיאולַיְֶעל הָאט זי א אִין זיין 6 יוּנְגֶעל וָאס ער הַאלְט פאר
ִיךְ אַלֵיין אוֹיסְגֶעמֶעקְט ! פוּן דִיא שְטִיקְלֶעך וֶועט ִיךְ צוּנוֹיף נֶעמֶען
אֶפְּשֶׁר 18 בִּיי 20 בְּלֶעטְלִיך -- נאָר װאָס דֶען ? אַז וִויא בּאַלֶר וַיזֶען
אִיו דאָס אַ מַעֲשָה אָהן אַיין עק, אַז כִּמעט אִין יֶערֶער שוּרָה, כִּמֶעם
אִין יֶערֶער פְּראַזֶע האָט.ער אַלֶץ אַרַיינְגֶערוּקט ַיינֶע גְרִינֶע הַמְצָאוֹת,
אוּנג האָט אַזוֹיא אִיבֶּערְגֶעקֶערְט יֶערֶען זאַטְץ אַז עס אִיז שוין גאָר
שְוְוֶער אַרוֹיסְצוּבְראָקֶעוֶוען ראָס גוּטץ פֵינִים שלעכטץ, סַיידען גאָר
דֶער גְרוֹיסֶער מֵבִין, װאָס עֶר פִיהלְט בְּשַׁעַת לייענֶען דאָס פּוילישע
וּנְגֶעל דֶעם אִייגֶענֶעם טַעַם װאָס דֶער מְהַבֵּר האָט גֶעפִיהלט בָּשַׁעַת
מַאכֶען - דֶער פִיהלְט אַוֵרֵאי דֶעם ְרוֹיסֶען וַוייטֶען חְלוּק צְוִוישֶען
מְחַבַּרֹיס וָוארְטֶער אוּנ צְוִוישֶען זֵיינֶע : דֶעם גְרִילְצְט אַוַדאַי אֵין דִיא
אוֹיֶערֶען אִיטְלֶעכס צוּגֶעזֶעטְצְט-װאָרְט וִויא דֶעם אָמָת'ן קאָמְפּאָזִיטאָר
גְרִילְצְט אַ פאַלְשֶער טאָהן, דֶעם רוּפֶּעט אַוַראַי אִיבֶּערין האַרְצֶען יֶערֶע
פְרֶעמְרֶע פּראַזֶע וִויא אַ סְקֵרִיּ פוּן אַ טאָטֶערְשֶׁע מאָזְשאָרֶע ; דֶער
זְעהט עֶרְשְט אַרױם ויא וַייט דֶער רֶעראַקטאָר האָט פאַרְראָרְבֶּע
דֶעם רִיכְטִינֶען צְוֶועק פִינָים פולִישֶען וּנְגֶעל. -
מנחם מענרעל-- נִיבּ זְשֶע מִיר, אִיך בֶּעט ִיךְ צוּפֶערְשְיעהן װאָס מַיינְט רֶען
געצעלע
יה ייך, אִיך האָבּ אִיה
מנחם מענד?ר וִוייס אִיךְ, אִיךְ האָבּ אִיה
צַחְקִיאולִיקֶעל מִיטִין פּוֹילִישֶען יוּנְגֶעל ז -
-- װאָס עֶר מֵיינְט ? לייֶען אִיבֶּער דאָס פוילישע יּנְגֶעל עֶמְלִיכֶע מאָהל
אוּנ הָאר זִיךְ צוּ צוּ יֶערֶען װאָרְט ווֶעסְטוּ מִיךְ שוֹין גאָר פאַרְשְפּארֶען
פּרֶעגֶען װאָס עֶר מַיינְט! -
ם אֵיין מאָהל בְּסוֹר אִיבֶּערְגֶלֵייעֶנְט,
רַאב זִיךְ אִיך זָעה דאָרְט גאָר קיין חְדוּשִׁים נִיט.
א געשפראך איבער'ן פוילישען יונגעל
געצעלע - אָ דאָס אִיו דיא מַעשָה װאָס מִיר זוּבֶען אַלֶץ חְרוּשִׁים, פִּשְטילִיךְ
אוֹיבֶּער:הַסַבָּרוֹת אִין יֶעדֶער זאַך ; דוּא לֵייעֶן אָיהם אִיבֶּער גאָר אָהן
ל וֶועסְטוּ זִי עֶרְשְט אַרוֹיסְזֶעהן אַז עֶר אִיז אַיין חָדוּש פוּן אָנ
הֵייבּ בִּיז אִין סוֹף ! וָואס בַּאטֵייט דֶען דער מַאֲמַר הַמְחֵדֵש בְּטוּבוֹ בְּבֶל
יוֹם תָּמִיר מַעֲשֵׂה בְּרֵאשִׁית. -- דֶער אוֹיבֶּערְשְטֶער בֶּענֵייעט אַללֶע טאג
דָאם וָואס עָר הָאט אוֹיפְגֶעטוּהן בְּשַׁעַת רֶער ווֶעלט : טא - װ
אִי ו זִיךְ עס אִין פָּלוּק אַ ִויְרע פּלִיאֶה : וָואס פַאר חְרוּשִׁים זֶעהֶען מִ
אַללע טָאג וָואס מֶע זָאלל זֵייא קֶענֶען פֶערְגְלֵייכֶע צוּ מַעֲשֵׂה בְּרֵאשִׁית?
נָאר אַ דָאס מֵיינְט טאַקע דֶער מַאֲמַר, אַז נָיט גָאר אין אִיבֶערְנאַטִיְלִי
כָע נָסִים ְנפְלְאוֹת רֶערְקֶענְט מֶען דֶעם אֵייבֶּערְשְׁטֶענֶס גְרוֹיפְקֵייט
נַיין, אִין גַאנְץ נאַטוּרְלי כָע זַאכֶען דָארְט לִיגְט ערשְט רָאס נַדְלוּת פִּינים
אַלמַאְטי נֶען גָאטט! וָארֶען אַ נַם מַאכְט זִיךְ זֶעלְמֶע אוּג נָאר אֵיינִי:
נֶע טְרֶעפְט זִיךְ דֶער נַם. אָבֶּער דֶער דָרֶדּ הַטָּבַע פִיהֶרְט זיך רֶעגוּליאַר:
נֶע פַאר אַלכֶע גְלַייךְ אוּנ אִין אִיהם זֶעהט מֶען עֶרְשְט אַרױס דִיא
ָבוּרוֹת הַבּוֹרֵא. - לִמָשָל, אַז עֶס מַאכְט זִיךְ אַ מְתס אַ גְרוֹסֶע לְקוּי
חֵמָה, צי אַ וִוִילֶרֶע עֶרֶד צִיטֶערְנִיש, צי אֵיינֶער הָאט זי גֶעלֵייְט
שְׁלָאפֶען אוּנ אִיז נִיט אוֹיפְגֶעשְׁטַאנֶען , צי כְּדוֹמָה פוּן אַזױינֶע פְּלוצְלִיכֶ
3 יי וואוּנְדֶערְט זיך אַ יִערֶער אוּנ דִיא וו עלט גֶעהט הָאדָארָאם
יאַי אַ נם, אַ נַם /+ אוּנ דֶערוֹיף וָואס דִיא זוּנְ גֶעהט אוֹיף אַללֶע טָאג
אוּנ פאַרְגעהט אִין איהר צַייט, אוּג וָואס רֶער מֶענְשׁ לֶעגְט זִיך שְׁלָאפֶען
וִויא אַ טוֹיטֶער אוּנ שטֶעהט אוֹיף אַללֶע אִינְדֶערְפְרָיה אוּנ כְּדוֹמָה, וָואס
דֶערִינֶען זֶעהט מֶען דָאךְ ערְשְט יָא אַרוֹיס דִיא גְרוֹיסֶע הַשְנָָה פִינִים
אֵייבֶּערְשְטֶען וָואס פִּיהרְט זִיךְ וואוּנְרֶערְבּאַר זיי וועלְט, אוֹיף דֶעם
הִדוּשְט זִיך גָאר קֵיינֶער נִיט אָוּג עִם ַייוְט זִיך ַלץ אוֹיס, אַז אַזוֹי
דאַרְף זײַן, אָ דאָס זאָנְט דֶער מאָמַר אַז מֶע דַארְףם דַאנְקֶען אוּנ לוֹיבֶּען
השייית, אוּג מֶע דַארְף בֶּעוואוּנְדֶערֶען יֶערֶער מִינוּט זיין גְרוֹיסְאַרְטִינֶע
הַשְׂנָחָה פְּרָטִית מִיט ווֶעלְכֶער עֶר פִיהרְט דִיא וֶועלְט מִיט אַללֶע אִיהרֶע
בֶּעשֶׁעפֶענִיט הַכּל בְּדֶרֵךָ הִטָּבֶע אוּנ מֶע זאָלל נִים מֵיינֶען אַז אַזוּ
דאַרֶף זַיין, נאָר אַז אִיטְלֵיכֶס פּיצֶעלֶע אִיז אַלְץ גַייעם, גְלֵיי וִויא ערֶשט
בּאַשאַפֶען גֶעװאָרֶען אוּנ אַללֶע נָסִים וְנִפְלֹאוֹת שְׁטֶעקֶען יֶערְשְט נאָר
אֵינָים דֶרֶךְ הַבָּבַע ! - נִמְצָא אַז נִיט קיין מַהַרְשָאייס קַשְיָא, נִיט דֶעם
פָּרִי מֶגְרִייס שפִיטְצְלֶךְ, נִיט דֶעם מַהֲרַים שִׁיףיס קרוּטְשְׁקֶעלִיךְ קענִין
מַאכֶען אַיין אַיינְרְרִיק אוֹיפִי שׁכֶל הַיָשֶׁר, נִיט זֵייא קֶענִין עענְטְויקלֶען
דעם מֶענְטְשֶענֶם אִינֶערֶע גְעפִי הלע נִיט זייא קֶענִין וִוירְקֶען אוֹיפִי
פְּראסְמֶען נאַראָד, נאָר אַזאַ בִּיכֶעל ויא רָאס פּוילִישֶע יּנגעל װאָס
א
א געשפּראך איבער'ן פוילישען יונגע
געהט נִיט אַרוֹיס אַ שאג פינים גֶעוּואהנְלִיבֶען לֶעבֶּען. נאָר ראָס קָעי
פִיהרֶען צוּם אָמָתן תַּבֵלִית, נאָר דאָס קֶען אפְנֶעֶן דֶעם נאַראָד רִיא
אוֹיגֶען ! - |
מנחם מענדעל-- װאָסְוְשע זָעה אִיךְּ דָארְט ז װאָס אָפֶענְט ער מִיר דיא אוינֶען *
געצעלע -- װאָס עֶר אָפֶענְט רִיא אוֹיגֶען פרענמטוּ ז לאָם מִיר זִיךְ נאָר נִיט נאַרֶען
אַז מִיר קוּקעשִיך אֵיין אֵינִים פּוילִישֶען יוּנְגֶעל האָבֶּען מִיר דאָך אַפָנִים
פּוּן טויזענט שְׁוואַרְץ יְאֶהר ! דאַרֶף מֶען נאָך מעהר שַבָם מוֶּר ויא
עֶר אִיז י נאָך אַ מאָהל, אַ סַפֶּר. װאָס שְטֶעלְט אוּנָז פאָר פוּן קאָפּ בִּי
פִים, װאָס מאָלְט אוּנְו אָפּ פוּן אוֹיבֶּען בִּיז אַרָאפּ, וָואס זאָגְט אוּנָז אֹיס
אוּנזֶערֶע פָעֶהלֶער אוֹיף יֶערֶען שָרִיט, וָואס קְרִיכְט יֶערֶען = י
: : י יי
טִיעפֶען האַרְצֶען/ אוּנ נִישְטֶערְט דָארְט אויס אִין אִיטְלִיכֶען וו ְקֶעלֶע
אוּנ וַוייוְט עֶס אַרוֹיס פַאר אוּנְזֶערֶע אוֹינֶען אַז מִיר קוּקען זִיךְּ אַלֵיין אָן
נָאךְ בֶּעסֶער ויא אִין אַ שׁפינֶעל, אַ סַפָרי ואס רֶעט אוּנְזֶער שֶׁפְראַכֶע
מִיט אַללֶע פִּישְטְשֶעוְוקֶעם, וָואס וַייסְט אוּנְזֶערֶע חאַראַקְטֶערֶען פִינִים
גְרוֹיסֶען נְבֵיר בִּיו דֶעם הֶקְרְשׂנִיקי װאָס פיהלט מִיט אִיטְלִיכֶען הֶערְץ
: :יט 1 ' :1 :-: צ :
ְלֵייךְ ; װאָס צֶערְגְלִירֶערְט אוּנְזֶערֶע מַחֲשָׁבוֹת װאָס מִיר דֶענְקְן אַפִילו
בְּתַרְרֵי חֲדְרִים ; װאָס אָפֶענְט אוּנְז אוֹיף דאָס בּוּךְ פוּן אּנְזֶער גָעי
וואָהנְלִיכֶען לֶעבֶּען. אוּנ יֶערֶער קאַרְטִינֶע שְטעלְט זִיךְ פאָר אוּנזֶערֶע
אויגען אַזױ אֲמָת, אַזוױ רִיכְטִיג, אַז יֶערֶער אִין זַיין פאַך פִיהלט זך
אוּנ רֶערְקֶענְט זִיךְ. אוּג פַלאגְט זִיךְ. אוּג מַיינְט נִיט אַנְרֶערְשׁ נאָר אַ
דער מְחַבֵּר זִיצט בַּייא אִיהם אִין קאָפּו אין האַרֶץ, אִין רִיא גִרְגָרֶת אוּנ
מִיט אַ גְרוֹיסֶען מִיִקְראָסְקאָפּ זעהט עֶר אַללֶעס װאָס אֵין אִיהם געהט
פאָר. -- אַזאַ סֵפּר. דאַרְפֶען מִיר אַ סַךּ מָעהר שָאטְצֶען, אַ סך מָעהר
בֶּעוואוּנְרֶערֶען פוּן טויזֶענְרֶער אִיבֶּערְנַאטִירְלִיכֶע ראָמאַנֶען, רְראַמֶּעם,
טְראגֶעדִיֶעס, גֶערִיכְטֶע, װאָס, אַז זֵייא גִיבֶּען שוין יאָ אַ מאָהל אַרױס
אַ פאַקט פִינָים גֶעואָהנְרִיבֶען ֶעבֶּען, מְרֶעפֶען זֵייא עערְשְט צוּ אֵיינֶעם
צִי צְוַייא צִי דְרַייא, אוּנ דאָס פּוֹילִישֶע יוּנְגֶעל צי דער לוּחַ טְרֶעפְט צו
אַ גאַנְצֶען נאַראָד !--
מנחם מענדעל-- אַלְץ קַשֶׂה. גע צִ ע לָ ע, אַז דוּא טאַפָּסְט שוין יאָ אַזױ אָן דֶעס
אָמַת אינים פּוֹילִישֶען יוּנְגֶעל צי אִינָיִם לוּחַ צי כָּדוֹמָה אִין אַ*
זעלכע בִּיכְלֶעךְ, װאָס נאָך דַיינֶע דיבּוּרִים נאָך; שְׁטֶעלֶען זייא
רֶעם אֲמַת פאַר דיא אוינֶען, פאר װאָסוְשֶע פאָלְנְסְטוּ נִיט װאָס
זייא שְרַייבֶּען ? פאַר װאָס פאַרְרֶעכְסְטוּ זִיךְ נִיט, פאַר װאָס
טאַנְצְטוּ אַלְץ נאָך אוּנְזֶער חֶבְרָה !
געצעלע -- דוּא פְרֶענְסְט מִיךָ דיא קַשָיָא ז אִיך האָבּ חאָטְש דֶערְפוּן מַיין שְטִיקֶעל
בְּרוֹיט אוּג נאָך א הֶערְבֶּעל אין דֶער זַייט אוֹיךָ פִינָיִם רִבֵין, אָבֶּער
יי
א געשפראך איבּערץ פּוילישען יונגעל
דוּא פֶּעבְגֶעסְט דאָך פאַךְ הוּנְגֶער, גֶעהסְט אַרוּם פִּיסְט אוּנ פּאָס אוּנ
אַבִּי דיא קאַרֶעטֶע נאָך שְטוּפֶען
מנחם מענדעל.-- אַדְרַבָּה, נאָך דֶער נְמֶרָא נאָך; טוּה אִיךְ זִיךְ אַ סֵךְּ אָרֶענְטְלִיכֶער
ויא דוּא ; אִיךְּ גָעה נאָך זֵיייעֶר ווֶעג וִויא אַ בְּליִנְרֶער, גאָר אֶהן
אַ שׁוּם פְּנְיָה, אוּנ דוּא בִּיסְט פולל מִיט פָּנָיוֹת, דאָס הֵייסְט רִיא
נְשָׁמָה פּאַרְקוֹיפְט דֶעם רוּחַ ! --
געצעלע -- דיא וֵוייסְט דֶען אַז אַזוֹיא וִויא אִיךְ בִּין פוּן רְרוֹיסֶען, אַזוֹיא האַלט אִיךְ
שוֹין טאַקע אִינְוֶענִיג בַּייא זי ?גיין בְּרוּרֶער פַּרנָסָה בְּרֶענְגְט רֶערְצוּ
אַז מֶע מוּו לְפָּנִים אוּנְטֶערְלֶעקֶען דֶעם װאָס מֶע האָט אָמָת פַיינד אוּנ
מֶע מוּו צוּ הַנְפְינֶען רֶעם שָׁקָר, אָבֶּער אִין זיךְ וַוייס אִיך ויא אִיך
האַלט!- -
מנחם מענדעל-- אַזוי! בִּיסָטוּ אַ חָסִיד מִיט אַ מְסִירַת מוֹדְעָה ! װאָסוְשֶע שֶׁטֶּעל*
סְּטוּ זִיךְ דאָ אַרוֹיס! אויף אַ מְסִירַת מוֹרְעָה בִּין אִיךְ אוֹיךְ, אוּנ
נִיט נאָר אִיךּי כִּמֶעט הֶעכֶער /3 פוּן אוּנְזֶער חָבְרָה זֶענִין
חֲסִירִים אוֹיף אַ מְסִירַת מוֹדָעה : נאָר דִיא קשִיָא אִיז: וֶוען וֶועט
מֶען שוֹין אַרוֹיסְקְרִיכֶען פוּן דֶער מְסָיֵרַת מוֹרְעָה י וֶוען וֶועט זִיךְ
שוֹין בּעוַיינֶען דֶער רִיינֶער אָמת ?
געצעלע -- װאָס מֵיינְסְטוּ דֶער מִיט װאָס דוּא זאָנֶסְט מְסִירַת מוֹרָעָה !
מנחם מענדעל-- װאָס הייסט, דוּא פאַרְשְטֶעהסְט קֵיין יוּרֶעשׁ נִיט ? כִּמְעַט יֶערֶער
יונְגֶערְמאַן װאָס הֵייבְּט נאָר אָן אַרַיינְגֶעהֶען אין דִיא חֲסִירִיסֶע
עֲנְיָנִים אַרַיין אוּנ פאָהרט דאָס עֶרְשְטֶע מאָהל צוּם רבִּין טוּהט
עֶר פְרִיהר אַ מְסִּירַת מוֹדָעה. -- נִיט רַוְקֹא פאַר מֶענְשֶען, װאָר |
אֵיינְם פאַר'ס אַנְרֶערֶע האָט דאָך מוֹרָא צוּכּערְטרוֹיֶען נאָר בַּייא
זִיךְ אִין האַרְצֶען דֶענְקְט ער דִיא וֶוערְטֶער יאֶיך ווייס. אַז ראָס
אַלעס אִיו שָקֵר וְכָוֶב, נאָר װאָס זאָל אִיךְ טוּהן ז אַז קֵיין מִיטֶעל
צוּם לֶעבֶּען האָבּ אִיך ניט אוּנ ווֶעל נִיט האָבֶּען, פִיעל וֶועניג
אִיך וֶועל וֶוֶערִין אַ חָסִיר פאַרְנֶעס אִיךְ חאָטְש אין מַיינֶע אַלֶע
ווֶעטִיגֶעף מִיט דֶער מְסִירַת -מוֹדְעָה בִּין אִיךּ אוֹיךְ אַ חְסִיר גָע:
װאָרֶען, אוּג האָבּ זִיךְ אַזױיא פּאָװאָלינקע פאַרְבְּלאָנְוֶעט אַז אִיך
קֶענן שוין נָיט אַחוֹיסְקְהִיכֶען!=. -
געצעלע -- זארג נִיט בְּרוּדֶער 1 דער עֲיָקֶר אִיז דאָס, אַבִּי מִיר ווֵייסֶען ויא מיר
מִיר האַלְמֶען אַי מֶע קֶען ניט אַרױס דֶערְפוּן ! וואַרְט ! דִיא צַייט ועט
אַלֶעם ענְטְרֶעקֶען אוּג אוּנְזֶערֶע קינְדֶער וֶוֶעלִין אַודאַי שוֹין נִיט זַיין ראָס
װאָס מִיר !
מנחם מענדעל-- אָמֵן ! בֵּן יְהִי רָצוֹן ! --
יש
פּנחס--שמעלקי'ס חתונה
איך פּנחם שמעלקע אַי אִךְ בֵין אַלְט געװואָרֶע פערְצָעהן יאָהר האָט מִיר דֶער
בקיצור
יאקאשׁ
טאַטֶע זאָלל לֶעבֶּען חַתוּנָה גֶעמאַכְט, בִּיז דער זַתוּנָה
האָבּ אִיךְ נִיט גֶעוִיסְט פאר וֶוֶעמֶען איך האָבּ חָה , נאָר
אִיך האָבּ מִיר אַלְץ גֶערֶעכֶענְט, מֵן הַסְתֶּם פאַר אַ -. זולה,
קְלֵיירֶער כִּסְעוּרַת שָלמה, אַיין אוֹיפְּרִיפֶענֶעס בַּנְרי מַלְביּת, אַיין אַרוֹיסְפאָהר
אוֹיף דֶער הֲתוּנָה אַזױ ויא לּת מִיט פַּרעהים מַכּוֹת, נאָ מָע פאָהרְט,
מִיר זֶענִין שׁוֹין אוּנְטֶער דֶעם מְחוּתּים שְטֶערְטֶעל ; אַ דאָ האָט מֶען עֶס
אָנְגֶעהֵייבֶּען פאָהרֶען אַקֶענֶען חָתָן. - ְַּלל דִיא וֶעלְט פאֶהרְט ; דֶער קיין
רְמֶעליגֶעץ אוֹיפִין יָרִיר, דער קיין בֶּערְרִיטְשָעו נאָך שׁוֹפְרוֹת, דֶער קיין
בּאַלְטֶע נאָך אֶתְרוֹגִים, דֶער קיין תִירְקֶעוֶועץ אויף קָבְרֵי אָבות, דֶער קֵיין
אָדץ יִשְׂרָאֵל נאָךָ
מע יְתוֹמָה - אלא פאָהרֶען אַקֶעגֶען, נאָר אִיך פֶּנֶחֶס שְמֶעלְקֶע מִיטין
מחוּתָּן מִיט אַ אַללֶע מְחוּתָנִים אוּנ נוּטֶע פְרֵיינֶר גֶעהֶען נֶעבִּיךְ צוּפִים, --
מִיר זֶענין יאַקאָש נִיט טוט נִיט לֶעבֶּערִיג אַרַיי אִין שְׁמֶערְטִל ארי א
דאָ האָט זִיךְ עס אָנְגֶעהוֹיבֶּען דִיא גְרוֹיסֶע וֶוֶעטְשֶערֶע; אִין אַללֶע הַייזֶער
האָט מֶען גֶעקאָכֵט ; דָא אַ רָאסֶעלְפְרֵייש, דָארְט אַ יוֹיף דָא גֶעפִילְטֶ
פִּיש, דָאךְּט בּאַרֶען צִימֶעם, דָא וָואלִיבְשֶׁען בּארְשְט, דארט קְרֶעפְלִיך מִיט
קעז אַבְּלֵל אוּמֶערִים הָאט מֶען גֶעקָאכְט אוּנ ויא מֶע הָאט גֶעקַאכְט הָאט
מֶען גֶעגֶעמֶען נָאר אִיךְ פֵּנְהֶם שְמֶעלְקַע מִיט דֶער כֵּלָה מִיט אַללֶע
מַחוּתּנַיִם הָאבֶּען נֶעבּיךְ גֶעראַנְקְט נָאטט פאַר אַ פֶערְשִׁימֶעלְטֶער שִׁישְקֶע
מיט קְנָאבֶעל -
אִיבֶּערְגֶעקוּמֶען דיא נְרוֹיקֶע וֶועטְשֶערֶע אויף, אַ דָא שְטֶעלְט זִיךְּ מַיין בַּרחֶן
אוֹיפִין = יֹּאִי הרִי! הַרִי! חָתָןיס צַר ְרָשָׂה גֶעשאַנְק עֶר אל נאָר
אוֹיס גֶעֶרֶעט חָתֶןיס צַד קוּמְט אַרַיין א שִיכּוֹרֶער מוּזשיק וּג פַאלְט אַרוֹיף
אוֹיף מִיר. יאִי הֲרִי! הָרִי! כַּלְהִיס צַד דְרָשֶׂה גֶעשַאנְק !+ מַיין מוּוְשִׁיק
קַעהרְט זִיךְ אוֹים אוּנ פַאלְט אוֹיף דֶער ַּלָה' - אַוְדַאי אַוַרֵאי איז אַ שְׁכּוֹרֶער
מוְּשׁיק גֶעפַאללֶען פוּן בֵּיירֶע צְרָרִים ! -
מִיט דֶעם מַאיָאנְטָאק בִּין אִיךְ פִּנְחֶס שְמֶעלְקֶע מִיט מַיין וַייּ אַרױס אויף
אַיינענֶע קעסט - אָ דָא הָאבּ איך. עס אָנְגֶעהוֹיבֶּען מִיט מֶענְשֶען מַאבֶען
גֶעשֶׁעפְטֶען אַללֶע מַאכֶען גֶעשֶעפְטֶען - דֶער אַ פֶּערְרֶעשֶׁע מיהל, דער
אַ וַוייבֶּערש בּערֶעל, דֶער אַ יָאטְקֶע, דֶער אַ. . . דֶער הַאנְדֶעלְט שוּטִינֶעס,
דֶער חַזִיר הָאאר, דֶער מִיט רִיא שְפִּיטְצֶען פוּן דְרַאטְוֶועם, דער מִיט דֶעם
ואס מֶע מַאכְט בַּארְשְׁטֶען דֶער מִיט פַאלְשֶע פִּינְקְסִי , דֶער מִיט אֶמָתּיע
מַשְׁכְּנוֹת. דער מִיט זויערְמִילְ רֶער מִיט סְמֶעטֶענֶע אִיך נֶעבִּיךְ פָּנְחֶם
אֵייהלְבִּירְטֶען, דֶער אויף מַאָרְנֶעם, דֶער אויף אֵיין אָריפ .
אט
יא יי
פנחס--שמעלקעס חתונה
שֶׂמֶעלְקֶע האָבּ אוֹיפְגֶעטהוּן פִּינֶף קְלֵיינָע פיצֶעליך; בְּרֶעקְלִיךְ נאקעט
קַערֶערְליף ' - צוּ דִיא אַללֶע גִילְרִינֶע צֵייטֶען האָט מִיךְּ פִּנח חָם שׁמֶעלק ע
נִיט דאָ גֶעראַכְט, נִיט דאָרְט גֶעראַכְט, נִיט הַיינְט גֶעדאַכְט, ; נִיט 8 נֶעכמֶען
נִיט מאָרְגֶען גרַאב כֶט, נִיט פאַר קֵיי; שוּם יוְרען גֶעראַכט --אָנְגֶעתאַפּט אַ
סְרַייבּענעס, מֵיינְט אִיהר דאָך אָפֹשֶר נאָר : ן דְרוֹיסֶען אַרוֹיס, נֵיין ! אַ
טְרַייבֶּענֶעס פוּן שטאָט צוּ שְטאָט, פוּן דאָרף צוּ דאָרֶף, פוּן קְרֶעטְשְמֶע צוּ
קְרֶעטְשְׁמֶע, אוּנ פוּן שְטוּבּ צוּ שְטוּבּ, אִיךְ בִּין געװאָרֶען כִּמֶעט אוֹיס פִּנְחֶס
לקע - וַיְהִי הַיּוֹם רֶערְזֶעהט מִיךְ אַ גוּטֶער בְּרוּדֶער. - אַ װאָס
פאַכְסְטוּ פַּנְחֶם שְׁמֶעלְקֶע?! װאָס בִּיסְטוּ אַזֹי אָפְּגֶעש וְלאַפָט ! -
סְטֵייט זש, דוּא וֵוייסְט נָיט, זאָג אִיךְ אִיהם פוּ מַיין | אוּמְנְלִיק : שוֹין
פִיער יאָהר אַז עִם טְרַייבְּט מִיךְ; אוּנ אִיךְ ווייס רֶער צוּ קיין
נִיט! - אַזוֹי ? אִיךְ וֶעל דִיר גֶעבֶּען אַיין אַיינֶעהמעניש ווֶעט עס דִיר
בַּאַלֶר אִיבֶּערְגֶעהֶען ! - יװאָסְושֶׁע בְּרוּרֶער ? -+ נֶעם אַיין גֶעלְט, נאָר צוּ
יע וֵוייס אט שָׂעֵה אַ גִילֶען וּג װאָס ווייטער מֶענְסְטוּ שׁוֹין אַפִילו
אֵיינֶעמֶען אַ קֶערְבִּיל וֶֶעסְטוּ זְעהן אַז עס וֶועט דִיר אָפְטְרֶעֶען + שי
אי 5 אַז מַייוֶועלְסְקוֹיטְה אִיז אַ הוּנֶר אַקְגעגֶען דֶעם אֵיינְגָעה
בִיטֶער אִיז דאָס ווִיא דֶער טוֹיט ; שְוְוֶער ויא יִרְאַת שָׂמַיִם, נאָר אי
אָט דאָס ! װאָס מָעהר מֶע נֶעמְט אַיין מָ עהר יל זִיךָּ. -
אִיךְ פִּנְחֶס שְמֶעלְקֶע בִּין שוֹין אַ בִּיסֶעלֶע צוּ דִיא כֹּוֹת ג
גֶעפאָרֶען אויף אַיינֶענֶע פֶערְר אַהֵים, אִיךְ קוּם אִין שְׁטוּב יי אוי, אַ
דוּנֶער האָט מִיךְ רֶערְשְׁלאָגֶען ! מאָהלְט אַייךְ דער פאָסט אִיו זִיךְ אַ ומ
װאָזשע קוּמט דער חצוּף אין אַ סְפַאלְנֶע ? אוראי בִּין אִיך גע לאָפ
אִין איין אִינפּעט צוּם רֶב, נאָר אוֹיפ { וועג איז זיך מײַשֵׁב דִיא זאַון ערֶעתָע
זִיא אִיז דאָך אַ נְקֵבֶה, אוּנ פַאטְשְט מִיר גוּט אויס ס רז עם פֵּנִים אוּנ װאַרפְט
מִיר אַראָּ רֶעם סְפּאָרֶעק. אִיך האָבּ אַ קוק גֶעטוּהן עס אִיז שלֶעכְט האָב
אִיךְ זִיךְ מְיֵשֵׁב גֶעוֶועזֶען, װאָס וֶועל אִיךְ דאָ.אוֹיסְפִיהרֶען מיט קריג ? אוּג
אַזוֹי. האָבּ איך אַרַיינְגֶענוּמֶען דֶעם פַראָסְט מִיט דֶער זַאוְוֶערֶעהֶע צוּ ִי
אוֹיף קֶעסְט -- זייא האָבֶּען נֶעפַּלאָר עט קְלֵיינֶע פְרֶעסְטֶע נָלִיךְ מִיט קְלֵיינֶע
זַאווֶערֶעחְקֶעלִיךְ אוּנ אִיךְ יינ קִינְלֶערְלֶך : צוּנֶר אי א | ווייבּ א פיר!א?
גֶערֶען | אִין ווייבּערְשֶען שוּלְכֶען אוּג אִיךְ פּנחֶס שְמֶעלְקע בּ
אַכְצְעהן פּאָלֶעס - ווֶען אִיךְּ ועל שׁטַארְבֶּען װייס אִיך 2 -- נאָר
אִיךְ האָבּ גֶעלֶעבְּט וָוייס אי אַורֵאי ניט, נאָר דאָס ווייס אי אַו אִיךְ ה
; וַייבּ מיט צְוֶועלְף ק קִינְדֶער, נִיט אַ קענען ר שבְטִים נאָר
3 : יא צְוֶועקֶף
קֶעגֶען דֶער בּאָד אוּנ רעכט מִיךְ הַיינְט טאָרְגֶען אוֹיפִין : ייצֶע גשֶען!-
-- 94
א פאָרטְרֶעט'
אַ נִירֶערִיגֶער - אַ הוֹיכֶער
אַ קְלוֹיזְגֶער - אַ סוֹחַר
א חָסִיד -- אֵיין אַרִיסְטאָקראַט
אַ שְׁטִילֶער - אַ מאָט
אַ מיאוֶּער - א שענער
אַ.גְרוֹיסֶער - אַ קְלַיינֶער
אַ גֶעבִּילְרֶעטֶער -- אַ גְראָבֶּער יונ
אַ שְרַייבֶּער -- אַ פּוּסְטֶע צוּנ
א קִבּצֶן - אֵיין עשר
אַיין אַכָור - אַ בַּעַל יושָר
א ִמְצֶן - אַ מִילְֶער
אַ סְטאַ טעטְשָנער-- אַ.וויִלְרער
אַ גְלֵייכֶער שבָל = אַ קְרִימֶער
אַ הִילְטייאַ -- אַ פְרִימֶער
אַ קְגֶעכְט - אַ האַר
אַ קְלִיגֶער - אַ נאַר
אַיין אֵיירֶעלֶער - אַ גְראָבֶּער
ראָס איז רֶע 2
מחבר
- לג .יי = =
לוח המעות
דיא לעצטע שורה דארף שטעהן נאָר אויווען, טאקי אויף דער אייגע+
נער זייט,
דיא שורות 25 אונ 26 דארפען שטעחן נאָך דע- 30 סטער שורה
{ אין דער זאגלאוויע דארף שטעחן יקורסען אומשטענדע בייא פוילישע
יורעןי.
; אין דער זאנלאוויע דארף שטעהן ייורעשע באנקען אין א פך מקומות.
שורה 27 שטאט *1. . . . איז פארהאנען+ דארף שטעהן : י1 אין א סך
שטערש אונ שטעדטליך איז פארהאנען: א. ז. וו
{ דיא שורות ; פֿון 1 ביז ט -- דארף מען לייענען אין דעם סדר ;
2 4 5 0 1 5( 9 1
| נאָך דער שורה 23 פעהלט דיא שורה ;
| יאונ א קאָפּווֶעטְהִיג אִי זייא אויף תָּמִיד גֶעבְּלִיבָּץ!י.
נאכדרוק איז שטרענג פארבאמען נאך דיא רענירונגס
געזעמצץ !
אונ דעם העררען גע ח ע ליס בע איך רחמים
ער זאלל שוין בעסער ווערען גאר גום אונ פרום
אונ זאלל אויפהערען דרוקען פרעמדע ביכער
אלא ניט. מעג ער אודאי זיין זיכער
אז מיר אללע מחברים מיט דער שטיצע פינ'ם זאקאן
וועלין איהם רודפ'ן וויא וט נאר מען קאן !
מיר וועלין בעדייא פאו'לאזען אונזער ברוים
אונ זיך לאדען מים איהם ביז אין טוט !
מיט דער שטיצע פון אונזער פ א ט ע ר, רעמער אונד
לעוער
אונזער פראממער אללמאכמיגער קייזער !
וועלין מיר אונזער רעכט געפינען אומעדום, לויב גאטט !
אונ אונזערע רויבער וועלין זיין צו שאנדע או: שפאטט !
רער פערפאססערי
יא אק יאר הי ריד ייה יי עס זי יקרײעניוײיה ==
ישר זק יי = : = '
אש
" +
|
<p>I have a React app which is at <a href="http://localhost:3000/" rel="noreferrer">http://localhost:3000/</a>
and Laravel API is at <a href="http://localhost/blog/public/api/" rel="noreferrer">http://localhost/blog/public/api/</a><br>
I get the following error</p>
<blockquote>
<p>Access to fetch at '<a href="http://localhost/blog/public/api/auth/signin" rel="noreferrer">http://localhost/blog/public/api/auth/signin</a>' from origin '<a href="http://localhost:3000" rel="noreferrer">http://localhost:3000</a>' has been blocked by CORS policy: No 'Access-Control-Allow-Origin' header is present on the requested resource. If an opaque response serves your needs, set the request's mode to 'no-cors' to fetch the resource with CORS disabled.</p>
</blockquote>
<p><img src="https://i.stack.imgur.com/DyLCf.png" alt="Error Screenshot"></p>
<p>Here are the response headers :-</p>
<p><img src="https://i.stack.imgur.com/Id8SW.png" alt="Response Headers Screenshot"></p>
<p>I tried via htaccess,
<a href="https://packagist.org/packages/barryvdh/laravel-cors" rel="noreferrer">https://packagist.org/packages/barryvdh/laravel-cors</a></p> |
Martha Elizabeth McSally (born March 22, 1966) is an American politician. She is a member of the Republican Party. McSally was the United States Senator from Arizona from January 3, 2019 to December 2, 2020. She was a U.S. Representative for Arizona's 2nd congressional district from January 2015 to January 2019. McSally is a retired United States Air Force Colonel.
Senate career
In January 2018, McSally announced that she was entering the 2018 race to succeed retiring Republican U.S. Senator Jeff Flake. She won the Republican nomination in August 2018 but lost to Democrat Kyrsten Sinema in the general election.
After the Senate election, U.S. Senator Jon Kyl announced his resignation from the state's other seat. Governor Doug Ducey then announced that McSally would Kyl. This made McSally the second woman to be chosen to serve as a U.S. Senator from Arizona, and made Arizona one of the few states with two women serving as its senators.
In November 2020, McSally lost her re-election to Democrat astronaut Mark Kelly.
References
Other websites
U.S. Senator Martha McSally official U.S. Senate site
McSally for Senate
1966 births
Living people
United States senators from Arizona
Politicians from Rhode Island
People from Warwick, Rhode Island
American aviators
United States representatives from Arizona
US Republican Party politicians |
If I Had a Million is a 1932 American comedy drama movie directed by seven directors Ernst Lubitsch, Norman Taurog, Stephen Roberts, Norman Z. McLeod, James Cruze, William A. Seiter, H. Bruce Humberstone and starring Gary Cooper, Charles Laughton, George Raft, May Robson, Charles Ruggles, Gene Raymond. It was distributed by Paramount Pictures.
Other websites
1932 movies
1930s comedy movies
1930s drama movies
1930s comedy-drama movies
American comedy-drama movies
Movies directed by Norman Taurog
Movies directed by William A. Seiter
Movies directed by Ernst Lubitsch
Movies directed by Norman Z. McLeod
Movies directed by H. Bruce Humberstone
Paramount Pictures movies |
Thiago Neves Augusto (born 27 February 1985) is a Brazilian football player. He plays for Fluminense and Brazil national team.
Club career statistics
|-
|2005||Paraná||Série A||29||3
|-
|2006||Vegalta Sendai||J. League 2||32||8
|-
|2007||rowspan="2"|Fluminense||rowspan="2"|Série A||33||12
|-
|2008||5||1
|-
|2008/09||Hamburger SV||Bundesliga||6||0
|-
|2009||Fluminense||Série A||10||6
|-
|2009/10||Al-Hilal||Professional League||||
77||22
32||8
6||0
0||0
115||30
|}
International career statistics
|-
|2008||1||0
|-
!Total||1||0
|}
References
1985 births
Living people
Brazilian footballers
People from Curitiba |
Mburumba Kerina (born William Eric Getzen; 6 June 1932 – 14 June 2021) was a Namibian politician, academic, and author. He was a co-founder of SWAPO, NUDO, and FCN. He was a member of Namibia's Constituent Assembly, as well as the National Assembly and the National Council.
Kerina created the name "Namib" for the independent state "Namibia" on the territory of South West Africa.
Kerina died from COVID-19 in Windhoek on 14 June 2021 during the COVID-19 pandemic in Namibia. He was 89.
References
1932 births
2021 deaths
Namibian politicians
Deaths from the COVID-19 pandemic in Namibia |
The British Rail Class 202 (or 6L) diesel-electric multiple units were built from 1957 to 1958 at Eastleigh railway works and Ashford railway works. These units were built to work the London Charing Cross to Hastings services. Several tunnels along the route had restricted clearance, so these units were built with a narrow body profile.
202 |
<p>I have an SQL Server 2012 database that contains <code>ntext</code> fields with data that I would like to export and send to an SQL Server 2008r2 database. I have tried generating data only scripts using ssms targetting SQL Server 2008r2 but the resulting scripts produce syntax errors (due to the content of the fields). I have tried casting it as xml but that also produces syntax errors. </p>
<p>The servers are not connected so I need something I can email.</p>
<p>Thanks,
Trevor</p> |
Francis I, Emperor of Austria (February 12, 1768 – March 2, 1835) also was Francis II, Holy Roman Emperor (in German language: Franz II, Heiliger Römischer Kaiser).
He was the last Holy Roman Emperor, ruling from 1792 until August 6, 1806, when the Empire was no longer a unit. He then became Francis I, first Emperor of Austria (from 1804 to 1835).
Related pages
Holy Roman Empire
Germany
1768 births
1835 deaths
Holy Roman Emperors |
Jeffrey Nerro Hardy (born August 31, 1977) is an American professional wrestler, painter and musician, best known for his time with WWE.
Career
Hardy says that Sting, The Ultimate Warrior, and Shawn Michaels were the reasons why he wanted to get into wrestling as a child. Jeff had been seen on WWF television as early as age 16. His first WWF match was against The 1-2-3 Kid and came on May 25, 1994 in Erie, Pennsylvania. Early on, Jeff, along with his brother Matt and friends, started their own wrestling organization, the TWF (Trampoline Wrestling Federation). In it they would perform many of the moves they saw on TV. The federation eventually became a part of a county fair in North Carolina, U.S.. Jeff, Matt, and friends then began to work for other independent wrestling companies. They drove all over the East Coast of the United States, working for companies many small companies.
World Wrestling Federation
The Hardy Boys (1998-2002)
The Hardy brothers eventually caught the eyes of the World Wrestling Federation. Jeff was only 16 at the time. After being signed to a contract in 1998, they were trained by Dory Funk, Jr. in his Funkin' Dojo. They were trained with other notable wrestlers such as Kurt Angle, Christian, Test, and A-Train. When the team was finally brought up to WWF TV, they formed the tag team called The Hardy Boys. During this time, they were managed by Michael Hayes. In 1999, they fought mainly with Edge and Christian.
The team of Matt and Jeff won the WWE Tag Team Championship six times. Because of this, they would be known as one of the most successful tag teams in WWE history. In 2000, Matt and Jeff found a new manager in their real-life friend Lita. Together, the three became known as "Team Extreme".
Jeff was well known for his high risk stunts in many of the Hardy Boys' matches. He made a name for himself because of the risks he took during this time. In 2001, Jeff would also hold the WWE Intercontinental, Light Heavyweight and Hardcore Championships.
Singles competition (2002-2003)
After years in the tag team division, Jeff fought The Undertaker in a Ladder match for the Championship. Jeff did not win, but earned the Undertaker's respect. Jeff competed for singles titles several times, but did not win.
Jeff was released from WWE on April 22, 2003. The reasons given for the release were Jeff's strange behavior, drug use, and not showing up for matches. Hardy also said "burn out" and the need for time off were reasons for leaving WWE.
Total Nonstop Action Wrestling (2004-2006)
Hardy started wrestling in Total Nonstop Action Wrestling on June 23, 2004 at the TNA pay-per-view, the Second Anniversary Show. He was in a match against A.J. Styles for the X - Division title. The match ended in a no-contest when Kid Kash and Dallas interfered. Hardy returned to TNA on July 21 and was given a chance to fight for the NWA World Heavyweight Championship. Hardy challenged for the title on September 8 but lost to NWA World Heavyweight Champion Jeff Jarrett.
WWE (2006-2009)
On August 4 2006, WWE announced that Hardy was working with the company again. He returned on the August 21 episode of RAW. On the day of his return, Hardy defeated Edge by disqualification when Lita pulled Edge out of the ring. After failing to win the Intercontinental Championship from John Morrison over the next few weeks, Hardy finally defeated Morrison to win his second Intercontinental Championship on the October 2 edition of RAW. On the November 6 episode of RAW, Hardy lost the Intercontinental Championship back to John Morrison. Just a week after he lost the title to Morrison, Hardy won it again on the November 13 edition of RAW. This was Hardy's third time as Intercontinental Champion.
On the November 21 episode of Extreme Championship Wrestling Jeff teamed with his brother Matt for the first time in almost five years to defeat the Full Blooded Italians.
With Jeff Hardy still feuding with John Morrison in 2007, Jeff was challenged once again by John Morrison at New Year's Revolution 2007 for the Intercontinental Championship. Hardy once again defeated Morrison. Hardy later lost the title to Umaga. On the September 3 edition of RAW, Jeff successfully captured his 4th WWE Intercontinental Championship by defeating Umaga for the title. At Armageddon 2007, Hardy will fight Triple H, with the winner getting a WWE Championship match at the Royal Rumble. This match was seen to many as the most important match of Hardy's career, as his win against Triple H has finally moved Hardy into the top level of the roster and the race for the WWE Championship. However, he lost to Randy Orton at the Royal Rumble. He will fight in the Elimination Chamber at No Way Out on February 17th for a place in the main event at Wrestlemania.
Jeff Hardy came second in the Elimation Chamber match, being beaten by Triple H. He has competed in various matches and was going to WrestleMania XXIV to fight in the Money in the Bank ladder match. Jeff lost the Intercontinental Championship to Chris Jericho on the March 10 edition of RAW. The next day, it was confirmed that Jeff Hardy had been put on 60-day suspension, as he failed his second drug test. This meant that he did not compete at WrestleMania.
Jeff Hardy returned in the May 12, 2008 edition of RAW, when General Manager William Regal told him he was to pay for his "sins" (read the paragraph before) by fighting Umaga. Jeff Hardy won with a "[[#In wrestling|Whisper in the Wind]]".
On December 14, 2008 at Armageddon, he won the WWE Championship, his first world championship. During the next month, Hardy had several accidents, including a car accident and a pyrotechnics accident. Hardy's brother, Matt was revealed as the person behind the accidents, and interfered in his match at the Royal Rumble, causing Hardy to lose the WWE Championship to Edge. Matt defeated Hardy in an Extreme Rules match at WrestleMania XXV, but Hardy defeated Matt in an "I Quit" match at Backlash. At WWE Extreme Rules, Hardy defeated Edge in a ladder match to win the World Heavyweight Championship, but lost the championship immediately after wards to CM Punk, who cashed in his Money in the Bank briefcase.
He then was in a two-month feud with CM Punk. Ultimately, he lost when he entered a Loser Leaves Town Match in a steel cage.
TNA Return 2010-present
Hardy returns to TNA on January 4, 2010. On March 8th, he saves Hulk Hogan And the pope D'Anglo Dinero. He returns when he defeats then TNA World Heavyweight Champion AJ Styles in a non-title match. On April 4th, he was revealed as part of Hulk Hogan's team for Lockdown.
In wrestling
Finishing moves
Reverse of Fate (Inverted facelock neckbreaker slam) - used rarely
Spine Line (Armlock cloverleaf) – OMEGA; used as a regular move in TNA
Swanton Bomb / The Swanton (High-angle senton bomb)
Twist of Fate / Twist of Hate (Front facelock dropped either into a cutter – WWF/E / TNA or a stunner – TNA)
Signature moves
Alley Oop facebuster
Baseball slide
Diving clothesline, sometimes from the barricade
Double leg drop to an opponent's midsection
Handspring Stinger splash
Hardyac Arrest (Rope-aided corner dropkick)
Mule kick
Plancha
One-man Poetry in Motion
While he is positioned at either the top rope or on another ladder, Hardy performs a diving leg drop or a splash after leapfrogging over a ladder
Sitout inverted suplex slam
Sitout jawbreaker
Split leg pin
Whisper in the Wind (Turnbuckle climb into a rebounded corkscrew senton to a standing opponent)
Managers
Gangrel
Michael Hayes
Lita
Trish Stratus
Terri
Nicknames
"The Charismatic/Extreme Enigma" (WWE / TNA)
"The Legend Thriller" (WWE)
"The Rainbow–Haired Warrior" (WWE)
"The Anti-Christ of Professional Wrestling" (TNA)
"The Best Wrestler on Planet Earth" (TNA)
"The Artist" (TNA)
Entrance themes
World Wrestling Federation/Entertainment
"Loaded" by Zack Tempest (1999 – 2003, 2006 – 2008, 2009)
"No More Words" by EndeverafteR (2008 – 2009)
Total Nonstop Action
"Modest" by Peroxwhy?gen (2004 – 2006)
"Modest" (2010 Remix) by Peroxwhy?gen (2010, 2011)
"Another Me" by Jeff Hardy and Dale Oliver (2010 – 2011)
"Immortal Theme" by Dale Oliver (2010 – 2011; Used while a part of Immortal)
"Resurrected" by Jeff Hardy and Dale Oliver (2011 – 2012)
"Similar Creatures" by Jeff Hardy and Dale Oliver (2012 – 2013)
"Time & Fate" by Jeff Hardy and Dale Oliver (October 20, 2013 – November 21, 2013; July 10, 2014 – present)
"Willow's Way" by Jeff Hardy and Dale Oliver (as Willow; March 9, 2014 – July 10, 2014)
Ring of Honor
"Tourniquet" by Marilyn Manson (2003)
Organization of Modern Extreme Grappling Arts
"Dead And Bloated" by Stone Temple Pilots (1997 - 1998)
Championships and accomplishments
National Championship Wrestling
NCW Light Heavyweight Championship (2 times)
New Dimension Wrestling
NDW Light Heavyweight Championship (1 time)
New Frontier Wrestling Association
NFWA Heavyweight Championship (1 time)
North East Wrestling
NEW Junior Heavyweight Championship (1 time)
NWA 2000
NWA 2000 Tag Team Championship (1 time) - with Matt Hardy
Organization of Modern Extreme Grappling Arts
OMEGA New Frontiers Championship (1 time) (First)
OMEGA Tag Team Championship (1 time) - with Matt Hardy
Pro Wrestling Illustrated
PWI Match of the Year (2000) with Matt Hardy vs. The Dudley Boyz and Edge and Christian in the Triangle ladder match at WrestleMania 2000
PWI Tag Team of the Year (2000) with Matt Hardy
PWI Match of the Year (2001) with Matt Hardy vs. The Dudley Boyz]and Edge and Christian in the TLC IIat WrestleMania X-Seven
PWI ranked him # 418 of the 500 best singles wrestlers of the PWI Years in 2003.
PWI Comeback of the Year (2007)
Total Nonstop Action Wrestling
TNA World Heavyweight Championship (3 times)
Bound for Glory Series (2012)
Wrestler of the Year (2012)
Universal Wrestling Association
UWA World Middleweight Championship (1 time)
World Wrestling Federation / World Wrestling Entertainment
World Heavyweight Championship (2 times)
WWE Championship (1 time)
WWE European Championship (1 time)
WWF Hardcore Championship (3 times)
WCW Tag Team Championship (1 time) (with Matt Hardy)
WWF/E Intercontinental Championship (4 times)
WWF Light Heavyweight Championship (1 time)
World Tag Team Championship (6 times) (with Matt Hardy)
Terri Invitational Tournament (with Matt Hardy)
Eleventh Grand Slam Champion
Eighteenth Triple Crown Champion
Slammy Award for Extreme Moment of the Year (2008) (Swanton Bomb to Randy Orton from the top of the Raw set (Raw, January 14))
Slammy Award for Extreme Moment of the Year (2009) (Jumping from ladder onto CM Punk at SummerSlam)
Wrestling Observer Newsletter awards
Best Flying Wrestler (2000)
Feud of the Year (2009) vs. CM Punk
Most Disgusting Promotional Tactic (2008) (Hardy attacked in stairwell before Survivor Series)
Worst Worked Match of the Year (2011) (vs. Sting at Victory Road)
Notes
References
Other websites
WWE.com Profile
The Hardy Show
The Hardy Show at MySpace
Jeff Hardy at WrestlingRevealed.com
1977 births
American painters
American professional wrestlers
American rock musicians
Living people
Sportspeople from North Carolina |
McLeod County is a county in the U.S. state of Minnesota. As of 2010, 36,651 people lived there. The county seat is Glencoe.
Minnesota counties |
LACSA was/is the flag carrier of Costa Rica. Pan Am founded the airline on October 17, 1945. The first flight was on June 1, 1946. In 1992, TACA Airlines bought 86% of LACSA. Most of LACSA's planes were repainted in the TACA Airlines paint-job. The original LACSA stopped flying in 2014. However, the new LACSA is now a subsidiary of Avianca.
Gallery
References
1945 establishments in North America
Airlines of North America
San José, Costa Rica |
Syed Ishtiaq Ahmed Jaffrey (29 March 1939 – 8 July 2020), better known as his stage name Jagdeep, was an Indian actor, director and comedian. He appeared in more than 400 movies. He played Soorma Bhopali in Sholay (1975), Machchar in Purana Mandir (1984), Salman Khan's dad in Andaz Apna Apna (1994) and directed the movie Soorma Bhopali. He was born in Datia, Madhya Pradesh.
Jagdeep died at a hospital in Mumbai on 8 July 2020, aged 81.
References
1939 births
2020 deaths
Indian movie actors
Indian television actors
Indian comedians
Indian movie directors |
Shenzhen & Hong Kong Bi‐City Biennale of Urbanism & Architecture is an international event that takes place every 2 years in Hong Kong, China. A "biennale" is an event that happens every 2 years. In 2005, the Chinese government decided to dedicate the biennale to Chinese architecture and urban planning to promote city of Hong Kong and the area of Shenzhen.
Other websites
Shenzhen & Hong Kong Bi‐City Biennale of Urbanism & Architecture
Events in Asia
Hong Kong
2005 establishments in Asia
Urban planning |
The Searchers is a 1956 epic western movie set in Texas in the 1860s. it is directed by John Ford and starring John Wayne, about a man looking for his niece who was taken by Native Americans. It is also one of the movies that influenced Star Wars.
Other websites
1956 movies
American western movies
English-language movies
Movies set in Texas
Movies set in the 19th century
United States National Film Registry movies
1950s western movies
Movies directed by John Ford |
Linda Wolfe (November 15, 1932 – February 22, 2020) was an American journalist, essayist, and fiction writer. She was best known for her award-winning work, Wasted: The Preppie Murder, an investigation of the so-called "rough sex" killer, Robert Chambers. Wolfe was also a book critic and a founding member of the National Book Critics Circle.
Wolfe died of problems caused by bowel surgery at a Manhattan hospital on February 22, 2020 at the age of 87.
References
Other websites
Official website
My Manhattan; On East Broadway, a Wide World Unfolds
In Step With Austen: English Country Dancing
And Baby Makes 3, Even if You're Gray
1932 births
2020 deaths
Deaths from surgical complications
American essayists
American critics
American novelists
Writers from New York City |
Denílson de Oliveira Araújo (born 24 August 1977) is a Brazilian football player. He has played for Brazil national team.
Club career statistics
|-
|1995||rowspan="4"|São Paulo||rowspan="4"|Série A||18||1
|-
|1996||18||3
|-
|1997||14||0
|-
|1998||0||0
|-
|1998/99||rowspan="2"|Real Betis Balompié||rowspan="2"|La Liga||35||2
|-
|1999/00||32||3
|-
|2000||Flamengo||Série A||11||3
|-
|2000/01||rowspan="5"|Real Betis Balompié||Segunda División||21||1
|-
|2001/02||rowspan="4"|La Liga||34||3
|-
|2002/03||25||2
|-
|2003/04||29||2
|-
|2004/05||10||0
|-
|2005/06||Girondins Bordeaux||Ligue 1||31||3
|-
|2006/07||Al-Nasr||Professional League||15||3
|-
|2007||Dallas||Major League Soccer||8||1
|-
|2008||Palmeiras||Série A||30||3
|-
|2009||Itumbiara||||0||0
|-
|2009||Hải Phòng||V-League||1||1
|-
|2009/10||Kavala||Super League||||
91||10
186||13
31||3
15||3
8||1
1||1
0||0
331||30
|}
International career statistics
|-
|1996||2||0
|-
|1997||18||6
|-
|1998||16||0
|-
|1999||2||0
|-
|2000||3||0
|-
|2001||10||2
|-
|2002||9||1
|-
|2003||1||0
|-
!Total||61||9
|}
References
1977 births
Living people
Brazilian footballers |
For Your Entertainment is the debut mainstream single by pop singer/songwriter and runner up of American Idol's 8th season Adam Lambert. It is the lead single for the album For Your Entertainment. The song was released commercially on November 3, 2009. The single was written by Claude Kelly and Dr. Luke. It's set to be his first U.K single and his third Australian single.
Background
On October 28, 2009, Lambert announced via Twitter that his lead single from his debut album would be "For Your Entertainment", a song that was produced by Dr. Luke. The following day, Lambert announced that the single would debut on Ryan Seacrest's radio show on October 30, 2009.
The song became available as a legal download in the United States on November 3, 2009 and on November 15, 2009 in the United Kingdom.
Remixes
On November 24th, 2009 UK dance music group comprising producers Lee Dagger and Marc JB and vocalist Katherine Ellis called Bimbo Jones remixed "For You Entertainment" and released it on iTunes Store. It also has a short edit for radio mainstream.
On December 1st, 2009 RCA/Jive released American producer Brad Walsh's remix of the song "For Your Entertainment" on iTunes on Adam Lambert's "Remixes" EP. The remix also opened Adam's Glam Nation tour and was on an E! commercial.
Music Video
The music video premiered on Lambert's official website on November 24, 2009. It was directed by Ray Kay. The video was filmed in a one-day shoot, on November 15 at The Alexandria, an old hotel which is now an apartment building in downtown Los Angeles.
Concept
The video opens with a nighttime street level shot in a city. As the camera pans down below the ground, Lambert is shown walking into an underground club, filled with scantily clad men and women. As he begins singing, he walks through the crowd and interacts and dances with others. Mixed with dancing are close up shots of Lambert and various dancers. Towards the end of the song, Lambert begins to play with his band and the video shows everyone in the club dancing. As the song ends, the camera pans back up to the street level where life is continuing on, completely oblivious of what is going on below the streets.
Adam Lambert songs
2009 songs |
NGC 734 is a lenticular galaxy in the Cetus constellation. It is about 538 million light-years away from the Milky Way.
Lenticular galaxies |
Jodha Akbar is an Indian historical fiction drama on Zee TV.
Cast
Accolades
References
Hindi-language television series
Indian television series |
<p>I am writing small programs, consisting of 1 source file, but when I open 1 of them, it automatically scans other files and shows errors, is there a way to disable that?</p> |
The Vietnamese are a group of people with their own culture living in Southeast Asia. Most Vietnamese live in the country of Vietnam, although there are many Vietnamese people living in other places. Many Vietnamese people speak Vietnamese.
History
The Vietnamese people could be a mixture of different groups from different parts of Asia.
According to legend, the Vietnamese people are the children of a dragon and a fairy.
Many Vietnamese girls and women were trafficked into China in the 19th century. Chinese pirates in the Tonking Gulf region took Vietnamese women as wives. In the Gulf of Tonkin Vietnamese pirates were defeated in 1409 and 1373 by the Ming Chinese navy and the Ming navy frightened Vietnam from invading Champa in 1403 and defeated Vietnam in 1407 in the Red river delta. Chinese pirate and bandits operated in the highlands of Tonkin in French Indochina.
Religion
Most Vietnamese practice a mixture of Buddhism, Confucianism, Taoism, and animism.
A minority of Vietnamese are Catholic Christians.
Vietnamese people outside of Vietnam
There are millions of Vietnamese people living outside of Vietnam. The United States has the number population of Vietnamese outside of Vietnam. Many Vietnamese people left the country after the Vietnam War. They did not want to live in a Communist country.
References
Ethnic groups in Asia |
<p>I've used $state.go to pass in an 'employee' object as a parameter to a page where the id is also used as a parameter in the url, but when the page is refreshed, all $stateParams are cleared from the state.</p>
<p>How can I prevent this from happening, and somehow store the data for the employee (as I said, employee id is used in url), so that when the page is refreshed, $stateParams is still populated with this employee's data based upon the id in the url?</p>
<p><strong>State definition:</strong></p>
<pre><code> .state('employees/employeeDetails', {
url: '/employees/employeeDetails/:id',
templateUrl: 'views/employees/employeeDetails/employeeDetails.html',
params: {
employee: null,
id: null
},
controller: 'employeeDetailsMainController',
controllerAs: 'employeeDetailsMain',
resolve: {
lazyLoad: function($ocLazyLoad) {
return $ocLazyLoad.load('js/controllers/employees/employeeDetails/employeeDetailsMainController.js');
}
}
})
</code></pre>
<p><strong>Directive with <code>$state.go:</code></strong></p>
<pre><code>app.directive('viewEmployee', function() {
var directive = {
restrict: 'A',
scope: {
employee: '=',
state: '@state'
},
controller: function($scope, $state, $stateParams) {
$scope.goToEmployee = function() {
$state.go('employees/employeeDetails', { employee: $scope.employee, id: $scope.employee.id });
}
},
bindToController: {
employee: '='
},
link: function(scope, element, attrs) {
element.find('button').bind('click', function(index, employee) {
scope.goToEmployee();
})
}
}
return directive;
})
</code></pre> |
A buffer solution is chemical solution which resists change to its pH or acidity.
It is a solution in water of a mixture of a weak acid or base and its salt. The pH of the solution changes very little when a small amount of strong acid or base is added to it. Buffer solutions are used as a means of keeping pH at a nearly constant value in a wide variety of chemical applications. Many life forms have a relatively small pH range; an example of a buffer solution is blood.
Buffer solutions may be of two types: acidic and basic.
Acidic : A solution of mixture of weak acid and a salt of this acid with a strong base.
eg. CH3COOH+CH3COONa
Basic : A solution of a mixture of weak base and its salt with a strong acid .
eg. NH4OH+NH4Cl
If you add acid to the solution, the concentration of H+ ions will increase; to keep equilibrium a small number of ions will be combined (forming salt and reducing the concentration of H+ ion in the solution). If you add base the concentration of H+ ion will reduce (by consumption or combining) and so a small amount of salt will break into ions and maintain the pH.
Buffer index is the number of moles of acid or base added to 1 litre of buffer solution to change its ph by 1 unit
Acids |
<p>In Microsoft Visual Studio, I am getting the error "Artist object has no attribute "object". What am I doing wrong? Here is my python code:</p>
<pre><code>class Artist:
def __init__(self, name):
self.name = name
self.albums = []
def add_album(self, album):
self.albums.append(album)
def printLists(self):
print('Songs by {}'.format(self.name))
for alb in self.name:
alb.printFunct('Songs by {}'.format(self.name))
class Album:
#define what is in the album
def __init__(self, albumTitle, artist):
self.songs = []
self.albumTitle = albumTitle
artist.add_album(self)
self.cls = albumTitle
artist.add_album(self)
def addSongs(self, songTitle):
self.songs.append(songTitle)
def printFunct(self):
for song in self.songs:
print('{}({})'.format(song.nameSong, self.albumTitle))
class Song:
def __init__(self, title, album):
self.title = title
self.album = album
album.addSongs(self)
class Playlist:
def __init__(self, name):
self.name = name
self.songs = []
def addSongs(self, song):
self.songs.append(song)
def printSongs(self):
print(self.name)
for song in self.songs:
print('{}'.format(song.title))
hueyLewis = Artist( "Huey Lewis and the News" )
hallAndOats = Artist( "Hall and Oates" )
toto = Artist( "Toto" )
bigBamBoom = Album( "Big Bam Boom", hallAndOats )
sports = Album( "Sports", hueyLewis )
theSeventhOne = Album( "The Seventh One", toto )
four = Album( "IV", toto )
s1 = Song( "If This is it", sports )
s2 = Song( "Bad is Bad", sports )
s3 = Song( "Out of Touch", bigBamBoom )
s4 = Song( "Did it in a minute ", bigBamBoom )
s5 = Song( "Pamela", theSeventhOne )
s6 = Song( "Africa", four )
myAwesomePlaylist = Playlist( "My Awesome Playlist " )
myAwesomePlaylist.addSongs( s1 )
myAwesomePlaylist.addSongs( s2 )
myAwesomePlaylist.addSongs( s3 )
myAwesomePlaylist.addSongs( s4 )
myAwesomePlaylist.addSongs( s5 )
myAwesomePlaylist.addSongs( s6 )
hallAndOats.print('Songs by {}'.format(self.name))
hueyLewis.print('Songs by {}'.format(self.name))
toto.print('Songs by {}'.format(self.name))
myAwesomePlaylist.print()
</code></pre>
<p>The output is supposed to print out the artist and the song of the artist etc. </p> |
The Japanese kickboxing is called in English oriental kickboxing. According to certain people, the word "kickboxing" would have been invented, in Japan, in the years 1950 by experts of karate who needed to fight with total contact.
In the year 1958, a man who practised kickboxing is the student of oriental languages, the Burmese Maung Gyi who studied martial arts from experts of bando in Burma and also from Gogen Yamaguchi - the grand person with special skill of karate, called "the cat". Maung Gyi fights in Japan under different names and makes the Burmese boxing (lethwei) known in time when the competitions of Japanese kickboxing happened.
Writings of the subject
Alain Delmas, 1. Dictionnaire encyclopédique de la boxe et des autres boxes, Amiens, 1981-2005 - 2. Lexique de combatique, Ligue Midi-Pyrénées, Toulouse, 1975
Other websites
"A History of Kickboxing" by Mikes Miles historian of the American kickboxing
Kickboxing
en:Kickboxing#Japanese |
Berthe Marie Pauline Morisot (; January 14, 1841 – March 2, 1895) was an Impressionist painter. She was born in Bourges, France, and died in Paris.
In the 1860s, she studied with Camille Corot. She exhibited at the 1865 Salon. Morisot met artist Édouard Manet in 1868. Manet painted her portrait several times. The two had great influence on one another's work. In 1874, she married his brother, Eugène.
She exhibited at the first Impressionist exhibition in 1874. Morisot worked in oils, pastels, and watercolor. Her pictures are light and delicate. They typically depict women and children in everyday domestic life.
Many critics ridiculed the Impressionists. Morisot was not spared. She was never commercially successful during her lifetime. During her lifetime however, she outsold prominent Impressionists Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley.
Gallery
References
French painters
Impressionist painters |
This is a list of rivers of Guinea-Bissau.
Atlantic Ocean
Cacheu River
Farim River
Canjambari River
Ongueringão
Elia River (Rio Elia)
Mansoa River
Rio Cana
Bijemita
Safim
Rio Petu
Rio Pefiné (Pefiné River)
Geba River
Corubal River (Cocoli River) (Koliba River)
Colufe River
Mabani
Budace
Louvado
Rio Grande de Buba (Bolola River)
Quinora
Buduco
Gam Tomé
Tombali River
Como River
Cumbijã River
Balana River
Sanjota
Cacine River
Guinea-Bissau
Guinea-Bissau
Guinea-Bissau |
Colin James Farrell (born 31 May 1976) is an Irish actor. He was born in Castleknock, Dublin, Ireland. He has starred in many movies, including: Tigerland, Minority Report, Phone Booth, The Recruit, S.W.A.T., Alexander, Miami Vice, Widows, Dumbo and In Bruges, for which he won a Golden Globe Award.
He will play The Penguin in the 2022 movie The Batman.
Farrell lives in Los Angeles, California. He also has a home in Dublin, Ireland.
References
Other websites
Colin reads his thoughts on gay bullying on Ellen
New Yorker caricatures of Farrell and Brendan Gleeson in In Bruges
1976 births
Living people
Actors from Dublin
Golden Globe Award winning actors
Irish movie actors
Irish television actors
Naturalized citizens of the United States |
<p>I want to open a bunch of music app links using links data I have in firebase. I want to open, amazonPrimeMusic, Ganna, Spotify, Wynk, JioSavaan to name some.</p>
<pre><code>Widget buildResultCard(data) {
List items = [Text(data['Ganna']),
IconButton(icon:Icon(Icons.all_inclusive),
onPressed: ()=> {Text("Ganna")}
),
Text(data['Wynk']),
IconButton(icon:Icon(Icons.all_inclusive),
onPressed: ()=> {Text("Ganna")}
),
Text(data['JioSavaan']),
IconButton(icon:Icon(Icons.all_inclusive),
onPressed: ()=> {Text("Ganna")}
),
Text(data['PrimeMusic']),
IconButton(icon:Icon(Icons.all_inclusive),
onPressed: ()=> {Text("Ganna")}
)
];
return ListView.builder(
padding: EdgeInsets.only(top: 20),
itemCount: items.length,
itemBuilder: (BuildContext context, int index) {
return items[index];
},
);
}
</code></pre>
<p>when I tap the button in the list it should open up the particular app for which the link is, for example for AmazonPrimeMusic link, it should open the Amazon music app.</p> |
In physics, a physical system is any object or part of an object that can be analysed with the laws of physics. An atom or the water in a lake can both be considered as physical systems. Everything outside the system is called the environment, which in the analysis is ignored except for its effects on the system.
All matter and energy in the universe could be treated as one big physical system, but often it is much much easier to look at the universe a few particles at a time, and treat these particles as their own quantum systems. There are many many different physical systems that physicists like to study. Some examples are:
the Earth's atmosphere
a falling object
a hydraulic pump
the wing of an airplane
a glass of water
a crystal or other solids
the nucleus of an atom
fundamental particles like quarks.
Physical systems are different to conceptual systems, which study theoretical objects, ideas or concepts (such as the Turing machine).
Related pages
System
Thermodynamic system
References
System |
Junya Tanaka can mean:
Junya Tanaka (footballer, born 1983) (田中 淳也) - Japanese footballer
Junya Tanaka (footballer, born 1987) (田中 順也) - Japanese footballer |
Gabrovo Province is a province in Bulgaria. The capital city is also named Gabrovo.
Places of interest in Gabrovo province include architectural reserve Bozhentsi. Hiking is widely available in the Central Balkan National Park and in the Bulgarka Nature Park.
Municipalities
The Gabrovo province has four municipalities. The following table shows the names of each municipality, the main town (in bold) or village, and the population of each as of 2009.
References
Provinces of Bulgaria |
The 195 Project is a non-profit think tank established in 2020 by Hong Kong based billionaire Calvin Lo (Chinese: 盧啟賢). It is a branch of the CFL Initiative, Lo’s personal US$245 million charity foundation.
The 195 Project seeks non-partisan and apolitical macroeconomic ideas, discussions, and expert opinions on how best to address better philanthropy in a post-Covid-19 world.
References
Think tanks based in Hong Kong
Foundations based in Hong Kong |
Hipster refers to a subculture of young, urban middle-class adults and older teenagers. Hipsters first appeared in the 1990s and became more noticeable in the 2010s. It is based on the earlier movements in the 1940s. Hipsters listen to independent music and alternative music. They dress in clothes that are different from other people. Hipsters wear vintage clothes and thrift store clothes. Hipsters have pacifist and green views. They have an alternative way of living.
Hipster culture mixes styles, tastes and ways of behaving. Christian Lorentzen of Time Out New York says that hipsters copy many styles, including beat, hippie, punk, and grunge. Lorentzen says that hipsters are mostly white 18- to 45-year old people.
In a Huffington Post article entitled "Who's a Hipster?", Julia Plevin says that it hard to define who is a hipster.
As hipsters moved into suburbs near New York City, The New York Times made up the new word "Hipsturbia" to describe how hipsters live in suburbs.
References
Subculture |
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The Concepción department () is a department of Paraguay. The capital is the city of Concepción.
Its ISO 3166-2 code is PY-1.
Geography
The Concepción department is in the central part of the country, in the northwest of the Oriental region. It has an area of , with a population of 189,929 for a Population density of .
Limits
To the north: Mato Grosso do Sul (Brazil), separated by the Apa river.
To the south: San Pedro department, separated by the Ypané river.
To the east: Amambay department.
To the west: Presidente Hayes and Alto Paraguay departments, separated from them by the Paraguay river.
Rivers
The main river in the department is the Paraguay river. Other rivers are the Apa and the Ypané.
Climate
, the total amount of precipitation for the year 2012 in the city of Concepción was . The month with the most precipitation was March with of precipitation. The month with the least precipitation was August with .
The average temperature for the year 2012 in Concepción was . The warmest month, on average, was January with an average temperature of . The coolest month on average is July, with an average temperature of .
Districts
The department is divided in 11 districts:
Related pages
Departments of Paraguay
ISO 3166-2:PY
References
Other websites
Gobernación de Concepción website
Statoids - Departments of Paraguay
Departments of Paraguay |
Efigenio Ameijeiras Delgado (September 21, 1931 – February 10, 2020) was a Cuban military commander. He worked with Fidel Castro in the military during the 1950s.
He was one of the band of Castro's active guerrillas that became known as the 26th of July Movement, named after the raid on Moncada Barracks on 26 July 1953. During the Bay of Pigs Invasion, on 19 April 1961, he commanded a battalion of about 200 police and militia moving south towards Giron, that was attacked by Brigade B-26s.
Ameijeiras died of sepsis on February 10, 2020 at the age of 88.
References
1931 births
2020 deaths
Deaths from sepsis
Cuban people
Military people |
An Unforgettable Summer (; ) is a 1994 Romanian French drama movie directed by Lucian Pintilie and starring Kristin Scott Thomas, Claudiu Bleonț, Olga Tudorache, George Constantin, Ion Pavlescu, Marcel Iureș, Răzvan Vasilescu.
Other websites
1994 drama movies
Romanian drama movies
French drama movies
Movies directed by Lucian Pintilie |
Lithium beryllide is a hypothetical intermetallic compound of lithium and beryllium. It may have many possible compositions. They include LiBe, LiBe2, Li2Be, LiBe3, Li3Be, Li2Be3, Li3Be2, LiBe4 and Li4Be.
References
Lithium compounds |
A barge is a simple looking boat with a flat surface and long structure. Barges usually transport goods to different places.
In Great Britain, during the Industrial Revolution, a substantial network of narrow barges was developed from 1750 onwards.
From 1825 there was competition from the railways. Eventually the British rail system took over from canal traffic due to the higher speed, falling costs and route flexibility of rail transport.
Barges carrying bulk and heavy cargoes continue to be viable. There is no cheaper way to move really heavy loads. Originally, British canals had locks only wide, so narrowboats could be no more than 6'10" wide if they were to be able to navigate the system. It was soon realised that narrow locks were too limiting, and later locks were doubled in width to .
On the British canal system the term 'barge' is used to describe a "Thames [sailing barge], Duch [barge], or other styles of barge". The people who move barges are often known as lightermen.
A narrowboat is a particular type of canal boat, built to fit the narrow locks of the United Kingdom.
References
Boats |
Mansehra Tehsil () is a subdivision of the Mansehra District, Hazara Division, Khyber Pakhtunkhwa, Pakistan. The main or central city of Mansehra is also located in this area. It is a major stop for tourists on the Karakoram Highway which leads to China. It is also a major transit point to the Northern Areas and locations such as the Kaghan Valley, Naran, Shogran, Lake Saiful Mulook and Babusar Top.
Tehsils of Khyber Pakhtunkhwa |
Paramount Pictures is a production and distribution company. It is the oldest movie studio in the United States. It has been in existence since 1912. Paramount is owned by media conglomerate ViacomCBS. Paramount is one of the Big Five movie studios.
History
Paramount Pictures Inc. can trace its beginnings to the creation in May, 1912 of the Famous Players Film Company. Organized in 1914 by a Utah theater owner, W. W. Hodkinson, Paramount Pictures was the first successful nationwide distributor. Until this time, movies were sold on a statewide or regional basis. This was inefficient and costly to producers.
In 1916, Adolph Zukor created a three-way merger of his Famous Players Film Company, Jesse L. Lasky's Lasky Feature Play Company, and Paramount. The new company was called Famous Players-Lasky and grew quickly. Lasky ran the production side. Hiram Abrams was in charge of distribution and Zukor handled the business side of the company.
In 1927, Famous Players-Lasky took on the name Paramount-Famous Lasky Corporation. Three years later, because of the importance of the Publix theater chain, it was later known as Paramount-Publix Corporation. The company went into bankruptcy in 1933. When the company emerged from bankruptcy, it was known as Paramount Pictures, Inc.
Paramount Pictures had been an early supporter of television. It created stations in 1939 in Los Angeles (later to become KTLA) and Chicago's WBKB.
Paramount's successful run of lightweight pictures in the 1980s and 1990s created hits like Flashdance, the Friday the 13th series; Raiders of the Lost Ark, Beverly Hills Cop and the Star Trek features.
In 1993, entertainment conglomerate Viacom bought Paramount.
Paramount is the last major movie studio located in Hollywood. Other studios such as Warner Bros. and Columbia Pictures moved to other neighborhoods in Los Angeles.
On December 11, 2005, Paramount said it had purchased DreamWorks SKG in a deal worth $1.6 billion. On February 1, 2006, the studio announced that the DreamWorks acquisition was completed.
In March 2010, Paramount started Insurge Pictures, a low-budget label. In 2019, Paramount bought 49 percent of Miramax Films.
List of movies
Film studios
DreamWorks (1996-2010; live-action movies)
Nickelodeon Movies (1998-present)
DreamWorks Animation (2006-2012)
Miramax Films (2019-present)
Other websites
Official website
Paramount Pictures on IMDB.com
Insurge Pictures
1912 establishments in California
Companies based in Los Angeles
Movie studios
Viacom |
Arma is a city in Crawford County, Kansas, United States. The 2010, 1,481 people lived there.
History
Arma was created in 1894. It was named after W.F. Armacost, an early landowner.
A post office was opened at Arma in 1891. It was used until it was closed in 1906.
Arma was a station on the Missouri Pacific Railroad.
Geography
Arma is at (37.543679, −94.700472). The United States Census Bureau says that the city has a total area of . Of that, is land and is water. It is located about 6 minutes' drive north of Frontenac, and about 8 minutes' drive east of Girard.
People
2010 census
The 2010 census says that there were 1,481 people, 657 households, and 372 families living in Arma.
Education
Arma is part of USD 246 Northeast.
Before school unification, the Arma High School mascot was Bulldogs.
References
Other websites
City
Arma – Directory of Public Officials
Schools
USD 246, local school district
Maps
Arma City Map, KDOT
Cities in Crawford County, Kansas |
<p>This system is really confusing me. I'm rotating a turret to face an enemy sprite, I get the angle in radians with:</p>
<pre><code>float angleRadians = atanf(yDifference / xDifference);
float angleDegrees = CC_RADIANS_TO_DEGREES(angleRadians);
</code></pre>
<p>That's cool, now I put the enemy in several positions to see how it plotted the angles in DEGREES:</p>
<p>T = Turret</p>
<pre><code>-45 90 45
-0 T 0
45 -90 -45
</code></pre>
<p>The angle for an enemy top-right of the turret is going to be the same as the angle for an enemy bottom-left, thus I'd have to have some form of condition to distinguish the 2. That wouldn't be hard except for the fact that cocos2d's rotational angles work like this:</p>
<pre><code>45 90 135
0 T +/-180
-45 -90 -135
</code></pre>
<p>What do I have to do to convert the angle I calculated at the start to correctly rotate the turret with this system above? </p> |
<p>I am working on an ASP.NET MVC 4 app with WEB API. THe MVC client makes a call to WEB API for authorization and receives a token in return. Or another pre authorized brower might just pass the token to MVC client and this will not need re authorization from MVC client. I would like to store this token for further WEB API calls. And i dont want to store it in a cookie as well. Any pointers on how to achieve this will be helpful.</p> |
George Town, Grand Cayman, is the capital of the Cayman Islands, in the British West Indies. The town has a population of 20,626 (1999 estimates).
National capitals in North America
Cayman Islands |
Clayton Le Woods is a village in Lancashire, situated roughly two miles outside the market town of Chorley. According to the United Kingdom Census 2001 it has a population of 14,528.
Gallery
Sources
Other websites
Clayton-le-Woods chorley.gov.uk.
Parish council, etc
Villages in Lancashire |
Nupedia was an English-language online encyclopedia. Its articles were written by volunteers and checked by experts. They were licensed as open content. It was founded by Jimmy Wales and Larry Sanger. Nupedia was online from March 2000 until September 2003. It is mostly known as the website which came before Wikipedia.
Unlike Wikipedia, Nupedia was not a wiki. It also had a long peer-review process for all of its articles. This was supposed to make its articles as good as professional encyclopedias. Nupedia wanted scholars to help build it. Before it shut down, Nupedia had 25 articles that completed its own review routine.
In June 2008, CNET said that Nupedia was one of the greatest closed websites in Internet history.
History
In late 1999, Jimmy Wales began thinking about an online encyclopedia built by volunteers. In January 2000, he hired Larry Sanger to manage it. The project went online on March 9, 2000.
By November 2000, only two full articles had been published.
From when it started, Nupedia was a free content encyclopedia. Bomis, Jimmy Wales' company, was going to get money from adverts on the Nupedia website. At first, the project used a license that was made up by Wales and Sanger. Later, it began using the Nupedia Open Content License. In January 2001, it switched to the GNU Free Documentation License. This was because Richard Stallman and the Free Software Foundation said they should.
Also in January 2001, Nupedia started Wikipedia. At first, it was not meant to be an encyclopedia. Instead, it was meant as a side-project to allow people to work on articles for Nupedia before they were peer reviewed. As Wikipedia got bigger and attracted new users, it began to run without Nupedia. However, Larry Sanger first led activity on Wikipedia. This was because he was the chief editor on Nupedia.
Wikipedia led to the gradual shutdown of Nupedia. Jimmy Wales decided to stop paying Sanger in December 2001. Sanger then left both Nupedia and Wikipedia. After Sanger left, Nupedia became even less noticed than Wikipedia. As Nupedia was used less and less, the idea of changing its articles into Wikipedia articles was sometimes proposed. However, it was never done. After it closed down, Nupedia's articles were moved in to Wikipedia.
Peer review
Nupedia's articles were all peer reviewed. These were the steps they had to follow:
Assignment
Finding a lead reviewer
Lead review
Open review
Lead copyediting (when articles had their grammar, punctuation and layout changed to look better)
Open copyediting
Final approval and markup
People who wrote for Nupedia were supposed to be experts in what they wrote about. However, some articles could be written by a good writer, rather than an expert. People who changed content on Nupedia were expected to be "true experts in their fields and (with few exceptions) possess PhDs", which means that they should be experts in what they are changing and (generally) have PhDs.
Related pages
Wikipedia
Bomis
References
Other websites
Earlier versions of Nupedia (from the Internet Archive)
Larry Sanger: The Early History of Nupedia and Wikipedia: A Memoir Part 1 and Part 2. Slashdot, April 2005
http://nunupedia.sourceforge.net
2000 establishments in the United States
2003 disestablishments
2000s disestablishments in the United States
Encyclopedias
Websites established in the 2000s |
Births
September 7 – Georges-Louis Leclerc, Comte de Buffon, French naturalist (d. 1788) |
Tamara Tchinarova Finch (also tr. Chinarova; born Tamara Rekemchuk, July 18, 1919 – August 31, 2017) was a Romanian ballet dancer and writer. She was born in Cetatea Albă, Kingdom of Romania.
During the 1940s, Tchinarova worked significantly to the development of Australian dance companies, including the Kirsova Ballet and the Borovansky Ballet. After retiring from dancing, she worked as a Russian/English interpreter for touring ballet companies, including the Australian Ballet, and as a dance writer.
Tchinarova was married to Australian actor Peter Finch from 1943 until they divorced in 1959.
Tchinarova died on August 31, 2017 at her home in Malaga, Spain of pneumonia at the age of 98.
References
1919 births
2017 deaths
Deaths from pneumonia
Disease-related deaths in Spain
Romanian writers
Ballet dancers |
Misery is a song by American band Maroon 5. It was released on June 22, 2010 by A&M/Octone Records via the iTunes Store. The song was released in advance of the band's mid-2010 tour, and is the first single from their third studio album, Hands All Over, which was released on September 21, 2010.
Genre pop rock
2010 songs
Maroon 5 songs |
Champignelles is a commune. It is in the Yonne department in the center of France.
References
INSEE
Communes in Yonne |
Subsets and Splits
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